1 00:00:01,280 --> 00:00:03,760 Speaker 1: We got that laughter for your soul and now to 2 00:00:04,000 --> 00:00:07,160 Speaker 1: get into the Frankie you on this show. But I 3 00:00:07,200 --> 00:00:10,960 Speaker 1: was telling this for earlier, Harold, you know, because you're 4 00:00:11,000 --> 00:00:14,040 Speaker 1: like a well dressed blind guy, you know what I mean. 5 00:00:14,240 --> 00:00:16,120 Speaker 1: But then like when you had when you were showing 6 00:00:16,200 --> 00:00:18,160 Speaker 1: up to the club and ship and the bouncer was like, 7 00:00:18,680 --> 00:00:22,800 Speaker 1: because you're wearing the shades obviously, and he's like, mom, bro, 8 00:00:22,840 --> 00:00:24,760 Speaker 1: I need you to take those shades off you want 9 00:00:24,760 --> 00:00:28,200 Speaker 1: to come in the club. And then and then, and 10 00:00:28,240 --> 00:00:29,920 Speaker 1: then you had to tell him, explain to him that 11 00:00:29,960 --> 00:00:33,800 Speaker 1: you're blind. I mean that's everywhere. And when I try 12 00:00:33,880 --> 00:00:35,720 Speaker 1: to slide up with the cane folder if I'm walking 13 00:00:35,720 --> 00:00:39,000 Speaker 1: with some homies, right and I'm walking with I'm walking 14 00:00:39,040 --> 00:00:43,600 Speaker 1: with the crew, and the bouncer like, no, man, shades off, 15 00:00:44,520 --> 00:00:47,560 Speaker 1: Like no, no, no, not come on man, Like the shades, 16 00:00:47,840 --> 00:00:50,440 Speaker 1: what does it matter. He's like, no, we can't step 17 00:00:50,440 --> 00:00:52,440 Speaker 1: in the club, man, you gotta take the shades off. 18 00:00:52,600 --> 00:00:55,200 Speaker 1: I'm blind. He's like, no, man, I'm not buying that. 19 00:00:55,400 --> 00:00:58,200 Speaker 1: And then and I'm like, I usually do like a 20 00:00:58,240 --> 00:01:01,680 Speaker 1: side because this this is a regular thing. So I 21 00:01:01,720 --> 00:01:04,039 Speaker 1: bust out my cane and looks like some chopsticks folded 22 00:01:04,120 --> 00:01:06,000 Speaker 1: up and I ga, I bust it out and they're like, 23 00:01:07,160 --> 00:01:11,120 Speaker 1: oh my god, oh man, I'm so sorry. He feels 24 00:01:11,120 --> 00:01:13,360 Speaker 1: all guilty, right, I'm so sorry, man. And then he 25 00:01:13,400 --> 00:01:15,679 Speaker 1: I just grabbed his shoulder because they I know, they 26 00:01:15,720 --> 00:01:18,319 Speaker 1: feel like they feel like crap, you know what I 27 00:01:18,319 --> 00:01:21,160 Speaker 1: mean when when that happens. And then I just he 28 00:01:21,240 --> 00:01:23,040 Speaker 1: turns out here kind of got you in. I'm like, 29 00:01:23,360 --> 00:01:25,000 Speaker 1: and I just now I got it down where it's 30 00:01:25,000 --> 00:01:29,759 Speaker 1: like I just said him, double shot. We'll take care 31 00:01:29,760 --> 00:01:32,240 Speaker 1: of all of this. We gut to be to the bars. Oh, 32 00:01:32,280 --> 00:01:36,600 Speaker 1: no problem. And I got my shoulder. I got you man. 33 00:01:36,880 --> 00:01:38,880 Speaker 1: Anything you want, bro, anything to know you say the 34 00:01:38,880 --> 00:01:42,240 Speaker 1: word like, I like this all right? But yeah, you 35 00:01:42,319 --> 00:01:45,560 Speaker 1: never know. Yeah, I remember that one time we're in 36 00:01:45,560 --> 00:01:48,880 Speaker 1: Phoenix and uh, and we're at a bar. That dude 37 00:01:48,960 --> 00:01:50,960 Speaker 1: was cool, but you know it's lightweight bro. You're kind 38 00:01:50,960 --> 00:01:56,360 Speaker 1: of like muscular white dude and and uh, he was 39 00:01:56,400 --> 00:01:58,320 Speaker 1: just kind of throwing jabs at you because he thought 40 00:01:58,360 --> 00:02:00,600 Speaker 1: you were like the bro wearing shades and side, which 41 00:02:00,600 --> 00:02:03,000 Speaker 1: is understand because but I kind of understood where he's 42 00:02:03,000 --> 00:02:04,800 Speaker 1: coming from because you are like a well dressed like 43 00:02:04,840 --> 00:02:06,640 Speaker 1: you look good. You look like you said, hey, you know, 44 00:02:07,280 --> 00:02:09,560 Speaker 1: and it was like, not that, you know, blindfolds are 45 00:02:09,560 --> 00:02:10,920 Speaker 1: not now to look good like that, but I'm just 46 00:02:10,919 --> 00:02:12,440 Speaker 1: saying that because then you got the shades on, so 47 00:02:12,520 --> 00:02:14,560 Speaker 1: it's like, oh, that's part of the look. And so 48 00:02:14,639 --> 00:02:16,600 Speaker 1: he dropped the line where he was like yeah, coming 49 00:02:16,639 --> 00:02:19,040 Speaker 1: from the guy wearing ships and doors, huh okay, bro, 50 00:02:19,560 --> 00:02:21,520 Speaker 1: And then I was like, I was like, you kind 51 00:02:21,520 --> 00:02:24,359 Speaker 1: of were like like you're kind of like this again, 52 00:02:24,800 --> 00:02:26,160 Speaker 1: and I kind of leaned over to him and I 53 00:02:26,200 --> 00:02:28,400 Speaker 1: was like, hey, home, he's blind. And the guys like 54 00:02:29,800 --> 00:02:31,960 Speaker 1: like the same thing. They want to believe me. And 55 00:02:32,000 --> 00:02:33,519 Speaker 1: I think Bill or somebody was next to me and 56 00:02:33,560 --> 00:02:35,200 Speaker 1: he's like, no, bro, like he's blind. And then he's 57 00:02:35,280 --> 00:02:37,840 Speaker 1: like and then we all just stayed looking at him serious, 58 00:02:37,840 --> 00:02:40,079 Speaker 1: and he's like he throws his arms up like fun 59 00:02:40,480 --> 00:02:42,800 Speaker 1: man like he does a little toir and ship with 60 00:02:42,840 --> 00:02:45,799 Speaker 1: his arms up. Oh my bad, like al right, next 61 00:02:45,880 --> 00:02:48,760 Speaker 1: rounds on me like they feel like an asshole immediately 62 00:02:48,800 --> 00:02:52,200 Speaker 1: and over there but now and then then then now 63 00:02:52,240 --> 00:02:54,640 Speaker 1: they were all walking out like we're hanging out with 64 00:02:54,639 --> 00:02:58,720 Speaker 1: the blind drunk, get me liquor it up well, that's 65 00:02:58,760 --> 00:03:00,359 Speaker 1: that's part of their party face rich, you know what 66 00:03:00,400 --> 00:03:02,320 Speaker 1: I mean. Time, I don't know what to do, but 67 00:03:02,720 --> 00:03:05,200 Speaker 1: I like, you know, I appreciate you guys being supportive 68 00:03:05,240 --> 00:03:07,120 Speaker 1: and yeah, well hanging out with a blind drunk and 69 00:03:07,160 --> 00:03:12,320 Speaker 1: always the always the best thing. Butlin, homies, I can 70 00:03:12,360 --> 00:03:15,519 Speaker 1: put you guys in the put put you guys in 71 00:03:15,760 --> 00:03:18,360 Speaker 1: some sticky situations, you know what I mean? For sure? 72 00:03:18,840 --> 00:03:20,560 Speaker 1: Before we get into that, I just want to say, 73 00:03:20,600 --> 00:03:24,640 Speaker 1: what's up, everybody. Welcome to the Frankie Show podcasts. Right now, 74 00:03:24,720 --> 00:03:26,919 Speaker 1: I got my long time home of over twenty years, 75 00:03:26,960 --> 00:03:30,359 Speaker 1: Hiro Vargas in the building. You know, he's a singer 76 00:03:31,080 --> 00:03:33,760 Speaker 1: a k A Rosa, a k A you know, lead 77 00:03:33,800 --> 00:03:36,840 Speaker 1: singer of the Bayonics. So now he's in the building, 78 00:03:37,440 --> 00:03:40,920 Speaker 1: a k A. Snake Johnson, Baby, WHOA? Where's that name 79 00:03:40,960 --> 00:03:43,080 Speaker 1: coming from? But I just used to sing, you know, 80 00:03:43,160 --> 00:03:47,560 Speaker 1: blues clubs, Snake Johnson. Yeah, I do Monday Nuts. It's 81 00:03:47,560 --> 00:03:49,640 Speaker 1: some blues a different kind of name, if you know 82 00:03:49,640 --> 00:03:53,520 Speaker 1: what I mean. That's right. I forgot where in hell 83 00:03:53,600 --> 00:03:57,680 Speaker 1: A wait, what do you mean? Because that's where portnos 84 00:03:57,680 --> 00:04:02,560 Speaker 1: are produced pretty much right, Yeah, I mean I don't 85 00:04:02,560 --> 00:04:04,400 Speaker 1: know how many portos are I didn't know, like, hey, 86 00:04:04,400 --> 00:04:07,720 Speaker 1: Snake Johnson. It's like I say, Jones, Steve Johnson was 87 00:04:07,760 --> 00:04:09,920 Speaker 1: like a blues guy, but any oh, he was a 88 00:04:09,960 --> 00:04:14,120 Speaker 1: real person. No, it's a made up blues character that 89 00:04:14,200 --> 00:04:15,960 Speaker 1: I had back in the day singing when I just 90 00:04:16,240 --> 00:04:18,880 Speaker 1: all I knew was like basic blues freestyles and just 91 00:04:18,960 --> 00:04:21,520 Speaker 1: you know, yeah, that was it. That was the old 92 00:04:21,080 --> 00:04:30,839 Speaker 1: old BAYONICX days, original Bayon XT days. Come Mama, Come Mama, 93 00:04:31,440 --> 00:04:36,680 Speaker 1: but we here, baby, We're here. We finally made yeah. Yeah. 94 00:04:36,720 --> 00:04:39,919 Speaker 1: For those who don't know, it was like, um um, 95 00:04:39,960 --> 00:04:41,960 Speaker 1: you know, I moved up to San Francisco. I was 96 00:04:42,000 --> 00:04:48,320 Speaker 1: still pretty young and I didn't start comedy tassy, and 97 00:04:48,360 --> 00:04:50,159 Speaker 1: I was living there since I think I was like 98 00:04:50,240 --> 00:04:52,240 Speaker 1: nineteen twenty or something like that. I would always go 99 00:04:52,320 --> 00:04:54,159 Speaker 1: up there every Thanksgiving, you know, because I got family 100 00:04:54,240 --> 00:04:56,320 Speaker 1: up there and this and that. But I thought I 101 00:04:56,360 --> 00:04:58,640 Speaker 1: was like, hey, I'm gonna go to school and then 102 00:04:58,960 --> 00:05:01,440 Speaker 1: come back. Ended up staying up there homey and then 103 00:05:01,800 --> 00:05:04,120 Speaker 1: you know, I went to San Francisco State with this 104 00:05:04,240 --> 00:05:09,240 Speaker 1: with this cat right here. Old college but college butch 105 00:05:10,440 --> 00:05:13,360 Speaker 1: uh yeah, and my family was so probably I was 106 00:05:13,440 --> 00:05:15,000 Speaker 1: the first one on both sides of my family to 107 00:05:15,000 --> 00:05:17,560 Speaker 1: graduate from college and now I'm a comedian, you know, 108 00:05:17,640 --> 00:05:20,200 Speaker 1: so put that diploma to use. But with that, I said, 109 00:05:20,240 --> 00:05:22,520 Speaker 1: I got to meet some some Peter Mahin like this 110 00:05:22,560 --> 00:05:25,240 Speaker 1: for right here they had the art of comedy yeah 111 00:05:26,160 --> 00:05:29,480 Speaker 1: and uh yeah yeah. And so it was funny because 112 00:05:29,480 --> 00:05:31,080 Speaker 1: a lot of the you know, the l a comedy, 113 00:05:31,040 --> 00:05:32,359 Speaker 1: see I will come down here and I was like 114 00:05:32,400 --> 00:05:34,160 Speaker 1: the dude from the Babe and now it's from down here, 115 00:05:34,520 --> 00:05:36,480 Speaker 1: and it was like but that's how it helped me networking. 116 00:05:36,520 --> 00:05:38,359 Speaker 1: It was a great place to hone my craft and 117 00:05:38,400 --> 00:05:41,279 Speaker 1: then meeting fools like you. And then you started singing 118 00:05:41,400 --> 00:05:44,080 Speaker 1: around the time we were kicking it. Yeah, I started 119 00:05:44,120 --> 00:05:47,039 Speaker 1: singing pretty much both at a round the same time. 120 00:05:47,080 --> 00:05:49,320 Speaker 1: I started singing when I was nineteen in a Sausa band. 121 00:05:49,800 --> 00:05:52,880 Speaker 1: That's how I met. Like the original crew were Ma 122 00:05:53,000 --> 00:05:55,840 Speaker 1: la Fama yeah, and then we turned into bay On. 123 00:05:57,480 --> 00:05:59,640 Speaker 1: These kids these cats have all been playing all from 124 00:05:59,680 --> 00:06:02,320 Speaker 1: the mids and Mission District and then I have I 125 00:06:02,360 --> 00:06:05,560 Speaker 1: slid in there and then a year later with Bayonics 126 00:06:05,600 --> 00:06:08,080 Speaker 1: and the pretty much once we started that's we're still 127 00:06:08,160 --> 00:06:11,320 Speaker 1: you know, yeah, homie, oh, y'all had it cracking like 128 00:06:11,400 --> 00:06:13,040 Speaker 1: that was the thing to do. We go to Bayonic 129 00:06:13,080 --> 00:06:15,400 Speaker 1: shows and just you know, it was always a scene. 130 00:06:15,520 --> 00:06:18,440 Speaker 1: You know, I'm just like good vibes, good music and 131 00:06:18,920 --> 00:06:22,680 Speaker 1: people connecting, networking and hooking up and listen that. And 132 00:06:22,839 --> 00:06:27,080 Speaker 1: we aimed to please Frankie. That was our goal. Aim 133 00:06:27,160 --> 00:06:30,080 Speaker 1: to please my favorite is like, oh fool man, we're 134 00:06:30,160 --> 00:06:33,680 Speaker 1: just always looking up. Met my wife there. I meant 135 00:06:33,720 --> 00:06:37,640 Speaker 1: my few drinks wife there. Yeah, there's no stories for sure. Yeah. 136 00:06:37,760 --> 00:06:39,440 Speaker 1: It was like, hey, it's all good man. As long 137 00:06:39,480 --> 00:06:44,080 Speaker 1: as people getting together, connecting, dancing, having a good time. 138 00:06:44,160 --> 00:06:46,640 Speaker 1: It was nice man. For the first go was a bed, 139 00:06:46,720 --> 00:06:50,280 Speaker 1: a beautiful place. You embraced it. My my dude off 140 00:06:50,320 --> 00:06:53,200 Speaker 1: to the fullest homie even all the way you even 141 00:06:53,760 --> 00:06:55,279 Speaker 1: you're like, hey, Franky, what's up? You want to go 142 00:06:55,320 --> 00:06:58,320 Speaker 1: get something? Oh man, that tastes hella good. I mean 143 00:06:58,360 --> 00:06:59,880 Speaker 1: I don't I don't really use the hell like you 144 00:06:59,920 --> 00:07:03,760 Speaker 1: know that, but I'm not against it. We seed you, 145 00:07:05,160 --> 00:07:10,800 Speaker 1: we s that's hell for you to man, Yeah, flipped 146 00:07:10,840 --> 00:07:14,080 Speaker 1: and breathe that. You got to freath that the northern 147 00:07:14,480 --> 00:07:19,960 Speaker 1: Southern that's hell. Man. Oh already, don't you get in 148 00:07:19,960 --> 00:07:29,640 Speaker 1: trouble for that? Talk like that? Were talking about me like, hey, 149 00:07:29,680 --> 00:07:32,040 Speaker 1: it's all right, though, we gotta bridge the gap, right, Yeah, 150 00:07:32,040 --> 00:07:34,240 Speaker 1: I'm all about that. It's West Coast all day. You know. 151 00:07:34,240 --> 00:07:36,320 Speaker 1: It ain't the West Coast without Sad, Pancho or Los 152 00:07:36,760 --> 00:07:42,200 Speaker 1: Angeles home, you know what it is, absolutely But yeah, 153 00:07:42,240 --> 00:07:45,480 Speaker 1: it was like, man, we have so many good times 154 00:07:45,560 --> 00:07:48,040 Speaker 1: and so many so much. And then around that time, 155 00:07:48,080 --> 00:07:51,040 Speaker 1: it was like you were kind of I know you. 156 00:07:51,240 --> 00:07:53,560 Speaker 1: It was like you were just you were losing your 157 00:07:53,640 --> 00:07:55,920 Speaker 1: vision already when I met you. Not to bring up 158 00:07:55,960 --> 00:07:58,880 Speaker 1: like that's a negative vibe or whatever, but I remember 159 00:07:58,920 --> 00:08:01,120 Speaker 1: we would always joke about like that you were a 160 00:08:01,120 --> 00:08:03,200 Speaker 1: closet blind guy for a while. Like I was a 161 00:08:03,200 --> 00:08:06,040 Speaker 1: closet blind dude. I was just CBD is what we 162 00:08:06,120 --> 00:08:09,000 Speaker 1: used to call it before, Closet blind dude. And then 163 00:08:09,000 --> 00:08:11,760 Speaker 1: all of a sudden CBD came. I said, hey, come on, yeah, 164 00:08:11,520 --> 00:08:18,400 Speaker 1: you throw it on my face like that. Oh yeah, 165 00:08:18,440 --> 00:08:20,640 Speaker 1: the original of the original CBD. No, I was definitely 166 00:08:20,680 --> 00:08:23,560 Speaker 1: a closet blind dude. Um, you know what I mean. 167 00:08:24,200 --> 00:08:26,720 Speaker 1: Couldn't night then. The thing has never had night vision 168 00:08:27,360 --> 00:08:29,640 Speaker 1: ever since I was a kid. So that that was 169 00:08:29,680 --> 00:08:32,960 Speaker 1: the main thing, Like, yeah, yeah, because it's hereditary for 170 00:08:33,000 --> 00:08:35,280 Speaker 1: those listening that the condition that you have right and 171 00:08:35,559 --> 00:08:40,120 Speaker 1: Red Knight is pigment toss RP. Folks want to check 172 00:08:40,200 --> 00:08:43,880 Speaker 1: that out a little p saying, let me talk about 173 00:08:43,920 --> 00:08:48,320 Speaker 1: Red Knight is pigmentosis. Yeah, no, you you lose peripheral no, 174 00:08:48,320 --> 00:08:51,839 Speaker 1: no night vision, lose your peripheral vision. And that's why 175 00:08:52,080 --> 00:08:54,920 Speaker 1: you know I had my dude, I had my els. Bro. Yeah, yeah, 176 00:08:54,960 --> 00:08:59,280 Speaker 1: I know your boy was mobbing. I don't know. I 177 00:08:59,280 --> 00:09:01,319 Speaker 1: don't know the people. I don't know what else is. 178 00:09:01,360 --> 00:09:08,040 Speaker 1: That's the driver. Your boy was driver's lines on trip 179 00:09:08,360 --> 00:09:11,920 Speaker 1: exactly barely got I mean, had to had to take 180 00:09:11,960 --> 00:09:15,120 Speaker 1: the test twice, had to do it, you know, I 181 00:09:15,200 --> 00:09:16,480 Speaker 1: had to go all the way to court him madair 182 00:09:16,559 --> 00:09:19,520 Speaker 1: to do it to make sure I didn't run anyone over. 183 00:09:19,559 --> 00:09:25,120 Speaker 1: But yeah, because don't anywaynse be av holy test for 184 00:09:25,440 --> 00:09:27,880 Speaker 1: far and near sighted. They weren't doing peripheral vision. So 185 00:09:28,160 --> 00:09:30,720 Speaker 1: but I knew I kept the chill. If I was 186 00:09:30,760 --> 00:09:33,400 Speaker 1: with other folks who drove, I was like, now you driving, 187 00:09:34,200 --> 00:09:36,720 Speaker 1: and then but like, for real, are you serious? Right now? 188 00:09:37,360 --> 00:09:39,880 Speaker 1: Only side swiped a few people. It's a couple you 189 00:09:39,920 --> 00:09:45,560 Speaker 1: know here and there off it's like swiper and you know, 190 00:09:46,080 --> 00:09:48,440 Speaker 1: it's all right. And then I had to you know, 191 00:09:48,559 --> 00:09:51,800 Speaker 1: I eased up on on on the driving. And plus 192 00:09:51,840 --> 00:09:54,000 Speaker 1: I was in the city. Man. We how you gop 193 00:09:54,000 --> 00:09:58,760 Speaker 1: on the bus everywhere? Train train, train bus Bart. Yeah, 194 00:09:58,840 --> 00:10:02,080 Speaker 1: but that was yeah, I mean that was kind of 195 00:10:02,080 --> 00:10:04,200 Speaker 1: tough for you in certain situations. Remember remember the dude 196 00:10:04,200 --> 00:10:06,160 Speaker 1: trying to fight you because he did didn't believe you 197 00:10:06,200 --> 00:10:07,920 Speaker 1: were blind, and you're trying You're just trying to get 198 00:10:07,960 --> 00:10:11,240 Speaker 1: on Bart. Yeah, that was like you hit the Homies 199 00:10:11,280 --> 00:10:13,160 Speaker 1: kicks with your kinge my cane. Yeah, that was the 200 00:10:14,000 --> 00:10:15,839 Speaker 1: guiding kane. What do you kind of the blighting is? 201 00:10:15,960 --> 00:10:23,120 Speaker 1: Um the daredevil stick my kne dare don't stick hello 202 00:10:23,280 --> 00:10:25,160 Speaker 1: little know there, don't say with the red tip like 203 00:10:25,679 --> 00:10:29,959 Speaker 1: my staff. Yeah, no, it's uh, the cane is dude. 204 00:10:30,040 --> 00:10:32,320 Speaker 1: We were it was the Pride Parade. I was doing 205 00:10:32,360 --> 00:10:35,680 Speaker 1: Farmer Brown. We did Rose in the Pocket at the 206 00:10:35,679 --> 00:10:38,120 Speaker 1: Farmer Brown every Sunday. And I got off on Bart 207 00:10:38,600 --> 00:10:41,520 Speaker 1: and I straight clipped. Actually we're getting off the escalator 208 00:10:41,840 --> 00:10:44,520 Speaker 1: a Pow Street and I clipped some homeboy, you know 209 00:10:44,520 --> 00:10:45,840 Speaker 1: what I mean. He was walking in front of me 210 00:10:45,840 --> 00:10:50,360 Speaker 1: and it was packed gridlock. You know, yeah, go all 211 00:10:50,360 --> 00:10:52,680 Speaker 1: the bridging and tunnel people coming in. And I clipped 212 00:10:52,760 --> 00:10:56,800 Speaker 1: him and he turned around like it's like cud doing 213 00:10:56,880 --> 00:10:59,559 Speaker 1: cut man. I was like, oh, I'm so sorry, man, 214 00:10:59,640 --> 00:11:02,000 Speaker 1: my bad. He's like no, hell cause I'm like, yo, man, 215 00:11:02,040 --> 00:11:04,080 Speaker 1: I can't see, man, my bad. He's like, no, could 216 00:11:04,120 --> 00:11:07,720 Speaker 1: you can see cul hill? No blood you can see 217 00:11:07,800 --> 00:11:09,880 Speaker 1: you can see lood. I was like, no, no, you 218 00:11:11,440 --> 00:11:14,120 Speaker 1: had my backpack on. I had my Bungos on, my 219 00:11:14,160 --> 00:11:16,920 Speaker 1: Bungo case on my right shoulder, my Bungo stand on 220 00:11:16,960 --> 00:11:19,679 Speaker 1: my left shoulder and rocking the King Dude with like 221 00:11:19,960 --> 00:11:23,640 Speaker 1: thousands of people. Oh god, man, just like grid locked 222 00:11:23,640 --> 00:11:28,480 Speaker 1: like shoulders and then all the homies already playing. I was, 223 00:11:28,559 --> 00:11:30,720 Speaker 1: you know, oh you're your oh my way to the gig. 224 00:11:31,000 --> 00:11:33,000 Speaker 1: And I'm just but I clipped the dudes kicks and 225 00:11:33,040 --> 00:11:36,800 Speaker 1: he didn't trip, and he just he stepped up. I 226 00:11:36,840 --> 00:11:38,760 Speaker 1: was like no, I apologize like probably like four or 227 00:11:38,760 --> 00:11:42,320 Speaker 1: five times, and then he just wouldn't back off. No, 228 00:11:42,480 --> 00:11:45,040 Speaker 1: he cuse you could see, bro And he just stepped 229 00:11:45,120 --> 00:11:48,280 Speaker 1: up right in my grill and I was like, okay, 230 00:11:48,720 --> 00:11:52,240 Speaker 1: that's enough, and I dropped my I dropped my Bungo 231 00:11:52,320 --> 00:11:54,760 Speaker 1: bag I dropped my bull started playing the Bungles and 232 00:11:54,760 --> 00:12:03,400 Speaker 1: ship because only one way through Shanto days. I think, think, 233 00:12:03,520 --> 00:12:10,280 Speaker 1: we think, and he's like, okay, my bad cup. Yeah 234 00:12:10,559 --> 00:12:13,000 Speaker 1: I feel that, Broy, keep it up and do your thing, 235 00:12:13,080 --> 00:12:17,600 Speaker 1: because do your thing? Hey, do you bro? I'm like, no, man, 236 00:12:17,800 --> 00:12:20,120 Speaker 1: hell no, I stopped. I was like, just put your 237 00:12:20,120 --> 00:12:23,199 Speaker 1: stuff down. I was like apologized. Yeah, I'm now I'm 238 00:12:23,200 --> 00:12:25,200 Speaker 1: folding up my cane because I'm like, if it's gonna 239 00:12:25,240 --> 00:12:26,760 Speaker 1: go down, I'm gonna get a couple of licks in 240 00:12:26,800 --> 00:12:31,079 Speaker 1: with my cane regardless. And these two British women, these tours, No, no, 241 00:12:31,320 --> 00:12:37,959 Speaker 1: what are you doing? No? Absolutely not, absolutely not what 242 00:12:38,160 --> 00:12:41,600 Speaker 1: he is blind? He is blind. He is a blind 243 00:12:42,000 --> 00:12:45,120 Speaker 1: What is wrong with you? What's wrong with you? And 244 00:12:45,160 --> 00:12:47,679 Speaker 1: I was like, it's wrong with you. He's like no, 245 00:12:47,840 --> 00:12:50,080 Speaker 1: watch out. And then they broke it up and I 246 00:12:50,120 --> 00:12:51,920 Speaker 1: was like, yeah, that's right. You know what I'm saying. 247 00:12:51,960 --> 00:12:55,760 Speaker 1: I grabbed my stuff. I mean the type of action 248 00:12:55,880 --> 00:12:59,640 Speaker 1: you know from you know, getting me getting to my 249 00:12:59,760 --> 00:13:03,200 Speaker 1: get with all my equipment that was public transportation, that 250 00:13:03,280 --> 00:13:07,160 Speaker 1: was bart. Yeah, there's a fight. I mean obviously the nightclubs, 251 00:13:08,080 --> 00:13:09,839 Speaker 1: you know, everyone thinks I'm a you know, I get 252 00:13:09,880 --> 00:13:12,240 Speaker 1: stepped up to because everyone thinks I'm a I'm a 253 00:13:12,240 --> 00:13:14,680 Speaker 1: cocaine dealer. Yeah, you're a cocaine or you're super brod 254 00:13:14,679 --> 00:13:17,400 Speaker 1: out or in your shades and doors. Who still happens 255 00:13:17,440 --> 00:13:22,679 Speaker 1: to have a good deal on coke? That's either here exactly. 256 00:13:23,520 --> 00:13:26,000 Speaker 1: And I've never I've never, you know, I've never touched 257 00:13:26,000 --> 00:13:28,720 Speaker 1: this stuff. And I'm like, yeah, man, no, no, no, 258 00:13:28,840 --> 00:13:32,200 Speaker 1: they just rushed me. There's one time I don't know 259 00:13:32,280 --> 00:13:34,480 Speaker 1: what I drank or something. Was the beginning of the 260 00:13:34,520 --> 00:13:37,880 Speaker 1: first song. This was the North Beach and I was like, oh, 261 00:13:38,320 --> 00:13:40,400 Speaker 1: I was hitting some James Brown. We're coming from James 262 00:13:40,480 --> 00:13:43,120 Speaker 1: Brown right out the gate and then we're hitting this 263 00:13:43,160 --> 00:13:44,960 Speaker 1: little this one number I can't remember, but I just 264 00:13:44,960 --> 00:13:47,960 Speaker 1: doing my James Brown. I was like, I was like hey, 265 00:13:48,440 --> 00:13:52,040 Speaker 1: I was like, oh oh, oh, no, hold up. And 266 00:13:52,040 --> 00:13:53,920 Speaker 1: then I looked at my keyboard as he just showed 267 00:13:54,000 --> 00:13:56,080 Speaker 1: up put his gear down. I was like, you gotta 268 00:13:56,320 --> 00:13:59,079 Speaker 1: you gotta get me to the bathroom stacked, you know 269 00:13:59,120 --> 00:14:01,520 Speaker 1: what I mean. And it was like an emergency and 270 00:14:01,559 --> 00:14:03,160 Speaker 1: He's like, okay, I got you, got you. I was like, boys, 271 00:14:03,200 --> 00:14:05,760 Speaker 1: y'all keep jamming. They're still playing as James Brown number. 272 00:14:05,880 --> 00:14:08,480 Speaker 1: So they my boy, Jamo, guided me to the to 273 00:14:08,559 --> 00:14:11,040 Speaker 1: the bathroom, got me to the stall, and you know, 274 00:14:11,200 --> 00:14:12,760 Speaker 1: I had to do my thing, you know what I'm saying, 275 00:14:12,800 --> 00:14:16,680 Speaker 1: and you know the homies that yeah, the snake out, 276 00:14:17,040 --> 00:14:20,200 Speaker 1: you know what, I'm sneak out and yeah Johnson okay, 277 00:14:20,280 --> 00:14:22,239 Speaker 1: and I'm talking, you know, but it was an emergency, 278 00:14:22,320 --> 00:14:29,840 Speaker 1: like I hit a James Brown. I got literal because 279 00:14:29,840 --> 00:14:31,640 Speaker 1: you were going, you're going too hard in that game. 280 00:14:32,480 --> 00:14:34,680 Speaker 1: You're okay, you're pushing. I pushed it. And you know 281 00:14:35,000 --> 00:14:36,360 Speaker 1: we're getting a little older, you know what I mean. 282 00:14:36,360 --> 00:14:38,120 Speaker 1: I was in my mid thirties at the time. O yea, yeah, 283 00:14:38,160 --> 00:14:41,280 Speaker 1: I get it. And then Jamo, that's when ships start 284 00:14:41,360 --> 00:14:43,280 Speaker 1: hitting a little different in general, once you past thirty. 285 00:14:43,560 --> 00:14:46,200 Speaker 1: You're like, okay, yeah, it's more of a situation and 286 00:14:46,280 --> 00:14:49,360 Speaker 1: more you know. Yeahah but anyways, okay, but I couldn't 287 00:14:49,720 --> 00:14:51,880 Speaker 1: you know, I was it was quick. The boys were 288 00:14:51,880 --> 00:14:54,040 Speaker 1: still jamming. My keyboardist. My boy was waiting for me 289 00:14:54,040 --> 00:14:56,240 Speaker 1: outside the stall like a you know, like a g 290 00:14:57,000 --> 00:14:59,360 Speaker 1: and then I'll I hear some some bro who just 291 00:14:59,360 --> 00:15:03,680 Speaker 1: walk up him. What's going on? Man? Hey? You know 292 00:15:03,760 --> 00:15:05,520 Speaker 1: it's all good, man. I just I know, I know 293 00:15:05,600 --> 00:15:08,120 Speaker 1: you guys are doing them. Yo, is it possible? I 294 00:15:08,120 --> 00:15:09,800 Speaker 1: can you know, get like an eight ball if you 295 00:15:09,800 --> 00:15:11,720 Speaker 1: guys or something. And my boy jam I was like, 296 00:15:11,720 --> 00:15:14,120 Speaker 1: oh no, no, no, no, it's not what he's I'm 297 00:15:14,120 --> 00:15:16,440 Speaker 1: just waiting for jam. So Jam was kind of like 298 00:15:16,480 --> 00:15:22,960 Speaker 1: a square looking homeowner, a white guy. Yeah. Yeah, like no, 299 00:15:23,000 --> 00:15:24,480 Speaker 1: not at all. I'm just waiting for my buddy. He 300 00:15:24,680 --> 00:15:26,640 Speaker 1: can't see and he's in the stall and he's like 301 00:15:27,080 --> 00:15:29,200 Speaker 1: and the dude was like, oh, come on, man, it's 302 00:15:29,240 --> 00:15:32,000 Speaker 1: all good. Like I'm cool. Look, I'm cool. And then 303 00:15:32,080 --> 00:15:34,280 Speaker 1: Jamo was like going like trying to cover up your 304 00:15:34,560 --> 00:15:39,760 Speaker 1: miller exactly. Jamo was like, no, it's not what you think, bro, No, 305 00:15:39,880 --> 00:15:41,760 Speaker 1: I stay quiet, I stay quiet. I was doing my 306 00:15:41,800 --> 00:15:44,160 Speaker 1: thing and it's a tiny bathroom. He's like, no, it's 307 00:15:44,160 --> 00:15:45,520 Speaker 1: not what you think at all, my buddy. He's like, 308 00:15:45,520 --> 00:15:47,200 Speaker 1: come on, man, who are shades inside? It's gotta be 309 00:15:47,200 --> 00:15:52,720 Speaker 1: alkiller who the hoobie goes. The hobie goes, Hey, bro, 310 00:15:52,840 --> 00:15:54,680 Speaker 1: it's I mean, it's not that big of a deal, man, 311 00:15:54,720 --> 00:15:55,840 Speaker 1: I just want to see if you're just hooking me 312 00:15:55,880 --> 00:15:57,680 Speaker 1: up a little some song. Bro. I saw you guys 313 00:15:57,680 --> 00:16:00,120 Speaker 1: coming from the stage. He's like, come on man, and 314 00:16:00,200 --> 00:16:03,280 Speaker 1: Jay was like no, and then I just interrupted, like, 315 00:16:03,360 --> 00:16:05,600 Speaker 1: oh come on Jay, hook him up, man, look up 316 00:16:05,640 --> 00:16:11,720 Speaker 1: bro from pout. I was like, oh, come on, man, 317 00:16:11,760 --> 00:16:14,160 Speaker 1: just come up with a little something. Bro. It was like, 318 00:16:14,200 --> 00:16:19,280 Speaker 1: oh you got songs like I'm sorry, I could it 319 00:16:19,360 --> 00:16:22,080 Speaker 1: pass up a little har fruit? Yeah, get him in 320 00:16:22,080 --> 00:16:25,440 Speaker 1: a situation you can't leave. You gotta wait for you exactly. 321 00:16:26,360 --> 00:16:28,320 Speaker 1: And I know that puts. That's what I said. I 322 00:16:28,400 --> 00:16:33,120 Speaker 1: put my sighted friends in compy my situations. And there's 323 00:16:33,120 --> 00:16:35,000 Speaker 1: a lot of self defense classes out there, but this 324 00:16:35,040 --> 00:16:36,760 Speaker 1: one is gonna have you like, damn hold me. That's 325 00:16:36,800 --> 00:16:41,840 Speaker 1: what suw. This is self defense basics what creeper? All right? 326 00:16:41,880 --> 00:16:46,000 Speaker 1: First of all, holmies, yes, as a disclaimering Um, this 327 00:16:46,040 --> 00:16:48,160 Speaker 1: is just a basic class on me. So I don't 328 00:16:48,200 --> 00:16:50,040 Speaker 1: think like, are you gonna take this class and all 329 00:16:50,040 --> 00:16:51,680 Speaker 1: of a sudden you're like Bruce Lee or whatever, Holmi 330 00:16:51,800 --> 00:16:55,680 Speaker 1: like altercation or man, I take this flass because if 331 00:16:55,680 --> 00:16:57,200 Speaker 1: you think like that on me, then you're probably get 332 00:16:57,240 --> 00:17:01,160 Speaker 1: knocked out over there. But I was scared. Um I 333 00:17:01,240 --> 00:17:04,360 Speaker 1: did on me. I did train with wat home that 334 00:17:04,520 --> 00:17:08,320 Speaker 1: was he was. He was trained by a tea tray 335 00:17:08,800 --> 00:17:11,800 Speaker 1: who was taught by a former student of Vato that 336 00:17:11,920 --> 00:17:15,520 Speaker 1: lived in the same apartment building as Bruce. Lee Homie 337 00:17:15,600 --> 00:17:19,800 Speaker 1: what a trappin Yeah, and Sali was scary even more 338 00:17:19,800 --> 00:17:22,359 Speaker 1: of a trip a Abrica di resorder. This Vato was 339 00:17:22,359 --> 00:17:24,440 Speaker 1: also named Lee Homie, but it was his first name 340 00:17:24,440 --> 00:17:26,480 Speaker 1: on me, not his last name. I guess it was 341 00:17:26,560 --> 00:17:32,480 Speaker 1: short for Leland Pakowski on me. Yeah, that's break there um. Lastly, 342 00:17:32,520 --> 00:17:35,199 Speaker 1: on me, let me remind you that this is a 343 00:17:35,280 --> 00:17:39,959 Speaker 1: South defense class. He emphasis on defense on me, all right, 344 00:17:40,040 --> 00:17:42,919 Speaker 1: so you can be like starting Plato some fools and 345 00:17:42,920 --> 00:17:45,080 Speaker 1: just be like, you know, like just so you could 346 00:17:45,080 --> 00:17:47,600 Speaker 1: display your skills, like let me start some ship and 347 00:17:47,880 --> 00:17:50,200 Speaker 1: let me like bump this for right here at Denny's 348 00:17:50,200 --> 00:17:51,760 Speaker 1: and see if he wants to fight right now, like 349 00:17:52,119 --> 00:17:54,679 Speaker 1: Naomi they say that kind of class or whatever. All right, 350 00:17:54,720 --> 00:17:56,960 Speaker 1: because I had a student on me who took my 351 00:17:57,040 --> 00:17:59,920 Speaker 1: classes so that he could you know, be fulls up 352 00:18:00,040 --> 00:18:02,600 Speaker 1: a And I'm not about that, homie, but he was 353 00:18:02,680 --> 00:18:05,000 Speaker 1: using it for that he and he was already beating 354 00:18:05,000 --> 00:18:07,520 Speaker 1: falls up on me before, so he took my class 355 00:18:07,560 --> 00:18:10,159 Speaker 1: to get better at that and now that fool is 356 00:18:10,160 --> 00:18:13,880 Speaker 1: considered a danger to society, Homie. Uh. And I saw 357 00:18:13,960 --> 00:18:16,000 Speaker 1: him the other day, Homie, and I tried to talk 358 00:18:16,000 --> 00:18:18,520 Speaker 1: to him. I say, hey, Francis, like, you can't be 359 00:18:18,600 --> 00:18:21,960 Speaker 1: doing like that, Homie, like socking fools for whatever reason. Uh. 360 00:18:22,000 --> 00:18:23,960 Speaker 1: Then he looked at me like like like if he 361 00:18:24,000 --> 00:18:26,639 Speaker 1: was gonna suck me. Uh. So yeah, pretty much just 362 00:18:26,720 --> 00:18:29,960 Speaker 1: jammed order. Yeah, Homie. So this leads me to the 363 00:18:30,040 --> 00:18:32,959 Speaker 1: first rule of self defense on me. All Right, if 364 00:18:33,000 --> 00:18:36,399 Speaker 1: you're ever in a situation where it starts to get heated, uh, 365 00:18:36,400 --> 00:18:38,200 Speaker 1: then just jam home. You don't need that bed home. 366 00:18:38,240 --> 00:18:40,280 Speaker 1: You got things to do, you know, closing the washer 367 00:18:40,320 --> 00:18:42,760 Speaker 1: that you need to put in the dryer. Um, you 368 00:18:42,800 --> 00:18:44,399 Speaker 1: know what I'm saying, Like, you're Dyah needs you to 369 00:18:44,400 --> 00:18:46,520 Speaker 1: set up chairs in the morning for the for her 370 00:18:46,960 --> 00:18:49,320 Speaker 1: because she sells avon Homie at the at the garage 371 00:18:49,320 --> 00:18:51,560 Speaker 1: sale on her front yard. And she had asked you 372 00:18:51,600 --> 00:18:54,240 Speaker 1: like two weeks ago. Um, so you gotta be right there, Homie, 373 00:18:54,240 --> 00:18:56,080 Speaker 1: to set up the chairs and the tables for that A. 374 00:18:56,280 --> 00:18:59,359 Speaker 1: So yeah, just jam on me. But you know, because 375 00:18:59,359 --> 00:19:01,000 Speaker 1: you don't have to find at it just because someone 376 00:19:01,040 --> 00:19:02,840 Speaker 1: else wants you to fight on me, you know what 377 00:19:02,840 --> 00:19:05,000 Speaker 1: I mean, just walk away home. In some cases run 378 00:19:05,040 --> 00:19:07,320 Speaker 1: on me and you know what's the worst that could happen? 379 00:19:07,800 --> 00:19:10,199 Speaker 1: You know, yeah, was my talk shit? Or they might 380 00:19:10,240 --> 00:19:12,560 Speaker 1: be laughing at you and really look at he's a pussy, 381 00:19:12,760 --> 00:19:14,800 Speaker 1: or you know, I stay he's a track star on 382 00:19:14,960 --> 00:19:17,159 Speaker 1: me and you might have to like move out of 383 00:19:17,200 --> 00:19:20,280 Speaker 1: that city home for a while. But maybe you needed 384 00:19:20,280 --> 00:19:22,040 Speaker 1: that change anyway on me, you know, just a change 385 00:19:22,040 --> 00:19:23,920 Speaker 1: of scenery and start a new life or whatever. On 386 00:19:24,040 --> 00:19:26,520 Speaker 1: me because one of one of my students told me 387 00:19:26,520 --> 00:19:28,160 Speaker 1: he was about to get into it was something about 388 00:19:28,200 --> 00:19:30,680 Speaker 1: the way and he just jammed. And then two months 389 00:19:30,760 --> 00:19:33,280 Speaker 1: later on me he ended up moving to um or 390 00:19:33,440 --> 00:19:37,119 Speaker 1: was it as the Tracy California? On me? Uh and 391 00:19:37,119 --> 00:19:38,960 Speaker 1: trip out on this he out there and Tracy. He 392 00:19:39,000 --> 00:19:40,760 Speaker 1: was able to afford a path on me, like a 393 00:19:40,800 --> 00:19:43,080 Speaker 1: house and everything. So now this full lives in a house. 394 00:19:43,160 --> 00:19:46,000 Speaker 1: He's got a three car garage at three car garage 395 00:19:46,040 --> 00:19:48,000 Speaker 1: on me. The following he has one car. He's always 396 00:19:48,000 --> 00:19:50,680 Speaker 1: only had one car, but now he has options. They're like, hey, 397 00:19:50,720 --> 00:19:53,159 Speaker 1: what can I do with that space right there? All right? 398 00:19:53,400 --> 00:19:56,439 Speaker 1: He nextro south defense try to talk it out first 399 00:19:56,440 --> 00:20:00,440 Speaker 1: on me because most fights happened because I misunderstand Indians 400 00:20:00,480 --> 00:20:02,680 Speaker 1: on me, you know what I mean, Because something would 401 00:20:02,680 --> 00:20:04,400 Speaker 1: be like, hey, what are you looking at my lady? Four? 402 00:20:04,960 --> 00:20:07,119 Speaker 1: And you could be like, I was looking at it, 403 00:20:07,400 --> 00:20:09,480 Speaker 1: but it's because I thought that we had went to 404 00:20:09,560 --> 00:20:12,879 Speaker 1: the same middle school. On me, I was like, damn, wonderfact, 405 00:20:12,880 --> 00:20:16,359 Speaker 1: that's Lupita on me from seventh grade. But it turns 406 00:20:16,400 --> 00:20:18,280 Speaker 1: out that it was. And so my bad homie. I 407 00:20:18,440 --> 00:20:19,960 Speaker 1: was just trying to see if it was hurt on me. 408 00:20:20,560 --> 00:20:22,800 Speaker 1: And even if you were checking out this lady on me, 409 00:20:22,840 --> 00:20:24,720 Speaker 1: you gotta you know, you gotta think quick like that, 410 00:20:24,800 --> 00:20:26,959 Speaker 1: ain't you know, just kind of like off the cuffs 411 00:20:27,000 --> 00:20:30,159 Speaker 1: or wherever they say on me, because statistics had shown 412 00:20:30,160 --> 00:20:33,600 Speaker 1: me that nine out of ten fights happened because you 413 00:20:33,680 --> 00:20:36,960 Speaker 1: look at some bottles lady on me, and it's important 414 00:20:37,000 --> 00:20:40,080 Speaker 1: to have quick responses. They like when he comes up, hey, 415 00:20:40,119 --> 00:20:42,520 Speaker 1: what are you doing looking at my lady like that? Okay, 416 00:20:42,560 --> 00:20:44,600 Speaker 1: I'm gonna give you a few responses. You could use 417 00:20:44,600 --> 00:20:48,040 Speaker 1: a all right, the first one, uh he mr, I 418 00:20:48,080 --> 00:20:51,040 Speaker 1: didn't know I was staring at your lady because I 419 00:20:51,080 --> 00:20:54,200 Speaker 1: have forgot my glasses. Ay, all right, everything is blurry 420 00:20:54,359 --> 00:20:56,400 Speaker 1: right now, and I don't even know where I'm at 421 00:20:56,480 --> 00:20:59,280 Speaker 1: right now, and and like, hey, I thought you were 422 00:21:00,000 --> 00:21:02,640 Speaker 1: another four you know this and that, and you kind 423 00:21:02,640 --> 00:21:04,679 Speaker 1: of just look confused and just act like you need 424 00:21:04,720 --> 00:21:07,040 Speaker 1: a glasses. Eh. So a lot of times posed will 425 00:21:07,080 --> 00:21:09,960 Speaker 1: be like okay, there's foldn't all or he'll just knock 426 00:21:10,000 --> 00:21:12,320 Speaker 1: you out. For someone will be like, hey, were you 427 00:21:12,320 --> 00:21:14,840 Speaker 1: looking at my ladies? I was like that. You could 428 00:21:14,840 --> 00:21:17,359 Speaker 1: be like, yeah, I wasn't staring at her analags hold me. 429 00:21:17,560 --> 00:21:20,240 Speaker 1: I was looking at her pants hey, because her pants 430 00:21:20,280 --> 00:21:22,720 Speaker 1: are feedom and they look good quality, and I think 431 00:21:22,760 --> 00:21:25,360 Speaker 1: that my lady would like a pair of pants like that. 432 00:21:25,520 --> 00:21:27,600 Speaker 1: So actually homie is a covactor lady where she got 433 00:21:27,600 --> 00:21:31,639 Speaker 1: those pants? And he'll probably be like okay, yeah, or 434 00:21:31,720 --> 00:21:34,040 Speaker 1: he might just back and direct there in front of 435 00:21:34,160 --> 00:21:37,760 Speaker 1: your home, he say right um, or he might be 436 00:21:37,840 --> 00:21:41,160 Speaker 1: like hey, like look somewhere else. Why are you looking 437 00:21:41,160 --> 00:21:43,760 Speaker 1: at my hand? Not like that, like you want to 438 00:21:43,840 --> 00:21:47,320 Speaker 1: do things with You could say like, hey, my pad, homie, 439 00:21:47,880 --> 00:21:50,239 Speaker 1: I was staring at her because she reminds me of 440 00:21:50,280 --> 00:21:53,240 Speaker 1: old photos of my grandma, Like when my grandma was young, 441 00:21:53,640 --> 00:21:58,600 Speaker 1: and she just died recently, homie, she died recently, homies. 442 00:21:58,640 --> 00:22:02,320 Speaker 1: So yeah, pants at home. Me A'm all emotional right now, Wilta. 443 00:22:02,520 --> 00:22:05,040 Speaker 1: You know, he'll probably be like and hold me in 444 00:22:05,080 --> 00:22:06,840 Speaker 1: my bad a, like, let me get you a beer, 445 00:22:07,040 --> 00:22:10,520 Speaker 1: you know, my bad or you'll do a roundhouse kick 446 00:22:10,600 --> 00:22:13,720 Speaker 1: to your chest and you knocked out of breath. All right, there, 447 00:22:14,000 --> 00:22:16,280 Speaker 1: that's fat meat or whatever this is student occurred, They 448 00:22:16,800 --> 00:22:19,200 Speaker 1: all right, so what's up? So guarantee it on me 449 00:22:19,240 --> 00:22:21,359 Speaker 1: and ex time to go out. Have a few of 450 00:22:21,440 --> 00:22:23,760 Speaker 1: these in your pocket a so that you can respond 451 00:22:23,840 --> 00:22:27,280 Speaker 1: to an angry bottle quickly on me, all right. If 452 00:22:27,359 --> 00:22:29,960 Speaker 1: talking to them doesn't work, then just jam on me 453 00:22:30,440 --> 00:22:32,560 Speaker 1: or just you know, take a little quick job. You 454 00:22:32,640 --> 00:22:35,400 Speaker 1: probably need it anyway, so sign up a for self 455 00:22:35,480 --> 00:22:39,920 Speaker 1: defense basics or creeper Home. Limited space available. If these 456 00:22:40,000 --> 00:22:42,800 Speaker 1: techniques can help at least one bottle from getting an 457 00:22:42,880 --> 00:22:46,639 Speaker 1: unnecessary beat down and having to move to Tracy, California, 458 00:22:47,040 --> 00:22:50,080 Speaker 1: then hey, that's what's up, all right? But he also 459 00:22:50,240 --> 00:22:51,399 Speaker 1: a shout out to the hind there. I know a 460 00:22:51,480 --> 00:22:54,040 Speaker 1: lot of people and Tracy on me. So yeah, congratulations, 461 00:22:54,080 --> 00:22:56,200 Speaker 1: you've got a bigger pad out there and they have 462 00:22:56,240 --> 00:22:58,439 Speaker 1: a little shopping center on many little activities right there too. 463 00:22:58,520 --> 00:23:01,119 Speaker 1: So that's what's up all right. M m m m 464 00:23:01,280 --> 00:23:08,240 Speaker 1: m mmmmmmm. We got that laughter for your soul and 465 00:23:08,440 --> 00:23:12,000 Speaker 1: now tuned into the breaking on this show. It lift 466 00:23:12,040 --> 00:23:14,760 Speaker 1: and uter rides have been pretty interesting. They tell you 467 00:23:14,840 --> 00:23:18,159 Speaker 1: that much. What's it called? What about the uh that 468 00:23:18,280 --> 00:23:20,159 Speaker 1: time in order to lift and you were trying to 469 00:23:20,200 --> 00:23:28,160 Speaker 1: get to year. Sorry, yeah, that's story. That's probably the Yeah, 470 00:23:28,200 --> 00:23:29,879 Speaker 1: this is probably the creament. I mean I got a couple. 471 00:23:30,119 --> 00:23:34,119 Speaker 1: I mean this one though, was the I called a 472 00:23:34,280 --> 00:23:38,000 Speaker 1: lift and I waited outside my the wife and kids 473 00:23:38,040 --> 00:23:40,240 Speaker 1: were like, okay, bye, you know from the door. I 474 00:23:40,320 --> 00:23:42,600 Speaker 1: walked down and then they saw like like, I think 475 00:23:42,600 --> 00:23:44,000 Speaker 1: it's come. I was like, don't trip, it's coming soon. 476 00:23:44,040 --> 00:23:47,800 Speaker 1: I waited on the sidewalk and then I was just waiting, waiting, 477 00:23:48,080 --> 00:23:49,800 Speaker 1: and then I kind of hear I kind of got 478 00:23:49,960 --> 00:23:53,880 Speaker 1: used to hearing the sounds of prius is it's gotta 479 00:23:53,960 --> 00:23:59,680 Speaker 1: be what And so whenever you know everyone's mobbing a 480 00:23:59,720 --> 00:24:01,600 Speaker 1: pre some I'm like when one of my homies moms 481 00:24:01,600 --> 00:24:03,560 Speaker 1: a preus and he was a lift driver and he 482 00:24:03,680 --> 00:24:06,360 Speaker 1: mobs and the dude mobs up and it's just quiet. Nothing, 483 00:24:06,560 --> 00:24:09,360 Speaker 1: nothing's mean, saying like yeah, they're just kind of exactly. 484 00:24:09,920 --> 00:24:12,440 Speaker 1: I live on a quiet street. I'm in the residential neighborhood. 485 00:24:12,480 --> 00:24:14,359 Speaker 1: I'm like, all right, I can hear it. And I'm like, yo, 486 00:24:14,400 --> 00:24:17,480 Speaker 1: it's just uh, just a lift for for Hiro And 487 00:24:17,560 --> 00:24:20,959 Speaker 1: then nothing but not moving. The car's not moving. I'm like, yo, 488 00:24:21,680 --> 00:24:25,440 Speaker 1: live for Hiro's just for sixty And then I was 489 00:24:25,520 --> 00:24:27,399 Speaker 1: like nothing and then the car is not moving. It 490 00:24:27,520 --> 00:24:28,760 Speaker 1: just stays in front of me, and so I'm like 491 00:24:29,119 --> 00:24:30,680 Speaker 1: and then I tap on the window and then rolls 492 00:24:30,760 --> 00:24:34,160 Speaker 1: the homie. The driver rolls the passenger window the window down. 493 00:24:34,800 --> 00:24:37,120 Speaker 1: I'm like, yo, man, is this uh just a lift 494 00:24:37,240 --> 00:24:42,119 Speaker 1: lift ride? And then just quiet and I'm like, yo, 495 00:24:42,160 --> 00:24:46,639 Speaker 1: it's just my boy, It's like something homi me the 496 00:24:46,640 --> 00:24:49,119 Speaker 1: school show, but funking with me right now. I was like, 497 00:24:49,480 --> 00:24:50,879 Speaker 1: I don't know. And then I stepped close to the 498 00:24:50,960 --> 00:24:53,320 Speaker 1: car and like, yo, is this you? And then silence 499 00:24:53,960 --> 00:24:56,400 Speaker 1: and I'm like nah, and then I take a step back. 500 00:24:56,840 --> 00:24:59,680 Speaker 1: I was like, fun is going on right with you? 501 00:25:00,160 --> 00:25:02,120 Speaker 1: Just like kind of hoping I'm hearing someone walking down 502 00:25:02,119 --> 00:25:04,720 Speaker 1: the sidewalk that could help me confirm like it was 503 00:25:04,760 --> 00:25:06,800 Speaker 1: a lip. Remember lift used to have the pink mustaches 504 00:25:06,840 --> 00:25:09,399 Speaker 1: on the front. Yeah, that's when that was that that 505 00:25:09,480 --> 00:25:12,000 Speaker 1: was a thing, right, So I was like, someone can 506 00:25:12,080 --> 00:25:14,600 Speaker 1: confirm there's a pink mustache on this bit, you know 507 00:25:14,600 --> 00:25:16,920 Speaker 1: what I mean. So I'm like, yo, live for high 508 00:25:17,000 --> 00:25:18,639 Speaker 1: row and I go back to the thing and it's 509 00:25:18,680 --> 00:25:20,800 Speaker 1: just purring. Remember this is not now, it's like five 510 00:25:20,880 --> 00:25:23,480 Speaker 1: to seven minutes. It's like a little bit awkward to 511 00:25:23,600 --> 00:25:27,080 Speaker 1: my gig. I'm like, yo, I stick my head and 512 00:25:27,440 --> 00:25:30,240 Speaker 1: you lift, and then I just feel a hand creep 513 00:25:30,359 --> 00:25:33,600 Speaker 1: up to grab my hand and then just does like 514 00:25:33,640 --> 00:25:37,879 Speaker 1: a little pound or like you just and I was like, oh, okay, 515 00:25:38,119 --> 00:25:40,280 Speaker 1: let's go. Here we go. I opened up that he's 516 00:25:40,280 --> 00:25:41,920 Speaker 1: got to be it right. So I'm like, let me. 517 00:25:42,080 --> 00:25:45,200 Speaker 1: I open up the passenger door. I slide in and 518 00:25:45,280 --> 00:25:48,000 Speaker 1: then I'm like, all right, baby, you're on the back seat. No. 519 00:25:50,200 --> 00:25:53,320 Speaker 1: And now I double down on it because I'm also 520 00:25:53,400 --> 00:25:55,080 Speaker 1: that dude who ops in the car and I think 521 00:25:55,080 --> 00:25:56,760 Speaker 1: I'm getting in the back seat and I'm actually getting 522 00:25:56,760 --> 00:25:59,920 Speaker 1: in the front seat. Not like my wife like that. 523 00:26:00,000 --> 00:26:02,359 Speaker 1: At the time. She's like, hey, let's go, and I 524 00:26:02,640 --> 00:26:04,680 Speaker 1: just opened up. She just you're having in the back 525 00:26:04,720 --> 00:26:09,800 Speaker 1: seat again, I like because they're like, you knew I 526 00:26:09,960 --> 00:26:15,760 Speaker 1: was getting there. You couldn't stopped me, but okayn happen. Yeah, 527 00:26:16,720 --> 00:26:19,080 Speaker 1: gives her a little giggle and then I'm like, so 528 00:26:19,320 --> 00:26:22,119 Speaker 1: like I popped in the front seat. I'm like, what's up, bro, 529 00:26:22,240 --> 00:26:26,520 Speaker 1: what's going on? Like film more? And then and then 530 00:26:26,600 --> 00:26:29,280 Speaker 1: he hands me something that feels like an iPad like 531 00:26:29,440 --> 00:26:31,920 Speaker 1: flat and he's like I hear him tap it. I'm 532 00:26:31,960 --> 00:26:34,600 Speaker 1: like he was, I'm like, d film more and then 533 00:26:34,640 --> 00:26:38,800 Speaker 1: he just taps it. I'm like, uh no, no, I 534 00:26:39,240 --> 00:26:41,080 Speaker 1: I can't see, bro, Like you know, I mean, I 535 00:26:41,080 --> 00:26:43,760 Speaker 1: don't know what you're pointing at. He's like, dred film 536 00:26:43,800 --> 00:26:47,040 Speaker 1: more and then he and then he's tapping it and 537 00:26:47,119 --> 00:26:49,720 Speaker 1: then grabs my other hand. He grabs my hand and 538 00:26:49,840 --> 00:26:52,040 Speaker 1: puts it feels like a marker and I think it 539 00:26:52,119 --> 00:26:54,960 Speaker 1: was a sharpie. And then I was like wait a minute. 540 00:26:55,320 --> 00:26:59,400 Speaker 1: I was like, no, man, I can't see. I can't see. 541 00:27:00,119 --> 00:27:02,600 Speaker 1: And then he's like grabbing my fists and then we're 542 00:27:02,640 --> 00:27:04,399 Speaker 1: making like two fists and he keeps pounding it and 543 00:27:04,520 --> 00:27:07,080 Speaker 1: he's like I'm like and he's tapping the board and 544 00:27:07,160 --> 00:27:08,440 Speaker 1: I was like all right, this is not an iPad. 545 00:27:08,520 --> 00:27:11,200 Speaker 1: It's obviously all right. Now, I'm like, it's a dry racerboard. 546 00:27:11,240 --> 00:27:14,720 Speaker 1: What he give me a dry racer board? I'm like, 547 00:27:16,880 --> 00:27:20,880 Speaker 1: hundred film more. And then it's just a moment of silence, 548 00:27:20,960 --> 00:27:22,760 Speaker 1: and I'm like and then I get a little nervous. 549 00:27:22,800 --> 00:27:25,080 Speaker 1: I'm kind of panicking a little bit. Yeah, you're like, damn, 550 00:27:25,359 --> 00:27:30,399 Speaker 1: what's really having up some shape? Yeah? And then like 551 00:27:30,520 --> 00:27:35,920 Speaker 1: Julis's taking his joke too far. Yeah, I'm like, wait 552 00:27:36,000 --> 00:27:38,360 Speaker 1: a minute. And he puts the marker back in my hand, 553 00:27:39,119 --> 00:27:41,160 Speaker 1: and then he's just out of nowhere. It's because silent, 554 00:27:41,200 --> 00:27:45,520 Speaker 1: and he just goes just oh. And I was like, 555 00:27:45,760 --> 00:27:49,159 Speaker 1: I just went, oh, my jaw dropped. I was like 556 00:27:52,680 --> 00:27:55,560 Speaker 1: that and this cat's death, bro. And I was like, 557 00:27:55,760 --> 00:28:00,240 Speaker 1: oh yeah, And just a disclaimer, no disrespect back to 558 00:28:00,320 --> 00:28:03,560 Speaker 1: the deaf community. The blind community got the deaf communities 559 00:28:03,560 --> 00:28:05,159 Speaker 1: back in every way. You know what I'm saying, But 560 00:28:05,320 --> 00:28:07,680 Speaker 1: that that's but that sound is how you figured out 561 00:28:07,680 --> 00:28:10,680 Speaker 1: oh when he made his mouth this sound from oh, 562 00:28:11,440 --> 00:28:14,800 Speaker 1: and I was like, oh, no, blad. I was already 563 00:28:14,800 --> 00:28:17,760 Speaker 1: sitting in his passenger door for like in his seat 564 00:28:18,119 --> 00:28:20,280 Speaker 1: for like five minutes you know, trying to figure out that, hey, 565 00:28:20,359 --> 00:28:23,399 Speaker 1: what is this iPad? And then he taps the board 566 00:28:23,400 --> 00:28:26,560 Speaker 1: again and I'm like, dry eracer board. I put two 567 00:28:26,600 --> 00:28:29,080 Speaker 1: and two together, and like he wants me to write 568 00:28:29,119 --> 00:28:32,119 Speaker 1: down that, and then I just if he didn't me 569 00:28:32,240 --> 00:28:35,960 Speaker 1: like put his thumb up, it was so I uncapped 570 00:28:36,000 --> 00:28:40,920 Speaker 1: the marker. I write hundred fillmore. He grabs my hand 571 00:28:41,480 --> 00:28:43,440 Speaker 1: as a pound, pounds it and then puts a thumb, 572 00:28:43,480 --> 00:28:46,200 Speaker 1: puts a thumb up for me on my hand and 573 00:28:46,280 --> 00:28:48,800 Speaker 1: then places a thumb on himself to let me know 574 00:28:49,320 --> 00:28:51,760 Speaker 1: like we got it. It's go time. I was like, like, 575 00:28:53,040 --> 00:28:56,000 Speaker 1: let's go down. Here we go. I'm on Death Driver 576 00:28:56,160 --> 00:29:01,760 Speaker 1: with the fly passengers. He has that story with this home. 577 00:29:01,840 --> 00:29:07,640 Speaker 1: He's like like you're never safe and sound gives me 578 00:29:07,680 --> 00:29:11,200 Speaker 1: their saving sound. And my boy Peter's loading in some drums. 579 00:29:11,280 --> 00:29:13,440 Speaker 1: He sees me getting ARGI what's bros. And I look 580 00:29:13,480 --> 00:29:17,720 Speaker 1: at him like breath. You'll never guess what type of 581 00:29:17,840 --> 00:29:22,920 Speaker 1: ride I just had, not in a billion years, like 582 00:29:23,320 --> 00:29:26,120 Speaker 1: the one the blind dude gonna live. Get some death 583 00:29:26,800 --> 00:29:31,920 Speaker 1: Lift Driver house. This is KU alone us it. You're 584 00:29:32,000 --> 00:29:37,040 Speaker 1: number one news station in the county. Good evening. This 585 00:29:37,280 --> 00:29:41,560 Speaker 1: just in local lawn Firstment agencies rated a downtown warehouse 586 00:29:41,880 --> 00:29:45,320 Speaker 1: where an organized fight club has been operating. With more 587 00:29:45,400 --> 00:29:47,400 Speaker 1: on this, we have our own Arnie argoball at the 588 00:29:47,480 --> 00:29:50,400 Speaker 1: theme Arnie as a warning of parents with small children 589 00:29:50,440 --> 00:29:53,320 Speaker 1: at home what you're about to see a shocking security 590 00:29:53,360 --> 00:29:55,840 Speaker 1: cameras picked up a video of a flash bomb going 591 00:29:55,920 --> 00:29:58,840 Speaker 1: off in the warehouse, followed by several police officers breaking 592 00:29:58,880 --> 00:30:01,240 Speaker 1: through the window. Uns were drawn and some of the 593 00:30:01,320 --> 00:30:04,719 Speaker 1: people first pulled out were what appeared to be little homies. 594 00:30:04,920 --> 00:30:07,440 Speaker 1: Are we certain their little homies? Well, we're the land 595 00:30:07,520 --> 00:30:10,120 Speaker 1: that has been confirmed that these men were between the 596 00:30:10,160 --> 00:30:13,000 Speaker 1: heights of five three and five seven. Oh. Looks like 597 00:30:13,080 --> 00:30:15,680 Speaker 1: the police chief is ready to address the media. They 598 00:30:15,840 --> 00:30:19,120 Speaker 1: proximately live. Forty PM, local police and county Sheriff's raided 599 00:30:19,200 --> 00:30:22,720 Speaker 1: the area. This was part of a two year investigation. 600 00:30:23,120 --> 00:30:25,440 Speaker 1: From what we understand, there are several players involved in 601 00:30:25,560 --> 00:30:28,480 Speaker 1: even some outside of the city that have been training 602 00:30:28,720 --> 00:30:32,120 Speaker 1: little homies to fight against each other. This is unlike 603 00:30:32,200 --> 00:30:34,240 Speaker 1: the little homie fight club raid that happened in the 604 00:30:34,320 --> 00:30:37,960 Speaker 1: late seventies. This one is much much more organized and 605 00:30:38,120 --> 00:30:42,200 Speaker 1: much more lucrative and sophisticated. Yeah, police chief, can you 606 00:30:42,440 --> 00:30:45,320 Speaker 1: comment on why the raid took as long as it did. 607 00:30:45,680 --> 00:30:48,080 Speaker 1: As you all know, we have some little homies in 608 00:30:48,160 --> 00:30:50,880 Speaker 1: the force, but not one of them volunteered for this assignment. 609 00:30:51,160 --> 00:30:53,800 Speaker 1: I don't blame them. It's highly risky and dangerous to 610 00:30:53,840 --> 00:30:56,800 Speaker 1: get involved with these people, who, in my opinion, are 611 00:30:56,920 --> 00:30:59,880 Speaker 1: some of the worst criminals out there. It's not the 612 00:31:00,000 --> 00:31:03,800 Speaker 1: little homies themselves, they are the victims, but it's the organizers, 613 00:31:04,080 --> 00:31:08,040 Speaker 1: the bosses who exploited these little homies for profit. I mean, 614 00:31:08,120 --> 00:31:11,040 Speaker 1: it's basically human trafficking. Is it true that some of 615 00:31:11,120 --> 00:31:15,280 Speaker 1: these little homies were underage? Yes, it's unfortunate, but we 616 00:31:15,360 --> 00:31:18,080 Speaker 1: were able to rescue a couple of teenagers who stated 617 00:31:18,120 --> 00:31:20,400 Speaker 1: that they were going through a grosper so the bosses 618 00:31:20,440 --> 00:31:22,840 Speaker 1: were to make them sleep standing up and then stacked 619 00:31:22,880 --> 00:31:24,840 Speaker 1: phone books on top of their heads to stop them 620 00:31:24,880 --> 00:31:28,200 Speaker 1: from growing. It's such a shame. The police thief went 621 00:31:28,240 --> 00:31:30,640 Speaker 1: on and said anywhere from ten to twelve little homies 622 00:31:30,840 --> 00:31:33,880 Speaker 1: would live in one small bedroom apartment filled with little 623 00:31:33,920 --> 00:31:36,680 Speaker 1: bunk beds and little blankets, throw pillows or youth at 624 00:31:36,680 --> 00:31:39,120 Speaker 1: the regular pillows. Some would even put two to three 625 00:31:39,160 --> 00:31:41,200 Speaker 1: pillows on the floor and they would sleep on that. 626 00:31:41,680 --> 00:31:44,000 Speaker 1: But there wasn't time for much sleeping because they were 627 00:31:44,080 --> 00:31:47,200 Speaker 1: forced to train and fight against other little homies. The 628 00:31:47,280 --> 00:31:49,440 Speaker 1: client tell that would attend these Morgan Knights fights were 629 00:31:49,480 --> 00:31:52,959 Speaker 1: typically more well to do, wagering upwards to two hundred 630 00:31:53,000 --> 00:31:56,280 Speaker 1: thousand per fight, a lot of money with exchange at 631 00:31:56,320 --> 00:31:58,520 Speaker 1: these fights, and none of it was going towards the 632 00:31:58,560 --> 00:32:01,920 Speaker 1: little homies themselves. Alenda, thank you, Arnie. Now we're gonna 633 00:32:01,920 --> 00:32:04,480 Speaker 1: move to some exclusive footage obtained by one of the 634 00:32:04,520 --> 00:32:07,560 Speaker 1: little homies kept captive in the warehouse. Just a warning 635 00:32:07,760 --> 00:32:18,120 Speaker 1: where you're about to see as graphic. I'm a man, 636 00:32:28,160 --> 00:32:31,880 Speaker 1: this is truly heartbreaking news. I'm here with Diego Cruz, 637 00:32:32,160 --> 00:32:35,000 Speaker 1: a firmer, member of the Little Homie Awareness Foundation and 638 00:32:35,240 --> 00:32:38,680 Speaker 1: former fighter from the early Little Homie Fight Club. Diego, 639 00:32:38,960 --> 00:32:42,000 Speaker 1: are you surprised at the recent events? I'm not surprised 640 00:32:42,040 --> 00:32:45,480 Speaker 1: at all. One thing that is similar to today's fighters 641 00:32:45,680 --> 00:32:48,720 Speaker 1: is that we didn't know it was wrong. Back in 642 00:32:48,800 --> 00:32:51,240 Speaker 1: the days, we were just trying to be you know, 643 00:32:51,440 --> 00:32:55,680 Speaker 1: bought us little homies with something to prove. As you know, 644 00:32:56,360 --> 00:32:59,920 Speaker 1: a lot of little homies have anger issues, and these 645 00:33:00,080 --> 00:33:03,480 Speaker 1: bosses out there are ready to exploit the to make profit. 646 00:33:04,240 --> 00:33:06,560 Speaker 1: It's a good thing that there are programs like the 647 00:33:06,680 --> 00:33:11,240 Speaker 1: Little Homies Awareness Foundations that can help rehabilitate these men 648 00:33:11,480 --> 00:33:16,000 Speaker 1: and put these bosses behind bars, let's hope. So to 649 00:33:16,120 --> 00:33:18,600 Speaker 1: our viewers, if you know someone who was involved in 650 00:33:18,640 --> 00:33:21,000 Speaker 1: the Little Homie fight clubs and maybe in need of 651 00:33:21,080 --> 00:33:24,600 Speaker 1: some additional support, please call the number below. That's one 652 00:33:24,920 --> 00:33:28,000 Speaker 1: three three, five, four five eight to eight six. That 653 00:33:28,160 --> 00:33:31,040 Speaker 1: number once again, it's one eight three three l I 654 00:33:31,440 --> 00:33:35,000 Speaker 1: L B A t O. That's one three three Little 655 00:33:35,120 --> 00:33:40,120 Speaker 1: Vato And that does it for tonight, folks. Also signing 656 00:33:40,200 --> 00:33:42,520 Speaker 1: up for Arnie Argo. Well, we'll be back tomorrow morning 657 00:33:42,560 --> 00:33:44,880 Speaker 1: at eight am with Jan Gibson and Tom putting again. 658 00:33:45,080 --> 00:33:53,920 Speaker 1: Good night. I've been in your presence at least twice 659 00:33:54,800 --> 00:33:56,680 Speaker 1: just the time we've toured together. And for those who 660 00:33:56,680 --> 00:33:59,400 Speaker 1: don't know, like, uh, you know, sometimes tour and I 661 00:33:59,440 --> 00:34:02,160 Speaker 1: would have have the four piece man of the Baonics 662 00:34:02,200 --> 00:34:04,160 Speaker 1: and you know, so Hiro and uh, you know the 663 00:34:04,200 --> 00:34:05,520 Speaker 1: rest of the crew. We hit the road for a 664 00:34:05,600 --> 00:34:13,040 Speaker 1: long time and then uh and then uh no. But 665 00:34:13,719 --> 00:34:16,160 Speaker 1: in that time between twice I saw him, I saw 666 00:34:16,239 --> 00:34:18,840 Speaker 1: you get into it with the with the wheelchair homies, 667 00:34:19,360 --> 00:34:21,719 Speaker 1: because some of the wheelchair homies are kind of you know, 668 00:34:21,920 --> 00:34:23,879 Speaker 1: they make space for me, get out of my way, 669 00:34:23,960 --> 00:34:26,880 Speaker 1: you know, and and you know it's understandable. But then 670 00:34:27,000 --> 00:34:29,920 Speaker 1: they've bumped into you or you've bumped into them, and 671 00:34:29,960 --> 00:34:32,400 Speaker 1: they're like, come on, watch you out, asshole, and you 672 00:34:32,520 --> 00:34:34,480 Speaker 1: have to be And then I've seen it in person 673 00:34:34,600 --> 00:34:36,440 Speaker 1: where the one person's like, oh, I'm sorry. You're like 674 00:34:36,440 --> 00:34:38,520 Speaker 1: I'm sorry, I can't see. They're like, yeah, fucking right, 675 00:34:38,640 --> 00:34:41,000 Speaker 1: same thing they say, we don't believe you, even it's mine. 676 00:34:41,040 --> 00:34:42,960 Speaker 1: Growing to me, I'm like, why would you just go 677 00:34:43,080 --> 00:34:46,080 Speaker 1: around wearing SHA's inside lying to people that you're blind, 678 00:34:46,160 --> 00:34:48,920 Speaker 1: you know. But like with the wheelchair cats, we we 679 00:34:49,160 --> 00:34:53,440 Speaker 1: you know my you know, in my experience, they just 680 00:34:53,560 --> 00:34:56,239 Speaker 1: they don't funk with your boy. Man. They got beef 681 00:34:56,280 --> 00:34:58,960 Speaker 1: with your boy every time, Like every time I got 682 00:34:59,000 --> 00:35:01,239 Speaker 1: a good club or bar, and it gets it gets 683 00:35:01,280 --> 00:35:03,560 Speaker 1: a little volatile, you know what I mean. Like I 684 00:35:03,920 --> 00:35:06,200 Speaker 1: did a gig in Oakland and I went, I walked, 685 00:35:06,440 --> 00:35:08,480 Speaker 1: I got guided to the bar and the homie who 686 00:35:08,640 --> 00:35:11,359 Speaker 1: through the event was a blind homie, a blind producer too, 687 00:35:11,960 --> 00:35:13,960 Speaker 1: and I was like, oh, hell yeah, And I get 688 00:35:14,000 --> 00:35:16,520 Speaker 1: to the bar and I'm but my cane was on 689 00:35:16,600 --> 00:35:19,440 Speaker 1: the stage, but I got guided from my DJ. My DJ, 690 00:35:19,560 --> 00:35:21,640 Speaker 1: y'all moving right back, and he bounced and he goes 691 00:35:21,920 --> 00:35:23,320 Speaker 1: and he bounced on me and I was just waiting, 692 00:35:23,520 --> 00:35:25,800 Speaker 1: waiting to get up, and then made an order and 693 00:35:25,920 --> 00:35:29,160 Speaker 1: then uh, somebody. It was a very narrow space, but 694 00:35:29,239 --> 00:35:31,279 Speaker 1: behind it was like a little walkway to get to 695 00:35:31,400 --> 00:35:35,400 Speaker 1: the elevator for like excess, you know, a d A. Yeah, 696 00:35:37,600 --> 00:35:40,160 Speaker 1: And there was a homie helping out this this this 697 00:35:40,360 --> 00:35:45,759 Speaker 1: lady in a wheelchair and she just said, hey, move it, asshole, 698 00:35:46,080 --> 00:35:47,759 Speaker 1: and I was like staying. I was like excuse me. 699 00:35:47,800 --> 00:35:49,480 Speaker 1: I was like no, there's no way, it goes no way. 700 00:35:49,480 --> 00:35:51,640 Speaker 1: She's talking to me right and I was like excuse me, Like, yo, 701 00:35:51,760 --> 00:35:53,520 Speaker 1: get out the way I'm trying to get through. Did 702 00:35:53,600 --> 00:35:56,080 Speaker 1: you see him in a wheelchairs? Like oh yo, I'm 703 00:35:56,120 --> 00:35:59,800 Speaker 1: so sorry, like my apologies, I can't see, Like oh bullshit, 704 00:36:00,120 --> 00:36:04,360 Speaker 1: fuck off. I was like what cute? And I was 705 00:36:04,400 --> 00:36:07,319 Speaker 1: like no, no, seriously, I'm blind. I can't see, Like, oh, 706 00:36:07,480 --> 00:36:09,960 Speaker 1: you're sucking asshole. And then they run over my foot 707 00:36:12,960 --> 00:36:17,319 Speaker 1: and I was like I was like, hey, yo, what's up? 708 00:36:17,560 --> 00:36:19,240 Speaker 1: And then they went all the way to the elevator 709 00:36:19,239 --> 00:36:21,360 Speaker 1: and I turned her to my rights like yo, I'm blinder, 710 00:36:21,440 --> 00:36:24,440 Speaker 1: and she just got hello mad, just just piste off, 711 00:36:24,480 --> 00:36:28,840 Speaker 1: like oh, fuck off, asshole. All right, you're a fucking asshole. 712 00:36:29,120 --> 00:36:32,200 Speaker 1: You're not blind. And I was like, I'm so sorry, 713 00:36:32,239 --> 00:36:35,160 Speaker 1: but I'm blind, Like fuck you. And I was like what. 714 00:36:35,360 --> 00:36:37,920 Speaker 1: I was like, hey, she opened up the elevator open 715 00:36:37,960 --> 00:36:40,040 Speaker 1: and they're pushing them in. I was like, well, well 716 00:36:40,160 --> 00:36:44,360 Speaker 1: fuck you too, Lieutenant Dan. Oh I dud bro. I 717 00:36:44,440 --> 00:36:47,919 Speaker 1: dropped a Lieutenant Dan because Lieutenant Dan was always a girl, 718 00:36:47,960 --> 00:36:50,200 Speaker 1: you know. It was aggressive and ship and Lieutenant Dan 719 00:36:50,280 --> 00:36:54,000 Speaker 1: was always yelling at off, you know, come on. And 720 00:36:54,080 --> 00:36:55,480 Speaker 1: then I was like she was yelling at me like 721 00:36:55,800 --> 00:36:58,680 Speaker 1: fuck off. And I was like, it's right over my funk. 722 00:36:58,719 --> 00:37:02,439 Speaker 1: I've run that, you know what I mean, let's messed up, dude. 723 00:37:02,640 --> 00:37:07,239 Speaker 1: And she got me just yelling at me, bro, And 724 00:37:07,280 --> 00:37:09,719 Speaker 1: I was hot, my dude. My foot was busted for 725 00:37:09,800 --> 00:37:10,960 Speaker 1: like a day or two, you know what I mean 726 00:37:12,040 --> 00:37:14,200 Speaker 1: that that Lieutenant dakarm. It was definitely a call for 727 00:37:14,360 --> 00:37:16,640 Speaker 1: you know right, yeah, I thought like I know, sorry, 728 00:37:16,640 --> 00:37:18,200 Speaker 1: I didn't mean I don't get to retell that story. 729 00:37:18,280 --> 00:37:21,320 Speaker 1: Too often. But you I know you've witnessed the beef 730 00:37:21,440 --> 00:37:23,960 Speaker 1: like you didn't, but you've seen it. It's interesting because 731 00:37:23,960 --> 00:37:26,640 Speaker 1: you know, you don't you see my cane out right 732 00:37:26,760 --> 00:37:30,120 Speaker 1: exactly came out and you gotta get I've seen you 733 00:37:30,200 --> 00:37:32,399 Speaker 1: with your cane out with will Tramp homies like being like, yeah, 734 00:37:32,480 --> 00:37:35,600 Speaker 1: the funk out of the way. It's weird. It's like, yeah, 735 00:37:35,600 --> 00:37:38,320 Speaker 1: I should be sympathetic towards each other. I mean, everybody 736 00:37:38,360 --> 00:37:40,800 Speaker 1: should be sympathet But you know, it's just interesting that 737 00:37:40,960 --> 00:37:42,759 Speaker 1: that that's like a it's that like a non be 738 00:37:42,920 --> 00:37:44,920 Speaker 1: I mean, I don't know, but because I just you know, 739 00:37:44,960 --> 00:37:47,920 Speaker 1: I became blind and O nine, so it's kind of 740 00:37:48,000 --> 00:37:50,919 Speaker 1: like I gotta tap in no intended. I became blind 741 00:37:50,960 --> 00:37:54,080 Speaker 1: and no. Nine gotta tap in with it, no pun intended. 742 00:37:54,920 --> 00:37:58,520 Speaker 1: It's kind of splended. You don't get offended. So I'm like, 743 00:37:59,800 --> 00:38:02,400 Speaker 1: I think there might be something there, and you've witnessed it. 744 00:38:02,480 --> 00:38:04,399 Speaker 1: I thought it, and then I mentioned it to you guys, 745 00:38:04,440 --> 00:38:06,080 Speaker 1: and then you go we go to the airports. Were 746 00:38:06,120 --> 00:38:08,200 Speaker 1: like because at first I was like, come on, you're 747 00:38:08,200 --> 00:38:10,320 Speaker 1: just trying to make a funny story or something. But 748 00:38:10,440 --> 00:38:12,920 Speaker 1: then I started we'll be seeing. It's crazy that that's 749 00:38:12,960 --> 00:38:15,359 Speaker 1: a thing. I think there's a thing. I think there's 750 00:38:15,360 --> 00:38:18,759 Speaker 1: some beef with the wheelchair we should squash. Hm. Well, 751 00:38:18,760 --> 00:38:25,160 Speaker 1: I want to take this opportunity right now if I can. Yeah, yo, please, um, 752 00:38:25,960 --> 00:38:29,879 Speaker 1: I would like to extend olive branch to the entire 753 00:38:29,960 --> 00:38:33,440 Speaker 1: wheelchair community, on behalf of the blind community. We mean 754 00:38:33,520 --> 00:38:38,120 Speaker 1: no harm. We want to coexist. We will get out 755 00:38:38,160 --> 00:38:40,840 Speaker 1: the way and we can figure out ways to compromise 756 00:38:40,880 --> 00:38:43,399 Speaker 1: and to resolve this. Like when my daughter was nine 757 00:38:43,440 --> 00:38:45,080 Speaker 1: months old and she was crawling over the house, I 758 00:38:45,160 --> 00:38:47,799 Speaker 1: tied a little bell to her ankle so I could 759 00:38:47,840 --> 00:38:49,640 Speaker 1: hear her, you know, and she was hell of fast, 760 00:38:49,680 --> 00:38:51,000 Speaker 1: you know what I mean. So maybe get Yeah, but 761 00:38:51,040 --> 00:38:53,239 Speaker 1: we can't ask the wheelchair no, not at all. But 762 00:38:53,320 --> 00:38:54,880 Speaker 1: I can put a bell in my kid. Whatever it is, 763 00:38:54,920 --> 00:38:57,200 Speaker 1: we can figure some out. I'm just throwing out. I'm 764 00:38:57,239 --> 00:39:14,600 Speaker 1: just spitballing. Yeah yeah, yeah, yeah, yeah yeah, Delhi. It's 765 00:39:14,680 --> 00:39:19,640 Speaker 1: getting lonely for little homies. It's what we're going through 766 00:39:21,000 --> 00:39:28,320 Speaker 1: skyscape Exactifony, my ductor Tommy, you're just a little People 767 00:39:28,400 --> 00:39:32,520 Speaker 1: always forget about us little homies until they forced us 768 00:39:32,560 --> 00:39:34,759 Speaker 1: into an underground five club to make them man some 769 00:39:34,880 --> 00:39:38,200 Speaker 1: more money. Put in my hands on another little man 770 00:39:38,640 --> 00:39:42,200 Speaker 1: for what for some cheap entertainment in an extra few bucks. 771 00:39:42,600 --> 00:39:46,640 Speaker 1: We already have so many obstacles to overcome, so tired 772 00:39:46,680 --> 00:39:50,080 Speaker 1: of having to eat up regular sized people's crumbs. We 773 00:39:50,200 --> 00:39:54,200 Speaker 1: stick together together, reaching for the heavens, even though we 774 00:39:54,360 --> 00:39:58,920 Speaker 1: max out at the hyper five seven. Little deln he's 775 00:39:58,960 --> 00:40:03,440 Speaker 1: getting lonely, Hello, little home basis, it's what we're going 776 00:40:03,760 --> 00:40:08,480 Speaker 1: They're going through Sky's great to second phony. My doctor 777 00:40:08,640 --> 00:40:13,040 Speaker 1: told me you just a little a little fool. Yeah, 778 00:40:13,520 --> 00:40:18,200 Speaker 1: it's getting lonely for little Home basis, it's what we're going. 779 00:40:18,760 --> 00:40:22,080 Speaker 1: Where we're going through Sky is creating the second phony. 780 00:40:22,719 --> 00:40:31,160 Speaker 1: My doctor told me, just athy, I'm just a little fool, 781 00:40:33,640 --> 00:40:48,720 Speaker 1: little fool. Yeah, m m mmmmmmmmm. We got that doctor 782 00:40:48,800 --> 00:40:51,520 Speaker 1: for your soul. And now too the into the Frankie 783 00:40:51,560 --> 00:40:55,040 Speaker 1: King on this show. And when you mentioned your kids, man, 784 00:40:55,040 --> 00:40:58,239 Speaker 1: I gotta say, like, I love kicking at your path 785 00:40:58,320 --> 00:41:00,839 Speaker 1: and just you know your why friends and tight ship 786 00:41:00,960 --> 00:41:04,080 Speaker 1: and then but but you know, just seeing you still 787 00:41:04,160 --> 00:41:06,560 Speaker 1: bump up the stuff in your own bad basically laughing, 788 00:41:06,719 --> 00:41:11,560 Speaker 1: I'm sorry about the way I remember I was sleeping 789 00:41:11,600 --> 00:41:13,239 Speaker 1: in your living room, but you didn't. You thought I 790 00:41:13,360 --> 00:41:16,080 Speaker 1: was asleep, and you're just having a conversation with yourself, 791 00:41:16,120 --> 00:41:18,320 Speaker 1: but you're walking through the kitchen to the dark and 792 00:41:18,360 --> 00:41:21,320 Speaker 1: you bumped into like the dresser or like whatever, that 793 00:41:21,440 --> 00:41:23,400 Speaker 1: little that little stand in the in the in the 794 00:41:23,520 --> 00:41:28,400 Speaker 1: eating area, and you're like, oh, there you are. You 795 00:41:28,480 --> 00:41:30,279 Speaker 1: didn't know I was awake so listening, and I'm like 796 00:41:30,680 --> 00:41:32,960 Speaker 1: it's so beautiful. And then the way your kids interact 797 00:41:33,040 --> 00:41:36,040 Speaker 1: with you, Uh no, no, because what how do they know? 798 00:41:36,120 --> 00:41:38,000 Speaker 1: It was nine and seven, Yeah, nine and seven, and 799 00:41:38,040 --> 00:41:40,640 Speaker 1: they're just it's just so fluid, you know, like they 800 00:41:40,680 --> 00:41:43,080 Speaker 1: know they gotta you know, guide your hands certain places 801 00:41:43,200 --> 00:41:44,640 Speaker 1: or move out of your way or da da da, 802 00:41:44,800 --> 00:41:47,000 Speaker 1: and and they listen to you like you know when 803 00:41:47,040 --> 00:41:49,279 Speaker 1: you discipline them, and they're like, okay, they don't. I 804 00:41:49,440 --> 00:41:51,399 Speaker 1: never seen him trying to be too sneaky with when 805 00:41:51,440 --> 00:41:52,960 Speaker 1: it comes to like, oh you can't see so yeah, 806 00:41:53,719 --> 00:41:56,040 Speaker 1: they tried. They you know, they tested the waters here 807 00:41:56,080 --> 00:41:59,120 Speaker 1: and there, and then I have to come. I gotta 808 00:41:59,160 --> 00:42:02,200 Speaker 1: come with force what I'm saying, like I laid it down, 809 00:42:02,320 --> 00:42:04,680 Speaker 1: like hell no, I'm a drill sergeant with that because 810 00:42:04,719 --> 00:42:06,400 Speaker 1: they Yeah, you were talking me about when Nico the 811 00:42:06,440 --> 00:42:08,799 Speaker 1: other day trying to sneak into the snack pantry or whatever, 812 00:42:09,200 --> 00:42:10,560 Speaker 1: and you're like in the pantry, You're like, I know 813 00:42:10,600 --> 00:42:12,360 Speaker 1: where you're at, motherfucker. You know, Like I hear the 814 00:42:12,360 --> 00:42:15,040 Speaker 1: money try no, no, I get you. I say the 815 00:42:15,080 --> 00:42:18,200 Speaker 1: same thing. I hear the crunching. I hear the munching. 816 00:42:18,280 --> 00:42:20,759 Speaker 1: I was like, dude, you have to on the table 817 00:42:20,840 --> 00:42:22,920 Speaker 1: over there. You gotta go fish at the much like 818 00:42:23,600 --> 00:42:27,160 Speaker 1: who I'm like, dude, it's a bomb solid or anything. 819 00:42:27,560 --> 00:42:29,360 Speaker 1: You know what I mean. We had Mexican tem I 820 00:42:29,440 --> 00:42:32,520 Speaker 1: listen there, but whatever, you know, he's that they try 821 00:42:32,560 --> 00:42:36,200 Speaker 1: to they try to weazzle around the old you know, 822 00:42:36,239 --> 00:42:40,320 Speaker 1: a little head huncho del grand Day. But that's not 823 00:42:40,440 --> 00:42:42,719 Speaker 1: happening these parts, you know what I mean. Yeah, you 824 00:42:42,800 --> 00:42:44,759 Speaker 1: gotta let him know who you know who the old 825 00:42:45,120 --> 00:42:49,560 Speaker 1: Nacho Supremo is, you know what I mean, They let 826 00:42:49,640 --> 00:42:51,600 Speaker 1: him know what the old natural Supremo is. When you're 827 00:42:51,640 --> 00:42:55,000 Speaker 1: walking around these parts. Yeah, No, kids, they're dope. Like 828 00:42:55,200 --> 00:42:57,880 Speaker 1: the kids are off awesome. You know, Alida, that's my 829 00:42:58,040 --> 00:43:01,160 Speaker 1: rider die. So we're gonna super hard and we love 830 00:43:01,239 --> 00:43:03,520 Speaker 1: having you at the crib, baby boy, and coming and 831 00:43:03,600 --> 00:43:05,680 Speaker 1: getting down. Yeah, it's a good time, man, getting you 832 00:43:05,760 --> 00:43:08,040 Speaker 1: back in the city. And you know, I knew you know, 833 00:43:08,080 --> 00:43:10,400 Speaker 1: I knew you when you started or just after you 834 00:43:10,440 --> 00:43:14,960 Speaker 1: started dating. Uh it's I was with the lead up 835 00:43:15,360 --> 00:43:18,799 Speaker 1: we would do next month. We're about to be five 836 00:43:18,880 --> 00:43:22,960 Speaker 1: years oh yeah, years on we go back to high school. 837 00:43:23,320 --> 00:43:26,759 Speaker 1: That's crazy. Yeah, man, she we were daming before I 838 00:43:26,840 --> 00:43:28,839 Speaker 1: was even a singer, before I was a rapper. That's right, 839 00:43:28,960 --> 00:43:31,359 Speaker 1: that's right, I guess because my memories over when when 840 00:43:31,400 --> 00:43:33,160 Speaker 1: you started singing, she'd be over there with her crew, 841 00:43:33,280 --> 00:43:36,640 Speaker 1: all high feet out, fresh started. That's my man. And 842 00:43:36,680 --> 00:43:38,120 Speaker 1: now she's like, hey, hey, you doing what you like 843 00:43:38,200 --> 00:43:40,759 Speaker 1: something to eat? You know, a tight ship with the kids, 844 00:43:40,800 --> 00:43:46,440 Speaker 1: and she'd be like this down so you well, that's 845 00:43:46,480 --> 00:43:49,080 Speaker 1: the thing. You know. We kept the Creeper's lowrider bike 846 00:43:49,160 --> 00:43:51,360 Speaker 1: storage in our Oh yeah, oh yeah, I know. I 847 00:43:51,400 --> 00:43:54,000 Speaker 1: mean I know that. Thank you for you know story, 848 00:43:54,120 --> 00:43:56,440 Speaker 1: I know, so you you know how she can get 849 00:43:56,680 --> 00:43:59,680 Speaker 1: oh yeah, yeah. She was like, okay, good to see 850 00:43:59,680 --> 00:44:03,040 Speaker 1: your frank, Yeah, okay, calling from your storage unit over here, 851 00:44:03,160 --> 00:44:04,840 Speaker 1: like you know, because you know she was using the 852 00:44:04,880 --> 00:44:07,080 Speaker 1: pellets on biker or whatever it was, we don't workout 853 00:44:07,120 --> 00:44:09,279 Speaker 1: bike and she said that my my low rider bike 854 00:44:09,320 --> 00:44:11,080 Speaker 1: will would be like in her face and she's trying 855 00:44:11,120 --> 00:44:14,120 Speaker 1: to get into it in the like this fucking little shot, 856 00:44:14,320 --> 00:44:20,040 Speaker 1: you know, this little cello. Fuck? When when is fucking 857 00:44:20,120 --> 00:44:24,359 Speaker 1: freaking gonna get this lowrider bike? I'm like, I don't know, babe, 858 00:44:24,400 --> 00:44:28,680 Speaker 1: but did you know we soon we'll figure it out, honey. 859 00:44:28,680 --> 00:44:30,279 Speaker 1: And then I try to get him always like how 860 00:44:30,280 --> 00:44:32,520 Speaker 1: can we make it even more lower? You know, like 861 00:44:34,600 --> 00:44:36,960 Speaker 1: you know you guys, you guys got a hook and 862 00:44:37,080 --> 00:44:40,120 Speaker 1: hugging for me. Oh man, Oh y'all owe y'all for that. 863 00:44:40,920 --> 00:44:45,680 Speaker 1: You know that's that's my card? Yeah, because then you know, 864 00:44:45,719 --> 00:44:47,200 Speaker 1: and then the pandemic, I was like, dang, I was 865 00:44:47,239 --> 00:44:49,640 Speaker 1: in l A. You guys are back up in San Pancho, 866 00:44:49,719 --> 00:44:51,040 Speaker 1: and it was like I did. I was like, I 867 00:44:51,080 --> 00:44:52,799 Speaker 1: gotta I gotta get a van and ride it up there. 868 00:44:52,800 --> 00:44:54,200 Speaker 1: How am I gonna get it down? And then yeah, 869 00:44:54,320 --> 00:44:55,880 Speaker 1: but y'all made it work for a while, which that 870 00:44:55,960 --> 00:44:58,400 Speaker 1: was the best. Like on tour with the wet we 871 00:44:58,440 --> 00:45:01,520 Speaker 1: even had a bike mount oh sweat hog Man and 872 00:45:01,600 --> 00:45:03,600 Speaker 1: the sweat Dog would put put the low rider bike 873 00:45:03,719 --> 00:45:06,480 Speaker 1: on the bike rack and then we'll be driving down 874 00:45:06,560 --> 00:45:09,400 Speaker 1: the five. For those who don't know, sweat Hog is 875 00:45:09,440 --> 00:45:11,400 Speaker 1: a long time home and he's like a just solid 876 00:45:11,600 --> 00:45:15,160 Speaker 1: roadie and road hog and sweat hog we call him. 877 00:45:15,400 --> 00:45:17,719 Speaker 1: He sweats like no other, like out of every pore, 878 00:45:17,960 --> 00:45:21,520 Speaker 1: perviously profusely homie. And then he kind of even when 879 00:45:21,600 --> 00:45:24,160 Speaker 1: he's lifting things and he moves it good, he puts 880 00:45:24,160 --> 00:45:25,399 Speaker 1: a lot of shrink in it. But you could kind 881 00:45:25,400 --> 00:45:31,400 Speaker 1: of hear, so you know what, we need sweat so 882 00:45:31,480 --> 00:45:34,120 Speaker 1: you're like sweat Hog. He lives up to the name 883 00:45:34,160 --> 00:45:36,879 Speaker 1: to the fullest, y'all, like to the fullest, make sure 884 00:45:36,920 --> 00:45:44,920 Speaker 1: everything's on point. He had after it to parties here, 885 00:45:45,000 --> 00:45:47,759 Speaker 1: but you know he handles business first always. But man, 886 00:45:47,760 --> 00:45:49,319 Speaker 1: I remember we had to travel with that low rider 887 00:45:49,320 --> 00:45:50,960 Speaker 1: bike and that fool learned how to break it down, 888 00:45:51,000 --> 00:45:52,440 Speaker 1: put it into a box, and he even got it 889 00:45:52,719 --> 00:45:54,960 Speaker 1: to fly on the plane for free in Southwest. He 890 00:45:55,080 --> 00:45:57,120 Speaker 1: like fitted into a certain size box like okay, you 891 00:45:57,320 --> 00:46:02,919 Speaker 1: meet the limit, and he was like, oh my god, 892 00:46:03,560 --> 00:46:05,560 Speaker 1: we made it up, dude. He made it happen. Where ever. 893 00:46:05,640 --> 00:46:08,319 Speaker 1: We flew everywhere like that. Remember that time you guys 894 00:46:08,320 --> 00:46:11,000 Speaker 1: got off, I mean he whatever we were like partying 895 00:46:11,120 --> 00:46:14,279 Speaker 1: or doing here something and he uh he got to 896 00:46:14,440 --> 00:46:17,160 Speaker 1: breakfast sandwiches from like Carl Jr. And put he was 897 00:46:17,200 --> 00:46:19,360 Speaker 1: wearing them as shoes. He was so for he was 898 00:46:19,440 --> 00:46:22,040 Speaker 1: that fucked up. Yeah, yeah that you know, you shouldn't 899 00:46:22,040 --> 00:46:27,040 Speaker 1: bring that up. So I think someone, yeah, let's we 900 00:46:27,120 --> 00:46:31,719 Speaker 1: can edit that's the native Native American grounds too. Oh. 901 00:46:31,840 --> 00:46:33,239 Speaker 1: So he was pride in his mind because he was 902 00:46:33,280 --> 00:46:34,920 Speaker 1: like it was he was on mushrooms or stuff. He 903 00:46:34,960 --> 00:46:37,560 Speaker 1: was on every know it was a spiritual I think 904 00:46:37,560 --> 00:46:41,440 Speaker 1: it was on a vision quest. He listened this. It 905 00:46:41,520 --> 00:46:47,160 Speaker 1: was breakfast sanwich, it was wet sand. He somehow fastened 906 00:46:47,320 --> 00:46:50,960 Speaker 1: to his feet. He was like, oh it was spiritual journey. 907 00:46:52,719 --> 00:46:55,920 Speaker 1: We're like uh and everyone's like, yo, you sure that. 908 00:46:56,480 --> 00:46:59,040 Speaker 1: I'm like, well, technically this is his off hour. He 909 00:46:59,040 --> 00:47:00,440 Speaker 1: doesn't have to be on for a four hours, so 910 00:47:00,480 --> 00:47:02,600 Speaker 1: we gotta get on the road, so let him be. Yeah, 911 00:47:03,719 --> 00:47:06,360 Speaker 1: he's not really on our clock right now. Like everyone 912 00:47:06,400 --> 00:47:08,520 Speaker 1: go back just on a sled out to breakfast that 913 00:47:08,600 --> 00:47:12,719 Speaker 1: which is for shooting spiritual journey ship. No, that's my 914 00:47:13,239 --> 00:47:15,839 Speaker 1: that's a straight brother. And he holds it down safe 915 00:47:15,880 --> 00:47:18,399 Speaker 1: and make sure we're on time and that homie puts 916 00:47:18,440 --> 00:47:20,960 Speaker 1: it down, bro for sure. It was still a lot 917 00:47:21,040 --> 00:47:23,320 Speaker 1: of lots of fun and lots of you know, he 918 00:47:23,440 --> 00:47:27,200 Speaker 1: does like four people's jobs, you know exactly, it's crazy exactly. 919 00:47:27,320 --> 00:47:33,400 Speaker 1: He's the and yeah, when you touch him, he feels solid, 920 00:47:34,080 --> 00:47:36,239 Speaker 1: you know, like damn, but it's not on this one 921 00:47:36,239 --> 00:47:37,800 Speaker 1: and just ride him out, is well. You see his 922 00:47:37,840 --> 00:47:40,920 Speaker 1: calth muscles, remember, Yeah, he's just always his strong features 923 00:47:41,480 --> 00:47:42,960 Speaker 1: and he's kind of lowered to the ground. You know, 924 00:47:43,000 --> 00:47:46,359 Speaker 1: he's a little taller than is he under five seven? 925 00:47:46,480 --> 00:47:49,040 Speaker 1: Oh for show, So for those who don't know, a 926 00:47:49,120 --> 00:47:51,399 Speaker 1: little homies are adult males between the heights of five 927 00:47:51,440 --> 00:47:53,400 Speaker 1: three and five seven. Yeah, I think he's definitely an 928 00:47:53,480 --> 00:47:56,719 Speaker 1: Italian little homie. He's still like he's receidy. Yeah, but okay, 929 00:47:56,760 --> 00:47:58,359 Speaker 1: so that's what I'm saying. He's close to the ground, 930 00:47:58,440 --> 00:48:01,560 Speaker 1: very balance. We're sending a wrong shrunk kas a sweat 931 00:48:01,600 --> 00:48:10,440 Speaker 1: hug man. Yeah we'll meet yeah for nothing, but over here, 932 00:48:11,000 --> 00:48:14,440 Speaker 1: I'll get it done with these. You know, he's uh 933 00:48:14,840 --> 00:48:16,680 Speaker 1: lower ground. Yeah, he's a little homie five said. I 934 00:48:16,719 --> 00:48:20,720 Speaker 1: think it's cut off a five seven. Yeah, having trouble 935 00:48:20,800 --> 00:48:23,359 Speaker 1: getting going in the morning. Want to hit the gym, 936 00:48:23,480 --> 00:48:26,839 Speaker 1: but you just can't get motivated. Try ram Tex new 937 00:48:26,880 --> 00:48:31,080 Speaker 1: Extreme Energy Powder. This finely ground miracle powder comes straight 938 00:48:31,160 --> 00:48:34,239 Speaker 1: from our secret international farms right to your front door. 939 00:48:35,040 --> 00:48:38,120 Speaker 1: Made from the finest stuff on earth, ram Techs Extreme 940 00:48:38,280 --> 00:48:41,440 Speaker 1: Energy Powder unlocks your body's full potential and we'll have 941 00:48:41,520 --> 00:48:45,320 Speaker 1: you ready to attack any situation anxious about attending a 942 00:48:45,400 --> 00:48:48,120 Speaker 1: party or going out on a big first date. Ram 943 00:48:48,200 --> 00:48:51,560 Speaker 1: Tex Extreme Energy Powder is perfect for an instant first 944 00:48:51,600 --> 00:48:56,160 Speaker 1: of confidence, simply ingest the powder whenever you need a 945 00:48:56,200 --> 00:48:59,360 Speaker 1: bump of pep. Every person's body is different, so we 946 00:48:59,440 --> 00:49:02,600 Speaker 1: trust you use however much you need. And I'm not 947 00:49:02,719 --> 00:49:08,200 Speaker 1: just a spokesperson. I'm also a user. That's the stuff 948 00:49:10,360 --> 00:49:15,960 Speaker 1: ram Text Extreme Energy Powder. Once it's never enough. Hey, 949 00:49:16,040 --> 00:49:19,080 Speaker 1: but so you've been singing it's about twenty years now, 950 00:49:19,200 --> 00:49:26,200 Speaker 1: right or yeah? So yeah? Yeah man, man, how's that? 951 00:49:26,280 --> 00:49:28,360 Speaker 1: I mean? I know, I know a big question. You 952 00:49:28,440 --> 00:49:30,800 Speaker 1: were there in the beginning. I know, I know I flopped. 953 00:49:31,239 --> 00:49:35,399 Speaker 1: You were there for all those like yikes, yeah yeah, 954 00:49:35,440 --> 00:49:38,040 Speaker 1: like those guys. You want to be a singer? All right? 955 00:49:38,920 --> 00:49:43,799 Speaker 1: You have my supported on me. Yeah when yeah, we're 956 00:49:43,840 --> 00:49:47,560 Speaker 1: here for you. Just get really drunk. I know, you 957 00:49:47,680 --> 00:49:49,120 Speaker 1: just got to be in the right state of mine. 958 00:49:50,920 --> 00:49:54,160 Speaker 1: You gotta get your journey like a little breakfastide which 959 00:49:54,160 --> 00:49:57,279 Speaker 1: is chunk get sing, you get see just like him 960 00:49:57,320 --> 00:49:59,880 Speaker 1: in the Firm Row dancing with the Sandwich ones on this. 961 00:50:00,040 --> 00:50:10,560 Speaker 1: He's so good, isn't he just squinch? Yes, breakfast chunks quick, 962 00:50:10,960 --> 00:50:13,759 Speaker 1: He's good, man, He's got so good And I'm up 963 00:50:13,800 --> 00:50:21,640 Speaker 1: there like no man. I it's it took a lot 964 00:50:21,719 --> 00:50:24,160 Speaker 1: of hard work. It was a lot of crashing burns. 965 00:50:24,239 --> 00:50:25,840 Speaker 1: I mean saying would stand up. You know I was right. 966 00:50:25,880 --> 00:50:27,719 Speaker 1: I was going on your open mics and all the 967 00:50:28,480 --> 00:50:34,360 Speaker 1: early days too. It's a diarrhea and sex jokes. No, no, 968 00:50:34,880 --> 00:50:36,680 Speaker 1: I tell my wife, no, you're gonna love this one. 969 00:50:37,080 --> 00:50:39,799 Speaker 1: Just yeah. You know it's gonna be another fart joke. Yeah, 970 00:50:41,000 --> 00:50:43,240 Speaker 1: but it's good. It's good. It's funny. It's gonna be different. 971 00:50:44,920 --> 00:50:47,520 Speaker 1: That's another fart joke. That's what you know. That's your 972 00:50:47,600 --> 00:50:51,120 Speaker 1: homies through these shows. You guys, you know the same 973 00:50:51,200 --> 00:50:53,759 Speaker 1: thing with our songs, like here are songs a thousand times, 974 00:50:53,840 --> 00:50:56,600 Speaker 1: but that's what it is, right, ten thousand hours you 975 00:50:56,680 --> 00:50:58,880 Speaker 1: clock in and with the one thing we were grinders 976 00:50:58,920 --> 00:51:02,120 Speaker 1: you know what I'm saying. Man, all guys were still 977 00:51:02,600 --> 00:51:05,279 Speaker 1: still you know, the gigs and gigs and but the 978 00:51:05,360 --> 00:51:07,520 Speaker 1: thing about your guys, your shows in that little like 979 00:51:07,680 --> 00:51:09,840 Speaker 1: the community and the following that you built, it's like 980 00:51:09,920 --> 00:51:13,520 Speaker 1: it's always like a guarantee, like like it's guarantee a 981 00:51:13,520 --> 00:51:15,759 Speaker 1: good time every time. I way, I know what kind 982 00:51:15,760 --> 00:51:16,840 Speaker 1: of vibru is gonna be at it, you know what 983 00:51:16,960 --> 00:51:19,920 Speaker 1: to expect, and it's just like, yeah, let's go exactly, 984 00:51:19,960 --> 00:51:21,279 Speaker 1: you know. And then you guys were like cool with 985 00:51:21,320 --> 00:51:24,480 Speaker 1: everybody and except for the people that don't believe that 986 00:51:24,520 --> 00:51:27,040 Speaker 1: you're blind. Oh I remember a thirteen film one time 987 00:51:27,080 --> 00:51:29,440 Speaker 1: you guys were digging and it was like these girls 988 00:51:29,719 --> 00:51:32,000 Speaker 1: they're having like a bachelortte party or is their birthday 989 00:51:32,360 --> 00:51:37,520 Speaker 1: and they had cupcakes. Yeah, and uh one of the 990 00:51:37,600 --> 00:51:41,000 Speaker 1: hyas gets a gets a cupcake and she's like, you're 991 00:51:41,040 --> 00:51:43,839 Speaker 1: singing and she I don't know if you remember this, Okay, 992 00:51:44,080 --> 00:51:46,520 Speaker 1: this was years ago home man, and she's putting it 993 00:51:46,600 --> 00:51:48,960 Speaker 1: in your face like offer you to the cupcake, and 994 00:51:49,080 --> 00:51:51,760 Speaker 1: she's there like and she started getting she starts getting annoyed, 995 00:51:51,880 --> 00:51:57,399 Speaker 1: like like you're not taking it. A mid song, yes, yeah, 996 00:51:57,520 --> 00:52:00,080 Speaker 1: So first of all, even if you could see, like, 997 00:52:00,160 --> 00:52:01,880 Speaker 1: come on, he's working around, he's seen you. What do 998 00:52:01,880 --> 00:52:03,799 Speaker 1: you want him to do? Start making the cupcake where 999 00:52:03,800 --> 00:52:12,400 Speaker 1: you see like, thank you, don't don't be surprised. Whutdn't 1000 00:52:12,440 --> 00:52:15,320 Speaker 1: put it fast me? Yeah, But but I was like, 1001 00:52:15,360 --> 00:52:17,400 Speaker 1: I remember, I was the one right there. She was 1002 00:52:17,440 --> 00:52:20,440 Speaker 1: like a fucking ashole, like she finally gave up on 1003 00:52:20,560 --> 00:52:23,759 Speaker 1: giving it to you, that fucking asshole. And I was 1004 00:52:23,920 --> 00:52:26,160 Speaker 1: right there and I kind of tapped her on her 1005 00:52:26,360 --> 00:52:28,120 Speaker 1: on her elbow because she was like still holding the 1006 00:52:28,160 --> 00:52:31,480 Speaker 1: cupcake and back, you know, And then I was like hey, 1007 00:52:31,560 --> 00:52:33,400 Speaker 1: I was like, he's blind, he can't see. And then 1008 00:52:33,520 --> 00:52:36,239 Speaker 1: same thing, you know, she's like in shock at first, 1009 00:52:36,640 --> 00:52:38,719 Speaker 1: and I was like, that's why he's wearing his sunglasses. 1010 00:52:38,760 --> 00:52:41,080 Speaker 1: You know, he can't you know, you can't see. And 1011 00:52:41,160 --> 00:52:43,439 Speaker 1: then somebody else behind me confirming like yeah, he's blind. 1012 00:52:43,520 --> 00:52:47,399 Speaker 1: She's like, oh God, like I feel like that's your dad. 1013 00:52:48,320 --> 00:52:52,440 Speaker 1: I'm the ashole. I'm sorry you guys on cupcakes. Yeah, 1014 00:52:52,440 --> 00:52:53,840 Speaker 1: I mean he would take all these coopcakes, you know 1015 00:52:54,120 --> 00:52:58,640 Speaker 1: at my homie like that in public like that. No, 1016 00:52:58,800 --> 00:53:02,279 Speaker 1: I remember mits and you you came up like hey, 1017 00:53:02,800 --> 00:53:05,000 Speaker 1: he's blind. Yeah, because she was that much in your face. 1018 00:53:05,400 --> 00:53:07,000 Speaker 1: I had to get in your face too, because it 1019 00:53:07,120 --> 00:53:11,120 Speaker 1: was that's what was Yeah, I mean, that's how that's hard. Like, 1020 00:53:11,360 --> 00:53:13,000 Speaker 1: come on, I know it wasn't like a stage was 1021 00:53:13,040 --> 00:53:16,000 Speaker 1: a lounge, but get out to you know, yeah, get off, 1022 00:53:16,080 --> 00:53:18,040 Speaker 1: get out my grill and you're like trying to sing it. 1023 00:53:18,120 --> 00:53:20,960 Speaker 1: We're right there. I'm like, hey, he's blind. Yeah. No, 1024 00:53:21,120 --> 00:53:23,399 Speaker 1: that's all the time, bro, And that's I remember. Yeah, 1025 00:53:23,440 --> 00:53:24,640 Speaker 1: thank you for that, bro. If I didn't get to 1026 00:53:24,680 --> 00:53:28,520 Speaker 1: thank you. Sure we enjoyed some cupcakes that night, and yeah, 1027 00:53:28,760 --> 00:53:32,640 Speaker 1: probably they gave us all the cupcakes. That's pretty good too. Yeah, 1028 00:53:32,719 --> 00:53:37,480 Speaker 1: congratulations all your cupcakes. I'm so sorry. There anything we 1029 00:53:37,520 --> 00:53:39,919 Speaker 1: can get anything. You want a cupcake, I want all 1030 00:53:40,040 --> 00:53:44,080 Speaker 1: your cupcakes. Yeah, I want even to the I want 1031 00:53:44,120 --> 00:53:46,680 Speaker 1: to or chopped the flavored in the back soup. Just 1032 00:53:46,800 --> 00:53:50,239 Speaker 1: get off gangster with him? Yeah yeah, yeah, give me 1033 00:53:50,280 --> 00:53:54,719 Speaker 1: a cocktail too, Yeah exactly. Hill. No, man, that's that's 1034 00:53:54,719 --> 00:53:57,280 Speaker 1: when my boys got in my back. That my bandmates 1035 00:53:57,320 --> 00:53:59,080 Speaker 1: they gotta you know, I'm sure it gets a little 1036 00:53:59,120 --> 00:54:03,200 Speaker 1: frustrating for them too, you know, seeing it or girls 1037 00:54:03,239 --> 00:54:06,920 Speaker 1: giving me numbers and putting into my cup holder. Oh yeah, yeah, 1038 00:54:06,920 --> 00:54:09,719 Speaker 1: because you got the cup holder. But they're the phone 1039 00:54:09,800 --> 00:54:13,080 Speaker 1: numbers are never for me, they're for my really good 1040 00:54:13,120 --> 00:54:19,279 Speaker 1: looking bass player, you know, uncle Bill looks like Johnny Depp. 1041 00:54:19,280 --> 00:54:21,640 Speaker 1: And they're like, hey, excuse me. And I just like finished, 1042 00:54:21,680 --> 00:54:25,279 Speaker 1: like crushing a dope b ass song, like just you know, 1043 00:54:25,400 --> 00:54:27,160 Speaker 1: just put it on, and everyone's like, how what's up? 1044 00:54:27,160 --> 00:54:29,080 Speaker 1: Are we gonna take a break? Oh my god, that 1045 00:54:29,200 --> 00:54:32,160 Speaker 1: was amazing, Oh thank you so much. Here, here's a napkin, 1046 00:54:32,520 --> 00:54:35,240 Speaker 1: here's the phone numbers, Like, oh think that's so sweet, 1047 00:54:35,280 --> 00:54:37,200 Speaker 1: but you know, just yeah, can you give that to 1048 00:54:37,239 --> 00:54:39,680 Speaker 1: your bass player? And I'm like, he's standing three feet 1049 00:54:39,719 --> 00:54:42,480 Speaker 1: behind me, like we're not even in a big gas stage. 1050 00:54:42,520 --> 00:54:49,200 Speaker 1: I'm like, you'll give it to him? Yeah, get butter Bill. 1051 00:54:49,320 --> 00:54:52,560 Speaker 1: She's like, what's up, bro? Some some hot chick. I 1052 00:54:52,640 --> 00:54:55,319 Speaker 1: think she was hot. I don't know, but she smelled greatly, 1053 00:54:55,360 --> 00:54:59,000 Speaker 1: soft hands, great, she's giving your phone number her phone 1054 00:54:59,080 --> 00:55:00,880 Speaker 1: number on the napkin. You've what's this caller? Then I 1055 00:55:00,960 --> 00:55:06,680 Speaker 1: have to set here throw it at him. I love 1056 00:55:06,719 --> 00:55:08,400 Speaker 1: it when we're go into situation like that, or like 1057 00:55:08,440 --> 00:55:09,759 Speaker 1: when we show up to the spot we're just starting 1058 00:55:10,120 --> 00:55:12,120 Speaker 1: and we have to give you the play by play. Yeah, 1059 00:55:12,440 --> 00:55:14,000 Speaker 1: we're going to a bar like a lounge, you know what, 1060 00:55:14,040 --> 00:55:16,840 Speaker 1: we're seeing what the scene is, and we're like giants 1061 00:55:16,920 --> 00:55:20,719 Speaker 1: or dodgers. Yeah, okay, this and that, and then uh 1062 00:55:21,120 --> 00:55:24,239 Speaker 1: we'll be like, you know, okay, I'm like, all right, 1063 00:55:24,280 --> 00:55:26,040 Speaker 1: here's the scene. There's a bar to the right, a 1064 00:55:26,040 --> 00:55:29,680 Speaker 1: little dance flar. Okay, there's a girl partner late twenties, 1065 00:55:29,719 --> 00:55:32,520 Speaker 1: and then there looks like her Theazic Sword about forty two. 1066 00:55:32,520 --> 00:55:36,279 Speaker 1: But she looks good though. Yeah, you know, like you 1067 00:55:36,560 --> 00:55:38,319 Speaker 1: but I'd like it when you do it because usually 1068 00:55:38,400 --> 00:55:40,120 Speaker 1: even go more in detail what kind of dance moves 1069 00:55:40,120 --> 00:55:42,520 Speaker 1: are happening? Yeah, yeah, yeah, I like to get into detail, 1070 00:55:42,520 --> 00:55:44,360 Speaker 1: and it kind of helps with my help storytelling and 1071 00:55:44,400 --> 00:55:46,200 Speaker 1: stuff like that. And I'm like, and I'm just trying 1072 00:55:46,239 --> 00:55:48,720 Speaker 1: to put myself in your shoes and be like, Okay, 1073 00:55:48,760 --> 00:55:50,600 Speaker 1: what would I want to know or what's gonna give 1074 00:55:50,640 --> 00:55:54,120 Speaker 1: me the best opportunity to have the best envisioned what 1075 00:55:54,480 --> 00:55:56,520 Speaker 1: it really is going on. It helps me out because 1076 00:55:56,600 --> 00:56:00,680 Speaker 1: then I'm kind of pretty good dancer. I'm saying, oh yeah, 1077 00:56:01,160 --> 00:56:04,200 Speaker 1: for you, you know, they're doing talking about Smike Johnson. 1078 00:56:06,480 --> 00:56:08,920 Speaker 1: If you we're gonna walk through the dance floor, everyone's 1079 00:56:08,960 --> 00:56:12,040 Speaker 1: doing the everyone's doing the duggie, so you might want 1080 00:56:12,040 --> 00:56:14,280 Speaker 1: to get you might start doing the duggie. Okay, Okay, 1081 00:56:15,600 --> 00:56:18,400 Speaker 1: I still okay, good looking out. Okay, I's got right, 1082 00:56:18,560 --> 00:56:20,239 Speaker 1: do get do it again? Low. We gotta get through, 1083 00:56:20,360 --> 00:56:23,000 Speaker 1: you know, I gott acclimate through the dance floor, through 1084 00:56:23,040 --> 00:56:26,640 Speaker 1: the crowd. You paint the picture for me, so it 1085 00:56:26,760 --> 00:56:29,520 Speaker 1: is Rudy. Yeah, yeah, Rudy does a good play by play. Also, 1086 00:56:29,600 --> 00:56:32,320 Speaker 1: yeah he does. He does builds a menu reader. I 1087 00:56:32,400 --> 00:56:34,520 Speaker 1: feel every place to go to. He's the first one 1088 00:56:34,520 --> 00:56:36,279 Speaker 1: grabbing me, and he's like, all right, okay, they gotta 1089 00:56:36,280 --> 00:56:37,879 Speaker 1: meet a lot of the side up in mash potatoes, okay. 1090 00:56:37,880 --> 00:56:39,440 Speaker 1: And then they got their chicken options. They're taking it. 1091 00:56:39,560 --> 00:56:41,440 Speaker 1: And he goes to the menu like like an auction 1092 00:56:41,640 --> 00:56:43,439 Speaker 1: like auctioneer, like and we got one harm I don't 1093 00:56:44,160 --> 00:56:47,360 Speaker 1: three hunt, we got four hunter. We got frest French Lander. 1094 00:56:47,520 --> 00:56:50,080 Speaker 1: Yeah yeah, yeah, he's a chef. He's a foodie. But 1095 00:56:50,200 --> 00:56:51,799 Speaker 1: then I get messed up. We're go with my guitar 1096 00:56:51,840 --> 00:56:55,000 Speaker 1: player Riley, who only eats chicken. He's I'm like, can 1097 00:56:55,040 --> 00:56:56,840 Speaker 1: we sit down at a pizza spot or something, and 1098 00:56:56,920 --> 00:56:58,880 Speaker 1: there's like, you know, I can feel the menu's got 1099 00:56:58,920 --> 00:57:02,160 Speaker 1: like four pages, Like so I think we're gonna pie's 1100 00:57:02,160 --> 00:57:05,120 Speaker 1: Like yeah, bro, they only got chicken pizza. I'm like, wait, 1101 00:57:05,160 --> 00:57:08,000 Speaker 1: what's this. They got chicken tenders and chicken wings. I 1102 00:57:08,040 --> 00:57:11,640 Speaker 1: think that's all they got, brom Like really it feels 1103 00:57:11,640 --> 00:57:13,200 Speaker 1: like there's a lot more in the menu though. I 1104 00:57:13,280 --> 00:57:21,040 Speaker 1: was like, oh, it's a wine list, like selfish exactly, 1105 00:57:21,720 --> 00:57:23,760 Speaker 1: Like no, I know it's good for your body, bro, 1106 00:57:23,920 --> 00:57:27,000 Speaker 1: I'm not gonna get it, you know, and I eat everything. Yeah, 1107 00:57:27,440 --> 00:57:29,960 Speaker 1: that's why I built, you know. Shout out to Bill Man. 1108 00:57:30,240 --> 00:57:33,560 Speaker 1: He gives me the the play by play every because 1109 00:57:33,600 --> 00:57:36,439 Speaker 1: you know, it depends what mood I'm in, right right, yeah, 1110 00:57:36,880 --> 00:57:39,200 Speaker 1: what we're gonna grow on and you you you know, 1111 00:57:39,320 --> 00:57:41,080 Speaker 1: and when we got try to help you out last night, 1112 00:57:41,120 --> 00:57:43,280 Speaker 1: they give us the the sliders, but they had the 1113 00:57:43,320 --> 00:57:45,600 Speaker 1: toppings on the side, and you just start making the thing. 1114 00:57:45,640 --> 00:57:47,080 Speaker 1: I'm like, hey man, they got toppings where they got 1115 00:57:47,080 --> 00:57:48,960 Speaker 1: tomatoes and let us so you could put in there. 1116 00:57:49,280 --> 00:57:52,880 Speaker 1: I'm like, do you want that? You're like yeah, yeah, yeah, yeah, 1117 00:57:54,160 --> 00:57:57,640 Speaker 1: Like okay, and I'll like guide your head to the ship. Yeah. Everything, 1118 00:57:57,760 --> 00:57:59,560 Speaker 1: it's funny too, but what do you Sometimes you're in 1119 00:57:59,600 --> 00:58:04,120 Speaker 1: the sandwich you know, we love sandwiches, um like it all. 1120 00:58:04,920 --> 00:58:07,560 Speaker 1: Sometimes like the bundle fall off or like the whole 1121 00:58:07,600 --> 00:58:09,560 Speaker 1: thing and you're you're holding it in there. Oh it's delicious, 1122 00:58:09,600 --> 00:58:11,200 Speaker 1: you know, and I'm like, you're missing the whole top. 1123 00:58:11,960 --> 00:58:14,520 Speaker 1: I know you got you got, I know, thank you, 1124 00:58:16,400 --> 00:58:17,840 Speaker 1: But no, we we do a good job of like 1125 00:58:17,880 --> 00:58:20,520 Speaker 1: cleaning you up. When your you guys did a good job. 1126 00:58:21,600 --> 00:58:23,919 Speaker 1: It helps that I had a you know, a couple 1127 00:58:23,920 --> 00:58:25,680 Speaker 1: of you guys used to we're got a car wash 1128 00:58:25,760 --> 00:58:28,920 Speaker 1: and help me out. Yeah, we do it a mayonna. 1129 00:58:29,920 --> 00:58:31,840 Speaker 1: You're always dressed. Well, that's the thing. You dressed good 1130 00:58:31,880 --> 00:58:33,520 Speaker 1: on me. I think that's so a lot of people 1131 00:58:33,560 --> 00:58:34,960 Speaker 1: get thrown off is when you know, when you're wearing 1132 00:58:35,000 --> 00:58:36,920 Speaker 1: the shades like yeah, well we talked about it earlier, 1133 00:58:36,960 --> 00:58:38,960 Speaker 1: but yeah, but I get it. I'm even like, damn, 1134 00:58:39,000 --> 00:58:40,840 Speaker 1: I need to stop my game. Like and I love 1135 00:58:40,880 --> 00:58:42,320 Speaker 1: how you like when we have to share a room 1136 00:58:42,400 --> 00:58:45,040 Speaker 1: or whatever, You're like, you know exactly what is packed 1137 00:58:45,080 --> 00:58:46,800 Speaker 1: in your bag? You're like, okay, there we should be 1138 00:58:46,880 --> 00:58:49,919 Speaker 1: a like a maroon colored shirt the bottom left side 1139 00:58:49,960 --> 00:58:51,560 Speaker 1: of the thing, and you know it's like all your 1140 00:58:51,640 --> 00:58:54,440 Speaker 1: extra senses or are your other senses are like way 1141 00:58:54,520 --> 00:58:57,680 Speaker 1: more on point than I mean that. I'm not I'm 1142 00:58:57,680 --> 00:59:01,720 Speaker 1: going to full disclosure. That's my wife telling me exactly 1143 00:59:01,760 --> 00:59:04,160 Speaker 1: what's in there. Yeah, no, no, I'm not that or 1144 00:59:04,280 --> 00:59:09,080 Speaker 1: like smelling it like O. We know that she knows, 1145 00:59:09,200 --> 00:59:12,240 Speaker 1: she knows, she's got ste she knows what your is. 1146 00:59:12,440 --> 00:59:15,080 Speaker 1: She knows. Yeah, she switches my she know. But I'm saying, 1147 00:59:15,120 --> 00:59:17,280 Speaker 1: you know what's in there? You remember what's in there? 1148 00:59:17,600 --> 00:59:22,520 Speaker 1: I have to or I'm screwed right right. I mean, 1149 00:59:22,640 --> 00:59:25,080 Speaker 1: it's happened, you know what I mean, like you know, yeah, 1150 00:59:25,080 --> 00:59:27,880 Speaker 1: you weren't like a like a what's it like a 1151 00:59:27,960 --> 00:59:31,440 Speaker 1: Canadian suit or fuldnom suit. Happened a farmer brown one time, 1152 00:59:31,560 --> 00:59:34,440 Speaker 1: like the Homegirl. One of the servers like, oh, super 1153 00:59:34,520 --> 00:59:39,160 Speaker 1: hot the Canadian Canadian tuxedo. I was like, oh, don't 1154 00:59:39,160 --> 00:59:44,640 Speaker 1: mean to try to wea you have to turn to 1155 00:59:44,640 --> 00:59:47,240 Speaker 1: the homie. What am I wearing right now? Really? You 1156 00:59:47,320 --> 00:59:49,000 Speaker 1: know that you never know or if it's a T shirt. 1157 00:59:49,040 --> 00:59:50,520 Speaker 1: T shirts are the worst and I'm out and about 1158 00:59:50,560 --> 00:59:53,760 Speaker 1: and they're like, oh, sweet man, you know, yeah, like 1159 00:59:53,920 --> 00:59:56,960 Speaker 1: oh whatever, whatever, you know, Oh it says something, say something, 1160 00:59:56,960 --> 00:59:59,520 Speaker 1: and I'm like, you know, I'm with stupid. It's good 1161 00:59:59,560 --> 01:00:04,560 Speaker 1: st that I'm wearing that. I'm wearing that, I'm wearing that. Hey, 1162 01:00:04,680 --> 01:00:08,040 Speaker 1: what's a man Go Warriors. Yeah, oh it's a I'm 1163 01:00:08,080 --> 01:00:10,000 Speaker 1: more to wear your shirt. I guess I just not 1164 01:00:10,200 --> 01:00:12,720 Speaker 1: up on that. You never know, but that's with everything, 1165 01:00:13,000 --> 01:00:15,080 Speaker 1: you know what I mean, that's you never know what. 1166 01:00:15,880 --> 01:00:19,480 Speaker 1: I accidentally put dishwashing soap thinking it was a honey jar. 1167 01:00:19,720 --> 01:00:25,000 Speaker 1: Honey that was last week. Last week. I was last week. 1168 01:00:25,160 --> 01:00:29,560 Speaker 1: So you drank some donner. I mean, it wasn't as bad, 1169 01:00:29,720 --> 01:00:32,160 Speaker 1: was as brushing your teeth were prepression. Ah, but that 1170 01:00:32,320 --> 01:00:36,439 Speaker 1: was that's another story. That's another that's another podcast. Yeah, 1171 01:00:37,480 --> 01:00:45,680 Speaker 1: next week's episode, these toothpastes smells supposed to be Tom's 1172 01:00:45,720 --> 01:00:54,919 Speaker 1: organic charcoal toothpaste. Yeah, oh j my cereal. That's that's 1173 01:00:54,960 --> 01:00:57,320 Speaker 1: usually a common I mean they did stop that. One 1174 01:00:57,440 --> 01:01:00,280 Speaker 1: stopped that, but that's have been a couple of times. Yeah, man, 1175 01:01:00,320 --> 01:01:03,520 Speaker 1: that I gotta go. They keep going. Like I said, 1176 01:01:03,720 --> 01:01:10,000 Speaker 1: next week's episode can take your own whole season, all right, y'all, Hey, 1177 01:01:10,040 --> 01:01:11,760 Speaker 1: well thanks for being here. How I appreciate your coin 1178 01:01:11,840 --> 01:01:17,440 Speaker 1: of everything. Oh yeah, now now always, it's honored to 1179 01:01:17,480 --> 01:01:19,360 Speaker 1: have you have a home, homie've been a long time 1180 01:01:19,440 --> 01:01:23,120 Speaker 1: homeboy and uh man, good good dad, good husband, all 1181 01:01:23,200 --> 01:01:26,280 Speaker 1: that good stuff. Just a good vibe, great singer. Just 1182 01:01:26,400 --> 01:01:28,640 Speaker 1: thank you brother, love it Homie. I appreciate it. Man. 1183 01:01:29,040 --> 01:01:32,520 Speaker 1: So yeah, where could the listeners find you? Alright? Social 1184 01:01:32,600 --> 01:01:35,120 Speaker 1: media and stuff? Here we go. Well, Bayonics, you know 1185 01:01:35,160 --> 01:01:38,160 Speaker 1: what I'm saying. I forgot I got at the hoodie 1186 01:01:38,200 --> 01:01:40,600 Speaker 1: this morning. But yeah, Baionics our main band, Bayonics dot 1187 01:01:40,640 --> 01:01:43,240 Speaker 1: com or Bayonics four and five on I G Spotify 1188 01:01:43,360 --> 01:01:45,439 Speaker 1: all some new reggae or they get throwing dance on music. 1189 01:01:45,880 --> 01:01:48,880 Speaker 1: And then I got all my solo stuff under Rosa 1190 01:01:49,120 --> 01:01:51,480 Speaker 1: or O j A, I Rosea sf on, I G 1191 01:01:52,320 --> 01:01:54,560 Speaker 1: all your platforms. Check it out, y'all. Some some funk 1192 01:01:54,600 --> 01:01:58,880 Speaker 1: and some soul. We do a little bit everything. Don't 1193 01:01:58,880 --> 01:02:02,280 Speaker 1: work about cool customer to my brother Be Bravo. That's, 1194 01:02:02,400 --> 01:02:05,200 Speaker 1: you know, shout out to all the labels that support 1195 01:02:05,480 --> 01:02:07,800 Speaker 1: our music. So yeah, shout out to be Bravo. Yeah, 1196 01:02:07,880 --> 01:02:11,600 Speaker 1: everybody tune in, check it out, men, Frankie's Frankie Noo Podcast. 1197 01:02:11,640 --> 01:02:13,960 Speaker 1: I'll be at the Fox Performing Our Center in Riverside 1198 01:02:14,000 --> 01:02:17,240 Speaker 1: called Leifas on Saturday, January and I'll be at the 1199 01:02:17,320 --> 01:02:22,440 Speaker 1: Crest Theater on Saturday February four in Sacaramento Sacktown CAFs. Alright, 1200 01:02:22,480 --> 01:02:24,760 Speaker 1: so much love y'all, see you next week. Yeah yeah, 1201 01:02:28,280 --> 01:02:30,800 Speaker 1: there for tuning into another episode of The Frankie in 1202 01:02:30,920 --> 01:02:34,680 Speaker 1: Your Next Show presented by Will Ferrell's Big Funny Players Network. 1203 01:02:34,920 --> 01:02:38,400 Speaker 1: Shout out to the homies Haigns, Olivia Neck, the Homie 1204 01:02:38,440 --> 01:02:41,920 Speaker 1: earned dog here in the studio, James Fritz, Kevin Kambia, 1205 01:02:42,280 --> 01:02:46,120 Speaker 1: Bobby d J Buzz, the legendary soul assassins by me 1206 01:02:46,280 --> 01:02:48,400 Speaker 1: ya you know how we do, Homie. Thank you for 1207 01:02:48,480 --> 01:02:51,120 Speaker 1: giving it as an opportunity on the get down and 1208 01:02:51,160 --> 01:02:52,720 Speaker 1: if you get a chance told me it's go ahead 1209 01:02:52,720 --> 01:02:56,080 Speaker 1: and rank and review the podcast or continue living your life. 1210 01:02:56,360 --> 01:02:58,880 Speaker 1: We'll see you on the next episode of The Frankie 1211 01:02:59,400 --> 01:03:01,200 Speaker 1: Next Show. That's what soft right there,