1 00:00:02,240 --> 00:00:16,440 Speaker 1: Radio Radio Radio Coms a Myth and Bullshit, a radio 2 00:00:16,480 --> 00:00:24,480 Speaker 1: phonic novella Local Radio hosted by Malamo Olona Locomotives. Welcome 3 00:00:24,480 --> 00:00:28,280 Speaker 1: back to local radio. Welcome back. We're your hosts. I'm 4 00:00:28,360 --> 00:00:32,680 Speaker 1: Mala and I'm and welcome back to you at another radio. 5 00:00:33,320 --> 00:00:37,040 Speaker 1: As always recording at Radio Spacio. We are a radio 6 00:00:37,040 --> 00:00:40,760 Speaker 1: phonic novella archiving the geniuses, brilliants and legacies of women 7 00:00:40,760 --> 00:00:45,360 Speaker 1: and films of color and the Capital that we're recording today. 8 00:00:45,680 --> 00:00:48,640 Speaker 1: I'm so excited. This is like, this is this is 9 00:00:48,680 --> 00:00:51,240 Speaker 1: some new ship for us, and we're really excited. We 10 00:00:51,320 --> 00:00:56,400 Speaker 1: are presenting to you our first international call and trevista 11 00:00:56,600 --> 00:00:58,520 Speaker 1: and it's going to be another one of our Spanish 12 00:00:58,600 --> 00:01:01,520 Speaker 1: language caps later on. So this will be our first 13 00:01:01,560 --> 00:01:04,880 Speaker 1: Spanish Capital eighteen. If you all remember we did one. 14 00:01:05,240 --> 00:01:08,160 Speaker 1: I think it was Capital Says and it was Vilano 15 00:01:08,319 --> 00:01:11,240 Speaker 1: Cristiendo with Nania Carmet that we did way back when 16 00:01:11,240 --> 00:01:13,679 Speaker 1: when we first started one of our very first episodes. 17 00:01:14,200 --> 00:01:17,000 Speaker 1: Um and we always want to like do new content, 18 00:01:17,120 --> 00:01:19,960 Speaker 1: you know, push ourselves to do more stuff and doing 19 00:01:20,360 --> 00:01:23,080 Speaker 1: content just in Spanish is something that we also would 20 00:01:23,080 --> 00:01:28,039 Speaker 1: like to do. Challenge ourselves trange ourselves. UM so yeah, 21 00:01:28,080 --> 00:01:31,800 Speaker 1: we're super excited to record this capituro. It's gonna be um, 22 00:01:32,160 --> 00:01:34,120 Speaker 1: it's going to be mainly in span or all in Spanish. 23 00:01:34,120 --> 00:01:37,600 Speaker 1: The interviews all in Spanish, and were interviewing Her name 24 00:01:37,680 --> 00:01:42,880 Speaker 1: is Claria Aron and she's Awa. She identified as a 25 00:01:43,000 --> 00:01:49,840 Speaker 1: Chola activista maroon and in them in indumentaria, which is um, 26 00:01:49,960 --> 00:01:52,880 Speaker 1: she's a fashion designer and she does really great work. 27 00:01:52,960 --> 00:01:56,280 Speaker 1: She combines her passions of psychology and self care and 28 00:01:56,280 --> 00:02:00,400 Speaker 1: self love, um with fashion and how fashion is political 29 00:02:00,600 --> 00:02:03,480 Speaker 1: and how the personal is political and and everything that 30 00:02:03,520 --> 00:02:06,960 Speaker 1: women of color do is resistance. Really um, so we're 31 00:02:06,960 --> 00:02:10,040 Speaker 1: super excited to interview her, very very excited. And you 32 00:02:10,160 --> 00:02:13,360 Speaker 1: actually found her online and how did you get across 33 00:02:13,360 --> 00:02:16,480 Speaker 1: her work? Like how did this happen? Because orchestrated this. 34 00:02:16,560 --> 00:02:18,919 Speaker 1: I did this whole thing. I orchestrated this whole thing 35 00:02:19,080 --> 00:02:24,080 Speaker 1: via Facebook because um somebody I believe it was Roxana 36 00:02:24,600 --> 00:02:27,600 Speaker 1: one of my Facebook friends La Rocks and um she 37 00:02:28,320 --> 00:02:32,800 Speaker 1: um shared a video of this move head um in 38 00:02:32,919 --> 00:02:37,079 Speaker 1: Mexico doing this like incredible child lad talking about representation 39 00:02:37,120 --> 00:02:41,360 Speaker 1: of indigenous women and like how she identifies as a Chola, 40 00:02:41,880 --> 00:02:45,880 Speaker 1: which if you know um specifically to Peru, Chola is 41 00:02:45,919 --> 00:02:49,000 Speaker 1: like not how we know um? Chola and like l 42 00:02:49,000 --> 00:02:53,160 Speaker 1: a La is like a very politicized identity, or it 43 00:02:53,200 --> 00:02:56,399 Speaker 1: can be, and but it's also um, it's also used 44 00:02:56,440 --> 00:02:59,000 Speaker 1: as a stereotype, right, so like many things, there's like 45 00:02:59,120 --> 00:03:02,920 Speaker 1: the reclaiming of it and then also like the negative usage, 46 00:03:03,200 --> 00:03:05,000 Speaker 1: and mainly it's like to put down folks that are 47 00:03:05,040 --> 00:03:09,280 Speaker 1: from the Andies, which um, yeah. Anyway, So she's talking 48 00:03:09,360 --> 00:03:12,480 Speaker 1: about that in the video and I was just so 49 00:03:12,720 --> 00:03:16,640 Speaker 1: like wow, like listening to her talk, she's just super powerful. 50 00:03:17,160 --> 00:03:19,960 Speaker 1: So I messaged her on a whim and I was like, 51 00:03:20,240 --> 00:03:23,920 Speaker 1: maybe maybe I could get her on the show. And 52 00:03:24,000 --> 00:03:27,360 Speaker 1: I messaged her and she said yes, and she was 53 00:03:27,400 --> 00:03:28,880 Speaker 1: like I don't speak English, and I was like that 54 00:03:28,960 --> 00:03:31,120 Speaker 1: is okay, Like we want to do an episode with 55 00:03:31,160 --> 00:03:34,520 Speaker 1: you in Spanish. So it was super exciting and I 56 00:03:34,639 --> 00:03:36,720 Speaker 1: was like flipping out and I was like, Mama, please 57 00:03:36,720 --> 00:03:38,480 Speaker 1: watch this video. I was like, can we invite her? 58 00:03:38,520 --> 00:03:41,440 Speaker 1: And Mama was like, yes, let's bring her, let's do it. 59 00:03:41,800 --> 00:03:44,480 Speaker 1: So she agreed. So I mean, you know, we're trying 60 00:03:44,480 --> 00:03:47,040 Speaker 1: something new. We're gonna do a video call with her. 61 00:03:47,760 --> 00:03:51,800 Speaker 1: Um you know, and hopefully introduce our listeners, introduce you 62 00:03:51,840 --> 00:03:54,200 Speaker 1: all to a really don't move head who was like 63 00:03:54,280 --> 00:03:56,560 Speaker 1: doing the type of ship that we love, right, you know. 64 00:03:56,920 --> 00:04:00,320 Speaker 1: And you know, for me, what's like, um my my 65 00:04:00,480 --> 00:04:04,120 Speaker 1: politics right like of course are informed by my identities, 66 00:04:04,280 --> 00:04:07,120 Speaker 1: but I don't have the language in Spanish to talk 67 00:04:07,160 --> 00:04:11,200 Speaker 1: about to talk about my beliefs, you know what I mean, 68 00:04:11,760 --> 00:04:15,040 Speaker 1: Like I'm still learning the words to talk about the 69 00:04:15,120 --> 00:04:17,719 Speaker 1: in Spanish right because the way it's new language for 70 00:04:17,839 --> 00:04:21,320 Speaker 1: us in English is also like new words like in Spanish. 71 00:04:21,320 --> 00:04:23,719 Speaker 1: For me, as I'm learning them in English, I'm also 72 00:04:23,800 --> 00:04:25,200 Speaker 1: learning them in Spanish, you know what I mean? Does 73 00:04:25,200 --> 00:04:28,240 Speaker 1: that make sense? It makes well? Yeah, language is ever evolving, right, 74 00:04:28,279 --> 00:04:33,840 Speaker 1: so like fifteen years ago, like we weren't necessarily years ago, 75 00:04:33,880 --> 00:04:36,960 Speaker 1: we weren't necessarily using like terms like microggression like in 76 00:04:37,040 --> 00:04:40,600 Speaker 1: day to day language, and so the equivalent is happening 77 00:04:40,600 --> 00:04:44,080 Speaker 1: in Spanish in Latin America exactly right, exactly, And there's 78 00:04:44,120 --> 00:04:49,000 Speaker 1: just like such badass, badass like feminists doing the damn 79 00:04:49,040 --> 00:04:52,720 Speaker 1: thing in all of Latin America like globally in general, 80 00:04:53,200 --> 00:04:57,680 Speaker 1: truly globally. But like my of course, my background of 81 00:04:57,720 --> 00:05:00,679 Speaker 1: my knowledge is like Latin American feminism. So like to 82 00:05:00,960 --> 00:05:03,719 Speaker 1: actually talk with someone that's like doing her work in 83 00:05:03,839 --> 00:05:06,160 Speaker 1: biddle on the ground, which y'all know is already really 84 00:05:06,200 --> 00:05:08,800 Speaker 1: important for me. So it's just super dope. I'm really 85 00:05:08,800 --> 00:05:10,800 Speaker 1: glad that we're going to interview her. Yeah. I'm also 86 00:05:10,839 --> 00:05:14,720 Speaker 1: grateful that we can do bilingual content and we can 87 00:05:14,839 --> 00:05:18,040 Speaker 1: do Spanish content, like, although my Spanish and shitty because 88 00:05:18,040 --> 00:05:20,200 Speaker 1: I'm the ilch, we can still do it. You know. 89 00:05:20,320 --> 00:05:22,280 Speaker 1: I love it. We're putting it together. Every time you 90 00:05:22,320 --> 00:05:27,320 Speaker 1: talk about your Spanish, you always say my idea. I 91 00:05:27,400 --> 00:05:34,159 Speaker 1: love that. That is the idea anyway, singles times, every 92 00:05:34,200 --> 00:05:36,839 Speaker 1: single time. I'm true. I love it. I love thank 93 00:05:36,880 --> 00:05:42,400 Speaker 1: you for for me identity. So let's let's let's get 94 00:05:42,600 --> 00:05:47,480 Speaker 1: cloudy on the call. Yes, let's bring her, let's do it. Okay, okay, 95 00:05:47,520 --> 00:06:01,040 Speaker 1: so ah, yes, demos own video chat or locator radio, 96 00:06:01,600 --> 00:06:09,120 Speaker 1: your v your mente persona por facebookor ain compartio suolando 97 00:06:09,240 --> 00:06:14,800 Speaker 1: the lashes and the peru Ila representation de la dina 98 00:06:15,240 --> 00:06:22,080 Speaker 1: um and peru Como aldentifica Commona cholauskena. So there's there's 99 00:06:22,120 --> 00:06:27,440 Speaker 1: a memento your um labs Facebook Lem and then went say, hey, hey, 100 00:06:27,680 --> 00:06:36,920 Speaker 1: your was prorama rao astra is super increduous storie a 101 00:06:37,080 --> 00:06:47,000 Speaker 1: laconia so nombres Claudia a ravon so alaa your super 102 00:06:54,440 --> 00:07:08,440 Speaker 1: momento yesterday Amo, there's the socia some super important exact communajomente. 103 00:07:10,360 --> 00:07:17,360 Speaker 1: It's super important. Claudia pesa blar so massobre uster gasses 104 00:07:17,440 --> 00:07:31,840 Speaker 1: to travajo mira jojovo yello personalest politico, lucia process of 105 00:07:31,960 --> 00:07:46,280 Speaker 1: the travaco personality sino sano come on, Jana and Don 106 00:07:46,400 --> 00:07:59,600 Speaker 1: says els trendo hinaria knowing and Campo sinai last no 107 00:08:00,040 --> 00:08:16,240 Speaker 1: cens e more nechA mio a mystical the miss that 108 00:08:17,280 --> 00:08:32,120 Speaker 1: inchola contemporania come out untrami race brendo hinario. Of course, 109 00:08:32,160 --> 00:08:42,560 Speaker 1: as as scenario I got the ancestras or ancestros como 110 00:08:42,720 --> 00:08:50,960 Speaker 1: identification protectio sea as you came your super perteet yourself 111 00:08:50,960 --> 00:09:00,600 Speaker 1: expressta ah sir accidental no capitalism, come on chicas see 112 00:09:04,440 --> 00:09:17,439 Speaker 1: and also xprestaa posta solo roba palmento cidental car blanca 113 00:09:19,080 --> 00:09:33,200 Speaker 1: your sister your started bulling and collo for nocal nocal 114 00:09:33,280 --> 00:09:56,839 Speaker 1: start cargo via aures genera, it's super personal project projecta 115 00:09:59,800 --> 00:10:11,319 Speaker 1: x questa travadrata or vitima lastio can be empera as 116 00:10:11,520 --> 00:10:29,800 Speaker 1: capitaoante so the candletional c perque, process of stormy eventia 117 00:10:33,120 --> 00:10:47,120 Speaker 1: porque simple parte apart del personal cembia, contemporania, ok taken 118 00:10:47,559 --> 00:11:00,120 Speaker 1: like okay negro or yes, peruano so pa for an 119 00:11:00,120 --> 00:11:09,839 Speaker 1: assistant novol can assistant are you coming? Marco lar saying 120 00:11:10,720 --> 00:11:21,480 Speaker 1: lolo solos nomentari to yo le chacketlerra lamonti lastrence il 121 00:11:21,559 --> 00:11:33,040 Speaker 1: sombreros not being necessara lopero intro or it's contemporani yes, 122 00:11:33,080 --> 00:11:47,560 Speaker 1: ex posto much and indumentaria and gender the Mosai getting 123 00:11:47,559 --> 00:12:04,400 Speaker 1: into Chicas people aracteristic castin a say bress Mexico sila 124 00:12:04,559 --> 00:12:16,599 Speaker 1: Mrs person supercio's moanina and that's a very como. Come on, no, 125 00:12:26,000 --> 00:12:30,480 Speaker 1: and Ton says sambing is, come on the seral hanlasina 126 00:12:31,360 --> 00:12:47,520 Speaker 1: resilience is los maronia grandpas nico or will not novemo represented, 127 00:12:48,160 --> 00:12:58,800 Speaker 1: solo no not represented, com ignorant and all of a yeah, 128 00:13:00,040 --> 00:13:11,559 Speaker 1: come one, tipos who we canto labu so la normalizamo 129 00:13:12,080 --> 00:13:27,840 Speaker 1: one programs. Also also for repented too and not a head. 130 00:13:28,559 --> 00:13:47,199 Speaker 1: The hero senegritomlatocalento nache Amazonica exclama it's a super perte. 131 00:13:48,840 --> 00:13:59,760 Speaker 1: The Communicata chiquita las Nina elaquere Comando collas Poto del 132 00:13:59,840 --> 00:14:17,640 Speaker 1: ri dal comparando Collastolla chicao complete much lords visual Santa 133 00:14:18,000 --> 00:14:37,920 Speaker 1: associatea alas Cono, governor collecong or Melian comic affair, Mexica 134 00:14:38,840 --> 00:14:52,520 Speaker 1: prandeo per so your really and yeah, Nina pornoso common 135 00:14:52,680 --> 00:15:04,000 Speaker 1: persona when Clara Cono come in Contarella more profio ya 136 00:15:04,800 --> 00:15:14,600 Speaker 1: iogo a la vest Martimzo s I s conflicto set 137 00:15:14,640 --> 00:15:36,680 Speaker 1: complete loss pass para commerci Almundo not come yes Martiste 138 00:15:38,520 --> 00:15:47,600 Speaker 1: color vertus or three years, The two Roos, the loamoato 139 00:15:48,280 --> 00:16:08,440 Speaker 1: nom nico nico universal so you know heavena Manera sen 140 00:16:08,720 --> 00:16:31,720 Speaker 1: s in convinctional conal loqueira Pa didn't carn appropriate alastachen 141 00:16:31,960 --> 00:16:40,560 Speaker 1: or alex aspheric seance Reno and Sam knows who's game 142 00:16:40,640 --> 00:17:02,920 Speaker 1: as a compiring geres president LoVa, Yeah, lotros the repented chromets, 143 00:17:07,000 --> 00:17:21,240 Speaker 1: Yeah como, I got super super parsem no no oh, 144 00:17:22,119 --> 00:17:25,360 Speaker 1: it's starting relations dependient as soon as I will see 145 00:17:25,359 --> 00:17:39,960 Speaker 1: your personal relations. It's intends supper there, it's but comes 146 00:17:40,000 --> 00:17:57,760 Speaker 1: through solmost prosa solmost Marxica somemost too promena as no 147 00:18:01,800 --> 00:18:14,959 Speaker 1: amiga comprehended mea ok to quero puesta I mean exito 148 00:18:15,280 --> 00:18:44,440 Speaker 1: tomo topic so important equal, Yeah, steel squeroslajerez nuestro squerpos 149 00:18:44,480 --> 00:18:49,800 Speaker 1: on you know politicals, politicals right, I'm a political cono 150 00:18:49,840 --> 00:18:57,280 Speaker 1: squeroes the history right um antes usas differentes cosas you 151 00:18:57,359 --> 00:19:01,639 Speaker 1: know into pello to machia he um you know peria 152 00:19:02,960 --> 00:19:12,119 Speaker 1: masobre politica in como to a suso e liseno para 153 00:19:12,720 --> 00:19:25,320 Speaker 1: in contract but in pert samario los milica material and 154 00:19:29,160 --> 00:19:51,880 Speaker 1: don't says servieto and el estrachero pero jojoso poera coloriaos 155 00:19:53,080 --> 00:20:00,240 Speaker 1: pero no saia cassia political assistancia, political commentsomerica said dos 156 00:20:00,280 --> 00:20:09,360 Speaker 1: anosa mira Colombia merijo della formaevists as a resistencia politica 157 00:20:09,800 --> 00:20:16,560 Speaker 1: ass a intervention as on performances there you are still 158 00:20:16,640 --> 00:20:28,280 Speaker 1: test vocation tregunta pasonasri museum na lady of rasco repulsion. 159 00:20:30,119 --> 00:20:35,040 Speaker 1: You're not a consa, No, you're not for lotro for 160 00:20:35,200 --> 00:20:43,680 Speaker 1: q sa fla ammaque no esta migoes cousco abela m 161 00:20:43,880 --> 00:20:56,400 Speaker 1: c m cermanus couso or so param picles peras cestrara 162 00:20:56,680 --> 00:21:03,879 Speaker 1: there not restaurant las flada for never familia, and Ton says, 163 00:21:05,000 --> 00:21:29,440 Speaker 1: if your porta ntil men casa al retail star este 164 00:21:29,520 --> 00:21:38,879 Speaker 1: color is the prince esta tendentia, jokai and creostrina, not 165 00:21:39,000 --> 00:21:45,280 Speaker 1: that it happens, are costa former the tennis or the 166 00:21:45,560 --> 00:21:55,280 Speaker 1: casa da tod and Ton says, niver pinzo porque porquella 167 00:21:55,400 --> 00:22:16,399 Speaker 1: roba israel noo MBM for loquesa themro esauera comtro commana 168 00:22:16,800 --> 00:22:29,480 Speaker 1: como form for last cornaaes pormos, porno pera sill permit estegorote, 169 00:22:30,480 --> 00:22:41,040 Speaker 1: not pine necessariment commons atos alla carcel carcels and even 170 00:22:42,640 --> 00:22:58,719 Speaker 1: informed not libertaria, and Ton says, iactisto, yes politicas syncretis 171 00:22:58,960 --> 00:23:26,320 Speaker 1: estetico Now the jolaera pruso, nights ada cuero, theatre rapao agatamaaaaaaa, 172 00:23:30,680 --> 00:23:58,399 Speaker 1: Michael yes, Indian spots elas cortura, spraying as lavina giosis 173 00:24:00,160 --> 00:24:16,520 Speaker 1: chaoya see and represents so it's not all normal la 174 00:24:17,000 --> 00:24:28,000 Speaker 1: solo song, it's the com normal last transtor its r 175 00:24:30,200 --> 00:24:45,280 Speaker 1: then go now represent Mama, represent grand it's familiar familia. 176 00:24:45,400 --> 00:25:02,760 Speaker 1: When the represent to ermanas permatreinto m braine is indis 177 00:25:04,440 --> 00:25:16,480 Speaker 1: opera imperio in brain. Later no symbolotria mesti for someone 178 00:25:18,040 --> 00:25:29,000 Speaker 1: the like machen muss nona. When men collections at comochola 179 00:25:29,320 --> 00:25:44,040 Speaker 1: carisa or ma ronga the part to restore and personals 180 00:25:47,680 --> 00:26:00,399 Speaker 1: cola come on, No no melis and yeah yeah no 181 00:26:02,520 --> 00:26:13,440 Speaker 1: loca almos locacao almost sole almost you know CEREZOI merios 182 00:26:13,480 --> 00:26:25,000 Speaker 1: respecto right, no importa identification jerez right um no ificationes 183 00:26:25,160 --> 00:27:00,679 Speaker 1: paras daniel see welcome como number super wow, that's amazing 184 00:27:01,359 --> 00:27:14,680 Speaker 1: where loss Yeah yeah, it doesn't look around the rotism 185 00:27:15,320 --> 00:27:37,280 Speaker 1: didn't remember in places necessarily Coina doesn't company to papa 186 00:27:39,280 --> 00:27:51,160 Speaker 1: agreman there a number of outgready m hmm yeah, interesting, 187 00:27:51,240 --> 00:27:59,399 Speaker 1: Well don't let noestros at, don't wedding in contract to 188 00:27:59,560 --> 00:28:12,680 Speaker 1: trava making social josto yativano mas platforms super received, Yes, 189 00:28:13,040 --> 00:28:24,200 Speaker 1: Rammatica says Jo samples pero and and but those points 190 00:28:25,119 --> 00:28:33,879 Speaker 1: install como cloud Yes consobajo arabon I used to walcome 191 00:28:33,960 --> 00:28:43,520 Speaker 1: up cossraj Charles on the way too grandmos Maro Maron 192 00:28:43,560 --> 00:28:57,720 Speaker 1: Celanta como and argosto and Manato loo loo no past 193 00:28:57,720 --> 00:29:14,000 Speaker 1: super important it all yes or leconno gacono seras formasquerpoo 194 00:29:14,120 --> 00:29:33,800 Speaker 1: mane superlargo lo conra joio superman persona grande and don't 195 00:29:33,800 --> 00:29:58,280 Speaker 1: say posa compris no supper petristasio frubo, fridas no talking 196 00:29:58,320 --> 00:30:15,760 Speaker 1: well Mosaka was a thief a very increasing us super 197 00:30:15,800 --> 00:30:30,600 Speaker 1: important tantas cosasas you're lauro c or the needia po 198 00:30:31,200 --> 00:30:41,640 Speaker 1: los Angeles, orna sera e gravely set as the last 199 00:30:43,120 --> 00:31:08,560 Speaker 1: realmentament product cambio he randola or okay, somebiing is listening 200 00:31:08,600 --> 00:31:18,960 Speaker 1: to liter least I see you're a hey see you 201 00:31:21,680 --> 00:31:33,760 Speaker 1: terrisa bearing a chica academica, Yes yourself you know yeah, 202 00:31:41,960 --> 00:31:51,560 Speaker 1: Lara Staff when Nora Prime your mother international international crassies, Yeah, 203 00:31:53,640 --> 00:32:11,040 Speaker 1: chikaya for yes, sejo porta por ex thamas super contents 204 00:32:15,040 --> 00:32:32,080 Speaker 1: you are you a naiado see okay when rasias um 205 00:32:32,880 --> 00:32:40,040 Speaker 1: namasa publicisto in una semana see so the link por 206 00:32:40,120 --> 00:32:46,960 Speaker 1: face Instagram. So do you have my boy? You have 207 00:32:47,040 --> 00:33:19,000 Speaker 1: my purfecerio plano? Yes? By bye? Okay, So thank you 208 00:33:19,040 --> 00:33:22,440 Speaker 1: all for tuning into that interview. I mean I learned 209 00:33:22,480 --> 00:33:24,440 Speaker 1: so much from her. I learned a lot, right, I 210 00:33:24,560 --> 00:33:26,760 Speaker 1: learned a lot. I'm like super super happy that we 211 00:33:26,840 --> 00:33:28,800 Speaker 1: got to speak with her. She's just like even through 212 00:33:28,880 --> 00:33:31,800 Speaker 1: the computer, you could just like feel her vibes energy. 213 00:33:31,960 --> 00:33:35,400 Speaker 1: Her energy is just so magnificent, so magical. Um So, 214 00:33:35,560 --> 00:33:38,080 Speaker 1: I hope that you all enjoyed it. Um I hope 215 00:33:38,080 --> 00:33:39,840 Speaker 1: that she can be out here in l A soon. 216 00:33:40,040 --> 00:33:42,479 Speaker 1: So if you're listening and you want to bring her 217 00:33:42,560 --> 00:33:45,200 Speaker 1: out for a university talk, or you want to bring 218 00:33:45,240 --> 00:33:49,000 Speaker 1: her out to do some type of workshop for whatever 219 00:33:49,080 --> 00:33:51,040 Speaker 1: you're a part of, because we know our locomotives are 220 00:33:51,080 --> 00:33:53,600 Speaker 1: doing dopet ship too, So like if you want to 221 00:33:53,640 --> 00:33:56,000 Speaker 1: get in contact with her, follow her. She has a 222 00:33:56,040 --> 00:33:58,080 Speaker 1: partner out here in l A and they're doing that 223 00:33:58,160 --> 00:34:01,400 Speaker 1: long distance love. That's very longest that's very long daily 224 00:34:01,480 --> 00:34:04,160 Speaker 1: long distance. Um So yeah, I mean that would be 225 00:34:04,240 --> 00:34:06,760 Speaker 1: dope for us to meet her in person. Let's see 226 00:34:06,800 --> 00:34:09,800 Speaker 1: what we can all do. Yeah. Yeah, we are not 227 00:34:09,960 --> 00:34:13,440 Speaker 1: necessarily in a place or a capacity to fly anybody out, 228 00:34:13,680 --> 00:34:18,600 Speaker 1: especially international league. We're really not associated with any like institutions. Um, 229 00:34:18,760 --> 00:34:21,600 Speaker 1: but like like said, like we know that we have 230 00:34:21,719 --> 00:34:24,360 Speaker 1: listeners like in law school and who are pursuing PhD 231 00:34:24,520 --> 00:34:27,360 Speaker 1: s and who are professors and even like a like 232 00:34:27,480 --> 00:34:30,800 Speaker 1: a museum that wants to do like fashion and in 233 00:34:30,960 --> 00:34:34,240 Speaker 1: different context, you know what I mean? Can we repeat 234 00:34:34,320 --> 00:34:40,160 Speaker 1: what Cloudias Instagram was at Claudia and then underscore and 235 00:34:40,280 --> 00:34:44,359 Speaker 1: her last name A R A G O N. Yes, 236 00:34:44,560 --> 00:34:47,279 Speaker 1: so go follow her on Instagram, UM, look her up 237 00:34:47,280 --> 00:34:50,720 Speaker 1: on Facebook. Her work is online, her work is online. 238 00:34:51,160 --> 00:34:54,279 Speaker 1: She's doing amazing work. So yeah, we're super we're super 239 00:34:54,320 --> 00:34:56,880 Speaker 1: happy we got to record with her. Yeah, thank you 240 00:34:57,080 --> 00:34:59,560 Speaker 1: all for joining us. Yes, thank you for joining for 241 00:34:59,640 --> 00:35:03,759 Speaker 1: another local radio as always. You know you can listen 242 00:35:03,840 --> 00:35:09,520 Speaker 1: to us on Spotify, Apple Podcasts, Audio Boom. 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