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Speaker 1: Yeah, what's something y'all was going on BROD Radio.

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Speaker 2: He's a legendary Queen's rapper. Hey Hanks is your boy in.

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Speaker 2: He's a Miami hip hop pioneer. What up is dj

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Speaker 2: e f N? Together?

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Speaker 3: They drink it up with some of the biggest players

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Speaker 3: in music and sports?

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Speaker 4: You know what I mean, the most professional unprofessional podcast.

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Speaker 2: This is Drinksamp Radio. Every day is New Year's Eve?

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Speaker 2: Would it could be, hopefully what it should be?

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Speaker 5: Before we even continue, I want to say that right

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Speaker 5: now we an eight and nine clothing store and I'm

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Speaker 5: dripped to death with eight to nine from the head

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Speaker 5: to the bottom of my feet.

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Speaker 2: And right now this is your boy in r Hang

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Speaker 2: Hanks Sangria. I hope you via what what up is

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Speaker 2: dj e f N? And it's a drink Chaps Balks.

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Speaker 5: And right now, right now, we have a legendary Brooklyn MC.

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Speaker 5: He was a part of a legendary group that we

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Speaker 5: only got one albums.

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Speaker 2: We was disappointed. We're gonna get into that.

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Speaker 5: He's hip hop's first activist, that gangsters in hip hop

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Speaker 5: claim and the backpackers in hip hop claim. He stepped

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Speaker 5: up for us in Ferguson wh nobody else was. He

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Speaker 5: told that guy that was in CNN, we're gonna get

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Speaker 5: to that later, that you're reporting on black culture in

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Speaker 5: a disrespectful way.

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Speaker 2: And he told it to him intelligently.

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Speaker 5: And live and live to this day, people still don't

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Speaker 5: respect this guy's Don Lemon's.

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Speaker 2: News reporting skills.

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Speaker 5: Since that day, it's been different from mister. I had

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Speaker 5: this guy number. The first thing I wanted to do

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Speaker 5: was tex him and say thank you. But he's a

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Speaker 5: hip hop activist. He's one of the realist people. He's

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Speaker 5: a hip hop pure.

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Speaker 2: Lyricist, pure lyricists.

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Speaker 5: He's worked with the likes of Kanye West, jay Z, Freeway,

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Speaker 5: you name him. He's been in the studio and had

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Speaker 5: something to do with them being great.

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Speaker 2: Right now, we have Tyler Qualley in a building. Make

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Speaker 2: so fucking man, Man the legend. Man the legend. You're

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Speaker 2: gonna make a black man blush nah man.

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Speaker 5: Listen, By the way, let me just say something. I've

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Speaker 5: seen you in LA and I got a chance to

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Speaker 5: tell you how much I appreciated the statements, the acts,

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Speaker 5: and the courageousness that you portrayed during the Ferguson and

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Speaker 5: you going out there first off, just representing for us.

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Speaker 5: And then second off, when people were reporting four stories,

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Speaker 5: you immediately corrected this guy, and he did it in

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Speaker 5: an intelligent way.

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Speaker 2: You could have been like, fuck you, nigga, you sell out, motherfucker.

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Speaker 5: You know what I'm saying. That's how I feel about

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Speaker 5: Don Lemon. But you didn't. You did it in respectful

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Speaker 5: How did that trans We.

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Speaker 2: Get the full story?

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Speaker 5: Yeah, and we don't need the political, politically correct answer.

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Speaker 2: Nobody listens to this show. Followers, Yeah, let's go ahead,

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Speaker 2: tell us. But first of all, before I get into that,

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Speaker 2: you know what I'm saying.

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Speaker 4: First of all, shout out to the family of Michael

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Speaker 4: Brown and Michael Bougher's mom and Michael Brown Senior, And

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Speaker 4: you know what I'm saying, like because you know, one

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Speaker 4: of the things that was lost in the conversation with

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Speaker 4: me and Don Lemon was the fact that I was

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Speaker 4: out there to represent for Michael Brown.

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Speaker 2: Exactly know what I'm saying.

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Speaker 4: And one thing that I you know, I try to

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Speaker 4: do not I have no regrets in life.

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Speaker 2: But that I had to ask the drink.

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Speaker 5: Okay, well, it's streets sound a little too sober.

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Speaker 2: That is your bottle, That is your bottle, you know,

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Speaker 2: and sponsored some of the worst moments in my life.

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Speaker 5: Yeah, it's wants some of the worst moments of Miss

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Speaker 5: well Tyler. Yeah, so go ahead, you and Ferguson.

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Speaker 2: Yeah, so I went down there. You know, I'll be

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Speaker 2: on Twitter. Claar. You did not get paid to be in, fergus.

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Speaker 4: No, No, Don Lemon got paid to be in. That's right,

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Speaker 4: go ahead, continue. I was on Twitter, be on Twitter

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Speaker 4: a lot, and you be arguing on fools.

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Speaker 2: I see, I do. I you know.

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Speaker 4: Jay Z said, if you argue with fools from a distance,

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Speaker 4: they can't tell who's who.

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Speaker 2: Yeah, who's the wise man? But I tell him come

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Speaker 2: a little closer. And it's very apparent that's makes some

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Speaker 2: noise for him telling you come a little closer. Just

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Speaker 2: if you come a little closer, you can see. You

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Speaker 2: know what I'm saying, what I'm doing, But you know

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Speaker 2: what I'm saying.

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Speaker 4: Like I was talking on Twitter to people who was retweeting,

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Speaker 4: and people a lot of times people on social network

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Speaker 4: think that they activists because they retweet some because they

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Speaker 4: post something nice and positive on Facebook, and that's that's

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Speaker 4: all good. But unless you have bodies on the ground,

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Speaker 4: unless the flesh is involved. There's nothing really really happening.

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Speaker 4: So I found myself being hypocritical because I'm talking about

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Speaker 4: this on on Twitter.

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Speaker 2: My man Jay Cole went down there. I think that,

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Speaker 2: you know what I'm.

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Speaker 4: Saying, Like, these are artist that I think maybe Gez

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Speaker 4: Young Jez went down there before me, So.

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Speaker 2: I've seen other artists go down know what I'm saying.

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Speaker 4: So I was like, Okay, I could go down I'm

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Speaker 4: here on Twitter talking about it, let me go down there.

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Speaker 4: I'm an artist, I'm my own boss. I don't have

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Speaker 4: a schedule I have to adhere to.

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Speaker 2: I could go down there.

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Speaker 4: So I went down there, and I was happy to

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Speaker 4: see my man Philip Agnew aka Umi Salat, who's here

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Speaker 4: in Miami.

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Speaker 2: You know what I'm saying. From Dream Defenders. He was

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Speaker 2: down there.

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Speaker 4: I see I seen Uh Patrice from Black Lives Matter

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Speaker 4: down there. I see people that are already fuck with

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Speaker 4: down there, So I felt like I was in the

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Speaker 4: right place. I met my man Tef Poe are artists

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Speaker 4: from Saint Louis, very talent to them. See he's on

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Speaker 4: my last album of Knife Wonder, which I are you on.

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Speaker 2: He's on the saw. My man teft Poe on my

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Speaker 2: man Tory Russell. They was down there. They was on

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Speaker 2: the front.

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Speaker 4: Lines, and my first night down there. To be honest

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Speaker 4: with you, I kind of went down there on some

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Speaker 4: like I'm just gonna show my face.

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Speaker 2: Okay, I'm drink. I see I got to drink. I'm sorry.

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Speaker 2: I was gonna show my face.

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Speaker 4: To be real with you, you know what I'm saying,

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Speaker 4: Like I wasn't planning on getting in no type of action.

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Speaker 2: Or you just wanted to be show solid donity. You

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Speaker 2: got maced or something like that. Yeah, there was no.

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Speaker 4: I didn't get massed, but they sprayed tear gas in

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Speaker 4: the air infected me a little bit. I had to

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Speaker 4: peep the cops and uh, you know, agitated the people,

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Speaker 4: you know what I'm saying, and they chased us down.

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Speaker 4: I was down there with Rosa Clemente who's a friend

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Speaker 4: of mine. Jessica care Moore was a poet. Cops and

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Speaker 4: some young people. They chased us down there.

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Speaker 2: Be related to Roberto Clemente because that's my cousin. She's not,

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Speaker 2: but she is Puerto Rican. She is she is Puerto Rican.

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Speaker 2: How many days into the protest is this when you

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Speaker 2: get there.

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Speaker 4: This is as soon as I got this, But I'm.

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Speaker 2: Saying, how many days had the protests, Okay.

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Speaker 4: And it's been going going on about a week before,

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Speaker 4: maybe maybe two weeks before I got down there, And

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Speaker 4: you know, the people on the front line, I seen

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Speaker 4: that they needed the voice that I seen that they

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Speaker 4: needed representation.

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Speaker 2: Shout out to my man Benzino. I seen him down there, you.

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Speaker 4: Know what I'm saying. There's a couple of other artists

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Speaker 4: I can't think of right now, but Tea I was

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Speaker 4: rolling with Tef Poe and them, and I was down

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Speaker 4: there for about a week. I got asked to do

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Speaker 4: a lot of press. I turned a lot of it down.

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Speaker 4: I did Democracy Now with Amy Goodman, I did a

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Speaker 4: Joyanne Reid show. But I was turning a lot of

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Speaker 4: the press down because I wasn't down there as a rapper,

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Speaker 4: you know what I'm saying as an actor.

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Speaker 2: Yeah, with the people I.

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Speaker 4: Got asked to do CNN. I had never met Don Lemon.

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Speaker 4: I went down there to do the thing with him, and.

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Speaker 2: This is the night before he said I smelled weed

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Speaker 2: or this is the same. This is about a few

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Speaker 2: months before that. Oh he said he smelled was a

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Speaker 2: few months before he smelled the weed.

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Speaker 4: You know, Don Lemon is somebody that I you know,

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Speaker 4: even to this day, I clown to make fun of him.

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Speaker 4: I had a little altercation with him on the air,

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Speaker 4: but I have respect for.

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Speaker 2: Him as a as a human being.

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Speaker 4: You know, a gay man, black man on CNN.

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Speaker 2: Yeah, he came out and Anderson you know gay.

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Speaker 4: You know what I'm saying, Like you know they did.

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Speaker 2: I went, I went down there.

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Speaker 4: I was very excited to do the interview with Don Lemon,

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Speaker 4: and I was surprised at the way that he conducted

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Speaker 4: the interview, and I think shocking my surprise. Me being

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Speaker 4: used to doing interviews in a certain way as an

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Speaker 4: artist was different from me doing interviews as I don't

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Speaker 4: think Don Lemon understood my, my, my, who I was

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Speaker 4: and what I was doing down there.

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Speaker 2: I was just somebody who was dead. He had no

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Speaker 2: frame of reference. No, he didn't know you beforehand. Nah,

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Speaker 2: we never met him. Who might have been from St. Louis, Yeah,

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Speaker 2: I could have been rappers for Saint Louis.

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Speaker 4: And no disrespect to rappers from Saint Louis, because you

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Speaker 4: know those are the voices like my man Tef Poe.

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Speaker 4: You know what I'm saying, Like people whose rappers from there,

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Speaker 4: they know what was up for real, Like, really they

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Speaker 4: should have interviewed Teft Poe really, you know what I'm saying.

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Speaker 2: They were walking by. That's how this happened. Now, they

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Speaker 2: called me. CNN called me a lot. They called me

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Speaker 2: a lot. The real story is they called me a lot.

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Speaker 4: They called me like like ten times like and I

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Speaker 4: said no, no, no, no no.

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Speaker 2: And they said Anderson Cooper was going to do the story.

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Speaker 4: And you know, I have a lot of respect for

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Speaker 4: Anderson Cooper, me too, you know what I'm saying. So

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Speaker 4: I was like, okay, I'm gonna do it. When I

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Speaker 4: got down there, they had Don Lemon. I didn't, you know.

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Speaker 2: I was like, okay, Don Lemon cool? Was you all

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Speaker 2: of Don levonly? Yeah? I didn't have no. I didn't

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Speaker 2: have no opinion of him. Yeah I did.

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Speaker 4: I was aware of him. I knew he was on CNN.

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Speaker 2: You know what I'm saying.

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Speaker 4: I didn't.

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Speaker 2: I wasn't a fan. I wasn't not a fan. I

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Speaker 2: didn't know who he was.

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Speaker 4: I just knew he was famous, you know, black dude

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Speaker 4: on CNN. So I did an interview with him. And

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Speaker 4: you know, I just didn't like the way that you know,

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Speaker 4: I felt like, you know, Don Lemon is on CNN

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Speaker 4: on TV a lot. I feel like, if you call

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Speaker 4: me to interview me, you want to hear what I.

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Speaker 2: Got to say. As soon as I started speaking, he started.

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Speaker 4: Speaking, you know what I'm saying, and my gut instinct

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Speaker 4: kicked in, you know what I'm saying. But like I said,

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Speaker 4: with the start of this, you know what I'm saying,

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Speaker 4: like I wish I would have talked more about Michael

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Speaker 4: Brown instead of getting into it with Lemon.

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Speaker 2: No, but you know what I want to tell you

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Speaker 2: that it was. It was.

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Speaker 5: It was necessary for the time because you being on

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Speaker 5: the ground, you probably didn't see all of the news footage.

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Speaker 2: Me being on the road.

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Speaker 5: At the time, I did see all the news footage,

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Speaker 5: and he just wasn't It was.

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Speaker 2: It was.

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Speaker 5: You know, we'll all due respect to him because I

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Speaker 5: never met Donald, you know what I'm saying, sooball me

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Speaker 5: judging him is absolutely pre prejudice because I never met

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Speaker 5: that guy, right, never been in.

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Speaker 2: Front of him.

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Speaker 5: But from what I see, he's what represents an uncle Tom.

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Speaker 5: He's represents like the people who don't understand the struggle.

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Speaker 5: The people who don't understand that Mike Brown was innocently killed,

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Speaker 5: the people don't understand the Trayvon Mines that he was.

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Speaker 5: He was the epitome of the black guy who doesn't

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Speaker 5: understand our struggle. So although your plot put him in,

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Speaker 5: your confrontation with him might have took away from what

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Speaker 5: Mike Brown, it also shed light on the situation that listen, brother,

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Speaker 5: if you one of us, you got to be one

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Speaker 5: of us.

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Speaker 2: And if you're not, then you're just not.

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Speaker 4: I think he does because I think as a black

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Speaker 4: gay dude, he understands. Yeah, I shouldn't know he was gay,

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Speaker 4: So yeah, I think he understands it, and I think

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Speaker 4: he goes through it. You know what I'm saying As

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Speaker 4: somebody who works in the mainstream media, right, I got

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Speaker 4: I think he understands it.

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Speaker 2: But you know, people who work for a living, and

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Speaker 2: we all have.

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Speaker 4: Jobs, a lot of us compromise our gut feelings on

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Speaker 4: morals and compromise who we are as people for that check.

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Speaker 4: Don Lemon is there to represent CNN. CNN is a

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Speaker 4: corporate interest.

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Speaker 5: He's not there, dude, like that he represents CNN. Let's

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Speaker 5: make some noise for don CNN.

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Speaker 4: Ahead not not CNN, like you know, the official CNN

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Speaker 4: kind of hood to you know, gangst the ship, the

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Speaker 4: other bad guys.

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Speaker 2: You can't put that there. Come on, the other bad guys,

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Speaker 2: come on.

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Speaker 4: But I think that he represents he He was doing

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Speaker 4: his job. The moment I spoke out against mainstream media,

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Speaker 4: I didn't even say CNN.

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Speaker 2: He took offense to.

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Speaker 4: Me saying mainstream media is a problem. He looked at

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Speaker 4: CNN as being a part of mainstream media. He took

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Speaker 4: offense to me dissing his team.

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Speaker 2: That's what it was.

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Speaker 4: And the conversation got missing because he was like, wait

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Speaker 4: a second, CNN is fair.

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Speaker 2: I feel like I'm fair. I feel like I worked

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Speaker 2: for CNN. I'm fair, you know what I'm saying.

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Speaker 4: And it's like, you know, he represents the mainstream Me

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Speaker 4: to the mainstream media. Job is to enable the status

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Speaker 4: quote and the convince us that the status quote is okay.

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Speaker 2: You know what I'm saying, Like CNN, the only reason CNN.

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Speaker 4: Was down there was in the host that there would

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Speaker 4: be a riot. The only reason that M S N,

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Speaker 4: B C, even even the left wing I'm not talking

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Speaker 4: about Fox News and all the bullshit. But even the

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Speaker 4: left wing, supposedly on our side, media is down there

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Speaker 4: because they hope that some violence. Wow, if there wasn't

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Speaker 4: a thread of violence, they wouldn't be down there.

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Speaker 2: So then they tell.

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Speaker 4: You we shouldn't write, They tell you we shouldn't burn

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Speaker 4: down the CBS, and I agree with that. You know

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Speaker 4: what I'm saying.

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Speaker 2: I don't think violence solve anyone.

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Speaker 6: CBS or CBS, CVSS understandship, CBS.

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Speaker 4: I think that you know they don Lemon was doing

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Speaker 4: his job very well.

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Speaker 2: I like you being political. He was.

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Speaker 4: That's not even that's not even politics, moneigga, that's just

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Speaker 4: real ship like like, he was doing the job. Now,

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Speaker 4: you and me, as artist, the reason you could call

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Speaker 4: yourself norier, the reason you could do a podcast with

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Speaker 4: EFN say whatever the fuck you want, is because you're

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Speaker 4: an artist.

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Speaker 2: You have no boss. Talk about it, you have no bo.

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Speaker 2: Keep going, keep going. You see where you're going.

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Speaker 4: You see when Laurence Hill don't show up to a show,

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Speaker 4: everybody get mad. Guess what, you could be mad, But

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Speaker 4: guess what, So the fuck what she don't work for you?

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Speaker 2: She could she could show up when she feels like

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Speaker 2: showing up and guess what, she don't feel like it.

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Speaker 2: She don't have to show up. Something personal happen in

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Speaker 2: our life.

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Speaker 4: She can be like I'm chilling today. She has an

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Speaker 4: arrangement with the venue.

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Speaker 2: Owner, the promoter, and you have, you have, You don't

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Speaker 2: know it.

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Speaker 4: You're not privy to that. So the only person she

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Speaker 4: might owe some to is somebody that you're not even

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Speaker 4: privy to.

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Speaker 2: As artists, we have no boss.

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Speaker 4: And a lot of people don't understand that, you know

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Speaker 4: what I'm saying, because a lot of people caught up

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Speaker 4: in the debt system, in the slavery system, and they

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Speaker 4: think they have bosses that people have to report to.

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Speaker 4: That's not something that I'm judging. You can't be judgmental

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Speaker 4: with people got to do to survive, you know what

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Speaker 4: I'm saying.

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Speaker 2: You can't judge that. But you got to.

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Speaker 4: Understand the difference between somebody you know and and it's

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Speaker 4: the same thing as a gangster. Like a gangster has

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Speaker 4: no boss.

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Speaker 5: Like most depth, he's an r e for real, he's

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Speaker 5: an run right? Is that correct?

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Speaker 2: Hold on what happened? He just said America and he

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Speaker 2: just left.

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Speaker 4: I think y'all seen Bay. You know I went to

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Speaker 4: visit him. I went to visit in Africa and South.

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Speaker 2: Let's just make some noise for the nigga going back home.

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Speaker 1: That just makes.

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Speaker 2: I ain't got the heart. They ain't got a w

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Speaker 2: in Africa, right, I can't a w they got They

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Speaker 2: got a home away of Airbnb. You know, I'm not

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Speaker 2: a fan of Nbnb yet now.

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Speaker 3: I'm not not.

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Speaker 4: I don't don't with Airbnb. But listen, y'all seen Bay

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Speaker 4: he decided a long time ago, if you pay attention

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Speaker 4: to his moves, that he wasn't fucking with America a

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Speaker 4: long time.

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Speaker 2: That's hard, you know what I'm saying.

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Speaker 4: And he traveled the world. You know, he's an internationally

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Speaker 4: known artist. He is settled in South Africa.

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Speaker 2: He do got some leaders. He had an international passport,

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Speaker 2: a world a world world world passport. What the fuck

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Speaker 2: does that mean?

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Speaker 4: A world passport is so, you know, he has a

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Speaker 4: website where my man Ferrari Shepherd shout out to my man.

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Speaker 2: I got a website. I don't got a worldwide. They

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Speaker 2: got a website called a country called Earth.

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Speaker 4: And the whole concept behind it is, you know, I'm

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Speaker 4: a citizen of the world.

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Speaker 2: Like these borders. You know, we all this is a

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Speaker 2: room full of immigrants, room for the anger.

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Speaker 4: We've done good for some immigrants. These borders are set

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Speaker 4: up by colonists. These borders set up by warring European

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Speaker 4: factions that are that are interested in in enabling white

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Speaker 4: supremacy and keeping it going.

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Speaker 2: You know what I'm saying, like keeping the people with people.

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Speaker 4: With murder are raped and tortured for them to create

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Speaker 4: these lines and these divisions between people.

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Speaker 2: I'm saying, no human being is illegal.

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Speaker 4: You know what I'm saying.

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Speaker 2: If you get drunk.

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Speaker 4: And you drive and you kill them offucker, are you

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Speaker 4: an a legal driving No, you're not. So no human

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Speaker 4: being is illegal? Is that that's a that's a misnomer.

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Speaker 4: No human being is an alien. No human being is illegal.

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Speaker 5: And let's make some noise for the people trying to

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Speaker 5: cross the borders.

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Speaker 4: We are we are not. Damn word is bombed and

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Speaker 4: so y'all seen being farrari shephard. They have this concept

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Speaker 4: of just global global citizen citizensry and no human being

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Speaker 4: is illegal and country called Earth.

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Speaker 2: We are all citizens in the world. So he can

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Speaker 2: he still like go to like countries. That's cool with Yeah,

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Speaker 2: the World Passport is recognized as certain countries. How did

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Speaker 2: he get that? You could from where he's somebody to

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Speaker 2: get that fingerprints prints the world.

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Speaker 4: From what I understand, in the World Passport, you could

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Speaker 4: get it if you do through.

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Speaker 2: The research and you just anybody could get it.

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Speaker 4: But it's not recognized everywhere, and it's not recognizing every

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Speaker 4: situation like they might recognize it. I think the situation

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Speaker 4: with South Africa is they recognized it sometimes and they

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Speaker 4: don't record.

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Speaker 2: They pick and choose.

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Speaker 4: So I think the situation was he was trying to

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Speaker 4: travel in this particular time they didn't recognize the World Passport.

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Speaker 2: So he has a little legal issue. He got solved.

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Speaker 4: But you know, he's been in South Africa and Tunisia

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Speaker 4: and Morocco and he's just been a citizen of the world.

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Speaker 2: And then how did your guys initially meet?

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Speaker 5: Because the Black Star thing was yeah, so big and

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Speaker 5: we only got one album, correct.

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Speaker 2: Yeah, shout out to my man Rubik's.

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Speaker 4: When I was a young we lad back in the

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Speaker 4: salad days of my career.

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Speaker 2: Okay, hold on, we lad in salad. I've never heard

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Speaker 2: this term we that's just Irish. That's Irish I'm a

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Speaker 2: we lady. My salad days. I'm a fan of the

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Speaker 2: Coen Brothers films.

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Speaker 4: If you watch Raised in Arizona, Nicholas Cage, he talks

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00:17:54,200 --> 00:17:56,399
Speaker 4: about him and Holly Hunter, I think his name of

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00:17:56,400 --> 00:17:58,080
Speaker 4: the actress, and he's talking about the early days of

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Speaker 4: their relationships and he said that the salad days the

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Speaker 4: days before the appetizer and the meal on the entree

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Speaker 4: the salad day. So in my salad days, you know

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Speaker 4: what I'm saying. I used to hang out of Washington

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Speaker 4: Square Park. I used to hang out with Incredible MC's

416
00:18:14,960 --> 00:18:15,760
Speaker 4: like Supernatural.

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Speaker 2: Is this where half Bake came from?

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Speaker 4: Dave Dave Chappelle was in the park. Okapelle was in

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Speaker 4: the park around his time. Washington Square Park Ate Off

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00:18:23,520 --> 00:18:24,480
Speaker 4: the Assassin was in.

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Speaker 2: The Getting the Head Pop. You know what I'm saying.

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Speaker 2: Gene Gray was in the park.

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Speaker 4: Most Death was in the park, but Most Death was

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Speaker 4: also a TV star. He had a show with with

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Speaker 4: Nell Carter. I forget the name of the show, but

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Speaker 4: it was he was Nell Carter him and had a

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Speaker 4: show right then. He had a show with Malcolm Jamal

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Speaker 4: Warner had a TV show when he left The Cosby Show,

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Speaker 4: show a teacher at Harlem. He had a class the

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Speaker 4: seventh graders. Most Death was one of the seventh creators.

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Speaker 2: Yeah. Then in the Cosby Mysteries, the first Drake and

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Speaker 2: this is in Brooklyn, this is in Brooklyn, was brought

433
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Speaker 2: in brook Glynn, young niggas got mad shipping brook Let's

434
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Speaker 2: make some noise in Brooklyn being ranch.

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Speaker 5: Hester rhymes, Big and jay Z all to school together.

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Speaker 2: Brooklyn got hold on, hold on, hold on now, let

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Speaker 2: me let me call it at the seven eighteen got

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Speaker 2: the best of seven one eight. Yeah, he said, seven eighteen.

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Speaker 2: That was too smart for me. I had to think

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Speaker 2: the same day on seven seven, y'all got y'all.

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Speaker 4: Got thousands of star faces.

442
00:19:33,960 --> 00:19:36,720
Speaker 2: Bees and well, we got jay Z's and nos and

443
00:19:37,400 --> 00:19:43,040
Speaker 2: differently seven one eight seven one eight unities like black

444
00:19:43,040 --> 00:19:45,439
Speaker 2: and brown you right here, right here, right here, right.

445
00:19:45,760 --> 00:19:47,959
Speaker 4: But yeah, most Death was doing this thing on the acting.

446
00:19:48,560 --> 00:19:51,080
Speaker 4: He had the deon Sanda's American Express commercial.

447
00:19:51,800 --> 00:19:52,560
Speaker 7: I know he was.

448
00:19:53,680 --> 00:19:55,399
Speaker 2: He was broke. It was an American Express.

449
00:19:56,000 --> 00:19:58,119
Speaker 4: We was broke, we was we be in the park.

450
00:19:58,440 --> 00:20:00,600
Speaker 4: We would hop the train. I used to live flat Bush,

451
00:20:01,000 --> 00:20:04,160
Speaker 4: hop the train and go to Washington, Washington Square, Park,

452
00:20:04,200 --> 00:20:06,879
Speaker 4: the freestyle most death was the only nigga good money.

453
00:20:07,680 --> 00:20:10,919
Speaker 4: He would take everybody to McDonald's on West Fourth.

454
00:20:11,240 --> 00:20:13,800
Speaker 2: I got arrested at the McDonald's. I'm sure you continue

455
00:20:15,160 --> 00:20:16,960
Speaker 2: from the basketball and tragedy.

456
00:20:18,280 --> 00:20:21,639
Speaker 4: Story when I was fifteen years old. All right, I

457
00:20:21,640 --> 00:20:24,480
Speaker 4: mean a real story right now. At my at the

458
00:20:24,520 --> 00:20:27,600
Speaker 4: house I rented, I'm shooting a video. My man is

459
00:20:27,600 --> 00:20:28,600
Speaker 4: in there shooting the video.

460
00:20:28,760 --> 00:20:35,280
Speaker 2: It's makes some noise from listen. Most people rent a hotel.

461
00:20:35,560 --> 00:20:40,080
Speaker 2: He's experienced. Yeah, house, it's cheaper than the hotel. You

462
00:20:40,119 --> 00:20:43,800
Speaker 2: know what I'm saying. I'm frugal. We don't know that word.

463
00:20:43,840 --> 00:20:47,560
Speaker 2: Can you explain frugal. It's cheap. It's a fancy word

464
00:20:47,560 --> 00:20:47,920
Speaker 2: for cheap.

465
00:20:49,080 --> 00:20:52,320
Speaker 5: I am now using that word for poss The news

466
00:20:52,400 --> 00:20:54,120
Speaker 5: is at this house right now.

467
00:20:55,280 --> 00:20:56,800
Speaker 2: It's still potholes in my law.

468
00:20:57,119 --> 00:21:07,000
Speaker 8: Let's make a noise for Donalds at.

469
00:21:04,320 --> 00:21:05,800
Speaker 2: My New York. Niggas can remember this. I used to

470
00:21:05,880 --> 00:21:07,000
Speaker 2: shop at Renaissance.

471
00:21:07,440 --> 00:21:08,760
Speaker 4: I don't know what's cool now, but it used to

472
00:21:08,760 --> 00:21:11,719
Speaker 4: be on Houston and Broadway, and they used to have

473
00:21:11,760 --> 00:21:13,639
Speaker 4: the Doc Martin boots and the Jaebo jeans.

474
00:21:14,440 --> 00:21:16,359
Speaker 2: I used to do it for Jabo jeans. I ran

475
00:21:16,400 --> 00:21:18,120
Speaker 2: it the posta news. This is what day I saw

476
00:21:18,200 --> 00:21:19,800
Speaker 2: with the Hottest Blood. I don't know if you're gonna

477
00:21:19,800 --> 00:21:21,840
Speaker 2: say this is a joint. It is a blood. It's

478
00:21:21,840 --> 00:21:24,679
Speaker 2: a blood so much the hottest ship. Hold on, let

479
00:21:24,720 --> 00:21:27,320
Speaker 2: me make sure it's living. I'm about to smoke it.

480
00:21:27,920 --> 00:21:30,160
Speaker 2: I smoke the blood with too short. I got care

481
00:21:30,240 --> 00:21:37,480
Speaker 2: rests drunk, and now I got Tyler quality smoking. That

482
00:21:37,600 --> 00:21:40,439
Speaker 2: is not news. That is not news, I know.

483
00:21:40,520 --> 00:21:42,879
Speaker 5: But you know why I live. Let me just this

484
00:21:42,960 --> 00:21:45,159
Speaker 5: is one of the main reasons why I wanted you

485
00:21:45,200 --> 00:21:49,000
Speaker 5: on the podcast is because you do so much great

486
00:21:49,040 --> 00:21:52,360
Speaker 5: in the community that sometimes, like you know, our preachers

487
00:21:52,520 --> 00:21:56,359
Speaker 5: are are our bartenders. When I say by bartenders, I mean, like,

488
00:21:56,359 --> 00:21:58,159
Speaker 5: you know, to pull up guys in the hood in

489
00:21:58,200 --> 00:22:01,520
Speaker 5: New York. Sometimes they seem holy in down and sometimes

490
00:22:01,680 --> 00:22:02,960
Speaker 5: when you just need to show.

491
00:22:02,760 --> 00:22:04,879
Speaker 2: Them that they're human. And when you show them that

492
00:22:04,920 --> 00:22:07,240
Speaker 2: they're human, it's more people that can say, you know what,

493
00:22:07,280 --> 00:22:11,080
Speaker 2: I'm gonna follow. I'm gonna follow his league because he's

494
00:22:11,119 --> 00:22:12,640
Speaker 2: also human like not.

495
00:22:13,119 --> 00:22:14,639
Speaker 4: It's crazy because I'm you know, I've been in this

496
00:22:14,640 --> 00:22:16,160
Speaker 4: business for a long time. I'm known for a certain

497
00:22:16,160 --> 00:22:18,680
Speaker 4: type of record but you know, ever since a business business,

498
00:22:19,960 --> 00:22:20,520
Speaker 4: you know what I'm saying.

499
00:22:20,680 --> 00:22:23,760
Speaker 2: You remember the time he's in Larryos. Yes, somebody came

500
00:22:23,800 --> 00:22:26,879
Speaker 2: up to you and ask you for you using Larios

501
00:22:26,920 --> 00:22:30,760
Speaker 2: like Gloria Esta Bar restaurant, and I'm be drinking together,

502
00:22:30,920 --> 00:22:33,080
Speaker 2: Like I'm like, Wow, the world need to know Tyl

503
00:22:33,080 --> 00:22:35,399
Speaker 2: Live can have fun. You know what I'm saying. Because

504
00:22:35,400 --> 00:22:38,560
Speaker 2: he makes so serious records. You know, he's a political guy.

505
00:22:38,600 --> 00:22:41,880
Speaker 5: It's great. That part is awesome. That's what I represent.

506
00:22:42,040 --> 00:22:44,199
Speaker 5: Kris One was my favorite rapper, so you understand that

507
00:22:44,680 --> 00:22:48,040
Speaker 5: I respect all that. But I'm seeing him have a

508
00:22:48,080 --> 00:22:50,240
Speaker 5: great time. So a person comes up to him and says,

509
00:22:50,240 --> 00:22:51,800
Speaker 5: you Live, I want to do a joint with you.

510
00:22:52,119 --> 00:22:54,440
Speaker 5: So I'm like, He's like yeah, and he's like, Yo, Norrie,

511
00:22:54,440 --> 00:22:55,080
Speaker 5: I want to do a joint.

512
00:22:55,119 --> 00:22:59,480
Speaker 2: I say, Tyler Is my new manager, looked at me

513
00:22:59,560 --> 00:23:03,080
Speaker 2: and was like, fucked up, nigga. But he went along

514
00:23:03,119 --> 00:23:05,640
Speaker 2: with it, and that you wouldn't right along with let's

515
00:23:05,640 --> 00:23:08,440
Speaker 2: make some noise with talent, going along with with my

516
00:23:08,600 --> 00:23:11,000
Speaker 2: found man. I managed your nory.

517
00:23:11,080 --> 00:23:12,760
Speaker 5: Now, yeah, I definitely didn't want to do a song

518
00:23:12,800 --> 00:23:14,119
Speaker 5: with the dude, so I send him right this how

519
00:23:14,160 --> 00:23:17,280
Speaker 5: I live. But people need to I think that that's

520
00:23:17,320 --> 00:23:20,320
Speaker 5: that's one of the greatest things is that when you

521
00:23:20,359 --> 00:23:23,800
Speaker 5: know you like like when people say, I don't know,

522
00:23:23,840 --> 00:23:26,560
Speaker 5: this is fucked up. But when people say Martin was

523
00:23:26,600 --> 00:23:29,479
Speaker 5: fucking bitches on the side, it's like everybody like, damn,

524
00:23:29,520 --> 00:23:32,040
Speaker 5: that's fucked up. But it's like, nah, he's a human,

525
00:23:32,480 --> 00:23:35,000
Speaker 5: like he was fucking he was fighting every day for

526
00:23:35,160 --> 00:23:37,200
Speaker 5: human rights if he wanted to get.

527
00:23:37,040 --> 00:23:39,560
Speaker 2: A butt of a nut on the side, not the

528
00:23:39,640 --> 00:23:41,760
Speaker 2: nigga live. Man makes some noise for Martin.

529
00:23:42,320 --> 00:23:44,800
Speaker 1: Hey man makes a lloyse for Martin fucking on the side.

530
00:23:46,960 --> 00:23:49,800
Speaker 2: Come on, Martin, I told you.

531
00:23:50,960 --> 00:23:54,040
Speaker 4: Lawrence to Mars, unnamed rapper told me this, and I'm

532
00:23:54,080 --> 00:23:56,360
Speaker 4: not gonna blow up the spot this or unnamed rapper

533
00:23:56,400 --> 00:23:57,680
Speaker 4: told me this on his first tour.

534
00:23:58,240 --> 00:24:01,040
Speaker 2: He said, hey man, all the prophets have holes.

535
00:24:01,720 --> 00:24:04,200
Speaker 5: Because you know why, it shows that you're human. The

536
00:24:04,200 --> 00:24:06,800
Speaker 5: thing about preachers, the thing about the church is doesn't

537
00:24:06,840 --> 00:24:09,359
Speaker 5: work no more, is because you see these people and

538
00:24:09,359 --> 00:24:10,959
Speaker 5: they got to gay the shoes on, and they got

539
00:24:10,960 --> 00:24:13,960
Speaker 5: to they look so good and and and they charlatan

540
00:24:14,040 --> 00:24:19,040
Speaker 5: him and they show you no mistakes. So they show

541
00:24:19,080 --> 00:24:23,040
Speaker 5: you no mistakes. Why would somebody follow you? Because it's like, damn,

542
00:24:23,119 --> 00:24:26,080
Speaker 5: I ain't never going to be like you. I have flaws.

543
00:24:26,359 --> 00:24:27,359
Speaker 5: You understand what I'm saying.

544
00:24:27,520 --> 00:24:31,520
Speaker 4: Like, So that's why when you learn the story about

545
00:24:31,520 --> 00:24:34,800
Speaker 4: his flaws, when you learn about Malcolm flaws, when you

546
00:24:34,880 --> 00:24:36,280
Speaker 4: learn about Jesus flaws.

547
00:24:36,480 --> 00:24:37,000
Speaker 2: You know what I'm saying.

548
00:24:37,040 --> 00:24:39,120
Speaker 4: When you when you read the books that are outside

549
00:24:39,119 --> 00:24:41,240
Speaker 4: of the Bible, outside of the King James version of

550
00:24:41,240 --> 00:24:43,080
Speaker 4: the Bible, when you see when Jesus went to travel

551
00:24:43,480 --> 00:24:45,600
Speaker 4: and you know what I'm saying, Oh yeah, you know

552
00:24:45,600 --> 00:24:48,719
Speaker 4: what I'm saying. He gained knowledge all over the world supposedly.

553
00:24:48,200 --> 00:24:50,080
Speaker 2: You know what I'm saying, like and had and had flaws.

554
00:24:50,080 --> 00:24:52,120
Speaker 4: It was it was a man. But that you know that,

555
00:24:52,119 --> 00:24:54,320
Speaker 4: that's what That's what makes people able to relate.

556
00:24:55,240 --> 00:24:57,320
Speaker 2: But Black Star is such a legendary.

557
00:24:57,400 --> 00:25:00,200
Speaker 4: But before you go into black because I was started

558
00:25:00,240 --> 00:25:02,879
Speaker 4: talking about pasta news posts, I went into Renaissance.

559
00:25:03,119 --> 00:25:05,480
Speaker 2: I said, past my favorite day, I saw my favorite ship.

560
00:25:06,440 --> 00:25:07,919
Speaker 2: I rapped. What do I do?

561
00:25:07,960 --> 00:25:09,920
Speaker 4: He said, go to rush artist managements around the corner

562
00:25:09,960 --> 00:25:12,520
Speaker 4: on Elizabeth, right, So I went around to that. I

563
00:25:12,560 --> 00:25:13,399
Speaker 4: went around the corner.

564
00:25:13,600 --> 00:25:17,080
Speaker 2: I go on the lobby. Tragedy is there, Yes he was.

565
00:25:17,600 --> 00:25:23,040
Speaker 2: But first search sorry right, search walked in.

566
00:25:23,080 --> 00:25:25,720
Speaker 4: I'm ass searched. I just I'm fifteen years old. I'm

567
00:25:25,720 --> 00:25:27,679
Speaker 4: as search. This is when gas Face was.

568
00:25:28,640 --> 00:25:29,160
Speaker 2: It was hot.

569
00:25:29,280 --> 00:25:33,879
Speaker 4: I was like, yeah, Tragedy walks in. I got a

570
00:25:33,920 --> 00:25:36,760
Speaker 4: picture in my house right now. Tragedy had the wild

571
00:25:36,840 --> 00:25:38,760
Speaker 4: dreads on the top with the fade on the side.

572
00:25:38,800 --> 00:25:41,639
Speaker 2: He had the little Malcolm spectacles.

573
00:25:41,119 --> 00:25:44,119
Speaker 4: And he had like a raincoat on, and this nigga,

574
00:25:44,200 --> 00:25:47,760
Speaker 4: Tragedy sat there and talked.

575
00:25:47,440 --> 00:25:50,480
Speaker 2: To me for two hours. You know what I'm saying.

576
00:25:50,520 --> 00:25:52,639
Speaker 4: Like he was the first. This is a real story

577
00:25:52,640 --> 00:25:55,639
Speaker 4: that you're hearing on drink Champs. Tragedy was the first

578
00:25:55,720 --> 00:25:57,359
Speaker 4: rapper that showed me love.

579
00:25:57,640 --> 00:26:09,720
Speaker 2: Tragedy was the first first. That's right, high five. But

580
00:26:09,800 --> 00:26:11,880
Speaker 2: you don't know me from from He just started giving

581
00:26:11,880 --> 00:26:13,520
Speaker 2: me advice. But you know what, it is not the

582
00:26:13,560 --> 00:26:14,600
Speaker 2: industry for me and all that.

583
00:26:14,760 --> 00:26:18,440
Speaker 4: We sat on Elizabeth in Houston for two hours watching

584
00:26:18,440 --> 00:26:20,520
Speaker 4: the people walk by. I don't even know why he

585
00:26:20,560 --> 00:26:21,080
Speaker 4: had the time.

586
00:26:22,680 --> 00:26:25,600
Speaker 2: Now, sometimes you know who the next person is. Sometimes

587
00:26:25,640 --> 00:26:28,160
Speaker 2: it's just energy, you know what I'm saying, It's just aura.

588
00:26:28,560 --> 00:26:29,679
Speaker 2: Look at that look at that.

589
00:26:30,040 --> 00:26:32,400
Speaker 5: So you and Hot Tech, Yeah, let's get back first

590
00:26:32,440 --> 00:26:37,240
Speaker 5: Black black Star because you know why, you know, uh,

591
00:26:37,720 --> 00:26:40,280
Speaker 5: black Star is such a legendary thing that you guys did,

592
00:26:40,840 --> 00:26:44,280
Speaker 5: Like this is the first time in history we were

593
00:26:44,359 --> 00:26:47,280
Speaker 5: presented a group first and then you guys did solo

594
00:26:47,320 --> 00:26:49,120
Speaker 5: ship and y'all just never got back.

595
00:26:49,720 --> 00:26:52,159
Speaker 2: Yeah. Is that accurate? Yes, yeah it is.

596
00:26:52,200 --> 00:26:54,320
Speaker 4: It's you know, Black Star, Me and Most Death with

597
00:26:54,400 --> 00:26:58,199
Speaker 4: solo artists, and we had styles that complimented to each

598
00:26:58,320 --> 00:27:02,600
Speaker 4: each other, were fans of each other. We talked casually

599
00:27:02,600 --> 00:27:07,280
Speaker 4: about doing a group. We both signed The Raucous. Yeah,

600
00:27:07,359 --> 00:27:09,879
Speaker 4: Jared and Brian, you know, they saw the vision and

601
00:27:09,920 --> 00:27:11,480
Speaker 4: they was like, Okay, let's do a Black Star. And

602
00:27:11,560 --> 00:27:13,320
Speaker 4: at the same time Most Death was like, let's do

603
00:27:13,359 --> 00:27:15,920
Speaker 4: this black Star situation. Rocus saw it at the same time,

604
00:27:16,520 --> 00:27:19,960
Speaker 4: so it converged. And he was working on a TV show.

605
00:27:19,960 --> 00:27:22,240
Speaker 4: He's working in a movie. I forget which movie.

606
00:27:22,960 --> 00:27:24,520
Speaker 2: Movies he was working in the movie.

607
00:27:24,560 --> 00:27:29,960
Speaker 5: After time, he was staying, this is when I knew

608
00:27:29,960 --> 00:27:32,960
Speaker 5: I can't act for Ship. Listen, let me just tell

609
00:27:32,960 --> 00:27:34,800
Speaker 5: you something. This is when I knew I can't act

610
00:27:34,880 --> 00:27:37,280
Speaker 5: for Ship. I've seen that nigga play a doctor, and

611
00:27:37,320 --> 00:27:38,200
Speaker 5: I believed him.

612
00:27:38,320 --> 00:27:41,680
Speaker 4: And I said, listen, I'm gonna tell you when I

613
00:27:41,720 --> 00:27:43,440
Speaker 4: knew most Deep was there when I seen him. When

614
00:27:43,440 --> 00:27:46,600
Speaker 4: I watched Master's Ball, my nigga Mossus Ball and this

615
00:27:46,640 --> 00:27:49,000
Speaker 4: is my nigga I'm spending every day with. And I

616
00:27:49,040 --> 00:27:53,520
Speaker 4: watched it for thirty minutes and I said, wait, that's

617
00:27:53,600 --> 00:27:54,360
Speaker 4: most Step.

618
00:27:55,880 --> 00:27:56,040
Speaker 7: Right.

619
00:27:56,320 --> 00:27:58,800
Speaker 2: Yeah. Yeah, That's how I knew I can't when he

620
00:27:58,840 --> 00:27:59,440
Speaker 2: did that the.

621
00:27:59,400 --> 00:28:03,240
Speaker 4: TV player Berry in the in the Cadillac Records movie.

622
00:28:03,560 --> 00:28:06,600
Speaker 2: You know what I'm saying. With he was wearing his hair.

623
00:28:06,480 --> 00:28:08,760
Speaker 4: And talking and acting like and dressing like Chuck Berry

624
00:28:09,200 --> 00:28:11,600
Speaker 4: around us, but he didn't tell us that he was

625
00:28:11,640 --> 00:28:13,840
Speaker 4: doing a movie, so I thought he wasn't. He was

626
00:28:13,880 --> 00:28:14,400
Speaker 4: just losing his.

627
00:28:14,400 --> 00:28:15,520
Speaker 2: Mind, you know what I'm saying.

628
00:28:15,520 --> 00:28:21,080
Speaker 4: Like he was a character, his hair, he had the outfits,

629
00:28:21,080 --> 00:28:23,160
Speaker 4: he was talking and and that. When I saw the movie,

630
00:28:23,240 --> 00:28:25,520
Speaker 4: I said, Okay, did he go to acting school?

631
00:28:25,840 --> 00:28:29,439
Speaker 2: Nah? He just a dude from bed Star who got

632
00:28:29,720 --> 00:28:32,280
Speaker 2: who got talent? Wow? You know, shout out to Umi

633
00:28:32,320 --> 00:28:32,760
Speaker 2: and Abby.

634
00:28:32,840 --> 00:28:34,760
Speaker 4: They saw enough to make sure that he had the

635
00:28:34,760 --> 00:28:36,760
Speaker 4: opportunities and present him with the opportunities.

636
00:28:37,080 --> 00:28:39,440
Speaker 2: So so, but when you guys did the Black Star album?

637
00:28:39,480 --> 00:28:40,520
Speaker 2: Did you? Did you? Did you?

638
00:28:40,600 --> 00:28:44,000
Speaker 5: Did you understand how big like the culture was gonna

639
00:28:44,040 --> 00:28:45,600
Speaker 5: gravitate towards that or nah?

640
00:28:45,600 --> 00:28:47,480
Speaker 2: I think we just the moment had a lot to

641
00:28:47,520 --> 00:28:48,160
Speaker 2: do with vinyl.

642
00:28:48,840 --> 00:28:51,120
Speaker 4: Brookers was putting out vinyl and and the DJs, the

643
00:28:51,200 --> 00:28:52,440
Speaker 4: DJs were craving vinyl.

644
00:28:52,680 --> 00:28:57,000
Speaker 5: Carest Let me just telling people, okay, people, vinyl is

645
00:28:57,560 --> 00:28:59,960
Speaker 5: the record. It's a record, you put it on. It's

646
00:29:00,080 --> 00:29:03,200
Speaker 5: stools around, It's not a stream, you know.

647
00:29:03,640 --> 00:29:03,800
Speaker 2: Uh.

648
00:29:04,160 --> 00:29:06,800
Speaker 5: Real DJs used to cut it back, bring it back.

649
00:29:07,400 --> 00:29:10,200
Speaker 5: Your mom's got it in your house. Your mom's got

650
00:29:10,240 --> 00:29:13,320
Speaker 5: it in your house somewhere. Your mother has a vinylin

651
00:29:13,640 --> 00:29:15,760
Speaker 5: I'm sorry you all right?

652
00:29:15,800 --> 00:29:16,080
Speaker 2: All right?

653
00:29:16,800 --> 00:29:19,760
Speaker 4: Yeah, Raucus was putting out vinyl for people, for hip

654
00:29:19,760 --> 00:29:22,200
Speaker 4: hop fans that would starved for vinyl, and that's part

655
00:29:22,200 --> 00:29:24,080
Speaker 4: of Roku's business plan. That's how they blew up because

656
00:29:24,120 --> 00:29:27,560
Speaker 4: a lot of the DJs were pushing back against the

657
00:29:27,680 --> 00:29:30,720
Speaker 4: move away from vinyl. You had big companies like bad

658
00:29:30,760 --> 00:29:35,120
Speaker 4: Boy that was putting out great quality pop mainstream hip hop,

659
00:29:35,320 --> 00:29:37,840
Speaker 4: but they wasn't serving the DJs with the vinyl. They

660
00:29:37,920 --> 00:29:39,320
Speaker 4: was trying to move away from it. You go to

661
00:29:39,400 --> 00:29:41,640
Speaker 4: Tower Records or whatever. Back in the days you couldn't

662
00:29:41,640 --> 00:29:45,280
Speaker 4: buy vinyl. Raucous would put out Shabam's Deek Sermental, Lick, Company, Flow,

663
00:29:45,360 --> 00:29:47,320
Speaker 4: most Death, probably all vinyl.

664
00:29:47,680 --> 00:29:48,240
Speaker 2: You know what I'm saying.

665
00:29:48,240 --> 00:29:51,400
Speaker 4: The people was the DJs would appreciate that Racius was

666
00:29:51,440 --> 00:29:54,200
Speaker 4: focused on the DJ and they focused on underground hip

667
00:29:54,200 --> 00:29:56,560
Speaker 4: hop and focus on certain sounds. So when they put

668
00:29:56,600 --> 00:29:59,920
Speaker 4: out The Blackstar. I remember the Stress magazine, my man

669
00:30:00,040 --> 00:30:01,640
Speaker 4: Allan Stress.

670
00:30:01,880 --> 00:30:05,360
Speaker 2: Cat and Clive Vallent. You got to cover Trust, but

671
00:30:05,360 --> 00:30:05,600
Speaker 2: it was a.

672
00:30:05,600 --> 00:30:09,440
Speaker 4: Graffiti writers that had that magazine, and Raucus did a

673
00:30:09,480 --> 00:30:10,640
Speaker 4: collaboration with Stressed.

674
00:30:10,680 --> 00:30:13,280
Speaker 2: With Stressed where they did the vinyl on the cover.

675
00:30:13,960 --> 00:30:16,320
Speaker 4: The vinyl for Definition was on the cover of Trust

676
00:30:16,360 --> 00:30:17,640
Speaker 4: attached to the magazine.

677
00:30:18,160 --> 00:30:20,120
Speaker 2: They sent a copy to funk Master Flex.

678
00:30:20,560 --> 00:30:22,360
Speaker 4: He loved it. As a DJ, you know what I'm saying. Like,

679
00:30:22,360 --> 00:30:26,560
Speaker 4: I started my career working for Jessica ros Yeah, I

680
00:30:26,640 --> 00:30:27,960
Speaker 4: used to live in Flappers down the street.

681
00:30:27,960 --> 00:30:30,000
Speaker 5: I got your clubs.

682
00:30:32,240 --> 00:30:35,480
Speaker 2: Jessica's love I was absolute.

683
00:30:37,920 --> 00:30:41,400
Speaker 4: When when CNN first drop, when Nori Component and rig

684
00:30:41,400 --> 00:30:43,880
Speaker 4: Ther first drop, I was working for Dress, Jessica Rosenbacker,

685
00:30:44,400 --> 00:30:47,720
Speaker 4: John Forte John is my best friend. At the time,

686
00:30:48,040 --> 00:30:50,880
Speaker 4: Jessica was managing John Forte, I was fourteen fifteen. Jessica

687
00:30:50,960 --> 00:30:53,960
Speaker 4: Rosenbaum is a party promoter in New York. She used

688
00:30:53,960 --> 00:30:56,400
Speaker 4: to manage Master Flex. But let me tell you, let

689
00:30:56,440 --> 00:30:58,360
Speaker 4: me break it down. She managed Funk Master Flex before

690
00:30:58,360 --> 00:30:59,480
Speaker 4: there was a ninety seven.

691
00:31:00,680 --> 00:31:02,280
Speaker 2: There was a Hot Night seven. Before Hot Night seven

692
00:31:02,360 --> 00:31:04,560
Speaker 2: was a hip hop station. It was a freestyle station.

693
00:31:04,960 --> 00:31:07,240
Speaker 4: They used to play Stevie B records like you gotta

694
00:31:07,320 --> 00:31:09,320
Speaker 4: Beliad's side.

695
00:31:09,360 --> 00:31:11,560
Speaker 2: I mean used to do that club. Let's keep it

696
00:31:11,600 --> 00:31:15,120
Speaker 2: going with home Base. I went to that home to day.

697
00:31:15,160 --> 00:31:17,560
Speaker 4: I went to the Boon Spot, the tunnel, this pre

698
00:31:17,680 --> 00:31:21,160
Speaker 4: tunnel tunnel. When Jessica got the tunnel, that was a

699
00:31:21,280 --> 00:31:25,640
Speaker 4: cool peteration. She started working Petergation. We're doing lime Light

700
00:31:25,680 --> 00:31:27,360
Speaker 4: Tunnel to fly.

701
00:31:27,840 --> 00:31:30,280
Speaker 2: You gotta tell him, we gotta tell him with because

702
00:31:30,280 --> 00:31:32,560
Speaker 2: this is the church. It was a church.

703
00:31:32,720 --> 00:31:36,160
Speaker 5: The church is literally it's a church a church and

704
00:31:36,200 --> 00:31:37,080
Speaker 5: then closed down.

705
00:31:37,920 --> 00:31:40,480
Speaker 2: A documentary. I don't know if there's a movie called

706
00:31:40,480 --> 00:31:47,200
Speaker 2: Party Monster and that's about this whole situation. I definitely

707
00:31:47,200 --> 00:31:48,440
Speaker 2: went to home Base. I didn't go there.

708
00:31:48,680 --> 00:31:50,760
Speaker 4: Home Base was home base with the home base was

709
00:31:51,000 --> 00:31:52,160
Speaker 4: with Jessica's Hip Hop.

710
00:31:51,960 --> 00:31:54,360
Speaker 2: Ship saw House of Paying there and the ghetto girls.

711
00:31:54,400 --> 00:31:55,840
Speaker 2: All right, So so.

712
00:31:55,800 --> 00:31:57,400
Speaker 4: When you when you when you when you went to

713
00:31:57,440 --> 00:31:59,560
Speaker 4: that club, if you went to like like say the

714
00:31:59,600 --> 00:32:02,600
Speaker 4: Warehouse District, Dominoes will have a record, Ghetto jam out.

715
00:32:03,360 --> 00:32:05,440
Speaker 2: I would post up the posters.

716
00:32:05,280 --> 00:32:06,560
Speaker 4: For Dominoes coming to town.

717
00:32:06,880 --> 00:32:07,360
Speaker 2: You know what I'm saying.

718
00:32:07,360 --> 00:32:10,440
Speaker 4: Like that, I worked for Jessica like Enough, it was

719
00:32:10,440 --> 00:32:13,560
Speaker 4: Flip Squad, it was Funk Master Flex Enough.

720
00:32:13,360 --> 00:32:15,640
Speaker 2: Mad Wayne Baka recipes.

721
00:32:16,720 --> 00:32:21,000
Speaker 4: I'm saying. DJ Buda Khan did the reggae, you know

722
00:32:21,040 --> 00:32:23,400
Speaker 4: what I'm saying, and and biz Mark he was down

723
00:32:23,440 --> 00:32:25,560
Speaker 4: for a second when he first started DJ Ship, he

724
00:32:25,640 --> 00:32:28,040
Speaker 4: was down with Flip Squad. I used to hand out

725
00:32:28,080 --> 00:32:31,720
Speaker 4: the flyers. She managed John Forte from Master Flex. First

726
00:32:31,720 --> 00:32:33,920
Speaker 4: record was with Non Double lems Man from the Bronx

727
00:32:34,600 --> 00:32:38,320
Speaker 4: on Nervous. The B side was a record called the Boom.

728
00:32:38,040 --> 00:32:43,240
Speaker 2: Spot six Million Ways to Die. Yeah, the B sides

729
00:32:43,280 --> 00:32:44,160
Speaker 2: put out that Nervous.

730
00:32:44,880 --> 00:32:46,080
Speaker 4: The B side is John Forte.

731
00:32:46,240 --> 00:32:48,920
Speaker 2: Hold on for all these new guys listening, we are

732
00:32:48,960 --> 00:32:50,760
Speaker 2: getting real hip hop.

733
00:32:51,440 --> 00:32:51,600
Speaker 7: Yeah.

734
00:32:53,600 --> 00:32:55,760
Speaker 2: So if you listen to what was that I'm doing

735
00:32:55,760 --> 00:32:57,160
Speaker 2: the record label He just said.

736
00:32:57,040 --> 00:33:00,760
Speaker 9: Nervous, nervous to put out the wash black more.

737
00:33:02,320 --> 00:33:02,600
Speaker 2: Truth.

738
00:33:02,680 --> 00:33:04,520
Speaker 5: Oh man, this is real hip hop right now, get

739
00:33:04,520 --> 00:33:06,760
Speaker 5: your Google get your Google's on continue.

740
00:33:07,440 --> 00:33:07,600
Speaker 2: Yeah.

741
00:33:07,680 --> 00:33:10,480
Speaker 4: So that's my start in the business was with John

742
00:33:10,520 --> 00:33:14,040
Speaker 4: Forte Wow and fun Master Flex and Jessica Rosenbaum and

743
00:33:14,120 --> 00:33:15,520
Speaker 4: she was working with Puff at the time. He was

744
00:33:15,520 --> 00:33:18,000
Speaker 4: her partner at the time. You know when when Flex

745
00:33:18,080 --> 00:33:20,320
Speaker 4: used to have the parties at the Palladium. People used

746
00:33:20,360 --> 00:33:22,840
Speaker 4: to on Friday nights the Palladium. Matter of fact, I

747
00:33:22,880 --> 00:33:26,880
Speaker 4: seen I seen ice Cube perform at the Palladium with

748
00:33:26,880 --> 00:33:31,080
Speaker 4: Flex and King's Son came out Wicked and King Sun

749
00:33:31,160 --> 00:33:34,280
Speaker 4: came out to Young Q that's my song that you stole.

750
00:33:35,200 --> 00:33:37,560
Speaker 2: Yeah, Like I was there for all that ship I seen.

751
00:33:37,800 --> 00:33:38,920
Speaker 2: I've seen Trench.

752
00:33:40,520 --> 00:33:42,680
Speaker 4: Challenge day Light song on stage because he was mad

753
00:33:42,680 --> 00:33:44,640
Speaker 4: because they had the record when they they said so

754
00:33:44,680 --> 00:33:46,760
Speaker 4: stick to your Nundy by Natures and your Pain.

755
00:33:46,720 --> 00:33:49,320
Speaker 2: And when they was reading both on Tommy Boy, They're

756
00:33:49,400 --> 00:33:51,040
Speaker 2: like classic moment. Yeah.

757
00:33:51,080 --> 00:33:52,680
Speaker 4: I was at the Palladium for all those funk Master

758
00:33:52,720 --> 00:33:53,360
Speaker 4: Flex parties.

759
00:33:54,160 --> 00:33:56,760
Speaker 2: Flex. I was at the Pladium for some of them parties.

760
00:33:57,040 --> 00:34:02,440
Speaker 2: I was usually kicked out. I know what you was doing. Yeah, yeah, yeah, yeah,

761
00:34:03,240 --> 00:34:05,200
Speaker 2: So how about you in high tech? Right right?

762
00:34:05,280 --> 00:34:08,800
Speaker 4: So this is night like I'm a high schooler.

763
00:34:08,320 --> 00:34:10,680
Speaker 2: In ninety two ninety three. This is what Jessica doing

764
00:34:10,680 --> 00:34:14,200
Speaker 2: his parties. Okay, So I went to n YU.

765
00:34:14,360 --> 00:34:16,879
Speaker 5: It's my wife, everybody peace, God damn it, She's coming

766
00:34:16,880 --> 00:34:18,600
Speaker 5: in here to make sure everybody's.

767
00:34:18,120 --> 00:34:23,360
Speaker 8: Acting correct, all right, party.

768
00:34:23,440 --> 00:34:25,120
Speaker 4: I went to n y U and then I got

769
00:34:25,320 --> 00:34:27,120
Speaker 4: and then I left, and then I started working at

770
00:34:27,120 --> 00:34:27,759
Speaker 4: in Q Books.

771
00:34:27,800 --> 00:34:29,359
Speaker 2: I was doing these uh.

772
00:34:29,840 --> 00:34:33,080
Speaker 4: Book show shows, these bookstore shows with like Dead Prayers

773
00:34:33,200 --> 00:34:34,600
Speaker 4: and Lord Jamon and you.

774
00:34:35,680 --> 00:34:38,160
Speaker 2: And around ninety five, I went to l A.

775
00:34:39,120 --> 00:34:41,080
Speaker 4: In ninety five, I was friends with Mike and nine

776
00:34:41,080 --> 00:34:42,120
Speaker 4: for Freestyle Fellowship.

777
00:34:42,960 --> 00:34:45,000
Speaker 2: He had moved to New York. He was signed to

778
00:34:45,200 --> 00:34:46,720
Speaker 2: Keydr Mask Dr Entertainment.

779
00:34:47,080 --> 00:34:48,759
Speaker 4: He moved to New York. Baby. I was working on

780
00:34:48,840 --> 00:34:52,120
Speaker 4: Di'andelo and Erica by doing Micah at the time, hanging

781
00:34:52,160 --> 00:34:53,360
Speaker 4: out with them, and then I went to LA to

782
00:34:53,440 --> 00:34:54,240
Speaker 4: funk with him.

783
00:34:54,520 --> 00:34:57,400
Speaker 2: I caught a hitch hiked to the day hold on

784
00:34:57,480 --> 00:34:59,759
Speaker 2: time out. You're the first black man I ever heard

785
00:34:59,800 --> 00:35:07,319
Speaker 2: you the word hit. But look I was back. I

786
00:35:07,320 --> 00:35:08,960
Speaker 2: took a greathound bus from New York to l A.

787
00:35:09,120 --> 00:35:11,080
Speaker 2: But you gotta got that from white people.

788
00:35:11,360 --> 00:35:17,120
Speaker 7: You just you, Yeah, yeah, yeah, you just you.

789
00:35:17,280 --> 00:35:21,040
Speaker 2: He wasn't in Brooklyn and flat Bossing Nigga Saidyoga, you

790
00:35:21,080 --> 00:35:22,160
Speaker 2: got that from your white friend.

791
00:35:22,920 --> 00:35:27,120
Speaker 4: I did Los Angeles at the bay Mystic Journeyman. Shout

792
00:35:27,120 --> 00:35:30,279
Speaker 4: out to Mystic Journeyman from Bay Area. I met them

793
00:35:30,280 --> 00:35:32,360
Speaker 4: at a club and at the Good Life Cafe in

794
00:35:32,400 --> 00:35:33,759
Speaker 4: Los Angeles.

795
00:35:33,560 --> 00:35:35,040
Speaker 2: And they told me come to the Bay Area.

796
00:35:35,160 --> 00:35:35,600
Speaker 4: You're good.

797
00:35:35,800 --> 00:35:38,880
Speaker 2: I hate popa collar. No, this is way before that,

798
00:35:39,280 --> 00:35:40,719
Speaker 2: but in my mind when he said it, I just

799
00:35:40,719 --> 00:35:41,279
Speaker 2: popped the collar.

800
00:35:41,320 --> 00:35:47,080
Speaker 4: I'm sorry, God, that was hella hyphee.

801
00:35:47,800 --> 00:35:49,759
Speaker 5: Okay, okay, I might have to ask you to get

802
00:35:49,760 --> 00:35:52,680
Speaker 5: some more drinks. You got you gotta lose and you

803
00:35:52,760 --> 00:35:54,719
Speaker 5: was shooting a video today. Let's make up your video

804
00:35:54,760 --> 00:35:55,479
Speaker 5: you was doing on.

805
00:35:55,400 --> 00:35:56,080
Speaker 2: That secret tip.

806
00:35:56,200 --> 00:35:59,560
Speaker 4: Shout out to Nico as a chazz uh Van Queen

807
00:35:59,760 --> 00:36:01,720
Speaker 4: shout a video for a song called good Girls today.

808
00:36:02,000 --> 00:36:04,960
Speaker 2: Good girls. Okay, good girls. I meet good girls in

809
00:36:05,000 --> 00:36:05,720
Speaker 2: the right places.

810
00:36:05,840 --> 00:36:06,000
Speaker 3: Mm.

811
00:36:07,560 --> 00:36:09,040
Speaker 2: My new album is called Torter Force.

812
00:36:09,880 --> 00:36:13,920
Speaker 4: He used to be called very Smart to Force. I

813
00:36:13,960 --> 00:36:17,360
Speaker 4: got electronic on it, I got walk a flock on it.

814
00:36:18,120 --> 00:36:19,080
Speaker 4: I got Nori on it.

815
00:36:19,920 --> 00:36:22,520
Speaker 5: He almost he's putting pressure on it. Let's make some

816
00:36:22,640 --> 00:36:23,920
Speaker 5: nooys with Tyler bullying me.

817
00:36:24,080 --> 00:36:29,839
Speaker 2: Let's do it. He's just drink chat to me on

818
00:36:29,880 --> 00:36:32,960
Speaker 2: the drink. Cham what we do well? Tyler is my

819
00:36:33,320 --> 00:36:34,759
Speaker 2: mama bum boy man. Like you know.

820
00:36:35,520 --> 00:36:37,880
Speaker 5: One of the things that I know, I said it earlier,

821
00:36:37,920 --> 00:36:40,080
Speaker 5: but I want to just reiterate it is I just

822
00:36:40,080 --> 00:36:41,840
Speaker 5: want to show to people how cool you are. You

823
00:36:41,840 --> 00:36:43,640
Speaker 5: know what I'm saying, a lot of people think you're

824
00:36:43,680 --> 00:36:47,080
Speaker 5: so serious. Why you know, because you know why you

825
00:36:47,120 --> 00:36:48,040
Speaker 5: do speak up for us?

826
00:36:48,040 --> 00:36:51,239
Speaker 2: And you know. I remember me asking Russell Simmons one night.

827
00:36:51,280 --> 00:36:53,719
Speaker 2: I said, your Russell, I want you to run for

828
00:36:53,840 --> 00:36:57,240
Speaker 2: president and he said, I smoked dope before. And I said, Russell,

829
00:36:58,560 --> 00:37:01,480
Speaker 2: everybody smoked weed before? Said no, normal, I smoked heroin.

830
00:37:01,560 --> 00:37:01,840
Speaker 2: That's not.

831
00:37:04,440 --> 00:37:07,880
Speaker 5: I've seen the show. I'm not, but I want you

832
00:37:07,960 --> 00:37:09,799
Speaker 5: to run for New York City mayor. Are you mad

833
00:37:09,840 --> 00:37:10,880
Speaker 5: at me from throwing that out there?

834
00:37:11,000 --> 00:37:13,920
Speaker 4: No, I'm not mad at you know what? Local politics

835
00:37:14,480 --> 00:37:16,640
Speaker 4: is better than presidential politics, you know what I'm saying, Like,

836
00:37:16,680 --> 00:37:17,920
Speaker 4: so you could do you go do the New York

837
00:37:17,960 --> 00:37:18,920
Speaker 4: City No, I'm not, because.

838
00:37:18,760 --> 00:37:23,600
Speaker 2: You could do right here, drink chance radio running for

839
00:37:28,480 --> 00:37:30,280
Speaker 2: Brooklyn City councilman.

840
00:37:30,360 --> 00:37:33,080
Speaker 4: Like like the city councilman, the assemblyman, the school board,

841
00:37:33,960 --> 00:37:36,440
Speaker 4: public service announcement. You got to vote for these people

842
00:37:36,840 --> 00:37:38,759
Speaker 4: if you have kids and they go to school in

843
00:37:38,800 --> 00:37:39,400
Speaker 4: your neighborhoods.

844
00:37:39,440 --> 00:37:41,239
Speaker 2: That's the interesting that people miss. That's the part that

845
00:37:41,280 --> 00:37:41,759
Speaker 2: people miss.

846
00:37:41,920 --> 00:37:43,520
Speaker 4: You know what I'm saying, Like, I'm not I'm slacking

847
00:37:43,520 --> 00:37:44,799
Speaker 4: on it because I don't even be in New York

848
00:37:44,920 --> 00:37:45,919
Speaker 4: enough to do it, you know what I'm saying.

849
00:37:45,960 --> 00:37:48,239
Speaker 2: But I'm just a public service.

850
00:37:47,960 --> 00:37:54,600
Speaker 5: Now, just one Senate and his and he's holly there.

851
00:37:54,880 --> 00:37:57,319
Speaker 5: I think that I think that, you know, honestly, I

852
00:37:57,400 --> 00:37:59,000
Speaker 5: know I'm playing around a little bit, but I think

853
00:37:59,040 --> 00:38:02,400
Speaker 5: like people like jay Z Russell Simmons. I tell people

854
00:38:02,400 --> 00:38:05,760
Speaker 5: who know politics, like me, I learned my politics.

855
00:38:05,400 --> 00:38:07,440
Speaker 2: On Bill Moore. Like you know what I'm saying. If

856
00:38:07,480 --> 00:38:10,399
Speaker 2: it's on Bill Moore, I know what's going on. Yeah,

857
00:38:10,440 --> 00:38:14,759
Speaker 2: but his politics. But it's like this.

858
00:38:14,920 --> 00:38:16,799
Speaker 4: I used to be the type of nigga this but

859
00:38:16,920 --> 00:38:20,000
Speaker 4: you know politics, this footage of me talking about why

860
00:38:20,000 --> 00:38:20,760
Speaker 4: you shouldn't vote.

861
00:38:21,800 --> 00:38:22,879
Speaker 2: I'm not somebody.

862
00:38:22,560 --> 00:38:25,000
Speaker 4: Who believes that you should just vote for the sake

863
00:38:25,040 --> 00:38:27,239
Speaker 4: of voting. People be like people died for the sake

864
00:38:27,280 --> 00:38:31,719
Speaker 4: of voting. Voting in America is a broken system. But

865
00:38:31,800 --> 00:38:34,480
Speaker 4: I read I read Man and Marrable book about Malcolm X.

866
00:38:35,400 --> 00:38:38,719
Speaker 4: And Malcolm X his ship was the ballot of Man

867
00:38:38,719 --> 00:38:40,839
Speaker 4: and Marrable. He's a scholar. He wrote a book called

868
00:38:40,840 --> 00:38:45,120
Speaker 4: The Reinvention, A life and Reinvention. It's a it's a

869
00:38:45,160 --> 00:38:48,239
Speaker 4: book about Malcolm xIC come after Malcolm X's autobiographer. Oh wow,

870
00:38:48,920 --> 00:38:50,320
Speaker 4: it's a good book. I sell it on my website,

871
00:38:50,400 --> 00:38:51,680
Speaker 4: qualityclub dot com.

872
00:38:52,360 --> 00:38:56,200
Speaker 2: The same as club. We don't sell any books in

873
00:38:56,239 --> 00:38:59,279
Speaker 2: our day. We don't sell No. I sell hoodies and

874
00:38:59,320 --> 00:39:02,560
Speaker 2: T shirts and hats. That the audio book with that, No,

875
00:39:02,640 --> 00:39:08,319
Speaker 2: I'm working on that. A couple coming coming. But I

876
00:39:08,360 --> 00:39:10,960
Speaker 2: got so he he changed.

877
00:39:10,640 --> 00:39:12,719
Speaker 4: My mind when I read this book because Man, Man

878
00:39:12,760 --> 00:39:15,360
Speaker 4: and Marrable wrote about how Malcolm X got with Adam

879
00:39:15,400 --> 00:39:17,800
Speaker 4: Clayton Powell in the sixties. Adam Clayton Powell is famous

880
00:39:17,800 --> 00:39:18,960
Speaker 4: senator from Harlem.

881
00:39:19,200 --> 00:39:23,719
Speaker 2: They formed voting Black Adam Clayton, Adam CLA. Powell. You

882
00:39:23,800 --> 00:39:29,960
Speaker 2: know what exactly, That's what I'm talking about. I got awkward.

883
00:39:29,960 --> 00:39:31,720
Speaker 2: I'm sorry, but that's.

884
00:39:31,520 --> 00:39:35,560
Speaker 4: That's real ship said, So Adam Clayton got with Malcolm

885
00:39:35,719 --> 00:39:38,600
Speaker 4: X and they formed voting blocks. So you see the

886
00:39:38,640 --> 00:39:40,960
Speaker 4: Irish people in New York and the Jewish people, they

887
00:39:41,040 --> 00:39:43,839
Speaker 4: vote as a as a community. They get they they

888
00:39:43,840 --> 00:39:45,720
Speaker 4: get their ship if they if they want some trash.

889
00:39:46,480 --> 00:39:48,440
Speaker 4: The Cubans in Miami, they went to trash cleaned up.

890
00:39:48,520 --> 00:39:51,040
Speaker 4: They want to stop sign whatever they want they get

891
00:39:51,239 --> 00:39:53,719
Speaker 4: because they vote as voting blocks. As African American people,

892
00:39:53,719 --> 00:39:56,560
Speaker 4: we don't do that. Adam Clayton, Powell, Malcolm X figured

893
00:39:56,560 --> 00:39:58,759
Speaker 4: out how to do that. That's what convinced me that

894
00:39:58,800 --> 00:40:00,960
Speaker 4: the vote is worse some you vote on me, not

895
00:40:01,120 --> 00:40:04,080
Speaker 4: and as an individually. Because Electoral College ensure that all

896
00:40:04,120 --> 00:40:06,880
Speaker 4: the white people and all the rich landowners, they all

897
00:40:06,920 --> 00:40:09,800
Speaker 4: the people own land and rich people. The Electoral College

898
00:40:09,840 --> 00:40:11,680
Speaker 4: make sure that they vote count more than the vote

899
00:40:11,680 --> 00:40:13,359
Speaker 4: in California count more than the vote in New York

900
00:40:13,360 --> 00:40:15,879
Speaker 4: because California is a bigger place and more rich people

901
00:40:15,960 --> 00:40:16,640
Speaker 4: own land there.

902
00:40:16,880 --> 00:40:17,520
Speaker 2: You know what I'm saying.

903
00:40:17,760 --> 00:40:20,240
Speaker 4: So, but if we get together and vote as a block,

904
00:40:20,320 --> 00:40:22,440
Speaker 4: like the Cuban people in Miami or the Jewis Jewish

905
00:40:22,480 --> 00:40:24,760
Speaker 4: people do in New York, then we can affect change,

906
00:40:24,960 --> 00:40:25,920
Speaker 4: and that's what I'm down with.

907
00:40:26,000 --> 00:40:28,000
Speaker 2: You know, I live. I'm gonna let you know right now. Yes,

908
00:40:28,320 --> 00:40:31,640
Speaker 2: the hip hop community get together and vote for you.

909
00:40:31,719 --> 00:40:35,239
Speaker 2: Now you're gonna take the job. God Son. We got people.

910
00:40:35,280 --> 00:40:37,879
Speaker 4: We got Rasparaka. He was on a Lauryn Hill album.

911
00:40:37,920 --> 00:40:40,880
Speaker 4: That's Amer Barack. I went to Cuba of Ross Barack.

912
00:40:40,680 --> 00:40:43,719
Speaker 2: And I met Asda Core with Ross Baraka, and he's

913
00:40:44,800 --> 00:40:48,280
Speaker 2: he's done there. He's the mayor of Newark, New Jersey

914
00:40:48,360 --> 00:40:52,080
Speaker 2: right now. He was not there. Tupaca is alive when

915
00:40:52,080 --> 00:40:54,359
Speaker 2: I went there.

916
00:40:55,600 --> 00:40:59,760
Speaker 4: Uh Asada is there and shout out to Nahanda Abbiyo,

917
00:41:00,239 --> 00:41:00,640
Speaker 4: she's dead.

918
00:41:00,680 --> 00:41:02,359
Speaker 2: We went to Cuba. You know what I'm saying. But

919
00:41:02,520 --> 00:41:04,200
Speaker 2: that's what I'm saying that You've been going to Cuba

920
00:41:04,200 --> 00:41:06,680
Speaker 2: for a long time, but I went once one.

921
00:41:07,280 --> 00:41:09,440
Speaker 7: You don't get to just know when that that helped us.

922
00:41:09,520 --> 00:41:10,920
Speaker 7: You're in hip hop into.

923
00:41:11,080 --> 00:41:13,000
Speaker 2: Listen, yeah, yeah, yeah, but look at that.

924
00:41:13,120 --> 00:41:15,000
Speaker 5: You helped the Cubans go back to Cubook. Come on,

925
00:41:15,080 --> 00:41:15,799
Speaker 5: make no doubt you know.

926
00:41:15,920 --> 00:41:20,680
Speaker 2: Yeah, We're gonna make it. We're gonna force man. I'm

927
00:41:20,680 --> 00:41:22,920
Speaker 2: gonna start up. I'm gonna start up. What is it

928
00:41:22,960 --> 00:41:26,320
Speaker 2: a petition? A petition. We're gonna hit everybody on Twitter

929
00:41:26,360 --> 00:41:28,719
Speaker 2: every day. We need a hip hop man. That's the

930
00:41:28,800 --> 00:41:29,200
Speaker 2: hip hop.

931
00:41:29,280 --> 00:41:32,920
Speaker 4: But we got the from Jersey Jersey about Corey Booker.

932
00:41:33,000 --> 00:41:33,800
Speaker 2: He's hip hop Corey.

933
00:41:34,680 --> 00:41:36,640
Speaker 4: Rasp Barack is what I'm talking about. He ran against

934
00:41:36,640 --> 00:41:37,600
Speaker 4: Corey Booker Back of the Day.

935
00:41:37,640 --> 00:41:38,120
Speaker 2: He lost.

936
00:41:38,400 --> 00:41:41,640
Speaker 4: Corey Booking more mainstream. Corey Booker is Corey book is good.

937
00:41:41,680 --> 00:41:42,280
Speaker 2: He like Top.

938
00:41:44,280 --> 00:41:47,359
Speaker 5: Good, Top forty and Homeboy is underground. That's exactly right,

939
00:41:48,200 --> 00:41:52,719
Speaker 5: rasp Barock. But Corey books now, Cory book is a setting. Guys,

940
00:41:53,320 --> 00:41:54,239
Speaker 5: he's gonna make it too far.

941
00:41:54,719 --> 00:41:55,920
Speaker 2: Ras knew it.

942
00:41:56,840 --> 00:42:00,399
Speaker 4: I'm going to rasp Baracker having a meeting and two

943
00:42:00,440 --> 00:42:03,560
Speaker 4: weeks with Black Lives Matter, Me Rhapsody and Buster Rom's going.

944
00:42:04,239 --> 00:42:05,839
Speaker 2: You know what I'm saying. Shout out to rasp Rock.

945
00:42:07,040 --> 00:42:12,200
Speaker 2: This makes some noise. Rasp Barck. Lord Hill with the

946
00:42:12,360 --> 00:42:14,200
Speaker 2: album Lauren mis Education Lauren Hill.

947
00:42:14,200 --> 00:42:16,320
Speaker 4: When he has the interviews where they got the principal

948
00:42:16,360 --> 00:42:19,680
Speaker 4: talking to the kids, that's Rasparo. He run a school.

949
00:42:19,680 --> 00:42:20,320
Speaker 4: He is a principal.

950
00:42:20,360 --> 00:42:32,160
Speaker 2: He has a school official like a referee with a whistle. Now,

951
00:42:32,239 --> 00:42:35,240
Speaker 2: what is the name Tyler? Shout out to my parents

952
00:42:35,280 --> 00:42:39,920
Speaker 2: you know that's your name. Qual Green is my born name.

953
00:42:40,000 --> 00:42:42,920
Speaker 2: So how bad is it you going through customs? After not?

954
00:42:43,360 --> 00:42:45,000
Speaker 4: It was pretty bad, you know. And my d j's

955
00:42:45,080 --> 00:42:48,480
Speaker 4: name is Hussein albu Becker.

956
00:42:50,120 --> 00:42:52,239
Speaker 5: Was was was was musa Ab.

957
00:42:52,840 --> 00:43:00,400
Speaker 2: But your niggas chose some of the Muslim names. He

958
00:43:00,480 --> 00:43:06,080
Speaker 2: was born, he was Mussolini was born Muslim. Listen.

959
00:43:06,120 --> 00:43:08,640
Speaker 5: So I used to travel with a person named Musa

960
00:43:08,680 --> 00:43:11,760
Speaker 5: Abdella and Ali s Sammy.

961
00:43:12,040 --> 00:43:15,440
Speaker 2: It wasn't great for me going through customers. I had

962
00:43:15,440 --> 00:43:17,080
Speaker 2: to learn to leave them. But I had to be

963
00:43:17,120 --> 00:43:18,759
Speaker 2: like yo, you know, yeah, you wait for your man

964
00:43:19,040 --> 00:43:21,319
Speaker 2: and he'd be like, nah, that's not working, I'm saying.

965
00:43:21,400 --> 00:43:27,000
Speaker 2: But after not eleven, I got stopped everywhere. But you look,

966
00:43:27,320 --> 00:43:31,120
Speaker 2: what's the new nigga? I'm curing, you know, I'm sorry

967
00:43:31,320 --> 00:43:31,800
Speaker 2: my niggas.

968
00:43:31,840 --> 00:43:34,479
Speaker 4: Niggas started wrapping American flags around their head, like.

969
00:43:37,360 --> 00:43:41,120
Speaker 2: For that's that that? This is crazy? So did you

970
00:43:41,160 --> 00:43:43,520
Speaker 2: have problems going through customs or no? Yeah? I mean

971
00:43:43,560 --> 00:43:44,759
Speaker 2: you know I got yeah, you know, I got the

972
00:43:44,840 --> 00:43:45,959
Speaker 2: random search. You know what I'm saying.

973
00:43:46,080 --> 00:43:47,120
Speaker 4: But I had been used to it.

974
00:43:47,040 --> 00:43:49,080
Speaker 2: By that time. I traveled the world a bunch of times.

975
00:43:49,400 --> 00:43:51,239
Speaker 2: I was saying like that, it's different every country we

976
00:43:51,239 --> 00:43:54,880
Speaker 2: got Russia. I got stopped by the everybody gets harassed Russia.

977
00:43:54,920 --> 00:43:55,759
Speaker 2: Goddamn five.

978
00:43:55,920 --> 00:43:56,640
Speaker 4: I got by this.

979
00:43:57,000 --> 00:44:00,960
Speaker 2: Maybe not. I was f p whoa, WHOA. Hold on,

980
00:44:01,040 --> 00:44:05,000
Speaker 2: let's get into this story ahead. Break look.

981
00:44:05,680 --> 00:44:12,120
Speaker 4: I pulled up to the airport. They was like, they

982
00:44:12,120 --> 00:44:15,600
Speaker 4: pulled me to the side, put me in the back room.

983
00:44:15,840 --> 00:44:19,040
Speaker 4: They said, on this night, where was you? I was

984
00:44:19,080 --> 00:44:23,279
Speaker 4: in cutting room studios, working on my arm quality. I

985
00:44:23,320 --> 00:44:28,760
Speaker 4: was listening to Stokely Carmichaels speech Black Panther, Black Power.

986
00:44:28,760 --> 00:44:30,680
Speaker 4: He was the one who showed in the era of

987
00:44:30,680 --> 00:44:31,040
Speaker 4: black power.

988
00:44:31,400 --> 00:44:31,799
Speaker 2: Knew this.

989
00:44:32,480 --> 00:44:35,359
Speaker 4: They started talking to me about this. The reason they

990
00:44:35,400 --> 00:44:37,799
Speaker 4: knew this is because when I booked my flight, I

991
00:44:37,840 --> 00:44:40,480
Speaker 4: booked my flight with Jet Blue while I was listening

992
00:44:40,480 --> 00:44:40,960
Speaker 4: to this speech.

993
00:44:41,760 --> 00:44:44,000
Speaker 2: Are we supposed to make Are we supposed to make noise?

994
00:44:44,040 --> 00:44:50,520
Speaker 2: With Jet Blue? Continue?

995
00:44:50,560 --> 00:44:52,760
Speaker 4: They pulled me and they showed me a list of names,

996
00:44:53,080 --> 00:44:54,880
Speaker 4: and all the names was blacked out except for my

997
00:44:54,920 --> 00:44:58,480
Speaker 4: wife dj Q and my manager at the time, Corey Smith.

998
00:44:59,000 --> 00:45:01,960
Speaker 2: Corey Smith, he and it's Vincent Stables. That's right. At

999
00:45:02,000 --> 00:45:03,319
Speaker 2: one point, continue right, you're on.

1000
00:45:03,320 --> 00:45:05,560
Speaker 4: Point, they said, do you know these people had my

1001
00:45:05,600 --> 00:45:07,719
Speaker 4: manager and my wife's name. That's it. Everybody else was black.

1002
00:45:07,760 --> 00:45:07,920
Speaker 2: Guy.

1003
00:45:08,040 --> 00:45:09,439
Speaker 4: I said, I know them. I said, that's my manor

1004
00:45:09,480 --> 00:45:10,759
Speaker 4: that's my wife. I said, why do you got the people?

1005
00:45:10,840 --> 00:45:12,720
Speaker 4: They said, those are the people you travel with the most.

1006
00:45:13,600 --> 00:45:15,000
Speaker 2: You know what I'm saying. I said, why do you

1007
00:45:15,000 --> 00:45:15,680
Speaker 2: stop it? They pulled me.

1008
00:45:15,800 --> 00:45:17,400
Speaker 4: They pulled me, they said they questions, asked me all

1009
00:45:17,400 --> 00:45:19,400
Speaker 4: these questions. They said, you was listening to a speech

1010
00:45:20,000 --> 00:45:21,680
Speaker 4: that seem violent and anti government.

1011
00:45:21,800 --> 00:45:25,600
Speaker 2: God. But where he was listening to the speech out.

1012
00:45:25,440 --> 00:45:28,120
Speaker 4: Again in the studio and cutting room, studio six seventy eight,

1013
00:45:30,239 --> 00:45:34,040
Speaker 4: just La the working when he was justin before, Just Blaze.

1014
00:45:33,719 --> 00:45:35,759
Speaker 2: When he was just when he was just my man.

1015
00:45:36,080 --> 00:45:37,120
Speaker 2: He's a Phillies for me.

1016
00:45:37,120 --> 00:45:39,960
Speaker 4: But that's when he was an intern. Just Blaze used

1017
00:45:40,000 --> 00:45:42,280
Speaker 4: to be up at night, late and night in the studio.

1018
00:45:42,280 --> 00:45:44,360
Speaker 2: Where it is, mom, I love your I love his grind.

1019
00:45:44,840 --> 00:45:46,000
Speaker 2: That's where. That's where I was at.

1020
00:45:46,040 --> 00:45:48,200
Speaker 4: And when I got to the airport. This was when

1021
00:45:48,239 --> 00:45:50,720
Speaker 4: jet Blue was first rememberh jet Blue was first cracking.

1022
00:45:52,000 --> 00:45:57,360
Speaker 2: I'm sorry, I don't funk with Jet Blue. With Jet Blue,

1023
00:45:58,239 --> 00:46:04,520
Speaker 2: let's make some noise for United. I'm talking it is

1024
00:46:05,040 --> 00:46:07,640
Speaker 2: enjoys me. Back in the days, but they still had

1025
00:46:07,640 --> 00:46:15,400
Speaker 2: the t W A terminal back in just that was

1026
00:46:15,440 --> 00:46:19,080
Speaker 2: before Miles. Nobody had Miles. Back then, you can drink

1027
00:46:19,400 --> 00:46:22,280
Speaker 2: in the tecond floor. It's like, yeah, this is paper,

1028
00:46:22,320 --> 00:46:25,400
Speaker 2: my man, he just came home. We just came homess.

1029
00:46:25,520 --> 00:46:27,040
Speaker 2: He smokes clear paper.

1030
00:46:27,320 --> 00:46:29,520
Speaker 4: Yeah, this is that official like this vegan like this

1031
00:46:29,640 --> 00:46:30,280
Speaker 4: vegan smoking?

1032
00:46:30,360 --> 00:46:33,759
Speaker 2: Is that like vegans? We have vegan smoke here, let's

1033
00:46:33,760 --> 00:46:35,600
Speaker 2: make some noise with vegan smoke. We don't know what

1034
00:46:35,600 --> 00:46:37,920
Speaker 2: it is. I got a vegan joke. I got a

1035
00:46:38,000 --> 00:46:42,160
Speaker 2: vegan joke. How do you know somebody a vegan? Don't worry.

1036
00:46:42,160 --> 00:46:48,400
Speaker 2: They fucking tell you vegans get the joke. Yeah, we

1037
00:46:48,440 --> 00:46:53,160
Speaker 2: didn't get the joke, all right, Tyler. I hate to

1038
00:46:53,160 --> 00:46:56,560
Speaker 2: switch the subject. I hate to ask you this, but

1039
00:46:56,680 --> 00:46:59,719
Speaker 2: you know what happened. We had the guard body Care

1040
00:47:00,160 --> 00:47:03,280
Speaker 2: on this show. That's my mentor, that's my that's my mentor.

1041
00:47:03,400 --> 00:47:08,800
Speaker 2: That's mention. Yeah, yeah, because you know why he didn't

1042
00:47:08,800 --> 00:47:11,560
Speaker 2: have a chance to defend himself. I know exactly. Let

1043
00:47:11,600 --> 00:47:13,920
Speaker 2: me let me what happened. I got an opinion on this.

1044
00:47:14,280 --> 00:47:16,480
Speaker 2: Let me let me. I got because because this is

1045
00:47:16,520 --> 00:47:18,000
Speaker 2: let me hear you take it. So this is this

1046
00:47:18,040 --> 00:47:21,040
Speaker 2: is the thing, right, care Rest is my mentor.

1047
00:47:21,120 --> 00:47:24,440
Speaker 4: He's Nigga from Queens.

1048
00:47:24,000 --> 00:47:27,439
Speaker 2: That's an extra that means extra more. And I said

1049
00:47:27,520 --> 00:47:30,160
Speaker 2: to him on the podcast, I always said that that

1050
00:47:30,200 --> 00:47:30,600
Speaker 2: means a lot.

1051
00:47:30,760 --> 00:47:33,280
Speaker 5: So what happened was I asked him about this question

1052
00:47:33,719 --> 00:47:35,280
Speaker 5: and care Rest is long winded.

1053
00:47:35,280 --> 00:47:37,680
Speaker 2: What I mean by long winded is he can't give

1054
00:47:38,160 --> 00:47:42,879
Speaker 2: cares he'll give you He'll give you a three minute answer, right.

1055
00:47:43,160 --> 00:47:45,920
Speaker 2: So what I wanted from care Rest was YO when

1056
00:47:45,960 --> 00:47:49,560
Speaker 2: I asked this question, and so when he didn't answer

1057
00:47:49,680 --> 00:47:52,120
Speaker 2: like that, I know the Internet, like you know, you

1058
00:47:52,200 --> 00:47:54,799
Speaker 2: know the Internet. So this is the reason why, because

1059
00:47:54,800 --> 00:47:57,000
Speaker 2: they're gonna they're gonna shorten it. No matter how which

1060
00:47:57,000 --> 00:48:00,560
Speaker 2: way I ask you this, they're gonna shorten it. You

1061
00:48:00,600 --> 00:48:01,760
Speaker 2: know what I'm saying, it's risk.

1062
00:48:02,760 --> 00:48:05,080
Speaker 5: So when I realized that Chris was going, you know,

1063
00:48:05,239 --> 00:48:07,640
Speaker 5: a little too far, I kind of let him answer,

1064
00:48:07,719 --> 00:48:09,759
Speaker 5: but I changed the subject. And the Internet is like

1065
00:48:10,480 --> 00:48:13,480
Speaker 5: gout off, that's one that does not care. As for

1066
00:48:13,880 --> 00:48:15,439
Speaker 5: I'm sure he was going to get to the point

1067
00:48:15,440 --> 00:48:16,160
Speaker 5: to say that that.

1068
00:48:16,640 --> 00:48:20,440
Speaker 2: This part and this part is wrong, but when he

1069
00:48:20,560 --> 00:48:24,160
Speaker 2: kept you know, prolonging. You know, I understand it. It's

1070
00:48:24,160 --> 00:48:26,719
Speaker 2: about like that, like you already see how we cut

1071
00:48:26,719 --> 00:48:28,680
Speaker 2: each other off. You know what I'm saying, because we

1072
00:48:29,120 --> 00:48:30,920
Speaker 2: already know we cut it up for one minute to

1073
00:48:30,960 --> 00:48:33,640
Speaker 2: thirty minutes and fifteen second clips. We got it already

1074
00:48:33,640 --> 00:48:36,520
Speaker 2: designed in our head, right, all right? So I asked,

1075
00:48:36,560 --> 00:48:39,640
Speaker 2: caris this question? I said, what should we do with

1076
00:48:39,840 --> 00:48:43,640
Speaker 2: African baan bada and the situation? Right?

1077
00:48:44,560 --> 00:48:46,640
Speaker 5: And Chris, you know, I don't want to say he

1078
00:48:46,680 --> 00:48:50,080
Speaker 5: defended them. He defended their relationship.

1079
00:48:49,520 --> 00:48:53,719
Speaker 2: Yeah, which is totally fine. But the Internet wanted him

1080
00:48:53,760 --> 00:48:55,600
Speaker 2: to say, boom, this is wrong.

1081
00:48:56,920 --> 00:48:58,920
Speaker 5: He's still my man. But if it's you know what

1082
00:48:58,960 --> 00:49:02,000
Speaker 5: I'm saying, And so I have to ask you pretty

1083
00:49:02,080 --> 00:49:03,000
Speaker 5: much the same question.

1084
00:49:03,000 --> 00:49:09,040
Speaker 4: Well, here's the thing, Okay, the language of political correctness

1085
00:49:09,840 --> 00:49:13,880
Speaker 4: evolves over time, and if you're not really engaged in

1086
00:49:13,920 --> 00:49:16,800
Speaker 4: paying attention like every second to the Internet and to

1087
00:49:17,320 --> 00:49:20,480
Speaker 4: the social media and what people are saying an academic

1088
00:49:20,640 --> 00:49:23,800
Speaker 4: language and how people are dealing with everything, for racism,

1089
00:49:24,000 --> 00:49:28,080
Speaker 4: the sexism, the child abuse, to everything. You may just

1090
00:49:28,160 --> 00:49:31,800
Speaker 4: talk and speak your mind, but because people receive a

1091
00:49:31,800 --> 00:49:33,799
Speaker 4: lot more information, they may not understand where you're coming

1092
00:49:33,800 --> 00:49:36,080
Speaker 4: from like you and me speak a certain language.

1093
00:49:35,760 --> 00:49:36,640
Speaker 2: Because we're from New York.

1094
00:49:37,000 --> 00:49:38,880
Speaker 4: You want me to speak a certain language because we

1095
00:49:39,040 --> 00:49:42,239
Speaker 4: hip hop, or because we minority, or because you know

1096
00:49:42,239 --> 00:49:45,840
Speaker 4: what I'm saying. Care Rest is an older gentleman and

1097
00:49:45,840 --> 00:49:47,560
Speaker 4: he's a teacher. He's a teacher, but he comes from

1098
00:49:47,560 --> 00:49:49,840
Speaker 4: a different generation. He comes from an older generation with

1099
00:49:49,960 --> 00:49:52,680
Speaker 4: a language and the paradigm and everything that they informed

1100
00:49:52,719 --> 00:49:55,480
Speaker 4: by is different than now. So the way that the

1101
00:49:55,640 --> 00:49:59,520
Speaker 4: language that he's speaking on current topics is different is

1102
00:49:59,640 --> 00:50:02,719
Speaker 4: why you hear older people speaking and you may not

1103
00:50:02,760 --> 00:50:03,520
Speaker 4: relate to them.

1104
00:50:03,760 --> 00:50:06,640
Speaker 2: He'd be like, oh, she's changed since then.

1105
00:50:07,160 --> 00:50:09,720
Speaker 4: So not only are you dealing with somebody who's older

1106
00:50:10,400 --> 00:50:13,000
Speaker 4: and somebody who's not engaged with the current language.

1107
00:50:13,200 --> 00:50:16,560
Speaker 2: But I don't think he understood the facts neither. But

1108
00:50:16,680 --> 00:50:19,080
Speaker 2: you also none of us knew the fact of us.

1109
00:50:19,080 --> 00:50:22,520
Speaker 2: Don't listen. Listen, But now we know the accusation. Caress

1110
00:50:22,600 --> 00:50:24,640
Speaker 2: is from a generation that's from before the Internet. He

1111
00:50:24,680 --> 00:50:26,759
Speaker 2: had a beeper still, he's from before the inn. Does

1112
00:50:26,800 --> 00:50:31,279
Speaker 2: not have a business people that his phone.

1113
00:50:31,320 --> 00:50:33,200
Speaker 5: I ain't gonna lie. I was embarrassed. I wanted I

1114
00:50:33,200 --> 00:50:34,480
Speaker 5: told him I was gonna buy him for you've been

1115
00:50:34,480 --> 00:50:35,600
Speaker 5: embarrassed on everybody's phone.

1116
00:50:35,600 --> 00:50:40,080
Speaker 2: I ain't gonna lie. I've been disappointed. You don't put.

1117
00:50:42,440 --> 00:50:44,600
Speaker 5: Cracks in school. As long as it's you're up to date.

1118
00:50:45,000 --> 00:50:51,000
Speaker 5: Cars Carress still had a two way two ways. I'm

1119
00:50:51,040 --> 00:50:52,680
Speaker 5: just playing, Cares. He knows like a joke on.

1120
00:50:52,719 --> 00:50:55,200
Speaker 2: Them, but ahead, But you know what it is. Here's

1121
00:50:55,200 --> 00:50:58,000
Speaker 2: the thing, Cares.

1122
00:50:59,360 --> 00:51:01,719
Speaker 4: It's clear to me, I'm gonna be one hundred percent honest.

1123
00:51:01,719 --> 00:51:05,000
Speaker 4: It's clear to me as as as a fan of

1124
00:51:05,040 --> 00:51:08,160
Speaker 4: care Rests, as someone who knows him personally, that he doesn't.

1125
00:51:07,920 --> 00:51:10,600
Speaker 2: Condone any of the accusations.

1126
00:51:10,719 --> 00:51:14,680
Speaker 4: Of course he of course he doesn't, even even with

1127
00:51:14,880 --> 00:51:17,560
Speaker 4: care Rests making a record like thirteen and Good because

1128
00:51:17,560 --> 00:51:19,520
Speaker 4: a lot of people have given him flack, A lot

1129
00:51:19,560 --> 00:51:22,960
Speaker 4: of flak has come back, has haunted him for this

1130
00:51:23,040 --> 00:51:25,239
Speaker 4: record that he did years ago that I wrote.

1131
00:51:25,320 --> 00:51:26,440
Speaker 2: I read his he read it.

1132
00:51:26,440 --> 00:51:28,879
Speaker 4: He wrote a whole op ad because of his drink

1133
00:51:29,000 --> 00:51:32,200
Speaker 4: Champs thing that I read. You know what I'm saying,

1134
00:51:32,440 --> 00:51:34,759
Speaker 4: And he said, he said a record that I did

1135
00:51:34,800 --> 00:51:39,520
Speaker 4: as a joke. We used to joke about rape and

1136
00:51:39,600 --> 00:51:40,280
Speaker 4: child abused.

1137
00:51:40,320 --> 00:51:42,719
Speaker 2: Back in the day. We used to use the word

1138
00:51:42,800 --> 00:51:45,520
Speaker 2: faggot with no remorse and no.

1139
00:51:45,719 --> 00:51:47,560
Speaker 4: We come from a if you older, we come from

1140
00:51:47,600 --> 00:51:51,160
Speaker 4: a generation where that wasn't taboo, that wasn't we wasn't enlightened,

1141
00:51:51,320 --> 00:51:54,560
Speaker 4: We wasn't involved evolved enough to understand what was wrong

1142
00:51:54,600 --> 00:51:58,759
Speaker 4: with those things, and we engaged in those things. When

1143
00:51:58,800 --> 00:51:59,600
Speaker 4: I was growing up, I.

1144
00:51:59,600 --> 00:52:00,480
Speaker 2: Used to word faggot.

1145
00:52:00,760 --> 00:52:03,919
Speaker 4: I called niggas punks right now, right now, like even

1146
00:52:03,920 --> 00:52:06,080
Speaker 4: the term man up. You know what I'm saying, Like

1147
00:52:06,360 --> 00:52:07,759
Speaker 4: you know what I'm saying. Like I grew up saying

1148
00:52:07,800 --> 00:52:10,279
Speaker 4: man up. I've told my son man up. But as

1149
00:52:10,280 --> 00:52:12,520
Speaker 4: a forty year old man, I made a decision to

1150
00:52:12,520 --> 00:52:15,520
Speaker 4: stop using that term because I realized it's sexist. I

1151
00:52:15,600 --> 00:52:18,279
Speaker 4: realized that in the Gates and the racist women when

1152
00:52:18,280 --> 00:52:19,080
Speaker 4: I say man up.

1153
00:52:19,200 --> 00:52:20,760
Speaker 2: But I'm still evolving.

1154
00:52:20,280 --> 00:52:23,920
Speaker 4: As a man. I'm still evolving as a man. And

1155
00:52:23,960 --> 00:52:26,200
Speaker 4: as we grow and we evolve, we do things as

1156
00:52:26,200 --> 00:52:28,840
Speaker 4: we're younger, you know what I'm saying. In the seventies,

1157
00:52:29,120 --> 00:52:31,719
Speaker 4: I watched TV shows and clips from the seventies and

1158
00:52:31,840 --> 00:52:33,200
Speaker 4: the eighties and early eighties where.

1159
00:52:33,040 --> 00:52:34,719
Speaker 2: People was getting away with shit that you put it

1160
00:52:34,719 --> 00:52:35,240
Speaker 2: on the internet.

1161
00:52:35,280 --> 00:52:37,279
Speaker 5: Now crazy, Now, you know what I watched the other

1162
00:52:37,360 --> 00:52:38,440
Speaker 5: day that was fucked me up.

1163
00:52:38,480 --> 00:52:42,440
Speaker 2: And this is real shit. Punker had no avenge of

1164
00:52:42,440 --> 00:52:46,560
Speaker 2: the nerds, revenge of the nerds. I remember three, he

1165
00:52:46,600 --> 00:52:49,520
Speaker 2: had four. Actually he had be with the other dude.

1166
00:52:50,040 --> 00:52:53,400
Speaker 2: So he went in there and he pulled he dressed

1167
00:52:53,440 --> 00:52:56,320
Speaker 2: as the other dude and he basically raped the chick.

1168
00:52:57,400 --> 00:52:59,799
Speaker 2: And that shit was funny. But if it comes out now,

1169
00:53:00,120 --> 00:53:01,240
Speaker 2: even came out now.

1170
00:53:01,120 --> 00:53:04,919
Speaker 7: That because he looked at the whole friends the rap pack,

1171
00:53:05,040 --> 00:53:06,680
Speaker 7: they was they.

1172
00:53:08,719 --> 00:53:11,880
Speaker 2: Want and that's like the good time the fellas. We

1173
00:53:11,920 --> 00:53:14,600
Speaker 2: gotta make a point because it's gonna look crazy. Got

1174
00:53:14,760 --> 00:53:16,760
Speaker 2: let's get to the point we're trying to make. Because

1175
00:53:22,320 --> 00:53:23,200
Speaker 2: make the point.

1176
00:53:23,040 --> 00:53:26,160
Speaker 4: The Zulu Nation and Terris One and all these people

1177
00:53:26,160 --> 00:53:29,520
Speaker 4: who come from a different error the way that they's

1178
00:53:30,360 --> 00:53:30,920
Speaker 4: I had to go.

1179
00:53:31,120 --> 00:53:35,680
Speaker 2: We're gonna make a point because listen, because listen, we

1180
00:53:35,719 --> 00:53:38,480
Speaker 2: went to we went to like a dumb area. We did.

1181
00:53:38,560 --> 00:53:41,120
Speaker 2: He's the smartest nigga here. We gotta make him make

1182
00:53:41,239 --> 00:53:41,799
Speaker 2: sense of this.

1183
00:53:41,880 --> 00:53:45,239
Speaker 4: Come on, nigga with yeah, I bet you.

1184
00:53:47,960 --> 00:53:52,000
Speaker 2: Dane is Jamaican. They got seventeen jobs. Two living languages,

1185
00:53:52,080 --> 00:53:59,600
Speaker 2: of course, any from London. Anything he speaks Jamaican from London,

1186
00:53:59,640 --> 00:53:59,959
Speaker 2: he spent.

1187
00:54:03,200 --> 00:54:04,800
Speaker 5: Let's make that point. Let's make the point. But we

1188
00:54:04,880 --> 00:54:07,279
Speaker 5: gotta make the point. You know, Listen, they're gonna fry

1189
00:54:07,320 --> 00:54:08,040
Speaker 5: you on the internet.

1190
00:54:08,320 --> 00:54:09,960
Speaker 2: You gotta tell clear.

1191
00:54:12,160 --> 00:54:12,359
Speaker 7: Fault.

1192
00:54:14,880 --> 00:54:17,680
Speaker 2: Listen. The response has to be responsible.

1193
00:54:17,960 --> 00:54:20,680
Speaker 4: Now, the Puerto Rican sister I referred to Rosa Clemente

1194
00:54:20,800 --> 00:54:24,319
Speaker 4: or DJ Cutting Candy and a bunch of people that

1195
00:54:24,480 --> 00:54:27,839
Speaker 4: they rock with. They fashion a response to the Zulu

1196
00:54:27,920 --> 00:54:31,960
Speaker 4: Nation accusations. Because let's be clear, there's still accusations. But

1197
00:54:32,000 --> 00:54:34,320
Speaker 4: even though the accusations, you have to take them seriously.

1198
00:54:34,560 --> 00:54:35,800
Speaker 2: You have to use the word victim.

1199
00:54:35,960 --> 00:54:38,520
Speaker 4: You have to say that these people are victims until

1200
00:54:38,800 --> 00:54:41,160
Speaker 4: proven otherwise, you know what I'm saying, Like, you have

1201
00:54:41,200 --> 00:54:45,359
Speaker 4: to take it seriously. African abouty should step down? Nation

1202
00:54:45,480 --> 00:54:47,680
Speaker 4: should should step up in a way that they have

1203
00:54:47,840 --> 00:54:51,640
Speaker 4: not stepped up before. Rosa Clemente and Cutting Candy they

1204
00:54:51,640 --> 00:54:53,759
Speaker 4: are they are female members of the Zulu Nation.

1205
00:54:54,400 --> 00:54:56,520
Speaker 2: They wrote a response that I retweeted on my account.

1206
00:54:57,440 --> 00:55:01,160
Speaker 4: If you google Cutting Candy, Rosa cl Mandy, Zulu Nation,

1207
00:55:01,280 --> 00:55:05,000
Speaker 4: you'll see they wrote the hip hop response that I

1208
00:55:05,040 --> 00:55:05,680
Speaker 4: co signed.

1209
00:55:06,000 --> 00:55:06,799
Speaker 2: A response from.

1210
00:55:06,760 --> 00:55:08,880
Speaker 4: Hip hop to the Alex This is what this is

1211
00:55:08,920 --> 00:55:10,279
Speaker 4: what hip hop is you know what I'm saying, Like

1212
00:55:10,640 --> 00:55:16,200
Speaker 4: they spoke about the silencing of victims. They spoke about

1213
00:55:16,239 --> 00:55:18,320
Speaker 4: how hard it is for victims of sexual abuse to

1214
00:55:18,360 --> 00:55:21,359
Speaker 4: speak up, and how it's taboo and how you ostracize

1215
00:55:21,360 --> 00:55:24,080
Speaker 4: if you're a victim of sexual abuse, and they spoke

1216
00:55:24,080 --> 00:55:26,440
Speaker 4: about all that, but they also spoke about how about it,

1217
00:55:26,520 --> 00:55:27,799
Speaker 4: how important he is to the coach.

1218
00:55:28,640 --> 00:55:31,879
Speaker 2: What I'm saying like, we can't with.

1219
00:55:31,880 --> 00:55:35,000
Speaker 4: Africa, Body and the Zulu nation, and we can separate

1220
00:55:35,280 --> 00:55:37,360
Speaker 4: if Africa.

1221
00:55:36,600 --> 00:55:39,080
Speaker 2: Has done done these things, and the evidence is pretty

1222
00:55:39,280 --> 00:55:43,680
Speaker 2: fucking strong, it's pretty strong. But if he's done these things,

1223
00:55:43,840 --> 00:55:48,680
Speaker 2: we can rememorate that from the Zulu nation trying to

1224
00:55:48,680 --> 00:55:51,920
Speaker 2: marriage it with the culture. Yea, Africa.

1225
00:55:52,160 --> 00:55:54,759
Speaker 4: This is somebody who as a as a somebody who

1226
00:55:54,840 --> 00:55:55,680
Speaker 4: loves hip hop.

1227
00:55:55,520 --> 00:55:59,000
Speaker 2: I've revered, I've looked up to. There's a cultural warship

1228
00:55:59,120 --> 00:56:00,720
Speaker 2: celebrity worship and around him.

1229
00:56:00,680 --> 00:56:04,000
Speaker 4: And people who worship him and people who because their

1230
00:56:04,080 --> 00:56:06,520
Speaker 4: introduction to hip hop and their relationship with hip hop

1231
00:56:06,560 --> 00:56:08,080
Speaker 4: is through Africa and Body.

1232
00:56:08,400 --> 00:56:10,000
Speaker 2: You know what I'm saying, We have to stay away

1233
00:56:10,000 --> 00:56:12,640
Speaker 2: from celebrity worship. He's just a man. You know what

1234
00:56:12,640 --> 00:56:14,759
Speaker 2: I'm saying. We have to acknowledge what he gave to

1235
00:56:14,800 --> 00:56:15,280
Speaker 2: the culture.

1236
00:56:15,600 --> 00:56:19,560
Speaker 4: But if these accusations and allegations are true and the

1237
00:56:19,600 --> 00:56:22,120
Speaker 4: evidence present itself that is true, we got to deal

1238
00:56:22,120 --> 00:56:23,359
Speaker 4: with it and we have to we have to take

1239
00:56:23,400 --> 00:56:26,439
Speaker 4: it seriously and we have to be responsible because we

1240
00:56:26,440 --> 00:56:28,560
Speaker 4: we as we come from a community of poor people.

1241
00:56:29,280 --> 00:56:31,759
Speaker 4: This this abuse and this type of stuff, whether he

1242
00:56:31,800 --> 00:56:34,640
Speaker 4: did it or not, it happens to poor people and

1243
00:56:34,640 --> 00:56:36,600
Speaker 4: it doesn't get reported, you know what I'm saying. So

1244
00:56:36,680 --> 00:56:38,800
Speaker 4: it's like we have to make sure that we step

1245
00:56:38,880 --> 00:56:42,000
Speaker 4: up and be responsible for you know, even fuck the

1246
00:56:42,000 --> 00:56:46,120
Speaker 4: court of law, how we deal with its culture.

1247
00:56:48,320 --> 00:56:48,719
Speaker 2: That's right.

1248
00:56:48,800 --> 00:56:50,880
Speaker 5: You know what I want to I want you to

1249
00:56:50,880 --> 00:56:53,399
Speaker 5: elaborate on is when you said they think he needs

1250
00:56:53,400 --> 00:56:55,800
Speaker 5: to step down, because a lot of people in the community.

1251
00:56:55,360 --> 00:56:58,040
Speaker 2: I think he did step out. Uh.

1252
00:56:58,280 --> 00:57:01,839
Speaker 5: The brother Muhammad, which was like lifelong security guard, had

1253
00:57:01,880 --> 00:57:03,600
Speaker 5: just said the same thing. So I just wanted you

1254
00:57:03,640 --> 00:57:06,279
Speaker 5: to elaborate on for the people who don't know, you

1255
00:57:06,320 --> 00:57:08,440
Speaker 5: know what I'm saying, Like, what do you mean by that?

1256
00:57:08,480 --> 00:57:11,680
Speaker 4: Because well, because there's so much speculation and so much

1257
00:57:11,840 --> 00:57:16,160
Speaker 4: un answered questions that you're tainting the legacy of Zulu

1258
00:57:16,240 --> 00:57:19,880
Speaker 4: nation by not either speaking up about it or stepping

1259
00:57:19,920 --> 00:57:21,280
Speaker 4: down like I feel like.

1260
00:57:21,760 --> 00:57:22,840
Speaker 2: And I can't speak on that.

1261
00:57:22,800 --> 00:57:25,040
Speaker 4: Man because I'm not that man, but I feel like

1262
00:57:25,080 --> 00:57:29,280
Speaker 4: it was if it was me, even the possibility to accusation,

1263
00:57:30,040 --> 00:57:31,680
Speaker 4: whether I did it or not, I would want to

1264
00:57:31,720 --> 00:57:36,360
Speaker 4: disassociate myself from hip hop, from Zulu Nation and deal

1265
00:57:36,400 --> 00:57:38,360
Speaker 4: with it my own and stepped down unless.

1266
00:57:38,200 --> 00:57:40,400
Speaker 2: You know what the effect that it's having on yet.

1267
00:57:41,200 --> 00:57:42,720
Speaker 4: And that's just me. You know, I can't speak for

1268
00:57:42,720 --> 00:57:47,720
Speaker 4: that man at all. You know what I'm saying, have

1269
00:57:47,760 --> 00:57:49,880
Speaker 4: you right? Do I need another Drenk drink?

1270
00:57:52,080 --> 00:57:53,680
Speaker 2: Make some noise for that? But I don't know if

1271
00:57:53,720 --> 00:57:55,240
Speaker 2: people will kill me for making noise.

1272
00:57:55,840 --> 00:57:58,320
Speaker 5: But listen, you know, thank you, you know, to live

1273
00:57:58,360 --> 00:58:02,640
Speaker 5: because you know why Chris again, who was my mentor,

1274
00:58:03,000 --> 00:58:05,040
Speaker 5: I knew he kind of didn't understand that he got away.

1275
00:58:05,160 --> 00:58:07,120
Speaker 4: We got away from that. Yeah, christ is Chris. Chris

1276
00:58:07,280 --> 00:58:09,760
Speaker 4: is somebody I think I think I'm paying attention to

1277
00:58:09,800 --> 00:58:11,760
Speaker 4: what he said on your show. I think it was

1278
00:58:11,800 --> 00:58:14,320
Speaker 4: clear and I paid attention to his op edd and

1279
00:58:14,360 --> 00:58:16,080
Speaker 4: I gotta say this and this, listen, let me, let

1280
00:58:16,120 --> 00:58:18,880
Speaker 4: me Chris is a friend of mine. We have records together.

1281
00:58:19,440 --> 00:58:21,120
Speaker 4: This is my mentor, this is my favorite m This

1282
00:58:21,200 --> 00:58:21,720
Speaker 4: is somebody.

1283
00:58:21,520 --> 00:58:25,680
Speaker 2: Who I've learned you because I heard y'all together the

1284
00:58:25,760 --> 00:58:28,600
Speaker 2: night before. I did a show with him the night before.

1285
00:58:29,320 --> 00:58:35,120
Speaker 4: And honestly, I gotta say this, I wish he wanted

1286
00:58:35,160 --> 00:58:36,919
Speaker 4: and wrote that op ed or I wish he would

1287
00:58:36,920 --> 00:58:38,520
Speaker 4: have wrote it in a different fashion, because I don't

1288
00:58:38,520 --> 00:58:40,520
Speaker 4: feel like he cleared anything up with the op end

1289
00:58:40,760 --> 00:58:43,440
Speaker 4: right exactly. I don't feel like the op ed helped him,

1290
00:58:43,760 --> 00:58:45,400
Speaker 4: you know what I'm saying. I feel like I don't.

1291
00:58:45,400 --> 00:58:48,160
Speaker 4: I don't feel like he clarified his position. You know,

1292
00:58:48,240 --> 00:58:50,960
Speaker 4: I think, as somebody who loves hip hop and somebody

1293
00:58:50,960 --> 00:58:53,440
Speaker 4: who understands the impact of what Africa about It has

1294
00:58:53,480 --> 00:58:55,680
Speaker 4: done for hip hop, I think that his vision was

1295
00:58:55,680 --> 00:58:58,040
Speaker 4: a little clouded when he wrote the op ed, you

1296
00:58:58,040 --> 00:58:59,960
Speaker 4: know what I'm saying, And I think that he was

1297
00:59:00,040 --> 00:59:02,440
Speaker 4: coming from a place of nostalgia and a place of

1298
00:59:02,920 --> 00:59:07,560
Speaker 4: maybe possibly emotion. And because I think that, you know,

1299
00:59:10,560 --> 00:59:13,600
Speaker 4: the whole like conspiracy theory thing, like the whole thing

1300
00:59:13,680 --> 00:59:17,480
Speaker 4: like we shouldn't even be speaking, we shouldn't even be

1301
00:59:17,520 --> 00:59:20,560
Speaker 4: speaking on that, you know what I'm saying, Like.

1302
00:59:20,040 --> 00:59:21,400
Speaker 2: The Chase many it's.

1303
00:59:21,280 --> 00:59:24,000
Speaker 4: This or that, and I think I think that as

1304
00:59:24,080 --> 00:59:26,960
Speaker 4: as people who love music and people want you have everything,

1305
00:59:27,040 --> 00:59:30,640
Speaker 4: have context. Karass is somebody who hip hop saved his life.

1306
00:59:30,680 --> 00:59:33,800
Speaker 4: This is somebody who was homeless and rose to be

1307
00:59:33,840 --> 00:59:36,720
Speaker 4: one of the greatest poets and musicians of all time.

1308
00:59:37,480 --> 00:59:40,240
Speaker 4: Fuck a genre, fucking music. Cars is one of the

1309
00:59:40,280 --> 00:59:43,400
Speaker 4: greatest of all time. And I think, yeah, and I

1310
00:59:43,400 --> 00:59:47,440
Speaker 4: think that we're not You're not going to understand his

1311
00:59:47,480 --> 00:59:49,480
Speaker 4: position on it unless you understand hip hop.

1312
00:59:51,160 --> 00:59:51,800
Speaker 2: That's what I'm saying.

1313
00:59:51,880 --> 00:59:54,520
Speaker 7: He wrote that odd he had just come off that

1314
00:59:54,640 --> 01:00:01,080
Speaker 7: long ass cruise, which is another We.

1315
01:00:01,080 --> 01:00:03,560
Speaker 2: Explained that on the show. It was like crazy because

1316
01:00:04,320 --> 01:00:07,600
Speaker 2: you know, I love Harris, that's my hero. Like, let

1317
01:00:07,600 --> 01:00:14,040
Speaker 2: me just say that it was that swarm was excellent.

1318
01:00:14,360 --> 01:00:16,280
Speaker 5: But you know, there's certain people that want to focus

1319
01:00:16,320 --> 01:00:17,680
Speaker 5: on that, and you know what, they have the right

1320
01:00:17,760 --> 01:00:19,280
Speaker 5: to because we're all public figures.

1321
01:00:19,880 --> 01:00:21,880
Speaker 2: People can just like this interview.

1322
01:00:21,880 --> 01:00:23,760
Speaker 5: We got some dope ship, and we're gonna go into

1323
01:00:23,800 --> 01:00:26,160
Speaker 5: some dope ship, but people get take and pick which

1324
01:00:26,200 --> 01:00:26,560
Speaker 5: they want.

1325
01:00:26,600 --> 01:00:30,000
Speaker 2: I can't wait to see what's out of pocket that's wrong.

1326
01:00:30,240 --> 01:00:32,120
Speaker 2: It's fantastic, don't worry about it'd be great.

1327
01:00:32,120 --> 01:00:32,360
Speaker 9: I love.

1328
01:00:32,680 --> 01:00:34,920
Speaker 4: I can't wait what it is, because you know I'm

1329
01:00:35,000 --> 01:00:38,840
Speaker 4: Iron claud I'm able to defend my positions every.

1330
01:00:39,360 --> 01:00:42,760
Speaker 2: I love that, I like Iron Cloud, Iron glad Clad.

1331
01:00:42,960 --> 01:00:47,400
Speaker 2: What does that mean? That means hardcore? Like that Iron.

1332
01:00:47,200 --> 01:00:53,040
Speaker 5: Cloud that you And I'm gonna say what that means? Yeah,

1333
01:00:53,520 --> 01:00:56,840
Speaker 5: what that means some Now Listen, you said it earlier Washington,

1334
01:00:56,840 --> 01:00:57,520
Speaker 5: this Whist Park.

1335
01:00:57,600 --> 01:01:00,960
Speaker 2: You said it very like nonchalantly. That's where you met

1336
01:01:01,040 --> 01:01:05,480
Speaker 2: Dave Chappelle. At No I met Dave Chapelle was working

1337
01:01:05,480 --> 01:01:08,200
Speaker 2: at the Q Books. You had a lot of jobs.

1338
01:01:08,560 --> 01:01:19,800
Speaker 4: I was a Jamaican, yeah, and I was dating a

1339
01:01:19,880 --> 01:01:23,760
Speaker 4: girl who shall remain nameless, and she had just broken

1340
01:01:23,840 --> 01:01:24,560
Speaker 4: up with Dave Chappelle.

1341
01:01:24,880 --> 01:01:27,800
Speaker 2: Wait, hold on, hold on, that's all. That's all.

1342
01:01:27,920 --> 01:01:30,600
Speaker 4: And she used to talk about him and I used

1343
01:01:30,640 --> 01:01:30,919
Speaker 4: to be.

1344
01:01:30,800 --> 01:01:35,080
Speaker 2: Like, but I was a hater on.

1345
01:01:40,200 --> 01:01:43,080
Speaker 4: The only only ship that Dave Chappelle ha did at

1346
01:01:43,080 --> 01:01:44,880
Speaker 4: this time was Nutty Professor.

1347
01:01:45,920 --> 01:01:47,040
Speaker 2: He was Reggie.

1348
01:01:48,600 --> 01:01:50,200
Speaker 4: On the Braids and I used to be like the

1349
01:01:50,280 --> 01:01:52,360
Speaker 4: nigga Reggie and did the nigga, then the piano nigga.

1350
01:01:52,880 --> 01:01:56,160
Speaker 4: He was funny, the nigga and the piano, the piano

1351
01:01:56,320 --> 01:01:57,040
Speaker 4: nigga him.

1352
01:01:57,160 --> 01:01:59,520
Speaker 2: He was hating on the piano nigga in the p M.

1353
01:01:59,600 --> 01:02:02,880
Speaker 5: Not Buddy Love, now Buddy Love the piano nigga.

1354
01:02:02,920 --> 01:02:04,880
Speaker 2: He got one scene she said yes.

1355
01:02:05,960 --> 01:02:08,800
Speaker 4: I said, look she broke up with me and went

1356
01:02:08,840 --> 01:02:10,400
Speaker 4: I think she went back with the nigga after that.

1357
01:02:11,880 --> 01:02:13,640
Speaker 2: Just keep it going, keep it going.

1358
01:02:13,680 --> 01:02:16,600
Speaker 5: Couple of ye a couple of years later earlier, I

1359
01:02:16,920 --> 01:02:17,600
Speaker 5: remain nameless.

1360
01:02:20,840 --> 01:02:22,240
Speaker 2: Definitely, he knows who I am.

1361
01:02:23,200 --> 01:02:26,160
Speaker 4: A couple of years later, uh Cory Smith used to

1362
01:02:26,160 --> 01:02:28,840
Speaker 4: manage Daily Song. Okay, Dave Chappelle lived in Yellow Springs.

1363
01:02:28,840 --> 01:02:31,440
Speaker 4: He grew up Yellow Springs, Ohio. UH Day also had

1364
01:02:31,440 --> 01:02:32,840
Speaker 4: a show near there. I went to the show. I

1365
01:02:32,880 --> 01:02:36,320
Speaker 4: was working with Hot Tech and Cincinnati, so yeah, I

1366
01:02:36,360 --> 01:02:38,240
Speaker 4: rode up to the show. Dave Chappelle was at the

1367
01:02:38,280 --> 01:02:42,240
Speaker 4: day La Soul show and and I saw him. I said,

1368
01:02:42,840 --> 01:02:44,479
Speaker 4: you and me used to deal with the same chick.

1369
01:02:45,640 --> 01:02:47,600
Speaker 4: By this time he had did have big though he

1370
01:02:47,640 --> 01:02:51,160
Speaker 4: had did have was it out? By this time it

1371
01:02:51,200 --> 01:02:52,760
Speaker 4: was out and it was a cold classic. But so

1372
01:02:52,840 --> 01:02:57,000
Speaker 4: this time, like Dave Chappelle, I fuck with you. You

1373
01:02:57,520 --> 01:02:59,840
Speaker 4: with the same chick, but I fox with you. And

1374
01:02:59,840 --> 01:03:01,920
Speaker 4: he said really, And I told him the story.

1375
01:03:01,880 --> 01:03:03,880
Speaker 2: I seem in the hallway and all that, but he

1376
01:03:03,920 --> 01:03:07,400
Speaker 2: didn't know who I was. He was like okay, and

1377
01:03:07,440 --> 01:03:08,200
Speaker 2: then we was cool.

1378
01:03:08,640 --> 01:03:11,480
Speaker 4: Then a couple of years later, I was in an Electric

1379
01:03:11,600 --> 01:03:13,240
Speaker 4: Lady working on the album of high.

1380
01:03:13,040 --> 01:03:14,680
Speaker 2: Tech Electric Lady on a street.

1381
01:03:14,760 --> 01:03:16,920
Speaker 5: Of course, I know, you know this is crazy. I've

1382
01:03:16,960 --> 01:03:19,880
Speaker 5: just seen a z do a documentary and he's speaking

1383
01:03:19,880 --> 01:03:22,000
Speaker 5: about Electric Lady because you guys were trying to get

1384
01:03:22,080 --> 01:03:22,640
Speaker 5: Jimmy Hendrix.

1385
01:03:22,760 --> 01:03:26,480
Speaker 4: Yeah, when I was working an Electric Lady, I was

1386
01:03:26,480 --> 01:03:28,240
Speaker 4: on the top floor. Common was on the second floor.

1387
01:03:28,240 --> 01:03:29,960
Speaker 4: We're going to like, what if a chop for j.

1388
01:03:29,880 --> 01:03:32,080
Speaker 5: Well, you remember that white cat. I used to want

1389
01:03:32,120 --> 01:03:33,800
Speaker 5: to shoot that white cat. We had a white cat

1390
01:03:33,800 --> 01:03:36,440
Speaker 5: an Electric Lady. I remember the White chicks, Mary no

1391
01:03:37,880 --> 01:03:38,280
Speaker 5: a cat.

1392
01:03:38,320 --> 01:03:40,800
Speaker 2: They had a cat. You know, you come Ondler, you

1393
01:03:40,840 --> 01:03:43,400
Speaker 2: know what the I'm talking about. They had a white cat.

1394
01:03:43,600 --> 01:03:45,440
Speaker 2: The cat used to just look at me like, yo,

1395
01:03:45,520 --> 01:03:49,920
Speaker 2: I'm a I have a gun on me. I'm still I'm.

1396
01:03:49,800 --> 01:03:56,280
Speaker 5: Still like I was gonna kill that Cat's.

1397
01:03:54,440 --> 01:03:56,680
Speaker 2: Right, it's a white cat. And they still always say

1398
01:03:56,680 --> 01:04:06,560
Speaker 2: that's Jimmy Hendricks said cat. Personal. You guys are crazy. Listen, first,

1399
01:04:06,760 --> 01:04:09,600
Speaker 2: this is Jimmy this is Jimmy Hendrick studio to Jimmy

1400
01:04:09,600 --> 01:04:11,600
Speaker 2: Hendricks was in the cat. So they said the spirit

1401
01:04:11,720 --> 01:04:16,280
Speaker 2: of Jimmy Ricks was in this cat. I used to

1402
01:04:16,280 --> 01:04:18,480
Speaker 2: go to the bathroom and you know, you can't ask

1403
01:04:19,040 --> 01:04:20,040
Speaker 2: to go with mad homies.

1404
01:04:20,120 --> 01:04:22,680
Speaker 8: You can't add the homies want me to the bathroom

1405
01:04:24,200 --> 01:04:26,680
Speaker 8: to look at you like the cat's next? What the

1406
01:04:26,880 --> 01:04:30,320
Speaker 8: fuck that cat? This cat was in?

1407
01:04:30,360 --> 01:04:32,800
Speaker 4: This was in the studio when in the studio Reflection

1408
01:04:32,880 --> 01:04:36,040
Speaker 4: eternal train of thought, He's in every studio was like

1409
01:04:36,080 --> 01:04:40,200
Speaker 4: whatever chocolate di'angelo was downstairs in the base more kid,

1410
01:04:40,240 --> 01:04:41,640
Speaker 4: you know this at the same time.

1411
01:04:42,040 --> 01:04:45,000
Speaker 2: And this is they say that Jimmy Hendrix. They say

1412
01:04:45,360 --> 01:04:48,919
Speaker 2: that you know that Jimmy Hendy had owned the studio owned.

1413
01:04:48,960 --> 01:04:50,760
Speaker 2: I swear to god, I never told this story.

1414
01:04:52,480 --> 01:04:52,600
Speaker 3: Man.

1415
01:04:52,880 --> 01:04:56,280
Speaker 2: I thought about that cat years and you know this

1416
01:04:56,320 --> 01:04:57,200
Speaker 2: is why I know the.

1417
01:04:57,200 --> 01:05:00,600
Speaker 5: Cat is special. I'm allergic to cats. I never broke

1418
01:05:00,640 --> 01:05:01,800
Speaker 5: out when I went to the studio.

1419
01:05:02,040 --> 01:05:06,360
Speaker 2: I did bad from TV. There was recorded an electric lady,

1420
01:05:06,520 --> 01:05:08,160
Speaker 2: so I forgot the point you was making. But you

1421
01:05:08,200 --> 01:05:10,000
Speaker 2: was an electric lady. Electric lady.

1422
01:05:10,120 --> 01:05:13,360
Speaker 4: So if you listen to Reflection album, We're here drops right.

1423
01:05:13,440 --> 01:05:15,680
Speaker 2: There was this girl that I knew that was dating

1424
01:05:15,920 --> 01:05:18,480
Speaker 2: Lennox Lewis at the time. We're still on the Chapelle, right,

1425
01:05:19,200 --> 01:05:21,120
Speaker 2: she brought Lennix Lewis the studio. So if you listen

1426
01:05:21,200 --> 01:05:24,360
Speaker 2: to Reflection, he was dating Lennix Lewis. Girl again. Yeah,

1427
01:05:24,400 --> 01:05:29,920
Speaker 2: what kind of bigga are you? Tyler? I thought that

1428
01:05:30,000 --> 01:05:35,280
Speaker 2: was what she brought Lennox Lewis. That's your home girl,

1429
01:05:35,560 --> 01:05:38,640
Speaker 2: the whole girl, now my girl. He said it like,

1430
01:05:38,640 --> 01:05:42,040
Speaker 2: that's my girl. But I think he's the right way

1431
01:05:42,080 --> 01:05:50,120
Speaker 2: to guess, right, I don't know they got on. I

1432
01:05:50,120 --> 01:05:54,640
Speaker 2: can't tell you got the sidew We said it was

1433
01:05:54,840 --> 01:05:56,560
Speaker 2: very real. He's very.

1434
01:05:57,960 --> 01:06:00,520
Speaker 4: Now you listened to Reflection A Lennx Lewis, all right,

1435
01:06:00,680 --> 01:06:02,840
Speaker 4: he has one, two, three four Reflection Turner.

1436
01:06:03,040 --> 01:06:05,360
Speaker 2: Gil Scott Heron is on a Reflection Turnal album. He

1437
01:06:05,400 --> 01:06:09,800
Speaker 2: came to this problem. He came to studio Dave Chappelle.

1438
01:06:09,920 --> 01:06:11,920
Speaker 4: I'm walking on the street on a street going to

1439
01:06:12,080 --> 01:06:13,760
Speaker 4: like grat Grace for Pie.

1440
01:06:14,240 --> 01:06:16,040
Speaker 2: That's the hot dog spot for those that don't know.

1441
01:06:16,360 --> 01:06:18,640
Speaker 4: I see Dave Chappelle, I said, remember me from the

1442
01:06:18,720 --> 01:06:21,200
Speaker 4: Daylight Show. He said, yeah, I saw him working on

1443
01:06:21,200 --> 01:06:22,800
Speaker 4: the album. He came to the studio.

1444
01:06:23,320 --> 01:06:26,400
Speaker 2: Dave Chappelle came every day after that day.

1445
01:06:26,600 --> 01:06:30,680
Speaker 4: So when you hear Rick James and Nelson Mandela opening

1446
01:06:30,720 --> 01:06:33,919
Speaker 4: the reflection, that's Dave Chappelle doing all that, I'm saying, Yeah,

1447
01:06:33,960 --> 01:06:34,680
Speaker 4: that's Dave Chapelle.

1448
01:06:34,680 --> 01:06:35,200
Speaker 2: I did not know that.

1449
01:06:35,360 --> 01:06:37,480
Speaker 4: Yeah, he came through and every day when we we

1450
01:06:37,560 --> 01:06:39,400
Speaker 4: High Tech did that album, Dave Chappelle was in the

1451
01:06:39,400 --> 01:06:42,520
Speaker 4: studio every day for that album. But this is this

1452
01:06:42,640 --> 01:06:44,760
Speaker 4: was right when Half Half Been, after Half Baked, this

1453
01:06:44,880 --> 01:06:45,440
Speaker 4: after happens.

1454
01:06:45,600 --> 01:06:48,400
Speaker 2: You know he is crack it. We don't know he's that, right,

1455
01:06:48,440 --> 01:06:51,600
Speaker 2: But this was before this was no Chappelle show, right right, right,

1456
01:06:52,600 --> 01:06:55,480
Speaker 2: So then how did that happen? Autumn years later he

1457
01:06:55,560 --> 01:06:58,000
Speaker 2: starts in Chappelle sho because you guys were performing for him,

1458
01:06:58,400 --> 01:07:01,040
Speaker 2: like even before his show blew Up, seemed like a family.

1459
01:07:01,200 --> 01:07:02,840
Speaker 4: Now he was in the studio for all that. He

1460
01:07:02,880 --> 01:07:05,320
Speaker 4: was an electric lady around all that time. And so

1461
01:07:05,520 --> 01:07:07,600
Speaker 4: he got the show and shout out to Corey Smith

1462
01:07:07,600 --> 01:07:09,400
Speaker 4: once again. Him and Corey had a good had a

1463
01:07:09,400 --> 01:07:12,760
Speaker 4: good relationship. He got to deal with Comedy Central. He said,

1464
01:07:12,760 --> 01:07:14,600
Speaker 4: I want to do the show, Chappelle Show, but one

1465
01:07:14,640 --> 01:07:17,560
Speaker 4: of his visions was I want to have the musicians

1466
01:07:17,560 --> 01:07:18,400
Speaker 4: that I fucked.

1467
01:07:18,160 --> 01:07:20,760
Speaker 2: With and then you'll perform in the kitchens. One time

1468
01:07:20,800 --> 01:07:21,400
Speaker 2: that was that was.

1469
01:07:21,320 --> 01:07:25,360
Speaker 4: Common and Kanye Okay, so he had I did. I

1470
01:07:25,360 --> 01:07:27,080
Speaker 4: didn't get by, you know what I'm saying, Like he

1471
01:07:27,120 --> 01:07:31,120
Speaker 4: had Big Boy, he had, he had d m X, whatever.

1472
01:07:30,800 --> 01:07:34,680
Speaker 5: He get two words to you performed that there.

1473
01:07:35,880 --> 01:07:39,400
Speaker 4: Whatever David listened to at the time, That's what he

1474
01:07:39,440 --> 01:07:41,440
Speaker 4: had on his show, you know what I'm saying, Like

1475
01:07:41,680 --> 01:07:43,000
Speaker 4: he was in the hip hop and then when he

1476
01:07:43,040 --> 01:07:45,520
Speaker 4: did Block Party and Block Party was it was. It

1477
01:07:45,560 --> 01:07:50,840
Speaker 4: was the best start hill. Yeah, Dave paid for that.

1478
01:07:51,840 --> 01:07:54,280
Speaker 4: He paid for that. We filmed it and then he

1479
01:07:54,400 --> 01:07:55,479
Speaker 4: sold it to the movie company.

1480
01:07:55,560 --> 01:07:56,880
Speaker 2: So he didn't know if he was going to be No,

1481
01:07:56,960 --> 01:07:57,280
Speaker 2: he didn't.

1482
01:07:57,280 --> 01:07:58,160
Speaker 4: We just we just did it.

1483
01:07:58,200 --> 01:07:59,919
Speaker 2: He just and I got I made royal.

1484
01:08:00,120 --> 01:08:02,560
Speaker 4: He's off of that. You know, for years, I can't

1485
01:08:02,600 --> 01:08:05,479
Speaker 4: remember my last royalty check, but for years I made

1486
01:08:05,480 --> 01:08:05,920
Speaker 4: money for.

1487
01:08:06,920 --> 01:08:08,720
Speaker 2: Black part So it was revolutionary.

1488
01:08:08,960 --> 01:08:11,919
Speaker 4: So it's like, Okay, as a black man, I'm gonna

1489
01:08:11,920 --> 01:08:13,600
Speaker 4: do my own ship. I'm gonna own it, I'm gonna

1490
01:08:13,640 --> 01:08:14,120
Speaker 4: put it out.

1491
01:08:14,280 --> 01:08:16,519
Speaker 2: So the nigga girl, you was fucking kept it real

1492
01:08:16,600 --> 01:08:17,360
Speaker 2: with you. High five.

1493
01:08:18,520 --> 01:08:27,040
Speaker 1: Come on, I don't know it worked.

1494
01:08:26,800 --> 01:08:29,599
Speaker 2: Out for her that awful. It's off.

1495
01:08:30,920 --> 01:08:32,520
Speaker 4: I'm regret I'm regretting.

1496
01:08:32,560 --> 01:08:34,800
Speaker 2: So now let me ask you this.

1497
01:08:35,800 --> 01:08:38,960
Speaker 5: You meet Dave, he's a regular guy, you're a regular guy.

1498
01:08:39,000 --> 01:08:41,080
Speaker 5: You guys both become stars. He makes you a part

1499
01:08:41,120 --> 01:08:43,519
Speaker 5: of the show. Then all of a sudden he quits.

1500
01:08:45,760 --> 01:08:47,599
Speaker 5: Do you did you ever call him about that?

1501
01:08:47,800 --> 01:08:48,400
Speaker 2: Or yeah, I was.

1502
01:08:48,439 --> 01:08:50,040
Speaker 4: I was hanging out with David around a lot of

1503
01:08:50,040 --> 01:08:52,000
Speaker 4: that time and all.

1504
01:08:51,920 --> 01:08:55,120
Speaker 2: The time that he quit. Yeah, you know, he you know,

1505
01:08:55,240 --> 01:08:55,880
Speaker 2: he was.

1506
01:08:55,840 --> 01:08:59,439
Speaker 4: In a situation where he felt compromised. He felt like

1507
01:08:59,439 --> 01:09:01,559
Speaker 4: the money that he took and the money they accepted

1508
01:09:03,240 --> 01:09:06,000
Speaker 4: made him they was taking advantage of.

1509
01:09:06,040 --> 01:09:07,960
Speaker 2: Him in like a cornery way.

1510
01:09:08,040 --> 01:09:10,679
Speaker 4: This heard, you know, like like a lot of the skids.

1511
01:09:10,960 --> 01:09:13,840
Speaker 4: They a lot of skids. Everybody loved Dave.

1512
01:09:13,720 --> 01:09:18,200
Speaker 2: Chappelle, but not everybody understood Dave Chappelle. Like and I'm

1513
01:09:18,240 --> 01:09:20,400
Speaker 2: hearing this is this is rumor that I heard.

1514
01:09:20,720 --> 01:09:24,320
Speaker 5: I'm hearing that it was from black folks like like Oprah.

1515
01:09:24,400 --> 01:09:25,680
Speaker 2: And maybe I don't mean.

1516
01:09:25,960 --> 01:09:29,120
Speaker 4: I can't speaking with that man, but but from what

1517
01:09:29,200 --> 01:09:32,960
Speaker 4: I observed observed, Yeah, you know, I think that his comedy,

1518
01:09:33,040 --> 01:09:37,360
Speaker 4: Dave Chappelle comedy like the best comedy, was very intellectual, right.

1519
01:09:37,400 --> 01:09:39,519
Speaker 2: Like people didn't understand the nuance of Dave Chappelle.

1520
01:09:39,600 --> 01:09:43,240
Speaker 4: Come from educated people. You know, he comes from black academia.

1521
01:09:43,280 --> 01:09:44,840
Speaker 4: You know what I'm saying, Like he come from heavy

1522
01:09:44,920 --> 01:09:48,639
Speaker 4: ideas and intellectualism. But it's broken down in a comedy way.

1523
01:09:48,880 --> 01:09:51,240
Speaker 4: And a lot of people got the funniness of it

1524
01:09:51,320 --> 01:09:53,120
Speaker 4: but didn't get the point.

1525
01:09:53,280 --> 01:09:57,599
Speaker 2: And I think, like starting I heard like Prince's Princess,

1526
01:09:57,640 --> 01:10:00,360
Speaker 2: but even even on some like press heard you got

1527
01:10:00,360 --> 01:10:04,800
Speaker 2: a prince story, I got several Prince God damn, come on,

1528
01:10:04,920 --> 01:10:12,320
Speaker 2: hold on, get the horn, all right, hold on, we

1529
01:10:12,360 --> 01:10:14,080
Speaker 2: gotta set we gotta set this up, all right, so

1530
01:10:14,080 --> 01:10:17,400
Speaker 2: hold on, time out quality from just switch it up.

1531
01:10:17,960 --> 01:10:21,120
Speaker 2: We always sit up. Horrible, man, this is horrible. But look,

1532
01:10:21,200 --> 01:10:23,280
Speaker 2: this is this is my I'm not cutting off. I'm

1533
01:10:23,400 --> 01:10:25,920
Speaker 2: actually I haven't cut them off yet. You just now

1534
01:10:26,160 --> 01:10:31,439
Speaker 2: see I sweat because you know you from Brooklyn. Yes,

1535
01:10:32,160 --> 01:10:34,400
Speaker 2: you had flat push all day. You had fifteen hundred

1536
01:10:34,479 --> 01:10:38,320
Speaker 2: jobs before you were sixteen fifteen hundred job choose one

1537
01:10:38,960 --> 01:10:41,639
Speaker 2: you become an EMC prince. I don't give a fuck.

1538
01:10:41,720 --> 01:10:43,400
Speaker 2: If you're a killer, I don't give a fuck. If

1539
01:10:43,400 --> 01:10:46,360
Speaker 2: you're a backpack, I don't fuck if you always Princess

1540
01:10:46,360 --> 01:10:48,639
Speaker 2: God to all of us. As far as making music

1541
01:10:48,680 --> 01:10:55,240
Speaker 2: and art, music, creative coaches, finest broads, yep, and your

1542
01:10:55,320 --> 01:10:59,080
Speaker 2: first time meeting press when you first described shout out

1543
01:10:59,120 --> 01:11:01,640
Speaker 2: to dj Q, my dj Q, I like, I like

1544
01:11:01,720 --> 01:11:03,439
Speaker 2: how you pick up your wife? God, damn it. High five?

1545
01:11:03,479 --> 01:11:05,639
Speaker 2: That's real, high five, real ship. Let's make some noise

1546
01:11:05,680 --> 01:11:05,920
Speaker 2: for that.

1547
01:11:10,600 --> 01:11:10,760
Speaker 3: L A.

1548
01:11:10,920 --> 01:11:13,200
Speaker 2: Right, yeah, she did a stretch arm armstrong. She was

1549
01:11:13,479 --> 01:11:13,800
Speaker 2: all right.

1550
01:11:13,880 --> 01:11:18,200
Speaker 4: Yep, she's she's a world class famous DJ, and Prince

1551
01:11:18,640 --> 01:11:20,200
Speaker 4: got to liken her DJ skills.

1552
01:11:21,080 --> 01:11:22,080
Speaker 2: She became a d a.

1553
01:11:22,120 --> 01:11:24,080
Speaker 5: Wife work with Prince. This is not starting out there.

1554
01:11:24,680 --> 01:11:27,320
Speaker 5: This is not starting out good. I'm not gonna lie.

1555
01:11:27,360 --> 01:11:29,920
Speaker 2: I'm a jealous God, Prince, you listen, Prince, you got

1556
01:11:29,920 --> 01:11:32,439
Speaker 2: to get the fuck away. My wife is not doing

1557
01:11:32,479 --> 01:11:37,200
Speaker 2: your ma I'm sorry, he's not doing your makeup. Hold up, Prince,

1558
01:11:38,040 --> 01:11:40,080
Speaker 2: I'm sorry. No, she was DJ and his parties. You

1559
01:11:40,120 --> 01:11:40,599
Speaker 2: know what I'm saying.

1560
01:11:40,600 --> 01:11:42,679
Speaker 4: And by this time when I met Prince, the first

1561
01:11:42,680 --> 01:11:44,320
Speaker 4: time I met Prince was maybe House of Blues.

1562
01:11:44,439 --> 01:11:46,160
Speaker 2: L A. She was DJ and that you know he

1563
01:11:46,160 --> 01:11:46,799
Speaker 2: did he float.

1564
01:11:47,320 --> 01:11:48,519
Speaker 4: Now, he didn't levitate the float.

1565
01:11:48,560 --> 01:11:51,880
Speaker 2: He didn't levitated a segar. He had a segway back then.

1566
01:11:52,520 --> 01:11:54,640
Speaker 4: Prince Prince knew his hip hop when I first met him,

1567
01:11:54,640 --> 01:11:55,920
Speaker 4: you know what I'm saying, Like he knew, but he

1568
01:11:56,000 --> 01:11:56,799
Speaker 4: knew certain type.

1569
01:11:56,640 --> 01:11:57,839
Speaker 2: Of hip he knew like Common.

1570
01:11:57,920 --> 01:12:00,559
Speaker 4: He like like Common and well I Am And it.

1571
01:12:00,600 --> 01:12:02,439
Speaker 2: Was like he likes certain things into something.

1572
01:12:02,560 --> 01:12:04,000
Speaker 4: He like hip hop, but he like hip hop that

1573
01:12:04,120 --> 01:12:07,360
Speaker 4: was a little bit more like organic what I'm saying,

1574
01:12:07,479 --> 01:12:10,519
Speaker 4: Like he like like Lauren Hill and you know, like

1575
01:12:10,640 --> 01:12:13,960
Speaker 4: Colm and like he really liked Common a lot, Like he's.

1576
01:12:13,760 --> 01:12:15,519
Speaker 2: A Common fan, you know what I'm saying.

1577
01:12:15,600 --> 01:12:17,240
Speaker 4: And you know and and and Common is one of

1578
01:12:17,240 --> 01:12:20,200
Speaker 4: my favorite all. I don't know if Common Common might

1579
01:12:20,200 --> 01:12:22,880
Speaker 4: have worked with Prince. He liked Rikaba do a lot.

1580
01:12:22,920 --> 01:12:26,120
Speaker 4: You know what I'm saying, Like Prince I met Centric ship, Yeah,

1581
01:12:26,360 --> 01:12:28,160
Speaker 4: I guess yeah. So when I met him, he said

1582
01:12:28,160 --> 01:12:29,400
Speaker 4: I like that. He said, like I like that one

1583
01:12:29,439 --> 01:12:30,240
Speaker 4: song you got hot Thing.

1584
01:12:30,560 --> 01:12:31,120
Speaker 2: You know what I'm saying.

1585
01:12:31,200 --> 01:12:33,120
Speaker 4: I have sold will I Am hot Thing was on

1586
01:12:33,160 --> 01:12:35,680
Speaker 4: the hook and he like he liked will I Am

1587
01:12:35,800 --> 01:12:38,599
Speaker 4: Black Peas and all that type of ship. I started

1588
01:12:38,640 --> 01:12:39,839
Speaker 4: just hanging out doing parties.

1589
01:12:39,880 --> 01:12:40,360
Speaker 2: You know my wife.

1590
01:12:40,439 --> 01:12:41,439
Speaker 4: My wife would do parties.

1591
01:12:41,880 --> 01:12:43,519
Speaker 2: Prince would show up at the parties. He was just

1592
01:12:43,560 --> 01:12:46,920
Speaker 2: short hold on, how does this happen? Does Prince the

1593
01:12:47,080 --> 01:12:50,880
Speaker 2: smoke come in when he really walks in, Like yeah,

1594
01:12:50,880 --> 01:12:54,960
Speaker 2: I'm making no, no, walk in the party. He walking

1595
01:12:55,000 --> 01:12:55,360
Speaker 2: the party.

1596
01:12:55,360 --> 01:12:55,439
Speaker 3: You know.

1597
01:12:55,800 --> 01:12:58,040
Speaker 2: I went to a party once in l A. What's

1598
01:12:58,040 --> 01:12:59,920
Speaker 2: that club that's across the street from the Beverly Center.

1599
01:13:01,120 --> 01:13:03,559
Speaker 2: The club this course, that's the name of it.

1600
01:13:05,360 --> 01:13:09,439
Speaker 4: Prince walked in. The club ended and Prince kept a

1601
01:13:09,520 --> 01:13:12,680
Speaker 4: bunch of us in the club and at gunpoint, not

1602
01:13:12,760 --> 01:13:14,280
Speaker 4: a gun point, but he's Prince.

1603
01:13:14,600 --> 01:13:17,040
Speaker 2: He gave to look almost point, and everybody stayed.

1604
01:13:18,840 --> 01:13:19,840
Speaker 4: He pulled out a little Bible.

1605
01:13:20,640 --> 01:13:26,080
Speaker 2: Wait, Prince, bring a bible. He's Jehovah's witness. Yeah, wait,

1606
01:13:26,520 --> 01:13:29,800
Speaker 2: and Jehovahs witness. They get down like that. He started

1607
01:13:29,800 --> 01:13:33,880
Speaker 2: having Bible studies. Don't drink. Three in the morning. Was

1608
01:13:34,000 --> 01:13:34,719
Speaker 2: niggas drinking?

1609
01:13:35,080 --> 01:13:37,880
Speaker 4: There was no niggas there. It was the only women

1610
01:13:38,600 --> 01:13:40,920
Speaker 4: and me because my wife was DJ, so I was

1611
01:13:40,920 --> 01:13:43,320
Speaker 4: the only nigga. And there was one other dude who

1612
01:13:43,560 --> 01:13:45,320
Speaker 4: was a boyfriend of one of the other girls. So

1613
01:13:45,400 --> 01:13:48,000
Speaker 4: it's Prince and me and this other dude.

1614
01:13:48,680 --> 01:13:50,519
Speaker 2: Don't pass it. This is other niggas passing it back

1615
01:13:50,560 --> 01:13:50,680
Speaker 2: to me.

1616
01:13:50,800 --> 01:13:55,519
Speaker 4: I got you and this other dude, Princes, Princes, he's

1617
01:13:55,520 --> 01:13:57,720
Speaker 4: caught in the Bible, and this other dude tried to

1618
01:13:57,760 --> 01:13:58,559
Speaker 4: say something smart.

1619
01:13:59,479 --> 01:14:03,080
Speaker 2: And now the other dude is he's not with Prince. No, okay,

1620
01:14:03,160 --> 01:14:04,160
Speaker 2: he just happened to be there.

1621
01:14:04,320 --> 01:14:06,720
Speaker 4: He tried to say something, and Prince, I'll never forget this,

1622
01:14:06,800 --> 01:14:10,280
Speaker 4: Prince said, Listen, I know you think that you're saying

1623
01:14:10,320 --> 01:14:13,360
Speaker 4: something to add on to the conversation, but you really

1624
01:14:13,520 --> 01:14:15,000
Speaker 4: you know what I'm saying. From what you're saying, I

1625
01:14:15,000 --> 01:14:16,280
Speaker 4: can tell you don't know what you're talking about.

1626
01:14:16,640 --> 01:14:20,120
Speaker 2: So how about you just not participating in Prince about

1627
01:14:20,160 --> 01:14:23,640
Speaker 2: the whipping nigger ass? But I'm asking you he was,

1628
01:14:23,800 --> 01:14:26,640
Speaker 2: He politely told him, you don't know the fuck you

1629
01:14:26,760 --> 01:14:29,240
Speaker 2: talking to. Did Prince have on hills?

1630
01:14:29,560 --> 01:14:30,120
Speaker 4: No? He did not.

1631
01:14:31,439 --> 01:14:33,879
Speaker 2: He did not. I've been I've been in several clubs, Prince,

1632
01:14:34,720 --> 01:14:37,560
Speaker 2: keep just keep going home dispriends stories. I went to

1633
01:14:37,560 --> 01:14:39,600
Speaker 2: the club. Remember do you remember the Zeni.

1634
01:14:41,080 --> 01:14:41,200
Speaker 7: La.

1635
01:14:41,240 --> 01:14:43,080
Speaker 2: They used to have the party called Zeni They used

1636
01:14:43,120 --> 01:14:43,360
Speaker 2: to happen.

1637
01:14:43,479 --> 01:14:49,719
Speaker 4: I have beg Zeni before at two o'clock in the morning,

1638
01:14:50,280 --> 01:14:54,000
Speaker 4: the clubs in LA clothes. And then this dude used

1639
01:14:54,000 --> 01:14:56,360
Speaker 4: to have this party called Zeni. We rented a warehouse.

1640
01:14:56,360 --> 01:14:59,280
Speaker 4: He used to rend the Muppet studios Jim Henson right,

1641
01:14:59,600 --> 01:14:59,880
Speaker 4: and he.

1642
01:15:00,040 --> 01:15:02,080
Speaker 2: To know these type of people I live come and

1643
01:15:02,120 --> 01:15:02,920
Speaker 2: party with. I'm bad.

1644
01:15:02,960 --> 01:15:08,280
Speaker 4: I know, yeah, big big bird, Ernie and Bart and

1645
01:15:08,400 --> 01:15:09,080
Speaker 4: Burt and Ship.

1646
01:15:09,360 --> 01:15:11,120
Speaker 2: You know what I'm saying. But he's got these parties.

1647
01:15:11,160 --> 01:15:13,519
Speaker 2: But they used to bring the alcohol. And he used

1648
01:15:13,560 --> 01:15:14,400
Speaker 2: to set up stages and.

1649
01:15:14,439 --> 01:15:16,960
Speaker 4: Have go go dances, and all the celebrities used to go,

1650
01:15:17,080 --> 01:15:19,240
Speaker 4: and all the basketball players and what I'm.

1651
01:15:19,080 --> 01:15:26,360
Speaker 2: Saying like that's like it was. He's definitely I live

1652
01:15:26,439 --> 01:15:28,800
Speaker 2: in l A. Prince called my wife and he said

1653
01:15:28,800 --> 01:15:30,639
Speaker 2: where the party at and we said, we have Zeny.

1654
01:15:31,040 --> 01:15:34,160
Speaker 2: He said, I'm coming, and this nigga just rolled up

1655
01:15:34,160 --> 01:15:35,840
Speaker 2: and I told I had the privilege to tell him

1656
01:15:35,840 --> 01:15:40,040
Speaker 2: to promote. I said, listen, I'm bringing Prince. I got

1657
01:15:40,120 --> 01:15:41,080
Speaker 2: a Justin Beaver story.

1658
01:15:41,120 --> 01:15:43,040
Speaker 4: When you finish, I'm bringing Prince.

1659
01:15:43,400 --> 01:15:45,439
Speaker 2: The hell is just a Beaver and Prince going together?

1660
01:15:45,520 --> 01:15:48,439
Speaker 2: Because Justin Bieber said that what Prince hain't the only

1661
01:15:48,520 --> 01:15:51,360
Speaker 2: nigga around it. Remember this, No I did. I don't remember.

1662
01:15:51,800 --> 01:15:57,719
Speaker 2: Get into that, get into that. This great fans hate

1663
01:15:57,720 --> 01:15:58,720
Speaker 2: when to be cut us off.

1664
01:15:59,000 --> 01:15:59,360
Speaker 3: They like.

1665
01:16:02,000 --> 01:16:04,400
Speaker 4: Prince came in the club right the girl was dancing,

1666
01:16:04,560 --> 01:16:07,360
Speaker 4: and he said, this party is great, but why is

1667
01:16:07,439 --> 01:16:08,960
Speaker 4: she up there dancing with no clothes on?

1668
01:16:09,439 --> 01:16:11,800
Speaker 2: She was, she had clothes on, she things covered, But he.

1669
01:16:11,760 --> 01:16:13,600
Speaker 4: Said, why she just don't need to be done, you know,

1670
01:16:13,640 --> 01:16:15,679
Speaker 4: because this is Jehovah, Jehovah's witness, Prince.

1671
01:16:16,479 --> 01:16:18,320
Speaker 2: This is not the last dragon Prince, because it is

1672
01:16:18,479 --> 01:16:26,680
Speaker 2: not like Prince Buck while back in the days in

1673
01:16:26,760 --> 01:16:28,000
Speaker 2: the eighties, he was out of control.

1674
01:16:28,960 --> 01:16:31,720
Speaker 4: So I said, listen. He asked me to introduce him

1675
01:16:31,720 --> 01:16:33,559
Speaker 4: to the party promoter. I introduced him, and he said

1676
01:16:33,600 --> 01:16:35,360
Speaker 4: he explained to me. He said, listen, these girls that

1677
01:16:35,400 --> 01:16:38,320
Speaker 4: they bring business people buy drinks. Prince, let me talk

1678
01:16:38,360 --> 01:16:38,599
Speaker 4: to her.

1679
01:16:40,240 --> 01:16:40,640
Speaker 2: To convert it.

1680
01:16:40,760 --> 01:16:42,639
Speaker 4: Let me talk to her. I need to, I'm saying

1681
01:16:43,000 --> 01:16:45,160
Speaker 4: the girl. He talked to the girl. The girl didn't

1682
01:16:45,160 --> 01:16:49,920
Speaker 4: know who Prince was. Young chick, young chicken dancing the club.

1683
01:16:50,120 --> 01:16:52,040
Speaker 4: She might have heard the name Prince, but.

1684
01:16:52,080 --> 01:16:55,439
Speaker 2: She didn't know She's gonna die at night. This is

1685
01:16:55,520 --> 01:17:01,240
Speaker 2: a long time ago, the old story. Bite she turned.

1686
01:17:03,200 --> 01:17:03,559
Speaker 2: He said.

1687
01:17:03,600 --> 01:17:06,280
Speaker 4: He said, how much are they paying you to be

1688
01:17:06,360 --> 01:17:07,680
Speaker 4: in to dance with your clothes off?

1689
01:17:08,520 --> 01:17:09,160
Speaker 2: She said the number.

1690
01:17:09,200 --> 01:17:11,320
Speaker 4: He said, I'll pay you double to get down off

1691
01:17:11,360 --> 01:17:11,839
Speaker 4: that stage.

1692
01:17:12,439 --> 01:17:15,000
Speaker 2: Go home. Let's make some noise of a Prince being

1693
01:17:15,040 --> 01:17:22,680
Speaker 2: a trick? Was that reverse pimp that's reverse put your

1694
01:17:22,720 --> 01:17:24,799
Speaker 2: clothes on? Prince invented reverse pimping.

1695
01:17:25,600 --> 01:17:27,200
Speaker 4: She said, I'll take you money tonight, but what am

1696
01:17:27,240 --> 01:17:29,880
Speaker 4: I going to do tomorrow night. That's what this girl

1697
01:17:29,920 --> 01:17:32,360
Speaker 4: said to Prince. I wonder his response.

1698
01:17:33,200 --> 01:17:35,439
Speaker 2: What was his responds? He said, I don't have no

1699
01:17:35,520 --> 01:17:36,080
Speaker 2: control over that.

1700
01:17:37,760 --> 01:17:48,880
Speaker 10: That's I got you to my your mother fucker. I'm

1701
01:17:48,920 --> 01:17:51,560
Speaker 10: not going to call him verbatim he was besides that

1702
01:17:51,640 --> 01:17:52,080
Speaker 10: one line.

1703
01:17:52,240 --> 01:17:54,960
Speaker 4: Besides that one, he did say that NETI, But beyond that,

1704
01:17:55,160 --> 01:17:57,400
Speaker 4: he basically explained to her. He was like, listen, I'm

1705
01:17:57,439 --> 01:18:00,160
Speaker 4: giving you an opportunity to make a different decision in

1706
01:18:00,280 --> 01:18:02,360
Speaker 4: your life. I'm saying, I watch him explain to this

1707
01:18:02,439 --> 01:18:04,040
Speaker 4: girl and talk to the girl, and I knew from

1708
01:18:04,040 --> 01:18:05,400
Speaker 4: the way that she was talking to him that she

1709
01:18:05,439 --> 01:18:09,519
Speaker 4: didn't understand the legacy. She didn't understand she was just like, Okay,

1710
01:18:09,800 --> 01:18:10,360
Speaker 4: Grin has had.

1711
01:18:10,240 --> 01:18:13,559
Speaker 5: An album covered with like three bitches Buttnecker on top

1712
01:18:13,600 --> 01:18:13,960
Speaker 5: of him.

1713
01:18:14,000 --> 01:18:19,439
Speaker 2: Maybe some dudes, and everybody thought he was gay. He

1714
01:18:20,040 --> 01:18:25,720
Speaker 2: wasn't ready for your princess. God. He stuck to his

1715
01:18:25,840 --> 01:18:28,439
Speaker 2: guns and he understood every artist.

1716
01:18:29,360 --> 01:18:31,200
Speaker 4: And me and Nori the fact that we even hed

1717
01:18:31,439 --> 01:18:33,080
Speaker 4: here doing drink champs smoking, we.

1718
01:18:33,560 --> 01:18:38,480
Speaker 2: Talking about what we understand. That every artist got contradictions.

1719
01:18:39,280 --> 01:18:42,400
Speaker 2: Nature of being an artist, there's one to be true.

1720
01:18:42,439 --> 01:18:46,920
Speaker 4: The person that we revere is the most contradictory artist ever,

1721
01:18:47,280 --> 01:18:49,599
Speaker 4: but we were. That's part of being human, like you said,

1722
01:18:49,680 --> 01:18:52,160
Speaker 4: being because all human beings got contradictions.

1723
01:18:52,439 --> 01:18:52,920
Speaker 2: Artists are.

1724
01:18:52,960 --> 01:18:56,680
Speaker 4: Contradictions is amplified because people pay more attention, you know

1725
01:18:56,680 --> 01:18:59,640
Speaker 4: what I'm saying. But everybody got contradictions. Artists, We just

1726
01:18:59,760 --> 01:19:02,960
Speaker 4: we create out of our contradiction, right.

1727
01:19:03,240 --> 01:19:06,599
Speaker 5: But Prince, I feel like it was like Jesus man,

1728
01:19:07,240 --> 01:19:10,280
Speaker 5: listen me tell you something I've never like, Billy d

1729
01:19:10,439 --> 01:19:13,760
Speaker 5: Williams transcended for me. Like what I mean by that

1730
01:19:14,040 --> 01:19:18,639
Speaker 5: is like Billy D Williams, Eddie Murphy, Prince and Michael

1731
01:19:18,760 --> 01:19:21,599
Speaker 5: Jackson was people who were like, you know, I grew

1732
01:19:21,720 --> 01:19:24,760
Speaker 5: up in a different, you know, a different time like

1733
01:19:24,840 --> 01:19:26,840
Speaker 5: that he do Billy D Williamson, that's a hood nigga,

1734
01:19:26,880 --> 01:19:29,400
Speaker 5: you know, with Michael Jackson and.

1735
01:19:29,479 --> 01:19:31,000
Speaker 2: Prince and then they said Billy D.

1736
01:19:31,840 --> 01:19:43,800
Speaker 11: Those were certain people. Know, those were certain people. I

1737
01:19:43,920 --> 01:19:49,000
Speaker 11: still go Rizzy in his secondary. That's a smooth Dyn

1738
01:19:49,080 --> 01:19:50,360
Speaker 11: in my taste now.

1739
01:19:50,479 --> 01:19:53,439
Speaker 2: But you know, for those, those those four individuals right there,

1740
01:19:53,439 --> 01:19:55,599
Speaker 2: those are the people who transcended life for me. There

1741
01:19:55,680 --> 01:19:57,800
Speaker 2: are the people that no, no, no, no, give it

1742
01:19:57,840 --> 01:19:59,559
Speaker 2: over here. That's right, I'm sorry, let's keep it over here.

1743
01:19:59,720 --> 01:20:02,400
Speaker 2: So those are the people that transition in their life.

1744
01:20:02,439 --> 01:20:02,560
Speaker 4: For me.

1745
01:20:02,640 --> 01:20:04,599
Speaker 5: What I mean by that, it's like, you know, as

1746
01:20:04,640 --> 01:20:07,320
Speaker 5: a black person growing up young in my life, I

1747
01:20:07,400 --> 01:20:11,120
Speaker 5: can't describe anybody else here or anybody in my life.

1748
01:20:11,240 --> 01:20:12,960
Speaker 5: It was like, those are the people that said you

1749
01:20:13,080 --> 01:20:15,040
Speaker 5: can't do this, you can't do that, and they did it.

1750
01:20:15,160 --> 01:20:16,960
Speaker 5: And I was just like I always looked at them

1751
01:20:16,960 --> 01:20:19,360
Speaker 5: and it was like, I ain't got to be like them,

1752
01:20:19,640 --> 01:20:22,280
Speaker 5: but I respect that, you know what I'm saying. And

1753
01:20:22,800 --> 01:20:25,439
Speaker 5: that's why when I met with people like Pharrell, it

1754
01:20:25,560 --> 01:20:28,160
Speaker 5: was easy for me to say I don't understand you,

1755
01:20:28,960 --> 01:20:31,400
Speaker 5: and I don't really I don't really get.

1756
01:20:31,640 --> 01:20:34,519
Speaker 2: Where you're going at, but your music is fucking big.

1757
01:20:34,720 --> 01:20:37,080
Speaker 2: How did you meet Sorell? That's how I met Morel

1758
01:20:37,240 --> 01:20:43,360
Speaker 2: almost well, how I met Forrell. We was in sound

1759
01:20:43,439 --> 01:20:46,280
Speaker 2: on sound studios. Everybody used to say everybody used to

1760
01:20:46,320 --> 01:20:48,519
Speaker 2: think biggies used to be called at daddy's house. Something

1761
01:20:48,600 --> 01:20:49,559
Speaker 2: happened at daddy's house.

1762
01:20:49,560 --> 01:20:52,479
Speaker 5: I don't remember, but big, but Big used to come

1763
01:20:52,560 --> 01:20:55,360
Speaker 5: to sound on sound studios and he used to have

1764
01:20:55,560 --> 01:20:58,439
Speaker 5: upstairs or I used to have downstairs, and I.

1765
01:20:58,520 --> 01:21:00,400
Speaker 2: Used to see Biggie after the worried port. I shoed

1766
01:21:00,400 --> 01:21:02,400
Speaker 2: to see Biggie like almost every day I'm working on

1767
01:21:02,560 --> 01:21:07,560
Speaker 2: in our and uh a friend of mine's uh he

1768
01:21:07,720 --> 01:21:10,400
Speaker 2: was my manager at the time. I believe Martin Moore

1769
01:21:11,080 --> 01:21:19,040
Speaker 2: to say, Marre y okay, because that's part of we're

1770
01:21:19,040 --> 01:21:22,439
Speaker 2: gonna get to that. When I was fourteen, people don't

1771
01:21:22,439 --> 01:21:23,439
Speaker 2: realize the skits on the.

1772
01:21:27,120 --> 01:21:29,400
Speaker 5: So he discovered me. He his god have got me signed.

1773
01:21:29,439 --> 01:21:33,040
Speaker 5: But Martin Maure said to me, he said, yo, these

1774
01:21:33,160 --> 01:21:35,160
Speaker 5: dudes they up here, they trying to work with puff

1775
01:21:35,880 --> 01:21:37,200
Speaker 5: and so I was like, all right, cool, like I

1776
01:21:37,280 --> 01:21:37,439
Speaker 5: had to.

1777
01:21:38,800 --> 01:21:41,559
Speaker 2: I had that, you know what he says niggas on them.

1778
01:21:42,000 --> 01:21:47,000
Speaker 2: The whole album was done. So he comes like trilogy, yeah, yeah.

1779
01:21:47,120 --> 01:21:49,439
Speaker 5: So he comes to sound on Sound and he goes

1780
01:21:50,520 --> 01:21:52,639
Speaker 5: and I just I just remember I met some dude

1781
01:21:52,680 --> 01:21:54,880
Speaker 5: in Canada just now reminded me of for real.

1782
01:21:55,160 --> 01:21:57,040
Speaker 2: He was trying to be for real, but he reminded

1783
01:21:57,080 --> 01:21:59,640
Speaker 2: me for real because it's in an attitude, not not

1784
01:21:59,760 --> 01:22:01,360
Speaker 2: that to that he was trying to show me, but

1785
01:22:01,520 --> 01:22:04,040
Speaker 2: his inner attitude. But Caro actually came up to me

1786
01:22:04,120 --> 01:22:08,840
Speaker 2: and said, yo, nobody never listens to me. I was like,

1787
01:22:09,000 --> 01:22:11,120
Speaker 2: that was awkward, Like that was his first sentence, like,

1788
01:22:11,479 --> 01:22:13,760
Speaker 2: nobody nis listened to me. The person that does is

1789
01:22:13,800 --> 01:22:14,720
Speaker 2: going to go through the roof.

1790
01:22:15,080 --> 01:22:18,679
Speaker 5: And I'm walking, I'm hot, but I'm like something something

1791
01:22:18,720 --> 01:22:22,000
Speaker 5: in my body said shut up and listen to this guy.

1792
01:22:22,120 --> 01:22:25,720
Speaker 2: So I listened and he goes the first person that

1793
01:22:25,840 --> 01:22:26,240
Speaker 2: listens to.

1794
01:22:26,320 --> 01:22:29,519
Speaker 5: Me I've worked with other people and then so and

1795
01:22:29,560 --> 01:22:33,760
Speaker 5: then he started quoting Bloody Money to me, and I

1796
01:22:33,920 --> 01:22:35,760
Speaker 5: was like damn. I was like, all right, cool. You

1797
01:22:35,840 --> 01:22:37,960
Speaker 5: know I'm looking at him. He don't look like a

1798
01:22:38,000 --> 01:22:40,640
Speaker 5: Bloody Money type of guy. He's not supposed to be

1799
01:22:40,800 --> 01:22:42,559
Speaker 5: knowing that song off the album.

1800
01:22:43,040 --> 01:22:45,439
Speaker 2: And he gets me. I should at that album War Report,

1801
01:22:47,240 --> 01:22:50,000
Speaker 2: that basement. I was just telling you about. That's what

1802
01:22:50,080 --> 01:22:54,559
Speaker 2: I used to listen to, Copona Noriega, The War Report. Tyler,

1803
01:22:54,640 --> 01:22:56,080
Speaker 2: how old are you? Like nine hundred years?

1804
01:22:57,920 --> 01:23:06,280
Speaker 4: I'm forty this year and especially and then joining to forty.

1805
01:23:06,600 --> 01:23:08,200
Speaker 4: I can't wait to see what forty one feel like.

1806
01:23:08,240 --> 01:23:12,800
Speaker 2: This is incredible about forty one. Yeah, fish, get your five.

1807
01:23:12,880 --> 01:23:15,760
Speaker 2: But he wasn't really what you like. I started thinking

1808
01:23:15,840 --> 01:23:23,479
Speaker 2: about keep my grades. You look whatever it is. So yeah,

1809
01:23:23,680 --> 01:23:27,519
Speaker 2: let me just ask you're gonna get men's men's club. Yeah,

1810
01:23:27,560 --> 01:23:28,960
Speaker 2: let me tell you some weird ship that happened. I'm

1811
01:23:29,280 --> 01:23:31,000
Speaker 2: with you real talk. I would like to hear it.

1812
01:23:31,120 --> 01:23:33,280
Speaker 2: I was with my girl, went to the pick up

1813
01:23:33,280 --> 01:23:35,559
Speaker 2: your girl. We took her. Let's make some girl.

1814
01:23:38,160 --> 01:23:40,880
Speaker 9: We took her grandma to the casino for mother. Grandma

1815
01:23:41,120 --> 01:23:44,920
Speaker 9: her grandma. Okay, god, because you know, to play the joints.

1816
01:23:45,640 --> 01:23:49,120
Speaker 9: So I go to the bathroom and some dude, I

1817
01:23:49,160 --> 01:23:50,479
Speaker 9: think I think he's Jamaica.

1818
01:23:50,520 --> 01:23:52,840
Speaker 2: We're draining that. I think he's Jamaican. Did you know

1819
01:23:52,960 --> 01:23:55,000
Speaker 2: he had an accent? I couldn't place the accident. It

1820
01:23:55,080 --> 01:23:57,400
Speaker 2: was somebody that could have been in Canada. I don't know.

1821
01:23:57,720 --> 01:24:00,280
Speaker 7: I'm there, I'm washing my hands, and the dude in

1822
01:24:00,400 --> 01:24:03,800
Speaker 7: and he just looks at me and he said, you're

1823
01:24:03,800 --> 01:24:04,599
Speaker 7: not gonna die your beer.

1824
01:24:06,320 --> 01:24:10,680
Speaker 2: That's his first that's what when you're at the urine. No, no,

1825
01:24:12,760 --> 01:24:19,120
Speaker 2: I would And I said, uh no, I don't like it.

1826
01:24:19,240 --> 01:24:19,960
Speaker 2: I don't like to die.

1827
01:24:20,000 --> 01:24:23,759
Speaker 7: I don't like none of that ship. He's like really

1828
01:24:24,760 --> 01:24:26,839
Speaker 7: but man like pencil like he's thinking.

1829
01:24:26,680 --> 01:24:28,280
Speaker 4: Because he was thinking about dying his ship.

1830
01:24:28,280 --> 01:24:30,120
Speaker 7: And he's older than me. I could tell he's older

1831
01:24:30,160 --> 01:24:33,800
Speaker 7: than me. So I'm like, all right, cool, is that it?

1832
01:24:33,920 --> 01:24:36,120
Speaker 7: Because I'm out of here, bro? And then he's like,

1833
01:24:37,120 --> 01:24:37,800
Speaker 7: looks good man.

1834
01:24:40,520 --> 01:24:44,600
Speaker 4: I was like, you saved his life that night. You

1835
01:24:44,680 --> 01:24:46,920
Speaker 4: gave him confidence. I don't know what happened, let him

1836
01:24:47,120 --> 01:24:49,439
Speaker 4: let his die just fade out, gave him confidence.

1837
01:24:49,520 --> 01:24:51,880
Speaker 2: He looked at me, crazy man. That's my story. So

1838
01:24:52,000 --> 01:24:54,160
Speaker 2: when's the last time you spoke to y'all? Bay? I

1839
01:24:54,200 --> 01:24:56,680
Speaker 2: know that, Yeah, yeah, yeah. About about a month ago,

1840
01:24:56,720 --> 01:24:58,920
Speaker 2: I went out of South Africa. Wait, hold on time,

1841
01:24:59,120 --> 01:25:01,519
Speaker 2: let's make some noise flows on us one more time.

1842
01:25:05,360 --> 01:25:06,280
Speaker 2: I went out to see y'all.

1843
01:25:06,320 --> 01:25:08,080
Speaker 4: Seeing you, I went out there and hang out with him,

1844
01:25:08,080 --> 01:25:09,640
Speaker 4: mister Ferrari Shepherd.

1845
01:25:09,360 --> 01:25:11,160
Speaker 2: And you know, yah, see bay Is you know, he's

1846
01:25:11,160 --> 01:25:13,400
Speaker 2: a he's a beautiful dude. Like this dude is like

1847
01:25:13,479 --> 01:25:16,680
Speaker 2: you know, he's like, you know, he's Muslim and a

1848
01:25:16,760 --> 01:25:17,960
Speaker 2: lot of his a lot.

1849
01:25:17,920 --> 01:25:19,519
Speaker 4: Of his music in his stance has to do with

1850
01:25:20,400 --> 01:25:23,080
Speaker 4: incorporating Islam, trying to figure out that living.

1851
01:25:24,280 --> 01:25:27,840
Speaker 2: As a as a Muslim but living in come back

1852
01:25:27,840 --> 01:25:28,439
Speaker 2: to America.

1853
01:25:28,720 --> 01:25:31,840
Speaker 4: I can't speak on this situation at this particular time,

1854
01:25:31,920 --> 01:25:36,000
Speaker 4: but I know that he he hasn't wanted to be

1855
01:25:36,080 --> 01:25:36,840
Speaker 4: in America.

1856
01:25:36,560 --> 01:25:39,040
Speaker 2: For a long time. He doesn't want to come out here.

1857
01:25:39,280 --> 01:25:42,839
Speaker 4: Yeah, regardless of his particular political situation in South Africa.

1858
01:25:43,360 --> 01:25:46,360
Speaker 2: You know, as you notice and be here in a minute,

1859
01:25:47,280 --> 01:25:52,320
Speaker 2: he cats still travel to London and okay, yeah, and

1860
01:25:52,680 --> 01:25:58,720
Speaker 2: I think that he I'm appalled, you know.

1861
01:25:59,800 --> 01:26:03,600
Speaker 4: He he is somebody who exists completely and totally outside

1862
01:26:04,240 --> 01:26:09,160
Speaker 4: of the music business. He exists as an artist like

1863
01:26:09,320 --> 01:26:13,480
Speaker 4: funk the business. He exists as an artist, as a creative.

1864
01:26:13,120 --> 01:26:16,639
Speaker 2: Spirit like this is this is real? Like this is real?

1865
01:26:16,760 --> 01:26:17,639
Speaker 2: Like I'm not Muslim.

1866
01:26:19,240 --> 01:26:21,320
Speaker 4: I want to tell you, I don't you know, I

1867
01:26:21,560 --> 01:26:26,679
Speaker 4: respect Islam, I respect I respect people anybody who search

1868
01:26:26,760 --> 01:26:27,080
Speaker 4: for truth.

1869
01:26:27,120 --> 01:26:29,680
Speaker 2: So what would you claim if somebody would ask you what?

1870
01:26:30,320 --> 01:26:30,760
Speaker 2: I'm just me?

1871
01:26:30,920 --> 01:26:33,560
Speaker 4: You know, I recognize the God and all like that.

1872
01:26:33,720 --> 01:26:35,479
Speaker 4: If you recognize the God in yourself, I recognize the

1873
01:26:35,479 --> 01:26:35,840
Speaker 4: God in you.

1874
01:26:36,960 --> 01:26:42,120
Speaker 2: So everything, every religion, and I'm every gang too. Yeah,

1875
01:26:44,520 --> 01:26:46,439
Speaker 2: but that's how you gotta bee. Whoever I'm hanging with.

1876
01:26:46,560 --> 01:26:50,760
Speaker 2: I'm a vice lord. If you understand, you understands the

1877
01:26:52,400 --> 01:26:55,639
Speaker 2: theory to one. He's every game, everything everything, you know everything.

1878
01:26:56,040 --> 01:26:58,680
Speaker 4: But but this is how this, how this is y'all

1879
01:26:58,720 --> 01:27:01,320
Speaker 4: seen by Like I'm out there and and and he's

1880
01:27:01,439 --> 01:27:04,479
Speaker 4: I'm talking to him and he's quoting verses from the Quran.

1881
01:27:04,560 --> 01:27:07,760
Speaker 2: And in South Africa that just stay in hunts. No, no, no,

1882
01:27:08,080 --> 01:27:10,680
Speaker 2: South Africa is mad develops. South Africa is the most

1883
01:27:10,720 --> 01:27:13,560
Speaker 2: developed countries. Is a w out there. There's no w

1884
01:27:16,479 --> 01:27:19,599
Speaker 2: W building. There's some nice hotels and some nice spots

1885
01:27:19,840 --> 01:27:20,240
Speaker 2: that I'm.

1886
01:27:20,160 --> 01:27:23,720
Speaker 5: Got the Western they got a whole different system all.

1887
01:27:24,040 --> 01:27:29,360
Speaker 2: Can you name me one hotel otherwise South Africa change

1888
01:27:31,439 --> 01:27:34,240
Speaker 2: change the chain hotels. You can go to a Sheraton, Sheritan.

1889
01:27:36,960 --> 01:27:44,320
Speaker 2: I canuck with THET Star Wars that's what you can.

1890
01:27:45,360 --> 01:27:48,360
Speaker 2: You could get a Star Wars four points Sheridan, that's

1891
01:27:48,400 --> 01:27:50,720
Speaker 2: a difference. That's a difference. I don't want to point,

1892
01:27:51,040 --> 01:27:53,760
Speaker 2: but but all points running.

1893
01:27:54,040 --> 01:27:56,439
Speaker 4: I'm gonna put you onto the to the boutique hotels,

1894
01:27:56,479 --> 01:27:59,439
Speaker 4: into the official spots outside of the SPH.

1895
01:28:00,400 --> 01:28:02,400
Speaker 2: You're very You're very rich. I can tell by the

1896
01:28:02,400 --> 01:28:05,920
Speaker 2: way you just just put can somebody, I'm not rich.

1897
01:28:05,960 --> 01:28:08,800
Speaker 2: I'm not no, no, no, I'm a working classroom C.

1898
01:28:08,960 --> 01:28:12,920
Speaker 2: Who figured out I cracked the cold. I've seen Jay damaging.

1899
01:28:13,120 --> 01:28:13,439
Speaker 2: That's no.

1900
01:28:13,680 --> 01:28:15,320
Speaker 4: You know what's funny about you saying that when I

1901
01:28:15,560 --> 01:28:17,400
Speaker 4: when I say I'm a working classroom c.

1902
01:28:17,800 --> 01:28:22,120
Speaker 2: The image that I put j damage. Listen, let me

1903
01:28:22,240 --> 01:28:24,479
Speaker 2: tell you something. I seen jaw the damage that I

1904
01:28:24,560 --> 01:28:27,120
Speaker 2: knew he was gonna get drunk. He's my man. Yeah,

1905
01:28:27,240 --> 01:28:28,320
Speaker 2: he gets bent. You know that.

1906
01:28:28,479 --> 01:28:28,680
Speaker 11: I know.

1907
01:28:31,600 --> 01:28:33,519
Speaker 2: The same block you know. I said, Jabe, where you

1908
01:28:33,640 --> 01:28:35,880
Speaker 2: been at? A nigga said, man, I just stay in Europe.

1909
01:28:35,880 --> 01:28:40,600
Speaker 5: I get this money. He pulled out a passport that

1910
01:28:41,000 --> 01:28:43,880
Speaker 5: looked like a phone book. My nigga, let me explain.

1911
01:28:43,960 --> 01:28:47,240
Speaker 5: Let me let me this nigga, jarew the damage to

1912
01:28:47,320 --> 01:28:48,080
Speaker 5: live in Berlin.

1913
01:28:49,080 --> 01:28:53,000
Speaker 2: Listen. I went to Berlin, Big Berlin. My grimmy people.

1914
01:28:53,080 --> 01:28:57,040
Speaker 11: What specta you go to you see a post, You

1915
01:28:57,080 --> 01:28:58,759
Speaker 11: see posts everywhere.

1916
01:28:59,160 --> 01:29:12,479
Speaker 2: Nigga, that that one is terrible one. I'm sorry, I'm sorry.

1917
01:29:12,720 --> 01:29:16,080
Speaker 2: Ja live in Berlin. I'm sorry. That was we needed

1918
01:29:16,080 --> 01:29:19,599
Speaker 2: a proper horn for you. Betting at Berlin was gonna

1919
01:29:19,680 --> 01:29:21,640
Speaker 2: let them give you a fake horn. They were getting that.

1920
01:29:21,800 --> 01:29:25,240
Speaker 2: He getting that fucking that fucking tear down the war money. Yeah, man,

1921
01:29:25,360 --> 01:29:28,880
Speaker 2: that nigga passport was like this. No, j I went

1922
01:29:29,040 --> 01:29:31,120
Speaker 2: the first time I went to South Africa, I went

1923
01:29:31,200 --> 01:29:34,479
Speaker 2: with JJ. I went with j R. To Dammage. You

1924
01:29:35,040 --> 01:29:37,599
Speaker 2: that's it. I'll be cool. I'll be in certain countries.

1925
01:29:37,640 --> 01:29:40,759
Speaker 2: I'll be in like Croatia, some ship. I'm in a club.

1926
01:29:41,720 --> 01:29:47,439
Speaker 2: Just pull up and tapped me on the shoulder. Living

1927
01:29:47,640 --> 01:29:49,880
Speaker 2: Jarroal living Malmo. He live in Malmo, Sweden.

1928
01:29:50,000 --> 01:29:54,519
Speaker 4: Yeah, Malo Malmo is a half hour from from Copenhagen Hagen, Denmark.

1929
01:29:54,760 --> 01:29:56,800
Speaker 4: If you go to Malmo, Sweden, you hang out with

1930
01:29:56,920 --> 01:30:01,120
Speaker 4: Jay Road alcoholics. But this is a fratern a working

1931
01:30:01,160 --> 01:30:03,400
Speaker 4: class and cs that are all over the world. I

1932
01:30:03,479 --> 01:30:05,280
Speaker 4: know where all they at. I know I know where

1933
01:30:05,280 --> 01:30:06,559
Speaker 4: they at. I travel the world.

1934
01:30:06,600 --> 01:30:10,719
Speaker 2: I see them. J row Uh push your man Elder

1935
01:30:10,800 --> 01:30:12,040
Speaker 2: safe artifacts.

1936
01:30:12,560 --> 01:30:16,920
Speaker 4: That's another one. That's another one. Master Aces in Italy

1937
01:30:17,080 --> 01:30:20,559
Speaker 4: right now, Master Ace and Marco Polo in Italy.

1938
01:30:20,720 --> 01:30:31,320
Speaker 2: Right Why do like y'all revolution because I would consider

1939
01:30:31,360 --> 01:30:34,519
Speaker 2: you a revolution every activist hip hop type of god. Right.

1940
01:30:35,240 --> 01:30:37,479
Speaker 2: But like your biggest crowds is white people.

1941
01:30:37,920 --> 01:30:40,519
Speaker 4: Yes, that happened because white people have money and they

1942
01:30:40,560 --> 01:30:43,840
Speaker 4: can afford to come to the constgas, the hook niggas,

1943
01:30:43,880 --> 01:30:44,679
Speaker 4: the hood don't have money.

1944
01:30:44,800 --> 01:30:47,240
Speaker 2: They can't go to concerts. They just be in the hood.

1945
01:30:47,720 --> 01:30:49,719
Speaker 4: White people be like, they look in the Village Voice

1946
01:30:50,000 --> 01:30:51,600
Speaker 4: and they look in the in the time out in

1947
01:30:51,640 --> 01:30:52,880
Speaker 4: New York and they'd be like, I want to go

1948
01:30:52,920 --> 01:30:55,000
Speaker 4: to concert they have some extra money spent and I'm

1949
01:30:55,000 --> 01:30:55,759
Speaker 4: gonna go to concerts.

1950
01:30:55,880 --> 01:30:58,519
Speaker 2: I like Tyler Carles a good job.

1951
01:31:00,280 --> 01:31:07,400
Speaker 4: But you know that's that's a good thing. That's a

1952
01:31:07,439 --> 01:31:12,840
Speaker 4: good thing because hip hop music is folk music. It

1953
01:31:12,880 --> 01:31:16,760
Speaker 4: don't matter if you white, black, Jubiterarian. You know what

1954
01:31:16,760 --> 01:31:17,080
Speaker 4: I'm saying.

1955
01:31:17,760 --> 01:31:23,360
Speaker 2: I'm speaking Jubiterian. I'm with you. Let me get a

1956
01:31:23,400 --> 01:31:27,320
Speaker 2: high five Federation. Understand that sounds.

1957
01:31:27,120 --> 01:31:30,040
Speaker 5: Right Upguage, I'm using it, Jubiterian.

1958
01:31:30,160 --> 01:31:32,599
Speaker 2: Go ahead, continue hip hop.

1959
01:31:32,520 --> 01:31:35,360
Speaker 4: Speaking the language that people speak right now, you know

1960
01:31:35,400 --> 01:31:37,519
Speaker 4: what I'm saying. So hip hop the reason hip hop

1961
01:31:37,640 --> 01:31:40,559
Speaker 4: is united more cultures than any music and than any

1962
01:31:40,840 --> 01:31:44,280
Speaker 4: fun music. Hip hop is united more cultures than any

1963
01:31:44,479 --> 01:31:48,080
Speaker 4: force anything in the history of the planet. More white people,

1964
01:31:48,800 --> 01:31:52,120
Speaker 4: black people, brown people, yellow people, white people get together

1965
01:31:52,200 --> 01:31:55,040
Speaker 4: over hip hop music than anything, you know what I'm saying.

1966
01:31:55,840 --> 01:31:58,240
Speaker 4: Because hip hop speaking the language that we all speaking,

1967
01:31:58,640 --> 01:32:00,519
Speaker 4: it's speaking in language is going on right now.

1968
01:32:00,840 --> 01:32:03,120
Speaker 2: So when NOI came out like what what what what?

1969
01:32:03,680 --> 01:32:07,120
Speaker 2: That's what niggas was on the street saying at the time. Foul,

1970
01:32:07,880 --> 01:32:08,760
Speaker 2: That's what niggas saying.

1971
01:32:09,280 --> 01:32:12,000
Speaker 4: And whatever niggas is saying right now, whether it be

1972
01:32:12,160 --> 01:32:15,880
Speaker 4: Panda or whatever and whatever whatever is going on, that's

1973
01:32:15,920 --> 01:32:16,840
Speaker 4: what's happening.

1974
01:32:16,640 --> 01:32:19,280
Speaker 2: Right now, and it makes it make it to a record.

1975
01:32:20,160 --> 01:32:24,120
Speaker 2: Country music is like that. Folk folk music is like

1976
01:32:24,240 --> 01:32:26,040
Speaker 2: what was like that? But folk music is not a

1977
01:32:26,080 --> 01:32:27,799
Speaker 2: popular art form like it was in the seventies.

1978
01:32:28,720 --> 01:32:31,200
Speaker 4: But country music is like to be besides country music.

1979
01:32:32,680 --> 01:32:34,160
Speaker 2: And I don't fuck the country music.

1980
01:32:34,200 --> 01:32:36,880
Speaker 4: I'm not a country music fan, but I recognize, real

1981
01:32:36,960 --> 01:32:38,800
Speaker 4: recognize really you know what I'm saying that the country

1982
01:32:38,880 --> 01:32:41,880
Speaker 4: music is about struggle, it's about white people struggle.

1983
01:32:41,680 --> 01:32:47,120
Speaker 2: American storytellers. In the music. It's beautiful and it's it's

1984
01:32:47,160 --> 01:32:48,599
Speaker 2: similar to hip hop in that regard.

1985
01:32:49,240 --> 01:32:51,400
Speaker 4: But hip hop is our ship, you know what I'm saying.

1986
01:32:51,400 --> 01:32:54,400
Speaker 2: That's right, hip hop is our shit. Golf brooks in

1987
01:32:54,400 --> 01:32:59,040
Speaker 2: them niggas. They got a struggle. Country music that's golf

1988
01:32:59,120 --> 01:33:01,559
Speaker 2: works this country, is it right? A horse ran away? Yeah,

1989
01:33:01,760 --> 01:33:06,480
Speaker 2: like I mean like it's definitely their version of reality.

1990
01:33:06,600 --> 01:33:09,680
Speaker 2: You know what I'm saying. Music, I'm gonna tell you what.

1991
01:33:09,840 --> 01:33:12,519
Speaker 2: I'm gonna keep it all, keep it all over. He change.

1992
01:33:12,960 --> 01:33:17,120
Speaker 4: It's music made by uneducated people. And I'm not saying

1993
01:33:17,520 --> 01:33:18,920
Speaker 4: uneducated as a judgment.

1994
01:33:19,120 --> 01:33:20,080
Speaker 2: He was about to take some of that.

1995
01:33:20,200 --> 01:33:23,599
Speaker 5: Dame Dash Whiskey, by the way, you people, you people

1996
01:33:23,720 --> 01:33:26,320
Speaker 5: out there, let people know we got Dame Dash Whiskey

1997
01:33:26,479 --> 01:33:27,240
Speaker 5: on the table.

1998
01:33:27,720 --> 01:33:30,800
Speaker 2: Yes, and we're representing for you, Dame Dash. Shout out

1999
01:33:30,840 --> 01:33:31,320
Speaker 2: to Dame Dash.

2000
01:33:31,400 --> 01:33:32,000
Speaker 4: That's my nigga.

2001
01:33:32,360 --> 01:33:35,720
Speaker 2: Now now I heard I heard a rumor that even

2002
01:33:36,080 --> 01:33:37,560
Speaker 2: but let me feel you get into that. Let me

2003
01:33:37,640 --> 01:33:38,720
Speaker 2: just qualify my statement before.

2004
01:33:38,800 --> 01:33:42,479
Speaker 4: But but I say uneducated, I'm not meaning a disc

2005
01:33:42,720 --> 01:33:46,559
Speaker 4: I mean people that don't receive the standard westernized traditional education.

2006
01:33:47,120 --> 01:33:48,200
Speaker 2: You know what I'm saying, Like.

2007
01:33:49,000 --> 01:33:51,320
Speaker 4: Niggas might have dropped out of high school but can

2008
01:33:51,400 --> 01:33:54,799
Speaker 4: still run the world. Bill Gates didn't graduate from college

2009
01:33:55,080 --> 01:33:56,360
Speaker 4: but still made a lot of money. You know what

2010
01:33:56,400 --> 01:33:58,920
Speaker 4: I'm saying. Like when I say uneducated, uneducated, it's not

2011
01:33:58,960 --> 01:34:01,880
Speaker 4: a judgment. But there's white people in the South that

2012
01:34:02,000 --> 01:34:04,679
Speaker 4: didn't have the traditional education, you know what I'm saying.

2013
01:34:04,800 --> 01:34:07,519
Speaker 4: Like even the term nigga, Like even the we're niggas

2014
01:34:07,720 --> 01:34:09,360
Speaker 4: political for ustyle, I'm about to.

2015
01:34:11,560 --> 01:34:12,479
Speaker 2: Quick, real quick quick.

2016
01:34:12,600 --> 01:34:16,000
Speaker 4: Even the term nigga was white people not understanding how

2017
01:34:16,040 --> 01:34:21,160
Speaker 4: to pronounce the Spanish negro negatro, nigga, it becomes it

2018
01:34:21,280 --> 01:34:26,280
Speaker 4: was niggro negative niggas the South Spain right right right,

2019
01:34:26,400 --> 01:34:29,160
Speaker 4: so they it became nigger over time. That's where the

2020
01:34:29,200 --> 01:34:31,280
Speaker 4: word nigga come from. It comes from not having a

2021
01:34:31,400 --> 01:34:34,680
Speaker 4: Western standardized education, you know what I'm saying. So when

2022
01:34:34,680 --> 01:34:39,320
Speaker 4: I say uneducated, it's not the distalbody. So okay, all right, so.

2023
01:34:39,439 --> 01:34:43,080
Speaker 2: Now we heard a room on that Kanye. I think

2024
01:34:43,160 --> 01:34:46,519
Speaker 2: Kanye's first feature was like with you, Is that correct? Yeah?

2025
01:34:46,520 --> 01:34:48,080
Speaker 2: I used to fuck with Kanye back in the days

2026
01:34:48,120 --> 01:34:51,639
Speaker 2: way before. Does that mean you don't funk with him now, Yeah,

2027
01:34:52,040 --> 01:34:55,559
Speaker 2: Kanye is my nigga. I'm I'm a Kanye West fan.

2028
01:34:56,080 --> 01:34:58,200
Speaker 2: Was the first time you met you met Kanye? The

2029
01:34:58,240 --> 01:34:59,200
Speaker 2: first time I met Kanye?

2030
01:34:59,600 --> 01:35:01,439
Speaker 4: I was king on my quality album, the album that

2031
01:35:01,520 --> 01:35:06,320
Speaker 4: get buys on. I was in Platinum Platinumland studios.

2032
01:35:06,800 --> 01:35:09,439
Speaker 2: He came through No Idea or Platinum Island Studios. A

2033
01:35:09,640 --> 01:35:10,680
Speaker 2: walk left used to own that.

2034
01:35:10,920 --> 01:35:16,280
Speaker 5: It's like before, that's Platinum Studios, that's Platinum Okay, so

2035
01:35:16,320 --> 01:35:16,839
Speaker 5: what studios?

2036
01:35:16,880 --> 01:35:25,000
Speaker 4: Platinum Island, which was Ken dureau Eiffel du du Duro

2037
01:35:25,200 --> 01:35:27,799
Speaker 4: used to be the head engineer at Platinum Island. Platinum

2038
01:35:27,840 --> 01:35:30,719
Speaker 4: Island was in the same building or across the same

2039
01:35:31,120 --> 01:35:34,479
Speaker 4: next door to common room was next order to roucous.

2040
01:35:34,720 --> 01:35:38,960
Speaker 2: Okay, oh down down right right right, thank you.

2041
01:35:39,520 --> 01:35:43,280
Speaker 4: I'm working at Platinum Land Studios. Uh huh, and Kanye

2042
01:35:43,400 --> 01:35:44,400
Speaker 4: West come through the door.

2043
01:35:45,080 --> 01:35:45,200
Speaker 2: Now.

2044
01:35:45,240 --> 01:35:47,680
Speaker 4: I'm doing a session from a quality album and I'm

2045
01:35:47,680 --> 01:35:49,760
Speaker 4: waiting a Most Death to show up because Most Death

2046
01:35:49,920 --> 01:35:51,800
Speaker 4: we have a song on my quality album called Joy.

2047
01:35:52,040 --> 01:35:53,880
Speaker 4: I'm wrapping about my kids and my kids birth and

2048
01:35:53,960 --> 01:35:55,599
Speaker 4: Most Deaf is on it. It took him a long

2049
01:35:55,640 --> 01:35:57,439
Speaker 4: time to record his verse by this time, he was

2050
01:35:57,479 --> 01:35:59,519
Speaker 4: doing movies. He was blowing up, so I'm trying to

2051
01:35:59,520 --> 01:36:00,720
Speaker 4: get a touch of it. Was hard to get in

2052
01:36:00,800 --> 01:36:03,439
Speaker 4: touch with him. Kanye came through the door. I never

2053
01:36:03,600 --> 01:36:05,760
Speaker 4: seen this nigga, never heard this nigga. He said, I'm

2054
01:36:05,800 --> 01:36:08,320
Speaker 4: here to meet most Death. I said, well, guess what.

2055
01:36:09,760 --> 01:36:12,559
Speaker 2: He might not show up. But who are you? He said,

2056
01:36:12,560 --> 01:36:14,680
Speaker 2: Mosteff told me to meet here? Meet him here. I

2057
01:36:14,760 --> 01:36:18,080
Speaker 2: got some beats, I said, play me the beats. I'm

2058
01:36:18,120 --> 01:36:18,840
Speaker 2: a gonna album.

2059
01:36:19,560 --> 01:36:22,000
Speaker 4: Kanye played me the beasts. Every beat that Kanye blame me.

2060
01:36:22,040 --> 01:36:23,960
Speaker 4: He played me four beasts that night. All them beats

2061
01:36:24,000 --> 01:36:24,280
Speaker 4: made it.

2062
01:36:24,280 --> 01:36:27,120
Speaker 2: To my album. Just make some noise for Kanye being

2063
01:36:27,160 --> 01:36:33,040
Speaker 2: a savage, I said, yo, I said, who, I said,

2064
01:36:33,160 --> 01:36:35,519
Speaker 2: now them beats. Kanye, you the nigga. That's that's why

2065
01:36:35,560 --> 01:36:38,280
Speaker 2: he got an ego, because Nigga came in. He pitched

2066
01:36:38,320 --> 01:36:44,680
Speaker 2: you for you from every time Kanye knew anything fucked up,

2067
01:36:44,960 --> 01:36:47,400
Speaker 2: were blaming. Makes some noise for Tyler.

2068
01:36:50,560 --> 01:36:53,160
Speaker 4: I couldn't believe how good these beats was because I

2069
01:36:53,240 --> 01:36:54,160
Speaker 4: had never heard of him.

2070
01:36:54,520 --> 01:36:56,000
Speaker 2: So I'm like, how have I never heard of you?

2071
01:36:56,080 --> 01:36:59,439
Speaker 4: In your beats of this quality? He told me he said,

2072
01:36:59,479 --> 01:37:07,080
Speaker 4: I did beat on uh d Angeletti album. Yeah, I

2073
01:37:07,160 --> 01:37:10,240
Speaker 4: did beats on Jermaine Dupre album fourteen seventy two.

2074
01:37:11,479 --> 01:37:13,360
Speaker 2: I did beats on Beanie Siegual.

2075
01:37:13,400 --> 01:37:15,040
Speaker 4: He told me he did the Truth and then the

2076
01:37:15,120 --> 01:37:18,000
Speaker 4: Reason Truth, all that, all that Beatie segull ship.

2077
01:37:18,280 --> 01:37:21,800
Speaker 2: But he said that. That's when I was like, play

2078
01:37:21,840 --> 01:37:22,360
Speaker 2: me some ship.

2079
01:37:22,880 --> 01:37:24,720
Speaker 4: So he did the Gorilla mans Shoe rap, the good

2080
01:37:24,720 --> 01:37:26,439
Speaker 4: to You to get by all that ship on the

2081
01:37:26,520 --> 01:37:30,160
Speaker 4: Quality album and I just was And then when I

2082
01:37:30,200 --> 01:37:33,120
Speaker 4: went on tour, Common was on tour doing Electric Circus.

2083
01:37:34,280 --> 01:37:35,200
Speaker 4: I was opening act.

2084
01:37:36,320 --> 01:37:38,559
Speaker 2: Kanye was like, I'm trying to get my music out there.

2085
01:37:38,880 --> 01:37:41,080
Speaker 2: Niggas ain't fucking with me. I said, I said, come

2086
01:37:41,080 --> 01:37:43,760
Speaker 2: on toward me. He came on toward me. He came

2087
01:37:43,800 --> 01:37:46,880
Speaker 2: out every every way. Wait, you brung Kanye, Kanye when

2088
01:37:46,880 --> 01:37:51,360
Speaker 2: you just made some noise to bringing Kanye on t Yeah,

2089
01:37:55,080 --> 01:37:57,320
Speaker 2: he's too humble to say that. I'm gonna say it

2090
01:37:57,400 --> 01:37:59,800
Speaker 2: for him. Listen to you ever heard the tag of

2091
01:37:59,800 --> 01:38:02,080
Speaker 2: bout Yes I have I know about You're not gonna

2092
01:38:02,120 --> 01:38:05,960
Speaker 2: take a shot from New York City.

2093
01:38:06,120 --> 01:38:06,679
Speaker 4: I'll take a shot.

2094
01:38:08,080 --> 01:38:09,960
Speaker 2: Hold on, We're gonna let you finish your story. First,

2095
01:38:11,200 --> 01:38:15,800
Speaker 2: we need Kanye out. He break it down. We're gonna

2096
01:38:15,800 --> 01:38:18,519
Speaker 2: do it. Last call, he break it down.

2097
01:38:18,560 --> 01:38:22,160
Speaker 4: He say, he say Tyler brought me on tour, perform

2098
01:38:22,280 --> 01:38:23,160
Speaker 4: on the tour and ship like.

2099
01:38:23,280 --> 01:38:23,800
Speaker 2: Did he say that?

2100
01:38:23,880 --> 01:38:25,720
Speaker 4: He say that on the last on a song on

2101
01:38:25,800 --> 01:38:28,800
Speaker 4: College Dropper, he explained the whole story. I brought him

2102
01:38:28,800 --> 01:38:29,080
Speaker 4: on tour.

2103
01:38:29,200 --> 01:38:30,880
Speaker 2: Did you know he was crazy from the beginning?

2104
01:38:30,960 --> 01:38:33,400
Speaker 4: Oh, listen, I was when Kanye West, when I first

2105
01:38:33,439 --> 01:38:35,719
Speaker 4: met him, I said, hold on, y'all, hold this nigga

2106
01:38:35,760 --> 01:38:36,080
Speaker 4: plained me.

2107
01:38:36,400 --> 01:38:38,920
Speaker 2: Jesus Walks when I first met him. Wait the first

2108
01:38:39,000 --> 01:38:40,599
Speaker 2: day you met him? He played the first day, maybe

2109
01:38:40,640 --> 01:38:44,120
Speaker 2: the first month or so. Okay, beat or lyrics song done.

2110
01:38:44,720 --> 01:38:46,920
Speaker 2: This is four or five years before the Ship came out.

2111
01:38:47,560 --> 01:38:50,240
Speaker 2: This nigga played me. He played me, Dear Mama, No,

2112
01:38:50,360 --> 01:38:55,960
Speaker 2: dear Mama, the hey Mama. I said, I've never.

2113
01:38:55,920 --> 01:38:57,360
Speaker 4: Heard nothing so beautiful in my life.

2114
01:38:57,680 --> 01:38:59,960
Speaker 2: He played me that. He played me Jesus Walks, I said,

2115
01:39:00,439 --> 01:39:01,920
Speaker 2: And it was the Vergon that came out.

2116
01:39:02,600 --> 01:39:05,960
Speaker 4: This is this is before he had a deal, before

2117
01:39:06,040 --> 01:39:09,920
Speaker 4: College drop Out. He played me, Jesus Walks. He played

2118
01:39:09,920 --> 01:39:11,800
Speaker 4: me A bunch of a bunch of those songs, A

2119
01:39:11,880 --> 01:39:14,479
Speaker 4: bunche of those songs. But I remember Jesus Walks and

2120
01:39:14,600 --> 01:39:16,479
Speaker 4: the Hey Mama. I said, you need to put these

2121
01:39:16,479 --> 01:39:18,720
Speaker 4: ships out now. He said, no, no, no, that's what

2122
01:39:18,840 --> 01:39:21,120
Speaker 4: nigga said. He said, my first album.

2123
01:39:21,040 --> 01:39:23,080
Speaker 2: Is before he had a deal, no deal, He knew

2124
01:39:23,120 --> 01:39:23,880
Speaker 2: what he wanted to do.

2125
01:39:24,040 --> 01:39:25,960
Speaker 4: He said, my first album is called College Dropout.

2126
01:39:27,280 --> 01:39:27,719
Speaker 2: These songs.

2127
01:39:27,880 --> 01:39:30,560
Speaker 4: My next album is called Late Late Registration. That the

2128
01:39:31,280 --> 01:39:34,439
Speaker 4: that Jesus Walks, and I mean the Hey Mama, that's

2129
01:39:34,439 --> 01:39:38,479
Speaker 4: gonna be a late registration. Wow, Jesus Walks, Jesus Walks

2130
01:39:38,640 --> 01:39:44,160
Speaker 4: gonna be Jesus Walks again, cad from College Dropout. But

2131
01:39:44,320 --> 01:39:46,160
Speaker 4: when he put it out, Jesus Walks was a single.

2132
01:39:46,320 --> 01:39:48,559
Speaker 4: He says it on the song, this is my single.

2133
01:39:48,600 --> 01:39:51,360
Speaker 4: Dog radio needs this, he says it on the song.

2134
01:39:53,640 --> 01:39:56,320
Speaker 2: And you knew, and you knew, like did you know

2135
01:39:56,400 --> 01:39:57,639
Speaker 2: he was a genius? So you just knew.

2136
01:39:58,360 --> 01:40:00,599
Speaker 4: I couldn't to be real with you because they heard

2137
01:40:00,680 --> 01:40:06,160
Speaker 4: a niggas used to distance tell him everybody had the

2138
01:40:06,240 --> 01:40:09,000
Speaker 4: hot beast, but niggas be he was trying to sell

2139
01:40:09,080 --> 01:40:11,719
Speaker 4: himself as an artist, and niggas like, we want your beasts.

2140
01:40:11,800 --> 01:40:13,240
Speaker 4: But and I used to be like he was.

2141
01:40:13,400 --> 01:40:14,720
Speaker 2: He used to be on a tour bus with us.

2142
01:40:15,000 --> 01:40:18,639
Speaker 4: He husedd be rhyming and he's rom all the time everything.

2143
01:40:18,640 --> 01:40:21,120
Speaker 4: And you come in the room, somebody knew coming the room,

2144
01:40:21,200 --> 01:40:22,960
Speaker 4: he kicked a rom like say, I kicked around for you.

2145
01:40:23,080 --> 01:40:23,920
Speaker 4: Somebody new coming the room.

2146
01:40:23,960 --> 01:40:25,800
Speaker 2: He gets kicking the rom again for the new nigga.

2147
01:40:27,000 --> 01:40:31,479
Speaker 2: He was annoying. Sometimes it's annoying. It's thirsty. It's thirsty, thirsty, right,

2148
01:40:31,560 --> 01:40:33,720
Speaker 2: but he was he had no balance, but he knew

2149
01:40:33,960 --> 01:40:35,760
Speaker 2: he was going. He knew he was.

2150
01:40:35,760 --> 01:40:39,960
Speaker 9: Going sometimes being thirsty. He listen, when we did we

2151
01:40:40,160 --> 01:40:42,040
Speaker 9: was you know my team. We did the street team

2152
01:40:42,080 --> 01:40:43,640
Speaker 9: for depth jam Rockefeller.

2153
01:40:43,680 --> 01:40:46,400
Speaker 2: Stopped that stopped that stopped that sound and so I'm

2154
01:40:46,400 --> 01:40:48,960
Speaker 2: gonna stop passing week give it away? What was I mean?

2155
01:40:49,040 --> 01:40:50,240
Speaker 2: I mean an interview moved? Come on?

2156
01:40:50,479 --> 01:40:52,799
Speaker 5: And what was the single that he had the joints,

2157
01:40:52,800 --> 01:40:55,479
Speaker 5: when he had the when he got the wire through

2158
01:40:55,479 --> 01:40:55,840
Speaker 5: the wire?

2159
01:40:55,920 --> 01:40:58,360
Speaker 2: That was it with? What was what was homegirl? On

2160
01:40:58,439 --> 01:40:59,080
Speaker 2: the old school?

2161
01:40:59,120 --> 01:41:02,640
Speaker 5: G Shock Shuka Khan, Wait, wait, hold on, hold on,

2162
01:41:03,000 --> 01:41:04,880
Speaker 5: nobody asks for shots to Tiger bone.

2163
01:41:04,880 --> 01:41:10,800
Speaker 2: Hold on, come on, did you say I got I got?

2164
01:41:10,920 --> 01:41:12,800
Speaker 2: I gotta make an appearance at a club. We had

2165
01:41:13,920 --> 01:41:19,040
Speaker 2: a video right now this hold on standing up.

2166
01:41:20,439 --> 01:41:23,320
Speaker 7: I gotta give my Kanye story. I wanted to give

2167
01:41:23,360 --> 01:41:25,799
Speaker 7: you a car. It's not wanting to half Kanye story.

2168
01:41:25,600 --> 01:41:27,519
Speaker 2: Because this is gonna suck everybody like that. Did we

2169
01:41:27,640 --> 01:41:30,479
Speaker 2: drink this? You don't drink water water. We don't like

2170
01:41:31,200 --> 01:41:35,679
Speaker 2: you to drink chance water because I do drink water.

2171
01:41:36,000 --> 01:41:41,760
Speaker 2: What I get some water? We got water water extra HP.

2172
01:41:42,439 --> 01:41:48,320
Speaker 5: Yeah, that's aloha Accoline Real Real Drink Championship, Real Drink Championship.

2173
01:41:48,320 --> 01:41:50,040
Speaker 2: Because this is how you really do a drink Champs.

2174
01:41:50,240 --> 01:41:53,240
Speaker 2: You drink water, so you keep drinking a hundred. Let's

2175
01:41:53,280 --> 01:41:59,800
Speaker 2: make some noise to live trying to be smart. There's

2176
01:41:59,840 --> 01:42:02,519
Speaker 2: no they're smart about this shot about to take. I'm

2177
01:42:02,520 --> 01:42:05,320
Speaker 2: gonna just throw it out there. Water. You gotta tell

2178
01:42:05,320 --> 01:42:07,120
Speaker 2: your story. The story is whacked now, by the way.

2179
01:42:07,240 --> 01:42:10,360
Speaker 2: But why we was doing We did the promo shot.

2180
01:42:10,680 --> 01:42:13,760
Speaker 2: Gigs was not here. We did deaf jam Rockefeller water

2181
01:42:14,680 --> 01:42:17,679
Speaker 2: water going. Don't take that shot yet. Don't take that water.

2182
01:42:18,200 --> 01:42:21,519
Speaker 2: I got you, but I think you should take to

2183
01:42:21,680 --> 01:42:25,920
Speaker 2: take the water off the drink Champs, drink water whatever,

2184
01:42:26,320 --> 01:42:30,120
Speaker 2: drink can't drink water, brou the gamlet all right, cool

2185
01:42:32,720 --> 01:42:35,160
Speaker 2: o g wisdom. We need to be hydrated, man, so

2186
01:42:35,240 --> 01:42:37,040
Speaker 2: we can keep drinking. I'm gonna let you get away

2187
01:42:37,080 --> 01:42:39,640
Speaker 2: with this right now. Man, you I want you to

2188
01:42:39,720 --> 01:42:41,840
Speaker 2: drink water because I care about you. You know what,

2189
01:42:41,920 --> 01:42:45,160
Speaker 2: the I can't the whole toll. There was like three

2190
01:42:45,200 --> 01:42:49,000
Speaker 2: people who just said that they can't drink water. I'm

2191
01:42:49,080 --> 01:42:53,240
Speaker 2: just layded and just like my story, go ahead, get

2192
01:42:53,240 --> 01:42:56,800
Speaker 2: to it. The story is whack now, but you just

2193
01:42:56,880 --> 01:42:59,439
Speaker 2: forgot your story. No, no, no, I't forget about I

2194
01:42:59,560 --> 01:42:59,880
Speaker 2: was doing this.

2195
01:43:00,120 --> 01:43:02,400
Speaker 7: I was the street team manager for Miami for Deaf

2196
01:43:02,479 --> 01:43:08,280
Speaker 7: Jam and Rockefeller, and nobody believed in in Kanye Rocket right, so.

2197
01:43:08,760 --> 01:43:12,080
Speaker 2: They did not. He leaked that record head I remember that,

2198
01:43:12,280 --> 01:43:14,400
Speaker 2: and then he he paid for the video.

2199
01:43:14,600 --> 01:43:17,559
Speaker 4: He paid, he paid for the radio promotion and he look.

2200
01:43:17,400 --> 01:43:19,240
Speaker 2: At that niggas changing the rules for you. They got

2201
01:43:19,320 --> 01:43:26,320
Speaker 2: water and ship my story. I'm sorry, I'm sorry, ball

2202
01:43:26,600 --> 01:43:35,160
Speaker 2: go ahead. So he leaked the record. He and he

2203
01:43:35,280 --> 01:43:36,720
Speaker 2: went to the He went to the He went to

2204
01:43:36,800 --> 01:43:39,000
Speaker 2: the Mix Suore Power Summit in Puerto Rico.

2205
01:43:39,439 --> 01:43:39,960
Speaker 7: I was there.

2206
01:43:40,120 --> 01:43:42,960
Speaker 4: I was and we performed that Common was there and

2207
01:43:43,040 --> 01:43:46,120
Speaker 4: most of then and at the window resort in Puerto

2208
01:43:46,160 --> 01:43:47,640
Speaker 4: Rico Real del Mar.

2209
01:43:48,560 --> 01:43:55,120
Speaker 2: He's still ruining my story. Yeah, aad we forgot, so he.

2210
01:43:55,400 --> 01:44:00,640
Speaker 7: Organized out of pocket. He told all the reps. I wait, wait,

2211
01:44:00,680 --> 01:44:02,479
Speaker 7: hold on hold, I'm sorry, Jesus Christian.

2212
01:44:03,800 --> 01:44:05,920
Speaker 4: I'm talking about in his song with jay Z and

2213
01:44:06,120 --> 01:44:08,720
Speaker 4: Kanye and the song when they say uh uh uh

2214
01:44:09,280 --> 01:44:11,200
Speaker 4: DJ and Puerto Rico for three days though, that's what

2215
01:44:11,280 --> 01:44:12,160
Speaker 4: you're talking about.

2216
01:44:14,040 --> 01:44:14,280
Speaker 7: About.

2217
01:44:14,880 --> 01:44:20,080
Speaker 2: Get your story. I'm trying to.

2218
01:44:24,240 --> 01:44:30,200
Speaker 7: Continue, So you organize the conference call. He gets on

2219
01:44:30,320 --> 01:44:33,160
Speaker 7: the call and it's Kanye the way we know Kanye.

2220
01:44:33,560 --> 01:44:36,439
Speaker 7: He said much it is hot, and the guys to

2221
01:44:36,520 --> 01:44:39,120
Speaker 7: take it to the radio. I'm coming to every market,

2222
01:44:39,800 --> 01:44:42,880
Speaker 7: be ready and early.

2223
01:44:42,640 --> 01:44:46,200
Speaker 2: On my tour. Nobody knows when. Look how he I

2224
01:44:46,439 --> 01:44:47,400
Speaker 2: like the way he threw that.

2225
01:44:49,720 --> 01:44:53,040
Speaker 1: He came on my So let's make some noise for.

2226
01:44:56,439 --> 01:45:00,679
Speaker 2: Respect for Kanye. We all got mad respectful Kanye Geminus.

2227
01:45:00,720 --> 01:45:02,320
Speaker 2: I have way more respectful. I don't know why the

2228
01:45:02,400 --> 01:45:07,080
Speaker 2: table just moved. I moved whatever you you got super heroes? Stress,

2229
01:45:07,800 --> 01:45:10,519
Speaker 2: this is crazy. Alright, listen, all right, listen, I'm gonna

2230
01:45:10,520 --> 01:45:11,160
Speaker 2: be honest.

2231
01:45:11,840 --> 01:45:12,240
Speaker 4: Be honest.

2232
01:45:12,400 --> 01:45:14,519
Speaker 2: I don't think he was lying before no, but.

2233
01:45:14,640 --> 01:45:16,760
Speaker 5: No, I'm gonna be honest. I took a shot with

2234
01:45:16,880 --> 01:45:19,639
Speaker 5: this with care rests one after the show.

2235
01:45:19,760 --> 01:45:20,439
Speaker 2: That's impressive.

2236
01:45:21,080 --> 01:45:23,880
Speaker 5: After the show, he was my man. I did investigation

2237
01:45:24,080 --> 01:45:26,320
Speaker 5: on him, like you, I hit you straight up.

2238
01:45:26,360 --> 01:45:28,519
Speaker 2: You said you like Hennessy like the Dark, so I

2239
01:45:28,560 --> 01:45:31,240
Speaker 2: wouldn't like dark. I said whatever dark right? He said whatever?

2240
01:45:31,720 --> 01:45:33,560
Speaker 2: But I did you know, care Rest, I did a

2241
01:45:34,000 --> 01:45:37,960
Speaker 2: real investigation, said, beef, what a relief? When were this

2242
01:45:38,040 --> 01:45:42,439
Speaker 2: poison in this product? Cease definitely took it to a

2243
01:45:42,479 --> 01:45:43,080
Speaker 2: different angle.

2244
01:45:43,200 --> 01:45:43,760
Speaker 4: But I'm with that.

2245
01:45:45,920 --> 01:45:49,000
Speaker 2: I at with that as well. But I studied care

2246
01:45:49,160 --> 01:45:51,120
Speaker 2: Rest and I knew he liked it My ties right,

2247
01:45:51,600 --> 01:45:54,240
Speaker 2: so we had the people, So we had the people

2248
01:45:54,320 --> 01:45:57,519
Speaker 2: at the like. It just was my fucking pleasure like

2249
01:45:57,840 --> 01:46:00,000
Speaker 2: a person I grew up listening to even though I'm

2250
01:46:00,040 --> 01:46:02,240
Speaker 2: from Queens. I told him the Criminal Ny. It was

2251
01:46:02,240 --> 01:46:04,560
Speaker 2: the only two songs I couldn't listen to because of

2252
01:46:04,680 --> 01:46:09,360
Speaker 2: my you know, my loyalty if But now so I

2253
01:46:09,439 --> 01:46:12,400
Speaker 2: through the investigation, I found out he likes my ties.

2254
01:46:12,439 --> 01:46:14,320
Speaker 2: We get the guys to make the best my ties

2255
01:46:14,360 --> 01:46:16,479
Speaker 2: in the world. We give them enough of we do it.

2256
01:46:16,560 --> 01:46:19,320
Speaker 2: So I had already run. In my mind, I think

2257
01:46:19,360 --> 01:46:21,680
Speaker 2: we had a drunk caress one and we had a.

2258
01:46:21,720 --> 01:46:24,040
Speaker 5: Drunk Cares, but I had one like in my mind

2259
01:46:24,080 --> 01:46:26,040
Speaker 5: it was like this is dope because it was dope interview.

2260
01:46:26,240 --> 01:46:28,680
Speaker 5: We had a little side step with the you know

2261
01:46:28,800 --> 01:46:31,000
Speaker 5: the way he answered this is okay, I've defended him.

2262
01:46:31,000 --> 01:46:33,519
Speaker 2: The next this is my brother. You know, I love him.

2263
01:46:34,400 --> 01:46:36,200
Speaker 2: It's like my lyrical father, you know what I'm saying.

2264
01:46:36,880 --> 01:46:41,080
Speaker 2: But I did take the shot with car Arres after

2265
01:46:41,520 --> 01:46:45,519
Speaker 2: the podcast. Now, with that being said, this is my

2266
01:46:46,000 --> 01:46:48,679
Speaker 2: during the podcast. No, it was after. Now.

2267
01:46:49,360 --> 01:46:52,840
Speaker 5: Now we're doing a shot of tiger bone during the podcast. Now,

2268
01:46:52,960 --> 01:46:55,960
Speaker 5: so I must warn you when did we get sushi

2269
01:46:56,040 --> 01:46:58,760
Speaker 5: with this? When I took the shot with Krres.

2270
01:46:59,360 --> 01:47:04,280
Speaker 2: He's my his next started sweat. I knew he was drunk.

2271
01:47:05,040 --> 01:47:08,560
Speaker 2: There's no way your next sweat unless you drunk. I

2272
01:47:09,120 --> 01:47:12,120
Speaker 2: kind of when O g ship when you're next sweat?

2273
01:47:12,560 --> 01:47:15,160
Speaker 2: So if our next sweat, We're going to end this

2274
01:47:15,280 --> 01:47:19,280
Speaker 2: interview early, all right, But we got to yo.

2275
01:47:19,400 --> 01:47:22,639
Speaker 5: He hates this ship and hey man, you know, listen,

2276
01:47:22,760 --> 01:47:25,840
Speaker 5: we got to show you how we do this live drink.

2277
01:47:26,520 --> 01:47:30,120
Speaker 2: I ain't gonna front this chair is killed myself. I've

2278
01:47:30,120 --> 01:47:32,439
Speaker 2: been I've been trying to draw less. Feel like I

2279
01:47:32,560 --> 01:47:35,719
Speaker 2: was sitting on the pocket. Let me tell you something.

2280
01:47:35,920 --> 01:47:40,360
Speaker 7: This podcast is ruining my career and your liver, everything,

2281
01:47:40,439 --> 01:47:41,160
Speaker 7: everything everything.

2282
01:47:41,439 --> 01:47:43,720
Speaker 2: You know, when somebody tweeted me the other day said

2283
01:47:44,000 --> 01:47:48,280
Speaker 2: thank you knowing for sacrificing your liver. People's life. So

2284
01:47:48,520 --> 01:47:50,920
Speaker 2: my liver, man, I saw my liver. All right, listen,

2285
01:47:51,040 --> 01:47:53,120
Speaker 2: So this is how we do it, all right. I

2286
01:47:53,200 --> 01:47:54,960
Speaker 2: think that was your drink. I don't know which one

2287
01:47:57,800 --> 01:48:03,840
Speaker 2: you got. You got to Tyler, all right, you gotta

2288
01:48:03,880 --> 01:48:04,920
Speaker 2: take their glasses off.

2289
01:48:04,880 --> 01:48:05,160
Speaker 4: Just for this.

2290
01:48:05,760 --> 01:48:08,679
Speaker 2: Yeah, yeah, we gotta see your sideways. This is Tiger

2291
01:48:08,760 --> 01:48:12,000
Speaker 2: Bowl man. You're from New York City, you know, all right,

2292
01:48:12,040 --> 01:48:21,479
Speaker 2: repect boma. I used to I used to drink sing up.

2293
01:48:21,600 --> 01:48:29,400
Speaker 2: This is three thousand alright, I'm done, alright, come on,

2294
01:48:29,439 --> 01:48:34,240
Speaker 2: I have you has to Yeah, where you at? Sonny? Shot?

2295
01:48:34,320 --> 01:48:34,559
Speaker 3: Right here?

2296
01:48:34,600 --> 01:48:37,880
Speaker 2: There's your second shot? Okay, I'm taking right now, got it?

2297
01:48:39,200 --> 01:48:49,320
Speaker 2: That was not fair? Where my water? Now? Holy water?

2298
01:48:49,800 --> 01:48:54,120
Speaker 7: This is disgusting man, yo, But why you keep drinking

2299
01:48:54,160 --> 01:48:55,479
Speaker 7: this ancient tiny secret?

2300
01:48:55,560 --> 01:49:01,200
Speaker 2: Bro? You know somebody gave me a water they just here. Yeah,

2301
01:49:01,240 --> 01:49:06,559
Speaker 2: well you gotta take my ship. Sorry. Yeah, man, don't

2302
01:49:06,560 --> 01:49:08,960
Speaker 2: take another one ty left. You can't. You can't. That's

2303
01:49:09,000 --> 01:49:11,120
Speaker 2: your that's the other one that's for the coaches. Want

2304
01:49:11,120 --> 01:49:13,120
Speaker 2: to make sure that my pocket and take away for

2305
01:49:13,200 --> 01:49:15,519
Speaker 2: the coaches, for the culture. Don't take another one left.

2306
01:49:16,240 --> 01:49:19,320
Speaker 2: So now now I just want to stay standing. Now.

2307
01:49:20,080 --> 01:49:22,720
Speaker 2: I want to stay standing to you. Gonna stand up there? Yeah, yeah,

2308
01:49:23,040 --> 01:49:28,040
Speaker 2: you can stand up. I'm alright. What happened behind and

2309
01:49:28,080 --> 01:49:32,240
Speaker 2: I'm gonna sit down. So I'm gonna stand up right now.

2310
01:49:33,200 --> 01:49:35,240
Speaker 2: I'm gonna stand up and stand up to this ship.

2311
01:49:36,479 --> 01:49:38,160
Speaker 11: I told you to you right now.

2312
01:49:39,080 --> 01:49:43,120
Speaker 2: I told you Tago bhone change your life, man, you

2313
01:49:43,240 --> 01:49:43,880
Speaker 2: changed your life.

2314
01:49:44,760 --> 01:49:46,800
Speaker 5: Everybody has a tiger bone story about me.

2315
01:49:46,920 --> 01:49:50,160
Speaker 4: You notice that, Like when you don't see you, you

2316
01:49:50,280 --> 01:49:52,479
Speaker 4: made a decision to become the tiger boat guy about

2317
01:49:52,520 --> 01:49:53,000
Speaker 4: I don't know.

2318
01:49:53,080 --> 01:49:55,000
Speaker 2: How that has happened. I don't know.

2319
01:49:55,240 --> 01:49:59,320
Speaker 4: Everybody has a tag story, but you you made you did?

2320
01:49:59,400 --> 01:50:01,960
Speaker 4: I remember I remember crossed over to the side of

2321
01:50:02,000 --> 01:50:04,240
Speaker 4: the mission. He was like, I'm gonna talk about tiger

2322
01:50:04,280 --> 01:50:05,320
Speaker 4: Bone in every.

2323
01:50:05,439 --> 01:50:06,200
Speaker 2: Because it's different.

2324
01:50:06,880 --> 01:50:07,600
Speaker 7: You know what it is.

2325
01:50:07,680 --> 01:50:09,840
Speaker 2: It's illegal, that's what it was.

2326
01:50:09,920 --> 01:50:11,120
Speaker 4: It was.

2327
01:50:11,960 --> 01:50:16,759
Speaker 2: It was it was the originally part of the mystique.

2328
01:50:17,240 --> 01:50:23,040
Speaker 2: It was illegal. It's like smoking. It's like smoking, it's

2329
01:50:23,080 --> 01:50:26,360
Speaker 2: like smoking Beaties. You try to buy a pack of

2330
01:50:26,439 --> 01:50:29,479
Speaker 2: Khalil's Beaties, Hold on time about did you say beanies? Beaties?

2331
01:50:30,080 --> 01:50:35,240
Speaker 2: The little the little after not little, not eleven.

2332
01:50:36,160 --> 01:50:42,200
Speaker 4: They banned Khalil's Beaties used to buy because they had

2333
01:50:42,240 --> 01:50:46,320
Speaker 4: an association with like some sort of organization, so they

2334
01:50:46,439 --> 01:50:46,800
Speaker 4: banned them.

2335
01:50:46,800 --> 01:50:48,479
Speaker 2: Ships. Remember we used to bottom ships in the hood,

2336
01:50:48,840 --> 01:50:54,160
Speaker 2: and then one day you couldn't not eleven. What do

2337
01:50:54,320 --> 01:51:00,880
Speaker 2: you googles? Its tag bone. Let's think tag bone. No,

2338
01:51:01,120 --> 01:51:02,840
Speaker 2: let's just listen.

2339
01:51:02,920 --> 01:51:05,519
Speaker 4: I'll take another shot of tager bone after I work

2340
01:51:05,600 --> 01:51:07,200
Speaker 4: tonight because I still gotta work.

2341
01:51:07,880 --> 01:51:09,640
Speaker 2: That was like a Prince answer. You've been hanging with

2342
01:51:09,760 --> 01:51:12,680
Speaker 2: prints way too much. That was a Prince answer. You

2343
01:51:12,760 --> 01:51:14,720
Speaker 2: got one shot right there, I'm gonna join you, not

2344
01:51:14,800 --> 01:51:17,519
Speaker 2: my shot. I don't claim responsibility. You did, you did?

2345
01:51:17,600 --> 01:51:20,320
Speaker 2: You picked up joke? That was when you pick up

2346
01:51:20,360 --> 01:51:22,719
Speaker 2: two shots to lib you committed. That was a visual.

2347
01:51:23,880 --> 01:51:26,040
Speaker 2: You can't put the fried chicken back, like when you're

2348
01:51:26,080 --> 01:51:28,880
Speaker 2: in the barbecue and you picked up two pieces of

2349
01:51:28,960 --> 01:51:33,760
Speaker 2: chicken at the Black barbecue that's a false equivalency. He got,

2350
01:51:33,840 --> 01:51:35,560
Speaker 2: he got way too, he got. I don't even know

2351
01:51:35,680 --> 01:51:38,280
Speaker 2: what the word with that, poly like, I don't know what.

2352
01:51:38,640 --> 01:51:43,240
Speaker 2: Come on, we're gonna do one more because the chicken

2353
01:51:43,320 --> 01:51:47,439
Speaker 2: you touch the drink is a plastic cup. No, you

2354
01:51:47,560 --> 01:51:49,519
Speaker 2: kind to get too smart on us. We can't.

2355
01:51:49,640 --> 01:51:52,679
Speaker 7: We can't let you get away with that plastic cup.

2356
01:51:52,760 --> 01:51:54,280
Speaker 2: We can't let you get away with that. If I

2357
01:51:54,360 --> 01:51:56,840
Speaker 2: did my finger in it or I drink it, it's

2358
01:51:56,880 --> 01:51:58,920
Speaker 2: pretty much the same when you grab it. Watch, I'm

2359
01:51:58,920 --> 01:52:00,960
Speaker 2: gonna join you. I'm gonna join you, and I've been

2360
01:52:01,000 --> 01:52:03,759
Speaker 2: fucked up all day. Listen, let me just say something,

2361
01:52:03,920 --> 01:52:06,320
Speaker 2: thank you for joining us at the drink chance. We

2362
01:52:06,439 --> 01:52:08,040
Speaker 2: had hair arrests, drink three shots.

2363
01:52:09,160 --> 01:52:11,040
Speaker 5: We just want you to have to by myself on

2364
01:52:11,120 --> 01:52:14,919
Speaker 5: the oh no, no, because your clap was not aggressive

2365
01:52:14,960 --> 01:52:16,439
Speaker 5: at all when you wanted to listen.

2366
01:52:16,520 --> 01:52:18,040
Speaker 2: When you want people to clap to live, you got

2367
01:52:18,160 --> 01:52:28,440
Speaker 2: to say everybody, listen.

2368
01:52:28,840 --> 01:52:31,800
Speaker 5: Listen, let's make some noise with you'll live trying to

2369
01:52:31,840 --> 01:52:33,000
Speaker 5: get a soft clap.

2370
01:52:32,800 --> 01:52:34,800
Speaker 2: Out of this drink chat. We don't do that over here.

2371
01:52:35,520 --> 01:52:38,439
Speaker 2: I'm gonna take one more shot with you. Yeah, I

2372
01:52:38,479 --> 01:52:45,840
Speaker 2: think that's Michaelas Actually that's great, way man, all right, cool,

2373
01:52:45,880 --> 01:52:50,719
Speaker 2: you want me to help you out. That's the moonshine.

2374
01:52:51,360 --> 01:52:55,040
Speaker 2: This is this is this is Chinese moonshine. So listen.

2375
01:52:55,120 --> 01:52:56,840
Speaker 4: So how many how many listeners y'all got?

2376
01:52:56,880 --> 01:53:00,639
Speaker 2: At this point, we were approaching three million? We approached there.

2377
01:53:01,240 --> 01:53:03,439
Speaker 2: In April we had two point two millions, So let's

2378
01:53:03,439 --> 01:53:08,719
Speaker 2: make let's make some noise April. We ain't talk about

2379
01:53:08,760 --> 01:53:12,160
Speaker 2: the money wherever. Half a million a week, you know

2380
01:53:12,200 --> 01:53:14,759
Speaker 2: what I mean? And three million people listening to this bullshit.

2381
01:53:15,040 --> 01:53:15,960
Speaker 2: That's right, it's bullshit.

2382
01:53:16,320 --> 01:53:20,800
Speaker 1: Thank you so much, YO, tell how Fu'm absolutely right.

2383
01:53:21,240 --> 01:53:26,439
Speaker 2: I can't believe this bullshit. Listen, every time we speak,

2384
01:53:26,520 --> 01:53:30,400
Speaker 2: we make a podcast, every time we speaking technically, And

2385
01:53:30,720 --> 01:53:32,800
Speaker 2: let me tell you something Nas told me ten years ago.

2386
01:53:32,800 --> 01:53:35,360
Speaker 2: I don't know why, Like we was around like to me,

2387
01:53:35,640 --> 01:53:37,320
Speaker 2: Nas told me the internet was going to.

2388
01:53:37,360 --> 01:53:40,639
Speaker 4: Happen, that's right, like something like we was in something

2389
01:53:40,760 --> 01:53:44,160
Speaker 4: Algore algor with a black mask on please bridge.

2390
01:53:45,040 --> 01:53:47,320
Speaker 2: I don't know if that was equivalent to what I

2391
01:53:47,400 --> 01:53:53,160
Speaker 2: was thinking about. But we sat in and actually has

2392
01:53:53,160 --> 01:53:55,600
Speaker 2: a portfolio. I actually filmed it. It was for what

2393
01:53:55,760 --> 01:53:56,760
Speaker 2: what documentary?

2394
01:53:57,160 --> 01:53:58,880
Speaker 5: And I sat there and when I filmed him and

2395
01:53:58,960 --> 01:54:01,519
Speaker 5: we just talked about like you know, no, no, no, no,

2396
01:54:03,840 --> 01:54:06,599
Speaker 5: so and he told me, he said, someday these people

2397
01:54:06,640 --> 01:54:09,800
Speaker 5: are gonna pay us for our conversation. I thought he

2398
01:54:09,880 --> 01:54:13,240
Speaker 5: meant the internet when the internet got got involved in Twitter,

2399
01:54:13,280 --> 01:54:14,000
Speaker 5: I thought he meant that.

2400
01:54:14,439 --> 01:54:15,760
Speaker 2: But then years later, now.

2401
01:54:15,720 --> 01:54:17,679
Speaker 5: I realized that he was telling me I was gonna

2402
01:54:17,720 --> 01:54:20,880
Speaker 5: have this podcast number one and have millions of people

2403
01:54:21,080 --> 01:54:24,840
Speaker 5: listen to our bullshit together as a one, because you

2404
01:54:24,920 --> 01:54:27,880
Speaker 5: know what, hip hop classic stories with the people who

2405
01:54:27,920 --> 01:54:28,840
Speaker 5: love And.

2406
01:54:28,960 --> 01:54:32,000
Speaker 2: I'm gonna take this bone with you. No, no, no,

2407
01:54:32,640 --> 01:54:33,640
Speaker 2: pick up that tag of bone.

2408
01:54:33,760 --> 01:54:35,360
Speaker 5: If you can drink that tag of bone and drink

2409
01:54:35,400 --> 01:54:37,720
Speaker 5: that hennessy, I ain't gonna lie. You the hardest nigga

2410
01:54:37,720 --> 01:54:44,760
Speaker 5: in Brooklyn and Nebraska. Oh no, that's water.

2411
01:54:45,400 --> 01:54:47,200
Speaker 2: If you can finish, listen, I'm gonna keep you real,

2412
01:54:48,880 --> 01:54:51,960
Speaker 2: fuck everything else. If you can drink this this shot

2413
01:54:52,000 --> 01:54:55,080
Speaker 2: at tag of ball and then finish your Hennessy, you

2414
01:54:55,200 --> 01:54:59,920
Speaker 2: the hardest anywhere. No no, no, don't finish that first hour.

2415
01:55:00,080 --> 01:55:04,680
Speaker 2: That's not that's water my palate. All right, he's getting ready,

2416
01:55:05,920 --> 01:55:11,120
Speaker 2: all right at Nebraska and Home and the Dakotas in

2417
01:55:11,280 --> 01:55:14,480
Speaker 2: Brooklyn and Day County. Alright, so look and this and

2418
01:55:15,600 --> 01:55:21,080
Speaker 2: I should remember take your glasses. Yeah, Jesus Christmas, I

2419
01:55:21,160 --> 01:55:25,840
Speaker 2: love it. I love it. I love it. Yes, if

2420
01:55:26,360 --> 01:55:32,920
Speaker 2: you gotta take your shot, No, it's right there, just out.

2421
01:55:39,280 --> 01:55:43,240
Speaker 2: Can I get it? Fortunate? Where's my fortunate? Christ? We

2422
01:55:43,520 --> 01:55:46,840
Speaker 2: just drank cat urine ship. I should know jiu jitsu

2423
01:55:47,000 --> 01:55:48,000
Speaker 2: after I drink that ship?

2424
01:55:48,120 --> 01:55:53,160
Speaker 1: Man, Now, are you sure you're still in for this?

2425
01:55:53,480 --> 01:55:55,600
Speaker 2: I gotta work to that. You can quit, you can

2426
01:55:55,720 --> 01:55:58,720
Speaker 2: quit water, or you can finish your hands water. I

2427
01:55:58,800 --> 01:56:00,520
Speaker 2: want to see if you're a real brook Clinn nigga

2428
01:56:00,600 --> 01:56:07,680
Speaker 2: right now. Damn I kept water. Yes, yes, allowed, listen water.

2429
01:56:07,840 --> 01:56:08,920
Speaker 2: I'm on the water side of the.

2430
01:56:09,080 --> 01:56:11,720
Speaker 5: Yeah, you're allowed to see plenty water. But I'm gonna

2431
01:56:11,760 --> 01:56:16,720
Speaker 5: keep it Red Hennessy and Tiger Bone. I don't remember

2432
01:56:16,800 --> 01:56:18,000
Speaker 5: them being friends ever.

2433
01:56:20,200 --> 01:56:24,800
Speaker 2: Name This podcast usually last like this long? Yes, oh yeah,

2434
01:56:24,960 --> 01:56:25,840
Speaker 2: because it's real hip hop.

2435
01:56:26,200 --> 01:56:27,640
Speaker 4: You know, like I don't listen to podcasts.

2436
01:56:27,800 --> 01:56:31,320
Speaker 2: We got we want you to listen to podcast He

2437
01:56:31,440 --> 01:56:34,280
Speaker 2: loved he came in here. He gave me was a

2438
01:56:34,320 --> 01:56:38,640
Speaker 2: gainst this day. He said, I ain't listening to you

2439
01:56:40,440 --> 01:56:43,720
Speaker 2: all the way I listened to you. I said thank you,

2440
01:56:44,640 --> 01:56:47,680
Speaker 2: because maybe he wouldn't have game, because right now we

2441
01:56:47,720 --> 01:56:50,400
Speaker 2: got him lit. You gotta work tonight. Big up your video.

2442
01:56:50,480 --> 01:56:53,160
Speaker 2: You just shot a video. You want to pick that up? Man? Yeah,

2443
01:56:53,200 --> 01:56:57,160
Speaker 2: big up my video. Good girls, Good girls. Once again.

2444
01:56:59,000 --> 01:57:00,280
Speaker 4: I was doing the video. I had a I was

2445
01:57:00,320 --> 01:57:03,520
Speaker 4: called with him. Shout out to Alicia, Keys and Rhapsody

2446
01:57:03,560 --> 01:57:05,200
Speaker 4: and bust around was on the conference call.

2447
01:57:06,480 --> 01:57:09,000
Speaker 5: I went to the I went to the White House wall. Yeah,

2448
01:57:09,200 --> 01:57:11,000
Speaker 5: let's talk about that. I heard about you never go

2449
01:57:11,120 --> 01:57:12,800
Speaker 5: in to the Rock House after you leave this in

2450
01:57:12,880 --> 01:57:16,560
Speaker 5: the name. Let's hurry up the keys.

2451
01:57:16,480 --> 01:57:17,160
Speaker 4: At the White House.

2452
01:57:17,560 --> 01:57:20,000
Speaker 2: I heard a long you know what major keys are?

2453
01:57:20,040 --> 01:57:22,800
Speaker 2: He dropped some gems. That story got out. Yeah, that

2454
01:57:22,880 --> 01:57:26,920
Speaker 2: wils Along went off. Let's make no noise for that. Yeah,

2455
01:57:26,920 --> 01:57:30,720
Speaker 2: he had the house. That's make at the White House.

2456
01:57:32,600 --> 01:57:33,280
Speaker 2: That was the most.

2457
01:57:34,120 --> 01:57:36,240
Speaker 5: Let me I heard one story. Let me just heard

2458
01:57:36,280 --> 01:57:38,720
Speaker 5: one story about the White House. Please everybody be quiet.

2459
01:57:38,880 --> 01:57:40,640
Speaker 5: I heard one story about the White House. I heard

2460
01:57:40,720 --> 01:57:43,440
Speaker 5: that when bull Rock Obama got you all in the room.

2461
01:57:43,680 --> 01:57:46,360
Speaker 2: He said, some of youall niggas, tax issues ain't right,

2462
01:57:47,320 --> 01:57:52,040
Speaker 2: and y'all might be and y'all might be arrested when

2463
01:57:52,080 --> 01:57:54,920
Speaker 2: you leave this property. Is that true? That's a dog

2464
01:57:54,960 --> 01:57:57,640
Speaker 2: shit if you said that part one is true.

2465
01:57:58,240 --> 01:58:01,880
Speaker 5: Okay, parts He didn't say you will be arrested. No,

2466
01:58:01,920 --> 01:58:05,320
Speaker 5: he didn't say, but he said, you heard that story.

2467
01:58:05,360 --> 01:58:07,560
Speaker 5: He said, I'm gonna hooe you over my accounting guys.

2468
01:58:08,960 --> 01:58:13,200
Speaker 2: Right here, man, he said called.

2469
01:58:13,680 --> 01:58:17,520
Speaker 4: Obama said, he said, we was talking about criminal justice reform.

2470
01:58:18,560 --> 01:58:21,720
Speaker 2: By the way, Barack Obama has released like hundreds of people.

2471
01:58:21,880 --> 01:58:29,760
Speaker 2: Let's make some noise from Brock Obama release people. He

2472
01:58:30,960 --> 01:58:31,400
Speaker 2: is crazy.

2473
01:58:31,520 --> 01:58:35,400
Speaker 4: He has also used drones as a preemptive measure, So

2474
01:58:35,520 --> 01:58:39,040
Speaker 4: don't make no noise for that. Hey man, listen, the

2475
01:58:39,120 --> 01:58:42,000
Speaker 4: job of the president is not easy, is to maintain

2476
01:58:42,040 --> 01:58:46,840
Speaker 4: the status quo. But let's stop being serious for right.

2477
01:58:46,920 --> 01:58:52,360
Speaker 2: Let's go. Let's get back. People want to laugh. We

2478
01:58:52,440 --> 01:58:53,600
Speaker 2: got to get people so serious.

2479
01:58:54,520 --> 01:58:56,800
Speaker 4: But Rick Ross bracelet went off. That was that was

2480
01:58:56,920 --> 01:59:00,560
Speaker 4: that was great, and Obama said, and Obama's and Rick Ross,

2481
01:59:00,680 --> 01:59:01,520
Speaker 4: Rick Ross like.

2482
01:59:01,560 --> 01:59:05,200
Speaker 2: A true Miami dude. And he was a true Miami dude.

2483
01:59:05,280 --> 01:59:10,280
Speaker 2: Rick Ross represented Miami. Wait, wait minute, no, this is

2484
01:59:10,360 --> 01:59:11,840
Speaker 2: all let's tell I live live.

2485
01:59:12,880 --> 01:59:13,960
Speaker 4: The beeping went off.

2486
01:59:15,600 --> 01:59:16,680
Speaker 2: And Obama said, what is that?

2487
01:59:18,800 --> 01:59:19,120
Speaker 4: That was it?

2488
01:59:20,280 --> 01:59:22,320
Speaker 2: Obama? He don't know, he said, what is that? No

2489
01:59:22,400 --> 01:59:24,400
Speaker 2: one knew I heard it from. No one knew what

2490
01:59:24,480 --> 01:59:28,640
Speaker 2: that was. And Rick Ross said, that's that criminal justice.

2491
01:59:30,560 --> 01:59:38,640
Speaker 2: Let's make some noise. Damn shout shout out to Carols City.

2492
01:59:39,240 --> 01:59:41,640
Speaker 2: Obama brought us there to talk about criminal justice reform.

2493
01:59:43,960 --> 01:59:47,160
Speaker 5: Ri Rick Ross was, like I heard he walked in

2494
01:59:47,240 --> 01:59:49,080
Speaker 5: the room and he said a curse and that me

2495
01:59:49,120 --> 01:59:50,160
Speaker 5: and everybody relaxed.

2496
01:59:50,200 --> 01:59:52,400
Speaker 2: He was like what he said something like he was?

2497
01:59:52,480 --> 01:59:52,720
Speaker 3: He was?

2498
01:59:52,760 --> 01:59:53,000
Speaker 2: He was?

2499
01:59:53,040 --> 01:59:56,040
Speaker 4: He was? He was he you know what he said.

2500
01:59:56,080 --> 01:59:57,880
Speaker 4: You know, I'm gonna tell you what he said. He said,

2501
01:59:58,520 --> 02:00:00,800
Speaker 4: he said, Tyler qual, I love I listen.

2502
02:00:00,840 --> 02:00:02,560
Speaker 2: I listened to the music. I love listening to music.

2503
02:00:02,560 --> 02:00:03,440
Speaker 4: I listening to the White House.

2504
02:00:03,680 --> 02:00:06,240
Speaker 2: And he looked at as Rocky right.

2505
02:00:06,480 --> 02:00:08,960
Speaker 4: He said, I love your music too, but I can't

2506
02:00:09,000 --> 02:00:10,360
Speaker 4: listen to it in the house.

2507
02:00:11,200 --> 02:00:15,960
Speaker 2: I put my headphones on, Like yeah, but we don't

2508
02:00:15,960 --> 02:00:18,520
Speaker 2: want another shot tackle ball, right, We're done with that.

2509
02:00:19,160 --> 02:00:22,760
Speaker 2: He could do it. He wants to listen.

2510
02:00:22,800 --> 02:00:31,360
Speaker 4: I want to drink some of his Dame Dash Dusco drink.

2511
02:00:33,960 --> 02:00:38,200
Speaker 4: I can't thank jams Usco. I can't thank you enough.

2512
02:00:38,280 --> 02:00:40,680
Speaker 2: Man. I think we covered all grounds. Is there anything

2513
02:00:40,720 --> 02:00:43,400
Speaker 2: that you want to say to you? Is there anything

2514
02:00:43,440 --> 02:00:45,000
Speaker 2: you want to say to the people? We got about

2515
02:00:45,440 --> 02:00:48,200
Speaker 2: like fourth people listening to us right now. I want

2516
02:00:48,200 --> 02:00:59,120
Speaker 2: to say people, Yeah, don't drink what's the drink en,

2517
02:01:00,240 --> 02:01:02,240
Speaker 2: don't eat the yellow snow? All right?

2518
02:01:02,360 --> 02:01:02,480
Speaker 7: Right?

2519
02:01:04,120 --> 02:01:06,960
Speaker 5: And the gum under the table is not candy. The

2520
02:01:07,080 --> 02:01:10,000
Speaker 5: gum under the table is not candy. You're Tyler Carley.

2521
02:01:10,040 --> 02:01:12,720
Speaker 5: You've been a great sport man. We really appreciate you

2522
02:01:12,800 --> 02:01:14,920
Speaker 5: because you know why you so much? Positive, you so

2523
02:01:15,000 --> 02:01:18,160
Speaker 5: much a hip hop activist. You're our version of Ol

2524
02:01:18,280 --> 02:01:19,360
Speaker 5: Sharpton without.

2525
02:01:19,160 --> 02:01:25,160
Speaker 2: The goddamn that's my nigga. Al Sharpton is a good dude,

2526
02:01:25,960 --> 02:01:26,360
Speaker 2: is it really?

2527
02:01:26,400 --> 02:01:30,400
Speaker 1: However, I'm not no, No, I mean like you what

2528
02:01:30,520 --> 02:01:32,840
Speaker 1: I mean by you know what I mean what I

2529
02:01:32,960 --> 02:01:33,400
Speaker 1: mean by that?

2530
02:01:33,560 --> 02:01:37,240
Speaker 2: I'm sorry, but it's something wh But what I mean

2531
02:01:37,880 --> 02:01:38,240
Speaker 2: I get it.

2532
02:01:38,720 --> 02:01:42,480
Speaker 5: It's you, you the guy like yeah, he knew and

2533
02:01:42,800 --> 02:01:48,360
Speaker 5: so we called Michael Malcolm Max. What's what's some other people?

2534
02:01:48,640 --> 02:01:53,680
Speaker 5: All respect, it's who you are for all respect to them. Yeah,

2535
02:01:53,760 --> 02:01:56,360
Speaker 5: And I feel like I'm here the CBS AD coming

2536
02:01:56,400 --> 02:02:03,280
Speaker 5: in a trade all right, like see listen, but I

2537
02:02:03,400 --> 02:02:04,720
Speaker 5: feel like you're the guy.

2538
02:02:04,920 --> 02:02:10,760
Speaker 2: I think that's yes sabatage this last week. We understand, y'all.

2539
02:02:10,800 --> 02:02:12,520
Speaker 2: Mother Wilson.

2540
02:02:12,760 --> 02:02:16,400
Speaker 11: Yeah, let me just say this real quickly, please, Elliott Wilson,

2541
02:02:17,560 --> 02:02:18,280
Speaker 11: you have a bunch.

2542
02:02:18,160 --> 02:02:24,520
Speaker 2: Of niggas that do not deserve interviews before teller. I

2543
02:02:24,520 --> 02:02:26,480
Speaker 2: don't know where this is going, but I'm with you

2544
02:02:26,600 --> 02:02:29,440
Speaker 2: wherever you want to take it. Wherever you want to

2545
02:02:29,440 --> 02:02:31,160
Speaker 2: take it, my nigga.

2546
02:02:31,320 --> 02:02:31,960
Speaker 4: I love Elliott.

2547
02:02:32,600 --> 02:02:35,040
Speaker 2: Elliott. You know to put you on rap rad I

2548
02:02:35,120 --> 02:02:36,840
Speaker 2: did not know that rap Radar gave me a lot

2549
02:02:36,880 --> 02:02:37,160
Speaker 2: of love.

2550
02:02:37,880 --> 02:02:41,600
Speaker 4: But on rap Radar podcast to rap Radar, they give

2551
02:02:41,600 --> 02:02:44,240
Speaker 4: me a lot of But the little talks he be having.

2552
02:02:44,480 --> 02:02:46,040
Speaker 2: But I'm only saying this because I have a new

2553
02:02:46,080 --> 02:02:47,200
Speaker 2: album coming out right.

2554
02:02:47,360 --> 02:02:49,880
Speaker 5: But he never put you on rap Radar podcast that

2555
02:02:50,040 --> 02:02:53,280
Speaker 5: the little talks he be having, little sis because he

2556
02:02:53,480 --> 02:02:54,960
Speaker 5: he had millions high five.

2557
02:02:56,160 --> 02:02:58,880
Speaker 2: But let's be clear, we didn't shout because you had

2558
02:02:58,920 --> 02:02:59,400
Speaker 2: a new album.

2559
02:02:59,640 --> 02:03:02,720
Speaker 4: Listen to our friend. Let me let me shout out.

2560
02:03:03,280 --> 02:03:06,440
Speaker 4: Kay Valentine from Chicago were dropping her album with you.

2561
02:03:06,480 --> 02:03:06,960
Speaker 4: Voted media.

2562
02:03:07,080 --> 02:03:07,560
Speaker 2: Nico Is.

2563
02:03:07,840 --> 02:03:11,680
Speaker 4: Nico Is from Orlando, Florida, He was very excited. He said,

2564
02:03:11,880 --> 02:03:13,600
Speaker 4: he said, what you're doing, drink Champs?

2565
02:03:14,280 --> 02:03:17,120
Speaker 2: Nico hits me up. Nico is very excited. Now I

2566
02:03:17,240 --> 02:03:17,760
Speaker 2: was cool.

2567
02:03:17,840 --> 02:03:20,600
Speaker 4: I was already excited to do drink Champs. Nico made

2568
02:03:20,600 --> 02:03:21,400
Speaker 4: me more excited.

2569
02:03:21,800 --> 02:03:23,800
Speaker 2: You know, Elliott Wilson, this is my nigga. You know

2570
02:03:23,800 --> 02:03:25,680
Speaker 2: what I'm saying, Like, I listen, what but he didn't

2571
02:03:25,680 --> 02:03:28,960
Speaker 2: want to accept you No, let's keep it. Let's just

2572
02:03:29,040 --> 02:03:31,280
Speaker 2: keep it. Really you're saying he didn't want to accept.

2573
02:03:31,520 --> 02:03:36,320
Speaker 2: This is what I'm saying. We are. We are capitalizing

2574
02:03:36,400 --> 02:03:50,640
Speaker 2: of your fun. Up Elliott Wilson, everybody listen and be

2575
02:03:50,800 --> 02:03:53,320
Speaker 2: that you don't answer you you know my phone number?

2576
02:03:53,520 --> 02:03:58,320
Speaker 2: Saying we rap this were inside the NBA, were inside

2577
02:03:58,680 --> 02:04:08,120
Speaker 2: niggas is just DJ dj J. I never d know

2578
02:04:08,240 --> 02:04:08,640
Speaker 2: what I'm saying.

2579
02:04:09,720 --> 02:04:11,880
Speaker 4: We d.

2580
02:04:14,040 --> 02:04:24,200
Speaker 2: DJ. I gotta says some of the rock for I mean,

2581
02:04:24,280 --> 02:04:25,080
Speaker 2: you're the problem.

2582
02:04:25,720 --> 02:04:28,800
Speaker 4: Jesse, Jeff will Smith, here we go, shout out to

2583
02:04:28,880 --> 02:04:33,800
Speaker 4: be dot and Eli Wilson the important participants in shotting

2584
02:04:33,840 --> 02:04:34,120
Speaker 4: them out.

2585
02:04:34,480 --> 02:04:47,040
Speaker 2: Because drink Champs number one, good fun all people, we

2586
02:04:47,120 --> 02:04:48,000
Speaker 2: always with them.

2587
02:04:48,120 --> 02:04:50,200
Speaker 4: I'm just saying that because I have a new album

2588
02:04:50,240 --> 02:04:53,000
Speaker 4: coming out and if I do an interview on them,

2589
02:04:53,120 --> 02:04:55,480
Speaker 4: I get to promote my whatever.

2590
02:04:56,120 --> 02:04:58,840
Speaker 2: But but but they didn't ask you to come on

2591
02:04:59,080 --> 02:05:00,080
Speaker 2: first because.

2592
02:05:00,160 --> 02:05:02,520
Speaker 4: He wants to interview people who have trends. But you

2593
02:05:02,560 --> 02:05:06,560
Speaker 4: don't understand that I'm trends. Tell I'm waiting bigger than

2594
02:05:06,640 --> 02:05:10,000
Speaker 4: trans human. You've been transcending ship forever.

2595
02:05:10,280 --> 02:05:15,160
Speaker 2: Nigga. You had an apartment in South Africa, nigga, like

2596
02:05:15,600 --> 02:05:17,920
Speaker 2: on my nigga, like like this is the thing is

2597
02:05:18,400 --> 02:05:22,800
Speaker 2: with Like I interview legends. I interview people who I know.

2598
02:05:25,040 --> 02:05:28,200
Speaker 2: They use that word relevant. We don't need we don't

2599
02:05:28,520 --> 02:05:30,800
Speaker 2: that world relevant over here. We make it.

2600
02:05:30,880 --> 02:05:35,640
Speaker 4: We use that word legend. Yeah, when you are legend,

2601
02:05:35,800 --> 02:05:38,720
Speaker 4: not depending on relevancy for all.

2602
02:05:38,680 --> 02:05:41,640
Speaker 2: That that dumb ship. I don't want to I don't know.

2603
02:05:42,840 --> 02:05:52,960
Speaker 2: I don't know how to do that representative prince princes,

2604
02:05:53,040 --> 02:05:56,160
Speaker 2: but yore just women in their names. Yeah, I was

2605
02:05:56,200 --> 02:05:59,920
Speaker 2: trying to listen. Let me thank you man for coming

2606
02:06:00,080 --> 02:06:02,360
Speaker 2: through me in the NFL. You know we were target people.

2607
02:06:02,760 --> 02:06:06,880
Speaker 2: We're both in here together and we really want to

2608
02:06:06,920 --> 02:06:09,320
Speaker 2: thank you for coming here. Being a great sport. Listen,

2609
02:06:09,760 --> 02:06:10,640
Speaker 2: and you are drunk.

2610
02:06:10,960 --> 02:06:13,240
Speaker 4: I am, and I came here in a tank top.

2611
02:06:13,320 --> 02:06:15,960
Speaker 2: This is the first time see me a tank my my,

2612
02:06:17,080 --> 02:06:21,440
Speaker 2: you like Thresty, you got mad tattoos? You like threst

2613
02:06:21,600 --> 02:06:26,880
Speaker 2: You're down with the Spanish game. He's down with He's

2614
02:06:26,920 --> 02:06:29,960
Speaker 2: down with Eighteenth Street game. I said, what the fuck?

2615
02:06:30,200 --> 02:06:31,440
Speaker 4: I got locked out of my hotel?

2616
02:06:32,000 --> 02:06:32,520
Speaker 2: What the fu?

2617
02:06:33,000 --> 02:06:35,800
Speaker 5: I just I got a text while stop written them

2618
02:06:36,080 --> 02:06:39,840
Speaker 5: air bnbs come back to start, come back to start with.

2619
02:06:40,200 --> 02:06:42,320
Speaker 2: I got locked out, but now I got my clothes back.

2620
02:06:43,560 --> 02:06:50,080
Speaker 2: Makes the noise, m gags closed back, got it. I'm

2621
02:06:50,080 --> 02:06:54,520
Speaker 2: gonna stop smoking this too. I'm tired of this ship.

2622
02:06:54,680 --> 02:06:58,440
Speaker 2: Is this the plastic read? I'm done. I'm done. You

2623
02:06:58,480 --> 02:07:05,320
Speaker 2: know you don't remember I had stop no no, no.

2624
02:07:05,520 --> 02:07:08,560
Speaker 5: Chaas would have smoked no. He wanted a joint. Remember

2625
02:07:08,560 --> 02:07:10,880
Speaker 5: what Chaas wanted to joint? Tyler Qualley, thank you for

2626
02:07:11,000 --> 02:07:13,320
Speaker 5: hanging out with us, man. We really appreciate that that

2627
02:07:13,600 --> 02:07:16,280
Speaker 5: Bottrow Hennessy could go with you out.

2628
02:07:17,080 --> 02:07:19,600
Speaker 2: I'm taking it. You taking it. Thank you so much.

2629
02:07:20,360 --> 02:07:30,120
Speaker 2: Let's make something. Oh my god, you gotta take some

2630
02:07:30,200 --> 02:07:33,040
Speaker 2: pics done. That was absolutely ridiculous.

2631
02:07:38,240 --> 02:07:41,560
Speaker 3: Drink Champs is a Drink Champs ll C production hosts

2632
02:07:41,600 --> 02:07:43,640
Speaker 3: and executive producers N O. R. E.

2633
02:07:43,920 --> 02:07:45,200
Speaker 7: And d j e f f N.

2634
02:07:46,360 --> 02:07:47,160
Speaker 2: Listen to Drink.

2635
02:07:47,040 --> 02:07:51,320
Speaker 3: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2636
02:07:51,480 --> 02:07:55,240
Speaker 3: get your podcasts. Thanks for joining us for another episode

2637
02:07:55,280 --> 02:07:57,920
Speaker 3: of Drink Champs, hosted by Yours Truly, dj e f

2638
02:07:58,040 --> 02:08:00,480
Speaker 3: N and n O r E. Please make to follow

2639
02:08:00,560 --> 02:08:03,000
Speaker 3: us on all our socials That's at drink Champs across

2640
02:08:03,120 --> 02:08:07,920
Speaker 3: all platforms, at the Real norriegon ig at Noriega on Twitter,

2641
02:08:08,360 --> 02:08:11,720
Speaker 3: mine is at Who's Crazy on ig at dj e

2642
02:08:11,960 --> 02:08:14,280
Speaker 3: f N on Twitter, and most importantly, stay up to

2643
02:08:14,360 --> 02:08:17,680
Speaker 3: date with the latest releases, news and merch by going

2644
02:08:17,720 --> 02:08:19,160
Speaker 3: to drink champs dot com