WEBVTT - Chapter 13: Bells & Rings

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<v Speaker 1>Bridgewater is a production of I Heart Radio three D

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<v Speaker 1>audio and Grim and Mild from Aaron Mankey for a

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<v Speaker 1>full exposure, listen with headphones. Listener discretion advised. Who's that? Uh?

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<v Speaker 1>Dr Edwards? Vet over and Rehobeth. Why is a vet

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<v Speaker 1>calling you? There's been an attack? What kind of attack?

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<v Speaker 1>Farmer over there? He's got a dozen or so cows

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<v Speaker 1>on his property and woke up this morning to find

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<v Speaker 1>them all eviscerated, just like the last time. You don't

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<v Speaker 1>have any pets, I mean, you've never had any pets.

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<v Speaker 1>Why is this guy calling you? Dr Edwards? He's still alive.

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<v Speaker 1>I was like, no, no, no, it's his son. He

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<v Speaker 1>took over his practice a while ago. I told him

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<v Speaker 1>to call me if he ever saw anything strange. And

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<v Speaker 1>he saw something strange, we should probably head over there

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<v Speaker 1>Oakley Farms, he said, so Vipping Olivia, you two should

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<v Speaker 1>stay here. Get yourself cleaned up. Now, hold on, both

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<v Speaker 1>of you look like you've been through the ring. No ship.

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<v Speaker 1>We were attacked by a giant dog three hours ago.

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<v Speaker 1>And I just found out I have a grandfather who

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<v Speaker 1>suddenly back from the dead. So I think I look

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<v Speaker 1>pretty good considering back up giant dog. That's what we

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<v Speaker 1>were trying to tell you before when we were attacked,

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<v Speaker 1>leaving the words it it attacked us, Jeremy, it was.

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<v Speaker 1>It was real. Yeah, I swear it was real. I

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<v Speaker 1>believe you. I'm sorry I didn't before I get it.

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<v Speaker 1>I barely believe it now myself. I wonder. I wonder

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<v Speaker 1>if the dog is wount attack the cows and the

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<v Speaker 1>horses from last year. Last year, I don't remember finding

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<v Speaker 1>anything about animal attacks from last year. He means nine.

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<v Speaker 1>That's gonna take some getting used to. Yeah, well we

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<v Speaker 1>all have to just so. Yeah, how are we supposed

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<v Speaker 1>to do that? Nana? You've had what at forty years,

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<v Speaker 1>forty years during what you could have told any of

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<v Speaker 1>us the truth? You know what? Just don't Okay, I'm

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<v Speaker 1>gonna go home and try to forget that monsters are

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<v Speaker 1>real apparently, and then everything I thought I knew about

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<v Speaker 1>my family is wrong. Olivia, Please, just shit. I need

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<v Speaker 1>to deal with this, of course, but we need to

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<v Speaker 1>go to Oakley Farms, see what happened before, the evidence

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<v Speaker 1>the case more. Who cares, it's it's just a couple

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<v Speaker 1>of cows. It's hardly more important than this. It's just

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<v Speaker 1>a couple of cows for now. If it's the same

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<v Speaker 1>dog that attacked us in Freetown, it already made its

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<v Speaker 1>way through Rehobeth. Who knows where it could be by now?

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<v Speaker 1>It could do a lot of damage very quickly. Are

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<v Speaker 1>we never going to get a fucking break? I think

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<v Speaker 1>we should go check it out. If it's really the

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<v Speaker 1>same dog. We know it doesn't just attack other animals,

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<v Speaker 1>and if it's not, then you've got more than one

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<v Speaker 1>monster on our hands. Hey, there, your live. I'm going

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<v Speaker 1>to leave in a second, Okay, I just I needed

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<v Speaker 1>to catch my breath or something. I'm already fucking exhausted,

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<v Speaker 1>and I really don't want to crash my car. Why

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<v Speaker 1>don't you come inside? And is it really him? Is

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<v Speaker 1>it really him? Is that man really Thomas Bradshot? It's him? How?

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<v Speaker 1>How well we're still trying to figure that out? He

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<v Speaker 1>was trapped in some kind of in between place, in

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<v Speaker 1>between what this world and another one? Oh? Come on,

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<v Speaker 1>I'm serious. Live You know when Vippen and I were

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<v Speaker 1>driving over here, I kept talking about how all the

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<v Speaker 1>stories you told me were real, that I couldn't believe it,

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<v Speaker 1>and you were never lying to me. With any of

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<v Speaker 1>that stuff. I never had any solid proof until now,

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<v Speaker 1>just a feeling. But you were always honest with me

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<v Speaker 1>about that feeling, about about there being something dangerous out there.

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<v Speaker 1>I wanted to keep you safe. Then why lie about him?

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<v Speaker 1>I didn't If you knew he was still alive, I didn't.

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<v Speaker 1>I swear I didn't, but I hoped. But that's all

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<v Speaker 1>it ever was until yesterday. You knew he was my grandfather.

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<v Speaker 1>I mean, unless, of course, you had a very active

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<v Speaker 1>dating life in nineteen I'm assuming you knew. I knew,

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<v Speaker 1>I knew we were. We were together for over a

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<v Speaker 1>year by the time I found out I was pregnant Nanna.

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<v Speaker 1>Wasn't he married? Yeah, he was, but it had been

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<v Speaker 1>rocky for a while. And when we found out about

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<v Speaker 1>the baby, he told his wife and they were getting

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<v Speaker 1>divorced and we were going to be a family, and

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<v Speaker 1>then he went missing. So so what you decided just

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<v Speaker 1>to act like he never existed, Like like mom just

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<v Speaker 1>came out of nowhere, and he always told her and

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<v Speaker 1>to ask that he was dead. I thought he was.

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<v Speaker 1>I thought he was, But why keep his identity a secret.

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<v Speaker 1>He wasn't just some guy, he was someone you loved

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<v Speaker 1>someone who had a son. That's why. That's why, Olivia

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<v Speaker 1>Jeremy is why I kept it a secret. It was

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<v Speaker 1>a big case Thomas go and missing, a huge local

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<v Speaker 1>news story. They talked about it for months and months,

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<v Speaker 1>and the circumstances around it brought all kinds of folks

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<v Speaker 1>from around the country to report on it or do

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<v Speaker 1>their amateur investigations, and well it, uh, you know, it

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<v Speaker 1>put a lot of attention on the Bradshaws, and you know,

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<v Speaker 1>the wife and son who got left behind. And I

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<v Speaker 1>I couldn't. I couldn't let Thomas's name get dragged through

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<v Speaker 1>the mud. And I couldn't bring that chaos into your

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<v Speaker 1>mom's life when she was just a baby. So I

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<v Speaker 1>just told everybody was an old flame in Boston who

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<v Speaker 1>I had reconnected with, and if I had honest about it,

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<v Speaker 1>it would have become part of the story and we

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<v Speaker 1>would have had to leave Bridgewater entirely and find any

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<v Speaker 1>kind of peace, and and you'd never leave, right, not

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<v Speaker 1>until you found out what really happened. Yeah, So, so

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<v Speaker 1>what did really happen? He just got like Captain America

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<v Speaker 1>Frozen in Time? Who's that? God? Nancy? A movie for once?

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<v Speaker 1>In your life. I mean he looks like he's thirty. Yeah. Yeah,

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<v Speaker 1>a time it passed differently wherever he was. And the

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<v Speaker 1>truth is, we don't really understand that place yet. But

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<v Speaker 1>Celeste and the gathering they had a better idea, some

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<v Speaker 1>kind of doorway or like a pass through to the

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<v Speaker 1>other side. And then the children of Titchuba wanted to

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<v Speaker 1>open it, but Celeste and her people they were trying

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<v Speaker 1>to keep it closed, keep it closed, and and and

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<v Speaker 1>and trapped Thomas. No, no, no, I think Celeste was

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<v Speaker 1>trying to get him out and close whatever gate he

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<v Speaker 1>had come through. We think that dog came in the

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<v Speaker 1>same way. Okay, so okay, okay, okay, let me get

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<v Speaker 1>with the street. You're old boyfriend was pushed into a

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<v Speaker 1>paranormal waiting room for some other side by a bunch

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<v Speaker 1>of goth babies and and then pulled out of that

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<v Speaker 1>place with a giant black dog that might be going

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<v Speaker 1>around to vice rating cows. Pretty much though, based on

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<v Speaker 1>what happened to Vippen, the dog may have been here first.

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<v Speaker 1>How why Because the veil is getting thinner. That's what's

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<v Speaker 1>a less said, which means I think it means whatever

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<v Speaker 1>wall has been protecting us from what's on the other

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<v Speaker 1>side might not be standing anymore. Are we sure this

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<v Speaker 1>is right? An said, the east edge of the property.

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<v Speaker 1>It looks like the fence line is down in that field.

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<v Speaker 1>Are you sure you're okay? I'm fine? I think. Are

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<v Speaker 1>you okay? Okay is the kind of relative term at

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<v Speaker 1>this particular juncture. So you said, Um, something like this

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<v Speaker 1>has happened before over at Shiner Farms. One side of

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<v Speaker 1>their property ran along Freetown forest and a few horses

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<v Speaker 1>were torn into I remember and telling me about that.

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<v Speaker 1>It was seventy nine, you said, honestly, I'm not sure

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<v Speaker 1>it could have been this year. Uh, it was hot

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<v Speaker 1>when we went from the farm. I know that much August. Second,

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<v Speaker 1>how did you know? I think I remember reading that

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<v Speaker 1>file one of several animal mutilations that happened that summer

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<v Speaker 1>in fall. Jeremy, You've got yourself quite a partner here

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<v Speaker 1>that I do. Oh, we never actually got to the

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<v Speaker 1>introduction party. Hipp In Corona, Jeremy's t a. Thomas Bradshaw,

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<v Speaker 1>Jeremy's dad. Yeah, it's good to meet you. Hippin's been

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<v Speaker 1>helping me out with this book that I've been writing.

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<v Speaker 1>And he is also an encyclopedia of we your Bridgewater

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<v Speaker 1>happening is you're writing a book? I yeah, he's me.

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<v Speaker 1>Can I help you? Are you Dr Edwards? I am.

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<v Speaker 1>I'm a friend of Anne Becker's. She had to take

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<v Speaker 1>care of some other business, but she wanted me to come. Yes, yes,

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<v Speaker 1>I see, Come on over, Come on over. Um, yep,

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<v Speaker 1>just just hop right over. There's not a break in

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<v Speaker 1>the fence for another half mile. Okay, not bad for

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<v Speaker 1>an old man. Hopped a lot of fences in my day. Yeah,

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<v Speaker 1>that part of your job, the stories for another time ship.

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<v Speaker 1>Are you okay? Yep, I'm fine. What did you say

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<v Speaker 1>your name was? I'm Jeremy Bradshaw. This is my assistant

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<v Speaker 1>fipp In, and this is my friend Tom and really

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<v Speaker 1>sent the cavalry. Uh well, she said, things sounded pretty serious. Yeah, well,

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<v Speaker 1>you know, take a look yourself. Randall came out this

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<v Speaker 1>morning to check in his stock and found this. Oh god,

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<v Speaker 1>oh my god, Jesus, God, Jesus. Do you think the

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<v Speaker 1>smell is bad? Now? I gotta figure out how to

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<v Speaker 1>get these guys out of here before the noon sun hits,

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<v Speaker 1>or things are gonna get really ugly. Do you know

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<v Speaker 1>when this happened. Based on the level of rigor mortis,

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<v Speaker 1>I would guess six or so hours ago. But that

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<v Speaker 1>would mean are you sure it wasn't more recently, maybe

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<v Speaker 1>in the last hour or two. That's pretty unlikely. Um,

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<v Speaker 1>definitely would have to be at least four hours ago. Why. Um,

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<v Speaker 1>we heard about another potential attack last night a little

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<v Speaker 1>after that and thought maybe maybe it was the same animal. Oh,

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<v Speaker 1>did you get a look at what it was? No shame.

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<v Speaker 1>I'd really like to know what could have done this.

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<v Speaker 1>What exactly is the nature of the wounds? Well? Um, yeah,

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<v Speaker 1>come over here. Uh, it seems the first and fatal

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<v Speaker 1>injury happened here along the neck. That normally when a

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<v Speaker 1>predator attacks like that, we'd see teeth marks all around

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<v Speaker 1>the animal biting down on its praise throat. And do

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<v Speaker 1>you think that there's something out there without a job

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<v Speaker 1>big enough to get around a cow's neck. No, See,

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<v Speaker 1>that's what's strange. This laceration isn't from teeth, so look

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<v Speaker 1>at it. It's clean and long, almost decapitation, which makes

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<v Speaker 1>me think, Okay, it's a person, some sort of sicko

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<v Speaker 1>who's going around trying to chop the heads off of cows.

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<v Speaker 1>A person did this. No, again, there's this big cut here,

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<v Speaker 1>but then if you look closely, there's four more lines

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<v Speaker 1>running alongside it, one cut on one side of the

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<v Speaker 1>main laceration and three on the other. So I thought

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<v Speaker 1>maybe somebody has a very sharp, very uneven pitchfork or

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<v Speaker 1>some kind of I don't know, penteddont but you know

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<v Speaker 1>that feels unlikely, especially when you consider the to the corpses.

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<v Speaker 1>Yeah and um and mentioned evisceration. Yep, and you're looking

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<v Speaker 1>at it now, so you know. I've seen a lot

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<v Speaker 1>of this kind of stuff in my day, wolves getting

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<v Speaker 1>a dog's or house cats. Hell, even foxes can do

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<v Speaker 1>a number and a rabbit. But this this is something else.

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<v Speaker 1>Are those ribs uh huh? Cracked like a walnut? This

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<v Speaker 1>is where we do see some teeth marks. Something bit

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<v Speaker 1>into the torsoes of the cows and had themselves quite

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<v Speaker 1>the midnight snack. It ate the ribs. No, I don't

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<v Speaker 1>think that was the goal, but it broke the rib

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<v Speaker 1>cage to get to the heart and lungs. You see

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<v Speaker 1>eating all the way to the trick. You right, The

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<v Speaker 1>lugs are just gone and the hearts took a big

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<v Speaker 1>chunk out of two of them. The other two are

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<v Speaker 1>completely gone. So what does any of this mean? Well,

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<v Speaker 1>if I was going by the evidence alone, I'd say

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<v Speaker 1>some kind of predator with five claws sharp enough to

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<v Speaker 1>make those cuts on the neck, strong jaw, with sharp canines,

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<v Speaker 1>and an appetite for bovine insides? Is there is there

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<v Speaker 1>any evidence of more teeth than you'd expect? How do

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<v Speaker 1>you mean? Well, if you have to guess what kind

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<v Speaker 1>of like teeth pattern you're looking at. Honestly, I did

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<v Speaker 1>a residency at the Maryland Zoo for a year, and

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<v Speaker 1>if it wasn't for the size of it, this would

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<v Speaker 1>look pretty similar to a chimpanzee's jaw, certainly comparable in strength.

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<v Speaker 1>Why what what? What? What were you expecting? Um? Doctor?

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<v Speaker 1>Do you mind? Would be okay? If I took some

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<v Speaker 1>photos so we can show Anne. Yeah, go for it,

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<v Speaker 1>as long as you don't sell them to the paper

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<v Speaker 1>or anything. I know Randall won't mind. He just wants

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<v Speaker 1>to know what happened to his cows. Speaking of which

0:14:45.080 --> 0:14:46.440
<v Speaker 1>I should go up to the house and tell him

0:14:46.440 --> 0:14:49.240
<v Speaker 1>when I've got so far. Poor man couldn't stand a

0:14:49.240 --> 0:14:52.240
<v Speaker 1>look at them very long, Thank you for your time.

0:14:52.320 --> 0:14:56.080
<v Speaker 1>Dr Edwards. Sure sure, I just called the office. If

0:14:56.080 --> 0:14:58.600
<v Speaker 1>you got any more questions or some answers of your own,

0:14:58.800 --> 0:15:00.080
<v Speaker 1>I'll let you know if I'm able to find and

0:15:00.120 --> 0:15:07.760
<v Speaker 1>anything else. Thank you, Thank you, This very good of you. Um. Look,

0:15:08.560 --> 0:15:11.360
<v Speaker 1>I don't know what interest Anne Becker has in livestock killings,

0:15:11.440 --> 0:15:15.320
<v Speaker 1>but if this really is a person, I would certainly

0:15:15.320 --> 0:15:18.520
<v Speaker 1>feel better knowing someone's looking into it. If someone did this,

0:15:18.640 --> 0:15:22.960
<v Speaker 1>we'll find them. Are you a cop to I'm a

0:15:23.000 --> 0:15:27.240
<v Speaker 1>private investigator? And then I worked together a lot. Well,

0:15:27.360 --> 0:15:29.440
<v Speaker 1>take your time here. I'll be back after I talked

0:15:29.440 --> 0:15:33.840
<v Speaker 1>to Randall to clear the bodies out. How similar is

0:15:33.880 --> 0:15:36.320
<v Speaker 1>this to what happened to the horses? It's pretty similar.

0:15:36.360 --> 0:15:39.160
<v Speaker 1>I don't remember all the specifics. It feels like it

0:15:39.240 --> 0:15:43.600
<v Speaker 1>was two months ago and also forty years ago. Yeah,

0:15:43.640 --> 0:15:45.960
<v Speaker 1>but I won't forget what those horses look like anytime soon.

0:15:47.480 --> 0:15:50.520
<v Speaker 1>I'm sorry, Dipen. What is that? Is that another one

0:15:50.520 --> 0:15:54.160
<v Speaker 1>of those phones you were telling me about, Jeremy, Oh boy? Um? Yeah,

0:15:54.240 --> 0:15:59.520
<v Speaker 1>it's a smartphone. You didn't have those smart phones? Yeah?

0:15:59.560 --> 0:16:02.360
<v Speaker 1>It can. It calls, but honestly, people don't want to

0:16:02.480 --> 0:16:05.240
<v Speaker 1>use them for that anymore. You can send messages, go online.

0:16:05.400 --> 0:16:08.200
<v Speaker 1>You can find someone to marry on photos. That little

0:16:08.240 --> 0:16:11.960
<v Speaker 1>thing is a camera. It has a camera, yep, and

0:16:12.000 --> 0:16:15.880
<v Speaker 1>it can take video to how Why did you ask

0:16:15.920 --> 0:16:19.760
<v Speaker 1>about the teeth? Oh? Um, the dog it had three

0:16:19.840 --> 0:16:24.200
<v Speaker 1>rows of teeth that we could see. At least we

0:16:24.200 --> 0:16:26.800
<v Speaker 1>were kind of in a hurry. Maybe you should go home,

0:16:26.880 --> 0:16:28.800
<v Speaker 1>vipp and you have had a long night. No, I

0:16:28.800 --> 0:16:31.160
<v Speaker 1>want to be helpful. You are, you are. It doesn't

0:16:31.200 --> 0:16:33.520
<v Speaker 1>mean you can't take care of yourself. Okay, you're one

0:16:33.640 --> 0:16:37.640
<v Speaker 1>to talk. Hey, I'm fine. If anything, this is is

0:16:37.680 --> 0:16:39.400
<v Speaker 1>the most normal thing that I've done in days. I'm

0:16:39.440 --> 0:16:43.000
<v Speaker 1>just researching this are happening in the Bridgewater Triangle. I

0:16:43.080 --> 0:16:45.240
<v Speaker 1>mean sure in this instance, it's not a stoner who

0:16:45.240 --> 0:16:47.440
<v Speaker 1>thought that they were abducted by aliens or someone driving

0:16:47.440 --> 0:16:49.200
<v Speaker 1>down the road late at night convinced that they saw

0:16:49.240 --> 0:16:54.720
<v Speaker 1>a ghost. It's a little tiny bit more substantial than that. Hey, hey, Jeremy,

0:16:54.800 --> 0:16:57.080
<v Speaker 1>it's looking at a bunch of cows who have had

0:16:57.120 --> 0:17:02.280
<v Speaker 1>their lungs eaten by something apparently with huge claws and

0:17:02.360 --> 0:17:05.159
<v Speaker 1>a jaw strong enough to bite through bone. And I

0:17:05.200 --> 0:17:09.159
<v Speaker 1>am here sidebar with my dad who was dead until

0:17:09.400 --> 0:17:12.720
<v Speaker 1>twelve hours ago, and he's not looking at a cell

0:17:12.720 --> 0:17:14.920
<v Speaker 1>phone like it's a fucking flying car, which I guess

0:17:14.920 --> 0:17:18.240
<v Speaker 1>it sort of is. There aren't flying cars, are there? No? Sorry,

0:17:18.400 --> 0:17:20.520
<v Speaker 1>Welcome to the shittier version of the future where we

0:17:20.560 --> 0:17:23.040
<v Speaker 1>have climate change and no flying cars. But apparently we

0:17:23.119 --> 0:17:28.840
<v Speaker 1>have lung eating monsters. But but but silver lining. You

0:17:28.880 --> 0:17:31.560
<v Speaker 1>can carry a computer in your pocket, so it's not

0:17:31.640 --> 0:17:34.840
<v Speaker 1>all bad. Oh, you know, maybe we should all go home.

0:17:34.960 --> 0:17:36.800
<v Speaker 1>Oh no, no, no, no, no no. We have to

0:17:36.840 --> 0:17:39.800
<v Speaker 1>investigate a monster attack, Vippen, because that's what we do now.

0:17:39.920 --> 0:17:46.000
<v Speaker 1>We are bovine murder detectives. Wait, the cows, what about them? Not? No,

0:17:46.160 --> 0:17:49.199
<v Speaker 1>not these ones, the ones in nineteen forty What what

0:17:49.280 --> 0:17:52.000
<v Speaker 1>do you mean the cows in nineteen four Alden told

0:17:52.040 --> 0:17:54.000
<v Speaker 1>me a few weeks before he got lost, his neighbor's

0:17:54.000 --> 0:17:57.160
<v Speaker 1>cows got torn apart. He was just a kid, of course,

0:17:57.520 --> 0:17:59.200
<v Speaker 1>so it's not like he saw them, but it was

0:17:59.240 --> 0:18:01.879
<v Speaker 1>a big deal in the brohood. I'd forgotten about that.

0:18:01.920 --> 0:18:03.879
<v Speaker 1>It feels like he told me so long ago. Who

0:18:04.000 --> 0:18:06.160
<v Speaker 1>is a boy who was trapped in the in between

0:18:06.200 --> 0:18:10.720
<v Speaker 1>space with my dad? What he's still trapped Jeremy with

0:18:10.840 --> 0:18:13.000
<v Speaker 1>god knows what kind of monsters roaming around and there

0:18:13.040 --> 0:18:14.880
<v Speaker 1>with him. I thought you said you never actually saw

0:18:14.920 --> 0:18:17.160
<v Speaker 1>anything in there, just shadow. But now he's in there

0:18:17.200 --> 0:18:20.840
<v Speaker 1>alone with Celeste dead. I don't know what could happen.

0:18:21.440 --> 0:18:24.359
<v Speaker 1>We'll figure it out. But what if we're already running

0:18:24.359 --> 0:18:26.760
<v Speaker 1>out of time. We're looking at two potential monsters now,

0:18:27.080 --> 0:18:28.760
<v Speaker 1>and it's only been eight or so hours since the

0:18:28.800 --> 0:18:32.480
<v Speaker 1>veil opened and I came out. What if he's already dead?

0:18:32.560 --> 0:18:36.000
<v Speaker 1>We have no reason to believe that. Look, maybe Vippen

0:18:36.119 --> 0:18:39.960
<v Speaker 1>is right. Maybe we're all of it. You just got back.

0:18:40.200 --> 0:18:42.960
<v Speaker 1>You should be resting arrest when we have a plan

0:18:43.040 --> 0:18:52.760
<v Speaker 1>to get Alden. Dad, Dad, Dad? Are you okay? So

0:18:52.840 --> 0:18:55.600
<v Speaker 1>I'm fine, I'm fine. Come on, let's get away from

0:18:55.600 --> 0:18:59.520
<v Speaker 1>the smell. It's clearly not I can handle some dead animals.

0:19:00.200 --> 0:19:04.560
<v Speaker 1>I'm not new to this. Ah, I just haven't had

0:19:04.600 --> 0:19:10.800
<v Speaker 1>anything to eat in forty years. Parogies may have been ambusious. Guys,

0:19:10.880 --> 0:19:15.199
<v Speaker 1>someone's coming. Ship. It's Haddock, Haddock, Officer Haddock, Captain Haddock.

0:19:15.280 --> 0:19:19.160
<v Speaker 1>Now good for him. We should get out. Ship ship

0:19:19.320 --> 0:19:23.360
<v Speaker 1>ship ship okay, uh, Dad, you need to get out

0:19:23.400 --> 0:19:26.320
<v Speaker 1>of here. I told you, I'm fine, you might recognize you,

0:19:26.480 --> 0:19:28.680
<v Speaker 1>but hey, they haven't take my car. Get get back

0:19:28.720 --> 0:19:31.879
<v Speaker 1>to Anne's. I'll meet you there. Dad. We cannot explain this,

0:19:32.119 --> 0:19:52.080
<v Speaker 1>not right now, Pip. I'll take care of him. I

0:19:52.240 --> 0:19:55.720
<v Speaker 1>really appreciate you staying to help Outlive. I don't know

0:19:55.800 --> 0:19:57.840
<v Speaker 1>what's happening nowhere. Any of this is going to lead.

0:19:57.920 --> 0:20:01.119
<v Speaker 1>But this kid that Amas was with, he seems to

0:20:01.160 --> 0:20:04.400
<v Speaker 1>be really important to him. Well, I found him, you did.

0:20:04.720 --> 0:20:07.120
<v Speaker 1>It wasn't that hard. Honestly, there are only so many

0:20:07.200 --> 0:20:10.399
<v Speaker 1>missing kids stories from nineteen and obviously it was a

0:20:10.480 --> 0:20:12.800
<v Speaker 1>pretty big deal. So what does it say? All then,

0:20:12.960 --> 0:20:15.520
<v Speaker 1>age seven goes missing one day from his own backyard

0:20:15.560 --> 0:20:18.160
<v Speaker 1>and it is never found again. There's a town wide

0:20:18.160 --> 0:20:22.880
<v Speaker 1>search for him for weeks but nothing. Christ Yeah, well

0:20:23.600 --> 0:20:26.760
<v Speaker 1>we found Ethan Olivia. He's okay, Yeah, yeah, I know.

0:20:26.960 --> 0:20:29.600
<v Speaker 1>I'm just I'm happy he's getting out of here. He is.

0:20:30.119 --> 0:20:32.560
<v Speaker 1>Dad's taking him to his parents. It's just for a

0:20:32.640 --> 0:20:36.520
<v Speaker 1>little while. That's good. It's good. Part of me feels

0:20:36.560 --> 0:20:41.000
<v Speaker 1>like I should go with them. Maybe you No, No,

0:20:41.240 --> 0:20:43.440
<v Speaker 1>I am in this now, and and someone has to

0:20:43.480 --> 0:20:46.560
<v Speaker 1>stick around to tell mom about all of this. Live.

0:20:46.720 --> 0:20:50.000
<v Speaker 1>You can't get what tell my mom that her dad

0:20:50.119 --> 0:20:53.119
<v Speaker 1>is alively. I'm not keeping this from her, especially not

0:20:53.280 --> 0:20:56.240
<v Speaker 1>when she when any of us could still be in danger.

0:20:56.920 --> 0:21:00.719
<v Speaker 1>Ethan safe. That doesn't mean whatever tried to take him

0:21:00.800 --> 0:21:02.960
<v Speaker 1>isn't going to try and take someone else. Your mom

0:21:03.400 --> 0:21:05.159
<v Speaker 1>is not going to get taken. How do you know

0:21:05.760 --> 0:21:08.879
<v Speaker 1>there's clearly a pattern here, I'm looking at it. You

0:21:08.960 --> 0:21:11.280
<v Speaker 1>think that's what happened aldn Sure seems like it. And

0:21:11.359 --> 0:21:13.640
<v Speaker 1>Alden wasn't even in the woods, so this could happen

0:21:13.720 --> 0:21:18.879
<v Speaker 1>to anyone. Was his house near Freetown or Ham? He

0:21:19.000 --> 0:21:22.399
<v Speaker 1>lived in Rehobeth. There's probably woods there, I guess, and

0:21:22.600 --> 0:21:25.000
<v Speaker 1>probably even more in the forties, but nothing to the

0:21:25.080 --> 0:21:28.440
<v Speaker 1>extent of Freetown. And he just vanished from his backyard,

0:21:28.920 --> 0:21:32.000
<v Speaker 1>no evidence left behind. I mean, the article isn't exactly

0:21:32.080 --> 0:21:34.880
<v Speaker 1>the same as a police report. But no, there weren't

0:21:34.920 --> 0:21:39.159
<v Speaker 1>any witnesses except his sister. She didn't see anything, but

0:21:39.320 --> 0:21:42.080
<v Speaker 1>she heard bells and when she went outside, her brother

0:21:42.280 --> 0:21:47.560
<v Speaker 1>was gone. How old was she? So she could have

0:21:47.600 --> 0:21:50.399
<v Speaker 1>been making this up? But why would she? And why bills?

0:21:52.960 --> 0:21:56.359
<v Speaker 1>There was a sound with the floating lights and home

0:21:56.600 --> 0:21:59.880
<v Speaker 1>from Dighton Rock, but I don't remember hearing any bell.

0:22:00.359 --> 0:22:03.680
<v Speaker 1>Maybe you couldn't, and maybe it's one of those things

0:22:03.720 --> 0:22:10.120
<v Speaker 1>only young people can hear. Well live. We will tell

0:22:10.200 --> 0:22:12.200
<v Speaker 1>your mom at some point, but this is all gonna

0:22:12.240 --> 0:22:17.919
<v Speaker 1>be so hard to explain that. Well, it's not going

0:22:18.000 --> 0:22:20.800
<v Speaker 1>to get any easier the more you wait. And I

0:22:20.880 --> 0:22:23.200
<v Speaker 1>can't keep this from her. I don't want to, So

0:22:24.080 --> 0:22:29.920
<v Speaker 1>you have to tell her, like extremely soon, or I will. Okay,

0:22:30.800 --> 0:22:37.040
<v Speaker 1>I understand. Wait, what what's wrong? I remember reading something

0:22:37.080 --> 0:22:40.280
<v Speaker 1>in Vippin's notebook last night. He's got notes upon notes

0:22:40.359 --> 0:22:43.120
<v Speaker 1>about every weird thing that's ever happened in Bridgewater and more.

0:22:43.640 --> 0:22:47.240
<v Speaker 1>And I think I remember something about bells. Well, what

0:22:47.480 --> 0:22:49.560
<v Speaker 1>was it? I don't know, but his notebook is still

0:22:49.560 --> 0:22:59.960
<v Speaker 1>in my car. Mr Bradshaw, I thought that was Captain

0:23:00.000 --> 0:23:03.440
<v Speaker 1>and Haddock. What are you doing here? I could ask

0:23:03.480 --> 0:23:08.160
<v Speaker 1>you the same thing. Dead cows are hardly urgent police business,

0:23:08.200 --> 0:23:12.919
<v Speaker 1>are they? Especially not for Captain Randall is the owner,

0:23:13.520 --> 0:23:16.359
<v Speaker 1>and he's an old friend. He called me in a

0:23:16.440 --> 0:23:19.760
<v Speaker 1>panic this morning, worry that someone's trying to destroy his livelihood.

0:23:20.640 --> 0:23:24.800
<v Speaker 1>But it's an animal attack, now, I mean most likely, yeah,

0:23:24.840 --> 0:23:27.600
<v Speaker 1>it almost always is. But you know how it is

0:23:27.680 --> 0:23:32.280
<v Speaker 1>with favorites. Your friends. Yeah, sure, what about you? Are

0:23:32.359 --> 0:23:36.399
<v Speaker 1>you taking a class outside? Uh? No, no, no, I

0:23:36.520 --> 0:23:39.720
<v Speaker 1>just I thought it could be some interesting color for

0:23:39.800 --> 0:23:43.120
<v Speaker 1>a book that I'm working on about the area. Oh why,

0:23:43.119 --> 0:23:47.600
<v Speaker 1>I look forward to reading that. We're friends. Um, those

0:23:47.640 --> 0:23:51.119
<v Speaker 1>are just some colleagues who wanted to come along with

0:23:51.200 --> 0:23:54.080
<v Speaker 1>they had they had to run off to get to

0:23:54.160 --> 0:23:59.360
<v Speaker 1>their classes, which I, uh should also be doing too.

0:23:59.760 --> 0:24:07.280
<v Speaker 1>So okay, take care. It's weird stuff in it. Mm

0:24:07.400 --> 0:24:14.600
<v Speaker 1>hmm all of this, uh this animal mutilation business, it's weird. Yeah,

0:24:14.800 --> 0:24:19.119
<v Speaker 1>it's very strange. I'm surprised An Becker's not with you.

0:24:19.800 --> 0:24:23.800
<v Speaker 1>It seems right up her street. I guess she's focused

0:24:23.840 --> 0:24:27.520
<v Speaker 1>on other things. Yeah, I must be. I was glad

0:24:27.600 --> 0:24:31.640
<v Speaker 1>to hear her grandson have been released from the hospital. Yeah,

0:24:32.000 --> 0:24:42.000
<v Speaker 1>me too. Be careful, Mr Bradshaw, excuse me. Becker likes

0:24:42.000 --> 0:24:46.080
<v Speaker 1>getting tangled up in all this weird stuff. It doesn't

0:24:46.119 --> 0:24:49.200
<v Speaker 1>mean you have to. It might not be good for

0:24:49.280 --> 0:24:54.240
<v Speaker 1>a person of your stature. Why are you telling me this.

0:24:56.000 --> 0:24:59.359
<v Speaker 1>I have seen a lot of good people fall under

0:24:59.400 --> 0:25:04.760
<v Speaker 1>her spell. H She has polluted the healthy skepticism of

0:25:05.520 --> 0:25:16.120
<v Speaker 1>more than one officer. Okay, ah, thank you for your concern. Anytime, Randall,

0:25:17.359 --> 0:25:22.439
<v Speaker 1>I'll be right there. So long, Mr Bradshaw, take care now,

0:25:23.119 --> 0:25:31.240
<v Speaker 1>take care, Randall. Have a couple of questions, of course,

0:25:31.400 --> 0:25:45.680
<v Speaker 1>still haven't charged it? Well, I guess I'm walking. We're

0:25:45.720 --> 0:26:01.480
<v Speaker 1>almost there. Great. So is it weird being back? No? Yeah, yes,

0:26:02.960 --> 0:26:08.200
<v Speaker 1>that's definitely one way to describe it. It's still feels

0:26:08.520 --> 0:26:12.960
<v Speaker 1>not quite real. I know what you mean. I mean no, obviously,

0:26:13.080 --> 0:26:15.560
<v Speaker 1>I don't. I can't imagine what you've been through, what

0:26:15.680 --> 0:26:18.159
<v Speaker 1>it's like to be lost for forty years and then

0:26:18.240 --> 0:26:25.160
<v Speaker 1>come back and everything is smartphones, you know. Yeah, it's

0:26:25.240 --> 0:26:28.920
<v Speaker 1>good that you had company at least. Well, no, it's

0:26:28.960 --> 0:26:31.960
<v Speaker 1>not good that a little boy is trapped in there, obviously,

0:26:32.119 --> 0:26:37.520
<v Speaker 1>But you know you weren't alone. That's true. I wasn't alone.

0:26:39.720 --> 0:26:44.359
<v Speaker 1>Do you have kids with me? No, I am twenty

0:26:44.440 --> 0:26:46.560
<v Speaker 1>five years old. That's the hr I was when I

0:26:46.640 --> 0:26:52.120
<v Speaker 1>had Jeremy. Really, yeah, I guess that makes sense. Actually,

0:26:52.840 --> 0:26:56.480
<v Speaker 1>you still look. I know I should have expected, and

0:26:56.560 --> 0:27:02.639
<v Speaker 1>I watched Olden stay seven for well for a long time.

0:27:03.200 --> 0:27:07.080
<v Speaker 1>I'm sorry. That must have been really hard. I guess

0:27:07.119 --> 0:27:10.719
<v Speaker 1>stuff just kind of becomes normal after a while. Humans

0:27:10.760 --> 0:27:15.000
<v Speaker 1>can be capable of enormous amounts of adaptation. Did Alton adapt?

0:27:15.720 --> 0:27:19.040
<v Speaker 1>I mean to be that young? Almost all he's ever known.

0:27:20.160 --> 0:27:22.520
<v Speaker 1>He doesn't remember much from his disappearance, just that he

0:27:22.600 --> 0:27:24.639
<v Speaker 1>was standing in his backyard and the next moment he

0:27:24.720 --> 0:27:28.280
<v Speaker 1>was in the in between. Did all didn't see any

0:27:29.000 --> 0:27:34.200
<v Speaker 1>lights or hear any voices? Not not that he remembers.

0:27:34.880 --> 0:27:39.159
<v Speaker 1>He remembers there being mushrooms in his backyard, which he

0:27:39.200 --> 0:27:42.920
<v Speaker 1>thought was strange. She'd never seen them before. Mushrooms. Yeah,

0:27:43.080 --> 0:27:45.280
<v Speaker 1>he didn't eat them, trust me, that was a theory

0:27:45.359 --> 0:27:49.400
<v Speaker 1>for a while. Does he remember how they were growing?

0:27:50.000 --> 0:27:53.439
<v Speaker 1>What were the mushrooms in bunches or in a line?

0:27:53.600 --> 0:27:58.720
<v Speaker 1>Or I think he said, in a circle? Oh my god,

0:27:59.160 --> 0:28:03.320
<v Speaker 1>what my god? Of course what what? Of course? We're here?

0:28:03.400 --> 0:28:12.800
<v Speaker 1>Come on, wait, phipp him Thomas, you're back, good hip.

0:28:13.080 --> 0:28:15.639
<v Speaker 1>Oh my god, I think I figured something else. Okay,

0:28:15.680 --> 0:28:17.600
<v Speaker 1>what's got the kids all worked out? I could ask

0:28:17.680 --> 0:28:20.040
<v Speaker 1>you the same thing. Okay, there were bells when the

0:28:20.080 --> 0:28:23.560
<v Speaker 1>boy in nineteen went missing? Bells? Wait what his sister

0:28:23.760 --> 0:28:25.840
<v Speaker 1>heard bells? And I looked in your notebook and well,

0:28:25.840 --> 0:28:27.560
<v Speaker 1>I'm not sure I totally get it all, but it's

0:28:27.600 --> 0:28:30.720
<v Speaker 1>a farealm. Yes, how there was a circle of mushrooms

0:28:30.760 --> 0:28:33.520
<v Speaker 1>in his backyard. That's what the boy, that's what Alden saw,

0:28:34.000 --> 0:28:37.840
<v Speaker 1>and that's another sign. Yeah, so that's what we're dealing with,

0:28:38.000 --> 0:28:41.880
<v Speaker 1>the fayrealm, like like the actual faarrealm, I think. So

0:28:42.880 --> 0:28:45.600
<v Speaker 1>whoa can someone please explained to me what the hell

0:28:45.680 --> 0:28:48.800
<v Speaker 1>you two are talking about? The pharrealm, the fairy realm,

0:28:48.880 --> 0:28:51.160
<v Speaker 1>the other world, whatever you want to call it. It's

0:28:51.280 --> 0:28:56.040
<v Speaker 1>another world us magical supernatural ones separate from ours, but

0:28:56.320 --> 0:28:59.800
<v Speaker 1>accessible through portals like fairy rings, like circles of mushrooms.

0:29:00.960 --> 0:29:02.920
<v Speaker 1>Though if it really is real, I guess that begs

0:29:02.920 --> 0:29:05.160
<v Speaker 1>the question of it. The fairy rings or wormholes is

0:29:05.200 --> 0:29:07.480
<v Speaker 1>the pharom in other dimension, Time and spaces have to

0:29:07.520 --> 0:29:09.160
<v Speaker 1>be weird in the other world, that's all controlled by

0:29:09.200 --> 0:29:11.720
<v Speaker 1>the fake wort and they're very capricious. But that still

0:29:11.760 --> 0:29:16.760
<v Speaker 1>doesn't explain how the rings VI focus up kids, right, yeah, focus.

0:29:18.360 --> 0:29:21.680
<v Speaker 1>It is where the fairies live, basically, and a whole

0:29:21.800 --> 0:29:25.080
<v Speaker 1>other host of supernatural creatures. Jeremy really is the one

0:29:25.120 --> 0:29:39.880
<v Speaker 1>who wait, where is Jeremy? Wait? Wait hey hey ah

0:29:40.560 --> 0:29:49.640
<v Speaker 1>shit bad luck man? Uh yeah, yeah, life is really

0:29:49.720 --> 0:29:53.880
<v Speaker 1>just one thing after another. Sorry, I would have held

0:29:53.920 --> 0:29:57.120
<v Speaker 1>it for you if I had seen you. No, that's

0:29:57.160 --> 0:29:59.560
<v Speaker 1>all right, it's just it's been one of those mornings,

0:30:00.080 --> 0:30:06.440
<v Speaker 1>um or weeks months. Really sorry. Sorry, my weird day

0:30:06.520 --> 0:30:11.680
<v Speaker 1>is not your problem. Did you just come from Oakley Farm? Yeah?

0:30:11.720 --> 0:30:16.480
<v Speaker 1>I did. That's where I'm headed. Yeah did you? Oh?

0:30:16.680 --> 0:30:21.000
<v Speaker 1>Did you see it? See what the cows? How do

0:30:21.080 --> 0:30:25.440
<v Speaker 1>you know about the cows? I'm being so weird. I'm

0:30:25.480 --> 0:30:28.720
<v Speaker 1>a legend tripper too. It's nice to meet you. I

0:30:30.320 --> 0:30:33.080
<v Speaker 1>nice to meet you. I'm I'm actually a professor. Oh,

0:30:33.640 --> 0:30:37.400
<v Speaker 1>oh gosh, I'm I just assumed that's that's fine. Uh,

0:30:38.160 --> 0:30:41.720
<v Speaker 1>you are a legend tripper. You've heard of the Bridgewater

0:30:41.800 --> 0:30:46.200
<v Speaker 1>Triangle of course. Yeah, that's what I teach. Oh, so

0:30:47.680 --> 0:30:52.720
<v Speaker 1>you're a cool professor. I'm pretty sure there's no such thing. Well,

0:30:52.840 --> 0:30:56.440
<v Speaker 1>then I don't need to explain why animal eviscerations are interesting,

0:30:56.680 --> 0:31:04.280
<v Speaker 1>especially here. No, you don't. So your legend tripping involves

0:31:04.320 --> 0:31:06.560
<v Speaker 1>going to look at dead farm animals. I know it

0:31:06.560 --> 0:31:10.080
<v Speaker 1>sounds a little deranged, but anything's a clue. You never

0:31:10.200 --> 0:31:13.440
<v Speaker 1>know what's part of the weird Bridgewater Triangle stuff. So

0:31:13.560 --> 0:31:16.800
<v Speaker 1>are you a ghost hunter? I wouldn't say that exactly.

0:31:17.640 --> 0:31:20.680
<v Speaker 1>I'm not sure, I believe in ghosts. So what then,

0:31:21.000 --> 0:31:24.040
<v Speaker 1>do you think is going around killing livestock? Is it's

0:31:24.040 --> 0:31:28.320
<v Speaker 1>a vengeful spirit or look, well, I'm still at the

0:31:28.400 --> 0:31:32.960
<v Speaker 1>discovery stage. What about you. I teach a folklore class

0:31:33.160 --> 0:31:35.440
<v Speaker 1>and I'm writing a book on the triangle, so this

0:31:35.880 --> 0:31:38.160
<v Speaker 1>all just makes very interesting thought her. You know that

0:31:38.240 --> 0:31:43.800
<v Speaker 1>didn't answer my question though it didn't. Do you believe

0:31:43.840 --> 0:31:47.160
<v Speaker 1>in this stuff? Mmm? I think I'm still at the

0:31:47.600 --> 0:31:51.760
<v Speaker 1>discovery stage. Two hm. Well, if you ever want someone

0:31:51.840 --> 0:31:56.080
<v Speaker 1>to discover things with, you should look us up. Paranormal

0:31:56.160 --> 0:31:59.920
<v Speaker 1>Seekers is the name of the forum. Oh yeah, I'm

0:32:00.120 --> 0:32:05.000
<v Speaker 1>familiar you are ye uh. You know, if there's a

0:32:05.120 --> 0:32:08.680
<v Speaker 1>website out there that talks about cryptozoology, then I've been

0:32:08.720 --> 0:32:10.400
<v Speaker 1>on it. It sounds like you might not hold the

0:32:10.480 --> 0:32:14.360
<v Speaker 1>highest opinion of us. In my experience, those kinds of

0:32:14.400 --> 0:32:18.280
<v Speaker 1>places are often where urban legends start, which is interesting

0:32:18.440 --> 0:32:21.040
<v Speaker 1>in its own way. The stories that people make up

0:32:21.560 --> 0:32:23.800
<v Speaker 1>and share can tell us a lot about the role

0:32:23.840 --> 0:32:27.200
<v Speaker 1>of folklore and socialization. But it's you know, it's just

0:32:27.560 --> 0:32:33.880
<v Speaker 1>it's hardly reliable historical text. Wow, you really are a professor. Hum,

0:32:34.040 --> 0:32:38.520
<v Speaker 1>I'm sorry. You know you shouldn't write it off entirely.

0:32:39.200 --> 0:32:41.680
<v Speaker 1>There's been a lot of posting from Bridgewater people recently.

0:32:42.600 --> 0:32:48.920
<v Speaker 1>Apparently something's been happening here. Yeah, have have you experienced anything?

0:32:49.480 --> 0:32:51.600
<v Speaker 1>I just got here, but a bunch of us from

0:32:51.640 --> 0:32:53.760
<v Speaker 1>the form have made the pilgrimage over the last few weeks.

0:32:54.320 --> 0:32:57.120
<v Speaker 1>So you traveled here for this. There's been a rash

0:32:57.200 --> 0:33:01.880
<v Speaker 1>of sightings seemed worth looking into. Hey, you should give

0:33:01.920 --> 0:33:05.000
<v Speaker 1>the form another try. I get why you'd want to

0:33:05.040 --> 0:33:07.480
<v Speaker 1>write those kind of people off, but they can be

0:33:07.560 --> 0:33:12.240
<v Speaker 1>a good source of information, definitely more forthcoming than the gathering.

0:33:12.880 --> 0:33:15.960
<v Speaker 1>You know about the gathering. The paranormal seekers are a

0:33:16.000 --> 0:33:19.160
<v Speaker 1>pretty well informed group. How do you think I found

0:33:19.160 --> 0:33:22.320
<v Speaker 1>out about the cows hate? I don't know how. How

0:33:22.400 --> 0:33:27.080
<v Speaker 1>did you question? Okay, I'm just gonna tell you. The

0:33:27.160 --> 0:33:31.120
<v Speaker 1>receptionist at the VETS office is a frequent poster. Lots

0:33:31.200 --> 0:33:33.120
<v Speaker 1>of folks in Bridgewater keep their eyes and ears open

0:33:33.160 --> 0:33:37.400
<v Speaker 1>for anything strange, and some of them don't even make

0:33:37.480 --> 0:33:40.480
<v Speaker 1>this stuff up. Wow, it sounds like I need to

0:33:40.600 --> 0:33:43.720
<v Speaker 1>find those people. Then, yes, you do, but don't take

0:33:43.800 --> 0:33:47.520
<v Speaker 1>too long. Who knows how much time we've got, right? Yeah,

0:33:48.600 --> 0:33:56.600
<v Speaker 1>he looks like you're right? Is here? Um? Wait? One second,

0:33:56.960 --> 0:33:59.560
<v Speaker 1>there's gonna be an in person meet up soon. Check

0:33:59.600 --> 0:34:03.320
<v Speaker 1>it out, Okay, I will um so nice to meet you,

0:34:04.400 --> 0:34:21.920
<v Speaker 1>you two, Jeremy. This episode of Bridgewater was written by

0:34:22.000 --> 0:34:26.280
<v Speaker 1>Lauren Shippen and directed by Brendan Patrick Hughes Assistant director

0:34:26.440 --> 0:34:30.760
<v Speaker 1>Sarah Klein. Sound designed by Vincent the Johnny rema Il Kayali,

0:34:31.160 --> 0:34:35.040
<v Speaker 1>Josh Thane, and Trevor Young, with music by Chad Lawson,

0:34:35.640 --> 0:34:40.440
<v Speaker 1>starring Misha Collins as Jeremy Bradshaw, Melissa Ponzio as Anne Becker,

0:34:40.920 --> 0:34:45.800
<v Speaker 1>Alan Tutick as Thomas Bradshaw, Karen Sony as Vipen Corrana,

0:34:46.239 --> 0:34:51.920
<v Speaker 1>Sabra May as Olivia Hoskins, Cheryl Umania as Officer Bautista,

0:34:52.480 --> 0:34:57.400
<v Speaker 1>Will Wheaton as Captain Haddock, Tricia Helfer as the Legend Tripper,

0:34:57.920 --> 0:35:03.240
<v Speaker 1>Stephen Guarino as Dr Ed words Nandamisu Dumb as Peyton Blake,

0:35:03.719 --> 0:35:09.040
<v Speaker 1>Hillary Burton Morgan as Shelley Hoskins, Nicki McCauley as Celeste, Then,

0:35:09.200 --> 0:35:13.719
<v Speaker 1>Victoria Grace as Katie Frank's, with additional voice acting by

0:35:13.800 --> 0:35:18.960
<v Speaker 1>Greta Gould, Shelby Young, Adam oh Burn, Monty Markham, Charlie Bergman,

0:35:19.239 --> 0:35:24.560
<v Speaker 1>and Tern Westbrook. Executive producers Aaron Manky, Misha Collins, Lauren Shippin,

0:35:24.800 --> 0:35:29.440
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Josh Thane and

0:35:29.600 --> 0:35:33.640
<v Speaker 1>Trevor Young. Bridgewater was created by me Aaron Mankey and

0:35:33.920 --> 0:35:36.200
<v Speaker 1>is a production of Grim and Mild and I Heeart

0:35:36.320 --> 0:35:39.000
<v Speaker 1>three D Audio. Learn more about the show over at

0:35:39.080 --> 0:35:42.400
<v Speaker 1>Grim and Mild dot com, slash Bridgewater and find more

0:35:42.480 --> 0:35:45.319
<v Speaker 1>podcasts from I Heart Radio on the I Heart Radio app,

0:35:45.400 --> 0:35:48.840
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,

0:35:49.400 --> 0:35:52.000
<v Speaker 1>and as always, thanks for listening.