1 00:00:00,200 --> 00:00:04,520 Speaker 1: Hey there friends, Oh hello, welcome to another episode of 2 00:00:04,640 --> 00:00:09,160 Speaker 1: Ridiculous Romance. I'm Diana, I'm Eli. How's that? Does that 3 00:00:09,200 --> 00:00:12,760 Speaker 1: sound like an intro voice? That's a solid intro. I 4 00:00:12,840 --> 00:00:16,000 Speaker 1: love it. It's so so commanding and welcoming at the 5 00:00:16,040 --> 00:00:19,680 Speaker 1: same time. Welcome to this show. Five star general treating 6 00:00:19,760 --> 00:00:25,079 Speaker 1: his troops or her troops or their troops to tell 7 00:00:25,120 --> 00:00:28,600 Speaker 1: anybody that they can't have the what sounds like terrible 8 00:00:28,680 --> 00:00:32,200 Speaker 1: job of five star general. So nice to have you back. 9 00:00:32,280 --> 00:00:35,919 Speaker 1: You know this is your favorite podcast for dick jokes, 10 00:00:36,440 --> 00:00:43,120 Speaker 1: dirty poems, ghost sex, you know, alien fornication. You can't 11 00:00:43,120 --> 00:00:47,519 Speaker 1: find this stuff anywhere else. We don't think until the 12 00:00:47,560 --> 00:00:50,919 Speaker 1: format changes. We're just gonna keep going with this one, 13 00:00:50,960 --> 00:00:53,640 Speaker 1: which is a show where we talk about our r R, 14 00:00:53,720 --> 00:00:58,280 Speaker 1: which we saw again the other No, we won't. We 15 00:00:58,320 --> 00:01:01,560 Speaker 1: won't get into it, but it's so good rewatch risible. 16 00:01:03,680 --> 00:01:05,759 Speaker 1: But yeah, let's just get on with our show. Yeah. 17 00:01:05,760 --> 00:01:08,480 Speaker 1: In our last episode, we told you all all about 18 00:01:08,520 --> 00:01:12,119 Speaker 1: the lusty life of John Wilmot, the second Earl of Rochester, 19 00:01:12,640 --> 00:01:15,280 Speaker 1: like all the times that he piste off the king um, 20 00:01:15,319 --> 00:01:18,760 Speaker 1: how he abducted his future wife and then disguised himself 21 00:01:18,800 --> 00:01:23,400 Speaker 1: as a gynecologist to treat infertility, and we shared with 22 00:01:23,440 --> 00:01:26,800 Speaker 1: you a few of his infamous poems, including our new 23 00:01:26,880 --> 00:01:31,119 Speaker 1: favorite regime d Vive. But we did want to dive 24 00:01:31,120 --> 00:01:33,560 Speaker 1: into some of his longer poems, so we decided to 25 00:01:33,600 --> 00:01:37,560 Speaker 1: dedicate an episode to a John Wilmot poetry corner. So 26 00:01:37,600 --> 00:01:42,800 Speaker 1: we'll perform for you a poem about premature ejaculation, another 27 00:01:42,880 --> 00:01:45,720 Speaker 1: one where an old libertine kind of reflecting on his 28 00:01:45,880 --> 00:01:49,600 Speaker 1: younger debauch days, not with regret but rather with the 29 00:01:49,680 --> 00:01:53,480 Speaker 1: hope of inspiring future generations to you, and filth ther 30 00:01:53,520 --> 00:01:56,480 Speaker 1: deeds and his name. And finally, a full reading of 31 00:01:56,600 --> 00:02:01,040 Speaker 1: Senior Dildo, which was Wilmot's poem about the gentleman from 32 00:02:01,080 --> 00:02:04,760 Speaker 1: Italy that all the ladies are falling in love with. Finally, 33 00:02:05,320 --> 00:02:07,360 Speaker 1: so we hope you enjoyed these poems as much as 34 00:02:07,400 --> 00:02:10,520 Speaker 1: we do. Come on down to poetry corner. Let's go, 35 00:02:11,040 --> 00:02:14,919 Speaker 1: Hey the French, come listen well, Eli and Diana got 36 00:02:14,960 --> 00:02:18,639 Speaker 1: some stories to tell. There's no match making, a romantic tips. 37 00:02:18,880 --> 00:02:22,400 Speaker 1: It's just about ridiculous relationships, a lover. It might be 38 00:02:22,440 --> 00:02:25,440 Speaker 1: any type of person at all. And abstract cons at 39 00:02:25,440 --> 00:02:28,360 Speaker 1: our concrete wall but if there's a story, we're the 40 00:02:28,400 --> 00:02:33,840 Speaker 1: second Glance show, Ridiculous Romance, a production of I Heart Radio. 41 00:02:34,680 --> 00:02:37,280 Speaker 1: Hey everybody, before we get started, we made a little 42 00:02:37,320 --> 00:02:40,160 Speaker 1: slip up in the last episode. Uh, and we got 43 00:02:40,200 --> 00:02:42,640 Speaker 1: a correction in in time to fix it. So let's 44 00:02:42,760 --> 00:02:47,040 Speaker 1: go put ourselves in corrections corner. You're such a loser, 45 00:02:47,600 --> 00:02:51,640 Speaker 1: that's right. Ruth Dempsey on Instagram reached out to say 46 00:02:51,840 --> 00:02:54,360 Speaker 1: first that she really loved the John Wilmot episode. But 47 00:02:54,919 --> 00:02:58,360 Speaker 1: we were talking in one part about a famous diarist 48 00:02:58,480 --> 00:03:00,720 Speaker 1: who had kind of written down the account of John 49 00:03:00,720 --> 00:03:04,200 Speaker 1: abducting his future wife and his name. We called him 50 00:03:04,240 --> 00:03:09,040 Speaker 1: Samuel Pepys, but actually it's pronounced Samuel Peeps, which is 51 00:03:09,160 --> 00:03:12,920 Speaker 1: so much better. Perfect. What a perfect name for a 52 00:03:12,919 --> 00:03:15,480 Speaker 1: guy who's snooping on everybody. Okay, I was like anything 53 00:03:15,560 --> 00:03:19,720 Speaker 1: Samuel Peeps he writes in his diary, So I feel 54 00:03:19,760 --> 00:03:22,200 Speaker 1: like people should say that everywhere they talk about him. 55 00:03:22,320 --> 00:03:26,160 Speaker 1: Don't let Samuel peep you. Everyone's going to know. So 56 00:03:26,240 --> 00:03:28,079 Speaker 1: thank you Ruth for that correction, because I was a 57 00:03:28,160 --> 00:03:32,960 Speaker 1: truly much better, much better name. I'm so excited that 58 00:03:33,000 --> 00:03:36,320 Speaker 1: we're doing this filthy poetry episode a ken so many 59 00:03:36,320 --> 00:03:38,560 Speaker 1: of you have written in and told us that the 60 00:03:38,600 --> 00:03:41,680 Speaker 1: Barongier of the long Asshole is one of your favorite episodes, 61 00:03:42,080 --> 00:03:44,360 Speaker 1: where we just spent a long time reading that that 62 00:03:44,480 --> 00:03:48,000 Speaker 1: old dirty poem medieval fabulous. It's so fun to do. 63 00:03:48,080 --> 00:03:51,200 Speaker 1: I never thought of thought that I would be reading 64 00:03:51,240 --> 00:03:53,840 Speaker 1: poetry to people, but this is this is definitely the 65 00:03:53,880 --> 00:03:57,240 Speaker 1: format and the subject material. But it should be for 66 00:03:57,280 --> 00:04:00,600 Speaker 1: me true. And I mean again, I think I said 67 00:04:00,640 --> 00:04:04,040 Speaker 1: this in the in our last episode. Why was this 68 00:04:04,200 --> 00:04:08,800 Speaker 1: not the main focus of my English degree? Seriously, I 69 00:04:08,800 --> 00:04:10,920 Speaker 1: feel like if you just had body poetry one oh one, 70 00:04:10,960 --> 00:04:14,480 Speaker 1: it would be full. It would be full every semester, 71 00:04:14,840 --> 00:04:17,400 Speaker 1: right for real, And we'll read through it. We'll we'll 72 00:04:17,520 --> 00:04:20,200 Speaker 1: stop and talk about it along the way, because it's 73 00:04:20,200 --> 00:04:23,280 Speaker 1: not gonna go like our typical poetry corner here. But 74 00:04:23,440 --> 00:04:27,839 Speaker 1: our first poem here is fairly self explanatory. John Wilmot 75 00:04:27,839 --> 00:04:31,600 Speaker 1: wrote about a guy who is disappointed that his premature 76 00:04:31,680 --> 00:04:35,120 Speaker 1: ejaculation is preventing him from having you know, full on 77 00:04:35,200 --> 00:04:42,640 Speaker 1: sexy times with his lady friend. Damn old penis they Well, 78 00:04:42,880 --> 00:04:45,919 Speaker 1: it reminds me of the Reddit episode we read about 79 00:04:45,920 --> 00:04:48,960 Speaker 1: people's worst sexual experiences and the girl said that guy 80 00:04:49,040 --> 00:04:51,280 Speaker 1: just started screaming at his dick in front of her 81 00:04:51,320 --> 00:04:53,520 Speaker 1: when it wouldn't work. Yes, and she had to sneak out. 82 00:04:53,800 --> 00:04:58,120 Speaker 1: But this is like a classier version of that, much classier. 83 00:04:58,360 --> 00:05:01,960 Speaker 1: If that guy had been a renowned poet, Yes, you 84 00:05:02,080 --> 00:05:05,280 Speaker 1: might have gotten something like this, because John Wilmot clearly 85 00:05:05,320 --> 00:05:08,120 Speaker 1: felt that if you're gonna yell at your dick, it 86 00:05:08,240 --> 00:05:11,960 Speaker 1: might as well rhyme. So let's hear John Wilmot, the 87 00:05:11,960 --> 00:05:18,920 Speaker 1: second Earl of Rochester's The Imperfect Enjoyment. Naked, she lay 88 00:05:18,960 --> 00:05:23,560 Speaker 1: clasped in my longing arms. I filled with love, and 89 00:05:23,680 --> 00:05:28,919 Speaker 1: she all over charms, both equally inspired with eager fire, 90 00:05:29,640 --> 00:05:36,960 Speaker 1: melting through kindness, flaming and desire. With arms, legs, lips close, 91 00:05:37,160 --> 00:05:41,040 Speaker 1: clinging to embrace, she clips me to her breast and 92 00:05:41,200 --> 00:05:45,520 Speaker 1: sucks me to her face. Her nimble tongue loves lesser 93 00:05:45,680 --> 00:05:49,960 Speaker 1: lightning blade within my mouth and to my thoughts conveyed 94 00:05:50,200 --> 00:05:54,400 Speaker 1: swift orders that I should prepare to throw the all 95 00:05:54,600 --> 00:05:59,839 Speaker 1: dissolving thunderbolt below. Damn this guy, I mean, this is 96 00:05:59,839 --> 00:06:07,680 Speaker 1: one hottest description about to have sex. My fluttering soul 97 00:06:08,040 --> 00:06:12,799 Speaker 1: sprung with a pointed kiss, hangs hovering over her balmy 98 00:06:13,000 --> 00:06:17,839 Speaker 1: brings the bliss. But whilst her busy hand would guide 99 00:06:17,920 --> 00:06:21,760 Speaker 1: that part which should convey my soul up to her 100 00:06:21,880 --> 00:06:28,239 Speaker 1: heart in liquid raptures, I dissolve all our mountain too sperm, 101 00:06:28,680 --> 00:06:32,960 Speaker 1: and spend at every pore a touch from any part 102 00:06:33,000 --> 00:06:37,039 Speaker 1: of her had done her hand, her foot, Her very 103 00:06:37,160 --> 00:06:44,560 Speaker 1: looks a country. There's nothing funny premature ejaculation unless it's 104 00:06:44,600 --> 00:06:49,240 Speaker 1: written out like this, and that it's hilarious. Smiling, she 105 00:06:49,480 --> 00:06:53,360 Speaker 1: chides in a kind murmuring noise, and from her body 106 00:06:53,600 --> 00:06:59,320 Speaker 1: wipes the clammy choice. When with a thousand kisses wandering 107 00:06:59,480 --> 00:07:03,360 Speaker 1: or my panting bosom is there then no more? She 108 00:07:03,440 --> 00:07:08,320 Speaker 1: cries all this to love and raptures do must we 109 00:07:08,440 --> 00:07:12,760 Speaker 1: not pay a debt to pleasure too? She's like, I 110 00:07:12,800 --> 00:07:15,320 Speaker 1: know you finished, but there's more we can do, right, 111 00:07:17,000 --> 00:07:18,640 Speaker 1: I wonder? She's like, you know you could do some 112 00:07:18,720 --> 00:07:24,680 Speaker 1: things for me, but I the most forlorn, lost man alive. 113 00:07:25,200 --> 00:07:29,640 Speaker 1: To show my wish to obedient spainly strive, I sigh, 114 00:07:29,960 --> 00:07:37,280 Speaker 1: alas and kiss, but cannot swive eager desires confound my 115 00:07:37,360 --> 00:07:43,000 Speaker 1: first intent succeeding, shame does more success prevent, and rage 116 00:07:43,080 --> 00:07:49,240 Speaker 1: at last confirms me. Impotent. That's when you can't get 117 00:07:49,240 --> 00:07:51,040 Speaker 1: out of it because you're so mad. I know he's 118 00:07:51,080 --> 00:07:53,760 Speaker 1: like I just I love it. He's really filling in, 119 00:07:54,000 --> 00:08:02,160 Speaker 1: Like all all the moments, very evocative and accurate. I imagine, 120 00:08:02,600 --> 00:08:05,960 Speaker 1: not that you would, No, I wouldn't know. It happens 121 00:08:06,040 --> 00:08:09,760 Speaker 1: to lots of guys, I'm sure. But even her fair hand, 122 00:08:09,960 --> 00:08:14,200 Speaker 1: which might bid heat return to frozen age and make 123 00:08:14,280 --> 00:08:19,280 Speaker 1: cold hermits burn, applied to my dear cinder warms no 124 00:08:19,480 --> 00:08:28,600 Speaker 1: more than fire to ashes could pass flames restored, trembling, confused, despairing, limber, dry, 125 00:08:28,840 --> 00:08:34,120 Speaker 1: a wishing, weak, unmoving luve by life, This dart of love, 126 00:08:34,480 --> 00:08:38,720 Speaker 1: who's piercing point oft tried with a virgin blood, ten 127 00:08:38,880 --> 00:08:43,520 Speaker 1: thousand maids has died, which nature still directed with such 128 00:08:43,679 --> 00:08:49,719 Speaker 1: art that it through every count, reached, every heart, stiffly resolved. 129 00:08:49,920 --> 00:08:54,880 Speaker 1: Twould carelessly invade woman or man, nor ought its fury 130 00:08:55,080 --> 00:08:59,520 Speaker 1: staid where'er it pierced a count it found or made? 131 00:09:00,120 --> 00:09:04,719 Speaker 1: Now languid lies in this unhappy hour, shrunk up in 132 00:09:04,960 --> 00:09:11,800 Speaker 1: sapless like a withered flower. Thou treacherous base, deserter of 133 00:09:11,920 --> 00:09:17,240 Speaker 1: my flame, false to my passion, fatal to my fame 134 00:09:18,040 --> 00:09:23,880 Speaker 1: through what mistaken magic? Dost thou prove so true to lewdness, 135 00:09:23,920 --> 00:09:29,880 Speaker 1: so untrue to love? What oyster, cinder beggar common? Or 136 00:09:30,200 --> 00:09:36,079 Speaker 1: didst thou e'er fail in all thy life before? When vice, disease, 137 00:09:36,320 --> 00:09:40,840 Speaker 1: and scandal lead the way? With what officious haste, dost 138 00:09:40,840 --> 00:09:45,040 Speaker 1: thou obey? Like a rude, roaring hector in the streets, 139 00:09:45,240 --> 00:09:49,600 Speaker 1: who scuffles, cuffs and jestles all he meets. But if 140 00:09:49,640 --> 00:09:52,840 Speaker 1: his king or country claim his aid, the rake hell 141 00:09:52,960 --> 00:09:57,520 Speaker 1: villain shrinks and hides his head. Even so thy brutal 142 00:09:57,640 --> 00:10:03,160 Speaker 1: valor is displayed breaks if stew does each small horror invade, 143 00:10:03,200 --> 00:10:08,199 Speaker 1: But when great love the onset does command base recreant 144 00:10:08,200 --> 00:10:14,880 Speaker 1: to thy prince, thou darest not stand. It's like, you know, 145 00:10:15,559 --> 00:10:19,160 Speaker 1: all the times that you've been taken charge, all the 146 00:10:19,200 --> 00:10:26,080 Speaker 1: boners I've gotten in crowds blows, and you're ready to go. 147 00:10:26,280 --> 00:10:28,920 Speaker 1: Yeah right, But I got the love of my life 148 00:10:30,320 --> 00:10:35,160 Speaker 1: trying to impress her. You got nothing. Come on, man, 149 00:10:35,280 --> 00:10:46,160 Speaker 1: stupid dick, he's not done. Worst part of me and 150 00:10:46,200 --> 00:10:52,000 Speaker 1: henceforth hated most through all the town, a common fucking 151 00:10:52,080 --> 00:10:56,760 Speaker 1: post on whom each horror relieves her tingling count as 152 00:10:56,840 --> 00:11:01,559 Speaker 1: hogs on gates do rub themselves and grunt. May'st thou 153 00:11:01,720 --> 00:11:07,160 Speaker 1: to ravenous chances be a prey or in consuming weepings 154 00:11:07,320 --> 00:11:12,760 Speaker 1: waste away. May Strangerry and stone thy days attend, mayst 155 00:11:12,760 --> 00:11:17,160 Speaker 1: thou never piss, who didst refuse to spend when all 156 00:11:17,240 --> 00:11:23,359 Speaker 1: my joys did on falsely depend? And may ten thousand 157 00:11:23,559 --> 00:11:29,280 Speaker 1: abler pricks agree to do the wronged Corinna right for thee. 158 00:11:30,600 --> 00:11:35,280 Speaker 1: I mean, he's straight up like, I hope, Penis, I 159 00:11:35,360 --> 00:11:38,559 Speaker 1: hope you never pee again. Oh God, for your betrayal 160 00:11:38,600 --> 00:11:43,280 Speaker 1: of me, he says, May strangry and stone thy Day's attend. 161 00:11:43,480 --> 00:11:47,400 Speaker 1: Strangry's a condition caused by blockage or irritation at the 162 00:11:47,400 --> 00:11:50,480 Speaker 1: base of the bladder, makes your dick really hurt. So 163 00:11:50,480 --> 00:11:54,000 Speaker 1: he's literally wishing, and I think stone like kidney stones. 164 00:11:54,080 --> 00:11:58,559 Speaker 1: I think he's wishing pain u t eyes and kidney 165 00:11:58,559 --> 00:12:02,240 Speaker 1: stones on his own day as punishment for its behavior. 166 00:12:03,679 --> 00:12:06,760 Speaker 1: And then he's like, I hope that Corinna finds ten 167 00:12:06,920 --> 00:12:11,200 Speaker 1: thousand Penis is better than you so that she can 168 00:12:11,280 --> 00:12:13,960 Speaker 1: get some I like, in my mind, he's telling this 169 00:12:14,400 --> 00:12:16,920 Speaker 1: in front of her. Yeah, He's like, I just want 170 00:12:16,960 --> 00:12:19,360 Speaker 1: you to know how mad I am at my dick too. 171 00:12:19,559 --> 00:12:23,960 Speaker 1: It's not me, it's him worst part of me. It's 172 00:12:24,000 --> 00:12:28,640 Speaker 1: the little Earl of Rochester, the little Earl I love it. 173 00:12:29,400 --> 00:12:31,120 Speaker 1: Can you imagine if that girl and read it was 174 00:12:31,160 --> 00:12:33,800 Speaker 1: like and then the guy was like worst part of 175 00:12:33,800 --> 00:12:38,200 Speaker 1: me and henceforth hated most. I feel like she would 176 00:12:38,200 --> 00:12:40,080 Speaker 1: have been like, Okay, she might have stuck around. Let 177 00:12:40,080 --> 00:12:43,880 Speaker 1: me hear this, not run out the door. Let's hear more. 178 00:12:46,000 --> 00:12:51,360 Speaker 1: That ship is hilarious. Sorry, that is so funny to me. Yeah, poetry, man, 179 00:12:51,480 --> 00:12:54,120 Speaker 1: it's it's incredible. You can do things with language never 180 00:12:54,160 --> 00:12:58,440 Speaker 1: thought possible. You couldn't do that in pros. You couldn't 181 00:12:58,720 --> 00:13:02,559 Speaker 1: convey that emotion. And although if you've got an example 182 00:13:03,880 --> 00:13:06,960 Speaker 1: feeling to be corrected. All right, Well, we have so 183 00:13:07,040 --> 00:13:09,559 Speaker 1: much more to get to. Uh so let's take a 184 00:13:09,640 --> 00:13:11,920 Speaker 1: quick break and we will be right back with another 185 00:13:12,120 --> 00:13:22,000 Speaker 1: John Wilmot poetry corner. Welcome back, you filthy poetry lovers. 186 00:13:23,120 --> 00:13:26,760 Speaker 1: So yeah, John Wilmot's most famous poem is a stature 187 00:13:26,880 --> 00:13:30,840 Speaker 1: against reason and mankind, and it's very long and it's 188 00:13:30,840 --> 00:13:33,520 Speaker 1: not really body. So we were kind of like not 189 00:13:33,559 --> 00:13:35,360 Speaker 1: going to read that one for you too. It's not 190 00:13:35,400 --> 00:13:38,240 Speaker 1: a love poem and there's no dicks in it, so 191 00:13:38,400 --> 00:13:40,920 Speaker 1: it doesn't really fit with the show. It's true, but 192 00:13:40,960 --> 00:13:42,520 Speaker 1: I did just want to throw out there that it 193 00:13:42,640 --> 00:13:45,320 Speaker 1: is really a great poem to check out and read. 194 00:13:45,720 --> 00:13:50,680 Speaker 1: It's probably the greatest insight into John Wilmot's personality and 195 00:13:50,760 --> 00:13:54,079 Speaker 1: life life philosophy. I guess, like what he really believed 196 00:13:54,080 --> 00:13:57,520 Speaker 1: about the world. It's like his full argument about how 197 00:13:58,440 --> 00:14:03,360 Speaker 1: reason and rationality is being um two lauded or ap 198 00:14:03,720 --> 00:14:08,240 Speaker 1: appreciated over your senses and your joy and your bodily 199 00:14:08,280 --> 00:14:10,559 Speaker 1: desires and stuff like that kind of reminded me of 200 00:14:10,559 --> 00:14:14,720 Speaker 1: Walt Whitman's song of Yourself that way. Yeah, definitely very different, 201 00:14:14,960 --> 00:14:18,320 Speaker 1: very different, but still like kind of a similar feeling 202 00:14:18,320 --> 00:14:20,320 Speaker 1: about the world. I guess, well, when we talked to 203 00:14:20,760 --> 00:14:24,160 Speaker 1: about for nervous poetry readers out there, or if you're 204 00:14:24,160 --> 00:14:27,520 Speaker 1: not as familiar about how accessible his poetry is because 205 00:14:27,560 --> 00:14:29,920 Speaker 1: he doesn't touch everything in metaphor, it's really easy to read. 206 00:14:29,960 --> 00:14:32,720 Speaker 1: I think it's true. Like he he has a great 207 00:14:32,760 --> 00:14:36,880 Speaker 1: line where he says his wisdom did his happiness destroy 208 00:14:36,920 --> 00:14:41,320 Speaker 1: aiming to know the world he should enjoy that speaks 209 00:14:41,720 --> 00:14:44,160 Speaker 1: to me so hard. I thought, I feel I was like, 210 00:14:44,200 --> 00:14:47,480 Speaker 1: Eli will like this poem. I think because at times 211 00:14:47,480 --> 00:14:49,120 Speaker 1: you really do do that, you get caught so caught 212 00:14:49,160 --> 00:14:52,400 Speaker 1: up in understanding things. It can really I think it 213 00:14:52,440 --> 00:14:55,280 Speaker 1: can depress you. It kind of takes the magic out 214 00:14:55,280 --> 00:14:57,120 Speaker 1: of life a little bit. And I'm a I'm a 215 00:14:57,200 --> 00:15:00,560 Speaker 1: pragmatic you know, science leaning pers and where I do 216 00:15:00,640 --> 00:15:02,520 Speaker 1: want to know a lot of answers and reasons and 217 00:15:02,520 --> 00:15:05,760 Speaker 1: stuff like that, but sometimes just gotta, you know, let 218 00:15:05,800 --> 00:15:11,000 Speaker 1: this guy be blue, who cares why? I know he well? 219 00:15:11,000 --> 00:15:13,080 Speaker 1: And that's kind of part of the poem. Is John 220 00:15:13,080 --> 00:15:15,480 Speaker 1: Wilmot is like I would argue that there is a 221 00:15:15,560 --> 00:15:18,160 Speaker 1: reasoning that I respect very much, and it's kind of 222 00:15:18,240 --> 00:15:22,120 Speaker 1: animal reasoning. Whereas you're going too far, like you're you're 223 00:15:22,160 --> 00:15:24,640 Speaker 1: doing too much. Here's a good stanza to describe that. 224 00:15:25,000 --> 00:15:31,000 Speaker 1: He says, quote your reason hinders mine helps enjoy renewing appetites. 225 00:15:31,080 --> 00:15:34,680 Speaker 1: Yours would destroy My reason is my friend. Yours is 226 00:15:34,680 --> 00:15:40,400 Speaker 1: a cheat. Hunger calls out my reason, bids me to eat. Perversely, yours, 227 00:15:40,440 --> 00:15:44,760 Speaker 1: your appetite does mock this asks for food that answers 228 00:15:45,200 --> 00:15:49,960 Speaker 1: what's a clock? This plain distinction, sir, your doubt secures 229 00:15:50,280 --> 00:15:54,600 Speaker 1: tis not true reason I despise, but yours. And I 230 00:15:54,600 --> 00:15:56,360 Speaker 1: thought that was really cool because he's just talking about 231 00:15:56,360 --> 00:15:59,240 Speaker 1: how he's like, I would rather be a beast than 232 00:15:59,280 --> 00:16:03,280 Speaker 1: a man, because beasts are ruled by rules that make 233 00:16:03,360 --> 00:16:06,120 Speaker 1: sense to me, and y'all are talking at best, no nonsense. 234 00:16:07,640 --> 00:16:10,280 Speaker 1: It sounds to me like he's sick of pedantic people, 235 00:16:11,160 --> 00:16:15,120 Speaker 1: you know. I immediately thought of of John Mulaney's thing 236 00:16:15,120 --> 00:16:18,000 Speaker 1: about the sleepover his friends, Like, well, technically it's not 237 00:16:18,080 --> 00:16:21,720 Speaker 1: it's tomorrow because it's after midnight. Take your sleeping bag, 238 00:16:22,000 --> 00:16:24,960 Speaker 1: get the funk out of my house. That is such 239 00:16:25,000 --> 00:16:27,240 Speaker 1: a good joke we say all the time, all the time, 240 00:16:27,320 --> 00:16:31,760 Speaker 1: every time, every time somebody's too pedant, take up, Like really, actually, 241 00:16:31,800 --> 00:16:34,400 Speaker 1: it's like this, take your sleep in bed and get 242 00:16:34,400 --> 00:16:36,600 Speaker 1: the funk out of my house. And it must be said, 243 00:16:36,640 --> 00:16:40,320 Speaker 1: sometimes that person is me sometimes, because I can be 244 00:16:40,400 --> 00:16:46,240 Speaker 1: a little I like it. I like a precise definition. Look, 245 00:16:46,440 --> 00:16:49,680 Speaker 1: just because many a joke has been crushed under the 246 00:16:49,680 --> 00:16:52,480 Speaker 1: weight of recent right. Well, that's why I always said 247 00:16:52,480 --> 00:16:54,640 Speaker 1: my stand If I ever did stand up, my stand 248 00:16:54,680 --> 00:16:56,760 Speaker 1: up special will be called buzz kill. And I would 249 00:16:56,760 --> 00:16:59,080 Speaker 1: talk about how many jokes I ruined, because I'm like, 250 00:16:59,160 --> 00:17:03,040 Speaker 1: that's that pertically accurate. Uh. This poem also kind of 251 00:17:03,040 --> 00:17:06,320 Speaker 1: shows his cynicism off a little bit because he talks 252 00:17:06,320 --> 00:17:08,359 Speaker 1: a lot, and this was another thing I thought would 253 00:17:08,359 --> 00:17:11,199 Speaker 1: resonate with you, Eli, he talks a lot about. He's like, 254 00:17:11,240 --> 00:17:14,840 Speaker 1: please tell me about one single person on this earth 255 00:17:15,200 --> 00:17:19,119 Speaker 1: who puts other people's interests before his own or before 256 00:17:19,160 --> 00:17:23,360 Speaker 1: his families, who actually cares about strangers or his country 257 00:17:23,480 --> 00:17:27,159 Speaker 1: over himself. Um. He's kind of like, the way the 258 00:17:27,200 --> 00:17:30,640 Speaker 1: world is, the way society is built because of your rationality, 259 00:17:30,720 --> 00:17:33,240 Speaker 1: this thing you're so proud of. You have to be 260 00:17:33,280 --> 00:17:36,320 Speaker 1: an asshole to get ahead. And so if you're not 261 00:17:36,400 --> 00:17:39,239 Speaker 1: an asshole, you're not a good person. Or you know, 262 00:17:39,320 --> 00:17:41,280 Speaker 1: people don't help you out. They just leave you in 263 00:17:41,320 --> 00:17:43,960 Speaker 1: the dust. So he's like, if you can prove to 264 00:17:44,000 --> 00:17:46,240 Speaker 1: me that I'm wrong, I will take back everything that 265 00:17:46,320 --> 00:17:49,040 Speaker 1: I just said. But until then, I maintain animals are 266 00:17:49,040 --> 00:17:53,040 Speaker 1: smarter than men. Okay, So, and you thought of me 267 00:17:53,119 --> 00:17:56,080 Speaker 1: because you think that I'm the example. No, I thought 268 00:17:56,119 --> 00:17:59,120 Speaker 1: of you because you're always like this. At least American 269 00:17:59,240 --> 00:18:03,440 Speaker 1: society is very much right now, leaning on the worst 270 00:18:03,680 --> 00:18:06,399 Speaker 1: you are, the more money and success you get. I 271 00:18:06,480 --> 00:18:08,639 Speaker 1: know that that's why you thought of me. I was 272 00:18:08,680 --> 00:18:11,840 Speaker 1: just hoping it was because I was perfect, because I'm 273 00:18:11,880 --> 00:18:16,800 Speaker 1: a cynic. Now it's because you're a cynic. Well. But anyway, 274 00:18:16,800 --> 00:18:19,399 Speaker 1: we're not here to do some academic poetry breakdown of 275 00:18:19,840 --> 00:18:22,760 Speaker 1: his cool satire against rant reason or I'm just gonna 276 00:18:22,760 --> 00:18:25,000 Speaker 1: have to pass to do another podcast for that, that's right. 277 00:18:25,080 --> 00:18:27,760 Speaker 1: Something else. We're here to do body poetry reading. Yeah, 278 00:18:28,080 --> 00:18:31,240 Speaker 1: So instead we're going to dive into a poem called 279 00:18:31,520 --> 00:18:36,520 Speaker 1: The Disabled Debaucher. And in this poem, an old rake 280 00:18:36,800 --> 00:18:40,160 Speaker 1: is kind of reflecting on his bygone days and he's 281 00:18:40,200 --> 00:18:44,320 Speaker 1: trying to inspire a new generation to fucking suck just 282 00:18:44,400 --> 00:18:47,159 Speaker 1: as much, if not more, then he did as a 283 00:18:47,240 --> 00:18:51,840 Speaker 1: young man. So let's hear John Wilmot the Disabled Debaucher, 284 00:18:51,840 --> 00:18:58,480 Speaker 1: as some braise admiral in former war, deprived of force 285 00:18:58,600 --> 00:19:03,000 Speaker 1: but pressed with courage. Still, two rival fleets, appearing from afar, 286 00:19:03,640 --> 00:19:07,480 Speaker 1: crawls to the top of an adjacent hill. From whence 287 00:19:07,520 --> 00:19:10,879 Speaker 1: swift thoughts full of concern, he views the wise and 288 00:19:10,960 --> 00:19:14,520 Speaker 1: daring conduct of the fight, and each bold action, to 289 00:19:14,640 --> 00:19:19,280 Speaker 1: his mind renews his present glory and his past delight 290 00:19:20,280 --> 00:19:24,560 Speaker 1: from his fierce eyes. Flashes of rage he throws as 291 00:19:24,600 --> 00:19:29,520 Speaker 1: from black clouds when lightning breaks away, transported thinks himself 292 00:19:29,560 --> 00:19:34,160 Speaker 1: amidst his foes and absent, yet enjoys the bloody day. 293 00:19:35,200 --> 00:19:38,640 Speaker 1: So when my days of impotence approach, and I'm by 294 00:19:38,720 --> 00:19:43,600 Speaker 1: pox and wines, unlucky chance, driven from the pleasing billows 295 00:19:43,640 --> 00:19:49,040 Speaker 1: of debauch on the dull shore of lazy temperance, my pains, 296 00:19:49,080 --> 00:19:52,840 Speaker 1: at last some respite shall afford, whilst I behold the 297 00:19:52,920 --> 00:19:57,359 Speaker 1: battles you maintain. When fleets of glasses sail about the 298 00:19:57,440 --> 00:20:01,520 Speaker 1: board from whose broadsides, vall lease of wit shall rain, 299 00:20:02,520 --> 00:20:05,680 Speaker 1: Nor shall the sight of honorable scars, which my two 300 00:20:05,760 --> 00:20:09,720 Speaker 1: forward valor did procure. Frightened new listed soldiers from the 301 00:20:09,760 --> 00:20:13,040 Speaker 1: wars past joys have more than paid what I endure. 302 00:20:13,400 --> 00:20:17,600 Speaker 1: I like, literally, you might see me and I've got 303 00:20:17,640 --> 00:20:21,359 Speaker 1: like syphilis and gono rhea and my Dick's fallen off. 304 00:20:21,480 --> 00:20:24,760 Speaker 1: But that's not gonna stop you. You're gonna get out 305 00:20:24,800 --> 00:20:29,200 Speaker 1: there and screw everyone you see. You know I enjoyed 306 00:20:29,240 --> 00:20:32,840 Speaker 1: every minute of it. I got no regrets. No I 307 00:20:32,880 --> 00:20:38,520 Speaker 1: look like the portrait of Dorian Gray, should hopeful you 308 00:20:39,160 --> 00:20:43,280 Speaker 1: worth being drunk, prove nice and from their fair inviterers 309 00:20:43,359 --> 00:20:46,720 Speaker 1: meanly shrink. It would please the ghost of my depart 310 00:20:46,760 --> 00:20:53,639 Speaker 1: advice if at my council they repent and drink. Or 311 00:20:53,720 --> 00:20:58,680 Speaker 1: should some cold complexion sut forbid with his dull morals 312 00:20:58,680 --> 00:21:03,040 Speaker 1: our nights brisk alarms. I'll fire his blood by telling 313 00:21:03,040 --> 00:21:05,720 Speaker 1: what I did when I was strong and able to 314 00:21:05,760 --> 00:21:10,280 Speaker 1: bear arms. I'll tell of whores attacked their lords at home, 315 00:21:11,000 --> 00:21:17,000 Speaker 1: bod's quarters, beat up and fortress one windows, demolished, watches overcome, 316 00:21:17,440 --> 00:21:22,080 Speaker 1: and handsome ills by my contrabance done. I love the 317 00:21:22,119 --> 00:21:25,280 Speaker 1: line Watches overcomes, considering that we know he got a 318 00:21:25,320 --> 00:21:29,240 Speaker 1: friend killed by the night Watch, that's true. I just 319 00:21:29,320 --> 00:21:32,040 Speaker 1: love this, Like, uh no, I'm gonna I'm gonna tell 320 00:21:32,040 --> 00:21:34,879 Speaker 1: you my stories and then you're gonna get so riled 321 00:21:34,960 --> 00:21:36,440 Speaker 1: up you're gonna have to go there. I'm gonna tell 322 00:21:36,440 --> 00:21:39,760 Speaker 1: you about I've screwed these women while their husbands were 323 00:21:39,840 --> 00:21:42,800 Speaker 1: right there in the other room. If I can do it, 324 00:21:42,880 --> 00:21:45,320 Speaker 1: you can do it, kid, Come on, prove you try 325 00:21:45,359 --> 00:21:49,000 Speaker 1: to beat my record. Yeah, yeah, I did five and 326 00:21:49,040 --> 00:21:51,320 Speaker 1: a night beat that, And they're like, well now, I 327 00:21:51,359 --> 00:21:54,719 Speaker 1: have to well, if the old man could do it, 328 00:21:56,760 --> 00:22:00,680 Speaker 1: nor shall our love fits Cloris be forgot when each 329 00:22:00,760 --> 00:22:03,840 Speaker 1: the well looked link boy strove to enjoy and the 330 00:22:03,880 --> 00:22:07,840 Speaker 1: best kiss was the deciding lots whether the boy fucked 331 00:22:07,880 --> 00:22:15,480 Speaker 1: you or I the boy basically saying like sometimes we 332 00:22:16,200 --> 00:22:20,000 Speaker 1: got the pool boy involved. Basically, I think in a 333 00:22:20,600 --> 00:22:23,119 Speaker 1: kind of way, because link boys were probably like twelve, 334 00:22:23,160 --> 00:22:25,720 Speaker 1: and oh no, I don't think they were very old. 335 00:22:25,880 --> 00:22:29,880 Speaker 1: Link boys like carried lights, uh down the street. That's right. 336 00:22:29,960 --> 00:22:32,879 Speaker 1: They Yeah, they were like torch bears kind of um 337 00:22:33,160 --> 00:22:40,040 Speaker 1: and yeah, that's were not they were not grown up. Yeah, anyway, 338 00:22:40,280 --> 00:22:43,879 Speaker 1: you moving on with tails like these, I will such 339 00:22:43,920 --> 00:22:48,400 Speaker 1: heat inspire as to important mischief, shall incline, I'll make 340 00:22:48,480 --> 00:22:52,720 Speaker 1: them long some ancient church to fire, and fear no lewdness. 341 00:22:52,800 --> 00:22:58,359 Speaker 1: They're called to by wine, thus statesmanlike, I'll suscily impose 342 00:22:58,960 --> 00:23:03,359 Speaker 1: and safe from Dane sure valiantly advised, sheltered in impotence, 343 00:23:04,160 --> 00:23:08,119 Speaker 1: urge you two blows and being good for nothing else 344 00:23:08,640 --> 00:23:12,800 Speaker 1: be wise. He's like, I'm so old now I can't 345 00:23:12,840 --> 00:23:16,560 Speaker 1: do it anymore. I'm safe from any other harm that 346 00:23:16,640 --> 00:23:19,720 Speaker 1: might befall me from getting into this kind of trashy behavior. 347 00:23:20,240 --> 00:23:22,359 Speaker 1: But I'm gonna stand here and tell you to do it. 348 00:23:22,600 --> 00:23:24,960 Speaker 1: That's right, and if you have it, if you have questions, 349 00:23:25,119 --> 00:23:29,639 Speaker 1: I can advise. I'm here speak to your elders. I 350 00:23:29,680 --> 00:23:32,160 Speaker 1: love that he's comparing it to being an old general 351 00:23:32,200 --> 00:23:36,320 Speaker 1: who's like looking back on his r glories and he's 352 00:23:36,760 --> 00:23:39,080 Speaker 1: like late straight up, like this is a bat this 353 00:23:39,119 --> 00:23:43,720 Speaker 1: is my battle field. But what's funny is I remember 354 00:23:43,720 --> 00:23:45,800 Speaker 1: when I was doing the research for this episode, somebody 355 00:23:45,880 --> 00:23:48,720 Speaker 1: was like, this the Disabled Debauch is like the most 356 00:23:48,800 --> 00:23:51,359 Speaker 1: the dirtiest poem in the English language, and I was like, 357 00:23:51,560 --> 00:23:55,560 Speaker 1: it really feels like Regime d Vive and Imperfect Enjoyment 358 00:23:55,640 --> 00:23:59,040 Speaker 1: are like dirtier in a way than this one. He 359 00:23:59,080 --> 00:24:02,840 Speaker 1: don't even say the sea heard in this one. Well 360 00:24:03,040 --> 00:24:06,320 Speaker 1: that's a fun little poem, not as dirty as some 361 00:24:06,440 --> 00:24:08,720 Speaker 1: of the other ones. And when we come back from 362 00:24:08,720 --> 00:24:10,760 Speaker 1: the break, we are going to read in full the 363 00:24:10,800 --> 00:24:13,280 Speaker 1: poem that we've read a little bit of with Ben 364 00:24:13,320 --> 00:24:15,920 Speaker 1: and Noel in our Brief History of Sex Toys episode, 365 00:24:16,080 --> 00:24:18,520 Speaker 1: but we're going to do the whole thing this time, 366 00:24:18,600 --> 00:24:23,359 Speaker 1: and it's incredible. It's called Senor Buildo and it's about 367 00:24:23,359 --> 00:24:25,280 Speaker 1: exactly what you think it is. So we'll be right 368 00:24:25,320 --> 00:24:33,560 Speaker 1: back with that. Welcome back, everybody. Okay. So back in 369 00:24:33,720 --> 00:24:36,800 Speaker 1: our brief History of Sex Toys episode that we did 370 00:24:36,800 --> 00:24:40,439 Speaker 1: with Ridiculous History with Ben and Noel, we read about 371 00:24:40,640 --> 00:24:44,040 Speaker 1: four stanzas of John Wilmot's senior bildo, but it is 372 00:24:44,400 --> 00:24:48,440 Speaker 1: much longer than that. John Wilmot possibly wrote this after 373 00:24:48,600 --> 00:24:51,879 Speaker 1: Mary of Modena arrived in England to marry James the Second. 374 00:24:52,240 --> 00:24:55,000 Speaker 1: If you remember James the Second, he was the that 375 00:24:55,280 --> 00:24:57,800 Speaker 1: creepy younger brother of Charles the Second. You know, he 376 00:24:57,840 --> 00:25:01,040 Speaker 1: would just stare at women's boobs leer. He's the one 377 00:25:01,080 --> 00:25:04,760 Speaker 1: who the guys were like. His mistresses are so ugly. 378 00:25:04,800 --> 00:25:06,600 Speaker 1: They must have been given to him by priest. Oh 379 00:25:06,680 --> 00:25:10,280 Speaker 1: my god. He's also the one that Charles got so 380 00:25:10,320 --> 00:25:13,159 Speaker 1: mad about being compared to. So that's right, he's just 381 00:25:13,840 --> 00:25:17,359 Speaker 1: who this guy was. Now. Mary of Medina was Italian 382 00:25:17,880 --> 00:25:21,840 Speaker 1: and the dildo was referred to as the Italian device 383 00:25:22,040 --> 00:25:25,359 Speaker 1: in Restoration England. I was like, have you tried the 384 00:25:25,440 --> 00:25:31,240 Speaker 1: Italian device? You? Yes, I have three d wolf. I've 385 00:25:31,280 --> 00:25:35,760 Speaker 1: got a few as well. Oh who's that? That's Jerry 386 00:25:35,760 --> 00:25:40,480 Speaker 1: the Blacksmith. He likes a dildo. It's nothing wrong with that, 387 00:25:40,560 --> 00:25:46,159 Speaker 1: Mad Adam from Dragon Steel. That's actually true because the 388 00:25:46,200 --> 00:25:50,160 Speaker 1: dildos were not anything new. They're very old actually, and 389 00:25:50,320 --> 00:25:53,520 Speaker 1: aristocrats had dildos made from all kinds of different materials. 390 00:25:53,520 --> 00:25:56,280 Speaker 1: Fancy show like silver and gold, and you fancy medals 391 00:25:56,320 --> 00:26:00,800 Speaker 1: and stuff. Arry the blacksmith, yeah, Ivory, he might be 392 00:26:00,920 --> 00:26:05,240 Speaker 1: forging the next big dildo for somebody. Now. Was it 393 00:26:05,440 --> 00:26:08,399 Speaker 1: secretive where they like, oh, Jerry, can you make me 394 00:26:08,440 --> 00:26:10,600 Speaker 1: one of those Italian devices? Or did he have like 395 00:26:10,640 --> 00:26:15,400 Speaker 1: a side business where he's like, you know, horseshoes and dildos, 396 00:26:16,040 --> 00:26:18,359 Speaker 1: come on down to Jerry's shop. I don't know the 397 00:26:18,400 --> 00:26:21,120 Speaker 1: answer to that because it kind of varies, I guess, 398 00:26:21,119 --> 00:26:24,879 Speaker 1: depending on what society. Obviously, English society is pretty buttoned up, 399 00:26:24,920 --> 00:26:28,480 Speaker 1: so it probably was a secret, whereas apparently in Japan 400 00:26:28,600 --> 00:26:32,000 Speaker 1: when they had dildos, it's straight up like just here's 401 00:26:32,000 --> 00:26:35,639 Speaker 1: a bunch of pictures of ladies enjoying their dildos, almost 402 00:26:35,680 --> 00:26:39,280 Speaker 1: a comical thing. Much more like it's fine. So you've 403 00:26:39,280 --> 00:26:43,240 Speaker 1: got a Japanese blacksmith being like, I've got dildos everyone, 404 00:26:43,520 --> 00:26:46,680 Speaker 1: and horseshoes if you want them, keep it on the 405 00:26:47,080 --> 00:26:49,600 Speaker 1: hush there, but flip it around for England. This is 406 00:26:49,680 --> 00:26:55,320 Speaker 1: a dildo shop if anybody asks. But yeah, around John's time, 407 00:26:56,400 --> 00:26:58,920 Speaker 1: because even like I said, dildos were nothing new. People 408 00:26:58,960 --> 00:27:01,600 Speaker 1: were used to them. But around this time, men were 409 00:27:01,640 --> 00:27:05,399 Speaker 1: starting to get really nervous that women would prefer dildo's 410 00:27:05,520 --> 00:27:08,680 Speaker 1: over the real thing, kind of because of that imperfect 411 00:27:08,800 --> 00:27:11,440 Speaker 1: enjoyment thing. They're like, they can always stay up, they're 412 00:27:11,480 --> 00:27:16,119 Speaker 1: always ready, you know that, they never fail. So they 413 00:27:16,200 --> 00:27:19,280 Speaker 1: start to get really insecure. Well, and that exists today. 414 00:27:19,440 --> 00:27:21,280 Speaker 1: I know a lot of guys are very insecure about 415 00:27:21,320 --> 00:27:23,280 Speaker 1: sex toys in the bedroom. Yeah. They say if you 416 00:27:23,440 --> 00:27:26,560 Speaker 1: use a vibrator too much, like you can't come your 417 00:27:26,640 --> 00:27:29,320 Speaker 1: hand anymore, something, which I'm like, Okay, if she don't 418 00:27:29,400 --> 00:27:33,600 Speaker 1: know any better, then you got better chances. That's basically 419 00:27:33,680 --> 00:27:35,960 Speaker 1: what they're saying, right, Yeah, find someone who doesn't know 420 00:27:36,720 --> 00:27:39,359 Speaker 1: that I'm the worst at this. It'd be like me 421 00:27:39,600 --> 00:27:42,440 Speaker 1: go into an alien planet and being like, hey, everybody, 422 00:27:43,480 --> 00:27:47,760 Speaker 1: I'm actually the best baker on planet Earth, and they don't. 423 00:27:47,800 --> 00:27:50,240 Speaker 1: They don't know any better, right, so you can just 424 00:27:50,359 --> 00:27:54,080 Speaker 1: make whatever garbage the best cupcakes I can do from scratch, 425 00:27:54,160 --> 00:27:58,040 Speaker 1: which I'm more of a cook than a baker. I 426 00:27:58,080 --> 00:28:01,080 Speaker 1: would forget an ingredient of some kind, you would get 427 00:28:01,119 --> 00:28:03,320 Speaker 1: all the way to Alpha Centauri and be like, shit, 428 00:28:03,440 --> 00:28:06,840 Speaker 1: I forgot the corn starch. I love the baking powder. 429 00:28:07,200 --> 00:28:08,960 Speaker 1: You know why my cupcakes are so bad? Because I 430 00:28:09,040 --> 00:28:17,200 Speaker 1: put corn star was no wonder. Yeah, all right, but 431 00:28:17,320 --> 00:28:21,080 Speaker 1: let's get to the poem. Senior Dildo kind of plays 432 00:28:21,160 --> 00:28:24,479 Speaker 1: on those fears of men feeling insecure about the dildo 433 00:28:25,000 --> 00:28:28,160 Speaker 1: being popularized. And just you know, the duchess that John 434 00:28:28,200 --> 00:28:31,360 Speaker 1: Wilmot refers to in the first two stanzas is referring 435 00:28:31,640 --> 00:28:34,920 Speaker 1: to Mary of Modena, who had come there to Mary 436 00:28:35,040 --> 00:28:40,160 Speaker 1: James the second. So let's see her John Wilmot's Senior Dildo. 437 00:28:42,760 --> 00:28:46,000 Speaker 1: You ladies of Mary, England who have been to kiss 438 00:28:46,080 --> 00:28:49,760 Speaker 1: the Duchess's hand, pray, did you not lately observe in 439 00:28:49,800 --> 00:28:55,120 Speaker 1: the show a noble Italian called Senior Dildo. This senor 440 00:28:55,600 --> 00:28:58,760 Speaker 1: was one of the Duchess's train and helped to conduct 441 00:28:58,840 --> 00:29:01,920 Speaker 1: her over the main But now she cries out to 442 00:29:02,080 --> 00:29:05,400 Speaker 1: the Duke, I will go, I have no more need 443 00:29:05,640 --> 00:29:09,920 Speaker 1: for Senior Dildo. At the Sign of the Cross in St. 444 00:29:10,040 --> 00:29:13,160 Speaker 1: James Street, when next you go thither to make yourself 445 00:29:13,240 --> 00:29:17,520 Speaker 1: sweet by buying a powder gloves essence, or so you 446 00:29:17,680 --> 00:29:20,880 Speaker 1: made chance to get a sight of Senior Dildo. You 447 00:29:20,960 --> 00:29:23,320 Speaker 1: would take him at first for no person of note, 448 00:29:23,680 --> 00:29:26,880 Speaker 1: because he appears in a plain leather coat. But when 449 00:29:26,960 --> 00:29:31,880 Speaker 1: you his virtuous abilities, no, you'll fall down and worship 450 00:29:32,400 --> 00:29:37,760 Speaker 1: Senior Dildo. Did it come in like a leather sleeve 451 00:29:37,840 --> 00:29:39,840 Speaker 1: when you got one? Because that's why I'm conturing. And 452 00:29:39,960 --> 00:29:45,440 Speaker 1: also I think that some early condoms were like many 453 00:29:45,560 --> 00:29:48,760 Speaker 1: times washed leather. Yeah, well so that might be a 454 00:29:48,800 --> 00:29:52,520 Speaker 1: reference to a condom as well. Helloa, you might see 455 00:29:52,600 --> 00:29:55,080 Speaker 1: this guy around and just think he's a you know, 456 00:29:55,240 --> 00:29:59,320 Speaker 1: just a weird wooden cucumber. But I'm telling you he's special, 457 00:29:59,600 --> 00:30:01,720 Speaker 1: and you're going to figure it out, and then you 458 00:30:01,800 --> 00:30:06,280 Speaker 1: will worship him. My Lady south esk heaven prosper her 459 00:30:06,320 --> 00:30:10,000 Speaker 1: fort first clothed him in satin, then brought him to court, 460 00:30:10,640 --> 00:30:13,880 Speaker 1: but his head in the circle he scarcely durst show 461 00:30:14,560 --> 00:30:19,000 Speaker 1: so modest a youth was Senior Dildo. The good Lady Suffolk, 462 00:30:19,200 --> 00:30:22,720 Speaker 1: thinking no harm, had got this poor stranger, hid under 463 00:30:22,800 --> 00:30:26,880 Speaker 1: her arm. Lady Betty, by chance came the secrets to know, 464 00:30:27,600 --> 00:30:33,280 Speaker 1: and from her own mother stole senior Dildo. How rude, 465 00:30:33,600 --> 00:30:36,360 Speaker 1: Lady Betty's mom is like tearing her room apart. I 466 00:30:36,560 --> 00:30:40,040 Speaker 1: swear it was just here under my pillow of the 467 00:30:40,160 --> 00:30:45,160 Speaker 1: finest ivory, Lady, Betty, get your own. Lady Petty, she 468 00:30:45,320 --> 00:30:46,920 Speaker 1: was like, where am I supposed to go? I can't 469 00:30:47,000 --> 00:30:50,200 Speaker 1: go order a horseshoe. I'm a lady. She's like, I 470 00:30:50,360 --> 00:30:55,760 Speaker 1: need it now, and Jerry's is closed. The Countess of Falmous, 471 00:30:56,000 --> 00:30:58,960 Speaker 1: of whom people tell her footman wear shirts of a 472 00:30:59,040 --> 00:31:02,640 Speaker 1: guinea and l might save that expense if she did, 473 00:31:02,720 --> 00:31:07,800 Speaker 1: But know how lusty a swinger is Senior Dildo. By 474 00:31:07,880 --> 00:31:11,640 Speaker 1: the help of this gallant, the Countess of Raith against 475 00:31:11,720 --> 00:31:16,440 Speaker 1: the fierce Harris, preserved herself safe. She stifled him almost 476 00:31:16,600 --> 00:31:22,600 Speaker 1: beneath her pillow. So closely she embraced senior dildo. Keep 477 00:31:22,640 --> 00:31:25,640 Speaker 1: in mind, all these people are real, like he might 478 00:31:25,720 --> 00:31:30,480 Speaker 1: be reading this in front of them. He's like, I 479 00:31:30,560 --> 00:31:33,920 Speaker 1: know how closely you embraced senior dildo, or at least 480 00:31:33,960 --> 00:31:39,240 Speaker 1: people who know them. Yeah, the pattern of virtue, her 481 00:31:39,320 --> 00:31:43,000 Speaker 1: Grace of Cleveland has swallowed more pricks than the ocean 482 00:31:43,200 --> 00:31:47,360 Speaker 1: has sand. But by rubbing and scrubbing, so wide does 483 00:31:47,440 --> 00:31:52,360 Speaker 1: it grow? It is fit for just nothing but senior dildo. 484 00:31:52,520 --> 00:31:56,360 Speaker 1: Oh my god. He's saying that she's so burnt out 485 00:31:56,480 --> 00:32:00,320 Speaker 1: that she needs senior dildo. Yes, he is one of 486 00:32:00,360 --> 00:32:03,239 Speaker 1: the Yeah, he's like, she's had too many penises now 487 00:32:04,040 --> 00:32:08,240 Speaker 1: nothing can satisfy her. She's the Grace of Cleveland. There's 488 00:32:08,280 --> 00:32:11,320 Speaker 1: a poor somewhere in Cleveland, Ohio. There's a girl with 489 00:32:11,360 --> 00:32:16,120 Speaker 1: the same reputation. Oh no, Grace of Cleveland Gate Cleveland. 490 00:32:16,440 --> 00:32:19,080 Speaker 1: I mean whatever, Grace, if you're in do you think 491 00:32:19,200 --> 00:32:21,480 Speaker 1: if you swallow more pricks than the ocean has sand? 492 00:32:21,640 --> 00:32:24,760 Speaker 1: As far as I'm concerned, that's the achievement unlocked. Better 493 00:32:24,880 --> 00:32:30,760 Speaker 1: you than me, our dainty fine duchesses have got a 494 00:32:30,880 --> 00:32:33,480 Speaker 1: trick to dote on a fool for the sake of 495 00:32:33,600 --> 00:32:37,240 Speaker 1: his prick. The thops were undone, did their graces. But no, 496 00:32:37,880 --> 00:32:44,040 Speaker 1: the discretion and figure I've senior dilto. He's like, these 497 00:32:44,120 --> 00:32:47,320 Speaker 1: ladies are always keeping these stupid dudes around just because 498 00:32:48,000 --> 00:32:49,959 Speaker 1: they can get it up. If only they knew they 499 00:32:50,000 --> 00:32:52,880 Speaker 1: had another option, But they don't need to entertain them. Yeah, 500 00:32:53,360 --> 00:32:57,600 Speaker 1: and senior dildo. Nobody ever knows he's there. It's a quiet, 501 00:32:57,880 --> 00:33:02,280 Speaker 1: he's so quiet. The Duchess of Modina, though she looks 502 00:33:02,360 --> 00:33:05,640 Speaker 1: so high with such a gallant as, content to lie 503 00:33:06,160 --> 00:33:09,040 Speaker 1: and for fear that the English her secrets should know 504 00:33:09,760 --> 00:33:14,760 Speaker 1: for her, gentleman Usher took Senior Dildo. The Countess of 505 00:33:14,800 --> 00:33:18,360 Speaker 1: the Cockpit, who knows not her name. She's famous in 506 00:33:18,480 --> 00:33:22,240 Speaker 1: story for a killing dame. When all her old lovers 507 00:33:22,400 --> 00:33:27,240 Speaker 1: forsake her, I trow. She'll then be contented with Senor Dildo, 508 00:33:27,600 --> 00:33:32,040 Speaker 1: Red Howard, Red Sheldon and Temple so tall complain of 509 00:33:32,200 --> 00:33:36,840 Speaker 1: his absence so long from Whitehall. Senior Barnard has promised 510 00:33:36,880 --> 00:33:41,120 Speaker 1: a journey to go and bring back his countryman. Senior Dildo. 511 00:33:41,400 --> 00:33:44,680 Speaker 1: Hang on, I'll go get it. They took him off 512 00:33:44,720 --> 00:33:48,800 Speaker 1: to England. Dol Howard, no longer with his highness, must range, 513 00:33:49,040 --> 00:33:53,880 Speaker 1: and therefore is proffered this civil exchange. Her teeth being rotten, 514 00:33:54,360 --> 00:33:58,400 Speaker 1: she smells best below and needs must be fitted for 515 00:33:58,680 --> 00:34:02,880 Speaker 1: Senior Dildo. Oh my god, he's like her mouth is 516 00:34:02,960 --> 00:34:10,160 Speaker 1: so nasty. Better off downstairs, good lord. That actually reminds me. 517 00:34:10,239 --> 00:34:13,160 Speaker 1: My cousin Alex is in Germany right now, and he 518 00:34:13,320 --> 00:34:17,200 Speaker 1: was learning there from some historians that apparently like one 519 00:34:17,200 --> 00:34:19,279 Speaker 1: of the reasons that, like the Mona Lisa and a 520 00:34:19,360 --> 00:34:23,400 Speaker 1: lot of other portraits didn't smile open mouth allegedly is 521 00:34:23,520 --> 00:34:25,359 Speaker 1: that their teeth were so nasty and they didn't want 522 00:34:25,360 --> 00:34:30,000 Speaker 1: to show him. Oh, I guess the portraitors couldn't compensate, right, 523 00:34:30,080 --> 00:34:32,320 Speaker 1: They're like, we're not going to paint of white or not. 524 00:34:32,719 --> 00:34:34,319 Speaker 1: I can't. I don't know how to fake teeth. I'm 525 00:34:34,360 --> 00:34:36,400 Speaker 1: not looking at it. I can't paint it. If they're like, 526 00:34:36,480 --> 00:34:42,160 Speaker 1: I'll crooked and ship paint what I see, Alex, I 527 00:34:42,239 --> 00:34:46,480 Speaker 1: know that's awesome. St Alban's with wrinkles and smiles in 528 00:34:46,600 --> 00:34:50,400 Speaker 1: his face, whose kindness to strangers becomes his high place, 529 00:34:50,960 --> 00:34:53,719 Speaker 1: and his coach and six horses is gone to bear, 530 00:34:53,800 --> 00:34:57,759 Speaker 1: go to take the fresh air with Senior Dildo. We're 531 00:34:57,800 --> 00:35:01,320 Speaker 1: the senor, but known to the citiz and fops. He'd 532 00:35:01,440 --> 00:35:04,200 Speaker 1: keep their fine wives from the foreman of the shops. 533 00:35:04,719 --> 00:35:08,320 Speaker 1: But the rascals deserved their horns should still grow for 534 00:35:08,480 --> 00:35:12,800 Speaker 1: burning the pope and his nephew Dildo Tom Killigrew's wife, 535 00:35:12,920 --> 00:35:16,640 Speaker 1: that holland fine flower. At the sight of this senor 536 00:35:16,840 --> 00:35:20,920 Speaker 1: did fart and belch sour and her debt rereading the 537 00:35:21,080 --> 00:35:26,040 Speaker 1: further to show says, welcome to England, mynheer van dildo. 538 00:35:27,840 --> 00:35:31,680 Speaker 1: By the way, Tom Killigrew is the playwright that John 539 00:35:31,760 --> 00:35:33,839 Speaker 1: Wilmot punched in the ear in front of the King 540 00:35:34,400 --> 00:35:36,680 Speaker 1: and got that got him banished and fished for it 541 00:35:36,760 --> 00:35:39,840 Speaker 1: for the first time. So I guess he wants to 542 00:35:39,880 --> 00:35:44,240 Speaker 1: make fun of his wife. In this section, he civilly 543 00:35:44,400 --> 00:35:47,680 Speaker 1: came to the cockpit one night and proffered his service 544 00:35:47,800 --> 00:35:52,480 Speaker 1: to fair Madam Knight. Quoth she all intrigue with Captain 545 00:35:52,600 --> 00:35:59,120 Speaker 1: cats O your nose in mine ours? Good senior dilto Wow, 546 00:35:59,400 --> 00:36:03,520 Speaker 1: she wants the dildo in the butt. She's like, while 547 00:36:03,840 --> 00:36:07,240 Speaker 1: intrigued with the captain in the front, maybe he's yours 548 00:36:07,280 --> 00:36:13,760 Speaker 1: in the back. Here, This senior is sound safe, ready 549 00:36:14,040 --> 00:36:19,359 Speaker 1: and dumb as ever was candle, carrot or thumb. Then 550 00:36:19,520 --> 00:36:23,480 Speaker 1: away with these nasty devices and show how you rate 551 00:36:23,680 --> 00:36:27,440 Speaker 1: the just merit of senior dildo. Amazing. He's like, look, 552 00:36:27,480 --> 00:36:29,560 Speaker 1: I know what you've tried with, all right, and this 553 00:36:29,719 --> 00:36:37,320 Speaker 1: is a better option. Trust me. It's more sanitary, scomber nana, 554 00:36:37,719 --> 00:36:40,279 Speaker 1: whatever you got, whatever, whatever you can find that's long 555 00:36:40,360 --> 00:36:43,560 Speaker 1: and cylindrical. This is better. Count Gutso, who carries his 556 00:36:43,719 --> 00:36:48,160 Speaker 1: nose very high. In passion, he swore his rival should die, 557 00:36:48,680 --> 00:36:52,200 Speaker 1: then shut himself up to let the world know. Flesh 558 00:36:52,280 --> 00:36:56,480 Speaker 1: and blood could not bear it from Senior Dildo. Do 559 00:36:56,600 --> 00:36:59,279 Speaker 1: you think that means? In passion he swore he was 560 00:36:59,360 --> 00:37:02,600 Speaker 1: like all do him? Yeah, And then so he was 561 00:37:02,680 --> 00:37:05,880 Speaker 1: trying to like Marathon and beat this woman and he 562 00:37:05,960 --> 00:37:08,200 Speaker 1: could not do it. It's the John Henry story that 563 00:37:08,360 --> 00:37:11,000 Speaker 1: John Henry store John Harry was the steel driving man 564 00:37:11,080 --> 00:37:13,080 Speaker 1: who couldn't Who was who went out to beat the 565 00:37:13,160 --> 00:37:18,640 Speaker 1: machine the building railways? Yeah, Count was the first John Henry. 566 00:37:18,800 --> 00:37:25,160 Speaker 1: Count Catso is the John Henry of Dildo's. John Henry 567 00:37:25,320 --> 00:37:28,239 Speaker 1: is a folk hero. Count Katso just couldn't keep it 568 00:37:28,320 --> 00:37:32,320 Speaker 1: going compared to keep up with the Dildo. A rabble 569 00:37:32,400 --> 00:37:35,919 Speaker 1: of pricks who were welcome before, now finding the porter 570 00:37:36,160 --> 00:37:40,680 Speaker 1: denied them. The door maliciously waited his coming below, and 571 00:37:40,880 --> 00:37:45,800 Speaker 1: inhumanly fell on Senior Dildo. Now I wearied out, The 572 00:37:45,960 --> 00:37:49,279 Speaker 1: poor stranger did fly, and along the pall mall they 573 00:37:49,440 --> 00:37:54,560 Speaker 1: followed full cry. The women concerned from every window cried 574 00:37:55,040 --> 00:38:01,040 Speaker 1: for Heaven's sight save signor Dildo. The lady sand is 575 00:38:01,280 --> 00:38:04,279 Speaker 1: burst into a laughter to see how the bollocks came 576 00:38:04,400 --> 00:38:09,680 Speaker 1: wobbling after and had not their weight slowed down the foe. Indeed, 577 00:38:09,760 --> 00:38:15,239 Speaker 1: it had gone hard. We're Senior Dildo. They're like, these 578 00:38:15,320 --> 00:38:17,600 Speaker 1: guys are like we used to get fucked, but now 579 00:38:17,640 --> 00:38:20,400 Speaker 1: they won't let us in. We have to kill senior, 580 00:38:21,040 --> 00:38:23,920 Speaker 1: run this guy out of town. But they couldn't be 581 00:38:24,120 --> 00:38:25,840 Speaker 1: They could not beat him. They couldn't beat them. They 582 00:38:25,840 --> 00:38:30,080 Speaker 1: couldn't even catch up the hilarious. The women are like, no, 583 00:38:30,920 --> 00:38:37,719 Speaker 1: not the dildo alone. It's the best sex we've had 584 00:38:37,800 --> 00:38:41,279 Speaker 1: in this town. Look, oh god, I've said it before. 585 00:38:41,320 --> 00:38:45,040 Speaker 1: I sat again. There is room for Senior Dildo to 586 00:38:45,160 --> 00:38:49,600 Speaker 1: join us. You know clearly Madam Knight had it right. 587 00:38:49,800 --> 00:38:52,120 Speaker 1: She's like, let me get Captain Cats on the front. 588 00:38:52,640 --> 00:38:57,920 Speaker 1: You're in the back. Everybody's having fun. Look, I'll do 589 00:38:58,080 --> 00:39:03,239 Speaker 1: all I can do. Senior Dildo here, tag out, tag in, Yeah, okay, 590 00:39:03,280 --> 00:39:06,200 Speaker 1: I'm ready again, Dildo out. It's my turn. It should 591 00:39:06,200 --> 00:39:08,839 Speaker 1: be tech in tag tournament in the bedroom at all time. 592 00:39:11,600 --> 00:39:15,560 Speaker 1: Everybody has a tag in partner. And if and if 593 00:39:15,840 --> 00:39:19,200 Speaker 1: Senior Dildo is just performing better than you, well then 594 00:39:19,280 --> 00:39:23,120 Speaker 1: you know, maybe ask some questions. Try, you should ask 595 00:39:23,200 --> 00:39:27,680 Speaker 1: some questions. It's funny when people are presentful of things 596 00:39:27,760 --> 00:39:31,440 Speaker 1: like sex toys, but then they are not themselves putting 597 00:39:31,480 --> 00:39:34,440 Speaker 1: their partner's pleasure in the forefront. Okay, you know, I'm like, 598 00:39:34,480 --> 00:39:36,600 Speaker 1: well then what do you care? Right? That's kind of 599 00:39:36,719 --> 00:39:39,399 Speaker 1: what's so weird about it. It's like, I mean, there's 600 00:39:39,880 --> 00:39:44,080 Speaker 1: things you can do that like the imperfect enjoyment. I'm 601 00:39:44,160 --> 00:39:49,400 Speaker 1: surprised Karina feeling wronged by his dick wasn't like use 602 00:39:49,440 --> 00:39:53,000 Speaker 1: your hands or something like, let's there's other ways he 603 00:39:53,040 --> 00:39:55,480 Speaker 1: should have read that poem, like you listen here, dick. 604 00:39:55,719 --> 00:39:57,880 Speaker 1: If you don't straight now, I'm going to get Senior 605 00:39:57,960 --> 00:40:01,680 Speaker 1: Dildo in here. That's right, you listen here. I love 606 00:40:01,760 --> 00:40:06,320 Speaker 1: that you listen here, dick, little earl? How dare you? 607 00:40:08,320 --> 00:40:10,440 Speaker 1: How dare you abandon me? I Am about to go 608 00:40:10,600 --> 00:40:13,600 Speaker 1: call up my good friends senior dildo and he's gonna 609 00:40:13,640 --> 00:40:16,239 Speaker 1: come in here and show you what for. But it's 610 00:40:16,239 --> 00:40:20,719 Speaker 1: all just stories. The general is telling wait in this life, yes, 611 00:40:20,880 --> 00:40:22,520 Speaker 1: the generals like, let me tell you about the one 612 00:40:22,600 --> 00:40:25,640 Speaker 1: time I check in tag team it we're senior tilto 613 00:40:25,840 --> 00:40:30,480 Speaker 1: now we went down to captain kessos and you see 614 00:40:30,520 --> 00:40:32,440 Speaker 1: him surrounded by all these younger men who are like 615 00:40:32,680 --> 00:40:36,279 Speaker 1: learning at his knees. They're all so excited and just 616 00:40:36,440 --> 00:40:39,200 Speaker 1: totally enraptured in this story. Teach me the way. One 617 00:40:39,239 --> 00:40:42,640 Speaker 1: day it's going to be my tune. Maybe I'll be 618 00:40:42,719 --> 00:40:44,960 Speaker 1: in the front while senior dildos in the back, or 619 00:40:45,040 --> 00:40:46,640 Speaker 1: I'll be in the back, and I don't care. It 620 00:40:46,760 --> 00:40:50,880 Speaker 1: doesn't matter. Whatever you want. You know what, senior dildo 621 00:40:51,000 --> 00:40:56,160 Speaker 1: your choice, you know what, lady's choice. I'm going to 622 00:40:56,239 --> 00:41:01,399 Speaker 1: be a general. Are you here too, oh, madam knight out? 623 00:41:02,239 --> 00:41:08,680 Speaker 1: But it was just me and Signor dilto Wow. Incredible, 624 00:41:08,920 --> 00:41:13,000 Speaker 1: the finest poet of his of his age. Another thing 625 00:41:13,080 --> 00:41:15,160 Speaker 1: I do want to point out because to your point 626 00:41:15,640 --> 00:41:20,160 Speaker 1: and imperfect enjoyment, and in this one, he's really pointing 627 00:41:20,200 --> 00:41:22,600 Speaker 1: out that women do want to have sex, like women 628 00:41:23,000 --> 00:41:25,880 Speaker 1: have sexual desires and they get pleasure out of it 629 00:41:26,000 --> 00:41:28,399 Speaker 1: and they want it as much as men do, which 630 00:41:28,440 --> 00:41:31,120 Speaker 1: I find would be a really interesting position for him 631 00:41:31,160 --> 00:41:36,080 Speaker 1: to take pun intended, I guess, because a lot of 632 00:41:36,160 --> 00:41:39,480 Speaker 1: men don't don't think that, you know, they especially at 633 00:41:39,520 --> 00:41:41,200 Speaker 1: that time, they were like whatever, you know, I just 634 00:41:41,239 --> 00:41:43,960 Speaker 1: supposed to put a baby in there. That's that's all 635 00:41:44,080 --> 00:41:46,839 Speaker 1: you care about, um, or if you were a true lady. 636 00:41:46,960 --> 00:41:49,239 Speaker 1: I guess they kind of thought you didn't get into it, 637 00:41:49,400 --> 00:41:52,840 Speaker 1: and not not just that. Uh, women like sex and 638 00:41:52,920 --> 00:41:57,200 Speaker 1: enjoy sex, but their pleasure is important and uh and 639 00:41:57,480 --> 00:42:01,320 Speaker 1: something that you wouldn't want to fail at. Yes, false 640 00:42:01,400 --> 00:42:07,680 Speaker 1: to my passion, fatal to my fame. Everybody knows me 641 00:42:07,760 --> 00:42:11,160 Speaker 1: as the guy who who every tingling cunt rubs herself 642 00:42:11,239 --> 00:42:15,120 Speaker 1: off or whatever he said. But now you're in Karen 643 00:42:15,280 --> 00:42:17,640 Speaker 1: is going to go run around tell him I couldn't 644 00:42:17,640 --> 00:42:20,120 Speaker 1: even put it insider before I was right. And it's 645 00:42:20,160 --> 00:42:22,320 Speaker 1: not to say that her pleasure was his motivation for 646 00:42:22,400 --> 00:42:25,200 Speaker 1: being upset. He really just wanted to funk. But um, 647 00:42:25,480 --> 00:42:27,520 Speaker 1: but yeah, I think that's really interesting that he's writing 648 00:42:27,520 --> 00:42:31,840 Speaker 1: about this about women's pleasure so much. That's why I 649 00:42:31,960 --> 00:42:34,640 Speaker 1: was like, I don't really like the line, like personally 650 00:42:35,000 --> 00:42:39,560 Speaker 1: like the line about every horror you know relieves her 651 00:42:39,600 --> 00:42:43,000 Speaker 1: tingling cunt post and stuff, because that sounds a little 652 00:42:43,040 --> 00:42:46,200 Speaker 1: bit like it's a little harsh, I guess to me. 653 00:42:47,080 --> 00:42:50,360 Speaker 1: But again, it does say like they want it, they're interested, 654 00:42:50,480 --> 00:42:53,840 Speaker 1: they're feeling horny, and they need something to get on 655 00:42:54,520 --> 00:42:58,120 Speaker 1: to get off one of those lines where I was like, 656 00:42:58,239 --> 00:43:00,279 Speaker 1: I don't love the way you phrased it. At the 657 00:43:00,760 --> 00:43:04,080 Speaker 1: knowledge behind it, I guess is good or at least 658 00:43:04,160 --> 00:43:06,440 Speaker 1: different for your time. I think it's interesting to to 659 00:43:06,520 --> 00:43:09,760 Speaker 1: your point, um, about him writing about pleasure and about 660 00:43:10,719 --> 00:43:13,759 Speaker 1: that not necessarily being a mindset of the age, or 661 00:43:13,800 --> 00:43:16,759 Speaker 1: of or of a lot of ages. Um. I think 662 00:43:16,840 --> 00:43:19,560 Speaker 1: we see that that's not really as true on an 663 00:43:19,600 --> 00:43:24,000 Speaker 1: individual level, like we've got this kind of stereotype because 664 00:43:24,080 --> 00:43:26,920 Speaker 1: I think even in a lot of very masculine societies, 665 00:43:27,600 --> 00:43:30,080 Speaker 1: generally speaking, you're like, oh, yeah, no, I don't care 666 00:43:30,080 --> 00:43:32,680 Speaker 1: about that part. I just want that. But when still 667 00:43:32,760 --> 00:43:35,320 Speaker 1: a lot of those men themselves, you get them alone 668 00:43:35,480 --> 00:43:38,560 Speaker 1: with the woman they love, and they actually care very 669 00:43:38,640 --> 00:43:41,320 Speaker 1: much about it. But you know, I would say that 670 00:43:41,680 --> 00:43:46,000 Speaker 1: the locker room, you know, it doesn't matter how sex, 671 00:43:46,120 --> 00:43:49,279 Speaker 1: you know. And so I think that's something we see too, 672 00:43:49,320 --> 00:43:52,759 Speaker 1: where he was like fine talking about this, like, hey, 673 00:43:52,840 --> 00:43:56,680 Speaker 1: women out there be looking for pleasure everybody, so maybe 674 00:43:56,680 --> 00:43:58,640 Speaker 1: you should focus a little on that, or Senior Dilda's 675 00:43:58,640 --> 00:44:00,560 Speaker 1: going to come in and run us all out of town, okay, 676 00:44:01,040 --> 00:44:04,279 Speaker 1: as opposed to just being like who cares When I'm 677 00:44:04,320 --> 00:44:05,920 Speaker 1: you know, out there in the world. I like to 678 00:44:06,040 --> 00:44:09,920 Speaker 1: perpetuate the stereotype that we men don't care, But I 679 00:44:10,000 --> 00:44:12,120 Speaker 1: don't think it's as true if you really got down 680 00:44:12,160 --> 00:44:15,320 Speaker 1: to a lot of individual partnerships. I mean, that's a 681 00:44:15,360 --> 00:44:17,839 Speaker 1: good point. I think that's true in modern day as 682 00:44:17,920 --> 00:44:20,040 Speaker 1: much as back in the day, but very much there's 683 00:44:20,080 --> 00:44:22,560 Speaker 1: this sense of like what men are allowed to talk about, 684 00:44:22,880 --> 00:44:28,120 Speaker 1: like or love or be passionately into or cry about 685 00:44:28,280 --> 00:44:32,000 Speaker 1: or whatever, and it's very limited and it's not healthy. 686 00:44:32,280 --> 00:44:34,719 Speaker 1: I feel sorry for men in that way. I see 687 00:44:34,760 --> 00:44:38,239 Speaker 1: those tiktoks sometimes I got you know, we kind of 688 00:44:38,320 --> 00:44:40,080 Speaker 1: laugh at it, but I'm also kind of annoyed by 689 00:44:40,160 --> 00:44:43,680 Speaker 1: it where there's like a guy snuggling with his girlfriend 690 00:44:44,360 --> 00:44:46,520 Speaker 1: and then somebody walks in and he like jumps up 691 00:44:46,560 --> 00:44:48,560 Speaker 1: like whoa, no, you didn't catch me, you know, and 692 00:44:48,640 --> 00:44:51,040 Speaker 1: it's like, oh ha ha, it's funny, but also like 693 00:44:51,160 --> 00:44:54,800 Speaker 1: why that's not that shouldn't be emasculating the emotional and 694 00:44:55,680 --> 00:45:03,840 Speaker 1: enjoy yourself right, speaking of go see r R and 695 00:45:04,000 --> 00:45:08,920 Speaker 1: you will learn how to be friends with another man, yes, 696 00:45:09,200 --> 00:45:13,320 Speaker 1: and expose your heart yes, and be just loving to 697 00:45:13,440 --> 00:45:15,839 Speaker 1: one another. And it doesn't have to be sexual at all. 698 00:45:15,920 --> 00:45:21,719 Speaker 1: It's just a beautiful friendship, incredible. I just love it. 699 00:45:23,480 --> 00:45:26,360 Speaker 1: A witty a witty guy. Yeah, you see where he 700 00:45:26,440 --> 00:45:29,520 Speaker 1: got his reputation. Definitely. I don't know, he's just he's 701 00:45:29,560 --> 00:45:31,560 Speaker 1: a good writer. I mean he really did have a way, 702 00:45:31,680 --> 00:45:33,360 Speaker 1: a real way with words. You can see why King 703 00:45:33,440 --> 00:45:35,640 Speaker 1: Charles was like, all right, but get back in here. Yeah, 704 00:45:35,960 --> 00:45:39,399 Speaker 1: he is a laugh like there's just oh, this guy 705 00:45:39,520 --> 00:45:42,439 Speaker 1: isn't so much trouble all the time. But nobody writes 706 00:45:42,440 --> 00:45:46,200 Speaker 1: about dil does like that guy. Get him back in here. Well. 707 00:45:46,239 --> 00:45:48,480 Speaker 1: There are so many more poems from John Wilmot, and 708 00:45:48,520 --> 00:45:51,560 Speaker 1: we definitely encourage you to just keep looking into him 709 00:45:51,560 --> 00:45:54,200 Speaker 1: because it's so funny, it's so amazing, and they are 710 00:45:54,239 --> 00:45:58,560 Speaker 1: so well written, especially Satura against Reason. It's really interesting. 711 00:45:58,640 --> 00:46:00,600 Speaker 1: I love that. Really is a great WANs to be there. 712 00:46:00,920 --> 00:46:03,080 Speaker 1: And while you're doing that, shoot us an email. Let 713 00:46:03,200 --> 00:46:06,279 Speaker 1: us know what you thought of all these poems. Send 714 00:46:06,360 --> 00:46:10,479 Speaker 1: us your verses about I don't know, prettymature ejaculation, whatever 715 00:46:10,520 --> 00:46:12,600 Speaker 1: you want, would love to hear, and we will read 716 00:46:12,680 --> 00:46:16,600 Speaker 1: your dirty poems on the show if you send it. God, 717 00:46:16,680 --> 00:46:21,400 Speaker 1: I would love a listener Male poetry cards. You know what, 718 00:46:21,840 --> 00:46:25,640 Speaker 1: all of you listening, you're a poet. You might not 719 00:46:25,960 --> 00:46:29,800 Speaker 1: realize it, but uh you are. So put some words 720 00:46:29,840 --> 00:46:31,640 Speaker 1: together sending our way because we would love to read 721 00:46:31,680 --> 00:46:35,160 Speaker 1: some some modern body poetry from our listeners. You can 722 00:46:35,239 --> 00:46:38,520 Speaker 1: hit us at ridic Romance at gmail dot com right 723 00:46:38,600 --> 00:46:41,239 Speaker 1: or we're on Twitter and Instagram. I'm at Dianamite boom 724 00:46:41,320 --> 00:46:43,799 Speaker 1: and I'm at oh great, it's Eli and the show 725 00:46:44,040 --> 00:46:46,920 Speaker 1: is at ridict Romance. That's right. And follow us on 726 00:46:47,040 --> 00:46:51,680 Speaker 1: TikTok at Ridiculous Romance for some videos. And I'm so 727 00:46:51,880 --> 00:46:53,400 Speaker 1: excited to have brought you this. I can't wait to 728 00:46:53,440 --> 00:46:55,640 Speaker 1: bring in the next episode. Yeah, thank you so much 729 00:46:55,719 --> 00:46:58,000 Speaker 1: for spending time with us today in Poetry Corner. We 730 00:46:58,080 --> 00:47:01,760 Speaker 1: will see you next time. I love you so long. Friends, 731 00:47:01,880 --> 00:47:05,520 Speaker 1: It's time to go. Thanks for listening to our show. 732 00:47:06,080 --> 00:47:09,160 Speaker 1: Tell your friends neighbor's uncle s Indance to listen to 733 00:47:09,280 --> 00:47:13,560 Speaker 1: a show Ridiculous rom Dance m