WEBVTT - Smells to Blow Your Mind

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how stuff

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<v Speaker 1>Works dot com. Hey, welcome to stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. And uh,

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<v Speaker 1>we're gonna talk about smells smell and and don't turn

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<v Speaker 1>up the podcast. You made it this far into a

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<v Speaker 1>podcast about smells. Yeah, because that's the thing. The sense

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<v Speaker 1>of smell is amazing, and it is mind blowing. We

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<v Speaker 1>we end up taking it for granted. But but it's

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<v Speaker 1>one of the strongest senses that we have. Out of

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<v Speaker 1>all the five. It's the only one that interacts directly

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<v Speaker 1>with the brain. And and just imagine how boring the

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<v Speaker 1>world would be without it, and and and also take

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<v Speaker 1>into account that we really haven't studied it seriously scientifically

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<v Speaker 1>until the last couple of decades, Like there was a

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<v Speaker 1>but before that, if you were like, I'm going to

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<v Speaker 1>scientifically study smell, I'm really interested in how things smell

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<v Speaker 1>and what makes something stink, and what makes something smell good,

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<v Speaker 1>and how something that could the same odor could sort

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<v Speaker 1>of smell good. If we thought of one thing and stink,

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<v Speaker 1>if we thought it was the other people would laugh

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<v Speaker 1>at you. They would say a ha, ha, why don't

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<v Speaker 1>you go study ghosts or something? Right? Right? Right? Did

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<v Speaker 1>they ever think that there would be a whole industry

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<v Speaker 1>that is uh built on smell, Like, for instance, if

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<v Speaker 1>you go into the gap, if you go into that retailer,

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<v Speaker 1>there is a specific smell that was created just for

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<v Speaker 1>that store, keeping you the customer in mind, you know,

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<v Speaker 1>sort of fresh light smell to try to manipulate your Yeah.

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<v Speaker 1>It goes far beyond just the perfume industry or anything

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<v Speaker 1>of that nature. It gets into into what kind of

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<v Speaker 1>smells do people react to, how to how to smells

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<v Speaker 1>interact with our memories? Um, wine and then wine is

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<v Speaker 1>a one smell appealed to say, one group of people

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<v Speaker 1>and not to another. It just gets it gets crazy. Yeah. Yeah.

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<v Speaker 1>And so today we're gonna talk about smells, but we're

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<v Speaker 1>don't trying to talk about it in a little bit

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<v Speaker 1>of an unorthodox way. And uh, I'm not lying here.

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<v Speaker 1>We're gonna talk about David Beckham's foot at one point.

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<v Speaker 1>Oh yes, yeah, yeah, So so let's get into it

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<v Speaker 1>all right. Well, a lot of this came from a

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<v Speaker 1>panel that I attended at the at the World Science

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<v Speaker 1>Festival in New York in June of two thousand eleven.

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<v Speaker 1>We're both up there hitting various panels and this one

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<v Speaker 1>was called Sense and Sensibilities, right, yes, take on, Jane Austen. Yeah,

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<v Speaker 1>and it was a really cool one. Like all of

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<v Speaker 1>them barely got there in time, because it was like,

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<v Speaker 1>you know, taking the train and then trying to figure

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<v Speaker 1>out where I was supposed to go, and then using

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<v Speaker 1>the phone to try and triangulate exactly where I was

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<v Speaker 1>and where it was. It was very and as you

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<v Speaker 1>were looking at the phone bumping into the building and

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<v Speaker 1>realizing that was a building that you needed to hoof

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<v Speaker 1>it into. Yeah, and uh, it was a great panel.

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<v Speaker 1>And one of the things they did they did a

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<v Speaker 1>really interesting smell test where everybody had these different cards

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<v Speaker 1>under their well, they weren't under the chair, but they

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<v Speaker 1>were handed out to It was lightly It was just

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<v Speaker 1>that if they were under the chair and each one

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<v Speaker 1>has a number, and then you smell it and then

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<v Speaker 1>they would vote to see what people thought the smell was.

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<v Speaker 1>So um, I thought we might just run through these

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<v Speaker 1>real quick. Okay, let's do it all right. So this

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<v Speaker 1>is we're going to count down from the top. This

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<v Speaker 1>is number four, number four, and this is a little card.

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<v Speaker 1>It has you gotta peel the plastic back. I can

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<v Speaker 1>smell something kind of smells kind of good, but it's

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<v Speaker 1>very faint langline. I don't know what that is. It's

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<v Speaker 1>a it's a like a lily smell. Okay, so you

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<v Speaker 1>can kind of a like a sweet plant kind of smell.

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<v Speaker 1>From what is number four? Then I will have up

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<v Speaker 1>to my nose. It is a Tahitian flower by the

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<v Speaker 1>name of t R So there you go. You were

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<v Speaker 1>pretty close that I was gonna say Tahitian flower. Yeah,

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<v Speaker 1>well it's it's frequently used in you know, kind of

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<v Speaker 1>perfumey smells. Now number three mm hm, okay, this smells

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<v Speaker 1>like it sounds good, but because it also smells like

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<v Speaker 1>under arm plus like maybe a drier sheet. Oh that's

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<v Speaker 1>that's very spot on because it's musk, which is of

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<v Speaker 1>course musk, you know, musky odors, but musk is also

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<v Speaker 1>an important ingredient, very in soap products. That's funny. I

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<v Speaker 1>felt like I should I say I like that, us

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<v Speaker 1>I feel a little dirty and saying that I like this.

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<v Speaker 1>That was my initial squeeze directed directly from a muskrat,

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<v Speaker 1>and then the final one. This is number one, and

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<v Speaker 1>this one is actually double wrapped, so you'll have to

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<v Speaker 1>take it out of the plastic. Hey, if it's double wrap,

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<v Speaker 1>it's probably pretty pungent, right, Well, that would seem to imply,

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<v Speaker 1>oh goodness, yeah it is. It's still strong after so

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<v Speaker 1>many months. I mean, it's clearly smells like cheese, and

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<v Speaker 1>it's like a very pungent cheese. I mean, I'm not

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<v Speaker 1>gonna say it's cheddar, but it's it's strong. Yeah. This

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<v Speaker 1>one was the most fun at this festival because people

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<v Speaker 1>were throwing out various ideas from the audience, things of

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<v Speaker 1>such as, it's under arm, it's its feet, it's uh,

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<v Speaker 1>it's body odor, it's it's locker funk, it's and then

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<v Speaker 1>other people are saying it's Lindburger, it's Swiss, it's uh,

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<v Speaker 1>you know, it's it's some sort of weird pots, Robert,

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<v Speaker 1>what have I just put up to my nose? David

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<v Speaker 1>Beckham's feet Apparently this was taking This smell was taken

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<v Speaker 1>directly from David Beckham's foot funk and then made into

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<v Speaker 1>a chemical form and then brushed under the all these

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<v Speaker 1>little cards and then handed out to people attending this

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<v Speaker 1>particular panel. Alright, So I mean I read about not

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<v Speaker 1>necessarily this that you just put in my nose, but

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<v Speaker 1>that his foot has been studied before. I didn't realize

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<v Speaker 1>that was quite a specimen. I mean, his molecules are

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<v Speaker 1>they're they're just rumbling around my nose right now and

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<v Speaker 1>touching your brain. I should really say. Yeah, I have

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<v Speaker 1>to say it's a little bit disturbing, especially since I

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<v Speaker 1>like cheese. Um, I really do. And that is that

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<v Speaker 1>is the weird thing, Like the same smell in a

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<v Speaker 1>different context. Um, at least cheese fans would be like, oh,

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<v Speaker 1>that smells delightful. There was a an art opening I

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<v Speaker 1>was helping at here in town that my wife was organizing,

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<v Speaker 1>and there was some cheese on hand, and so Bonnie

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<v Speaker 1>was unwrapping it and getting ready on the table, and

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<v Speaker 1>I was doing something else, like getting lighting or sound

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<v Speaker 1>ready for the event, and I smelled this odor and

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<v Speaker 1>I'm like, oh, my goodness, we're about to have this

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<v Speaker 1>art event and a mouse has died in the wall.

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<v Speaker 1>What are we gonna do? It's like, I don't I

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<v Speaker 1>don't know how to get back there and get it,

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<v Speaker 1>Like clearly something has died. And then I found it

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<v Speaker 1>out that knows this cheese and uh. And and then

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<v Speaker 1>later we had some friends that were attending it who

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<v Speaker 1>are big freendshophiles and really in cheese. They were like, oh,

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<v Speaker 1>this smells great. Can we take it home and devour it?

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<v Speaker 1>And we're like, yes, please, yes, please, please take the

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<v Speaker 1>dead mouse home because it is is stinking up the space.

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<v Speaker 1>So different different circumstances, different ideas about where the smell

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<v Speaker 1>is coming from, has a huge impact on whether it

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<v Speaker 1>is a good smell or a bad smell. Different cultures, right, um,

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<v Speaker 1>and there was a woman on this panel. Cecil told us,

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<v Speaker 1>the Norwegian odor artist. Oh, yes, she was awesome. Yeah.

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<v Speaker 1>I mean you know, by the way, this is all online,

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<v Speaker 1>so you can go to World Science Festival put in

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<v Speaker 1>sense s c e n T s s c n

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<v Speaker 1>s e uh sense and sensibilities and you can see

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<v Speaker 1>some of this stuff. It's great. She is uh. They

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<v Speaker 1>call her an udor provocateur, and she's really like a

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<v Speaker 1>warrior for smell. In the same way that you hear

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<v Speaker 1>a lot of parents arguing that okay, you should not

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<v Speaker 1>let a child say that a food is yucky, or

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<v Speaker 1>you should not say, oh, this taste bad in front

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<v Speaker 1>of a child, Like she takes it even farther than

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<v Speaker 1>we should not talk about things stinking or smelling bad.

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<v Speaker 1>And I kind of on the same boat when it

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<v Speaker 1>comes to cheese, Like when I hear people talk about,

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<v Speaker 1>who I'm gonna try a stinky cheese, I'm like, don't

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<v Speaker 1>use that word. Use a different word for the thing

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<v Speaker 1>that you like. Don't say stinky. Say it's a pungent, pungent,

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<v Speaker 1>pungent I like, or fragrant, expressive cheese, but don't say stinky.

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<v Speaker 1>And that was one of the things she was talking about.

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<v Speaker 1>It's like, we have to, you know, we have to

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<v Speaker 1>bring up a new generation that has a more nuanced

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<v Speaker 1>way of talking about smell, because for a lot of people,

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<v Speaker 1>it's just like, oh, that's a good smell, and that's

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<v Speaker 1>a bad smell. And it's a lot more complicated than that. Yeah,

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<v Speaker 1>And that's kind of what put her on her whole journey.

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<v Speaker 1>She said to herself, can I think beyond the dichotomies

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<v Speaker 1>of good and bad sense? And she certainly has plumbed

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<v Speaker 1>the subject to like he has broken the other side. Yeah,

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<v Speaker 1>she makes me think of the guy um who who

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<v Speaker 1>the Kloica machine who who is very interested in feces

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<v Speaker 1>and his exploration of this in our relationship to this,

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<v Speaker 1>this smell, this, this this material, and she does it

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<v Speaker 1>the same way with smell um and really forces you

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<v Speaker 1>to think about the topic. Yeah. Yeah, but it's so,

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<v Speaker 1>it's very it's very very interesting that she dived into this,

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<v Speaker 1>And I wanted to mention a couple of things that

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<v Speaker 1>that make that even more intriguing. Um, And that's considering

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<v Speaker 1>what's actually happening to your inside your nose when you

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<v Speaker 1>are sensing a smell um. Like you said, it's the

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<v Speaker 1>only sense with a direct connection to the brain. So

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<v Speaker 1>when you breathe chemicals into your nose, you have proteins

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<v Speaker 1>that bind to millions of molecules, and these molecules rush

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<v Speaker 1>into your nose and they get really cozy with the

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<v Speaker 1>nerve endings of your brains. With factory bulb and you

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<v Speaker 1>have four hundred receptors trying to suss out the different

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<v Speaker 1>smells um. So say you're walking down the street in

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<v Speaker 1>New York early on the sunny morning in July, You're

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<v Speaker 1>gonna be bombarded with a bunch of different smells. Yes,

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<v Speaker 1>it is a city of amazing stinks. For sure. It

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<v Speaker 1>is it is um or. You know, the day before

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<v Speaker 1>garbage pickup, right, it's it's um or. You go past

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<v Speaker 1>a pizza parlor and your your brain is trying to

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<v Speaker 1>make sense of all this old factory input. So um,

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<v Speaker 1>it's it's very interesting when you think about it that way. UM.

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<v Speaker 1>And we think about vision is being really complex, but

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<v Speaker 1>when we're talking about vision or something like color blindness,

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<v Speaker 1>really you're talking about three primary colors that you're perceiving.

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<v Speaker 1>But when you're talking about smells, you're talking about fifteen

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<v Speaker 1>thousand identifiable smells that are out there so far. Right,

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<v Speaker 1>Like you said, this is a pretty young field, the

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<v Speaker 1>field of smells. And as we walk around, we're all

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<v Speaker 1>carrying around this database of of smells with us. Um Like,

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<v Speaker 1>not only the smells that we recognize in our in

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<v Speaker 1>our mind, because I think we've all had that situation

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<v Speaker 1>where we're walking down the street and with a different

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<v Speaker 1>smell will hit us out of nowhere, and suddenly we're

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<v Speaker 1>transported back to our childhood or something, right, and and

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<v Speaker 1>sometimes we're not even sure what that odor was. It's

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<v Speaker 1>not like, oh, the smell of fresh peaches that it

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<v Speaker 1>takes me back. I don't know why. I know you had.

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<v Speaker 1>All Italians are talking about peaches, but but I'm thinking

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<v Speaker 1>about New York streets. I guess I don't know, but

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<v Speaker 1>but more like you like, for me, it's like a

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<v Speaker 1>smell will hit me and I it will be an

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<v Speaker 1>unclassifiable smell, like I'm not sure what that odor is,

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<v Speaker 1>but it takes me back. But but so not only

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<v Speaker 1>those the odors of memory, but also just the odors

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<v Speaker 1>on our person in our coat. Well. I was actually

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<v Speaker 1>thinking about that a lot today because I'm wearing this

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<v Speaker 1>vintage velvet jacket and it's one of my mom's curnies.

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<v Speaker 1>Actually gave it to me, and it's really sweet, love it,

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<v Speaker 1>but it has this Yeah, it's very shiny, and it

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<v Speaker 1>has the scent of her perfume on it. It's clean,

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<v Speaker 1>but obviously this is something that survived it and so

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<v Speaker 1>I feel like I'm wearing the autobiography of someone else

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<v Speaker 1>right now, and it's a little disconcerting. Um just to

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<v Speaker 1>every once in a while smell this scent. But this

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<v Speaker 1>is one of the things that se sell To Lost

0:10:55.720 --> 0:10:59.440
<v Speaker 1>the the odor artists really wanted to check out, and

0:10:59.480 --> 0:11:02.120
<v Speaker 1>she did the us by analyzing a bunch of coats

0:11:02.760 --> 0:11:07.600
<v Speaker 1>from the citizens and uh, I think it was the Montpelier, France. Yeah,

0:11:07.640 --> 0:11:12.040
<v Speaker 1>she took their coats and analyzed it. Um. Basically, she

0:11:12.559 --> 0:11:14.840
<v Speaker 1>used her her nose to try to figure out the

0:11:14.880 --> 0:11:18.840
<v Speaker 1>different profiles of smell. And before anybody scoffed at that,

0:11:18.880 --> 0:11:22.600
<v Speaker 1>this is actually, um, this is something that perfumers do

0:11:22.640 --> 0:11:24.880
<v Speaker 1>all the time. You can really train your nose to

0:11:24.920 --> 0:11:29.120
<v Speaker 1>detect the most minute smell or so this is something

0:11:29.160 --> 0:11:32.640
<v Speaker 1>that's real, by the way, and um ce cel Tolass

0:11:32.760 --> 0:11:34.760
<v Speaker 1>is like she's a giant in her field, so she's

0:11:34.760 --> 0:11:38.200
<v Speaker 1>pretty well respected. And she actually has created sense for

0:11:38.480 --> 0:11:42.520
<v Speaker 1>product Um, Calvin Klein and all sorts of other people,

0:11:42.600 --> 0:11:46.040
<v Speaker 1>so she knows what she's talking about here. Um. But anyway,

0:11:46.160 --> 0:11:49.920
<v Speaker 1>she has also just another little interesting fact about her.

0:11:50.160 --> 0:11:53.640
<v Speaker 1>She has a smell archive preserved in seven thousand, six

0:11:53.720 --> 0:11:58.600
<v Speaker 1>hundred and thirty air tight jars which feature dirty fabric,

0:11:58.679 --> 0:12:02.640
<v Speaker 1>chunks of fried fish or dried fish, rotten bananas, a

0:12:02.720 --> 0:12:06.360
<v Speaker 1>hundred and fifty variations on dog poo, and her favorite

0:12:06.360 --> 0:12:08.360
<v Speaker 1>aroma that of her thirteen year old daughter, which I

0:12:08.360 --> 0:12:12.320
<v Speaker 1>thought was really cool. So anyway, this this expert on

0:12:12.360 --> 0:12:15.120
<v Speaker 1>odor takes these coats and analyzes them and what does

0:12:15.160 --> 0:12:19.280
<v Speaker 1>she find, Well that there's a complex bouquet going on there.

0:12:19.360 --> 0:12:22.000
<v Speaker 1>Right in the term that bouquet, there's some top notes

0:12:22.000 --> 0:12:24.319
<v Speaker 1>and there are some bottom notes for sure. Yeah, like

0:12:24.360 --> 0:12:27.720
<v Speaker 1>there's a certain amount of like fecal odor. Yeah, yeah,

0:12:27.720 --> 0:12:31.160
<v Speaker 1>there was. There was one product coat that was analyzed

0:12:31.160 --> 0:12:34.880
<v Speaker 1>and had two percent dog feces, five percent soy sauce,

0:12:35.080 --> 0:12:39.120
<v Speaker 1>six percent gasoline smell, nine percent Jill Sander after shave.

0:12:39.880 --> 0:12:42.360
<v Speaker 1>By the way, this aftershave was not the after shave

0:12:42.480 --> 0:12:46.560
<v Speaker 1>of her husband. It was of someone else. Um ten

0:12:46.600 --> 0:12:49.959
<v Speaker 1>percent codfish, twelve percent channel number five, which is the

0:12:50.000 --> 0:12:54.120
<v Speaker 1>scent she wore, and twenty six percent tobacco sweat. Wow,

0:12:54.120 --> 0:12:56.240
<v Speaker 1>where is the cod fish coming from? I mean, she

0:12:56.320 --> 0:12:58.680
<v Speaker 1>must have just had a little codfish for for lunch

0:12:58.720 --> 0:13:00.760
<v Speaker 1>before she gave her codo her or they had one

0:13:00.760 --> 0:13:04.520
<v Speaker 1>of those freak days where like rained cod. Yes, yeah,

0:13:04.520 --> 0:13:07.000
<v Speaker 1>that was probably one of those days. Ye frogs the

0:13:07.080 --> 0:13:09.559
<v Speaker 1>day before than cod. But yeah, all this stuff is

0:13:09.600 --> 0:13:11.319
<v Speaker 1>in our clothes and we're walking around and we think

0:13:11.360 --> 0:13:13.160
<v Speaker 1>that we're so clean, especially here, you know, in the

0:13:13.240 --> 0:13:16.680
<v Speaker 1>United States, where we're obsessed with sanitizing ourselves and covering up. Well, yeah,

0:13:16.760 --> 0:13:19.400
<v Speaker 1>because I'm clean is an interesting topic just in and

0:13:19.400 --> 0:13:23.400
<v Speaker 1>of itself, because we over time have taken idea of

0:13:23.520 --> 0:13:28.520
<v Speaker 1>hygiene and the idea of spiritual purity and and intertwined

0:13:28.600 --> 0:13:30.880
<v Speaker 1>the two to the point where in many cultures there's

0:13:30.920 --> 0:13:34.320
<v Speaker 1>just no pulling them apart again, right right, So, I

0:13:34.320 --> 0:13:37.800
<v Speaker 1>mean it's just and she will say, uh, this artist

0:13:37.840 --> 0:13:41.040
<v Speaker 1>that the West is way too obsessed with sanitizing and

0:13:41.120 --> 0:13:42.720
<v Speaker 1>we should get a little bit more comfortable with the

0:13:42.720 --> 0:13:45.720
<v Speaker 1>different smells that we have, like the smell of fear,

0:13:46.120 --> 0:13:52.439
<v Speaker 1>which we will talk about right after this. This podcast

0:13:52.480 --> 0:13:55.319
<v Speaker 1>is brought to you by Intel, the sponsors of Tomorrow

0:13:55.720 --> 0:14:00.120
<v Speaker 1>and the Discovery Channel. At Intel, we believe curiosity is

0:14:00.120 --> 0:14:04.160
<v Speaker 1>the spark which drives innovation. Join us a curiosity dot

0:14:04.160 --> 0:14:10.200
<v Speaker 1>com and explore the answers to life's questions. So the

0:14:10.200 --> 0:14:13.720
<v Speaker 1>smell of fear and this this really this boils down

0:14:13.720 --> 0:14:16.000
<v Speaker 1>to to some of the you know, a lot of

0:14:16.000 --> 0:14:18.000
<v Speaker 1>what we can discuss about the evolution of our sense

0:14:18.000 --> 0:14:20.400
<v Speaker 1>of smell in where a place. Because if you can

0:14:20.440 --> 0:14:22.480
<v Speaker 1>smell fear, and you hear that a lot, it's like,

0:14:22.680 --> 0:14:24.800
<v Speaker 1>don't mess with that guy. He can smell fear. Don't

0:14:24.840 --> 0:14:27.000
<v Speaker 1>be weird around this dog. It can smell fear. The

0:14:27.040 --> 0:14:30.000
<v Speaker 1>idea that that we're emitting some sort of odor, be

0:14:30.200 --> 0:14:32.040
<v Speaker 1>that just a some be it just sort of a

0:14:32.080 --> 0:14:36.280
<v Speaker 1>body funk or an actual pheromone that says, I am afraid, right,

0:14:36.840 --> 0:14:40.080
<v Speaker 1>I am on edge and a little terrified. Uh. It's

0:14:40.120 --> 0:14:42.200
<v Speaker 1>it's a fascinating concept because you would not want to

0:14:42.240 --> 0:14:44.600
<v Speaker 1>emit that odor. You would want to admit the I'm

0:14:44.640 --> 0:14:48.680
<v Speaker 1>pretty awesome and could beat up a dog kind of right,

0:14:48.560 --> 0:14:52.160
<v Speaker 1>right right, Because again here we have with these molecules

0:14:52.240 --> 0:14:55.360
<v Speaker 1>being sucked up by our noses, and we are detecting

0:14:55.400 --> 0:14:57.800
<v Speaker 1>all of this on a very subtle level, which which

0:14:57.800 --> 0:15:01.640
<v Speaker 1>again this the odor artist is um using this to

0:15:01.680 --> 0:15:06.760
<v Speaker 1>try to explore, you know, all these different happenstances of

0:15:06.760 --> 0:15:10.840
<v Speaker 1>our humanity, like fear. So cecil to lost the artists

0:15:10.840 --> 0:15:13.680
<v Speaker 1>we were talking about, she also went after this whole

0:15:13.720 --> 0:15:16.840
<v Speaker 1>fear smell thing, and she ended up this is two

0:15:16.840 --> 0:15:20.240
<v Speaker 1>thousand six. Shed analyzed all these different examples of men

0:15:20.720 --> 0:15:23.080
<v Speaker 1>in a state of fear. These these were men, by

0:15:23.080 --> 0:15:25.560
<v Speaker 1>the way, who had chronic states of fear. Right, It

0:15:25.600 --> 0:15:27.480
<v Speaker 1>wasn't just like every once a while they were scared,

0:15:27.520 --> 0:15:31.000
<v Speaker 1>but for various reasons. They were under dress. Yeah, you know,

0:15:31.000 --> 0:15:32.600
<v Speaker 1>maybe they were a veteran or something, and they were

0:15:32.600 --> 0:15:35.560
<v Speaker 1>able to, you know, summon this sphere for the experiment,

0:15:35.640 --> 0:15:38.560
<v Speaker 1>and they took samples from their their under arms. And

0:15:38.920 --> 0:15:42.200
<v Speaker 1>in this in two thousand six, Cecil covered the walls

0:15:42.240 --> 0:15:45.360
<v Speaker 1>of an M. I. T. Gallery with and I mean

0:15:45.360 --> 0:15:47.480
<v Speaker 1>officially not you know, she didn't go in there, just

0:15:47.480 --> 0:15:49.720
<v Speaker 1>do it after the lights were out. She had she

0:15:49.760 --> 0:15:53.440
<v Speaker 1>had an exhibit. Yeah, imagine like basically imagine walking into

0:15:53.480 --> 0:15:55.880
<v Speaker 1>an exhibit hall and it looks like all the paintings

0:15:55.880 --> 0:15:58.360
<v Speaker 1>are gone and you're like, oh, I'm kind of bummed out.

0:15:58.360 --> 0:15:59.760
<v Speaker 1>I came here for an art show. And then you

0:16:00.120 --> 0:16:03.120
<v Speaker 1>is no, instead of going up and looking at a painting,

0:16:03.120 --> 0:16:05.680
<v Speaker 1>you're going up to that blank canvas and you're sniffing.

0:16:05.960 --> 0:16:09.240
<v Speaker 1>That's right, because this wall is a metaphor for the skin, right,

0:16:09.280 --> 0:16:12.680
<v Speaker 1>And she's basically she's chemically reproduced the molecules from the

0:16:12.720 --> 0:16:15.920
<v Speaker 1>sweat of these men that she studied who were suffering fear.

0:16:16.600 --> 0:16:18.920
<v Speaker 1>And and you're going up and you're getting to smell

0:16:19.200 --> 0:16:22.400
<v Speaker 1>different variations on that odor. And she she mentioned that

0:16:22.400 --> 0:16:25.480
<v Speaker 1>there was one individual who had who had been in

0:16:25.520 --> 0:16:28.000
<v Speaker 1>the war and uh, and he was smelling like an

0:16:28.200 --> 0:16:32.160
<v Speaker 1>Asian um fear odor and the dye was like brought

0:16:32.200 --> 0:16:34.240
<v Speaker 1>to tears because he was like, this really takes me

0:16:34.280 --> 0:16:37.280
<v Speaker 1>back to this guy who during the war. Is that amazing?

0:16:37.360 --> 0:16:40.280
<v Speaker 1>It is amazing? Yeah, yeah, um. And and how she

0:16:40.360 --> 0:16:43.200
<v Speaker 1>did this as pretty interesting too. She used micro encapsulation

0:16:43.240 --> 0:16:46.480
<v Speaker 1>technology to produce a gloss paint that releases its scent

0:16:46.520 --> 0:16:49.480
<v Speaker 1>when gently touched. Scratch and sniff, yeah, scratch and stiff

0:16:49.920 --> 0:16:53.200
<v Speaker 1>wall of fear basically, so you have these nine different

0:16:53.440 --> 0:16:56.760
<v Speaker 1>smells of fear, you know, from these nine different men

0:16:57.520 --> 0:16:59.800
<v Speaker 1>and uh, and all of these guys, like you said

0:16:59.840 --> 0:17:02.400
<v Speaker 1>that they collected their sweat during um when they were

0:17:02.440 --> 0:17:05.080
<v Speaker 1>under duress. And one of them actually was a guy

0:17:05.119 --> 0:17:08.800
<v Speaker 1>who engaged in s and M and so he collected

0:17:08.880 --> 0:17:12.680
<v Speaker 1>his perspiration when he visited sex clubs. So he's he's

0:17:12.720 --> 0:17:17.399
<v Speaker 1>he has a fearful odor emitting from this upright, because

0:17:17.480 --> 0:17:20.560
<v Speaker 1>I mean that's part of his um. I mean, yes,

0:17:20.600 --> 0:17:23.440
<v Speaker 1>he was aroused, but it's he has to experience fear

0:17:23.480 --> 0:17:26.000
<v Speaker 1>in order to be aroused. So they were collecting that.

0:17:26.040 --> 0:17:28.640
<v Speaker 1>So again that's what we're talking about, like very different situations,

0:17:28.680 --> 0:17:31.479
<v Speaker 1>but all of them fear based. Yeah, and so can

0:17:31.520 --> 0:17:34.159
<v Speaker 1>you imagine you're just kind of scratching and sniffing around

0:17:34.160 --> 0:17:37.200
<v Speaker 1>this wall and you're getting these different profiles of smell,

0:17:37.280 --> 0:17:40.199
<v Speaker 1>and like you said, the guy that that perceived his

0:17:40.400 --> 0:17:43.960
<v Speaker 1>friend in this one smell who wasn't obviously his friend

0:17:44.080 --> 0:17:46.320
<v Speaker 1>is pretty amazing. Yeah, it kind of boils down to

0:17:46.359 --> 0:17:48.600
<v Speaker 1>two to some of the stuff we've talked about about

0:17:48.600 --> 0:17:50.480
<v Speaker 1>how their stuff going on in our brain, we're not

0:17:50.520 --> 0:17:52.720
<v Speaker 1>conscious off like a lot of stuff under the surface

0:17:52.760 --> 0:17:57.240
<v Speaker 1>of the waves of human cognition, and and certainly the

0:17:57.280 --> 0:17:59.920
<v Speaker 1>processing of smells is just another one of those things. Always.

0:18:00.040 --> 0:18:01.800
<v Speaker 1>I was just thinking about that too, like how we

0:18:02.119 --> 0:18:03.840
<v Speaker 1>arrive at an idea and we keep thinking we have

0:18:03.960 --> 0:18:06.640
<v Speaker 1>these aha moments, when in fact we talked about this before,

0:18:06.720 --> 0:18:09.360
<v Speaker 1>like do we actually have free will? But it's all

0:18:09.400 --> 0:18:11.520
<v Speaker 1>being Our perception is being colored all the time, and

0:18:11.600 --> 0:18:15.240
<v Speaker 1>these ah ha moments rise to the surface after they've

0:18:15.280 --> 0:18:19.840
<v Speaker 1>been vetted um in so many different subconscious ways, like

0:18:19.840 --> 0:18:21.919
<v Speaker 1>you said, like smells. So again, like we discussed the

0:18:22.160 --> 0:18:25.240
<v Speaker 1>towards the top of the podcast, funky Smell, if we

0:18:25.320 --> 0:18:27.639
<v Speaker 1>pair that with a picture of a foot, were repulsed

0:18:27.800 --> 0:18:30.200
<v Speaker 1>pair it with a picture of you know, a fancy

0:18:30.720 --> 0:18:34.520
<v Speaker 1>um hard or soft cheese, and we're more likely to salivate,

0:18:35.000 --> 0:18:38.720
<v Speaker 1>right right, scratch us. If a wall, we're scared. Um.

0:18:38.800 --> 0:18:40.879
<v Speaker 1>But yeah, I mean it is all in the way

0:18:40.880 --> 0:18:44.240
<v Speaker 1>that it's uh, it's packaged. And again you have the

0:18:44.280 --> 0:18:48.760
<v Speaker 1>odor artists responsible for making something called human bacteria cheese,

0:18:48.880 --> 0:18:51.480
<v Speaker 1>which brings the two together into one product. The fear

0:18:51.640 --> 0:18:57.080
<v Speaker 1>in the fear and then the attraction to cheese, and

0:18:57.080 --> 0:18:59.120
<v Speaker 1>here it is in one product. Yeah, yeah, I think

0:18:59.119 --> 0:19:01.520
<v Speaker 1>it's fascinating. She wanted to know what happens when I

0:19:01.560 --> 0:19:06.080
<v Speaker 1>grow an edible substance from my own body, uh bacteria

0:19:06.160 --> 0:19:09.879
<v Speaker 1>and then eat it. Yeah yeah, So again she this

0:19:10.000 --> 0:19:13.800
<v Speaker 1>fascination with smell that she in bacteria. Um. She decided

0:19:13.920 --> 0:19:19.520
<v Speaker 1>that this body bacteria would be the ideal organism uh

0:19:19.560 --> 0:19:23.640
<v Speaker 1>to carry a smelly bacterium closely related to human armpits

0:19:23.640 --> 0:19:26.840
<v Speaker 1>and feet. She took working samples, She collected them from

0:19:26.880 --> 0:19:30.240
<v Speaker 1>friends and family, and then she simulated and coagulated them

0:19:30.240 --> 0:19:35.560
<v Speaker 1>into a range of ripe taste sensations like Daisy's armpit,

0:19:36.200 --> 0:19:41.000
<v Speaker 1>Philosopher's toe, Chris Christina's hand, and Sile's foot. Well, if

0:19:41.040 --> 0:19:43.480
<v Speaker 1>I had to go for one hour ago for Philosopher's toe. Yeah,

0:19:43.480 --> 0:19:47.040
<v Speaker 1>I know that sounds like it could be uh nutty,

0:19:47.280 --> 0:19:49.480
<v Speaker 1>mild with a surprising end. Yeah, and there's a great

0:19:49.480 --> 0:19:52.760
<v Speaker 1>foot in mouth kind of metaphor going oh yeah, yes, yes,

0:19:52.880 --> 0:19:56.280
<v Speaker 1>nice nice um. But and you know you had we

0:19:56.359 --> 0:19:59.280
<v Speaker 1>talked about David Beckham's foot before, and it turns out

0:19:59.400 --> 0:20:02.320
<v Speaker 1>that I don't think she actually grew any cheese from

0:20:02.400 --> 0:20:06.320
<v Speaker 1>his samples, but she could, that's the the amusing thing.

0:20:06.560 --> 0:20:09.200
<v Speaker 1>She could, she absolutely could. But it turns out that

0:20:09.760 --> 0:20:14.320
<v Speaker 1>his particular odor has the chemical construction most similar to

0:20:14.520 --> 0:20:21.680
<v Speaker 1>a Belgian Limburger cheese. So there, So if you want

0:20:21.680 --> 0:20:25.400
<v Speaker 1>to partake in in our reaction to David Beckham's foot,

0:20:25.440 --> 0:20:27.679
<v Speaker 1>just go find a nice lumburger and give it a whiff.

0:20:27.720 --> 0:20:29.560
<v Speaker 1>There you go, There you go. That's that's what we

0:20:29.560 --> 0:20:32.600
<v Speaker 1>were smelling. But it really is an interesting idea that,

0:20:32.920 --> 0:20:34.560
<v Speaker 1>you know, if you get very hard up for a

0:20:34.560 --> 0:20:36.680
<v Speaker 1>food source, you could actually sort of grow your own

0:20:36.760 --> 0:20:40.240
<v Speaker 1>cheese from your body. Right. Well, I met a hippie

0:20:40.240 --> 0:20:44.840
<v Speaker 1>girl once who had made mead like the alcoholic beverage

0:20:44.880 --> 0:20:47.199
<v Speaker 1>that the old ale like the old Ale a medieval

0:20:47.280 --> 0:20:50.280
<v Speaker 1>stuff and she had used like under her own under

0:20:50.400 --> 0:20:54.080
<v Speaker 1>armed funk too to like kick started. So well that

0:20:54.240 --> 0:20:58.399
<v Speaker 1>is artists and crafted mead right there. I mean I

0:20:58.440 --> 0:21:00.679
<v Speaker 1>can't argue against that. I did not try it, but um,

0:21:01.440 --> 0:21:05.480
<v Speaker 1>it existed, so I'm sure it probably was delicious. Who knows, Yeah,

0:21:05.560 --> 0:21:06.919
<v Speaker 1>I guess. I mean it just comes down to the

0:21:06.920 --> 0:21:10.320
<v Speaker 1>whole How do we semantically categorized something. How do we

0:21:10.359 --> 0:21:12.399
<v Speaker 1>distance something from its source. It's like I did a

0:21:12.400 --> 0:21:15.840
<v Speaker 1>blog postal wall back titled U all water has been

0:21:15.840 --> 0:21:18.040
<v Speaker 1>pooped in or something of that effect what I titled it.

0:21:18.160 --> 0:21:20.080
<v Speaker 1>But basically the argument is, at some point in the

0:21:20.080 --> 0:21:22.520
<v Speaker 1>fact pass any water that we drink has been foul

0:21:22.920 --> 0:21:25.159
<v Speaker 1>like it is, it is probably fallen out of a

0:21:25.160 --> 0:21:28.920
<v Speaker 1>dinosaur's cloak at some point in the path. Well yeah, yeah,

0:21:29.119 --> 0:21:31.280
<v Speaker 1>and and but we don't really think about that because

0:21:31.320 --> 0:21:34.840
<v Speaker 1>it's it's transferred through nature, it's gone down a stream,

0:21:35.040 --> 0:21:37.560
<v Speaker 1>and then here it is. It's so it's fresh water. Well,

0:21:37.640 --> 0:21:39.560
<v Speaker 1>companies and government will say to Okay, yeah, they're not

0:21:39.560 --> 0:21:41.920
<v Speaker 1>gonna call it sewer treated water, but they're gonna say, ah,

0:21:41.960 --> 0:21:44.600
<v Speaker 1>it was um, you know, it was filtered through this

0:21:44.680 --> 0:21:47.760
<v Speaker 1>underground compartment in which you know, and then charcoal blah

0:21:47.800 --> 0:21:51.040
<v Speaker 1>blah blah. So again there's the semantic distancing and this

0:21:51.119 --> 0:21:54.160
<v Speaker 1>idea of well, it may have had urine in at

0:21:54.200 --> 0:21:55.879
<v Speaker 1>one point, but by the time it reached you know,

0:21:55.920 --> 0:21:58.640
<v Speaker 1>a mile out this way, it's fresh and pure, like

0:21:58.680 --> 0:22:01.080
<v Speaker 1>you know, Rocky Mountain spring. Yeah. I mean you don't

0:22:01.119 --> 0:22:02.359
<v Speaker 1>want to think about the fact when you go to

0:22:02.359 --> 0:22:05.680
<v Speaker 1>a restaurant there maybe human skin cell flakes on your food.

0:22:06.320 --> 0:22:08.159
<v Speaker 1>There are for sure, Yeah, I mean just it's just

0:22:08.160 --> 0:22:11.399
<v Speaker 1>gonna happen. But but yeah, it's like we we it's like,

0:22:11.400 --> 0:22:13.480
<v Speaker 1>how do we interpret this smell? How do we interpret

0:22:13.480 --> 0:22:16.080
<v Speaker 1>the source of something that is entering our lives or

0:22:16.080 --> 0:22:18.400
<v Speaker 1>our bodies? Yeah, and I would be interested to know, like, Okay,

0:22:18.400 --> 0:22:20.840
<v Speaker 1>given all this information about smell, has has this changed

0:22:20.840 --> 0:22:24.560
<v Speaker 1>your perception at all about smell the things that that

0:22:24.680 --> 0:22:27.640
<v Speaker 1>you detect? Um? You know it? Do you think it's

0:22:27.680 --> 0:22:31.360
<v Speaker 1>as mood altering? Is it as some people say it is? Well?

0:22:31.400 --> 0:22:33.399
<v Speaker 1>I think we all have our favorite since you know

0:22:33.480 --> 0:22:36.159
<v Speaker 1>that really kick starts like you were talking about, like

0:22:36.240 --> 0:22:39.560
<v Speaker 1>coffee is an interesting one. Like there's a local coffee

0:22:39.560 --> 0:22:42.320
<v Speaker 1>shop that I go to a lot to write, um

0:22:42.680 --> 0:22:45.000
<v Speaker 1>called Joe's in case anyone wants to seek it out

0:22:45.040 --> 0:22:47.240
<v Speaker 1>in Atlanta, I just don't bother me while I'm there,

0:22:47.240 --> 0:22:51.119
<v Speaker 1>because I'm working. He's the guy with a blue shirt

0:22:51.440 --> 0:22:53.920
<v Speaker 1>that says boards of Canada on it. Okay, yeah, yeah,

0:22:54.080 --> 0:22:58.000
<v Speaker 1>I wear this every day. But I'll leave there smelling

0:22:58.040 --> 0:23:00.400
<v Speaker 1>like coffee. And while i'm they're like the small coffee

0:23:00.480 --> 0:23:02.960
<v Speaker 1>is comforting. Occasionally they'll also be like a bomb that

0:23:03.000 --> 0:23:06.159
<v Speaker 1>walks in it, like reeks of right guard for some reason.

0:23:06.200 --> 0:23:10.040
<v Speaker 1>But but like sanitizing. Yeah, it's better than what lays beneath, right,

0:23:10.119 --> 0:23:13.000
<v Speaker 1>but but any right, like, the smell of coffee for

0:23:13.040 --> 0:23:14.920
<v Speaker 1>me is very comforting. It's like a very like oh

0:23:14.960 --> 0:23:17.720
<v Speaker 1>it's it's coffee time. It's it's like a thought like

0:23:17.840 --> 0:23:20.479
<v Speaker 1>personal creativity kind of a scent for me. But for

0:23:20.520 --> 0:23:22.720
<v Speaker 1>you it's it's not a pleasant one, right, No, Because

0:23:22.720 --> 0:23:25.040
<v Speaker 1>I used to smoke, and so I've spent all our

0:23:25.080 --> 0:23:28.720
<v Speaker 1>time um in coffee houses. Uh, not smoking clothes cigarettes,

0:23:28.800 --> 0:23:32.640
<v Speaker 1>don't worry that wasn't doing that, but writing and smoking

0:23:33.160 --> 0:23:35.520
<v Speaker 1>h And so every time I come home from a

0:23:35.520 --> 0:23:38.800
<v Speaker 1>coffee shop and I smell that that coffee smell, I

0:23:38.800 --> 0:23:43.679
<v Speaker 1>I immediately think of like headache, like past Um, I

0:23:43.720 --> 0:23:47.159
<v Speaker 1>mean nothing like terribly nefarious, just just something that I

0:23:47.160 --> 0:23:49.520
<v Speaker 1>don't enjoy doing anymore, and I don't enjoy smelling. There

0:23:49.560 --> 0:23:51.120
<v Speaker 1>you go. I mean it's tied to memories, It's tied

0:23:51.160 --> 0:23:55.040
<v Speaker 1>to past experiences and expectations. So yeah, it's the proost effect, right.

0:23:55.400 --> 0:23:57.520
<v Speaker 1>I can't help but but have some sort of memory,

0:23:57.600 --> 0:23:59.960
<v Speaker 1>especially since that's what it stimulates. I mean, smells stimula,

0:24:00.000 --> 0:24:04.399
<v Speaker 1>it's communication memory. Um, I'll part to your bringing that

0:24:04.440 --> 0:24:08.280
<v Speaker 1>are connected to all right, Well, well there you go,

0:24:08.400 --> 0:24:10.720
<v Speaker 1>sort of an intro to how mind blowing smell can be.

0:24:10.800 --> 0:24:13.280
<v Speaker 1>And in a future podcast episode, we're going to talk

0:24:13.320 --> 0:24:17.600
<v Speaker 1>about the future of smell and how technology can and

0:24:17.680 --> 0:24:21.600
<v Speaker 1>will enable us to manipulate this amazing Can we call

0:24:21.640 --> 0:24:23.320
<v Speaker 1>it the fifth sense? I don't know. I don't know

0:24:23.359 --> 0:24:26.560
<v Speaker 1>where it ranks in the numbers. I guess it depends

0:24:26.600 --> 0:24:28.520
<v Speaker 1>on how they execute it. I'm calling it the fifth cent.

0:24:29.400 --> 0:24:32.080
<v Speaker 1>How we can manipulate the fifth cent and uh and

0:24:32.080 --> 0:24:35.399
<v Speaker 1>and use it to enhance products, which I think is

0:24:35.400 --> 0:24:38.160
<v Speaker 1>gonna be an exciting episode. But in the meantime, let

0:24:38.240 --> 0:24:41.080
<v Speaker 1>us know what you think about the smells in your life,

0:24:41.080 --> 0:24:44.879
<v Speaker 1>in this realm of scent that surrounds you like, like what,

0:24:45.000 --> 0:24:47.720
<v Speaker 1>how does a favorite smell factor into your life? How

0:24:47.720 --> 0:24:50.480
<v Speaker 1>does a least favorite smell? And where do you stand

0:24:50.480 --> 0:24:54.239
<v Speaker 1>on the whole cheese foot situation. You can let us

0:24:54.240 --> 0:24:56.840
<v Speaker 1>know by dropping by Facebook or Twitter. We are blow

0:24:56.920 --> 0:24:59.119
<v Speaker 1>the mind on both of those, and certainly especially on

0:24:59.119 --> 0:25:01.560
<v Speaker 1>the Facebook is it's just a great place to interact

0:25:01.600 --> 0:25:05.560
<v Speaker 1>with us, ask us questions, share things with other listeners. Uh,

0:25:05.600 --> 0:25:08.400
<v Speaker 1>I really enjoyed. Yeah, we've had some great post front

0:25:08.440 --> 0:25:12.840
<v Speaker 1>people out there. Um. So, Also, you can take a

0:25:12.880 --> 0:25:16.680
<v Speaker 1>stab at creating a profile from your own jacket scent

0:25:16.800 --> 0:25:19.199
<v Speaker 1>profile and you can send us what you think that

0:25:19.359 --> 0:25:22.880
<v Speaker 1>is composed of uh, and you can email us at

0:25:23.119 --> 0:25:30.800
<v Speaker 1>below the Mind at how stuff works dot com. Be

0:25:30.880 --> 0:25:33.520
<v Speaker 1>sure to check out our new video podcast, Stuff from

0:25:33.520 --> 0:25:36.400
<v Speaker 1>the Future. Join how Stuff Work staff as we explore

0:25:36.400 --> 0:25:39.560
<v Speaker 1>the most promising and perplexing possibilities of tomorrow.