WEBVTT - J.S. Ondara: Knockin' on America's Door

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<v Speaker 1>Pushkin.

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<v Speaker 2>Just a quick note here. You can listen to all

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<v Speaker 2>of the music mentioned in this episode on our playlist,

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<v Speaker 2>which you can find a link to in the show

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<v Speaker 2>notes for licensing reasons, each time a song is referenced

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<v Speaker 2>in this episode, you'll hear this sound effect. All right, enjoyed.

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<v Speaker 1>Episode, Welcome to Broken Record. I'm Bruce Headlam. Some voices

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<v Speaker 1>just grab you right away. That happened to me recently

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<v Speaker 1>when I heard this voice on my car radio. There

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<v Speaker 1>was something just so haunting about his voice, self assured,

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<v Speaker 1>but oddly tentative, like he was still working out the

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<v Speaker 1>meaning of the song while he was singing it. So

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<v Speaker 1>of course we just had to have him Unbroken Record.

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<v Speaker 1>It turns out, like a lot of kids, Jays and

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<v Speaker 1>Dara became fascinated by American UZI by listening to faraway

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<v Speaker 1>radio signals late at night. The difference was that he

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<v Speaker 1>wasn't listening to those signals in Buffalo or Memphis or Duluth, Minnesota.

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<v Speaker 1>He was in Nairobi, Kenya, listening to his parents' radio

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<v Speaker 1>while they slept. That's when he decided his own American

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<v Speaker 1>dream was to come here and become a singer. His

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<v Speaker 1>first album Tales of America is full of great songs, wistful, cautionary,

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<v Speaker 1>even violent songs about leaving home and finding oneself in

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<v Speaker 1>a strange country, pursuing an unknown path. And like a

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<v Speaker 1>lot of newcomers to the States, Jays and Dara can

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<v Speaker 1>sometimes see things more clearly than we can, and he

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<v Speaker 1>can express them in that beautiful, haunting voice. We sat

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<v Speaker 1>down with him recently in an La studio and asked

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<v Speaker 1>him to share his American dream with us. You want

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<v Speaker 1>to start with a torch song? Okay? That is JS

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<v Speaker 1>and Dara. We're sitting together in a studio in La.

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<v Speaker 1>I think if I'm gonna set the scene, I have

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<v Speaker 1>to mention your jacket, which is this tremendous red plaid jacket.

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<v Speaker 1>Where did you get that?

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<v Speaker 3>I believe it? God, this is in Boston. But I

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<v Speaker 3>was drawn to it because this fabric is sort of

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<v Speaker 3>similar to a fabric that a tribe in Kenya where's

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<v Speaker 3>it's called the mass I tribe. And there are some

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<v Speaker 3>fabrill that looks just like.

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<v Speaker 1>This and it goes with red pants it which is

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<v Speaker 1>a bonus.

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<v Speaker 3>I am a big fan of red pants.

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<v Speaker 1>Okay, well you wear them well, so tell me about

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<v Speaker 1>that song.

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<v Speaker 3>Torch song is the name of that. This is This

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<v Speaker 3>is one of the songs that I'm still I'm still

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<v Speaker 3>trying to figure out what the painting behind him is,

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<v Speaker 3>behind behind the song is what those words mean?

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<v Speaker 1>So tell me you how did it come about?

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<v Speaker 3>Then? You know, Todd song was just words that I

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<v Speaker 3>put down and uh and I put a melody on them,

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<v Speaker 3>and you know, now it's a song, And I think,

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<v Speaker 3>how how it happens to me is usually after these

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<v Speaker 3>songs have existed for a while, then slowly their meanings

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<v Speaker 3>gradually reveal themselves to the conscious mind, you know, like

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<v Speaker 3>the things that were going in the background of my

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<v Speaker 3>in the background on my head or writing it, they

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<v Speaker 3>sort of revealed themselves. It turns out to be this.

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<v Speaker 3>It's like a portrait that just sort of reveals itself

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<v Speaker 3>as you put it, or maybe maybe one of those

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<v Speaker 3>negative photo you put it in underwater and water is

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<v Speaker 3>time and once it stays there within, you know, within

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<v Speaker 3>the sort of scope of time, it reveals itself and

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<v Speaker 3>you see the actual picture.

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<v Speaker 1>You might actually be writing lyrics right now.

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<v Speaker 3>They're just words really, And so I think some of

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<v Speaker 3>the songs in the record I've sort of I'm gradually

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<v Speaker 3>figuring them out by discussing them with people, and some

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<v Speaker 3>of them, like torch Song in particular, it still puzzles

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<v Speaker 3>me as to what those words are referring to.

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<v Speaker 1>You were born in Kenya in Nairobi, right, yes, okay,

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<v Speaker 1>and when was that?

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<v Speaker 3>That would have been August of ninety two.

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<v Speaker 1>Right, So what was growing up in Nairobi like then?

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<v Speaker 3>It was? It was great. You know, I think when

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<v Speaker 3>you're when you're a kid, you're just a kid, and

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<v Speaker 3>that's just that, you know, you're very busy being a kid,

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<v Speaker 3>that nothing else is really important, because I mean, it's

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<v Speaker 3>too much time being a child. It's just it's all

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<v Speaker 3>the time in the world, and it's it's it takes

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<v Speaker 3>all the time in the world. And so you know,

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<v Speaker 3>when I think about, you know, my childhood in retrospect,

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<v Speaker 3>and I could see like, hmm, perhaps that might have

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<v Speaker 3>been a difficult time. But then you know, when you're

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<v Speaker 3>back at the time, it was just your child, and

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<v Speaker 3>you know, and you're busy being a child and nothing

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<v Speaker 3>else much other than your.

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<v Speaker 1>What was your first memory of music?

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<v Speaker 3>My family tells this story though when I was about

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<v Speaker 3>seven years old, we always had this family gatherings every

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<v Speaker 3>year where you know, you just everyone meets in one place,

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<v Speaker 3>you know, just all relatives and you you meet this

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<v Speaker 3>guy who was apparently your uncle, but you had no

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<v Speaker 3>idea because you saw him at the store the other day, like,

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<v Speaker 3>oh hey, I'm your uncle, boy. You were just selling

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<v Speaker 3>me potatoes the other day. So so, you know, we

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<v Speaker 3>had these all these gatherings and you know, everyone just

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<v Speaker 3>comes together, and one of these gatherings is about seven

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<v Speaker 3>years old. When we were there, my cousins had this

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<v Speaker 3>terrible idea to give me alcohol. So they gave me,

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<v Speaker 3>you know, I think, some little bit of alcohol, and

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<v Speaker 3>apparently I got inebriated very quickly, as as you do

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<v Speaker 3>when you're seven years old, and I just started, you know,

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<v Speaker 3>singing out loud, just like a crazy person. And I

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<v Speaker 3>was parently singing smells like teen spirit in just the

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<v Speaker 3>wrong words. And you know those are some like the

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<v Speaker 3>aardiest sort of you know slashes.

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<v Speaker 1>You heard the song on the radio, yes, oh okay,

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<v Speaker 1>so you're listening to radio by that point.

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<v Speaker 3>Yeah, yeah, just passively though, you know, you know it's

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<v Speaker 3>there because we had this tiny little radio that the

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<v Speaker 3>whole family had to share and sometimes I would just

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<v Speaker 3>wake up in the middle of the night so I

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<v Speaker 3>can steal some extra time. It's like three in the morning,

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<v Speaker 3>everyone's asleep, sneak and then grub the radio and start

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<v Speaker 3>listening for all the songs. So it turned from this

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<v Speaker 3>passive thing to like, you know, I want it now

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<v Speaker 3>and I'm sicking. I'm seeing it now.

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<v Speaker 1>You your family didn't speak English at home.

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<v Speaker 3>No, we we spoke. We spoke to Heley in the house.

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<v Speaker 3>Is sort of those you know, it's what, it's what,

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<v Speaker 3>it's what we did.

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<v Speaker 1>So did you with smells like teen Spirit? Were you singing?

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<v Speaker 1>Were you singing it in Swahili?

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<v Speaker 3>I was, well, no, I wasn't singing any words. There

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<v Speaker 3>was just gibberish things.

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<v Speaker 1>It's just can you can you play a few bars

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<v Speaker 1>of how you played it? Then?

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<v Speaker 3>Well, I don't know if it's it's It might probably

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<v Speaker 3>be embarrassing to to try and imitate my seven year

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<v Speaker 3>old self trying to sing smells like teen Spirit with

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<v Speaker 3>no words. It was just so like, who is it

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<v Speaker 3>that he saidanger?

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<v Speaker 1>Just nothing, by the way, that's how everybody's sang.

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<v Speaker 3>It wasn't just absolutely gibberish.

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<v Speaker 1>Yeah, so you started singing, and then you just kept

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<v Speaker 1>singing after that, after the cousins spiked your drink.

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<v Speaker 3>As far as singing, I started practicing my singing, I

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<v Speaker 3>suppose in private, after you know, hearing. It happened in

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<v Speaker 3>two phases. So I heard I had the music of

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<v Speaker 3>Jeff Buckley's just quite accidentally as a kid, and I

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<v Speaker 3>had how.

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<v Speaker 1>Did that come with that?

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<v Speaker 3>So with the sort of advent of CDs, when that

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<v Speaker 3>became a thing, we had all these people, I suppose

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<v Speaker 3>you to call it pirating, who would go on the

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<v Speaker 3>Internet and they would just get anything, any music or

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<v Speaker 3>film or whatever. They would just download anything that was

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<v Speaker 3>coming out of the US UK and then they would

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<v Speaker 3>sell them on the streets. So I discovered just a

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<v Speaker 3>crazy amount of music that way that would never be

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<v Speaker 3>on the radio. But you know, for some reason, this

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<v Speaker 3>pirating experts just dug them out somewhere and they were

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<v Speaker 3>just lying about. And so I was already on this

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<v Speaker 3>trajectory where you know, I was drawn to this music.

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<v Speaker 3>So when I figured this out, I would just go

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<v Speaker 3>there all the time and would you know, play me this,

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<v Speaker 3>And then I you know, I found I found some

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<v Speaker 3>Buckley songs that way, and at that point, I was like, whoa,

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<v Speaker 3>what's it? What is it doing with this voice? This

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<v Speaker 3>is amazing? So I tried, you know, start locking myself

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<v Speaker 3>in the room and try to practice that.

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<v Speaker 1>And you know, do you remember which songs of his

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<v Speaker 1>you practice?

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<v Speaker 3>It was Forget Her Forget Yeah, that was that was

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<v Speaker 3>the song I heard, and I was like, well, this

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<v Speaker 3>is great, And I think that sort of began what was,

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<v Speaker 3>you know, me trying to be a singer at all

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<v Speaker 3>in private? And then I think the second phase of that,

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<v Speaker 3>I was listening to Radiohead and how told muses this

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<v Speaker 3>sort of high for such a voice and that, you know,

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<v Speaker 3>and being like, well, how do you what's that? How

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<v Speaker 3>do you why would you do that with your voice?

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<v Speaker 3>And how do you even do that? And so, you know,

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<v Speaker 3>get locked myself in the room and also try to

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<v Speaker 3>go up there, which you know, I still try to

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<v Speaker 3>do that every once in a while, you know, just

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<v Speaker 3>I did. I don't know if I do it well enough,

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<v Speaker 3>but I think I'm still sort of I feel every

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<v Speaker 3>time I'm singing, I feel I'm transported back to that

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<v Speaker 3>moment when I'm a child, and I'm still just trying

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<v Speaker 3>to trying to figure out how to sing.

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<v Speaker 1>Because is that a good feeling.

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<v Speaker 3>It's it's nerve racking. It's probably not a good feeling.

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<v Speaker 3>It's still a nerve wracking just because it's this is singing.

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<v Speaker 3>It was not something that was open about and it

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<v Speaker 3>was not something that you know, was encouraged growing up

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<v Speaker 3>in me. So it's something I'm still not confident, you know,

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<v Speaker 3>like I don't I don't feel like a confidence singer really.

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<v Speaker 1>Now, you did tell a funny story once about the

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<v Speaker 1>song Knocking on Heaven's Door. Could you tell us.

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<v Speaker 3>That, Yeah, you know it was this one, this one,

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<v Speaker 3>I remember it quite well. We just left the school

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<v Speaker 3>and were standing outside the school and you know, there's

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<v Speaker 3>there's all this people who are selling all this foods

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<v Speaker 3>out there, and I'm having this talk, you know, fight, pay,

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<v Speaker 3>debate whatever you want to call the friend about, you know,

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<v Speaker 3>about rock and you know, growing up listening to all

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<v Speaker 3>this rock songs, I feel something of an X spot.

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<v Speaker 1>What were the bands you were listening to then?

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<v Speaker 3>Well, you know Nevana a radio had said that, Kiri, Oasis,

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<v Speaker 3>you know, just all that stuff that was coming out

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<v Speaker 3>of late late nineties. Out of two thousands, but yeah,

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<v Speaker 3>Guns of Roses and all that, and so so we

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<v Speaker 3>have this discussion about not can happens o guns and Roses,

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<v Speaker 3>you know, the famous guns and Roses song. So we're

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<v Speaker 3>talking about this and like, yeah, there's guns of Rosas

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<v Speaker 3>song can have his doing it goes well and actually

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<v Speaker 3>that that song was by this other guy He's called

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<v Speaker 3>Bob Dylan. And I'm thinking, well, no, you're wrong, it's

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<v Speaker 3>I know this. I I've been listening for what, I

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<v Speaker 3>know what I'm doing. So we go into this in

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<v Speaker 3>his fight, and then we ended up making a bet,

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<v Speaker 3>you know, for a hundred can you show things just

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<v Speaker 3>you know, there's a bunch of money for me, but

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<v Speaker 3>then not too much money here in American currency. But

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<v Speaker 3>we lost that bad. I lost that bad because I

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<v Speaker 3>ended up finding out that it was actually by this

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<v Speaker 3>cynical Bob Dylan. And that's sort of how I found

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<v Speaker 3>Dylan's music and found folk music that way, and just

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<v Speaker 3>fell into this sort of Rabbi hole that I feel

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<v Speaker 3>like I'm still digging myself deeper into every day and

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<v Speaker 3>I can't see how I'll get out now.

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<v Speaker 1>At this point, you still didn't You didn't play guitar

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<v Speaker 1>at this point or any instment, right, but you were

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<v Speaker 1>still writing songs.

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<v Speaker 3>I was writing songs.

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<v Speaker 1>I was writing words, you know, rewriting melodies with them.

0:12:43.480 --> 0:12:47.640
<v Speaker 3>Sometimes sometimes, but I never, you know, thought much of

0:12:47.640 --> 0:12:50.640
<v Speaker 3>those melodies. You know, I wasn't confident in them, but

0:12:50.679 --> 0:12:53.040
<v Speaker 3>I wrote words. And I think one of the reasons

0:12:53.080 --> 0:12:56.280
<v Speaker 3>why I dove pretty deep into you know, that sort

0:12:56.280 --> 0:12:59.599
<v Speaker 3>of focused rabbit hole and Dylan is because when I

0:12:59.640 --> 0:13:03.440
<v Speaker 3>discuss with Dylan's music and then I was, you know,

0:13:03.760 --> 0:13:06.720
<v Speaker 3>reading his songs, and I'm thinking, well, well, these are

0:13:07.160 --> 0:13:10.560
<v Speaker 3>these these are just stories, their poems with melodies. Maybe

0:13:10.559 --> 0:13:12.839
<v Speaker 3>maybe I can just do this with all these words

0:13:12.840 --> 0:13:14.800
<v Speaker 3>I've I've been writing since I was the child, and

0:13:14.840 --> 0:13:17.480
<v Speaker 3>perhaps I can. I can put some melody on them,

0:13:17.480 --> 0:13:19.439
<v Speaker 3>and maybe we'll call them folks, So maybe I can

0:13:19.480 --> 0:13:20.440
<v Speaker 3>have some kind of career.

0:13:22.679 --> 0:13:30.079
<v Speaker 1>We'll have more with js Andra after this break. We're

0:13:30.120 --> 0:13:34.400
<v Speaker 1>back with js and Dora. Can you play Saying Goodbye

0:13:34.400 --> 0:13:34.719
<v Speaker 1>for us?

0:13:35.040 --> 0:13:35.360
<v Speaker 3>Yes?

0:13:38.800 --> 0:13:42.959
<v Speaker 1>So your next step in your musical development was far

0:13:43.000 --> 0:13:46.240
<v Speaker 1>from Kenya. It was Minneapolis, right, Tell me how you

0:13:46.320 --> 0:13:47.000
<v Speaker 1>ended up there?

0:13:47.840 --> 0:13:51.280
<v Speaker 3>Well. As soon as I found Dylan's music and folk

0:13:51.360 --> 0:13:54.680
<v Speaker 3>music in general, it was a time when I think

0:13:54.840 --> 0:13:57.040
<v Speaker 3>I really needed that as well. I was just a

0:13:57.080 --> 0:13:59.480
<v Speaker 3>bit you know, was in haschool's been lost a bit

0:14:00.040 --> 0:14:04.000
<v Speaker 3>add just you know, being being drawn to this thing

0:14:04.480 --> 0:14:11.240
<v Speaker 3>that just consistently dissuaded by everyone. You know, well, you

0:14:11.280 --> 0:14:13.120
<v Speaker 3>love something so much, but it's probably a taboo for

0:14:13.160 --> 0:14:17.200
<v Speaker 3>you to to love it. That being music just you know,

0:14:17.240 --> 0:14:20.040
<v Speaker 3>it's just it was just not something that was part

0:14:20.160 --> 0:14:20.920
<v Speaker 3>part of the culture.

0:14:20.960 --> 0:14:23.920
<v Speaker 1>Really, what was your family's ambition for you.

0:14:24.800 --> 0:14:29.360
<v Speaker 3>Uh, you know, medicine, law just you know, that was

0:14:29.400 --> 0:14:31.080
<v Speaker 3>that was that was just how it had to be.

0:14:32.320 --> 0:14:35.920
<v Speaker 1>And so with either of your parents lawyers or doctors, not.

0:14:35.840 --> 0:14:37.960
<v Speaker 3>Really you know, I think it's it's sort of just

0:14:37.960 --> 0:14:42.920
<v Speaker 3>something that's sort of ingrained by the culture there and

0:14:42.960 --> 0:14:46.200
<v Speaker 3>how they grew up, when they grew up and all

0:14:46.240 --> 0:14:49.440
<v Speaker 3>of that. But so that left me in is a

0:14:49.480 --> 0:14:52.760
<v Speaker 3>place where you know, this thing I wanted I couldn't

0:14:52.760 --> 0:14:53.480
<v Speaker 3>even talk about.

0:14:53.880 --> 0:14:55.600
<v Speaker 1>You were playing guitar by this point, I was not.

0:14:56.600 --> 0:14:59.880
<v Speaker 3>I was not. This is just a stupid dream of

0:15:00.240 --> 0:15:03.240
<v Speaker 3>as a kid. And so the first thing I did

0:15:03.480 --> 0:15:06.560
<v Speaker 3>was applied to the University of Minnesota because I figured

0:15:07.080 --> 0:15:09.120
<v Speaker 3>I wanted to go to Minnesota because of my you know,

0:15:09.360 --> 0:15:12.080
<v Speaker 3>first nation with dealing at the time. So I applied

0:15:12.120 --> 0:15:17.280
<v Speaker 3>the University of Minnesota, didn't go well. Tried applying for

0:15:17.680 --> 0:15:20.920
<v Speaker 3>you know, work opportunities in Minnesota. Is trying to find

0:15:20.960 --> 0:15:23.560
<v Speaker 3>ways to come to the States because you know, it's

0:15:23.640 --> 0:15:26.840
<v Speaker 3>quite difficult to move here, and you know, I just

0:15:26.920 --> 0:15:30.320
<v Speaker 3>try this for years and nothing really ever worked until

0:15:30.320 --> 0:15:35.760
<v Speaker 3>one time at Green Courd Entry application the lottery green

0:15:35.840 --> 0:15:38.880
<v Speaker 3>kind thing that was a relative that applied for me

0:15:38.960 --> 0:15:42.440
<v Speaker 3>and a couple of other people and went through.

0:15:43.240 --> 0:15:45.520
<v Speaker 1>Nobody told you about the weather in Minnesota before you.

0:15:45.560 --> 0:15:49.520
<v Speaker 3>Left, not really. No one can tell you that in

0:15:49.560 --> 0:15:52.600
<v Speaker 3>a way that you can conceptualize, right, So you know,

0:15:52.600 --> 0:15:55.720
<v Speaker 3>they'll tell you it's cold, but then you're like, oh cool,

0:15:56.360 --> 0:15:58.720
<v Speaker 3>so because you know cold, I mean I felt cold before.

0:15:58.800 --> 0:16:03.560
<v Speaker 3>It's fine. But you know, whatever, whatever you know transpires

0:16:03.560 --> 0:16:07.320
<v Speaker 3>in Minnesota, there should be a different word for that.

0:16:07.320 --> 0:16:10.440
<v Speaker 3>That's not cold. This is not cold. It's just the

0:16:10.480 --> 0:16:13.200
<v Speaker 3>worst thing you can think of on the other side

0:16:13.240 --> 0:16:13.720
<v Speaker 3>of cold.

0:16:15.320 --> 0:16:18.000
<v Speaker 1>Did you arrive in the winter, right right.

0:16:17.840 --> 0:16:19.520
<v Speaker 3>In the heart of winter? Yeah, I was, you know,

0:16:19.600 --> 0:16:24.320
<v Speaker 3>like mid February as you know, that one winter where

0:16:24.360 --> 0:16:25.880
<v Speaker 3>people were just saying, oh, this is one of the

0:16:25.880 --> 0:16:31.480
<v Speaker 3>worst winters we've ever had. Yeah, So yeah, got there

0:16:31.520 --> 0:16:34.680
<v Speaker 3>right in the middle of winter in February and just

0:16:34.760 --> 0:16:39.480
<v Speaker 3>had this crazy, crazy body shock.

0:16:42.200 --> 0:16:43.840
<v Speaker 1>When did you finally pick up a guitar.

0:16:46.160 --> 0:16:48.840
<v Speaker 3>It was a bit after I landed, so you know,

0:16:49.160 --> 0:16:53.400
<v Speaker 3>I moved there and I had this vision that I

0:16:53.400 --> 0:16:55.120
<v Speaker 3>think I'm going to form a band and I'm going

0:16:55.200 --> 0:16:57.240
<v Speaker 3>to take it on the road. And I've seen things

0:16:57.240 --> 0:17:00.120
<v Speaker 3>online they do this now. I've seen some videos and

0:17:00.160 --> 0:17:03.360
<v Speaker 3>the interwebs, you know, going around with bands and playing

0:17:03.400 --> 0:17:06.639
<v Speaker 3>songs and good old America. So yeah, I'm moving in.

0:17:06.800 --> 0:17:08.320
<v Speaker 3>This is what I'm trying to do. It is, you know,

0:17:08.400 --> 0:17:12.080
<v Speaker 3>telephone with band, because I can't play anything at this time.

0:17:12.440 --> 0:17:13.960
<v Speaker 3>I just have all these words and a couple of

0:17:14.000 --> 0:17:16.560
<v Speaker 3>melodies for them. I'm thinking, maybe, you know, a band,

0:17:16.560 --> 0:17:19.879
<v Speaker 3>can uh sort of put some flesh around it and

0:17:19.920 --> 0:17:23.600
<v Speaker 3>we can go play it out. And then I quickly

0:17:23.640 --> 0:17:28.640
<v Speaker 3>realized that I have I don't know any person who

0:17:29.640 --> 0:17:34.000
<v Speaker 3>who's in music or who can uh form a band

0:17:34.040 --> 0:17:40.000
<v Speaker 3>with me. So I said, okay, that's a short set back.

0:17:40.080 --> 0:17:41.879
<v Speaker 3>Let me see if I can pick up the guitar

0:17:42.000 --> 0:17:44.960
<v Speaker 3>and just accompany myself, you know, because if I don't

0:17:44.960 --> 0:17:46.800
<v Speaker 3>know anyone, what else are you going to do?

0:17:46.800 --> 0:17:48.600
<v Speaker 1>Do you remember the first songs you learned.

0:17:49.200 --> 0:17:51.280
<v Speaker 3>Yeah, I was knocking Heaven's door.

0:17:51.600 --> 0:17:54.920
<v Speaker 1>Oh okay, obviously because because guns and roses.

0:17:54.640 --> 0:17:58.040
<v Speaker 3>Because guns and roses, right, so I can Heaven's door

0:17:59.480 --> 0:18:04.720
<v Speaker 3>part of I believe, and also is blowing in the wind. Yeah,

0:18:05.520 --> 0:18:08.680
<v Speaker 3>And I sort of just learned a few songs and

0:18:08.920 --> 0:18:11.679
<v Speaker 3>you know, got some grasp of some chords and then

0:18:12.680 --> 0:18:15.720
<v Speaker 3>just took my words and try to put some melody

0:18:15.720 --> 0:18:18.360
<v Speaker 3>around them. I didn't dive deep into it, and so

0:18:18.480 --> 0:18:20.520
<v Speaker 3>I still just try to to this day. Just full

0:18:20.560 --> 0:18:23.800
<v Speaker 3>around and see where I can find a sound. You

0:18:23.840 --> 0:18:26.679
<v Speaker 3>just fool around with chords and just whatever, see what

0:18:26.720 --> 0:18:29.399
<v Speaker 3>the melody. Yeah, just go where the finger goes and

0:18:29.680 --> 0:18:30.480
<v Speaker 3>see what happens.

0:18:30.640 --> 0:18:32.440
<v Speaker 1>Well, you make it sound all very accidental, but you're

0:18:32.560 --> 0:18:34.880
<v Speaker 1>very resourceful. You couldn't find a band, so you picked

0:18:34.920 --> 0:18:37.119
<v Speaker 1>up a guitar, You learned the chords you needed, So

0:18:37.440 --> 0:18:39.359
<v Speaker 1>you must have been very driven in some ways.

0:18:39.680 --> 0:18:42.720
<v Speaker 3>I think, yeah, I think I was. Yeah, just you know,

0:18:42.760 --> 0:18:44.640
<v Speaker 3>what else are you going to do? You you made

0:18:44.640 --> 0:18:47.480
<v Speaker 3>this huge move. You're you know, very far away from home.

0:18:47.520 --> 0:18:49.959
<v Speaker 3>There is nothing to do then to move forward.

0:18:50.480 --> 0:18:51.960
<v Speaker 1>When did you start playing in front of people?

0:18:54.480 --> 0:18:59.879
<v Speaker 3>Probably maybe three four years ago. So, I mean I learned.

0:19:00.480 --> 0:19:03.040
<v Speaker 3>I was very as soon as I figured out a

0:19:03.080 --> 0:19:05.919
<v Speaker 3>few chords, I was like, okay, good, I've got this

0:19:05.960 --> 0:19:06.480
<v Speaker 3>figured out.

0:19:07.280 --> 0:19:09.960
<v Speaker 1>Mm hmmm. Do you remember the first time you got

0:19:10.040 --> 0:19:10.600
<v Speaker 1>up and did it?

0:19:12.000 --> 0:19:12.240
<v Speaker 2>Man?

0:19:12.760 --> 0:19:16.760
<v Speaker 3>I think, yeah, I think so.

0:19:17.480 --> 0:19:18.119
<v Speaker 1>What was it like?

0:19:21.119 --> 0:19:26.400
<v Speaker 3>Oh gosh, just the most bizarre experience in the world. Well,

0:19:26.480 --> 0:19:29.160
<v Speaker 3>you know, you ever do something and you're think, what

0:19:29.200 --> 0:19:31.199
<v Speaker 3>are you doing? You fool?

0:19:33.840 --> 0:19:37.000
<v Speaker 1>Oh man, you were hearing your parents' voice at that point.

0:19:37.119 --> 0:19:40.440
<v Speaker 3>Yeah, exactly, that exactly. That just echoing in my head,

0:19:40.560 --> 0:19:43.560
<v Speaker 3>and I think sometimes I still do. You know, in

0:19:43.600 --> 0:19:47.280
<v Speaker 3>the middle of a show, just playing torch song or something,

0:19:47.320 --> 0:19:49.400
<v Speaker 3>and you know, you hear this voice in the bocahet

0:19:49.480 --> 0:19:51.200
<v Speaker 3>what are you doing? What are you doing?

0:19:53.080 --> 0:19:56.879
<v Speaker 1>Are you your family now? Are they happier your success

0:19:57.000 --> 0:20:00.520
<v Speaker 1>and your selling records and people love your is Does

0:20:00.520 --> 0:20:01.720
<v Speaker 1>that made a difference to them?

0:20:02.040 --> 0:20:07.160
<v Speaker 3>Well? I think it has. It has in a way

0:20:07.200 --> 0:20:11.240
<v Speaker 3>that you know, perhaps they they understand that this is

0:20:11.240 --> 0:20:16.240
<v Speaker 3>something that you know, I'm passionate about, but this the

0:20:16.320 --> 0:20:18.480
<v Speaker 3>sort of the roots of this problem are so deep,

0:20:19.080 --> 0:20:23.040
<v Speaker 3>so ingrained in upbringing and in culture that yeah, I

0:20:23.080 --> 0:20:25.080
<v Speaker 3>think they still don't they still don't understand what it

0:20:25.119 --> 0:20:25.640
<v Speaker 3>is that I do.

0:20:25.920 --> 0:20:27.919
<v Speaker 1>Can we hear another song? Can we hear a good question?

0:20:28.359 --> 0:20:28.560
<v Speaker 3>Yeah?

0:20:28.600 --> 0:20:34.760
<v Speaker 1>Sure, More music and conversation with JS and Dora after

0:20:34.800 --> 0:20:42.960
<v Speaker 1>this break, we're back with more songs and conversation with

0:20:43.119 --> 0:20:47.560
<v Speaker 1>JS and Dora. You talked a lot about Kenya and

0:20:47.680 --> 0:20:52.040
<v Speaker 1>the limitations you felt there. Your first album is called

0:20:52.359 --> 0:20:57.240
<v Speaker 1>Tales of America, right, So first of all, why that title?

0:20:58.359 --> 0:21:00.320
<v Speaker 1>What what made you call that?

0:21:02.359 --> 0:21:05.720
<v Speaker 3>You know, when I was I was a kid and

0:21:05.800 --> 0:21:10.159
<v Speaker 3>I was discovering this music, you know, and I was

0:21:11.040 --> 0:21:16.760
<v Speaker 3>drawn in a way too to America and to the

0:21:16.840 --> 0:21:20.200
<v Speaker 3>West in general. And I think part of the reason why,

0:21:20.320 --> 0:21:23.560
<v Speaker 3>you know, I developed this attachment to these songs is

0:21:23.600 --> 0:21:27.439
<v Speaker 3>because it was just it was like a spaceship for me.

0:21:27.760 --> 0:21:30.240
<v Speaker 3>Just you know, I turned on these songs and they

0:21:30.240 --> 0:21:34.919
<v Speaker 3>took me to just a completely different universe, you know,

0:21:34.960 --> 0:21:38.600
<v Speaker 3>where people spoke a different language, everything was different, it

0:21:38.600 --> 0:21:40.800
<v Speaker 3>looked different, and it was just it was a spaceship

0:21:40.880 --> 0:21:43.800
<v Speaker 3>for me, and it was a magical thing. And you know,

0:21:43.840 --> 0:21:45.439
<v Speaker 3>when I was, when I was a kid and I

0:21:45.480 --> 0:21:54.679
<v Speaker 3>was writing little tales on a book, I imagined that, you know,

0:21:54.720 --> 0:21:59.000
<v Speaker 3>one day I might be in America and maybe I'll

0:21:59.040 --> 0:22:01.280
<v Speaker 3>make maybe I'll make a an album and I'm gonna

0:22:01.280 --> 0:22:04.040
<v Speaker 3>call it Tells of America. But then this is it's

0:22:04.119 --> 0:22:07.080
<v Speaker 3>just it was just a stupid thing. You think as

0:22:07.080 --> 0:22:09.080
<v Speaker 3>a child, the same the same way you think about

0:22:09.119 --> 0:22:13.800
<v Speaker 3>going to Mars or flying a plane or you know,

0:22:14.040 --> 0:22:17.600
<v Speaker 3>you know, just or you know, talking to an imaginary friend.

0:22:17.680 --> 0:22:20.840
<v Speaker 3>You know, as a boy, you dream. It's what you

0:22:20.880 --> 0:22:24.280
<v Speaker 3>do as a boy. You dream about traveling to to

0:22:24.359 --> 0:22:29.120
<v Speaker 3>the moon, and you drive imaginary airplanes around, and then

0:22:29.160 --> 0:22:31.439
<v Speaker 3>you think about making a record Tells of America.

0:22:32.600 --> 0:22:35.800
<v Speaker 1>You've now been in the States for how long it's

0:22:35.840 --> 0:22:38.119
<v Speaker 1>come close to six years, now, six years? And you

0:22:38.200 --> 0:22:41.120
<v Speaker 1>had this dream as a kid. How how is it

0:22:41.200 --> 0:22:44.399
<v Speaker 1>for you now here? What's it? What's it like past

0:22:44.560 --> 0:22:46.520
<v Speaker 1>the dream you had as a kid. What's the reality

0:22:46.560 --> 0:22:46.840
<v Speaker 1>for you?

0:22:47.320 --> 0:22:51.520
<v Speaker 3>It's I think that's part of what I'm sort of

0:22:51.680 --> 0:22:58.439
<v Speaker 3>processing in this in this record Tells of America. You know,

0:22:58.440 --> 0:23:04.080
<v Speaker 3>I'm trying to what's that, what's that what's that area?

0:23:04.200 --> 0:23:08.879
<v Speaker 3>What's that divide between the dream and the reality, Because

0:23:09.240 --> 0:23:12.199
<v Speaker 3>perhaps I'm not I'm not a kid anymore, you know,

0:23:12.480 --> 0:23:19.479
<v Speaker 3>maybe i am, but I'm not that little child. In Kenyon.

0:23:19.520 --> 0:23:23.000
<v Speaker 3>Now I'm here now, and so that does something to you,

0:23:23.119 --> 0:23:26.200
<v Speaker 3>and trying to grapple with what that dream, the idea

0:23:26.240 --> 0:23:30.280
<v Speaker 3>you have of America when you're somewhere different. Oh, it's America.

0:23:30.560 --> 0:23:33.480
<v Speaker 3>This is the American dream, this is this is how

0:23:33.640 --> 0:23:37.720
<v Speaker 3>that goes America? Is this sudden? Is this particular place

0:23:38.320 --> 0:23:41.800
<v Speaker 3>with this this particular ideals? Because you know, America has

0:23:41.840 --> 0:23:45.479
<v Speaker 3>this sort of reputation all across the world. You know,

0:23:45.640 --> 0:23:48.720
<v Speaker 3>it's you know, because I think of America as this

0:23:48.840 --> 0:23:51.840
<v Speaker 3>place that's supposed to be, at least in our times now,

0:23:52.200 --> 0:23:55.840
<v Speaker 3>supposed to be sort of spearheading the mission of civilization

0:23:56.080 --> 0:23:59.040
<v Speaker 3>across the you know, the human species or something like that.

0:23:59.080 --> 0:24:01.399
<v Speaker 3>So all over the world people are talking about American

0:24:01.440 --> 0:24:04.520
<v Speaker 3>and all that. And so that dream, that idea of

0:24:04.560 --> 0:24:09.080
<v Speaker 3>America and what the reality of it is once you

0:24:09.200 --> 0:24:12.240
<v Speaker 3>set foot in America and you see, oh, well, I

0:24:12.240 --> 0:24:13.560
<v Speaker 3>guess the work lives ahead.

0:24:14.480 --> 0:24:17.800
<v Speaker 1>So if you could go back and tell your nine

0:24:17.880 --> 0:24:20.840
<v Speaker 1>year old self that had that dream of America, what

0:24:20.960 --> 0:24:23.840
<v Speaker 1>would you tell that What would you tell that boy?

0:24:23.960 --> 0:24:24.400
<v Speaker 1>Right now?

0:24:25.119 --> 0:24:28.720
<v Speaker 3>So the world is a mysterious place. Keep your shoes

0:24:28.760 --> 0:24:31.800
<v Speaker 3>on and buy multiple hats.

0:24:33.640 --> 0:24:35.760
<v Speaker 1>You do have great hats. I have to say thank you.

0:24:38.359 --> 0:24:41.840
<v Speaker 1>A Broken Record is produced by Justin Richmond and Jason Gambrel,

0:24:42.000 --> 0:24:45.879
<v Speaker 1>with help from Mel LaBelle, Jacob Smith, Julia Barton, and

0:24:46.000 --> 0:24:50.119
<v Speaker 1>Jacob Weisberg. Special thanks to my co hosts Rick Rubin

0:24:50.240 --> 0:24:54.320
<v Speaker 1>and Malcolm Gladwell. Broken Record is produced by Pushkin Industries.

0:24:55.000 --> 0:24:55.800
<v Speaker 1>I'm Bruce Heaven