WEBVTT - Out Of Context: LL Cool J And Charlamagne Tha God

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<v Speaker 1>Get it.

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<v Speaker 2>Let's get it. LL cool J, my brother good. I

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<v Speaker 2>want to set my intentions for this conversation before we

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<v Speaker 2>get started. I want people to watch this conversation, and

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<v Speaker 2>when it's over, I want them to say to themselves,

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<v Speaker 2>damn objectively, regardless how they may feel personally, who's their

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<v Speaker 2>personal favorites? Objectively, you can't have any top five greatest

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<v Speaker 2>of all time discussions without mentioning LLL cool J.

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<v Speaker 3>Yo, I take it. I take that all day.

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<v Speaker 2>Man.

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<v Speaker 3>Can I argue with that?

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<v Speaker 2>And one of the reasons I say that is because

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<v Speaker 2>you are by far hip hop's first major superstar. People

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<v Speaker 2>could say you are a prototype for what became the

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<v Speaker 2>formula for success in rap. You had the streets, you

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<v Speaker 2>had the women, and you had songs for both of them.

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<v Speaker 2>So with that said, why do you think L COOLJ

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<v Speaker 2>isn't in those conversations?

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<v Speaker 1>I would say, you know, first of all, I feel

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<v Speaker 1>like I First of all, let me just say I

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<v Speaker 1>feel appreciated, and I feel respected and I feel loved.

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<v Speaker 1>I think that you know, any in any art form,

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<v Speaker 1>in any genre, you know ultimately you know there are

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<v Speaker 1>different dynamics at work when people hear people like so

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<v Speaker 1>you know, the Internet ushered in a different came in

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<v Speaker 1>during a different era, so it documented things on a

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<v Speaker 1>different level. So some people who weren't there to necessarily

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<v Speaker 1>witness certain things might not be aware. But my job,

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<v Speaker 1>like is not to really harp on what people don't know,

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<v Speaker 1>is to show them what they should know and teach

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<v Speaker 1>them what they should know.

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<v Speaker 3>Right.

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<v Speaker 1>So it's like, that's the whole point of me making

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<v Speaker 1>new music, just to get out there, to let them

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<v Speaker 1>see what it's like to have me on the court,

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<v Speaker 1>so to speak. You know what I'm saying, to see

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<v Speaker 1>me out there balling. And the difference is, you know,

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<v Speaker 1>this isn't sports, this is art, and in art, you

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<v Speaker 1>know it's about the mind, the soul, the emotions. You

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<v Speaker 1>be connected to what you create. So you could do

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<v Speaker 1>that at a high level at any point. And I

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<v Speaker 1>think that's my that's my goal and my objective right now,

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<v Speaker 1>show people that you can take a hiatus from something,

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<v Speaker 1>do it, do something else, and then re emerge and

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<v Speaker 1>do it.

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<v Speaker 3>At a high level.

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<v Speaker 1>So you know, we'll get to it, they'll learn most most.

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<v Speaker 2>Critics will consider it risky though, because of your icon status,

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<v Speaker 2>to release a new album so long.

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<v Speaker 1>After your last one. What would you say, I'd say

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<v Speaker 1>that's the whole point. Like, that's the fun part of it.

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<v Speaker 3>Right.

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<v Speaker 1>It's like, listen, there is no great artists, great athlete,

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<v Speaker 1>or great any anybody that's great at anything if you

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<v Speaker 1>cannot be great if you're not willing to be vulnerable.

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<v Speaker 1>And this vulnerability comes from having the strength and the

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<v Speaker 1>courage to go after what it is that you want

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<v Speaker 1>and risk looking foolish in the process.

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<v Speaker 3>Lebron doesn't get the last shot.

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<v Speaker 1>Steph Curry doesn't take the last shot if he's worried

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<v Speaker 1>about his legacy. Right, Kobe don't take the last shot

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<v Speaker 1>if he's worried about his legacy. Lebron stops playing three

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<v Speaker 1>four years ago if he's worried about his legacy. But

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<v Speaker 1>because he wants to push the envelope. You're having a conversation.

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<v Speaker 1>Look at what this guy can do in year twenty,

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<v Speaker 1>Look what he can do in year five, Right, you

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<v Speaker 1>see what I'm saying. So to me, it's like, that's

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<v Speaker 1>the fun of it. Like I love that challenge. I

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<v Speaker 1>look like I am. That's what's that's what makes it

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<v Speaker 1>worth it.

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<v Speaker 3>You know what I mean?

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<v Speaker 2>So, what is legacy the ll cool, Yo, I got it.

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<v Speaker 3>You know what's funny, man? You know.

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<v Speaker 1>Nobody gets a chance to come back and say, yo,

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<v Speaker 1>correct my tombstone. You know what I mean?

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<v Speaker 3>Like yo, yo, yes, that that's not what I meant.

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<v Speaker 1>Naw. So it's like none of us really know what

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<v Speaker 1>our legacy is because why do we know that? Because

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<v Speaker 1>if you put a picture of a glass of water

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<v Speaker 1>on the internet, they're gonna argue over that, right, And

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<v Speaker 1>people rounded it. Oh, people used it to sustain life.

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<v Speaker 1>People wanted plans with it, nine people. So I don't

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<v Speaker 1>it doesn't matter. What matters is what you do in

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<v Speaker 1>the moment. You know what I'm saying.

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<v Speaker 3>What are you doing in the moment right now with

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<v Speaker 3>your life? You know what I'm saying.

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<v Speaker 1>So what I want to do is just maximize my potential.

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<v Speaker 1>Then you let you let the world decide all that.

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<v Speaker 1>There'll be generations after us that can have all them

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<v Speaker 1>debates and all them conversations.

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<v Speaker 2>To pop your shit a little bit though, put out

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<v Speaker 2>of doubt because you see the top five list and

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<v Speaker 2>there's people that came after you. They'll put on the

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<v Speaker 2>top five list and it's almost like you know, they're

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<v Speaker 2>discrediting you. In a in a sense, So you gotta

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<v Speaker 2>care about the recognition.

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<v Speaker 1>Well, I do care about the right. No, no, no, I

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<v Speaker 1>definitely care about the recognition. No, no, absolutely, I just like, like,

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<v Speaker 1>you know what you're saying. It's like sometimes you hear

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<v Speaker 1>Floyd say, Yo, everybody's entitled to their opinion. That's really

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<v Speaker 1>how I feel, like, I really don't care about that shit, man, Like,

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<v Speaker 1>if that's what you like, that's what you like, baby,

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<v Speaker 1>Like you know what I mean. Like my job is

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<v Speaker 1>to touch the people who love L and who fuck

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<v Speaker 1>with L, not to be worried about who messages with

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<v Speaker 1>this one or that one, Like you know what I'm saying, Like,

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<v Speaker 1>it doesn't, it doesn't affect my spirit on my vibe

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<v Speaker 1>because if it did, listen, man, to get the way

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<v Speaker 1>I've been in life and to get do the things

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<v Speaker 1>out do, you gotta have thick skin, bro, Like you know,

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<v Speaker 1>i'd i'd have been.

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<v Speaker 4>At a ball with my thumb in my mouth and

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<v Speaker 4>a blanky a long time ago if I was really

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<v Speaker 4>worried about these lists and people's opinions, because nothing is

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<v Speaker 4>ever gonna be perfect, you know what I mean.

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<v Speaker 1>So look, I think that history will shine kindly on me.

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<v Speaker 1>You know that at the end of the day, like

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<v Speaker 1>you gotta remember, like you're talking to look, death Jam

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<v Speaker 1>had there was Death Jam Productions. The label was Party

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<v Speaker 1>Times street Wise. They had a song by Tila Rock

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<v Speaker 1>called It's Yours.

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<v Speaker 3>I bought that. I bought that song, that.

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<v Speaker 1>Song, I took it, wrote, made a demo centered into

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<v Speaker 1>Rick Rubin, Me Russell and Rick. We ended up starting

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<v Speaker 1>Death Jam, right. They they it was their label.

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<v Speaker 3>I was the flagship.

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<v Speaker 1>Artist, right, so everything that came after me, you know

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<v Speaker 1>my first You know, you're talking to a guy whose

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<v Speaker 1>first single drop to eighty four and people, and I'm

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<v Speaker 1>still like relevant in the world globally.

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<v Speaker 3>I can't. I can't complain.

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<v Speaker 1>And if you think about everybody that came after Death Jam,

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<v Speaker 1>out of death Jam on death Jam, like I mean,

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<v Speaker 1>I basically ushered in the whole modern era of hip hop,

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<v Speaker 1>right and grew up watching Flash and the Treacherous and

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<v Speaker 1>the Crash Crew and the Feelers. Form was at those parts,

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<v Speaker 1>like at their shows and seeing them and listening to

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<v Speaker 1>the tapes and the blends and the mixes. So I've

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<v Speaker 1>been a fan from day one and then helped usher

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<v Speaker 1>in a new era as well, so I don't really

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<v Speaker 1>have any beef. You know, I feel real good about

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<v Speaker 1>my standing in this culture.

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<v Speaker 2>You know, I wanted to ask you about Death Jam too, because,

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<v Speaker 2>as you just mentioned, you were a staple at Death Jam,

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<v Speaker 2>and I would always thought they should have renegotiated your

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<v Speaker 2>contract to make.

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<v Speaker 3>You more of an owner.

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<v Speaker 1>But I catalog.

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<v Speaker 2>Oh okay, okay, I.

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<v Speaker 3>Own my catalog.

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<v Speaker 1>When you see Mama Sitt knock you out in the movie,

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<v Speaker 1>I licensed that, you know what I'm saying, like people,

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<v Speaker 1>you know.

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<v Speaker 3>People, people are under depression. Oh boy, like listen man.

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<v Speaker 2>Because that was the time back in the day artists

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<v Speaker 2>were getting gotten.

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<v Speaker 3>Nah, but see, not all artists. That speaks. That's not

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<v Speaker 3>a broad general thing.

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<v Speaker 1>That speaks to certain executives taking advantage of certain people.

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<v Speaker 1>One thing I can say about Russell and Leo. Look

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<v Speaker 1>and Russell, he didn't make a bad deal early. And

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<v Speaker 1>then Leo, he drives a hard bargain, but he'll give

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<v Speaker 1>it to you when you earn it and knows I

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<v Speaker 1>can't front on the guy. People can say what they

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<v Speaker 1>want about him, but at the end of the day,

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<v Speaker 1>I do own my catalog, and I do you know,

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<v Speaker 1>you know, have a huge interest, you know in what

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<v Speaker 1>I do. You know what I mean. Yeah, there's other

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<v Speaker 1>samples and different things, but I own all my stuff.

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<v Speaker 3>So it's like I can't complain with that.

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<v Speaker 2>The Kobe deal for you, Like, did they give you

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<v Speaker 2>that because like, Okay, this was our franchise artist. This

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<v Speaker 2>is the guy who put us on the map here

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<v Speaker 2>to take all your masters and everything else.

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<v Speaker 3>Well, it wasn't really that.

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<v Speaker 1>It was I was at a point where I was

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<v Speaker 1>my deal was up and we had you know, it

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<v Speaker 1>was like we got to find a way to make

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<v Speaker 1>it right, so and just our relationship and we just

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<v Speaker 1>made a good deal and that was part of it.

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<v Speaker 1>So you know, I'm I'm good, like you know what

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<v Speaker 1>I mean, Like I really am in a good place

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<v Speaker 1>in that way, you know what I'm saying. Not to

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<v Speaker 1>mention all the other things that I do as well,

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<v Speaker 1>so you know, I can't.

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<v Speaker 2>We're gonna get into that. Yeah, do you feel slightly

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<v Speaker 2>that it took so long for them to put you

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<v Speaker 2>in the Rock and Roll Hall of Fame?

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<v Speaker 1>Not really, because I understand that a major part of

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<v Speaker 1>my appeal, you know, especially in something especially on a

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<v Speaker 1>commercial level, was geared towards women. It was black women,

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<v Speaker 1>all women of all races, but it was a lot

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<v Speaker 1>of black women, a lot of difference. And because of that,

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<v Speaker 1>you know, you just got some dudes that you know,

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<v Speaker 1>you know that ain't you know, they want you to

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<v Speaker 1>you know, if you ain't burning the flag or you know,

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<v Speaker 1>being a revel in a different way, they want to

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<v Speaker 1>not necessarily give that. You know, everybody doesn't recognize the

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<v Speaker 1>artistry that comes with that. They think it's like there's

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<v Speaker 1>some kind of trick to that. But there you got

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<v Speaker 1>to really make them songs.

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<v Speaker 2>They don't see the value in it.

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<v Speaker 3>Yeah, you got to really write I Need Love.

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<v Speaker 1>You have to really write around the way girl, Like,

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<v Speaker 1>you really got to write these songs.

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<v Speaker 3>You got to write lounge. You got to write doing it.

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<v Speaker 1>You can't just you know, that doesn't just show up

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<v Speaker 1>because you took your shirt off, like you you know,

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<v Speaker 1>I take my shirt off. You know the song is

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<v Speaker 1>bullshit When I took my shirt off like that. It

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<v Speaker 1>doesn't work like that. Like, you actually have to write

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<v Speaker 1>the songs, so you know what I mean. Like, so

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<v Speaker 1>for some of them dudes in the Hall of Fact

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<v Speaker 1>at that time, especially when you hear in retrospect, because

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<v Speaker 1>that was an old regime. Remember that's not the new regime.

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<v Speaker 1>The new regime, they're rocket you know what I'm saying.

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<v Speaker 1>But that was another guy, and he had a whole

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<v Speaker 1>nother mindset, so you know what I mean.

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<v Speaker 2>That's interesting. So you're saying that they probably didn't respect

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<v Speaker 2>the art like they should have because of your sex

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<v Speaker 2>simple status. Yes, that's crazy because you hear that conversation

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<v Speaker 2>from women, you don't really hear that from a man's perspective.

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<v Speaker 1>Of course, it's real though, it's real. It's like you

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<v Speaker 1>know there, you know, like it's just part of the game,

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<v Speaker 1>right like at that time, Like in terms of those

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<v Speaker 1>song you know what I'm saying, Like they want, you know,

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<v Speaker 1>fight the power and only fight the power, you know

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<v Speaker 1>what I mean respectfully, you know what I'm saying, Like

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<v Speaker 1>they you know, just think about who got in and

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<v Speaker 1>why with sex cells. Yeah, but that's not necessarily you know,

0:10:16.240 --> 0:10:17.360
<v Speaker 1>let me let let's keep it.

0:10:17.360 --> 0:10:23.120
<v Speaker 3>Really, if if.

0:10:20.640 --> 0:10:22.400
<v Speaker 1>You got a dude that feels like he's living his

0:10:22.440 --> 0:10:25.240
<v Speaker 1>life making a pinky promise, the last thing, the last

0:10:25.240 --> 0:10:27.440
<v Speaker 1>thing he wants to do is put you know, the

0:10:27.520 --> 0:10:29.640
<v Speaker 1>young bull and the you know on the frame.

0:10:30.040 --> 0:10:30.960
<v Speaker 3>That's fantastic.

0:10:31.120 --> 0:10:41.080
<v Speaker 1>Hey honey, Hey, hey honey, look at this guy. Let's uh,

0:10:41.240 --> 0:10:42.520
<v Speaker 1>let's uh, let's keep him.

0:10:42.360 --> 0:10:44.880
<v Speaker 2>Out of the Yeah, yeah, let's start.

0:10:45.000 --> 0:10:47.719
<v Speaker 3>Uh yeah, let's not uh.

0:10:48.400 --> 0:10:51.959
<v Speaker 2>You know, man, does it feel well?

0:10:52.000 --> 0:10:52.080
<v Speaker 1>How?

0:10:52.120 --> 0:10:53.280
<v Speaker 3>I love that remix?

0:10:58.440 --> 0:11:01.160
<v Speaker 2>I'm grave. So you kept your shirt on mores when

0:11:01.160 --> 0:11:03.760
<v Speaker 2>they a lot okay, been a.

0:11:03.760 --> 0:11:06.960
<v Speaker 1>Lot easier, bro like like shirts on and you know

0:11:07.640 --> 0:11:10.280
<v Speaker 1>then you were not the women. It's like whatever, you know,

0:11:10.760 --> 0:11:13.080
<v Speaker 1>It's like, you know, like showed up to a cocktail

0:11:13.120 --> 0:11:15.840
<v Speaker 1>party with your tuxedo opened at a six pack with

0:11:15.920 --> 0:11:20.280
<v Speaker 1>your shirt. It probably won't go over well with some

0:11:20.559 --> 0:11:23.120
<v Speaker 1>parts of the crowd, but you embraced the door like

0:11:23.640 --> 0:11:24.040
<v Speaker 1>who's he?

0:11:27.640 --> 0:11:29.360
<v Speaker 2>It is crazy, but you embraced the door like I

0:11:29.360 --> 0:11:32.959
<v Speaker 2>always heard methhan Man say he shunned his sex symbol status.

0:11:33.000 --> 0:11:39.320
<v Speaker 3>Youmbracey, God damn right. Absolutely I loved it. Yeah why not?

0:11:40.920 --> 0:11:42.000
<v Speaker 3>I ain't no shame of mine.

0:11:42.160 --> 0:11:47.040
<v Speaker 1>Listen, listen, man, When I grew up, you know, I

0:11:47.040 --> 0:11:50.400
<v Speaker 1>grew up liking the girls, liking you know, you know.

0:11:50.480 --> 0:11:52.600
<v Speaker 3>I thought, you know, that was our goal as kids.

0:11:52.640 --> 0:11:54.520
<v Speaker 3>You know, we wasn't like in it to.

0:11:54.480 --> 0:11:55.559
<v Speaker 2>Not have them.

0:11:55.640 --> 0:11:59.720
<v Speaker 1>Yeah, I wasn't to not have no, like you know,

0:12:00.000 --> 0:12:02.320
<v Speaker 1>it wasn't like I was running around doing everything, but

0:12:02.360 --> 0:12:05.280
<v Speaker 1>I definitely was looking and it was interested, you know

0:12:05.320 --> 0:12:05.719
<v Speaker 1>what I mean.

0:12:05.840 --> 0:12:07.320
<v Speaker 3>So that's the way I.

0:12:07.320 --> 0:12:09.000
<v Speaker 2>Look at it, you know, I mean, you know, the

0:12:09.040 --> 0:12:11.319
<v Speaker 2>feel strange that this generation may know you more from

0:12:11.400 --> 0:12:12.600
<v Speaker 2>NCIS than your music.

0:12:13.600 --> 0:12:18.440
<v Speaker 1>Actually it's an amazing thing because it's like it just

0:12:18.520 --> 0:12:20.839
<v Speaker 1>it's proof that you could do anything, that you can

0:12:20.880 --> 0:12:24.160
<v Speaker 1>reinvent yourself on so many different levels. And you know, look,

0:12:24.200 --> 0:12:26.480
<v Speaker 1>I got two crowds, man, I got two crowds when

0:12:26.520 --> 0:12:29.960
<v Speaker 1>it comes to me, to my audience musically, It's the

0:12:30.520 --> 0:12:33.480
<v Speaker 1>don't call it a comeback crowd who absolutely knows what

0:12:33.520 --> 0:12:36.160
<v Speaker 1>I do, and it's the he raps crowd.

0:12:36.280 --> 0:12:37.840
<v Speaker 3>Right. I'm very aware of both of them.

0:12:38.320 --> 0:12:39.880
<v Speaker 1>I know when somebody's looking at me, they're like, oh,

0:12:39.920 --> 0:12:42.520
<v Speaker 1>he raps it, you know, Oh he hosted, I like

0:12:42.559 --> 0:12:46.120
<v Speaker 1>it shop with, I love it all. It's like, but

0:12:46.240 --> 0:12:48.760
<v Speaker 1>music is my first love, you know what I'm saying,

0:12:48.840 --> 0:12:51.680
<v Speaker 1>Music is my first love. But nah, that doesn't because

0:12:51.720 --> 0:12:53.040
<v Speaker 1>look at the end of the day, saying when you

0:12:53.040 --> 0:12:57.480
<v Speaker 1>hear artists like bitching and moaning and crying and complaining

0:12:57.480 --> 0:12:59.040
<v Speaker 1>about generations.

0:12:58.480 --> 0:13:00.200
<v Speaker 3>Not knowing them It's like, man, make a rack it,

0:13:01.240 --> 0:13:02.400
<v Speaker 3>you know, make some music.

0:13:02.440 --> 0:13:04.520
<v Speaker 1>Then you got a problem with people not knowing you

0:13:04.559 --> 0:13:06.560
<v Speaker 1>for something, then do something about it.

0:13:06.600 --> 0:13:09.440
<v Speaker 3>Make some music. Wanna sit over your crown, ain't gotta know.

0:13:09.559 --> 0:13:13.760
<v Speaker 1>And you know, art, the arts are kind of there

0:13:13.840 --> 0:13:17.080
<v Speaker 1>is a what have you done for me lately? Factor

0:13:17.160 --> 0:13:21.040
<v Speaker 1>that always plays into art as it moves through the

0:13:21.600 --> 0:13:24.200
<v Speaker 1>through through the continuum of time, you know what I'm saying.

0:13:24.240 --> 0:13:27.319
<v Speaker 1>So there's gonna be certain generations that are not as

0:13:27.360 --> 0:13:29.640
<v Speaker 1>aware if you're not current and if you don't put

0:13:29.640 --> 0:13:32.960
<v Speaker 1>out current shit. So my job is lokoj is to

0:13:32.960 --> 0:13:35.839
<v Speaker 1>put out a current album and give them a current

0:13:35.920 --> 0:13:39.319
<v Speaker 1>idea of what I think artistically, which will cause them

0:13:39.360 --> 0:13:41.080
<v Speaker 1>to look back at some of the things and go

0:13:41.240 --> 0:13:44.080
<v Speaker 1>dig into Go google my shit and get into my

0:13:44.120 --> 0:13:46.559
<v Speaker 1>older videos and get into my early stuff. They can

0:13:46.600 --> 0:13:49.520
<v Speaker 1>get that history. But you gotta do some new shit.

0:13:49.880 --> 0:13:52.240
<v Speaker 1>You know what I'm saying, Like, no excuses, you can't

0:13:52.320 --> 0:13:55.960
<v Speaker 1>you know, you know, you know, like I said on

0:13:55.960 --> 0:13:58.160
<v Speaker 1>one of my songs, on Passion, I was like, no excuses.

0:13:58.679 --> 0:14:02.440
<v Speaker 1>You better better be easy, ruthless. You know, a bunch

0:14:02.480 --> 0:14:05.720
<v Speaker 1>of paper tigers are toothless. You know that Tony Montana

0:14:05.760 --> 0:14:08.920
<v Speaker 1>blueprint is useless. Some people ignore facts that Nigga in

0:14:08.960 --> 0:14:11.240
<v Speaker 1>the Nigga and Scarface fell.

0:14:11.080 --> 0:14:11.520
<v Speaker 3>On the map.

0:14:11.559 --> 0:14:13.480
<v Speaker 1>We just act like we don't see that, you know,

0:14:13.559 --> 0:14:16.320
<v Speaker 1>asking where the weed at eliminating mids when the speakers.

0:14:15.960 --> 0:14:17.800
<v Speaker 3>Get the feedback, you know what I mean?

0:14:17.840 --> 0:14:21.120
<v Speaker 1>Like it's just like you gotta you just gotta step

0:14:21.160 --> 0:14:23.160
<v Speaker 1>into the ship that you do.

0:14:23.160 --> 0:14:23.760
<v Speaker 3>Does that make sense?

0:14:23.760 --> 0:14:25.560
<v Speaker 2>Absolutely? You just answer one of my questions. And I

0:14:25.640 --> 0:14:27.920
<v Speaker 2>was gonna ask you about you know something Mefi Man

0:14:27.920 --> 0:14:30.240
<v Speaker 2>recently said after a performance at Summer Jam, and he

0:14:30.280 --> 0:14:32.560
<v Speaker 2>said the generation gap was too wide for him, and

0:14:32.600 --> 0:14:33.960
<v Speaker 2>I was gonna ask you, do you ever feel like

0:14:34.000 --> 0:14:35.760
<v Speaker 2>you need to make you feel the need to make

0:14:35.840 --> 0:14:37.640
<v Speaker 2>music to appeal to this generation.

0:14:38.000 --> 0:14:39.560
<v Speaker 1>No, because you have to. You have to make art

0:14:39.600 --> 0:14:42.680
<v Speaker 1>that's true to you. Okay, you know it's true to you.

0:14:42.720 --> 0:14:45.440
<v Speaker 1>I don't need like for those who understand the reference.

0:14:45.440 --> 0:14:47.120
<v Speaker 1>I don't need the Golden Girls to be acting like

0:14:47.200 --> 0:14:47.880
<v Speaker 1>Nicki Minaj.

0:14:48.400 --> 0:14:52.640
<v Speaker 2>You know, let's not do that.

0:14:53.040 --> 0:14:55.240
<v Speaker 1>Let's just not do that, you know, let's not go

0:14:55.400 --> 0:14:57.840
<v Speaker 1>there with so ill don't need that. I don't need

0:14:57.880 --> 0:15:00.240
<v Speaker 1>to get my little Uzi vert on and ship little

0:15:00.320 --> 0:15:01.120
<v Speaker 1>yachty on for them.

0:15:01.360 --> 0:15:05.080
<v Speaker 3>You know, I gotta be me and they'll they'll find it.

0:15:05.480 --> 0:15:06.040
<v Speaker 1>You know what I'm saying.

0:15:06.040 --> 0:15:08.640
<v Speaker 3>Listen, at the end of the day, if I'm sixteen

0:15:08.720 --> 0:15:09.440
<v Speaker 3>years old.

0:15:09.480 --> 0:15:12.320
<v Speaker 1>Or if I'm nineteen, or if I'm twenty, the only way,

0:15:12.880 --> 0:15:15.720
<v Speaker 1>the only way you gonna get my attention is by

0:15:15.880 --> 0:15:17.800
<v Speaker 1>the person playing some shit. And that shit is hot

0:15:17.800 --> 0:15:20.000
<v Speaker 1>to me. None of that other shit matters.

0:15:20.000 --> 0:15:21.800
<v Speaker 3>The only the fuck what you did. I don't care

0:15:21.840 --> 0:15:22.560
<v Speaker 3>how you did it.

0:15:22.960 --> 0:15:25.280
<v Speaker 1>I don't care what you started, what you didn't start

0:15:25.400 --> 0:15:28.880
<v Speaker 1>with you, how you Is that shit hot? If it's

0:15:28.920 --> 0:15:31.720
<v Speaker 1>hot to me, I'm good, I'm in. If it ain't,

0:15:31.840 --> 0:15:34.920
<v Speaker 1>I'm not fucking with it. It's that simple, And that's

0:15:35.160 --> 0:15:39.880
<v Speaker 1>that's that's life, you know what I'm saying. So a

0:15:39.880 --> 0:15:41.680
<v Speaker 1>lot of these are like like meth like, you know,

0:15:41.720 --> 0:15:42.200
<v Speaker 1>that's my man.

0:15:42.200 --> 0:15:44.960
<v Speaker 3>I love him. He's super nice. Is flow crazy?

0:15:45.320 --> 0:15:48.120
<v Speaker 1>My thing with him is is that I get what

0:15:48.160 --> 0:15:51.120
<v Speaker 1>he's saying. It was it was the station's job to

0:15:51.360 --> 0:15:54.200
<v Speaker 1>kind of think about that when they were curating it,

0:15:54.280 --> 0:15:56.960
<v Speaker 1>so that it's seamless to help him out. You know

0:15:57.000 --> 0:15:58.960
<v Speaker 1>what I'm saying. You gotta put the p you gotta

0:15:59.000 --> 0:15:59.360
<v Speaker 1>line the.

0:15:59.280 --> 0:16:01.000
<v Speaker 3>Pieces up right. You know what I'm saying.

0:16:01.000 --> 0:16:03.480
<v Speaker 1>You gotta line them pieces up right because that audience

0:16:03.480 --> 0:16:05.280
<v Speaker 1>could get into their music, but they have to It

0:16:05.320 --> 0:16:07.920
<v Speaker 1>has to be sandwiched the right way and presented the

0:16:08.000 --> 0:16:10.520
<v Speaker 1>right way to give the audience an opportunity to rack

0:16:10.600 --> 0:16:13.520
<v Speaker 1>with them, because this shit is dope. If look if

0:16:13.560 --> 0:16:16.160
<v Speaker 1>Mick Jagger can run around at eighty years old and

0:16:16.200 --> 0:16:18.720
<v Speaker 1>have four generations in his show, like even me with

0:16:18.800 --> 0:16:21.040
<v Speaker 1>my Force Tour, I'm running around. I got three four

0:16:21.080 --> 0:16:24.240
<v Speaker 1>generations in the crowd. But those kids were introduced to

0:16:24.280 --> 0:16:26.440
<v Speaker 1>the music by somebody. It was laid out for them

0:16:26.440 --> 0:16:30.320
<v Speaker 1>a certain way. We did the Grammy fiftieth anniversary. We

0:16:30.440 --> 0:16:34.000
<v Speaker 1>had Glow Riller and Little Baby on the same stage.

0:16:34.000 --> 0:16:38.840
<v Speaker 1>Republic Enemy, Run, DMC, and Flash. It's doable. It's all

0:16:38.880 --> 0:16:40.720
<v Speaker 1>about how you do it, you know what I mean.

0:16:40.960 --> 0:16:43.560
<v Speaker 1>It's about execution like anything else, you know what I'm saying.

0:16:43.640 --> 0:16:46.120
<v Speaker 2>Whatever a time you were disheartened by the state of.

0:16:46.160 --> 0:16:52.360
<v Speaker 1>Hip hop, well yeah, I would say I would say

0:16:52.400 --> 0:16:54.400
<v Speaker 1>there was a moment when I felt like right before

0:16:54.440 --> 0:16:57.120
<v Speaker 1>I started rock the bells and really started, you know,

0:16:57.680 --> 0:16:59.640
<v Speaker 1>like because people have to realize like this.

0:16:59.520 --> 0:17:01.920
<v Speaker 3>Whole time timeless resurgence that people are feeling.

0:17:02.440 --> 0:17:04.800
<v Speaker 1>You know, that's because I put it on my back

0:17:04.840 --> 0:17:07.040
<v Speaker 1>with Rock the Bells and Rock the Bell's Radio and

0:17:07.080 --> 0:17:09.240
<v Speaker 1>went out there and say, you know, I'm gonna throw festivals,

0:17:09.240 --> 0:17:11.480
<v Speaker 1>I'm gonna do things. I'm gonna lift these acts up,

0:17:11.760 --> 0:17:14.520
<v Speaker 1>and those who are open and allow themselves to receive

0:17:14.560 --> 0:17:15.800
<v Speaker 1>the blessing will be lifted up.

0:17:15.840 --> 0:17:16.040
<v Speaker 3>Right.

0:17:16.520 --> 0:17:19.600
<v Speaker 1>So I felt like our music was, our culture was

0:17:19.640 --> 0:17:22.600
<v Speaker 1>being commoditized, you know what I'm saying. I felt like,

0:17:22.880 --> 0:17:26.200
<v Speaker 1>you know, if Mick Jackie can be respected, and if

0:17:26.200 --> 0:17:29.160
<v Speaker 1>Bruce Springstein can be respected, then so can Rock Kim,

0:17:29.240 --> 0:17:31.960
<v Speaker 1>and so can Chuck d and so can you know,

0:17:32.400 --> 0:17:34.560
<v Speaker 1>countless others, Queen Las, you name them.

0:17:34.840 --> 0:17:35.280
<v Speaker 3>And so.

0:17:36.720 --> 0:17:38.760
<v Speaker 1>That was a moment. But I did something about it. See,

0:17:38.760 --> 0:17:43.199
<v Speaker 1>I'm a big believer in you know, don't talk about it,

0:17:43.240 --> 0:17:45.080
<v Speaker 1>be about it, mint and if you have an issue,

0:17:45.280 --> 0:17:47.840
<v Speaker 1>if you got something that's a problem to you, address

0:17:47.880 --> 0:17:48.280
<v Speaker 1>that shit.

0:17:48.800 --> 0:17:49.440
<v Speaker 3>You know what I'm saying.

0:17:49.840 --> 0:17:52.520
<v Speaker 1>Dudes, be you know, crying and bitching and morning then

0:17:52.560 --> 0:17:55.560
<v Speaker 1>go home and sleep, you know, get high, smokes wig,

0:17:56.240 --> 0:18:00.360
<v Speaker 1>cross the motor. Next day, get high again, cross the ball.

0:18:00.720 --> 0:18:03.080
<v Speaker 1>It's like, Nah, if you got a problem, do something

0:18:03.080 --> 0:18:05.080
<v Speaker 1>about it. So I did something about it, and I

0:18:05.080 --> 0:18:08.119
<v Speaker 1>think that it really works. It led to all of

0:18:08.160 --> 0:18:11.320
<v Speaker 1>the things you see from you know, you know, draying them,

0:18:11.359 --> 0:18:13.560
<v Speaker 1>all of them rocking and killing the super Bowl to

0:18:14.640 --> 0:18:16.919
<v Speaker 1>all these artists and this research is you see it,

0:18:17.400 --> 0:18:19.880
<v Speaker 1>you know, different artists doing all these things that all

0:18:19.920 --> 0:18:23.480
<v Speaker 1>emanated from that decision that I made with Rock the Bells.

0:18:23.560 --> 0:18:27.000
<v Speaker 1>So again you're welcome, you know what I'm saying. But

0:18:27.119 --> 0:18:29.280
<v Speaker 1>that was the vibe, you know what I mean, Do

0:18:29.359 --> 0:18:31.240
<v Speaker 1>something about it. If you have an issue, and that's

0:18:31.240 --> 0:18:34.000
<v Speaker 1>in life in general. If you find you passionate about

0:18:34.000 --> 0:18:37.160
<v Speaker 1>something or angry or frustrated about something, lean into that shit.

0:18:37.359 --> 0:18:38.119
<v Speaker 3>That's your calling.

0:18:38.720 --> 0:18:40.400
<v Speaker 2>Let's ex found on that because I had a question

0:18:40.440 --> 0:18:42.159
<v Speaker 2>about Rock the Bells. Man, when you look back at

0:18:42.200 --> 0:18:45.320
<v Speaker 2>the version of yourself who recorded the song rock to Bells,

0:18:45.560 --> 0:18:47.000
<v Speaker 2>and now you look at the man you are today

0:18:47.000 --> 0:18:49.080
<v Speaker 2>and the Rock the Bells brand you created that you

0:18:49.119 --> 0:18:51.639
<v Speaker 2>were just talking about the demand in that booth recording

0:18:51.640 --> 0:18:53.760
<v Speaker 2>the song Rock the Bells back in the eighties. Envision

0:18:53.840 --> 0:18:58.119
<v Speaker 2>this hell no, okay, he don't know, Well, what's the

0:18:58.160 --> 0:19:00.240
<v Speaker 2>connection between the two, Like, why did you chose to

0:19:00.359 --> 0:19:03.159
<v Speaker 2>use that song title for this brand above all all

0:19:03.240 --> 0:19:03.800
<v Speaker 2>other songs.

0:19:03.800 --> 0:19:06.080
<v Speaker 1>Well, a few, a few times, a few things. It

0:19:06.200 --> 0:19:08.639
<v Speaker 1>was a few things. First of all, you know they

0:19:08.720 --> 0:19:10.600
<v Speaker 1>do back then. He just wanted some new sneak and

0:19:10.680 --> 0:19:13.320
<v Speaker 1>some cars and you know, some jewelry I didn't want.

0:19:13.320 --> 0:19:16.280
<v Speaker 1>I was very simple, pretty easy to you know, maybe

0:19:16.320 --> 0:19:17.560
<v Speaker 1>a little red lobster.

0:19:17.320 --> 0:19:19.640
<v Speaker 2>Or something that was fine dining back in the day.

0:19:19.640 --> 0:19:21.560
<v Speaker 3>Though the finest, Yeah, it was the finest.

0:19:21.560 --> 0:19:23.280
<v Speaker 1>They might have been playing hockey with the steak in

0:19:23.280 --> 0:19:26.600
<v Speaker 1>the kitchen, but we felt great about the ship, you

0:19:26.640 --> 0:19:30.240
<v Speaker 1>know what I mean. But as far as uh, why

0:19:30.280 --> 0:19:34.000
<v Speaker 1>that name, It started off with those guys who originally

0:19:34.040 --> 0:19:36.680
<v Speaker 1>had the Rock the Bells festival. Originally they had they

0:19:36.680 --> 0:19:39.040
<v Speaker 1>took my song. You know, a lot of things come

0:19:39.080 --> 0:19:40.119
<v Speaker 1>for me, like Rock the Vote.

0:19:40.119 --> 0:19:41.800
<v Speaker 3>That was Rock the Bells. You know a lot of

0:19:41.800 --> 0:19:42.640
<v Speaker 3>things come from.

0:19:42.440 --> 0:19:45.520
<v Speaker 1>So so they those guys they had Rock the.

0:19:45.480 --> 0:19:48.240
<v Speaker 3>Bells and then so that was cool. I didn't say nothing.

0:19:48.280 --> 0:19:48.840
<v Speaker 3>I left alone.

0:19:48.880 --> 0:19:51.399
<v Speaker 1>And then then one day they caught me up and

0:19:51.440 --> 0:19:53.560
<v Speaker 1>they offered me, you know, let's just let's just call

0:19:53.600 --> 0:19:54.800
<v Speaker 1>it ten dollars for a show.

0:19:55.080 --> 0:19:55.880
<v Speaker 3>Let's just call it that.

0:19:56.000 --> 0:19:58.160
<v Speaker 2>I ape the perform in the show called Rock the Bells.

0:19:58.600 --> 0:20:00.680
<v Speaker 1>Yeah, and when they when that when that when when

0:20:00.720 --> 0:20:02.600
<v Speaker 1>my team told me that I was looking at the phone,

0:20:02.600 --> 0:20:06.240
<v Speaker 1>I said, I want my IP back. It just it

0:20:06.560 --> 0:20:08.879
<v Speaker 1>fucked me up. It was like it just it rubbed

0:20:08.880 --> 0:20:10.520
<v Speaker 1>me wrong, you know what I mean. So I just

0:20:10.720 --> 0:20:12.240
<v Speaker 1>went and took the I P back.

0:20:12.640 --> 0:20:13.800
<v Speaker 3>You know what I'm saying. I said, yeah, let me

0:20:13.800 --> 0:20:16.120
<v Speaker 3>get that, and then I said, you know what I mean?

0:20:16.280 --> 0:20:19.480
<v Speaker 2>Then I said, yo, let me you.

0:20:20.600 --> 0:20:25.680
<v Speaker 3>Know, motherfucking fucking out of here.

0:20:26.640 --> 0:20:31.280
<v Speaker 1>So, uh so I I took it back and then

0:20:31.320 --> 0:20:33.400
<v Speaker 1>we started rolling with it. So that's really the real

0:20:33.480 --> 0:20:36.000
<v Speaker 1>reason why it ended up being that. So it could

0:20:36.000 --> 0:20:38.639
<v Speaker 1>have been any song, but that my inspiration came from

0:20:38.720 --> 0:20:40.760
<v Speaker 1>that first first I felt like, yo.

0:20:41.800 --> 0:20:44.399
<v Speaker 3>Like listen, it's kind of like.

0:20:47.480 --> 0:20:49.880
<v Speaker 1>You know, like you know, people take kindness for weakness

0:20:49.920 --> 0:20:52.639
<v Speaker 1>and sometimes they take leniency for stupidity.

0:20:54.080 --> 0:20:56.080
<v Speaker 3>I'm being lenient with you. So you think I'm stupid?

0:20:56.160 --> 0:20:59.080
<v Speaker 2>Yeah you know what I mean that they're gonna call

0:20:59.240 --> 0:20:59.520
<v Speaker 2>you this.

0:20:59.680 --> 0:21:02.840
<v Speaker 1>Yeah, yeah, yeah, you're really a sucker, Like you know,

0:21:03.080 --> 0:21:04.959
<v Speaker 1>I kind of thought you were, but now yeah, let

0:21:05.000 --> 0:21:07.080
<v Speaker 1>me call you in. So I was like, you know what,

0:21:07.680 --> 0:21:09.720
<v Speaker 1>I took it back. So anyway, I say that to say,

0:21:10.160 --> 0:21:12.159
<v Speaker 1>that's why it ended up being rocked the bells. But

0:21:13.600 --> 0:21:15.840
<v Speaker 1>my desire to lift up those other artists and to

0:21:15.880 --> 0:21:18.800
<v Speaker 1>see them respecting and elevated that came from me, you

0:21:18.840 --> 0:21:21.000
<v Speaker 1>know what I'm saying, and lifting that up, And obviously

0:21:21.119 --> 0:21:23.320
<v Speaker 1>the song was you know my shit, you know, So

0:21:23.600 --> 0:21:24.240
<v Speaker 1>that's what it was.

0:21:24.560 --> 0:21:27.679
<v Speaker 2>It's impossible to talk about you as just the hip

0:21:27.720 --> 0:21:29.879
<v Speaker 2>hop artists in regards the people who have helped the

0:21:29.920 --> 0:21:32.560
<v Speaker 2>culture move forward because of all the success you've had,

0:21:32.920 --> 0:21:35.960
<v Speaker 2>you know, in television and in film. So how important

0:21:36.119 --> 0:21:39.560
<v Speaker 2>was your appearance and Crush Groove to your career launching

0:21:39.800 --> 0:21:42.040
<v Speaker 2>to another level and taking hip hop to another level?

0:21:42.119 --> 0:21:44.160
<v Speaker 3>So Crush grew that the movie.

0:21:44.240 --> 0:21:47.320
<v Speaker 1>The film, it was about Russell's life and run Demse's life,

0:21:47.400 --> 0:21:49.119
<v Speaker 1>and it was hugely important.

0:21:49.160 --> 0:21:51.160
<v Speaker 3>First of all, the only reason there was two things.

0:21:51.200 --> 0:21:52.879
<v Speaker 1>First of all, I overslept for my I Can't Live

0:21:52.920 --> 0:21:55.399
<v Speaker 1>without my radio video because I was hanging out all

0:21:55.480 --> 0:21:57.160
<v Speaker 1>night doing so I had a show. I had a show,

0:21:57.359 --> 0:21:59.000
<v Speaker 1>so I didn't wake up in the morning, so Russell's

0:21:59.000 --> 0:22:00.520
<v Speaker 1>screaming and all that, so the.

0:22:00.560 --> 0:22:07.119
<v Speaker 3>Video didn't happen. Then after that. I wasn't even supposed

0:22:07.119 --> 0:22:08.680
<v Speaker 3>to be in that movie. In the in the movie

0:22:08.720 --> 0:22:10.240
<v Speaker 3>Crush Crew, I was an extra.

0:22:10.359 --> 0:22:12.760
<v Speaker 1>I went down there, my man and Cornell may he

0:22:12.840 --> 0:22:14.439
<v Speaker 1>rest in peace. You tell me yo, go down there

0:22:14.440 --> 0:22:16.200
<v Speaker 1>every day, go down to the set. I'm like, you

0:22:16.280 --> 0:22:18.399
<v Speaker 1>know what, Yeah, you're right, because I'm you know, I

0:22:18.800 --> 0:22:21.200
<v Speaker 1>had left home when I was sixteen. I you know,

0:22:21.480 --> 0:22:24.119
<v Speaker 1>my grandmother didn't understand me pursuing my music. I'm sleeping

0:22:24.160 --> 0:22:26.440
<v Speaker 1>on the train. I'm like, you know, I got my

0:22:26.560 --> 0:22:27.800
<v Speaker 1>green bags on the train.

0:22:27.920 --> 0:22:30.200
<v Speaker 3>I'm riding around trying to figure out what to do next.

0:22:30.680 --> 0:22:34.200
<v Speaker 1>Then I went and so I was going down to

0:22:34.280 --> 0:22:35.760
<v Speaker 1>the set every day because I you know, it was

0:22:35.840 --> 0:22:37.560
<v Speaker 1>either that or stay in the basement with a bunch

0:22:37.600 --> 0:22:39.240
<v Speaker 1>of roaches. I was like, fuck it, let me go

0:22:39.240 --> 0:22:40.920
<v Speaker 1>down there the set every day. So I was going

0:22:40.960 --> 0:22:45.640
<v Speaker 1>down there this set, and one thing left led to another.

0:22:45.720 --> 0:22:47.840
<v Speaker 1>I'm down there, you know what I'm saying, talking this

0:22:47.960 --> 0:22:49.760
<v Speaker 1>and that, and then finally they gave me a little part.

0:22:49.800 --> 0:22:52.439
<v Speaker 1>I was talking that shit and the rest is history.

0:22:52.640 --> 0:22:54.840
<v Speaker 1>It launched me because it, you know, it was like

0:22:54.920 --> 0:22:57.639
<v Speaker 1>having a national video on a national platform, so it

0:22:57.640 --> 0:23:00.160
<v Speaker 1>would be the equivalent of whatever you can think. Think

0:23:00.200 --> 0:23:03.680
<v Speaker 1>of now as a national platform for your first visual,

0:23:03.760 --> 0:23:06.040
<v Speaker 1>for people to see you first the first time, and

0:23:06.160 --> 0:23:08.080
<v Speaker 1>you know, it blew up from there. The album ended

0:23:08.160 --> 0:23:12.400
<v Speaker 1>up going platinum and you know, good things happened. Absolutely

0:23:12.480 --> 0:23:13.680
<v Speaker 1>it worked out for everybody.

0:23:13.760 --> 0:23:16.199
<v Speaker 2>When you think about movies and music, what's your favorite

0:23:16.560 --> 0:23:18.080
<v Speaker 2>movie project of your career?

0:23:18.400 --> 0:23:26.359
<v Speaker 3>My favorite movie hum probably Into Deep in Deep Blue Sea.

0:23:26.359 --> 0:23:29.560
<v Speaker 2>Loved In Too Deep Classic, I told you that before. Yeah,

0:23:29.680 --> 0:23:32.720
<v Speaker 2>God is very underrated black movie villain.

0:23:32.920 --> 0:23:35.440
<v Speaker 1>Oh yeah, he's like you know you talk about old

0:23:35.480 --> 0:23:38.000
<v Speaker 1>dog Bishop, Oh God? To put God in that oh

0:23:38.160 --> 0:23:40.399
<v Speaker 1>yeah he was, Yeah, it was it was real. Just

0:23:40.440 --> 0:23:42.639
<v Speaker 1>everybody should check that one out Into Deep Yeah, it

0:23:42.680 --> 0:23:43.080
<v Speaker 1>was crazy.

0:23:43.520 --> 0:23:47.679
<v Speaker 2>Now let's get into the album, Spirit of Cyrus.

0:23:48.280 --> 0:23:48.399
<v Speaker 4>Right.

0:23:48.760 --> 0:23:51.080
<v Speaker 2>The album's called Force, but the intro Spirit of Sirrus.

0:23:51.119 --> 0:23:53.840
<v Speaker 2>First of all, you know you addressed police brutality out

0:23:53.880 --> 0:23:56.480
<v Speaker 2>the Gate. Who is Cyrus and what inspired you to

0:23:57.240 --> 0:23:59.679
<v Speaker 2>address the injustice cops display the black people right out

0:23:59.720 --> 0:23:59.960
<v Speaker 2>the gate?

0:24:00.440 --> 0:24:03.440
<v Speaker 1>Okay, so the name of the album is the Force

0:24:03.560 --> 0:24:05.920
<v Speaker 1>is an acronym, right, frequency is a real creative energy

0:24:05.960 --> 0:24:08.520
<v Speaker 1>and Cyrus, you know, I mean people could go into

0:24:08.600 --> 0:24:10.800
<v Speaker 1>history with it. But we were talking really about you know,

0:24:11.160 --> 0:24:15.080
<v Speaker 1>the Warriors and Cyrus and this guy who was trying

0:24:15.119 --> 0:24:17.200
<v Speaker 1>to bring all of these people together and see good

0:24:17.240 --> 0:24:19.359
<v Speaker 1>things happen in his community, even though it was coming

0:24:19.400 --> 0:24:21.560
<v Speaker 1>from him being a gang leader, him being all of

0:24:21.600 --> 0:24:26.160
<v Speaker 1>these different things, and you know, he ended up going out.

0:24:26.440 --> 0:24:28.639
<v Speaker 3>Now, that was a metaphor for the guy that the.

0:24:28.680 --> 0:24:31.359
<v Speaker 1>Story was based on, because I was inspired to write

0:24:31.400 --> 0:24:34.240
<v Speaker 1>the song based on a guy named Christopher Dorner. He

0:24:34.359 --> 0:24:36.040
<v Speaker 1>was an LAPD cop who felt like he was being

0:24:36.080 --> 0:24:37.800
<v Speaker 1>a pressed And the reason why I got into the

0:24:37.920 --> 0:24:40.920
<v Speaker 1>song is because when I was doing NCIS it should

0:24:40.920 --> 0:24:44.560
<v Speaker 1>be people at high levels of law enforcement. I had

0:24:44.600 --> 0:24:46.560
<v Speaker 1>some friends at high levels because I did the show

0:24:46.600 --> 0:24:48.600
<v Speaker 1>for so many years. This dude called me up. He's like, yo,

0:24:48.680 --> 0:24:52.840
<v Speaker 1>el or Todd, Yo, what's up. Don't come outside. I'm like,

0:24:53.520 --> 0:24:54.280
<v Speaker 1>don't come outside.

0:24:54.320 --> 0:24:56.560
<v Speaker 3>The fuck that I do? Right, I ain't do nothing.

0:24:56.760 --> 0:24:58.600
<v Speaker 3>He's like, nah, you don't understand.

0:24:58.760 --> 0:25:01.560
<v Speaker 1>And he sent me a picture of Christopher Donna and

0:25:01.640 --> 0:25:03.360
<v Speaker 1>when I saw it, and he said, look, they're looking

0:25:03.440 --> 0:25:05.640
<v Speaker 1>to take this guy dead or alive, and it might

0:25:05.760 --> 0:25:08.000
<v Speaker 1>not be alive, so don't.

0:25:07.840 --> 0:25:09.479
<v Speaker 3>Come out because you could be mistaken for him.

0:25:09.480 --> 0:25:12.359
<v Speaker 1>When I saw the picture, I realized how real that was,

0:25:12.720 --> 0:25:14.880
<v Speaker 1>and so I went down the rabbit hole. And then

0:25:14.880 --> 0:25:16.639
<v Speaker 1>I ended up writing a song because I knew that

0:25:16.720 --> 0:25:18.680
<v Speaker 1>there were people that would relate to both sides of

0:25:18.720 --> 0:25:19.200
<v Speaker 1>that story.

0:25:19.480 --> 0:25:20.800
<v Speaker 3>And I said, you know what, I'm going to write

0:25:20.840 --> 0:25:22.520
<v Speaker 3>this song. And I was inspired.

0:25:22.680 --> 0:25:25.439
<v Speaker 1>Me and me and Tip, Me and Q Tip were

0:25:25.440 --> 0:25:27.160
<v Speaker 1>in the studio and he had all of these wild

0:25:27.280 --> 0:25:29.960
<v Speaker 1>synths and these this track that sounded crazy, and I

0:25:30.119 --> 0:25:34.359
<v Speaker 1>just ended up writing that song and the rest is history.

0:25:34.359 --> 0:25:35.879
<v Speaker 3>But it's a it's a it's true.

0:25:36.000 --> 0:25:40.280
<v Speaker 1>It's based on a true event, and it was inspired

0:25:40.280 --> 0:25:42.880
<v Speaker 1>by true events. And it was you know, a dude

0:25:42.880 --> 0:25:46.359
<v Speaker 1>who just who had had enough and he exploded and

0:25:46.680 --> 0:25:50.480
<v Speaker 1>you know, he was like addressing police brutality, blue on

0:25:50.720 --> 0:25:52.720
<v Speaker 1>blue brutality, like all of it.

0:25:53.160 --> 0:25:54.359
<v Speaker 3>And so I wrote the.

0:25:54.400 --> 0:25:57.720
<v Speaker 2>Song, do you have anybody doing any pushback?

0:25:57.760 --> 0:25:57.920
<v Speaker 1>Like no?

0:25:58.040 --> 0:25:59.520
<v Speaker 2>Hell love? That might affect what you got going on

0:25:59.600 --> 0:26:01.400
<v Speaker 2>in Holland would that might affect what you got going

0:26:01.440 --> 0:26:02.200
<v Speaker 2>on in television?

0:26:02.280 --> 0:26:04.680
<v Speaker 1>You can't, you know, say that about the police. Well,

0:26:04.800 --> 0:26:06.440
<v Speaker 1>I got to be true to the art on this one.

0:26:06.880 --> 0:26:10.320
<v Speaker 1>It's not like I was condoning or pushing it away.

0:26:10.480 --> 0:26:12.640
<v Speaker 1>I was just letting be in a channel to the art.

0:26:13.119 --> 0:26:16.320
<v Speaker 1>You know what I'm saying. It doesn't invite, it doesn't

0:26:16.400 --> 0:26:18.640
<v Speaker 1>incite a person one way or the other.

0:26:18.920 --> 0:26:20.159
<v Speaker 3>It's art. It's like a painting.

0:26:20.400 --> 0:26:22.160
<v Speaker 1>It's up to you to look at it and see

0:26:22.280 --> 0:26:25.120
<v Speaker 1>or hear what you want to hear. You know, obviously,

0:26:25.200 --> 0:26:27.800
<v Speaker 1>I you know, I played law enforcement for years. But

0:26:27.840 --> 0:26:30.600
<v Speaker 1>I've also had bad experiences too as a kid growing up.

0:26:30.680 --> 0:26:34.200
<v Speaker 1>So it's both right, So I think the song addresses both.

0:26:34.440 --> 0:26:37.520
<v Speaker 1>And I think that you know, anybody that's honest and

0:26:37.600 --> 0:26:38.960
<v Speaker 1>objective could just listen to it.

0:26:39.200 --> 0:26:40.680
<v Speaker 3>It is what it is, like, It's a song.

0:26:40.720 --> 0:26:43.879
<v Speaker 2>How much responsibility to do artists have the address social issues?

0:26:44.280 --> 0:26:44.840
<v Speaker 3>I don't think.

0:26:44.960 --> 0:26:47.399
<v Speaker 1>I don't think that's an artist is an artist is not.

0:26:47.600 --> 0:26:51.800
<v Speaker 1>That's not a prerequisite. That's just like saying, you know,

0:26:53.600 --> 0:26:59.000
<v Speaker 1>when when you know, when Michael Angelo sculpted David, did

0:26:59.080 --> 0:27:00.119
<v Speaker 1>he have a response.

0:27:00.000 --> 0:27:02.080
<v Speaker 3>Ability to deal with men's health? You know what I mean?

0:27:02.080 --> 0:27:04.399
<v Speaker 1>Because they got to do neicked and do standing in

0:27:04.560 --> 0:27:07.480
<v Speaker 1>neked like he's on. Michael Angelo has no addressment, Like

0:27:07.640 --> 0:27:10.480
<v Speaker 1>you know, artists see what people fail to realize is

0:27:12.840 --> 0:27:16.159
<v Speaker 1>creating art that is popular doesn't necessarily mean that you

0:27:16.280 --> 0:27:20.720
<v Speaker 1>have evolved in other areas and are necessarily inspired or

0:27:20.960 --> 0:27:24.680
<v Speaker 1>educated by or in terms of other areas. You know

0:27:24.720 --> 0:27:26.760
<v Speaker 1>what I'm saying. So you gotta let an artist be

0:27:26.840 --> 0:27:29.160
<v Speaker 1>an artists. And if you're gonna have people out there

0:27:29.280 --> 0:27:32.200
<v Speaker 1>who are very socially conscious, who care about this stuff,

0:27:32.200 --> 0:27:35.040
<v Speaker 1>and they will appeal to certain people, but you can't

0:27:35.160 --> 0:27:37.600
<v Speaker 1>just say it's your responsibility.

0:27:37.880 --> 0:27:40.320
<v Speaker 3>That doesn't work because that's not just either. You know

0:27:40.359 --> 0:27:42.560
<v Speaker 3>what I'm saying. You gotta let people be who they are.

0:27:43.320 --> 0:27:43.480
<v Speaker 3>You know.

0:27:44.520 --> 0:27:47.320
<v Speaker 1>You know that's like you know, like saying, like you know,

0:27:47.560 --> 0:27:49.560
<v Speaker 1>you can't put red in your hair because.

0:27:49.320 --> 0:27:51.120
<v Speaker 3>You have people that are triggered by red.

0:27:51.880 --> 0:27:54.359
<v Speaker 1>You can't really live your life like that, you know

0:27:54.400 --> 0:27:54.720
<v Speaker 1>what I mean?

0:27:54.840 --> 0:27:56.800
<v Speaker 3>Son?

0:27:57.119 --> 0:27:59.800
<v Speaker 1>I think artists do should do what they really feel

0:28:00.359 --> 0:28:02.600
<v Speaker 1>for real, like but what they really feel like This

0:28:02.720 --> 0:28:04.760
<v Speaker 1>album is what I really feel like. I wasn't trying

0:28:04.800 --> 0:28:07.480
<v Speaker 1>to go commercial. I'm not trying to like this ship

0:28:07.600 --> 0:28:09.600
<v Speaker 1>is you know what I wanted what I felt inspired

0:28:09.600 --> 0:28:10.399
<v Speaker 1>to make, you know.

0:28:10.440 --> 0:28:13.160
<v Speaker 2>A Saturday Night Special to record with Ross and Fat Joe.

0:28:13.560 --> 0:28:16.280
<v Speaker 2>It sounds like you were dressing people's egos.

0:28:16.320 --> 0:28:17.320
<v Speaker 3>I want I want to know what's the.

0:28:17.359 --> 0:28:19.560
<v Speaker 2>Lesson to be learned in those verses, and did you

0:28:19.720 --> 0:28:23.800
<v Speaker 2>have particular people in mind when you were writing those raps?

0:28:23.880 --> 0:28:25.920
<v Speaker 1>Well if the songs, well, look, the the verses for

0:28:26.000 --> 0:28:30.080
<v Speaker 1>me were definitely archetypes. And you know, you do have

0:28:30.280 --> 0:28:36.280
<v Speaker 1>the dude who's uh, who's greedy and extra sensitive and

0:28:37.600 --> 0:28:39.960
<v Speaker 1>pretends not to be offended when he really is, and

0:28:40.120 --> 0:28:41.760
<v Speaker 1>you have to watch out for that when you're growing

0:28:41.800 --> 0:28:43.800
<v Speaker 1>up or when you're in a boardroom, or when you're

0:28:43.800 --> 0:28:47.520
<v Speaker 1>trying to you know, pass the ball when you you know,

0:28:47.640 --> 0:28:50.200
<v Speaker 1>in law school or whatever it is you pledging. It

0:28:50.280 --> 0:28:52.800
<v Speaker 1>don't matter like you're gonna have people like that. You're

0:28:52.800 --> 0:28:54.960
<v Speaker 1>gonna have the dad devil who has to be the

0:28:55.040 --> 0:28:58.480
<v Speaker 1>center of attention or they're uncomfortable. You have that person

0:28:58.640 --> 0:29:01.400
<v Speaker 1>and they have that Ndia spirit in them all. Whatever

0:29:01.440 --> 0:29:02.920
<v Speaker 1>it is that you got to watch out for, you're

0:29:02.960 --> 0:29:05.880
<v Speaker 1>gonna have that. You're gonna have different people. But the

0:29:06.000 --> 0:29:10.560
<v Speaker 1>song is really about integrity, not moral judgment, not saying

0:29:10.600 --> 0:29:13.080
<v Speaker 1>people got to be perfect and shit, but just integrity,

0:29:13.240 --> 0:29:15.920
<v Speaker 1>like saying what you mean and meaning what you say.

0:29:16.400 --> 0:29:19.360
<v Speaker 1>And you know people say standing on business, Well that's

0:29:19.360 --> 0:29:20.960
<v Speaker 1>what it's really about. You know what I'm saying and

0:29:21.080 --> 0:29:23.640
<v Speaker 1>being solid, and so that's what the song really addresses.

0:29:23.680 --> 0:29:25.479
<v Speaker 1>And then what Joe and Rick do is they give

0:29:25.520 --> 0:29:28.600
<v Speaker 1>you examples of different types of characters that say different

0:29:28.640 --> 0:29:32.480
<v Speaker 1>types of things. And so Joe will address it one way,

0:29:32.520 --> 0:29:35.320
<v Speaker 1>and Rick is showing you an example of that type

0:29:35.360 --> 0:29:35.959
<v Speaker 1>of a character.

0:29:36.320 --> 0:29:36.960
<v Speaker 3>You know what I'm saying.

0:29:37.800 --> 0:29:41.560
<v Speaker 1>I chose to give you the lessons that are to

0:29:41.640 --> 0:29:43.000
<v Speaker 1>be learned from those characters.

0:29:43.400 --> 0:29:45.840
<v Speaker 2>And that's kind of what the song is. I like

0:29:45.960 --> 0:29:49.200
<v Speaker 2>Black Hold a Lot, Thank you. I think you should

0:29:49.200 --> 0:29:52.440
<v Speaker 2>put that out on June teenth. But you know on

0:29:52.560 --> 0:29:56.320
<v Speaker 2>Black Hole you said the only crossover you respect is Kyrie. Yeah,

0:29:57.080 --> 0:29:59.400
<v Speaker 2>what would you say to people who said you crossed

0:29:59.440 --> 0:29:59.800
<v Speaker 2>over them?

0:30:01.040 --> 0:30:08.880
<v Speaker 1>I would say they're right, and I would say it happened,

0:30:08.920 --> 0:30:10.080
<v Speaker 1>but it was never intentional.

0:30:10.880 --> 0:30:13.720
<v Speaker 3>It was organic. It was organic. You know what I'm saying.

0:30:14.320 --> 0:30:17.000
<v Speaker 1>It's like kind of like and the reason like you

0:30:17.120 --> 0:30:19.320
<v Speaker 1>look at a Kyrie, or you look at a Jordan,

0:30:19.440 --> 0:30:22.000
<v Speaker 1>or you look at a Lebron. They did cross over,

0:30:22.600 --> 0:30:25.920
<v Speaker 1>but they crossed over doing what they love. They crossed

0:30:25.920 --> 0:30:28.960
<v Speaker 1>over doing what's true to them. They didn't pretend to

0:30:29.040 --> 0:30:32.120
<v Speaker 1>be somebody else. You know what I'm saying they didn't come,

0:30:32.200 --> 0:30:34.920
<v Speaker 1>and you know, Magic didn't come and painted like he

0:30:35.000 --> 0:30:37.320
<v Speaker 1>was Loarry Bird and shit to crossover, it's like he

0:30:37.440 --> 0:30:41.080
<v Speaker 1>was magic, you know what I mean. So that's my thing,

0:30:41.200 --> 0:30:43.320
<v Speaker 1>Like my thing is, you got to be true to

0:30:43.360 --> 0:30:45.560
<v Speaker 1>who you are man, you know what I'm saying. Whatever

0:30:45.680 --> 0:30:48.440
<v Speaker 1>that is, you got to stand on that. Be yourself,

0:30:48.840 --> 0:30:50.960
<v Speaker 1>you know, like that old Oscar Wild quote, be yourself.

0:30:51.000 --> 0:30:54.960
<v Speaker 1>Everybody else is already taken. That's real shit. So yeah,

0:30:55.000 --> 0:30:56.960
<v Speaker 1>that's that's what I meant, you know what I'm saying.

0:30:57.000 --> 0:30:59.440
<v Speaker 1>So yeah, I did cross over absolutely on thousand percent

0:31:00.520 --> 0:31:04.360
<v Speaker 1>way over like Silphead Ladies in Montana. I love that show,

0:31:04.800 --> 0:31:06.640
<v Speaker 1>but I was doing what I loved, you know what

0:31:06.680 --> 0:31:08.040
<v Speaker 1>I'm saying for sure.

0:31:08.400 --> 0:31:10.440
<v Speaker 2>And I also liked the song black Hole just because

0:31:10.480 --> 0:31:12.120
<v Speaker 2>it's so black. But I remember I saw you on

0:31:12.240 --> 0:31:14.200
<v Speaker 2>the shop and you were saying, you know, one of

0:31:14.200 --> 0:31:15.800
<v Speaker 2>the reasons you reached out to the Q tip because

0:31:15.800 --> 0:31:17.280
<v Speaker 2>you're working on the album with Dre. You reached out

0:31:17.280 --> 0:31:19.760
<v Speaker 2>the Q tip because you said you really wanted like

0:31:19.880 --> 0:31:22.320
<v Speaker 2>a black, black Black and the black black album. So

0:31:22.440 --> 0:31:25.320
<v Speaker 2>it made me wonder, like, what wasn't Dre giving you

0:31:25.400 --> 0:31:26.360
<v Speaker 2>in terms of Blackness.

0:31:26.560 --> 0:31:29.280
<v Speaker 1>Oh no, no, no, Dre gave me everything. What it

0:31:29.480 --> 0:31:33.080
<v Speaker 1>was was my songwriting wasn't up to Paul when I

0:31:33.200 --> 0:31:33.800
<v Speaker 1>was working with Dre.

0:31:34.000 --> 0:31:34.720
<v Speaker 3>Dre gave me some.

0:31:35.800 --> 0:31:37.640
<v Speaker 1>Dre gave me some tracks and some so we got

0:31:37.720 --> 0:31:38.880
<v Speaker 1>so we got like forty joints.

0:31:39.120 --> 0:31:40.080
<v Speaker 3>It's just my writing.

0:31:40.520 --> 0:31:43.480
<v Speaker 1>I didn't feel like my writing was meeting Dre where

0:31:43.480 --> 0:31:46.440
<v Speaker 1>it needed to be, and so before even though I

0:31:46.520 --> 0:31:49.240
<v Speaker 1>did call Tip and got with him, in between that time,

0:31:49.560 --> 0:31:51.680
<v Speaker 1>I was back in the gym working on my jump shot. Okay,

0:31:51.760 --> 0:31:53.840
<v Speaker 1>I was working on my pen game. I was looking

0:31:53.880 --> 0:31:56.400
<v Speaker 1>analyzing my writing. I had to learn how to rap again.

0:31:57.240 --> 0:31:58.720
<v Speaker 1>I had to learn how to rap again. Wow, you

0:31:58.760 --> 0:32:01.920
<v Speaker 1>know what I'm saying. I had to because remember the

0:32:02.040 --> 0:32:06.000
<v Speaker 1>game changes, it shifts, it evolves. So the dribble that

0:32:06.200 --> 0:32:09.080
<v Speaker 1>was fancy, the Tim Hardaway dribble that was fancy at

0:32:09.160 --> 0:32:12.360
<v Speaker 1>one time and he's amazing, it's different from the Kyrie

0:32:12.520 --> 0:32:17.000
<v Speaker 1>dribble that's fancy today. Things evolved, so the same with writing,

0:32:17.160 --> 0:32:19.000
<v Speaker 1>and when you when you're doing hip hop, you have

0:32:19.120 --> 0:32:22.959
<v Speaker 1>to respect the evolution of the game. So I had

0:32:22.960 --> 0:32:26.120
<v Speaker 1>to go back and relearn, making sure them couplets were right,

0:32:26.360 --> 0:32:29.280
<v Speaker 1>making sure that wordplay was right, making sure those narratives

0:32:29.320 --> 0:32:32.000
<v Speaker 1>were correct, making sure that I was expressing myself right.

0:32:32.320 --> 0:32:34.840
<v Speaker 3>And once I worked on that in a real serious.

0:32:34.520 --> 0:32:38.000
<v Speaker 1>Way, then I got with Tip and the rest is history,

0:32:38.000 --> 0:32:41.000
<v Speaker 1>and we made this amazing body of work that I

0:32:41.080 --> 0:32:42.080
<v Speaker 1>feel really good about.

0:32:43.040 --> 0:32:44.480
<v Speaker 2>So when you revisited to doctor.

0:32:44.280 --> 0:32:46.840
<v Speaker 1>Dre, one hundred percent trade my man's you know, he

0:32:46.920 --> 0:32:49.800
<v Speaker 1>FaceTime me the other day. Man, absolutely, one hundred percent.

0:32:50.080 --> 0:32:53.240
<v Speaker 1>I just I just wasn't ready. You know what I'm saying.

0:32:53.320 --> 0:32:56.000
<v Speaker 1>He he always that's my men. You know what I'm saying,

0:32:56.120 --> 0:32:59.920
<v Speaker 1>Like he always delivers. It's just I'm not gonna put

0:33:00.080 --> 0:33:02.760
<v Speaker 1>him in a position, you know what I'm saying where

0:33:02.840 --> 0:33:04.880
<v Speaker 1>I'm not all the way there and I'm not giving

0:33:05.000 --> 0:33:08.040
<v Speaker 1>him the best. I'm not taking full advantage of our

0:33:08.920 --> 0:33:11.000
<v Speaker 1>creative relationship, you know what I mean.

0:33:11.160 --> 0:33:13.520
<v Speaker 3>I value our creative relationship.

0:33:13.200 --> 0:33:15.000
<v Speaker 1>Too much for me to be writing some some some

0:33:15.160 --> 0:33:17.400
<v Speaker 1>lame shit, some ship that I think is lame and

0:33:17.480 --> 0:33:18.640
<v Speaker 1>it's not meeting you know what I mean.

0:33:18.920 --> 0:33:20.760
<v Speaker 2>How do you get to that level of self awareness,

0:33:20.760 --> 0:33:22.440
<v Speaker 2>the way you can look at your wraps and be like, yo,

0:33:22.520 --> 0:33:23.280
<v Speaker 2>this ship is wack.

0:33:24.120 --> 0:33:24.320
<v Speaker 3>Man.

0:33:25.120 --> 0:33:26.800
<v Speaker 2>I can't see too many people doing that.

0:33:27.400 --> 0:33:28.920
<v Speaker 1>Yeah, you got a lot of people walking out the

0:33:28.960 --> 0:33:31.160
<v Speaker 1>house and outfits when they need to be doing that ship.

0:33:31.280 --> 0:33:33.160
<v Speaker 1>You know what I'm saying, Like, Yo, you gotta like, honey,

0:33:35.280 --> 0:33:39.000
<v Speaker 1>you see that ship right, Like like people like your

0:33:39.120 --> 0:33:41.360
<v Speaker 1>dude walking out he got the camel toe and shit

0:33:41.480 --> 0:33:43.000
<v Speaker 1>like you know, the fucking moose knuckle.

0:33:43.200 --> 0:33:46.000
<v Speaker 3>It's like, oh, loose some JESU bro saw yourself you left?

0:33:46.400 --> 0:33:48.480
<v Speaker 1>Yeah, before I left the house, I was like, yo, ma,

0:33:49.480 --> 0:33:51.280
<v Speaker 1>this is some moose knuckle shit. Let me you know

0:33:51.440 --> 0:33:54.280
<v Speaker 1>this is looking crazy. I'm bending over like my pants

0:33:54.320 --> 0:33:54.680
<v Speaker 1>are ripped.

0:33:54.680 --> 0:33:56.479
<v Speaker 2>And anybody that tells you are you just can hear

0:33:56.520 --> 0:33:57.000
<v Speaker 2>it yourself.

0:33:57.320 --> 0:33:59.120
<v Speaker 3>You gotta listen to it. You gotta be honest.

0:33:59.520 --> 0:34:01.840
<v Speaker 1>See, I make two types of projects, you know what

0:34:01.840 --> 0:34:04.360
<v Speaker 1>I'm saying. Like I said before, I make shit in

0:34:04.440 --> 0:34:06.440
<v Speaker 1>a vacuum where I'm just kind of experimenting for.

0:34:06.480 --> 0:34:08.840
<v Speaker 3>Me, and I make cultural albums. I was looking to

0:34:08.880 --> 0:34:10.480
<v Speaker 3>make a cultural album. I wasn't.

0:34:10.480 --> 0:34:11.759
<v Speaker 1>I didn't want to get with Dre and do my

0:34:11.840 --> 0:34:16.960
<v Speaker 1>experimental thing, because my experimental thing is never the records

0:34:17.000 --> 0:34:19.439
<v Speaker 1>that are appreciated by the culture. They're never the ones

0:34:19.480 --> 0:34:22.239
<v Speaker 1>that are asked, but they as an artist. They make

0:34:22.360 --> 0:34:24.960
<v Speaker 1>me feel good. So it's really a little weird thing

0:34:25.040 --> 0:34:27.000
<v Speaker 1>I do. And most of the time that's why after

0:34:27.040 --> 0:34:28.840
<v Speaker 1>I do a really really great album, I go do

0:34:28.960 --> 0:34:32.719
<v Speaker 1>some weird shit and that's how I work. That being said,

0:34:33.360 --> 0:34:35.360
<v Speaker 1>I wanted to make a cultural album this time, so

0:34:35.800 --> 0:34:36.560
<v Speaker 1>I had to be writing.

0:34:37.200 --> 0:34:39.399
<v Speaker 2>You got a song called thirty Decemblers. You know, most

0:34:39.400 --> 0:34:42.040
<v Speaker 2>people talk about how many summers they got. You said

0:34:42.080 --> 0:34:43.080
<v Speaker 2>you had thirty Decembers.

0:34:43.320 --> 0:34:45.680
<v Speaker 1>Yeah, because I was away a long time. I was

0:34:45.719 --> 0:34:47.359
<v Speaker 1>away from New York a long time, and I went

0:34:47.480 --> 0:34:51.320
<v Speaker 1>back during the pandemic. Right. I put the black mask on,

0:34:51.440 --> 0:34:53.160
<v Speaker 1>I got the hoodie on, I got the shades on,

0:34:53.280 --> 0:34:56.760
<v Speaker 1>I got tyms all black. I'm running around like probably

0:34:56.800 --> 0:34:58.600
<v Speaker 1>look like a stick up kid or something, right, Like,

0:34:58.680 --> 0:35:00.880
<v Speaker 1>they don't know what's going on. But I got to

0:35:00.960 --> 0:35:02.920
<v Speaker 1>go everywhere. I was all in the projects. I was

0:35:03.000 --> 0:35:05.439
<v Speaker 1>up in the pink houses. I was places they didn't

0:35:05.480 --> 0:35:08.000
<v Speaker 1>even know it was me. I'm running around in Coney Island,

0:35:08.680 --> 0:35:08.840
<v Speaker 1>you know.

0:35:08.920 --> 0:35:09.480
<v Speaker 3>And I filmed that.

0:35:09.560 --> 0:35:12.800
<v Speaker 1>I documented on the ground and I got inspired. So

0:35:12.840 --> 0:35:15.360
<v Speaker 1>I wrote thirty Decembers, you know, being on the subway

0:35:15.880 --> 0:35:17.600
<v Speaker 1>and everything I said in the song, like, you know

0:35:17.600 --> 0:35:20.600
<v Speaker 1>what I'm saying. The lady sitting next to me don't

0:35:20.600 --> 0:35:22.160
<v Speaker 1>want to move her stuff. She don't want to let

0:35:22.200 --> 0:35:24.439
<v Speaker 1>me sit down, afraid of how I get down. Ain't

0:35:24.440 --> 0:35:25.880
<v Speaker 1>dealing with that shit, now, you know what I mean?

0:35:26.000 --> 0:35:28.719
<v Speaker 1>Like all that stuff I said is really what I

0:35:28.800 --> 0:35:31.040
<v Speaker 1>went through, you know, and it was deep because the

0:35:31.120 --> 0:35:32.840
<v Speaker 1>one thing you forget about in life, you know what

0:35:32.840 --> 0:35:35.200
<v Speaker 1>I'm saying, When you like, even if you got a

0:35:35.239 --> 0:35:38.439
<v Speaker 1>good job, you forget about danger, you know what I'm saying.

0:35:38.480 --> 0:35:41.719
<v Speaker 1>You forget that danger exists. You forget that there's pissy elevators.

0:35:42.000 --> 0:35:44.720
<v Speaker 1>You forget that there's people sleeping on the floor dodging bullets.

0:35:45.600 --> 0:35:48.520
<v Speaker 1>You forget that there's people swallowing vics because they can't

0:35:48.560 --> 0:35:50.719
<v Speaker 1>go to a hospital or going to the emergency room

0:35:50.880 --> 0:35:53.399
<v Speaker 1>because they don't feel good. You forget about all that shit,

0:35:53.920 --> 0:35:59.400
<v Speaker 1>And that disconnection is part of the reason why artists

0:35:59.440 --> 0:36:01.239
<v Speaker 1>aren't able to really give the people what they want.

0:36:01.400 --> 0:36:03.799
<v Speaker 1>They start rapping about fucking grateful panna.

0:36:03.840 --> 0:36:08.080
<v Speaker 2>Right So so thirty symbol symbolizes the screets in New

0:36:08.200 --> 0:36:09.360
<v Speaker 2>York City and how.

0:36:09.280 --> 0:36:11.480
<v Speaker 1>Long it it been since I really was home for real,

0:36:11.800 --> 0:36:15.000
<v Speaker 1>not visiting the city, not visiting the city in the suv,

0:36:15.920 --> 0:36:18.160
<v Speaker 1>not visiting the city and saying, Yo, I'm from here.

0:36:18.560 --> 0:36:19.879
<v Speaker 3>No, that ain't what I'm talking about.

0:36:20.000 --> 0:36:22.680
<v Speaker 1>I'm talking about really, when's the last time you really

0:36:22.760 --> 0:36:23.920
<v Speaker 1>sat on the fucking council?

0:36:24.040 --> 0:36:26.399
<v Speaker 3>Was like this shit smell funny, you know what I mean?

0:36:26.880 --> 0:36:29.360
<v Speaker 3>Like this smelled funny in this motherfucker.

0:36:29.600 --> 0:36:31.239
<v Speaker 1>Or when you walk in the hallway and there's so

0:36:31.400 --> 0:36:34.920
<v Speaker 1>many people cooking in the projects, the fucking hallway smells

0:36:35.000 --> 0:36:39.920
<v Speaker 1>like God damn tie Italian Irish soul. Fucking your nose

0:36:40.040 --> 0:36:43.319
<v Speaker 1>is exploding with the fucking all these smells because it's

0:36:43.320 --> 0:36:45.040
<v Speaker 1>all this hooded that.

0:36:45.120 --> 0:36:45.640
<v Speaker 3>Type of shit.

0:36:46.280 --> 0:36:50.040
<v Speaker 2>Yeah, I don't think people are aware, especially I know

0:36:50.160 --> 0:36:52.200
<v Speaker 2>this generation not, and probably just a lot of people

0:36:52.239 --> 0:36:54.279
<v Speaker 2>in the industry. On you came up in a time

0:36:54.320 --> 0:36:58.000
<v Speaker 2>in NYC where rappers was running with real people. Let's

0:36:58.040 --> 0:37:00.920
<v Speaker 2>just leave it at that, real real the hustles, yeah,

0:37:01.040 --> 0:37:01.840
<v Speaker 2>the killings, everything.

0:37:01.920 --> 0:37:02.080
<v Speaker 1>Yeah.

0:37:02.160 --> 0:37:02.319
<v Speaker 4>Yeah.

0:37:03.120 --> 0:37:05.520
<v Speaker 2>What did you take from your time spent on blocks

0:37:05.560 --> 0:37:08.480
<v Speaker 2>and eat flash flat Bush with hustlers like George Chang?

0:37:08.680 --> 0:37:11.440
<v Speaker 1>Oh man, you know about George Wow stretch my man

0:37:11.480 --> 0:37:12.240
<v Speaker 1>stretched from Brooklyn.

0:37:12.320 --> 0:37:15.520
<v Speaker 3>May he rest in peace. It's so funny. Man.

0:37:18.280 --> 0:37:20.080
<v Speaker 1>I used to go out to Brooklyn with with Stretch

0:37:20.160 --> 0:37:22.239
<v Speaker 1>all the time. He had his Goal one ninety evens

0:37:22.280 --> 0:37:24.640
<v Speaker 1>and like even when I had Rock the Bells. I

0:37:24.719 --> 0:37:26.279
<v Speaker 1>remember I was playing Rock the Bells for a bit

0:37:26.360 --> 0:37:28.360
<v Speaker 1>of car time. Du was like, we pulled up on

0:37:28.480 --> 0:37:30.400
<v Speaker 1>this trew. He's like, yo, it's my man l He

0:37:30.480 --> 0:37:32.040
<v Speaker 1>wanted to know if you think he should make this

0:37:32.160 --> 0:37:32.560
<v Speaker 1>a record.

0:37:32.880 --> 0:37:33.719
<v Speaker 3>He played it for him.

0:37:34.000 --> 0:37:35.120
<v Speaker 1>He was like, yo, shit is hot.

0:37:36.160 --> 0:37:37.480
<v Speaker 3>So me and Stress were real cool.

0:37:37.840 --> 0:37:41.120
<v Speaker 1>I really hung a lot with with A Z and

0:37:41.320 --> 0:37:44.600
<v Speaker 1>Rich and I'll poll with those guys because of my

0:37:44.719 --> 0:37:46.719
<v Speaker 1>man Chuck. You know, I used to go uptown, so

0:37:46.719 --> 0:37:48.239
<v Speaker 1>I used to be on one three two all the time.

0:37:48.320 --> 0:37:50.480
<v Speaker 1>And so those are the guys like the paid in

0:37:50.560 --> 0:37:53.919
<v Speaker 1>Full movie, like like like the Paid in Full movie

0:37:53.960 --> 0:37:56.759
<v Speaker 1>guys were my real friends. And I was with him

0:37:56.760 --> 0:37:58.440
<v Speaker 1>every day. So when I did like walking with a

0:37:58.520 --> 0:38:01.680
<v Speaker 1>Panther and you know with the jewelry with the diamonds

0:38:01.719 --> 0:38:04.160
<v Speaker 1>and all that shit, like that's why I was with

0:38:04.280 --> 0:38:07.000
<v Speaker 1>every day. So it was like that definitely rubbed off

0:38:07.080 --> 0:38:10.120
<v Speaker 1>on me in terms of wardrobe, my mindset. I mean,

0:38:10.160 --> 0:38:13.440
<v Speaker 1>even songs like Saturday Night Special it still influences that

0:38:13.600 --> 0:38:16.200
<v Speaker 1>mindset because you learn how to move, you know what

0:38:16.239 --> 0:38:19.319
<v Speaker 1>I'm saying, Like, you learn that if you really, really

0:38:19.440 --> 0:38:20.880
<v Speaker 1>really want to survive in the world.

0:38:20.719 --> 0:38:21.719
<v Speaker 3>Don't try to be a tough guy.

0:38:22.960 --> 0:38:25.400
<v Speaker 1>Like that tough guy shit don't really fly because somebody's

0:38:25.400 --> 0:38:27.879
<v Speaker 1>gonna test that shit all day long. You're much better

0:38:27.960 --> 0:38:31.239
<v Speaker 1>off just having manners. I didn't say be soft. I

0:38:31.280 --> 0:38:33.759
<v Speaker 1>didn't say don't defend yourself. I didn't say don't do

0:38:33.880 --> 0:38:35.960
<v Speaker 1>what you got to do if there's a problem. I said,

0:38:36.200 --> 0:38:38.120
<v Speaker 1>don't try to be a tough guy, you know what

0:38:38.160 --> 0:38:41.719
<v Speaker 1>I'm saying. So that was the thing, like just understanding that.

0:38:42.280 --> 0:38:44.960
<v Speaker 1>And you know, those guys being you know, maybe two

0:38:45.120 --> 0:38:47.200
<v Speaker 1>three years older than me, four years older than were

0:38:47.360 --> 0:38:47.920
<v Speaker 1>just old.

0:38:47.840 --> 0:38:50.719
<v Speaker 3>Enough to kind of mentor me.

0:38:51.120 --> 0:38:54.360
<v Speaker 1>So it's like you know, coming out of queens, like

0:38:55.239 --> 0:38:59.080
<v Speaker 1>from age you know, late like sixteen seventeen, like seventeen

0:38:59.160 --> 0:39:01.840
<v Speaker 1>early maybe late sixteen, early seventeen, all the way to

0:39:02.000 --> 0:39:05.479
<v Speaker 1>like early you know, twenties or whatever. I was hanging

0:39:05.520 --> 0:39:07.360
<v Speaker 1>around for as long as they were around. I was

0:39:07.400 --> 0:39:10.160
<v Speaker 1>hanging with these guys and learning the ins and outs

0:39:10.239 --> 0:39:12.800
<v Speaker 1>of life. And it's not just all like crime and

0:39:12.920 --> 0:39:15.360
<v Speaker 1>criminal shit and all that negative shit that people always

0:39:15.400 --> 0:39:18.719
<v Speaker 1>think about, and also life lessons in it about manhood,

0:39:18.920 --> 0:39:21.200
<v Speaker 1>you know what I'm saying, and about how to be

0:39:21.360 --> 0:39:23.520
<v Speaker 1>honorable when you're moving around, and how to treat.

0:39:23.320 --> 0:39:26.200
<v Speaker 3>People, how to respect people so that you if you see.

0:39:26.040 --> 0:39:28.200
<v Speaker 1>Them again, it's not a problem. You know what I'm saying,

0:39:28.239 --> 0:39:30.879
<v Speaker 1>because you got to see people again. Man, old woman,

0:39:31.080 --> 0:39:32.040
<v Speaker 1>you gonna see them again.

0:39:32.480 --> 0:39:32.960
<v Speaker 3>You know what I mean.

0:39:33.080 --> 0:39:33.560
<v Speaker 2>Absolutely.

0:39:33.680 --> 0:39:35.319
<v Speaker 1>You know the girl would be walking past you while

0:39:35.320 --> 0:39:38.319
<v Speaker 1>you get your ass whip or getting pistolhipped about. That's right,

0:39:38.440 --> 0:39:40.560
<v Speaker 1>you know, catch one of them, man, you know, so

0:39:40.760 --> 0:39:42.480
<v Speaker 1>you you know what I mean, so you learn.

0:39:42.560 --> 0:39:42.960
<v Speaker 3>You know what I mean.

0:39:43.160 --> 0:39:45.400
<v Speaker 2>You're answered a lot of questions before you asking, because

0:39:45.400 --> 0:39:46.759
<v Speaker 2>I was gonna ask you. Like you know, you see

0:39:46.760 --> 0:39:48.960
<v Speaker 2>a lot of people in hip hop get caught up

0:39:49.040 --> 0:39:51.239
<v Speaker 2>being too close to individuals in the street. And I

0:39:51.320 --> 0:39:54.000
<v Speaker 2>was watching the Supreme Team doc and you were.

0:39:53.920 --> 0:39:57.080
<v Speaker 1>In the crowd. Oh get that fat Cat Birthday part.

0:39:57.080 --> 0:40:00.279
<v Speaker 3>Supreaming them as moment listen, listen, just black justice men.

0:40:00.560 --> 0:40:02.960
<v Speaker 1>You know what I'm saying. Bimmy's my men. I was

0:40:03.040 --> 0:40:04.920
<v Speaker 1>running with them because they were closer in age. And

0:40:05.000 --> 0:40:07.719
<v Speaker 1>then prem I knew you know, you know that that

0:40:07.920 --> 0:40:08.960
<v Speaker 1>crew like a lot of them.

0:40:09.000 --> 0:40:10.640
<v Speaker 3>I knew they were a little older, but I knew them.

0:40:11.320 --> 0:40:12.759
<v Speaker 2>So how'd you end up not getting caught up in

0:40:12.800 --> 0:40:15.640
<v Speaker 2>that like like say a IRV did not you know,

0:40:15.760 --> 0:40:16.600
<v Speaker 2>not throwing them under the bus.

0:40:16.640 --> 0:40:19.000
<v Speaker 1>But just nah, nah, I get it because you know why,

0:40:19.080 --> 0:40:22.880
<v Speaker 1>because I was around enough hustlers my whole life.

0:40:26.160 --> 0:40:29.800
<v Speaker 3>To to know that the shit ain't cute, you know

0:40:29.840 --> 0:40:32.400
<v Speaker 3>what I mean. See, let me tell you that, like.

0:40:34.560 --> 0:40:38.360
<v Speaker 1>Dudes that are insecure, that becomes like a like a

0:40:38.520 --> 0:40:41.759
<v Speaker 1>like a like a like a security blanket form, you

0:40:41.800 --> 0:40:44.560
<v Speaker 1>know what I mean. If you really understand life and

0:40:44.640 --> 0:40:47.040
<v Speaker 1>you're around enough people, you understand that you need to

0:40:47.200 --> 0:40:49.400
<v Speaker 1>just that's not you don't need to be seen in

0:40:49.480 --> 0:40:52.960
<v Speaker 1>that light. It's not necessary because I really was around it,

0:40:53.400 --> 0:40:55.840
<v Speaker 1>Like so I don't have to inject I don't have

0:40:55.960 --> 0:40:57.960
<v Speaker 1>to make that part of the loll cruise ain't narrative

0:40:58.360 --> 0:41:01.680
<v Speaker 1>because I really did. I was really there, like for real,

0:41:03.400 --> 0:41:06.160
<v Speaker 1>you know what I mean, the shower for real? Yeah,

0:41:07.280 --> 0:41:10.520
<v Speaker 1>very real. So it's like, you know, like dudes playing

0:41:10.560 --> 0:41:12.719
<v Speaker 1>with guns and dropping them on the floor for a

0:41:12.800 --> 0:41:14.240
<v Speaker 1>purpose just to see how you react.

0:41:14.640 --> 0:41:18.080
<v Speaker 3>You know, you know that kind of ship.

0:41:18.600 --> 0:41:21.640
<v Speaker 2>Yeah, you ever thought about telling those stories like in

0:41:21.719 --> 0:41:24.160
<v Speaker 2>a movie or I mean I would do a movie.

0:41:24.239 --> 0:41:26.480
<v Speaker 1>I thought about the people asked me that kind of stuff.

0:41:27.480 --> 0:41:29.000
<v Speaker 1>I would you know what I'm saying.

0:41:29.719 --> 0:41:35.359
<v Speaker 2>When I hear those stories, they sound unbelievable about the teams.

0:41:35.080 --> 0:41:44.920
<v Speaker 3>Like what yeah, yeah, nah, yeah, yeah, you know yo,

0:41:45.000 --> 0:41:49.040
<v Speaker 3>I'm listening back. You know, you know two schools of thought.

0:41:49.320 --> 0:41:51.120
<v Speaker 1>There's the guys that really, I want to be cut

0:41:51.160 --> 0:41:53.040
<v Speaker 1>from that cloth, you see me as that, And there's

0:41:53.040 --> 0:41:55.000
<v Speaker 1>the guys like, I'm gonna lay that over there because

0:41:55.719 --> 0:41:58.680
<v Speaker 1>you know, I really smelled them candles, you know what

0:41:58.719 --> 0:42:01.319
<v Speaker 1>I mean, like them candles was? I smelled them for real?

0:42:01.440 --> 0:42:03.719
<v Speaker 1>So I don't need to be you know what I mean.

0:42:03.960 --> 0:42:04.399
<v Speaker 3>I'm good.

0:42:04.600 --> 0:42:05.080
<v Speaker 2>I'm good.

0:42:05.520 --> 0:42:06.120
<v Speaker 3>Nothing to prove.

0:42:07.320 --> 0:42:10.440
<v Speaker 2>Another record off the album hewe and the chall Yeah again,

0:42:10.719 --> 0:42:13.839
<v Speaker 2>you're taking a revolutionary tone. So it made me think,

0:42:13.880 --> 0:42:16.480
<v Speaker 2>would you have rapped like that throughout your career if

0:42:16.480 --> 0:42:18.040
<v Speaker 2>it was more I guess profitable.

0:42:20.280 --> 0:42:24.040
<v Speaker 1>I didn't even take profits in the consideration. See, there's

0:42:24.080 --> 0:42:25.800
<v Speaker 1>a time to create art and as a time for

0:42:25.920 --> 0:42:30.520
<v Speaker 1>commercial consideration. If you painting them Ona Lisa, you don't

0:42:30.520 --> 0:42:34.000
<v Speaker 1>paint it, you know, thinking that you know, I don't

0:42:34.080 --> 0:42:36.480
<v Speaker 1>know something's gonna be trendy one day.

0:42:36.480 --> 0:42:39.319
<v Speaker 3>You just painted. I just I didn't. I don't take

0:42:39.360 --> 0:42:42.360
<v Speaker 3>that in consideration with this album. I wrote a record

0:42:43.120 --> 0:42:46.520
<v Speaker 3>from the heart that I think people of all.

0:42:48.760 --> 0:42:52.560
<v Speaker 1>Colors, ethnicities, cultures will be able to respect because it's

0:42:52.640 --> 0:42:55.360
<v Speaker 1>really coming from my experience of what I've seen or

0:42:55.680 --> 0:42:59.880
<v Speaker 1>what I've witnessed, or what I've envisioned it have it

0:43:00.120 --> 0:43:00.520
<v Speaker 1>came to me.

0:43:00.640 --> 0:43:03.399
<v Speaker 3>Whatever I was inspired to write, it's real.

0:43:03.560 --> 0:43:08.600
<v Speaker 1>So it's not trying. I'm not trying to be commercial.

0:43:09.320 --> 0:43:14.000
<v Speaker 1>I wanted to make something that could touch the world

0:43:14.880 --> 0:43:17.800
<v Speaker 1>in a way that is real from a hip hop standpoint.

0:43:18.840 --> 0:43:23.000
<v Speaker 1>So you know, I respected his stance. I respected, you know,

0:43:23.120 --> 0:43:25.480
<v Speaker 1>my aunt And this is an interesting thing and I

0:43:25.560 --> 0:43:28.920
<v Speaker 1>didn't know this when I did my DNA and at

0:43:28.960 --> 0:43:31.000
<v Speaker 1>Harvard and they did all this stuff and she's still

0:43:31.000 --> 0:43:34.080
<v Speaker 1>alive when we've talked. My aunt Joan, you know who

0:43:34.239 --> 0:43:36.080
<v Speaker 1>I got reconnected with later in life. She was the

0:43:36.120 --> 0:43:37.120
<v Speaker 1>first female black panther.

0:43:38.000 --> 0:43:38.280
<v Speaker 3>Really.

0:43:38.480 --> 0:43:42.960
<v Speaker 1>Yeah, my aunt Joan, Yeah, my aunt Joe from Oakland.

0:43:43.560 --> 0:43:47.640
<v Speaker 1>She's from Oakland, Joan Lewis. My uncle was John Henry Lewis.

0:43:47.680 --> 0:43:49.879
<v Speaker 1>He's a light heavyweight champion. He's in the Boxing Hall

0:43:49.920 --> 0:43:53.160
<v Speaker 1>of Fame. He's first African American light heavyweight champ. But

0:43:53.239 --> 0:43:55.320
<v Speaker 1>that whole side of my family has some very interesting

0:43:55.400 --> 0:43:58.320
<v Speaker 1>people in me. She plays a violin. She you know,

0:43:58.520 --> 0:44:02.160
<v Speaker 1>she's dope. And that that was, you know, something I

0:44:02.280 --> 0:44:05.120
<v Speaker 1>learned and discovered. I thought that was quite fascinating, the

0:44:05.239 --> 0:44:06.920
<v Speaker 1>huge thing. I thought a lot of the things he

0:44:07.080 --> 0:44:11.080
<v Speaker 1>was trying to do were worthy of respect. Absolutely, so

0:44:11.560 --> 0:44:13.120
<v Speaker 1>I wrote a song about it. I thought it was

0:44:13.680 --> 0:44:16.680
<v Speaker 1>it was worth listening to. I think that, you know,

0:44:16.760 --> 0:44:18.520
<v Speaker 1>as an artist, I would be cheating the world if

0:44:18.560 --> 0:44:19.640
<v Speaker 1>I didn't write stuff that.

0:44:21.719 --> 0:44:24.239
<v Speaker 3>Was came from my heart and soul. It's never to

0:44:24.360 --> 0:44:25.520
<v Speaker 3>exclude anybody. I don't.

0:44:25.560 --> 0:44:27.440
<v Speaker 1>I'm not even that. I'm not even built like that.

0:44:27.800 --> 0:44:30.360
<v Speaker 1>I like everybody like I like people. I'm weird, like

0:44:30.440 --> 0:44:32.600
<v Speaker 1>I don't have like all of them. You know, I

0:44:32.640 --> 0:44:36.520
<v Speaker 1>don't judge people. I'm not judgmental. I don't, but I

0:44:36.719 --> 0:44:39.439
<v Speaker 1>like so, I just wrote something that I thought people

0:44:39.440 --> 0:44:40.520
<v Speaker 1>would find fascinating.

0:44:40.680 --> 0:44:42.759
<v Speaker 2>But it clearly as a black man, that's always been

0:44:42.840 --> 0:44:44.440
<v Speaker 2>in you. You talk about your you know aunt, who

0:44:44.520 --> 0:44:46.720
<v Speaker 2>was the first black panther, So it's in your DNA.

0:44:46.840 --> 0:44:48.879
<v Speaker 2>So when you used to hear Chuck d Rapp back

0:44:48.920 --> 0:44:50.680
<v Speaker 2>in the day, did you have any of those that

0:44:50.760 --> 0:44:52.160
<v Speaker 2>you did but maybe never put out?

0:44:52.239 --> 0:44:54.080
<v Speaker 3>I did? I did? I did?

0:44:54.440 --> 0:44:54.799
<v Speaker 2>I did?

0:44:56.880 --> 0:44:57.040
<v Speaker 3>You know?

0:44:59.120 --> 0:45:02.360
<v Speaker 1>I think I think creative courage it takes time to

0:45:02.400 --> 0:45:03.120
<v Speaker 1>get to that place.

0:45:04.080 --> 0:45:06.200
<v Speaker 3>You know, when you have choices, and.

0:45:07.680 --> 0:45:11.680
<v Speaker 1>You know, quite frankly, you know, you know when you

0:45:11.840 --> 0:45:14.400
<v Speaker 1>raised to be polite and when you raised with a

0:45:14.440 --> 0:45:17.040
<v Speaker 1>certain type of manners, there's certain things you just don't

0:45:17.080 --> 0:45:19.840
<v Speaker 1>say because you don't want to ruffle feathers. And I

0:45:19.880 --> 0:45:22.439
<v Speaker 1>think that's a natural thing. Though that's not always about

0:45:22.560 --> 0:45:25.560
<v Speaker 1>That's about how you're brought up. That's about upbringing. That's

0:45:25.640 --> 0:45:28.920
<v Speaker 1>not really about like even commercial stuff. That's about upbringing.

0:45:29.360 --> 0:45:32.920
<v Speaker 1>Like you look at Pocket, it's his upbringing that fuel

0:45:33.040 --> 0:45:35.839
<v Speaker 1>that that creative music. It's your upbring So I wasn't

0:45:35.920 --> 0:45:38.279
<v Speaker 1>really brought up in that kind of household, you know

0:45:38.320 --> 0:45:40.120
<v Speaker 1>what I'm saying. I was brought up in a household

0:45:40.840 --> 0:45:44.279
<v Speaker 1>Caribbean and southern, you know what I'm saying. Grandfather from Barbados,

0:45:44.640 --> 0:45:46.399
<v Speaker 1>So it's a Caribbean influence in the house.

0:45:47.120 --> 0:45:49.240
<v Speaker 3>Working a thousand jobs, washing.

0:45:49.120 --> 0:45:50.920
<v Speaker 1>Your arms up to your elbows when you come in

0:45:51.080 --> 0:45:53.799
<v Speaker 1>all that, you know, fixing your own car and shit.

0:45:53.840 --> 0:45:56.239
<v Speaker 1>And then my grandmother from down south, so I was

0:45:56.320 --> 0:45:58.600
<v Speaker 1>raised with that Southern Caribbean vibe in my house.

0:45:58.920 --> 0:46:02.759
<v Speaker 3>So that just wasn't what we talked about. So I didn't.

0:46:02.880 --> 0:46:05.000
<v Speaker 3>I wasn't as a kid coming up, That's not what

0:46:05.080 --> 0:46:05.640
<v Speaker 3>I wrote about.

0:46:05.719 --> 0:46:07.839
<v Speaker 1>But as you evolving, as you grow as a human being,

0:46:08.200 --> 0:46:11.080
<v Speaker 1>and as you discover new things and new ship talk

0:46:11.120 --> 0:46:11.440
<v Speaker 1>about it.

0:46:11.880 --> 0:46:13.680
<v Speaker 2>Do you have a lot of unreleased music that you

0:46:13.800 --> 0:46:16.480
<v Speaker 2>recorded in like, you know, your early years, and so

0:46:16.680 --> 0:46:17.840
<v Speaker 2>why not? Why not put it up?

0:46:19.400 --> 0:46:19.719
<v Speaker 3>I don't.

0:46:19.800 --> 0:46:21.520
<v Speaker 1>I think I don't think there's anything wrong with that.

0:46:21.640 --> 0:46:23.080
<v Speaker 1>But you know they'll have plenty of time to do

0:46:23.160 --> 0:46:23.960
<v Speaker 1>all that, right, I don't.

0:46:24.120 --> 0:46:25.359
<v Speaker 3>It's not for me here.

0:46:25.440 --> 0:46:29.440
<v Speaker 1>You wait till you leave. Yeah, hell yeah. They hear

0:46:29.480 --> 0:46:33.880
<v Speaker 1>that old ship, all that old ship. Yeah, I got

0:46:33.960 --> 0:46:37.799
<v Speaker 1>the new old ship coming out. Wanna hear that old ship?

0:46:37.920 --> 0:46:38.080
<v Speaker 3>Man?

0:46:38.440 --> 0:46:41.600
<v Speaker 1>Trying to make some new ship. Let's get it popping, baby,

0:46:41.800 --> 0:46:44.000
<v Speaker 1>what's happening man? Wanna hear that old ship?

0:46:44.120 --> 0:46:44.239
<v Speaker 2>Man?

0:46:44.600 --> 0:46:45.919
<v Speaker 3>I don't even care about that ship.

0:46:46.040 --> 0:46:46.600
<v Speaker 2>Yeah.

0:46:46.840 --> 0:46:47.200
<v Speaker 3>Whatever.

0:46:47.640 --> 0:46:50.560
<v Speaker 1>These dudes, you know, like run around and you know

0:46:51.320 --> 0:46:53.040
<v Speaker 1>there's dudes right now. I think they're gonna get away

0:46:53.080 --> 0:46:55.400
<v Speaker 1>with the pro tools and all that. No, you're not mistake,

0:46:55.480 --> 0:46:59.120
<v Speaker 1>gonna wear your ass out, man. Yeah, we come to

0:46:59.160 --> 0:47:01.560
<v Speaker 1>get all that. I know you think you got it,

0:47:02.040 --> 0:47:04.600
<v Speaker 1>you think you slick. You know, a couple of dudes

0:47:04.640 --> 0:47:06.480
<v Speaker 1>put some sit up on its. I'm gonna tighten you

0:47:06.640 --> 0:47:09.040
<v Speaker 1>up too. I got something for your ass too. You know,

0:47:09.239 --> 0:47:10.560
<v Speaker 1>I know you think I forgot.

0:47:12.040 --> 0:47:14.880
<v Speaker 2>You know, I think about I was talking about you

0:47:14.960 --> 0:47:18.720
<v Speaker 2>in regard the Drake right because the way Drake doesn't

0:47:18.800 --> 0:47:21.560
<v Speaker 2>back down from a rap challenge reminds me of ll

0:47:21.800 --> 0:47:24.719
<v Speaker 2>couj because Drake makes the record for the ladies, but

0:47:24.760 --> 0:47:27.680
<v Speaker 2>he's also not afraid to mix it up as an MC.

0:47:27.800 --> 0:47:29.480
<v Speaker 2>And you had a lot of those back in the day.

0:47:29.560 --> 0:47:31.560
<v Speaker 2>You had Ice Tea, you had Hamm, a cool modd.

0:47:32.200 --> 0:47:33.640
<v Speaker 2>You know, you got it all of them onto the

0:47:33.680 --> 0:47:36.239
<v Speaker 2>break of dawn. But what happened when you and Iced

0:47:36.239 --> 0:47:38.719
<v Speaker 2>T finally bumped into each other at the Death Jam

0:47:38.800 --> 0:47:40.080
<v Speaker 2>party on Bleak and bro.

0:47:43.920 --> 0:47:46.000
<v Speaker 3>Man, Me and Ice Man, Me and Ice are cool man,

0:47:46.080 --> 0:47:46.640
<v Speaker 3>you know what I'm saying.

0:47:46.719 --> 0:47:49.439
<v Speaker 1>We bumped at each other, you know, talked a little

0:47:49.520 --> 0:47:51.279
<v Speaker 1>talk and went back and forth for the low of

0:47:51.360 --> 0:47:54.880
<v Speaker 1>this and that, but we cool like like I respect

0:47:54.960 --> 0:47:58.000
<v Speaker 1>Ice like I really do. Ice is a you know

0:47:58.000 --> 0:48:00.879
<v Speaker 1>what I'm saying. He's a smart dude. He's very clever,

0:48:01.160 --> 0:48:04.399
<v Speaker 1>very smart. Like, you know what I'm saying. Like, listen, man,

0:48:04.480 --> 0:48:07.480
<v Speaker 1>I had all kinds of runnings with all kinds of

0:48:07.560 --> 0:48:10.600
<v Speaker 1>dudes over the years. You know what I'm saying. The

0:48:10.680 --> 0:48:15.239
<v Speaker 1>bottom line is that it's always better to air on

0:48:15.320 --> 0:48:18.040
<v Speaker 1>the side of civility, man, instead of putting yourself into

0:48:18.080 --> 0:48:19.520
<v Speaker 1>some bullshit you don't want to get into.

0:48:19.800 --> 0:48:21.560
<v Speaker 3>So me and Ice we ironed that out. Man. It

0:48:21.640 --> 0:48:24.480
<v Speaker 3>wasn't no you know what I'm saying. Yeah, yeah, that's

0:48:24.560 --> 0:48:25.759
<v Speaker 3>funny though you brought that shit.

0:48:25.960 --> 0:48:27.680
<v Speaker 2>I know, because I just always wonder how cool it

0:48:27.760 --> 0:48:30.799
<v Speaker 2>heads prevailed. As you said, you you are a real

0:48:30.840 --> 0:48:32.960
<v Speaker 2>figure who ran with real figures. Yeah, Ice Tea's a

0:48:33.000 --> 0:48:34.799
<v Speaker 2>real figure who ran with real figures. But it never

0:48:34.880 --> 0:48:35.360
<v Speaker 2>got to that.

0:48:36.040 --> 0:48:39.120
<v Speaker 3>Level of yeah yeah, well I'll tell you why, because.

0:48:41.600 --> 0:48:43.160
<v Speaker 1>You know, I've always been a guy that look to

0:48:43.200 --> 0:48:48.759
<v Speaker 1>avoid problems because I know problems become real problems. And

0:48:48.880 --> 0:48:52.000
<v Speaker 1>I know how I am, you know what I mean, Like,

0:48:52.160 --> 0:48:54.719
<v Speaker 1>I don't look for problems, Bro, I don't you know

0:48:54.760 --> 0:48:56.880
<v Speaker 1>what I'm saying, Like, I'm just really not built like that.

0:48:57.040 --> 0:49:00.080
<v Speaker 1>I don't want the problems because I'm not fucked and

0:49:00.160 --> 0:49:01.960
<v Speaker 1>playing with you, you know what I mean, Like, I

0:49:02.000 --> 0:49:03.560
<v Speaker 1>don't so I don't want no problems.

0:49:04.120 --> 0:49:04.560
<v Speaker 3>You know what I say.

0:49:04.600 --> 0:49:07.320
<v Speaker 1>I'm saying I'd rather us be friends. You know what

0:49:07.360 --> 0:49:09.279
<v Speaker 1>I mean, because you have to look at me. You

0:49:09.320 --> 0:49:10.239
<v Speaker 1>gotta look at my career.

0:49:10.320 --> 0:49:10.400
<v Speaker 2>Bro.

0:49:10.520 --> 0:49:12.520
<v Speaker 1>If I put all my energy into a problem, do

0:49:12.560 --> 0:49:14.959
<v Speaker 1>you know how crazy it would be? This world would

0:49:15.000 --> 0:49:17.399
<v Speaker 1>be different if I was fucking on the other side

0:49:17.400 --> 0:49:20.640
<v Speaker 1>of the fence, the whole world. So it's like, I

0:49:20.719 --> 0:49:23.200
<v Speaker 1>don't even want to go there. You know what I'm saying.

0:49:23.239 --> 0:49:26.600
<v Speaker 1>I want to keep things positive energy, no problem, no

0:49:26.719 --> 0:49:28.280
<v Speaker 1>tough fake tough guy bullshit.

0:49:29.120 --> 0:49:32.799
<v Speaker 3>Respect dudes. Give them love, give them on a see them,

0:49:32.880 --> 0:49:33.319
<v Speaker 3>give them a.

0:49:33.400 --> 0:49:36.800
<v Speaker 1>Dap, respect them behind their backs, respect them too, not

0:49:37.000 --> 0:49:37.760
<v Speaker 1>just in their face.

0:49:38.280 --> 0:49:40.920
<v Speaker 3>You know what I'm saying. And just keep it dead,

0:49:41.200 --> 0:49:42.800
<v Speaker 3>you know what I'm saying. And it works for me.

0:49:42.880 --> 0:49:44.719
<v Speaker 1>That's why I have a lot of friends and a

0:49:44.760 --> 0:49:47.160
<v Speaker 1>lot of respect in the game. And there's very few people.

0:49:47.160 --> 0:49:49.279
<v Speaker 1>There's only a few people that you know aren't in

0:49:49.360 --> 0:49:51.560
<v Speaker 1>love with me, and I understand why. And you know,

0:49:51.920 --> 0:49:53.640
<v Speaker 1>these things happen, you know what I'm saying.

0:49:53.719 --> 0:49:55.440
<v Speaker 3>But I got good.

0:49:55.280 --> 0:49:58.560
<v Speaker 1>Relationships because of that, So I'd rather keep it dead

0:49:58.600 --> 0:49:59.399
<v Speaker 1>with it, you know what I'm saying.

0:50:00.040 --> 0:50:01.960
<v Speaker 2>You say the rappers of the day, you know about

0:50:01.960 --> 0:50:04.239
<v Speaker 2>the pitfalls of just beef and hip hop now now

0:50:04.320 --> 0:50:04.799
<v Speaker 2>that times have.

0:50:05.280 --> 0:50:09.839
<v Speaker 1>Changed, But I would say that, you know, I would

0:50:09.840 --> 0:50:11.919
<v Speaker 1>say that when it's really when it's really just about

0:50:11.960 --> 0:50:14.400
<v Speaker 1>the music and the bars, like, don't take it so personal,

0:50:14.520 --> 0:50:16.399
<v Speaker 1>be like, why the fuck are you so butt hurt

0:50:16.520 --> 0:50:18.920
<v Speaker 1>like that you want to like, you know, kill everything

0:50:19.040 --> 0:50:21.160
<v Speaker 1>moving because somebody assaulted you on the way. I do

0:50:21.360 --> 0:50:23.880
<v Speaker 1>get it, but you gotta control that, you know what

0:50:23.920 --> 0:50:25.759
<v Speaker 1>I'm saying. It's not like you can't really judge them

0:50:25.800 --> 0:50:27.840
<v Speaker 1>because I've been there, I know it. It could be upsetting.

0:50:27.960 --> 0:50:29.719
<v Speaker 1>You know. You see a girl you in you know

0:50:29.840 --> 0:50:33.160
<v Speaker 1>the record plays you wanna call your girl got you now?

0:50:33.200 --> 0:50:33.759
<v Speaker 3>You want to fight?

0:50:34.120 --> 0:50:38.360
<v Speaker 1>You know, or she might go you'd be like, yo,

0:50:38.480 --> 0:50:40.040
<v Speaker 1>this is you know, and she kind kind of gives

0:50:40.040 --> 0:50:42.960
<v Speaker 1>you the you know, you see that that little you

0:50:43.040 --> 0:50:45.480
<v Speaker 1>know that you see her mouth do this ship that

0:50:45.600 --> 0:50:49.719
<v Speaker 1>little shit You're like, now you gotta you know, like

0:50:49.800 --> 0:50:52.120
<v Speaker 1>you know, you made Drake that not like us. Shit,

0:50:52.200 --> 0:50:55.799
<v Speaker 1>that's torture for a buffer said little kids, saying that's

0:50:56.200 --> 0:50:59.120
<v Speaker 1>you know, that's just bananas. Absolutely, you'd be fine, bro,

0:50:59.440 --> 0:51:01.640
<v Speaker 1>you know what I mean, don't even trip. So my

0:51:01.719 --> 0:51:03.680
<v Speaker 1>thing is like, that's what I'm saying. So like with

0:51:03.840 --> 0:51:06.400
<v Speaker 1>the you just don't take it personal, you know what

0:51:06.400 --> 0:51:09.000
<v Speaker 1>I mean. You can't be overly sensitive, you know what

0:51:09.040 --> 0:51:11.480
<v Speaker 1>I'm saying. Is it true that you and.

0:51:11.640 --> 0:51:15.040
<v Speaker 2>Jay Z once battled in a parking lot in Manhattan

0:51:15.239 --> 0:51:18.239
<v Speaker 2>and you wrapped a verse from Funkadelic Relic and him

0:51:18.280 --> 0:51:19.440
<v Speaker 2>and his team laughed at you.

0:51:20.200 --> 0:51:22.920
<v Speaker 3>Okay, let's let's let's talk about it what it really is.

0:51:23.040 --> 0:51:24.759
<v Speaker 1>First of all, it wasn't a I didn't rap a

0:51:24.880 --> 0:51:26.080
<v Speaker 1>verse from Funkadelic Relic.

0:51:26.719 --> 0:51:33.959
<v Speaker 3>Okay, that's the first fucking thing that the story it's bullshit, Okay,

0:51:34.080 --> 0:51:34.759
<v Speaker 3>it's not true.

0:51:35.120 --> 0:51:38.600
<v Speaker 1>What did happen though, is you know, I see you know,

0:51:39.440 --> 0:51:41.520
<v Speaker 1>see guy you know Ei the club and then trying

0:51:41.560 --> 0:51:43.400
<v Speaker 1>to you know, flash money to get my attention, and

0:51:43.440 --> 0:51:45.920
<v Speaker 1>I'm looking okay, and then this man's sauce came up

0:51:45.960 --> 0:51:47.839
<v Speaker 1>to me and was rapping. So I had a couple

0:51:47.840 --> 0:51:50.520
<v Speaker 1>of rhymes. Remember I'm albums in there. You know these

0:51:50.560 --> 0:51:52.520
<v Speaker 1>are guys that ain't had that deal. So when I

0:51:52.719 --> 0:51:54.360
<v Speaker 1>have a deal, I had a suitcase and rhymes. Now

0:51:54.360 --> 0:51:57.640
<v Speaker 1>I'm albums in saw I said some rhymes. I said

0:51:57.680 --> 0:52:00.319
<v Speaker 1>a couple of rhymes. Then I said a little bit

0:52:00.400 --> 0:52:02.680
<v Speaker 1>of a song. Ain't no stopping this a little bit?

0:52:03.000 --> 0:52:05.080
<v Speaker 1>Then J came up wrapped, I was out of rhymes?

0:52:05.160 --> 0:52:09.040
<v Speaker 1>Me in no, in no scenario that was I like

0:52:09.160 --> 0:52:10.719
<v Speaker 1>fully loaded and ready to rhyme.

0:52:11.239 --> 0:52:11.879
<v Speaker 3>You know what I'm saying.

0:52:13.320 --> 0:52:16.600
<v Speaker 1>If I was, you know, I'm not exactly like you know,

0:52:16.719 --> 0:52:18.600
<v Speaker 1>the first rapper that you really want to get into

0:52:18.640 --> 0:52:20.759
<v Speaker 1>that ship? You know what I'm saying, Like I wasn't.

0:52:21.040 --> 0:52:24.439
<v Speaker 1>I wasn't like, so, yes, did I run out of rhymes?

0:52:24.600 --> 0:52:25.560
<v Speaker 1>Was I finished rapping?

0:52:25.719 --> 0:52:28.000
<v Speaker 3>A fucking ltely? Was it was? I?

0:52:28.360 --> 0:52:28.640
<v Speaker 2>Was it his?

0:52:28.960 --> 0:52:32.959
<v Speaker 1>Was it their peanut Gallery? Absolutely? But do you really

0:52:33.040 --> 0:52:35.840
<v Speaker 1>want to get into some some of that kind of

0:52:35.840 --> 0:52:38.640
<v Speaker 1>shit with LLLL like you really want that? You know

0:52:38.680 --> 0:52:41.200
<v Speaker 1>what I'm saying, Like, do do dudes really want the problems?

0:52:41.280 --> 0:52:42.680
<v Speaker 3>Or is it just a nice story to have?

0:52:43.200 --> 0:52:45.320
<v Speaker 1>It's like it's like you know, it's like like like

0:52:45.520 --> 0:52:47.600
<v Speaker 1>like Floyd taking off the gloves, stepping out the ring

0:52:47.800 --> 0:52:50.040
<v Speaker 1>and you shadow boxing in front of him, and I

0:52:50.200 --> 0:52:50.520
<v Speaker 1>caught you.

0:52:50.800 --> 0:52:54.800
<v Speaker 3>It's like, okay, okay, yeah you caught me.

0:52:55.600 --> 0:52:56.440
<v Speaker 1>Yo, y'all caught me.

0:52:56.760 --> 0:52:58.759
<v Speaker 2>Yeah, So you saw there was just one of those things.

0:52:58.800 --> 0:52:59.759
<v Speaker 2>You just weren't as prepared as you.

0:53:00.000 --> 0:53:02.160
<v Speaker 3>I wasn't prepared. I ran out of rhymes. They run

0:53:02.280 --> 0:53:04.239
<v Speaker 3>up this morn You know, he been rapping on the

0:53:04.280 --> 0:53:05.320
<v Speaker 3>corner for ten years.

0:53:05.680 --> 0:53:08.719
<v Speaker 1>He got fucking a thousand rhymes. I ain't got none.

0:53:09.000 --> 0:53:10.880
<v Speaker 1>I'm out of rhymes. He raps.

0:53:11.160 --> 0:53:14.160
<v Speaker 3>Okay, congrats, you got that one. You got that one.

0:53:14.239 --> 0:53:16.439
<v Speaker 1>But you know, if I was you, I just baked

0:53:16.480 --> 0:53:18.320
<v Speaker 1>that one and just leave it at that, you know

0:53:18.320 --> 0:53:19.959
<v Speaker 1>what I mean? Don't like drop nothing?

0:53:20.600 --> 0:53:22.839
<v Speaker 2>Is that Where the whole jay Z and llll COO

0:53:22.920 --> 0:53:24.200
<v Speaker 2>J got problems came from?

0:53:24.800 --> 0:53:26.840
<v Speaker 3>I don't know. I couldn't even tell you, bro.

0:53:27.560 --> 0:53:29.920
<v Speaker 2>There was another rumor that the song Lounging, Your song

0:53:30.000 --> 0:53:35.359
<v Speaker 2>Lounging was about Hole. I mean because at the time

0:53:35.400 --> 0:53:38.600
<v Speaker 2>he was known for the Lexus and you was looking

0:53:38.640 --> 0:53:42.360
<v Speaker 2>at me. He was known for the Lexus and he got.

0:53:42.280 --> 0:53:44.720
<v Speaker 3>Stocking fucking Lexus, I can't rap about a Lexus.

0:53:45.000 --> 0:53:50.120
<v Speaker 1>My nigga got stocking Lexus. Hey, I can't mention it Lexuss. Fuck,

0:53:50.680 --> 0:53:53.200
<v Speaker 1>let's go on. What are we doing here? Like how

0:53:53.520 --> 0:53:54.040
<v Speaker 1>personally are.

0:53:53.960 --> 0:53:54.799
<v Speaker 3>We gonna take this ship?

0:53:54.880 --> 0:53:54.960
<v Speaker 1>Bro?

0:53:55.239 --> 0:53:55.279
<v Speaker 3>Like?

0:53:55.400 --> 0:53:57.000
<v Speaker 2>But with any of those balls about.

0:53:56.840 --> 0:54:03.840
<v Speaker 1>Jay No, Like look, okay, So I'll tell you to

0:54:03.880 --> 0:54:06.600
<v Speaker 1>you like this, if a dude makes a song, right,

0:54:06.920 --> 0:54:11.800
<v Speaker 1>and I make a contrary a contrasting idea about a

0:54:11.920 --> 0:54:16.080
<v Speaker 1>similar like in other words, if you say, yo, yo baby,

0:54:16.120 --> 0:54:19.160
<v Speaker 1>I'm coming upstairs to see you, right, and then I'm like, yo,

0:54:19.960 --> 0:54:23.239
<v Speaker 1>if I if I said something like if that inspired me, right,

0:54:23.480 --> 0:54:27.560
<v Speaker 1>and I'm like, you know what, let him come upstairs,

0:54:27.560 --> 0:54:29.320
<v Speaker 1>I'm gonna going around the side or some shit like that.

0:54:29.760 --> 0:54:31.319
<v Speaker 3>That's not a disrespect bro.

0:54:32.160 --> 0:54:35.880
<v Speaker 1>Had you had a song, it had some cool ideas,

0:54:35.920 --> 0:54:39.120
<v Speaker 1>and it I just as an artist, was inspired and

0:54:39.239 --> 0:54:44.719
<v Speaker 1>made some contrasting you know, a contrasting statement about what

0:54:44.880 --> 0:54:46.800
<v Speaker 1>you were kind of saying in a contra like the

0:54:46.920 --> 0:54:50.000
<v Speaker 1>contrast of it. It wasn't like I don't even know you,

0:54:50.200 --> 0:54:52.919
<v Speaker 1>don't I don't know you from a hole in the wall,

0:54:53.160 --> 0:54:55.959
<v Speaker 1>like at all. I have not like what what could

0:54:56.000 --> 0:54:59.520
<v Speaker 1>I possibly want from him in nineties, Like, let's think

0:54:59.520 --> 0:55:00.719
<v Speaker 1>about Night ninety six.

0:55:00.880 --> 0:55:01.839
<v Speaker 3>What do I want with him?

0:55:01.920 --> 0:55:02.680
<v Speaker 2>Yeah, he's brand new?

0:55:03.040 --> 0:55:06.080
<v Speaker 3>What could I possibly want? And so all I did

0:55:06.280 --> 0:55:07.480
<v Speaker 3>was there were songs out.

0:55:07.600 --> 0:55:11.400
<v Speaker 1>I've made some contrasting statements based.

0:55:11.160 --> 0:55:14.520
<v Speaker 3>On his song and my song like that. There wasn't

0:55:14.560 --> 0:55:18.080
<v Speaker 3>no disrespect. But again that goes back to that sensitivity.

0:55:18.160 --> 0:55:19.719
<v Speaker 3>Be dudes, be sensitive.

0:55:19.800 --> 0:55:23.640
<v Speaker 1>Man. It's like, dude, like, don't assume the worst? Why

0:55:23.680 --> 0:55:28.000
<v Speaker 1>are you assuming the worst? Why not assume the best?

0:55:28.160 --> 0:55:32.640
<v Speaker 1>Why not say yo, yo, let's fuck with something like

0:55:32.760 --> 0:55:35.080
<v Speaker 1>why does it have to be I'm dissing you? Like

0:55:35.160 --> 0:55:37.360
<v Speaker 1>I wasn't dissing that, man. I hain't no reason to

0:55:37.440 --> 0:55:40.080
<v Speaker 1>dism like for what. Even to today, I don't want

0:55:40.080 --> 0:55:42.560
<v Speaker 1>to disshome for what. I don't want nothing from him,

0:55:42.640 --> 0:55:44.839
<v Speaker 1>I don't need nothing from him. I'm not looking for nothing.

0:55:44.840 --> 0:55:45.880
<v Speaker 3>But I don't have any problems.

0:55:46.440 --> 0:55:50.200
<v Speaker 2>Like you know, there is that infamous picure of you

0:55:50.280 --> 0:55:52.400
<v Speaker 2>at the awards. You're looking at him when you sizing

0:55:52.440 --> 0:55:55.800
<v Speaker 2>them up, like yo, I got the rhymes right now now.

0:55:56.600 --> 0:55:58.440
<v Speaker 1>Now, what it probably is is he was looking at

0:55:58.480 --> 0:56:01.160
<v Speaker 1>that like at me like that when they caught the shot.

0:56:01.760 --> 0:56:04.000
<v Speaker 1>You know, that's like that's like the teacher I got

0:56:04.040 --> 0:56:06.279
<v Speaker 1>you last. It's like a motherfucker look at you, and

0:56:06.320 --> 0:56:08.040
<v Speaker 1>then you look at him, and then the teacher get

0:56:08.080 --> 0:56:10.440
<v Speaker 1>out of my classroom. You know, it's like I just

0:56:10.520 --> 0:56:11.640
<v Speaker 1>got the I got caught.

0:56:11.760 --> 0:56:11.880
<v Speaker 3>You know.

0:56:12.160 --> 0:56:14.120
<v Speaker 2>You know Pick, I'm talking know exactly what you're talking about.

0:56:14.160 --> 0:56:15.800
<v Speaker 2>Do you remember what you were thinking about in that

0:56:15.880 --> 0:56:19.080
<v Speaker 2>moment exactly? Yeah, I was probably thinking small fucking get

0:56:19.120 --> 0:56:21.160
<v Speaker 2>on my nerves. He's looking at me all crazy, but

0:56:21.280 --> 0:56:23.520
<v Speaker 2>some shit like that, smart fucking get on my nerves. Man,

0:56:23.560 --> 0:56:25.800
<v Speaker 2>we get a smart fucking and then like a friendly competition,

0:56:25.920 --> 0:56:27.279
<v Speaker 2>because you know, I even think about it had to

0:56:27.320 --> 0:56:29.600
<v Speaker 2>be kind of difficult when he became president of the

0:56:29.640 --> 0:56:30.880
<v Speaker 2>Death Jam because now he's.

0:56:31.000 --> 0:56:33.920
<v Speaker 1>Wasn't difficult at all. We had a meeting, wasn't difficult.

0:56:34.160 --> 0:56:36.640
<v Speaker 1>Only thing difficult is or promote my ship. I don't

0:56:36.680 --> 0:56:40.320
<v Speaker 1>get like, you know, people funny with that, because like

0:56:40.440 --> 0:56:42.520
<v Speaker 1>you have people that all say, like, yo, hell, that's

0:56:42.600 --> 0:56:44.399
<v Speaker 1>crazy when they gave this guy a job. But first

0:56:44.400 --> 0:56:45.880
<v Speaker 1>of all, I don't like talking about people like this.

0:56:46.160 --> 0:56:48.520
<v Speaker 1>This is ridiculous, But I just do it because everybody's

0:56:48.560 --> 0:56:50.960
<v Speaker 1>going to be already around. We already viral any fucking

0:56:51.000 --> 0:56:55.799
<v Speaker 1>with so I'm as well finish. So listen, I'm gonna

0:56:55.840 --> 0:56:58.759
<v Speaker 1>use it of some Some people who are familiar with

0:56:58.840 --> 0:57:01.680
<v Speaker 1>this will understand it. When Michael Jackson was on Motown,

0:57:01.760 --> 0:57:04.800
<v Speaker 1>he never wanted to be the president, Bro, I didn't

0:57:04.800 --> 0:57:06.560
<v Speaker 1>never want to be no president in the death jam

0:57:06.719 --> 0:57:07.000
<v Speaker 1>or do.

0:57:07.120 --> 0:57:10.320
<v Speaker 3>No, I didn't want a job fucking mc fuck. I

0:57:10.360 --> 0:57:12.439
<v Speaker 3>ain't a couple of people, Yo Russell, give me a job.

0:57:12.640 --> 0:57:13.640
<v Speaker 1>That's not what I was in it for.

0:57:14.080 --> 0:57:16.320
<v Speaker 3>So No, I didn't and I didn't have begrudge him.

0:57:16.560 --> 0:57:19.400
<v Speaker 3>He had. People have different things that they want to accomplish.

0:57:19.880 --> 0:57:20.720
<v Speaker 3>I celebrate that.

0:57:21.400 --> 0:57:25.080
<v Speaker 1>I'm happy for him, like seriously, sincerely, Like I'm happy

0:57:25.120 --> 0:57:27.480
<v Speaker 1>for homie, Like I'm happy that he's doing what he's doing.

0:57:27.480 --> 0:57:30.200
<v Speaker 3>I'm happy that. Like, even when that happened, I.

0:57:30.160 --> 0:57:32.080
<v Speaker 1>Didn't have any issue because I had no reason to

0:57:32.120 --> 0:57:34.560
<v Speaker 1>think that it would be anything negative. And if anything,

0:57:34.880 --> 0:57:37.800
<v Speaker 1>you have somebody that understands what you do and what

0:57:37.920 --> 0:57:39.960
<v Speaker 1>you go through as an artist who's been through some things.

0:57:40.040 --> 0:57:42.320
<v Speaker 1>So nah, I didn't feel no kind of way. You know,

0:57:42.440 --> 0:57:44.760
<v Speaker 1>we met and stuff. I don't really know what that

0:57:44.920 --> 0:57:48.640
<v Speaker 1>dynamic is about. I really don't like I really don't

0:57:48.680 --> 0:57:49.200
<v Speaker 1>know what it's about.

0:57:49.200 --> 0:57:51.480
<v Speaker 2>When y'all meant to talk about, you know, the album

0:57:51.520 --> 0:57:53.920
<v Speaker 2>or whatever, did y'all have good conversations, y'all bring all

0:57:54.000 --> 0:57:55.240
<v Speaker 2>of this to the forefront.

0:57:55.280 --> 0:57:57.480
<v Speaker 1>Yea, it was not. We didn't we never you know,

0:57:57.720 --> 0:57:59.840
<v Speaker 1>sometimes you're right. Sometimes you got to give the elephant

0:58:00.080 --> 0:58:00.880
<v Speaker 1>rooms some peanuts.

0:58:01.360 --> 0:58:03.280
<v Speaker 3>You know what I'm saying. We didn't really address it. No,

0:58:03.360 --> 0:58:05.080
<v Speaker 3>we didn't. We didn't. We didn't really address it.

0:58:05.160 --> 0:58:09.800
<v Speaker 1>But I can tell you this, I sincerely I like

0:58:09.880 --> 0:58:11.760
<v Speaker 1>his music. I don't have no issues with them. You

0:58:11.800 --> 0:58:13.640
<v Speaker 1>know what I'm saying, Like it is what it is.

0:58:13.840 --> 0:58:17.600
<v Speaker 1>You know what I'm saying, Like I'm not. I'm not

0:58:18.520 --> 0:58:21.880
<v Speaker 1>you know, you know I'm I'm I'm in LL mode.

0:58:21.920 --> 0:58:23.360
<v Speaker 3>Man. Think about LL cool J.

0:58:23.480 --> 0:58:24.880
<v Speaker 2>When I look at y'all and hip hop, I look

0:58:24.880 --> 0:58:26.920
<v Speaker 2>at you as Magic Johnson, I look at I look

0:58:26.920 --> 0:58:29.160
<v Speaker 2>at him as Michael Jordan. But you don't get no

0:58:29.280 --> 0:58:30.840
<v Speaker 2>Jordan without Magic.

0:58:31.120 --> 0:58:32.560
<v Speaker 3>I mean that's one way of looking at them.

0:58:32.600 --> 0:58:36.440
<v Speaker 2>Like Magic is literally the top five of all time easily.

0:58:36.840 --> 0:58:39.960
<v Speaker 1>You know maybe you know maybe, but you know, I

0:58:40.000 --> 0:58:41.960
<v Speaker 1>guess the move. The movie credits ain't roll yet, so

0:58:42.040 --> 0:58:44.160
<v Speaker 1>we got to see how that how it works out? Yeah?

0:58:45.000 --> 0:58:45.480
<v Speaker 3>You know what I mean?

0:58:45.760 --> 0:58:49.040
<v Speaker 2>Would you be open to a friendly a friendly spar

0:58:49.520 --> 0:58:52.800
<v Speaker 2>what kind of lyrical lyrical damn l lyrics?

0:58:56.840 --> 0:58:58.600
<v Speaker 1>Did I get excited? Like?

0:59:00.040 --> 0:59:01.479
<v Speaker 3>What was far you're talking about?

0:59:05.480 --> 0:59:06.960
<v Speaker 2>Cause you know you remember at the Hall of Fame.

0:59:07.160 --> 0:59:08.560
<v Speaker 2>I don't know what it was, the Hall of Fame

0:59:08.560 --> 0:59:10.280
<v Speaker 2>of the seventy Maybe was just when they did the

0:59:10.320 --> 0:59:13.440
<v Speaker 2>seventy five NBA inductions and Jordan saw Magic. You're like,

0:59:13.440 --> 0:59:14.080
<v Speaker 2>I crossed you up.

0:59:14.600 --> 0:59:21.840
<v Speaker 1>We can get at it right now, yo, listen man, Yeah,

0:59:22.400 --> 0:59:25.920
<v Speaker 1>I mean, you know, hey, I'm bad. You want to

0:59:26.000 --> 0:59:28.280
<v Speaker 1>know Broka, you know what I'm saying, Like, okay, okay,

0:59:29.160 --> 0:59:31.760
<v Speaker 1>you know I wouldn't you know, I would say, let's

0:59:31.800 --> 0:59:32.800
<v Speaker 1>just all stay focused.

0:59:32.920 --> 0:59:35.439
<v Speaker 3>You know they don't know. Let's just stay focused, baby,

0:59:35.440 --> 0:59:36.320
<v Speaker 3>don't get distracted.

0:59:37.480 --> 0:59:39.840
<v Speaker 1>You're getting it now. Just leave it alone, just win, Just.

0:59:39.920 --> 0:59:41.000
<v Speaker 3>Do your thing, you know what I'm saying.

0:59:41.480 --> 0:59:44.040
<v Speaker 2>Whatever whatever happened to the e love the brother that

0:59:44.280 --> 0:59:47.160
<v Speaker 2>carried your radio now ear was he's in I think

0:59:47.200 --> 0:59:47.800
<v Speaker 2>he's in Cali.

0:59:48.000 --> 0:59:50.640
<v Speaker 1>You know what I'm saying. I'm not sure what he's doing.

0:59:51.240 --> 0:59:52.760
<v Speaker 1>We talk occasionally. I had him at the Rock and

0:59:52.840 --> 0:59:55.120
<v Speaker 1>Roll Hall of Fame. That was a good vibe, you

0:59:55.160 --> 0:59:57.120
<v Speaker 1>know what I'm saying. So you know, good ship.

0:59:57.200 --> 1:00:01.480
<v Speaker 3>He was a public enemy logo, right, absolutely, yeah, yeah.

1:00:01.440 --> 1:00:03.360
<v Speaker 1>He loved my hype man. That's the public enemy logo.

1:00:03.440 --> 1:00:07.000
<v Speaker 1>He had had the the bullseye on him and all

1:00:07.040 --> 1:00:11.200
<v Speaker 1>at the school. Yeah, that's funny, right, A lot of history.

1:00:10.920 --> 1:00:13.600
<v Speaker 2>Bro, correct me if I'm wrong on this too, because

1:00:13.960 --> 1:00:17.400
<v Speaker 2>you and DJ Scratch y'all made a classic record and

1:00:17.600 --> 1:00:18.520
<v Speaker 2>go and the Goat album.

1:00:18.560 --> 1:00:19.840
<v Speaker 3>We did most he did most of the gold. He

1:00:19.880 --> 1:00:21.320
<v Speaker 3>did most of a lot of it. Yeah, a lot,

1:00:21.440 --> 1:00:22.280
<v Speaker 3>not all of it, a lot of it.

1:00:22.560 --> 1:00:24.240
<v Speaker 2>Why haven't y'all connected more on production?

1:00:25.160 --> 1:00:27.520
<v Speaker 1>Just just time and and going through things like that

1:00:27.600 --> 1:00:30.680
<v Speaker 1>whole acronym. Like first of all, like I didn't even

1:00:30.760 --> 1:00:34.080
<v Speaker 1>know when I you know, when we came, when I

1:00:34.160 --> 1:00:37.520
<v Speaker 1>came with that, with that album, that it was going

1:00:37.600 --> 1:00:40.680
<v Speaker 1>to turn the Goat into everything it became then, Like

1:00:40.760 --> 1:00:42.520
<v Speaker 1>most people don't even know I came up with that ship.

1:00:43.640 --> 1:00:45.800
<v Speaker 1>That's crazy, Like most people do not even know. Yo,

1:00:45.880 --> 1:00:47.720
<v Speaker 1>this guy really came up with the Goat, that whole

1:00:47.800 --> 1:00:52.720
<v Speaker 1>concept of being the Goat and went every area of culture.

1:00:52.800 --> 1:00:55.479
<v Speaker 1>Yeah yeah, so like that's just you know, you're welcome again.

1:00:55.560 --> 1:00:57.600
<v Speaker 1>Fuck you know what I mean, y'all welcome, you know,

1:00:57.720 --> 1:01:00.080
<v Speaker 1>But it was and I got it from Ah, and

1:01:00.160 --> 1:01:01.800
<v Speaker 1>I leave saying he was the greatest of all times

1:01:01.840 --> 1:01:04.040
<v Speaker 1>in Earl of Manigat. You know what I'm saying, because

1:01:04.040 --> 1:01:06.000
<v Speaker 1>me and Bimmy used to about Earl of Manigat being

1:01:06.040 --> 1:01:08.320
<v Speaker 1>a goat and all that with gold, right, and then

1:01:08.360 --> 1:01:10.919
<v Speaker 1>I may goat g a t greatest of all times

1:01:10.960 --> 1:01:13.960
<v Speaker 1>of acronym, and it just kind of bled into society,

1:01:14.080 --> 1:01:15.240
<v Speaker 1>became this global thing.

1:01:15.560 --> 1:01:18.280
<v Speaker 2>And you often get left out of conversations for an

1:01:18.320 --> 1:01:20.320
<v Speaker 2>acronym that you created.

1:01:20.720 --> 1:01:22.800
<v Speaker 1>Right, But I'm in it if they use an acronym,

1:01:23.280 --> 1:01:26.040
<v Speaker 1>yeah right, like like so every time you see somebody

1:01:26.160 --> 1:01:29.360
<v Speaker 1>use that goat the emoji, or they called Tom Brady

1:01:29.440 --> 1:01:31.440
<v Speaker 1>the gold, or they called Jordan the gold, or they

1:01:31.560 --> 1:01:36.000
<v Speaker 1>call Floyd or Ali or whoever the goat, I'm right there,

1:01:36.600 --> 1:01:39.240
<v Speaker 1>which is crazy for me because I know I created it.

1:01:39.480 --> 1:01:41.680
<v Speaker 1>So it's like I'm looking at it like, oh shit, man,

1:01:42.200 --> 1:01:45.080
<v Speaker 1>there's another one. Oh Michael Phelps' is a goat. Oh okay,

1:01:46.160 --> 1:01:47.080
<v Speaker 1>well done, young man.

1:01:47.720 --> 1:01:50.479
<v Speaker 2>You know I got a few more questions I was reading,

1:01:50.520 --> 1:01:53.640
<v Speaker 2>WILLI Smith's book, and he talks about going broke after

1:01:53.720 --> 1:01:56.600
<v Speaker 2>having success in music early on. Did you ever have

1:01:56.640 --> 1:01:57.560
<v Speaker 2>any of those issues.

1:01:57.640 --> 1:01:59.720
<v Speaker 1>I've had moments in my life where you know, I

1:02:00.160 --> 1:02:01.960
<v Speaker 1>taxes or had to do things, but no, I've never

1:02:02.080 --> 1:02:07.880
<v Speaker 1>been in that position. I also, you know, I'm a

1:02:07.920 --> 1:02:10.600
<v Speaker 1>big believe I paid my tithes, you know what I'm saying. So,

1:02:10.840 --> 1:02:12.800
<v Speaker 1>you know, whatever I get, I get ten percent of God.

1:02:12.840 --> 1:02:13.400
<v Speaker 1>You know what I'm saying.

1:02:14.160 --> 1:02:16.120
<v Speaker 3>You know, I you know, I lived my life kind

1:02:16.160 --> 1:02:19.560
<v Speaker 3>of based on certain codes. I'm not.

1:02:20.000 --> 1:02:25.640
<v Speaker 1>You know, I've never been big on either overspending or oversaving.

1:02:26.520 --> 1:02:27.880
<v Speaker 1>I just kind of let my life flow.

1:02:28.040 --> 1:02:28.400
<v Speaker 3>That's why.

1:02:28.520 --> 1:02:28.680
<v Speaker 4>You know.

1:02:28.800 --> 1:02:31.440
<v Speaker 1>I can get whatever I want whenever I want it,

1:02:31.560 --> 1:02:32.720
<v Speaker 1>and I'm pretty good.

1:02:32.760 --> 1:02:35.520
<v Speaker 3>I'm good with that, actually, very good with that. Yeah,

1:02:36.040 --> 1:02:36.760
<v Speaker 3>you know, so I'm cool.

1:02:37.040 --> 1:02:39.160
<v Speaker 2>Who taught you the business? If anybody.

1:02:40.360 --> 1:02:43.760
<v Speaker 1>Trial and error or trialing ever? You know, man like

1:02:44.560 --> 1:02:46.920
<v Speaker 1>you learned like you just learned to like. I remember

1:02:46.960 --> 1:02:51.760
<v Speaker 1>one time I gave my mother eight thousand dollars to

1:02:51.800 --> 1:02:54.960
<v Speaker 1>hold for me, and then I got a check for

1:02:55.880 --> 1:02:57.000
<v Speaker 1>fifty grand or something like that.

1:02:57.640 --> 1:02:58.760
<v Speaker 3>It was a little I was a little kid. I

1:02:58.800 --> 1:03:01.800
<v Speaker 3>was maybe sixteen seventeen sixteen something like that.

1:03:02.360 --> 1:03:05.880
<v Speaker 2>And I remember Dan even wrapping that long. Oh yeah,

1:03:05.880 --> 1:03:07.480
<v Speaker 2>you wrap money for that long?

1:03:08.000 --> 1:03:11.440
<v Speaker 1>Yeah, yeah, No, No, it's crazy because I've been a

1:03:11.640 --> 1:03:14.200
<v Speaker 1>fan since eight nine. I started writing at eleven or twelve.

1:03:14.440 --> 1:03:16.760
<v Speaker 1>I've been doing this my whole life, right for real.

1:03:17.400 --> 1:03:22.680
<v Speaker 1>So and I watched that fifty grand God and that

1:03:22.800 --> 1:03:23.720
<v Speaker 1>eight just stayed there.

1:03:24.000 --> 1:03:25.880
<v Speaker 3>I was like, Okay, let's see how this shit goes.

1:03:26.840 --> 1:03:27.880
<v Speaker 3>Like I learned that right there.

1:03:28.000 --> 1:03:30.920
<v Speaker 1>You just want to save money, save enough always, you know,

1:03:31.040 --> 1:03:31.920
<v Speaker 1>get to make sure you can.

1:03:32.000 --> 1:03:37.560
<v Speaker 3>You know, you know, you got you know what I mean, Stucky.

1:03:37.880 --> 1:03:39.400
<v Speaker 2>Who are the people in your life that just kept

1:03:39.400 --> 1:03:41.560
<v Speaker 2>you stables as a human because, like you said, you

1:03:41.640 --> 1:03:44.600
<v Speaker 2>started when you were sixteen years old, so you had

1:03:44.920 --> 1:03:47.320
<v Speaker 2>the industry, you had the streets, like, you had every

1:03:47.400 --> 1:03:50.520
<v Speaker 2>single pitfall that could have happened in front of you.

1:03:50.880 --> 1:03:53.200
<v Speaker 2>But your grew to still be the man that we

1:03:53.320 --> 1:03:53.880
<v Speaker 2>see in today.

1:03:54.880 --> 1:03:56.840
<v Speaker 1>And you know, my mother, you know, like my mother

1:03:56.880 --> 1:03:58.760
<v Speaker 1>would get me, like she give me a book with

1:03:58.800 --> 1:04:01.320
<v Speaker 1>a whole bunch of drug addicts and it with heroin addicts,

1:04:01.440 --> 1:04:04.160
<v Speaker 1>fingers all hands, all blown up sauce. She'd be like, Tod,

1:04:04.360 --> 1:04:07.280
<v Speaker 1>look at this and I'll be looking at it. She'd

1:04:07.280 --> 1:04:09.200
<v Speaker 1>be like, you know people that do that, they don't

1:04:09.200 --> 1:04:12.680
<v Speaker 1>have long careers. I'm like, oh, that messed my career. Interesting,

1:04:13.120 --> 1:04:14.880
<v Speaker 1>you know what I mean. And then my grandmother, you

1:04:14.920 --> 1:04:17.960
<v Speaker 1>know what I'm saying, because it was like initially, you know,

1:04:18.080 --> 1:04:20.560
<v Speaker 1>coming up, I was raised Catholic. I wasn't even raised

1:04:20.920 --> 1:04:22.960
<v Speaker 1>in like the traditional Black church as we know it.

1:04:23.040 --> 1:04:25.680
<v Speaker 1>I was raised Catholic and then ended up getting into

1:04:26.200 --> 1:04:29.800
<v Speaker 1>the more Bible based church faith based churches later, but

1:04:30.240 --> 1:04:33.480
<v Speaker 1>so so it was you know, all that that Catholicism, man,

1:04:33.520 --> 1:04:36.680
<v Speaker 1>that'll get you like that to have you like being

1:04:36.760 --> 1:04:39.640
<v Speaker 1>real cautious man, like everything's naughty and all that.

1:04:40.040 --> 1:04:43.160
<v Speaker 3>So it was like you just learned to like watch

1:04:43.200 --> 1:04:44.600
<v Speaker 3>your step, you know what I'm saying.

1:04:44.680 --> 1:04:47.600
<v Speaker 2>And you know, like.

1:04:49.360 --> 1:04:52.400
<v Speaker 1>I always like I tell you man, like like I

1:04:52.520 --> 1:04:54.280
<v Speaker 1>remember one time I was talking to my man, right

1:04:54.720 --> 1:04:56.800
<v Speaker 1>and we was talking about hustling. He was like, well,

1:04:56.840 --> 1:04:57.920
<v Speaker 1>why don'd you come hustle with me?

1:04:58.600 --> 1:04:59.160
<v Speaker 3>You know what I'm saying.

1:04:59.160 --> 1:05:00.800
<v Speaker 1>And this is before I went up town and everything,

1:05:01.280 --> 1:05:02.800
<v Speaker 1>And I was like, nah, I don't want to do it.

1:05:02.880 --> 1:05:05.800
<v Speaker 1>He's like why, I said, because I want to be

1:05:05.840 --> 1:05:09.640
<v Speaker 1>the best. So he said, so what's the problem. I said, well,

1:05:10.480 --> 1:05:18.600
<v Speaker 1>not to kill people. So that's the like. So in

1:05:18.640 --> 1:05:23.160
<v Speaker 1>other words, what I'm saying is when you think about things,

1:05:23.200 --> 1:05:24.840
<v Speaker 1>when you do things, you have to think about things.

1:05:25.640 --> 1:05:27.000
<v Speaker 1>You know what I'm saying, Like, you have to really

1:05:27.080 --> 1:05:29.000
<v Speaker 1>do the knowledge on what it is you're analyzing and

1:05:29.040 --> 1:05:31.760
<v Speaker 1>what you consider it and whether or not you will

1:05:31.840 --> 1:05:33.480
<v Speaker 1>And I just say be perfect. I didn't say none

1:05:33.480 --> 1:05:36.760
<v Speaker 1>of that. I just said you have to consider what

1:05:36.880 --> 1:05:38.480
<v Speaker 1>you're doing and if you if it's worth it to

1:05:38.560 --> 1:05:43.080
<v Speaker 1>you based on what it is. So that's how so

1:05:43.280 --> 1:05:46.320
<v Speaker 1>I had a little fun, but like, to be honest

1:05:46.360 --> 1:05:47.640
<v Speaker 1>with you, with the drugs and all that, like, I

1:05:47.720 --> 1:05:49.480
<v Speaker 1>don't like my brain feeling like I ain't got no

1:05:49.560 --> 1:05:52.280
<v Speaker 1>breaks on it and shit, I don't like that feeling

1:05:52.560 --> 1:05:54.080
<v Speaker 1>like I don't like walking in the room. I don't

1:05:54.080 --> 1:05:56.840
<v Speaker 1>know what the fuck's going on. I'm all like, you know,

1:05:57.320 --> 1:05:59.320
<v Speaker 1>I don't like that feeling. That's why I don't be

1:05:59.440 --> 1:06:01.560
<v Speaker 1>drinking and smoking and getting high and all that.

1:06:01.720 --> 1:06:03.120
<v Speaker 3>I never did because of that.

1:06:03.160 --> 1:06:05.880
<v Speaker 1>I've tried everything, I've tried shit, but I'm never That's

1:06:05.960 --> 1:06:07.880
<v Speaker 1>why I don't like that feeling.

1:06:07.960 --> 1:06:09.400
<v Speaker 3>You know what, I'm saying, I like to have my

1:06:09.480 --> 1:06:10.120
<v Speaker 3>wits about me.

1:06:10.320 --> 1:06:12.760
<v Speaker 2>So that's been your key to aging gracefully in the industry,

1:06:12.800 --> 1:06:15.280
<v Speaker 2>because you know, a lot of the icons we grew

1:06:15.400 --> 1:06:18.680
<v Speaker 2>to knowing love they not landing with their planes with

1:06:19.000 --> 1:06:20.400
<v Speaker 2>the wheels out, you know what I mean, a lot

1:06:20.440 --> 1:06:22.160
<v Speaker 2>of them planes landing in the wheels not coming out.

1:06:23.200 --> 1:06:27.200
<v Speaker 3>Motherfucker. Yeah, the motherfucker's landing on flat time exactly. Roller

1:06:27.280 --> 1:06:28.480
<v Speaker 3>skate one, roller.

1:06:28.280 --> 1:06:32.320
<v Speaker 1>Skate on the seven forty seventh yo. Yeah, just not

1:06:32.440 --> 1:06:34.840
<v Speaker 1>getting high and all that. Man, Like, take care of yourself, beat.

1:06:35.080 --> 1:06:37.640
<v Speaker 1>I like to get in the gym, workout train, you

1:06:37.680 --> 1:06:39.959
<v Speaker 1>know what I'm saying. I like to read this shit,

1:06:40.480 --> 1:06:42.120
<v Speaker 1>you know what I mean, Like, I don't be sitting

1:06:42.120 --> 1:06:43.960
<v Speaker 1>around high on motherfucking day.

1:06:44.040 --> 1:06:44.920
<v Speaker 3>Man, Like, what are we doing?

1:06:45.000 --> 1:06:45.160
<v Speaker 1>Man?

1:06:45.440 --> 1:06:46.160
<v Speaker 3>What's that about?

1:06:48.000 --> 1:06:50.080
<v Speaker 1>For me? I'm not Look, people could do what they

1:06:50.160 --> 1:06:52.120
<v Speaker 1>want and I got homies that do that and it's

1:06:52.120 --> 1:06:52.440
<v Speaker 1>all good.

1:06:52.480 --> 1:06:53.400
<v Speaker 3>I ain't got no problem with it.

1:06:53.480 --> 1:06:56.840
<v Speaker 2>You know, that's you, you know, But no, you know,

1:06:57.120 --> 1:06:58.240
<v Speaker 2>like I said, you know, we're seeing a lot of

1:06:58.280 --> 1:07:01.080
<v Speaker 2>people fall from grace, you know, for things that they

1:07:01.160 --> 1:07:03.840
<v Speaker 2>did decades ago. Do you think that you know, landing

1:07:03.920 --> 1:07:06.280
<v Speaker 2>with your wheels out has to be a decision and

1:07:06.360 --> 1:07:08.560
<v Speaker 2>a mindset that you got to be committed to from

1:07:08.880 --> 1:07:09.240
<v Speaker 2>day one.

1:07:10.200 --> 1:07:11.960
<v Speaker 3>Well, you got to put yourself in the best position

1:07:12.040 --> 1:07:12.880
<v Speaker 3>to do that right.

1:07:13.200 --> 1:07:15.560
<v Speaker 1>Sometimes you can get lucky, sometimes things just work out,

1:07:16.160 --> 1:07:18.680
<v Speaker 1>but you know it's better to be you know, prepared

1:07:18.720 --> 1:07:21.040
<v Speaker 1>to land is plan your landing and then if.

1:07:20.920 --> 1:07:22.280
<v Speaker 3>You got to switch it up, you switch it up.

1:07:22.280 --> 1:07:22.440
<v Speaker 4>You know.

1:07:22.720 --> 1:07:27.120
<v Speaker 1>It's like it's a saying, right, all plans are useless,

1:07:27.160 --> 1:07:30.720
<v Speaker 1>but planning is essential, you know what I'm saying. So

1:07:30.800 --> 1:07:34.000
<v Speaker 1>it's like, if you got a plan, it ain't gonna

1:07:34.040 --> 1:07:35.520
<v Speaker 1>go as planned. But if you got a plan, then

1:07:35.520 --> 1:07:37.440
<v Speaker 1>you got a place to pivot from, you know what

1:07:37.440 --> 1:07:40.360
<v Speaker 1>I mean. It's like having a map. If you got

1:07:40.440 --> 1:07:43.000
<v Speaker 1>a map, you know, and your plan is to go

1:07:43.120 --> 1:07:45.160
<v Speaker 1>that way, even if you got to switch, you got

1:07:45.280 --> 1:07:45.840
<v Speaker 1>a map.

1:07:47.680 --> 1:07:48.440
<v Speaker 3>So you can go that way.

1:07:48.520 --> 1:07:52.400
<v Speaker 2>Makes sense? That makes sense. You know. Last year was

1:07:52.600 --> 1:07:55.680
<v Speaker 2>the fiftieth anniversary of hip hop. This year is the

1:07:55.880 --> 1:07:59.000
<v Speaker 2>fortieth anniversary of Death Jam and.

1:07:59.120 --> 1:08:01.560
<v Speaker 3>Me right the first artist.

1:08:01.640 --> 1:08:06.040
<v Speaker 2>So you know, with all the controversies surrounding Russell Simmons,

1:08:06.440 --> 1:08:10.080
<v Speaker 2>does that impact how these things can be properly celebrated?

1:08:10.120 --> 1:08:12.439
<v Speaker 2>How these stories can be properly told.

1:08:13.000 --> 1:08:14.640
<v Speaker 1>I don't think so, because I don't think one thing

1:08:14.720 --> 1:08:16.720
<v Speaker 1>has nothing to do with the other one. You know,

1:08:17.040 --> 1:08:24.120
<v Speaker 1>if we found out that Galileo was doing some crazy shit,

1:08:24.160 --> 1:08:29.680
<v Speaker 1>should we do away with astronomy and telescopes and shit? Like,

1:08:29.760 --> 1:08:31.439
<v Speaker 1>if we found out that, I don't know.

1:08:31.479 --> 1:08:33.599
<v Speaker 2>You name it, you still got to tell the story.

1:08:33.640 --> 1:08:38.760
<v Speaker 1>I mean like it's just like like like it's really

1:08:38.880 --> 1:08:41.120
<v Speaker 1>kind of like people like. Look, first of all, I

1:08:41.200 --> 1:08:43.720
<v Speaker 1>don't like to judge people because I wasn't there.

1:08:43.960 --> 1:08:46.000
<v Speaker 3>That's the first thing. I also don't be little.

1:08:46.040 --> 1:08:48.479
<v Speaker 1>I don't try to never make light of anything that

1:08:48.560 --> 1:08:50.720
<v Speaker 1>anybody's been through in terms of victims that I'm not

1:08:50.840 --> 1:08:51.360
<v Speaker 1>with that either.

1:08:51.439 --> 1:08:52.360
<v Speaker 3>I don't play the games.

1:08:52.800 --> 1:08:57.719
<v Speaker 1>What I will say is, you're living in let's say, whoever,

1:08:57.800 --> 1:09:01.360
<v Speaker 1>you're living in an apartment building and you found out

1:09:01.400 --> 1:09:03.680
<v Speaker 1>that the builder of that apartment building had did some

1:09:03.840 --> 1:09:06.840
<v Speaker 1>really really bad things. Should you break your lease and

1:09:06.960 --> 1:09:13.120
<v Speaker 1>move out? Should we demolish that building and redo it?

1:09:13.680 --> 1:09:15.280
<v Speaker 1>Have somebody a perfect hand building.

1:09:15.640 --> 1:09:16.080
<v Speaker 3>I don't know.

1:09:16.720 --> 1:09:20.120
<v Speaker 1>I don't even know the answer, But what I say

1:09:20.160 --> 1:09:21.880
<v Speaker 1>to people is you got to look at these.

1:09:21.800 --> 1:09:24.559
<v Speaker 3>Things when you think about stuff. One thing is one thing,

1:09:24.800 --> 1:09:26.720
<v Speaker 3>this is another, you know what I mean.

1:09:28.000 --> 1:09:29.799
<v Speaker 2>And even if you remove the person out of the building,

1:09:30.080 --> 1:09:31.960
<v Speaker 2>you still have to tell the story of the person

1:09:32.040 --> 1:09:33.320
<v Speaker 2>building that building.

1:09:33.760 --> 1:09:35.640
<v Speaker 1>But you still tell the story of the building. So

1:09:35.760 --> 1:09:41.280
<v Speaker 1>it's like, yeah, let's take history, world history for example.

1:09:43.120 --> 1:09:44.960
<v Speaker 1>It's probably been a couple of people that have done

1:09:45.000 --> 1:09:48.720
<v Speaker 1>some good things and bad things. So do we eliminate

1:09:48.840 --> 1:09:52.280
<v Speaker 1>all of the good because of the bad? Do we

1:09:52.439 --> 1:09:54.599
<v Speaker 1>throw away the good because of the bad deed?

1:09:55.520 --> 1:09:56.280
<v Speaker 3>That's the question.

1:09:58.160 --> 1:10:00.920
<v Speaker 2>We live in a country that was built on bad deed, I'm.

1:10:00.840 --> 1:10:03.720
<v Speaker 1>Saying, so do we like like like, like are you

1:10:04.200 --> 1:10:07.519
<v Speaker 1>are you prepared to give up your passport because of

1:10:08.040 --> 1:10:10.280
<v Speaker 1>what was done to the indigenous people in this country?

1:10:12.240 --> 1:10:14.720
<v Speaker 1>Right like this, you gotta look, you gotta be real

1:10:15.080 --> 1:10:16.439
<v Speaker 1>and I'm not and it ain't none of it good.

1:10:16.560 --> 1:10:19.080
<v Speaker 1>Like I'm not saying don't make light of it by

1:10:19.200 --> 1:10:21.439
<v Speaker 1>no means, I'm not on that bullshit, But I'm just saying, like,

1:10:21.760 --> 1:10:22.719
<v Speaker 1>we gotta be realistic.

1:10:22.840 --> 1:10:26.360
<v Speaker 3>Man, the dude built you know, he put together this company.

1:10:26.640 --> 1:10:29.680
<v Speaker 2>He did so even if he's not celebrated, you still

1:10:29.680 --> 1:10:30.160
<v Speaker 2>got to tell.

1:10:30.040 --> 1:10:32.200
<v Speaker 1>You, yeah, you may not celebrate his actions in that

1:10:32.320 --> 1:10:34.439
<v Speaker 1>particular area. But you can't say that he didn't do

1:10:34.560 --> 1:10:38.760
<v Speaker 1>something right, right. I'm just saying like, it's no way

1:10:38.840 --> 1:10:42.280
<v Speaker 1>around that, because if not, we have to erase all

1:10:42.360 --> 1:10:47.360
<v Speaker 1>of world's history because to find a perfect person that

1:10:47.520 --> 1:10:50.799
<v Speaker 1>did good things and nothing bad? Does that even exist?

1:10:51.520 --> 1:10:54.960
<v Speaker 1>Does it exist in your household? What was grandma doing?

1:10:55.640 --> 1:10:59.920
<v Speaker 1>Was grandma freaking off? Was grandma freaking off?

1:11:00.160 --> 1:11:00.479
<v Speaker 3>Speak?

1:11:01.360 --> 1:11:04.760
<v Speaker 1>Should we never did grandma illegally take money and do

1:11:05.320 --> 1:11:08.679
<v Speaker 1>the nasty nasty and take some money back in the sixties,

1:11:09.000 --> 1:11:12.080
<v Speaker 1>and now she making Thanksgiving? And we are we fouled

1:11:12.160 --> 1:11:15.120
<v Speaker 1>for eating this stuff? And right now because Grandma shot

1:11:15.240 --> 1:11:17.840
<v Speaker 1>bucking the ass with the twenty two round the corner.

1:11:19.479 --> 1:11:19.880
<v Speaker 1>I don't know.

1:11:21.360 --> 1:11:23.360
<v Speaker 2>I'm sure those conversations that came up for you though,

1:11:23.400 --> 1:11:25.519
<v Speaker 2>right like people have asked like are you gonna have

1:11:25.680 --> 1:11:26.000
<v Speaker 2>him here?

1:11:26.320 --> 1:11:28.800
<v Speaker 1>No, Honestly, nobody is really asked, And I'm glad you

1:11:28.880 --> 1:11:32.920
<v Speaker 1>did ask because I just think that none of us

1:11:32.960 --> 1:11:36.960
<v Speaker 1>are perfect, right, and none of us should make light

1:11:37.040 --> 1:11:38.880
<v Speaker 1>of any victim and anything they go through.

1:11:39.160 --> 1:11:43.800
<v Speaker 3>Ever, we have to look at the world and things

1:11:43.920 --> 1:11:45.000
<v Speaker 3>on a case by case.

1:11:44.880 --> 1:11:46.840
<v Speaker 1>Basis, because if you're not gonna look at it on

1:11:46.880 --> 1:11:48.400
<v Speaker 1>a case ba case by case basis.

1:11:48.479 --> 1:11:51.040
<v Speaker 3>I don't know what we're gonna do because nobody gonna

1:11:51.080 --> 1:11:51.400
<v Speaker 3>do shit.

1:11:52.680 --> 1:11:55.840
<v Speaker 1>Because if everybody had a goddamn you know, a Wikipedia

1:11:56.680 --> 1:11:58.600
<v Speaker 1>on a TV screen above their head with all of

1:11:58.640 --> 1:12:03.360
<v Speaker 1>the foul shit they did, we'd be walking around this motherfucker. Man, Man, Man,

1:12:04.479 --> 1:12:06.000
<v Speaker 1>what what?

1:12:08.200 --> 1:12:09.120
<v Speaker 3>I wouldn't hurt a fly?

1:12:09.360 --> 1:12:12.280
<v Speaker 1>Yeah, I know you wouldn't, but you out there chopping

1:12:12.400 --> 1:12:16.240
<v Speaker 1>chickens heads off every five minutes. I wouldn't hurt a fly. Yeah.

1:12:16.240 --> 1:12:17.360
<v Speaker 3>I know you're telling the truth.

1:12:17.439 --> 1:12:19.720
<v Speaker 1>But I'll kill a chicken. I'll kill a chicken, you

1:12:19.800 --> 1:12:24.080
<v Speaker 1>know what I mean? Like everybody like people, you know people.

1:12:24.960 --> 1:12:26.559
<v Speaker 1>Nobody's perfect with that stuff. Man.

1:12:26.600 --> 1:12:28.960
<v Speaker 3>So that's the way I look at it. Man, you

1:12:29.040 --> 1:12:29.360
<v Speaker 3>know what I Man?

1:12:29.760 --> 1:12:31.960
<v Speaker 2>Did you feel away when President Biden got your name

1:12:32.000 --> 1:12:34.120
<v Speaker 2>wrong at the CBC conference? He called you l J

1:12:34.320 --> 1:12:37.040
<v Speaker 2>cool Jay? Then he referred to you as a boy

1:12:37.080 --> 1:12:42.200
<v Speaker 2>before correcting himself and saying, man, did you get nah?

1:12:42.520 --> 1:12:44.080
<v Speaker 3>I mean, you know what else supposed to do?

1:12:44.200 --> 1:12:44.320
<v Speaker 1>Man?

1:12:44.439 --> 1:12:46.280
<v Speaker 3>Like I'm a mine?

1:12:48.520 --> 1:12:51.760
<v Speaker 1>Man, God, drmit, you know like I was supposed to

1:12:51.760 --> 1:12:56.400
<v Speaker 1>do due eighty years olds live man, listen, I got

1:12:56.439 --> 1:12:58.400
<v Speaker 1>ship to do. Man, The last thing I got to work.

1:12:58.520 --> 1:13:00.439
<v Speaker 1>Let me let me tell you something. When you at

1:13:00.439 --> 1:13:02.960
<v Speaker 1>the point where the president messing up your name is

1:13:03.600 --> 1:13:06.360
<v Speaker 1>a national story, she was a bad motherfucker.

1:13:07.080 --> 1:13:08.560
<v Speaker 3>You're a bad motherfucker.

1:13:08.560 --> 1:13:11.000
<v Speaker 1>At that point, Yo, when the president messing up your

1:13:11.120 --> 1:13:13.240
<v Speaker 1>name is national news.

1:13:14.520 --> 1:13:15.400
<v Speaker 3>He did something right.

1:13:15.640 --> 1:13:19.280
<v Speaker 1>So I'm going I'm gonna just be like, I'm just gonna,

1:13:19.320 --> 1:13:20.840
<v Speaker 1>you know, wish them all the best, bro, I wish

1:13:20.920 --> 1:13:21.439
<v Speaker 1>them good health.

1:13:21.560 --> 1:13:22.240
<v Speaker 3>And that's it. Man.

1:13:22.280 --> 1:13:24.800
<v Speaker 2>I can't you ever been approached by doing the chapstick line.

1:13:25.840 --> 1:13:27.519
<v Speaker 1>Well, I met with them a long time ago, but

1:13:28.160 --> 1:13:32.559
<v Speaker 1>you know, you know, I think you know a lot

1:13:32.600 --> 1:13:33.280
<v Speaker 1>of Melani man.

1:13:33.320 --> 1:13:34.000
<v Speaker 3>I'm not sure. I'm not.

1:13:34.479 --> 1:13:36.519
<v Speaker 1>That's a lot of Melani man, A lot of Melanin

1:13:36.600 --> 1:13:40.000
<v Speaker 1>on them lips, man, that sits like hoof, you know,

1:13:40.040 --> 1:13:41.960
<v Speaker 1>a little Bonnie Man, get a low.

1:13:41.880 --> 1:13:43.200
<v Speaker 3>To ll and all that that shit.

1:13:43.320 --> 1:13:48.960
<v Speaker 1>Yeah, yeah, yeah, Hell. That's why I want you back,

1:13:48.960 --> 1:13:51.439
<v Speaker 1>because I'm saying back then, you know, yeah, That's.

1:13:51.280 --> 1:13:52.719
<v Speaker 2>Why I want people to listen to the new album

1:13:52.720 --> 1:13:56.120
<v Speaker 2>because you know, even with all the success you've had,

1:13:56.240 --> 1:13:58.320
<v Speaker 2>there's still a lot of doors that have been closed

1:13:58.360 --> 1:14:00.960
<v Speaker 2>to you because of your black well.

1:14:00.920 --> 1:14:04.599
<v Speaker 1>I mean, listen, but there's a lot of doors that opened, right. See,

1:14:05.240 --> 1:14:08.439
<v Speaker 1>life is we know what we're dealing with in the

1:14:08.520 --> 1:14:09.360
<v Speaker 1>world in America.

1:14:09.479 --> 1:14:12.599
<v Speaker 3>But you can't. I can't allow myself to get kind

1:14:12.640 --> 1:14:18.599
<v Speaker 3>of caught up in that shit. You know what I'm saying.

1:14:18.680 --> 1:14:21.719
<v Speaker 3>We know what's true. Sometimes it is, sometimes it isn't.

1:14:22.000 --> 1:14:22.720
<v Speaker 2>But my thing is.

1:14:24.320 --> 1:14:27.760
<v Speaker 1>When the elevated doors close, take the steps, you know

1:14:27.760 --> 1:14:28.240
<v Speaker 1>what I'm saying.

1:14:28.760 --> 1:14:29.800
<v Speaker 3>Like, I'm not tripping off of that.

1:14:30.080 --> 1:14:32.439
<v Speaker 1>Like I'm not gonna walk around overly sensitive with a

1:14:32.520 --> 1:14:34.840
<v Speaker 1>chip on my shoulder about what I'm not getting. I'm

1:14:34.880 --> 1:14:37.479
<v Speaker 1>too busy thinking about what I am getting, and so

1:14:38.520 --> 1:14:40.160
<v Speaker 1>I'm gonna make the most of what I do get.

1:14:40.320 --> 1:14:43.000
<v Speaker 1>So if you you know, if you do not let's

1:14:43.080 --> 1:14:45.160
<v Speaker 1>just say, for instance, if somebody wanted to deny me

1:14:45.240 --> 1:14:47.560
<v Speaker 1>an orange because I'm a black man, Okay, but I

1:14:47.600 --> 1:14:49.439
<v Speaker 1>bet you I'm gonna give me nine thousand peaches up

1:14:49.520 --> 1:14:50.160
<v Speaker 1>this motherfucker.

1:14:51.040 --> 1:14:52.960
<v Speaker 3>You know what I mean. That's how you do it.

1:14:53.720 --> 1:14:55.320
<v Speaker 1>You know what I'm saying, You go get it, like

1:14:55.400 --> 1:14:58.599
<v Speaker 1>you can't be caught up in that because that misery

1:14:58.720 --> 1:15:02.240
<v Speaker 1>and that and that that that woe was me mentality,

1:15:02.320 --> 1:15:03.920
<v Speaker 1>that victim mentality.

1:15:04.320 --> 1:15:07.760
<v Speaker 3>That's not successful. I'm about being successful. You know what

1:15:07.760 --> 1:15:09.160
<v Speaker 3>I'm saying, what.

1:15:09.520 --> 1:15:12.719
<v Speaker 2>Does success look like for you? In regard to the Force.

1:15:12.600 --> 1:15:15.000
<v Speaker 3>Album impacting the culture?

1:15:15.880 --> 1:15:18.800
<v Speaker 1>People getting a full load of the Force album, it

1:15:19.000 --> 1:15:22.479
<v Speaker 1>really impacted the culture in a major way with sales,

1:15:23.280 --> 1:15:24.560
<v Speaker 1>with airplay.

1:15:24.160 --> 1:15:26.760
<v Speaker 3>With streams, people really feeling it and.

1:15:26.800 --> 1:15:29.840
<v Speaker 1>Embracing it and loving it and saying, Wow, I didn't

1:15:29.880 --> 1:15:33.479
<v Speaker 1>know that an artist that came maybe two, three, four

1:15:33.600 --> 1:15:36.160
<v Speaker 1>generations before me, I didn't even know that I would

1:15:36.160 --> 1:15:38.960
<v Speaker 1>even be remotely interested in hearing his music, But Wow,

1:15:39.000 --> 1:15:40.559
<v Speaker 1>this shit really moved me. And then on the flip

1:15:40.640 --> 1:15:43.000
<v Speaker 1>side of that, it's the day one fan saying, damn,

1:15:43.720 --> 1:15:48.040
<v Speaker 1>I really thought that, Like because you know the guy

1:15:48.120 --> 1:15:49.760
<v Speaker 1>I went to high school where there's a bus driver

1:15:49.920 --> 1:15:52.400
<v Speaker 1>now and his stomach is to his knees, that L

1:15:52.520 --> 1:15:54.439
<v Speaker 1>wasn't gonna be able to do it. Nah, Now we

1:15:54.560 --> 1:15:57.280
<v Speaker 1>can't do it. You can't continue to be great and

1:15:57.360 --> 1:15:58.439
<v Speaker 1>perform at a high level.

1:15:59.160 --> 1:16:00.600
<v Speaker 3>But you just got to be on it like that.

1:16:01.840 --> 1:16:03.800
<v Speaker 1>You know what I'm saying. What cloth are you cut from?

1:16:04.040 --> 1:16:06.800
<v Speaker 1>Are you cut from the surrender cloth or you cut

1:16:06.880 --> 1:16:09.839
<v Speaker 1>from the conquer cloth? You got to make those decisions,

1:16:09.880 --> 1:16:12.280
<v Speaker 1>you know what I'm saying. So that's what I want,

1:16:12.400 --> 1:16:14.720
<v Speaker 1>you know what I mean, like touch the world with

1:16:14.800 --> 1:16:18.000
<v Speaker 1>that shit and let people know, like, Yo, this dude

1:16:18.120 --> 1:16:20.639
<v Speaker 1>is this guy's real, This shit is real.

1:16:20.720 --> 1:16:21.800
<v Speaker 3>This is a different thing.

1:16:21.920 --> 1:16:25.080
<v Speaker 1>This dude is different because he really executes the shit

1:16:25.120 --> 1:16:28.080
<v Speaker 1>he says like, you know, this ain't raising in the sunbeam.

1:16:28.120 --> 1:16:29.760
<v Speaker 1>I'm not just talking about the shit all day and

1:16:30.040 --> 1:16:31.479
<v Speaker 1>you know, and they're never doing it.

1:16:31.960 --> 1:16:34.559
<v Speaker 2>Would the music be enough to tell the ll cool

1:16:34.600 --> 1:16:35.120
<v Speaker 2>J story?

1:16:35.560 --> 1:16:39.080
<v Speaker 1>Oh no, No, I'm way too multifaceted for that. There's

1:16:39.120 --> 1:16:42.680
<v Speaker 1>too many dimensions to my character. But it definitely will

1:16:42.720 --> 1:16:45.840
<v Speaker 1>tell the artistic stories that I've been looking to put forth,

1:16:46.680 --> 1:16:49.519
<v Speaker 1>you know what I'm saying, And it'll tell people where

1:16:49.640 --> 1:16:51.640
<v Speaker 1>I was at when I created that music and what

1:16:51.920 --> 1:16:54.760
<v Speaker 1>I felt was important, what I was inspired by, and

1:16:54.920 --> 1:16:59.160
<v Speaker 1>hopefully you can find inspiration in my inspiration. You know

1:16:59.200 --> 1:17:04.200
<v Speaker 1>what I'm saying. It's like, you know, you know, it's

1:17:04.280 --> 1:17:06.960
<v Speaker 1>like having sex. Man, you know what I'm saying. You

1:17:07.040 --> 1:17:08.320
<v Speaker 1>got to be in the moment. You got to be

1:17:08.400 --> 1:17:10.919
<v Speaker 1>self aware. You got to know when to be aggressive,

1:17:10.960 --> 1:17:12.840
<v Speaker 1>you gotta know when to be calm. You know what

1:17:12.840 --> 1:17:14.559
<v Speaker 1>I'm saying. You gotta know when to turn it up.

1:17:14.800 --> 1:17:16.800
<v Speaker 1>You gotta know when to turn it down. You gotta

1:17:16.840 --> 1:17:19.040
<v Speaker 1>know when to be nice. You know, you gotta know

1:17:19.120 --> 1:17:20.639
<v Speaker 1>when to not be not so nice.

1:17:21.080 --> 1:17:24.479
<v Speaker 3>That's life. You know what I'm saying. So that's what

1:17:24.640 --> 1:17:26.160
<v Speaker 3>it is. You know what I'm saying. That's how I'm

1:17:26.200 --> 1:17:27.160
<v Speaker 3>doing it. You know what I'm saying.

1:17:27.360 --> 1:17:28.160
<v Speaker 2>I love cool Jake.

1:17:28.360 --> 1:17:28.479
<v Speaker 3>Man.

1:17:28.479 --> 1:17:30.519
<v Speaker 2>I appreciate you, brother, love you for the time.

1:17:30.600 --> 1:17:32.160
<v Speaker 3>Man, mister, appreciate you.