WEBVTT - I Am Groot & Prey + Harley Quinn Animated Series Co-Creator Justin Halpern

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<v Speaker 1>Warning, this podcast contained spoilers, mainly for Prey. We talk

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<v Speaker 1>about I Am Groot on Disney Plus. There's no way

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<v Speaker 1>to spoil that. We also talk about Harley Quinn, which

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<v Speaker 1>is currently in season three. We talk about some plot stuff.

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<v Speaker 1>But if you're catching up on Harley Quinn, you're in

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<v Speaker 1>season one and two, or you just want to start

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<v Speaker 1>season three and you're worried about it, don't worry. You

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<v Speaker 1>can listen to this conversation, including our really really wonderful

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<v Speaker 1>interview with Justin Halpern, and.

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<v Speaker 2>You will not be spoiled. Les listen on. You have

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<v Speaker 2>been warned. Hello Miami, is Jason Bonzepcion.

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<v Speaker 1>Welcome to xt Ravision, The Crooked Podcast, where we dive

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<v Speaker 1>deep into your favorite shows.

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<v Speaker 2>Movies, comics, and pop culture.

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<v Speaker 1>So many favorite shows this week in today's episode on

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<v Speaker 1>previously on, we're gonna be talking about more WB Discovery

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<v Speaker 1>drama in the airlock Oh, lots of stuff, including the

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<v Speaker 1>delightful I Am Groot and the action packed Pray Watch it.

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<v Speaker 2>Now on Hulu.

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<v Speaker 1>In the Hive mind co creative Harley Quinn, Justin Halpern

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<v Speaker 1>comes and sits down with us to tell a lot

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<v Speaker 1>of really hilarious stories about Harley Quinn and it's great

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<v Speaker 1>and it's a great time joining me today. For all

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<v Speaker 1>of that is the number one comics historian, the number

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<v Speaker 1>one comics reader, knowing more about comics, the characters, the plots,

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<v Speaker 1>and all the weird stuff that goes on in there

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<v Speaker 1>than any other human alive.

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<v Speaker 2>It's Rosie Dight.

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<v Speaker 3>Rosie, However, I'm so happy to be here to talk

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<v Speaker 3>to you about all this stuff and to now have

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<v Speaker 3>a career of all those things that you listed, which

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<v Speaker 3>used to be something people would be like, please stop

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<v Speaker 3>talking about that. Those are like a list of like

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<v Speaker 3>please stop talking about it, But now it's like, hey,

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<v Speaker 3>please talk about it. Bye.

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<v Speaker 2>Godzilla versus Batra.

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<v Speaker 3>Now you can purchase a BW.

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<v Speaker 1>You can purchase it at the local comic shop near you.

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<v Speaker 2>Let's get into the news because there's so much first

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<v Speaker 2>up more WB stuff.

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<v Speaker 1>So we were talking about this story last week, and

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<v Speaker 1>of course the earnings call that we were all expecting

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<v Speaker 1>took place in the day after we recorded our episode,

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<v Speaker 1>and it was a news packed earnings call. Rosie, you

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<v Speaker 1>wantn't you take us through it?

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<v Speaker 3>Oo? Wow? So a lot of what we had talked

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<v Speaker 3>about last week came true, which was essentially a big

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<v Speaker 3>breakdown of what is going to happen. So that's On

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<v Speaker 3>the Warner Brothers Discovery Q two earnings call, it was

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<v Speaker 3>announced that Hbox and Discovery Plus would merge into one

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<v Speaker 3>streaming platform to launch in summer twenty twenty three. We

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<v Speaker 3>thought that would probably happen. The details are currently sparse,

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<v Speaker 3>no name, no subscurrecription price at this point, though the

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<v Speaker 3>hint and implication was that it would be expensive. So

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<v Speaker 3>it's going to be expensive. From what they were saying

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<v Speaker 3>on the call, it seems like it will be based

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<v Speaker 3>on the Discovery Plus app, which is a very popular,

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<v Speaker 3>well rated app. According to David Zaslav of Warner Brothers Fame,

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<v Speaker 3>during the very intense, and I wouldn't blame you if

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<v Speaker 3>you turned it off because it was public. You could

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<v Speaker 3>listen to it. I listened to it. It was very

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<v Speaker 3>numbers heavy, it was very financial, but there were some

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<v Speaker 3>incredible moments, including when they put a slide on the

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<v Speaker 3>screen that listed the two audiences of HBO Max and

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<v Speaker 3>Discovery Plus. HBO Max, Skew's mail scripted lean in appointment

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<v Speaker 3>viewing Home of Fandoms Discovery US female skew, unscripted, leaned

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<v Speaker 3>back comfort viewing home of genre doums. As you can imagine,

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<v Speaker 3>internet went wild. I still don't know what a genre

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<v Speaker 3>dume is, Jason, I still have no idea. Yeah, and

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<v Speaker 3>it was basically lots of questions. There was some very

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<v Speaker 3>interesting stuff near the end when a caller from Deutsche

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<v Speaker 3>Bank asked about Batgirl and zaz Lav spoke quite extensively

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<v Speaker 3>about his vision for DC. He called The Flash a

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<v Speaker 3>terrific movie, but he also said that they could make

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<v Speaker 3>DC better, which was not particularly well received during the call. So, yeah,

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<v Speaker 3>it's been very interesting. And since then we've had a

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<v Speaker 3>lot of other news.

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<v Speaker 2>So yeah, gosh.

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<v Speaker 1>So let's first start with the DC of it all,

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<v Speaker 1>which we can come back to in a second or

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<v Speaker 1>touch on, but essentially laid out a ten year plan to.

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<v Speaker 3>They said no, no, no, no, let's not give them too

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<v Speaker 3>much credit. They said they were putting together a team

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<v Speaker 3>to make it. So there's no telling you.

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<v Speaker 1>Let me, so let me start with the let me

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<v Speaker 1>start with this. There's no doubt, right, and I think

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<v Speaker 1>any fair observer will say this. Despite some notable successes

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<v Speaker 1>and some notable box office successes, right that the DC

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<v Speaker 1>properties have been mismanaged. You know, you could point to

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<v Speaker 1>any number of indicators to let you know that that's

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<v Speaker 1>the case. That said, and I've been consistent about this

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<v Speaker 1>for a long time. I personally believe I don't know

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<v Speaker 1>when this will happen, but DC will figure it out

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<v Speaker 1>because these properties are never going to do. Nobody's gonna

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<v Speaker 1>stop king Batman, everyone movie. It's always everybody wants it.

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<v Speaker 1>They're gonna want it thirty years from now, they're gonna

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<v Speaker 1>want it two hundred years from now, assuming that we

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<v Speaker 1>are here as a species thirty and or three.

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<v Speaker 2>Hundred years from now. That said, the stuff right now

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<v Speaker 2>has is.

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<v Speaker 1>Mismanaged. You've got some successful stuff like The Joker that's

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<v Speaker 1>going to get a sequel, but of course that takes

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<v Speaker 1>place in a separate universe than the kind of shared

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<v Speaker 1>universe that they've been trying to launch off the ground.

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<v Speaker 1>And then you have, you know, issues related to the

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<v Speaker 1>cost cutting, such as Batgirl getting shelved, and all of

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<v Speaker 1>that looks kind of funky in the context of what

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<v Speaker 1>appears to be the continued support for the Flash movie Yes,

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<v Speaker 1>which is which costs upwards of two hundred and fifty million.

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<v Speaker 3>Dollars for any kind of marketing, right.

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<v Speaker 1>Has quote unquote tested well whatever, We don't know what

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<v Speaker 1>that means, but apparently it's been testing. Well, that's fine,

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<v Speaker 1>And stars Ezra Miller, who is in the midd literally

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<v Speaker 1>in the midst of numerous legal problems and a spin

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<v Speaker 1>out that.

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<v Speaker 2>Is epic in scope.

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<v Speaker 1>Yeah, just and has been, you know, basically a fugitive

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<v Speaker 1>for the last several months. That said, a holly recent

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<v Speaker 1>Hollywood Reporter article has a really really nuts sentence towards

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<v Speaker 1>the final paragraphs quote. Miller participated in regularly scheduled additional

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<v Speaker 1>photography over the summer, apparently without incident, before being charged

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<v Speaker 1>with burglary?

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<v Speaker 3>Was as Remiller not a fugitive? Were they not a

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<v Speaker 3>fugitive at that point? From everything we know?

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<v Speaker 1>So apparently, according to the authorities, Asra Miller has been

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<v Speaker 1>housing a family of which includes a woman and her

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<v Speaker 1>children who Ezra apparently met in Hawaii. And this person

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<v Speaker 1>had been posting on social media from a location that,

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<v Speaker 1>according to this Rolling Stone article, people have recognized as

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<v Speaker 1>the interior of Ezra's house in Vermont.

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<v Speaker 2>This was in July.

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<v Speaker 3>Yeah, and people had even reported that they had been

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<v Speaker 3>there and seen the family there, and there was even

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<v Speaker 3>reports of babies being around, a lot of open weaponry,

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<v Speaker 3>a one year old who had a bullet in their mouth.

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<v Speaker 3>There's all kinds of almost its bad.

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<v Speaker 2>It's very bad, and it's very bad and not good.

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<v Speaker 3>Yes, And the thing that Jason was about to tell you,

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<v Speaker 3>which is really a very worrying situation that had been

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<v Speaker 3>going on for a while. Rolling Stone reported on it

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<v Speaker 3>around a month ago, but this week the Vermont Child

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<v Speaker 3>Services had been trying to serve a protection order for

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<v Speaker 3>those children and that mother and Ezra Miller is now

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<v Speaker 3>claiming they don't know where the family is, they haven't

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<v Speaker 3>been living there, and that doesn't seem to align with

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<v Speaker 3>the social media posts which have now stopped. It is

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<v Speaker 3>an alarming situation for alarment. And even on the day

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<v Speaker 3>of the Warner Brothers them highly anticipated, very buzzword heavy.

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<v Speaker 3>I mean, Zaslav could have said synergy no more times.

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<v Speaker 3>There was no more times you would have been able

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<v Speaker 3>to say it in that core. On that very day,

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<v Speaker 3>there was more reporting that came out about Ezra reportedly

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<v Speaker 3>running a kind of flophouse cult in Iceland and taking

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<v Speaker 3>in vulnerable people, taking in people struggling with addiction problems

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<v Speaker 3>and treating them very badly, And this just doesn't seem

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<v Speaker 3>to be going away and only seems to be escalating.

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<v Speaker 3>And I still find it absolutely mind blowing that we're

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<v Speaker 3>in a situation where there has been no statement from

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<v Speaker 3>Warner Brothers on this other than the Flashes coming out.

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<v Speaker 3>It's going to be out in June twenty twenty three.

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<v Speaker 1>I know that they say that, but it feels like

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<v Speaker 1>it can't come out, That it can't.

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<v Speaker 4>No.

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<v Speaker 1>I know that we're saying that right now, and we're

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<v Speaker 1>roasting Zavilavi and WB for the support of this, but

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<v Speaker 1>there's legitimately no.

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<v Speaker 2>Way I can happen.

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<v Speaker 3>I thought maybe there was a world. I was having

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<v Speaker 3>conversations people when the Bat Girl news came out, and

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<v Speaker 3>I thought maybe there was a world that they were

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<v Speaker 3>scrapping in inverted commas Batgirl to build it in to

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<v Speaker 3>the Flash, to move the emphasis off of that version

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<v Speaker 3>of the Flash, and to bring in more of this younger, new,

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<v Speaker 3>more inclusive Justice League, which apparently that film was going

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<v Speaker 3>to launch. But if they're going to follow the trend

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<v Speaker 3>that recent reporting from tax filings revealed that Warner Brothers

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<v Speaker 3>did take at eight hundred and twenty five million dollar

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<v Speaker 3>right down on content that they canceled or didn't use.

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<v Speaker 3>So if they're going to do that with Batgirl, which

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<v Speaker 3>they have set a precedent for, then I don't think

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<v Speaker 3>that they can use it in the Flash movie. So

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<v Speaker 3>I'm just really I'm very confused about where this is,

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<v Speaker 3>especially because the Batgirl cancelation news. I mean, DC Film's

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<v Speaker 3>president Walter Harmada, who I am. I have to say,

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<v Speaker 3>I just need to put this out there. I understand

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<v Speaker 3>that it's very hard to look at any film franchise

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<v Speaker 3>about Superos in the context of the MCU and look

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<v Speaker 3>at it and be like, well, this is good, because

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<v Speaker 3>really the MCU did something unprecedented. Warner Brothers, I'm just

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<v Speaker 3>telling you this now. You will not be able to

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<v Speaker 3>copy it. You already tried. So this is going to

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<v Speaker 3>be a Dark Universe, Universal Monsters Justice League all over again,

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<v Speaker 3>Like you can't replicate it. That was of a moment,

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<v Speaker 3>of a mindset and of a despert oiration to get

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<v Speaker 3>out of bankruptcy that created something absolutely incredible. And the

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<v Speaker 3>thing that kind of blows my mind is I understand

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<v Speaker 3>that it has been mismanaged, and the general overview does

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<v Speaker 3>not support the kind of success that the MCU has had.

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<v Speaker 3>But Aquaman made one point seven billion dollars and it

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<v Speaker 3>was so great, and the new Suicide Squad movie was

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<v Speaker 3>so great, and I absolutely loved Harlequin and Birds of Prey.

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<v Speaker 3>I'm not a fan of Joker, but that really worked

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<v Speaker 3>for a bunch of different people. I think that there

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<v Speaker 3>is a world where if they wanted to make the

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<v Speaker 3>most successful version of the DCEU or whatever it will

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<v Speaker 3>be called from here on out, they need to still

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<v Speaker 3>allow directors to have a full creative vision and to

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<v Speaker 3>do experimental, weird, unexpected stuff. Aquaman is so different from

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<v Speaker 3>anything else, and yeah, thos people think it's corny. I

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<v Speaker 3>love It's one of my favorite movies. I love it

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<v Speaker 3>so much in the world of the DC comics and stuff,

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<v Speaker 3>and I think I would hate for them to lose

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<v Speaker 3>what has made some of the movies so successful and

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<v Speaker 3>so great. The Batman that is not a commercially viable

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<v Speaker 3>movie in an MCU style situation, three hour long emo

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<v Speaker 3>goth story about like a sad guy.

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<v Speaker 1>I completely agree with you, and I'd go a step further.

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<v Speaker 1>You know, whether Hamada steps down or not, who knows,

0:13:23.080 --> 0:13:26.440
<v Speaker 1>but I think there and this is not This has

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<v Speaker 1>been opened and many people have said this, and even

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<v Speaker 1>Zavilav has alluded to it.

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<v Speaker 2>They need a figure.

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<v Speaker 3>That they've always needed, that they who can who can.

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<v Speaker 1>Bring order to all of these kind of disparate stories.

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<v Speaker 1>The strength of the MCU is that you can have

0:13:44.840 --> 0:13:49.880
<v Speaker 1>a movie that is critically panned, right, that is not good.

0:13:50.040 --> 0:13:55.400
<v Speaker 1>Throw the Dark World, the sequel to thor is, you know, arguably,

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<v Speaker 1>and I think many would pick it as one of

0:13:57.880 --> 0:13:58.480
<v Speaker 1>the worst, if not.

0:13:58.600 --> 0:14:00.959
<v Speaker 3>If you're ranking them, is that the love right?

0:14:01.720 --> 0:14:02.600
<v Speaker 2>But then what happened?

0:14:02.880 --> 0:14:05.440
<v Speaker 1>But then what happens Ragnarok comes after that, it's one

0:14:05.440 --> 0:14:08.160
<v Speaker 1>of the best, And all of that stuff ends up

0:14:08.200 --> 0:14:08.920
<v Speaker 1>still mattering.

0:14:09.000 --> 0:14:10.520
<v Speaker 2>All of the stuff from Dark World.

0:14:10.320 --> 0:14:15.320
<v Speaker 1>Still impacts the overall world, the overall story, the overall storytelling,

0:14:15.360 --> 0:14:18.240
<v Speaker 1>because all that stuff happened. If they can figure out

0:14:18.280 --> 0:14:21.680
<v Speaker 1>how to tie all of these different tones and different

0:14:21.760 --> 0:14:26.400
<v Speaker 1>colors and grimness and lightness together from all these different

0:14:26.480 --> 0:14:32.720
<v Speaker 1>characters and textures, it will lift the entire agree Because

0:14:32.920 --> 0:14:36.280
<v Speaker 1>even if something sucks, or even if it's like background,

0:14:36.320 --> 0:14:39.360
<v Speaker 1>maybe it didn't test well, it doesn't look high quality

0:14:39.400 --> 0:14:44.440
<v Speaker 1>of whatever, You've still got the fuel.

0:14:44.200 --> 0:14:46.760
<v Speaker 2>For other stories, the fuel.

0:14:46.520 --> 0:14:50.240
<v Speaker 1>For the lore of the world overall, that can use

0:14:50.360 --> 0:14:55.440
<v Speaker 1>to make the entire DCEU feel textured and populated in

0:14:55.480 --> 0:14:58.440
<v Speaker 1>a place, you know, vibrant with all these different characters.

0:14:58.480 --> 0:14:59.840
<v Speaker 2>And that's really what kind of.

0:14:59.760 --> 0:15:03.560
<v Speaker 1>Needs to happen, like and so, and I think that

0:15:03.600 --> 0:15:05.240
<v Speaker 1>they will get there again. I don't know if it's

0:15:05.240 --> 0:15:09.520
<v Speaker 1>a twenty years or when, but I just think that one,

0:15:09.800 --> 0:15:13.560
<v Speaker 1>there's too much money at stake, and two, these properties

0:15:13.560 --> 0:15:17.920
<v Speaker 1>are too iconic for them to never It's like at

0:15:17.960 --> 0:15:22.960
<v Speaker 1>a certain point, it's like just by brute force, they

0:15:23.000 --> 0:15:24.920
<v Speaker 1>will figure it out. But that's really what they need

0:15:25.000 --> 0:15:28.160
<v Speaker 1>is someone to sit atop all of this to kind

0:15:28.200 --> 0:15:31.960
<v Speaker 1>of draw all the lines so that they intersect at

0:15:31.960 --> 0:15:32.640
<v Speaker 1>the same point.

0:15:32.760 --> 0:15:35.920
<v Speaker 3>Yeah, I think that's the biggest question for comic book fans.

0:15:35.960 --> 0:15:38.800
<v Speaker 3>I'm sure our listeners have thought about this, because even

0:15:38.800 --> 0:15:41.360
<v Speaker 3>if you're not in the weeds on the business stuff,

0:15:41.360 --> 0:15:43.120
<v Speaker 3>a lot of the business stuff for this is what

0:15:43.280 --> 0:15:46.400
<v Speaker 3>gets us excited. Whether it's the comic book boom and

0:15:46.480 --> 0:15:49.080
<v Speaker 3>bust that ended in the nineties, you know, whether it's

0:15:49.240 --> 0:15:52.440
<v Speaker 3>the speculation market, whether it's how Marvel Studios was founded.

0:15:52.720 --> 0:15:54.800
<v Speaker 3>But even if you're not really into that side of things,

0:15:54.840 --> 0:15:57.760
<v Speaker 3>you know who Kevin Figy is. Everybody does. And I

0:15:57.760 --> 0:16:01.360
<v Speaker 3>think the biggest question right now is who who can

0:16:01.480 --> 0:16:05.120
<v Speaker 3>be the Kevin Feige for Warner Brothers. They can call us.

0:16:05.600 --> 0:16:08.000
<v Speaker 3>I think we'd do it, Okay, Joe, I'm like, yeah,

0:16:08.000 --> 0:16:10.680
<v Speaker 3>that's a call. But I mean it's very hard. Figi

0:16:10.800 --> 0:16:16.320
<v Speaker 3>had such a unique journey, and not only just the

0:16:16.320 --> 0:16:18.400
<v Speaker 3>love of the comics, especially the eighties stuff, which I

0:16:18.440 --> 0:16:20.560
<v Speaker 3>love because now he's really getting to dig into that,

0:16:20.920 --> 0:16:24.080
<v Speaker 3>but he had a production history in making some of

0:16:24.120 --> 0:16:28.960
<v Speaker 3>the first contemporary superhero movies. You know, he was so

0:16:29.560 --> 0:16:33.440
<v Speaker 3>ready to be in that place and to take on

0:16:33.560 --> 0:16:37.440
<v Speaker 3>that role. So I will be very interested to see

0:16:37.800 --> 0:16:40.560
<v Speaker 3>who they can find. And I think they need to

0:16:40.560 --> 0:16:42.240
<v Speaker 3>think outside the box. I think they need to find

0:16:42.240 --> 0:16:44.520
<v Speaker 3>someone who has a vision and a way because the

0:16:44.520 --> 0:16:47.120
<v Speaker 3>thing is, as we've said many times on this podcast,

0:16:47.760 --> 0:16:53.320
<v Speaker 3>DC really is the multiverse trailblazer. So it's not even

0:16:53.440 --> 0:16:55.640
<v Speaker 3>hard for them to find a way to tie this together.

0:16:55.720 --> 0:16:58.920
<v Speaker 3>In fact, in that Holyrood Reporter article, very good article,

0:16:59.640 --> 0:17:01.680
<v Speaker 3>they may mentioned that Harmada had kind of had this

0:17:01.920 --> 0:17:03.880
<v Speaker 3>vision when they were going to put out three or

0:17:03.920 --> 0:17:06.440
<v Speaker 3>four films a year to do a Crisis on Infinite Earth.

0:17:06.960 --> 0:17:10.480
<v Speaker 3>So I think there is a big space to do that.

0:17:11.760 --> 0:17:15.479
<v Speaker 3>I found it very interesting. Another thing that was on

0:17:15.520 --> 0:17:19.880
<v Speaker 3>the call that not only did Zazav say they wanted

0:17:19.920 --> 0:17:22.119
<v Speaker 3>to make a tenure plan, which we recently heard FIGI

0:17:22.200 --> 0:17:26.080
<v Speaker 3>say they were doing over at Marvel, but he specifically

0:17:26.600 --> 0:17:31.119
<v Speaker 3>said that it's a very similar to the structure Alan Horn,

0:17:31.520 --> 0:17:34.720
<v Speaker 3>former DC CEO, Bobby get and Kevin Faige put together

0:17:34.800 --> 0:17:37.520
<v Speaker 3>very effectively at Disney. We think we can build a

0:17:37.600 --> 0:17:42.280
<v Speaker 3>much stronger sustainable growth business out of DC. As part

0:17:42.320 --> 0:17:44.199
<v Speaker 3>of that, we're going to focus on quality. We're not

0:17:44.240 --> 0:17:47.120
<v Speaker 3>going to release any film before it's ready. And then

0:17:47.160 --> 0:17:49.200
<v Speaker 3>he said the iconic words that I'm sure will come

0:17:49.200 --> 0:17:51.400
<v Speaker 3>back to buy him. D C is something we can

0:17:51.440 --> 0:17:53.680
<v Speaker 3>make better as.

0:17:55.960 --> 0:17:56.280
<v Speaker 2>Well.

0:17:56.520 --> 0:18:01.040
<v Speaker 1>We will say, you know, I have a We talked

0:18:01.080 --> 0:18:02.399
<v Speaker 1>about this in our pre pre meeting, but I just

0:18:02.440 --> 0:18:04.280
<v Speaker 1>want to put it out there. I think a kind

0:18:04.280 --> 0:18:10.440
<v Speaker 1>of underrated part of the MCU's growth and how it

0:18:10.480 --> 0:18:13.880
<v Speaker 1>managed to be what it is, which is the biggest,

0:18:14.320 --> 0:18:20.080
<v Speaker 1>you know, movie UH dollar generator in the world, is

0:18:21.760 --> 0:18:24.600
<v Speaker 1>the fact that when they started launching when they came

0:18:24.680 --> 0:18:26.080
<v Speaker 1>up with the Iron Man, and then all of a sudden,

0:18:26.080 --> 0:18:27.840
<v Speaker 1>the news started to break that, Oh, they're they're gonna

0:18:27.880 --> 0:18:30.520
<v Speaker 1>they're gonna launch Hulk, they're gonna launch Captain America, they're

0:18:30.520 --> 0:18:33.440
<v Speaker 1>gonna launch Thor, and they're gonna do the Avengers. The

0:18:33.960 --> 0:18:38.639
<v Speaker 1>response was kind of like, who who the Like, we

0:18:38.680 --> 0:18:39.560
<v Speaker 1>don't nobody.

0:18:39.640 --> 0:18:43.639
<v Speaker 2>The response was basically, nobody cares about Thor. Yeah, Captain America, that's.

0:18:43.760 --> 0:18:47.679
<v Speaker 3>Iron didn't even like back then explain that was a

0:18:47.720 --> 0:18:48.720
<v Speaker 3>deep cut character.

0:18:49.480 --> 0:18:53.280
<v Speaker 1>Yeah, these were thought of as like seed list characters,

0:18:53.480 --> 0:18:57.159
<v Speaker 1>and I think that helped the MCU kind of sneak

0:18:57.560 --> 0:19:03.119
<v Speaker 1>under the radar of expectations and take over, Whereas with DC,

0:19:03.480 --> 0:19:06.280
<v Speaker 1>it's harder because it's like, fucking it's Superman, you know

0:19:06.320 --> 0:19:12.200
<v Speaker 1>what I mean, Like it's it's Superman. The Daddy of

0:19:13.240 --> 0:19:18.720
<v Speaker 1>Superhero is the guy. It's fucking Batman, it's Wonder Woman.

0:19:18.800 --> 0:19:22.600
<v Speaker 1>And I think any attempt to do something with those

0:19:22.680 --> 0:19:27.400
<v Speaker 1>characters is just feel so fraught before you even start.

0:19:27.600 --> 0:19:31.359
<v Speaker 1>And I think it's an underrated part of how the

0:19:31.440 --> 0:19:33.160
<v Speaker 1>MCU was able to do it, because I think they

0:19:33.160 --> 0:19:35.240
<v Speaker 1>were able to kind of sneak by everybody who didn't

0:19:35.320 --> 0:19:37.040
<v Speaker 1>understand how cool these characters were.

0:19:37.119 --> 0:19:40.600
<v Speaker 3>And I think you actually hit onto something that DC

0:19:42.000 --> 0:19:46.920
<v Speaker 3>Films and TV has already someone that already knows that

0:19:46.920 --> 0:19:48.919
<v Speaker 3>that's a part of it. But as we're going forward,

0:19:49.280 --> 0:19:52.080
<v Speaker 3>if DC can recognize that they can do the same thing,

0:19:52.280 --> 0:19:54.640
<v Speaker 3>I'm gonna go back to Aquaman. That is a character

0:19:55.600 --> 0:19:58.680
<v Speaker 3>barely anyone cares about. I love Aquaman, I love the

0:19:58.720 --> 0:20:02.080
<v Speaker 3>campaigns and stuff, you know, but it's Ankleman, right, one

0:20:02.080 --> 0:20:06.680
<v Speaker 3>point seven billion highest grossing DC Comics movie ever. Right.

0:20:07.119 --> 0:20:10.040
<v Speaker 3>That is what you can do when you do something

0:20:10.200 --> 0:20:12.919
<v Speaker 3>with a character that people are not too worried about.

0:20:13.040 --> 0:20:14.600
<v Speaker 3>That is what you can do when you find a

0:20:14.680 --> 0:20:17.679
<v Speaker 3>director like James One who has a vision for that character,

0:20:17.760 --> 0:20:19.720
<v Speaker 3>a story they want to tell. So I think you're

0:20:19.760 --> 0:20:23.080
<v Speaker 3>onto something. If DC Harlequin, now people do love her.

0:20:23.119 --> 0:20:25.040
<v Speaker 3>She has become what they call the fourth pillar of

0:20:25.080 --> 0:20:28.040
<v Speaker 3>the DC after Superman, Wonder Woman and Batman. But again,

0:20:28.359 --> 0:20:29.960
<v Speaker 3>you can do something a little bit out there. You

0:20:29.960 --> 0:20:32.199
<v Speaker 3>can do an raed TV show. You can play with

0:20:32.280 --> 0:20:34.680
<v Speaker 3>the conception of who this is. It's why the Suicide

0:20:34.680 --> 0:20:37.119
<v Speaker 3>Squad works so well. Poka dot Man. No one was

0:20:37.119 --> 0:20:39.040
<v Speaker 3>out here like I need a Poka dot Man movie.

0:20:39.359 --> 0:20:43.480
<v Speaker 3>But David Desmolshin made that character unbelievable and James Gunn

0:20:43.480 --> 0:20:46.840
<v Speaker 3>bought its life in a way that somebody could find

0:20:46.880 --> 0:20:49.440
<v Speaker 3>something really special in it. And same with Ratcatcher too.

0:20:49.520 --> 0:20:52.320
<v Speaker 3>You know that the Taika Waitit t has the most

0:20:52.440 --> 0:20:55.239
<v Speaker 3>unbelievable cameo in that movie. That's just everything, And I

0:20:55.359 --> 0:20:57.760
<v Speaker 3>think that you've really hit the nail on the head.

0:20:57.800 --> 0:20:59.800
<v Speaker 3>I love talking about that side of the MCU, about

0:20:59.840 --> 0:21:02.719
<v Speaker 3>how I know you don't believe it, but once Captain

0:21:02.760 --> 0:21:05.280
<v Speaker 3>America was not an A list character. You know, people

0:21:05.320 --> 0:21:08.280
<v Speaker 3>don't know, but it's true, we don't remember that. Yeah,

0:21:08.320 --> 0:21:12.760
<v Speaker 3>but I think you've here. If DC can find a

0:21:12.880 --> 0:21:17.800
<v Speaker 3>visionary who understands that Superman, Batman, the Justice League, that's

0:21:17.840 --> 0:21:22.200
<v Speaker 3>something you work too. That's also I like, I loved

0:21:22.600 --> 0:21:25.280
<v Speaker 3>the Batman movie, the recent one. You can let maybe

0:21:25.320 --> 0:21:29.560
<v Speaker 3>let those three exist outside of your main world until

0:21:29.560 --> 0:21:33.240
<v Speaker 3>you've got five ten years in. You can do all

0:21:33.359 --> 0:21:35.879
<v Speaker 3>kinds of stories. You can tell all kinds you know,

0:21:35.960 --> 0:21:41.240
<v Speaker 3>Blue Beetle that is apparently still on the cards for

0:21:41.320 --> 0:21:45.320
<v Speaker 3>next year theatrical. Let's keep yeah, you know, Sauce Plastic

0:21:45.400 --> 0:21:51.360
<v Speaker 3>Man like there's so many different weird atari r gool

0:21:51.440 --> 0:21:54.920
<v Speaker 3>movie Like, there's so many different weird cool things and

0:21:55.119 --> 0:21:58.040
<v Speaker 3>so many characters. You could do rogue movies. Joker did

0:21:58.080 --> 0:21:59.960
<v Speaker 3>really well. You could do all different kinds of things.

0:22:00.359 --> 0:22:02.120
<v Speaker 3>I think you hit the nail on the head. Let's

0:22:02.240 --> 0:22:06.040
<v Speaker 3>leave Batman, Superman and Wonder Woman. Let's let them sit

0:22:06.080 --> 0:22:08.800
<v Speaker 3>for a little while. Let's let them get that legendary status,

0:22:08.880 --> 0:22:14.480
<v Speaker 3>and let's build a world that is something unexpected and

0:22:14.520 --> 0:22:16.359
<v Speaker 3>that can go a little under the radar till it

0:22:16.440 --> 0:22:20.760
<v Speaker 3>hits and becomes that, you know, fertile ground for something more.

0:22:21.280 --> 0:22:25.280
<v Speaker 1>I remain on the record, they will eventually figure it out. Definitely,

0:22:25.320 --> 0:22:29.200
<v Speaker 1>don't ask me when. And by the way, I just started.

0:22:29.280 --> 0:22:33.000
<v Speaker 1>I've been reading Aquaman Andromeda on the Black label DC SQUA.

0:22:33.160 --> 0:22:35.159
<v Speaker 2>Yeah, that's all right, ram V.

0:22:35.240 --> 0:22:37.760
<v Speaker 1>And Christian Word really really great for the for those

0:22:38.280 --> 0:22:39.719
<v Speaker 1>who are Aquaman curious.

0:22:39.800 --> 0:22:42.480
<v Speaker 3>There's so many great Aquaman books. Kelly Sudiconic did a

0:22:42.480 --> 0:22:46.000
<v Speaker 3>great Aquaman book recently. There's Yeah, there's a lot of

0:22:46.000 --> 0:22:49.320
<v Speaker 3>fun to be had there. Yeah, you should check out

0:22:49.320 --> 0:22:50.399
<v Speaker 3>Aquaman good stuff.

0:22:52.000 --> 0:22:54.560
<v Speaker 1>Before we get into the airlock, I just want to

0:22:54.560 --> 0:22:57.840
<v Speaker 1>announce that we're gonna We're gonna be running, or ask

0:22:58.000 --> 0:23:01.159
<v Speaker 1>the Master House of the Dragon, say meant going forward,

0:23:01.200 --> 0:23:04.480
<v Speaker 1>it's going to be coming up in coming weeks. If

0:23:04.480 --> 0:23:07.240
<v Speaker 1>you have a question once, House of the Dragon starts

0:23:07.280 --> 0:23:10.119
<v Speaker 1>rolling on August twenty first, Sunday, August twenty first. You

0:23:10.160 --> 0:23:11.520
<v Speaker 1>have a question, what happened?

0:23:11.560 --> 0:23:13.639
<v Speaker 2>What is this place? Who are these people?

0:23:13.680 --> 0:23:18.040
<v Speaker 1>What's going on? Hit us at Askthemaster at gmail dot com.

0:23:18.040 --> 0:23:21.840
<v Speaker 1>Ask Themaster at gmail dot com and we may answer

0:23:21.840 --> 0:23:26.760
<v Speaker 1>your question on the air up next the airlock. With

0:23:26.840 --> 0:23:28.920
<v Speaker 1>less than one hundred days until the midterms, it's safe

0:23:28.920 --> 0:23:31.879
<v Speaker 1>to say midterm madness is setting, and right now you

0:23:31.920 --> 0:23:34.879
<v Speaker 1>can find all new votes Save America merchant the Cricket Store.

0:23:35.080 --> 0:23:37.320
<v Speaker 1>A portion of every single order on the Cricket Store

0:23:37.359 --> 0:23:40.680
<v Speaker 1>goes to vote Riders, the leading organization focused on informing

0:23:40.720 --> 0:23:44.440
<v Speaker 1>citizens of their state's voter idea requirements and helping them

0:23:44.440 --> 0:23:47.920
<v Speaker 1>secure the documents they need to vote. So check out

0:23:47.920 --> 0:23:50.479
<v Speaker 1>criocket dot com slash merch for the latest drop, then

0:23:50.520 --> 0:23:52.400
<v Speaker 1>head to vote Save America dot com to find out

0:23:52.400 --> 0:23:54.480
<v Speaker 1>how to get involved and do your part. In the

0:23:54.560 --> 0:24:08.879
<v Speaker 1>lead up to this year's midterms, we're stepping out of

0:24:08.880 --> 0:24:12.240
<v Speaker 1>the airlock and onto the Benattar to discuss the exploits

0:24:12.320 --> 0:24:15.520
<v Speaker 1>Baby Groot, plus.

0:24:14.400 --> 0:24:15.680
<v Speaker 2>The really really.

0:24:15.440 --> 0:24:19.720
<v Speaker 1>Excellent addition to the Predator franchise, Pray. Let's start with

0:24:19.800 --> 0:24:25.520
<v Speaker 1>I Am Groot, written and directed by Kirsten Lapour, incredibly

0:24:25.720 --> 0:24:31.760
<v Speaker 1>talented animator partner of Daniel kwan Oh of Everything Everywhere,

0:24:31.760 --> 0:24:37.320
<v Speaker 1>All at Once, Fame, Power Couple, Folks, Power Couple Folks,

0:24:37.359 --> 0:24:41.960
<v Speaker 1>a voice acting by Vin Diesel. Of course, Bradley Cooper's

0:24:42.040 --> 0:24:45.560
<v Speaker 1>rocket James Gunn makes a little cameo. It is five

0:24:46.200 --> 0:24:50.440
<v Speaker 1>really really short vignettes for a total runtime of something

0:24:50.480 --> 0:24:54.240
<v Speaker 1>like twenty something minutes, and let's just let me It

0:24:54.560 --> 0:24:58.679
<v Speaker 1>basically tells the story of Groot after the events of

0:24:58.800 --> 0:25:02.480
<v Speaker 1>the first Guardians of the Gas Galaxy. Grout has sacrificed

0:25:02.960 --> 0:25:05.560
<v Speaker 1>himself to save his friends and has been reduced to

0:25:05.640 --> 0:25:09.080
<v Speaker 1>nothing more than a twig. And then eventually that twig

0:25:09.119 --> 0:25:12.679
<v Speaker 1>takes Root and what happens Then what happens before we

0:25:12.800 --> 0:25:16.359
<v Speaker 1>catch up with Groot as a as a surly team

0:25:16.480 --> 0:25:19.600
<v Speaker 1>in the events of Guardians of the Galaxy too. This

0:25:20.520 --> 0:25:23.359
<v Speaker 1>is what happens. I Am Groot is what happens, and

0:25:23.400 --> 0:25:28.560
<v Speaker 1>it's it's in almost like a like a stop motion

0:25:28.640 --> 0:25:29.359
<v Speaker 1>style but not.

0:25:29.720 --> 0:25:32.400
<v Speaker 2>And it is just really really wonderful, like really fun.

0:25:32.480 --> 0:25:37.760
<v Speaker 3>It's such a showcase of animation. It is Disney reminding

0:25:37.840 --> 0:25:40.760
<v Speaker 3>people that this is what their company was built on.

0:25:41.280 --> 0:25:44.720
<v Speaker 3>Like it definitely harks back to that old era of

0:25:44.800 --> 0:25:49.160
<v Speaker 3>Disney shorts that're so iconic now and I absolutely love

0:25:49.240 --> 0:25:52.080
<v Speaker 3>to see that. I love to see experimental animation. I

0:25:52.080 --> 0:25:54.280
<v Speaker 3>love to see anime is getting to have fun and

0:25:54.480 --> 0:25:57.119
<v Speaker 3>push things to kind of the limit. And each episode

0:25:57.359 --> 0:26:00.200
<v Speaker 3>has such a different visual texture and tone, but really

0:26:00.240 --> 0:26:02.840
<v Speaker 3>don't feel the same. I mean grout. They all have

0:26:02.920 --> 0:26:05.560
<v Speaker 3>really funny names. I didn't realize. I assumed it was

0:26:05.920 --> 0:26:10.440
<v Speaker 3>like any show on Disney Plus where it's I Am

0:26:10.520 --> 0:26:13.480
<v Speaker 3>Grout and then it's a series, but it's not. Each

0:26:13.520 --> 0:26:15.919
<v Speaker 3>one is listed separately on Disney Plus. So when it

0:26:15.960 --> 0:26:18.159
<v Speaker 3>came up on my Disney Plus, I thought that the

0:26:18.200 --> 0:26:21.000
<v Speaker 3>whole show, because I have an English Disney Plus account,

0:26:21.160 --> 0:26:24.239
<v Speaker 3>I thought that the whole show was called I Am

0:26:24.400 --> 0:26:27.240
<v Speaker 3>Group the Little Guy, And I was like, what this

0:26:27.400 --> 0:26:29.439
<v Speaker 3>is so cute. I was like, this is definitely some

0:26:29.520 --> 0:26:32.240
<v Speaker 3>weird European thing, but that's just the name of the episode.

0:26:32.359 --> 0:26:35.080
<v Speaker 3>But yeah, Grout takes a Bath. That was my favorite episode.

0:26:35.200 --> 0:26:36.080
<v Speaker 2>Oh that's my favorite one.

0:26:36.320 --> 0:26:42.480
<v Speaker 3>Great beautiful animation, looks gorgeous, so many funny physical comedy beats,

0:26:42.560 --> 0:26:50.280
<v Speaker 3>like this is predominantly nonverbal, yes, storytelling. I think this

0:26:50.520 --> 0:26:52.359
<v Speaker 3>is a great They've been doing this with like the

0:26:52.400 --> 0:26:55.280
<v Speaker 3>Spark shorts and stuff. I think Disney plus this is

0:26:55.280 --> 0:27:00.480
<v Speaker 3>a really great platform to bring short animation, unexpected animation,

0:27:01.080 --> 0:27:03.760
<v Speaker 3>non linear narratives and stuff. I think this is a

0:27:03.840 --> 0:27:05.680
<v Speaker 3>very cool way of using the platform, and it's something

0:27:05.720 --> 0:27:08.560
<v Speaker 3>that not any really, no one else can do it.

0:27:10.000 --> 0:27:14.199
<v Speaker 1>And to your point about like early Disney animation, like

0:27:14.240 --> 0:27:18.159
<v Speaker 1>Steamboat kind of style that is there, Like there is

0:27:18.200 --> 0:27:25.399
<v Speaker 1>this there is this weirdness, this wonderful strangeness that you

0:27:25.440 --> 0:27:27.320
<v Speaker 1>see in a lot of that kind of like early

0:27:27.960 --> 0:27:31.879
<v Speaker 1>twentieth century animation of just like strange things that all

0:27:31.920 --> 0:27:36.040
<v Speaker 1>of a sudden are alive and acting in different ways.

0:27:37.440 --> 0:27:41.200
<v Speaker 1>And you know, all of that tied together with this

0:27:41.320 --> 0:27:43.800
<v Speaker 1>character you already know, Groot, it just is kind of

0:27:44.480 --> 0:27:48.400
<v Speaker 1>magical and there's like a really childlike bit of wonder

0:27:48.480 --> 0:27:51.080
<v Speaker 1>to it that translates because you're like, oh my god,

0:27:51.119 --> 0:27:54.439
<v Speaker 1>what what thing is going to start moving next? Like

0:27:54.560 --> 0:27:59.200
<v Speaker 1>what is this flower going to be? And again it's

0:27:59.240 --> 0:28:03.399
<v Speaker 1>not stop motion, but it's the textural and simple.

0:28:05.119 --> 0:28:09.760
<v Speaker 3>Yeah, it's influenced by and it something that I find

0:28:09.760 --> 0:28:13.080
<v Speaker 3>really it's very like Silly Symphonies as those old a

0:28:13.080 --> 0:28:15.439
<v Speaker 3>lot of the old Disney cartoons. I definitely had this

0:28:15.600 --> 0:28:19.439
<v Speaker 3>moment because there was a big TikTok trend maybe a

0:28:19.480 --> 0:28:22.040
<v Speaker 3>year or two years ago, which was the Silly Symphonies

0:28:22.119 --> 0:28:25.080
<v Speaker 3>skeleton animation, which you know is like one hundred years

0:28:25.080 --> 0:28:27.399
<v Speaker 3>old or something now, and I was when I was

0:28:27.440 --> 0:28:31.280
<v Speaker 3>watching this show, I was just thinking, like I could

0:28:31.359 --> 0:28:34.639
<v Speaker 3>definitely imagine in like a hundred years kids watching these

0:28:34.840 --> 0:28:37.080
<v Speaker 3>as that kind of like, oh, look what animation was

0:28:37.160 --> 0:28:40.480
<v Speaker 3>like back then. Also on a slightly more cynical but

0:28:40.520 --> 0:28:44.520
<v Speaker 3>also just very clever level. I have to I have

0:28:44.520 --> 0:28:46.760
<v Speaker 3>a niece and a nephew, actually have many, but I

0:28:46.800 --> 0:28:53.800
<v Speaker 3>have two who are young, and they both predominantly watch

0:28:53.840 --> 0:28:59.400
<v Speaker 3>YouTube and short animation and short videos. So I also

0:28:59.480 --> 0:29:02.400
<v Speaker 3>just think this is a really interesting cyclical. Back then,

0:29:02.440 --> 0:29:05.240
<v Speaker 3>it was short because of the nature of the business

0:29:05.240 --> 0:29:07.080
<v Speaker 3>and how much you could animate and how much you

0:29:07.080 --> 0:29:09.080
<v Speaker 3>could want to pay people to actually make an animation,

0:29:09.120 --> 0:29:10.520
<v Speaker 3>so you could only do it for so long because

0:29:10.560 --> 0:29:15.320
<v Speaker 3>of the technological developments at the time. Now that same

0:29:15.440 --> 0:29:19.240
<v Speaker 3>format is actually the format of choice, especially for babies

0:29:19.440 --> 0:29:21.880
<v Speaker 3>and little kids and stuff. So I can imagine that

0:29:21.880 --> 0:29:23.440
<v Speaker 3>there's going to be a lot of parents who are

0:29:23.440 --> 0:29:26.720
<v Speaker 3>going to be watching these five episodes a lot.

0:29:28.480 --> 0:29:31.600
<v Speaker 1>Yeah, do you have kids, put them in front of

0:29:31.960 --> 0:29:34.120
<v Speaker 1>yam group, they will absolutely love it.

0:29:34.240 --> 0:29:34.360
<v Speaker 3>Up.

0:29:34.400 --> 0:29:38.920
<v Speaker 1>Next, What a tone Switch? What a What a content switch?

0:29:40.160 --> 0:29:47.080
<v Speaker 1>Prey on Hulu, directed by Dan Trachtenberg of ten Cloverfield Lane,

0:29:48.040 --> 0:29:53.800
<v Speaker 1>starring Amber Midthunter as Nehru, Dakota Beavers as Tabe, Dan

0:29:53.880 --> 0:29:59.320
<v Speaker 1>Di Liegro as the Predator. This is a Predator prequel.

0:29:59.520 --> 0:30:04.440
<v Speaker 1>It is so seventeen nineteen, and a young Indigenous woman

0:30:05.240 --> 0:30:08.160
<v Speaker 1>is kind of bucking the culture of her tribe in

0:30:08.280 --> 0:30:11.040
<v Speaker 1>being an you know, wanting to hunt, being an active hunter.

0:30:12.280 --> 0:30:15.400
<v Speaker 1>She recognizes that there is something out there in the

0:30:15.400 --> 0:30:19.760
<v Speaker 1>woods that is not a bear, It is not French trappers,

0:30:20.000 --> 0:30:24.880
<v Speaker 1>it is not a mountain lion. It's something else. And

0:30:24.880 --> 0:30:28.760
<v Speaker 1>then she goes head to head with the Predator in an.

0:30:28.640 --> 0:30:30.680
<v Speaker 2>Action packed story.

0:30:31.560 --> 0:30:36.360
<v Speaker 1>Super This is such a surprise, like one of those

0:30:36.440 --> 0:30:40.000
<v Speaker 1>really really fun surprises that you know, I was not

0:30:40.040 --> 0:30:43.640
<v Speaker 1>sitting around going, oh, I can't you know a Predator movie.

0:30:44.240 --> 0:30:46.320
<v Speaker 1>I can't wait for the next Predator movie. And it

0:30:46.440 --> 0:30:48.880
<v Speaker 1>just kind of like snuck up and is great.

0:30:49.160 --> 0:30:53.360
<v Speaker 3>Yeah, it's really great. I was sitting around waiting for

0:30:53.360 --> 0:30:55.960
<v Speaker 3>a Predator movie because I just absolutely love this franchise.

0:30:56.200 --> 0:31:04.720
<v Speaker 3>But objectively, this is such a surprising, thoughtful, brilliant, stripped

0:31:04.760 --> 0:31:10.520
<v Speaker 3>down way. It's not a requel, there's no original returning characters,

0:31:10.520 --> 0:31:17.080
<v Speaker 3>it's not meta. It's just this absolutely stunning. The cinematography

0:31:17.120 --> 0:31:20.880
<v Speaker 3>in this movie is just mined flowing for.

0:31:22.520 --> 0:31:26.719
<v Speaker 1>You know, for a smaller budget, mid budget movie, you

0:31:26.720 --> 0:31:29.280
<v Speaker 1>don't feel it at all.

0:31:28.240 --> 0:31:32.040
<v Speaker 3>I wish i'd seen this. This is a classic situation,

0:31:32.160 --> 0:31:35.000
<v Speaker 3>I think, especially because it's now. They released the numbers

0:31:35.000 --> 0:31:37.240
<v Speaker 3>and this is who lose biggest launch for a movie ever.

0:31:37.800 --> 0:31:39.600
<v Speaker 3>I think they're probably wishing they put this in the

0:31:39.640 --> 0:31:40.920
<v Speaker 3>cinema now, I know.

0:31:42.280 --> 0:31:46.480
<v Speaker 1>Until Miguel Wants to Fight by Chase Rano and Jason Sepsio,

0:31:46.600 --> 0:31:48.840
<v Speaker 1>directed by Ozrodriguez some time it's twenty twenty.

0:31:48.640 --> 0:31:51.600
<v Speaker 3>Three, that's definitely gonna be the biggest. We're gonna make

0:31:51.640 --> 0:31:56.520
<v Speaker 3>sure of it on this podcast. But like that, I

0:31:56.640 --> 0:31:58.800
<v Speaker 3>would have loved to see that on the big screen.

0:31:58.840 --> 0:32:01.800
<v Speaker 3>They did a limited for Beyondfested a couple of screenings

0:32:01.840 --> 0:32:03.600
<v Speaker 3>that were free. I didn't manage to make it out,

0:32:04.080 --> 0:32:08.200
<v Speaker 3>but it is so good, and I think something that's

0:32:08.320 --> 0:32:15.800
<v Speaker 3>really great about it is it's very subtle and slow

0:32:16.120 --> 0:32:19.120
<v Speaker 3>in its beginning. It has this really why a feel

0:32:19.200 --> 0:32:21.920
<v Speaker 3>to it. I love the idea of kids and younger

0:32:21.960 --> 0:32:25.920
<v Speaker 3>women watching this movie. It's very much this journey of growth,

0:32:26.000 --> 0:32:30.000
<v Speaker 3>this journey of rebellion, but for all the right reasons.

0:32:29.840 --> 0:32:33.480
<v Speaker 3>It's a slow story that lets you see the world

0:32:34.440 --> 0:32:38.080
<v Speaker 3>of these Indigenous people and their community. Trachenbub was joined

0:32:38.080 --> 0:32:42.560
<v Speaker 3>by Indigenous producer Jane Myers, who had a big role

0:32:42.600 --> 0:32:45.400
<v Speaker 3>in making sure that the movie was authentic and showed

0:32:45.960 --> 0:32:49.880
<v Speaker 3>real Indigenous life alongside the horror action of Prey. And

0:32:49.920 --> 0:32:51.240
<v Speaker 3>there was a lot of work that was put in

0:32:51.320 --> 0:32:55.400
<v Speaker 3>to make it feel authentic and real and not just

0:32:55.480 --> 0:32:58.840
<v Speaker 3>be like, here's the predator in this space. Yeah. And

0:32:58.920 --> 0:33:02.959
<v Speaker 3>also but when it kicks up and it gets to

0:33:03.000 --> 0:33:06.000
<v Speaker 3>that action, it's just so good, which doesn't surprise me

0:33:06.040 --> 0:33:09.680
<v Speaker 3>to talk because Dan Tracktenberg, I love ten Cloverfield Lane.

0:33:09.720 --> 0:33:14.640
<v Speaker 3>It's so so good and it very much has that slow,

0:33:15.840 --> 0:33:21.640
<v Speaker 3>mysterious journey before you get to that wild action and

0:33:22.000 --> 0:33:25.840
<v Speaker 3>Dakota Beavera's and Amber mid Thunder are just so good.

0:33:25.880 --> 0:33:27.120
<v Speaker 2>They're kind of revelations.

0:33:27.200 --> 0:33:34.280
<v Speaker 1>Yeah, there's something about there's something really invigorating about a

0:33:34.400 --> 0:33:39.440
<v Speaker 1>story about indigenous people in North America that is not

0:33:39.560 --> 0:33:43.040
<v Speaker 1>a meditation on the horrible genocide.

0:33:42.440 --> 0:33:44.120
<v Speaker 2>That was perpetrated against them.

0:33:44.200 --> 0:33:44.520
<v Speaker 5>That is.

0:33:46.360 --> 0:33:52.280
<v Speaker 1>People in their element, living at like the midst of

0:33:52.320 --> 0:33:59.000
<v Speaker 1>their culture, amongst each other, amongst safety, amongst complete understanding

0:33:59.160 --> 0:34:04.320
<v Speaker 1>about who they are. That part of it is really cool.

0:34:04.400 --> 0:34:08.200
<v Speaker 1>And to do it as a genre movie, you know,

0:34:08.239 --> 0:34:11.000
<v Speaker 1>with this kind of alien interloper that comes in just

0:34:11.200 --> 0:34:15.440
<v Speaker 1>adds like so much spice to the stew. There are

0:34:15.480 --> 0:34:19.400
<v Speaker 1>wonderful callbacks to the original Predator that fans of that

0:34:19.520 --> 0:34:26.280
<v Speaker 1>movie will recognize, such as the moment that nauru Is

0:34:26.920 --> 0:34:31.000
<v Speaker 1>falls into some quicksand and then pulls herself out. A

0:34:31.160 --> 0:34:33.680
<v Speaker 1>bunch of moments like that. But this is really a

0:34:33.800 --> 0:34:39.959
<v Speaker 1>movie that stands on its own in a really fascinating way,

0:34:40.080 --> 0:34:43.399
<v Speaker 1>and it's a cool moment for indigenous storytelling, like kind

0:34:43.440 --> 0:34:47.160
<v Speaker 1>of like writ large what with reservation dogs, other stories

0:34:47.200 --> 0:34:55.919
<v Speaker 1>that are centering Indigenous characters. Amber Midthunter has been outspoken

0:34:55.960 --> 0:35:00.160
<v Speaker 1>about you know that she doesn't take period pieces. She

0:35:00.200 --> 0:35:03.160
<v Speaker 1>doesn't want to do that kind of the tragedy of

0:35:04.440 --> 0:35:09.239
<v Speaker 1>what happened to indigenous people in North America. And man,

0:35:09.280 --> 0:35:13.200
<v Speaker 1>this is a really really fun action, freaking action pat

0:35:13.600 --> 0:35:17.120
<v Speaker 1>movie that takes a lot of surprising twist and turns

0:35:17.400 --> 0:35:18.800
<v Speaker 1>for an action movie.

0:35:18.880 --> 0:35:21.759
<v Speaker 3>Yeah, and Amber mid Thunder's Naru is like, that's a

0:35:21.880 --> 0:35:25.279
<v Speaker 3>final girl for the Ages because not only is the

0:35:25.360 --> 0:35:28.400
<v Speaker 3>action great, and it's very much in the story. She

0:35:28.560 --> 0:35:31.840
<v Speaker 3>already training to be a warrior. She has all these skills,

0:35:32.120 --> 0:35:35.319
<v Speaker 3>but you get to these parts in the movie where

0:35:35.360 --> 0:35:39.480
<v Speaker 3>her smarts and her wit and her planning are just

0:35:39.680 --> 0:35:43.600
<v Speaker 3>so good. That is like you will literally be responding

0:35:43.760 --> 0:35:47.279
<v Speaker 3>out loud because her planning is so smart and it's

0:35:47.360 --> 0:35:50.319
<v Speaker 3>so quick, and it's very much in that horror movie

0:35:50.360 --> 0:35:56.680
<v Speaker 3>tradition of smart the monster, whether it's Jason or Freddie

0:35:57.160 --> 0:36:00.120
<v Speaker 3>or Michael Myers or whoever, or the predator, and this

0:36:00.280 --> 0:36:02.600
<v Speaker 3>is the first time we've gotten to see that dynamic.

0:36:02.640 --> 0:36:07.440
<v Speaker 3>Really Yeah, Alien Bus, Predta Sana, she outsmart at that,

0:36:07.520 --> 0:36:09.920
<v Speaker 3>But that's different kind of movies. But this is this

0:36:10.160 --> 0:36:13.520
<v Speaker 3>is so much fun to watch and the final act.

0:36:13.600 --> 0:36:15.560
<v Speaker 3>I loved all the movie. I love the pacing, I

0:36:15.880 --> 0:36:18.239
<v Speaker 3>love a slow burn, but that final act where you

0:36:18.280 --> 0:36:23.480
<v Speaker 3>really get to see nuruin Tabe in this space with

0:36:23.560 --> 0:36:27.399
<v Speaker 3>the predator, who, by the way, unbelievable predator design. It's

0:36:27.400 --> 0:36:30.640
<v Speaker 3>a kind of really it's a different design. They actually

0:36:30.680 --> 0:36:33.279
<v Speaker 3>managed to make the predator look scary with the mask off,

0:36:33.280 --> 0:36:36.920
<v Speaker 3>which has never been done before. And yeah, I just

0:36:37.040 --> 0:36:39.560
<v Speaker 3>I thought it was so much fun. If you love horror,

0:36:39.560 --> 0:36:42.160
<v Speaker 3>I would say watch it if you also just love

0:36:42.200 --> 0:36:46.160
<v Speaker 3>adventure movies. I have a very high tolerance for horror,

0:36:46.200 --> 0:36:48.680
<v Speaker 3>so it might be a little bit gory for some people,

0:36:48.840 --> 0:36:50.720
<v Speaker 3>but in general, I think this is like a really

0:36:50.760 --> 0:36:53.719
<v Speaker 3>great adventure action movie that just happens to have a

0:36:53.719 --> 0:36:56.359
<v Speaker 3>little bit of gory. Predator glad.

0:36:56.760 --> 0:36:59.280
<v Speaker 1>I'm glad you mentioned the horror, because this movie does

0:36:59.400 --> 0:37:04.480
<v Speaker 1>a thing that great horror movies, particularly great slasher movies,

0:37:04.520 --> 0:37:09.360
<v Speaker 1>do really well, which is the monster at a certain

0:37:09.480 --> 0:37:14.439
<v Speaker 1>point becomes like the sword of justice. Yes, our hero

0:37:14.719 --> 0:37:19.600
<v Speaker 1>is absolutely at under threat from the predator, as is

0:37:20.560 --> 0:37:23.960
<v Speaker 1>her beautiful dog sorry is absolutely like threatened by the

0:37:23.960 --> 0:37:25.040
<v Speaker 1>predator at every turn.

0:37:25.080 --> 0:37:27.040
<v Speaker 2>You're wondering, like, is she gonna make it out of this.

0:37:27.520 --> 0:37:31.359
<v Speaker 2>But also like the assholes who.

0:37:31.320 --> 0:37:33.759
<v Speaker 1>Don't think she can hunt, yeah, yeah, yeah, you pay

0:37:33.800 --> 0:37:38.000
<v Speaker 1>the price, the French trappers who are abusing the land

0:37:38.160 --> 0:37:40.719
<v Speaker 1>and don't know how to how to respect the land.

0:37:40.719 --> 0:37:42.440
<v Speaker 1>In the same way the people who live here do

0:37:42.600 --> 0:37:47.480
<v Speaker 1>and take Nauru captive and are indeed like torturing her

0:37:47.520 --> 0:37:51.400
<v Speaker 1>to try and get her to help them hunt the presdtor.

0:37:51.440 --> 0:37:55.440
<v Speaker 1>They will pay the price. Everybody who is, you know,

0:37:57.160 --> 0:38:01.399
<v Speaker 1>morally out of line will pay the price. Is such

0:38:01.480 --> 0:38:03.920
<v Speaker 1>a theme that I love about horror.

0:38:04.040 --> 0:38:05.400
<v Speaker 3>But you know what I love about this that you

0:38:05.440 --> 0:38:09.000
<v Speaker 3>make such a good point, as like in especially original

0:38:09.239 --> 0:38:11.680
<v Speaker 3>eight slash of Horror, which is so much one of

0:38:11.680 --> 0:38:15.759
<v Speaker 3>my just absolute biggest passions, that morality is very Christian

0:38:15.880 --> 0:38:22.080
<v Speaker 3>and heteronormouy and repressive. But here that is subverted to

0:38:22.160 --> 0:38:26.640
<v Speaker 3>be about the real morality. It's it's the colonizers, the

0:38:27.719 --> 0:38:31.160
<v Speaker 3>people who are destroying the land, it's all these different

0:38:31.640 --> 0:38:33.400
<v Speaker 3>it's the people who, like you said, couldn't believe it.

0:38:33.400 --> 0:38:36.440
<v Speaker 3>It's the violent men who attack how there And in

0:38:36.520 --> 0:38:38.319
<v Speaker 3>that way it becomes very cathartic.

0:38:39.400 --> 0:38:42.280
<v Speaker 2>Yes, it does. Love this movie.

0:38:42.960 --> 0:38:44.600
<v Speaker 1>If you haven't seen it, watch it now you can

0:38:44.640 --> 0:38:47.040
<v Speaker 1>watch it on Hulu, and you can watch this. When

0:38:47.080 --> 0:38:49.040
<v Speaker 1>you watch it on Hulu, you will have the option

0:38:49.120 --> 0:38:53.400
<v Speaker 1>of watching this all in the Comanche dub version. Up next,

0:38:53.920 --> 0:39:03.879
<v Speaker 1>Hive Mind with Justin helper Welcome to the Hive Mind,

0:39:03.920 --> 0:39:05.840
<v Speaker 1>where we explore a topic and more detail with the

0:39:05.880 --> 0:39:08.000
<v Speaker 1>help of expert guests. And this week we have a

0:39:08.000 --> 0:39:11.160
<v Speaker 1>big time expert guest. We have Justin Halpern, co creator

0:39:11.560 --> 0:39:13.320
<v Speaker 1>of the super super funny Harley Quinn.

0:39:13.680 --> 0:39:15.279
<v Speaker 2>Justin, thanks so much for joining us.

0:39:16.000 --> 0:39:18.240
<v Speaker 5>Thank you for having me. I am very very excited

0:39:18.239 --> 0:39:18.680
<v Speaker 5>to be here.

0:39:19.480 --> 0:39:23.520
<v Speaker 1>Tell us about how did Harley Quinn begin as a project?

0:39:23.560 --> 0:39:24.840
<v Speaker 1>How did this start?

0:39:25.040 --> 0:39:28.279
<v Speaker 4>I wish I had like this really amazing story that

0:39:28.440 --> 0:39:32.560
<v Speaker 4>is about, like, you know, creativity and its inception. But

0:39:33.239 --> 0:39:37.759
<v Speaker 4>literally this starts in the most kind of sort of

0:39:37.800 --> 0:39:41.239
<v Speaker 4>like bureaucratic, large company sort of way, which is that

0:39:41.400 --> 0:39:44.799
<v Speaker 4>I was under an overall deal with my partner and

0:39:44.800 --> 0:39:47.920
<v Speaker 4>an overall deal Warner Brothers, and an executive for Warner

0:39:47.920 --> 0:39:52.280
<v Speaker 4>Brothers Susan Rogner, who's now the head of Universal, called

0:39:52.360 --> 0:39:54.680
<v Speaker 4>us and said, hey, would you want to make an

0:39:54.800 --> 0:39:57.040
<v Speaker 4>R rated Harley Quinn cartoon. We don't know what it

0:39:57.080 --> 0:39:58.920
<v Speaker 4>would be about, but do you want to make it?

0:40:00.040 --> 0:40:03.239
<v Speaker 4>We were at the time, we were like totally like

0:40:03.280 --> 0:40:05.520
<v Speaker 4>in this. It was this is twenty sixteen, so we're

0:40:05.560 --> 0:40:07.800
<v Speaker 4>like in this, like we've only been working in network

0:40:07.840 --> 0:40:10.200
<v Speaker 4>TV right there isn't like a bazilion streamers.

0:40:10.239 --> 0:40:13.640
<v Speaker 5>It's like everybody's like, oh, could we get a Netflix show?

0:40:13.719 --> 0:40:16.520
<v Speaker 4>Like that was the only place, you know, And I

0:40:16.560 --> 0:40:18.759
<v Speaker 4>was like, Wow, the chance to do like an R

0:40:18.920 --> 0:40:22.440
<v Speaker 4>rated show when I'd only ever done like Vet.

0:40:22.239 --> 0:40:23.840
<v Speaker 5>Dead for CBS, and like she.

0:40:25.719 --> 0:40:29.600
<v Speaker 4>I was like, oh my god, yes, like please, Like

0:40:29.680 --> 0:40:32.000
<v Speaker 4>it was like hearing the choppers come take me out

0:40:32.000 --> 0:40:32.800
<v Speaker 4>of the prison camp.

0:40:32.880 --> 0:40:35.720
<v Speaker 5>I was like, yes, we want to.

0:40:34.960 --> 0:40:37.160
<v Speaker 4>Let we want to do this, and so they said, well,

0:40:37.200 --> 0:40:39.839
<v Speaker 4>you got to come in and pitch it. Pitch your take,

0:40:40.120 --> 0:40:41.640
<v Speaker 4>you know, because I think if they didn't like our take,

0:40:41.719 --> 0:40:45.200
<v Speaker 4>they'd go to somebody else. And uh, you know, being

0:40:45.200 --> 0:40:48.200
<v Speaker 4>a huge fan of sitcoms, my partner I were just like,

0:40:48.480 --> 0:40:51.240
<v Speaker 4>let's do the Mary Tyler Moore Show but with Harley Quinn.

0:40:51.400 --> 0:40:53.279
<v Speaker 5>That's the center of it. And that was kind of

0:40:53.280 --> 0:40:53.960
<v Speaker 5>how it started.

0:40:54.040 --> 0:40:56.800
<v Speaker 3>Yeah, I love that so much. I mean when post

0:40:56.840 --> 0:41:00.800
<v Speaker 3>the pitch and kind of getting into the show, did you. Obviously,

0:41:00.800 --> 0:41:02.400
<v Speaker 3>one of the biggest takeaways here, and one of the

0:41:02.400 --> 0:41:04.960
<v Speaker 3>things people love so much about in an overarching sense,

0:41:05.160 --> 0:41:09.040
<v Speaker 3>is that Holly and Ivy relationship. How early on was

0:41:09.080 --> 0:41:11.480
<v Speaker 3>that a key part to your kind of long running

0:41:11.560 --> 0:41:12.640
<v Speaker 3>plan for the show.

0:41:13.400 --> 0:41:16.520
<v Speaker 4>It was always in our heads to Hander because Harley.

0:41:16.760 --> 0:41:22.239
<v Speaker 4>Our feeling was Harley herself doesn't feel like she can

0:41:22.320 --> 0:41:26.160
<v Speaker 4>be the like lead of a show without someone to

0:41:26.200 --> 0:41:26.920
<v Speaker 4>bounce off of.

0:41:27.120 --> 0:41:28.040
<v Speaker 5>So we looked at it.

0:41:28.360 --> 0:41:31.000
<v Speaker 4>When we went into the pitch, we said, it's gonna

0:41:31.000 --> 0:41:36.240
<v Speaker 4>be Ferris Bueller and Cameron Fry, and she's Ferris, She's Ferris,

0:41:36.400 --> 0:41:39.600
<v Speaker 4>and Ivy is Cameron Fry, and we knew we wanted

0:41:39.800 --> 0:41:43.040
<v Speaker 4>that to be the dynamic, and we listened to, like

0:41:43.440 --> 0:41:48.120
<v Speaker 4>so many great actresses read for Ivy, and it wasn't

0:41:48.120 --> 0:41:49.959
<v Speaker 4>really until we heard Lake Bell that We're like, that's

0:41:49.960 --> 0:41:52.400
<v Speaker 4>our Cameron Fry right there, Like we want.

0:41:52.200 --> 0:41:55.000
<v Speaker 5>That, and so we knew that that was the dynamic about.

0:41:55.040 --> 0:41:57.960
<v Speaker 4>You know, it was these two friends who love each

0:41:58.000 --> 0:42:01.359
<v Speaker 4>other dearly, who the world has sort of given up

0:42:01.400 --> 0:42:04.839
<v Speaker 4>on in different ways, and they're sort of all each

0:42:04.880 --> 0:42:07.400
<v Speaker 4>other has, and one of them realizes that which is

0:42:07.440 --> 0:42:09.640
<v Speaker 4>Ivy and the other one doesn't. She thinks the world

0:42:09.680 --> 0:42:13.080
<v Speaker 4>all like loves her, and so we always knew that

0:42:13.120 --> 0:42:15.279
<v Speaker 4>was gonna be that dynamic. And then we knew we

0:42:15.320 --> 0:42:17.719
<v Speaker 4>wanted to get them together, but we wanted to make

0:42:17.760 --> 0:42:19.799
<v Speaker 4>sure the first season, which is like very much about

0:42:19.800 --> 0:42:23.239
<v Speaker 4>Harley's like, you know, self discovery and of who she

0:42:23.440 --> 0:42:27.279
<v Speaker 4>is outside of her relationship with the Joker, we were like,

0:42:27.560 --> 0:42:30.239
<v Speaker 4>this is just you can't tell that story. She just

0:42:30.280 --> 0:42:34.120
<v Speaker 4>immediately starts dating somebody else, especially her best friend, right after.

0:42:34.239 --> 0:42:36.400
<v Speaker 4>And so we set our role for the first season

0:42:36.520 --> 0:42:38.719
<v Speaker 4>was there's no Harley love stories. There's no dating with

0:42:38.760 --> 0:42:39.800
<v Speaker 4>Harley in the first season.

0:42:39.920 --> 0:42:43.480
<v Speaker 1>You mentioned Blake Bell. Can we talk for a moment

0:42:43.560 --> 0:42:47.040
<v Speaker 1>about this cast. It's like not even a Murderers Row,

0:42:47.120 --> 0:42:49.560
<v Speaker 1>It's like two and a half Murderers rose.

0:42:51.200 --> 0:42:53.400
<v Speaker 2>From Kaylee Cuoco is Harley.

0:42:53.680 --> 0:42:57.759
<v Speaker 1>I mean, you've got Christopher Maloney delivering to us what

0:42:57.840 --> 0:43:00.279
<v Speaker 1>I think is the best James Gordons, James going in

0:43:00.680 --> 0:43:07.120
<v Speaker 1>DC questioningly volenteutic, playing multiple characters, notably Clay Face.

0:43:07.719 --> 0:43:08.520
<v Speaker 2>We could go on and on.

0:43:08.560 --> 0:43:12.840
<v Speaker 1>Michael Ironside for the old school eighties sci fi heads,

0:43:12.880 --> 0:43:17.960
<v Speaker 1>Tom Hollander, Alfred Pennyworth, Jason, Alexander, Ron Fun just how

0:43:18.000 --> 0:43:20.840
<v Speaker 1>did this all come together? Andy Daily Vis It's like

0:43:20.880 --> 0:43:23.160
<v Speaker 1>you could just go on and on. It's actually insane

0:43:23.360 --> 0:43:25.840
<v Speaker 1>to look at how did this cast come together?

0:43:26.200 --> 0:43:28.239
<v Speaker 4>It feels insane to me too when we look at it,

0:43:28.320 --> 0:43:30.000
<v Speaker 4>like I'm like, why don't all these people want to

0:43:30.000 --> 0:43:32.920
<v Speaker 4>do this? I think it was this thing where Okay,

0:43:32.960 --> 0:43:34.479
<v Speaker 4>so it's a couple of things, right, Like I've worked

0:43:34.520 --> 0:43:39.200
<v Speaker 4>with actors my entire career, and there's something about being

0:43:39.200 --> 0:43:43.040
<v Speaker 4>able to do when you're doing a vocal performance. It's

0:43:43.080 --> 0:43:46.719
<v Speaker 4>like you come into a booth, you you're just like,

0:43:46.800 --> 0:43:48.959
<v Speaker 4>you do not have hair and makeup, You do your ship,

0:43:49.080 --> 0:43:52.480
<v Speaker 4>you have fun, and you're out. And so first that

0:43:52.520 --> 0:43:54.440
<v Speaker 4>first layer of like oh am I really going to

0:43:54.520 --> 0:43:55.840
<v Speaker 4>fucking sign up for this is.

0:43:55.880 --> 0:43:58.120
<v Speaker 5>Kind of removed, right because they don't.

0:43:57.960 --> 0:43:59.560
<v Speaker 4>Have to go anywhere. A lot of them can't even

0:43:59.560 --> 0:44:03.160
<v Speaker 4>do it from their homes. So there that let layers removed.

0:44:03.200 --> 0:44:04.759
<v Speaker 4>And then I think this is really sort of a

0:44:04.800 --> 0:44:09.480
<v Speaker 4>testament to Kaylee and Lake was that after we got

0:44:09.560 --> 0:44:14.120
<v Speaker 4>Kaylee and Lake to sign on, when you're pitching to somebody,

0:44:14.200 --> 0:44:15.319
<v Speaker 4>you're like, hey, do you want to do the show?

0:44:15.320 --> 0:44:17.319
<v Speaker 4>The leads are Kaylee Quoco and Lake Bell and then

0:44:17.320 --> 0:44:20.560
<v Speaker 4>they're like, oh, well I'll read it then, where normally

0:44:20.560 --> 0:44:22.960
<v Speaker 4>you're like they're like, well fuck off, you know, but

0:44:24.040 --> 0:44:27.160
<v Speaker 4>Kaylee and Lake like brought this legitimacy to the project,

0:44:27.320 --> 0:44:29.440
<v Speaker 4>and so we just kind of went on this run.

0:44:29.800 --> 0:44:32.400
<v Speaker 4>We called it like our sort of like Vegas hot streak,

0:44:32.400 --> 0:44:34.279
<v Speaker 4>where we'd be like, okay, now go out to June

0:44:34.320 --> 0:44:38.760
<v Speaker 4>Carlos Posino, He's like, he said, yes, let's keep going.

0:44:38.880 --> 0:44:41.640
<v Speaker 4>Let's keep going. Let's go out to Jason Zanders. He said, yes,

0:44:41.800 --> 0:44:44.600
<v Speaker 4>let's do it. You know. So it kind of became

0:44:44.640 --> 0:44:48.160
<v Speaker 4>this thing where it was also you know, we were

0:44:48.200 --> 0:44:51.880
<v Speaker 4>trying we wanted every character in the show to be

0:44:52.200 --> 0:44:55.879
<v Speaker 4>what we call like a home run hitter, where it's

0:44:55.960 --> 0:44:58.080
<v Speaker 4>kind of like, because no actor wants to come and

0:44:58.120 --> 0:45:01.000
<v Speaker 4>do the show, whether it's like they're always doing expository

0:45:01.080 --> 0:45:03.319
<v Speaker 4>lines right like, it's like, well what do you mean

0:45:03.360 --> 0:45:05.880
<v Speaker 4>by that, Steve, It's like nobody wants nobody wants to

0:45:05.880 --> 0:45:07.560
<v Speaker 4>be that. But in this show, we were like, let's

0:45:07.600 --> 0:45:10.080
<v Speaker 4>make it a point that everyone who comes on this

0:45:10.239 --> 0:45:12.839
<v Speaker 4>show scores and they get to have fun and they

0:45:12.880 --> 0:45:15.319
<v Speaker 4>get to be funny and they get to build this

0:45:15.440 --> 0:45:18.760
<v Speaker 4>character with us. And also in animation there's not usually

0:45:18.840 --> 0:45:21.319
<v Speaker 4>a lot of improv, but for our show, we were like,

0:45:22.480 --> 0:45:25.600
<v Speaker 4>have fun in this booth, go crazy, you know, and

0:45:26.200 --> 0:45:28.160
<v Speaker 4>people just don't usually get to do that in animation,

0:45:28.239 --> 0:45:30.719
<v Speaker 4>and so it felt like this place where like, you know,

0:45:30.880 --> 0:45:33.319
<v Speaker 4>John Carlos Azito gets to walk off the set of

0:45:33.480 --> 0:45:35.799
<v Speaker 4>Better Call Saul, and then he gets to come and

0:45:35.840 --> 0:45:38.040
<v Speaker 4>be Lex Luthor who's talking about shitting his pants and

0:45:38.080 --> 0:45:38.560
<v Speaker 4>it's fun.

0:45:40.880 --> 0:45:43.760
<v Speaker 3>That's truly. That sums up the magic of this show,

0:45:44.120 --> 0:45:48.200
<v Speaker 3>like absolutely and something kind of talking to not only

0:45:48.280 --> 0:45:50.480
<v Speaker 3>is it this you know two and a half Murders

0:45:50.560 --> 0:45:54.520
<v Speaker 3>Rowse of incredible cost the amount of freedom that you

0:45:54.600 --> 0:45:58.239
<v Speaker 3>have within the kind of harlequin Gotham world. How much

0:45:58.280 --> 0:46:00.520
<v Speaker 3>fun is it? And has it been kind of dig

0:46:00.600 --> 0:46:03.800
<v Speaker 3>really deep into everything you can go as deep cut

0:46:03.840 --> 0:46:06.960
<v Speaker 3>as some weird you know, kite Man is a major

0:46:06.960 --> 0:46:09.520
<v Speaker 3>part of this show before we even get to like cameos.

0:46:09.920 --> 0:46:12.640
<v Speaker 3>And by the time this episode's out, episode five will

0:46:12.640 --> 0:46:16.080
<v Speaker 3>be out. So you also have you know, swamp thing, Constantine,

0:46:16.200 --> 0:46:17.799
<v Speaker 3>quart of Owls, Like you're getting to do a lot

0:46:17.800 --> 0:46:19.520
<v Speaker 3>of really cool stuff. What's it been like to kind

0:46:19.520 --> 0:46:22.000
<v Speaker 3>of dig really deep into that and utilize that cost

0:46:22.080 --> 0:46:24.600
<v Speaker 3>to bring these DC characters to life in a way

0:46:24.640 --> 0:46:26.520
<v Speaker 3>we definitely haven't seen before.

0:46:27.400 --> 0:46:30.040
<v Speaker 4>I mean, that's been one of the coolest things about

0:46:30.080 --> 0:46:33.120
<v Speaker 4>the show, right. It's like it's sort of like somebody

0:46:33.239 --> 0:46:36.680
<v Speaker 4>like let you into their room that's filled with toys

0:46:37.000 --> 0:46:40.120
<v Speaker 4>that normally they don't let anybody play with, where it's like, yeah,

0:46:40.160 --> 0:46:42.759
<v Speaker 4>you have to brush my Barbie's hair this way, you know,

0:46:43.520 --> 0:46:46.680
<v Speaker 4>and instead it's like, hey, have fun, do whatever you want.

0:46:46.760 --> 0:46:50.600
<v Speaker 4>And I think part of the reason that that happened

0:46:50.880 --> 0:46:54.840
<v Speaker 4>was because I think DC at the time in twenty sixteen,

0:46:54.880 --> 0:46:58.359
<v Speaker 4>when this thing was coming about, DC had sort of

0:46:58.840 --> 0:47:01.480
<v Speaker 4>they had that real stigma right of like we take

0:47:01.520 --> 0:47:05.120
<v Speaker 4>ourselves super serious, we have no sense of humor, and

0:47:05.360 --> 0:47:08.319
<v Speaker 4>we're not fun. It's like that was like the how

0:47:08.360 --> 0:47:11.239
<v Speaker 4>the world was kind of like that. They had that stigma, right,

0:47:11.280 --> 0:47:13.480
<v Speaker 4>and so when they came to us, they literally were like,

0:47:14.160 --> 0:47:16.520
<v Speaker 4>that's not us, I swear, you know, like we're not

0:47:16.680 --> 0:47:20.240
<v Speaker 4>those people like make a funny show and show people.

0:47:20.320 --> 0:47:24.000
<v Speaker 4>We're not those people. And so DC really kind of

0:47:24.080 --> 0:47:26.400
<v Speaker 4>like let us go. I mean, to their credit, like

0:47:27.040 --> 0:47:28.520
<v Speaker 4>you know, I have no idea what it's like to

0:47:28.560 --> 0:47:29.240
<v Speaker 4>work at Marvel.

0:47:29.280 --> 0:47:31.239
<v Speaker 5>I've never worked at Marvel. I'm only work to d C.

0:47:31.400 --> 0:47:34.040
<v Speaker 4>But what I can tell you about like DC is

0:47:34.080 --> 0:47:37.640
<v Speaker 4>that they give you the rope to hang yourself, you know,

0:47:39.480 --> 0:47:43.520
<v Speaker 4>and sometimes that that, you know, ends up allowing you

0:47:43.560 --> 0:47:45.600
<v Speaker 4>to create something that you never would have gotten to

0:47:45.640 --> 0:47:48.840
<v Speaker 4>create anywhere else. And so for us, it was like,

0:47:49.480 --> 0:47:52.720
<v Speaker 4>oh man, it's awesome, Like we can just go through

0:47:53.200 --> 0:47:55.400
<v Speaker 4>some of the you know, and we borrow from some

0:47:55.440 --> 0:47:57.239
<v Speaker 4>of their big stories, like we didn't No Man's Land

0:47:58.560 --> 0:48:01.960
<v Speaker 4>in our season first first seasons, you know, so it's

0:48:01.960 --> 0:48:04.000
<v Speaker 4>like we really tried to like do a show that

0:48:04.080 --> 0:48:06.000
<v Speaker 4>comic book heads would like, but also if you've never

0:48:06.000 --> 0:48:07.799
<v Speaker 4>seen a comic before, he could enjoy the show.

0:48:09.000 --> 0:48:12.239
<v Speaker 1>Were the takes on the characters kind of always there?

0:48:12.280 --> 0:48:17.160
<v Speaker 1>I mentioned the wonderful Christopher Maloney is Jim Gordon, who begins,

0:48:17.920 --> 0:48:21.399
<v Speaker 1>you know, is kind of this super super cracked out

0:48:21.400 --> 0:48:26.680
<v Speaker 1>on caffeine like schlubby guy and has since evolved into

0:48:26.760 --> 0:48:30.040
<v Speaker 1>like a kind of proto fascist who's like running for mayor.

0:48:31.400 --> 0:48:33.120
<v Speaker 2>Were those takes always there or.

0:48:33.080 --> 0:48:35.720
<v Speaker 1>Did it kind of evolve over time as the talent

0:48:35.760 --> 0:48:38.120
<v Speaker 1>would come in and give voice to these characters.

0:48:38.360 --> 0:48:40.000
<v Speaker 5>So some of them did, some of them didn't.

0:48:40.280 --> 0:48:42.759
<v Speaker 4>We a lot every time anyone in the cast came in,

0:48:42.840 --> 0:48:46.160
<v Speaker 4>they helped us build that character further. Like Chris Maloney

0:48:46.360 --> 0:48:48.560
<v Speaker 4>was like, I mean we had said before him, we

0:48:48.560 --> 0:48:52.480
<v Speaker 4>were like, look our Commissioner Gordon, if that person actually existed,

0:48:52.520 --> 0:48:55.239
<v Speaker 4>he would have the most severe PTSD of any human being.

0:48:55.280 --> 0:48:59.719
<v Speaker 4>A lot like there's no amount of therapy that would

0:48:59.719 --> 0:49:03.560
<v Speaker 4>fix this broken man. And so telling that to Chris Maloney,

0:49:03.560 --> 0:49:07.239
<v Speaker 4>He's like, great, and he could go to a dark place.

0:49:07.560 --> 0:49:11.160
<v Speaker 4>And then in some cases, like with Baine James Adomian,

0:49:11.239 --> 0:49:12.880
<v Speaker 4>we didn't know what kind of bane we wanted.

0:49:12.880 --> 0:49:13.680
<v Speaker 5>We were listening to.

0:49:13.680 --> 0:49:16.799
<v Speaker 4>Takes a Bane that were all over the map, and

0:49:16.960 --> 0:49:20.480
<v Speaker 4>James Adomian came in and he was like the two

0:49:20.480 --> 0:49:23.120
<v Speaker 4>things happened. James Domian came in and started doing his

0:49:23.360 --> 0:49:25.759
<v Speaker 4>version of the Tom Hardy Baine, and I was like,

0:49:25.880 --> 0:49:29.120
<v Speaker 4>this is this is because he was like this guy,

0:49:29.239 --> 0:49:31.880
<v Speaker 4>if he actually talked like that, he would be like

0:49:31.920 --> 0:49:33.440
<v Speaker 4>his whole life would have been ridiculed.

0:49:33.480 --> 0:49:35.279
<v Speaker 5>And that's why he works out so much. Right, It's

0:49:35.320 --> 0:49:36.080
<v Speaker 5>like beat a bullet.

0:49:36.600 --> 0:49:38.080
<v Speaker 4>And then the other thing that had happened at the

0:49:38.120 --> 0:49:40.200
<v Speaker 4>same time is when we were doing the character designed

0:49:40.239 --> 0:49:42.040
<v Speaker 4>for Bane, we had a whole bunch of different characters signs.

0:49:42.080 --> 0:49:44.120
<v Speaker 4>We talked to a character signer, this guy Shane Glins,

0:49:44.120 --> 0:49:46.520
<v Speaker 4>who did like the original Batman the Animate series, like

0:49:46.520 --> 0:49:52.480
<v Speaker 4>this amazing artist bruised him disciple and Shane drew this,

0:49:52.719 --> 0:49:54.880
<v Speaker 4>He drew our Bane that we saw and I was like, Shane,

0:49:55.760 --> 0:49:57.560
<v Speaker 4>this is really funny, like why did you choose that?

0:49:57.600 --> 0:50:00.360
<v Speaker 5>And he was like, well to me, and is a

0:50:00.400 --> 0:50:02.799
<v Speaker 5>guy who doesn't ever work out his legs.

0:50:05.239 --> 0:50:06.680
<v Speaker 3>He always leg day.

0:50:06.840 --> 0:50:09.200
<v Speaker 4>Yeah, he doesn't do leg day because he just wants

0:50:09.239 --> 0:50:11.120
<v Speaker 4>to look good up top. And I was like, fuck,

0:50:11.200 --> 0:50:15.080
<v Speaker 4>that informs the character so much, like just hearing that thing.

0:50:15.120 --> 0:50:17.879
<v Speaker 4>And so that character was built by Shane in us

0:50:17.920 --> 0:50:20.799
<v Speaker 4>and James o'domian and you know, that was how that

0:50:20.840 --> 0:50:23.080
<v Speaker 4>one was built. So so we try to kind of

0:50:23.120 --> 0:50:25.280
<v Speaker 4>like come in with the take of who the character

0:50:25.400 --> 0:50:27.439
<v Speaker 4>is and then let the actor kind of build from there.

0:50:28.680 --> 0:50:31.640
<v Speaker 3>Yeah, and you you mentioned, you know, Batman the Animated Series,

0:50:31.680 --> 0:50:38.080
<v Speaker 3>there's such a formative piece of art and creativity and

0:50:38.480 --> 0:50:41.439
<v Speaker 3>TV show for so many of us. And obviously that's

0:50:41.480 --> 0:50:43.719
<v Speaker 3>where Harley comes from what's it like to now be

0:50:43.800 --> 0:50:47.640
<v Speaker 3>kind of redefining or reimagining who Harley is in this

0:50:48.400 --> 0:50:50.319
<v Speaker 3>animation space, you know, decades later.

0:50:51.200 --> 0:50:53.120
<v Speaker 4>I mean for me, it blew my mind because, like

0:50:53.719 --> 0:50:55.440
<v Speaker 4>you know, we look at if you look at Batman

0:50:55.480 --> 0:50:59.759
<v Speaker 4>animate series now, I don't think you can fully understand

0:51:00.120 --> 0:51:03.920
<v Speaker 4>how insane in groundbreaking it was when it There was

0:51:04.000 --> 0:51:05.840
<v Speaker 4>literally nothing like it on TV.

0:51:05.960 --> 0:51:06.200
<v Speaker 5>Kids.

0:51:06.200 --> 0:51:09.680
<v Speaker 4>Cartoons didn't look like that, they didn't tell stories that way.

0:51:10.280 --> 0:51:13.400
<v Speaker 4>Nothing was like that made the animated series it completely

0:51:13.440 --> 0:51:17.200
<v Speaker 4>broke the mold for animation for kids. That so for

0:51:17.239 --> 0:51:19.920
<v Speaker 4>me as a kid watching it, I was like, this

0:51:20.360 --> 0:51:23.040
<v Speaker 4>is unbelievable, Like I couldn't. I was just like they

0:51:23.120 --> 0:51:25.480
<v Speaker 4>made this for me, Like I can't believe this, Like

0:51:25.719 --> 0:51:28.520
<v Speaker 4>they don't think I'm stupid, they think I'm smart, you know,

0:51:28.680 --> 0:51:30.560
<v Speaker 4>Like it was like a TV show believing in me

0:51:30.640 --> 0:51:33.319
<v Speaker 4>that I could keep up with it as like a

0:51:33.400 --> 0:51:36.160
<v Speaker 4>you know, nine, ten, eleven year old. So to be

0:51:36.239 --> 0:51:40.360
<v Speaker 4>able to like build off of that in this show

0:51:41.200 --> 0:51:43.879
<v Speaker 4>and to take hardly to a place that like you know,

0:51:44.120 --> 0:51:46.440
<v Speaker 4>at the time we were doing it hadn't we don't

0:51:46.480 --> 0:51:51.160
<v Speaker 4>be really taken her there yet it felt like being

0:51:51.200 --> 0:51:54.200
<v Speaker 4>able to like realize things that I had kind of

0:51:54.280 --> 0:51:56.840
<v Speaker 4>dreamed about as a kid. I mean, you just like

0:51:56.920 --> 0:52:00.360
<v Speaker 4>so rarely get those opportunities in this business to like

0:52:00.560 --> 0:52:04.080
<v Speaker 4>actually work with the things that inspired you. So it's

0:52:04.080 --> 0:52:05.480
<v Speaker 4>been an unbelievable.

0:52:04.960 --> 0:52:05.680
<v Speaker 5>Experience for me.

0:52:07.800 --> 0:52:10.840
<v Speaker 1>You work on this alongside your writing partner Patrick, who

0:52:11.760 --> 0:52:16.240
<v Speaker 1>together you also launched the critically acclaimed to abvid elementary

0:52:16.320 --> 0:52:21.120
<v Speaker 1>Watch it now on ABC. How'd you to start working together?

0:52:21.200 --> 0:52:22.600
<v Speaker 1>And what is that relationship? Like?

0:52:23.360 --> 0:52:25.000
<v Speaker 5>Man, we took around. We've been together.

0:52:25.000 --> 0:52:27.919
<v Speaker 4>I've been married for eleven years, but I've been married

0:52:27.960 --> 0:52:33.720
<v Speaker 4>to my partner Patrick for twenty. Pat and I met

0:52:34.200 --> 0:52:36.520
<v Speaker 4>we were interns at a band Apart Productions, which is

0:52:36.600 --> 0:52:38.240
<v Speaker 4>Quinn Tarantino's production company.

0:52:38.320 --> 0:52:39.839
<v Speaker 5>Yeah, in two thousand and one.

0:52:40.000 --> 0:52:43.640
<v Speaker 4>We were working on commercials and music videos and band

0:52:43.640 --> 0:52:46.440
<v Speaker 4>Apart was like the biggest commercial music video place they did.

0:52:46.719 --> 0:52:49.440
<v Speaker 4>Pat I met right in the office when they were

0:52:49.440 --> 0:52:52.880
<v Speaker 4>doing Instincts Bye Bye Bye video.

0:52:54.080 --> 0:52:57.200
<v Speaker 2>Yeah, that is unbelievable moment in time.

0:52:57.760 --> 0:53:01.160
<v Speaker 4>Yes, I tried to steal shit off this like that

0:53:01.200 --> 0:53:03.240
<v Speaker 4>they had brought back from set for the INSTNCT video

0:53:03.360 --> 0:53:05.040
<v Speaker 4>so I could try to sell it somewhere else. So

0:53:05.160 --> 0:53:10.040
<v Speaker 4>broke and so we met there and we became friends,

0:53:10.160 --> 0:53:14.040
<v Speaker 4>and that was of how our partnership had started. And

0:53:14.120 --> 0:53:16.360
<v Speaker 4>we you know, we probably didn't make any money writing

0:53:16.800 --> 0:53:20.560
<v Speaker 4>until probably like eight or nine years later, but you know,

0:53:20.719 --> 0:53:23.080
<v Speaker 4>that was that was how our partnership had started, how

0:53:23.120 --> 0:53:24.360
<v Speaker 4>we met, and we've stayed.

0:53:24.080 --> 0:53:24.839
<v Speaker 5>Partners ever since.

0:53:25.920 --> 0:53:28.080
<v Speaker 3>Yeah, how does that kind of inform you talk about

0:53:28.080 --> 0:53:32.520
<v Speaker 3>the original idea of Harley and Ivy as friends and

0:53:32.560 --> 0:53:35.839
<v Speaker 3>that kind of symbioic friendship that evolves over time. Obviously

0:53:36.200 --> 0:53:38.600
<v Speaker 3>not romantic with you and Patrick, but like, how does

0:53:38.640 --> 0:53:41.480
<v Speaker 3>that inform this story about two friends that's so key

0:53:41.520 --> 0:53:44.840
<v Speaker 3>and then getting to work alongside it with your friend

0:53:44.920 --> 0:53:46.040
<v Speaker 3>and partner for so long.

0:53:46.800 --> 0:53:47.480
<v Speaker 5>Yeah, it's funny.

0:53:47.520 --> 0:53:49.759
<v Speaker 4>I feel like it's kind of like infused into the

0:53:49.800 --> 0:53:52.279
<v Speaker 4>show a little bit of our dynamic, Like Pat is

0:53:52.360 --> 0:53:56.240
<v Speaker 4>much more Ivy and I'm much more Harley in terms

0:53:56.280 --> 0:53:58.120
<v Speaker 4>of like And what I find when I talked to

0:53:58.200 --> 0:54:00.520
<v Speaker 4>fans of the show is that they'll say, I'm in

0:54:00.520 --> 0:54:01.120
<v Speaker 4>a relationship.

0:54:01.120 --> 0:54:02.520
<v Speaker 5>I'm the Harley, that's the Ivy.

0:54:02.600 --> 0:54:04.239
<v Speaker 4>You know, It's like it is a pairing that kind

0:54:04.280 --> 0:54:06.560
<v Speaker 4>of like exists in the real world, you know, different

0:54:06.560 --> 0:54:08.959
<v Speaker 4>obviously not to the degrees it does in the show.

0:54:09.040 --> 0:54:13.920
<v Speaker 4>But but you know, I think like it is something

0:54:13.960 --> 0:54:16.000
<v Speaker 4>that comes out in our writing. A lot of times

0:54:16.200 --> 0:54:19.799
<v Speaker 4>work into these stories about like two people who have

0:54:19.920 --> 0:54:24.399
<v Speaker 4>a deep friendship but also drive each other fucking insane sometimes, you.

0:54:24.360 --> 0:54:26.000
<v Speaker 5>Know, as Pat and I do.

0:54:26.040 --> 0:54:27.719
<v Speaker 4>And I think that's always the thing I tell people

0:54:27.719 --> 0:54:30.360
<v Speaker 4>are always like, oh, I'm thinking about getting into a

0:54:30.360 --> 0:54:33.719
<v Speaker 4>writing partnership. I'm like, well, you should say that in

0:54:33.760 --> 0:54:35.680
<v Speaker 4>the way that you would say I'm thinking about getting

0:54:35.719 --> 0:54:38.960
<v Speaker 4>into a marriage. It's like, well, you've got to like

0:54:38.960 --> 0:54:41.319
<v Speaker 4>get into those organically, because you have to be able

0:54:41.360 --> 0:54:45.279
<v Speaker 4>to have, you know, really intense arguments and disagreements and

0:54:45.360 --> 0:54:47.839
<v Speaker 4>still like love the other person and come back from

0:54:47.840 --> 0:54:51.520
<v Speaker 4>those things. And if you can't do that, then that shit.

0:54:51.440 --> 0:54:52.240
<v Speaker 5>Is going to fall apart.

0:54:53.880 --> 0:54:57.399
<v Speaker 1>The relationship of Harley and Ivy's one that I think

0:54:57.520 --> 0:55:03.919
<v Speaker 1>is deeply pro fans have you what's the feedback been, Like.

0:55:05.000 --> 0:55:07.799
<v Speaker 4>It's and crazy. We went, like the people send us

0:55:07.840 --> 0:55:10.160
<v Speaker 4>like tattoos they get of stupid jokes that we made

0:55:10.160 --> 0:55:12.400
<v Speaker 4>in the show, Like we have this joke about we

0:55:12.440 --> 0:55:16.520
<v Speaker 4>have this joke where Ivy orders a cop salad.

0:55:16.200 --> 0:55:19.520
<v Speaker 5>To impress cat women. Yeah, and even though.

0:55:19.320 --> 0:55:22.480
<v Speaker 4>She's vegan, and and she's like, we should get a

0:55:22.560 --> 0:55:24.160
<v Speaker 4>word of the cops squad, we get cops alls together

0:55:24.160 --> 0:55:25.759
<v Speaker 4>with the top squad. We should get tattoo, it says

0:55:25.760 --> 0:55:28.560
<v Speaker 4>Cops Squad, Like it's a stupid joke, and then somebody

0:55:28.560 --> 0:55:32.640
<v Speaker 4>got that tattoo and I was like, Okay, in real life,

0:55:32.680 --> 0:55:35.040
<v Speaker 4>I'm like, this is the pinnacle of I think, you know,

0:55:35.200 --> 0:55:38.400
<v Speaker 4>it's it's really like, uh, you know, I am a

0:55:38.440 --> 0:55:42.440
<v Speaker 4>straight white dude, but I have heard a lot from

0:55:42.520 --> 0:55:47.239
<v Speaker 4>the queer community that like this relationship being a like

0:55:47.480 --> 0:55:50.640
<v Speaker 4>solid relationship between two people where we're not just kind

0:55:50.680 --> 0:55:53.200
<v Speaker 4>of like having them break up and get back together

0:55:53.239 --> 0:55:56.279
<v Speaker 4>and it's fallatile in that way has really meant a

0:55:56.320 --> 0:55:58.759
<v Speaker 4>lot to them. And like we had somebody come up

0:55:58.760 --> 0:56:02.000
<v Speaker 4>to us at Comic On this year and say like

0:56:02.280 --> 0:56:06.680
<v Speaker 4>that this, you know, seeing this relationship finally like realized

0:56:06.880 --> 0:56:09.399
<v Speaker 4>in the comic book world and not like hinted at

0:56:09.520 --> 0:56:12.000
<v Speaker 4>or something like that was just like in a really

0:56:12.320 --> 0:56:15.279
<v Speaker 4>emotionally moving thing for them that helped them kind of

0:56:15.320 --> 0:56:17.560
<v Speaker 4>like do the same thing in their own life. And

0:56:17.600 --> 0:56:19.840
<v Speaker 4>I'm like, fuck, I'm just making dick and far jokes

0:56:19.880 --> 0:56:22.879
<v Speaker 4>like this. The fact that the fact that it did

0:56:22.920 --> 0:56:27.680
<v Speaker 4>that is such a like an amazing thing to hear

0:56:27.920 --> 0:56:30.160
<v Speaker 4>when you're just you know, and it makes you remember

0:56:30.200 --> 0:56:33.520
<v Speaker 4>that like, oh right, like you make these things, but

0:56:33.800 --> 0:56:36.520
<v Speaker 4>they have they have a life of their own as

0:56:36.520 --> 0:56:38.440
<v Speaker 4>they go out into the world and like, let's put

0:56:38.440 --> 0:56:40.440
<v Speaker 4>out shit into the world that we think is good,

0:56:40.640 --> 0:56:43.839
<v Speaker 4>like you know, And I think that it's been really

0:56:43.880 --> 0:56:45.760
<v Speaker 4>amazing to see the response to those two together.

0:56:46.360 --> 0:56:48.439
<v Speaker 3>Yeah, I think that kind of the dick and fart

0:56:48.520 --> 0:56:51.880
<v Speaker 3>jokes thing is actually part of why it feels so profound,

0:56:51.960 --> 0:56:54.440
<v Speaker 3>because it's like they get to be in a normal

0:56:54.680 --> 0:56:57.440
<v Speaker 3>R rated adult comedy, but they yet to be queer.

0:56:57.880 --> 0:56:59.759
<v Speaker 3>And I think like that and also, like you said,

0:56:59.800 --> 0:57:02.360
<v Speaker 3>like for a long time that was implied then it

0:57:02.400 --> 0:57:05.439
<v Speaker 3>became textraal, but really the show is the first place

0:57:05.480 --> 0:57:07.319
<v Speaker 3>that gets to explore it in this kind of long

0:57:07.440 --> 0:57:10.560
<v Speaker 3>form way. And something that I think is really cool

0:57:10.560 --> 0:57:12.600
<v Speaker 3>that you know, you guys talked about a lot, is

0:57:13.040 --> 0:57:15.200
<v Speaker 3>this notion of as long as you're running the show,

0:57:15.920 --> 0:57:17.880
<v Speaker 3>Harley and Ivy aren't going to break up. It's not

0:57:17.920 --> 0:57:21.200
<v Speaker 3>something you're interested in. But now that we're there and

0:57:21.240 --> 0:57:23.960
<v Speaker 3>we're in that space, Honeymoon period's kind of over. What

0:57:24.080 --> 0:57:26.680
<v Speaker 3>kind of challenges does that bring to you on a

0:57:26.800 --> 0:57:27.920
<v Speaker 3>storytelling level?

0:57:28.840 --> 0:57:29.360
<v Speaker 5>It's funny.

0:57:29.400 --> 0:57:32.560
<v Speaker 4>I actually kind of like looked at it in a

0:57:32.600 --> 0:57:34.880
<v Speaker 4>different way. I almost looked at it as a feature,

0:57:34.920 --> 0:57:37.440
<v Speaker 4>not a bug. Like when we were telling stories. When

0:57:37.440 --> 0:57:39.480
<v Speaker 4>we were telling stories when they were apart, and we

0:57:39.520 --> 0:57:42.080
<v Speaker 4>couldn't tell romantic stories between the two of them because

0:57:42.080 --> 0:57:44.880
<v Speaker 4>they hadn't gotten together yet. There were so many stories

0:57:44.920 --> 0:57:46.640
<v Speaker 4>where I was like, ah, fuck, we can't tell this

0:57:46.680 --> 0:57:51.040
<v Speaker 4>one yet because they're not together. And so as they're together,

0:57:51.440 --> 0:57:54.440
<v Speaker 4>it brings up this opportunity to tell all these stories

0:57:54.440 --> 0:57:57.480
<v Speaker 4>that we didn't get to tell the first two seasons

0:57:57.560 --> 0:58:00.920
<v Speaker 4>because they work together, right, And it's like, to me,

0:58:01.040 --> 0:58:03.760
<v Speaker 4>it felt like, oh, you know, like anytime you make

0:58:03.760 --> 0:58:06.640
<v Speaker 4>a show with the will they won't they, the fear

0:58:06.720 --> 0:58:09.480
<v Speaker 4>is that as soon as they do, the show sucks.

0:58:09.800 --> 0:58:11.440
<v Speaker 5>You know, like it happens.

0:58:11.480 --> 0:58:13.479
<v Speaker 4>It happens, right, If your whole show is built around

0:58:13.520 --> 0:58:15.640
<v Speaker 4>will they won't they? And then they do a lot

0:58:15.680 --> 0:58:17.600
<v Speaker 4>of times, your show is just like, oh, now they did,

0:58:17.680 --> 0:58:19.080
<v Speaker 4>and they're a fucking boring couple.

0:58:19.280 --> 0:58:19.920
<v Speaker 5>Can't stand up.

0:58:21.480 --> 0:58:23.480
<v Speaker 4>And so I think for us it was like we

0:58:23.560 --> 0:58:25.960
<v Speaker 4>kind of felt like, Hey, our show is not built

0:58:26.000 --> 0:58:29.000
<v Speaker 4>around the will they won't they? So let's not put uh,

0:58:29.200 --> 0:58:30.840
<v Speaker 4>let's not put that kind of pressure on the show,

0:58:30.840 --> 0:58:34.160
<v Speaker 4>and instead, let's allow ourselves to tell, you know, the

0:58:34.240 --> 0:58:35.600
<v Speaker 4>kind of stories you might tell on.

0:58:35.560 --> 0:58:38.000
<v Speaker 5>Any show with two with you know, two people are together.

0:58:39.160 --> 0:58:41.080
<v Speaker 1>Let's let's talk about the jokes for a second. I

0:58:41.200 --> 0:58:45.200
<v Speaker 1>opined the other day on social media that that Harley

0:58:45.280 --> 0:58:49.160
<v Speaker 1>Quinn has probably the highest joke per minute rate of

0:58:49.200 --> 0:58:51.600
<v Speaker 1>a show currently on TV. I think people might quibble

0:58:51.640 --> 0:58:54.440
<v Speaker 1>with that, but the jokes come fast and furious. What

0:58:54.520 --> 0:58:59.240
<v Speaker 1>is the what's the philosophy there behind just absolutely spraying

0:58:59.320 --> 0:59:00.720
<v Speaker 1>us down with jokes.

0:59:02.400 --> 0:59:03.640
<v Speaker 5>I'm gonna tell you a secret.

0:59:03.840 --> 0:59:09.680
<v Speaker 4>I think that it is built upon insecurity and self loathing.

0:59:10.160 --> 0:59:14.120
<v Speaker 5>Uh Like, come on, because here's why.

0:59:14.680 --> 0:59:19.080
<v Speaker 4>Because every time, like uh, I write a joke, or somebody,

0:59:19.120 --> 0:59:22.360
<v Speaker 4>any good joke writer I think, writes a joke, they think, oh,

0:59:22.440 --> 0:59:25.360
<v Speaker 4>this joke might be a total piece of shit, hacky joke.

0:59:26.000 --> 0:59:29.480
<v Speaker 4>So if you write a thousand of them, then you're like,

0:59:29.600 --> 0:59:31.840
<v Speaker 4>but if you hate that one, there'll be a different

0:59:31.840 --> 0:59:34.120
<v Speaker 4>one coming up next. And if you hate that one,

0:59:34.240 --> 0:59:36.320
<v Speaker 4>there'll be another one that comes up next, and if

0:59:36.360 --> 0:59:38.520
<v Speaker 4>you hate that one, and so so on and so forth,

0:59:38.800 --> 0:59:41.360
<v Speaker 4>and so really it sort of comes from, like, you know,

0:59:41.680 --> 0:59:44.560
<v Speaker 4>like I think probably we all have like that friend

0:59:44.640 --> 0:59:48.800
<v Speaker 4>who like literally is always making self deprecating jokes and

0:59:49.120 --> 0:59:52.480
<v Speaker 4>too many jokes, and you're like, fuck, dude, just calm

0:59:52.520 --> 0:59:54.560
<v Speaker 4>down a second and believe in yourself for one minute.

0:59:55.680 --> 0:59:58.120
<v Speaker 4>And if and and but you know, in the writer's room,

0:59:58.240 --> 1:00:01.680
<v Speaker 4>like you want, you always have that feeling of like, ah,

1:00:01.720 --> 1:00:03.560
<v Speaker 4>but what if this one's not good? All right, let's

1:00:03.600 --> 1:00:05.880
<v Speaker 4>write another one, you know. And I think that that's

1:00:06.080 --> 1:00:08.200
<v Speaker 4>that's kind of where it was born from. And also

1:00:08.440 --> 1:00:13.320
<v Speaker 4>just like the writers and Patrick and I like the

1:00:13.360 --> 1:00:17.040
<v Speaker 4>shows that we loved growing up, like The Simpsons and

1:00:17.120 --> 1:00:21.240
<v Speaker 4>Seinfeld and thirty Rock, Like those shows were all built

1:00:21.360 --> 1:00:25.160
<v Speaker 4>on like a joke. Every two lines, you know, which

1:00:25.200 --> 1:00:28.200
<v Speaker 4>is a joke is just happening, happening, happening, happening. And

1:00:28.320 --> 1:00:31.280
<v Speaker 4>I love those challenges in joke writing. It's just like

1:00:31.880 --> 1:00:34.720
<v Speaker 4>so fun to see something that really hits. And so

1:00:34.760 --> 1:00:36.439
<v Speaker 4>that's kind of why we built it that way.

1:00:37.280 --> 1:00:40.919
<v Speaker 3>Yeah, And I mean, I think that you will take

1:00:41.040 --> 1:00:44.320
<v Speaker 3>such a brilliant takes such brilliant advantage of kind of

1:00:45.000 --> 1:00:47.920
<v Speaker 3>the amount of good jokes there are to make about

1:00:47.920 --> 1:00:50.600
<v Speaker 3>this stuff, like whether it is you're you know, like

1:00:50.680 --> 1:00:52.560
<v Speaker 3>I've talked about this a lot. I actually talked to

1:00:52.600 --> 1:00:55.000
<v Speaker 3>you about San Diego. So sorry for repeating myself, but

1:00:55.080 --> 1:00:57.720
<v Speaker 3>I still I've watched the season. I think it's brilliant.

1:00:57.880 --> 1:01:01.720
<v Speaker 3>I still can't get over like the Rube Goldberg machine

1:01:02.440 --> 1:01:07.680
<v Speaker 3>death that introduces you know, we'll rap bat or batra

1:01:08.280 --> 1:01:10.400
<v Speaker 3>rap Bruce Wayne, you know, things like that. Where So

1:01:10.400 --> 1:01:12.439
<v Speaker 3>could you talk a little bit about how how much?

1:01:12.520 --> 1:01:14.600
<v Speaker 3>Because I just imagine it's the most fun but kind

1:01:14.600 --> 1:01:18.520
<v Speaker 3>of that building those many many jokes in, but also

1:01:18.760 --> 1:01:22.360
<v Speaker 3>always bringing it back to that comic book place, because

1:01:22.400 --> 1:01:24.360
<v Speaker 3>that's why the jokes are so good. It's like so

1:01:24.480 --> 1:01:26.960
<v Speaker 3>many of them feel like jokes you just make with

1:01:27.000 --> 1:01:29.560
<v Speaker 3>your friends if you read these comics.

1:01:30.280 --> 1:01:33.120
<v Speaker 5>Yeah, I mean that's you know, it's funny.

1:01:33.240 --> 1:01:35.400
<v Speaker 4>Like I would say, the makeup of our writer's room,

1:01:35.480 --> 1:01:39.560
<v Speaker 4>it's probably half the people are hardcore comic book fans

1:01:39.600 --> 1:01:42.800
<v Speaker 4>and half the people maybe don't even read them at all.

1:01:43.000 --> 1:01:45.120
<v Speaker 5>Yeah, you know, And I think that.

1:01:44.960 --> 1:01:48.600
<v Speaker 4>We wanted that kind of split because we we wanted

1:01:48.640 --> 1:01:50.640
<v Speaker 4>to make sure the show wasn't too insular, It wasn't

1:01:50.640 --> 1:01:53.760
<v Speaker 4>too inside inside baseball, and I think that, you know,

1:01:54.320 --> 1:01:56.280
<v Speaker 4>so a lot of times what we do is like,

1:01:56.360 --> 1:01:59.560
<v Speaker 4>you know, somebody's making and somebody pitches a joke, we

1:01:59.600 --> 1:02:02.320
<v Speaker 4>talk about percentiles right of who's going to get it right,

1:02:02.440 --> 1:02:04.520
<v Speaker 4>and we're like, is this ten percenter?

1:02:04.640 --> 1:02:05.760
<v Speaker 5>Is this a forty percenter?

1:02:07.200 --> 1:02:09.480
<v Speaker 4>And it becomes one of those things where I'm like,

1:02:09.720 --> 1:02:12.040
<v Speaker 4>it's either got to be a sixty percenter.

1:02:11.840 --> 1:02:13.440
<v Speaker 5>Up or it's got to be a one percenter.

1:02:13.720 --> 1:02:17.680
<v Speaker 4>And because that one percent, And what I've found is that,

1:02:17.800 --> 1:02:19.840
<v Speaker 4>like you know, especially with that sequence you were talking

1:02:19.840 --> 1:02:22.160
<v Speaker 4>about right, which for those who haven't seen you, it's

1:02:22.200 --> 1:02:25.600
<v Speaker 4>like the mayor is killed in this crazy way, the

1:02:25.600 --> 1:02:28.240
<v Speaker 4>mayor of Gotham City is killed in this insane Roupe

1:02:28.280 --> 1:02:32.360
<v Speaker 4>Goldberg kind of way. And during this killing, a rat

1:02:32.640 --> 1:02:35.280
<v Speaker 4>family is a rat family that is dressed to go

1:02:35.320 --> 1:02:39.320
<v Speaker 4>to a show, much like the waynes is. The parents

1:02:39.360 --> 1:02:42.760
<v Speaker 4>are killed and the young rat holds up the mother's

1:02:42.800 --> 1:02:46.040
<v Speaker 4>pearls like Bruce Wayne did when his parents, and we're

1:02:46.120 --> 1:02:49.680
<v Speaker 4>seeing the origins of what would be this rat becoming batman,

1:02:50.400 --> 1:02:54.000
<v Speaker 4>and I think that just became I remember in the

1:02:54.040 --> 1:02:56.280
<v Speaker 4>moment we were talking about Batman, and we were like,

1:02:56.400 --> 1:02:58.840
<v Speaker 4>how many fucking times are we going to see this

1:02:58.920 --> 1:03:03.080
<v Speaker 4>man's parent stuff? How many times? And then I was like,

1:03:03.120 --> 1:03:05.200
<v Speaker 4>you know what this is. We actually made it into

1:03:05.200 --> 1:03:08.200
<v Speaker 4>an episode this season, coming up, episode eight, but we

1:03:08.200 --> 1:03:11.760
<v Speaker 4>were like, let's kill this guy's fucking parents so many

1:03:11.800 --> 1:03:12.720
<v Speaker 4>times this season.

1:03:13.720 --> 1:03:16.080
<v Speaker 3>Then they never do it again that it's.

1:03:16.000 --> 1:03:18.840
<v Speaker 4>Just that we've ruined it for everyone else, Like let's

1:03:18.880 --> 1:03:22.480
<v Speaker 4>absolutely just beat the audience to death with the amount

1:03:22.480 --> 1:03:24.240
<v Speaker 4>of times we kill Bruce Wayne's parents.

1:03:24.480 --> 1:03:27.080
<v Speaker 5>And then we're gonna kill little rat Bruce Waite's parents.

1:03:27.120 --> 1:03:28.560
<v Speaker 5>We're gonna anytime we.

1:03:28.520 --> 1:03:31.160
<v Speaker 4>See Bruce Wayne's parents, we're gonna fucking kill them because

1:03:32.240 --> 1:03:35.800
<v Speaker 4>we just want this to be this like oversaturated thing

1:03:35.920 --> 1:03:37.439
<v Speaker 4>where we're kind of like poking fun.

1:03:37.480 --> 1:03:40.400
<v Speaker 5>And again, to DC's credit, DC was like, do it.

1:03:40.440 --> 1:03:41.320
<v Speaker 5>We love that rat.

1:03:44.160 --> 1:03:46.760
<v Speaker 1>I think, you know, as a when you're just watching

1:03:46.800 --> 1:03:49.880
<v Speaker 1>TV as a pure audience member and you see, you know,

1:03:50.240 --> 1:03:52.760
<v Speaker 1>an episode is written by so and so, directed by

1:03:52.800 --> 1:03:56.400
<v Speaker 1>so and so, maybe created by some other names, it

1:03:56.480 --> 1:03:58.920
<v Speaker 1>might be hard to kind of like grasp all the

1:03:59.080 --> 1:04:05.400
<v Speaker 1>hands that everything tell us, like what, you know, how collaborative.

1:04:06.360 --> 1:04:09.560
<v Speaker 2>Harley Quinn is creating this show is Oh.

1:04:09.440 --> 1:04:11.000
<v Speaker 5>My god, it's insanely collaborative.

1:04:11.000 --> 1:04:13.320
<v Speaker 4>I mean, one of the things I point out is like,

1:04:13.880 --> 1:04:16.720
<v Speaker 4>you know, we've gotten a lot of like goodwill about

1:04:16.760 --> 1:04:18.720
<v Speaker 4>the queer relationship and the show, and I just want

1:04:18.720 --> 1:04:20.200
<v Speaker 4>to be really clear that if it were left to

1:04:20.240 --> 1:04:22.000
<v Speaker 4>be and Patrick, we would have fucked.

1:04:21.720 --> 1:04:22.800
<v Speaker 5>Up the reship.

1:04:24.600 --> 1:04:27.760
<v Speaker 3>I love accountability, love accountability, we.

1:04:27.680 --> 1:04:30.640
<v Speaker 4>Would we would have done a bad version of that.

1:04:30.760 --> 1:04:32.600
<v Speaker 4>And the reason that we didn't is because we had

1:04:32.680 --> 1:04:35.200
<v Speaker 4>queer writers on the show who were like, this is

1:04:35.560 --> 1:04:38.400
<v Speaker 4>your idea is bad. Here's a better way we should

1:04:38.440 --> 1:04:41.120
<v Speaker 4>go with it, you know, And I think that that's

1:04:41.160 --> 1:04:42.919
<v Speaker 4>the thing is like a lot of times you see

1:04:42.920 --> 1:04:45.760
<v Speaker 4>the written by credit but where you see the showrunner

1:04:45.880 --> 1:04:47.160
<v Speaker 4>or whoever, and it's like.

1:04:47.120 --> 1:04:49.640
<v Speaker 5>But really, the thing is, it's like these things.

1:04:49.360 --> 1:04:53.120
<v Speaker 4>Are built in a room with everybody's voice, right, and

1:04:53.160 --> 1:04:56.360
<v Speaker 4>then you write an outline and it's everybody's chipping in jokes,

1:04:56.440 --> 1:05:00.920
<v Speaker 4>everybody's throwing in story ideas. Everything is, you know, everybody's

1:05:01.400 --> 1:05:04.120
<v Speaker 4>putting in stuff. And so by the time it gets

1:05:04.160 --> 1:05:05.919
<v Speaker 4>to a script and then you just rewrite and people

1:05:05.920 --> 1:05:07.880
<v Speaker 4>are putting in jokes and people putting in new stories.

1:05:07.880 --> 1:05:10.480
<v Speaker 4>And people have different ideas and so it really is

1:05:10.520 --> 1:05:12.200
<v Speaker 4>like I feel like, if you're in a good writer's room,

1:05:12.240 --> 1:05:14.600
<v Speaker 4>you have a lot of different voices who all come

1:05:14.640 --> 1:05:19.080
<v Speaker 4>from different perspectives, all helping like build this thing together

1:05:19.160 --> 1:05:21.600
<v Speaker 4>in the best way that can build. And that's why

1:05:21.640 --> 1:05:24.600
<v Speaker 4>you can have a show that, if left to the

1:05:24.640 --> 1:05:27.760
<v Speaker 4>two dudes who you know ran it, it would have

1:05:27.760 --> 1:05:31.640
<v Speaker 4>had a shitty love story that was probably not at

1:05:31.680 --> 1:05:33.840
<v Speaker 4>all what people wanted to see at the core center

1:05:33.880 --> 1:05:35.600
<v Speaker 4>of it. But instead we're able to kind of like

1:05:36.160 --> 1:05:39.040
<v Speaker 4>get it to a place that feels like it hits

1:05:39.080 --> 1:05:41.760
<v Speaker 4>it because there's so many different people that are helping

1:05:41.800 --> 1:05:42.640
<v Speaker 4>make the show where it is.

1:05:43.680 --> 1:05:47.600
<v Speaker 3>Yeah, and that is so much more, even kind of

1:05:47.640 --> 1:05:50.280
<v Speaker 3>expanded in this case of animation, where you also then

1:05:50.360 --> 1:05:54.200
<v Speaker 3>have everybody who's animating it and it's life. Like I

1:05:54.680 --> 1:05:56.560
<v Speaker 3>make comics, and one of the best feelings in the

1:05:56.560 --> 1:05:58.920
<v Speaker 3>world as a writer who is terrible at art is

1:05:58.960 --> 1:06:02.080
<v Speaker 3>to get back those pages and see somebody bringing those

1:06:02.160 --> 1:06:04.320
<v Speaker 3>stories to life in a visual way that I could

1:06:04.360 --> 1:06:07.640
<v Speaker 3>never do. So how does it feel, after the first

1:06:07.680 --> 1:06:10.880
<v Speaker 3>part of that collaboration to then sit down and see

1:06:10.920 --> 1:06:15.080
<v Speaker 3>these jokes and these characters and these kind of archetypal

1:06:15.080 --> 1:06:18.920
<v Speaker 3>figures who inspired you in that format then come to

1:06:19.040 --> 1:06:20.920
<v Speaker 3>life in animation. What's that like?

1:06:21.520 --> 1:06:23.600
<v Speaker 4>I mean this my favorite thing is like a lot

1:06:23.640 --> 1:06:26.120
<v Speaker 4>of the animators who work on our show. Previous to this,

1:06:26.240 --> 1:06:28.920
<v Speaker 4>they worked on like kids' shows. But a secret thing,

1:06:29.920 --> 1:06:33.479
<v Speaker 4>a secret a secret thing about animators is they are

1:06:33.520 --> 1:06:38.480
<v Speaker 4>so fucked up there. They have the most twisted minds

1:06:38.520 --> 1:06:40.120
<v Speaker 4>of any human beings I've ever seen.

1:06:40.280 --> 1:06:43.200
<v Speaker 5>And so when you actually it's like when you take

1:06:43.200 --> 1:06:44.200
<v Speaker 5>an animator who.

1:06:44.000 --> 1:06:46.800
<v Speaker 4>Has been working on like Pepper Pig or like you know,

1:06:47.080 --> 1:06:51.360
<v Speaker 4>Unikitty for six years and you free them and allow

1:06:51.440 --> 1:06:55.000
<v Speaker 4>them to be there like really twistedself, then you start

1:06:55.040 --> 1:06:57.360
<v Speaker 4>geting stuff that is just like unbelievably.

1:06:57.640 --> 1:06:58.800
<v Speaker 5>Our team le Jeffer.

1:06:58.640 --> 1:07:03.360
<v Speaker 4>Coyle, Sessieronovich, the all, all of our directors like the

1:07:03.360 --> 1:07:06.040
<v Speaker 4>there their team just goes for it, you know.

1:07:05.960 --> 1:07:07.360
<v Speaker 5>Like we have that in season.

1:07:07.360 --> 1:07:09.360
<v Speaker 4>In the fourth episode of this season, there's an orgy

1:07:09.480 --> 1:07:14.120
<v Speaker 4>happening at the Court of Owels, right, And there was

1:07:14.160 --> 1:07:16.440
<v Speaker 4>like a couple of times in the script where we

1:07:16.520 --> 1:07:19.280
<v Speaker 4>like specified what was happening in the background, but mostly

1:07:19.320 --> 1:07:22.240
<v Speaker 4>we put there's disgusting fucking happening in the background and

1:07:22.280 --> 1:07:24.320
<v Speaker 4>a lot of weird squishy sounds was like kind of

1:07:24.320 --> 1:07:27.640
<v Speaker 4>what we said, right, and we realized after we got

1:07:27.680 --> 1:07:32.600
<v Speaker 4>back the first bortomatic of the show, the animators, the

1:07:32.760 --> 1:07:35.200
<v Speaker 4>like disgusting ship that was in the background of that

1:07:35.280 --> 1:07:41.000
<v Speaker 4>episode was so vile and so like just like so

1:07:41.160 --> 1:07:43.480
<v Speaker 4>discussed the sex acts that were in it were so

1:07:43.960 --> 1:07:48.200
<v Speaker 4>upsetting that like we were like, wow, you can't you

1:07:48.240 --> 1:07:50.880
<v Speaker 4>can never again stated animator like people are fucking in

1:07:50.920 --> 1:07:52.320
<v Speaker 4>weird ways in the background because they.

1:07:53.560 --> 1:07:55.920
<v Speaker 5>So they bring with it. I wish you guys could

1:07:55.960 --> 1:07:57.160
<v Speaker 5>have seen the very first got that.

1:07:57.960 --> 1:08:02.480
<v Speaker 4>Even even hwo Max was like absolutely not.

1:08:04.040 --> 1:08:06.360
<v Speaker 3>I love that they bought that because it's that episode

1:08:06.400 --> 1:08:10.000
<v Speaker 3>is so it's so eyes wide shot. So I'm glad

1:08:10.040 --> 1:08:13.360
<v Speaker 3>that they bought that nefariousness to it, even if we

1:08:13.400 --> 1:08:14.200
<v Speaker 3>didn't get to see it.

1:08:14.640 --> 1:08:18.120
<v Speaker 4>Yes, there's the animation team. I mean, they bring so

1:08:18.320 --> 1:08:20.400
<v Speaker 4>much to it. They add so many jokes too, like

1:08:20.479 --> 1:08:23.479
<v Speaker 4>things you'd never that are not the script at all,

1:08:23.760 --> 1:08:27.559
<v Speaker 4>are just like you know, put in in later on

1:08:27.640 --> 1:08:30.360
<v Speaker 4>in animation because the animators just love having this like

1:08:31.000 --> 1:08:33.240
<v Speaker 4>sort of like playpen where they can do what they want.

1:08:34.479 --> 1:08:38.840
<v Speaker 1>You're running for the board of the WGA, the Writers' Union,

1:08:38.920 --> 1:08:45.960
<v Speaker 1>and you've been really vocal about getting animation workers animators.

1:08:45.600 --> 1:08:48.120
<v Speaker 2>Rights under the union. Walk us through that that argument.

1:08:48.640 --> 1:08:50.320
<v Speaker 5>Yeah. So you know, it's funny.

1:08:50.400 --> 1:08:54.559
<v Speaker 4>I have two We have you know, Harley, and then

1:08:54.600 --> 1:08:56.719
<v Speaker 4>we have now this spin off of Harley, this Guide

1:08:56.760 --> 1:08:59.960
<v Speaker 4>Mann you know show, and both those shows are not

1:09:00.680 --> 1:09:01.879
<v Speaker 4>Writers Guild shows.

1:09:02.120 --> 1:09:03.519
<v Speaker 5>And that is a.

1:09:05.040 --> 1:09:06.800
<v Speaker 4>That is a function of the fact that I was

1:09:06.840 --> 1:09:10.240
<v Speaker 4>incredibly naive when I came into the negotiations for these

1:09:10.240 --> 1:09:13.960
<v Speaker 4>shows when we sold them. We came in and we

1:09:13.960 --> 1:09:15.840
<v Speaker 4>we sold these shows, and we said, hey, we're Writers

1:09:15.840 --> 1:09:17.719
<v Speaker 4>Guild members, so they're going to be writers skilled shows.

1:09:17.760 --> 1:09:20.519
<v Speaker 4>And Warner Brothers, you know, the executors we were dealing

1:09:20.520 --> 1:09:21.840
<v Speaker 4>with Warner Brothers were like, well, we'll run it up

1:09:21.880 --> 1:09:23.719
<v Speaker 4>the flag bowl. We'll see because they had never done

1:09:24.000 --> 1:09:27.000
<v Speaker 4>a primetime animated show before Warner Brothers Animation had never

1:09:27.000 --> 1:09:27.240
<v Speaker 4>done it.

1:09:27.240 --> 1:09:29.360
<v Speaker 5>They'd only done kids animation. It wasn't like Fox.

1:09:30.080 --> 1:09:34.000
<v Speaker 4>And when we were like three months into our our

1:09:34.160 --> 1:09:36.679
<v Speaker 4>development of the show, they were like, hey, and we're

1:09:36.720 --> 1:09:38.479
<v Speaker 4>down the road. We've hired you know, we're starting to

1:09:38.560 --> 1:09:40.880
<v Speaker 4>hire people. They're like, we can't. We have to do

1:09:40.920 --> 1:09:44.479
<v Speaker 4>the SCIATZI, which is the Animation Guild, right, which just

1:09:44.960 --> 1:09:49.120
<v Speaker 4>the animation Guild. Great guild for animators, terrible guild for

1:09:49.160 --> 1:09:53.880
<v Speaker 4>writers because the minimums that they pay writers, the script

1:09:53.920 --> 1:09:57.320
<v Speaker 4>fees that they pay writers, everything is treated like it's

1:09:57.400 --> 1:09:59.960
<v Speaker 4>nineteen forty five. And while at Disney's screaming at them,

1:10:00.200 --> 1:10:03.280
<v Speaker 4>you know, fuck you, you have no rights, You're a

1:10:03.320 --> 1:10:05.599
<v Speaker 4>fucking pieces. Yet you know, it's like, that's how that's

1:10:05.640 --> 1:10:08.840
<v Speaker 4>how writers are treated. I believe, and I think that

1:10:09.760 --> 1:10:12.040
<v Speaker 4>Writers Guild needs to be covering that, right. But the

1:10:12.080 --> 1:10:15.040
<v Speaker 4>only way we can make that happen with the studios

1:10:15.120 --> 1:10:17.720
<v Speaker 4>is because it's so much cheaper for a studio to

1:10:17.840 --> 1:10:22.320
<v Speaker 4>make a show IATZI because it means it means they

1:10:22.320 --> 1:10:24.920
<v Speaker 4>can pay everyone on the writing side way.

1:10:24.680 --> 1:10:26.559
<v Speaker 5>Way way way way less. Right.

1:10:27.320 --> 1:10:29.080
<v Speaker 4>So the only way we're going to get all these

1:10:29.120 --> 1:10:33.519
<v Speaker 4>studios to flip is if we, as an entire union

1:10:34.400 --> 1:10:39.120
<v Speaker 4>collectively say we're no longer going forward, We're no longer

1:10:39.160 --> 1:10:42.920
<v Speaker 4>going to create new shows that are animated that are

1:10:43.000 --> 1:10:46.160
<v Speaker 4>not covered to our writers. Our writers are not covered

1:10:46.280 --> 1:10:48.800
<v Speaker 4>under the guild. The animators can be covered under ass

1:10:48.880 --> 1:10:51.639
<v Speaker 4>it's totally fine, yeah, but for our writers, they need

1:10:51.680 --> 1:10:54.040
<v Speaker 4>to be taken care of by a writer's guilt. It

1:10:54.120 --> 1:10:55.720
<v Speaker 4>is a guild for writers.

1:10:57.400 --> 1:11:00.479
<v Speaker 1>Justin thanks so much for coming on and talking to

1:11:00.600 --> 1:11:03.360
<v Speaker 1>us about everything you're doing. And Harley Quinn please come

1:11:03.400 --> 1:11:03.800
<v Speaker 1>back again.

1:11:04.360 --> 1:11:08.120
<v Speaker 5>Wow, thank you, thank you so much for having Rosie.

1:11:08.120 --> 1:11:08.840
<v Speaker 5>I knew I saw you.

1:11:09.160 --> 1:11:12.960
<v Speaker 3>Yeah, yeah, yeah, I was like, but I was like,

1:11:13.080 --> 1:11:15.080
<v Speaker 3>I have to ask about that game because I listeners

1:11:15.120 --> 1:11:17.320
<v Speaker 3>need to hear you explain it because it's like so good.

1:11:18.120 --> 1:11:22.519
<v Speaker 3>It's what I also love. I deeply love swamp Thing

1:11:22.560 --> 1:11:25.080
<v Speaker 3>and Constantine. So I was feeling very pandid too in

1:11:25.160 --> 1:11:26.000
<v Speaker 3>episode five.

1:11:26.200 --> 1:11:27.880
<v Speaker 2>So yeah, I was.

1:11:28.000 --> 1:11:30.040
<v Speaker 4>I was worried about that a little bit because it's

1:11:30.040 --> 1:11:32.360
<v Speaker 4>such a different Sam Richardson voice the swamping.

1:11:32.439 --> 1:11:35.240
<v Speaker 5>Yeah, he's so good, he's great.

1:11:35.000 --> 1:11:38.280
<v Speaker 4>And it's such a different version of swamp Thing than

1:11:38.320 --> 1:11:39.400
<v Speaker 4>we have seen before.

1:11:39.680 --> 1:11:42.479
<v Speaker 3>No sexy boyfriend swamp Thing. You're going to be getting

1:11:42.520 --> 1:11:45.519
<v Speaker 3>a lot of fan art for that one. Oh my god,

1:11:46.160 --> 1:11:51.080
<v Speaker 3>I'm questioned, man, Bun swamp Thing. I gonna love it.

1:11:51.439 --> 1:11:53.400
<v Speaker 4>If I could just tell you one quick story about

1:11:53.680 --> 1:11:58.080
<v Speaker 4>yes please Okay. So I didn't realize when we did

1:11:58.120 --> 1:12:01.400
<v Speaker 4>the show the level of fan art I was going

1:12:01.439 --> 1:12:04.320
<v Speaker 4>to receive sent to me on Twitter on a daily basis,

1:12:05.680 --> 1:12:08.120
<v Speaker 4>and to the point, so so to the point I've

1:12:08.120 --> 1:12:10.479
<v Speaker 4>gotten the craziest shit sent to me, to the point

1:12:10.520 --> 1:12:14.080
<v Speaker 4>where I found out that sharks have two dicks because

1:12:14.080 --> 1:12:16.360
<v Speaker 4>of a fan art that was sent to me where

1:12:16.439 --> 1:12:19.639
<v Speaker 4>it's King Somebody's drooped. They were like, hey, love your show,

1:12:20.120 --> 1:12:23.920
<v Speaker 4>and then they drew a picture of King Shark in

1:12:24.000 --> 1:12:28.360
<v Speaker 4>a straight jacket with wire wrapped around his balls and

1:12:28.400 --> 1:12:31.320
<v Speaker 4>his two erect penises shooting out, and I was like, oh,

1:12:31.400 --> 1:12:35.240
<v Speaker 4>I what this is insane. But also this is how

1:12:35.240 --> 1:12:37.160
<v Speaker 4>I learned that sharks have two penises.

1:12:37.200 --> 1:12:38.960
<v Speaker 5>I guess this is coming from this.

1:12:39.720 --> 1:12:42.920
<v Speaker 4>Like the fan art is so nuts and so crazy

1:12:42.920 --> 1:12:45.439
<v Speaker 4>and the weird it is the more I love it.

1:12:45.520 --> 1:12:48.360
<v Speaker 4>But yeah, it's I'm hoping to get some good swamp

1:12:48.360 --> 1:12:48.880
<v Speaker 4>thing din.

1:12:48.760 --> 1:12:51.000
<v Speaker 1>Art justin thank you, thank you again, and thank you

1:12:51.040 --> 1:12:52.920
<v Speaker 1>for giving us the two dick story.

1:12:53.479 --> 1:12:55.479
<v Speaker 3>Well it's the story we need.

1:12:56.320 --> 1:12:57.400
<v Speaker 5>Thank you guys for having me.

1:13:00.400 --> 1:13:04.240
<v Speaker 1>Huge thanks to Justin Halpern, and of course to the

1:13:04.280 --> 1:13:07.040
<v Speaker 1>great Rosie Knight for being here with us on X

1:13:07.120 --> 1:13:09.040
<v Speaker 1>Ray Vision, Rosie.

1:13:08.800 --> 1:13:09.759
<v Speaker 2>What have You Plug?

1:13:10.439 --> 1:13:13.960
<v Speaker 3>You can find me on Rosie Marx, on Instagram and

1:13:14.120 --> 1:13:17.200
<v Speaker 3>letterbox where I am this year updating every movie I watch,

1:13:17.320 --> 1:13:19.280
<v Speaker 3>including lots of bad movies, so you can follow me

1:13:19.320 --> 1:13:22.559
<v Speaker 3>there and judge my movie taste. You will be able

1:13:22.600 --> 1:13:25.400
<v Speaker 3>to find articles about many of the things that we've

1:13:25.439 --> 1:13:27.519
<v Speaker 3>talked about. I wrote an article I'm very proud of

1:13:27.560 --> 1:13:30.320
<v Speaker 3>recently in regards to another horror movie we haven't talked about,

1:13:30.320 --> 1:13:32.680
<v Speaker 3>which is Nope. So if you watched Nope and you

1:13:32.680 --> 1:13:36.720
<v Speaker 3>are wondering if there's really an alien invasion themed electronic

1:13:36.760 --> 1:13:39.200
<v Speaker 3>store in Burbank, I wrote an article about it. It

1:13:39.400 --> 1:13:43.439
<v Speaker 3>was real, Rip Fries, I love you. Yeah, you can

1:13:43.439 --> 1:13:47.080
<v Speaker 3>find me ign Den of Geek, Polygon, all those kinds

1:13:47.080 --> 1:13:50.760
<v Speaker 3>of places. You can still go to a local comic

1:13:50.800 --> 1:13:52.799
<v Speaker 3>shop and see if they have a copy of Godzilla

1:13:52.880 --> 1:13:55.880
<v Speaker 3>Rivals Versus Batchrup. Some places are selling out. That's been

1:13:55.920 --> 1:13:58.160
<v Speaker 3>a nice surprise. Want to give a big shout out

1:13:58.240 --> 1:14:03.000
<v Speaker 3>to Secret Headquarters. They did such a brilliant job facilitate

1:14:03.120 --> 1:14:06.479
<v Speaker 3>in giving away copies of the comic. They are out now.

1:14:06.840 --> 1:14:08.960
<v Speaker 3>You guys really showed up, So thank you for that.

1:14:09.280 --> 1:14:14.000
<v Speaker 3>And yeah here obviously every week with.

1:14:13.880 --> 1:14:20.320
<v Speaker 1>The additionally, we have ten yes, we have ten issues

1:14:20.479 --> 1:14:22.240
<v Speaker 1>of Godzilliversus Batcheler to give away.

1:14:22.760 --> 1:14:26.640
<v Speaker 2>Hit us at x ray at crooked dot com.

1:14:26.320 --> 1:14:30.240
<v Speaker 1>Tell us why you would love to read this issue.

1:14:31.200 --> 1:14:34.519
<v Speaker 1>Hit us with your address as well your emailing address,

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<v Speaker 1>and the first ten respondents can get a free issue

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<v Speaker 1>of Godzilver's Batra by the wonderful Rosie Night and Oliver.

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<v Speaker 2>X ray Vision is a new home.

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<v Speaker 1>The Takeline, YouTube and Twitter channels are now dedicated to

1:14:50.040 --> 1:14:53.640
<v Speaker 1>all things xtra Vision. So go check out at Xrvpod

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<v Speaker 1>on Twitter and x ray Vision on YouTube. Plus, we

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<v Speaker 1>have an x ray Vision discord. You can find the

1:14:59.760 --> 1:15:02.519
<v Speaker 1>link in the show notes. Our next episode will be

1:15:02.560 --> 1:15:05.679
<v Speaker 1>on August nineteenth. Remember, send your House of the Dragon

1:15:05.760 --> 1:15:09.439
<v Speaker 1>queries to Askthemaster at gmail dot com. And the five

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<v Speaker 1>star reviews, we gotta have them, we love them, we

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<v Speaker 1>need them. If you're going to leave a review, please

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<v Speaker 1>leave us a five star review, and starting now, if

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<v Speaker 1>you leave us a five star review, send us the

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<v Speaker 1>text of that review at our email address x ray

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<v Speaker 1>atcrookad dot com and we will read your five star

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<v Speaker 1>review on the air.

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<v Speaker 2>X ray Vision is a Crooked Media production.

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<v Speaker 1>The show is produced by Chris Lordensaulrubin the show is

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<v Speaker 1>executive produced by myself and Sandy Gerhard are editing and

1:15:35.920 --> 1:15:39.840
<v Speaker 1>sound design. News by Vascillias Phatopoulos. Dylon Villanueva and Matt

1:15:39.840 --> 1:15:43.519
<v Speaker 1>Degroup provide video production support. Alex Rellaford handle social media.

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<v Speaker 1>Thank you Brian Vasquez for O theme music.

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<v Speaker 2>See you next time.