1 00:00:00,040 --> 00:00:03,760 Speaker 1: Hey, Lethal listeners tig torres here, stay tuned for the 2 00:00:03,800 --> 00:00:07,040 Speaker 1: next episode of Lethal lit But first, a quick word 3 00:00:07,080 --> 00:00:15,800 Speaker 1: from today's sponsor. Oh my god, I got it's Superget this, 4 00:00:15,920 --> 00:00:19,320 Speaker 1: get this one table. They're all one killer. Just returning 5 00:00:19,360 --> 00:00:24,680 Speaker 1: on me the true about school. Come on, get the 6 00:00:24,720 --> 00:00:31,160 Speaker 1: hell hop three times in case you couldn't tell that 7 00:00:31,280 --> 00:00:36,479 Speaker 1: was intense. This whole town has legit lost their minds. 8 00:00:37,360 --> 00:00:40,000 Speaker 1: To bring our new listeners up to speed, this is 9 00:00:40,080 --> 00:00:44,920 Speaker 1: my lone girl on a Mission podcast. I'm back in 10 00:00:45,000 --> 00:00:48,000 Speaker 1: my hometown of Hollow Falls trying to crack open the 11 00:00:48,040 --> 00:00:51,600 Speaker 1: lit killer case. The lit killer was a serial murderer 12 00:00:51,600 --> 00:00:54,880 Speaker 1: who scream queened this town a decade ago, leaving bodies 13 00:00:54,960 --> 00:00:58,040 Speaker 1: posed like literary references from your high school reading list. 14 00:00:58,720 --> 00:01:02,320 Speaker 1: My aunt, Beth, his last victim, took all the blame, 15 00:01:03,040 --> 00:01:05,839 Speaker 1: and since I know she wasn't the killer, I'm back 16 00:01:05,880 --> 00:01:09,760 Speaker 1: for justice only. I didn't count on the real murderer 17 00:01:09,760 --> 00:01:14,240 Speaker 1: making an encore appearance, resulting in one very dead Tony 18 00:01:14,319 --> 00:01:18,319 Speaker 1: del Canto folly, and I witnessed his body drop from 19 00:01:18,360 --> 00:01:22,120 Speaker 1: three stories up. Now the whole town is freaking out 20 00:01:22,160 --> 00:01:24,920 Speaker 1: because they're open and shut. Case isn't so shut anymore, 21 00:01:25,760 --> 00:01:30,320 Speaker 1: and guess who's to blame. So let's cut back to 22 00:01:30,400 --> 00:01:34,959 Speaker 1: Hollow Falls High, where you're fearless heroine was hiding in 23 00:01:34,959 --> 00:01:43,800 Speaker 1: a closet. No, oh, hey, Principal Block, come with me. 24 00:01:45,200 --> 00:01:53,120 Speaker 1: I'm tig Torres and this is Lethal lit I've ever 25 00:01:53,200 --> 00:01:56,160 Speaker 1: been so obsessed with something that you couldn't eat or sleep, 26 00:01:57,080 --> 00:02:02,160 Speaker 1: that's me this case. My aunt's innocence has been part 27 00:02:02,160 --> 00:02:04,840 Speaker 1: of my DNA since we left this town years ago. 28 00:02:06,080 --> 00:02:09,640 Speaker 1: But if you've been plugged into the real freaks of 29 00:02:09,680 --> 00:02:13,520 Speaker 1: Hollow Falls, then you already know that. Less well known 30 00:02:13,639 --> 00:02:15,960 Speaker 1: is the fact that Hollow Falls and its residents are 31 00:02:16,000 --> 00:02:19,720 Speaker 1: invested in keeping the lit killer dead and buried. So 32 00:02:19,840 --> 00:02:22,440 Speaker 1: Tony's murder, even hinting that the lit killer is back, 33 00:02:23,480 --> 00:02:25,400 Speaker 1: things around here are going to go from zero to 34 00:02:25,520 --> 00:02:29,400 Speaker 1: Riverdale real quick. Maybe my new pals at the Talent 35 00:02:30,120 --> 00:02:34,760 Speaker 1: the student newspaper will help out. Maybe not, But first 36 00:02:35,600 --> 00:02:41,040 Speaker 1: I had to get through this meeting with Principal Block. Mrs. 37 00:02:41,720 --> 00:02:45,240 Speaker 1: I'm going to make this brief. Exactly what in the 38 00:02:45,280 --> 00:02:48,799 Speaker 1: hell do you think you're doing? Principal Ronald Block is 39 00:02:48,840 --> 00:02:54,239 Speaker 1: a Hollow Falls lifer super imposing I think infinity war 40 00:02:54,320 --> 00:02:58,000 Speaker 1: Thanos minus the whole purple part. He lives alone and 41 00:02:58,040 --> 00:03:00,840 Speaker 1: has been working at the high school since graduating college. 42 00:03:01,400 --> 00:03:04,480 Speaker 1: What does that tell us, Well, it means Block was 43 00:03:04,520 --> 00:03:07,240 Speaker 1: around the first time the lit killer terrorized the town. 44 00:03:08,040 --> 00:03:11,120 Speaker 1: It also means he wants to keep the glassy eyed 45 00:03:11,200 --> 00:03:15,160 Speaker 1: status quo at Hollow Falls High. Is he a suspect? 46 00:03:15,840 --> 00:03:19,120 Speaker 1: I'm not sure yet, but until I know otherwise, I 47 00:03:19,200 --> 00:03:21,680 Speaker 1: have to treat him like one. Let's go back to 48 00:03:21,720 --> 00:03:26,840 Speaker 1: our chat. Are you listening, Yes, sir, I'm just still 49 00:03:26,840 --> 00:03:29,560 Speaker 1: a bit freaked out. You can relax now. I know 50 00:03:29,680 --> 00:03:33,160 Speaker 1: you've been through and seen a lot. As much as 51 00:03:33,160 --> 00:03:35,840 Speaker 1: I blame you for bringing this new chaos into my school, 52 00:03:35,880 --> 00:03:38,160 Speaker 1: I don't want any of my students being chased around 53 00:03:38,200 --> 00:03:43,480 Speaker 1: like some looney Tunes clip. So take a breath for 54 00:03:43,520 --> 00:03:47,120 Speaker 1: the moment you're in what they call a safe space. 55 00:03:48,280 --> 00:03:51,080 Speaker 1: Block showing me even an ounce of compassion through me, 56 00:03:51,880 --> 00:03:54,760 Speaker 1: as did the creepy stuffed bird on his desk. His 57 00:03:54,840 --> 00:03:57,600 Speaker 1: name was Henry and he was the school's original mascot, 58 00:03:58,160 --> 00:04:03,080 Speaker 1: the reason they're the Hollow Fall Hawks. But historical mascot 59 00:04:03,120 --> 00:04:05,600 Speaker 1: or no, Keeping an old dead bird on your desk 60 00:04:05,760 --> 00:04:10,680 Speaker 1: is well it's kind of glass a hollow falls. All right, 61 00:04:10,760 --> 00:04:14,240 Speaker 1: Mr Doris, we're done here. One more thing, though, Principal 62 00:04:14,280 --> 00:04:18,200 Speaker 1: Block seems the resemblance to your aunt isn't just skin deep. 63 00:04:18,880 --> 00:04:21,800 Speaker 1: I said you could go, Mr Doris, and I totally will. 64 00:04:21,960 --> 00:04:24,279 Speaker 1: But first, can you tell me anything about Tony's case? 65 00:04:24,600 --> 00:04:26,960 Speaker 1: Did you not hear what I said? Are they reopening 66 00:04:26,960 --> 00:04:29,320 Speaker 1: the lit killer case? I'm not trying to cause trouble. 67 00:04:29,400 --> 00:04:31,680 Speaker 1: I will give you major trouble unless you stand up, 68 00:04:31,880 --> 00:04:36,480 Speaker 1: turn around, and walk out. This instant trouble was something 69 00:04:36,480 --> 00:04:40,560 Speaker 1: I could count on finding me no matter what. When 70 00:04:40,640 --> 00:04:42,680 Speaker 1: Max and I found that first tape of my aunt 71 00:04:42,680 --> 00:04:45,880 Speaker 1: Beth's recordings at the Star Diner, I knew it wouldn't 72 00:04:45,880 --> 00:04:48,840 Speaker 1: be the last, but the clue gave me some doubts. 73 00:04:49,760 --> 00:04:51,920 Speaker 1: I figured out the quote. It was from a clockwork 74 00:04:52,000 --> 00:04:54,960 Speaker 1: arnge by Anthony Burgess. Is it better for a man 75 00:04:55,040 --> 00:04:59,240 Speaker 1: to have chosen evil than to have good imposed upon him? 76 00:04:59,279 --> 00:05:02,640 Speaker 1: But it was hard a solid GPS pen. I needed 77 00:05:02,680 --> 00:05:05,520 Speaker 1: to brainstorm with Ali Win and Max the talent crew 78 00:05:05,720 --> 00:05:08,760 Speaker 1: if we had any hope of finding that next tape 79 00:05:09,360 --> 00:05:13,520 Speaker 1: or you got snagged by Principal Mussolini. Yeah, it was 80 00:05:13,640 --> 00:05:18,960 Speaker 1: super lit. But that bird, right, Henry has reserved seating 81 00:05:18,960 --> 00:05:22,120 Speaker 1: in all of my nightmares. Okay, So in terms of clues, 82 00:05:22,160 --> 00:05:25,159 Speaker 1: Who've got the free fall and clockwork orange quotes plus 83 00:05:25,200 --> 00:05:28,680 Speaker 1: the note from Tony's good morning Losers. So this is 84 00:05:28,760 --> 00:05:33,839 Speaker 1: scary on grande listeners. Meet Ella high Smith, spoiled daughter 85 00:05:33,880 --> 00:05:37,080 Speaker 1: of the mayor of Hollow Falls, and until a few 86 00:05:37,160 --> 00:05:40,480 Speaker 1: days ago, the arm candy of one Tony del Canto. 87 00:05:41,480 --> 00:05:44,400 Speaker 1: Since then, she's kind of been basking in the veiled 88 00:05:44,440 --> 00:05:49,000 Speaker 1: glow of her new gig girlfriend in mourning. So here's 89 00:05:49,040 --> 00:05:52,040 Speaker 1: the deal, freaks and geeks, all this serial killer talk 90 00:05:52,120 --> 00:05:55,040 Speaker 1: from little Miss Murder has got to stop, right about 91 00:05:55,080 --> 00:05:59,680 Speaker 1: the important stuff. I'm the tragedy here. My boyfriend, my 92 00:06:00,000 --> 00:06:05,680 Speaker 1: sweet strong Tony is gone Hill and Tig. Don't think 93 00:06:05,720 --> 00:06:08,560 Speaker 1: I didn't notice. Tony's death was right after he had 94 00:06:08,600 --> 00:06:11,440 Speaker 1: a run in with you Big city Torres back with 95 00:06:11,480 --> 00:06:14,400 Speaker 1: a podcast full of lies about a new killer, when 96 00:06:14,440 --> 00:06:16,640 Speaker 1: it was her psycho aunt who racked up the body 97 00:06:16,720 --> 00:06:18,960 Speaker 1: count in the first place. So this want to be 98 00:06:19,080 --> 00:06:22,240 Speaker 1: true crime doc of yours has got to go. It's 99 00:06:22,279 --> 00:06:25,200 Speaker 1: distracting from Daddy and all the good things he's doing 100 00:06:25,240 --> 00:06:28,520 Speaker 1: for this town. So your boyfriend got acts, but you 101 00:06:28,520 --> 00:06:30,600 Speaker 1: want us to write about your daddy and you way 102 00:06:30,680 --> 00:06:34,360 Speaker 1: a compartmentalize your grief, Electra, I don't know or care 103 00:06:34,440 --> 00:06:37,040 Speaker 1: what that means. Just don't tell me how to grieve. 104 00:06:37,440 --> 00:06:39,920 Speaker 1: Tony was my sweet baybear and you need to leave 105 00:06:40,000 --> 00:06:43,560 Speaker 1: him out of this pathetic side hustle. Can I just 106 00:06:43,640 --> 00:06:46,000 Speaker 1: ask what conceiler you're using to mask your too your 107 00:06:46,000 --> 00:06:48,520 Speaker 1: stained eyes, because it is doing a fabulous job. Self 108 00:06:48,560 --> 00:06:51,560 Speaker 1: censor yourselves before someone else does it for you. Okay, 109 00:06:51,720 --> 00:06:56,320 Speaker 1: configure yourselves off blast as if we needed more drama. 110 00:06:56,680 --> 00:06:59,800 Speaker 1: But Ella high Smith would have to wait when and 111 00:06:59,839 --> 00:07:05,880 Speaker 1: I had another tape to find? Oh, this place, it's disgusting. 112 00:07:06,560 --> 00:07:08,320 Speaker 1: Why do I get pared on all the dusty and 113 00:07:08,360 --> 00:07:11,400 Speaker 1: gross missions when and I have just walked into a 114 00:07:11,480 --> 00:07:15,120 Speaker 1: used bookstore known as the book Barge. The place wreaked 115 00:07:15,160 --> 00:07:20,440 Speaker 1: of aged cat pie and lemon scented lysol. While stalling 116 00:07:20,440 --> 00:07:23,960 Speaker 1: out on deciphering where my aunt's clockwork orange clue was pointing, 117 00:07:24,440 --> 00:07:28,640 Speaker 1: we found out a fun fact. Anthony Burgess's dystopian book 118 00:07:28,800 --> 00:07:33,880 Speaker 1: was banned in Hollow Falls, well mostly banned. You couldn't 119 00:07:33,880 --> 00:07:36,400 Speaker 1: find it at the school or at the library, which 120 00:07:36,480 --> 00:07:39,480 Speaker 1: left the book Barge the dumpiest of dumps as our 121 00:07:39,600 --> 00:07:42,840 Speaker 1: last hope. So far we've found two copies of the 122 00:07:42,880 --> 00:07:47,120 Speaker 1: book with nothing special in them. Why would anybody come 123 00:07:47,160 --> 00:07:52,200 Speaker 1: in here? Much less bodish? Hi? Uh? Do you have 124 00:07:52,320 --> 00:07:55,520 Speaker 1: any other copies of A Clockwork Orange by Anthony Burgess? 125 00:07:56,320 --> 00:08:00,000 Speaker 1: I can only find these? What do you see which 126 00:08:00,000 --> 00:08:04,680 Speaker 1: to get? Okay, hey, wait a second, you're the tourist 127 00:08:04,720 --> 00:08:10,400 Speaker 1: kid christ a lot of helps she was. In fact, 128 00:08:10,720 --> 00:08:13,480 Speaker 1: she asked us to leave a few minutes later. If 129 00:08:13,520 --> 00:08:15,560 Speaker 1: I hadn't looked at the clock above the register, we 130 00:08:15,640 --> 00:08:23,760 Speaker 1: probably would have two. But there it was orange. H nothing, 131 00:08:23,800 --> 00:08:27,240 Speaker 1: It's just the hour hand on your clock is orange. 132 00:08:27,960 --> 00:08:32,160 Speaker 1: It's funny. Why is that funny? Really? Because the book? 133 00:08:33,280 --> 00:08:37,840 Speaker 1: Never mind? Um? Actually, ma'am, do you have a band aid? 134 00:08:37,840 --> 00:08:40,760 Speaker 1: By any chance? This looks like a cvous to you? 135 00:08:41,040 --> 00:08:44,880 Speaker 1: Girly customer service here is ond? I know, I'm sorry, 136 00:08:44,960 --> 00:08:47,320 Speaker 1: but I think I cut my ankle on one of 137 00:08:47,320 --> 00:08:49,600 Speaker 1: your shelves and I don't want to get blood on 138 00:08:49,640 --> 00:08:55,439 Speaker 1: your floor. And all right, Jesus age, hang on, let 139 00:08:55,440 --> 00:08:57,800 Speaker 1: me go check in the back. Last thing I need 140 00:08:57,760 --> 00:09:02,960 Speaker 1: to sing the story in her defense. I was up 141 00:09:02,960 --> 00:09:05,920 Speaker 1: to no good, and when she came back, she caught 142 00:09:05,960 --> 00:09:08,679 Speaker 1: me balanced on a stool with the clock in my 143 00:09:08,760 --> 00:09:12,840 Speaker 1: hands busted. In that moment, I did the only thing 144 00:09:12,880 --> 00:09:17,800 Speaker 1: I could think of. What did all you do to 145 00:09:17,920 --> 00:09:23,880 Speaker 1: get back here? Like cloth? Slow down for plea? Please 146 00:09:23,960 --> 00:09:26,240 Speaker 1: be another tea? If I had arrested for stealing a 147 00:09:26,280 --> 00:09:31,480 Speaker 1: quick down, yes, but I found it to be kidding 148 00:09:31,760 --> 00:09:33,760 Speaker 1: Clock her Grange, You were so not my favorite books, 149 00:09:33,760 --> 00:09:36,199 Speaker 1: but I could seriously kis this clock right now? Are you? 150 00:09:37,760 --> 00:09:39,680 Speaker 1: The tape we found at the book Barge gave us 151 00:09:39,720 --> 00:09:42,200 Speaker 1: another snippet of Aunt Beth recording her notes from the 152 00:09:42,240 --> 00:09:45,120 Speaker 1: original lit Killer murders. We brought it back to the 153 00:09:45,160 --> 00:09:48,800 Speaker 1: Talent offices to give it a listen. It shows what 154 00:09:48,880 --> 00:09:52,080 Speaker 1: you found. Guys. You should have seen that place. You 155 00:09:52,080 --> 00:09:55,800 Speaker 1: should have some serious Jomo right now kissing out That 156 00:09:55,840 --> 00:09:58,400 Speaker 1: means Win hated it, Alexa. Fast forward to the Hide 157 00:09:58,400 --> 00:10:02,440 Speaker 1: and Seek Intrigue. Brace yourself for synergy. This new Man 158 00:10:02,559 --> 00:10:05,200 Speaker 1: Beth tape zoomed in on one of the Lip Killer's 159 00:10:05,320 --> 00:10:13,000 Speaker 1: first victims, Tony Delcanto's dad in Big Tone. Delcanto was 160 00:10:13,080 --> 00:10:16,280 Speaker 1: a local businessman with the spotty record and the varsity 161 00:10:16,360 --> 00:10:20,959 Speaker 1: football coach at Hollow Falls High had a reputation for 162 00:10:21,080 --> 00:10:25,439 Speaker 1: being hot headed, violent and prone to screaming at the kids. 163 00:10:26,040 --> 00:10:28,840 Speaker 1: I was already looking into him because of his business dealings. 164 00:10:29,160 --> 00:10:31,880 Speaker 1: Some associates had been caught up in some shady stuff. 165 00:10:31,880 --> 00:10:35,400 Speaker 1: But I think ever connected back to Delcanto directly. When 166 00:10:35,400 --> 00:10:37,440 Speaker 1: we ended up dead beaten to death in the back 167 00:10:37,480 --> 00:10:40,560 Speaker 1: of a local dive bar, the Wet Whistle, A lot 168 00:10:40,600 --> 00:10:43,640 Speaker 1: of people chalked it up to karma, but people don't 169 00:10:43,679 --> 00:10:47,040 Speaker 1: get beaten to death in Hollow Falls, and definitely not 170 00:10:47,240 --> 00:10:50,720 Speaker 1: with stones. A few weeks after Tony Sor's body was found, 171 00:10:50,960 --> 00:10:54,360 Speaker 1: Aunt Beth returned to the crime scene. Sneaking into the 172 00:10:54,440 --> 00:10:57,000 Speaker 1: office in the back of the bar, she discovered a 173 00:10:57,000 --> 00:10:59,679 Speaker 1: beat up copy of The Lottery and Other Stories by 174 00:10:59,679 --> 00:11:04,120 Speaker 1: Sure Jackson, shoved between two stacks of invoices. She also 175 00:11:04,160 --> 00:11:05,839 Speaker 1: knew the Hollow Falls p D had been in a 176 00:11:05,920 --> 00:11:08,920 Speaker 1: hurry to clear the case, so a tattered paperback wasn't 177 00:11:08,920 --> 00:11:11,640 Speaker 1: going to raise any of their thick eyebrows. Why did 178 00:11:11,640 --> 00:11:15,080 Speaker 1: it catch her attention? Well, if you're not familiar with 179 00:11:15,120 --> 00:11:17,720 Speaker 1: the story, I'll give you a spoiler. It ends with 180 00:11:17,760 --> 00:11:23,280 Speaker 1: a death by stoning. It was a type written message 181 00:11:23,400 --> 00:11:25,600 Speaker 1: on a note card stepped into the middle of the 182 00:11:25,600 --> 00:11:29,760 Speaker 1: book at the conclusion of the Lottery short story. Here's 183 00:11:29,760 --> 00:11:33,600 Speaker 1: what it said. I hope you've enjoyed the first few 184 00:11:33,679 --> 00:11:37,120 Speaker 1: chapters of our tail. It's quite the epic saga, I 185 00:11:37,160 --> 00:11:40,680 Speaker 1: promise you, and you've only just begun. Reminds me of 186 00:11:40,720 --> 00:11:43,800 Speaker 1: a book I once loved. Stuff your eyes with wonder, 187 00:11:43,880 --> 00:11:48,200 Speaker 1: he said, live as if you dropped dead in ten seconds. 188 00:11:48,200 --> 00:11:51,880 Speaker 1: Such a strong, powerful climax. Perhaps I'll save that for 189 00:11:52,000 --> 00:11:55,960 Speaker 1: my final chapter. But that's still aways away. No happy 190 00:11:56,200 --> 00:12:01,040 Speaker 1: rating the quote, at least according to Steiner's from then 191 00:12:01,160 --> 00:12:13,920 Speaker 1: hype link, Bradberry seminar hold that thought you guys right, Victorus, 192 00:12:14,640 --> 00:12:18,360 Speaker 1: This pirate radio operation is done, and I believe you 193 00:12:18,360 --> 00:12:21,320 Speaker 1: have a few things that belong to us. That's Detective 194 00:12:21,360 --> 00:12:24,360 Speaker 1: Laura Carver again. It's a safe bet to say she 195 00:12:24,400 --> 00:12:27,160 Speaker 1: doesn't want the case reopened. Kind of makes you look 196 00:12:27,160 --> 00:12:29,880 Speaker 1: bad when a serial killer, you said, committed suicide is 197 00:12:29,960 --> 00:12:35,200 Speaker 1: up and murdering again, right, filer under suspicious. These officers 198 00:12:35,200 --> 00:12:38,800 Speaker 1: are here to collect the evidence you're withheld and therefore contaminated, 199 00:12:39,240 --> 00:12:41,200 Speaker 1: And the notes over fast and we might not have 200 00:12:41,240 --> 00:12:46,920 Speaker 1: any problems. We'll also be confiscating a recording epintment. Why Mtorius, 201 00:12:47,360 --> 00:12:49,040 Speaker 1: I hope I don't need to remind you of our 202 00:12:49,160 --> 00:12:54,640 Speaker 1: little chat. Close the notes, good eye, Principal Detective Lane, 203 00:12:54,640 --> 00:12:59,640 Speaker 1: grab those. Your little d I Y radio show has 204 00:12:59,679 --> 00:13:03,360 Speaker 1: been draw some unwanted attention. That was the hidden evidence 205 00:13:03,400 --> 00:13:09,199 Speaker 1: gives me more than enough reason. This is total Mr Price, Sorry, kids, 206 00:13:09,200 --> 00:13:11,480 Speaker 1: but these notes are considered evidence in connection with a 207 00:13:11,480 --> 00:13:16,680 Speaker 1: recent homicide. US do you think serious? Right now? Hey, 208 00:13:17,200 --> 00:13:20,920 Speaker 1: it's my laptop? Is this even legal? Don't you need 209 00:13:21,000 --> 00:13:24,160 Speaker 1: some kind of probable cause? School grounds tour? As what 210 00:13:24,240 --> 00:13:27,360 Speaker 1: Principal Block says goes he gets an anonymous tip, we 211 00:13:27,480 --> 00:13:30,959 Speaker 1: act on it. I didn't realize anonymous was spelled e 212 00:13:31,200 --> 00:13:35,960 Speaker 1: l l A real. So what connects my podcast equipment 213 00:13:35,960 --> 00:13:39,040 Speaker 1: to the murder? Can you at least tell me that? Listen, kid, 214 00:13:39,480 --> 00:13:42,160 Speaker 1: I don't have to climb jack to you. Boys. Let's 215 00:13:42,200 --> 00:13:46,760 Speaker 1: wrap this up and move out. This is such b 216 00:13:47,080 --> 00:13:51,560 Speaker 1: s So sorry, Tig Tig you okay, we'll say something. 217 00:13:52,920 --> 00:13:57,600 Speaker 1: Did you guys hear that they said recent thomicide? Looks 218 00:13:57,600 --> 00:14:00,000 Speaker 1: like the cops are treating Tony's death like a homicide. 219 00:14:00,360 --> 00:14:03,760 Speaker 1: Not a suicide. That's huge. We need to keep your 220 00:14:03,760 --> 00:14:07,800 Speaker 1: eyes on the prize. Ace. They didn't get your MP's teapes, 221 00:14:07,920 --> 00:14:11,640 Speaker 1: did they? They did? But I have copies on the clouds, 222 00:14:11,679 --> 00:14:15,320 Speaker 1: So we're good. What can we do to help? I 223 00:14:15,360 --> 00:14:18,800 Speaker 1: know what we can do, what we should we discuss? What? 224 00:14:19,120 --> 00:14:24,040 Speaker 1: Where are you guys going? Oh, typical dudes so great 225 00:14:24,040 --> 00:14:29,880 Speaker 1: at communication? Hey? You sure you're okay? You're shaking. I'm no, 226 00:14:30,920 --> 00:14:35,120 Speaker 1: I'm actually not okay. I need more allies. I need 227 00:14:35,160 --> 00:14:38,480 Speaker 1: more evidence, and I need to keep getting the word out. 228 00:14:38,800 --> 00:14:41,560 Speaker 1: They can't just shut me up. Just take everything I've 229 00:14:41,600 --> 00:14:46,400 Speaker 1: worked to build. Hey, you're not alone. We are with 230 00:14:46,480 --> 00:14:52,360 Speaker 1: you on this. I'm with you on this. Thanks. I 231 00:14:52,480 --> 00:14:57,440 Speaker 1: just I don't know what to do next. I need 232 00:14:57,480 --> 00:15:03,600 Speaker 1: to think. Damn, I can't stop my hands from shading here, 233 00:15:03,920 --> 00:15:07,480 Speaker 1: grab my hand. Just stop and breathe for a second. 234 00:15:08,920 --> 00:15:11,720 Speaker 1: I'm sorry. I mean, I'm sure my clammy book barge 235 00:15:11,720 --> 00:15:15,280 Speaker 1: hands aren't going to help that much. But no, this 236 00:15:17,120 --> 00:15:22,760 Speaker 1: it's nice. Thanks. When it's cool. I like you, Taurus, 237 00:15:23,400 --> 00:15:26,560 Speaker 1: you know I feel like Wait, did my and Beth 238 00:15:26,640 --> 00:15:31,720 Speaker 1: mentioned sam Steiner on that tape? What her partner sam Steiner? 239 00:15:32,400 --> 00:15:34,680 Speaker 1: She worked with him at the paper, but when we 240 00:15:34,720 --> 00:15:37,840 Speaker 1: went there they said he was long gone. Am Beth 241 00:15:37,960 --> 00:15:41,560 Speaker 1: mentioning him on this new tape? Though, I bet you anything, 242 00:15:41,560 --> 00:15:44,440 Speaker 1: he's still in town. Come on, let's go. Are you 243 00:15:44,480 --> 00:15:50,840 Speaker 1: sure you're ready to? Yeah? I'm sure. Whatever. When we 244 00:15:50,960 --> 00:15:53,920 Speaker 1: visited the Hollow Falls Ledger, they told us Sam Steiner 245 00:15:53,920 --> 00:15:57,160 Speaker 1: had gone full hermit. But even shut ins have to 246 00:15:57,200 --> 00:16:00,400 Speaker 1: eat right, and what better spot than the one stront 247 00:16:00,480 --> 00:16:04,080 Speaker 1: most people in town of Bold. Hey, welcome to the 248 00:16:04,160 --> 00:16:09,080 Speaker 1: star dining home of out of this world eating CATTERA booth, ladies, 249 00:16:09,840 --> 00:16:13,960 Speaker 1: I guess I should say Ridge, you're engineering? But what Hi? Phil? 250 00:16:14,720 --> 00:16:18,680 Speaker 1: Do you remember me from the other day? You're the 251 00:16:18,720 --> 00:16:24,240 Speaker 1: one sniffing around the Sorry, yeah that was me. So 252 00:16:25,200 --> 00:16:28,160 Speaker 1: how well do you know the regulars here? Phil? I'm 253 00:16:28,240 --> 00:16:31,800 Speaker 1: looking for one in particular, older dude mid fifties at 254 00:16:31,880 --> 00:16:36,600 Speaker 1: Sam kind of a loner, regulars, specials who called bad 255 00:16:36,680 --> 00:16:41,960 Speaker 1: in the bathroom. I'm a little kiddo. Yeah, I see 256 00:16:41,960 --> 00:16:45,720 Speaker 1: Sam a lot loves the b lt not too chatty, 257 00:16:46,080 --> 00:16:51,400 Speaker 1: good tipper. Not here now, though, Oh that's okay. You 258 00:16:51,520 --> 00:16:55,280 Speaker 1: know what I think we'd like a booth? Please thank yourself? 259 00:16:56,360 --> 00:16:58,000 Speaker 1: Are you cool? With hanging out for a bit to 260 00:16:58,040 --> 00:17:00,920 Speaker 1: see if Sam shows up. I'm know it's a long shot. 261 00:17:03,720 --> 00:17:06,080 Speaker 1: Luckily we didn't have to wait long before our hunch 262 00:17:06,119 --> 00:17:13,160 Speaker 1: paid off. Hey look old Sawlock. That's got to be him. Hey, 263 00:17:13,560 --> 00:17:19,600 Speaker 1: Mr Steiner, Sam Steiner, I'm take Truss Beth Trust's niece. 264 00:17:20,280 --> 00:17:25,440 Speaker 1: And I was wondering funny thing. It seems like people 265 00:17:25,480 --> 00:17:29,200 Speaker 1: in this town don't like being recorded. But we managed 266 00:17:29,240 --> 00:17:31,120 Speaker 1: to calm Sam down long enough to get a few 267 00:17:31,119 --> 00:17:35,320 Speaker 1: minutes with him. Sam, seriously, thank you for doing this. Yeah, 268 00:17:35,440 --> 00:17:39,040 Speaker 1: you're totally doing us a solid. Don't let me yet. 269 00:17:39,600 --> 00:17:42,640 Speaker 1: I'm thinking my food will go. The best I can 270 00:17:42,640 --> 00:17:44,440 Speaker 1: do is give you a few tips, and if you're smart, 271 00:17:44,520 --> 00:17:47,679 Speaker 1: you'll take him to herd. I could save your life. 272 00:17:48,440 --> 00:17:51,600 Speaker 1: I'm all your Sam, But do you mind if I 273 00:17:51,640 --> 00:17:56,920 Speaker 1: ask you a few quick things first? Okay? Shoot, So 274 00:17:57,480 --> 00:18:00,080 Speaker 1: you worked at the Hall of Fall's ledger right for 275 00:18:00,160 --> 00:18:05,080 Speaker 1: my aunt path Yeah, for a while. She was. She 276 00:18:05,160 --> 00:18:08,040 Speaker 1: was great. A few people in this life are, you know, 277 00:18:08,840 --> 00:18:13,240 Speaker 1: genuinely good inside, but she was. We were both on 278 00:18:13,280 --> 00:18:16,480 Speaker 1: the cop speaking though I did some municipal reporting too, 279 00:18:17,119 --> 00:18:21,399 Speaker 1: small paper problems and all that. When the lid killer arrived. 280 00:18:23,240 --> 00:18:26,040 Speaker 1: It was all hands on, dick, What was that like? 281 00:18:27,320 --> 00:18:30,399 Speaker 1: It was nuts? What do you think this is a 282 00:18:30,760 --> 00:18:34,240 Speaker 1: It's a strange town. The buzzing't even before the first 283 00:18:34,240 --> 00:18:39,119 Speaker 1: body was discovered and your men she ran into that 284 00:18:39,160 --> 00:18:44,040 Speaker 1: case headed on. She was fearless and innocent. Right you 285 00:18:44,040 --> 00:18:46,480 Speaker 1: believe that too? Don't you look at it? Do you 286 00:18:46,520 --> 00:18:50,000 Speaker 1: want to prove your aunt wasn't the likuler dig up 287 00:18:50,080 --> 00:18:53,720 Speaker 1: the next person? The liquilar murdered the person he got 288 00:18:53,720 --> 00:18:58,000 Speaker 1: to after your aunt died? What who is that? I 289 00:18:58,040 --> 00:19:02,320 Speaker 1: thought Beth Torres was the last her back. As McClellan said, 290 00:19:02,960 --> 00:19:07,000 Speaker 1: the medium is the message. Don't just take everything and 291 00:19:07,080 --> 00:19:10,280 Speaker 1: face value. You get stuff in this down when someone 292 00:19:10,359 --> 00:19:14,880 Speaker 1: wants you to have it, don't forget that anything else 293 00:19:14,880 --> 00:19:18,760 Speaker 1: you can tell us, Sam yea quit now? Why do 294 00:19:18,800 --> 00:19:21,560 Speaker 1: you still can't that? This case eight year in alive 295 00:19:21,720 --> 00:19:24,000 Speaker 1: and you don't want to end up like her. The 296 00:19:24,080 --> 00:19:28,639 Speaker 1: best cases, you'll wind up like me and I barely 297 00:19:28,680 --> 00:19:31,479 Speaker 1: even get out of the house these days. The lind 298 00:19:31,560 --> 00:19:35,320 Speaker 1: killer will break you. Your heart is sold, your spirit? 299 00:19:41,840 --> 00:19:43,960 Speaker 1: Can you watch it? This sweater is already the perfect 300 00:19:44,000 --> 00:19:48,639 Speaker 1: amount of distress. Hey win take I'm glad I found 301 00:19:48,640 --> 00:19:53,240 Speaker 1: you. You You guys ready for some tea one over here? Hope? No, 302 00:19:53,400 --> 00:19:57,920 Speaker 1: that's not what that means. What's up next? Always been arrested? 303 00:19:58,320 --> 00:20:01,000 Speaker 1: What that boy went full baby driver on the cops 304 00:20:01,000 --> 00:20:03,400 Speaker 1: and try to steal your stuff back with a moral? 305 00:20:04,119 --> 00:20:10,760 Speaker 1: That's really stupid and sweet? Sweet or not? We had 306 00:20:10,800 --> 00:20:13,560 Speaker 1: a problem when and Max noted he wasn't about to 307 00:20:13,600 --> 00:20:17,200 Speaker 1: get bailed out by any parentals anytime soon. But after 308 00:20:17,240 --> 00:20:19,120 Speaker 1: our run ins with the cops, we needed to tag 309 00:20:19,119 --> 00:20:21,880 Speaker 1: in an actual adult on this one, so we called 310 00:20:21,960 --> 00:20:26,280 Speaker 1: up the Talents faculty advisor, Harry Levinson. Hey, guys, it's 311 00:20:26,400 --> 00:20:28,960 Speaker 1: Mr Levinson. I just wanted to let you know about Ali. 312 00:20:29,160 --> 00:20:32,040 Speaker 1: I'm at the police station. It might be a little while, 313 00:20:32,200 --> 00:20:34,920 Speaker 1: but I'm sure it's all just a big misunderstanding. I'll 314 00:20:35,080 --> 00:20:38,959 Speaker 1: let you know when I have more figures. He's already 315 00:20:39,000 --> 00:20:42,639 Speaker 1: down there in old dead mode. Such a daddy. I 316 00:20:42,680 --> 00:20:44,359 Speaker 1: feel like I owe Ali for trying to get my 317 00:20:44,359 --> 00:20:46,960 Speaker 1: stuff back. I'm going to head over. Hey, did you 318 00:20:46,960 --> 00:20:48,600 Speaker 1: guys notice there was a car still out there on 319 00:20:48,640 --> 00:20:51,480 Speaker 1: the lot. Yeah, the red camera probably block because he 320 00:20:51,480 --> 00:20:54,440 Speaker 1: has like zero homeland. If he's here, let's go talk 321 00:20:54,480 --> 00:20:58,200 Speaker 1: to him. Are you insane. The first thing he'll ask 322 00:20:58,320 --> 00:21:01,840 Speaker 1: is why we're here. Look, Black knows something about Tony's death, 323 00:21:02,080 --> 00:21:04,560 Speaker 1: and if there's any intel to get I want it. 324 00:21:07,680 --> 00:21:09,919 Speaker 1: I can't believe you guys are talking me into this. 325 00:21:10,119 --> 00:21:12,640 Speaker 1: Come on, Max, I thought you gave up that Damsel 326 00:21:12,640 --> 00:21:15,520 Speaker 1: in Distress act in first grade. Okay, First of all, 327 00:21:15,600 --> 00:21:17,959 Speaker 1: Jordan Harris consistently stole from my cubby hole, and I 328 00:21:18,000 --> 00:21:22,520 Speaker 1: had everybody to be afraid. Somebody's are right his door, 329 00:21:23,600 --> 00:21:27,960 Speaker 1: it's open and the lights are off. Well, everyone achieves 330 00:21:28,000 --> 00:21:32,920 Speaker 1: serenity on the who you okay? So us? Yeah, I'm fine. 331 00:21:32,960 --> 00:21:35,960 Speaker 1: I just slipped on something. Um, hold on, it's starting 332 00:21:36,040 --> 00:21:41,320 Speaker 1: here and let me still play on my phone. Uh no, 333 00:21:41,320 --> 00:21:43,800 Speaker 1: no way. That is blood on the floor and we 334 00:21:43,840 --> 00:21:47,560 Speaker 1: are officially in the danger zone. It's coming from Block's office. 335 00:21:47,600 --> 00:21:49,439 Speaker 1: Are you kidding me? We need to get out of 336 00:21:49,480 --> 00:21:51,399 Speaker 1: here and call the cost could be heard in that. 337 00:21:51,520 --> 00:21:53,399 Speaker 1: I mean, obviously that sucks for them and all but 338 00:21:53,480 --> 00:21:55,760 Speaker 1: hashtag I'm with her. We need to get out of 339 00:21:55,760 --> 00:21:58,920 Speaker 1: here and call the boys in Blue. Okay, wait here, Chase, 340 00:21:59,359 --> 00:22:05,119 Speaker 1: don't Yellow, you need back up. This is aft. I 341 00:22:05,160 --> 00:22:07,920 Speaker 1: know what you're thinking. This goes against everything you learned 342 00:22:07,920 --> 00:22:18,200 Speaker 1: from watching horror movies. Oh yeah, this is bad, This 343 00:22:18,240 --> 00:22:24,399 Speaker 1: is so bad. Oh my god, only ship the face 344 00:22:25,160 --> 00:22:29,720 Speaker 1: or parts of it belonged to Principal Block. I say 345 00:22:29,840 --> 00:22:32,879 Speaker 1: parts of it, because his head was sliced in half 346 00:22:32,920 --> 00:22:37,320 Speaker 1: by an axe. The entire office was splattered with blood. 347 00:22:38,280 --> 00:22:41,360 Speaker 1: In less than a week, I've been inches away from 348 00:22:41,400 --> 00:22:46,679 Speaker 1: two dead bodies, people I've seen alive hours before. I 349 00:22:46,720 --> 00:22:50,800 Speaker 1: don't I'm not sure yet I can describe what that. 350 00:22:52,119 --> 00:23:05,480 Speaker 1: This feels like Sarah Party from High Principle Lock was 351 00:23:05,560 --> 00:23:11,400 Speaker 1: half dead on school ground residence, wondering if the town 352 00:23:11,480 --> 00:23:17,520 Speaker 1: toorious serial murderer blood killer has returned. All right, that's enough, 353 00:23:17,840 --> 00:23:20,400 Speaker 1: we need more info. We'll circle back to you tomorrow. 354 00:23:21,400 --> 00:23:25,359 Speaker 1: In the meantime, enough with the podcast, Torres, So what 355 00:23:25,520 --> 00:23:29,120 Speaker 1: is it then? Certainly not a suicide. Don't push my kid, 356 00:23:29,480 --> 00:23:31,560 Speaker 1: like I said, shut it. You'll be in some pis. 357 00:23:31,640 --> 00:23:34,080 Speaker 1: You can't just silence us. You know, words already out 358 00:23:34,119 --> 00:23:36,359 Speaker 1: and people need to know what's happening. Let us handle it. 359 00:23:36,520 --> 00:23:44,360 Speaker 1: Go on home, Hey, Detective Carver, what now? Torres? Every 360 00:23:44,359 --> 00:23:49,040 Speaker 1: Crime and Punishment. Frez Kolnikov slices Lizabetta's face in half 361 00:23:49,080 --> 00:23:51,640 Speaker 1: with an act. We're looking for real evidence, not ap 362 00:23:51,800 --> 00:23:56,040 Speaker 1: English highlights. Okay, like the note, but not does your 363 00:23:56,119 --> 00:23:58,879 Speaker 1: name on it? Tig? That's see scary stuff. Did you 364 00:23:59,080 --> 00:24:02,520 Speaker 1: steal evidence from a crime scene? Again? Torresm Is that 365 00:24:02,560 --> 00:24:07,320 Speaker 1: what I'm hearing? I found the note post Principal Block 366 00:24:07,400 --> 00:24:11,359 Speaker 1: body discovery. I almost missed it while trying not to 367 00:24:11,440 --> 00:24:13,399 Speaker 1: look at the shell of a man I once thought 368 00:24:13,440 --> 00:24:16,520 Speaker 1: was a suspect. But when I picked up that note card, 369 00:24:17,240 --> 00:24:21,679 Speaker 1: I knew exactly what it was. Hello again, dear Tig, 370 00:24:22,440 --> 00:24:25,280 Speaker 1: so nice to see you. It really does feel like 371 00:24:25,359 --> 00:24:29,000 Speaker 1: old times, though it'll be a spell before you reach 372 00:24:29,080 --> 00:24:32,960 Speaker 1: the heights of our dearly departed Beth. She did have 373 00:24:33,040 --> 00:24:35,920 Speaker 1: a rough go of it there in the end. Huh, 374 00:24:36,320 --> 00:24:40,959 Speaker 1: But as Dostoyevsky said, pain and suffering are always inevitable 375 00:24:41,040 --> 00:24:45,160 Speaker 1: for a large intelligence and a deep heart. Let's hope 376 00:24:45,240 --> 00:24:48,040 Speaker 1: you and your little squad survive long enough to get 377 00:24:48,040 --> 00:24:52,480 Speaker 1: to the next chapter. I knew the lid killer was 378 00:24:52,520 --> 00:24:57,240 Speaker 1: back the second I'd seen Tony Delcanto's dead body. Now 379 00:24:58,160 --> 00:25:03,560 Speaker 1: the cops knew they were back to on the next 380 00:25:03,600 --> 00:25:08,920 Speaker 1: episode of Letha Litt, What do you mean, Mr Levinson? Well, 381 00:25:09,960 --> 00:25:12,480 Speaker 1: I don't always say it. It just felt to me 382 00:25:12,920 --> 00:25:17,119 Speaker 1: that your aunt Beth was a bit off. You've probably 383 00:25:17,160 --> 00:25:19,920 Speaker 1: already heard about her obsession with the case, but it 384 00:25:20,080 --> 00:25:25,400 Speaker 1: seemed she was so utterly consumed with understanding, with getting 385 00:25:25,560 --> 00:25:43,160 Speaker 1: in his head that she may have taken it too far. 386 00:25:46,720 --> 00:25:51,159 Speaker 1: Iinhorn's Epic Productions and I Heart Radio present legally in 387 00:25:51,680 --> 00:25:56,040 Speaker 1: a take Tourism Mystery Created an executive produced by Heather 388 00:25:56,160 --> 00:26:00,520 Speaker 1: Einhorn and Adam STAFFARONI written created an executive pretty by 389 00:26:00,520 --> 00:26:04,639 Speaker 1: Alex Sigura and Monica Gallagher. Was directed by J. B. Bloch, 390 00:26:05,160 --> 00:26:09,560 Speaker 1: produced by A Rupe, Senna, Kayla, Chris Peterson and Sandy Smallen. 391 00:26:10,320 --> 00:26:14,639 Speaker 1: Art by Rebecca Mock. Creative direction and design by Ryan mccam, 392 00:26:15,040 --> 00:26:19,680 Speaker 1: with performances by Rebecca Silaire, J B. Block, Matt Gumley, 393 00:26:19,920 --> 00:26:25,080 Speaker 1: Paul Guide, Jennifer Giles, Rachel Orum, Land, Alba Ponsta Leone, 394 00:26:25,480 --> 00:26:31,120 Speaker 1: Shelley Shnoy, Luke Slattery, and Keil Artino. Post production supervisor 395 00:26:31,400 --> 00:26:36,160 Speaker 1: Michael Sinterer Nicholas, recording engineer and dialog editor Michael Schneider, 396 00:26:36,880 --> 00:26:43,520 Speaker 1: mixer Michael sinter Nicholas, sound designer Justin Kohler composer Jered Faber, 397 00:26:44,119 --> 00:26:50,680 Speaker 1: Creative consultant Monique Chavez, studio manager Clark Chang, Production coordination 398 00:26:50,960 --> 00:26:56,240 Speaker 1: Gail Artina and Laura Martin, Production assistant Rachel Slotsky and 399 00:26:56,320 --> 00:27:00,080 Speaker 1: Francesca Collo. Recorded at n y V Post in New 400 00:27:00,160 --> 00:27:04,159 Speaker 1: York City, featuring the song's Jupiter performed by Donna Missile 401 00:27:04,400 --> 00:27:08,720 Speaker 1: courtesy of Harvest Records under license from Universal Music Enterprises. 402 00:27:09,040 --> 00:27:12,960 Speaker 1: And Guardian Alien performed by Dana Williams, written by Dana 403 00:27:13,040 --> 00:27:16,840 Speaker 1: Williams s C, s A C and Aaron Fenning s E. 404 00:27:17,119 --> 00:27:20,600 Speaker 1: S A C courtesy of the Royalty Network, Inc. On 405 00:27:20,720 --> 00:27:25,359 Speaker 1: behalf of Snig's songs ascap Captus Pallace s C, s 406 00:27:25,400 --> 00:27:29,800 Speaker 1: A C and Dana Williams Letha litt A. Take Torres's 407 00:27:29,880 --> 00:27:33,679 Speaker 1: Mystery is a production by Ironhorn's Epic Productions for I 408 00:27:33,840 --> 00:27:38,120 Speaker 1: Heart Radio Head to take Torrest dot com to share theories, 409 00:27:38,400 --> 00:27:43,280 Speaker 1: discover new evidence, and follow case updates. For more information, 410 00:27:43,600 --> 00:28:03,080 Speaker 1: visit Einhorn's Epic Productions dot com