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Speaker 1: us for another episode of Nightcap.

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Speaker 1: in the chat Okay, what was we suspected all along?

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Speaker 1: Kevin Stefanski said he was going to name a starter

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Speaker 1: today and he did, and just like Ocho and I

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Speaker 1: surmise it's Joe Flacco. The forty old were making his

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Speaker 1: first Week one start since twenty twenty two when he's

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Speaker 1: with the Jets TBD. On the rest of the depth chart,

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Speaker 1: Kenny Pickett has not played since he tweaked that hamstring.

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Speaker 1: Dylan Gabriel got the start on Saturday. Shador did not

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Speaker 1: play because of a knee oblique injury. He started the

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Speaker 1: first regularly Precs and Tyler Snoop Huntley is also on

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Speaker 1: the list. Adam Shefter said this morning, I expect the

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Speaker 1: Cleveland Browns to carry four quarterbacks on the fifty three

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Speaker 1: man roster. Wow, that's that doesn't normally happen. It's just

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Speaker 1: I think they're afraid that if they let one of

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Speaker 1: these guys go, somebody's gonna snatch them up. You'd probably

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Speaker 1: like to probably you know, cut them and then have

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Speaker 1: them come back on the practice squad, but they.

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Speaker 2: Don't feel they can do that.

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Speaker 1: They feel that if they were to release Gabriel, excuse me,

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Speaker 1: release Dylan Gabriel or Shador Sanders, somebody would sign them

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Speaker 1: to their active roster.

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Speaker 2: And you don't want to run that risk.

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Speaker 1: Guy that's been in your program for the better part

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Speaker 1: of six months little up April, since April, since the draft,

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Speaker 1: So you don't want to run that risk.

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Speaker 2: Excuse me, guys.

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Speaker 1: But I don't think any of us are surprised that

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Speaker 1: Joe Flacco got named the starter.

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Speaker 2: He didn't play, but Stefanski did.

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Speaker 1: The head coach, Kevin Stefanski did say they're gonna treat

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Speaker 1: this as a dress rehearsal of what they might do

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Speaker 1: in Week one. So Joe Flacco is going to get

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Speaker 1: the start for the final preseason game and we'll see

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Speaker 1: how that works out.

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Speaker 2: But I don't think we're surprised.

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Speaker 1: I don't think any of your surprised that Joe Flacco

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Speaker 1: was named the starter.

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Speaker 2: You look at Kenny Pickett. He has not been able

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Speaker 2: to do.

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Speaker 1: Anything any team drills since he tweaked that champ string

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Speaker 1: early early in training camp. Obviously, Dylan Gabriel was nick

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Speaker 1: the first, you know, for about ten eleven days.

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Speaker 2: Then he came back.

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Speaker 1: Shadure played really well the first game, then he got

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Speaker 1: an oblique injury. He was out, and then Dylan Gabriel

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Speaker 1: took it over, and then he played played fairly well.

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Speaker 1: I mean he had a pick, but I don't think

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Speaker 1: either God did anything since I mean, look, you are

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Speaker 1: where you are. I mean, some people say, well, Dylan

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Speaker 1: Gabriel has played better. I haven't heard anybody say that,

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Speaker 1: but some people like Dylan Gabriel and think what he

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Speaker 1: brings to the table. I was listening to somebody to

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Speaker 1: day say Dylan Gabriel, though has a stronger arm, throws

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Speaker 1: were better anticipation. I don't know if I necessarily agree

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Speaker 1: with that or believe that it's gonna be a very

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Speaker 1: tough decision, but in order for them to carry for quarterbacks,

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Speaker 1: that means they're not really sure and they don't want

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Speaker 1: to make the mistake. Nobody wants to make the mistake

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Speaker 1: and get up, get off one of these quarterbacks, have

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Speaker 1: him go somewhere else and play really, really well when

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Speaker 1: we had him in our fold. So that's what I

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Speaker 1: deduce from that. Cleveland put themselves in a buying by,

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Speaker 1: you know, signing Joe Flacco to a one year I

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Speaker 1: think they traded for Kenny Pickett and then selecting two

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Speaker 1: quarterbacks one and the third one in the fifth And

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Speaker 1: you find yourself in a situation because none of these

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Speaker 1: quarterbacks really have separated themselves from the rest of the guys.

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Speaker 1: Pickett didn't really get a chance to separate himself because

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Speaker 1: he's been injured for the better part of training camp.

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Speaker 1: And so I don't know does he start I don't

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Speaker 1: think he started on pup. How he progressing?

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Speaker 2: Ash?

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Speaker 1: Do we know anything about how he's progressing resting to

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Speaker 1: see I don't think you put him on pup. Because

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Speaker 1: you put him on pupp he's gonna put him down

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Speaker 1: for six weeks. I don't think it's gonna take that

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Speaker 1: much length of time. He'd be out almost three months

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Speaker 1: with a hamstring injury.

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Speaker 2: Wow, So we're coming up on a month.

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Speaker 1: Funny that you say that, because Justin Jefferson just returned

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Speaker 1: to practice and he was out for twenty five days.

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Speaker 1: We're gonna talk about that in a little bit. But

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Speaker 1: these hamstrings are very, very tricky. You want to air

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Speaker 1: on the side of caution. The last thing you want

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Speaker 1: to do is miss that amount of time, come back

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Speaker 1: and tweak it again, because you're probably gonna double the

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Speaker 1: amount of time that you're gonna miss moving forward. So,

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Speaker 1: Cleveland Brown's name Joe Flacco as their starting quarterback. They

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Speaker 1: did not give a depth chart after Joe Flacco. Normally

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Speaker 1: it was Kenny Pickett two, Dylan gabral three, and Shudur

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Speaker 1: Sanders four. But I guess that's in the In the

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Speaker 1: next couple of days, we'll find out. We'll see how

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Speaker 1: healthy Shudur is is. That oblique healed well enough for

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Speaker 1: him to get some action in game in the final

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Speaker 1: preseason game.

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Speaker 2: We'll see.

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Speaker 1: But Joe Flacco name started for the Cleveland Browns to

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Speaker 1: start the twenty twenty five season. Titans quarterback cam Ward

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Speaker 1: got into a scuffle with DT Jeffrey Simmons and camp.

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Speaker 1: Cam Ward and defensive Linean Jeffery Simmons got into a

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Speaker 1: scuffle on Monday. War threw a touchdown pass to Calvin

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Speaker 1: Ridley towards the end of practice and went over to celebrate.

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Speaker 1: The rookie quarterback stop gave Simmons a shove before doing

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Speaker 1: the trademark Zombie Land celebration in front of him. Simmons

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Speaker 1: reacted with a two hand shove towards face mask. The

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Speaker 1: offensive lineman came running to help towards defense. I think

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Speaker 1: we kind of had a conversation. We kind of had

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Speaker 1: a conversation about this a couple of days ago. I

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Speaker 1: wish o Cho's a connection would get fixed, because this

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Speaker 1: is what I want. I wanted to ask him. I

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Speaker 1: think both guys need to be smarter in a situation

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Speaker 1: like this. That's your starting quarterback. You're only gonna go

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Speaker 1: as far as he takes your difference. Uh So, you look,

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Speaker 1: you don't want to do anything to hurt that guy.

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Speaker 1: He's the number one overall draft pick and all your

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Speaker 1: hopes and aspirations are pinned on his shoulder. Now, Cam,

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Speaker 1: that's your teammate, you know, I mean, come on and

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Speaker 1: been along dad practice. They said this happened towards the

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Speaker 1: end of practice and anytime like that. You know, guys

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Speaker 1: are frustrated. I didn't want to I didn't want you

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Speaker 1: to score, but yeah, you stopping my stopping celebrating my face.

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Speaker 1: Yet I'm not feeling too I'm not feeling too well.

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Speaker 1: That that might be the direction that you get. But

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Speaker 1: normally teammates, I couldn't imagine, to be honest with you,

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Speaker 1: have John celebrated, Yeah, absolutely, But I couldn't imagine an

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Speaker 1: offensive lineman, I mean, excuse me, a defensive lineman doing

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Speaker 1: something like that to seven. I don't remember being on

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Speaker 1: a team where a defensive player would do that to

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Speaker 1: the quarterback, understanding how important the quarterback is to the

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Speaker 1: team's success, especially the starting quarterback. Maybe the second or

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Speaker 1: third team something like that, but the starting quarterback, Nah,

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Speaker 1: I haven't. I can honestly say, in my fourteen years,

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Speaker 1: I've never been in a situation where I've seen something

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Speaker 1: quite like what's being reported coming out of Tennessee where

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Speaker 1: the quarterback throws a touchdown pass late in the ball game,

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Speaker 1: he shoves Jeffery Simmons. I don't know why he shoved

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Speaker 1: Jeffery Simmons, but if you shove one guy you should

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Speaker 1: probably expect to shove back. I'm just surprised that he

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Speaker 1: shoved Simmons to begin with. Maybe I shouldn't be as

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Speaker 1: surprised that Simmons shoved him back, because at that point

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Speaker 1: in time, I'm not looking at you as a quarterback.

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Speaker 1: I'm looking at somebody that shoved me, and I'm gonna

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Speaker 1: shove you back. Shop glad he'd know nobody got injured.

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Speaker 1: The offensive lineman did what they were supposed to do.

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Speaker 1: Run to cam Ward's defense. That's what's supposed to happen.

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Speaker 1: Somebody attacks your quarterback, you come hell of high water.

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Speaker 1: You defend that guy. Right, wrong or indifferent, You defend

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Speaker 1: your quarterback. We'll address it and we'll figure it out later. Hey, man,

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Speaker 1: don't do that day. You're too valuable. Don't get into

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Speaker 1: you know, no shoving matches. Don't say anything to those guys.

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Speaker 1: Let them do all that talking. We don't have to

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Speaker 1: worry about that. But I haven't. I can honestly say

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Speaker 1: I haven't. I've never seen a situation in my years

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Speaker 1: of being around football. When I was at Denver, when

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Speaker 1: I was at Baltimore, when I went back to Denver,

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Speaker 1: I don't remember that happened in the high school. They

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Speaker 1: don't remember it happened in college. Not to say that

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Speaker 1: it haven't happened. I haven't been around, and I haven't

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Speaker 1: seen every situation that arises on a practice field or

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Speaker 1: in a locker room. But I like to speak to

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Speaker 1: the things that I've seen, and I can speak clearly

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Speaker 1: and intelligent on it. But this must have been something

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Speaker 1: that was brewing for a significant time and emotions ran high,

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Speaker 1: and I guess cam Ward shoves Jeffery Simmons. Jeffery Simmons like,

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Speaker 1: I don't know who you think you are. I understand

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Speaker 1: you to starting quarterback. You're the first overall pick. But

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Speaker 1: now I'm going to throw that out the wind and

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Speaker 1: shove you in the face. So hopefully nobody got injured,

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Speaker 1: glad no punches. Hopefully no punches were thrown. Nobody damaged

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Speaker 1: the hand of a rest or, a fist or any

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Speaker 1: of that finger, anything like that, and they're gonna be

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Speaker 1: good to go for the final preseason game Friday, Saturday

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Speaker 1: or whenever these guys play and then have. Hopefully everybody

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Speaker 1: goes into the season healthy and with no lingering injuries.

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Speaker 2: But who, I guess. We live in a different a

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Speaker 2: different time now.

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Speaker 1: Jimmy Johnson recalls not letting the Cowboys eat on a

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Speaker 1: plane after loss on the next in this Netflix show.

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Speaker 1: The former Dallas Cowboy head coach revealed during a clip

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Speaker 1: in next Netflix America's team The Gambler and His Cowboys

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Speaker 1: that he once prevented the team from eating on a

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Speaker 1: eating a meal on a flight home following a loss.

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Speaker 1: After that loss, we got on the plane. I'm just

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Speaker 1: fuming because the way we played. So the flight of

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Speaker 1: tenant start to serve and I say, no, no meal.

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Speaker 1: They don't deserve to eat. I wanted to be Nazi.

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Speaker 1: I wanted to be nauseated, to be sick to this

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Speaker 1: stubmach when they lose, because that's how I felt. Is

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Speaker 1: this what's been missing from the Cowboys today? A leader

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Speaker 1: that wants to so badly that he'll take your food away.

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Speaker 1: That's not uncommon. Dan reeves that happened to us. We

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Speaker 1: lost the ball game and he took lunch away, Like

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Speaker 1: I ain't paying for y'all to eat. Y'all hungry, y'all

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Speaker 1: go get your own damn food. So it's never happened

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Speaker 1: on a plane. And man, you got to realize, like

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Speaker 1: when you go to get on that plane, because you

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Speaker 1: haven't probably eaten since pregame and according to when the

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Speaker 1: game was so you know you played the early you

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Speaker 1: played the early game. You played at one o'clock East

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Speaker 1: Coach time, and you get on a plane to fly

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Speaker 1: back home. You haven't eaten probably since ten o'clock, ten

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Speaker 1: point thirty at the Absolute Ladies for a one o'clock game.

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Speaker 1: And then by the time you get on, by the

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Speaker 1: time you get because they give you an hour after

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Speaker 1: the game, you got an hour to basically get from

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Speaker 1: the field to the locker room, get showered, do your interviews,

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Speaker 1: get to the bus bus, get to the airport, go

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Speaker 1: on the tarmac, you get off. Normally that takes about

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Speaker 1: a hour, about sixty seventy minutes, So think about how

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Speaker 1: long that's being.

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Speaker 2: Now you're on a plane.

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Speaker 1: Now I don't know where, doubt where they were coming

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Speaker 1: back from to get the Dallas. Let's just say it's

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Speaker 1: New York and you haven't eaten till ten since ten

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Speaker 1: that's a long time. And now you understand why the

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Speaker 1: cowboys were how they were. Jimmy trim the fat. There

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Speaker 1: was no excess fat in the with the Dallas Cowboys

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Speaker 1: when Jimmy played. And you see, now, if a coach

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Speaker 1: probably tried to do that now Jerry said, Noah, let

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Speaker 1: him eat and then guess what team's gonna eat. But

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Speaker 1: that bat whoo, that's the old school coaching. I don't know.

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Speaker 1: I don't even know if that'll fly now. Chat y'all

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Speaker 1: think that would fly now. I don't think that was

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Speaker 1: fly now, man. I think the players would lose their

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Speaker 1: damn minds if a coach said, naw, we're not finna eat.

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Speaker 1: Nobody's gonna eat on the plane home. Sh That's that's

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Speaker 1: old school coaching. That's that's the way they did it

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Speaker 1: in the problem in the seventies, eighties, and nineties. Like

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Speaker 1: I said, not on the playing, but lunch it happened,

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Speaker 1: and you made sure if you lost the game, you

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Speaker 1: gave better effort. Because I think the thing is what

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Speaker 1: Jimmy said. I wouldn't happy with the Yeah, we lost it.

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Speaker 1: I'm ticked off that we lost the game, but I

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Speaker 1: didn't like the effort that we gave in losing the game, because.

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Speaker 2: You know you're not gonna win every game.

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Speaker 1: But sometimes the effort you saw yesterday, the Bills lost

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Speaker 1: what thirty eight nothing, and you see McDermott had a problem.

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Speaker 1: He was upset with them. So it's tough. It's tough.

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Speaker 1: There's an expectation that when you play, especially when you

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Speaker 1: got the Cowboys. You're talking about EMMT, You're talking about Troy,

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Speaker 1: You're talking about Michael Irvin and Charles Haley.

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Speaker 2: I mean, they were all those Hall of famers.

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Speaker 1: There's an expectation that when you take that field, you

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Speaker 1: can win this game. And even if you don't win,

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Speaker 1: how you play is as important. And Jimmy clearly clearly,

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Speaker 1: but this is Jimmy Johnson. Like I said, there is

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Speaker 1: no excess fat. Jimmy Johnson is your head coach. Be

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Speaker 1: at Oklahoma State, be at Miami, be at a Dallas, Miami. Hey,

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Speaker 1: you gotta get it, you gotta get it. Jimmy Johnson

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Speaker 1: gonna get it at you. Whatever you got in, Jimmy's

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Speaker 1: gonna get it at you. So I'm not surprised that

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Speaker 1: he said this. I'm not surprised because you know, talking

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Speaker 1: to some of the guys, they they they's like, hey, Jimmy, Jimmy,

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Speaker 1: crack the whip. Jimmy was not a guy Jimmy did

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Speaker 1: not be s Jimmy was hardcore. You know what to

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Speaker 1: expect that a lot of guy look as long as

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Speaker 1: I know what to expect, I'm cool. You go to

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Speaker 1: it's probably a little different if you never had a

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Speaker 1: coach like that.

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Speaker 2: I mean, that's all Emmitt knew.

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Speaker 1: That's a lot what a lot of these guys knew,

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Speaker 1: So it probably wasn't a big thing. It would probably

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Speaker 1: be different if you've been somewhere else and it's not

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Speaker 1: not even close to that for six seven years, and

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Speaker 1: then you come to that. Like I said, it's always

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Speaker 1: easier to be tough and lighting up as opposed the

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Speaker 1: light and then try to tough en up because guys

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Speaker 1: look at you a certain way. Having Dan Reason as

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Speaker 1: my coach, an old school guy that learned cut his

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Speaker 1: teeth under Tom Landry, practices were hard, Training camp was hard.

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Speaker 1: So I know anyone that I got after Coach Reids

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Speaker 1: was gonna be a piece of cake. Ain't no way

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Speaker 1: training camp and practices and could be any more difficult

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Speaker 1: than what I had already had gone through for three years.

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Speaker 1: But I'm not surprised by that. I'm gonna make sure

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Speaker 1: I watch this because I want to see. You know,

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Speaker 1: you've heard a little bit of the stories, but to

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Speaker 1: hear Emmitt and hear you know, obviously talking to Emmitt

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Speaker 1: and we came out together in nineteen not in the

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Speaker 1: play Maker and our good friends, but to hear Jimmy

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Speaker 1: from his own mouth, to hear Troy and hear some

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Speaker 1: of the other guys talk about it. Coach Prime is

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Speaker 1: in it. To hear some of these guys talk about it,

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Speaker 1: that's gonna be. I think it's gonna be very, very good.

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Speaker 1: And it explains to you why the Cowboys had the

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Speaker 1: success that they had in the early nineties, especially under Jimmy.

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Speaker 1: They had had a down year in ninety four, they

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Speaker 1: didn't have a down year that went to the NFC

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Speaker 1: Championship Game, and then they bounced back in ninety five

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Speaker 1: when they get Coach Gift time to come home from

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Speaker 1: San Francisco. They win the Super Bowl in ninety five,

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Speaker 1: and it's kind of been hadn't been back to a

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Speaker 1: championship game since they went to the Super Bowl and

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Speaker 1: won it ninety five season ninety six, So we're approaching

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Speaker 1: thirty years in which the Cowboys have not went gone.

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Speaker 1: Whatever terminology you want to use to an NFC championship game.

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Speaker 2: That's a long time.

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Speaker 1: When you talk about America's team, and when you talk

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Speaker 1: about some of the better players that they've assembled on

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Speaker 1: that team, you look at the All pros, you look

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Speaker 1: at the Pro Bowl players that they consistently have year

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Speaker 1: in and year out, there's no excuse for why the

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Speaker 1: Cowboys haven't gone to an NFC championship game, at least

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Speaker 1: multiple considering some of the teams that have gone into

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Speaker 1: an NFC championship game. So I think a lot of

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Speaker 1: you guys are Cowboy fans or Cowboys haters. Want to

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Speaker 1: see why the Cowboys were so successful in the early nineties,

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Speaker 1: and I think watching this will give you a glimpse

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Speaker 1: into why how he practiced, how they met. Hopefully they

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Speaker 1: tell the story about the guy that Jimmy I know.

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Speaker 1: I'm sure they are going to tell the story about

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Speaker 1: Jimmy cut a guy that fell asleep in the meeting,

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Speaker 1: and well, he cut one guy because he fumbled the

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Speaker 1: football last game of the season. They so they cut him,

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Speaker 1: and then they cut another guy they cut because he

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Speaker 1: fell asleep in the meeting, and a reporter asked him

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Speaker 1: to ask him if that was Troy that had fallen

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Speaker 1: asleep in the meeting when he cut him, he said, no,

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Speaker 1: how to woke him up? Just goes to show you

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Speaker 1: treat everybody fair. But if you don't treat everybody the same,

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Speaker 1: that's Jimmy. Coach Prime sets his punishment for any player

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Speaker 1: that hits the quarterback. For the players who violate the rule,

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Speaker 1: consequences range from up down, stadium runs, etc. This is

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Speaker 1: definitely an old school way of disciplined players. But do

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Speaker 1: you think this style of punishment can work in the

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Speaker 1: nil era where guys may transfer from one updown wo Yeah,

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Speaker 1: I don't know if this style of punishment worked because

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Speaker 1: I think some guys are already looking. You can't even

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Speaker 1: really coach a kid. Now you're coach a kid hard.

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Speaker 1: He'll jump into transfer portal. Somebody offer him fifty dollars

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Speaker 1: more than what you're paying him, and you ticked him

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Speaker 1: off of he didn't get as many reps as he thought,

382
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Speaker 1: he didn't get as many targets as he thought, he

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Speaker 1: didn't play as many plays as he thought.

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Speaker 2: They jump into portal. Now, this is this is real business.

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Speaker 1: This is like like a real job, Like I'm on

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Speaker 1: a job and I don't.

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Speaker 3: I don't.

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Speaker 1: I don't like my boss. I quit and go find

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Speaker 1: me another job. Leave you high and dry. And that's

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Speaker 1: that's just the era that we're living living in.

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Speaker 2: Now.

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Speaker 1: You know what coach Prime is, He's trying to get

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Speaker 1: his point across. The last thing that you want to

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Speaker 1: do is hurt is have your players hurt one another.

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Speaker 1: I'm glad to see a technical technical difficulty. Guy is jodious?

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Speaker 2: You got us? Yoke?

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Speaker 4: Yeah, boy, I'm sick of the motherfucker.

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Speaker 2: Can't you get me? Yeah? I got you? Yeah?

399
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Speaker 4: Yeah, about about I buy them boys and that.

400
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Speaker 2: But y'all defense steel some trash.

401
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Speaker 4: Wait a minute, Wait a minute, now, let's let's let's

402
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Speaker 4: let's not do that. Let's not do that.

403
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Speaker 2: Now.

404
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Speaker 5: We look we look very bad on the first two

405
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Speaker 5: drive that the commanders had the ball they took they

406
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Speaker 5: started out, but we looked better, we looked better from

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Speaker 5: that point on.

408
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Speaker 4: Let's be optimistic. Let's be optimistic about the situation.

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Speaker 2: Joe, did you see how did you see how they

410
00:20:34,920 --> 00:20:36,040
Speaker 2: ran down the field? O? Yo?

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Speaker 6: Yeah, Like I can tell you who blew the assignment.

412
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Speaker 6: I can tell you who the simon, who the mic

413
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Speaker 6: backer straight over the top underneath you knowing you can't

414
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Speaker 6: get the underneath and all.

415
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Speaker 2: That to shoot the gap, to pull the ray Lewis older.

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Speaker 7: What are we doing?

417
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Speaker 2: What are we doing? And they did it twice, hit

418
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Speaker 2: it twice.

419
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Speaker 4: And the guy bounced right outside and he gone.

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Speaker 2: We had a conversation last night.

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Speaker 1: I said, Oho, I want to see their backs and

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Speaker 1: it'll give us a better understanding why Brian Robinson Jr.

423
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Speaker 1: Is on the trade block. Well, we see why he's

424
00:21:09,640 --> 00:21:12,280
Speaker 1: on the trade block. We saw those two backs from Washington.

425
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Speaker 1: Now it makes it. I don't know how much you

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Speaker 1: could speak for yourself, but it makes a lot of

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Speaker 1: a ton of sense to me.

428
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Speaker 5: It does make sense. But obviously Brian Robinson, we've seen

429
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Speaker 5: what he can do. And I just saw some reporters

430
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Speaker 5: obviously doing my little homework, talking about he runs a

431
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Speaker 5: little bit timid, not hitting the hole and just stuff

432
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Speaker 5: like that.

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Speaker 4: I'm not sure if the injury history.

434
00:21:33,280 --> 00:21:35,760
Speaker 5: Is probably a cause of that, but obviously they like

435
00:21:35,840 --> 00:21:37,440
Speaker 5: the young bulls, especially Bill.

436
00:21:37,480 --> 00:21:38,760
Speaker 4: He doesn't want to be called Jacob.

437
00:21:38,840 --> 00:21:47,920
Speaker 8: The name is Bill, Bill, Bill hold On, Yeah, Rodriguez, No,

438
00:21:48,240 --> 00:21:54,600
Speaker 8: the other one, the other one, oh Cosky, because what's

439
00:21:54,600 --> 00:21:55,280
Speaker 8: his full name?

440
00:21:55,840 --> 00:21:58,800
Speaker 2: The one that that Jane Daniels got the ball back for.

441
00:21:59,280 --> 00:22:02,240
Speaker 5: Yeah, yes, sir, yes, okay. See say you want to

442
00:22:02,240 --> 00:22:03,560
Speaker 5: be called Bill, I'm a calling Bill.

443
00:22:03,960 --> 00:22:04,600
Speaker 2: Okay, Yeah.

444
00:22:04,800 --> 00:22:06,879
Speaker 1: I mean thirty rusher temps Oho for one hundred and

445
00:22:06,920 --> 00:22:09,720
Speaker 1: eighty five yards and two touchdowns.

446
00:22:10,040 --> 00:22:10,960
Speaker 2: I mean you look at it.

447
00:22:10,920 --> 00:22:13,399
Speaker 1: The two top guys, seventeen rushers between the two of

448
00:22:13,440 --> 00:22:18,160
Speaker 1: them for one hundred and eight yards, and y'all gonna

449
00:22:18,200 --> 00:22:24,960
Speaker 1: look Lovu. Everybody in the stadium, everybody at home knew

450
00:22:24,960 --> 00:22:26,919
Speaker 1: the Bengals were not gonna snap that ball at the

451
00:22:26,920 --> 00:22:30,560
Speaker 1: thirty eight yard line on fourth and three except you. Yeah,

452
00:22:30,600 --> 00:22:37,240
Speaker 1: and you jumped off sides. Everybody nobody when they start

453
00:22:37,320 --> 00:22:39,640
Speaker 1: doing all that motion, when they bring the guy outside,

454
00:22:39,720 --> 00:22:41,959
Speaker 1: they bring him to the backfield, then they spend him

455
00:22:41,960 --> 00:22:44,840
Speaker 1: out there. They're not running, no play bro. They're trying

456
00:22:44,840 --> 00:22:47,040
Speaker 1: to get you to jump off sides. And you did it.

457
00:22:47,640 --> 00:22:48,080
Speaker 2: Yeah.

458
00:22:48,200 --> 00:22:52,159
Speaker 1: I get Ojo, We get Newing the Eagles last year,

459
00:22:52,200 --> 00:22:54,520
Speaker 1: remember on the gold line, and he jumped off sides

460
00:22:54,600 --> 00:22:56,440
Speaker 1: like five times, four or five times.

461
00:22:56,280 --> 00:22:56,720
Speaker 2: In a row.

462
00:22:57,160 --> 00:22:59,560
Speaker 1: And the officials say that, you know, if you keep

463
00:22:59,560 --> 00:23:02,359
Speaker 1: doing this, we're just gonna award them to score. I

464
00:23:02,400 --> 00:23:06,280
Speaker 1: get Okay, fine, they're gonna fusch, they gonna score anyway.

465
00:23:06,359 --> 00:23:08,840
Speaker 1: But in a situation like this, these kind of players

466
00:23:08,840 --> 00:23:12,160
Speaker 1: to get your beat because guess what. Guess what happened,

467
00:23:12,200 --> 00:23:14,040
Speaker 1: O Joe? Didn't it go right down the field of

468
00:23:14,040 --> 00:23:14,800
Speaker 1: score touchdown?

469
00:23:15,000 --> 00:23:16,399
Speaker 4: Yes we did, Yes we did.

470
00:23:16,840 --> 00:23:18,639
Speaker 5: I want to talk about how good offense look except

471
00:23:18,680 --> 00:23:21,040
Speaker 5: that second series, the second that second series with Joe

472
00:23:21,080 --> 00:23:23,200
Speaker 5: Brow and the number two's.

473
00:23:23,040 --> 00:23:25,120
Speaker 2: Yeah, yeah, I don't know why he did that, Joe, Joe,

474
00:23:25,160 --> 00:23:25,919
Speaker 2: No better.

475
00:23:25,800 --> 00:23:27,879
Speaker 4: You pull back all all the running and scram in that.

476
00:23:28,160 --> 00:23:29,959
Speaker 1: Yeah, throw that bag away, Joe, because you don't want

477
00:23:30,000 --> 00:23:34,080
Speaker 1: to take any unnecessary here punishment. Yeah, and then he

478
00:23:34,160 --> 00:23:37,640
Speaker 1: got bailed out again because o'brown got beat and why

479
00:23:37,920 --> 00:23:41,159
Speaker 1: just happened to horse call him. They're gonna have to

480
00:23:41,200 --> 00:23:43,800
Speaker 1: do a better job of protecting Joe. But O Joe,

481
00:23:43,880 --> 00:23:45,719
Speaker 1: your offense has to look good because that's where all

482
00:23:45,720 --> 00:23:48,760
Speaker 1: your money is. So wherever your money is, that's the

483
00:23:48,800 --> 00:23:50,560
Speaker 1: side of the that's the side of the football you're

484
00:23:50,600 --> 00:23:51,520
Speaker 1: really gonna have to win on.

485
00:23:52,000 --> 00:23:53,040
Speaker 2: Most definitely, most definitely.

486
00:23:53,000 --> 00:23:54,560
Speaker 1: I mean, look at the Broncs when we played in

487
00:23:54,560 --> 00:24:00,720
Speaker 1: the nineties. GV myself, John Sam Rod yeah, so that's

488
00:24:00,760 --> 00:24:02,919
Speaker 1: where the money was. So that's where we had to be.

489
00:24:03,359 --> 00:24:04,960
Speaker 1: That's where we that's where we had to be.

490
00:24:05,480 --> 00:24:06,960
Speaker 2: Yeah, so uh.

491
00:24:08,680 --> 00:24:11,560
Speaker 1: Yeah, I thought your offense, you know, Joe was I

492
00:24:11,600 --> 00:24:14,320
Speaker 1: mean Joe was what nine or fourteen sixty two yards?

493
00:24:14,400 --> 00:24:16,679
Speaker 1: Jake Brownie came in. But Jake Browning, you know, he

494
00:24:16,720 --> 00:24:19,879
Speaker 1: plays well when when asked and given the opportunity. Oh, Joe,

495
00:24:19,960 --> 00:24:23,560
Speaker 1: he plays well. Sixteen to twenty five fine, two touchdowns.

496
00:24:23,920 --> 00:24:25,680
Speaker 1: Densmon Rider came in there through one pass, he was

497
00:24:25,720 --> 00:24:29,000
Speaker 1: won on one for seven yards.

498
00:24:28,040 --> 00:24:28,200
Speaker 2: But.

499
00:24:30,359 --> 00:24:31,919
Speaker 1: And they were going down the field again, and then

500
00:24:31,960 --> 00:24:33,639
Speaker 1: Josh Johnson threw a horble interception.

501
00:24:34,119 --> 00:24:37,520
Speaker 4: Yeah, old j oh, Josh, Well that's my DoD there.

502
00:24:37,600 --> 00:24:37,800
Speaker 9: Man.

503
00:24:38,600 --> 00:24:39,320
Speaker 2: Good see Josh.

504
00:24:39,600 --> 00:24:41,800
Speaker 4: Good to see Josh still like the man working and

505
00:24:41,920 --> 00:24:43,720
Speaker 4: working and working like.

506
00:24:43,800 --> 00:24:48,560
Speaker 1: Yeah, yeah, hey he I mean, hey, he don't collect.

507
00:24:48,800 --> 00:24:51,560
Speaker 1: He collected his own jerseys. Hey, he ain't got no

508
00:24:51,600 --> 00:24:53,240
Speaker 1: other player. He ain't got no other player on Jersey.

509
00:24:53,320 --> 00:24:55,960
Speaker 1: Know you trade jersey, jo, Hey, I just collect my own.

510
00:24:56,000 --> 00:24:57,000
Speaker 1: He got by fourteen.

511
00:24:58,160 --> 00:25:00,960
Speaker 5: I think he's uh, he's been on sixteen of the

512
00:25:01,000 --> 00:25:01,800
Speaker 5: thirty two team.

513
00:25:02,000 --> 00:25:03,320
Speaker 4: Sixteen to the thirty.

514
00:25:03,040 --> 00:25:09,240
Speaker 1: Two damop Yeah, oh yeah, I like it so hey,

515
00:25:09,320 --> 00:25:11,280
Speaker 1: So if he ever wre to coach, he knows somebody,

516
00:25:11,520 --> 00:25:13,000
Speaker 1: somebody somewhere.

517
00:25:13,160 --> 00:25:16,000
Speaker 5: Absolutely absolutely and listen, when you played, when you played

518
00:25:16,000 --> 00:25:18,359
Speaker 5: that long at that position, they will definitely give you

519
00:25:18,359 --> 00:25:18,760
Speaker 5: a job.

520
00:25:26,680 --> 00:25:31,840
Speaker 2: Is he signing? Who's that? Who's that? Our special guest?

521
00:25:32,920 --> 00:25:37,480
Speaker 2: You ain't? You ain't tell me? I thought that sent

522
00:25:37,520 --> 00:25:39,680
Speaker 2: it to you. Here is Ladies and Gentlemen.

523
00:25:39,720 --> 00:25:42,240
Speaker 1: He's a generational talent and a revere voice in the

524
00:25:42,280 --> 00:25:45,440
Speaker 1: modern hip hop. He announced tour dates Dark Or Tour

525
00:25:45,720 --> 00:25:49,840
Speaker 1: in twenty five city headlining run kicks off October sixteenth

526
00:25:49,880 --> 00:25:52,880
Speaker 1: in Boston. The tour comes off as an announcement as

527
00:25:52,920 --> 00:25:56,640
Speaker 1: this hot highly anticipated new project Lonely at the Top

528
00:25:56,920 --> 00:26:00,320
Speaker 1: that's out August twenty ninth. Areas Ladies and Gentlemen, Joey

529
00:26:00,440 --> 00:26:01,840
Speaker 1: badass Joy, what do you do.

530
00:26:04,600 --> 00:26:06,040
Speaker 2: Man? I'm doing good? How you doing?

531
00:26:06,640 --> 00:26:06,880
Speaker 7: Man?

532
00:26:06,960 --> 00:26:10,120
Speaker 9: I gotta say, like, y'all, y'all really shoot the show

533
00:26:10,160 --> 00:26:10,639
Speaker 9: this slave?

534
00:26:11,320 --> 00:26:16,040
Speaker 3: Yeah? Yeah, let me ask y'all y'all in l.

535
00:26:15,960 --> 00:26:20,760
Speaker 9: A huh nah, I'm in Miami. I'm in Miami and Miami. Okay,

536
00:26:20,800 --> 00:26:23,800
Speaker 9: you see Miami. You know that's that's the night life

537
00:26:23,920 --> 00:26:24,280
Speaker 9: right there.

538
00:26:26,440 --> 00:26:28,240
Speaker 4: Joe Joe, I don't. I don't do the night life.

539
00:26:28,280 --> 00:26:29,360
Speaker 4: I don't do the night life.

540
00:26:29,400 --> 00:26:31,119
Speaker 5: So I take a nap during the day so I'm

541
00:26:31,160 --> 00:26:32,960
Speaker 5: able to get up, you know, to be able.

542
00:26:32,760 --> 00:26:36,280
Speaker 9: To do the show, saying you see, you, see you,

543
00:26:36,280 --> 00:26:37,680
Speaker 9: you understand the program.

544
00:26:37,720 --> 00:26:41,200
Speaker 3: I don't understand the program. So I'm I'm over here

545
00:26:41,359 --> 00:26:42,520
Speaker 3: fighting sleep.

546
00:26:42,760 --> 00:26:46,560
Speaker 1: I'm like, yo, well, but you in that green room,

547
00:26:46,600 --> 00:26:48,560
Speaker 1: I mean like you're developing pictures or something like.

548
00:26:48,520 --> 00:26:51,560
Speaker 3: You were with my studio room right here.

549
00:26:51,680 --> 00:26:54,240
Speaker 9: It's like, you know, part of my ceilings right like

550
00:26:54,320 --> 00:26:57,199
Speaker 9: I had a little a little leak, but are you

551
00:26:57,280 --> 00:26:59,480
Speaker 9: all good? But check it out. I never fixed it

552
00:26:59,480 --> 00:27:01,720
Speaker 9: because I was, you know, I like that. It kind

553
00:27:01,720 --> 00:27:03,679
Speaker 9: of reminds me of like the old days.

554
00:27:03,760 --> 00:27:04,000
Speaker 2: You know what.

555
00:27:04,200 --> 00:27:06,800
Speaker 3: Yeah, keep it a great I keep it I keep

556
00:27:06,800 --> 00:27:07,880
Speaker 3: it wrong, keep it wrong.

557
00:27:09,400 --> 00:27:11,880
Speaker 1: Tell us a little bit about the album.

558
00:27:11,920 --> 00:27:15,360
Speaker 9: So yeah, Lonely at the top. It's out August twenty nine.

559
00:27:16,680 --> 00:27:21,600
Speaker 9: You know, this project is it was made in a

560
00:27:21,680 --> 00:27:23,520
Speaker 9: short amount of time. I want to say, this is

561
00:27:23,520 --> 00:27:27,320
Speaker 9: probably like the fastest I've made a body of work.

562
00:27:27,440 --> 00:27:30,600
Speaker 9: You know, I made a lot of things transpired for

563
00:27:30,680 --> 00:27:34,360
Speaker 9: me this year musically, and it was really just kind

564
00:27:34,359 --> 00:27:36,399
Speaker 9: of pushing my pant, you know what I mean, in

565
00:27:36,440 --> 00:27:38,000
Speaker 9: a way where it's just like, you know, I'm just

566
00:27:38,119 --> 00:27:39,800
Speaker 9: kind of eager to get.

567
00:27:39,600 --> 00:27:41,480
Speaker 3: The music out, you know.

568
00:27:41,680 --> 00:27:44,000
Speaker 9: Lonely at the top means to me is like you know,

569
00:27:44,080 --> 00:27:46,840
Speaker 9: kind of looking at looking around and you being at

570
00:27:46,840 --> 00:27:49,520
Speaker 9: the top of your success and you're realizing, like, you know,

571
00:27:49,840 --> 00:27:54,720
Speaker 9: how how much isolation you find it on the other side,

572
00:27:54,760 --> 00:27:55,440
Speaker 9: you know what I'm saying.

573
00:27:55,520 --> 00:27:57,440
Speaker 3: Like, I'm sure you guys could relate, but like.

574
00:27:58,000 --> 00:28:00,920
Speaker 9: Being on that life journey and you know, you're dealing

575
00:28:00,960 --> 00:28:03,360
Speaker 9: with things like Survivors Guild and you know you want

576
00:28:03,480 --> 00:28:07,960
Speaker 9: everybody to come and things like that, but what you find.

577
00:28:07,880 --> 00:28:09,560
Speaker 3: On that other side, you know.

578
00:28:09,960 --> 00:28:13,600
Speaker 9: For for for you to to make it, it's like,

579
00:28:13,760 --> 00:28:17,879
Speaker 9: you know, sometimes it's a it's an isolating feeling, you

580
00:28:17,880 --> 00:28:19,520
Speaker 9: know what I'm saying, because you got to you gotta

581
00:28:19,560 --> 00:28:23,040
Speaker 9: block so many things out to maintain that balance, you

582
00:28:23,119 --> 00:28:25,360
Speaker 9: know what I mean. So that's kind of like what

583
00:28:25,440 --> 00:28:28,080
Speaker 9: this collection of music feels like for me. It's kind

584
00:28:28,119 --> 00:28:32,120
Speaker 9: of like a reflection of where I am today right now.

585
00:28:32,200 --> 00:28:35,879
Speaker 1: Yeah, you get that a lot, you know, coming from

586
00:28:35,880 --> 00:28:38,040
Speaker 1: coming from the background, and I'm sure we kind of

587
00:28:38,040 --> 00:28:40,760
Speaker 1: all come from very similar background. But no matter how

588
00:28:40,760 --> 00:28:43,480
Speaker 1: big a bus is, no matter how big a plane is,

589
00:28:43,680 --> 00:28:47,240
Speaker 1: there are x amount of seats and everybody meant to

590
00:28:47,280 --> 00:28:49,920
Speaker 1: find that flight. Somebody meant to catch the next one.

591
00:28:50,000 --> 00:28:52,040
Speaker 1: Everybody meant to get on that bus, they meant to

592
00:28:52,040 --> 00:28:55,000
Speaker 1: catch the next one. And so what we have to do,

593
00:28:55,200 --> 00:28:59,360
Speaker 1: what's hard sometimes is is figuring out who's supposed to

594
00:28:59,360 --> 00:29:01,880
Speaker 1: be a passage on our bus. You're supposed to be

595
00:29:01,920 --> 00:29:06,040
Speaker 1: a passenger own our plane. You know That's that's like

596
00:29:06,360 --> 00:29:08,480
Speaker 1: you do feel bad because, like you said, you've been

597
00:29:08,520 --> 00:29:09,640
Speaker 1: around a lot of these people.

598
00:29:09,800 --> 00:29:11,040
Speaker 2: You're damn entire.

599
00:29:10,800 --> 00:29:14,680
Speaker 9: Life, absolute absolute, And you know I got I got.

600
00:29:14,720 --> 00:29:18,320
Speaker 9: The analogy that I use is like the Aladdins purple carpet.

601
00:29:18,800 --> 00:29:20,320
Speaker 9: You know what I'm saying, Like if you got a

602
00:29:20,400 --> 00:29:23,600
Speaker 9: hundred motherfuckers on there with you, like you ain't going nowhere, that's.

603
00:29:23,480 --> 00:29:25,560
Speaker 2: You're going to take off, you barely.

604
00:29:25,560 --> 00:29:27,400
Speaker 9: Levit taking off the ground, you know what I'm saying,

605
00:29:27,400 --> 00:29:28,920
Speaker 9: Like I'm trying to go to the mountaintop.

606
00:29:29,000 --> 00:29:30,480
Speaker 3: So it's like, you know, I got to keep it light,

607
00:29:30,640 --> 00:29:31,240
Speaker 3: you know what I mean?

608
00:29:31,280 --> 00:29:35,160
Speaker 5: So I could I could have sinned in everything, Hey Joe,

609
00:29:35,160 --> 00:29:36,480
Speaker 5: But how do you, How do you balance that?

610
00:29:36,520 --> 00:29:37,320
Speaker 4: How do you balance that?

611
00:29:37,360 --> 00:29:39,600
Speaker 5: Obviously coming from where you come from, most of us

612
00:29:39,760 --> 00:29:41,960
Speaker 5: have the same background and those that we grew up with.

613
00:29:42,080 --> 00:29:45,000
Speaker 5: Once we start to send and our respect the craft

614
00:29:45,000 --> 00:29:46,880
Speaker 5: and whatever it is that we do, a lot of

615
00:29:46,880 --> 00:29:48,360
Speaker 5: people trying to go along with us.

616
00:29:48,760 --> 00:29:52,440
Speaker 4: They complain or you hating. You ain't real no more.

617
00:29:52,480 --> 00:29:55,120
Speaker 5: You're not taking me on this journey that you health

618
00:29:55,200 --> 00:29:56,560
Speaker 5: has been working to do. So how have you been

619
00:29:56,560 --> 00:29:59,360
Speaker 5: able to navigate with those? When you have a when

620
00:29:59,400 --> 00:30:01,920
Speaker 5: you have an album coming out is longly at the top.

621
00:30:02,240 --> 00:30:04,120
Speaker 5: But those that feel that they deserve to go well

622
00:30:04,240 --> 00:30:05,040
Speaker 5: along with you?

623
00:30:05,160 --> 00:30:08,240
Speaker 9: Well, you know, if I'm being completely honest and completely transparent,

624
00:30:08,360 --> 00:30:11,360
Speaker 9: I think that I am still on the journey of

625
00:30:11,440 --> 00:30:13,800
Speaker 9: learning how to balance that. You know what I'm saying.

626
00:30:13,800 --> 00:30:19,000
Speaker 9: I think it is a matter of continuing to find

627
00:30:19,160 --> 00:30:20,880
Speaker 9: that balance, you know what I'm saying, Like, you know,

628
00:30:20,960 --> 00:30:24,040
Speaker 9: different things do what I think the strongest thing is

629
00:30:24,480 --> 00:30:28,200
Speaker 9: putting God first, you know, like that is my grounding

630
00:30:28,800 --> 00:30:32,240
Speaker 9: factor right there. It's like, you know, remembering God as

631
00:30:32,240 --> 00:30:35,320
Speaker 9: often as I can on the daily and you know,

632
00:30:35,400 --> 00:30:42,520
Speaker 9: remembering that this journey is it's a predestined path. If

633
00:30:42,560 --> 00:30:44,520
Speaker 9: you will, you know what I mean. And it's just

634
00:30:44,640 --> 00:30:48,160
Speaker 9: like I am doing what I can at each given

635
00:30:48,240 --> 00:30:50,800
Speaker 9: point in this journey, applying the wisdom that I can

636
00:30:50,960 --> 00:30:53,240
Speaker 9: to make the best moves.

637
00:30:53,280 --> 00:30:53,800
Speaker 2: You know what I'm saying.

638
00:30:53,880 --> 00:30:56,840
Speaker 9: You know, sometimes you might look like, yo, could I

639
00:30:56,880 --> 00:30:58,880
Speaker 9: have done that better? But you know what, that's part

640
00:30:58,880 --> 00:31:00,840
Speaker 9: of the growth as well, you know what I'm saying.

641
00:31:00,960 --> 00:31:03,720
Speaker 9: That's that's part of like reflection and all that. It

642
00:31:03,800 --> 00:31:05,600
Speaker 9: is part of it for sure.

643
00:31:06,320 --> 00:31:10,960
Speaker 1: Yeah, you're one of those old like now, I don't

644
00:31:11,000 --> 00:31:14,560
Speaker 1: know how many true lyricists that we have when I

645
00:31:15,160 --> 00:31:18,400
Speaker 1: you know, and I hate hate not enough. It's not enough,

646
00:31:20,120 --> 00:31:22,840
Speaker 1: that's my point, because it used to be. You know,

647
00:31:22,960 --> 00:31:24,720
Speaker 1: you had the k r as One, you had to

648
00:31:25,200 --> 00:31:28,560
Speaker 1: you had Kine, you had rock Him, you had LLL,

649
00:31:28,680 --> 00:31:31,360
Speaker 1: you had Slick Rick, you had the Scar Facers, you.

650
00:31:31,440 --> 00:31:34,600
Speaker 2: Had the guys that was that was literally on point.

651
00:31:35,560 --> 00:31:38,240
Speaker 1: And now you know it's different, But you want to

652
00:31:38,240 --> 00:31:40,000
Speaker 1: take it back because you know a lot of the

653
00:31:40,200 --> 00:31:45,760
Speaker 1: the the o g lyricis originated Brooklyn the Boogey down Bronx,

654
00:31:45,840 --> 00:31:52,680
Speaker 1: KRS won all those guys. So absolutely do you feel

655
00:31:52,760 --> 00:31:54,280
Speaker 1: that's what's missing from hip hop?

656
00:31:57,480 --> 00:32:01,760
Speaker 9: I would say that. First of all, I'll say that

657
00:32:02,440 --> 00:32:04,240
Speaker 9: I don't like to look at it as I'm taking

658
00:32:04,240 --> 00:32:05,960
Speaker 9: it back. I like to look at it as like

659
00:32:06,000 --> 00:32:10,160
Speaker 9: I'm taking it forward because you advancing it. I'm living

660
00:32:10,200 --> 00:32:13,440
Speaker 9: in this time, you know what I'm saying. And there's

661
00:32:13,480 --> 00:32:16,440
Speaker 9: a Nina Simone quote that like has always resonated with me.

662
00:32:16,560 --> 00:32:19,000
Speaker 9: She said, like, you know, music is going to reflect

663
00:32:19,400 --> 00:32:23,200
Speaker 9: the times. I'm paraphrasing it, but you know something along

664
00:32:23,240 --> 00:32:25,720
Speaker 9: the lines of that, And you know, I always kind

665
00:32:25,760 --> 00:32:28,640
Speaker 9: of stay cognizant of that because I think that we

666
00:32:28,720 --> 00:32:31,960
Speaker 9: are in an interesting time, which is why the musical

667
00:32:32,040 --> 00:32:35,239
Speaker 9: landscape looks the way that it does, because as a

668
00:32:35,280 --> 00:32:40,120
Speaker 9: society we are prioritizing certain things and that's coming out

669
00:32:40,680 --> 00:32:44,880
Speaker 9: and our subcultures, if you will, like especially in music.

670
00:32:45,200 --> 00:32:48,800
Speaker 9: But if anything, I look at it as a purposeful

671
00:32:49,080 --> 00:32:53,000
Speaker 9: position to be where I'm at and to represent what

672
00:32:53,080 --> 00:32:55,640
Speaker 9: I represent, because, like you know, in the world full

673
00:32:55,680 --> 00:33:01,320
Speaker 9: of just like godless behave, yeah, just vanity and stuff

674
00:33:01,360 --> 00:33:01,680
Speaker 9: like that.

675
00:33:01,760 --> 00:33:04,000
Speaker 3: You know, I try to keep my balance by.

676
00:33:05,280 --> 00:33:08,600
Speaker 9: Spreading a message when I can, and being purposeful when

677
00:33:08,600 --> 00:33:13,240
Speaker 9: I can, and upholding a certain level of skill effort

678
00:33:13,400 --> 00:33:14,280
Speaker 9: into my craft.

679
00:33:15,480 --> 00:33:17,479
Speaker 5: Hey, when you talk about that skill and effort and

680
00:33:17,520 --> 00:33:19,760
Speaker 5: being able to maintain that balance when it comes to you,

681
00:33:19,760 --> 00:33:22,240
Speaker 5: you know, to being a lyricist. The sound of music

682
00:33:22,320 --> 00:33:24,360
Speaker 5: in general from the eighties to the nineties, to the

683
00:33:24,400 --> 00:33:28,760
Speaker 5: two thousands, obviously to date twenty ten to now, the

684
00:33:28,840 --> 00:33:31,959
Speaker 5: sound changes every ten years. Has it difficult for you

685
00:33:32,360 --> 00:33:35,120
Speaker 5: to adjust to what the sound is the time? Or

686
00:33:35,120 --> 00:33:37,760
Speaker 5: do you just stick to your guns and say, listen,

687
00:33:37,760 --> 00:33:39,920
Speaker 5: I don't care how what it sounds like right now.

688
00:33:39,960 --> 00:33:41,480
Speaker 5: I'm going to stick to what I've always done and

689
00:33:41,480 --> 00:33:42,200
Speaker 5: what's worked for me.

690
00:33:43,120 --> 00:33:47,400
Speaker 9: Do you in all transparency, I've definitely found myself at

691
00:33:47,520 --> 00:33:52,840
Speaker 9: certain points in my journey, you know, trying to adapt

692
00:33:53,200 --> 00:33:56,200
Speaker 9: if you will, But like you know, where I'm at now,

693
00:33:56,400 --> 00:33:58,080
Speaker 9: I think I'm at a space where it's like I

694
00:33:58,520 --> 00:34:02,520
Speaker 9: no longer necessarily care to adapt. I think what's important

695
00:34:02,560 --> 00:34:05,440
Speaker 9: to me is being as authentic and true to myself

696
00:34:05,480 --> 00:34:07,600
Speaker 9: as possible, because I feel like in twenty twenty five,

697
00:34:07,680 --> 00:34:10,600
Speaker 9: it's like that's the best thing that you can do, Like,

698
00:34:10,640 --> 00:34:13,640
Speaker 9: you know, with the Internet, Like I think it was

699
00:34:13,680 --> 00:34:14,240
Speaker 9: a little.

700
00:34:14,040 --> 00:34:16,399
Speaker 3: Bit different back in the day because.

701
00:34:16,080 --> 00:34:19,400
Speaker 9: It was all about like, you know where you was

702
00:34:19,520 --> 00:34:20,920
Speaker 9: from and things like that.

703
00:34:21,000 --> 00:34:23,320
Speaker 3: But I think the Internet kind of allows for.

704
00:34:23,840 --> 00:34:27,120
Speaker 9: People to be a little bit more expressive and not

705
00:34:27,280 --> 00:34:30,960
Speaker 9: be so bound by like where they are or where

706
00:34:31,000 --> 00:34:32,040
Speaker 9: the culture.

707
00:34:31,800 --> 00:34:32,960
Speaker 3: Is, you know what I mean.

708
00:34:33,040 --> 00:34:37,200
Speaker 9: It's like we have you know, people with classic sounds

709
00:34:37,280 --> 00:34:39,400
Speaker 9: re emerged. Like you said, it's like the game changes

710
00:34:39,440 --> 00:34:42,240
Speaker 9: every ten years, but it also comes back every twenty

711
00:34:42,800 --> 00:34:45,839
Speaker 9: you know what I'm saying. History repeats itself in an

712
00:34:45,840 --> 00:34:48,719
Speaker 9: interesting way. So I think, you know, right now, my

713
00:34:48,800 --> 00:34:52,480
Speaker 9: focus is definitely just what is my authentic voice at

714
00:34:52,520 --> 00:34:53,000
Speaker 9: this time?

715
00:34:53,120 --> 00:34:54,600
Speaker 3: What is true to me at this time?

716
00:34:54,680 --> 00:34:56,879
Speaker 9: What do I want to convey how do I want

717
00:34:56,920 --> 00:34:59,920
Speaker 9: to convey it at this time? And I think that

718
00:35:00,320 --> 00:35:02,600
Speaker 9: I use that as my guide in light my north

719
00:35:02,640 --> 00:35:05,960
Speaker 9: star and not like what the landscape of the game

720
00:35:06,120 --> 00:35:10,520
Speaker 9: is per se. Like there's a small awareness of that obviously,

721
00:35:10,520 --> 00:35:12,359
Speaker 9: because you got to know the league that you win,

722
00:35:12,840 --> 00:35:14,880
Speaker 9: you know what I mean. You guys could relate to that,

723
00:35:14,960 --> 00:35:16,560
Speaker 9: you know what I'm saying. You got to know the

724
00:35:16,600 --> 00:35:19,200
Speaker 9: playing field or whatever. But for the most part, I

725
00:35:19,320 --> 00:35:20,760
Speaker 9: play my game, you know.

726
00:35:22,000 --> 00:35:25,640
Speaker 1: But that got that has to be hard because if

727
00:35:25,640 --> 00:35:27,640
Speaker 1: you do something over and over again, it's like I

728
00:35:27,640 --> 00:35:29,799
Speaker 1: wish you give us something new, And when you give

729
00:35:29,880 --> 00:35:31,719
Speaker 1: them something new. I wish they give I wish you

730
00:35:31,840 --> 00:35:33,759
Speaker 1: go back to the old stuff, because I see that

731
00:35:33,840 --> 00:35:35,960
Speaker 1: a lot of times guys like, man, I wish you

732
00:35:35,960 --> 00:35:38,160
Speaker 1: would do something else, and when they do something else,

733
00:35:38,560 --> 00:35:41,400
Speaker 1: now all of a sudden, man, I like the old stuff.

734
00:35:41,560 --> 00:35:44,480
Speaker 1: So how does someone evolve if every time they can

735
00:35:44,560 --> 00:35:47,279
Speaker 1: give you something that you're not used to seeing. It

736
00:35:47,360 --> 00:35:49,680
Speaker 1: seemed like to me that the only person that they

737
00:35:49,719 --> 00:35:52,760
Speaker 1: allowed involved was Beyonce, because you went from one genre

738
00:35:53,040 --> 00:35:55,880
Speaker 1: to a whole new genre, got and got more people

739
00:35:55,880 --> 00:35:59,240
Speaker 1: and got you know, women wearing cowboy boots and cowboy hats,

740
00:35:59,239 --> 00:36:02,680
Speaker 1: and they still the concert again. But when when it

741
00:36:02,719 --> 00:36:06,600
Speaker 1: comes to wrap and other genres, they won't let they

742
00:36:06,600 --> 00:36:08,800
Speaker 1: won't let that artist get out of that box.

743
00:36:08,880 --> 00:36:11,799
Speaker 9: It's more picture hole. Yeah, yeah, I definitely agree with that.

744
00:36:11,920 --> 00:36:15,479
Speaker 9: I think you know, you got to do your role

745
00:36:15,600 --> 00:36:18,440
Speaker 9: in blocking out the noise, okay, because you know what

746
00:36:18,480 --> 00:36:21,480
Speaker 9: I've learned is that fans are fickle. You know what

747
00:36:21,480 --> 00:36:23,759
Speaker 9: I'm saying, Like, like what Jay said is like they

748
00:36:23,800 --> 00:36:25,720
Speaker 9: love you and they hate you and they love you again.

749
00:36:26,360 --> 00:36:27,000
Speaker 3: You know what I'm saying.

750
00:36:27,040 --> 00:36:29,120
Speaker 9: It's like they don't know what you want, what they

751
00:36:29,200 --> 00:36:32,440
Speaker 9: want so I feel like, as an artist, you always got.

752
00:36:32,200 --> 00:36:34,719
Speaker 3: To be doing for you.

753
00:36:34,719 --> 00:36:36,640
Speaker 9: You know what I'm saying, whatever is true for you

754
00:36:36,719 --> 00:36:39,840
Speaker 9: at the time, and even if because I'm definitely big

755
00:36:39,880 --> 00:36:44,200
Speaker 9: and big on that idea of not making the same

756
00:36:44,320 --> 00:36:47,400
Speaker 9: regurgitated thing and taking risks.

757
00:36:47,680 --> 00:36:48,960
Speaker 3: I enjoy taking.

758
00:36:48,719 --> 00:36:51,120
Speaker 9: Risks, you know what I'm saying, and be an experimental

759
00:36:51,200 --> 00:36:53,280
Speaker 9: like I enjoy when I play a song for somebody,

760
00:36:53,280 --> 00:36:56,560
Speaker 9: and somebody it's like that's you like that that that.

761
00:36:56,320 --> 00:36:59,680
Speaker 4: That that okay, yeah, surprise yeah.

762
00:36:59,440 --> 00:37:02,520
Speaker 9: Because it's like, okay, like I did something that you

763
00:37:02,560 --> 00:37:03,480
Speaker 9: didn't think I could do.

764
00:37:04,120 --> 00:37:04,800
Speaker 2: You know what I'm saying.

765
00:37:04,840 --> 00:37:07,640
Speaker 9: It's like I'm breaking the mold that you may have

766
00:37:08,080 --> 00:37:10,040
Speaker 9: over me in your mind. You know what I'm saying,

767
00:37:10,080 --> 00:37:12,440
Speaker 9: You didn't know I could. I could go there. But

768
00:37:12,520 --> 00:37:15,560
Speaker 9: at the same time, it's still me if you will,

769
00:37:15,719 --> 00:37:19,239
Speaker 9: you know what I mean. But yeah, like I said,

770
00:37:19,280 --> 00:37:22,319
Speaker 9: just to answer your question in short, though, we gotta

771
00:37:22,360 --> 00:37:23,160
Speaker 9: do it for you.

772
00:37:23,160 --> 00:37:25,680
Speaker 3: You know. It's funny too, because I was just.

773
00:37:25,680 --> 00:37:28,560
Speaker 9: Kind of having a mental thought and I'm like, damn,

774
00:37:28,680 --> 00:37:31,040
Speaker 9: like who do I make music for? And I'm like,

775
00:37:31,120 --> 00:37:33,520
Speaker 9: you know what, Like I really can genuinely say that

776
00:37:33,560 --> 00:37:36,080
Speaker 9: I make music for me, like I make the music

777
00:37:36,160 --> 00:37:40,239
Speaker 9: that from my experience, and that like I kind of

778
00:37:40,280 --> 00:37:42,600
Speaker 9: want to listen to or I want to drive my

779
00:37:42,719 --> 00:37:45,200
Speaker 9: car to, or I want to feel flaed to, you

780
00:37:45,200 --> 00:37:48,160
Speaker 9: know what I mean. And then it's like everybody else's

781
00:37:48,239 --> 00:37:50,719
Speaker 9: kind of secondary. And I know that might feel that

782
00:37:50,840 --> 00:37:53,799
Speaker 9: might sound a little funny, but that is That was

783
00:37:53,840 --> 00:37:56,040
Speaker 9: the thought that I had when I made my first

784
00:37:56,280 --> 00:37:59,920
Speaker 9: body of work, Like there was nobody, there was no audience,

785
00:38:00,040 --> 00:38:01,719
Speaker 9: there was no fans, it was just me and my

786
00:38:01,840 --> 00:38:03,560
Speaker 9: four walls, and I'm like, this is dope.

787
00:38:04,000 --> 00:38:06,440
Speaker 3: Like I think this is tight, you know what I'm saying.

788
00:38:06,520 --> 00:38:08,120
Speaker 2: So I stay.

789
00:38:08,719 --> 00:38:10,800
Speaker 3: I try to stay as close to that that place.

790
00:38:11,680 --> 00:38:11,960
Speaker 2: Listen.

791
00:38:12,000 --> 00:38:14,520
Speaker 5: As long as you've been in the game and all

792
00:38:14,600 --> 00:38:17,680
Speaker 5: the work that you've done over the years. I understand

793
00:38:17,719 --> 00:38:20,319
Speaker 5: the politics that comes into the music industry. It's it's

794
00:38:20,360 --> 00:38:26,520
Speaker 5: a very very fickle, very very uh dangerous industry from

795
00:38:26,560 --> 00:38:29,680
Speaker 5: a political standpoint. If there's one author that you would

796
00:38:29,680 --> 00:38:32,120
Speaker 5: love to work with that you haven't worked with, who

797
00:38:32,160 --> 00:38:32,680
Speaker 5: would it be?

798
00:38:34,440 --> 00:38:36,200
Speaker 2: I would love to work with Forrell.

799
00:38:38,400 --> 00:38:41,840
Speaker 7: Rules because my phone is about to die telling me

800
00:38:42,080 --> 00:38:42,400
Speaker 7: I was.

801
00:38:43,960 --> 00:38:48,480
Speaker 9: I was sleep for real, But yeah, Forrell, it's definitely

802
00:38:48,520 --> 00:38:50,640
Speaker 9: somebody who I've always wanted to work with.

803
00:38:51,120 --> 00:38:54,400
Speaker 7: We've close passed many times, we just haven't been.

804
00:38:54,280 --> 00:38:57,560
Speaker 2: A damn joy. Did you pay your did you pay

805
00:38:57,600 --> 00:38:58,160
Speaker 2: your light bill?

806
00:38:59,360 --> 00:39:07,279
Speaker 7: All that? Yo?

807
00:39:07,400 --> 00:39:09,439
Speaker 2: Yo? I don't I don't think you heard. I don't

808
00:39:09,440 --> 00:39:12,239
Speaker 2: think you understand. Like it's bedtime over here. You know

809
00:39:12,280 --> 00:39:17,359
Speaker 2: what I'm saying? Like lights out? Where you at?

810
00:39:17,680 --> 00:39:18,360
Speaker 4: We live at?

811
00:39:19,160 --> 00:39:20,160
Speaker 7: I'm on the East Coast?

812
00:39:20,840 --> 00:39:23,520
Speaker 4: Okay, okay, well yeah so I'm up in New York.

813
00:39:25,800 --> 00:39:29,160
Speaker 1: Well you at the you you are at the birthplace,

814
00:39:29,320 --> 00:39:31,719
Speaker 1: the mecca of hip hop. Give me some of your

815
00:39:31,719 --> 00:39:37,799
Speaker 1: early influences. Who was influential that joy? Like you know what?

816
00:39:37,840 --> 00:39:38,720
Speaker 1: I want to do that?

817
00:39:38,920 --> 00:39:44,279
Speaker 7: Oh Jay No, Biggie mn dom.

818
00:39:45,680 --> 00:39:55,040
Speaker 9: Uh Park like dang Ja Rue the Damager. I was

819
00:39:55,040 --> 00:39:56,520
Speaker 9: a big j rud the Damagers?

820
00:39:58,760 --> 00:39:58,880
Speaker 7: Uh?

821
00:39:59,200 --> 00:39:59,640
Speaker 2: Who else?

822
00:40:00,040 --> 00:40:02,439
Speaker 10: Yea even R and B man Ship, a little ship

823
00:40:02,560 --> 00:40:04,799
Speaker 10: even more new generation, a little bow Wow.

824
00:40:05,520 --> 00:40:08,520
Speaker 2: Yeah. I was a kid in that era.

825
00:40:08,640 --> 00:40:10,960
Speaker 3: So like seeing a little bad Wow do his thing.

826
00:40:11,040 --> 00:40:12,759
Speaker 2: That a lot for me because I was like, oh ship,

827
00:40:12,880 --> 00:40:16,080
Speaker 2: could I could do that? You know what I mean? Yeah? Yeah?

828
00:40:16,080 --> 00:40:19,920
Speaker 2: People people, people sleep on my boys. Shad, Shad deserves

829
00:40:20,000 --> 00:40:23,359
Speaker 2: way on your about was like that. Yeah.

830
00:40:23,520 --> 00:40:25,359
Speaker 4: Yeah, he had a beauty. He had a nice run. Boy,

831
00:40:25,520 --> 00:40:27,560
Speaker 4: he had a real nice run. Hey, hey, Joe, you

832
00:40:27,600 --> 00:40:32,600
Speaker 4: listening about you listened to Battle Rap? Oh yeah, okay, okay, yeah.

833
00:40:32,600 --> 00:40:34,680
Speaker 2: Oh yeah, oh yeah, yeah yeah yeah.

834
00:40:34,760 --> 00:40:36,759
Speaker 9: I love I love battle rap, you know what I mean.

835
00:40:37,000 --> 00:40:40,759
Speaker 9: My man loaded Lux. I just had it back and

836
00:40:40,800 --> 00:40:42,920
Speaker 9: forth with the Homie Daylight.

837
00:40:42,640 --> 00:40:47,239
Speaker 3: Earlier this year. You know, they like they like.

838
00:40:47,360 --> 00:40:50,919
Speaker 9: Gotti is probably on my top five battle rappers as well,

839
00:40:51,440 --> 00:40:53,200
Speaker 9: along with the other two names I mentioned.

840
00:40:53,320 --> 00:40:55,879
Speaker 2: Yeah, and I love the battle rap coaching. Man, Yeah,

841
00:40:56,080 --> 00:40:56,560
Speaker 2: I love that.

842
00:40:57,080 --> 00:40:58,680
Speaker 1: So what's going on. What's going on with you in

843
00:40:58,680 --> 00:41:01,160
Speaker 1: the West Coast? What's going on?

844
00:41:01,680 --> 00:41:02,279
Speaker 2: Yeah?

845
00:41:02,520 --> 00:41:06,160
Speaker 10: Oh we cool, we cool, we we we We had

846
00:41:06,160 --> 00:41:12,120
Speaker 10: we had a little you know, lyrile cool squabble. But

847
00:41:12,200 --> 00:41:14,880
Speaker 10: you know it wasn't about nothing. It was just you know,

848
00:41:15,800 --> 00:41:19,600
Speaker 10: everybody wanting to show that that they the best, right

849
00:41:20,000 --> 00:41:20,239
Speaker 10: you know.

850
00:41:20,440 --> 00:41:22,480
Speaker 9: So yeah, we got we got down a little bit.

851
00:41:22,560 --> 00:41:24,680
Speaker 9: It was fun, but it was.

852
00:41:26,200 --> 00:41:28,919
Speaker 2: You guys were still on that type of time. Yeah.

853
00:41:29,000 --> 00:41:30,879
Speaker 9: Yeah, like I mean, listen, it was all in good

854
00:41:31,000 --> 00:41:33,680
Speaker 9: faith and I'm grateful for that, you know what I mean.

855
00:41:33,719 --> 00:41:36,200
Speaker 9: I made a statement at the beginning of the year

856
00:41:36,360 --> 00:41:38,279
Speaker 9: and one of my records, and some rappers on the

857
00:41:38,280 --> 00:41:41,200
Speaker 9: West Coast took offense to it. I didn't meet offense

858
00:41:41,280 --> 00:41:45,120
Speaker 9: to it, but at the same time, I respected their perspective,

859
00:41:45,960 --> 00:41:47,799
Speaker 9: and you know, we we.

860
00:41:48,160 --> 00:41:51,240
Speaker 7: Pretty much just traded some bars.

861
00:41:51,280 --> 00:41:54,560
Speaker 4: Like made it better, made the better pin win.

862
00:41:54,840 --> 00:41:56,120
Speaker 2: Made the better pen win.

863
00:41:56,440 --> 00:41:59,160
Speaker 3: Indeed, indeed, indeed.

864
00:41:59,719 --> 00:42:01,080
Speaker 2: Do you kick it with? I mean, do you kick

865
00:42:01,120 --> 00:42:05,719
Speaker 2: it with anybody? Or you you you're soloist?

866
00:42:06,040 --> 00:42:11,200
Speaker 9: I am by nature now in this phase of my life,

867
00:42:11,239 --> 00:42:14,840
Speaker 9: I do. I am solo a lot. But yeah, yeah,

868
00:42:14,840 --> 00:42:17,400
Speaker 9: like when you say anybody, you mean like rapper friends

869
00:42:17,440 --> 00:42:17,719
Speaker 9: type of.

870
00:42:17,719 --> 00:42:20,000
Speaker 2: Thing, Yeah, yeah, you got you know, the homies that

871
00:42:20,040 --> 00:42:20,560
Speaker 2: you kick it with.

872
00:42:20,800 --> 00:42:23,880
Speaker 9: Oh yeah, you know j I d Is a great

873
00:42:23,920 --> 00:42:27,960
Speaker 9: friend of mine, Corday is a great friend of mine.

874
00:42:28,360 --> 00:42:29,560
Speaker 2: They sat ferg.

875
00:42:30,239 --> 00:42:34,520
Speaker 9: Danzel Curry like those are those are my guys for real?

876
00:42:34,680 --> 00:42:35,640
Speaker 2: And then it's like, you know.

877
00:42:35,600 --> 00:42:38,800
Speaker 9: I got I got a bunch of people just scattered

878
00:42:38,800 --> 00:42:41,360
Speaker 9: throughout the industry that, like, you know, a really solid

879
00:42:41,400 --> 00:42:43,960
Speaker 9: individuals and I've been rocking with for a long time for.

880
00:42:44,000 --> 00:42:46,600
Speaker 7: Sure, But you know, you know how it is, like

881
00:42:46,719 --> 00:42:47,720
Speaker 7: you know, I said, man.

882
00:42:47,560 --> 00:42:49,880
Speaker 9: You get to a certain age it's just it's just

883
00:42:49,960 --> 00:42:51,960
Speaker 9: not what it was in the early twenties and in

884
00:42:52,040 --> 00:42:54,160
Speaker 9: your team these years when it's like you hang with

885
00:42:54,239 --> 00:42:57,279
Speaker 9: people every day and stuff like that, it's like we.

886
00:42:57,280 --> 00:42:59,399
Speaker 1: All got our own Like the older I get that,

887
00:42:59,480 --> 00:43:01,480
Speaker 1: you know, the do you see what Once you get

888
00:43:01,480 --> 00:43:03,160
Speaker 1: to a certain age, you get to pick your friends.

889
00:43:03,360 --> 00:43:05,640
Speaker 1: It like when you you know, you were in elementary school,

890
00:43:05,719 --> 00:43:07,719
Speaker 1: junior high, in high school and everybody just around, Oh

891
00:43:07,800 --> 00:43:10,120
Speaker 1: that's my friend, that's my friend. You get older, you

892
00:43:10,120 --> 00:43:12,920
Speaker 1: get to pick your friend, and you know that you

893
00:43:12,960 --> 00:43:14,200
Speaker 1: pick less and less of them.

894
00:43:14,680 --> 00:43:17,319
Speaker 2: Yeah that's true. That's true. You got less time, you

895
00:43:17,400 --> 00:43:18,880
Speaker 2: got less time to vet them.

896
00:43:19,520 --> 00:43:22,080
Speaker 9: That's the fact. I've always heard just the same. Pick

897
00:43:22,120 --> 00:43:25,200
Speaker 9: your friends like you pick your fruit because I'll be

898
00:43:25,440 --> 00:43:27,680
Speaker 9: I mean, I'll be in the food hour in the

899
00:43:27,719 --> 00:43:28,920
Speaker 9: grocery store.

900
00:43:28,680 --> 00:43:32,080
Speaker 1: For a minute, like looking through. Yeah, that's why, that's why.

901
00:43:32,160 --> 00:43:33,640
Speaker 1: That's why you got to wash your fruit when you

902
00:43:33,640 --> 00:43:35,680
Speaker 1: get home. You hear what he's saying. The head in

903
00:43:35,680 --> 00:43:37,520
Speaker 1: his hand, he done thump that he done toast it

904
00:43:37,600 --> 00:43:38,680
Speaker 1: up like it's a tennis ball.

905
00:43:41,000 --> 00:43:46,239
Speaker 2: You got to watch that Apple lott Hey check this out.

906
00:43:46,560 --> 00:43:50,640
Speaker 1: You made your television television acting debut on a US network.

907
00:43:51,000 --> 00:43:52,200
Speaker 2: You try to do any more acting?

908
00:43:53,640 --> 00:43:57,080
Speaker 7: Oh not trying, brother, I am doing. Oh you doing,

909
00:43:57,760 --> 00:43:58,840
Speaker 7: absolutely doing.

910
00:43:59,000 --> 00:43:59,239
Speaker 2: Yeah.

911
00:43:59,400 --> 00:44:02,880
Speaker 9: I got some projects in the works right now that

912
00:44:02,920 --> 00:44:06,480
Speaker 9: I what's up necessarily revealed at the moment, but I'm

913
00:44:06,480 --> 00:44:09,520
Speaker 9: excited to share them when I can reveal. Like this

914
00:44:09,680 --> 00:44:12,560
Speaker 9: really big project I'm really excited about the shoot in

915
00:44:12,640 --> 00:44:16,160
Speaker 9: Paris next year, probably gonna be like, you know, one

916
00:44:16,200 --> 00:44:19,360
Speaker 9: of my I feel like this could be like, you know,

917
00:44:19,480 --> 00:44:22,960
Speaker 9: my real magnum opus in the film TV world, you know,

918
00:44:24,080 --> 00:44:28,759
Speaker 9: in Charlotte. But yeah, you know, raising Kanaan. We still

919
00:44:28,760 --> 00:44:31,399
Speaker 9: got one more season to go for that. That's been

920
00:44:31,840 --> 00:44:34,520
Speaker 9: a pleasure. And then I had the Netflix short a

921
00:44:34,640 --> 00:44:36,759
Speaker 9: few years ago to Just the Strangers that Want to

922
00:44:36,840 --> 00:44:40,319
Speaker 9: Oscar And yeah, a couple of projects in development as well.

923
00:44:40,360 --> 00:44:45,000
Speaker 9: So acting is definitely something that you know, I take serious.

924
00:44:45,600 --> 00:44:48,920
Speaker 2: Yeah, we want you to do it a favor. You know.

925
00:44:49,080 --> 00:44:52,279
Speaker 1: Oo Is is a lyricist. H he goes to you know,

926
00:44:52,520 --> 00:44:54,480
Speaker 1: do open where I know you remember the movie Love

927
00:44:54,560 --> 00:44:55,840
Speaker 1: Jones Trade.

928
00:44:55,960 --> 00:44:56,359
Speaker 5: Uh uh.

929
00:45:00,520 --> 00:45:01,520
Speaker 2: Lareen's excuse me?

930
00:45:01,920 --> 00:45:06,040
Speaker 1: Uh and uh nea long so has been you know

931
00:45:06,160 --> 00:45:08,160
Speaker 1: going to these you know, just open you know these

932
00:45:08,239 --> 00:45:09,680
Speaker 1: uh spoken words.

933
00:45:10,520 --> 00:45:14,520
Speaker 2: Yeah, so uh, Joey, graded, We're.

934
00:45:14,400 --> 00:45:16,240
Speaker 1: Gonna let you great because you know you're the professor

935
00:45:16,640 --> 00:45:19,200
Speaker 1: and the lyricists and great penmanship.

936
00:45:19,520 --> 00:45:21,960
Speaker 2: So great. Oh chose a spoken word. Let's go.

937
00:45:23,600 --> 00:45:27,080
Speaker 5: Hey, listen, Joey, my pen is like that. Hold on less.

938
00:45:27,440 --> 00:45:29,080
Speaker 5: Let me getting carried. I'm a little I'm under the

939
00:45:29,120 --> 00:45:30,920
Speaker 5: weather right now. Let me get in Charriaedter, I bet

940
00:45:30,960 --> 00:45:40,239
Speaker 5: do you think you think long summer nights? They all

941
00:45:40,360 --> 00:45:46,680
Speaker 5: come to play. They're walking across the streets acting like

942
00:45:46,760 --> 00:45:52,880
Speaker 5: a straight She has an umbrella, but it's not even raining.

943
00:45:56,600 --> 00:46:05,080
Speaker 2: That's it. Thank you, thank you. I'm gonna give you

944
00:46:05,120 --> 00:46:05,920
Speaker 2: one of those, man.

945
00:46:06,360 --> 00:46:07,520
Speaker 4: Yeah, appreciate that.

946
00:46:08,600 --> 00:46:12,400
Speaker 2: You gotta you gotta keep it classing man. The funny

947
00:46:12,440 --> 00:46:12,840
Speaker 2: thing about it.

948
00:46:12,960 --> 00:46:14,480
Speaker 5: The funny thing about it is people will hear what

949
00:46:14,560 --> 00:46:17,480
Speaker 5: I just said and not be able to visualize what

950
00:46:17,560 --> 00:46:18,280
Speaker 5: I'm talking about.

951
00:46:18,480 --> 00:46:19,759
Speaker 4: There's a message behind that.

952
00:46:21,120 --> 00:46:24,920
Speaker 5: Unless you in that in that mold and that spirit

953
00:46:25,800 --> 00:46:27,879
Speaker 5: and had that vision, you'll never understand what I say.

954
00:46:27,920 --> 00:46:29,200
Speaker 5: So you go back and listen to it again with

955
00:46:29,239 --> 00:46:31,840
Speaker 5: your eyes closed. Then the people in the chat you

956
00:46:32,000 --> 00:46:33,000
Speaker 5: understand what I'm going with it.

957
00:46:33,239 --> 00:46:34,160
Speaker 2: Then it comes to life.

958
00:46:34,760 --> 00:46:37,960
Speaker 4: Bingo, Yeah, everybody can't. They don't, they don't have my vision.

959
00:46:38,480 --> 00:46:40,960
Speaker 9: Anybody can't go. Anybody can't get on that plane.

960
00:46:41,000 --> 00:46:41,960
Speaker 2: But we just talked.

961
00:46:42,000 --> 00:46:42,840
Speaker 4: We just talked about that.

962
00:46:46,280 --> 00:46:47,000
Speaker 2: He has a tour.

963
00:46:47,440 --> 00:46:52,000
Speaker 1: Dark Aura starts off twenty five city headlining clicks off

964
00:46:52,120 --> 00:46:57,040
Speaker 1: October sixteenth in Boston. Uh new album drops August twenty ninth,

965
00:46:57,680 --> 00:47:01,160
Speaker 1: Lonely at the Top, Joy Badass, stop by, stop back

966
00:47:01,200 --> 00:47:03,000
Speaker 1: by and talk to him sometimes, and let me ask

967
00:47:03,040 --> 00:47:03,239
Speaker 1: you this.

968
00:47:03,960 --> 00:47:05,839
Speaker 2: Who you who you got this year? Who your team?

969
00:47:05,880 --> 00:47:14,920
Speaker 2: And why? Who's my team? And basketball? Football? Football all?

970
00:47:15,320 --> 00:47:17,279
Speaker 9: Like you guys probably hate me when I say this,

971
00:47:17,360 --> 00:47:20,279
Speaker 9: but I don't really watch football. Bro Okay, yeah, I'm

972
00:47:20,360 --> 00:47:22,680
Speaker 9: I don't know. I'm the wrong person to talk to you.

973
00:47:22,680 --> 00:47:23,560
Speaker 9: I don't know what's going on.

974
00:47:24,320 --> 00:47:28,520
Speaker 2: Who are your basketball team? Who's your basket? Who you who? Team? Man?

975
00:47:28,880 --> 00:47:32,000
Speaker 9: Like I'm always rooting for Lebron Man, I'm always rooting

976
00:47:32,040 --> 00:47:33,799
Speaker 9: for le Bron Big Lebron Man.

977
00:47:33,920 --> 00:47:34,080
Speaker 7: Man.

978
00:47:34,200 --> 00:47:36,279
Speaker 2: There you go. That's what we talk about. We're gonna

979
00:47:36,280 --> 00:47:36,719
Speaker 2: get you out here.

980
00:47:36,760 --> 00:47:38,560
Speaker 1: We're gonna get you out here on that one George

981
00:47:38,600 --> 00:47:41,480
Speaker 1: Man Fest of Love, continue success Man, stop back by

982
00:47:41,520 --> 00:47:42,240
Speaker 1: and see her sometime.

983
00:47:42,280 --> 00:47:42,360
Speaker 3: Bro.

984
00:47:42,520 --> 00:47:44,960
Speaker 2: Sorry, Sorry, it's so late, but this was, this was

985
00:47:45,400 --> 00:47:46,399
Speaker 2: we came on the way.

986
00:47:46,800 --> 00:47:48,279
Speaker 9: Next time, I'm going to make sure I get my

987
00:47:48,440 --> 00:47:50,799
Speaker 9: power in that being like Ochoke sal make sure.

988
00:47:51,080 --> 00:47:55,239
Speaker 2: Yeah, we appreciate that, brother. Thanks for joining y'all. Much love,

989
00:47:55,520 --> 00:47:56,600
Speaker 2: Joey Badass Chat