WEBVTT - The Fifth Hour: Star Chef Stamp & Maller Meatball 

0:00:00.680 --> 0:00:01.440
<v Speaker 1>Cutbooms.

0:00:02.279 --> 0:00:05.360
<v Speaker 2>If you thought four hours a day, twelve hundred minutes

0:00:05.400 --> 0:00:09.200
<v Speaker 2>a week was enough, think again. He's the last remnants

0:00:09.200 --> 0:00:12.480
<v Speaker 2>of the old republic, a sol fashion of fairness. He

0:00:12.560 --> 0:00:15.480
<v Speaker 2>treats crackheads in the ghetto gutter the same as the

0:00:15.600 --> 0:00:19.440
<v Speaker 2>rich pill poppers in the penthouse. Wow to the Clearinghouse

0:00:19.480 --> 0:00:23.200
<v Speaker 2>of hot takes, break free for something special. The Fifth

0:00:23.200 --> 0:00:29.440
<v Speaker 2>Hour with Ben Maller starts right now in.

0:00:29.280 --> 0:00:33.840
<v Speaker 3>The air everywhere, The Fifth Hour with Me, Ben Mallor

0:00:33.960 --> 0:00:38.360
<v Speaker 3>and Danny g Radio and a very happy Friday to you.

0:00:38.440 --> 0:00:40.279
<v Speaker 3>We have made it to the end of the road,

0:00:40.320 --> 0:00:42.080
<v Speaker 3>which is never really the end of the road, because

0:00:42.120 --> 0:00:43.680
<v Speaker 3>when you do the radio show during the week and

0:00:43.800 --> 0:00:46.280
<v Speaker 3>you've got the podcast on the weekends, it never ends.

0:00:46.640 --> 0:00:49.000
<v Speaker 3>It never ever ends. But we are back at it

0:00:49.040 --> 0:00:53.640
<v Speaker 3>here on this Friday morning, celebrating National Merry Go Round Day.

0:00:54.280 --> 0:00:59.880
<v Speaker 1>We It's National Merry Go Round Day, So listen.

0:01:00.160 --> 0:01:01.600
<v Speaker 3>I used to love merry go rounds when I was

0:01:01.600 --> 0:01:03.800
<v Speaker 3>a kid. I rotate nuts.

0:01:04.160 --> 0:01:07.160
<v Speaker 1>How dare you? I'm an adult. I haven't been on

0:01:07.160 --> 0:01:07.959
<v Speaker 1>one in a long time.

0:01:08.120 --> 0:01:10.400
<v Speaker 3>I did love, though, I fell down another rabbit hole

0:01:10.440 --> 0:01:12.600
<v Speaker 3>when I see these dopey holidays that get my attention.

0:01:12.640 --> 0:01:14.200
<v Speaker 3>I'm like, hey, I want to know more about the

0:01:14.240 --> 0:01:17.039
<v Speaker 3>merry go round. So then I started doing some research

0:01:17.080 --> 0:01:18.840
<v Speaker 3>and you start typing some things in and some other

0:01:18.880 --> 0:01:20.600
<v Speaker 3>things come up, and you keep going and going and

0:01:20.640 --> 0:01:25.480
<v Speaker 3>going and going. The earliest known carousels five hundred a d.

0:01:26.520 --> 0:01:32.360
<v Speaker 3>But it was really the Middle Ages, the beginning of

0:01:32.400 --> 0:01:35.920
<v Speaker 3>the modern I say modern, it's crazy to say that,

0:01:35.959 --> 0:01:39.199
<v Speaker 3>but the medieval period is when the merry go round

0:01:39.280 --> 0:01:43.440
<v Speaker 3>as we know it first popped up. And it was soldiers,

0:01:43.480 --> 0:01:46.440
<v Speaker 3>medieval soldiers who would compete in this game. It was

0:01:46.480 --> 0:01:50.560
<v Speaker 3>a version of the current carousel ride to train for

0:01:50.760 --> 0:01:55.560
<v Speaker 3>jousting tournaments. And they believe that's one of the reasons

0:01:55.760 --> 0:01:59.800
<v Speaker 3>most carousels have horses on them, as a homage.

0:01:59.640 --> 0:02:02.440
<v Speaker 1>To me evol times and the jousting.

0:02:02.680 --> 0:02:05.720
<v Speaker 3>And then the next big period of time was one

0:02:05.760 --> 0:02:09.120
<v Speaker 3>hundreds of years later. In the Industrial Revolution, the mass

0:02:09.160 --> 0:02:15.280
<v Speaker 3>production of heavy machinery used in merrygo rounds became possible

0:02:16.240 --> 0:02:20.280
<v Speaker 3>and so the carousels were more available. We couldn't really

0:02:20.320 --> 0:02:22.359
<v Speaker 3>do that before there were a little small things. And

0:02:22.400 --> 0:02:26.919
<v Speaker 3>then right around eighteen hundred, the first known carousel ride

0:02:26.960 --> 0:02:32.240
<v Speaker 3>in America, and it was operated in Salem, Massachusetts, the

0:02:32.360 --> 0:02:35.360
<v Speaker 3>Salem Witch Trials famous there it was called the Wooden

0:02:35.480 --> 0:02:41.680
<v Speaker 3>Horse Circus Ride and that was in actually seventeen ninety nine.

0:02:41.800 --> 0:02:45.040
<v Speaker 3>And then later on in the eighteen hundreds, the mass

0:02:45.880 --> 0:02:51.240
<v Speaker 3>migration to America from Europe. Immigrants from Europe European countries

0:02:51.320 --> 0:02:55.000
<v Speaker 3>began to put carousels everywhere.

0:02:55.040 --> 0:02:56.800
<v Speaker 1>They loved carousels, probably it was big.

0:02:56.639 --> 0:02:58.360
<v Speaker 3>In Europe, and so they came to America and they

0:02:58.360 --> 0:02:59.800
<v Speaker 3>were like, hey, this is what we got to check

0:02:59.800 --> 0:03:01.760
<v Speaker 3>it out and people were into it.

0:03:02.600 --> 0:03:05.200
<v Speaker 1>So that's I think that's all I have. I think

0:03:05.240 --> 0:03:06.120
<v Speaker 1>that's that's all I have.

0:03:06.360 --> 0:03:12.040
<v Speaker 3>The first carousel patented was by William Schneider from Davenport, Iowa,

0:03:12.840 --> 0:03:16.160
<v Speaker 3>and that was considered the first modern modern caressel.

0:03:16.160 --> 0:03:19.239
<v Speaker 1>That was in eighteen seventy one. So there you go.

0:03:19.440 --> 0:03:21.240
<v Speaker 1>That's that's enough. We're good on that.

0:03:21.560 --> 0:03:25.919
<v Speaker 3>So on this podcast, we've got a Melancholie Maler Marlborough

0:03:25.960 --> 0:03:29.200
<v Speaker 3>Man Malar meatball and if we have time, the phrase

0:03:29.280 --> 0:03:31.799
<v Speaker 3>of the week, but we begin with this and it's

0:03:31.880 --> 0:03:35.360
<v Speaker 3>Melancholy Maler. Last night, if you were listening, we did

0:03:35.360 --> 0:03:41.760
<v Speaker 3>a special homage, a eulogy to a legend who was

0:03:41.880 --> 0:03:45.520
<v Speaker 3>not someone that had wins and losses, not real wins

0:03:45.560 --> 0:03:47.520
<v Speaker 3>and losses. There was somebody that wrote who won and

0:03:47.560 --> 0:03:50.880
<v Speaker 3>who lost? But a cultural icon if you're of a

0:03:50.880 --> 0:03:54.839
<v Speaker 3>certain age. I was a hall comaniac because I talked

0:03:54.880 --> 0:03:57.400
<v Speaker 3>about last night, Halt Cogan seemed through the eyes of

0:03:57.440 --> 0:04:00.880
<v Speaker 3>a child like he was one of the cartoon characters

0:04:00.920 --> 0:04:03.200
<v Speaker 3>I would watch on Saturday morning when I was a

0:04:03.200 --> 0:04:05.120
<v Speaker 3>little kid, and all we had was Saturday Morning cartoons

0:04:05.160 --> 0:04:07.240
<v Speaker 3>because we lived in the dark ages, and I would

0:04:07.240 --> 0:04:11.240
<v Speaker 3>watch he Man or some of these other superheroes, Captain America,

0:04:11.520 --> 0:04:13.560
<v Speaker 3>you know, comic books. I'd look at those different things,

0:04:13.840 --> 0:04:15.680
<v Speaker 3>and then you saw, like haul kose won, this guy

0:04:15.800 --> 0:04:18.960
<v Speaker 3>looks like a real life superhero, Like this is legit,

0:04:19.480 --> 0:04:22.640
<v Speaker 3>these comics, that's real life. And I was like, this

0:04:22.720 --> 0:04:25.520
<v Speaker 3>must be based on real life. And Hulk Hogan. And

0:04:25.560 --> 0:04:30.200
<v Speaker 3>then every as I talked about in the monologue last night,

0:04:30.360 --> 0:04:34.440
<v Speaker 3>everything Hulk Hogan, I was in on some of my finest,

0:04:34.600 --> 0:04:38.080
<v Speaker 3>fondest memories through the eyes of a child. Okay, through

0:04:38.120 --> 0:04:40.520
<v Speaker 3>the eyes of a child, listen. I yeah, you don't know.

0:04:40.640 --> 0:04:42.360
<v Speaker 3>At that time, when I was a kid, they had

0:04:42.360 --> 0:04:45.960
<v Speaker 3>not revealed that wrestling was fake we were so stupid,

0:04:46.000 --> 0:04:49.719
<v Speaker 3>were like, looks legit, you know, Andre the Giant taking

0:04:49.760 --> 0:04:54.680
<v Speaker 3>on hul Cogan and Macho Man, Randy Savage and all

0:04:54.680 --> 0:04:58.000
<v Speaker 3>these wild characters, right, wild characters.

0:04:58.040 --> 0:04:58.360
<v Speaker 1>And so.

0:05:00.080 --> 0:05:02.840
<v Speaker 3>Rest in peace, the hall Coger and I did see

0:05:02.839 --> 0:05:06.040
<v Speaker 3>some stuff, people trying to urinate all over the holster

0:05:06.160 --> 0:05:08.680
<v Speaker 3>and all that stuff. And listen, he was not perfect.

0:05:09.080 --> 0:05:12.919
<v Speaker 3>No one's perfect. And hall Cogan, though it touched a

0:05:12.920 --> 0:05:15.359
<v Speaker 3>lot of lives and was one of the most famous

0:05:15.400 --> 0:05:18.800
<v Speaker 3>people in the United States.

0:05:18.480 --> 0:05:19.839
<v Speaker 1>Of America when I was a kid.

0:05:20.839 --> 0:05:22.960
<v Speaker 3>He was I think of when I was a kid,

0:05:23.000 --> 0:05:26.760
<v Speaker 3>who were the most famous people? And hal Cogan is,

0:05:27.120 --> 0:05:29.760
<v Speaker 3>I don't do a list. I'm not doing a list

0:05:29.800 --> 0:05:32.120
<v Speaker 3>Terry in England. But I'm just telling you it's my

0:05:32.240 --> 0:05:35.479
<v Speaker 3>big board, haul Cogan, as I've talked about, on that

0:05:35.560 --> 0:05:36.080
<v Speaker 3>big board.

0:05:37.000 --> 0:05:40.560
<v Speaker 1>So turning the page on that story time.

0:05:41.000 --> 0:05:43.680
<v Speaker 3>Storytime on the fifth hour with me, Ben Mahler and

0:05:43.800 --> 0:05:46.920
<v Speaker 3>Danny g who is producing this podcast and will hopefully

0:05:47.040 --> 0:05:49.240
<v Speaker 3>joined me at some point this weekend, But we flashed

0:05:49.240 --> 0:05:52.719
<v Speaker 3>back to a recent journey to the face of the Sun.

0:05:52.760 --> 0:05:56.280
<v Speaker 3>So last weekend, the malordmobile was loaded up. We went

0:05:56.320 --> 0:06:01.960
<v Speaker 3>to Rancho Mirage in the californ You desert, because why not.

0:06:02.040 --> 0:06:04.200
<v Speaker 3>It's one hundred and fifteen degrees. Why would you not

0:06:04.279 --> 0:06:06.440
<v Speaker 3>go there. It's the kind of heat that makes you

0:06:06.520 --> 0:06:09.200
<v Speaker 3>question whether you're actually a human being or just a

0:06:09.240 --> 0:06:12.800
<v Speaker 3>soft boiled egg. So we went out there to enjoy

0:06:12.920 --> 0:06:17.200
<v Speaker 3>the nice heat and those beautiful luxury pools they have,

0:06:17.400 --> 0:06:22.800
<v Speaker 3>and they were nice, tepid bathwater, lukewarm, wonderful, had a

0:06:22.880 --> 0:06:27.919
<v Speaker 3>lazy river barely moving, just floating along there in the sun,

0:06:28.120 --> 0:06:32.400
<v Speaker 3>baking like you're in a rotisserie. And it was just

0:06:32.440 --> 0:06:35.880
<v Speaker 3>a nice weekend, a really more of a day than anything.

0:06:35.680 --> 0:06:37.560
<v Speaker 1>Because you gotta do this podcast, but just.

0:06:37.520 --> 0:06:40.240
<v Speaker 3>A day to kind of unwine and unplugged for a

0:06:40.240 --> 0:06:44.440
<v Speaker 3>little bit and try not to die from the atmospheric pressure.

0:06:45.000 --> 0:06:47.680
<v Speaker 1>Mind you, it is not global warming. It's called summer.

0:06:47.800 --> 0:06:51.719
<v Speaker 1>It happens every year. And yet there I was, there

0:06:51.760 --> 0:06:56.080
<v Speaker 1>I was, and there he was? And who is he?

0:06:56.200 --> 0:06:58.440
<v Speaker 1>You ask, what are your pronoun who is he?

0:06:58.920 --> 0:06:59.080
<v Speaker 2>Well?

0:06:59.160 --> 0:07:05.600
<v Speaker 3>That guy or go the guy guy fiery in the kitchen, now,

0:07:05.640 --> 0:07:08.880
<v Speaker 3>mind you, not the actual guy. Of course, I'm talking

0:07:08.880 --> 0:07:14.440
<v Speaker 3>about a glossy eight by ten of him mid bite,

0:07:14.560 --> 0:07:17.760
<v Speaker 3>or maybe he was laughing. I don't know, sunglasses lowered,

0:07:18.200 --> 0:07:21.840
<v Speaker 3>the look, the smile like he had just heard the

0:07:21.880 --> 0:07:25.200
<v Speaker 3>punchline to a joke that involves some kind of bacon

0:07:25.320 --> 0:07:27.320
<v Speaker 3>and bourbon, and he.

0:07:27.360 --> 0:07:28.720
<v Speaker 1>Was dreaming of his camaro.

0:07:29.600 --> 0:07:33.880
<v Speaker 3>And I had this epiphany while I was looking at

0:07:33.880 --> 0:07:34.440
<v Speaker 3>this photo.

0:07:34.600 --> 0:07:39.280
<v Speaker 1>You go to these places and it's like he was

0:07:39.360 --> 0:07:39.720
<v Speaker 1>just there.

0:07:40.760 --> 0:07:43.440
<v Speaker 3>You know, you toss in some kind of weird sign

0:07:43.520 --> 0:07:46.280
<v Speaker 3>spatchelor or something like that, or you know there's a

0:07:46.320 --> 0:07:51.080
<v Speaker 3>menu item like kangaroo sauce, nacho bomb, and that's the

0:07:51.080 --> 0:07:55.200
<v Speaker 3>full guy theory experience. So this was a local burger

0:07:55.280 --> 0:07:59.920
<v Speaker 3>joint out in the Palm Springs area and my wife

0:08:00.400 --> 0:08:02.920
<v Speaker 3>found I don't know whether it's up to me.

0:08:03.000 --> 0:08:04.360
<v Speaker 1>I eat it raising canes every time.

0:08:04.360 --> 0:08:06.720
<v Speaker 3>But she's like, hey, let's let's find a restaurant, what

0:08:06.800 --> 0:08:08.200
<v Speaker 3>kind of food as let's get burgers.

0:08:08.400 --> 0:08:10.640
<v Speaker 1>So she goes on Yelp. She loves Yelp.

0:08:10.720 --> 0:08:13.120
<v Speaker 3>I try to tell her, I said, listen, Yelp's fine,

0:08:13.280 --> 0:08:16.920
<v Speaker 3>but a lot of those reviews are bullshit, and but she's.

0:08:16.720 --> 0:08:19.480
<v Speaker 1>Like, oh, this is well reviewed, So she goes on there.

0:08:19.520 --> 0:08:23.720
<v Speaker 3>She's flutzing around on Yelp, and this is not a

0:08:23.800 --> 0:08:28.280
<v Speaker 3>food network pilgrimage. She didn't type in Food Network, diners,

0:08:28.400 --> 0:08:30.200
<v Speaker 3>dive ins and drives. She didn't type any of that in.

0:08:30.280 --> 0:08:32.920
<v Speaker 3>She just typed in burger places on Yelp, and this

0:08:32.920 --> 0:08:36.760
<v Speaker 3>place came up. And if she typed in diners, drive

0:08:36.800 --> 0:08:38.560
<v Speaker 3>ins and dives, I'd be like, okay, that she typed

0:08:38.600 --> 0:08:42.480
<v Speaker 3>it into Google Maps or something. This wasn't that right.

0:08:43.000 --> 0:08:47.839
<v Speaker 3>It wasn't you know, eat prey love with extra aoli. Regardless,

0:08:48.480 --> 0:08:53.480
<v Speaker 3>it didn't matter. So Guy was already there, and he's

0:08:53.520 --> 0:08:55.080
<v Speaker 3>always there, and that's the point.

0:08:55.200 --> 0:08:56.679
<v Speaker 1>That's the point. I mean, I did not.

0:08:56.880 --> 0:09:01.480
<v Speaker 3>Ask for Guy Fieri to be staring at me as

0:09:01.480 --> 0:09:03.960
<v Speaker 3>I walked into this restaurant. I didn't look for Guy Fiery,

0:09:04.280 --> 0:09:05.960
<v Speaker 3>but somehow he always is there.

0:09:05.960 --> 0:09:08.679
<v Speaker 1>He finds me. And it's the same old thing.

0:09:08.720 --> 0:09:11.560
<v Speaker 3>You walk into a diner off some dusty highway in

0:09:11.640 --> 0:09:13.760
<v Speaker 3>some place you're not normally.

0:09:13.360 --> 0:09:18.719
<v Speaker 1>At, and bam, bam bam, there is God. And this

0:09:18.760 --> 0:09:19.840
<v Speaker 1>is not an exaggeration.

0:09:19.880 --> 0:09:21.959
<v Speaker 3>The reason I'm bringing this up full disclosure, it's not

0:09:22.000 --> 0:09:25.120
<v Speaker 3>just because of a one off at some burger joint

0:09:25.160 --> 0:09:28.200
<v Speaker 3>in Palm Springs. But this is the fifth or sixth

0:09:28.200 --> 0:09:31.439
<v Speaker 3>time in my travels in recent years that I have

0:09:31.640 --> 0:09:36.320
<v Speaker 3>randomly sashade wandered into some restaurant I had never been

0:09:36.360 --> 0:09:39.200
<v Speaker 3>to before, only to be greeted by the mayor of

0:09:39.240 --> 0:09:44.839
<v Speaker 3>Flavortown right there. Now, One, you say, Okay, that's it,

0:09:45.200 --> 0:09:48.480
<v Speaker 3>that's fine. Two maybe that's a coincidence, but keeps happening.

0:09:48.520 --> 0:09:53.360
<v Speaker 3>It's like I'm getting getting photo bombed by a cartoon ghost.

0:09:54.040 --> 0:09:58.440
<v Speaker 3>And he's not like stalking me, He's just there. And

0:09:58.520 --> 0:10:01.080
<v Speaker 3>it is like he's the culinary version of the Virgin

0:10:01.160 --> 0:10:04.839
<v Speaker 3>Mary appearing on toast. You see those stories every so often, right,

0:10:04.960 --> 0:10:08.120
<v Speaker 3>or Jesus or something like that. Only this, this is

0:10:08.160 --> 0:10:11.800
<v Speaker 3>with frosted tips and the wristbands and all that, which

0:10:11.880 --> 0:10:16.240
<v Speaker 3>raises the obvious question, what the hell is going on?

0:10:16.400 --> 0:10:16.600
<v Speaker 1>Right?

0:10:16.640 --> 0:10:19.480
<v Speaker 3>What the f is going on now? Guy Fieri. At

0:10:19.480 --> 0:10:22.880
<v Speaker 3>some point in the last decade, and maybe it's been

0:10:22.920 --> 0:10:24.319
<v Speaker 3>longer than that, I just feel like it's been the

0:10:24.400 --> 0:10:28.600
<v Speaker 3>last decade, he went from being a guy that was

0:10:28.679 --> 0:10:33.000
<v Speaker 3>goofed on a late night punchline to a full blown

0:10:33.200 --> 0:10:37.320
<v Speaker 3>spiritual symbol. Now not in a religious sense, I don't

0:10:37.480 --> 0:10:39.280
<v Speaker 3>upset you, and not in a religious sense, more so

0:10:40.480 --> 0:10:43.880
<v Speaker 3>in the sense that when you walk into a mom

0:10:43.920 --> 0:10:50.040
<v Speaker 3>and pop eatery and you see that framed Guy Fiery photo.

0:10:51.240 --> 0:10:55.600
<v Speaker 3>You're experiencing something to the point now where I'm starting

0:10:55.640 --> 0:10:58.199
<v Speaker 3>to wonder if these mom and pop restaurants it's part

0:10:58.240 --> 0:11:01.000
<v Speaker 3>of the starter kit where when you're starting the restaurant,

0:11:01.040 --> 0:11:02.760
<v Speaker 3>just to make it seem like you got street cred,

0:11:03.120 --> 0:11:06.000
<v Speaker 3>you buy a photo of Guy Fieri with some chef

0:11:06.040 --> 0:11:07.719
<v Speaker 3>and you just pretend like it's in the back of

0:11:07.800 --> 0:11:08.320
<v Speaker 3>your kitchen.

0:11:09.480 --> 0:11:10.000
<v Speaker 1>But there it is.

0:11:10.080 --> 0:11:13.280
<v Speaker 3>Right. If Guy Fieri's face and a restaurant, it is

0:11:13.320 --> 0:11:17.960
<v Speaker 3>like some kind of secular blessing, like a neon open

0:11:18.080 --> 0:11:20.680
<v Speaker 3>sign to let you know it's okay, this is a

0:11:20.720 --> 0:11:23.640
<v Speaker 3>safe space for your stomach. And it says this place

0:11:24.200 --> 0:11:26.800
<v Speaker 3>may not pass the health inspection, but.

0:11:26.840 --> 0:11:29.400
<v Speaker 1>It is going to slap good. It is going to

0:11:29.440 --> 0:11:29.760
<v Speaker 1>be good.

0:11:29.760 --> 0:11:33.520
<v Speaker 3>It's not really the fame anymore. It's a mythological thing.

0:11:34.360 --> 0:11:36.559
<v Speaker 3>And so I've determined that Guy Fieri when it comes

0:11:36.600 --> 0:11:40.040
<v Speaker 3>to mom and pop restaurants is Buddha. He's Buddha with

0:11:40.080 --> 0:11:43.000
<v Speaker 3>Oakley's right, He's back in the day. I loved Anthony Bourdain.

0:11:43.200 --> 0:11:46.440
<v Speaker 3>I loved his take on restaurants and the way that

0:11:46.520 --> 0:11:49.000
<v Speaker 3>he yapped and the voiceovers and all that. But it's

0:11:49.000 --> 0:11:52.160
<v Speaker 3>like Guy Fieri is now Anthony Bourdain and technicolor, and

0:11:52.800 --> 0:11:56.280
<v Speaker 3>he is. What happens when you take out that old

0:11:56.320 --> 0:12:00.000
<v Speaker 3>food pyramid and you put a hype man right now,

0:12:00.320 --> 0:12:03.960
<v Speaker 3>It like that's the hype man, and people talk about, hey,

0:12:04.000 --> 0:12:06.640
<v Speaker 3>you got to support local businesses, and I grew. I

0:12:06.640 --> 0:12:11.120
<v Speaker 3>believe that's important, right, that's important, and I tried to

0:12:11.520 --> 0:12:14.960
<v Speaker 3>do that. I try to avoid when I'm traveling, uh,

0:12:15.000 --> 0:12:18.719
<v Speaker 3>and I actually commit to that life as much as

0:12:18.720 --> 0:12:22.360
<v Speaker 3>I can, and I try to avoid the Applebee's and

0:12:22.440 --> 0:12:25.600
<v Speaker 3>the Cheesecake Factory and the Olive Garden and all those place.

0:12:25.640 --> 0:12:27.199
<v Speaker 3>It's not that I don't enjoy the food there. I

0:12:27.240 --> 0:12:28.839
<v Speaker 3>used to eat a cheesecat factory all the time.

0:12:29.400 --> 0:12:30.280
<v Speaker 1>And you know all.

0:12:30.160 --> 0:12:32.920
<v Speaker 3>The places that have the big calorie counts on the

0:12:32.960 --> 0:12:37.840
<v Speaker 3>menu because they are big, corporately run restaurants. So once

0:12:37.880 --> 0:12:40.640
<v Speaker 3>you commit to going away from those places, you begin

0:12:40.720 --> 0:12:44.760
<v Speaker 3>to notice what I call the fiery effect.

0:12:44.800 --> 0:12:45.880
<v Speaker 1>It just appears.

0:12:46.320 --> 0:12:49.440
<v Speaker 3>And it's not just the photo on the wall in

0:12:49.480 --> 0:12:54.600
<v Speaker 3>these mom and pop joints. It's like the whole zeitgeist.

0:12:54.600 --> 0:12:58.600
<v Speaker 3>Like the portions are always usually supersized, like the good

0:12:58.640 --> 0:13:01.960
<v Speaker 3>old days at McDonald's back in the day. They've got

0:13:01.960 --> 0:13:08.320
<v Speaker 3>some funky sauce that the foodies love. There's a weird cocktail.

0:13:08.440 --> 0:13:11.200
<v Speaker 3>They threw a holapano in there. Nobody knows why.

0:13:11.000 --> 0:13:11.760
<v Speaker 1>They just did it.

0:13:12.480 --> 0:13:16.040
<v Speaker 3>And there's an eighty four percent chance that the server

0:13:16.120 --> 0:13:19.360
<v Speaker 3>will be wearing a shirt with some kind of flying

0:13:19.480 --> 0:13:22.280
<v Speaker 3>pig or a flame on it. And it always goes

0:13:22.320 --> 0:13:26.080
<v Speaker 3>back to the Buddha, right, the Buddha with Oakleys. The

0:13:26.120 --> 0:13:30.400
<v Speaker 3>man is omnipresent, so he's not necessarily following you. He

0:13:30.960 --> 0:13:36.760
<v Speaker 3>has become you, at least the culinary aspect. And I

0:13:36.880 --> 0:13:39.000
<v Speaker 3>used to think it was.

0:13:39.000 --> 0:13:44.959
<v Speaker 1>A wack adoodle, right, wackadoodle, But he's omnipresent. Like, how

0:13:45.520 --> 0:13:46.200
<v Speaker 1>is Guy?

0:13:46.400 --> 0:13:51.880
<v Speaker 3>Everywhere I go again, and everywhere I'm obviously embellishing a bit.

0:13:53.320 --> 0:13:56.480
<v Speaker 3>I had that moment that he is and this is

0:13:56.520 --> 0:13:59.840
<v Speaker 3>really the other thing here. When I kept seeing Guy

0:14:00.520 --> 0:14:03.680
<v Speaker 3>the breaking point, the tipping point was last weekend. But

0:14:03.800 --> 0:14:09.040
<v Speaker 3>Guy Fieri is like one of the final unifying mascots

0:14:09.080 --> 0:14:10.760
<v Speaker 3>we have in America now. When I was a kid

0:14:10.800 --> 0:14:13.400
<v Speaker 3>back in my day, and I grew up watching Haul Cogan,

0:14:13.520 --> 0:14:17.400
<v Speaker 3>but I also had in these things called magazines a

0:14:17.440 --> 0:14:21.600
<v Speaker 3>lot of advertisements with Joe Cammell and the Marble Man,

0:14:22.880 --> 0:14:24.760
<v Speaker 3>and they're gone, right, you don't see a lot of

0:14:24.800 --> 0:14:27.160
<v Speaker 3>the Marble Man. You don't see Joe Campbell. Now we

0:14:27.280 --> 0:14:32.760
<v Speaker 3>have Guy. It's like post all that. It's you know,

0:14:33.080 --> 0:14:36.600
<v Speaker 3>the thing that made him easy to mock back in

0:14:36.600 --> 0:14:42.520
<v Speaker 3>the day, the flames, the hokey, corny catchphrases, the diners

0:14:42.760 --> 0:14:46.320
<v Speaker 3>drenched in the devil's blood of ranch dressing. Now that

0:14:46.480 --> 0:14:50.160
<v Speaker 3>is what has become his signature and is universally loved.

0:14:50.920 --> 0:14:56.360
<v Speaker 3>And you don't need to know who the national is to,

0:14:56.920 --> 0:15:01.160
<v Speaker 3>you know, enjoy the triple stacked French to stuffed with

0:15:01.680 --> 0:15:06.520
<v Speaker 3>blueberries and cheesecake and all this other. But Guy speaks

0:15:06.560 --> 0:15:10.800
<v Speaker 3>to to the fact that restaurants they feel like they

0:15:10.800 --> 0:15:12.040
<v Speaker 3>need that as a street credit.

0:15:12.040 --> 0:15:13.240
<v Speaker 1>I said earlier, like.

0:15:13.200 --> 0:15:15.640
<v Speaker 3>They need that a guys provide street because, like they

0:15:15.640 --> 0:15:19.520
<v Speaker 3>were legit. He's the rubber stamp, the you know, in

0:15:19.520 --> 0:15:23.280
<v Speaker 3>sports memorabilia, you got to get something authenticated. He's the

0:15:23.320 --> 0:15:28.760
<v Speaker 3>authenticator for a generation, you know. And then you know,

0:15:28.760 --> 0:15:32.200
<v Speaker 3>we talking about Michelin Star restaurants and all that, but

0:15:32.640 --> 0:15:34.400
<v Speaker 3>you know, I don't necessarily want to go to those places.

0:15:34.400 --> 0:15:34.920
<v Speaker 1>But he will.

0:15:34.960 --> 0:15:39.000
<v Speaker 3>You can absolutely trust some dude who used to work

0:15:39.040 --> 0:15:39.840
<v Speaker 3>at a restaurant.

0:15:39.920 --> 0:15:41.440
<v Speaker 1>You know, he's a barely.

0:15:41.120 --> 0:15:44.440
<v Speaker 3>Got out of school from northern California, Nor cal the

0:15:44.560 --> 0:15:49.000
<v Speaker 3>bleach blonde dude yelling this is money, this is money,

0:15:49.320 --> 0:15:52.360
<v Speaker 3>and uh, you know, the riding off into the sunset.

0:15:52.840 --> 0:15:56.280
<v Speaker 3>So maybe it's not a coincidce. I don't think it's

0:15:56.280 --> 0:15:59.240
<v Speaker 3>a coincidence, Like maybe guy Fiery is just what ends

0:15:59.320 --> 0:16:03.840
<v Speaker 3>up happening when you're on the journey. And I'm not

0:16:03.880 --> 0:16:07.520
<v Speaker 3>talking about some fake social media sojourn. We're talking about

0:16:07.520 --> 0:16:12.880
<v Speaker 3>the real sweaty you know, melting pot road trip that

0:16:13.080 --> 0:16:15.120
<v Speaker 3>involves stopping somewhere.

0:16:14.840 --> 0:16:16.200
<v Speaker 1>That you didn't really plan on.

0:16:16.400 --> 0:16:18.960
<v Speaker 3>And they might have an elk burger on the menu,

0:16:19.120 --> 0:16:21.680
<v Speaker 3>smothered and ghost pepper aolie.

0:16:21.720 --> 0:16:22.640
<v Speaker 1>I don't even know what that is.

0:16:24.240 --> 0:16:27.440
<v Speaker 3>And there he is, you know, he's not working as

0:16:27.480 --> 0:16:30.160
<v Speaker 3>the chef. Is he a celebrity?

0:16:30.160 --> 0:16:31.040
<v Speaker 1>Well not in this case.

0:16:31.080 --> 0:16:34.120
<v Speaker 3>He's just not even a real person at this point. Again,

0:16:34.520 --> 0:16:38.200
<v Speaker 3>he is smiling the kitchen Buddha. He's there.

0:16:38.280 --> 0:16:42.040
<v Speaker 1>He's saying, welcome, you found it. The food is good here,

0:16:42.760 --> 0:16:43.480
<v Speaker 1>It's okay.

0:16:44.680 --> 0:16:47.320
<v Speaker 3>Yes, Now, one thing that was not on the menu

0:16:47.360 --> 0:16:49.400
<v Speaker 3>at this burger place was the Malar meatball. But we

0:16:49.440 --> 0:16:52.080
<v Speaker 3>turned the page because I would like to remind you

0:16:52.280 --> 0:16:53.360
<v Speaker 3>some of the highlights of the week.

0:16:53.400 --> 0:16:56.040
<v Speaker 1>Here we mentioned the Hull cogan. That not a highlight.

0:16:56.200 --> 0:16:59.240
<v Speaker 1>Doing a eulogy. It's like the old Casey Kasem thing.

0:16:59.240 --> 0:17:01.600
<v Speaker 3>I'm sick and tied coming out of an upbeat song,

0:17:01.920 --> 0:17:04.720
<v Speaker 3>and I got to do a dog death dedication. You

0:17:04.760 --> 0:17:08.560
<v Speaker 3>know all that, But watch out for the algorithm army.

0:17:08.960 --> 0:17:11.480
<v Speaker 3>Another reminder this week now, if you listen to the

0:17:11.520 --> 0:17:13.879
<v Speaker 3>Overnight Show, and God bless you if you do, and

0:17:13.920 --> 0:17:16.360
<v Speaker 3>you probably do. Most people, very rarely do I get

0:17:16.359 --> 0:17:18.480
<v Speaker 3>an email. You know, I don't never hear your Overnight show,

0:17:18.520 --> 0:17:20.600
<v Speaker 3>but I hear that fifth hour podcast.

0:17:21.080 --> 0:17:22.000
<v Speaker 1>I don't get a lot of that.

0:17:22.280 --> 0:17:28.399
<v Speaker 3>So we do twenty hours of original audio content on

0:17:28.880 --> 0:17:33.000
<v Speaker 3>the show. Mallard monologues. Each hour starts with the Malar monologue. Now,

0:17:33.040 --> 0:17:38.080
<v Speaker 3>typically each one covers not one, not two, but three stories. Right,

0:17:38.520 --> 0:17:45.040
<v Speaker 3>that is roughly sixty topics covered on live radio six

0:17:45.160 --> 0:17:49.560
<v Speaker 3>hundred plus stations. That's the math, right, So all of

0:17:49.800 --> 0:17:53.159
<v Speaker 3>the week's work, the one that launched all of the

0:17:53.200 --> 0:17:55.439
<v Speaker 3>things I talked about, the one that launched the biggest uprising.

0:17:55.440 --> 0:17:55.919
<v Speaker 1>You know what it was.

0:17:57.040 --> 0:17:58.639
<v Speaker 3>It was not the Malleur pluse. I will have the

0:17:58.680 --> 0:18:01.520
<v Speaker 3>Mallard pluza postgame though later this weekend. We like to

0:18:01.560 --> 0:18:04.119
<v Speaker 3>learn all the affiliates down line. The malod Palooza postgame

0:18:04.600 --> 0:18:06.600
<v Speaker 3>coming up down line. But take a guess what do

0:18:06.600 --> 0:18:08.160
<v Speaker 3>you think costs the biggest uprising?

0:18:09.160 --> 0:18:09.320
<v Speaker 1>Ding?

0:18:09.400 --> 0:18:09.879
<v Speaker 2>Ding ding ning?

0:18:10.240 --> 0:18:12.000
<v Speaker 1>Yes, the spicy.

0:18:12.520 --> 0:18:17.919
<v Speaker 3>Margherita Mallard monologue, the late night soliloquy on Hail to

0:18:18.320 --> 0:18:24.080
<v Speaker 3>the red Skins, Hail to Victry. Yes, the Redskins and

0:18:24.119 --> 0:18:31.320
<v Speaker 3>the Cleveland Indians nickname monologue did that, and suddenly I

0:18:31.440 --> 0:18:36.360
<v Speaker 3>had a bullseye on my chest. Public Anime number one,

0:18:36.440 --> 0:18:42.199
<v Speaker 3>I mentioned President Donald J. Trump supporting the return of

0:18:42.200 --> 0:18:45.800
<v Speaker 3>those old sporty nicknames that were canceled in the crazy

0:18:45.920 --> 0:18:49.800
<v Speaker 3>COVID hayze of the twenty twenty period and all that.

0:18:50.680 --> 0:18:51.679
<v Speaker 1>So I ended up.

0:18:51.560 --> 0:18:55.639
<v Speaker 3>With the pitchfork wokester p one charging I don't think

0:18:55.640 --> 0:18:57.880
<v Speaker 3>they're p ones, but they were. They were charging at

0:18:57.880 --> 0:19:02.280
<v Speaker 3>me like I had just pulled the fire alarm during

0:19:02.320 --> 0:19:07.520
<v Speaker 3>their nap time over at NPR headquarters. And why because

0:19:07.800 --> 0:19:12.040
<v Speaker 3>I dare say something they did not like? And More importantly,

0:19:13.000 --> 0:19:15.480
<v Speaker 3>I believe this to be true. The algorithm told them

0:19:15.520 --> 0:19:20.680
<v Speaker 3>not to like it, and now let's not kid ourselves, right,

0:19:20.760 --> 0:19:24.359
<v Speaker 3>every man, woman and child knows that I don't believe

0:19:24.400 --> 0:19:26.720
<v Speaker 3>this was like totally on the up and up, and

0:19:26.760 --> 0:19:28.600
<v Speaker 3>I didn't talk about it on the air too much

0:19:28.640 --> 0:19:32.679
<v Speaker 3>because I didn't want to give them the satisfaction that

0:19:32.760 --> 0:19:36.359
<v Speaker 3>what they were getting. Really a lot of the trolls

0:19:36.440 --> 0:19:38.280
<v Speaker 3>just want the reaction, So if I don't bring it up,

0:19:38.359 --> 0:19:41.160
<v Speaker 3>you know, fine. Sometimes I like to engage dumb people

0:19:41.200 --> 0:19:47.920
<v Speaker 3>like astro fans, Ehstros. But this was digital attempted, digital stoning, stoning.

0:19:48.480 --> 0:19:51.119
<v Speaker 3>You could feel it happening in real time. A lot

0:19:51.119 --> 0:19:54.080
<v Speaker 3>of us was email also, so the second the mal

0:19:54.280 --> 0:19:56.320
<v Speaker 3>monologue hit the airwas I say, hit the airways. I'm

0:19:56.320 --> 0:19:59.760
<v Speaker 3>talking about the rebroadcast and repackaging on the different social

0:19:59.800 --> 0:20:00.840
<v Speaker 3>media is like.

0:20:00.840 --> 0:20:01.639
<v Speaker 1>YouTube or whatever.

0:20:01.800 --> 0:20:05.399
<v Speaker 3>The algorithm was then activated like some kind of weird

0:20:05.480 --> 0:20:10.959
<v Speaker 3>trapdoor beneath the gas bag headquarters, and boom, bam, bang,

0:20:11.520 --> 0:20:15.520
<v Speaker 3>out came the box. That's right, like Transformers, more than

0:20:15.600 --> 0:20:18.600
<v Speaker 3>meets the eye, or in this case, more than meets

0:20:18.600 --> 0:20:21.280
<v Speaker 3>the ear. So the I'm talking about the paid blue

0:20:21.359 --> 0:20:24.159
<v Speaker 3>check mark wannabes. Also that used to mean something if

0:20:24.200 --> 0:20:25.120
<v Speaker 3>he had a blue check mark.

0:20:25.160 --> 0:20:29.360
<v Speaker 1>Not anymore. The the buzzword brigadiers.

0:20:29.080 --> 0:20:33.679
<v Speaker 3>Screaming, You're just a Malor Mallor meatball is all you are.

0:20:33.720 --> 0:20:35.399
<v Speaker 1>That's why you're doing the overnight show. You know, all

0:20:35.400 --> 0:20:36.360
<v Speaker 1>the usual nonsense.

0:20:36.440 --> 0:20:38.520
<v Speaker 3>If you were any good, you'd be on during today.

0:20:39.080 --> 0:20:41.359
<v Speaker 3>Uh And but the Malor meatball one.

0:20:41.280 --> 0:20:43.200
<v Speaker 1>One one dude. I don't even know where the guy

0:20:43.280 --> 0:20:46.280
<v Speaker 1>was from. I can assume, but I.

0:20:46.240 --> 0:20:49.800
<v Speaker 3>Think he is from Boston and might might or might

0:20:50.000 --> 0:20:52.520
<v Speaker 3>based on his email and I might have looked him up.

0:20:52.880 --> 0:20:55.119
<v Speaker 3>May have gone to an Ivy League school in the

0:20:55.119 --> 0:20:57.919
<v Speaker 3>Boston area. Anyway, the guy was very upset with me.

0:20:58.240 --> 0:21:00.760
<v Speaker 3>You just to malor me, you know, the meatball while

0:21:00.760 --> 0:21:02.320
<v Speaker 3>you're on a night And I was like, Malor meatball,

0:21:02.359 --> 0:21:05.560
<v Speaker 3>that sounds delicious. We got to get a Mallard meatball

0:21:05.640 --> 0:21:07.679
<v Speaker 3>on the menu. We have the Ben Mallard chicken fingers

0:21:08.040 --> 0:21:10.280
<v Speaker 3>at the Landing in Liberty, Missouri. We have the Ben

0:21:10.320 --> 0:21:13.280
<v Speaker 3>Maller chicken sandwich at the Sportsbook Bar and Grill in Denver,

0:21:14.040 --> 0:21:17.280
<v Speaker 3>but not the Malar meatball. How about an oversized giant

0:21:17.320 --> 0:21:23.320
<v Speaker 3>meatball with an not spaghetti Feticini. How about that who

0:21:23.400 --> 0:21:29.760
<v Speaker 3>says no, malar meatball covered in marinera but surrounded by fetichini,

0:21:29.800 --> 0:21:33.440
<v Speaker 3>Alfredo with the Alfredo sauce chef's kiss, who says no,

0:21:33.720 --> 0:21:36.880
<v Speaker 3>he contacted me. Let's do it, malar meatball. I'm in

0:21:37.119 --> 0:21:40.520
<v Speaker 3>come on anyway. So back to the story. So I decided, okay, fine,

0:21:40.600 --> 0:21:43.440
<v Speaker 3>let's play ball. And again, this is a one on

0:21:43.440 --> 0:21:45.760
<v Speaker 3>one situation. So what was my response to this guy

0:21:45.800 --> 0:21:47.240
<v Speaker 3>who called me a malar meatball?

0:21:47.240 --> 0:21:48.800
<v Speaker 1>That's why you're on an overnights dude.

0:21:49.280 --> 0:21:52.640
<v Speaker 3>I pointed out that what I do is an opinion

0:21:52.680 --> 0:21:53.240
<v Speaker 3>based show.

0:21:53.880 --> 0:21:55.440
<v Speaker 1>And while it is true I'm on in.

0:21:55.400 --> 0:21:58.080
<v Speaker 3>The middle of the night, the fact that you valued

0:21:58.119 --> 0:22:01.280
<v Speaker 3>my opinion so much you spent time to track down

0:22:01.320 --> 0:22:04.200
<v Speaker 3>how to contact me, I'm honored by because I have

0:22:04.320 --> 0:22:06.480
<v Speaker 3>no idea who you are, and I would have had

0:22:06.520 --> 0:22:09.119
<v Speaker 3>no contact with you if you hadn't reached out to me.

0:22:09.640 --> 0:22:11.560
<v Speaker 3>And then I said, listen again, it's opinion based. I

0:22:11.600 --> 0:22:14.399
<v Speaker 3>gave my opinion. Then I asked, what exactly did I

0:22:14.440 --> 0:22:17.479
<v Speaker 3>say that was wrong? It's always a tough question. Their

0:22:17.520 --> 0:22:21.359
<v Speaker 3>response was pretty much radio silence. Crickets, you know nothing

0:22:21.400 --> 0:22:25.920
<v Speaker 3>real nothing tangible. Instead with this guy, this one guy

0:22:26.119 --> 0:22:29.399
<v Speaker 3>in particular, sent was a copy and paste. It seemed

0:22:29.440 --> 0:22:31.480
<v Speaker 3>like he had sent it to other people links from

0:22:31.480 --> 0:22:36.080
<v Speaker 3>like a New York Times opinion page article, and there

0:22:36.200 --> 0:22:37.240
<v Speaker 3>was something else.

0:22:37.480 --> 0:22:38.560
<v Speaker 1>I go back to NPR.

0:22:38.680 --> 0:22:41.639
<v Speaker 3>It was like some kind of NPR thing about this,

0:22:41.960 --> 0:22:43.840
<v Speaker 3>And so listen, here's the truth.

0:22:44.160 --> 0:22:46.119
<v Speaker 1>The Outgo Rhythm Warriors.

0:22:46.560 --> 0:22:50.880
<v Speaker 3>They don't really want to admit that they're locked in

0:22:50.880 --> 0:22:54.639
<v Speaker 3>in their dogma. Everything's political, right, mascots are political, and

0:22:54.680 --> 0:22:57.480
<v Speaker 3>this is more evidence of that. But the mere mention

0:22:58.640 --> 0:23:01.200
<v Speaker 3>of a story that was in the news cycle because

0:23:01.240 --> 0:23:03.639
<v Speaker 3>the President of the United States talked about it, and

0:23:03.680 --> 0:23:06.720
<v Speaker 3>we're a sports show and it tied in, the mere

0:23:06.800 --> 0:23:10.800
<v Speaker 3>mention of team nicknames sends certain people into full death

0:23:10.880 --> 0:23:14.840
<v Speaker 3>con one meltdown, right meltdown. It's no longer you know

0:23:15.040 --> 0:23:18.080
<v Speaker 3>context or your opinion. We can agree to disagree. It's

0:23:18.080 --> 0:23:20.000
<v Speaker 3>been it han't been less way in years. Right, it's

0:23:20.000 --> 0:23:21.520
<v Speaker 3>not new, but it's about.

0:23:21.920 --> 0:23:25.679
<v Speaker 1>Enforcing your worldview. And it doesn't matter.

0:23:26.000 --> 0:23:28.560
<v Speaker 3>They don't even know who I am, you know, but

0:23:28.640 --> 0:23:31.119
<v Speaker 3>yet they want to take shots and over even an

0:23:31.200 --> 0:23:37.200
<v Speaker 3>adopey overnight sports radio show. And if I'm someone they

0:23:37.240 --> 0:23:41.439
<v Speaker 3>agree with, and I had said the thing they like,

0:23:42.000 --> 0:23:45.280
<v Speaker 3>then I would have been nominated for a Nobel prize.

0:23:45.440 --> 0:23:49.720
<v Speaker 1>Right. But if somebody like me says, hey, you know

0:23:49.960 --> 0:23:52.119
<v Speaker 1>they didn't. You know you said the wrong thing. You know,

0:23:52.280 --> 0:23:55.920
<v Speaker 1>I'm a maul or meatball, burn the radio tower down. Now.

0:23:55.960 --> 0:24:01.840
<v Speaker 3>Look, I'm not here to be the advocate for the

0:24:01.880 --> 0:24:04.520
<v Speaker 3>Redskins of the Indies. I'm merely pointing out the information

0:24:04.640 --> 0:24:07.800
<v Speaker 3>I have that the fans in Cleveland, the fans in Washington,

0:24:08.160 --> 0:24:11.160
<v Speaker 3>the real customers of those teams want those nicknames back,

0:24:11.640 --> 0:24:15.760
<v Speaker 3>that the uprising was greatly embellished by the algorithms, the

0:24:15.800 --> 0:24:18.160
<v Speaker 3>bots and all that stuff, and most people don't give

0:24:18.160 --> 0:24:22.240
<v Speaker 3>a crap, and most people look at mascots as an honor,

0:24:22.400 --> 0:24:25.600
<v Speaker 3>not a shameful thing. But anyway, listen, I mean, I

0:24:25.640 --> 0:24:27.920
<v Speaker 3>get it. I'm here to talk sports occasionally. Part of

0:24:27.960 --> 0:24:30.480
<v Speaker 3>the job is you have to ruffle feathers. It goes

0:24:30.520 --> 0:24:33.959
<v Speaker 3>with the territory. But from time to time, when you

0:24:34.000 --> 0:24:39.760
<v Speaker 3>speak some truth right, you end up not passing the

0:24:39.880 --> 0:24:42.879
<v Speaker 3>NPR sniff test. Now, I'm always amazed, like, we have

0:24:42.880 --> 0:24:45.040
<v Speaker 3>a diverse audience. We have a lot of people from

0:24:45.040 --> 0:24:47.679
<v Speaker 3>different backgrounds, and the great thing. I love Jonathan and

0:24:47.720 --> 0:24:50.199
<v Speaker 3>Delaware sent me an email the other day and I

0:24:50.240 --> 0:24:52.040
<v Speaker 3>love Jonathan's been with the show a long time.

0:24:52.160 --> 0:24:54.680
<v Speaker 1>I love the guy. He's great. Hope to meet him someday.

0:24:55.040 --> 0:24:58.520
<v Speaker 3>And Jonathan like he gets the show. He's like, listen,

0:25:00.080 --> 0:25:01.400
<v Speaker 3>he said, this is the thing I like about the show.

0:25:01.480 --> 0:25:04.640
<v Speaker 1>Jonathan. I'm paraphrasing this, but he says, You've.

0:25:04.119 --> 0:25:07.320
<v Speaker 3>Always been the guy that it doesn't matter your background,

0:25:07.359 --> 0:25:13.240
<v Speaker 3>whether you're you know, gay, transgender, you're a pig, you're

0:25:13.359 --> 0:25:16.760
<v Speaker 3>a deviant, whatever, You're a criminal, you're a crackhead, you're

0:25:16.840 --> 0:25:20.360
<v Speaker 3>a meth head, whatever, Hello Jed who fled like all

0:25:20.440 --> 0:25:22.719
<v Speaker 3>that stuff, raging alcoholic.

0:25:23.760 --> 0:25:24.639
<v Speaker 1>You're all welcome.

0:25:25.160 --> 0:25:27.840
<v Speaker 3>You're all welcome, right, And as Jonathan was pointing out,

0:25:27.840 --> 0:25:30.199
<v Speaker 3>I was like, you know, we just accept people for

0:25:30.240 --> 0:25:33.400
<v Speaker 3>who they are. But with one rule, we bust balls,

0:25:33.760 --> 0:25:36.160
<v Speaker 3>we bust chops. That's kind of how it works, right.

0:25:36.200 --> 0:25:40.920
<v Speaker 3>We're sarcastic, we bust each other's weaknesses, whatever that might be.

0:25:41.560 --> 0:25:45.919
<v Speaker 3>And so I'm not sitting here reading press releases from

0:25:46.080 --> 0:25:51.240
<v Speaker 3>activist groups or corporations pretending to care about things they

0:25:51.320 --> 0:25:56.280
<v Speaker 3>ignored for decades. I'm not That's not my jam man,

0:25:56.359 --> 0:25:58.080
<v Speaker 3>I'm not. I just try to get through the day.

0:25:58.560 --> 0:26:01.760
<v Speaker 3>I worry about that, you know, old John woodenline, win

0:26:01.800 --> 0:26:03.880
<v Speaker 3>the day right, make every day your masterpiece, and that's

0:26:03.880 --> 0:26:04.240
<v Speaker 3>my goal.

0:26:04.840 --> 0:26:06.480
<v Speaker 1>And then when I'm done with the show, I put

0:26:06.520 --> 0:26:08.480
<v Speaker 1>the show to bed and I move on. And then

0:26:08.520 --> 0:26:10.320
<v Speaker 1>people react and they get all worked up.

0:26:11.520 --> 0:26:13.639
<v Speaker 3>And you know, if you're honest, like the outrage on

0:26:13.720 --> 0:26:15.560
<v Speaker 3>this is not again, it's not organic.

0:26:15.640 --> 0:26:16.800
<v Speaker 1>It's like prepackage.

0:26:16.840 --> 0:26:20.040
<v Speaker 3>It's like Marcel eating a Celeste pizza, a frozen pizza.

0:26:20.920 --> 0:26:23.119
<v Speaker 3>The people who claim to have been offended, we're not

0:26:23.200 --> 0:26:27.520
<v Speaker 3>even listening until the offendo meter lit up on their feed.

0:26:28.560 --> 0:26:32.000
<v Speaker 3>And again, I just to double down. They don't know

0:26:32.080 --> 0:26:33.679
<v Speaker 3>the show, they don't know who I am. They have

0:26:33.680 --> 0:26:35.879
<v Speaker 3>no idea who I am. They don't care. It's just

0:26:36.000 --> 0:26:41.679
<v Speaker 3>that's backstory, the Mama Luke's. They saw something, you know,

0:26:41.800 --> 0:26:46.439
<v Speaker 3>some kind of sign and they leapt into action, and

0:26:46.440 --> 0:26:48.720
<v Speaker 3>it's about, you know, I have moral superiority to you,

0:26:48.840 --> 0:26:50.600
<v Speaker 3>and I'm going to tell you you're wrong, and it's

0:26:50.680 --> 0:26:52.520
<v Speaker 3>performative outrage.

0:26:51.960 --> 0:26:55.760
<v Speaker 1>And just listen. If you disagree, that's fine. I mean,

0:26:55.880 --> 0:26:57.120
<v Speaker 1>who knows, you could be wrong.

0:26:57.160 --> 0:26:59.639
<v Speaker 3>I could be wrong, but spurry the lecture, right, and

0:26:59.680 --> 0:27:00.960
<v Speaker 3>I don't need the hyperlinks.

0:27:01.800 --> 0:27:04.520
<v Speaker 1>You know, it's fine. I'm good. I don't need that.

0:27:04.800 --> 0:27:06.760
<v Speaker 3>And you know, I kind of like the fact that

0:27:06.800 --> 0:27:09.760
<v Speaker 3>you called me a malar meatball. And hopefully that will

0:27:09.800 --> 0:27:13.800
<v Speaker 3>inspire some restaurant that I don't even know of that

0:27:13.880 --> 0:27:18.760
<v Speaker 3>I'll learn of to put the malar meatball oversized jumbo

0:27:18.840 --> 0:27:22.640
<v Speaker 3>sized malar meatball with fetichini on the side, and then

0:27:22.960 --> 0:27:27.679
<v Speaker 3>a big helping of garlic bread yum yum to my

0:27:27.920 --> 0:27:29.600
<v Speaker 3>tomb tumb who says no?

0:27:30.720 --> 0:27:33.760
<v Speaker 1>Who says no? All right, time now for the phrase

0:27:34.119 --> 0:27:35.000
<v Speaker 1>of the week.

0:27:36.000 --> 0:27:40.200
<v Speaker 3>That's right, I know it's exciting, the phrase of the week.

0:27:40.640 --> 0:27:42.840
<v Speaker 3>So here's the phrase of the week. So the phrase

0:27:43.119 --> 0:27:48.679
<v Speaker 3>is flash in the pan. Now it originates from believe

0:27:48.720 --> 0:27:55.960
<v Speaker 3>it or not, not cooking, not sports, from military. So

0:27:56.040 --> 0:28:00.479
<v Speaker 3>many of these phrases start in the military. A lot

0:28:00.520 --> 0:28:04.399
<v Speaker 3>of veterans, a lot of active duty military help. My

0:28:04.560 --> 0:28:07.720
<v Speaker 3>son is in the Marines right now, is in Camp Pendleton.

0:28:08.200 --> 0:28:10.479
<v Speaker 3>But this is another one of those things that starts

0:28:10.520 --> 0:28:15.720
<v Speaker 3>out in the military. Flash in the pan. It originated

0:28:16.160 --> 0:28:21.440
<v Speaker 3>in early firearms. Now specifically they say the flint lock musket.

0:28:21.720 --> 0:28:24.440
<v Speaker 3>So we're going back to the musket in the seventeenth

0:28:24.520 --> 0:28:29.040
<v Speaker 3>and eighteenth centuries, the flintlock musket had a small pan,

0:28:30.160 --> 0:28:33.480
<v Speaker 3>according to my research, and it held this thing called gunpowder,

0:28:34.800 --> 0:28:39.240
<v Speaker 3>and when the trigger was pulled on the flint lock musket,

0:28:39.560 --> 0:28:44.840
<v Speaker 3>when you pulled it, the flint would struck. It struck

0:28:45.200 --> 0:28:47.760
<v Speaker 3>to produce a spark. There was a little spark there.

0:28:47.800 --> 0:28:52.800
<v Speaker 3>It ignited the powder in the pan. And apparently sometimes

0:28:52.800 --> 0:28:56.200
<v Speaker 3>the powder in the pan would flash and the main

0:28:56.400 --> 0:28:59.440
<v Speaker 3>charge in the barrel would not ignite, resulting in yes,

0:29:00.280 --> 0:29:03.760
<v Speaker 3>wait for it, a flash in the pan, but no

0:29:03.920 --> 0:29:08.960
<v Speaker 3>real musket shot. And over time, as all great metaphors,

0:29:09.200 --> 0:29:13.160
<v Speaker 3>over time a flash in the pan came to mean

0:29:13.280 --> 0:29:18.160
<v Speaker 3>something that initially showed great promise like shooting a musket

0:29:19.240 --> 0:29:22.840
<v Speaker 3>or excitement, but failed to deliver, failed to live up

0:29:22.920 --> 0:29:28.200
<v Speaker 3>to the expectation. So brief, intense moment of success, but

0:29:28.440 --> 0:29:33.720
<v Speaker 3>fizzled out quickly. And that is what we have used

0:29:34.000 --> 0:29:38.080
<v Speaker 3>in sports. Someone starts out their career and they're like, oh, man,

0:29:38.160 --> 0:29:40.440
<v Speaker 3>that players like Paul Skins.

0:29:40.440 --> 0:29:45.360
<v Speaker 1>I give Paul Skins of the Pirates great electric Is

0:29:45.400 --> 0:29:48.280
<v Speaker 1>he going to keep doing that? Who knows?

0:29:48.320 --> 0:29:48.640
<v Speaker 2>I don't know.

0:29:48.960 --> 0:29:50.640
<v Speaker 3>He won't If he doesn't, it'll be a flash in

0:29:50.640 --> 0:29:52.680
<v Speaker 3>the pan. All right, we'll get out on that. I

0:29:52.680 --> 0:29:55.400
<v Speaker 3>will have the malord Palooza post game. We're gonna save

0:29:55.440 --> 0:29:58.840
<v Speaker 3>that for the Saturday podcast. And I've got some other

0:29:58.880 --> 0:30:01.000
<v Speaker 3>things planned as well, but we'll get to that. Danny

0:30:01.040 --> 0:30:02.440
<v Speaker 3>g should join me on that.

0:30:02.480 --> 0:30:04.920
<v Speaker 1>We'll have new pods all weekend long.

0:30:05.000 --> 0:30:06.960
<v Speaker 3>If you want to send something into the mail bag,

0:30:07.480 --> 0:30:11.360
<v Speaker 3>do it right now, send it in care of the

0:30:11.800 --> 0:30:15.800
<v Speaker 3>Real Real Fifth Hour at gmail dot com. The Real

0:30:15.880 --> 0:30:22.160
<v Speaker 3>Fifth Hour at gmail dot com, and your comments can

0:30:22.280 --> 0:30:22.840
<v Speaker 3>and we'll be.

0:30:22.920 --> 0:30:26.480
<v Speaker 1>Used on future editions of the show.

0:30:26.680 --> 0:30:30.680
<v Speaker 3>So anyway, I have a great Friday, and hopefully nobody

0:30:30.680 --> 0:30:33.040
<v Speaker 3>famous that was a hero in my youth will die today.

0:30:34.040 --> 0:30:36.240
<v Speaker 1>I'm good with the Haulkster. Well I'm not good with

0:30:36.320 --> 0:30:38.120
<v Speaker 1>him dying, but you get the point. All right.

0:30:38.160 --> 0:30:42.480
<v Speaker 3>Well, we'll talk to you next time later, Skater, who

0:30:43.400 --> 0:30:46.080
<v Speaker 3>asta pasta got a murder?

0:30:46.080 --> 0:30:46.560
<v Speaker 1>I gotta go.