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Speaker 1: Bridgewater is a production of I Heart Radio three D

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Speaker 1: audio and Grim and Mild from Aaron Mankey for a

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Speaker 1: full exposure, listen with headphones. Listener discretion advised. Who's that? Uh?

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Speaker 1: Dr Edwards? Vet over and Rehobeth. Why is a vet

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Speaker 1: calling you? There's been an attack? What kind of attack?

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Speaker 1: Farmer over there? He's got a dozen or so cows

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Speaker 1: on his property and woke up this morning to find

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Speaker 1: them all eviscerated, just like the last time. You don't

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Speaker 1: have any pets, I mean, you've never had any pets.

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Speaker 1: Why is this guy calling you? Dr Edwards? He's still alive.

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Speaker 1: I was like, no, no, no, it's his son. He

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Speaker 1: took over his practice a while ago. I told him

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Speaker 1: to call me if he ever saw anything strange. And

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Speaker 1: he saw something strange, we should probably head over there

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Speaker 1: Oakley Farms, he said, so Vipping Olivia, you two should

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Speaker 1: stay here. Get yourself cleaned up. Now, hold on, both

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Speaker 1: of you look like you've been through the ring. No ship.

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Speaker 1: We were attacked by a giant dog three hours ago.

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Speaker 1: And I just found out I have a grandfather who

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Speaker 1: suddenly back from the dead. So I think I look

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Speaker 1: pretty good considering back up giant dog. That's what we

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Speaker 1: were trying to tell you before when we were attacked,

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Speaker 1: leaving the words it it attacked us, Jeremy, it was.

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Speaker 1: It was real. Yeah, I swear it was real. I

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Speaker 1: believe you. I'm sorry I didn't before I get it.

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Speaker 1: I barely believe it now myself. I wonder. I wonder

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Speaker 1: if the dog is wount attack the cows and the

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Speaker 1: horses from last year. Last year, I don't remember finding

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Speaker 1: anything about animal attacks from last year. He means nine.

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Speaker 1: That's gonna take some getting used to. Yeah, well we

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Speaker 1: all have to just so. Yeah, how are we supposed

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Speaker 1: to do that? Nana? You've had what at forty years,

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Speaker 1: forty years during what you could have told any of

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Speaker 1: us the truth? You know what? Just don't Okay, I'm

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Speaker 1: gonna go home and try to forget that monsters are

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Speaker 1: real apparently, and then everything I thought I knew about

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Speaker 1: my family is wrong. Olivia, Please, just shit. I need

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Speaker 1: to deal with this, of course, but we need to

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Speaker 1: go to Oakley Farms, see what happened before, the evidence

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Speaker 1: the case more. Who cares, it's it's just a couple

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Speaker 1: of cows. It's hardly more important than this. It's just

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Speaker 1: a couple of cows for now. If it's the same

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Speaker 1: dog that attacked us in Freetown, it already made its

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Speaker 1: way through Rehobeth. Who knows where it could be by now?

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Speaker 1: It could do a lot of damage very quickly. Are

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Speaker 1: we never going to get a fucking break? I think

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Speaker 1: we should go check it out. If it's really the

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Speaker 1: same dog. We know it doesn't just attack other animals,

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Speaker 1: and if it's not, then you've got more than one

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Speaker 1: monster on our hands. Hey, there, your live. I'm going

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Speaker 1: to leave in a second, Okay, I just I needed

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Speaker 1: to catch my breath or something. I'm already fucking exhausted,

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Speaker 1: and I really don't want to crash my car. Why

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Speaker 1: don't you come inside? And is it really him? Is

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Speaker 1: it really him? Is that man really Thomas Bradshot? It's him? How?

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Speaker 1: How well we're still trying to figure that out? He

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Speaker 1: was trapped in some kind of in between place, in

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Speaker 1: between what this world and another one? Oh? Come on,

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Speaker 1: I'm serious. Live You know when Vippen and I were

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Speaker 1: driving over here, I kept talking about how all the

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Speaker 1: stories you told me were real, that I couldn't believe it,

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Speaker 1: and you were never lying to me. With any of

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Speaker 1: that stuff. I never had any solid proof until now,

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Speaker 1: just a feeling. But you were always honest with me

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Speaker 1: about that feeling, about about there being something dangerous out there.

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Speaker 1: I wanted to keep you safe. Then why lie about him?

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Speaker 1: I didn't If you knew he was still alive, I didn't.

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Speaker 1: I swear I didn't, but I hoped. But that's all

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Speaker 1: it ever was until yesterday. You knew he was my grandfather.

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Speaker 1: I mean, unless, of course, you had a very active

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Speaker 1: dating life in nineteen I'm assuming you knew. I knew,

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Speaker 1: I knew we were. We were together for over a

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Speaker 1: year by the time I found out I was pregnant Nanna.

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Speaker 1: Wasn't he married? Yeah, he was, but it had been

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Speaker 1: rocky for a while. And when we found out about

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Speaker 1: the baby, he told his wife and they were getting

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Speaker 1: divorced and we were going to be a family, and

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Speaker 1: then he went missing. So so what you decided just

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Speaker 1: to act like he never existed, Like like mom just

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Speaker 1: came out of nowhere, and he always told her and

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Speaker 1: to ask that he was dead. I thought he was.

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Speaker 1: I thought he was, But why keep his identity a secret.

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Speaker 1: He wasn't just some guy, he was someone you loved

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Speaker 1: someone who had a son. That's why. That's why, Olivia

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Speaker 1: Jeremy is why I kept it a secret. It was

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Speaker 1: a big case Thomas go and missing, a huge local

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Speaker 1: news story. They talked about it for months and months,

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Speaker 1: and the circumstances around it brought all kinds of folks

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Speaker 1: from around the country to report on it or do

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Speaker 1: their amateur investigations, and well it, uh, you know, it

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Speaker 1: put a lot of attention on the Bradshaws, and you know,

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Speaker 1: the wife and son who got left behind. And I

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Speaker 1: I couldn't. I couldn't let Thomas's name get dragged through

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Speaker 1: the mud. And I couldn't bring that chaos into your

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Speaker 1: mom's life when she was just a baby. So I

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Speaker 1: just told everybody was an old flame in Boston who

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Speaker 1: I had reconnected with, and if I had honest about it,

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Speaker 1: it would have become part of the story and we

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Speaker 1: would have had to leave Bridgewater entirely and find any

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Speaker 1: kind of peace, and and you'd never leave, right, not

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Speaker 1: until you found out what really happened. Yeah, So, so

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Speaker 1: what did really happen? He just got like Captain America

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Speaker 1: Frozen in Time? Who's that? God? Nancy? A movie for once?

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Speaker 1: In your life. I mean he looks like he's thirty. Yeah. Yeah,

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Speaker 1: a time it passed differently wherever he was. And the

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Speaker 1: truth is, we don't really understand that place yet. But

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Speaker 1: Celeste and the gathering they had a better idea, some

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Speaker 1: kind of doorway or like a pass through to the

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Speaker 1: other side. And then the children of Titchuba wanted to

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Speaker 1: open it, but Celeste and her people they were trying

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Speaker 1: to keep it closed, keep it closed, and and and

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Speaker 1: and trapped Thomas. No, no, no, I think Celeste was

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Speaker 1: trying to get him out and close whatever gate he

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Speaker 1: had come through. We think that dog came in the

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Speaker 1: same way. Okay, so okay, okay, okay, let me get

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Speaker 1: with the street. You're old boyfriend was pushed into a

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Speaker 1: paranormal waiting room for some other side by a bunch

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Speaker 1: of goth babies and and then pulled out of that

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Speaker 1: place with a giant black dog that might be going

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Speaker 1: around to vice rating cows. Pretty much though, based on

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Speaker 1: what happened to Vippen, the dog may have been here first.

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Speaker 1: How why Because the veil is getting thinner. That's what's

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Speaker 1: a less said, which means I think it means whatever

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Speaker 1: wall has been protecting us from what's on the other

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Speaker 1: side might not be standing anymore. Are we sure this

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Speaker 1: is right? An said, the east edge of the property.

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Speaker 1: It looks like the fence line is down in that field.

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Speaker 1: Are you sure you're okay? I'm fine? I think. Are

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Speaker 1: you okay? Okay is the kind of relative term at

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Speaker 1: this particular juncture. So you said, Um, something like this

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Speaker 1: has happened before over at Shiner Farms. One side of

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Speaker 1: their property ran along Freetown forest and a few horses

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Speaker 1: were torn into I remember and telling me about that.

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Speaker 1: It was seventy nine, you said, honestly, I'm not sure

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Speaker 1: it could have been this year. Uh, it was hot

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Speaker 1: when we went from the farm. I know that much August. Second,

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Speaker 1: how did you know? I think I remember reading that

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Speaker 1: file one of several animal mutilations that happened that summer

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Speaker 1: in fall. Jeremy, You've got yourself quite a partner here

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Speaker 1: that I do. Oh, we never actually got to the

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Speaker 1: introduction party. Hipp In Corona, Jeremy's t a. Thomas Bradshaw,

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Speaker 1: Jeremy's dad. Yeah, it's good to meet you. Hippin's been

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Speaker 1: helping me out with this book that I've been writing.

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Speaker 1: And he is also an encyclopedia of we your Bridgewater

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Speaker 1: happening is you're writing a book? I yeah, he's me.

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Speaker 1: Can I help you? Are you Dr Edwards? I am.

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Speaker 1: I'm a friend of Anne Becker's. She had to take

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Speaker 1: care of some other business, but she wanted me to come. Yes, yes,

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Speaker 1: I see, Come on over, Come on over. Um, yep,

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Speaker 1: just just hop right over. There's not a break in

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Speaker 1: the fence for another half mile. Okay, not bad for

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Speaker 1: an old man. Hopped a lot of fences in my day. Yeah,

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Speaker 1: that part of your job, the stories for another time ship.

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Speaker 1: Are you okay? Yep, I'm fine. What did you say

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Speaker 1: your name was? I'm Jeremy Bradshaw. This is my assistant

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Speaker 1: fipp In, and this is my friend Tom and really

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Speaker 1: sent the cavalry. Uh well, she said, things sounded pretty serious. Yeah, well,

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Speaker 1: you know, take a look yourself. Randall came out this

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Speaker 1: morning to check in his stock and found this. Oh god,

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Speaker 1: oh my god, Jesus, God, Jesus. Do you think the

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Speaker 1: smell is bad? Now? I gotta figure out how to

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Speaker 1: get these guys out of here before the noon sun hits,

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Speaker 1: or things are gonna get really ugly. Do you know

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Speaker 1: when this happened. Based on the level of rigor mortis,

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Speaker 1: I would guess six or so hours ago. But that

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Speaker 1: would mean are you sure it wasn't more recently, maybe

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Speaker 1: in the last hour or two. That's pretty unlikely. Um,

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Speaker 1: definitely would have to be at least four hours ago. Why. Um,

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Speaker 1: we heard about another potential attack last night a little

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Speaker 1: after that and thought maybe maybe it was the same animal. Oh,

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Speaker 1: did you get a look at what it was? No shame.

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Speaker 1: I'd really like to know what could have done this.

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Speaker 1: What exactly is the nature of the wounds? Well? Um, yeah,

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Speaker 1: come over here. Uh, it seems the first and fatal

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Speaker 1: injury happened here along the neck. That normally when a

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Speaker 1: predator attacks like that, we'd see teeth marks all around

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Speaker 1: the animal biting down on its praise throat. And do

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Speaker 1: you think that there's something out there without a job

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Speaker 1: big enough to get around a cow's neck. No, See,

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Speaker 1: that's what's strange. This laceration isn't from teeth, so look

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Speaker 1: at it. It's clean and long, almost decapitation, which makes

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Speaker 1: me think, Okay, it's a person, some sort of sicko

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Speaker 1: who's going around trying to chop the heads off of cows.

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Speaker 1: A person did this. No, again, there's this big cut here,

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Speaker 1: but then if you look closely, there's four more lines

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Speaker 1: running alongside it, one cut on one side of the

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Speaker 1: main laceration and three on the other. So I thought

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Speaker 1: maybe somebody has a very sharp, very uneven pitchfork or

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Speaker 1: some kind of I don't know, penteddont but you know

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Speaker 1: that feels unlikely, especially when you consider the to the corpses.

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Speaker 1: Yeah and um and mentioned evisceration. Yep, and you're looking

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Speaker 1: at it now, so you know. I've seen a lot

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Speaker 1: of this kind of stuff in my day, wolves getting

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Speaker 1: a dog's or house cats. Hell, even foxes can do

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Speaker 1: a number and a rabbit. But this this is something else.

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Speaker 1: Are those ribs uh huh? Cracked like a walnut? This

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Speaker 1: is where we do see some teeth marks. Something bit

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Speaker 1: into the torsoes of the cows and had themselves quite

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Speaker 1: the midnight snack. It ate the ribs. No, I don't

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Speaker 1: think that was the goal, but it broke the rib

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Speaker 1: cage to get to the heart and lungs. You see

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Speaker 1: eating all the way to the trick. You right, The

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Speaker 1: lugs are just gone and the hearts took a big

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Speaker 1: chunk out of two of them. The other two are

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Speaker 1: completely gone. So what does any of this mean? Well,

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Speaker 1: if I was going by the evidence alone, I'd say

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Speaker 1: some kind of predator with five claws sharp enough to

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Speaker 1: make those cuts on the neck, strong jaw, with sharp canines,

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Speaker 1: and an appetite for bovine insides? Is there is there

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Speaker 1: any evidence of more teeth than you'd expect? How do

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Speaker 1: you mean? Well, if you have to guess what kind

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Speaker 1: of like teeth pattern you're looking at. Honestly, I did

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Speaker 1: a residency at the Maryland Zoo for a year, and

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Speaker 1: if it wasn't for the size of it, this would

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Speaker 1: look pretty similar to a chimpanzee's jaw, certainly comparable in strength.

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Speaker 1: Why what what? What? What were you expecting? Um? Doctor?

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Speaker 1: Do you mind? Would be okay? If I took some

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Speaker 1: photos so we can show Anne. Yeah, go for it,

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Speaker 1: as long as you don't sell them to the paper

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Speaker 1: or anything. I know Randall won't mind. He just wants

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Speaker 1: to know what happened to his cows. Speaking of which

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Speaker 1: I should go up to the house and tell him

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Speaker 1: when I've got so far. Poor man couldn't stand a

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Speaker 1: look at them very long, Thank you for your time.

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Speaker 1: Dr Edwards. Sure sure, I just called the office. If

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Speaker 1: you got any more questions or some answers of your own,

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Speaker 1: I'll let you know if I'm able to find and

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Speaker 1: anything else. Thank you, Thank you, This very good of you. Um. Look,

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Speaker 1: I don't know what interest Anne Becker has in livestock killings,

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Speaker 1: but if this really is a person, I would certainly

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Speaker 1: feel better knowing someone's looking into it. If someone did this,

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Speaker 1: we'll find them. Are you a cop to I'm a

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Speaker 1: private investigator? And then I worked together a lot. Well,

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Speaker 1: take your time here. I'll be back after I talked

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Speaker 1: to Randall to clear the bodies out. How similar is

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Speaker 1: this to what happened to the horses? It's pretty similar.

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Speaker 1: I don't remember all the specifics. It feels like it

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Speaker 1: was two months ago and also forty years ago. Yeah,

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Speaker 1: but I won't forget what those horses look like anytime soon.

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Speaker 1: I'm sorry, Dipen. What is that? Is that another one

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Speaker 1: of those phones you were telling me about, Jeremy, Oh boy? Um? Yeah,

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Speaker 1: it's a smartphone. You didn't have those smart phones? Yeah?

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Speaker 1: It can. It calls, but honestly, people don't want to

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Speaker 1: use them for that anymore. You can send messages, go online.

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Speaker 1: You can find someone to marry on photos. That little

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Speaker 1: thing is a camera. It has a camera, yep, and

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Speaker 1: it can take video to how Why did you ask

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Speaker 1: about the teeth? Oh? Um, the dog it had three

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Speaker 1: rows of teeth that we could see. At least we

250
00:16:24,200 --> 00:16:26,800
Speaker 1: were kind of in a hurry. Maybe you should go home,

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Speaker 1: vipp and you have had a long night. No, I

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Speaker 1: want to be helpful. You are, you are. It doesn't

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Speaker 1: mean you can't take care of yourself. Okay, you're one

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Speaker 1: to talk. Hey, I'm fine. If anything, this is is

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Speaker 1: the most normal thing that I've done in days. I'm

256
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Speaker 1: just researching this are happening in the Bridgewater Triangle. I

257
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Speaker 1: mean sure in this instance, it's not a stoner who

258
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Speaker 1: thought that they were abducted by aliens or someone driving

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Speaker 1: down the road late at night convinced that they saw

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Speaker 1: a ghost. It's a little tiny bit more substantial than that. Hey, hey, Jeremy,

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Speaker 1: it's looking at a bunch of cows who have had

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Speaker 1: their lungs eaten by something apparently with huge claws and

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Speaker 1: a jaw strong enough to bite through bone. And I

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Speaker 1: am here sidebar with my dad who was dead until

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Speaker 1: twelve hours ago, and he's not looking at a cell

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Speaker 1: phone like it's a fucking flying car, which I guess

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Speaker 1: it sort of is. There aren't flying cars, are there? No? Sorry,

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Speaker 1: Welcome to the shittier version of the future where we

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Speaker 1: have climate change and no flying cars. But apparently we

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Speaker 1: have lung eating monsters. But but but silver lining. You

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Speaker 1: can carry a computer in your pocket, so it's not

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Speaker 1: all bad. Oh, you know, maybe we should all go home.

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Speaker 1: Oh no, no, no, no, no no. We have to

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Speaker 1: investigate a monster attack, Vippen, because that's what we do now.

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Speaker 1: We are bovine murder detectives. Wait, the cows, what about them? Not? No,

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Speaker 1: not these ones, the ones in nineteen forty What what

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Speaker 1: do you mean the cows in nineteen four Alden told

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Speaker 1: me a few weeks before he got lost, his neighbor's

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Speaker 1: cows got torn apart. He was just a kid, of course,

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Speaker 1: so it's not like he saw them, but it was

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Speaker 1: a big deal in the brohood. I'd forgotten about that.

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Speaker 1: It feels like he told me so long ago. Who

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Speaker 1: is a boy who was trapped in the in between

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Speaker 1: space with my dad? What he's still trapped Jeremy with

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Speaker 1: god knows what kind of monsters roaming around and there

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Speaker 1: with him. I thought you said you never actually saw

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Speaker 1: anything in there, just shadow. But now he's in there

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Speaker 1: alone with Celeste dead. I don't know what could happen.

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Speaker 1: We'll figure it out. But what if we're already running

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Speaker 1: out of time. We're looking at two potential monsters now,

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Speaker 1: and it's only been eight or so hours since the

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Speaker 1: veil opened and I came out. What if he's already dead?

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Speaker 1: We have no reason to believe that. Look, maybe Vippen

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Speaker 1: is right. Maybe we're all of it. You just got back.

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Speaker 1: You should be resting arrest when we have a plan

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Speaker 1: to get Alden. Dad, Dad, Dad? Are you okay? So

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Speaker 1: I'm fine, I'm fine. Come on, let's get away from

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Speaker 1: the smell. It's clearly not I can handle some dead animals.

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Speaker 1: I'm not new to this. Ah, I just haven't had

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Speaker 1: anything to eat in forty years. Parogies may have been ambusious. Guys,

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Speaker 1: someone's coming. Ship. It's Haddock, Haddock, Officer Haddock, Captain Haddock.

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00:19:15,280 --> 00:19:19,160
Speaker 1: Now good for him. We should get out. Ship ship

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Speaker 1: ship ship okay, uh, Dad, you need to get out

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Speaker 1: of here. I told you, I'm fine, you might recognize you,

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Speaker 1: but hey, they haven't take my car. Get get back

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Speaker 1: to Anne's. I'll meet you there. Dad. We cannot explain this,

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Speaker 1: not right now, Pip. I'll take care of him. I

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Speaker 1: really appreciate you staying to help Outlive. I don't know

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Speaker 1: what's happening nowhere. Any of this is going to lead.

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Speaker 1: But this kid that Amas was with, he seems to

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Speaker 1: be really important to him. Well, I found him, you did.

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Speaker 1: It wasn't that hard. Honestly, there are only so many

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Speaker 1: missing kids stories from nineteen and obviously it was a

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Speaker 1: pretty big deal. So what does it say? All then,

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Speaker 1: age seven goes missing one day from his own backyard

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Speaker 1: and it is never found again. There's a town wide

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Speaker 1: search for him for weeks but nothing. Christ Yeah, well

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Speaker 1: we found Ethan Olivia. He's okay, Yeah, yeah, I know.

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Speaker 1: I'm just I'm happy he's getting out of here. He is.

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Speaker 1: Dad's taking him to his parents. It's just for a

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Speaker 1: little while. That's good. It's good. Part of me feels

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Speaker 1: like I should go with them. Maybe you No, No,

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00:20:41,240 --> 00:20:43,440
Speaker 1: I am in this now, and and someone has to

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Speaker 1: stick around to tell mom about all of this. Live.

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Speaker 1: You can't get what tell my mom that her dad

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Speaker 1: is alively. I'm not keeping this from her, especially not

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Speaker 1: when she when any of us could still be in danger.

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Speaker 1: Ethan safe. That doesn't mean whatever tried to take him

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00:21:00,800 --> 00:21:02,960
Speaker 1: isn't going to try and take someone else. Your mom

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Speaker 1: is not going to get taken. How do you know

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Speaker 1: there's clearly a pattern here, I'm looking at it. You

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00:21:08,960 --> 00:21:11,280
Speaker 1: think that's what happened aldn Sure seems like it. And

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00:21:11,359 --> 00:21:13,640
Speaker 1: Alden wasn't even in the woods, so this could happen

334
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Speaker 1: to anyone. Was his house near Freetown or Ham? He

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00:21:19,000 --> 00:21:22,399
Speaker 1: lived in Rehobeth. There's probably woods there, I guess, and

336
00:21:22,600 --> 00:21:25,000
Speaker 1: probably even more in the forties, but nothing to the

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00:21:25,080 --> 00:21:28,440
Speaker 1: extent of Freetown. And he just vanished from his backyard,

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00:21:28,920 --> 00:21:32,000
Speaker 1: no evidence left behind. I mean, the article isn't exactly

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00:21:32,080 --> 00:21:34,880
Speaker 1: the same as a police report. But no, there weren't

340
00:21:34,920 --> 00:21:39,159
Speaker 1: any witnesses except his sister. She didn't see anything, but

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00:21:39,320 --> 00:21:42,080
Speaker 1: she heard bells and when she went outside, her brother

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Speaker 1: was gone. How old was she? So she could have

343
00:21:47,600 --> 00:21:50,399
Speaker 1: been making this up? But why would she? And why bills?

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00:21:52,960 --> 00:21:56,359
Speaker 1: There was a sound with the floating lights and home

345
00:21:56,600 --> 00:21:59,880
Speaker 1: from Dighton Rock, but I don't remember hearing any bell.

346
00:22:00,359 --> 00:22:03,680
Speaker 1: Maybe you couldn't, and maybe it's one of those things

347
00:22:03,720 --> 00:22:10,120
Speaker 1: only young people can hear. Well live. We will tell

348
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Speaker 1: your mom at some point, but this is all gonna

349
00:22:12,240 --> 00:22:17,919
Speaker 1: be so hard to explain that. Well, it's not going

350
00:22:18,000 --> 00:22:20,800
Speaker 1: to get any easier the more you wait. And I

351
00:22:20,880 --> 00:22:23,200
Speaker 1: can't keep this from her. I don't want to, So

352
00:22:24,080 --> 00:22:29,920
Speaker 1: you have to tell her, like extremely soon, or I will. Okay,

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00:22:30,800 --> 00:22:37,040
Speaker 1: I understand. Wait, what what's wrong? I remember reading something

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00:22:37,080 --> 00:22:40,280
Speaker 1: in Vippin's notebook last night. He's got notes upon notes

355
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Speaker 1: about every weird thing that's ever happened in Bridgewater and more.

356
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Speaker 1: And I think I remember something about bells. Well, what

357
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Speaker 1: was it? I don't know, but his notebook is still

358
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Speaker 1: in my car. Mr Bradshaw, I thought that was Captain

359
00:23:00,000 --> 00:23:03,440
Speaker 1: and Haddock. What are you doing here? I could ask

360
00:23:03,480 --> 00:23:08,160
Speaker 1: you the same thing. Dead cows are hardly urgent police business,

361
00:23:08,200 --> 00:23:12,919
Speaker 1: are they? Especially not for Captain Randall is the owner,

362
00:23:13,520 --> 00:23:16,359
Speaker 1: and he's an old friend. He called me in a

363
00:23:16,440 --> 00:23:19,760
Speaker 1: panic this morning, worry that someone's trying to destroy his livelihood.

364
00:23:20,640 --> 00:23:24,800
Speaker 1: But it's an animal attack, now, I mean most likely, yeah,

365
00:23:24,840 --> 00:23:27,600
Speaker 1: it almost always is. But you know how it is

366
00:23:27,680 --> 00:23:32,280
Speaker 1: with favorites. Your friends. Yeah, sure, what about you? Are

367
00:23:32,359 --> 00:23:36,399
Speaker 1: you taking a class outside? Uh? No, no, no, I

368
00:23:36,520 --> 00:23:39,720
Speaker 1: just I thought it could be some interesting color for

369
00:23:39,800 --> 00:23:43,120
Speaker 1: a book that I'm working on about the area. Oh why,

370
00:23:43,119 --> 00:23:47,600
Speaker 1: I look forward to reading that. We're friends. Um, those

371
00:23:47,640 --> 00:23:51,119
Speaker 1: are just some colleagues who wanted to come along with

372
00:23:51,200 --> 00:23:54,080
Speaker 1: they had they had to run off to get to

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Speaker 1: their classes, which I, uh should also be doing too.

374
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Speaker 1: So okay, take care. It's weird stuff in it. Mm

375
00:24:07,400 --> 00:24:14,600
Speaker 1: hmm all of this, uh this animal mutilation business, it's weird. Yeah,

376
00:24:14,800 --> 00:24:19,119
Speaker 1: it's very strange. I'm surprised An Becker's not with you.

377
00:24:19,800 --> 00:24:23,800
Speaker 1: It seems right up her street. I guess she's focused

378
00:24:23,840 --> 00:24:27,520
Speaker 1: on other things. Yeah, I must be. I was glad

379
00:24:27,600 --> 00:24:31,640
Speaker 1: to hear her grandson have been released from the hospital. Yeah,

380
00:24:32,000 --> 00:24:42,000
Speaker 1: me too. Be careful, Mr Bradshaw, excuse me. Becker likes

381
00:24:42,000 --> 00:24:46,080
Speaker 1: getting tangled up in all this weird stuff. It doesn't

382
00:24:46,119 --> 00:24:49,200
Speaker 1: mean you have to. It might not be good for

383
00:24:49,280 --> 00:24:54,240
Speaker 1: a person of your stature. Why are you telling me this.

384
00:24:56,000 --> 00:24:59,359
Speaker 1: I have seen a lot of good people fall under

385
00:24:59,400 --> 00:25:04,760
Speaker 1: her spell. H She has polluted the healthy skepticism of

386
00:25:05,520 --> 00:25:16,120
Speaker 1: more than one officer. Okay, ah, thank you for your concern. Anytime, Randall,

387
00:25:17,359 --> 00:25:22,439
Speaker 1: I'll be right there. So long, Mr Bradshaw, take care now,

388
00:25:23,119 --> 00:25:31,240
Speaker 1: take care, Randall. Have a couple of questions, of course,

389
00:25:31,400 --> 00:25:45,680
Speaker 1: still haven't charged it? Well, I guess I'm walking. We're

390
00:25:45,720 --> 00:26:01,480
Speaker 1: almost there. Great. So is it weird being back? No? Yeah, yes,

391
00:26:02,960 --> 00:26:08,200
Speaker 1: that's definitely one way to describe it. It's still feels

392
00:26:08,520 --> 00:26:12,960
Speaker 1: not quite real. I know what you mean. I mean no, obviously,

393
00:26:13,080 --> 00:26:15,560
Speaker 1: I don't. I can't imagine what you've been through, what

394
00:26:15,680 --> 00:26:18,159
Speaker 1: it's like to be lost for forty years and then

395
00:26:18,240 --> 00:26:25,160
Speaker 1: come back and everything is smartphones, you know. Yeah, it's

396
00:26:25,240 --> 00:26:28,920
Speaker 1: good that you had company at least. Well, no, it's

397
00:26:28,960 --> 00:26:31,960
Speaker 1: not good that a little boy is trapped in there, obviously,

398
00:26:32,119 --> 00:26:37,520
Speaker 1: But you know you weren't alone. That's true. I wasn't alone.

399
00:26:39,720 --> 00:26:44,359
Speaker 1: Do you have kids with me? No, I am twenty

400
00:26:44,440 --> 00:26:46,560
Speaker 1: five years old. That's the hr I was when I

401
00:26:46,640 --> 00:26:52,120
Speaker 1: had Jeremy. Really, yeah, I guess that makes sense. Actually,

402
00:26:52,840 --> 00:26:56,480
Speaker 1: you still look. I know I should have expected, and

403
00:26:56,560 --> 00:27:02,639
Speaker 1: I watched Olden stay seven for well for a long time.

404
00:27:03,200 --> 00:27:07,080
Speaker 1: I'm sorry. That must have been really hard. I guess

405
00:27:07,119 --> 00:27:10,719
Speaker 1: stuff just kind of becomes normal after a while. Humans

406
00:27:10,760 --> 00:27:15,000
Speaker 1: can be capable of enormous amounts of adaptation. Did Alton adapt?

407
00:27:15,720 --> 00:27:19,040
Speaker 1: I mean to be that young? Almost all he's ever known.

408
00:27:20,160 --> 00:27:22,520
Speaker 1: He doesn't remember much from his disappearance, just that he

409
00:27:22,600 --> 00:27:24,639
Speaker 1: was standing in his backyard and the next moment he

410
00:27:24,720 --> 00:27:28,280
Speaker 1: was in the in between. Did all didn't see any

411
00:27:29,000 --> 00:27:34,200
Speaker 1: lights or hear any voices? Not not that he remembers.

412
00:27:34,880 --> 00:27:39,159
Speaker 1: He remembers there being mushrooms in his backyard, which he

413
00:27:39,200 --> 00:27:42,920
Speaker 1: thought was strange. She'd never seen them before. Mushrooms. Yeah,

414
00:27:43,080 --> 00:27:45,280
Speaker 1: he didn't eat them, trust me, that was a theory

415
00:27:45,359 --> 00:27:49,400
Speaker 1: for a while. Does he remember how they were growing?

416
00:27:50,000 --> 00:27:53,439
Speaker 1: What were the mushrooms in bunches or in a line?

417
00:27:53,600 --> 00:27:58,720
Speaker 1: Or I think he said, in a circle? Oh my god,

418
00:27:59,160 --> 00:28:03,320
Speaker 1: what my god? Of course what what? Of course? We're here?

419
00:28:03,400 --> 00:28:12,800
Speaker 1: Come on, wait, phipp him Thomas, you're back, good hip.

420
00:28:13,080 --> 00:28:15,639
Speaker 1: Oh my god, I think I figured something else. Okay,

421
00:28:15,680 --> 00:28:17,600
Speaker 1: what's got the kids all worked out? I could ask

422
00:28:17,680 --> 00:28:20,040
Speaker 1: you the same thing. Okay, there were bells when the

423
00:28:20,080 --> 00:28:23,560
Speaker 1: boy in nineteen went missing? Bells? Wait what his sister

424
00:28:23,760 --> 00:28:25,840
Speaker 1: heard bells? And I looked in your notebook and well,

425
00:28:25,840 --> 00:28:27,560
Speaker 1: I'm not sure I totally get it all, but it's

426
00:28:27,600 --> 00:28:30,720
Speaker 1: a farealm. Yes, how there was a circle of mushrooms

427
00:28:30,760 --> 00:28:33,520
Speaker 1: in his backyard. That's what the boy, that's what Alden saw,

428
00:28:34,000 --> 00:28:37,840
Speaker 1: and that's another sign. Yeah, so that's what we're dealing with,

429
00:28:38,000 --> 00:28:41,880
Speaker 1: the fayrealm, like like the actual faarrealm, I think. So

430
00:28:42,880 --> 00:28:45,600
Speaker 1: whoa can someone please explained to me what the hell

431
00:28:45,680 --> 00:28:48,800
Speaker 1: you two are talking about? The pharrealm, the fairy realm,

432
00:28:48,880 --> 00:28:51,160
Speaker 1: the other world, whatever you want to call it. It's

433
00:28:51,280 --> 00:28:56,040
Speaker 1: another world us magical supernatural ones separate from ours, but

434
00:28:56,320 --> 00:28:59,800
Speaker 1: accessible through portals like fairy rings, like circles of mushrooms.

435
00:29:00,960 --> 00:29:02,920
Speaker 1: Though if it really is real, I guess that begs

436
00:29:02,920 --> 00:29:05,160
Speaker 1: the question of it. The fairy rings or wormholes is

437
00:29:05,200 --> 00:29:07,480
Speaker 1: the pharom in other dimension, Time and spaces have to

438
00:29:07,520 --> 00:29:09,160
Speaker 1: be weird in the other world, that's all controlled by

439
00:29:09,200 --> 00:29:11,720
Speaker 1: the fake wort and they're very capricious. But that still

440
00:29:11,760 --> 00:29:16,760
Speaker 1: doesn't explain how the rings VI focus up kids, right, yeah, focus.

441
00:29:18,360 --> 00:29:21,680
Speaker 1: It is where the fairies live, basically, and a whole

442
00:29:21,800 --> 00:29:25,080
Speaker 1: other host of supernatural creatures. Jeremy really is the one

443
00:29:25,120 --> 00:29:39,880
Speaker 1: who wait, where is Jeremy? Wait? Wait hey hey ah

444
00:29:40,560 --> 00:29:49,640
Speaker 1: shit bad luck man? Uh yeah, yeah, life is really

445
00:29:49,720 --> 00:29:53,880
Speaker 1: just one thing after another. Sorry, I would have held

446
00:29:53,920 --> 00:29:57,120
Speaker 1: it for you if I had seen you. No, that's

447
00:29:57,160 --> 00:29:59,560
Speaker 1: all right, it's just it's been one of those mornings,

448
00:30:00,080 --> 00:30:06,440
Speaker 1: um or weeks months. Really sorry. Sorry, my weird day

449
00:30:06,520 --> 00:30:11,680
Speaker 1: is not your problem. Did you just come from Oakley Farm? Yeah?

450
00:30:11,720 --> 00:30:16,480
Speaker 1: I did. That's where I'm headed. Yeah did you? Oh?

451
00:30:16,680 --> 00:30:21,000
Speaker 1: Did you see it? See what the cows? How do

452
00:30:21,080 --> 00:30:25,440
Speaker 1: you know about the cows? I'm being so weird. I'm

453
00:30:25,480 --> 00:30:28,720
Speaker 1: a legend tripper too. It's nice to meet you. I

454
00:30:30,320 --> 00:30:33,080
Speaker 1: nice to meet you. I'm I'm actually a professor. Oh,

455
00:30:33,640 --> 00:30:37,400
Speaker 1: oh gosh, I'm I just assumed that's that's fine. Uh,

456
00:30:38,160 --> 00:30:41,720
Speaker 1: you are a legend tripper. You've heard of the Bridgewater

457
00:30:41,800 --> 00:30:46,200
Speaker 1: Triangle of course. Yeah, that's what I teach. Oh, so

458
00:30:47,680 --> 00:30:52,720
Speaker 1: you're a cool professor. I'm pretty sure there's no such thing. Well,

459
00:30:52,840 --> 00:30:56,440
Speaker 1: then I don't need to explain why animal eviscerations are interesting,

460
00:30:56,680 --> 00:31:04,280
Speaker 1: especially here. No, you don't. So your legend tripping involves

461
00:31:04,320 --> 00:31:06,560
Speaker 1: going to look at dead farm animals. I know it

462
00:31:06,560 --> 00:31:10,080
Speaker 1: sounds a little deranged, but anything's a clue. You never

463
00:31:10,200 --> 00:31:13,440
Speaker 1: know what's part of the weird Bridgewater Triangle stuff. So

464
00:31:13,560 --> 00:31:16,800
Speaker 1: are you a ghost hunter? I wouldn't say that exactly.

465
00:31:17,640 --> 00:31:20,680
Speaker 1: I'm not sure, I believe in ghosts. So what then,

466
00:31:21,000 --> 00:31:24,040
Speaker 1: do you think is going around killing livestock? Is it's

467
00:31:24,040 --> 00:31:28,320
Speaker 1: a vengeful spirit or look, well, I'm still at the

468
00:31:28,400 --> 00:31:32,960
Speaker 1: discovery stage. What about you. I teach a folklore class

469
00:31:33,160 --> 00:31:35,440
Speaker 1: and I'm writing a book on the triangle, so this

470
00:31:35,880 --> 00:31:38,160
Speaker 1: all just makes very interesting thought her. You know that

471
00:31:38,240 --> 00:31:43,800
Speaker 1: didn't answer my question though it didn't. Do you believe

472
00:31:43,840 --> 00:31:47,160
Speaker 1: in this stuff? Mmm? I think I'm still at the

473
00:31:47,600 --> 00:31:51,760
Speaker 1: discovery stage. Two hm. Well, if you ever want someone

474
00:31:51,840 --> 00:31:56,080
Speaker 1: to discover things with, you should look us up. Paranormal

475
00:31:56,160 --> 00:31:59,920
Speaker 1: Seekers is the name of the forum. Oh yeah, I'm

476
00:32:00,120 --> 00:32:05,000
Speaker 1: familiar you are ye uh. You know, if there's a

477
00:32:05,120 --> 00:32:08,680
Speaker 1: website out there that talks about cryptozoology, then I've been

478
00:32:08,720 --> 00:32:10,400
Speaker 1: on it. It sounds like you might not hold the

479
00:32:10,480 --> 00:32:14,360
Speaker 1: highest opinion of us. In my experience, those kinds of

480
00:32:14,400 --> 00:32:18,280
Speaker 1: places are often where urban legends start, which is interesting

481
00:32:18,440 --> 00:32:21,040
Speaker 1: in its own way. The stories that people make up

482
00:32:21,560 --> 00:32:23,800
Speaker 1: and share can tell us a lot about the role

483
00:32:23,840 --> 00:32:27,200
Speaker 1: of folklore and socialization. But it's you know, it's just

484
00:32:27,560 --> 00:32:33,880
Speaker 1: it's hardly reliable historical text. Wow, you really are a professor. Hum,

485
00:32:34,040 --> 00:32:38,520
Speaker 1: I'm sorry. You know you shouldn't write it off entirely.

486
00:32:39,200 --> 00:32:41,680
Speaker 1: There's been a lot of posting from Bridgewater people recently.

487
00:32:42,600 --> 00:32:48,920
Speaker 1: Apparently something's been happening here. Yeah, have have you experienced anything?

488
00:32:49,480 --> 00:32:51,600
Speaker 1: I just got here, but a bunch of us from

489
00:32:51,640 --> 00:32:53,760
Speaker 1: the form have made the pilgrimage over the last few weeks.

490
00:32:54,320 --> 00:32:57,120
Speaker 1: So you traveled here for this. There's been a rash

491
00:32:57,200 --> 00:33:01,880
Speaker 1: of sightings seemed worth looking into. Hey, you should give

492
00:33:01,920 --> 00:33:05,000
Speaker 1: the form another try. I get why you'd want to

493
00:33:05,040 --> 00:33:07,480
Speaker 1: write those kind of people off, but they can be

494
00:33:07,560 --> 00:33:12,240
Speaker 1: a good source of information, definitely more forthcoming than the gathering.

495
00:33:12,880 --> 00:33:15,960
Speaker 1: You know about the gathering. The paranormal seekers are a

496
00:33:16,000 --> 00:33:19,160
Speaker 1: pretty well informed group. How do you think I found

497
00:33:19,160 --> 00:33:22,320
Speaker 1: out about the cows hate? I don't know how. How

498
00:33:22,400 --> 00:33:27,080
Speaker 1: did you question? Okay, I'm just gonna tell you. The

499
00:33:27,160 --> 00:33:31,120
Speaker 1: receptionist at the VETS office is a frequent poster. Lots

500
00:33:31,200 --> 00:33:33,120
Speaker 1: of folks in Bridgewater keep their eyes and ears open

501
00:33:33,160 --> 00:33:37,400
Speaker 1: for anything strange, and some of them don't even make

502
00:33:37,480 --> 00:33:40,480
Speaker 1: this stuff up. Wow, it sounds like I need to

503
00:33:40,600 --> 00:33:43,720
Speaker 1: find those people. Then, yes, you do, but don't take

504
00:33:43,800 --> 00:33:47,520
Speaker 1: too long. Who knows how much time we've got, right? Yeah,

505
00:33:48,600 --> 00:33:56,600
Speaker 1: he looks like you're right? Is here? Um? Wait? One second,

506
00:33:56,960 --> 00:33:59,560
Speaker 1: there's gonna be an in person meet up soon. Check

507
00:33:59,600 --> 00:34:03,320
Speaker 1: it out, Okay, I will um so nice to meet you,

508
00:34:04,400 --> 00:34:21,920
Speaker 1: you two, Jeremy. This episode of Bridgewater was written by

509
00:34:22,000 --> 00:34:26,280
Speaker 1: Lauren Shippen and directed by Brendan Patrick Hughes Assistant director

510
00:34:26,440 --> 00:34:30,760
Speaker 1: Sarah Klein. Sound designed by Vincent the Johnny rema Il Kayali,

511
00:34:31,160 --> 00:34:35,040
Speaker 1: Josh Thane, and Trevor Young, with music by Chad Lawson,

512
00:34:35,640 --> 00:34:40,440
Speaker 1: starring Misha Collins as Jeremy Bradshaw, Melissa Ponzio as Anne Becker,

513
00:34:40,920 --> 00:34:45,800
Speaker 1: Alan Tutick as Thomas Bradshaw, Karen Sony as Vipen Corrana,

514
00:34:46,239 --> 00:34:51,920
Speaker 1: Sabra May as Olivia Hoskins, Cheryl Umania as Officer Bautista,

515
00:34:52,480 --> 00:34:57,400
Speaker 1: Will Wheaton as Captain Haddock, Tricia Helfer as the Legend Tripper,

516
00:34:57,920 --> 00:35:03,240
Speaker 1: Stephen Guarino as Dr Ed words Nandamisu Dumb as Peyton Blake,

517
00:35:03,719 --> 00:35:09,040
Speaker 1: Hillary Burton Morgan as Shelley Hoskins, Nicki McCauley as Celeste, Then,

518
00:35:09,200 --> 00:35:13,719
Speaker 1: Victoria Grace as Katie Frank's, with additional voice acting by

519
00:35:13,800 --> 00:35:18,960
Speaker 1: Greta Gould, Shelby Young, Adam oh Burn, Monty Markham, Charlie Bergman,

520
00:35:19,239 --> 00:35:24,560
Speaker 1: and Tern Westbrook. Executive producers Aaron Manky, Misha Collins, Lauren Shippin,

521
00:35:24,800 --> 00:35:29,440
Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Josh Thane and

522
00:35:29,600 --> 00:35:33,640
Speaker 1: Trevor Young. Bridgewater was created by me Aaron Mankey and

523
00:35:33,920 --> 00:35:36,200
Speaker 1: is a production of Grim and Mild and I Heeart

524
00:35:36,320 --> 00:35:39,000
Speaker 1: three D Audio. Learn more about the show over at

525
00:35:39,080 --> 00:35:42,400
Speaker 1: Grim and Mild dot com, slash Bridgewater and find more

526
00:35:42,480 --> 00:35:45,319
Speaker 1: podcasts from I Heart Radio on the I Heart Radio app,

527
00:35:45,400 --> 00:35:48,840
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows,

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00:35:49,400 --> 00:35:52,000
Speaker 1: and as always, thanks for listening.