WEBVTT - Printing press? Big deal!

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<v Speaker 1>Welcome to Stuff You Should Know, a production of Five

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<v Speaker 1>Heart Radios How Stuff Works. Hey, I'm welcome to the podcast.

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<v Speaker 1>I'm Josh Clark. There's Charles W. Chuck Bryan over there,

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<v Speaker 1>there's Jerry out there, our ethereal ephemeral producer, and this

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<v Speaker 1>is Stuff you Should Know, which um for this edition.

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<v Speaker 1>I feel like we should be playing like harpsichord or

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<v Speaker 1>something like that in the background when we start. You

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<v Speaker 1>want to do that? Should we gus see it up

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<v Speaker 1>a little? Yeah? Jerry knows what she's She knows her

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<v Speaker 1>way around an old harpsichord, so maybe maybe she can

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<v Speaker 1>do that for us. I wonder if we have a

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<v Speaker 1>message break stinger that's harpsichord. Oh, that's a great question,

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<v Speaker 1>because we've been getting I mean, we've gotten great ones

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<v Speaker 1>all along, but sometimes they're just showing up. I'm like,

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<v Speaker 1>where did this come from? I don't even recognize this

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<v Speaker 1>one's great stuff? Yeah, and too, you know, for those

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<v Speaker 1>of you who don't know, those are made by listeners. Yeah,

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<v Speaker 1>submitted out of the goodness of their hearts for yep

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<v Speaker 1>to say. Here you go, guys, I hope you enjoy it.

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<v Speaker 1>You can use it all you want. It's very sweet.

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<v Speaker 1>So we're talking about the printing press, and um, we're

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<v Speaker 1>talking about the invention of the printing press, and the

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<v Speaker 1>printing press itself is basically synonymous with a man named

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<v Speaker 1>Johann Gutenberg. Johannes we just got right out of the

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<v Speaker 1>gate man. I'm going with Johann Gutenberg, or as the

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<v Speaker 1>rest of us in the world call him Gutenberg, let's

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<v Speaker 1>call him Steve Gutenberg gut Buck. Okay, okay. So, Um

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<v Speaker 1>Gutenberg is traditionally credited with inventing the printing press, and

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<v Speaker 1>for all intents and purposes, he did invent the printing press.

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<v Speaker 1>But um, as our friend ed Grabanowski goes with great

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<v Speaker 1>pains to point out, he did not invent it out

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<v Speaker 1>a whole cloth, as apparently some people believe that that

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<v Speaker 1>it was just a pile of lumber and an idea

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<v Speaker 1>for him that he that he put together. Like every

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<v Speaker 1>inventor whoever invented anything, he he built on different concepts

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<v Speaker 1>that have been worked out over centuries. Um. The thing

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<v Speaker 1>is is, like that's not to detract from his accomplishment

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<v Speaker 1>or anything like that. Like what he did literally change

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<v Speaker 1>the world, as we'll see in some amazing ways, but

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<v Speaker 1>he helped provide the first information age and got really

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<v Speaker 1>kind of screwed over in the bargain. Yeah, I mean

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<v Speaker 1>it's kind of a familiar story at this point, right, sadly, yes, man,

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<v Speaker 1>And I'm kind of sick of that. I wish which

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<v Speaker 1>one of stealing, of building on others, or of yeah,

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<v Speaker 1>the second one. No, I understand building on the work

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<v Speaker 1>of others. That's the other thing, too, is I don't

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<v Speaker 1>think Guttenberg ever said like, no, I invented all of

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<v Speaker 1>this without any help. We don't have any indication he

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<v Speaker 1>was like that at all. That just kind of got

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<v Speaker 1>hung on him over the years. By sixth graders, we

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<v Speaker 1>built on the work of Adam Curry. We didn't he

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<v Speaker 1>still at it? Did you know that he's still podcasting?

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<v Speaker 1>I'm almost a million percent sure, which is really sure?

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<v Speaker 1>And did he really have the first one? I don't

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<v Speaker 1>know if he had the first, but he's credited with

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<v Speaker 1>having the first. Very interesting. He's definitely still active on

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<v Speaker 1>social media, for sure. So for the printing press, if

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<v Speaker 1>if we jump back in the old way back machine

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<v Speaker 1>and we we breathe past Adam Curry, there, Hi, Adam, Hey, Adam,

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<v Speaker 1>Look at his hair, just waving that very nice. Uh.

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<v Speaker 1>We would go back and see people carving up these

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<v Speaker 1>things into would uh and then they would um. It's

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<v Speaker 1>sort of like a stamp you would get for a

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<v Speaker 1>kid these days, or if you you know, you go

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<v Speaker 1>to a stamp shop and you want to get a

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<v Speaker 1>stamp with your address or whatever for an adult. Yeah,

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<v Speaker 1>Like we got a stamp made. Emily got a stamp

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<v Speaker 1>made of our house when we finally finished renovating our house,

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<v Speaker 1>which we've never used. Our our friend so that you

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<v Speaker 1>haven't used. So is it a picture of your your house? Yeah,

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<v Speaker 1>it's like, okay, it looks like a little woodcut. But

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<v Speaker 1>it's not like we send people letters and stamp that

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<v Speaker 1>or any man. I gotta tell you, I would like

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<v Speaker 1>to see that on a Christmas card envelope. You know.

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<v Speaker 1>You know she did give me, and boy, I'm going

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<v Speaker 1>to use it one days. Uh. You know how they

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<v Speaker 1>would melt wax and seal the envelope with a little stamp.

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<v Speaker 1>She got me one of those little kits for Christmas

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<v Speaker 1>a couple of years. Nice and you still haven't used it. Now,

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<v Speaker 1>you know what, I'm going to write you a letter

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<v Speaker 1>on some vellum. Thank you. I'm gonna stamp my house

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<v Speaker 1>on it. I'm gonna wax, seal it and with and uh,

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<v Speaker 1>then put on some red lipstick huh, and then tinkle

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<v Speaker 1>on the whole thing, give it a kiss, and then

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<v Speaker 1>be on it. Um. We we have a stamp too,

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<v Speaker 1>but it's um has our address stamped on. Our friends

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<v Speaker 1>Lorrel and Brandon gave it to us. Yeah, I mean

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<v Speaker 1>that makes a lot of sense, right, and we have

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<v Speaker 1>used that one before. But I want to see this stamp,

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<v Speaker 1>this whole Christmas card would tinkle on it and vellum

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<v Speaker 1>and wax. I can't wait to see it. All right,

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<v Speaker 1>it's gonna happen. So a wood cut and a long

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<v Speaker 1>way of saying it looks sort of like one of

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<v Speaker 1>these stamps. It's cut out, um, out of a wood block.

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<v Speaker 1>And then you take paper or vellum or something or

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<v Speaker 1>whatever you want to print it on, rub it down

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<v Speaker 1>with some ink, and then press it down. And they

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<v Speaker 1>had a thing back in the day in Europe in

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<v Speaker 1>the fourteen hundreds called block books that were made from

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<v Speaker 1>these wood cuts. They were you know, ten to pages long,

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<v Speaker 1>and they kind of look like comic books if you

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<v Speaker 1>look them up. They have a little bit of artwork,

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<v Speaker 1>a little bit of text. Medieval comic books. Yeah, it's

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<v Speaker 1>like comic books without any of the fun because they

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<v Speaker 1>had some sort of moral message attached to it. Usually right,

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<v Speaker 1>it was like a jack Chick tract or something. But

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<v Speaker 1>they were a big deal in Europe in the fourteen hundreds,

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<v Speaker 1>and they thought that they invented something. But of course

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<v Speaker 1>the Chinese were like, excuse me, We've been doing this

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<v Speaker 1>stuff for hundreds of years. Yeah, and and I think

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<v Speaker 1>as far back as nine No. Eight sixty eight c.

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<v Speaker 1>Which is a while ago, more than a thousand years about.

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<v Speaker 1>Plus the Diamond Sutra, which was a buddhist Um text,

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<v Speaker 1>was the first known printed book, and they printed it

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<v Speaker 1>like you just described, where each page was a wood

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<v Speaker 1>carving in negative chuck in negative, because if you made

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<v Speaker 1>it in in the positive when you put the paper

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<v Speaker 1>on it with the ink, it would be in reverse

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<v Speaker 1>when you looked at it on the page. So you

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<v Speaker 1>had to carve each page like that in negative. So

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<v Speaker 1>it was a really difficult process, but it worked. It

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<v Speaker 1>was useful. It was a lot easier once you got

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<v Speaker 1>those blocks carved for a page. Then it was to

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<v Speaker 1>transcribe entire books and texts by hand, which is what

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<v Speaker 1>they've done up to that point and still continue to

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<v Speaker 1>do for a very long time. Yeah. So when I

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<v Speaker 1>saw the Diamond Sutra, just obviously the word sutra stood

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<v Speaker 1>out to me because of the Kama Sutra, and I really,

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<v Speaker 1>of course, and I didn't even I realized I didn't

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<v Speaker 1>even know what that word meant. And it's just it's

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<v Speaker 1>a collection of observations basically, he said, Oh, I mean

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<v Speaker 1>cook book. Well, it could be. It's a collection of

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<v Speaker 1>observations in a book or a pamphlet. And I think

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<v Speaker 1>we really missed a diamond opportunity for our book title

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<v Speaker 1>by not calling it like the Stuff you Should Know Sutra. Yeah. Well,

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<v Speaker 1>hey if this one, if this one goes even passingly

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<v Speaker 1>well ourselves passingly, well we'll probably have a second chance.

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<v Speaker 1>You can pre order that thing, by the way, the

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<v Speaker 1>Stuff you Should Know, No, boy, you could pre pre

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<v Speaker 1>order that one, right. I'm getting limber as we speak

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<v Speaker 1>to try to get that one done. Right. Yeah, you

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<v Speaker 1>can preorder our book, an incomplete compendium of mostly interesting

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<v Speaker 1>stuff Sutra. Thanks. You should have just had comma comma sutra,

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<v Speaker 1>get it right. I like that? So that was one

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<v Speaker 1>in eight six eight CE like you said. Then in

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<v Speaker 1>seventy one b C. There was another one called did

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<v Speaker 1>you mention that one? The Trippy Taka? Not yet? That

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<v Speaker 1>was another Buddhist text that was ce C E. Oh

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<v Speaker 1>it is, so they got wrong here, Yeah, all right,

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<v Speaker 1>so the whole thing starts about eleven years ago. Okay,

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<v Speaker 1>well that makes more sense. Yeah, but that's the one

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<v Speaker 1>that had I think a hundred and thirty thousand would

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<v Speaker 1>block carvings. Yeah, that's insane. That means not only that

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<v Speaker 1>somebody carved that, but somebody kept that like at their house.

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<v Speaker 1>Imagine living around a hundred and thirty thousand wood block carvings,

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<v Speaker 1>and you would be like, I need to reprint page

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<v Speaker 1>eight thirty two, and then having you to go find

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<v Speaker 1>the wood block carving for page eight thirty two and

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<v Speaker 1>just it just sounds like a nightmare. I'd be like,

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<v Speaker 1>I don't I don't care about reading or literacy or

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<v Speaker 1>moving humanity forward at this point. Maybe it was the house.

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<v Speaker 1>Mm hmm. You just blew my mind right out of

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<v Speaker 1>the top of my head. So there was some more

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<v Speaker 1>experimentation going on after this in China and Korea, UM

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<v Speaker 1>and some big and they were using like little wood

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<v Speaker 1>or ceramic or metal blocks to make individual characters for

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<v Speaker 1>the first time. And this was a big kind of

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<v Speaker 1>pushed forward towards what we all though as what would

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<v Speaker 1>eventually be the Gutenberg Press. Is individual letters are in

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<v Speaker 1>their case characters instead of just doing each page as

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<v Speaker 1>a separate woodcut. Yeah. What's awesome is there is a

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<v Speaker 1>commoner in China named B. Shang who um is thought

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<v Speaker 1>to have come up with movable type, where rather than

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<v Speaker 1>you know, carving a woodblock for each page, you have letters,

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<v Speaker 1>individual letters carved out and you can arrange them just

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<v Speaker 1>so anyway you want, and then once you print that page,

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<v Speaker 1>you can arrange them in a different way to print

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<v Speaker 1>the next page. And that is a huge innovation for sure.

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<v Speaker 1>And again note that this guy came up with this

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<v Speaker 1>in about ten forty one CE, so a good four

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<v Speaker 1>hundred years before Guttenberg was working. What does Ed keep saying, BC,

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<v Speaker 1>I don't know. I think he really likes the sound

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<v Speaker 1>of it, all right, fair enough, it's definitely see either.

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<v Speaker 1>Uh no, I'm not doubting that. I'm just I was

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<v Speaker 1>thinking too. I was like, gosh, what if he was right?

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<v Speaker 1>What if all this had started a good thousand years earlier,

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<v Speaker 1>Like how much further along would we be right now?

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<v Speaker 1>Because it held Yeah if this had happened three thousand

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<v Speaker 1>years ago rather than one thousand years ago. Yeah, because

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<v Speaker 1>here's the little spoiler. Printing books is a big deal.

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<v Speaker 1>Like some say that religion and democracy and I mean

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<v Speaker 1>just sort of the advancement of humanity was was this?

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<v Speaker 1>It was key to advancing all those things. Do you

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<v Speaker 1>know who says that us people who are right us. Yeah,

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<v Speaker 1>I definitely am on board with that because, yeah, the

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<v Speaker 1>for the best way you can put it, it was

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<v Speaker 1>the first information age that got launched by Guttenberg, by

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<v Speaker 1>gut Buck. So that's I keep saying that because it's

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<v Speaker 1>Steve Guttenberg's handle on Twitter. Oh is it really okay?

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<v Speaker 1>Steve gut Is it really? He is the nicest guy too.

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<v Speaker 1>I haven't Uh yeah, I haven't. I haven't checked in

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<v Speaker 1>on his feed for a very long time, but um,

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<v Speaker 1>years back, he used to be like all up in

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<v Speaker 1>our feed, and um he was just so nice, Happy

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<v Speaker 1>Friday everybody kind of stuff, like every Fridays. Just a

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<v Speaker 1>super nice guy. So I'm assuming nothing's gone horribly wrong

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<v Speaker 1>with him and that he's still just as nice as

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<v Speaker 1>he was a few years ago. Well, I highly recommend

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<v Speaker 1>you know, I've always um promoted the Great Great Stars

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<v Speaker 1>TV show Party Down one of my favorite shows of

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<v Speaker 1>all time, and Goots has a great, great, great episode

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<v Speaker 1>and it seems like that's who he is, and he's

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<v Speaker 1>a super nice guy in that episode because he um,

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<v Speaker 1>you know, it's about a catering company. There were a

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<v Speaker 1>bunch of like writers and actors and stuff doing catering

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<v Speaker 1>work and he hires them to come over to his

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<v Speaker 1>house for his birthday. There there at the house when

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<v Speaker 1>he pulls in and he's like, oh man, we ended

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<v Speaker 1>up having a surprise party for me and I've forgot

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<v Speaker 1>So he's just like, why don't you guys just come

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<v Speaker 1>and then we'll be the party. Right, But you could

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<v Speaker 1>really get the idea that that's who Goods is as

0:11:49.320 --> 0:11:52.600
<v Speaker 1>a person. You know, it's great as you've definitely definitely

0:11:52.640 --> 0:11:56.000
<v Speaker 1>told that story before on the podcast, which means like

0:11:56.120 --> 0:11:58.800
<v Speaker 1>we've gotten to this point where we're amassing, like we're

0:11:58.800 --> 0:12:03.680
<v Speaker 1>building a standalone universe where like when Steve Gooberg appears,

0:12:03.800 --> 0:12:05.880
<v Speaker 1>this story pops up as well around him. You know

0:12:05.880 --> 0:12:07.440
<v Speaker 1>what I'm saying, like, Oh, I knew, I told it.

0:12:07.440 --> 0:12:09.440
<v Speaker 1>I couldn't remember when though, What when would he have

0:12:09.520 --> 0:12:11.959
<v Speaker 1>come up? I don't remember, but I'm sure we talked

0:12:12.000 --> 0:12:14.080
<v Speaker 1>also about what a great guy he is on Twitter

0:12:14.160 --> 0:12:17.680
<v Speaker 1>and all sorts of stuff, like like we have a

0:12:17.760 --> 0:12:21.920
<v Speaker 1>character like a simil acrome of or simil acro of

0:12:22.080 --> 0:12:25.079
<v Speaker 1>Steve Guttenberg that lives in our podcast universe, and he's

0:12:25.280 --> 0:12:29.839
<v Speaker 1>very less multifaceted than I'm sure he is in real life,

0:12:29.880 --> 0:12:33.000
<v Speaker 1>but in our universe's nice guy on Twitter, had a

0:12:33.080 --> 0:12:35.480
<v Speaker 1>great episode of Party Down. That's all you need to

0:12:35.520 --> 0:12:37.680
<v Speaker 1>know about Steve Goomberg. I know we haven't even gotten

0:12:37.720 --> 0:12:40.680
<v Speaker 1>into police Catty. Do we do a show on Police Academy?

0:12:40.720 --> 0:12:43.160
<v Speaker 1>So that probably would have made sense. I don't think

0:12:43.160 --> 0:12:45.760
<v Speaker 1>we have. If we have, I must have been blacked

0:12:45.760 --> 0:12:49.920
<v Speaker 1>out or something. Alright, So printing press is advancing forward.

0:12:50.520 --> 0:12:54.080
<v Speaker 1>Go to Korea in twelve thirty four, and you're going

0:12:54.120 --> 0:12:57.480
<v Speaker 1>to find a man named Show Young Wee who was

0:12:57.840 --> 0:13:00.480
<v Speaker 1>commissioned to do uh some more boot is text. A

0:13:00.520 --> 0:13:02.880
<v Speaker 1>lot of this was Buddhist text. Well yeah, if you'll

0:13:02.920 --> 0:13:06.839
<v Speaker 1>notice religious texts help push this whole thing forward from

0:13:06.840 --> 0:13:10.000
<v Speaker 1>different religions, even yeah, like that Bible that Guttenberg would

0:13:10.000 --> 0:13:14.600
<v Speaker 1>make stunts. Sorry, so this one was really really long,

0:13:14.720 --> 0:13:18.240
<v Speaker 1>and he was using this movable print that had already

0:13:18.240 --> 0:13:21.200
<v Speaker 1>been around, but this time he was making these letters

0:13:21.200 --> 0:13:24.120
<v Speaker 1>for metal um, kind of using what the technique they

0:13:24.160 --> 0:13:26.040
<v Speaker 1>did for coin minting, which had been going on for

0:13:26.080 --> 0:13:29.240
<v Speaker 1>a while. Set him in a frame, lined them all up,

0:13:29.679 --> 0:13:33.199
<v Speaker 1>coded them with ink, and pressed them. And if you think, hey,

0:13:33.240 --> 0:13:36.080
<v Speaker 1>that sounds like a printing press, you would be exactly right.

0:13:36.320 --> 0:13:40.239
<v Speaker 1>You're right, fella, for sure. That's that's basically what Guttenberg

0:13:40.280 --> 0:13:42.840
<v Speaker 1>came up with. He had a couple of extra innovations,

0:13:42.880 --> 0:13:46.800
<v Speaker 1>for sure, that are definitely credited to him directly, but

0:13:47.000 --> 0:13:49.439
<v Speaker 1>that general idea had been around for a couple of

0:13:49.520 --> 0:13:54.600
<v Speaker 1>hundred years at least before he started printing his own

0:13:54.640 --> 0:13:58.559
<v Speaker 1>stuff using this machine of his invention. Now, again, this

0:13:58.640 --> 0:14:01.320
<v Speaker 1>is not detract at all from Guttenberg. He put together

0:14:01.360 --> 0:14:03.800
<v Speaker 1>a lot of disparate ideas, and there's also a lot

0:14:03.800 --> 0:14:07.400
<v Speaker 1>of debate whether he would have known about the Korean

0:14:07.640 --> 0:14:12.040
<v Speaker 1>or Chinese advancements in printing um. If so, maybe it

0:14:12.160 --> 0:14:15.600
<v Speaker 1>was the Mongols that spread it west, but they're not

0:14:15.760 --> 0:14:18.640
<v Speaker 1>entirely certain there's no smoking gun, so it's possible he

0:14:18.720 --> 0:14:21.200
<v Speaker 1>also thought of it himself, just by being involved in

0:14:21.200 --> 0:14:24.040
<v Speaker 1>it and thinking about it, or maybe he heard about

0:14:24.080 --> 0:14:27.160
<v Speaker 1>some other stuff and refined it into his own thing. Regardless,

0:14:27.200 --> 0:14:30.120
<v Speaker 1>he came up with the printing press, and the Chinese

0:14:30.160 --> 0:14:33.640
<v Speaker 1>and the Koreans are not credited with that for actually

0:14:33.720 --> 0:14:36.240
<v Speaker 1>a couple of reasons. And the upshot of all of

0:14:36.280 --> 0:14:38.520
<v Speaker 1>it is that it didn't ever really take off in

0:14:38.640 --> 0:14:41.840
<v Speaker 1>China or Korea. Um, even though it was invented there,

0:14:42.080 --> 0:14:45.280
<v Speaker 1>it didn't become widespread or widely used, and it certainly

0:14:45.280 --> 0:14:49.960
<v Speaker 1>didn't create an information age revolution. Well, how's this for cliffhanger.

0:14:50.400 --> 0:14:52.760
<v Speaker 1>We'll take a little break and we'll tell you a

0:14:52.760 --> 0:14:55.320
<v Speaker 1>couple more reasons why it never took off in Asia

0:14:55.480 --> 0:15:19.480
<v Speaker 1>right after this, alright, Chuck, I can't take this any longer.

0:15:19.520 --> 0:15:22.320
<v Speaker 1>To tell us, tell us why it never took off

0:15:22.360 --> 0:15:24.720
<v Speaker 1>in Asia. Well, some some reasons that just make a

0:15:24.720 --> 0:15:28.760
<v Speaker 1>lot of sense. Um. They are they have very complex

0:15:28.960 --> 0:15:33.480
<v Speaker 1>characters with their language, and they have, you know, up

0:15:33.520 --> 0:15:38.160
<v Speaker 1>to tens of thousands of characters with different pronunciations, different

0:15:38.160 --> 0:15:42.840
<v Speaker 1>phone ms, different syllables, and you can't. You just can't

0:15:42.840 --> 0:15:45.720
<v Speaker 1>do it. You can't have that many little tiny blocks,

0:15:46.160 --> 0:15:48.360
<v Speaker 1>much less multiples of those if you want to print

0:15:48.360 --> 0:15:50.760
<v Speaker 1>a page, you know, because it's not like you can

0:15:50.760 --> 0:15:53.840
<v Speaker 1>move them around. And then keeping up with all these

0:15:54.440 --> 0:15:56.560
<v Speaker 1>was literally one of the big problems. Like they made

0:15:56.560 --> 0:15:58.600
<v Speaker 1>these big I think there was a man named Wang

0:15:59.240 --> 0:16:03.360
<v Speaker 1>Wang Zen who use these revolving tables to access these

0:16:03.360 --> 0:16:05.680
<v Speaker 1>big racks of letters. But it was kind of like

0:16:05.680 --> 0:16:08.000
<v Speaker 1>what you were talking about with the house made of

0:16:08.000 --> 0:16:12.080
<v Speaker 1>woodblocks of hundred and thirty thousand wood cuts. It's like,

0:16:12.120 --> 0:16:13.760
<v Speaker 1>you you just can't keep up with that many. So

0:16:14.040 --> 0:16:17.120
<v Speaker 1>it wasn't practical. And then Guttenberg comes along, He's like,

0:16:17.280 --> 0:16:20.480
<v Speaker 1>we only have twenty six letters, so this is pretty

0:16:20.520 --> 0:16:22.840
<v Speaker 1>this is pretty dumbed down as a language goes. Yeah,

0:16:22.880 --> 0:16:25.840
<v Speaker 1>because I mean even if you do you know, capitals

0:16:25.880 --> 0:16:29.520
<v Speaker 1>and lower case, that's still just what fifty two and

0:16:29.640 --> 0:16:33.240
<v Speaker 1>throwing some punctuation, Yeah, some punctuation makes some doubles because

0:16:33.280 --> 0:16:35.320
<v Speaker 1>you know you're gonna use E a lot more times

0:16:35.320 --> 0:16:38.080
<v Speaker 1>than one per page, so you need to make some

0:16:38.200 --> 0:16:41.520
<v Speaker 1>backup copies of them. He made about three hundred in

0:16:41.520 --> 0:16:45.000
<v Speaker 1>the end, right, That's what I saw Yeah, three hundred um,

0:16:45.200 --> 0:16:51.280
<v Speaker 1>different characters, spaces, punctuation um, upper case, lower case, and

0:16:51.280 --> 0:16:54.360
<v Speaker 1>that that's all he needed. So the three hundred verses

0:16:54.440 --> 0:16:58.760
<v Speaker 1>tens of thousands um. Number one is this easier to make,

0:16:58.760 --> 0:17:01.160
<v Speaker 1>but number two it's he's year to keep up with two.

0:17:01.240 --> 0:17:05.240
<v Speaker 1>So um. Guttenberg just happened to be working in just

0:17:05.320 --> 0:17:08.600
<v Speaker 1>the right language for a movable type printing press to

0:17:08.640 --> 0:17:12.160
<v Speaker 1>really make sense. Should we talk about this guy? Yeah,

0:17:12.200 --> 0:17:15.960
<v Speaker 1>because I like him. He's he's um. He had a

0:17:15.960 --> 0:17:18.760
<v Speaker 1>bit of a hustle to him, and I like and

0:17:18.760 --> 0:17:21.480
<v Speaker 1>he's also one of histories kind of hard luck guys

0:17:21.520 --> 0:17:23.639
<v Speaker 1>in a way, even though I mean, you know, his

0:17:23.720 --> 0:17:27.199
<v Speaker 1>name is legendary, so you can't put a price on that.

0:17:27.240 --> 0:17:28.439
<v Speaker 1>I'm sure he would have liked to have put a

0:17:28.480 --> 0:17:31.160
<v Speaker 1>price on that, so it I just want to say,

0:17:31.200 --> 0:17:33.560
<v Speaker 1>from what I saw, it is very much up for

0:17:33.640 --> 0:17:37.040
<v Speaker 1>debate whether he actually was financially ruined in the end

0:17:37.440 --> 0:17:40.280
<v Speaker 1>that he was doing fine. Because one thing we got

0:17:40.280 --> 0:17:43.720
<v Speaker 1>to tell everybody chuck out of the gate is Guttenberg

0:17:44.200 --> 0:17:47.159
<v Speaker 1>was born at a time where his father was a patrician.

0:17:47.200 --> 0:17:51.040
<v Speaker 1>He was an aristocrat in Um in Germany. Mains is

0:17:51.080 --> 0:17:56.960
<v Speaker 1>it mains Minz Germany. Um, So he was, you know, notable,

0:17:57.040 --> 0:18:00.000
<v Speaker 1>but this wasn't a time where people of that class,

0:18:00.520 --> 0:18:02.680
<v Speaker 1>you know, he wasn't like a king or anything like yet,

0:18:03.040 --> 0:18:05.880
<v Speaker 1>so there was not a lot of documentation of his birth.

0:18:05.920 --> 0:18:08.879
<v Speaker 1>Were not entirely certain when he was born. His early

0:18:08.960 --> 0:18:11.159
<v Speaker 1>life has kind of lost to history too, because he

0:18:11.240 --> 0:18:13.399
<v Speaker 1>was just kind of a nobody until he invented the

0:18:13.400 --> 0:18:15.960
<v Speaker 1>printing press. But the thing is, when he invented the

0:18:16.000 --> 0:18:20.560
<v Speaker 1>printing press, it was so revolutionary and so obvious how

0:18:20.600 --> 0:18:23.439
<v Speaker 1>revolutionary it was out of the gate that within a

0:18:23.480 --> 0:18:26.600
<v Speaker 1>decade or two of his death, historians were studying and

0:18:26.680 --> 0:18:30.040
<v Speaker 1>documenting his life. So there's a surprising amount of stuff

0:18:30.080 --> 0:18:34.040
<v Speaker 1>that was documented about him that's preserved still. But the

0:18:34.119 --> 0:18:38.040
<v Speaker 1>stuff that we do have is almost entirely his work.

0:18:38.720 --> 0:18:41.359
<v Speaker 1>And then court records when he was dragged into court

0:18:41.440 --> 0:18:44.399
<v Speaker 1>by creditors and investors. Yeah, so you said he had

0:18:44.400 --> 0:18:48.200
<v Speaker 1>a little bit of a hustle, um, I think ed says.

0:18:48.280 --> 0:18:52.840
<v Speaker 1>They referred to him charitably as having entrepreneurial flair. It's

0:18:52.840 --> 0:18:54.720
<v Speaker 1>another word of saying he had a bit of a

0:18:54.760 --> 0:18:56.680
<v Speaker 1>hustle to him, and he would get in He was

0:18:56.680 --> 0:18:58.560
<v Speaker 1>always trying to make a buck, always had some sort

0:18:58.600 --> 0:19:02.080
<v Speaker 1>of scheme in the works, and which means he had

0:19:02.200 --> 0:19:04.600
<v Speaker 1>investors a lot of times and a lot of times

0:19:04.600 --> 0:19:07.040
<v Speaker 1>he might not come through. So as a result, he

0:19:07.080 --> 0:19:08.720
<v Speaker 1>was taken to court a lot, like you said, and

0:19:09.200 --> 0:19:11.240
<v Speaker 1>it's kind of funny to build this guy's life out

0:19:11.240 --> 0:19:14.960
<v Speaker 1>of court records, but we are able to construct a

0:19:14.960 --> 0:19:17.560
<v Speaker 1>little bit of it because of him being hauled in

0:19:17.600 --> 0:19:20.640
<v Speaker 1>there and being sued time and time again, and most notably,

0:19:20.680 --> 0:19:23.960
<v Speaker 1>were able to kind of piece together the printing press

0:19:24.000 --> 0:19:26.760
<v Speaker 1>that he invented, what he invented, what he knew when

0:19:26.920 --> 0:19:30.600
<v Speaker 1>from these court records, because all of these um these

0:19:30.840 --> 0:19:35.480
<v Speaker 1>lawsuits basically were over his work. They were between investors

0:19:35.480 --> 0:19:38.159
<v Speaker 1>in his work and him. And the thing is is,

0:19:38.200 --> 0:19:40.879
<v Speaker 1>like I don't have the impression that he was a

0:19:40.960 --> 0:19:43.080
<v Speaker 1>hustler in the sense that he was a con man

0:19:43.280 --> 0:19:47.120
<v Speaker 1>or shark or anything like that. He he had very

0:19:47.200 --> 0:19:50.919
<v Speaker 1>high aspirations. He also had these smarts to figure out

0:19:51.000 --> 0:19:53.879
<v Speaker 1>how to achieve these aspirations. He just didn't have the

0:19:54.000 --> 0:19:57.440
<v Speaker 1>money to achieve these aspirations, so he needed outside help.

0:19:58.560 --> 0:20:01.159
<v Speaker 1>His big problem is far as investors go, from what

0:20:01.240 --> 0:20:03.879
<v Speaker 1>I can tell is that he was a perfectionist. So

0:20:04.000 --> 0:20:06.840
<v Speaker 1>rather than just figure out how to invent the movable

0:20:06.840 --> 0:20:09.760
<v Speaker 1>type printing press, which he did, he also tried to

0:20:09.800 --> 0:20:12.280
<v Speaker 1>figure out one that could also print in red on

0:20:12.320 --> 0:20:16.200
<v Speaker 1>a different set, or using copper engraving to create um

0:20:16.240 --> 0:20:19.800
<v Speaker 1>different types of of type. Some stuff that like details

0:20:19.800 --> 0:20:24.520
<v Speaker 1>that were like kind of unnecessary, but made this transform

0:20:24.640 --> 0:20:27.520
<v Speaker 1>this thing from you know, an amazing piece of work

0:20:27.520 --> 0:20:31.119
<v Speaker 1>to a masterpiece. And the time it took to be

0:20:31.240 --> 0:20:35.240
<v Speaker 1>that much of a perfectionist made him run into creditors

0:20:35.240 --> 0:20:38.440
<v Speaker 1>and investors that were not that patient. Yeah, And his

0:20:38.560 --> 0:20:42.719
<v Speaker 1>first sort of tinkering with pressing anything, it seems because

0:20:42.720 --> 0:20:46.760
<v Speaker 1>of again a lawsuit was in Strasbourg when he lived

0:20:46.760 --> 0:20:53.399
<v Speaker 1>there in around fourteen thirty eight, is that ce and

0:20:53.520 --> 0:20:56.800
<v Speaker 1>he would, uh, he had this plan to produce these

0:20:56.840 --> 0:21:03.440
<v Speaker 1>trinkets for people going on religious pilgrimage is more than one. Yeah,

0:21:03.560 --> 0:21:06.200
<v Speaker 1>So he had these tools that he could stamp out

0:21:06.240 --> 0:21:09.760
<v Speaker 1>these trinkets and press these things, and so he he

0:21:09.880 --> 0:21:11.679
<v Speaker 1>sort of had an idea at least of how this

0:21:11.760 --> 0:21:15.440
<v Speaker 1>kind of technology worked as far as cutting something, stamping

0:21:15.440 --> 0:21:18.440
<v Speaker 1>and pressing it. And there's some indication, Chuck, that he

0:21:18.600 --> 0:21:22.200
<v Speaker 1>was already figuring out the rough contours, if not more

0:21:22.240 --> 0:21:25.560
<v Speaker 1>detailed than that of his printing press in Strasbourg. Because

0:21:25.600 --> 0:21:30.760
<v Speaker 1>that first court case um was by the family of

0:21:30.800 --> 0:21:33.440
<v Speaker 1>some creditors who who took him to court because they

0:21:33.480 --> 0:21:37.280
<v Speaker 1>wanted in on some secret work he was keeping from

0:21:37.320 --> 0:21:42.400
<v Speaker 1>them um um and being investors in him, they were saying, well,

0:21:42.440 --> 0:21:43.840
<v Speaker 1>you know, if you're doing work on the side, we

0:21:43.880 --> 0:21:45.800
<v Speaker 1>should have a piece of that too. And that's where

0:21:46.040 --> 0:21:48.840
<v Speaker 1>some historians are like, this, actually what they're describing here

0:21:48.920 --> 0:21:52.640
<v Speaker 1>is part of the printing press because of debate. Still, well,

0:21:52.680 --> 0:21:54.639
<v Speaker 1>I mean it was ten years later if that was

0:21:54.680 --> 0:21:58.959
<v Speaker 1>in around four and by the time he got back

0:21:59.000 --> 0:22:02.720
<v Speaker 1>to minds in fort teen forty eight, he borrowed some

0:22:02.760 --> 0:22:06.480
<v Speaker 1>money from his cousin to do like a real printing business.

0:22:06.480 --> 0:22:08.520
<v Speaker 1>So it's I mean, I think you could be right.

0:22:08.560 --> 0:22:11.080
<v Speaker 1>It's very likely those people knew that he was in

0:22:11.080 --> 0:22:14.159
<v Speaker 1>the back room with his plan to print books and

0:22:14.160 --> 0:22:17.280
<v Speaker 1>they wanted some of that action, right, But he's like, no, dud,

0:22:17.359 --> 0:22:20.080
<v Speaker 1>you you you in on the ground floor of the

0:22:20.200 --> 0:22:23.680
<v Speaker 1>trinket business. This is a whole different, world changing business.

0:22:23.680 --> 0:22:25.359
<v Speaker 1>You're gonna have to cough up some more dough. And

0:22:25.400 --> 0:22:28.920
<v Speaker 1>they said nine yeah, they did say nine. And he said,

0:22:29.359 --> 0:22:31.199
<v Speaker 1>all right, well, I'm gonna invent this thing, or I'm

0:22:31.240 --> 0:22:34.320
<v Speaker 1>gonna cobble together a bunch of other people's work in

0:22:34.359 --> 0:22:36.840
<v Speaker 1>a way that makes sense that you can, you know,

0:22:37.160 --> 0:22:40.320
<v Speaker 1>make massive amounts of books that look good and that

0:22:40.400 --> 0:22:43.600
<v Speaker 1>you can sell and make money on. And the Bible

0:22:43.720 --> 0:22:48.040
<v Speaker 1>was a pretty obvious choice for the first big, big project.

0:22:48.600 --> 0:22:52.480
<v Speaker 1>But he was like, the Bible is a lot to undertake. Um.

0:22:52.520 --> 0:22:55.359
<v Speaker 1>And if you've ever seen a Gutenberg Bible, they're they're huge,

0:22:55.440 --> 0:22:58.360
<v Speaker 1>They're not there's two volumes. Yeah, there's not like these

0:22:58.359 --> 0:23:01.359
<v Speaker 1>little handheld Bibles. They're very large arge and I didn't

0:23:01.359 --> 0:23:03.560
<v Speaker 1>get an exact measurement, but you can see when someone

0:23:03.600 --> 0:23:05.080
<v Speaker 1>holds it. It's a big, big book. It's like a

0:23:05.080 --> 0:23:09.640
<v Speaker 1>big fat coffee table book. Eleven by eight mm hmm.

0:23:10.119 --> 0:23:12.800
<v Speaker 1>They seem a little wider than that. But thirty six

0:23:15.640 --> 0:23:19.000
<v Speaker 1>that's as high as I'm going. So he said, uh,

0:23:19.240 --> 0:23:22.040
<v Speaker 1>one dollar. He said that I'm gonna I'm gonna not

0:23:22.119 --> 0:23:24.800
<v Speaker 1>start with the Bible. Too much to bite off. It's

0:23:24.800 --> 0:23:27.960
<v Speaker 1>a little doll um. So I'm gonna start out with

0:23:28.000 --> 0:23:31.560
<v Speaker 1>some other stuff. I'm gonna print some um, some pamphlets.

0:23:32.000 --> 0:23:33.840
<v Speaker 1>I'm gonna see if I can sell these things. I'm

0:23:33.840 --> 0:23:37.120
<v Speaker 1>gonna see how good they look. And h he did.

0:23:37.160 --> 0:23:39.399
<v Speaker 1>He printed a grammar book, um was one of the

0:23:39.400 --> 0:23:43.359
<v Speaker 1>first things. This is from another lawsuit by a Roman

0:23:43.440 --> 0:23:46.679
<v Speaker 1>writer and it was a popular book, which was again

0:23:46.720 --> 0:23:49.120
<v Speaker 1>it's a smart thing that he did. Is is basically

0:23:49.160 --> 0:23:51.600
<v Speaker 1>taking like what would be a bestseller at the time

0:23:51.880 --> 0:23:54.119
<v Speaker 1>and seeing if he could mass produce it instead of

0:23:54.880 --> 0:23:58.320
<v Speaker 1>block book as a regular printed book. Right. So he

0:23:58.400 --> 0:24:01.280
<v Speaker 1>was also doing broad cheese Wi your kind like early newspapers,

0:24:01.280 --> 0:24:03.040
<v Speaker 1>which they had a pretty We should do one on

0:24:03.119 --> 0:24:07.000
<v Speaker 1>newspapers because the early life newspapers were these broadsheets, and

0:24:07.080 --> 0:24:10.240
<v Speaker 1>sailors would buy them, read them and then take them

0:24:10.240 --> 0:24:13.320
<v Speaker 1>into town at the next port and they would be

0:24:13.400 --> 0:24:17.160
<v Speaker 1>sold to those people who who most people weren't literate

0:24:17.280 --> 0:24:19.880
<v Speaker 1>at the time, so they would hire somebody who could

0:24:19.960 --> 0:24:21.919
<v Speaker 1>read in town to read the news out at like

0:24:21.920 --> 0:24:25.200
<v Speaker 1>the local tavern or something. And we both have experience

0:24:25.280 --> 0:24:28.639
<v Speaker 1>with newspapers. Sure, man, um, I would like to do

0:24:28.680 --> 0:24:30.960
<v Speaker 1>newspapers one day. Let's do it. Oh totally, that sounds

0:24:31.000 --> 0:24:34.000
<v Speaker 1>like a two parter to me, okay, so um he

0:24:34.520 --> 0:24:36.640
<v Speaker 1>basically the upshot of all this. And I think that's

0:24:36.680 --> 0:24:39.440
<v Speaker 1>the second time I've said that. I never say that. Um.

0:24:39.560 --> 0:24:42.920
<v Speaker 1>I always want to like deliberately make everything much slower

0:24:42.960 --> 0:24:47.840
<v Speaker 1>than that, the upshot of something like you want. Just

0:24:47.920 --> 0:24:50.440
<v Speaker 1>like you said, as much as we talk about Guttenberg

0:24:50.440 --> 0:24:53.920
<v Speaker 1>and party down, you know what's sad, I'm an unreliable

0:24:54.000 --> 0:24:57.119
<v Speaker 1>narrator in my own life. Oh man, what a great quote.

0:24:57.720 --> 0:25:02.520
<v Speaker 1>So Um. The the overall general point of what we've

0:25:02.520 --> 0:25:06.600
<v Speaker 1>been saying for this moment is that he kind of

0:25:06.600 --> 0:25:09.679
<v Speaker 1>broke his teeth on some slightly easier projects to kind

0:25:09.720 --> 0:25:12.080
<v Speaker 1>of figure out the ins and outs and everything. And

0:25:12.119 --> 0:25:14.160
<v Speaker 1>then when he was finally ready to do the Bible,

0:25:14.840 --> 0:25:17.439
<v Speaker 1>he apparently was well aware that this was going to

0:25:17.480 --> 0:25:20.520
<v Speaker 1>be a masterpiece. He had figured it out and he

0:25:20.560 --> 0:25:23.120
<v Speaker 1>was ready to bite it off, and he started work

0:25:23.280 --> 0:25:27.399
<v Speaker 1>on the Guttenberg Bible, also known as the Gutenberg Bible

0:25:27.920 --> 0:25:31.720
<v Speaker 1>and also known as the forty two line Bible because

0:25:31.800 --> 0:25:35.800
<v Speaker 1>that's how many lines he had per page. Um. And

0:25:35.840 --> 0:25:39.760
<v Speaker 1>even at forty two lines per page, which was more

0:25:39.880 --> 0:25:42.440
<v Speaker 1>lines because he lowered the space in between lines to

0:25:42.520 --> 0:25:45.080
<v Speaker 1>fit more lines per page, it was still something like

0:25:45.119 --> 0:25:49.440
<v Speaker 1>twelve hundred and eighty six pages um over two volumes.

0:25:49.520 --> 0:25:52.640
<v Speaker 1>That's a lot. But the kind of bear that in mind.

0:25:53.000 --> 0:25:55.800
<v Speaker 1>What we're talking about when we talk about this project eventually,

0:25:56.080 --> 0:25:59.160
<v Speaker 1>is that he was creating twelve hundred and eighty six

0:25:59.240 --> 0:26:03.960
<v Speaker 1>page bible. Okay, yeah, one at a time. Yeah, one

0:26:04.000 --> 0:26:07.080
<v Speaker 1>page at a time. That is so, which we'll figure

0:26:07.119 --> 0:26:09.880
<v Speaker 1>in here in a second. So he starts to work,

0:26:09.920 --> 0:26:11.720
<v Speaker 1>he knows that he I mean, before he starts, he

0:26:11.760 --> 0:26:13.760
<v Speaker 1>knows that he's gonna be able to charge a lot

0:26:13.800 --> 0:26:16.879
<v Speaker 1>for these things. And he knows he's gonna need to

0:26:16.920 --> 0:26:20.199
<v Speaker 1>crank them out um as quickly as he can. So

0:26:20.240 --> 0:26:22.560
<v Speaker 1>he's gonna need more space, he's gonna need more presses,

0:26:22.800 --> 0:26:25.240
<v Speaker 1>he's gonna need a lot of ink and and other

0:26:25.280 --> 0:26:27.639
<v Speaker 1>little dude ads and spawn divots that it takes to

0:26:27.720 --> 0:26:30.600
<v Speaker 1>make one of these. And he's gonna need people. You know,

0:26:30.600 --> 0:26:32.320
<v Speaker 1>he's gonna need some assistance. He can't do it all

0:26:32.320 --> 0:26:35.680
<v Speaker 1>by himself. Because here's where that comes back. You can

0:26:35.720 --> 0:26:37.879
<v Speaker 1>only it's not like he would print out a bible,

0:26:38.200 --> 0:26:40.560
<v Speaker 1>and he's like, I got one go sell this thing

0:26:41.080 --> 0:26:43.320
<v Speaker 1>and we can continue to fund our little project. Here.

0:26:43.760 --> 0:26:47.119
<v Speaker 1>You gotta print out one page at a time, over

0:26:47.160 --> 0:26:49.359
<v Speaker 1>and over and over and over, and then print out

0:26:49.440 --> 0:26:52.399
<v Speaker 1>page two over and over and over or two and

0:26:52.440 --> 0:26:56.399
<v Speaker 1>whatever the reverse side is. And eventually you're gonna be

0:26:56.440 --> 0:26:59.840
<v Speaker 1>able to start putting them together in bound form, and

0:27:00.160 --> 0:27:03.720
<v Speaker 1>only then can you start actually making money, right, right,

0:27:04.000 --> 0:27:06.199
<v Speaker 1>So he he was Also that was another thing that

0:27:06.240 --> 0:27:08.280
<v Speaker 1>he doesn't get credited for enough, I think, is that

0:27:08.320 --> 0:27:11.760
<v Speaker 1>he figured out like how to um do a rough

0:27:11.840 --> 0:27:15.400
<v Speaker 1>primitive version of an assembly line. Basically he was he

0:27:15.440 --> 0:27:17.600
<v Speaker 1>was mass producing these books out of the gate. That

0:27:17.720 --> 0:27:20.640
<v Speaker 1>was the point. You're you're mass producing it, not doing

0:27:20.640 --> 0:27:22.440
<v Speaker 1>it one page at a time, like you were saying,

0:27:22.440 --> 0:27:25.399
<v Speaker 1>like the old block books used to be. Right. So

0:27:25.600 --> 0:27:29.479
<v Speaker 1>he gets four presses going at a time, later went

0:27:29.560 --> 0:27:32.560
<v Speaker 1>up to I think six, and because of all this

0:27:32.720 --> 0:27:35.280
<v Speaker 1>upfront money that he needs to keep this going until

0:27:35.320 --> 0:27:38.600
<v Speaker 1>he can sell them and turner profit was uh, he

0:27:38.680 --> 0:27:41.119
<v Speaker 1>needed like always, he needed some dough. He he wasn't

0:27:41.119 --> 0:27:44.800
<v Speaker 1>just he didn't have his pockets lined with money. So

0:27:44.840 --> 0:27:47.320
<v Speaker 1>he had to go to a guy. And that's this

0:27:47.359 --> 0:27:51.920
<v Speaker 1>guy's name was Johann fust Hm. And and because he

0:27:52.040 --> 0:27:55.800
<v Speaker 1>calculated he would need about two years and because before

0:27:55.800 --> 0:27:58.639
<v Speaker 1>he could start selling. Yeah, the whole project, he figured

0:27:58.680 --> 0:28:00.959
<v Speaker 1>out was going to be about two years. This print

0:28:01.200 --> 0:28:03.640
<v Speaker 1>run of Bibles is going to take him two years

0:28:03.640 --> 0:28:04.880
<v Speaker 1>to do. So he needed to be able to pay

0:28:04.920 --> 0:28:07.119
<v Speaker 1>everybody he needed money for all the supplies, all the materials.

0:28:07.119 --> 0:28:08.840
<v Speaker 1>He needed to be able to survive for two years

0:28:09.040 --> 0:28:11.480
<v Speaker 1>because he would not be able to sell one single

0:28:11.520 --> 0:28:14.560
<v Speaker 1>Bible until all of them were done. None of them

0:28:14.600 --> 0:28:16.800
<v Speaker 1>were going to be done until all of them were done.

0:28:16.840 --> 0:28:20.640
<v Speaker 1>That's just the way the process worked out, right. So Foost,

0:28:20.760 --> 0:28:22.960
<v Speaker 1>I think saw the writing on the wall, knew it

0:28:23.000 --> 0:28:26.240
<v Speaker 1>was gonna be expensive, but knew that he was going

0:28:26.280 --> 0:28:27.879
<v Speaker 1>to probably be able to make a lot of money.

0:28:28.720 --> 0:28:32.720
<v Speaker 1>And who knows, I don't know this Foost guy from Adam,

0:28:32.800 --> 0:28:35.080
<v Speaker 1>but maybe in the back of his head he also thought,

0:28:35.920 --> 0:28:38.000
<v Speaker 1>you know what, I might also be able to just

0:28:38.040 --> 0:28:41.360
<v Speaker 1>sue this guy at some point and take control of

0:28:41.400 --> 0:28:44.320
<v Speaker 1>these printing presses because this guy didn't have a pot

0:28:44.360 --> 0:28:47.880
<v Speaker 1>to urinate in and he's not gonna have any money.

0:28:47.920 --> 0:28:51.600
<v Speaker 1>So and that's exactly what happened. He ended up um

0:28:51.640 --> 0:28:53.880
<v Speaker 1>having no assets other than these presses. And when he

0:28:53.920 --> 0:28:56.560
<v Speaker 1>got sued and lost, and I don't even know what

0:28:56.600 --> 0:29:00.960
<v Speaker 1>he got sued for was it for taking too long? Yes, yes,

0:29:01.040 --> 0:29:03.239
<v Speaker 1>that makes the whole thing that much worse that he

0:29:03.360 --> 0:29:07.240
<v Speaker 1>was sued basically like I was saying, for being a perfectionist.

0:29:08.600 --> 0:29:13.160
<v Speaker 1>And technically Guttenberg could have gotten the Bible out before

0:29:14.160 --> 0:29:19.280
<v Speaker 1>Foost sued him. Um, but again he was Yeah, just

0:29:19.320 --> 0:29:23.160
<v Speaker 1>a slightly less masterful version that would have just knocked everyone.

0:29:23.240 --> 0:29:25.840
<v Speaker 1>So had just the same amount of an impact on

0:29:25.880 --> 0:29:27.560
<v Speaker 1>the world. I don't think the world would have been

0:29:27.640 --> 0:29:32.239
<v Speaker 1>changed really any um had he had he gotten him

0:29:32.240 --> 0:29:35.200
<v Speaker 1>out in a time when Foost was was willing to

0:29:35.240 --> 0:29:38.160
<v Speaker 1>not sue him, but he wasn't prepared to do that.

0:29:38.200 --> 0:29:40.360
<v Speaker 1>He was he was an artist. He was an artist.

0:29:40.400 --> 0:29:42.160
<v Speaker 1>He had the soul of an artist. So he just

0:29:42.240 --> 0:29:44.320
<v Speaker 1>kept going deeper and deeper down the rabbit hole to

0:29:44.360 --> 0:29:46.920
<v Speaker 1>try to make this thing more and more perfect and elaborate.

0:29:47.160 --> 0:29:50.400
<v Speaker 1>And Foost said enough, and the court actually sided with Foost.

0:29:50.520 --> 0:29:54.960
<v Speaker 1>So Foost line him eight hundred guilden or golden um,

0:29:55.360 --> 0:30:00.040
<v Speaker 1>which at the time was about the the price of

0:30:00.360 --> 0:30:03.240
<v Speaker 1>a lot of money. Eight houses. That's what we're going with.

0:30:03.440 --> 0:30:05.120
<v Speaker 1>We'll see in a second it will make sense. But

0:30:05.200 --> 0:30:10.120
<v Speaker 1>let's say eight average cost houses. Um, that's how much

0:30:10.120 --> 0:30:11.680
<v Speaker 1>he lent him, Then he did it again. He lent

0:30:11.760 --> 0:30:14.680
<v Speaker 1>him another eight hundred golden, and so he was into

0:30:14.760 --> 0:30:17.520
<v Speaker 1>him for sixteen hundred golden. Would have easily been able

0:30:17.560 --> 0:30:21.280
<v Speaker 1>to pay that back when he Foost. Foost sued him.

0:30:21.480 --> 0:30:23.520
<v Speaker 1>The court said, not only do you owe him sixteen

0:30:23.560 --> 0:30:26.440
<v Speaker 1>hundred golden, you owe him in interest. We're gonna say

0:30:26.440 --> 0:30:30.480
<v Speaker 1>to get this, about two thousand and twenty golden is

0:30:30.480 --> 0:30:33.680
<v Speaker 1>what he ended up having to pay Foost. Now, did

0:30:33.720 --> 0:30:38.040
<v Speaker 1>he sue him because, uh, he was that far over schedule?

0:30:39.680 --> 0:30:42.120
<v Speaker 1>The only because he told him it would take two years.

0:30:42.120 --> 0:30:44.680
<v Speaker 1>Did it take like six or something? I saw that

0:30:44.840 --> 0:30:48.320
<v Speaker 1>from the court records. They believe that he was done

0:30:48.400 --> 0:30:52.080
<v Speaker 1>by fourteen fifty five, and I believe he started in

0:30:52.160 --> 0:30:55.640
<v Speaker 1>fourteen fifty three, so he was probably right on schedule.

0:30:56.000 --> 0:30:58.040
<v Speaker 1>I have the impression that Foost was a bit of

0:30:58.040 --> 0:31:02.320
<v Speaker 1>an impatient sure squad well, and also get the feeling

0:31:02.360 --> 0:31:06.480
<v Speaker 1>that that Guttenberg probably didn't dot his eyes and cross

0:31:06.520 --> 0:31:11.080
<v Speaker 1>his teas contractually. Maybe not, maybe not. I could see

0:31:11.080 --> 0:31:12.800
<v Speaker 1>that too. You got to bake in a little bit

0:31:12.800 --> 0:31:15.680
<v Speaker 1>of over over time there, you know for sure. But

0:31:16.000 --> 0:31:19.720
<v Speaker 1>I think I think he may have been roughly on schedule,

0:31:19.960 --> 0:31:24.320
<v Speaker 1>because because by fourteen fifty two he had created the Bible.

0:31:24.440 --> 0:31:26.440
<v Speaker 1>And here's the other thing. Here's the other reason why

0:31:26.480 --> 0:31:28.760
<v Speaker 1>Foosh suing him was a bit of a screwjob or

0:31:28.800 --> 0:31:31.800
<v Speaker 1>a huge screw job. Um. And by screwjob, I mean

0:31:31.840 --> 0:31:35.120
<v Speaker 1>like the act of a screwdriver screwing a screw into

0:31:35.360 --> 0:31:37.560
<v Speaker 1>a slab of wood that the screw doesn't want to

0:31:37.600 --> 0:31:39.880
<v Speaker 1>go into that wood. It wants to stay free. That

0:31:40.040 --> 0:31:44.880
<v Speaker 1>kind of kids. So um, the reason why, why why

0:31:44.920 --> 0:31:48.040
<v Speaker 1>it really stunk that Foos sued him, is because he

0:31:48.120 --> 0:31:51.719
<v Speaker 1>got the Bible's done. The Bible. The Bible run was completed,

0:31:52.200 --> 0:31:55.600
<v Speaker 1>and Foosh still sued him. And still one Um, if

0:31:55.680 --> 0:31:58.240
<v Speaker 1>I had been foosed in, the investor would have been like, okay, fine,

0:31:58.280 --> 0:32:01.600
<v Speaker 1>you finished. Um, maybe pay me more or something like that.

0:32:01.600 --> 0:32:03.880
<v Speaker 1>But that was not the case. Yeah, and who knows

0:32:03.880 --> 0:32:06.200
<v Speaker 1>what's going on back then? He could have bribed a

0:32:06.320 --> 0:32:08.320
<v Speaker 1>judge who got a piece of the action. You know.

0:32:09.240 --> 0:32:11.760
<v Speaker 1>I mean not speculation, but I'm just saying, it's not

0:32:11.840 --> 0:32:14.920
<v Speaker 1>like today when our court system is just so perfect

0:32:14.920 --> 0:32:20.200
<v Speaker 1>in every way, right, wall, let's run exclusively by artificial intelligence.

0:32:20.920 --> 0:32:23.360
<v Speaker 1>So um ed was kind enough to cobble together if

0:32:23.400 --> 0:32:26.760
<v Speaker 1>you just sort of fun facts about that Bible run. Uh.

0:32:26.800 --> 0:32:29.040
<v Speaker 1>He printed a hundred and eighty of these things, initially

0:32:29.600 --> 0:32:32.440
<v Speaker 1>sold all of them, of course. Uh today there are

0:32:32.480 --> 0:32:36.440
<v Speaker 1>forty nine of them still around, which um ed points

0:32:36.440 --> 0:32:39.600
<v Speaker 1>out and and I agree, is a really great UM

0:32:39.640 --> 0:32:44.120
<v Speaker 1>survival percentage for something that old UM forty nine out

0:32:44.120 --> 0:32:45.960
<v Speaker 1>of a hundred and eighty. And that just sort of

0:32:46.000 --> 0:32:49.280
<v Speaker 1>pinpoints UM or or just puts a point in the

0:32:49.280 --> 0:32:51.360
<v Speaker 1>fact that puts a pin in what am I trying

0:32:51.400 --> 0:32:55.280
<v Speaker 1>to say, really drives home the fact that these things

0:32:55.280 --> 0:32:59.120
<v Speaker 1>were very cherished and taken care of from the beginning. UM.

0:32:59.160 --> 0:33:00.840
<v Speaker 1>I went to see how much he could buy one

0:33:00.840 --> 0:33:03.440
<v Speaker 1>of these four Oh yeah, what'd you find? Well? Eight

0:33:03.560 --> 0:33:06.000
<v Speaker 1>seven was the last one I saw at auction. UM.

0:33:06.040 --> 0:33:09.360
<v Speaker 1>There maybe one since then, but in seven it went

0:33:09.360 --> 0:33:12.920
<v Speaker 1>for five point four million, So that was one one volume.

0:33:13.120 --> 0:33:16.040
<v Speaker 1>A complete set hasn't been auctioned since nineteen seventy eight,

0:33:16.640 --> 0:33:19.800
<v Speaker 1>for two point two million in nineteen seventy eight dollars.

0:33:19.840 --> 0:33:22.200
<v Speaker 1>From what I saw, if you were you get the

0:33:22.320 --> 0:33:26.000
<v Speaker 1>New Old Testament only or something if you're lucky, but

0:33:26.520 --> 0:33:29.880
<v Speaker 1>if the complete copy they think would be UM thirty

0:33:29.920 --> 0:33:32.600
<v Speaker 1>five million today. I think it went to auction. That

0:33:32.640 --> 0:33:36.160
<v Speaker 1>makes sense, it's about right. But so so he made

0:33:36.200 --> 0:33:38.760
<v Speaker 1>two he made two versions. He made one like a

0:33:38.840 --> 0:33:42.360
<v Speaker 1>regular version on paper and it sold for twenty golden,

0:33:43.080 --> 0:33:45.959
<v Speaker 1>and he made a vellum one on calf skin for

0:33:46.000 --> 0:33:49.760
<v Speaker 1>fifty golden. I mean forty five of those. So allow

0:33:49.840 --> 0:33:52.800
<v Speaker 1>me to figure these calculations real quick. Okay, boy, here

0:33:52.880 --> 0:33:57.800
<v Speaker 1>we go. So remember I'm going to get this right right.

0:33:58.320 --> 0:34:02.239
<v Speaker 1>So there's this historian named Andrew Petigree who says that

0:34:02.360 --> 0:34:06.240
<v Speaker 1>a house in Mainz Mines would have cost up to

0:34:06.320 --> 0:34:11.000
<v Speaker 1>a hundred golden a house. So the total that he

0:34:11.040 --> 0:34:13.960
<v Speaker 1>could have made selling this is these bibles is hundred

0:34:14.000 --> 0:34:19.279
<v Speaker 1>and eighty print run of bibles is fifty golden. It

0:34:19.480 --> 0:34:21.680
<v Speaker 1>is let's say, at a hundred golden a piece. That's

0:34:21.719 --> 0:34:24.080
<v Speaker 1>forty nine and a half houses. Don't ask about the

0:34:24.080 --> 0:34:26.880
<v Speaker 1>half of a house, but let's say today's dollars that

0:34:26.920 --> 0:34:29.320
<v Speaker 1>we're saying that a house is two hundred thousand dollars

0:34:29.560 --> 0:34:33.439
<v Speaker 1>per house. Okay, so two hundred thousand dollars times forty

0:34:33.520 --> 0:34:36.040
<v Speaker 1>nine and a half houses means that he made off

0:34:36.040 --> 0:34:41.839
<v Speaker 1>of these hundred and eighty bibles almost ten million dollars. Oh,

0:34:41.880 --> 0:34:44.480
<v Speaker 1>I can't wait for the correction. It's right, dude, I

0:34:44.719 --> 0:34:47.200
<v Speaker 1>I am definitely right. And so here's the other thing too.

0:34:47.440 --> 0:34:51.440
<v Speaker 1>So Um, when Foost sues him and gets that twenty

0:34:51.600 --> 0:34:56.880
<v Speaker 1>like two, gets that judgment of two thousand golden against him, Um,

0:34:56.920 --> 0:35:00.080
<v Speaker 1>a lot of people say, well, that ruined Guttenberg and

0:35:00.440 --> 0:35:03.960
<v Speaker 1>he died a pauper. If that Bible runs sold out,

0:35:04.040 --> 0:35:06.279
<v Speaker 1>he still would have had more than half of that

0:35:06.520 --> 0:35:10.399
<v Speaker 1>nearly ten million dollars left over after paying Foost. So

0:35:10.480 --> 0:35:13.680
<v Speaker 1>it's very much unclear that that he was a pauper

0:35:13.760 --> 0:35:17.839
<v Speaker 1>or not. The the overall point of what I've been

0:35:17.840 --> 0:35:22.760
<v Speaker 1>saying up to this moment is this upshot. It's that, Um.

0:35:22.800 --> 0:35:24.920
<v Speaker 1>That was the word you could have used earlier too,

0:35:25.640 --> 0:35:28.160
<v Speaker 1>when you were looking for a word upshot, what it worked.

0:35:29.200 --> 0:35:31.319
<v Speaker 1>I wasn't going to encourage the use of that though.

0:35:31.800 --> 0:35:35.640
<v Speaker 1>But the the the the upshot of his that Foost

0:35:36.280 --> 0:35:40.840
<v Speaker 1>got his hands on Guttenberg's printing press right after that

0:35:40.840 --> 0:35:44.280
<v Speaker 1>that run of Bibles was made, or his six printing presses.

0:35:44.400 --> 0:35:49.759
<v Speaker 1>Rather he and his and his printing assistant Um, who

0:35:49.800 --> 0:35:52.960
<v Speaker 1>was actually Foost's son in law, that he got the whole,

0:35:53.080 --> 0:35:56.440
<v Speaker 1>the whole, she bank, all this plates everything. You know.

0:35:56.560 --> 0:36:00.120
<v Speaker 1>My favorite thing about your math stuff is what I

0:36:00.160 --> 0:36:03.200
<v Speaker 1>know the second that you start that there are thousands

0:36:03.280 --> 0:36:08.040
<v Speaker 1>of people math math busters, if you will that just

0:36:08.360 --> 0:36:11.600
<v Speaker 1>immediately get out their pencil and pad and to see

0:36:11.640 --> 0:36:15.799
<v Speaker 1>if they can prove you wrong. That is fantastic. Yeah,

0:36:15.800 --> 0:36:18.279
<v Speaker 1>it is a game, and I always win. All right,

0:36:18.400 --> 0:36:21.560
<v Speaker 1>So we're gonna take another break. Okay, we're gonna tally

0:36:21.680 --> 0:36:25.040
<v Speaker 1>up your math uh wins and losses, and we're going

0:36:25.080 --> 0:36:27.520
<v Speaker 1>to talk about how this thing actually worked right after this.

0:36:48.320 --> 0:36:51.440
<v Speaker 1>So I think we came up chuck with the the

0:36:51.800 --> 0:36:57.520
<v Speaker 1>that I've won every math contest I've I've initiated everyone. Okay, alright,

0:36:57.560 --> 0:37:02.000
<v Speaker 1>so shall we talk about the Guttenberg Press. Yes, well,

0:37:02.080 --> 0:37:06.040
<v Speaker 1>you got your individual letters, okay, al right, so if

0:37:06.040 --> 0:37:07.960
<v Speaker 1>you're gonna we we said he ended up making three

0:37:08.000 --> 0:37:10.880
<v Speaker 1>hundred of these things, so you're gonna need all these

0:37:10.920 --> 0:37:15.600
<v Speaker 1>little individual letters carved. Uh, they're carved into steel using

0:37:15.640 --> 0:37:18.920
<v Speaker 1>these little files, and these are the master letters, and

0:37:18.920 --> 0:37:23.520
<v Speaker 1>then they punch those into soft metal um, most likely copper,

0:37:24.040 --> 0:37:27.480
<v Speaker 1>and then the impression in the copper is formed into

0:37:27.480 --> 0:37:30.440
<v Speaker 1>a mold and then you're gonna pour molten metal. And

0:37:30.600 --> 0:37:33.960
<v Speaker 1>what I saw was that one thing that Gutenberg definitely

0:37:34.000 --> 0:37:38.440
<v Speaker 1>invented with this hand casting instrument where they actually uh,

0:37:38.600 --> 0:37:41.719
<v Speaker 1>where you would actually pour this this molten metal. I

0:37:41.719 --> 0:37:45.239
<v Speaker 1>think he used lead tin and uh antimony whatever that is.

0:37:45.440 --> 0:37:48.080
<v Speaker 1>That was an alloy that he invented, even like add

0:37:48.120 --> 0:37:50.520
<v Speaker 1>that to his list. Yeah, so he invented some stuff.

0:37:50.560 --> 0:37:53.440
<v Speaker 1>But this is how you would actually make the individual

0:37:53.520 --> 0:37:57.000
<v Speaker 1>letters was by this early process. Right. So the one

0:37:57.040 --> 0:37:59.759
<v Speaker 1>thing that's still up for debate, supposedly is whether he

0:38:00.040 --> 0:38:03.000
<v Speaker 1>invented or used that punch matrix thing where you punched

0:38:03.080 --> 0:38:06.600
<v Speaker 1>the letter into a softer metal. It's they're not entirely certain,

0:38:06.640 --> 0:38:10.520
<v Speaker 1>but yes, he definitely was casting letters with alloy of

0:38:10.560 --> 0:38:14.319
<v Speaker 1>his own making um, and apparently it cooled like the

0:38:14.440 --> 0:38:17.120
<v Speaker 1>moment like you just poured it in closed the mold

0:38:17.120 --> 0:38:18.840
<v Speaker 1>and opened it and it would be cool enough to

0:38:18.880 --> 0:38:21.280
<v Speaker 1>dump out on the table and start filing down. Because

0:38:21.280 --> 0:38:22.600
<v Speaker 1>that was the other thing too, You had to file

0:38:22.640 --> 0:38:25.320
<v Speaker 1>down every letter to make sure that they were uniform.

0:38:25.640 --> 0:38:27.960
<v Speaker 1>And he even went, this is an example of how

0:38:28.080 --> 0:38:32.000
<v Speaker 1>how um, how detailed he got. He even was like, oh, well,

0:38:32.000 --> 0:38:35.839
<v Speaker 1>this this f has a lot of space between, you know,

0:38:36.080 --> 0:38:38.239
<v Speaker 1>on either side of it. So he filed down the

0:38:38.280 --> 0:38:40.680
<v Speaker 1>sides of all the fs after testing it a few times,

0:38:40.719 --> 0:38:44.120
<v Speaker 1>to make basically curning. He was. He was. He figured

0:38:44.160 --> 0:38:46.920
<v Speaker 1>out curning right out of the gate um, the first

0:38:46.920 --> 0:38:49.799
<v Speaker 1>time anyone had ever really created the printing press. There

0:38:49.880 --> 0:38:54.560
<v Speaker 1>was also curning, just the spacing between letters. Like, if

0:38:54.560 --> 0:38:57.360
<v Speaker 1>you've ever seen a bunch of letters strung far apart,

0:38:57.400 --> 0:39:01.120
<v Speaker 1>it looks really weird. Curning is out of that. That's hot.

0:39:01.200 --> 0:39:04.279
<v Speaker 1>That's a high curning value. Low curning values where they're

0:39:04.280 --> 0:39:07.120
<v Speaker 1>tighter together, which is what you want. Yeah. So the

0:39:07.680 --> 0:39:10.439
<v Speaker 1>long and short of his this of these little blocks, though,

0:39:10.960 --> 0:39:15.319
<v Speaker 1>is that you only needed to carve each one one time. Um,

0:39:15.360 --> 0:39:16.840
<v Speaker 1>you had to pour a bunch of molds if you

0:39:16.840 --> 0:39:18.840
<v Speaker 1>wanted a bunch of ease or as or other vowels

0:39:18.840 --> 0:39:21.600
<v Speaker 1>and stuff, but yeah, that was nothing. You only had

0:39:21.600 --> 0:39:24.600
<v Speaker 1>to do that carving once. File these things down until

0:39:24.640 --> 0:39:27.840
<v Speaker 1>they're all uniform, and then it moves on to someone

0:39:27.920 --> 0:39:33.200
<v Speaker 1>known as the compositor. Yes, the compositor or not to

0:39:33.239 --> 0:39:36.759
<v Speaker 1>be confused with the eradicate tour from kids in the

0:39:36.800 --> 0:39:39.759
<v Speaker 1>hall um. The compository was the person who sat there

0:39:39.800 --> 0:39:43.400
<v Speaker 1>with like the manuscript right and read each line. And

0:39:43.440 --> 0:39:45.200
<v Speaker 1>as they were reading each line, they were gathering the

0:39:45.280 --> 0:39:47.960
<v Speaker 1>letters they needed and putting putting the letters together in

0:39:48.040 --> 0:39:52.000
<v Speaker 1>like a like a handheld little rack um to basically

0:39:52.040 --> 0:39:55.120
<v Speaker 1>make each line. And they would slide each line into

0:39:55.600 --> 0:40:00.040
<v Speaker 1>a frame um called the form um. And you we

0:40:00.200 --> 0:40:02.960
<v Speaker 1>do that just line by line until the whole form

0:40:03.080 --> 0:40:06.000
<v Speaker 1>the whole frame is filled up with the lines that

0:40:06.040 --> 0:40:09.920
<v Speaker 1>you're going to print a page with. Yeah, basically what

0:40:09.960 --> 0:40:13.319
<v Speaker 1>they did in Korea two years earlier, except with far

0:40:13.520 --> 0:40:17.319
<v Speaker 1>fewer characters. Yeah. And you get the idea that if

0:40:17.360 --> 0:40:21.799
<v Speaker 1>you were a composit or working for uh, for Guttenberg,

0:40:21.840 --> 0:40:26.640
<v Speaker 1>the perfectionist, it was probably a pretty nervy job because

0:40:26.640 --> 0:40:34.080
<v Speaker 1>you're reading that manuscript. Any misspelling, any any misuse of punctuation, uh,

0:40:34.280 --> 0:40:35.919
<v Speaker 1>that would have I'm sure there would have been heck

0:40:36.000 --> 0:40:39.960
<v Speaker 1>to pay from Herr Guttenberg. So I imagine that job

0:40:40.040 --> 0:40:43.480
<v Speaker 1>was just sort of um high, high tension. And Gutenberg

0:40:43.600 --> 0:40:47.560
<v Speaker 1>very famously was super passive aggressive in his managerial stuff.

0:40:48.239 --> 0:40:50.080
<v Speaker 1>He would just kind of wander on the shop with

0:40:50.120 --> 0:40:53.880
<v Speaker 1>his coffee and say, you're gonna I'm gonna need you

0:40:53.960 --> 0:40:58.160
<v Speaker 1>to work Sunday as well. Yeah. Yeah, And it was

0:40:58.280 --> 0:41:00.280
<v Speaker 1>it was like you try to avoid him or whatevery,

0:41:00.280 --> 0:41:02.600
<v Speaker 1>but you had the sixth sense to like pop up

0:41:02.680 --> 0:41:05.759
<v Speaker 1>exactly right as you were trying to leave for the day, right,

0:41:05.880 --> 0:41:08.320
<v Speaker 1>and he would and he would ask about your stapler,

0:41:08.920 --> 0:41:12.480
<v Speaker 1>and he would say my red stapler. Yeah, that was

0:41:12.719 --> 0:41:16.680
<v Speaker 1>that was one of the press the press men. It's

0:41:16.719 --> 0:41:19.560
<v Speaker 1>just kind of kept in the basement. It was a

0:41:19.600 --> 0:41:24.480
<v Speaker 1>weird time for printing. It was another weird time is

0:41:24.520 --> 0:41:27.239
<v Speaker 1>going to be right now when I ask you if

0:41:27.239 --> 0:41:34.399
<v Speaker 1>you understand this gobbledygook about folios, Yeah, so what right?

0:41:34.480 --> 0:41:39.880
<v Speaker 1>So it's way easier to print. Yes, a logistical nightmare

0:41:39.880 --> 0:41:43.239
<v Speaker 1>is another way to put it. But if you take, um,

0:41:43.280 --> 0:41:46.759
<v Speaker 1>you know, one large page that's actually two pages of

0:41:46.800 --> 0:41:50.280
<v Speaker 1>a book wide, and fold it, you have a folio.

0:41:50.760 --> 0:41:55.640
<v Speaker 1>And supposedly Guttenberg printed these things in folios of five,

0:41:56.080 --> 0:41:59.080
<v Speaker 1>so that each each little I guess the thing that

0:41:59.120 --> 0:42:03.080
<v Speaker 1>they did was, um was like twenty pages. They would

0:42:03.120 --> 0:42:06.799
<v Speaker 1>do twenty pages at a time for remember something like

0:42:07.719 --> 0:42:11.120
<v Speaker 1>eighties six pages. They were doing this total per bible

0:42:11.680 --> 0:42:14.040
<v Speaker 1>UM and and I mean that was that The key

0:42:14.200 --> 0:42:16.680
<v Speaker 1>was this I know. To answer your question, No, I

0:42:16.719 --> 0:42:19.160
<v Speaker 1>didn't fully understand the folios. I think there was a

0:42:19.200 --> 0:42:21.960
<v Speaker 1>lot made of folios when there didn't necessarily need to

0:42:21.960 --> 0:42:25.319
<v Speaker 1>be a lot made of folios. The point was that

0:42:25.400 --> 0:42:29.120
<v Speaker 1>when you printed this stuff, this is very very tricky,

0:42:29.600 --> 0:42:33.680
<v Speaker 1>you had to dampen the paper because if you didn't,

0:42:33.800 --> 0:42:38.560
<v Speaker 1>did you like that was leaping ahead? Yeah? When when

0:42:38.640 --> 0:42:41.439
<v Speaker 1>you print UM on paper using the kind of ink

0:42:41.520 --> 0:42:44.239
<v Speaker 1>that he's he created another thing you created, which we'll

0:42:44.239 --> 0:42:47.560
<v Speaker 1>talk about um. The paper can stick very easily unless

0:42:47.560 --> 0:42:49.839
<v Speaker 1>you dampen the paper. The problem is that you gotta

0:42:49.880 --> 0:42:52.400
<v Speaker 1>print on the back side too, But you can't dampen

0:42:52.400 --> 0:42:54.560
<v Speaker 1>the paper again, my friend, or else you're gonna smear

0:42:54.640 --> 0:42:56.719
<v Speaker 1>the ink on the other side, or it's gonna run

0:42:56.840 --> 0:42:59.920
<v Speaker 1>or whatever. So they would print, They would dampen the paper,

0:43:00.200 --> 0:43:04.000
<v Speaker 1>print one side, and then have to print the other side,

0:43:04.040 --> 0:43:06.239
<v Speaker 1>like after the ink on the one side was dried,

0:43:06.400 --> 0:43:10.799
<v Speaker 1>before the paper had dried fully, right, Which is that's

0:43:10.840 --> 0:43:14.680
<v Speaker 1>gotta be tricky. You talk about nerv nous and high stress,

0:43:15.360 --> 0:43:18.279
<v Speaker 1>I mean especially when you're on like a if it's

0:43:18.520 --> 0:43:21.640
<v Speaker 1>a hundred and eighty bibles in a ten million dollar project,

0:43:21.760 --> 0:43:26.120
<v Speaker 1>I mean each page is rather expensive and valuable, so

0:43:26.200 --> 0:43:28.040
<v Speaker 1>you don't want to screw up any of them, you know.

0:43:28.520 --> 0:43:30.760
<v Speaker 1>So if you want to look at a press again,

0:43:30.800 --> 0:43:32.520
<v Speaker 1>I would go to YouTube and see the video but

0:43:32.640 --> 0:43:35.680
<v Speaker 1>actually being done. But the press has two sections. You've

0:43:35.680 --> 0:43:38.960
<v Speaker 1>got this frame uh that allows the plates in the

0:43:39.000 --> 0:43:43.360
<v Speaker 1>paper to align themselves, um, the carriage and then the

0:43:43.360 --> 0:43:47.560
<v Speaker 1>actual press part of the press. And you set these

0:43:47.560 --> 0:43:50.439
<v Speaker 1>plates onto the carriage and they're facing up and then

0:43:50.480 --> 0:43:53.239
<v Speaker 1>you apply inc using these uh and when you see

0:43:53.239 --> 0:43:54.799
<v Speaker 1>it on the video that it kind of looks like

0:43:55.800 --> 0:43:58.520
<v Speaker 1>it kind of looks like these big giant gourds there.

0:43:58.560 --> 0:44:02.279
<v Speaker 1>They have a handle and then this big round sort

0:44:02.320 --> 0:44:07.600
<v Speaker 1>of drumhead looking um body and you and you stamp,

0:44:07.680 --> 0:44:09.360
<v Speaker 1>you know, you roll this thing all around in the

0:44:09.360 --> 0:44:11.040
<v Speaker 1>ink and then roll them around on each other to

0:44:11.080 --> 0:44:13.160
<v Speaker 1>make sure that all all the INCA is really really

0:44:13.239 --> 0:44:16.520
<v Speaker 1>even and it's actually goose skin, uh, these pads are.

0:44:17.280 --> 0:44:20.720
<v Speaker 1>And then you, uh, you just go around and stamp

0:44:20.800 --> 0:44:24.480
<v Speaker 1>these four plates. And you know, from the looks the

0:44:24.480 --> 0:44:27.279
<v Speaker 1>way this guy did it, it took about maybe a

0:44:27.320 --> 0:44:29.960
<v Speaker 1>minute and a half to fully ink them for a

0:44:30.000 --> 0:44:32.640
<v Speaker 1>good page. And these things look kind of heavy. You know,

0:44:32.760 --> 0:44:35.520
<v Speaker 1>he's he's kind of. He doesn't roll them because if

0:44:35.520 --> 0:44:37.880
<v Speaker 1>you roll them you end up smearing, So he's just

0:44:37.880 --> 0:44:40.839
<v Speaker 1>sort of pounding them on there. And it's a lot

0:44:40.880 --> 0:44:43.440
<v Speaker 1>of work. And and all of this looks like a

0:44:43.440 --> 0:44:46.239
<v Speaker 1>lot of work, even the pressing part is it takes like,

0:44:46.280 --> 0:44:49.560
<v Speaker 1>you know, a lot of manual strength. Well yeah, I

0:44:49.560 --> 0:44:53.600
<v Speaker 1>mean again two years to just print bibles. Yeah, so

0:44:53.640 --> 0:44:56.520
<v Speaker 1>I mean it's a physical workout. Um, he uses this

0:44:56.600 --> 0:45:00.319
<v Speaker 1>inc you mentioned it's an oil based varnish previ lee.

0:45:00.400 --> 0:45:02.760
<v Speaker 1>For many, many hundreds of years they use water based

0:45:03.280 --> 0:45:05.680
<v Speaker 1>which is just no good. Water based ink is is

0:45:05.719 --> 0:45:08.880
<v Speaker 1>not what you want to do when you're printing a book. No,

0:45:09.040 --> 0:45:11.719
<v Speaker 1>And that was actually another reason why it didn't catch on.

0:45:12.239 --> 0:45:14.879
<v Speaker 1>Printing didn't catch on in in China and Korea two

0:45:14.920 --> 0:45:18.720
<v Speaker 1>as they were using water based inks exclusively and it runs,

0:45:18.760 --> 0:45:21.080
<v Speaker 1>its smears, it doesn't stay in place. It's just a

0:45:21.120 --> 0:45:25.120
<v Speaker 1>bad jam. And that was another innovation of Guttenberg's um,

0:45:25.360 --> 0:45:29.400
<v Speaker 1>which was to to use oil based ink. There was somebody,

0:45:30.000 --> 0:45:33.080
<v Speaker 1>I can't remember, we've talked about it in a podcast before,

0:45:33.120 --> 0:45:36.240
<v Speaker 1>but they were they were talking about how some inventor

0:45:36.400 --> 0:45:38.759
<v Speaker 1>just knocked something out of the park. His first time out,

0:45:39.120 --> 0:45:42.239
<v Speaker 1>and they said that it was akin to invent like

0:45:42.280 --> 0:45:45.600
<v Speaker 1>it had the right brothers invented their airplane complete with

0:45:45.760 --> 0:45:49.959
<v Speaker 1>UM airline miles and food trades that that came down

0:45:50.000 --> 0:45:51.400
<v Speaker 1>off the back of the sea in front. It was

0:45:51.400 --> 0:45:54.200
<v Speaker 1>just like this complete thing. And that's that's kind of

0:45:54.200 --> 0:45:57.160
<v Speaker 1>what Gutenberg did with the printing press. He he solved

0:45:57.239 --> 0:46:01.520
<v Speaker 1>all the problems all at once in his his initial invention,

0:46:01.600 --> 0:46:04.480
<v Speaker 1>like he figured it all out, and as we'll see,

0:46:04.520 --> 0:46:07.759
<v Speaker 1>it stayed the same for hundreds of years as a result. Yeah,

0:46:07.760 --> 0:46:09.480
<v Speaker 1>So to hold the paper in place, because you know

0:46:09.520 --> 0:46:12.280
<v Speaker 1>this frame is upright, and then you end up folding

0:46:12.280 --> 0:46:14.400
<v Speaker 1>it down. It's held in by these pins. He's a

0:46:14.400 --> 0:46:17.080
<v Speaker 1>little looked like little nail heads sticking or not nail heads,

0:46:17.080 --> 0:46:21.239
<v Speaker 1>but nail pointy parts the opposite of the head. And

0:46:21.320 --> 0:46:23.399
<v Speaker 1>that way, when you flip it over because you're gonna

0:46:23.400 --> 0:46:25.840
<v Speaker 1>have to print that other side, it's exactly in the

0:46:25.880 --> 0:46:29.080
<v Speaker 1>same spot that it was before. Another nice little, very

0:46:29.160 --> 0:46:33.680
<v Speaker 1>rudimentary way of making something perfect. Uh. And then you

0:46:33.719 --> 0:46:38.320
<v Speaker 1>mentioned earlier he made certain parts read this rubrication UM.

0:46:38.360 --> 0:46:40.840
<v Speaker 1>And I'm not sure what they did for the Guttenberg Bible,

0:46:40.920 --> 0:46:43.800
<v Speaker 1>but in the King James version. If I'm not mistaken,

0:46:43.960 --> 0:46:48.480
<v Speaker 1>Jesus's words are all in red. If i'm I think

0:46:48.520 --> 0:46:50.840
<v Speaker 1>I remember that being the case, But I think he

0:46:50.960 --> 0:46:53.920
<v Speaker 1>just used it here for certain parts and maybe flourishes

0:46:53.960 --> 0:46:56.239
<v Speaker 1>of art, and there was some hand drawn art and

0:46:56.280 --> 0:46:58.600
<v Speaker 1>stuff like that as well. Well, yeah, they you went

0:46:58.640 --> 0:47:01.040
<v Speaker 1>to hand drawn because they they he had so much

0:47:01.080 --> 0:47:05.400
<v Speaker 1>trouble with the the red um, like going back and

0:47:05.440 --> 0:47:07.600
<v Speaker 1>printing after the black was printed, printing on the same

0:47:07.600 --> 0:47:11.080
<v Speaker 1>page with just the red text. It's pretty advanced, right,

0:47:11.200 --> 0:47:13.480
<v Speaker 1>But they said, yeah, we'll just go do the hand

0:47:13.560 --> 0:47:16.440
<v Speaker 1>lettering like like traditional least, and nobody will be mad

0:47:16.480 --> 0:47:18.120
<v Speaker 1>at us for it, right, Like what do you call

0:47:18.160 --> 0:47:21.279
<v Speaker 1>it when the first letter is big drop cap? Yeah,

0:47:21.360 --> 0:47:24.719
<v Speaker 1>drop cap. They did those in red for sure. Uh.

0:47:24.800 --> 0:47:27.320
<v Speaker 1>And then you've got your screw Uh the screw press

0:47:27.360 --> 0:47:30.920
<v Speaker 1>he used. He kind of ganked from wine and great presses.

0:47:31.960 --> 0:47:34.399
<v Speaker 1>And you know, once you have this think inked up,

0:47:34.840 --> 0:47:37.839
<v Speaker 1>you move it over to the press and it's just

0:47:37.920 --> 0:47:41.000
<v Speaker 1>a big, big armed lever. It's not like something that

0:47:41.040 --> 0:47:43.279
<v Speaker 1>moves in a circle. You just kind of pull it

0:47:43.440 --> 0:47:47.320
<v Speaker 1>really tough, uh, kind of one or maybe two times

0:47:47.840 --> 0:47:51.640
<v Speaker 1>and then boom, you've got your printed page, you do,

0:47:51.800 --> 0:47:54.560
<v Speaker 1>and and Ed points out something that I think is overlooked.

0:47:54.560 --> 0:47:56.560
<v Speaker 1>But you know, and one of the other problems with

0:47:56.680 --> 0:47:59.600
<v Speaker 1>Chinese and Korean printing or any kind of printing using

0:47:59.680 --> 0:48:02.040
<v Speaker 1>like blocks or something like that is you're gonna get

0:48:02.120 --> 0:48:05.719
<v Speaker 1>uneven pressure, so you're gonna get an uneven transfer of

0:48:06.640 --> 0:48:08.719
<v Speaker 1>One of the genius things about the press about it

0:48:08.800 --> 0:48:12.520
<v Speaker 1>using basically a wine press for printing, is that it

0:48:12.560 --> 0:48:16.960
<v Speaker 1>applies even slow pressure at you know, increasing pressure and

0:48:16.960 --> 0:48:20.800
<v Speaker 1>then decreasing pressure as you unscrew the screw, so the

0:48:21.760 --> 0:48:24.279
<v Speaker 1>at the same rate, like over the whole plate, right,

0:48:24.360 --> 0:48:27.200
<v Speaker 1>So there was a nice even amount of pressure that

0:48:27.280 --> 0:48:32.560
<v Speaker 1>was increasingly introduced and decreasingly reduced. Um that that really

0:48:32.680 --> 0:48:36.400
<v Speaker 1>kind of made this this beautiful outcome for the on

0:48:36.480 --> 0:48:38.560
<v Speaker 1>the printed page. Yeah, you get when this guy in

0:48:38.560 --> 0:48:41.160
<v Speaker 1>this video holds up the little printed page at the

0:48:41.239 --> 0:48:43.279
<v Speaker 1>end there, you know, there's a little moment of you

0:48:43.480 --> 0:48:46.160
<v Speaker 1>and going on in that room, right and like a

0:48:46.160 --> 0:48:48.439
<v Speaker 1>little trickle of blood comes out of his ears. He's

0:48:48.480 --> 0:48:50.879
<v Speaker 1>just gazing into the king Man. I was worried about

0:48:50.880 --> 0:48:52.799
<v Speaker 1>that guy from I gotta go see that. You should

0:48:52.880 --> 0:48:56.400
<v Speaker 1>check him out. So um, that's I mean, that's the

0:48:56.440 --> 0:49:00.200
<v Speaker 1>printing press we we we should say, after Guttenberg into

0:49:00.239 --> 0:49:03.040
<v Speaker 1>those bibles, Foost got his hands on those presses almost

0:49:03.120 --> 0:49:08.200
<v Speaker 1>immediately and in very short order, I think, like less

0:49:08.239 --> 0:49:12.919
<v Speaker 1>than two years released Assaulter, which is also considered a masterpiece,

0:49:13.360 --> 0:49:16.920
<v Speaker 1>but Foost put his name on it. Even though Gutenberg

0:49:16.960 --> 0:49:19.719
<v Speaker 1>had basically created the whole thing. He also made a

0:49:19.719 --> 0:49:23.840
<v Speaker 1>business for himself creating these bibles using Gutenberg's old plates

0:49:24.480 --> 0:49:26.520
<v Speaker 1>because he got his hands on all those through the court.

0:49:27.040 --> 0:49:31.080
<v Speaker 1>But again, Guttenberg was certainly not lost to history. Everybody

0:49:31.160 --> 0:49:34.080
<v Speaker 1>knew what he did and very quickly, you know, revered

0:49:34.160 --> 0:49:37.960
<v Speaker 1>him as a hero extraordinary. But we were talking about

0:49:38.000 --> 0:49:43.480
<v Speaker 1>what the Gutenberg press did for the world, and it's

0:49:43.600 --> 0:49:48.480
<v Speaker 1>really tough to overstate the impact that it had on things. Yeah,

0:49:48.520 --> 0:49:50.840
<v Speaker 1>I mean just think about, like you said, the first

0:49:50.960 --> 0:49:55.400
<v Speaker 1>information Age, getting out information on on government and politics

0:49:55.440 --> 0:49:59.439
<v Speaker 1>and democracy, and I mean just little things like how

0:49:59.480 --> 0:50:02.440
<v Speaker 1>tos and you know, how to how to that there

0:50:02.480 --> 0:50:03.880
<v Speaker 1>might have been a how to on how to make

0:50:03.920 --> 0:50:07.120
<v Speaker 1>those nails that we talked about in the Blacksmithing episode,

0:50:07.600 --> 0:50:09.200
<v Speaker 1>although I think a lot of that has passed down,

0:50:09.239 --> 0:50:10.960
<v Speaker 1>but all of a sudden, you can get this out

0:50:11.000 --> 0:50:14.480
<v Speaker 1>on mass and and that's the whole thing. It's like,

0:50:14.560 --> 0:50:17.000
<v Speaker 1>all of a sudden, hundreds and thousands and hundreds of

0:50:17.000 --> 0:50:21.680
<v Speaker 1>thousands of people could read information right, and they could

0:50:21.760 --> 0:50:25.200
<v Speaker 1>learn to read too, because books were now way more

0:50:25.239 --> 0:50:28.719
<v Speaker 1>affordable than they have been before. And actually, ironically enough,

0:50:28.760 --> 0:50:31.480
<v Speaker 1>I ran across the history dot com article called seven

0:50:31.480 --> 0:50:34.239
<v Speaker 1>ways the Printing Press changed the World by our own

0:50:34.320 --> 0:50:38.560
<v Speaker 1>Dave Rubs. He went to um he he points out this,

0:50:38.640 --> 0:50:41.720
<v Speaker 1>and I thought this was really important. With the printing press,

0:50:41.760 --> 0:50:44.240
<v Speaker 1>that made it way easier to make way more copies

0:50:44.239 --> 0:50:47.640
<v Speaker 1>of something than ever before, which also made it harder

0:50:47.680 --> 0:50:51.319
<v Speaker 1>to stamp out new ideas. Whereas before, if you had

0:50:51.360 --> 0:50:54.080
<v Speaker 1>some heretic who had this new idea about, you know,

0:50:54.200 --> 0:50:57.120
<v Speaker 1>the earth revolving around the sun rather than the other

0:50:57.120 --> 0:50:59.919
<v Speaker 1>way around, all you do is kill that person, burn

0:51:00.000 --> 0:51:01.960
<v Speaker 1>about the steak, and then burn their copies of their

0:51:02.000 --> 0:51:06.160
<v Speaker 1>notes along with them. In idea gone right now, that

0:51:06.200 --> 0:51:08.640
<v Speaker 1>person could make a bunch of copies and disseminate them,

0:51:08.840 --> 0:51:10.879
<v Speaker 1>and so this idea would be out there. You could

0:51:10.960 --> 0:51:13.360
<v Speaker 1>kill that person, but their idea was going to survive

0:51:13.400 --> 0:51:15.279
<v Speaker 1>because there were too many copies for you to get

0:51:15.320 --> 0:51:18.000
<v Speaker 1>your hands on and stamp out. And that led to

0:51:18.080 --> 0:51:21.520
<v Speaker 1>things like the Enlightenment, like the revolution in America and

0:51:21.560 --> 0:51:24.880
<v Speaker 1>in France, and the birth of democracy in the West,

0:51:25.000 --> 0:51:27.480
<v Speaker 1>like like all of this stuff came from that, the

0:51:27.560 --> 0:51:31.360
<v Speaker 1>ability to disseminate things like never before in the legal system.

0:51:31.360 --> 0:51:33.840
<v Speaker 1>It allowed judges to throw the book at people. Yeah

0:51:33.880 --> 0:51:37.080
<v Speaker 1>before one book. Yeah, they wouldn't throw that one thing.

0:51:37.680 --> 0:51:41.399
<v Speaker 1>They might not get it back, that's right. So wow,

0:51:41.440 --> 0:51:43.279
<v Speaker 1>that's a good one. I think on that one. We

0:51:43.320 --> 0:51:46.760
<v Speaker 1>should end u this episode on the Guttenberg Printing Press.

0:51:46.880 --> 0:51:50.080
<v Speaker 1>Don't you Well? Since I said don't you, everybody's time

0:51:50.120 --> 0:51:55.880
<v Speaker 1>for listener, ma'am alright, I'm gonna call this sweep Steaks Winner.

0:51:56.920 --> 0:51:59.319
<v Speaker 1>This is from Devin John's Hey guys, just listen to

0:51:59.320 --> 0:52:01.880
<v Speaker 1>the sweep Steak podcast. I wanted to share one of

0:52:01.920 --> 0:52:05.279
<v Speaker 1>my wins as a sweeper and I saw a sweepstakes

0:52:05.360 --> 0:52:09.640
<v Speaker 1>for from Interstate Battery and Firestone where they were giving

0:52:09.640 --> 0:52:11.799
<v Speaker 1>away two trucks and a bunch of gift cards. All

0:52:11.840 --> 0:52:13.399
<v Speaker 1>you had to do is get a free battery check

0:52:13.400 --> 0:52:17.439
<v Speaker 1>at any Firestone and enter with your invoice. I thought,

0:52:17.520 --> 0:52:19.120
<v Speaker 1>I need an oil chain so I might as well

0:52:19.200 --> 0:52:22.239
<v Speaker 1>get that battery checked and enter. Less than three months later,

0:52:22.280 --> 0:52:25.160
<v Speaker 1>I was contacted by a third party company who facilitates

0:52:25.200 --> 0:52:28.319
<v Speaker 1>the sweep Steaks. Almost didn't answer. They told me I

0:52:28.360 --> 0:52:31.120
<v Speaker 1>didn't win and he won a gift card. No, he

0:52:31.200 --> 0:52:34.000
<v Speaker 1>won a truck. He won one of those two trucks,

0:52:34.840 --> 0:52:39.480
<v Speaker 1>uh seventeen Chevy Silverado. He said, I loved having a truck,

0:52:39.520 --> 0:52:42.440
<v Speaker 1>but as you guys said, you gotta pay taxes on winnings,

0:52:42.480 --> 0:52:45.439
<v Speaker 1>which counts his income, so ended up selling it, buying

0:52:45.440 --> 0:52:48.319
<v Speaker 1>a nice use car and paying off debt. I've won

0:52:48.320 --> 0:52:51.320
<v Speaker 1>a bunch of stuff and have learned how to spot

0:52:51.360 --> 0:52:54.800
<v Speaker 1>reel and fake giveaways, but they do exist, so keep entering.

0:52:54.880 --> 0:52:58.080
<v Speaker 1>And that is Devin John's and he included a picture

0:52:58.120 --> 0:53:03.319
<v Speaker 1>of himself with his latkar. It's great, it looks good still,

0:53:04.320 --> 0:53:08.040
<v Speaker 1>Thanks Devin, congratulations and that is a fantastic story. That's

0:53:08.080 --> 0:53:11.840
<v Speaker 1>a perfect listener. Male response to the sweep Stakes episode.

0:53:11.840 --> 0:53:14.319
<v Speaker 1>If you ask me, yeah, and in a smart, responsible

0:53:14.320 --> 0:53:16.879
<v Speaker 1>thing you did by getting a cheaper thing and then

0:53:16.960 --> 0:53:20.560
<v Speaker 1>paying off debt. Good for you. Yeah. Uh, Well, if

0:53:20.600 --> 0:53:21.920
<v Speaker 1>you want us to give you a pat on the

0:53:21.960 --> 0:53:24.879
<v Speaker 1>head for something you did. Email to us. You can

0:53:24.920 --> 0:53:31.000
<v Speaker 1>send it off to stuff podcast at iHeart radio dot com.

0:53:31.080 --> 0:53:33.240
<v Speaker 1>Stuff you Should Know is a production of iHeart Radios.

0:53:33.239 --> 0:53:35.799
<v Speaker 1>How Stuff Works. For more podcasts for my heart Radio

0:53:35.960 --> 0:53:38.400
<v Speaker 1>is at the iHeart Radio app, Apple Podcasts, or wherever

0:53:38.480 --> 0:53:39.720
<v Speaker 1>you listen to your favorite shows