1
00:00:00,120 --> 00:00:01,360
Speaker 1: This is the fread Show.

2
00:00:01,600 --> 00:00:03,880
Speaker 2: Kelly Clark City is returning to Las Vegas in twenty

3
00:00:03,880 --> 00:00:07,960
Speaker 2: twenty six for her studio sessions Las Vegas Residency. You

4
00:00:08,000 --> 00:00:10,160
Speaker 2: can enter now for a chance to win a trip

5
00:00:10,200 --> 00:00:13,000
Speaker 2: for two to the July twenty fourth show, a two

6
00:00:13,080 --> 00:00:15,800
Speaker 2: night hotel state at Flamingo Hotel and Casino in Las

7
00:00:15,880 --> 00:00:18,520
Speaker 2: Vegas July twenty third through to twenty fifth, and round

8
00:00:18,600 --> 00:00:23,160
Speaker 2: trip airfare. Text Text Vegas to five seven seven three

9
00:00:23,280 --> 00:00:26,000
Speaker 2: nine right now for a chance to win. A confirmation

10
00:00:26,079 --> 00:00:28,800
Speaker 2: text will be sent. Standard message and data rates may apply.

11
00:00:29,040 --> 00:00:42,800
Speaker 2: All thanks to Live Nation, Wait Less See Today. Paulina

12
00:00:43,159 --> 00:00:49,920
Speaker 2: woman wonders if boyfriend I did it says that's it says,

13
00:00:50,560 --> 00:00:52,760
Speaker 2: I means like, boy this is It's like mad lips,

14
00:00:52,800 --> 00:00:54,400
Speaker 2: Like let's just say, let's just make it up ourselves.

15
00:00:54,480 --> 00:00:58,280
Speaker 2: Let's just add in. Fred's Show is on thursdag January

16
00:00:58,320 --> 00:01:01,080
Speaker 2: twenty second. The Fred Show is on a Kayle Good Morning, Hi,

17
00:01:01,200 --> 00:01:05,360
Speaker 2: Jason Brown, Paul Hikki sub is just here, Bellahamin the

18
00:01:05,520 --> 00:01:09,040
Speaker 2: Throwback Throwdown, Name that Tune Battle. If you want to

19
00:01:09,080 --> 00:01:11,560
Speaker 2: play call now eat five five five nine one one

20
00:01:11,600 --> 00:01:15,440
Speaker 2: o three five. You might be called upon for the

21
00:01:15,440 --> 00:01:18,080
Speaker 2: phone a friend, So have you no throwback songs that

22
00:01:18,200 --> 00:01:21,200
Speaker 2: you might come in hand? You might help, However, you

23
00:01:21,200 --> 00:01:23,520
Speaker 2: get to pick your in studio player, and the order

24
00:01:24,160 --> 00:01:29,000
Speaker 2: that your call is received also be answered in the

25
00:01:29,080 --> 00:01:31,800
Speaker 2: order they are received. Kaylin, so far with one win

26
00:01:31,880 --> 00:01:33,679
Speaker 2: and no one else has a win so far this year.

27
00:01:33,720 --> 00:01:36,520
Speaker 2: So we'll play next. The Entertainment Report Headlines and fun

28
00:01:36,560 --> 00:01:37,600
Speaker 2: Fact coming up. What are you working on?

29
00:01:37,680 --> 00:01:38,640
Speaker 1: K Man?

30
00:01:38,720 --> 00:01:41,680
Speaker 3: I read some text messages between Blake Lively and Taylor

31
00:01:41,720 --> 00:01:43,440
Speaker 3: Swift yesterday that I felt like I.

32
00:01:43,360 --> 00:01:44,600
Speaker 1: Should not have access to.

33
00:01:44,760 --> 00:01:48,080
Speaker 3: However, not so uncomfortable that I won't talk about it,

34
00:01:48,160 --> 00:01:52,280
Speaker 3: but it did feel very wrong reading text between friends.

35
00:01:52,560 --> 00:01:55,480
Speaker 2: Okay, all right, well we'll cover that. Thank you for

36
00:01:55,600 --> 00:01:58,280
Speaker 2: thank you for sacrifice greeting these personal thanks So you're

37
00:01:58,280 --> 00:02:02,440
Speaker 2: talking about Caln's entertayt He's on the Bread Show.

38
00:02:02,760 --> 00:02:03,760
Speaker 1: As the judge.

39
00:02:03,440 --> 00:02:06,720
Speaker 3: Continues to unseal documents from this whole Blake Lively justin

40
00:02:06,760 --> 00:02:10,720
Speaker 3: Baldoni legal battle, things just keep getting crazier, specifically because

41
00:02:11,440 --> 00:02:14,280
Speaker 3: we are all able to now read text messages between

42
00:02:14,320 --> 00:02:18,000
Speaker 3: Blake and Taylor Swift trying to figure out their strange relationship,

43
00:02:18,080 --> 00:02:19,680
Speaker 3: which feels very.

44
00:02:19,520 --> 00:02:21,600
Speaker 1: Odd, but not odd enough to not talk about it.

45
00:02:21,680 --> 00:02:25,440
Speaker 3: So remember when this all started, people thought that because

46
00:02:25,440 --> 00:02:27,720
Speaker 3: Taylor got dragged into this whole legal mess, that they

47
00:02:27,720 --> 00:02:31,720
Speaker 3: weren't friends anymore, especially because they haven't been seen together since. Well,

48
00:02:31,760 --> 00:02:34,480
Speaker 3: now we have the text between them trying to figure

49
00:02:34,520 --> 00:02:38,480
Speaker 3: things out directly, something that Blake said that her husband,

50
00:02:38,560 --> 00:02:39,760
Speaker 3: Ryan Reynolds, told.

51
00:02:39,600 --> 00:02:41,239
Speaker 1: Her to do. Just reach out to Taylor and see

52
00:02:41,240 --> 00:02:41,760
Speaker 1: what's going on.

53
00:02:41,919 --> 00:02:45,680
Speaker 3: So on December fourth of twenty twenty four, Blake texted Taylor,

54
00:02:45,880 --> 00:02:47,440
Speaker 3: I have no reason to ask, but I don't know.

55
00:02:47,600 --> 00:02:49,880
Speaker 1: I've been feeling like I should. Is everything okay?

56
00:02:50,000 --> 00:02:52,440
Speaker 3: I feel like a bad friend lately because I was

57
00:02:52,480 --> 00:02:54,680
Speaker 3: such a sad sack who only talked about my own

58
00:02:54,720 --> 00:02:57,760
Speaker 3: spit for months. You were generous not to be the

59
00:02:58,240 --> 00:03:00,720
Speaker 3: keeper or enough to be the keep person for me

60
00:03:00,840 --> 00:03:03,200
Speaker 3: during all of it, but also let me off the

61
00:03:03,200 --> 00:03:06,400
Speaker 3: hook for being so in it. She just went on

62
00:03:06,480 --> 00:03:08,800
Speaker 3: to say, I felt so stupid, like it sounded needy

63
00:03:08,840 --> 00:03:11,519
Speaker 3: and awkward for everyone else, especially because I can't explain

64
00:03:11,560 --> 00:03:13,400
Speaker 3: why I have this feeling. I do want to know

65
00:03:13,440 --> 00:03:16,760
Speaker 3: if everything's good, so I'm asking. I want the opportunity

66
00:03:16,800 --> 00:03:19,360
Speaker 3: to be a better friend Taylor, who was just days

67
00:03:19,400 --> 00:03:21,800
Speaker 3: away from wrapping the Earra's tour, like, I can't believe

68
00:03:21,840 --> 00:03:23,600
Speaker 3: that's when you decided to figure things out, Like let

69
00:03:23,639 --> 00:03:26,520
Speaker 3: her finish that. But Taylor basically said that Blake's not

70
00:03:26,560 --> 00:03:28,200
Speaker 3: wrong for feeling that way, but also.

71
00:03:28,000 --> 00:03:28,799
Speaker 1: That it's not a big deal.

72
00:03:28,800 --> 00:03:31,519
Speaker 3: She said, I think I'm just exhausted in every avenue

73
00:03:31,560 --> 00:03:33,720
Speaker 3: of my life, and in recent months I've been feeling

74
00:03:33,760 --> 00:03:35,280
Speaker 3: a little bit of a shift in the way you

75
00:03:35,360 --> 00:03:35,800
Speaker 3: speak to me.

76
00:03:35,880 --> 00:03:37,040
Speaker 1: This is Taylor talking to Blake.

77
00:03:37,120 --> 00:03:39,720
Speaker 3: Yes, there's been a lot of justin stuff, but I've

78
00:03:39,720 --> 00:03:41,640
Speaker 3: been through things like this before, and I know how

79
00:03:41,720 --> 00:03:42,640
Speaker 3: all consuming it is.

80
00:03:42,680 --> 00:03:43,000
Speaker 1: She said.

81
00:03:43,040 --> 00:03:45,960
Speaker 3: It's more like, I feel really bad saying this, but

82
00:03:46,080 --> 00:03:48,800
Speaker 3: your techs have been nice in their intent, but your

83
00:03:48,880 --> 00:03:51,480
Speaker 3: last few have sounded like I was reading a mass

84
00:03:51,520 --> 00:03:55,160
Speaker 3: corporate email set to two hundred employees. I feel awful

85
00:03:55,160 --> 00:03:57,920
Speaker 3: being critical of you or the way you process things.

86
00:03:57,920 --> 00:04:00,800
Speaker 3: But I miss my funny, dark, normal speaking friend who

87
00:04:00,880 --> 00:04:02,400
Speaker 3: talks to me as herself.

88
00:04:02,840 --> 00:04:05,920
Speaker 1: And basically they just talked through it.

89
00:04:06,000 --> 00:04:09,440
Speaker 3: Blake then playfully formitted her text as a mass email

90
00:04:09,480 --> 00:04:11,640
Speaker 3: and went on to say she's becoming paranoid because of

91
00:04:11,680 --> 00:04:13,560
Speaker 3: all of this stuff in the press. Lots of people

92
00:04:13,560 --> 00:04:16,599
Speaker 3: now thinking the song canceled on Taylor's album is about Blake.

93
00:04:16,720 --> 00:04:19,400
Speaker 3: But I read through a lot of this, it seems

94
00:04:19,440 --> 00:04:23,320
Speaker 3: to me that obviously Justin had his, you know, idea

95
00:04:23,360 --> 00:04:25,279
Speaker 3: of the script, he bought the rights, he was the

96
00:04:25,279 --> 00:04:28,160
Speaker 3: director and stuff, and then Blake you know, had her

97
00:04:28,200 --> 00:04:30,400
Speaker 3: own ideas about the script and that's where and she

98
00:04:30,520 --> 00:04:32,800
Speaker 3: kind of tried to bring in her famous friends to

99
00:04:32,960 --> 00:04:36,680
Speaker 3: like muscle him out of his you know, creative vision.

100
00:04:36,960 --> 00:04:40,320
Speaker 3: She also texted Ben Affleck who else does she like

101
00:04:40,320 --> 00:04:43,080
Speaker 3: a bunch of famous friends, just asking hey, can you

102
00:04:43,160 --> 00:04:45,800
Speaker 3: watch this and give me feedback so that I can

103
00:04:45,800 --> 00:04:47,400
Speaker 3: go to Justin and say, hey, this big.

104
00:04:47,240 --> 00:04:49,440
Speaker 1: Actor feels this way, or Taylor Swift feels this way.

105
00:04:49,960 --> 00:04:50,640
Speaker 1: I don't see a.

106
00:04:50,560 --> 00:04:52,679
Speaker 3: Smoking gun with the Taylor text other than a friend

107
00:04:52,760 --> 00:04:56,560
Speaker 3: just being you know, honest. But a lot of people

108
00:04:56,640 --> 00:04:59,640
Speaker 3: have chosen to see this as Taylor Swift is evil, which,

109
00:04:59,720 --> 00:05:02,440
Speaker 3: you know, you can think what you want. If I've

110
00:05:02,520 --> 00:05:04,720
Speaker 3: learned anything from these texts, it's that people are.

111
00:05:04,640 --> 00:05:05,800
Speaker 1: Seeing what they want to see with that.

112
00:05:06,000 --> 00:05:08,960
Speaker 3: So I don't know, it feels weird, and I surely

113
00:05:09,000 --> 00:05:10,480
Speaker 3: hope that my text with my bestie.

114
00:05:10,520 --> 00:05:14,119
Speaker 1: Never get pulled out in course, That's all I can say.

115
00:05:14,480 --> 00:05:16,360
Speaker 3: If you want to catch up on the reports from

116
00:05:16,360 --> 00:05:18,200
Speaker 3: today or anything else you may have missed from any

117
00:05:18,279 --> 00:05:20,600
Speaker 3: Day tape the Fred Shwonderman into the Free I Heart

118
00:05:20,680 --> 00:05:21,320
Speaker 3: Radio app.

119
00:05:21,240 --> 00:05:34,080
Speaker 1: Show, Friend's Fun Fact Fredlund so much guys.

120
00:05:34,160 --> 00:05:38,360
Speaker 2: Did you know there is a museum in Iceland dedicated

121
00:05:38,560 --> 00:05:40,599
Speaker 2: entirely to penises?

122
00:05:41,279 --> 00:05:41,880
Speaker 1: Shelley's been.

123
00:05:42,560 --> 00:05:44,600
Speaker 2: I've been in front of it. I didn't go inside.

124
00:05:46,240 --> 00:05:47,360
Speaker 1: Why was she there.

125
00:05:48,960 --> 00:05:55,960
Speaker 2: For? Next one? It's called the Icelandic Phallological Museum, located

126
00:05:56,000 --> 00:05:59,560
Speaker 2: in Raykovic, Iceland, a unique institution that houses the world's

127
00:05:59,600 --> 00:06:04,120
Speaker 2: largest collection of phallic specimens. Found in nineteen ninety seven,

128
00:06:04,160 --> 00:06:06,240
Speaker 2: the museum has grown to include over three hundred of

129
00:06:06,279 --> 00:06:09,279
Speaker 2: them from more than one hundred species of mammals, as

130
00:06:09,279 --> 00:06:14,880
Speaker 2: well as twenty two imagined penises from Icelandic folklore. What Yeah, No,

131
00:06:14,920 --> 00:06:16,240
Speaker 2: I walked in front of it. I'm like, this is

132
00:06:16,240 --> 00:06:18,080
Speaker 2: a joke, Like this can't be serious. And then I

133
00:06:18,120 --> 00:06:20,440
Speaker 2: remember telling Shelley it had been to Iceland before me.

134
00:06:20,760 --> 00:06:22,479
Speaker 2: We talked about it on the show and I was like,

135
00:06:22,520 --> 00:06:24,400
Speaker 2: this is this place. She goes, Oh, yeah, I've been there.

136
00:06:25,040 --> 00:06:25,880
Speaker 2: I've been in there before.

137
00:06:25,960 --> 00:06:28,039
Speaker 1: Should we post the photo? Why didn't you go in?

138
00:06:28,680 --> 00:06:30,880
Speaker 2: Because I wasn't sure what I really was. I'm like,

139
00:06:30,960 --> 00:06:32,520
Speaker 2: is this cam't be like? Is this like I'm going

140
00:06:32,560 --> 00:06:33,480
Speaker 2: to walk in there and it's.

141
00:06:33,320 --> 00:06:35,600
Speaker 1: Like a drip away there, right?

142
00:06:35,839 --> 00:06:40,360
Speaker 3: And you don't go into the phallic museum?

143
00:06:40,880 --> 00:06:41,320
Speaker 1: Does that mean?

144
00:06:41,400 --> 00:06:44,039
Speaker 2: I know it's curious, isn't it. Yeah? I should have,

145
00:06:44,160 --> 00:06:48,120
Speaker 2: but yeah, I know, post a picture more freadshell next