WEBVTT - #327: SPRUCE-ing Up Your Accent

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<v Speaker 1>Start up, dot up, start up, Brooklyn Boy Boy, start up,

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<v Speaker 1>Brooklyn Boy, start up.

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<v Speaker 2>Dot dot up.

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<v Speaker 1>They making noise dot up, start up, dot.

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<v Speaker 2>Dot up, Episode three twenty seven. It's the Brooklyn Boys podcast.

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<v Speaker 2>What's going on there? David Brody's going on there? Scary Jones?

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<v Speaker 2>How's your mic sounding today? My mic sounds amazing. Yeah.

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<v Speaker 2>Good moving out for a second. That's the connection. It's

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<v Speaker 2>only coming out on your end. I'm very good. Lices

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<v Speaker 2>got me loud and clear. Man man oh man, wow,

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<v Speaker 2>you know, uh, first of all, before we get going, Brody,

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<v Speaker 2>I don't even know if I could talk about this.

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<v Speaker 2>You sent me a video on TikTok and you make it.

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<v Speaker 2>You pointed out something to me on TikTok. Oh yeah,

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<v Speaker 2>well a slice. I don't want to out the slice.

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<v Speaker 2>A slice sent me a video of Well here's the thing.

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<v Speaker 2>Somebody claiming to be Cowboy Trucker was was in the

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<v Speaker 2>Facebook group, the Brooklyn Boys facebook group, right, Ben Ben Dover,

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<v Speaker 2>Ben Over, we are not part of the Brooklyn Boys

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<v Speaker 2>facebook group, but uh so talk amongst yourselves. But but

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<v Speaker 2>Ben Dover was in the slices group. Right. Somebody messaged

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<v Speaker 2>me that hey, his real name is Ben Dover And

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<v Speaker 2>I said, you know Ben Dover is bend Over. Yeah,

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<v Speaker 2>it's Joe. It's a joke, right, play on words a pun. Well,

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<v Speaker 2>Ben Dover has a TikTok account, uh huh. And somebody

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<v Speaker 2>sent me the video who then I sent it to

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<v Speaker 2>Scary of Cowboy Trucker. Now, if you you don't listen

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<v Speaker 2>to Slice time, you missing out because Cowboy Trucker is

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<v Speaker 2>quite the character. Z uh okay, But he's wearing a mask.

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<v Speaker 2>Can't see his face? Was that captain an American mask? What

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<v Speaker 2>kind of a mask? Was that wrestling? Like one of

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<v Speaker 2>those Nacho Leebra deals? Right, yep, yeah, So I gotta

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<v Speaker 2>tell you. At first, I just know what the arms

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<v Speaker 2>and his arms look like. I skimmed through the video

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<v Speaker 2>and at first I didn't think anything of it, and

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<v Speaker 2>You're like, no, that's really him, And I went back.

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<v Speaker 2>I said, hey, look it's Cowboy Trucker and he went

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<v Speaker 2>ha ha as if I was like saying, oh, this

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<v Speaker 2>guy might be No, no, that's actually him. So I

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<v Speaker 2>went back, Brody and you didn't know this. I analyzed it.

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<v Speaker 2>It's definitely him, speaks in the same cadence. But the

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<v Speaker 2>crazy part is he's on these tized. I analyzed it

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<v Speaker 2>by listening to it. Yeah, well I analyzed it. I listen,

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<v Speaker 2>I watched it under a microscope it. Yeah, but no,

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<v Speaker 2>I audio analyzed it, you know. I orally analyzed it.

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<v Speaker 2>A you are a ll y Orally And so I

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<v Speaker 2>gotta tell you that's fucking him. I mean this guy.

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<v Speaker 2>But the crazy part is he's in all the videos

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<v Speaker 2>with a freaking mask on. So we still don't know

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<v Speaker 2>his true identity. He just wears a mask in all

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<v Speaker 2>the videos, but that's his voice. Yeah, so we have

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<v Speaker 2>some idea the shape of cowboy trucker. Yeah, the way

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<v Speaker 2>his arms look and his legs. We're getting closer. We're

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<v Speaker 2>getting closer. We may or may not know his first name.

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<v Speaker 2>Now we may we may or may not know it.

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<v Speaker 2>So yeah, right, he's like lions may and it may

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<v Speaker 2>or may not work. Yeah, And I just I keep

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<v Speaker 2>getting Brodie. I don't know what to do. Think about this.

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<v Speaker 2>Think about this. Back in college, you had some friends

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<v Speaker 2>that you don't speak to anymore. Right, Oh, I've got

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<v Speaker 2>a similar story. Go on. Well, no, I don't know

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<v Speaker 2>if you know where this is going. I don't, but

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<v Speaker 2>I trust me to have a similar story. I think,

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<v Speaker 2>all right, well I have I have friends from college.

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<v Speaker 2>What I haven't spoken to in years? Mm hmm. These

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<v Speaker 2>people have gone off, they've gotten married, they've had kids,

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<v Speaker 2>all the other start of family, all the good stuff. Yeah,

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<v Speaker 2>all the non scary stuff. Yeah, all stuff that I

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<v Speaker 2>cannot relate to. Well, all these years later, I get

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<v Speaker 2>phone calls and I get text messages occasionally from some

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<v Speaker 2>of them, and they're asking for favors, like I know them,

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<v Speaker 2>like we're still in touch, Like we're still so you know,

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<v Speaker 2>like we see each other every week, like you know,

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<v Speaker 2>me and Jetsky Bryan like that kind of relationship. Right.

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<v Speaker 2>So there's this event happening in North Jersey on March

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<v Speaker 2>twenty third on Sunday called Jonas Khan and it's at

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<v Speaker 2>the American Dream, which is that huge complex. They got mall.

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<v Speaker 2>This's a mall, they got entertainment, and they Jonas brothers

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<v Speaker 2>are like taking over the place for the entire day. Okay,

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<v Speaker 2>not a sponsor, by the way, Actually we are going

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<v Speaker 2>to be partnering them with Zee. You grew up like

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<v Speaker 2>fifteen to twenty minutes from there, correct, And they've always

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<v Speaker 2>wanted to do some huge event. It's almost like comic

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<v Speaker 2>Con for Jonas Brothers fans, and it's going to be

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<v Speaker 2>doing the con part convention. It's not cons in this

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<v Speaker 2>as a scam. It's CONSI right. So there we go.

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<v Speaker 2>So they're gonna be doing all these activations, but you

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<v Speaker 2>have to in order to get in, you need tickets.

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<v Speaker 2>So because we are listed as a partnership with them

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<v Speaker 2>with you know, we're kind of hosting some of the

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<v Speaker 2>things there. I got people coming to me left and right,

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<v Speaker 2>and and you know this this I'm not gonna I

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<v Speaker 2>don't want to out her, but I this girl I

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<v Speaker 2>know from college.

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<v Speaker 3>You know.

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<v Speaker 2>Uh, he's like hitting me up. Hey, remember me, old friend,

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<v Speaker 2>My daughter would love to go to Jonahs Khan. What

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<v Speaker 2>can you do for her? Can you help her out?

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<v Speaker 2>Can you get her tickets? There's no tickets available. So

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<v Speaker 2>I'm sitting here thinking like, why do I even entertain

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<v Speaker 2>the thought of texting her back? You know, I don't

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<v Speaker 2>really owe her a text back, but I feel like

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<v Speaker 2>people like this, and she's not the only one. I

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<v Speaker 2>have some some other friends, a couple of guys that

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<v Speaker 2>I know that around jingle ball time, they come out

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<v Speaker 2>of the woodwork. And again these are people haven't physically

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<v Speaker 2>seen in person for we're going on twenty twenty five

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<v Speaker 2>years now, maybe more. Where does your allegiance lie? Like,

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<v Speaker 2>where do you draw the line? Do you would?

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<v Speaker 4>You?

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<v Speaker 2>Do you ghost them? You tell them I can't help you. Yes,

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<v Speaker 2>make the effort and be a good old friend. And nope, nope, nope,

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<v Speaker 2>you right back and you say, hey, I really I'm

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<v Speaker 2>not involved with this is the station event. It's not

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<v Speaker 2>a morning show event. And uh, you really don't get

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<v Speaker 2>access to giveaway tickets. It's very strict the rules and

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<v Speaker 2>this this contest rules, and the mall is regulating it.

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<v Speaker 2>You know, I wishing you just know me though, Brodie.

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<v Speaker 2>I like to help everybody. I like to make everybody.

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<v Speaker 2>I'm ape like to give money to scammers in office

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<v Speaker 2>buildings a ticket back to I'll never get scammed again,

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<v Speaker 2>like that, I'll never get but get scammed again. I'm

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<v Speaker 2>a do good I'm a people pleaser, and I just

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<v Speaker 2>want to always be seen in a favorable light to everybody.

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<v Speaker 2>That is who I am as a person, that is

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<v Speaker 2>my being. Oh you know, you know a good way

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<v Speaker 2>that you could make somebody very happy? How is to

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<v Speaker 2>take me to a stake dinner. Fuck you. You know. In fact,

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<v Speaker 2>I'm such a people pleaser that yesterday Yester please people. Hey,

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<v Speaker 2>actually today, So Mario Carbone came up to the show,

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<v Speaker 2>the guy who owes to all the famous carbone YEP restaurant,

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<v Speaker 2>and he has his sauces, and I had a bunch

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<v Speaker 2>of sauces that I was gonna bring home some jars

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<v Speaker 2>of sauce. Carbone Find Foods not a sponsor of this podcast. Well,

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<v Speaker 2>as I'm walking toward the and you know the station

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<v Speaker 2>towards around the corner, everybody's sitting around at their desks,

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<v Speaker 2>and and then people like, oh, is there any more

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<v Speaker 2>sauce left? I'm like, oh no, I don't think there's

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<v Speaker 2>anything left. I said I got, And then before long,

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<v Speaker 2>I'm like offering a jar to Scottie b a Jordan producer,

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<v Speaker 2>jar to producer Sam a Jarred And you know, Andrew,

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<v Speaker 2>people who didn't get your sauce, you're giving them out

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<v Speaker 2>like when you gave away my chocolate covered strawberries to everybody.

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<v Speaker 2>Do you know how many jars of sauce I actually

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<v Speaker 2>walked out of the radio station with. I'm going with

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<v Speaker 2>zero correct because I would have walked out with how

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<v Speaker 2>many I know. See, that's the diffgion between you and me.

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<v Speaker 2>In a nutshell, I'm like, I'm more happy to give

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<v Speaker 2>it away and be like, you know what, do I

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<v Speaker 2>really need this? We need to play red hot chili peppers,

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<v Speaker 2>shut up dickets. I didn't take me a second on

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<v Speaker 2>that one, So I said, you know what, I'm just

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<v Speaker 2>gonna give it away. Fine. That that's the kind of

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<v Speaker 2>person I am. I'm a do gooder. I always wanted

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<v Speaker 2>to portray it in a positive light. And there's nothing

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<v Speaker 2>wrong with it. Just it just people can't come out

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<v Speaker 2>of the woodwork.

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<v Speaker 3>You can't.

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<v Speaker 2>You can't be given woodwork tickets. You can't. I had that.

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<v Speaker 2>I had woodwork when I when I was working there.

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<v Speaker 2>I get the woodwork, jingle ball tickets, requests, I get

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<v Speaker 2>deb But listen, I have to be honest with you.

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<v Speaker 2>I did it once, so uh we have We have

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<v Speaker 2>a friend who I haven't seen and I don't know

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<v Speaker 2>six or seven years used to work at another radio

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<v Speaker 2>station in New York, and I like your you know,

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<v Speaker 2>we were friendly. She went to work for the company

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<v Speaker 2>that produces concerts. So when you when you see like, oh,

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<v Speaker 2>such and such on tour. Uh produced by blah blah

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<v Speaker 2>blah company. Yeah right, she works for that company, so uh.

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<v Speaker 2>I want to say a year and a half ago,

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<v Speaker 2>I wanted to take my daughter to see the the

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<v Speaker 2>band Ghost and they were putting on the show and

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<v Speaker 2>I couldn't get good tickets. The all the tickets low

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<v Speaker 2>low down was sold out. He only had like nosebleed seats,

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<v Speaker 2>and I wanted to try to get at least decencies.

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<v Speaker 2>So I hit her up again. Hadn't spoken to her

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<v Speaker 2>in five six years, and was like, Hey, I was

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<v Speaker 2>wondering if your company, if you could help me. I

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<v Speaker 2>want to purchase these tickets. I don't want them for free,

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<v Speaker 2>but can you get me better seats? She's like, oh,

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<v Speaker 2>let me see what I can do. That was the

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<v Speaker 2>last time I heard from her. Never even got back

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<v Speaker 2>to me to say she couldn't think she I think

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<v Speaker 2>she did what you're supposed to do to your woodwork friends.

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<v Speaker 2>She should at least got back to me and said, hey,

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<v Speaker 2>I tried, we don't have access to those tickets whatever,

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<v Speaker 2>blah blah blah. She didn't get back to this. Oh

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<v Speaker 2>let me look into that for you. Absolutely respond to her, Hey,

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<v Speaker 2>let me see what I can do for you and

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<v Speaker 2>just ghost her mic drop done. No, no, no, tell

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<v Speaker 2>her you can't. I'm saying, be honest. Unlike unlike our

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<v Speaker 2>friend who said, oh, let me look into that for you,

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<v Speaker 2>and I never heard from her again. This is a

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<v Speaker 2>person I knew for like ten years, but I hadn't

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<v Speaker 2>spoken to in a few years. Pandemic, she quit, she

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<v Speaker 2>changed jobs, And it's also about what can you do

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<v Speaker 2>for me? Right? If I'm gonna do for you, then

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<v Speaker 2>you do for me, Which is also why I also

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<v Speaker 2>don't like reaching out to people for favors, because I

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<v Speaker 2>know there's gonna come a day when they're gonna hit

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<v Speaker 2>me up for a favor.

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<v Speaker 3>Right.

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<v Speaker 2>Maybe that's why she didn't get back to me, because

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<v Speaker 2>I don't work in radio anymore, so I can't help her.

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<v Speaker 2>I can't help her. You're You're useless to her, You're

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<v Speaker 2>dead to her. Right, Yet people still ask me for

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<v Speaker 2>We had a listener ask me if I can help

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<v Speaker 2>with do something for them with the Elvis Durant Show

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<v Speaker 2>social media account. Well, I said, I don't. I don't

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<v Speaker 2>work there anymore. No, I'm not not gonna what I'm

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<v Speaker 2>gonna reach out to the morning show and be like, hey, Abby,

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<v Speaker 2>who you don't I don't know you really except that

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<v Speaker 2>I know you want to do an only fans for

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<v Speaker 2>your feet. Can you follow this person because I think

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<v Speaker 2>you unfollowed them. I don't like, I don't, I don't.

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<v Speaker 2>I don't work anymore, but I have I have a

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<v Speaker 2>similar old friend question I need your help with. And

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<v Speaker 2>for those of you listening that want to leave us

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<v Speaker 2>talk back. By the way, I'm going to call you slices.

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<v Speaker 2>But I was told by a very good friend that

0:11:07.040 --> 0:11:10.040
<v Speaker 2>I say slices too much. Someone who listens to the

0:11:10.040 --> 0:11:12.400
<v Speaker 2>podcast a friend of mine. So I'm gonna say this

0:11:12.480 --> 0:11:15.679
<v Speaker 2>one time, slices. That's the second time. Let me know

0:11:15.720 --> 0:11:18.640
<v Speaker 2>your opinion on scary situation about the tickets and my

0:11:18.760 --> 0:11:22.160
<v Speaker 2>situation which is similar like a third cousin to scary story.

0:11:23.200 --> 0:11:30.440
<v Speaker 2>So when I was seventeen, when I was seven twenty, Yeah,

0:11:30.440 --> 0:11:32.840
<v Speaker 2>when I was seventeen to twenty years old, it was

0:11:32.840 --> 0:11:36.440
<v Speaker 2>a very good word. I had a job, and I

0:11:36.480 --> 0:11:40.320
<v Speaker 2>worked at Chuck E Cheese Chuck E Cheese's, and I

0:11:40.440 --> 0:11:43.480
<v Speaker 2>had a group of I had a group of friends.

0:11:43.920 --> 0:11:47.240
<v Speaker 2>I had two different groups of friends. The manager friends

0:11:47.440 --> 0:11:49.760
<v Speaker 2>like the people that were supervisors and managers, and I

0:11:49.800 --> 0:11:53.280
<v Speaker 2>had the grunts like me when I started, And I'm

0:11:53.320 --> 0:11:55.480
<v Speaker 2>still very good friends with a few of the people

0:11:55.640 --> 0:11:59.040
<v Speaker 2>that weren't managers. Those were my rock friends. We went

0:11:59.080 --> 0:12:01.760
<v Speaker 2>on rock concerts to get right. But I'm also I

0:12:01.840 --> 0:12:04.199
<v Speaker 2>was really good friends for many years with the managers.

0:12:04.720 --> 0:12:07.079
<v Speaker 2>I got promoted, I became a manager. I was part

0:12:07.120 --> 0:12:10.640
<v Speaker 2>of that circle also, And even after we we all

0:12:10.679 --> 0:12:14.040
<v Speaker 2>stopped working there, and when I was twenty, we stayed

0:12:14.040 --> 0:12:16.520
<v Speaker 2>friends for a couple of years, close friends, and then

0:12:16.559 --> 0:12:18.160
<v Speaker 2>we sort of grew apart. You know, you don't work

0:12:18.160 --> 0:12:23.360
<v Speaker 2>with someone for a while, you grow apart. That's understandable, right, sure.

0:12:24.480 --> 0:12:29.040
<v Speaker 2>And then I don't know, I want to say, maybe

0:12:29.080 --> 0:12:31.360
<v Speaker 2>five years after we stopped working together, we got together.

0:12:31.440 --> 0:12:34.600
<v Speaker 2>We hung out, We were boys, all good and I

0:12:34.600 --> 0:12:36.000
<v Speaker 2>want to say there was like five or six of

0:12:36.080 --> 0:12:38.480
<v Speaker 2>us roughly. That was our group. We used to go

0:12:38.520 --> 0:12:40.599
<v Speaker 2>to restaurants together, We go to diners after work. That

0:12:40.720 --> 0:12:48.520
<v Speaker 2>was our group. Okay, twenty eleven, some of us got

0:12:48.520 --> 0:12:50.480
<v Speaker 2>together for a reunion. We had a reunion of where

0:12:50.480 --> 0:12:53.520
<v Speaker 2>we work. So some of the six showed up, some

0:12:53.559 --> 0:12:55.880
<v Speaker 2>of them didn't, and it was great. To see them.

0:12:56.120 --> 0:12:58.319
<v Speaker 2>Love the guys, but we're not really friends anymore. They someone,

0:12:58.320 --> 0:13:00.520
<v Speaker 2>they got married, they're kids, like you. You haven't seen

0:13:00.559 --> 0:13:03.280
<v Speaker 2>him in a while. He grew apart, they moved, they're

0:13:03.280 --> 0:13:05.600
<v Speaker 2>in different parts of the area. You don't see them.

0:13:07.360 --> 0:13:10.040
<v Speaker 2>So one of the guys, who again, I like him

0:13:10.120 --> 0:13:11.920
<v Speaker 2>very very much. He was one of my best friends

0:13:12.000 --> 0:13:13.800
<v Speaker 2>back in the day when I was twenty and I've

0:13:13.840 --> 0:13:16.280
<v Speaker 2>seen him a couple of times over the years. And

0:13:16.320 --> 0:13:17.959
<v Speaker 2>you know, I'm not in my twenties anymore, so it's

0:13:17.960 --> 0:13:21.280
<v Speaker 2>been a long time. Okay, I get an email from

0:13:21.679 --> 0:13:25.520
<v Speaker 2>one of the guys from that group's wife because my

0:13:25.559 --> 0:13:28.440
<v Speaker 2>buddy's not on social media. My old friend who I

0:13:28.480 --> 0:13:31.880
<v Speaker 2>haven't seen, I want to say, since two thousand and two,

0:13:32.840 --> 0:13:36.440
<v Speaker 2>but again occasionally. All right, I'm painting the picture. The

0:13:36.520 --> 0:13:40.560
<v Speaker 2>wife says, Hey, the gang's getting back together. One of

0:13:40.559 --> 0:13:43.640
<v Speaker 2>the boys from the group is moving to Florida, and

0:13:43.679 --> 0:13:46.439
<v Speaker 2>we're throwing them a going away party. It's gonna be

0:13:46.480 --> 0:13:49.600
<v Speaker 2>in a couple of months. Save the date, and we're

0:13:49.640 --> 0:13:52.640
<v Speaker 2>all chipping in. We're getting them gifts. He's moving to Florida.

0:13:52.840 --> 0:13:57.080
<v Speaker 2>We're not gonna see him again, right, follow me? God

0:13:57.160 --> 0:14:00.720
<v Speaker 2>with you have you seen the problem yet, I haven't

0:14:00.760 --> 0:14:04.360
<v Speaker 2>seen you haven't seen this person since two thousand and two. No, no,

0:14:04.600 --> 0:14:08.480
<v Speaker 2>before that, I have not seen him. Maybe in thirty years.

0:14:08.600 --> 0:14:11.200
<v Speaker 2>Oh even more than that. Oh wow, he didn't to

0:14:11.280 --> 0:14:13.040
<v Speaker 2>my recollection. I don't think he was at the reunion

0:14:13.040 --> 0:14:15.440
<v Speaker 2>in two thousand and eleven. That's wait a second, So

0:14:16.400 --> 0:14:19.360
<v Speaker 2>how do you We're throwing a goodbye party party. It's

0:14:19.440 --> 0:14:21.800
<v Speaker 2>somebody that nobody has seen for twenty years. And guess what,

0:14:22.080 --> 0:14:25.200
<v Speaker 2>you already said goodbye thirty years ago. That's my point.

0:14:26.360 --> 0:14:28.760
<v Speaker 2>We're having a goodbye party for someone that we don't

0:14:28.840 --> 0:14:32.480
<v Speaker 2>see anymore. It's weird who who got married and and

0:14:32.480 --> 0:14:36.080
<v Speaker 2>and moved and and has been nothing but with his wife.

0:14:36.080 --> 0:14:38.200
<v Speaker 2>I don't think anybody's seen him, so kind of all

0:14:38.280 --> 0:14:40.120
<v Speaker 2>kind of have to buy him a goodbye gift, a

0:14:40.240 --> 0:14:43.520
<v Speaker 2>going away gift. Ah, I like you said, I already

0:14:43.560 --> 0:14:47.800
<v Speaker 2>said goodbye. I'm gonna go because I want to see him.

0:14:48.120 --> 0:14:52.960
<v Speaker 2>I do like him very much, but it's like not

0:14:53.000 --> 0:14:54.880
<v Speaker 2>seeing someone since junior high school. I have to go.

0:14:55.040 --> 0:14:57.560
<v Speaker 2>We're gonna going away party for a guy that you

0:14:57.640 --> 0:14:59.920
<v Speaker 2>know when he lives here. He lives in the ne

0:15:00.000 --> 0:15:03.000
<v Speaker 2>New York area. We haven't seen Yeah, No, that's yeah,

0:15:03.040 --> 0:15:06.520
<v Speaker 2>that's weird. Florida. We're still not gonna see him, but

0:15:06.600 --> 0:15:08.320
<v Speaker 2>now we're gonna have an excuse not to see him.

0:15:08.360 --> 0:15:10.120
<v Speaker 2>And I gotta get him. I gotta shout out for

0:15:10.120 --> 0:15:13.120
<v Speaker 2>a gift. Right, he lives in Staten Island. Is not

0:15:13.200 --> 0:15:16.760
<v Speaker 2>that far. No, hardly. If you're in New Yorker, he's

0:15:16.760 --> 0:15:19.080
<v Speaker 2>maybe like forty five minutes an hour with traffic. Would

0:15:19.120 --> 0:15:23.000
<v Speaker 2>you go to the party and just not bring a gift? Well,

0:15:23.080 --> 0:15:25.240
<v Speaker 2>that's the other question. How can I go to the

0:15:25.280 --> 0:15:28.040
<v Speaker 2>party and not bring a gift? I gotta bring a gift.

0:15:28.200 --> 0:15:29.720
<v Speaker 2>What do I get a guy that I don't know?

0:15:31.720 --> 0:15:32.080
<v Speaker 3>I don't know?

0:15:32.240 --> 0:15:35.240
<v Speaker 2>I mean on tan lotion. He's moving to Florida. I mean,

0:15:35.960 --> 0:15:38.440
<v Speaker 2>how do you remember him best? I mean when you care.

0:15:38.480 --> 0:15:40.160
<v Speaker 2>I remember him as a manager of Chuck E Cheese

0:15:40.160 --> 0:15:41.800
<v Speaker 2>when I was twenty years old. Get him a Chuck

0:15:41.800 --> 0:15:45.960
<v Speaker 2>E cheesehead. No, I don't know. That's my dilemma. You

0:15:46.000 --> 0:15:48.440
<v Speaker 2>have going away parties for people that you don't you

0:15:48.560 --> 0:15:53.160
<v Speaker 2>certainly not. No, that's what we are you apparently we are.

0:15:53.680 --> 0:15:56.200
<v Speaker 2>But are you gonna wax nostalogic with these people and

0:15:56.240 --> 0:15:57.920
<v Speaker 2>you gonna show up and he'd be like, hey, remember

0:15:57.960 --> 0:16:00.640
<v Speaker 2>the good old days, because that's what they turned into

0:16:00.640 --> 0:16:03.680
<v Speaker 2>a bunch of reminiscent sessions. Listen, I'm looking forward to

0:16:03.720 --> 0:16:06.040
<v Speaker 2>seeing the guy. Is it a formal party? I mean where?

0:16:06.080 --> 0:16:08.480
<v Speaker 2>I mean? Is it a at a fancy place? I mean,

0:16:08.480 --> 0:16:10.720
<v Speaker 2>what's going on here? It's a decent restaurant. I think

0:16:11.480 --> 0:16:13.440
<v Speaker 2>it's not even like it's a bar and people getting

0:16:13.440 --> 0:16:15.960
<v Speaker 2>together sitting around having a may be a bar restaurant.

0:16:15.960 --> 0:16:22.280
<v Speaker 2>I don't I haven't checked out a gift. Then I'm

0:16:22.280 --> 0:16:31.720
<v Speaker 2>that guy. Mmm, I'm already that guy. Fuck it. And Brodie, Yeah,

0:16:31.840 --> 0:16:35.080
<v Speaker 2>don't be putting us in awkward situations like that. Yeah,

0:16:35.120 --> 0:16:37.000
<v Speaker 2>I don't know. I'm again. I'm excited to go. And

0:16:37.000 --> 0:16:39.800
<v Speaker 2>if any of them are listening to this podcast, I

0:16:39.880 --> 0:16:42.840
<v Speaker 2>love you all, like family, like brothers. I just, uh,

0:16:43.080 --> 0:16:46.040
<v Speaker 2>it's just awkward. Something's missing, you know. You know, a

0:16:46.080 --> 0:16:47.840
<v Speaker 2>couple of years ago, and I might have talked about

0:16:47.840 --> 0:16:52.160
<v Speaker 2>it on the podcast, I had a kind of a

0:16:52.160 --> 0:16:54.920
<v Speaker 2>a reunion of people that I hadn't seen since, like

0:16:55.360 --> 0:16:59.440
<v Speaker 2>public school, elementary school, like neighborhood friends, and you're friends

0:16:59.440 --> 0:17:03.880
<v Speaker 2>with everybody from you no I'm talking about elementary school

0:17:03.960 --> 0:17:07.960
<v Speaker 2>K through six. We had a few, you know, and

0:17:08.240 --> 0:17:11.399
<v Speaker 2>it was great. We caught up with a good time.

0:17:11.480 --> 0:17:13.439
<v Speaker 2>It was a great. Remember when when I barred your

0:17:13.480 --> 0:17:16.399
<v Speaker 2>blue crayon and didn't give it back. Oh yeah, a

0:17:16.400 --> 0:17:19.800
<v Speaker 2>bunch of us shut right. That was the kind of

0:17:19.840 --> 0:17:20.600
<v Speaker 2>stories we had.

0:17:20.720 --> 0:17:20.920
<v Speaker 5>Hey.

0:17:21.000 --> 0:17:24.040
<v Speaker 2>Remember in third grade, Miss Barrow, we can sit Indian style,

0:17:24.080 --> 0:17:25.920
<v Speaker 2>and now you can't anymore. You have to do criss

0:17:26.040 --> 0:17:26.720
<v Speaker 2>apple sauce.

0:17:27.320 --> 0:17:27.520
<v Speaker 3>Right.

0:17:27.600 --> 0:17:29.479
<v Speaker 2>Remember we played Remember Duck Duck goose and I had

0:17:29.520 --> 0:17:32.000
<v Speaker 2>I said goose and you chased me. That was awesome.

0:17:33.119 --> 0:17:35.960
<v Speaker 2>Remember we played tricks on Miss Barlow in her class.

0:17:36.640 --> 0:17:39.919
<v Speaker 2>Remember the old hot she's not because she's seventy, the

0:17:39.960 --> 0:17:44.919
<v Speaker 2>old water seat, pour the water shit out, plopping some

0:17:45.040 --> 0:17:47.800
<v Speaker 2>water like those were the story and we shot spitballs.

0:17:47.880 --> 0:17:51.480
<v Speaker 2>Remember those were the stories we had. Yeah, so yeah, so,

0:17:51.520 --> 0:17:53.600
<v Speaker 2>I mean, listen, it's nice to catch up with people.

0:17:53.880 --> 0:17:56.080
<v Speaker 2>I'm okay with his and I'm very excited to see them.

0:17:56.080 --> 0:17:58.320
<v Speaker 2>It's just I would have liked My point was in

0:17:58.440 --> 0:17:59.960
<v Speaker 2>that story. I would have liked to have had a

0:18:00.160 --> 0:18:05.560
<v Speaker 2>union get together before he was moving to Florida, because

0:18:05.560 --> 0:18:07.679
<v Speaker 2>now we're gonna have a great time. Yeah, and I'm

0:18:07.680 --> 0:18:09.760
<v Speaker 2>gonna see him and be like old memories, what a

0:18:09.760 --> 0:18:12.080
<v Speaker 2>great guy, because he's a great guy. He's a solid guy.

0:18:12.080 --> 0:18:15.200
<v Speaker 2>They're all fucking funny. They do movie quotes like we do,

0:18:15.520 --> 0:18:19.080
<v Speaker 2>they do song quotes. They're just funny guys from Brooklyn.

0:18:19.440 --> 0:18:21.120
<v Speaker 2>But now he's moving to Florida, So I'm gonna get

0:18:21.119 --> 0:18:23.480
<v Speaker 2>happy and then say it again. I think we should

0:18:23.520 --> 0:18:25.000
<v Speaker 2>have gotten together for a better reason than one of

0:18:25.080 --> 0:18:30.000
<v Speaker 2>us is leaving, you know, hey, speaking of having a reunion. Yeah,

0:18:30.119 --> 0:18:33.239
<v Speaker 2>let's call our boy Spruce. Oh yeah, we told him

0:18:33.240 --> 0:18:35.080
<v Speaker 2>we wanted to talk to him tonight. You better be

0:18:35.080 --> 0:18:38.359
<v Speaker 2>available and Spruce on the loose. We haven't spoken him

0:18:38.359 --> 0:18:42.320
<v Speaker 2>in a minute. Is he moving to Florida? That's that's

0:18:42.359 --> 0:18:43.760
<v Speaker 2>kind of a weird ring, isn't it.

0:18:44.119 --> 0:18:48.920
<v Speaker 4>Hello, Hey, it's on the loop.

0:18:49.000 --> 0:18:49.600
<v Speaker 2>What's going on?

0:18:49.680 --> 0:18:49.880
<v Speaker 4>Guys?

0:18:50.760 --> 0:18:53.000
<v Speaker 2>Hold hold on? I gotta play his theme song because

0:18:53.080 --> 0:19:09.240
<v Speaker 2>I have it the scary doesn't hold on? Sonne now here, Spruce?

0:19:14.200 --> 0:19:16.000
<v Speaker 2>Do you ever play that? Yes?

0:19:16.280 --> 0:19:17.840
<v Speaker 4>No, I've never heard that before.

0:19:17.960 --> 0:19:25.840
<v Speaker 2>That's kiss right, yes, kiss deuce deuce for Spruce. Hey, listen,

0:19:26.160 --> 0:19:30.840
<v Speaker 2>I got a beef. So everybody's been missing you man,

0:19:30.920 --> 0:19:34.560
<v Speaker 2>It's been a long time since we've spoken on the podcast, Everybody,

0:19:34.640 --> 0:19:37.359
<v Speaker 2>I run into where Spruce? When Spruce coming back on

0:19:37.400 --> 0:19:40.119
<v Speaker 2>the podcast, why do you guys banish me?

0:19:40.359 --> 0:19:40.919
<v Speaker 3>What happened?

0:19:40.960 --> 0:19:43.160
<v Speaker 2>Whoa whoa, whoa whah. When you said that thing about

0:19:43.240 --> 0:19:45.680
<v Speaker 2>Scary's girlfriend, we were like, can't have Spruce anymore?

0:19:45.840 --> 0:19:49.400
<v Speaker 4>Okay, Scary?

0:19:50.200 --> 0:19:52.119
<v Speaker 2>And every time I I you know, the thing is,

0:19:52.160 --> 0:19:54.240
<v Speaker 2>I do see Spruce sometimes in the hallway at work

0:19:54.280 --> 0:19:56.560
<v Speaker 2>and I put he puts a big smile on my face.

0:19:56.680 --> 0:19:58.240
<v Speaker 2>But you try to give him money for his train,

0:19:59.280 --> 0:20:04.560
<v Speaker 2>That's a whole other story. Tell Spruce the story real quick,

0:20:05.040 --> 0:20:09.520
<v Speaker 2>real quick, Spruce, I accident twice. Twice. I got hit

0:20:09.600 --> 0:20:12.359
<v Speaker 2>up in two different neighborhoods for twenty dollars for a

0:20:12.400 --> 0:20:14.240
<v Speaker 2>guy that was trying to get back to the Jersey

0:20:14.280 --> 0:20:18.000
<v Speaker 2>Shore because they confiscated He didn't have his car, he

0:20:18.040 --> 0:20:20.120
<v Speaker 2>had no money on him, and he just needed money

0:20:20.160 --> 0:20:24.400
<v Speaker 2>for the train. You fell from the oldest track, my dude.

0:20:24.880 --> 0:20:27.920
<v Speaker 2>Oh my, he fell for it when he was sitting

0:20:27.920 --> 0:20:31.240
<v Speaker 2>in his car in downtown Manhattan. Then he fell for

0:20:31.280 --> 0:20:34.240
<v Speaker 2>it again by some black guy's both times, right, a

0:20:34.240 --> 0:20:37.720
<v Speaker 2>guy named Tyrone, Yeah, Tyrone in his suit in the

0:20:37.760 --> 0:20:40.359
<v Speaker 2>building you guys work in. He was in the lobby,

0:20:40.480 --> 0:20:42.320
<v Speaker 2>which is a walkthrough. You know, you can walk from

0:20:42.320 --> 0:20:45.040
<v Speaker 2>one end of the street to the other. So I

0:20:45.160 --> 0:20:47.760
<v Speaker 2>work in the building. Yeah, No, I was sitting. I

0:20:47.800 --> 0:20:50.280
<v Speaker 2>was sitting Rode hold on a second. I was sitting

0:20:50.400 --> 0:20:52.560
<v Speaker 2>on the chairs in the lobby. You know that lobby.

0:20:52.560 --> 0:20:54.800
<v Speaker 2>There's that bench that you wait in the building. Yeah,

0:20:54.880 --> 0:20:56.960
<v Speaker 2>oh yeah, So I was sitting there. And then he

0:20:57.040 --> 0:20:58.879
<v Speaker 2>comes over to me, and he comes out of the

0:20:58.880 --> 0:21:01.199
<v Speaker 2>turnstiles and he's like, yeah, he was. I work in

0:21:01.200 --> 0:21:03.800
<v Speaker 2>this building, and I'm trying to get back to the

0:21:03.880 --> 0:21:06.840
<v Speaker 2>Jersey Shore. I got no car. They towed it. It's

0:21:06.920 --> 0:21:09.000
<v Speaker 2>up at the lot. I need I need money. You

0:21:09.080 --> 0:21:13.119
<v Speaker 2>have eighteen dollars or fourteen dollars for a tray. And

0:21:13.160 --> 0:21:16.320
<v Speaker 2>it's the same exact story. Different. I told him a

0:21:16.359 --> 0:21:17.040
<v Speaker 2>month his name.

0:21:17.640 --> 0:21:18.800
<v Speaker 3>His name was Tyrone.

0:21:19.000 --> 0:21:20.480
<v Speaker 2>Yes, his name was Tyrone.

0:21:20.960 --> 0:21:22.919
<v Speaker 4>You know what in the book, in the Book of

0:21:23.000 --> 0:21:26.840
<v Speaker 4>Suspect names, Tyrone is on the first page.

0:21:26.520 --> 0:21:30.680
<v Speaker 2>Yeah, page one, a alphabetical order. So I will see.

0:21:30.880 --> 0:21:33.119
<v Speaker 2>I will say it's nice to see you in the hallways.

0:21:33.440 --> 0:21:37.720
<v Speaker 2>Before I see see spruce, I smell spruce. Spruce has

0:21:37.760 --> 0:21:42.000
<v Speaker 2>the best cologne. He's always dude, you are always smelling fresh.

0:21:42.040 --> 0:21:43.919
<v Speaker 2>I don't know what you wear. I don't know what

0:21:43.920 --> 0:21:46.480
<v Speaker 2>your secret is, man, but I'm like, oh, Spruce must

0:21:46.520 --> 0:21:48.520
<v Speaker 2>be around that corner because I could smell him.

0:21:49.680 --> 0:21:51.879
<v Speaker 4>I don't know if that's good advance hear it's a

0:21:51.920 --> 0:21:52.480
<v Speaker 4>good guy.

0:21:52.640 --> 0:21:54.560
<v Speaker 2>But we always hug it out. And I don't care.

0:21:54.760 --> 0:21:57.439
<v Speaker 2>I don't care what you said about David Brody. I

0:21:57.480 --> 0:21:59.720
<v Speaker 2>think he's a good guy. He would never say.

0:22:00.600 --> 0:22:02.280
<v Speaker 4>I just want to know why he had to keep

0:22:02.359 --> 0:22:04.760
<v Speaker 4>mentioning that it was a black guy.

0:22:04.560 --> 0:22:07.399
<v Speaker 2>They did this to you. The reason, the reason, the

0:22:07.480 --> 0:22:10.760
<v Speaker 2>reason I mentioned it is that both guys were black,

0:22:11.359 --> 0:22:14.359
<v Speaker 2>and he first he thought it was the same guy

0:22:14.440 --> 0:22:16.119
<v Speaker 2>because he can't, you know, get the part. You know

0:22:16.200 --> 0:22:22.040
<v Speaker 2>it is shut up, look alike, scary stop that goes No,

0:22:22.160 --> 0:22:25.320
<v Speaker 2>that's not true, only because the stories. The only reason

0:22:25.359 --> 0:22:26.960
<v Speaker 2>why I thought it was the same guy in different

0:22:26.960 --> 0:22:31.000
<v Speaker 2>neighborhoods was because it was the same exact story. He

0:22:31.080 --> 0:22:33.960
<v Speaker 2>had to get back to Tom's River. Both the guys,

0:22:34.720 --> 0:22:38.399
<v Speaker 2>both the guys hold on. Both guys took their empty

0:22:38.440 --> 0:22:40.600
<v Speaker 2>wild out of their pockets and showed me there was

0:22:40.640 --> 0:22:44.399
<v Speaker 2>no money in it. He had no credit card on

0:22:44.480 --> 0:22:46.600
<v Speaker 2>him and Spruce. You know it's funny. You know, we

0:22:46.680 --> 0:22:50.840
<v Speaker 2>do slice telling our listeners leave us voicemails. Somebody somebody

0:22:50.840 --> 0:22:53.760
<v Speaker 2>this week somebody somebody left the voicemail and said, he's

0:22:53.720 --> 0:22:55.720
<v Speaker 2>scary that guy you gave money to in the lobby.

0:22:55.840 --> 0:23:03.840
<v Speaker 2>Did you man him? Listen. The reason I actually wanted

0:23:03.880 --> 0:23:06.240
<v Speaker 2>to talk to you because they were being ripping me

0:23:06.320 --> 0:23:08.879
<v Speaker 2>on the Big show, that Alis Durant show, because okay,

0:23:08.960 --> 0:23:14.200
<v Speaker 2>I know somebody who who she's Italian and she's from

0:23:14.359 --> 0:23:19.960
<v Speaker 2>New Orleans. Okay, she's from from Louisiana originally, right, U huh?

0:23:20.000 --> 0:23:23.439
<v Speaker 2>And the morning show and the listeners crucified me because

0:23:23.480 --> 0:23:28.040
<v Speaker 2>I made an observation and this is just me talking, right, okay,

0:23:28.040 --> 0:23:30.480
<v Speaker 2>and I need your help. Maybe not, but I want

0:23:30.480 --> 0:23:34.160
<v Speaker 2>you to be honest. So she wanted to she let

0:23:34.200 --> 0:23:36.600
<v Speaker 2>us know that, you know, all of her friends have

0:23:36.680 --> 0:23:39.600
<v Speaker 2>these Southern drawls. They talk like kind of like unto

0:23:39.680 --> 0:23:43.520
<v Speaker 2>a New Orleans accent. Right, she doesn't have one, but

0:23:43.680 --> 0:23:47.320
<v Speaker 2>I happen to know she comes from money. She's she's

0:23:47.720 --> 0:23:51.000
<v Speaker 2>parents are rich. So I said, oh, I said, well,

0:23:51.040 --> 0:23:54.800
<v Speaker 2>you're next of kin in a rich family. Yeah, that's

0:23:54.800 --> 0:23:56.640
<v Speaker 2>why you don't have the accent, because we're all trying

0:23:56.640 --> 0:23:58.080
<v Speaker 2>to figure out why don't you have an accent? But

0:23:58.119 --> 0:23:59.879
<v Speaker 2>your all friends do because she was actually doing a

0:24:00.040 --> 0:24:03.439
<v Speaker 2>russions of her friends from New Orleans. But she speaks

0:24:03.480 --> 0:24:06.640
<v Speaker 2>all scholarly like this, and oh, okay, she's got that

0:24:06.760 --> 0:24:09.760
<v Speaker 2>college that college accent, you know I'm talking about when

0:24:09.760 --> 0:24:11.240
<v Speaker 2>you go away to school, you come back four years

0:24:11.280 --> 0:24:14.160
<v Speaker 2>later and they all sound the same. So I think

0:24:14.200 --> 0:24:18.320
<v Speaker 2>when you're from a place of affluence, you lose the accent.

0:24:18.600 --> 0:24:22.000
<v Speaker 2>But people are telling me that that's racist. So what

0:24:22.040 --> 0:24:24.840
<v Speaker 2>does that mean that poor people can't speak right? They

0:24:24.840 --> 0:24:28.280
<v Speaker 2>speak with dialects, and they're crushing me left and right.

0:24:28.320 --> 0:24:31.120
<v Speaker 2>But I wanted to talk to you. And Brody he's

0:24:31.160 --> 0:24:33.040
<v Speaker 2>hearing this story now for the first time as well.

0:24:33.640 --> 0:24:36.040
<v Speaker 2>I can't be out of my mind, right, I'm not crazy?

0:24:36.160 --> 0:24:36.520
<v Speaker 3>Right?

0:24:36.920 --> 0:24:41.320
<v Speaker 4>Well, I told Brody knows this about me. When I

0:24:41.600 --> 0:24:45.520
<v Speaker 4>first came to New York. The artistic director in my school,

0:24:45.920 --> 0:24:48.880
<v Speaker 4>because you know, I'm originally from Louisiana.

0:24:48.560 --> 0:24:49.840
<v Speaker 3>And I grew up in Virginia.

0:24:50.000 --> 0:24:53.199
<v Speaker 4>Yeah, and the artistic director in my school called me

0:24:53.240 --> 0:24:55.679
<v Speaker 4>in his office and he said, you sound like a

0:24:55.720 --> 0:24:56.639
<v Speaker 4>black hillbilly.

0:24:57.000 --> 0:25:00.960
<v Speaker 2>We have to think a BLI that's what he told me.

0:25:01.680 --> 0:25:08.080
<v Speaker 4>So I spent three years taking voice in speech classes,

0:25:08.600 --> 0:25:12.200
<v Speaker 4>and that's probably why I do other dialects pretty well,

0:25:12.960 --> 0:25:16.560
<v Speaker 4>pretty good, I think, because I just had this. They

0:25:16.760 --> 0:25:21.359
<v Speaker 4>just they hammered me like that drill instructor in full

0:25:21.359 --> 0:25:22.600
<v Speaker 4>metal jacket.

0:25:23.320 --> 0:25:26.800
<v Speaker 2>They were just on me my southern accent. I bet

0:25:26.840 --> 0:25:29.440
<v Speaker 2>you could suck a golf ball through a garden hose.

0:25:31.600 --> 0:25:34.520
<v Speaker 2>Holy shit. So wait a second, Spruce, so let's hear

0:25:34.560 --> 0:25:38.000
<v Speaker 2>your accent. I want to let's hear the original accent.

0:25:38.040 --> 0:25:39.359
<v Speaker 2>I'm sure you can get back to it if you

0:25:39.400 --> 0:25:39.760
<v Speaker 2>wanted to.

0:25:39.880 --> 0:25:44.560
<v Speaker 4>Right, Look, Brody, you know this when we did when

0:25:44.560 --> 0:25:48.840
<v Speaker 4>we did some stuff for Ed Lovers Show, Remember.

0:25:48.520 --> 0:25:52.199
<v Speaker 2>That brod buck buck McDonald.

0:25:52.480 --> 0:25:57.560
<v Speaker 4>Buck McDonald, buck McDonald was a variation of what I used.

0:25:57.440 --> 0:26:02.520
<v Speaker 2>To sound like. Well. So, so, just to give an example,

0:26:02.640 --> 0:26:05.000
<v Speaker 2>so I heard a guy on the radio to Spruce

0:26:05.040 --> 0:26:07.800
<v Speaker 2>did his character called Buck McDonald, and he was the

0:26:07.840 --> 0:26:11.560
<v Speaker 2>southern guy who was maybe had some racial problems. Uh

0:26:11.560 --> 0:26:16.800
<v Speaker 2>well he was, yeah, right right, So Spruce did a

0:26:16.880 --> 0:26:20.000
<v Speaker 2>character he's a radio as a as a yes, as

0:26:20.040 --> 0:26:22.880
<v Speaker 2>a racist member of the clan Jesus and nobody knew

0:26:22.880 --> 0:26:25.159
<v Speaker 2>that Spruce was black, and I helped him write the

0:26:25.200 --> 0:26:27.080
<v Speaker 2>bit and I'm, you know, I'm a Jewish white guy.

0:26:27.359 --> 0:26:29.280
<v Speaker 2>But I heard a guy who does a commercial in

0:26:29.320 --> 0:26:30.920
<v Speaker 2>the radio all the time. I remember the guy's name

0:26:30.960 --> 0:26:33.840
<v Speaker 2>is Buck McDonald. I recorded this guy because he sounds

0:26:33.880 --> 0:26:36.440
<v Speaker 2>like Spruce's character. See if you can hear it to day,

0:26:36.640 --> 0:26:39.879
<v Speaker 2>hold on, here we go. Are you a victim of

0:26:39.920 --> 0:26:42.200
<v Speaker 2>the Tom Shuir trap and think there's no way out?

0:26:42.320 --> 0:26:46.840
<v Speaker 4>I'm Chuck McDowell, founder of Wesley Financial.

0:26:47.480 --> 0:26:51.359
<v Speaker 2>Yeah, okay McDonald was.

0:26:51.960 --> 0:26:54.879
<v Speaker 4>I was Buck McDonald. I was Buck McDonald, one of

0:26:54.920 --> 0:26:56.439
<v Speaker 4>the original boys in the hood.

0:26:57.480 --> 0:26:59.639
<v Speaker 2>Okay, that's the way he's that's the way spruces just

0:26:59.720 --> 0:27:03.040
<v Speaker 2>found sound. Okay, now that was okay. But you went

0:27:03.080 --> 0:27:06.679
<v Speaker 2>to uh, I guess finishing school. Is that what it is? Speech?

0:27:06.680 --> 0:27:13.119
<v Speaker 2>Classic speech classes? I finishing school where they it's on

0:27:13.160 --> 0:27:13.600
<v Speaker 2>his head.

0:27:14.400 --> 0:27:15.320
<v Speaker 4>Yeah, I want to finish.

0:27:15.560 --> 0:27:20.159
<v Speaker 2>I went to finishing school in Europe. Is mainly on

0:27:20.200 --> 0:27:22.800
<v Speaker 2>the plane. Here's the thing I always you know he is.

0:27:22.840 --> 0:27:27.520
<v Speaker 2>He's the princess of Genovia. Now, yes, I am listen.

0:27:27.680 --> 0:27:31.359
<v Speaker 2>I wanted to bring this onto this podcast because because

0:27:31.960 --> 0:27:33.879
<v Speaker 2>I wanted to bring this on to this podcast because

0:27:34.800 --> 0:27:37.560
<v Speaker 2>school we could speak at will here and I don't

0:27:37.560 --> 0:27:39.760
<v Speaker 2>get cut off, and I can't. I can actually my

0:27:39.960 --> 0:27:43.720
<v Speaker 2>thought cut off. No, I can have thought all full

0:27:43.760 --> 0:27:48.040
<v Speaker 2>thought and it's not out of context like sometimes. Right,

0:27:48.160 --> 0:27:50.119
<v Speaker 2>So she does best that you work with on the

0:27:50.119 --> 0:27:52.119
<v Speaker 2>morning show, and I'll let you speak. All I'm trying

0:27:52.160 --> 0:27:54.520
<v Speaker 2>to set over you. They talk over you. So what

0:27:54.560 --> 0:27:56.639
<v Speaker 2>I'm trying to say is time you try to speak.

0:27:56.640 --> 0:28:02.920
<v Speaker 2>Somebody's just stop. Enough of that shit. God, I get

0:28:03.000 --> 0:28:04.159
<v Speaker 2>enough of that way, I don't want to.

0:28:05.840 --> 0:28:06.840
<v Speaker 4>Okay, go ahead, I'm.

0:28:06.680 --> 0:28:10.080
<v Speaker 2>Sorry, finishing right by the way, scary scary spruce. What

0:28:10.119 --> 0:28:11.320
<v Speaker 2>was the name of your polo pony?

0:28:13.000 --> 0:28:17.040
<v Speaker 4>What what was the.

0:28:17.040 --> 0:28:27.560
<v Speaker 2>Name of your polo horse? His name was Prince Roger? Okay,

0:28:27.600 --> 0:28:30.800
<v Speaker 2>thank you, all right, Prince Roger. So so am I

0:28:30.960 --> 0:28:36.280
<v Speaker 2>wrong for thinking that that as money? You know, you

0:28:36.320 --> 0:28:39.200
<v Speaker 2>come from a wealthy family that all of a sudden

0:28:39.240 --> 0:28:42.000
<v Speaker 2>you lose the accent and you become more well to

0:28:42.040 --> 0:28:44.800
<v Speaker 2>do because you hear people all the time, not just British,

0:28:45.200 --> 0:28:48.120
<v Speaker 2>you know. But oh I think I'm going here and

0:28:48.160 --> 0:28:51.600
<v Speaker 2>I'm doing that, and like if people lose it so so,

0:28:52.840 --> 0:28:55.600
<v Speaker 2>but then the opposite is also true that I guess

0:28:55.640 --> 0:28:58.320
<v Speaker 2>if you never get out of the neighborhood where you're from, people,

0:28:58.520 --> 0:29:01.040
<v Speaker 2>whenever we get out the neighborhood you're from, you only

0:29:01.080 --> 0:29:03.520
<v Speaker 2>hear people talk like that. So you stay with the

0:29:03.560 --> 0:29:06.400
<v Speaker 2>local dialect. And that could be any dialect that doesn't

0:29:06.440 --> 0:29:09.240
<v Speaker 2>necessarily mean a Southern dialect or anywhere else. I'm talking

0:29:09.240 --> 0:29:12.000
<v Speaker 2>about people from Brooklyn who never got out of Brooklyn.

0:29:13.400 --> 0:29:16.520
<v Speaker 2>You know, I get a blue collar family in Brooklyn,

0:29:16.520 --> 0:29:18.880
<v Speaker 2>and you can hear my Brooklyn in me. Now, Yeah,

0:29:18.880 --> 0:29:21.560
<v Speaker 2>I tried to my accent. So I just want to know,

0:29:21.680 --> 0:29:24.720
<v Speaker 2>am I nuts? And but I'm certainly not. I'm certainly

0:29:24.720 --> 0:29:26.560
<v Speaker 2>not racist for thinking this.

0:29:27.800 --> 0:29:30.920
<v Speaker 4>I say this in a in a loving way, and

0:29:30.960 --> 0:29:34.280
<v Speaker 4>you have to let me explain what I'm saying, Yes,

0:29:34.600 --> 0:29:37.640
<v Speaker 4>before you jump the conclusions when I say this floor

0:29:37.720 --> 0:29:38.160
<v Speaker 4>is yours.

0:29:38.360 --> 0:29:47.440
<v Speaker 2>Yeah, scary. You are a terrible, terrible big person. Okay,

0:29:47.880 --> 0:29:50.600
<v Speaker 2>Proty stepped on you. You me explain.

0:29:51.200 --> 0:29:54.479
<v Speaker 4>F The reason I'm saying you're a terrible biggot bit

0:29:54.680 --> 0:29:58.959
<v Speaker 4>is that you're not very good at it. You're not

0:29:59.000 --> 0:30:03.160
<v Speaker 4>good at being a bigger. So I think you might

0:30:03.320 --> 0:30:07.400
<v Speaker 4>say something that people think has some bigotry in them,

0:30:07.520 --> 0:30:12.920
<v Speaker 4>but they're unintentional. You don't mean them and that so

0:30:13.200 --> 0:30:16.880
<v Speaker 4>you don't mean that statement as a bigot, would I believe? Man,

0:30:16.880 --> 0:30:19.720
<v Speaker 4>I'm from the South. I've seen all the bigot and

0:30:19.840 --> 0:30:23.200
<v Speaker 4>you're a horrible and you're not a Big're a horrible one.

0:30:23.440 --> 0:30:26.400
<v Speaker 2>You're horrible, right, A horrible at being one?

0:30:26.680 --> 0:30:26.840
<v Speaker 3>Right?

0:30:26.920 --> 0:30:29.000
<v Speaker 2>Okay, well, thank you. That's a compliment. I take it

0:30:29.000 --> 0:30:31.960
<v Speaker 2>as a compliment. Yeah, but but I just want to

0:30:32.040 --> 0:30:34.600
<v Speaker 2>know from you from your standpoint, because you are from

0:30:35.000 --> 0:30:40.280
<v Speaker 2>you are from Louisiana. Like are your friends that maybe

0:30:40.480 --> 0:30:42.840
<v Speaker 2>you know the before and after, the people that maybe

0:30:42.880 --> 0:30:47.960
<v Speaker 2>have like quote, successfully made it with in life? You know,

0:30:48.120 --> 0:30:50.680
<v Speaker 2>think of somebody that went from rags to riches? Did

0:30:50.720 --> 0:30:52.480
<v Speaker 2>they lose their I would say this.

0:30:52.760 --> 0:30:56.240
<v Speaker 4>I would say this, it's about environment. I don't know

0:30:56.400 --> 0:30:59.240
<v Speaker 4>if your friend is from Louisiana.

0:30:59.480 --> 0:31:04.080
<v Speaker 2>She is, but she left, she did, She's.

0:31:03.920 --> 0:31:06.520
<v Speaker 4>Good, she hasn't you know, she doesn't live there anymore

0:31:06.720 --> 0:31:10.600
<v Speaker 4>because you adapt to your environment. That's what I believe

0:31:10.680 --> 0:31:14.560
<v Speaker 4>you're like. When I took a class in London for

0:31:14.640 --> 0:31:18.640
<v Speaker 4>a summer. When I came back after three almost three months,

0:31:18.920 --> 0:31:22.600
<v Speaker 4>I had someone of an English accent, a UK accent

0:31:23.400 --> 0:31:25.680
<v Speaker 4>just by default, just by being there.

0:31:25.840 --> 0:31:28.080
<v Speaker 2>So is it safe to say because she had, she

0:31:28.200 --> 0:31:31.200
<v Speaker 2>has money, she's more well traveled, and she's gone around

0:31:31.240 --> 0:31:35.680
<v Speaker 2>the world. And that's why it's all I'm saying, is right.

0:31:35.760 --> 0:31:36.480
<v Speaker 3>I'm just saying this.

0:31:36.760 --> 0:31:40.160
<v Speaker 4>She's from Louisiana and she came to school in New

0:31:40.240 --> 0:31:43.200
<v Speaker 4>York and stayed in New York for three or four years,

0:31:43.640 --> 0:31:44.720
<v Speaker 4>like I did.

0:31:45.160 --> 0:31:47.800
<v Speaker 2>She's going to pick she's gonna.

0:31:47.600 --> 0:31:49.200
<v Speaker 3>Pick pick up somewhat of.

0:31:49.160 --> 0:31:51.719
<v Speaker 2>A New York accent. She's gonna lose her accent.

0:31:51.960 --> 0:31:55.160
<v Speaker 4>She takes voice and speech classes, then she's really.

0:31:55.040 --> 0:31:56.480
<v Speaker 2>Gonna get rid of it like I did.

0:31:56.640 --> 0:32:00.440
<v Speaker 4>Right, I mean I have no trace most the times

0:32:00.440 --> 0:32:01.440
<v Speaker 4>of a Southern accent.

0:32:02.720 --> 0:32:05.400
<v Speaker 2>Let me give an example to prove the point. So

0:32:05.480 --> 0:32:08.360
<v Speaker 2>Scary and I are from benson Hurst, Brooklyn, but I

0:32:08.400 --> 0:32:10.640
<v Speaker 2>had most of my family lived in Long Island and

0:32:10.680 --> 0:32:12.440
<v Speaker 2>New Jersey, so when I would see them, I would

0:32:12.480 --> 0:32:14.840
<v Speaker 2>hear that they didn't speak the way I did. And

0:32:14.880 --> 0:32:17.680
<v Speaker 2>so although I still have a remnants of a Brooklyn accent,

0:32:18.280 --> 0:32:21.160
<v Speaker 2>people who never left that neighborhood have never experienced other things.

0:32:21.400 --> 0:32:24.000
<v Speaker 2>Here's a video Scary sent me of a woman from

0:32:24.000 --> 0:32:27.600
<v Speaker 2>our neighborhood in nineteen eighty nine. Oh yeah, on tik

0:32:27.600 --> 0:32:30.240
<v Speaker 2>all right, listen to this woman. There's nothing wrong with her.

0:32:30.560 --> 0:32:32.240
<v Speaker 2>But this is what the people we grew up with

0:32:32.360 --> 0:32:36.640
<v Speaker 2>sounded like. Okay, here we go here.

0:32:36.800 --> 0:32:38.120
<v Speaker 3>I pretty like about this neighborhood.

0:32:38.120 --> 0:32:40.400
<v Speaker 6>Why do you figure because all my friends are here,

0:32:40.840 --> 0:32:46.480
<v Speaker 6>my family, I can go out and say hello, take

0:32:46.520 --> 0:32:48.560
<v Speaker 6>home to the corner and stop and talk to people.

0:32:49.600 --> 0:32:50.800
<v Speaker 3>I know where my children are.

0:32:51.160 --> 0:32:53.480
<v Speaker 2>I know if I'm not around, somebody'll watch them. You know,

0:32:54.920 --> 0:33:00.680
<v Speaker 2>comfortable here, she's comfortable here, comfortable the wrong with her?

0:33:00.760 --> 0:33:01.120
<v Speaker 2>I'm sure.

0:33:03.240 --> 0:33:04.280
<v Speaker 3>Okay, listen, listen.

0:33:05.720 --> 0:33:09.800
<v Speaker 2>Here, all my friends are here. That's the way people

0:33:09.840 --> 0:33:15.000
<v Speaker 2>in our neighborhood spoke. People never left that neighborhood.

0:33:16.040 --> 0:33:19.040
<v Speaker 4>That woman sounds like happy with some of her life choices.

0:33:20.840 --> 0:33:24.600
<v Speaker 2>I love people neighborhood. You're painting the picture for her.

0:33:24.960 --> 0:33:28.720
<v Speaker 2>You don't know her story. They're our neighborhood, Spruce, They're

0:33:29.080 --> 0:33:31.520
<v Speaker 2>from our neighborhood, and I'm sure everyone has this in

0:33:31.520 --> 0:33:34.560
<v Speaker 2>there in their area. They moved from from our neighborhood

0:33:34.560 --> 0:33:36.680
<v Speaker 2>in Brooklyn. They got money, and a lot of them

0:33:36.720 --> 0:33:39.640
<v Speaker 2>moved to Staten Island. But in Staten Island. It's all

0:33:39.680 --> 0:33:42.320
<v Speaker 2>the people from Brooklyn, so the accent didn't change. So

0:33:42.440 --> 0:33:45.920
<v Speaker 2>it wasn't about the money, It's about environment. If you

0:33:46.040 --> 0:33:49.760
<v Speaker 2>move out of Brooklyn Staten Island, you lose that accent

0:33:49.800 --> 0:33:53.040
<v Speaker 2>because the people around you aren't saying water, They're saying water,

0:33:53.240 --> 0:33:55.360
<v Speaker 2>and you might start sound like you go to England,

0:33:55.400 --> 0:33:57.280
<v Speaker 2>you start to have a British act. Well, this particular

0:33:57.320 --> 0:33:59.600
<v Speaker 2>woman from New Orleans was like, I was trying to

0:33:59.640 --> 0:34:02.160
<v Speaker 2>expand she was trying to say, look, look all my

0:34:02.280 --> 0:34:05.400
<v Speaker 2>friends talk like Southern draw like that. Whatever. I can't

0:34:05.400 --> 0:34:06.400
<v Speaker 2>even do it. I'm terrible at it.

0:34:06.640 --> 0:34:09.359
<v Speaker 4>Look, I think I think most people are I think

0:34:09.400 --> 0:34:12.840
<v Speaker 4>most people are sponges. I just think humans are sponges.

0:34:12.920 --> 0:34:17.680
<v Speaker 4>That's just our gift to adapt. And if we're in

0:34:17.760 --> 0:34:21.520
<v Speaker 4>an environment long enough, we adapt to the environment. And

0:34:21.640 --> 0:34:24.440
<v Speaker 4>one of those things is the way you speak, you know,

0:34:25.000 --> 0:34:26.800
<v Speaker 4>other than the way you live. You just say, we

0:34:27.000 --> 0:34:31.080
<v Speaker 4>just that's a human that's human nature. We adapt to our.

0:34:31.120 --> 0:34:37.799
<v Speaker 2>Environment, all right, Michael Jackson, You know, yeah, listen, it's

0:34:37.880 --> 0:34:40.920
<v Speaker 2>no different than when look, there are some politicians who

0:34:41.000 --> 0:34:43.000
<v Speaker 2>obviously put on an accent when they're in a certain area.

0:34:43.480 --> 0:34:46.680
<v Speaker 2>But There's also some politicians who are just human, and

0:34:46.800 --> 0:34:49.600
<v Speaker 2>when they get around people that speak a certain way,

0:34:50.120 --> 0:34:54.520
<v Speaker 2>they'll use colloquialisms that that helped them fit in. So

0:34:55.120 --> 0:34:58.040
<v Speaker 2>if I was a politician, right and I was let's

0:34:58.040 --> 0:34:59.800
<v Speaker 2>say I'm running for office, and I went to a

0:35:00.000 --> 0:35:02.280
<v Speaker 2>temple and I was giving a speech in front of Jews,

0:35:02.719 --> 0:35:04.560
<v Speaker 2>I might say, oh, you know, you shouldn't know from

0:35:04.600 --> 0:35:07.600
<v Speaker 2>it a little more than I would if I was

0:35:07.800 --> 0:35:09.799
<v Speaker 2>given a speech to a bunch of Italian guys at

0:35:09.800 --> 0:35:12.520
<v Speaker 2>a union hall, I wouldn't be like, so hey, Vinnie

0:35:12.600 --> 0:35:14.359
<v Speaker 2>Tony Oi. It wouldn't make any sense.

0:35:14.440 --> 0:35:18.280
<v Speaker 4>Yeah, you went to third Ebenezer Baptist Church in Harlem.

0:35:18.040 --> 0:35:22.200
<v Speaker 2>Right, right, I wouldn't be saying I plots, I plots

0:35:22.200 --> 0:35:23.759
<v Speaker 2>when I hear I wouldn't be I wouldn't be using

0:35:23.800 --> 0:35:27.120
<v Speaker 2>Yiddish words. But you know, I also me wouldn't be

0:35:27.239 --> 0:35:31.640
<v Speaker 2>using uh black colloquialisms at the Ebenezer church. Now that

0:35:31.760 --> 0:35:35.719
<v Speaker 2>being said, if I was black, I might just like

0:35:35.800 --> 0:35:37.880
<v Speaker 2>being Jewish going to a temple. If I was a

0:35:37.960 --> 0:35:42.480
<v Speaker 2>black politician, I might use more Southern accent is Southern phrasing.

0:35:42.600 --> 0:35:44.919
<v Speaker 2>If I was at a Southern rally, or a black rally.

0:35:45.120 --> 0:35:47.880
<v Speaker 2>And I think we sometimes criticize politicians always he or

0:35:47.920 --> 0:35:50.120
<v Speaker 2>she is putting on the accent, They're faking it. I

0:35:50.239 --> 0:35:54.680
<v Speaker 2>think it's just natural to uh, you know, your surroundings

0:35:54.760 --> 0:35:58.279
<v Speaker 2>bring out certain things when you speak. So that's all

0:35:58.840 --> 0:36:00.880
<v Speaker 2>I first of all, I okay, I just want to

0:36:00.920 --> 0:36:02.880
<v Speaker 2>say thank you, thank you for not jumping all over me.

0:36:03.000 --> 0:36:05.400
<v Speaker 2>I appreciate it. I'm glad that we had this conversation.

0:36:05.960 --> 0:36:11.040
<v Speaker 2>And you know, I feel closer. I feel I feel

0:36:11.080 --> 0:36:13.120
<v Speaker 2>closer to you right now. I feel closer to you.

0:36:13.440 --> 0:36:15.759
<v Speaker 2>Want to I want to hug you. I want to

0:36:15.800 --> 0:36:19.240
<v Speaker 2>hug you too. There, Bruce Spruce, Well, quick life update

0:36:19.239 --> 0:36:21.600
<v Speaker 2>before you go, because because everybody's been wanting to know,

0:36:21.640 --> 0:36:24.719
<v Speaker 2>and then we got to take a break. Okay, what's

0:36:24.760 --> 0:36:28.040
<v Speaker 2>your life update? Oh what am I doing right now?

0:36:28.280 --> 0:36:31.560
<v Speaker 4>I'm still it's me, you know, bro, You guys know

0:36:31.680 --> 0:36:34.799
<v Speaker 4>I'm just bawling on a budget, you know, doing my job.

0:36:35.800 --> 0:36:37.480
<v Speaker 2>You know, hopefully you know.

0:36:37.640 --> 0:36:41.440
<v Speaker 4>I'm a I get off on creating stuff. So just

0:36:41.520 --> 0:36:45.040
<v Speaker 4>as long as I can help still create fun stuff.

0:36:45.080 --> 0:36:47.040
<v Speaker 4>I like to laugh, I like to have a good time,

0:36:47.760 --> 0:36:51.000
<v Speaker 4>and that's really it. I don't do anything else.

0:36:51.160 --> 0:36:54.400
<v Speaker 2>I'm a slave to my job and I love it.

0:36:54.960 --> 0:36:59.040
<v Speaker 2>I love being a captive to my job. My dad, Spruce,

0:36:59.560 --> 0:37:04.400
<v Speaker 2>thank you. I'm gonna PLAYNNA play Spruce's song one more time.

0:37:04.440 --> 0:37:07.239
<v Speaker 2>OKAD have to jingle out. Thank you so much for

0:37:07.719 --> 0:37:22.080
<v Speaker 2>love you buddy. Sounded nice. You loved now Herepruce. There

0:37:22.160 --> 0:37:23.319
<v Speaker 2>there goes Spruce.

0:37:23.320 --> 0:37:26.759
<v Speaker 3>The Blyn Boys Podcast. We will be right back.

0:37:28.280 --> 0:37:30.640
<v Speaker 2>I missed Spruce. What a great guy. I was nice

0:37:30.680 --> 0:37:33.879
<v Speaker 2>hearing from him. It was really cool to commercial. I'm

0:37:34.000 --> 0:37:35.360
<v Speaker 2>glad I got that off my chest and I got

0:37:35.400 --> 0:37:37.719
<v Speaker 2>to speak my mind and not be judging. Did you

0:37:37.760 --> 0:37:40.919
<v Speaker 2>feel you feel uh heard? You feel seen?

0:37:41.040 --> 0:37:41.080
<v Speaker 3>No?

0:37:41.239 --> 0:37:43.840
<v Speaker 2>I I feel like the slices might be secretly judging me.

0:37:43.920 --> 0:37:45.680
<v Speaker 2>But at least I got my side of the story out.

0:37:46.280 --> 0:37:46.320
<v Speaker 5>No.

0:37:46.560 --> 0:37:48.279
<v Speaker 2>You know what I'm looking forward. I'm looking forward to

0:37:48.320 --> 0:37:50.840
<v Speaker 2>the slices calling in with their thickest accents that they

0:37:50.880 --> 0:37:53.320
<v Speaker 2>either got rid of or still have. Of course, because

0:37:53.320 --> 0:37:56.799
<v Speaker 2>that's what they do. It's lifetime. Nothing. There is nothing

0:37:56.880 --> 0:37:59.279
<v Speaker 2>wrong with local accents. I don't I don't, I don't

0:37:59.360 --> 0:38:02.160
<v Speaker 2>have anything wrong with it. But I I said, look,

0:38:02.239 --> 0:38:04.520
<v Speaker 2>it was based on you know, you know money, you know,

0:38:05.080 --> 0:38:07.520
<v Speaker 2>if you got money. If you're rich, you lose the app.

0:38:07.719 --> 0:38:10.040
<v Speaker 2>If you have the ability to put yourself in other surroundings,

0:38:10.200 --> 0:38:11.840
<v Speaker 2>that's all. You don't have to have money. If the

0:38:11.840 --> 0:38:14.480
<v Speaker 2>girl from Louisiana moved to North Dakota, I'm pretty sure

0:38:14.520 --> 0:38:18.200
<v Speaker 2>her accent would change a little bit. So anyway, I

0:38:18.360 --> 0:38:20.759
<v Speaker 2>had two trips recently that I wanted to tell you

0:38:20.800 --> 0:38:22.840
<v Speaker 2>about at some point. But let me tell you about

0:38:23.520 --> 0:38:26.799
<v Speaker 2>a quick. I took a trip to New Haven up

0:38:26.840 --> 0:38:28.680
<v Speaker 2>in Connecticut, and I said, you know what, I'm going

0:38:28.760 --> 0:38:32.040
<v Speaker 2>to stop off in New Haven and I'll make a run,

0:38:32.800 --> 0:38:34.960
<v Speaker 2>all right. So I had gone up with my family

0:38:35.000 --> 0:38:37.000
<v Speaker 2>to Connecticut, and I said, you know what, I'm gonna

0:38:37.040 --> 0:38:39.800
<v Speaker 2>run over to New Haven, grab pizza and bring it

0:38:39.920 --> 0:38:41.520
<v Speaker 2>and bring it back right great.

0:38:42.120 --> 0:38:42.480
<v Speaker 1>So I.

0:38:44.000 --> 0:38:46.440
<v Speaker 2>I went to Frank pepe again, famous for their white

0:38:46.520 --> 0:38:50.800
<v Speaker 2>clam pie. The best, very good again New Haven pizza,

0:38:50.920 --> 0:38:52.440
<v Speaker 2>very good, not as good as New York, but very

0:38:52.440 --> 0:38:55.600
<v Speaker 2>good pizza. Anyway, the app says, when you order the pizza,

0:38:56.400 --> 0:38:58.240
<v Speaker 2>go in. And if you ever been to Frank Peppy,

0:38:58.960 --> 0:39:00.880
<v Speaker 2>it's a little storefront and you go in as a

0:39:00.880 --> 0:39:03.440
<v Speaker 2>little vestibule area like to the left is it to

0:39:03.560 --> 0:39:06.440
<v Speaker 2>go area? And sometimes there's somebody working there, and then

0:39:06.440 --> 0:39:09.040
<v Speaker 2>his plates and napkins. And then another door you walk

0:39:09.080 --> 0:39:10.320
<v Speaker 2>in and is where the dining is, and then the

0:39:10.400 --> 0:39:12.839
<v Speaker 2>back there's a counter and the ovens and everything else.

0:39:13.040 --> 0:39:15.600
<v Speaker 2>When you first walk in, there's an area where you

0:39:15.640 --> 0:39:18.200
<v Speaker 2>can wait for a table or whatever. So the app says,

0:39:18.280 --> 0:39:20.759
<v Speaker 2>when you go in, when you're in the vestibule the

0:39:20.840 --> 0:39:24.920
<v Speaker 2>first area, tell the host your name for your pickup

0:39:25.040 --> 0:39:31.040
<v Speaker 2>order and they'll take care of it for you. Great, okay. Now,

0:39:31.160 --> 0:39:33.680
<v Speaker 2>on the weekends, they have a side location next door

0:39:33.680 --> 0:39:35.960
<v Speaker 2>in the parking lot. It's so busy. On the weekends,

0:39:36.160 --> 0:39:38.360
<v Speaker 2>they have a separate store which's just for to go.

0:39:38.920 --> 0:39:41.279
<v Speaker 2>So I had never gone into the store before to

0:39:41.360 --> 0:39:42.839
<v Speaker 2>pick up it to go order because I was there

0:39:42.920 --> 0:39:46.080
<v Speaker 2>during the week So I go into the vestibule and

0:39:46.080 --> 0:39:49.120
<v Speaker 2>there's a guy there with a with a blue jacket

0:39:49.160 --> 0:39:53.879
<v Speaker 2>on and he's wearing a vest similar to the vest

0:39:54.440 --> 0:39:56.200
<v Speaker 2>of the guy on the street who tap my car.

0:39:56.760 --> 0:40:00.440
<v Speaker 2>Mm hm okay, but it's orange okay. And I said, hey,

0:40:00.960 --> 0:40:05.440
<v Speaker 2>pick up for Brody. He says, no Ramos And I said, no,

0:40:05.520 --> 0:40:08.920
<v Speaker 2>I'm not Ramos. Brody. Is it ready? He says, I

0:40:08.960 --> 0:40:11.840
<v Speaker 2>don't know. I said, well, you know how long it

0:40:11.840 --> 0:40:14.839
<v Speaker 2>will be? I don't know. He says, you probably should

0:40:14.840 --> 0:40:17.040
<v Speaker 2>go in and ask. So I'm like, all right, well,

0:40:17.560 --> 0:40:18.920
<v Speaker 2>why am I checking in with the guy in the

0:40:19.000 --> 0:40:21.319
<v Speaker 2>vestibule if he doesn't know if my order is ready,

0:40:21.440 --> 0:40:23.439
<v Speaker 2>how long it's going to take. Isn't the whole point

0:40:23.480 --> 0:40:25.040
<v Speaker 2>to check in with him? You watch the purpose of

0:40:25.120 --> 0:40:27.160
<v Speaker 2>having the guy there to begin with, if I have

0:40:27.239 --> 0:40:30.200
<v Speaker 2>to go to the counter anyway. Sure, So I go inside.

0:40:30.239 --> 0:40:31.640
<v Speaker 2>I go up to the counter and I say, I'm

0:40:31.640 --> 0:40:34.040
<v Speaker 2>picking up for Brody. She says, oh, all right, yeah,

0:40:34.080 --> 0:40:35.880
<v Speaker 2>your pizza's right here. It's been sitting here for a

0:40:35.920 --> 0:40:38.759
<v Speaker 2>few minutes. I said, okay, well I'll come. The guy

0:40:38.840 --> 0:40:40.879
<v Speaker 2>up front had no idea when my pizza will be ready.

0:40:41.200 --> 0:40:43.280
<v Speaker 2>The app says, to speak to the guy in the vestibule.

0:40:43.600 --> 0:40:47.480
<v Speaker 2>She says, I don't know. That guy doesn't work here. Wow,

0:40:48.120 --> 0:40:51.800
<v Speaker 2>what was he doing? He was Ramos? He wanted pizza.

0:40:52.200 --> 0:40:54.480
<v Speaker 2>I said, I said, pizza for Brody. He said, no,

0:40:54.640 --> 0:40:57.879
<v Speaker 2>he thought you worked there. He thought I was checking

0:40:57.920 --> 0:41:02.560
<v Speaker 2>in with him, right, yeah, we're checking in with each other. Yeah, No,

0:41:02.800 --> 0:41:05.200
<v Speaker 2>Ramo thought I was saying, are you Brody at pizza's ready.

0:41:05.280 --> 0:41:08.319
<v Speaker 2>You thought he worked there, he thought you worked there. Yeah,

0:41:09.320 --> 0:41:11.040
<v Speaker 2>so I was like ready to complain about the guy,

0:41:11.120 --> 0:41:13.200
<v Speaker 2>and she's like, he didn't work here. That how it is?

0:41:13.320 --> 0:41:13.719
<v Speaker 3>How was it?

0:41:13.840 --> 0:41:16.759
<v Speaker 2>How was How was the pizza? A solid eight?

0:41:17.280 --> 0:41:17.560
<v Speaker 3>Really?

0:41:17.840 --> 0:41:19.520
<v Speaker 2>I had this. I had the shrimp. I ordered the

0:41:19.560 --> 0:41:22.279
<v Speaker 2>garlic shrimp instead of the clams. Yeah, it was fine.

0:41:22.320 --> 0:41:25.400
<v Speaker 2>It was good. Yeah, I'm sure it was good, but

0:41:25.520 --> 0:41:27.359
<v Speaker 2>I had I've had pizza in New Jersey this week

0:41:27.440 --> 0:41:31.359
<v Speaker 2>that was better. Maybe it's lost its luster. No, it's again.

0:41:31.440 --> 0:41:34.279
<v Speaker 2>It's a an acquired taste. If you like that pizza, yeah,

0:41:34.600 --> 0:41:37.160
<v Speaker 2>then it's great. Again. I gave it an eight out

0:41:37.200 --> 0:41:40.880
<v Speaker 2>of ten. Yeah, I've just had nines and tens that

0:41:40.960 --> 0:41:43.040
<v Speaker 2>are absolutely better. But it was good. It was fine,

0:41:43.080 --> 0:41:46.719
<v Speaker 2>and I wanted to go to Modern. They would close

0:41:46.760 --> 0:41:50.600
<v Speaker 2>that day, so anyway, I saw it, mister Ramos touch pizza.

0:41:52.480 --> 0:41:56.280
<v Speaker 2>So I agreed to help my sister plan my nephew,

0:41:56.320 --> 0:42:00.879
<v Speaker 2>Lucas's birthday party. Oh your advice on this some money?

0:42:00.920 --> 0:42:03.000
<v Speaker 2>I thinks they don't. That's That's what I would say. Oh,

0:42:03.040 --> 0:42:05.200
<v Speaker 2>come on, because it's gonna cost you a lot. I've

0:42:05.239 --> 0:42:09.120
<v Speaker 2>come a long way, come a long way since running

0:42:09.120 --> 0:42:13.080
<v Speaker 2>away from kids. I like being too well to be.

0:42:14.440 --> 0:42:18.400
<v Speaker 2>I love I love to be the funk call in

0:42:18.520 --> 0:42:21.879
<v Speaker 2>the relationship. I love my nephews and my niece. Yes,

0:42:21.960 --> 0:42:24.480
<v Speaker 2>you're very generous. I've seen you give thee my godchild

0:42:24.600 --> 0:42:28.879
<v Speaker 2>now Enzo so and so. Uh yep, I think that's

0:42:28.920 --> 0:42:31.320
<v Speaker 2>what that's my relationship. That's how As far as it

0:42:31.360 --> 0:42:33.080
<v Speaker 2>goes with kids, I want to love them. I want

0:42:33.120 --> 0:42:34.440
<v Speaker 2>to hug them. I want to spend some time with them,

0:42:34.480 --> 0:42:36.239
<v Speaker 2>spend some money on them, spoil them, and then give

0:42:36.280 --> 0:42:39.520
<v Speaker 2>them back so so so. Basically, I want to go

0:42:39.600 --> 0:42:41.759
<v Speaker 2>to like an American dream and we want to do

0:42:41.840 --> 0:42:44.640
<v Speaker 2>some kind of a party. Maybe give the kids, you

0:42:44.719 --> 0:42:46.920
<v Speaker 2>know the old school pizza parties used to do or

0:42:47.000 --> 0:42:50.879
<v Speaker 2>used to go to McDonald's, you know, and have burners here. Yeah, scary, yeah,

0:42:51.160 --> 0:42:52.839
<v Speaker 2>you can you do a favor before you finish the story.

0:42:52.880 --> 0:42:56.240
<v Speaker 2>Can you hit the jingle a second? But what what jingle?

0:42:56.600 --> 0:42:57.640
<v Speaker 2>What ching are we talking about?

0:42:58.239 --> 0:42:58.400
<v Speaker 4>You know?

0:42:58.560 --> 0:43:02.439
<v Speaker 2>Hit the jingle? Scary? What the jingle? That's three times?

0:43:02.480 --> 0:43:02.600
<v Speaker 5>Now?

0:43:02.719 --> 0:43:04.560
<v Speaker 2>Hit the jingle? What did I say? Letting you get

0:43:04.560 --> 0:43:06.800
<v Speaker 2>away with it again? Hit the jingle? You got to

0:43:06.800 --> 0:43:09.320
<v Speaker 2>tell me what the defense Nope, not until tell me

0:43:09.360 --> 0:43:12.400
<v Speaker 2>what the offense was. You've mentioned American Dream three times already,

0:43:12.520 --> 0:43:15.319
<v Speaker 2>and you're there, You're they're a client of yours. You're

0:43:15.360 --> 0:43:23.360
<v Speaker 2>there all the time. I let you get away with

0:43:23.400 --> 0:43:25.359
<v Speaker 2>it the first time because the Jonas Con story needed

0:43:25.400 --> 0:43:27.680
<v Speaker 2>to be told. All right, Fine, I'm not gonna let

0:43:27.719 --> 0:43:30.439
<v Speaker 2>you make a random reference. I'm trying to play my party.

0:43:30.520 --> 0:43:35.320
<v Speaker 2>Take him someplace nice, you know, Yeah, Okay, they're right. Fine,

0:43:35.600 --> 0:43:39.279
<v Speaker 2>so you know I've never been there, You've never been. No,

0:43:39.480 --> 0:43:41.160
<v Speaker 2>you want to come to mel Lucas's party, we may

0:43:41.200 --> 0:43:42.880
<v Speaker 2>have it there. No, All right. For those of you

0:43:42.880 --> 0:43:46.680
<v Speaker 2>who don't know, about fifteen years ago, they started building

0:43:46.719 --> 0:43:49.920
<v Speaker 2>this monstrosity of a thing unrelated to what's there now.

0:43:50.400 --> 0:43:53.400
<v Speaker 2>And it was this ugly blue and yellow thing near

0:43:53.400 --> 0:43:55.640
<v Speaker 2>where the Jets and Giants play in the meadowlands. There

0:43:55.719 --> 0:43:57.759
<v Speaker 2>was a big ski ramp and it was like, Oh,

0:43:57.800 --> 0:44:00.480
<v Speaker 2>it's gonna be this mega thing. Then it went bankrupt.

0:44:00.920 --> 0:44:03.600
<v Speaker 2>Then another company bought it and they went bankrupt. Then

0:44:03.640 --> 0:44:06.040
<v Speaker 2>another company, company after company kept buying it and not

0:44:06.160 --> 0:44:09.000
<v Speaker 2>building it. Then, as they were ready to finally open

0:44:09.080 --> 0:44:12.960
<v Speaker 2>this massive, incredible indoor water park and rollercoasters, COVID hit

0:44:13.480 --> 0:44:18.160
<v Speaker 2>and everything shut down. This place was cursed for fifteen years.

0:44:18.400 --> 0:44:20.600
<v Speaker 2>You drive by on the on the Jersey Turnpike and

0:44:20.640 --> 0:44:23.839
<v Speaker 2>you're like, look at that fucking I sore. Halfway finish, yeah,

0:44:23.960 --> 0:44:26.160
<v Speaker 2>halfway finished. It looked like it was condemned, like from

0:44:26.200 --> 0:44:29.080
<v Speaker 2>the seventies, like they would film stranger things there. It

0:44:29.239 --> 0:44:32.319
<v Speaker 2>was just horrible. And then finally in like twenty twenty two,

0:44:32.760 --> 0:44:35.640
<v Speaker 2>they finished it, opened it, and now it's just unbelievable.

0:44:35.680 --> 0:44:37.000
<v Speaker 2>It's not a mall. They don't let you call it

0:44:37.080 --> 0:44:39.480
<v Speaker 2>a mall. It's not a sponsor. I'm doing a fucking

0:44:39.480 --> 0:44:43.600
<v Speaker 2>commercial for them. It's like seven malls put together, and

0:44:43.719 --> 0:44:47.080
<v Speaker 2>it's massive. Hit the jingle on yourself. You did a

0:44:47.080 --> 0:44:48.719
<v Speaker 2>better job. It's explain that that I did.

0:44:49.280 --> 0:44:50.680
<v Speaker 3>No. I just think this.

0:44:50.760 --> 0:44:52.279
<v Speaker 2>It's one of those things that I thought it would

0:44:52.320 --> 0:44:54.520
<v Speaker 2>never open. All right, So I have a ski jump,

0:44:55.440 --> 0:44:58.200
<v Speaker 2>right exactly? They do so anyway, so if we're going

0:44:58.280 --> 0:45:00.320
<v Speaker 2>to treat the kids to rides and stuff and have

0:45:00.360 --> 0:45:02.480
<v Speaker 2>a pizza party and ice creaming cake whatever they have

0:45:02.960 --> 0:45:04.279
<v Speaker 2>and all that and have a whole make a day

0:45:04.320 --> 0:45:06.760
<v Speaker 2>of it, yeah, chuckie chie, do you think And because

0:45:06.800 --> 0:45:09.880
<v Speaker 2>I'm planning it because you know, because obviously my I'm

0:45:09.920 --> 0:45:12.759
<v Speaker 2>the connection to it. Do you think, oh, they came

0:45:12.800 --> 0:45:14.920
<v Speaker 2>out of the woodwork for a favor. You are a

0:45:15.000 --> 0:45:16.880
<v Speaker 2>connection your print you see what do you mean?

0:45:17.000 --> 0:45:17.040
<v Speaker 3>No?

0:45:17.360 --> 0:45:19.800
<v Speaker 2>No, I'm connected to it because there are my clients.

0:45:19.880 --> 0:45:22.360
<v Speaker 2>So my question to you is, if I'm planning this

0:45:22.520 --> 0:45:27.000
<v Speaker 2>for my sister's child, what percent of the party do

0:45:27.200 --> 0:45:30.400
<v Speaker 2>I have to pay? Your No, your your percentage of

0:45:30.440 --> 0:45:32.120
<v Speaker 2>the payment is that you're doing the favor and the

0:45:32.160 --> 0:45:34.840
<v Speaker 2>hook up, getting them a discount, a great a great location,

0:45:35.000 --> 0:45:37.960
<v Speaker 2>and a date. I feel obligated. You're gonna get free

0:45:38.000 --> 0:45:40.880
<v Speaker 2>game tokens, but I feel obligated to kind of because

0:45:40.920 --> 0:45:43.800
<v Speaker 2>I'm kind of spearheading this that I need to. Like,

0:45:44.480 --> 0:45:46.080
<v Speaker 2>you know, you're doing them the favor they asked you

0:45:46.120 --> 0:45:49.279
<v Speaker 2>for a favor. That's the that's the gift. You give

0:45:49.280 --> 0:45:50.800
<v Speaker 2>a normal gift to the kid. You don't play, You

0:45:50.840 --> 0:45:53.319
<v Speaker 2>don't pay for the party. Your role is to get

0:45:53.360 --> 0:45:55.440
<v Speaker 2>them the good price and the and the and the

0:45:55.520 --> 0:45:58.720
<v Speaker 2>schmooze and the VIP treatment. All right, that's that's the bonus.

0:45:59.239 --> 0:46:00.839
<v Speaker 2>You know, I knew that it was a good thing

0:46:00.920 --> 0:46:02.239
<v Speaker 2>to come to you. I knew I would feel better

0:46:02.280 --> 0:46:04.319
<v Speaker 2>about myself. I just saved you five hundred bucks again,

0:46:04.480 --> 0:46:06.680
<v Speaker 2>Brody saved me money every Now you could take that

0:46:06.800 --> 0:46:09.960
<v Speaker 2>money and buy me a steak dinner. Went hell, freeze

0:46:10.000 --> 0:46:10.319
<v Speaker 2>is over.

0:46:12.680 --> 0:46:13.120
<v Speaker 3>And scary.

0:46:15.480 --> 0:46:17.719
<v Speaker 2>I got, I gotta, I gotta, yeah, I know, help, Yeah,

0:46:17.719 --> 0:46:20.840
<v Speaker 2>I gotta tell you a story of you have had

0:46:20.880 --> 0:46:25.399
<v Speaker 2>one of those days where everything goes completely wrong? And yes, yeah,

0:46:26.640 --> 0:46:30.880
<v Speaker 2>so I had a I had a business meeting. I

0:46:30.960 --> 0:46:33.160
<v Speaker 2>wouldn't call it a job interview, but it was an

0:46:33.200 --> 0:46:36.600
<v Speaker 2>opportunity to do some freelance comedy writing, you know, a

0:46:36.640 --> 0:46:39.080
<v Speaker 2>little writing on the side. And I had to go

0:46:39.160 --> 0:46:41.360
<v Speaker 2>to the lower east side of Manhattan. So if you

0:46:41.400 --> 0:46:44.439
<v Speaker 2>look at Manhattan, which is it looks like the letter

0:46:44.680 --> 0:46:47.600
<v Speaker 2>the letter I right, it's a north South island. This

0:46:47.760 --> 0:46:50.279
<v Speaker 2>is in the lower right part of the island. And

0:46:50.560 --> 0:46:53.840
<v Speaker 2>this is the area where there's really no trains. So

0:46:54.040 --> 0:46:57.359
<v Speaker 2>there's trains like eight blocks north and some trains six

0:46:57.440 --> 0:47:00.279
<v Speaker 2>blocks west. There's trains all around. But if this is

0:47:00.320 --> 0:47:03.520
<v Speaker 2>the area of Manhattan where there's really no trains, close okay,

0:47:03.840 --> 0:47:07.440
<v Speaker 2>h So I realize I map it out and I

0:47:07.520 --> 0:47:11.760
<v Speaker 2>have to get there at one o'clock in the afternoon,

0:47:12.719 --> 0:47:15.560
<v Speaker 2>so I figure out if I go to a parking

0:47:15.640 --> 0:47:18.120
<v Speaker 2>ride in New Jersey and get on the New Jersey

0:47:18.200 --> 0:47:22.560
<v Speaker 2>Path train that gets into Manhattan. So I switch in

0:47:22.640 --> 0:47:25.400
<v Speaker 2>New Jersey to a second Path train, and then I

0:47:25.520 --> 0:47:28.560
<v Speaker 2>switch to a New York City subway, and then I

0:47:28.640 --> 0:47:31.400
<v Speaker 2>can take that east bound and I can get about.

0:47:32.239 --> 0:47:34.160
<v Speaker 2>I'm gonna say, nine blocks away from where I need

0:47:34.239 --> 0:47:36.400
<v Speaker 2>to go. Okay, a lot of trains involved, lots a

0:47:36.480 --> 0:47:40.319
<v Speaker 2>lot of trains. So I decide to leave early because

0:47:40.320 --> 0:47:41.680
<v Speaker 2>I don't know how many how it's gonna you know,

0:47:41.760 --> 0:47:43.399
<v Speaker 2>you wait for trains, then you get off of train

0:47:43.480 --> 0:47:45.839
<v Speaker 2>for another train. Start of waiting. I figure out it's

0:47:45.880 --> 0:47:48.600
<v Speaker 2>an hour and five minute commute according to Google Maps.

0:47:49.040 --> 0:47:50.520
<v Speaker 2>So I'm like, you know what, I'm gonna give it

0:47:50.600 --> 0:47:52.880
<v Speaker 2>like an hour and forty I'm gonna leave an hour

0:47:52.880 --> 0:47:54.640
<v Speaker 2>and forty minutes early. I don't want to I don't

0:47:54.640 --> 0:47:56.920
<v Speaker 2>want to be late. This is an important meeting where

0:47:56.920 --> 0:47:59.120
<v Speaker 2>I might get a chance to my little comedy, little

0:47:59.120 --> 0:48:03.720
<v Speaker 2>something on the side whatever. So as I'm leaving my house,

0:48:04.520 --> 0:48:06.840
<v Speaker 2>take care of the dogs, and I got some packages.

0:48:06.840 --> 0:48:10.240
<v Speaker 2>I got a mail. So I take these big boxes

0:48:10.280 --> 0:48:13.680
<v Speaker 2>and I go down the stairs and I walk out

0:48:13.719 --> 0:48:16.080
<v Speaker 2>the garage door, not the front door. I walk out

0:48:16.080 --> 0:48:18.600
<v Speaker 2>the garage door, and I go to my car, get

0:48:18.640 --> 0:48:20.600
<v Speaker 2>in the car, and I'm driving. I get it, you know,

0:48:20.760 --> 0:48:22.759
<v Speaker 2>go no problem. And I see that I'm looking good.

0:48:23.080 --> 0:48:26.800
<v Speaker 2>I left on time, ready to go. You're rocking, bocking.

0:48:27.400 --> 0:48:29.960
<v Speaker 2>So I get on the parkway and I have to

0:48:30.040 --> 0:48:35.879
<v Speaker 2>get off at exits. Let's say exit three. I don't

0:48:35.880 --> 0:48:38.480
<v Speaker 2>remember the number exit three to go to the parking

0:48:38.560 --> 0:48:41.120
<v Speaker 2>ride I need to go to. So I'm about a

0:48:41.239 --> 0:48:44.279
<v Speaker 2>I don't know, half a mile away from the exit.

0:48:44.360 --> 0:48:47.480
<v Speaker 2>I'm in the left lane. I'm passing people, and I

0:48:48.360 --> 0:48:52.120
<v Speaker 2>there's a truck in the middle lane, and there's a

0:48:52.200 --> 0:48:54.440
<v Speaker 2>car in front of me and a car behind me.

0:48:55.880 --> 0:48:58.879
<v Speaker 2>So I can't get over because the truck is next

0:48:58.920 --> 0:49:02.120
<v Speaker 2>to me, and I can't go around the truck and

0:49:02.239 --> 0:49:03.640
<v Speaker 2>pass him because it's a car in front of me.

0:49:04.320 --> 0:49:06.880
<v Speaker 2>And I can't slow down because it's a car behind me. Right,

0:49:06.960 --> 0:49:11.680
<v Speaker 2>lionel Richie can't slow down? Slow down? Yeah, very good.

0:49:12.600 --> 0:49:15.600
<v Speaker 2>So I'm trapped now in a car, car, truck sandwich

0:49:15.880 --> 0:49:19.800
<v Speaker 2>in the left lane and there's no shoulder. I can't

0:49:19.840 --> 0:49:21.879
<v Speaker 2>like go on the shoulder, so I can't get over,

0:49:22.719 --> 0:49:26.480
<v Speaker 2>so I miss my exit. Oh that's, by the way,

0:49:26.520 --> 0:49:28.560
<v Speaker 2>that's happened to me before. And I will say this,

0:49:29.320 --> 0:49:31.279
<v Speaker 2>better to go to the next exit and do the

0:49:31.760 --> 0:49:34.279
<v Speaker 2>and and double back, then get into an accident or

0:49:34.360 --> 0:49:36.919
<v Speaker 2>risk or risk it. You know what, Dave, I haven't

0:49:36.960 --> 0:49:38.759
<v Speaker 2>blowing the horn like a madman to the car in

0:49:38.800 --> 0:49:40.600
<v Speaker 2>front of me to pull up faster a little bit

0:49:40.640 --> 0:49:43.040
<v Speaker 2>so I can get out of this trap. So finally

0:49:43.080 --> 0:49:45.120
<v Speaker 2>I get out, and I get off the next exit. Now,

0:49:45.160 --> 0:49:47.920
<v Speaker 2>the next exit involves going around to round around, and

0:49:48.040 --> 0:49:50.640
<v Speaker 2>I can take the streets or around to round around

0:49:51.000 --> 0:49:53.719
<v Speaker 2>and get back on the park. When the other direction, well,

0:49:53.760 --> 0:49:56.120
<v Speaker 2>when I get off, I have to make a left

0:49:57.160 --> 0:50:01.920
<v Speaker 2>road close to construction. Many of errors. Here we go. Okay,

0:50:02.600 --> 0:50:04.520
<v Speaker 2>So I'm like, oh my god. Now I'm looking at

0:50:04.600 --> 0:50:07.320
<v Speaker 2>Now I'm looking at my time, and I'm calculating. I'm like, okay,

0:50:07.719 --> 0:50:10.520
<v Speaker 2>I'm still twenty minutes ahead of schedule. I still should

0:50:10.560 --> 0:50:12.680
<v Speaker 2>be okay. Can give you some background music for this,

0:50:12.840 --> 0:50:16.319
<v Speaker 2>because yeah, it says it, Because this is this sounds

0:50:16.320 --> 0:50:18.800
<v Speaker 2>like a circus. It sounds like what's what's next? So

0:50:18.920 --> 0:50:21.239
<v Speaker 2>I back out of the street that I've now turned into,

0:50:22.040 --> 0:50:23.799
<v Speaker 2>and I make a broke it. I make a K turn,

0:50:23.880 --> 0:50:25.400
<v Speaker 2>a U turn, and I go back out to the

0:50:25.400 --> 0:50:28.160
<v Speaker 2>street I was at, and I go around the whole neighborhood.

0:50:28.600 --> 0:50:30.440
<v Speaker 2>I gotta go around and around and around and around

0:50:30.480 --> 0:50:31.960
<v Speaker 2>to get back to where I need to go to.

0:50:32.080 --> 0:50:33.920
<v Speaker 2>Then get on a different street to go to the

0:50:34.000 --> 0:50:38.040
<v Speaker 2>train station. I get to the trains the train station,

0:50:38.840 --> 0:50:42.880
<v Speaker 2>and again this is this was Tuesday of this week. Scary.

0:50:42.920 --> 0:50:45.800
<v Speaker 2>It was about I don't know, forty five degrees. So

0:50:46.239 --> 0:50:48.759
<v Speaker 2>I get to the train station and I go to

0:50:48.840 --> 0:50:50.680
<v Speaker 2>the park and ride and there's no one there at

0:50:50.680 --> 0:50:54.800
<v Speaker 2>the park and ride. So I find a guy, so

0:50:55.120 --> 0:50:57.080
<v Speaker 2>I was like, I'll go park. So I go to

0:50:57.200 --> 0:50:59.399
<v Speaker 2>park and uh. The guy said you have to scan

0:50:59.640 --> 0:51:02.000
<v Speaker 2>the QR code to park. And I scan the code

0:51:02.600 --> 0:51:06.279
<v Speaker 2>and I see I see uh. I hear a train

0:51:06.360 --> 0:51:08.680
<v Speaker 2>coming in the distance. So I'm like, oh shit, I

0:51:08.760 --> 0:51:11.360
<v Speaker 2>better hurry and get that train. So I stay ahead

0:51:11.360 --> 0:51:13.759
<v Speaker 2>of schedule. I get out of my car, scary, and

0:51:13.760 --> 0:51:16.279
<v Speaker 2>I'm like, oh shit, it's cold outside. Let me go

0:51:16.400 --> 0:51:18.120
<v Speaker 2>back in and get my coat because I don't drive

0:51:18.200 --> 0:51:19.600
<v Speaker 2>up my coat. I was down on the front seat.

0:51:20.080 --> 0:51:24.040
<v Speaker 2>I realize scary that when I left my house carrying

0:51:24.080 --> 0:51:29.000
<v Speaker 2>the packages. I didn't have my coat. So now it's

0:51:29.080 --> 0:51:31.360
<v Speaker 2>forty five degrees. I gotta go on in the on

0:51:31.480 --> 0:51:33.760
<v Speaker 2>the train and get into Manhattan with no fucking coat.

0:51:36.640 --> 0:51:41.280
<v Speaker 2>And I can't go home because you make minutes, never

0:51:41.320 --> 0:51:44.680
<v Speaker 2>make it back in time. So I run to the train.

0:51:45.239 --> 0:51:47.560
<v Speaker 2>I get to the train station and and I missed

0:51:47.600 --> 0:51:47.919
<v Speaker 2>the train.

0:51:48.600 --> 0:51:49.000
<v Speaker 6>Of course.

0:51:49.760 --> 0:51:53.120
<v Speaker 2>I'm sitting in the inside of the train station, on

0:51:53.239 --> 0:51:57.000
<v Speaker 2>the path station, and there's electric doors, you know, they

0:51:57.040 --> 0:51:58.880
<v Speaker 2>have like the censor above them. Sure, so if you

0:51:59.000 --> 0:52:00.399
<v Speaker 2>stand by them, the door open.

0:52:00.560 --> 0:52:00.759
<v Speaker 3>Sure.

0:52:01.840 --> 0:52:05.200
<v Speaker 2>So there's people standing by the door. So when the

0:52:05.280 --> 0:52:07.600
<v Speaker 2>doors are staying open, and I'm freezing because I have

0:52:07.719 --> 0:52:10.759
<v Speaker 2>no cobodies wearing scarves and gloves and hats, and I'm

0:52:10.800 --> 0:52:13.360
<v Speaker 2>in a shirt and jeans, you know, looking decent, but

0:52:13.680 --> 0:52:15.719
<v Speaker 2>I don't have a coat. So I say, excuse me,

0:52:15.840 --> 0:52:18.240
<v Speaker 2>can you Can you guys move a little bit because

0:52:18.880 --> 0:52:20.760
<v Speaker 2>you're opening the door, and they're like, oh, no problem.

0:52:21.080 --> 0:52:24.120
<v Speaker 2>They walk outside onto the platform and they're on the

0:52:24.160 --> 0:52:26.200
<v Speaker 2>other side where there's also a sensor, and the doors

0:52:26.200 --> 0:52:29.799
<v Speaker 2>are still open. So I say, excuse me. I hate

0:52:29.800 --> 0:52:31.080
<v Speaker 2>to bother you again, could you just move a little

0:52:31.120 --> 0:52:35.160
<v Speaker 2>way from the sensor. They're like, yeah, dude, fine, they're

0:52:35.160 --> 0:52:37.640
<v Speaker 2>annoyed with me. Of course I don't have a coat.

0:52:37.760 --> 0:52:41.480
<v Speaker 2>Yeah that's the Yeah, they're what is it your your

0:52:41.560 --> 0:52:44.359
<v Speaker 2>problem is not their emergency. That that's correct. And then,

0:52:44.400 --> 0:52:46.960
<v Speaker 2>by the way, thank god you left an hour and

0:52:47.040 --> 0:52:50.400
<v Speaker 2>forty early. I mean you said that this was an

0:52:50.440 --> 0:52:53.839
<v Speaker 2>hour an hour situation in five minutes, and you left,

0:52:54.239 --> 0:52:57.080
<v Speaker 2>so you left yourself a good amount of time to

0:52:57.200 --> 0:53:00.839
<v Speaker 2>pad in case situation, a situation like this. I check

0:53:00.880 --> 0:53:03.000
<v Speaker 2>Google Maps again and it says I'm still about ten

0:53:03.000 --> 0:53:06.040
<v Speaker 2>minutes ahead of schedule. Ten minutes of play. Get on

0:53:06.120 --> 0:53:08.400
<v Speaker 2>the train. Oh, what's the problem? Hold on? I get

0:53:08.440 --> 0:53:10.240
<v Speaker 2>on the train. I go to the next stop, two

0:53:10.280 --> 0:53:13.279
<v Speaker 2>stops away for the transfer. I cross the platform, which

0:53:13.320 --> 0:53:15.080
<v Speaker 2>is the first stop of the train I need. It's

0:53:15.120 --> 0:53:17.480
<v Speaker 2>the end line of that train, so it's there. Ready

0:53:17.560 --> 0:53:20.400
<v Speaker 2>to go. Get on the train, get a seat it

0:53:20.480 --> 0:53:23.600
<v Speaker 2>has and I hear I'm all being held in the station.

0:53:23.760 --> 0:53:28.360
<v Speaker 2>Do to traffic ahead. Oh god, twenty minutes. Scary. We

0:53:28.480 --> 0:53:30.720
<v Speaker 2>sit there. Roughly twenty minutes we're sitting at that station.

0:53:30.840 --> 0:53:33.160
<v Speaker 2>I'm like, oh my god, I did everything right. I'm

0:53:33.160 --> 0:53:36.800
<v Speaker 2>getting fucked by the universe. I'm getting fucked. So I

0:53:37.200 --> 0:53:39.040
<v Speaker 2>email the guy and I say, hey, man, we'll let

0:53:39.040 --> 0:53:41.000
<v Speaker 2>you know. I have a problem with the trains. I

0:53:41.120 --> 0:53:46.120
<v Speaker 2>may be about ten minutes late. I don't know. So

0:53:46.280 --> 0:53:48.879
<v Speaker 2>the train leaves at twenty minutes, goes into the city

0:53:49.520 --> 0:53:52.360
<v Speaker 2>and I get into the city. Now I have to

0:53:52.400 --> 0:53:55.920
<v Speaker 2>take the L train and take the L train eastbound

0:53:56.040 --> 0:54:00.279
<v Speaker 2>towards Brooklyn. Oh jesus, I'm picturing this route in my head.

0:54:00.320 --> 0:54:03.040
<v Speaker 2>This is not fun, not fun. So I take the

0:54:03.120 --> 0:54:06.920
<v Speaker 2>train and uh, I hear, we're bringing hard on, Paul

0:54:07.000 --> 0:54:11.480
<v Speaker 2>do The train gets stuck in the tunnel. Now it's

0:54:11.560 --> 0:54:15.720
<v Speaker 2>underground between stations. So I send another email, which doesn't

0:54:15.760 --> 0:54:17.600
<v Speaker 2>send because there's no there's no internet in the tunnel.

0:54:17.840 --> 0:54:20.080
<v Speaker 2>But I said him, I said, hey, hey, I'm really sorry.

0:54:20.120 --> 0:54:22.759
<v Speaker 2>I'm having train problems. I left my house at enough time,

0:54:22.800 --> 0:54:25.880
<v Speaker 2>I promise, I said, but I may be like twenty

0:54:25.920 --> 0:54:28.800
<v Speaker 2>minutes late now because of the train problems. I'm like,

0:54:28.920 --> 0:54:31.480
<v Speaker 2>holy shit, it is ridiculous. So finally I get I

0:54:31.560 --> 0:54:34.960
<v Speaker 2>get outside and I'm freezing. I gotta walk nine blocks.

0:54:35.480 --> 0:54:39.560
<v Speaker 2>Now I'm on First Avenue, which goes uptown. So even

0:54:39.560 --> 0:54:41.200
<v Speaker 2>if I catch an uber or a cab. It's going

0:54:41.239 --> 0:54:44.600
<v Speaker 2>in the wrong direction, so I have to walk, so

0:54:44.719 --> 0:54:49.520
<v Speaker 2>I freeze my a I'm going scary. I got there

0:54:49.520 --> 0:54:53.680
<v Speaker 2>at one oh three wow, three minutes late. Yeah, three

0:54:53.719 --> 0:54:55.279
<v Speaker 2>minutes late at I could have been. I could have

0:54:55.320 --> 0:54:56.680
<v Speaker 2>been forty minutes. I thought it was gonna be half

0:54:56.719 --> 0:54:59.280
<v Speaker 2>hour late. So I got that because I ran mostly

0:54:59.360 --> 0:55:01.160
<v Speaker 2>the nine blocks as much as I could in the cold.

0:55:02.280 --> 0:55:05.320
<v Speaker 2>I get there and he says, he says, So the

0:55:05.640 --> 0:55:08.000
<v Speaker 2>woman comes out, his his assistant comes out, and she says,

0:55:08.480 --> 0:55:11.879
<v Speaker 2>oh yeah, he's finishing up a zoom call. He's gonna

0:55:11.880 --> 0:55:15.920
<v Speaker 2>be about fifteen minutes. Okay, perfect, Well better that than

0:55:16.440 --> 0:55:19.360
<v Speaker 2>pulling a Wally World on you where you cancel the

0:55:19.440 --> 0:55:23.399
<v Speaker 2>meeting on you, right. Sorry, after all that he's out today,

0:55:23.400 --> 0:55:26.040
<v Speaker 2>he's out sick, after all that panic and all the

0:55:26.120 --> 0:55:28.840
<v Speaker 2>thing's going wrong. I got there before he was ready

0:55:28.880 --> 0:55:30.840
<v Speaker 2>for me, so he sees me. He comes out, a

0:55:31.080 --> 0:55:35.000
<v Speaker 2>very nice guy, and he says, no coat. So I

0:55:35.320 --> 0:55:37.440
<v Speaker 2>didn't know what to say, Like do I say I

0:55:37.520 --> 0:55:39.520
<v Speaker 2>didn't think it would be cold, which makes me an idiot?

0:55:39.960 --> 0:55:41.600
<v Speaker 2>And if I say I forgot my jacket, it makes

0:55:41.600 --> 0:55:44.239
<v Speaker 2>me look like an idiot. So I was like, oh yeah,

0:55:44.239 --> 0:55:45.839
<v Speaker 2>I left it my car. I was hurrying to make

0:55:45.840 --> 0:55:47.759
<v Speaker 2>the trend. I didn't want to be late, so it

0:55:47.920 --> 0:55:50.160
<v Speaker 2>worked out fine, But it was one of those things

0:55:50.200 --> 0:55:52.560
<v Speaker 2>where you have to leave so early because you never

0:55:52.640 --> 0:55:54.520
<v Speaker 2>know how the world is going to fuck you. Well.

0:55:55.160 --> 0:55:58.040
<v Speaker 2>I feel that way when it comes time to catching

0:55:58.080 --> 0:56:01.360
<v Speaker 2>a flight, like in the morning, if I have an

0:56:01.400 --> 0:56:03.719
<v Speaker 2>eleven am flight and I know that it's gonna take

0:56:03.760 --> 0:56:05.799
<v Speaker 2>me twenty minutes to get to the airport, and then

0:56:06.200 --> 0:56:09.399
<v Speaker 2>because I have clear and TSA pre I'm and I'm

0:56:09.440 --> 0:56:12.680
<v Speaker 2>not dropping a bag, maybe it takes maybe get there

0:56:12.719 --> 0:56:14.400
<v Speaker 2>like an hour and a half early. I do all

0:56:14.440 --> 0:56:17.480
<v Speaker 2>the math in my head. But if I'm ready three

0:56:17.560 --> 0:56:21.480
<v Speaker 2>and a half hours before the flight to leave to

0:56:21.600 --> 0:56:25.120
<v Speaker 2>go to the airport, I'll sit there and I'll wait

0:56:25.239 --> 0:56:29.799
<v Speaker 2>for no reason to catch an uber because why would

0:56:29.800 --> 0:56:31.160
<v Speaker 2>I want to spend all this time at the airport.

0:56:31.440 --> 0:56:35.880
<v Speaker 2>So I actually cut it close for no good reason,

0:56:36.200 --> 0:56:38.719
<v Speaker 2>Like I'll sit home and I'll wait wait it out

0:56:38.760 --> 0:56:41.120
<v Speaker 2>because I'd rather wait in my house than at the airport.

0:56:41.520 --> 0:56:44.160
<v Speaker 2>But it's never a good thing because something always gets

0:56:44.160 --> 0:56:47.839
<v Speaker 2>in the way, something delays you. Why not just take

0:56:47.880 --> 0:56:51.360
<v Speaker 2>the time and just you don't have to, you know

0:56:51.360 --> 0:56:53.399
<v Speaker 2>what I'm saying, and relax. So when you get there

0:56:53.440 --> 0:56:55.680
<v Speaker 2>and well, you don't have to rush. You could walk

0:56:55.719 --> 0:56:57.720
<v Speaker 2>around a little bit, go into some of the stores,

0:56:58.160 --> 0:57:00.759
<v Speaker 2>and you know, kill some time there. But yeah, for

0:57:00.920 --> 0:57:04.000
<v Speaker 2>whatever reason, I procrastinate and I'm like, no, I want

0:57:04.040 --> 0:57:06.440
<v Speaker 2>to wait till the very the last minute possible to

0:57:06.520 --> 0:57:08.120
<v Speaker 2>leave because I don't want to get there too early.

0:57:08.640 --> 0:57:11.600
<v Speaker 2>But you know, when it comes to things that have

0:57:11.719 --> 0:57:14.160
<v Speaker 2>like a you know, a hard out, like a like

0:57:14.239 --> 0:57:19.120
<v Speaker 2>a flight departing or a meeting, right, you gotta go.

0:57:19.360 --> 0:57:21.440
<v Speaker 2>You gotta go early. After all that, I had a

0:57:21.480 --> 0:57:24.680
<v Speaker 2>great meeting. Yeah, as I'm leaving now. If you're in Manhattan,

0:57:24.880 --> 0:57:26.680
<v Speaker 2>if you know anything about the New York Subway, Manhattan,

0:57:27.480 --> 0:57:30.360
<v Speaker 2>most of the big the popular trains, and at the

0:57:30.440 --> 0:57:33.760
<v Speaker 2>big stations, the big intersections, when you go down the

0:57:33.800 --> 0:57:37.560
<v Speaker 2>station to the subway, you can go east or west,

0:57:37.640 --> 0:57:40.439
<v Speaker 2>north or south right. If you're getting on the B train,

0:57:40.960 --> 0:57:42.400
<v Speaker 2>you can you can get you can stand on the

0:57:42.440 --> 0:57:44.240
<v Speaker 2>platform and one of them goes uptown, one of them

0:57:44.240 --> 0:57:46.280
<v Speaker 2>goes downtown on the other side of the track. But

0:57:46.400 --> 0:57:49.200
<v Speaker 2>if you go on some of the smaller train lines

0:57:49.240 --> 0:57:52.000
<v Speaker 2>that aren't as popular or you know, or they're in

0:57:52.200 --> 0:57:55.160
<v Speaker 2>different you know, neighborhoods that aren't as busy. When you

0:57:55.320 --> 0:57:58.000
<v Speaker 2>go uptown, you have to go on the right side.

0:57:58.040 --> 0:58:00.160
<v Speaker 2>The east side of the street is that station is

0:58:00.240 --> 0:58:02.680
<v Speaker 2>only uptown, and the west side of the street is

0:58:02.760 --> 0:58:05.200
<v Speaker 2>only downtown. You know what I'm talking about, scars, I

0:58:05.280 --> 0:58:09.040
<v Speaker 2>sure do ye if you go to the down the

0:58:09.200 --> 0:58:12.480
<v Speaker 2>uptown station and you pay, and then you realize I

0:58:12.560 --> 0:58:16.120
<v Speaker 2>wanted to go downtown. Some stations have an underground tunnel

0:58:16.120 --> 0:58:17.680
<v Speaker 2>to the other side, but most of them are like,

0:58:17.720 --> 0:58:19.560
<v Speaker 2>you fucked. You got to go back out and pay

0:58:19.600 --> 0:58:23.400
<v Speaker 2>again again. Right. So on the way home, the L

0:58:23.520 --> 0:58:25.520
<v Speaker 2>train is one of the few trains of all of

0:58:25.640 --> 0:58:28.600
<v Speaker 2>Manhattan that only goes only goes east west. There's the

0:58:28.640 --> 0:58:30.840
<v Speaker 2>reason I'm telling the story. It only goes east west.

0:58:30.920 --> 0:58:33.960
<v Speaker 2>It doesn't go up north and south. So I forgot

0:58:34.080 --> 0:58:36.600
<v Speaker 2>about the up the north the north south thing because

0:58:36.680 --> 0:58:39.560
<v Speaker 2>it's not a north south train. So I get on,

0:58:39.760 --> 0:58:42.600
<v Speaker 2>I go down the subway to go home, and it

0:58:42.720 --> 0:58:46.080
<v Speaker 2>says Brooklyn. I paid. When I get downstairs, it says

0:58:46.560 --> 0:58:50.080
<v Speaker 2>Brooklyn only, meaning not the direction I want to go east.

0:58:50.240 --> 0:58:52.000
<v Speaker 2>I don't want to go east, so I have to

0:58:52.080 --> 0:58:55.760
<v Speaker 2>go back upstairs now across the street to the northern

0:58:55.840 --> 0:59:00.920
<v Speaker 2>side of the street to go west the other direction. Luckily,

0:59:01.360 --> 0:59:05.520
<v Speaker 2>I used my phone to pay, so I showed the

0:59:05.600 --> 0:59:08.200
<v Speaker 2>security guard at the gate. Hey, I just paid two

0:59:08.280 --> 0:59:10.320
<v Speaker 2>seconds ago to go to the wrong direction, and he

0:59:10.400 --> 0:59:12.280
<v Speaker 2>opened the door for me like a nice guy, so

0:59:12.320 --> 0:59:14.240
<v Speaker 2>I wouldn't have to pay again. That was very cool.

0:59:15.120 --> 0:59:17.080
<v Speaker 2>Thank you. That's very nice. If you see and people

0:59:17.160 --> 0:59:19.480
<v Speaker 2>say that New Yorkers aren't nice, and they say that

0:59:19.560 --> 0:59:23.240
<v Speaker 2>we're there, we're rude and we're nonxious. And here's where

0:59:23.280 --> 0:59:26.080
<v Speaker 2>the story takes the slight changes. My train comes. I

0:59:26.120 --> 0:59:28.320
<v Speaker 2>get on my train right and I'm looking at the

0:59:28.360 --> 0:59:30.680
<v Speaker 2>platform where I just came on, and the guy who

0:59:30.800 --> 0:59:33.040
<v Speaker 2>let me in walks away for a second to go

0:59:33.160 --> 0:59:35.480
<v Speaker 2>talk to the guy in the token booth. As he does,

0:59:35.880 --> 0:59:38.320
<v Speaker 2>some teenager walks up to the toll booth, puts his

0:59:38.480 --> 0:59:40.960
<v Speaker 2>hands on the toll booth on the on the turnstile,

0:59:41.440 --> 0:59:43.680
<v Speaker 2>and pushes himself up and hops over the turn of

0:59:43.880 --> 0:59:47.360
<v Speaker 2>course and jumps on the train with me. So New

0:59:47.440 --> 0:59:51.240
<v Speaker 2>York is still New York baby, it's the podcast.

0:59:53.120 --> 0:59:53.360
<v Speaker 3>Hey.

0:59:53.600 --> 0:59:56.640
<v Speaker 2>I want to thank all the slices who responded on

0:59:56.960 --> 1:00:01.240
<v Speaker 2>X and screenshotted the Brooklyn Boys podcast as the number

1:00:01.600 --> 1:00:05.680
<v Speaker 2>one preset. Please, It's important and I know we keep

1:00:05.760 --> 1:00:08.000
<v Speaker 2>stressing it, but I'm gonna keep pounding it every week

1:00:08.640 --> 1:00:11.600
<v Speaker 2>we want. We're in a race. It's a contest. The

1:00:11.680 --> 1:00:14.720
<v Speaker 2>big wigs are watching, the people from above, the people

1:00:14.800 --> 1:00:18.600
<v Speaker 2>in the suits, the people that make big decisions. They're

1:00:18.680 --> 1:00:21.920
<v Speaker 2>watching to see who has the most amount of number

1:00:22.000 --> 1:00:25.600
<v Speaker 2>one presets for the iHeartRadio app. Now, if you don't

1:00:25.680 --> 1:00:29.920
<v Speaker 2>see a preset option, that's because you didn't update the software.

1:00:30.160 --> 1:00:35.960
<v Speaker 2>So first update the iHeartRadio app. Secondly, go back into

1:00:36.000 --> 1:00:38.240
<v Speaker 2>the ihart radio app and use and put the Brooklyn

1:00:38.280 --> 1:00:42.440
<v Speaker 2>Boys podcast as the number one in the first position preset.

1:00:42.560 --> 1:00:45.680
<v Speaker 2>We need to have that done. And third, close the

1:00:45.720 --> 1:00:48.440
<v Speaker 2>Spotify app you're listening to us on OK and then

1:00:48.600 --> 1:00:51.480
<v Speaker 2>download the iHeart Radio app and then put us at

1:00:51.520 --> 1:00:53.680
<v Speaker 2>your number one slot. After that, you know, do what

1:00:53.760 --> 1:00:55.520
<v Speaker 2>you want, but put us in the number one slot.

1:00:55.520 --> 1:00:57.200
<v Speaker 2>We'd like to listen on iHeart radio and then use

1:00:57.240 --> 1:00:59.400
<v Speaker 2>the talk back feature and leave us right if you're

1:00:59.760 --> 1:01:02.360
<v Speaker 2>if you Spotify or an Apple podcast person or whatever

1:01:02.360 --> 1:01:06.560
<v Speaker 2>however you listen to Google Play, please at least download

1:01:06.560 --> 1:01:08.560
<v Speaker 2>the iHeart Radio app and put us in a number

1:01:08.560 --> 1:01:10.040
<v Speaker 2>one pre set. You never have to open it up

1:01:10.040 --> 1:01:12.880
<v Speaker 2>again if you don't want. But we we basically we

1:01:13.160 --> 1:01:15.200
<v Speaker 2>need you to do this and we need we need

1:01:15.320 --> 1:01:17.640
<v Speaker 2>like the slice army. Do we have an army at

1:01:17.680 --> 1:01:18.000
<v Speaker 2>this point?

1:01:18.040 --> 1:01:18.280
<v Speaker 4>Can we?

1:01:18.600 --> 1:01:21.560
<v Speaker 2>Can we say that, Brody? Do we the slices? I

1:01:21.720 --> 1:01:24.800
<v Speaker 2>would call them more of like the reserves, Yeah, the

1:01:24.920 --> 1:01:28.720
<v Speaker 2>reserves or the coast Guard, the coast Guard. No, the

1:01:28.800 --> 1:01:31.280
<v Speaker 2>coast No, the coast Guards are real branch of the government. No, there,

1:01:31.640 --> 1:01:33.760
<v Speaker 2>and so is the reserves. But they're not as large

1:01:33.760 --> 1:01:36.080
<v Speaker 2>as the army. I think we have. We have like

1:01:36.440 --> 1:01:39.240
<v Speaker 2>we have a posse posse. Yeah, well, well we're Brooklyn,

1:01:39.320 --> 1:01:42.680
<v Speaker 2>so posse makes sense. But but yeah, all all these slices,

1:01:43.160 --> 1:01:45.720
<v Speaker 2>it's imperative that that you help us out on this

1:01:45.840 --> 1:01:47.720
<v Speaker 2>and it doesn't cost you anything. It's a free If

1:01:47.760 --> 1:01:49.920
<v Speaker 2>you're only gonna do one thing this afternoon or at

1:01:50.000 --> 1:01:52.480
<v Speaker 2>night or whenever you listen to this, and your choice

1:01:52.640 --> 1:01:54.800
<v Speaker 2>is to put us as a number one preset, We'll

1:01:54.880 --> 1:01:57.000
<v Speaker 2>go to Brooklyn Boys dot Big Cartel dot com and

1:01:57.040 --> 1:01:59.560
<v Speaker 2>buy some merchandise. Yeah, go buy some merchandise as your

1:01:59.560 --> 1:02:01.760
<v Speaker 2>first op. Yeah, we got to call Matt Merch because

1:02:01.760 --> 1:02:03.880
<v Speaker 2>we have we have weird sizes we don't have we

1:02:03.960 --> 1:02:06.400
<v Speaker 2>don't have the mediums and the largest in the excels.

1:02:06.680 --> 1:02:08.440
<v Speaker 2>We have a lot of triple x large and the

1:02:08.480 --> 1:02:10.760
<v Speaker 2>extra smalls. Well, here's what you do. The people that

1:02:11.120 --> 1:02:14.040
<v Speaker 2>mistakenly email us at the at Brooklyn Boys dot Big

1:02:14.080 --> 1:02:17.440
<v Speaker 2>cartel dot com. Yeah, and we're not there, send an

1:02:17.440 --> 1:02:19.600
<v Speaker 2>email to the website at that let them know what

1:02:19.720 --> 1:02:22.320
<v Speaker 2>you're looking for that web sizes. That's a great use

1:02:22.440 --> 1:02:25.480
<v Speaker 2>of that email address. When he says message us from

1:02:25.520 --> 1:02:27.800
<v Speaker 2>Brooklyn Boys dot Big cartail dot com, tell them the

1:02:28.360 --> 1:02:31.160
<v Speaker 2>message March, not Merch. When are you gonna get some

1:02:31.640 --> 1:02:34.640
<v Speaker 2>some size, some my size? I need a medium tank

1:02:34.720 --> 1:02:38.240
<v Speaker 2>top for the summer. I want the large red pizza hoodie.

1:02:38.880 --> 1:02:42.040
<v Speaker 2>What's up with that? Okay, yeah you do, that's right.

1:02:42.440 --> 1:02:44.360
<v Speaker 2>I may have. I may have an extra large pizza hoodie,

1:02:44.360 --> 1:02:45.600
<v Speaker 2>an extra one if you want to buy that off

1:02:45.720 --> 1:02:47.840
<v Speaker 2>me the extra large. I'm a large. Now look at me,

1:02:47.920 --> 1:02:50.439
<v Speaker 2>Look at this is your second quarter is scary? Baby? Yeah,

1:02:50.480 --> 1:02:52.480
<v Speaker 2>I'm talking about September when it's cold again and you're

1:02:52.520 --> 1:02:54.720
<v Speaker 2>you're you need an extra shut up. Let me tell

1:02:54.760 --> 1:02:57.520
<v Speaker 2>you something I gotta make. I gotta do right by myself.

1:02:57.640 --> 1:02:58.000
<v Speaker 3>I have to.

1:02:58.120 --> 1:03:00.480
<v Speaker 2>I have to help you held accountable somehow, because I

1:03:00.560 --> 1:03:02.760
<v Speaker 2>don't want to go back up again. I can't keep

1:03:02.800 --> 1:03:04.920
<v Speaker 2>going up and down and up and down, and then

1:03:05.120 --> 1:03:07.640
<v Speaker 2>I'm going down and I'm still down. Don't don't make

1:03:07.680 --> 1:03:11.960
<v Speaker 2>any jokes about going down. I saw him, he was

1:03:12.000 --> 1:03:14.400
<v Speaker 2>about to talk. I was about to say, Bruce Springsteen,

1:03:14.480 --> 1:03:19.360
<v Speaker 2>I'm going down. Yeah, but you know whatever, So right,

1:03:19.560 --> 1:03:23.760
<v Speaker 2>all right, scary is looking to be second quarter scary

1:03:23.840 --> 1:03:27.040
<v Speaker 2>all year? Well, yeah, I'd like to listen. If if

1:03:27.120 --> 1:03:29.160
<v Speaker 2>I can be third quarter scary in the fourth quarter,

1:03:29.920 --> 1:03:32.400
<v Speaker 2>that's an achievement. I think you should be second quarter

1:03:32.480 --> 1:03:34.480
<v Speaker 2>scary in the fourth quarter. I mean that looks I'll take.

1:03:34.840 --> 1:03:36.680
<v Speaker 2>I'll take third quarter scary in the fourth quarter. I'll

1:03:36.680 --> 1:03:39.520
<v Speaker 2>be fine. Lofty goals, but okay, yeah, but i'll try.

1:03:39.560 --> 1:03:41.960
<v Speaker 2>And by the way, lofty goals one of my favorite strippers. Yeah,

1:03:42.520 --> 1:03:45.760
<v Speaker 2>lofty goals of goals. We also have to realize scary

1:03:45.760 --> 1:03:47.480
<v Speaker 2>if hold on, if you were a third quarter scary

1:03:47.520 --> 1:03:50.520
<v Speaker 2>and fourth quarter yeah, the first quarter scary would be

1:03:50.560 --> 1:03:55.040
<v Speaker 2>starting off with a better scary. Exactly. You're right, a

1:03:55.160 --> 1:03:58.920
<v Speaker 2>third quarter, scary lost forty pounds, you'd be you'd be

1:03:59.200 --> 1:04:01.600
<v Speaker 2>negative ones Gary, you'd be like, you know, last year,

1:04:01.880 --> 1:04:03.600
<v Speaker 2>I can't do the program more than once in a year.

1:04:03.680 --> 1:04:06.479
<v Speaker 2>You can't do it anyway, but you'd be starting off lower.

1:04:06.600 --> 1:04:08.400
<v Speaker 2>I would be, yeah, no, of course I want I

1:04:08.440 --> 1:04:11.080
<v Speaker 2>want to start like a like the downward staircase every year,

1:04:11.280 --> 1:04:14.560
<v Speaker 2>you know, starts the lower place anyway. So, uh, we

1:04:14.840 --> 1:04:18.360
<v Speaker 2>also some other housekeeping. We need to talk to Vinnie Primetime.

1:04:19.920 --> 1:04:23.400
<v Speaker 2>Vinnie Primetime. You know he's he's about the food incident.

1:04:25.080 --> 1:04:29.960
<v Speaker 2>Which food incident you talk about? About? Uh, when the

1:04:30.040 --> 1:04:34.200
<v Speaker 2>Italian food showed up? Well, that's the Vinnie. But that's

1:04:34.240 --> 1:04:36.000
<v Speaker 2>not why we should talk to him. I want to

1:04:36.040 --> 1:04:39.000
<v Speaker 2>talk to him about that story. We could call him

1:04:39.160 --> 1:04:40.880
<v Speaker 2>he was let's do vine bumbots on the phone. You

1:04:40.920 --> 1:04:43.360
<v Speaker 2>want to talk to Vinnie Primetime? All right, prime Time.

1:04:43.360 --> 1:04:46.160
<v Speaker 2>I just renamed him Vinnie Primetime. He's texting me like crazy.

1:04:46.200 --> 1:04:48.480
<v Speaker 2>I'm like, dude, I'm doing the podcast. Hold on, we'll

1:04:48.520 --> 1:04:50.600
<v Speaker 2>have him on now. This is the guy who planned

1:04:51.200 --> 1:04:53.680
<v Speaker 2>our last meetup, by the way, and that's really why

1:04:53.680 --> 1:04:55.080
<v Speaker 2>I want to talk to him. I want to I

1:04:55.200 --> 1:04:57.400
<v Speaker 2>want to kind of see if we could, you know,

1:04:57.560 --> 1:05:03.760
<v Speaker 2>maybe they maybe think about planning something else. Hold, hello, Vinnie,

1:05:03.800 --> 1:05:04.360
<v Speaker 2>Prime Time.

1:05:05.240 --> 1:05:05.600
<v Speaker 3>What up?

1:05:06.520 --> 1:05:11.640
<v Speaker 2>We just renamed you. You're on the Brooklyn Boys podcast.

1:05:12.560 --> 1:05:14.680
<v Speaker 3>Then ah, we'll get great to be here.

1:05:14.880 --> 1:05:17.080
<v Speaker 2>Hey, what's happened? What are you doing? How's your how's

1:05:17.080 --> 1:05:19.640
<v Speaker 2>your Friday deal? Looking? What's going on here? Good?

1:05:19.800 --> 1:05:23.320
<v Speaker 3>Thank god it's Friday. I am I'm hanging out here.

1:05:23.400 --> 1:05:26.040
<v Speaker 3>I'm finishing up some work and uh, you know, doing

1:05:26.040 --> 1:05:26.680
<v Speaker 3>the same old thing.

1:05:26.960 --> 1:05:30.120
<v Speaker 2>Yeah. Well, Scary Scary and I both wanted you on

1:05:30.200 --> 1:05:34.320
<v Speaker 2>the podcast today, but for completely different reasons. Yeah, so Scary,

1:05:34.840 --> 1:05:37.360
<v Speaker 2>I tell you this, Scary is gonna tell you why

1:05:37.400 --> 1:05:38.840
<v Speaker 2>he wants Scar is gonna go first and tell you

1:05:38.880 --> 1:05:40.800
<v Speaker 2>why he wanted you on the podcast. So go ahead, Scary.

1:05:40.880 --> 1:05:45.720
<v Speaker 2>So so, Vinnie, unbeknownst to most, is the guy who

1:05:45.840 --> 1:05:51.480
<v Speaker 2>was responsible for orchestrating and putting together the Brooklyn Boys

1:05:51.800 --> 1:05:53.560
<v Speaker 2>meet up M E A T, which we had a

1:05:53.600 --> 1:05:55.960
<v Speaker 2>couple of years ago. Ever since we had that meet

1:05:56.040 --> 1:05:58.560
<v Speaker 2>up and it was a great night, we've been wanting

1:05:58.560 --> 1:06:01.919
<v Speaker 2>to do We want to do something again. We don't

1:06:01.920 --> 1:06:03.720
<v Speaker 2>know what that's something is, but we know you're the

1:06:03.800 --> 1:06:06.400
<v Speaker 2>guy with the connections that can make it happen. We

1:06:06.480 --> 1:06:08.200
<v Speaker 2>don't know if we want pizza, We don't know if

1:06:08.200 --> 1:06:10.960
<v Speaker 2>we want to do more steak or whatever. But do

1:06:11.040 --> 1:06:13.640
<v Speaker 2>you have any potential tricks up your sleeve without saying

1:06:13.680 --> 1:06:17.960
<v Speaker 2>too much, because because the slices are getting very antsy,

1:06:18.200 --> 1:06:22.000
<v Speaker 2>you know, they're restless. The natives are restless, and they

1:06:22.040 --> 1:06:23.720
<v Speaker 2>want to They want to do another meet up soon

1:06:23.840 --> 1:06:25.400
<v Speaker 2>and we kind of want to do it around spring

1:06:25.480 --> 1:06:26.760
<v Speaker 2>and summer when the weather breaks.

1:06:26.800 --> 1:06:30.480
<v Speaker 3>You know, are you looking to do it around the

1:06:30.600 --> 1:06:32.000
<v Speaker 3>Tri state area again.

1:06:32.000 --> 1:06:34.680
<v Speaker 2>Or well, what do you think opposed to Alaska?

1:06:34.840 --> 1:06:39.040
<v Speaker 5>Yes, yeah, Well you have slices from all over the country,

1:06:39.200 --> 1:06:42.360
<v Speaker 5>so you know some of them the other ones take

1:06:42.400 --> 1:06:46.280
<v Speaker 5>them over there? No, no, why don't Why don't they

1:06:46.400 --> 1:06:50.400
<v Speaker 5>have some type of vote, some type of vote or

1:06:51.520 --> 1:06:52.160
<v Speaker 5>spots here?

1:06:52.320 --> 1:06:54.800
<v Speaker 3>There's there's there's.

1:06:54.560 --> 1:06:58.640
<v Speaker 5>Steakhouses, of course, there's I mean I could name drop

1:06:58.920 --> 1:07:01.160
<v Speaker 5>some some place, but you know, I don't want to.

1:07:01.840 --> 1:07:03.960
<v Speaker 3>I don't want Brody to hit a jingle on me.

1:07:05.520 --> 1:07:07.840
<v Speaker 2>Well that's gonna happen either. Well no, no, no. If

1:07:08.080 --> 1:07:10.080
<v Speaker 2>if you mentioned a client and it's to help us,

1:07:10.280 --> 1:07:13.960
<v Speaker 2>not yourself, you're not You're not scary. So if you

1:07:14.120 --> 1:07:15.880
<v Speaker 2>mentioned a you know, a steakhouse that has a nice

1:07:15.920 --> 1:07:18.560
<v Speaker 2>private room, or or a Talian you know a place,

1:07:18.720 --> 1:07:22.000
<v Speaker 2>or a pizza place like like John's Pizza. They've got

1:07:22.040 --> 1:07:24.240
<v Speaker 2>a private area upstairs where you know, you can hang

1:07:24.280 --> 1:07:27.040
<v Speaker 2>out with the people. So places that have a private

1:07:27.160 --> 1:07:30.360
<v Speaker 2>room makes sense. Doesn't necessarily have to be in Manhattan either,

1:07:30.360 --> 1:07:32.880
<v Speaker 2>it could be in the suburbs. I'm thinking New Jersey.

1:07:34.360 --> 1:07:36.440
<v Speaker 5>I think Jersey would be good too. You guys got

1:07:36.480 --> 1:07:39.240
<v Speaker 5>a bunch of slices over there and people flew in.

1:07:40.920 --> 1:07:43.760
<v Speaker 2>Yeah, they did some flying, so again that that's difficult

1:07:43.760 --> 1:07:45.880
<v Speaker 2>for Long Island. But we got to pick someplace. So

1:07:46.400 --> 1:07:48.640
<v Speaker 2>wherever we pick gonna be. But are you working on

1:07:48.760 --> 1:07:51.520
<v Speaker 2>something potential for us for the summer or what I

1:07:51.560 --> 1:07:51.880
<v Speaker 2>don't want?

1:07:52.520 --> 1:07:57.960
<v Speaker 3>I had, I had, I did have some conversations. Can

1:07:58.000 --> 1:07:58.400
<v Speaker 3>I say it?

1:07:59.120 --> 1:08:01.440
<v Speaker 2>Yeah, if you want? Oh, is it going to hurt

1:08:01.440 --> 1:08:02.600
<v Speaker 2>the sun? It?

1:08:03.360 --> 1:08:06.560
<v Speaker 3>No? I mean, I I don't know. I don't know.

1:08:06.760 --> 1:08:10.560
<v Speaker 5>But I was talking to Calandras about potentially doing something,

1:08:10.640 --> 1:08:13.440
<v Speaker 5>and honestly, you just made me think of something for

1:08:14.040 --> 1:08:16.160
<v Speaker 5>They have a hotel too, so that can kind of

1:08:16.240 --> 1:08:17.400
<v Speaker 5>check off a few boxes.

1:08:17.800 --> 1:08:19.080
<v Speaker 2>Oh wow, Oh.

1:08:21.640 --> 1:08:22.559
<v Speaker 3>Yeah, I didn't think of that.

1:08:22.920 --> 1:08:25.120
<v Speaker 2>That's pretty wild. And they have they also have a

1:08:25.240 --> 1:08:28.120
<v Speaker 2>big pizza making area to make pizza.

1:08:28.280 --> 1:08:30.639
<v Speaker 3>Yeah. Yeah, so there's a lot of things.

1:08:31.960 --> 1:08:34.080
<v Speaker 2>And we can do free dessert because they have dessert.

1:08:34.160 --> 1:08:36.799
<v Speaker 2>They have dessert, Oh my god. And and then imagine

1:08:36.800 --> 1:08:40.519
<v Speaker 2>pizza making classes with the slices. That would be great

1:08:40.880 --> 1:08:43.560
<v Speaker 2>and we could be too many people. No, they have

1:08:43.640 --> 1:08:45.880
<v Speaker 2>a big room, right, how many people could make pizza

1:08:45.920 --> 1:08:47.600
<v Speaker 2>at the same time they have Vinnie.

1:08:49.000 --> 1:08:51.200
<v Speaker 3>I don't know. I have to speak to the.

1:08:53.760 --> 1:08:55.840
<v Speaker 2>Worth the magic, all right, Well, all right, so that's

1:08:55.880 --> 1:08:57.800
<v Speaker 2>why I wanted to talk to you briefly. We were

1:08:57.840 --> 1:09:00.040
<v Speaker 2>having It's kind of like an on air meeting, but

1:09:00.160 --> 1:09:01.599
<v Speaker 2>we want to show the slices and pull the pull

1:09:01.640 --> 1:09:03.720
<v Speaker 2>the curtain back, you know what I'm saying, and show

1:09:03.760 --> 1:09:06.320
<v Speaker 2>people that we go through. But these are the negotiations,

1:09:06.400 --> 1:09:08.280
<v Speaker 2>These are the these are the baby steps, These are

1:09:08.280 --> 1:09:10.760
<v Speaker 2>the beginning. These are the beginnings of something big. But

1:09:10.920 --> 1:09:14.320
<v Speaker 2>I think a pizza making class with free dessert, some

1:09:14.479 --> 1:09:16.920
<v Speaker 2>sphere dolls and canolis and stuff after I mean, huh,

1:09:17.920 --> 1:09:22.080
<v Speaker 2>sign me up anyway. Yeah, it's a no brainer. Okay,

1:09:22.320 --> 1:09:26.840
<v Speaker 2>So Brody, Brody wanted to talk to you for a second. Yeah, Vinny,

1:09:27.040 --> 1:09:30.799
<v Speaker 2>so uh listen. I I had sort of a reputation

1:09:30.920 --> 1:09:33.439
<v Speaker 2>when I worked there for many things, you know, being

1:09:33.520 --> 1:09:35.920
<v Speaker 2>talented and funny and brilliant, but other things than that,

1:09:37.439 --> 1:09:41.600
<v Speaker 2>I was a big fan, big fan of all of

1:09:41.680 --> 1:09:44.160
<v Speaker 2>the fantastic don't interrupt because you may figure this out,

1:09:44.520 --> 1:09:47.320
<v Speaker 2>of all the fantastic restaurants in the New York, New Jersey,

1:09:47.360 --> 1:09:50.200
<v Speaker 2>Connecticut area. And we had some Philly people come up

1:09:50.240 --> 1:09:52.760
<v Speaker 2>to bringing up some of the best food in the

1:09:52.880 --> 1:09:56.839
<v Speaker 2>area and we would just feast on it. Now Scary

1:09:57.439 --> 1:09:59.840
<v Speaker 2>is a big fan when his food left over of

1:10:00.120 --> 1:10:03.479
<v Speaker 2>calling the other radio stations, come on down, Receptionist, come

1:10:03.520 --> 1:10:06.600
<v Speaker 2>on down, Power one, O five, the Breakfast Club, Charlemagne.

1:10:06.960 --> 1:10:07.479
<v Speaker 3>We got fun.

1:10:09.200 --> 1:10:10.960
<v Speaker 2>And I'm a big fan of going what the fuck

1:10:11.040 --> 1:10:14.200
<v Speaker 2>this is the morning show I work on. I'm gonna

1:10:14.200 --> 1:10:16.600
<v Speaker 2>take someone at home for my family or me, So

1:10:16.720 --> 1:10:18.799
<v Speaker 2>I would take home like a couple of extra boxes

1:10:18.840 --> 1:10:21.280
<v Speaker 2>of autit Choke pizza. I would take home some of

1:10:21.360 --> 1:10:24.600
<v Speaker 2>the the tinfoil trays that have like the the you know,

1:10:24.680 --> 1:10:26.599
<v Speaker 2>the chafing dishes that already have the lids for them

1:10:26.920 --> 1:10:31.040
<v Speaker 2>from calaw Mines. Bring before you proceed, Brody. I would

1:10:31.120 --> 1:10:33.920
<v Speaker 2>have a text message, a mass text to all the

1:10:34.040 --> 1:10:37.280
<v Speaker 2>shows that I'm ready to with with the text message

1:10:37.280 --> 1:10:40.280
<v Speaker 2>already ready food to send out, like, hey, come on

1:10:40.400 --> 1:10:42.960
<v Speaker 2>down for some free grub, that kind of stuff. Now,

1:10:43.320 --> 1:10:46.080
<v Speaker 2>Brody would stop me go, don't don't send the text

1:10:46.120 --> 1:10:48.479
<v Speaker 2>out yet. Let me get my Yeah, let me pack

1:10:48.560 --> 1:10:50.840
<v Speaker 2>up my ship, let me take part in my pocket.

1:10:50.960 --> 1:10:55.800
<v Speaker 2>Let me freaking get my first TIBs right all the

1:10:55.880 --> 1:10:59.160
<v Speaker 2>stations right, other stations they take their food, then they

1:10:59.240 --> 1:11:02.599
<v Speaker 2>call us when they're at So I would like be like, okay,

1:11:02.680 --> 1:11:04.400
<v Speaker 2>there's there's a tray and a half a chicken palm.

1:11:04.720 --> 1:11:06.680
<v Speaker 2>I would take the half a tray and bring it

1:11:06.720 --> 1:11:09.040
<v Speaker 2>home and leave the other tray for everybody else. But

1:11:09.360 --> 1:11:12.439
<v Speaker 2>you know, sometimes there's things you can't take because you

1:11:12.520 --> 1:11:17.000
<v Speaker 2>don't have You can't just put like Italian pastries in nothing.

1:11:17.040 --> 1:11:19.519
<v Speaker 2>You can't put them in your pocket. So yeah, if

1:11:19.560 --> 1:11:21.920
<v Speaker 2>you don't have a box or something, you fucked well.

1:11:22.200 --> 1:11:26.320
<v Speaker 2>I heard or that the Great Vinnie who doesn't work

1:11:26.360 --> 1:11:29.960
<v Speaker 2>on the morning shown Jenny Primetime Vinny Primetime, got a

1:11:30.040 --> 1:11:33.240
<v Speaker 2>text message come for food and showed up with his

1:11:33.400 --> 1:11:36.480
<v Speaker 2>own tupperware storage containers.

1:11:36.560 --> 1:11:39.559
<v Speaker 3>Okay, okay, I can explain that.

1:11:40.200 --> 1:11:42.880
<v Speaker 2>No, no, no, before you explain that, hold on before,

1:11:42.920 --> 1:11:46.960
<v Speaker 2>hold on, before you explain that. I want to say,

1:11:47.360 --> 1:11:50.519
<v Speaker 2>hail to the new king. The king is dead. Long

1:11:50.640 --> 1:11:53.400
<v Speaker 2>live the King. Because you have taken what I did

1:11:53.520 --> 1:11:56.920
<v Speaker 2>to another level where you brought your own you pre

1:11:57.080 --> 1:11:59.920
<v Speaker 2>planned your own story. I'm surprised you didn't have ice

1:12:00.120 --> 1:12:03.680
<v Speaker 2>packs and a thermal bag ready to go, and and

1:12:03.800 --> 1:12:07.880
<v Speaker 2>and plastic sports and napkin packages to take home. You, sir,

1:12:08.560 --> 1:12:11.280
<v Speaker 2>are on a new level. You wouldn't have gotten away

1:12:11.320 --> 1:12:13.320
<v Speaker 2>with that ship when I worn. Now that I'm gone,

1:12:13.560 --> 1:12:16.519
<v Speaker 2>don't free and clear. I think we should call hi

1:12:16.560 --> 1:12:19.560
<v Speaker 2>Vinny Tupperware. But Vinnie, tell him, tell the rest of

1:12:19.600 --> 1:12:22.240
<v Speaker 2>the there's a plot, twist's coming.

1:12:23.920 --> 1:12:27.719
<v Speaker 5>Tell him, well, there was there was nothing left first

1:12:27.720 --> 1:12:32.320
<v Speaker 5>of all, so that was the main thing. And I

1:12:32.560 --> 1:12:34.559
<v Speaker 5>how how how much later did I come up after

1:12:34.600 --> 1:12:35.120
<v Speaker 5>you texted me?

1:12:35.640 --> 1:12:37.000
<v Speaker 3>It was it was I don't even.

1:12:36.840 --> 1:12:38.160
<v Speaker 2>Think of it, twenty minutes.

1:12:38.280 --> 1:12:41.960
<v Speaker 7>It was first of all, so he said, he said,

1:12:42.040 --> 1:12:45.480
<v Speaker 7>this team was here, right, So it was this Italian restaurant.

1:12:45.560 --> 1:12:48.720
<v Speaker 7>And I'm thinking, holy ship, there's probably like stacks of

1:12:48.880 --> 1:12:52.200
<v Speaker 7>chicken parm stacks of this, stacks of that, and there

1:12:52.280 --> 1:12:52.519
<v Speaker 7>was like.

1:12:52.600 --> 1:12:56.120
<v Speaker 2>There were there were two trays of spicy rig and

1:12:56.240 --> 1:12:59.160
<v Speaker 2>two trays of chicken parm and and the caesar salad

1:12:59.200 --> 1:13:02.559
<v Speaker 2>and on a box and holies. But when we start,

1:13:02.840 --> 1:13:05.640
<v Speaker 2>when we the morning show picked at it, there was

1:13:05.840 --> 1:13:09.320
<v Speaker 2>there was still three quarters of everything left. Then I

1:13:09.560 --> 1:13:13.080
<v Speaker 2>texted you and we were on the air talking for

1:13:13.320 --> 1:13:16.599
<v Speaker 2>twenty five minutes. So we don't know what the fuck's

1:13:16.640 --> 1:13:19.519
<v Speaker 2>going on outside our doors because the food's in the hallway.

1:13:19.920 --> 1:13:22.600
<v Speaker 2>So that ship was so so, as far as I know,

1:13:22.760 --> 1:13:26.120
<v Speaker 2>there's a lot of food left. I texted Vinie, what

1:13:26.360 --> 1:13:30.560
<v Speaker 2>happened Vinnie? Twenty minutes? Twenty minutes he shows up with

1:13:30.600 --> 1:13:31.240
<v Speaker 2>his tuberware?

1:13:32.360 --> 1:13:35.200
<v Speaker 3>Okay? And I came up with the tubbleware because it

1:13:35.320 --> 1:13:36.320
<v Speaker 3>was like eight am.

1:13:37.280 --> 1:13:39.479
<v Speaker 2>Did you come up with it? What did you come

1:13:39.560 --> 1:13:45.439
<v Speaker 2>up with? Spell at spell at see you?

1:13:47.360 --> 1:13:47.400
<v Speaker 5>No?

1:13:48.080 --> 1:13:52.240
<v Speaker 2>Okay, okay, hold on, you are guilty of what's his name?

1:13:52.320 --> 1:13:55.479
<v Speaker 2>The comedian? Oh uh? He got him on the podcast?

1:13:55.640 --> 1:13:55.960
<v Speaker 4>Uh uh?

1:13:56.320 --> 1:14:00.160
<v Speaker 2>He had oh Sal Sal and sal Volcano Volcano was

1:14:00.200 --> 1:14:04.360
<v Speaker 2>on the podcast with christ the Stefano and South said tumberware, tupperware,

1:14:04.479 --> 1:14:08.240
<v Speaker 2>tupper it's tupper with two peas, Yes, tupperware. Look at

1:14:08.320 --> 1:14:11.800
<v Speaker 2>that all right, you know he did the same thing tupperware. Okay,

1:14:12.720 --> 1:14:17.880
<v Speaker 2>so you came in tupperware, ditty container store, grabbed this tupperware.

1:14:18.439 --> 1:14:22.040
<v Speaker 7>Listen, it's eight it's eight am. I wasn't ready to

1:14:22.240 --> 1:14:26.840
<v Speaker 7>eat the chicken palm, the pasta that was that was there,

1:14:27.000 --> 1:14:29.679
<v Speaker 7>so fair enough. I was preparing to have some lunch

1:14:29.800 --> 1:14:33.400
<v Speaker 7>for later on. And that's why I brought the tupperware

1:14:33.800 --> 1:14:34.120
<v Speaker 7>with me.

1:14:34.840 --> 1:14:36.599
<v Speaker 3>It wasn't to take it hold. It wasn't to feed

1:14:36.680 --> 1:14:37.560
<v Speaker 3>my family.

1:14:39.320 --> 1:14:40.680
<v Speaker 2>Containers. You're ready to go.

1:14:41.360 --> 1:14:41.800
<v Speaker 5>I love it.

1:14:42.320 --> 1:14:44.360
<v Speaker 2>And yeah, I get that he eats at twelve o'clock.

1:14:44.439 --> 1:14:46.439
<v Speaker 2>He's a normal person. He's noth I get it. I

1:14:46.560 --> 1:14:51.200
<v Speaker 2>just loved that he came running with the tumperware. Well, anyway,

1:14:51.360 --> 1:14:55.759
<v Speaker 2>there was nothing left because the savages. Someone someone leaked

1:14:55.800 --> 1:14:58.760
<v Speaker 2>the fact that we had this crazy Italian restaurant up,

1:14:59.160 --> 1:15:02.240
<v Speaker 2>and they came when they ravaged the place. I think

1:15:02.560 --> 1:15:06.040
<v Speaker 2>because one of the actual tins were missing. I think

1:15:06.120 --> 1:15:10.360
<v Speaker 2>someone literally full on took a tin and carried it

1:15:10.439 --> 1:15:13.360
<v Speaker 2>down the hallway. I mean, that's balls. But I'd like

1:15:13.439 --> 1:15:15.799
<v Speaker 2>to say I don't have access to the building anymore,

1:15:15.920 --> 1:15:16.479
<v Speaker 2>So it wasn't me.

1:15:16.640 --> 1:15:19.200
<v Speaker 3>It was I was just gonna say that sounds like

1:15:19.240 --> 1:15:20.040
<v Speaker 3>something Brody would do.

1:15:20.400 --> 1:15:22.360
<v Speaker 2>That is absolutely something I would have done. Take the

1:15:22.400 --> 1:15:25.200
<v Speaker 2>whole tin, Hit the whole fucking tin. But so there

1:15:25.240 --> 1:15:30.479
<v Speaker 2>were tins missing, so somebody somewhere literally lifted that and

1:15:30.840 --> 1:15:34.160
<v Speaker 2>and fled with it. I can't believe it. But anyway,

1:15:34.600 --> 1:15:36.880
<v Speaker 2>Vinnie's Gary, who do you think it was scary? I'm

1:15:36.920 --> 1:15:44.240
<v Speaker 2>not gonna I'm not pointing fingers. Okay, which station? No, no, no,

1:15:44.360 --> 1:15:46.760
<v Speaker 2>it's not going down there. Sorry, Brody, you think you

1:15:46.760 --> 1:15:48.479
<v Speaker 2>don't think you know? You think it was the hip

1:15:48.520 --> 1:15:51.200
<v Speaker 2>hop station, don't you? Well, only because they have that,

1:15:51.400 --> 1:15:56.559
<v Speaker 2>they have no racist They have the back hallway path

1:15:57.680 --> 1:15:59.479
<v Speaker 2>to us, you know what I'm saying. They don't have

1:15:59.600 --> 1:16:02.200
<v Speaker 2>to go like if it's the other radio stations they go,

1:16:02.400 --> 1:16:05.000
<v Speaker 2>they go past us that hallway that we could see

1:16:05.080 --> 1:16:07.400
<v Speaker 2>out with the through the glass, so we could see

1:16:07.400 --> 1:16:09.960
<v Speaker 2>who's coming down that hallway, but there's a back hallway

1:16:10.280 --> 1:16:12.720
<v Speaker 2>that when if you want to be devious, you can

1:16:13.320 --> 1:16:17.559
<v Speaker 2>be unannounced and be unobtrusive about coming to take food

1:16:17.720 --> 1:16:19.760
<v Speaker 2>because we don't see you. So you go there on

1:16:19.800 --> 1:16:22.080
<v Speaker 2>the back hallway. You could take the food and then

1:16:22.160 --> 1:16:24.720
<v Speaker 2>sneak back around and okay, so just on the record show,

1:16:24.720 --> 1:16:27.040
<v Speaker 2>it was scary called the devious black people the people

1:16:27.040 --> 1:16:29.439
<v Speaker 2>want most to stall. No, no, no, no, Vinnie, you

1:16:29.520 --> 1:16:31.720
<v Speaker 2>heard that, not telling you. I'm not saying anybody. Don't

1:16:31.720 --> 1:16:33.640
<v Speaker 2>put words in my mouth broke. You just said it

1:16:33.760 --> 1:16:35.640
<v Speaker 2>had in the pump station. And no, it could have

1:16:35.720 --> 1:16:38.439
<v Speaker 2>been anyone. It could have been Cobby coming from the

1:16:38.680 --> 1:16:41.160
<v Speaker 2>light station. He might have gone gone down the back hallway.

1:16:41.320 --> 1:16:43.600
<v Speaker 2>When you say, like, do you mean complexion? What are

1:16:43.640 --> 1:16:45.680
<v Speaker 2>we talking about? I don't like the way you're saying dick.

1:16:46.800 --> 1:16:48.479
<v Speaker 2>But anyway, poor Vinnie, I just wanted to give you

1:16:48.560 --> 1:16:52.040
<v Speaker 2>props for bringing tump aware uh to get to grab

1:16:52.160 --> 1:16:55.760
<v Speaker 2>some food. You came up empty handed though. Sorry, Now,

1:16:55.840 --> 1:16:58.040
<v Speaker 2>why was the tump aware in the building? Was the

1:16:58.080 --> 1:17:00.040
<v Speaker 2>tumpware in the building on the off chance that it

1:17:00.160 --> 1:17:00.840
<v Speaker 2>be food someday?

1:17:02.640 --> 1:17:06.160
<v Speaker 3>You know what, I actually think I took someone else's stuff.

1:17:06.360 --> 1:17:09.439
<v Speaker 3>It wasn't mine. I went and I found so.

1:17:09.479 --> 1:17:11.080
<v Speaker 2>You can steal the food for the morning show.

1:17:12.120 --> 1:17:14.880
<v Speaker 3>Basically, yeah, that's what it came down to. No one's

1:17:14.920 --> 1:17:15.479
<v Speaker 3>going to miss that.

1:17:15.840 --> 1:17:17.800
<v Speaker 2>Nah, that's all good. But I'm sorry you didn't get

1:17:17.800 --> 1:17:20.840
<v Speaker 2>any I gotta say listen. I'm not doing carbs right now.

1:17:20.920 --> 1:17:23.560
<v Speaker 2>But the spicy rig looked amazing. Everyone was raving about it.

1:17:23.800 --> 1:17:25.960
<v Speaker 2>And the same thing with the chicken palm man O me.

1:17:26.080 --> 1:17:29.040
<v Speaker 2>When did spicy rigged Tony become spicy rig. It's a thing,

1:17:29.560 --> 1:17:32.400
<v Speaker 2>spicy rig. Look it up, rig, look it up?

1:17:33.720 --> 1:17:36.360
<v Speaker 7>All right, It's all right, I'll uh, I'll leave on wait,

1:17:36.920 --> 1:17:40.200
<v Speaker 7>I'll leave on one note. But I'm sure we're gonna

1:17:40.280 --> 1:17:44.480
<v Speaker 7>do enough eating scary when we're at Atlanta's Paradise Island Bahamas.

1:17:44.760 --> 1:17:46.160
<v Speaker 2>We are gonna have a lot of fun at the

1:17:46.200 --> 1:17:49.360
<v Speaker 2>Atlantis Paradise Island in the Bahamas. Okay, most of you

1:17:49.479 --> 1:17:57.240
<v Speaker 2>hit the jingle I won't be there the food and

1:17:57.280 --> 1:17:59.360
<v Speaker 2>wine festivals next weekend, and I'll be there for you.

1:17:59.640 --> 1:18:02.559
<v Speaker 2>Any wouldn't be the worst thing if Atlanta sponsored this podcast.

1:18:02.600 --> 1:18:03.639
<v Speaker 2>I mean we're both fans.

1:18:05.080 --> 1:18:07.519
<v Speaker 3>Hey, well, well, well we'll figure that out. Maybe we'll

1:18:07.560 --> 1:18:09.320
<v Speaker 3>we'll talk about it next week while we're.

1:18:09.200 --> 1:18:10.960
<v Speaker 2>On the beach, Benny, we could talk about it while

1:18:10.960 --> 1:18:12.200
<v Speaker 2>you're on the beach. You can talk about how the

1:18:12.240 --> 1:18:13.840
<v Speaker 2>one guy who's not here would love to be here

1:18:14.200 --> 1:18:17.120
<v Speaker 2>and sitting and sitting the waterfall alcove in the pool

1:18:17.160 --> 1:18:19.400
<v Speaker 2>area that he loves so much. One of his favorite

1:18:19.400 --> 1:18:22.040
<v Speaker 2>places in the whole world is the waterfall alcove in

1:18:22.120 --> 1:18:26.759
<v Speaker 2>the pool. How much I love walking to car Mines

1:18:27.040 --> 1:18:30.720
<v Speaker 2>in in Atlantis. The restaurants. We're gonna be hanging out

1:18:30.720 --> 1:18:33.160
<v Speaker 2>with that boy Glenn from Carmines. He'll be there at

1:18:33.200 --> 1:18:36.320
<v Speaker 2>the at the National Paradise Island Winding Food Festival at Atlantis.

1:18:37.640 --> 1:18:39.880
<v Speaker 3>Just take it, Healthie and send it to send it

1:18:39.960 --> 1:18:40.240
<v Speaker 3>to him.

1:18:40.720 --> 1:18:42.600
<v Speaker 2>Oh please don't. Oh no, yeah, let's not do that.

1:18:43.320 --> 1:18:46.400
<v Speaker 2>That'll that that'll that'll right in the heart. Can't do that,

1:18:46.640 --> 1:18:51.599
<v Speaker 2>all right, Vin, have a great weekend. Yeah, hey, bring

1:18:51.680 --> 1:18:53.320
<v Speaker 2>top away to Atlantis for you for you so you

1:18:53.320 --> 1:18:54.200
<v Speaker 2>can bring home some food.

1:18:55.400 --> 1:18:57.280
<v Speaker 3>Yeah, yeah, we'll do We'll share it all right.

1:18:58.400 --> 1:19:01.000
<v Speaker 2>Oh my god, he's working for us the background slices.

1:19:01.040 --> 1:19:03.960
<v Speaker 2>He's one of the best. He's one of the Tubberware.

1:19:04.280 --> 1:19:08.799
<v Speaker 2>Another Tumberware person is an Italian happened Vinni's from Queens.

1:19:08.920 --> 1:19:11.280
<v Speaker 2>He's an Italian guy from Queens. He was raised out

1:19:11.280 --> 1:19:12.000
<v Speaker 2>in Brooklyn.

1:19:13.760 --> 1:19:13.960
<v Speaker 4>Chase.

1:19:14.080 --> 1:19:17.200
<v Speaker 2>Uh no, I I said Tupperware, and it's on. It's

1:19:17.280 --> 1:19:20.960
<v Speaker 2>on every Every branded piece of Tupperware is random says

1:19:21.000 --> 1:19:24.360
<v Speaker 2>the word tupperware. Here's the thing, though, tupperware has become

1:19:24.439 --> 1:19:28.679
<v Speaker 2>an industry name. It's a default generic any storage container.

1:19:29.240 --> 1:19:34.840
<v Speaker 2>It's possibly had, you know, uh uh, any other kind

1:19:34.880 --> 1:19:38.800
<v Speaker 2>of just a container. It was a regional dialect, but tumberware.

1:19:38.960 --> 1:19:41.679
<v Speaker 2>Maybe he maybe he comes from a low income family,

1:19:43.479 --> 1:19:46.960
<v Speaker 2>like fucking kidding. That was what people say, tumberware. That

1:19:47.160 --> 1:19:49.560
<v Speaker 2>was That was a callback. That's what we called it.

1:19:49.600 --> 1:19:52.280
<v Speaker 2>All Right, we gotta go and we we've we've overstayed out.

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<v Speaker 2>Welcome this k We had two guests on by not

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<v Speaker 2>brocl Brockly, no boys, not brocl