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Speaker 1: If McDonald's doesn't oxtail, are you going to try? If

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Speaker 1: McDonald's doesn't oxtail, it's going to tear my family apart.

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Speaker 1: He's going to rule us. Maybe I'm sick. What do

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Speaker 1: you want from me? Taste you damn good.

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Speaker 2: Sounds is different than the way that makes in other places.

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Speaker 1: It doesn't.

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Speaker 2: Chips in your.

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Speaker 1: Kuala, bears am, racists, layers, money.

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Speaker 3: Turning stuff.

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Speaker 1: I can't tell me.

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Speaker 2: Zagazell's zigg gizell za gazelle.

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Speaker 1: Bad man. Now there it is.

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Speaker 2: There, it is, Ladies and gentlemen, ladies and gentiles of life.

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Speaker 2: Welcome to another phenomenal episode of My Mama Told Me,

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Speaker 2: the podcast where we dive deep into the pockets of

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Speaker 2: black conspiracy theories and come.

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Speaker 1: On, you know what, we're proven not a goddamn thing,

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Speaker 1: nothing When you're not here to learn, what could we prove?

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Speaker 2: We didn't read about it before we started talking.

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Speaker 1: And also, I think we're here to zig when they zag.

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Speaker 2: Every podcast is trying to teach you something, trying to

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Speaker 2: give you some type of political insight, some answers.

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Speaker 1: Hey, you know who's not going to tell you how

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Speaker 1: to be at Alpha or Langston and Davie made a book.

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Speaker 1: Come on, come on, you don't want to look your

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Speaker 1: stepdad in the I come over.

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Speaker 2: Here, hey if you want to talk shit about him?

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Speaker 2: Once the out the room. Now you're talking to the boys.

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Speaker 2: Is your favorite part of the cookout? King with the ladies?

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Speaker 2: Was your best friend at church, the Redmond. She had

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Speaker 2: the best hats. There was no disagreement.

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Speaker 1: Do you relate more to living single than fresh Prince

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Speaker 1: of Bela? Are you a Sinclair or a Ragime? You're

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Speaker 1: not Max. You're not Max. That is a confident person.

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Speaker 1: You're not Max. You're not Kyle. Nope? Do we can

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Speaker 1: we talk about this before we get I know you

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Speaker 1: have a statement. I just want to say, oh yes, yes,

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Speaker 1: please before you okay, you remember living single? Yeah?

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Speaker 4: Right?

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Speaker 1: You remember? Kyle? Of course? Do we what happened to

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Speaker 1: that genre of dark skinned dude who spoke almost vaguely British?

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Speaker 1: Where did those guys go? See? And I don't I

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Speaker 1: don't mean to step on what you're about to get me.

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Speaker 1: You're about to say something so nasty. Look at your face.

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Speaker 1: I worry that what you were considering British was just homosexual. No, no,

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Speaker 1: no mistake with a lot of foreigners. I'm not here

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Speaker 1: to say I'm better than anyone. I've done it, you

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Speaker 1: know what I mean. That's not what that's not That's

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Speaker 1: not no gay.

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Speaker 2: No, he was very gay. It was he was a he.

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Speaker 1: Was fucking maxine like crazy, Yes, of course, but he

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Speaker 1: moved like a snake. That's that's wrong. No.

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Speaker 2: I think we I think we wanted that to be

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Speaker 2: a type of like swaggy cool ship.

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Speaker 1: And it was cool because gay is cool. I'm not

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Speaker 1: saying it maybe you were born this way. I'm not

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Speaker 1: saying it's not cool. It's fucking awesome. It's really cool.

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Speaker 1: Hell yeah.

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Speaker 2: And I'm in fact, I'm a big fan. I'm a

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Speaker 2: big fan of what you got going on. I personally

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Speaker 2: wish there were more of you that said that said that.

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Speaker 2: He was very much in the community that I'm speaking of.

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Speaker 1: That's I can't go with you on that. No, No,

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Speaker 1: that's and I remember there was a genre, but you

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Speaker 1: understand what the guy I'm talking about, and I agree

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Speaker 1: with the genre. There was a genre they had like

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Speaker 1: big wooden canes, ornate canes. Sometimes. Yeah, they were like

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Speaker 1: like the guy from Voice to Men, the dark skinned guy.

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Speaker 2: Yeah, they were they were British, but also you could

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Speaker 2: tell by way of Africa and.

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Speaker 1: Yeah, like some kind of an Idris Elba prototype.

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Speaker 2: It was like a very tailored suit with a Kent

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Speaker 2: take cloth accent in.

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Speaker 1: Your yeah yeah, short short line, short short dress.

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Speaker 2: Yeah yeah, no, I I agree with the man. Okay, okay,

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Speaker 2: I remember the man. I wish they were your the.

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Speaker 1: Main before you had this disrespectful detour or what I

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Speaker 1: was saying was what happened to that man is all

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Speaker 1: because you don't see that anymore. You don't see that guy.

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Speaker 1: I tried to bring it back. I bought this at

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Speaker 1: the African American Arts Festival. That was beautiful. Brim too big,

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Speaker 1: Oh no, brim too big. Oh you can't see it

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Speaker 1: sucks like I bought it and it was too expensive

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Speaker 1: and I was even telling about girls like don't work.

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Speaker 1: And then I got it and I was gonna wear

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Speaker 1: it on here. But then when you it's like two months, yeah,

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Speaker 1: you're you're it is.

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Speaker 2: It is a style for sure, but you're like making

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Speaker 2: a choice for your day.

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Speaker 1: Because here's the thing, is like I don't I don't

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Speaker 1: have a complexion that lends itself to looking like a farmer. Well, sure,

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Speaker 1: say what you will draw whatever you want. Yeah, I

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Speaker 1: just don't have like the type of face that should

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Speaker 1: be looking up under a hat, right address.

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Speaker 2: If ICE is looking for people actively, you have now

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Speaker 2: labeled yourself right a target.

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Speaker 1: But the problem is then you flip it up and

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Speaker 1: it's like, now I look like Queen Latifa.

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Speaker 2: It's like, yeah, I don't know why. It reminded me

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Speaker 2: of Gordon's fish, you know what I mean?

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Speaker 1: But there is a.

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Speaker 2: Quality he obviously is not wearing the hat. But and

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Speaker 2: now I got this thirty dollar hat I don't really

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Speaker 2: know what to do with. Yeah, well, I'm sorry it

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Speaker 2: happened to you, and I think you'll find the exact

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Speaker 2: fold to make that gorgeous.

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Speaker 1: Shout out to the African American Arts Festival and shout

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Speaker 1: out to them, all eight of them that gathered together.

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Speaker 2: No, there was a lot, there was a lot. I

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Speaker 2: am worried a little bit. Yeah, like, have you ever

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Speaker 2: noticed so okay, I.

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Speaker 1: Don't want to step on any toast here. Have you

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Speaker 1: been to like an African street festival put on by

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Speaker 1: Africans versus an African type street festival put on by

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Speaker 1: African Americans. I wouldn't.

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Speaker 2: I don't think that I have been to the former,

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Speaker 2: the one by African by Africans. Okay, I think I've

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Speaker 2: almost exclusively been to ones with Pan African sort of like.

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Speaker 1: I because I went so this was the Pan African

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Speaker 1: type and I was there and I was like, man,

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Speaker 1: the hustle of being an African person selling to Black

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Speaker 1: Americans is good. Because it's like every stall had the

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Speaker 1: same country clock. It's all this. It was not like

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Speaker 1: and I know because like when my mom gets sipped

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Speaker 1: directly from Seyerlan, it's like different. But they had like

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Speaker 1: the same ten patterns. And I was like, this is

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Speaker 1: you just go to You just go to black arts

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Speaker 1: festivals every weekend. And then one so disrespectful. It was

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Speaker 1: a Mexican lady. So, bro, this is what's fucked up.

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Speaker 1: She's selling country cloth and can't take cloth next to

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Speaker 1: a little boo boo paunch of fuck, and now we're

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Speaker 1: so upside down. It's fucked up. Man.

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Speaker 2: The idea that somebody would buy from a place that

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Speaker 2: sells both of those things, presuming that they do both

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Speaker 2: of those things well, is crazy.

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Speaker 1: I think it's all it all comes off the same truck, though,

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Speaker 1: I think.

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Speaker 2: Yeah, I think that's the unfortunate reality. But like when

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Speaker 2: you are buying these things, to some extent, you're going like, well,

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Speaker 2: I want to believe there's a quality.

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Speaker 1: Did this right?

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Speaker 4: Yeah?

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Speaker 1: I got fleeces too. The lady like when we bought it,

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Speaker 1: she took our pictures because my girl got a hat

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Speaker 1: reasonable size brim on hers, which sucks worse kinda that

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Speaker 1: she didn't get shammed. Was hers worked well?

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Speaker 2: Oh and then mineus like, I'm gonna wear it this

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Speaker 2: whole time and maybe it'll grow on me by the

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Speaker 2: end of this.

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Speaker 5: Yeah.

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Speaker 2: I think if you just forget that it's there, you

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Speaker 2: might find yourself becoming comfortable with it.

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Speaker 1: I do worry, and this has happened to me a

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Speaker 1: lot of times. I worry that this is a hat

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Speaker 1: that Cole and Martin would wear, right, And that's not

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Speaker 1: a man you want to be.

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Speaker 2: No, he's not a man you want to be. And

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Speaker 2: that's such a funny thing because he was my favorite character.

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Speaker 2: Surely it was all very funny. I thought he was

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Speaker 2: the funniest guy. But yeah, you you knew from the

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Speaker 2: beginning where like you're like, oh, we're laughing at him.

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Speaker 1: Yeah, he's not like on this he's got because the

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Speaker 1: nineties had so many hats that just a lot of

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Speaker 1: buffoon hats. Yeah yeah, and that like five six year

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Speaker 1: tall tall first tall firs, stove pipe cat and the

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Speaker 1: hat joints. Yeah wayam mama. Man, she left bro and

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Speaker 1: they had cool they even they would have coote in

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Speaker 1: the cat in the hat and the circle glasses, and

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Speaker 1: it's like that's too much for one man. No one

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Speaker 1: man can bear the weight of all those accessories.

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Speaker 2: It also was like accessories, and then he'd just be

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Speaker 2: wearing a black T shirt and.

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Speaker 1: It's like this ain't. Yeah, you gotta.

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Speaker 2: At least like make him like a weirdo top to bottom.

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Speaker 1: It's gotta be all lime green.

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Speaker 2: Yeah, you'll get to just like you know what I'm saying.

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Speaker 2: He just puts an head on it, address it. Nobody's

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Speaker 2: gonna be like, man, what are you doing today?

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Speaker 1: Oh man? He was always wearing what are those hats

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Speaker 1: to look like uncircumcised penises? M You don't talk about

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Speaker 1: like the draw string at the top. Oh I do

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Speaker 1: know what you're talking about. Yeah, yeah, the little the

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Speaker 1: net yeah, like a yeah, like a canvas skull cap. Yeah, yeah, yeah, yeah, yeah, yeah,

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Speaker 1: you love that ship.

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Speaker 2: Yeah, anyways, what you got? Yeah, tragical, more important. Carl

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Speaker 2: Thomas Paine, right, I don't know. I know it's something

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Speaker 2: Thomas Payne, Carl Thomas pain makes me worried that it's

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Speaker 2: Carl Thomas and is it Carl Anthony.

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Speaker 1: I've never seen him in the same room together. I've

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Speaker 1: never seen Carl Thomas the same.

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Speaker 2: Carl Anthony Payne, Carl Anthony Payne the second, the second.

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Speaker 1: Yeah, there's been a few. Would you ever give your

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Speaker 1: kid one of those?

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Speaker 2: Absolutely not, No, not even for a moment. Would I

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Speaker 2: would I consider it?

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Speaker 1: I think I would. I think.

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Speaker 2: I think we offer so many curses to our children,

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Speaker 2: just by by proxy, just by our presence being there

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Speaker 2: is it's already like tainting them in a way that

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Speaker 2: makes me feel generational curses. Yeah, just ship that I

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Speaker 2: carry that it is in some way affecting my children

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Speaker 2: in a way that their purity doesn't deserve. But I

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Speaker 2: can't help because I I am what I am, and

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Speaker 2: I very much don't need my name to be attached

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Speaker 2: to who you become.

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Speaker 1: Oh see, I like my name. I'd give it up.

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Speaker 2: Oh man, if my daughter was like I want to

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Speaker 2: be named Annville. I'd be like, you got it? He yeah, No, no,

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Speaker 2: drop that du You're just Handville. Whoa you got it?

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Speaker 1: WHOA? Create whatever legacy you want. You don't want to

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Speaker 1: push the name forward at all.

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Speaker 2: I'm just honored to be here. Dog, Damn, that's really beautiful. Yeah,

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Speaker 2: I just I'm does your wife have your last name?

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Speaker 1: Yeah? But she wanted that. I didn't ask her. H

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Speaker 1: Do I need that for? You know what I mean? Yeah?

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Speaker 1: I don't. All right, it dies with you. You would

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Speaker 1: You would be fine if it died with you. I

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Speaker 1: se Kerman in the head. I don't give a ship

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Speaker 1: got all right? But you got Do you have any

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Speaker 1: other siblings to carry it on? My brother has any

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Speaker 1: and he has kids. No, he doesn't have no, so

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Speaker 1: it's no, it's no family. Yeah. But he's twenty six,

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Speaker 1: so okay, so he could.

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Speaker 2: Yeah, he's not. He's not past his prime.

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Speaker 1: He'll figure his life out, so maybe he'll carry on

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Speaker 1: the name in a way that that you know, party

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Speaker 1: doesn't want like some like oh them Kerman boys or

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Speaker 1: something like that.

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Speaker 6: No.

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Speaker 2: Sometimes my daughter will say her last name and I'd

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Speaker 2: be like, like, you're keeping that.

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Speaker 1: The way that little kids say their whole name.

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Speaker 2: Yeah, she always introduces herself with her full name, middle

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Speaker 2: name included.

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Speaker 1: That's a doorable.

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Speaker 2: And then she'll say my name's you know and yeah,

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Speaker 2: and then she and then she'll be like, what's your name?

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Speaker 1: And you know what? She did introduce herself to me

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Speaker 1: like that. It was very cute because it was one sentence. Yeah,

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Speaker 1: she doesn't know where, and it's mumbley, so you're not

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Speaker 1: even really sure that she's saying stuff. And your daughter,

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Speaker 1: your daughter talks like stupid people. Text. You should read

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Speaker 1: her text. Ship. They're absolute ship.

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Speaker 2: Oh man, I'm glad we're having fun. But in the

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Speaker 2: light of some recent events, I prepared a statement that

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Speaker 2: i'd like to read. I know this isn't traditional, it's

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Speaker 2: not our usual banter, but we're gonna I would like

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Speaker 2: to be able to say something.

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Speaker 1: Let me take this off before you say something funny. Oh,

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Speaker 1: you don't want to keep that on? And I saw it.

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Speaker 1: I'm gonna be completely honest. I saw a glimpse of

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Speaker 1: it in the mirror and it sucked.

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Speaker 2: Okay, Well, I'm sorry that that happened. I'm also sorry

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Speaker 2: for the for the weird jumps. That this is gonna

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Speaker 2: cause throughout this episode it'll be fine. Here we go.

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Speaker 2: I prepared a statement that I'm gonna read to you now.

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Speaker 2: At some point we are going to have to unpack

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Speaker 2: how Love Island is just taking advantage of sexy special

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Speaker 2: needs people. I'll hold for applause. I'll repeat.

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Speaker 1: They are poaching special needs people and making them finger

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Speaker 1: each other for our entertainment. It's criminal. It should be illegal.

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Speaker 1: They are abusing these students with.

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Speaker 2: I EPs, and frankly, that's on us for being so

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Speaker 2: bigoted and not realizing that special needs people can be

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Speaker 2: bad bitches too. As a society, we've behaved like differently

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Speaker 2: abled people mean something ugly, and that is not the case.

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Speaker 2: Some of the most beautiful people on earth had to

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Speaker 2: take classes in a separate part of the school.

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Speaker 1: I like that off the King's and Queen's of only.

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Speaker 2: Fans could only leave the classroom if a helper was

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Speaker 2: with them. And I know, I know all of this

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Speaker 2: sounds a little empowering, but I assure you those Love

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Speaker 2: Island producers are pure evil.

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Speaker 1: I opened the floor to your thoughts, I think, and

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Speaker 1: I think you begin to touch the heart of the matter.

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Speaker 1: Is that there's no it needed to be said. Yeah,

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Speaker 1: it needed to be said, because I think we talked

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Speaker 1: about it on the phone a little bit. I watched

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Speaker 1: an episode of Love Island and for a second, you're like,

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Speaker 1: this is the best entertainment I've ever seen. Absolutely, this

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Speaker 1: is like incredible. Oh my god. Yeah, and then you

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Speaker 1: watch a second one and you're like, oh, they got

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Speaker 1: the hottest idiots. Oh they're still there. What do you mean?

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Speaker 1: That's what I mean. And you're like, oh, you're still

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Speaker 1: doing this, Yeah, okay, you're You're like very they're so

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Speaker 1: like there's a lot of like like I made this joke,

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Speaker 1: but there's like a lot of there's a lot of

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Speaker 1: those statements. So what I'm That's what I'm That's what

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Speaker 1: I'm saying as well, Like me and my girl watched

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Speaker 1: it and now she gets so mad because she watched

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Speaker 1: one episode and two of these idiots were breaking up

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Speaker 1: and one of the guys he like goes, he like

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Speaker 1: grabs her face and he goes everything you said to

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Speaker 1: me was amazing, or everything you ever said to me

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Speaker 1: was amazing. I say that doesn't matter. I say that's

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Speaker 1: to her in the dark, like when we wake up now,

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Speaker 1: everything you've ever said to me was amazing. It's like,

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Speaker 1: it's like a bummer, how stupid they are.

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Speaker 2: If somebody said that to me, I would shoot them. Yeah,

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Speaker 2: I mean, what are you talking about?

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Speaker 1: Also, have you seen the challenges? Yeah, they're insane the

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Speaker 1: milk because here's the thing. We have too much porno

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Speaker 1: for you to be beaten around the bush on network television.

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Speaker 2: And that's what that's what's stressing me out. That's the

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Speaker 2: part of it where it starts to become like, oh okay,

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Speaker 2: it's not just like there's not that big of a

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Speaker 2: difference between between Love Island and Love on the Spectrum.

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Speaker 1: It is it is people I will I will get

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Speaker 1: you there. Love on the Spectrum is far more charming. No,

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Speaker 1: I'm saying that. The the this is watching people make

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Speaker 1: choices where I go, well, I wouldn't do that, but

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Speaker 1: I hope it works out for you. That is, it's

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Speaker 1: the same vibe. But then they add these nasty challenges.

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Speaker 2: Where they go they make them take every item of

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Speaker 2: clothes off, and then they make them.

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Speaker 1: Spit in each other's mouths, just repeatedly, over and over again.

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Speaker 1: And that's where it becomes a violence. They gotta eating

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Speaker 1: popsicles covered in olive oil. Bro It's crazy. And then

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Speaker 1: they wake them up early and they go get in

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Speaker 1: the gym. Yeah, work out. Yeah, the one place the

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Speaker 1: world makes sense to you.

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Speaker 2: I better not catch you reading the book.

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Speaker 1: They make a lot of breakfast.

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Speaker 2: They make a lot of nobody read. This is they're

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Speaker 2: taking advantage of people. Yeah, but I mean it wasn't

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Speaker 2: gonna always television.

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Speaker 1: Of course, But but we gotta call it out. Yes,

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Speaker 1: the whole point of the show day Okay, if it

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Speaker 1: does feel like we're at the worst point, like some

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Speaker 1: of these people need, like assistance shopping at the grocery store, Buddy,

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Speaker 1: I showed up. When I showed up up, you know

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Speaker 1: what I mean.

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Speaker 2: I didn't choose the timeline that I live in, but

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Speaker 2: I have to hold myself accountable for trying to change it.

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Speaker 2: Whistle blower, Come on, man, I'm ready to sit in

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Speaker 2: front of Congress.

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Speaker 7: On this one.

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Speaker 1: They aren't fine as hello. Everybody on that show is

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Speaker 1: fine as It's the most stress I've ever I've ever

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Speaker 1: had watching a television show because of how sexy everybody.

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Speaker 1: Oh yeah, with your with yours.

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Speaker 2: I don't like watching it with my my wife and

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Speaker 2: now I'm watching it with my wife and her sister.

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Speaker 1: That's that's you can't win. It sucks. There's no, there's

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Speaker 1: no because the problem is they're so fine and they

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00:20:40,720 --> 00:20:44,600
Speaker 1: have such little personality that you can't even be like, oh,

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Speaker 1: I think Cella is really you know what I mean.

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Speaker 1: It's just like we're all seeing the finest person we've

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Speaker 1: ever seen. Landria is the finest person I've.

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Speaker 2: Seen in real life. I'm not not in real life,

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Speaker 2: but look I was watching your right.

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Speaker 1: No, no, no, no, they're too fine. It's that shows

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Speaker 1: tough for me too. Man. It's a tough watch. And

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Speaker 1: I hope Congress. Uh.

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Speaker 2: While I don't support you ever, I do hope that

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00:21:25,000 --> 00:21:27,600
Speaker 2: you and I can can come to terms here and

357
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Speaker 2: we can figure out a way to get this resolved.

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Speaker 1: Find the Epstein files, Cancel Love Island, Come on, Olivia says.

359
00:21:35,880 --> 00:21:37,760
Speaker 1: Olivia says, it's time for a break because maybe we

360
00:21:37,840 --> 00:21:40,960
Speaker 1: got too hot. Maybe we just touched a motherfucking nerve.

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Speaker 1: Just to be clear, when he says fine, he just

362
00:21:43,440 --> 00:21:47,560
Speaker 1: means print him out. You got him. You got there's

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00:21:47,560 --> 00:21:49,679
Speaker 1: still open at the window on the top window of

364
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Speaker 1: your computer. You kept talking about how oh I got him.

365
00:21:54,960 --> 00:21:59,159
Speaker 2: He's oh, yeah, the old piece of pepper too, Remember

366
00:21:59,280 --> 00:22:01,600
Speaker 2: minutes when he's that tape because he killed that guy.

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Speaker 1: Yeah, that's what the Republicans are doing. I got the tape.

368
00:22:05,200 --> 00:22:10,440
Speaker 1: I got the tape. They were like, it's in times

369
00:22:10,520 --> 00:22:17,119
Speaker 1: New Roman. Ah twel five was written in nineteen ninety eight. No,

370
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Speaker 1: they're sillybillies for doing that. But we are going to

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Speaker 1: take a break. Let's take a break, and then we're

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Speaker 1: going to do some voicemails from the listeners, so you

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Speaker 1: are more David more Langston mo Ma Mama told me.

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Speaker 8: But we're gonna do this respectfully, otherwise we'll end in

375
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Speaker 8: a duel, and I mean a duel, real life duel

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Speaker 8: where only one person walks away. We can meet with guns, bottles, knives,

377
00:22:50,440 --> 00:22:54,720
Speaker 8: or books and equations, but we're gonna do this like men.

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Speaker 1: So get ready, We're about to have a hook book duel.

379
00:23:02,200 --> 00:23:05,600
Speaker 1: Bring your best but bell hooks. I'll bring mine. I'll

380
00:23:05,600 --> 00:23:10,040
Speaker 1: give you a hint. It's not feminist theory. I tried

381
00:23:10,040 --> 00:23:11,400
Speaker 1: to redouble. I didn't get too far.

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Speaker 2: Can I tell you that when you played that I

383
00:23:14,760 --> 00:23:17,639
Speaker 2: had I'm high enough that I had voicemail in my

384
00:23:17,720 --> 00:23:20,879
Speaker 2: head and I thought that that was a voicemail from

385
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Speaker 2: Terrence Howard.

386
00:23:21,960 --> 00:23:24,399
Speaker 1: That must be hard for you to have realized that

387
00:23:24,520 --> 00:23:29,040
Speaker 1: it's not. Though. Yeah, it was a real like, holy

388
00:23:29,160 --> 00:23:33,600
Speaker 1: Moly journey, you know what I mean, Like I really

389
00:23:33,680 --> 00:23:36,080
Speaker 1: went through the full spectrum of feelings. So I was like,

390
00:23:36,160 --> 00:23:38,760
Speaker 1: it's a miracle, and I was like, oh no, I'm

391
00:23:38,800 --> 00:23:41,560
Speaker 1: a fool. I still think he's open to us, though

392
00:23:41,560 --> 00:23:43,159
Speaker 1: I don't think we I don't think we played ourselves.

393
00:23:43,240 --> 00:23:45,680
Speaker 1: I've been giving up at all. Yeah, neither. I don't

394
00:23:45,800 --> 00:23:46,479
Speaker 1: think we could get him.

395
00:23:46,520 --> 00:23:50,680
Speaker 2: I think we continue to grow, We're continuing to evolve

396
00:23:50,720 --> 00:23:53,159
Speaker 2: as a podcast. And I think, frankly, if there are

397
00:23:53,200 --> 00:23:55,520
Speaker 2: people out there who who have the means to be

398
00:23:55,560 --> 00:23:58,080
Speaker 2: able to connect us directly with Terrence Howard, we welcome

399
00:23:58,160 --> 00:23:58,879
Speaker 2: your contact.

400
00:23:58,960 --> 00:24:02,040
Speaker 1: Yeah, or any's is really at this point. Yeah, if

401
00:24:02,080 --> 00:24:04,960
Speaker 1: you got a good assist, just call us. Yeah, if

402
00:24:05,000 --> 00:24:07,480
Speaker 1: you you know, if you happen to be in his

403
00:24:07,600 --> 00:24:10,040
Speaker 1: d MS and he does in fact respond to you,

404
00:24:10,040 --> 00:24:10,639
Speaker 1: we'll take it.

405
00:24:10,800 --> 00:24:12,760
Speaker 2: Yeah, come on, man, if you want to tell us

406
00:24:12,760 --> 00:24:15,639
Speaker 2: about it, get your glass of arbor, miss put it

407
00:24:15,680 --> 00:24:17,960
Speaker 2: on ice, give us a call, give us a call

408
00:24:18,000 --> 00:24:20,680
Speaker 2: because we know you're drunk. I bet you're drunk.

409
00:24:20,720 --> 00:24:22,400
Speaker 1: I bet at least two of these voicemails we're about

410
00:24:22,400 --> 00:24:23,480
Speaker 1: to listen to drunk people.

411
00:24:23,760 --> 00:24:30,639
Speaker 2: I think that's I think that's an underestimation, right, Okay,

412
00:24:30,680 --> 00:24:33,520
Speaker 2: we got a lot of a lot of great ones here.

413
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Speaker 1: Pick the most salacious title I feel like, or just

414
00:24:37,040 --> 00:24:41,800
Speaker 1: the most exciting title to you. Okay, I'm excited, all right.

415
00:24:42,800 --> 00:24:44,480
Speaker 4: My mom so me.

416
00:24:45,000 --> 00:24:48,280
Speaker 6: Yeah, Okay, Davidson for the Trust.

417
00:24:49,119 --> 00:24:50,720
Speaker 7: Call him from Don, North Carolina.

418
00:24:50,960 --> 00:24:51,280
Speaker 1: Okay.

419
00:24:52,320 --> 00:24:55,320
Speaker 2: I knew he was from the South because his his

420
00:24:55,560 --> 00:24:57,359
Speaker 2: second name was Charles.

421
00:24:58,200 --> 00:25:00,680
Speaker 1: Oh do you think their first name Charles is more

422
00:25:00,680 --> 00:25:01,640
Speaker 1: of a Midwestern thing?

423
00:25:01,880 --> 00:25:04,760
Speaker 2: And I think anytime Charles is in that name, you

424
00:25:04,840 --> 00:25:09,240
Speaker 2: are of the South. And I think Charles, uh being

425
00:25:09,280 --> 00:25:12,360
Speaker 2: the second name means you still in the South. Okay, Yeah,

426
00:25:12,359 --> 00:25:13,840
Speaker 2: it's kind of like a Yankee ass name.

427
00:25:14,080 --> 00:25:18,520
Speaker 1: No, Charles, Charles, that's a working man, a mister Charles.

428
00:25:20,000 --> 00:25:28,240
Speaker 2: You put a mister on my yeah. Can I tell

429
00:25:28,280 --> 00:25:31,600
Speaker 2: you I literally knew a mister Charles growing up. Was

430
00:25:31,640 --> 00:25:36,280
Speaker 2: he yeah, well he was, he was fucking This was

431
00:25:36,320 --> 00:25:40,280
Speaker 2: in college. My best friend's mom's like her boyfriend and

432
00:25:40,320 --> 00:25:42,479
Speaker 2: his name was mister Charles, and we rode around in

433
00:25:42,480 --> 00:25:45,680
Speaker 2: his vein, just like a big old Conversion.

434
00:25:45,320 --> 00:25:46,720
Speaker 1: Vaders, just telling you about life.

435
00:25:47,359 --> 00:25:50,560
Speaker 2: And Charles didn't talk a lot, but no, but when

436
00:25:50,560 --> 00:25:57,399
Speaker 2: he did, you listen your here's perk up, old fellows,

437
00:25:57,480 --> 00:25:58,080
Speaker 2: get around.

438
00:25:58,480 --> 00:26:00,680
Speaker 1: He's ready to give us another gin him. Yeah. I

439
00:26:00,720 --> 00:26:02,879
Speaker 1: feel like, mister Charles, if your name is mister Charles,

440
00:26:02,880 --> 00:26:05,760
Speaker 1: you really can't be knocking down like bachelorettes. You gotta really. No,

441
00:26:06,119 --> 00:26:08,560
Speaker 1: he's looking for women. Yeah, you're the you're the father

442
00:26:08,640 --> 00:26:09,320
Speaker 1: that chept up.

443
00:26:09,800 --> 00:26:10,000
Speaker 4: Yeah.

444
00:26:10,960 --> 00:26:14,280
Speaker 2: No, he's looking for real women with real women problems. Yeah,

445
00:26:14,600 --> 00:26:15,600
Speaker 2: and I respected that.

446
00:26:15,680 --> 00:26:19,200
Speaker 1: Harry Charles. Harry, oh yeah, he didn't need a haircut.

447
00:26:19,320 --> 00:26:22,280
Speaker 2: No, no, no, I mean I'm talking about oh yeah, yeah, yeah,

448
00:26:22,320 --> 00:26:23,840
Speaker 2: mister Charles, like Harry.

449
00:26:23,720 --> 00:26:26,000
Speaker 1: No, I think it's I think the haircut applies to

450
00:26:26,040 --> 00:26:26,560
Speaker 1: both ends.

451
00:26:26,640 --> 00:26:30,160
Speaker 2: Okay, yeah, I think top and bottom.

452
00:26:30,160 --> 00:26:35,359
Speaker 1: He was like, I don't put no clippers in my head. Yeah, yeah,

453
00:26:35,560 --> 00:26:38,200
Speaker 1: who's clippers? The man's clippers. I like when men use

454
00:26:38,240 --> 00:26:41,160
Speaker 1: scissors and then they're like, well, we don't do that here.

455
00:26:41,240 --> 00:26:43,120
Speaker 1: So he was like, well then I'll take my business

456
00:26:43,160 --> 00:26:48,320
Speaker 1: else with He put back on his hard hat and

457
00:26:48,359 --> 00:26:52,720
Speaker 1: then he puts another fodoro on top of that. I

458
00:26:52,720 --> 00:26:54,800
Speaker 1: can't be talking about hats the way I came out now,

459
00:26:54,840 --> 00:26:58,199
Speaker 1: you were acting crazy. Yeah, and uh and and we

460
00:26:58,240 --> 00:27:02,879
Speaker 1: will always have that memory. Yeah. Anyways, here we go.

461
00:27:03,160 --> 00:27:08,240
Speaker 7: Right outside DC, Alexandria, Virginia with conspiracy for uh. Why

462
00:27:08,280 --> 00:27:10,480
Speaker 7: the niggas love the burnt hot dog and the cook

463
00:27:10,480 --> 00:27:13,600
Speaker 7: out more than any other hot dogs? Keep doing what

464
00:27:13,640 --> 00:27:14,120
Speaker 7: you're doing.

465
00:27:15,800 --> 00:27:19,000
Speaker 1: Okay, it was short. It was short. I've thought about it.

466
00:27:20,200 --> 00:27:22,320
Speaker 1: I thought about this a lot. Oh you have thought

467
00:27:22,320 --> 00:27:23,960
Speaker 1: about it? Yeah, well, I mean, first of all, do

468
00:27:24,000 --> 00:27:25,760
Speaker 1: you like a burnt hot dog? It's my favorite kind

469
00:27:25,760 --> 00:27:28,760
Speaker 1: of hot dog? Yeah, or like a burnt link. It's

470
00:27:28,840 --> 00:27:32,640
Speaker 1: like I think that there's something when it. I think

471
00:27:32,680 --> 00:27:36,440
Speaker 1: the heat does something to it where it's like when

472
00:27:36,480 --> 00:27:39,560
Speaker 1: it overcooks it like something about the juices in there.

473
00:27:40,560 --> 00:27:44,280
Speaker 1: It becomes like a different flavor profile, Like it changes

474
00:27:44,320 --> 00:27:47,680
Speaker 1: the whole Yeah, it changes the whole texture of the thing.

475
00:27:47,840 --> 00:27:49,840
Speaker 2: It turns a hot dog into a steak for me

476
00:27:50,320 --> 00:27:53,280
Speaker 2: exactly where I'm like, oh, I I didn't know this

477
00:27:53,440 --> 00:27:56,200
Speaker 2: was a classy event. No, this is cuisine, Yeah, this

478
00:27:56,280 --> 00:27:58,600
Speaker 2: is a this is fine dining. I mean set down

479
00:27:58,640 --> 00:28:01,639
Speaker 2: my paper cup. I didn't know there was a chef.

480
00:28:01,720 --> 00:28:04,200
Speaker 2: I thought I thought you would do what I do

481
00:28:04,280 --> 00:28:06,320
Speaker 2: and just grill it until you got scared.

482
00:28:06,680 --> 00:28:08,520
Speaker 1: Is my question is is it only a black person

483
00:28:08,600 --> 00:28:10,720
Speaker 1: thing to like the I think.

484
00:28:10,640 --> 00:28:14,680
Speaker 2: That's where I didn't feel confident, is that I consider

485
00:28:14,760 --> 00:28:17,960
Speaker 2: this to be just a thing for any human ever,

486
00:28:18,960 --> 00:28:21,600
Speaker 2: and as it turns out, maybe it is just a

487
00:28:21,640 --> 00:28:22,120
Speaker 2: black thing.

488
00:28:22,280 --> 00:28:24,680
Speaker 1: There's a lot of things like that washcloth debate. There's

489
00:28:24,680 --> 00:28:27,000
Speaker 1: a lot of times that we've thought things were common sense,

490
00:28:27,119 --> 00:28:28,920
Speaker 1: that's true, and you come to find out.

491
00:28:29,440 --> 00:28:31,600
Speaker 2: I wonder if we could look this up the history

492
00:28:31,600 --> 00:28:35,680
Speaker 2: of I wonder if we looked up do white people.

493
00:28:38,480 --> 00:28:41,240
Speaker 1: How many of my Google search? Do white people like

494
00:28:41,320 --> 00:28:44,520
Speaker 1: burnt hot dogs? I don't feel like white people like

495
00:28:44,600 --> 00:28:50,200
Speaker 1: burnt stuff? Hmm, I put do white people like burnt

496
00:28:51,240 --> 00:28:54,000
Speaker 1: it'll I'll populate people have been here before.

497
00:28:55,200 --> 00:28:58,280
Speaker 2: Some people, regardless of their racial background. This is the

498
00:28:58,360 --> 00:29:04,840
Speaker 2: AI overview, enjoy a certain level of char or crispiness

499
00:29:04,880 --> 00:29:08,040
Speaker 2: in certain foods. This can be due blah blah blah.

500
00:29:08,320 --> 00:29:11,920
Speaker 2: Are there people who like burnt food? That's a quora.

501
00:29:12,440 --> 00:29:16,440
Speaker 2: This is why some people purposely burn their food. I Okay,

502
00:29:17,040 --> 00:29:20,320
Speaker 2: I'm willing to make a leap based off of what

503
00:29:20,360 --> 00:29:23,720
Speaker 2: I'm reading. I think the amount of times that they're

504
00:29:23,760 --> 00:29:27,320
Speaker 2: saying why some people burn their food and treating it

505
00:29:27,480 --> 00:29:30,880
Speaker 2: like a study tells me that white people do not

506
00:29:31,080 --> 00:29:33,360
Speaker 2: like the burnt hot dogs the way that I think

507
00:29:33,440 --> 00:29:33,840
Speaker 2: we do.

508
00:29:34,160 --> 00:29:36,400
Speaker 1: Yeah, I feel like they like them like on the commercial.

509
00:29:36,840 --> 00:29:37,080
Speaker 8: M h.

510
00:29:37,840 --> 00:29:39,160
Speaker 1: It's like sweaty.

511
00:29:38,960 --> 00:29:42,160
Speaker 2: Little lines, maybe a little line of char, but you

512
00:29:42,200 --> 00:29:44,280
Speaker 2: don't want the whole thing all black and death.

513
00:29:44,680 --> 00:29:52,640
Speaker 1: I shouldn't need to look like little soup.

514
00:29:52,960 --> 00:29:58,600
Speaker 2: Yeah, because it just it works better, even like with

515
00:29:58,720 --> 00:30:01,160
Speaker 2: hot dogs in the crib, making hot dogs in the house,

516
00:30:01,200 --> 00:30:03,440
Speaker 2: I'll put them in the microwave so that the end

517
00:30:03,560 --> 00:30:04,800
Speaker 2: split like they're burn.

518
00:30:05,160 --> 00:30:07,920
Speaker 1: Yeah, Like that's how I like when people boil it.

519
00:30:07,920 --> 00:30:11,200
Speaker 2: It's like, yeah, you gotta trying to put it in

520
00:30:11,280 --> 00:30:13,360
Speaker 2: a cup with a little water in it.

521
00:30:13,600 --> 00:30:18,080
Speaker 1: Put the water away. We'll make it meat. There's juice

522
00:30:18,080 --> 00:30:21,520
Speaker 1: in there. There's juice in there. Yeah, I don't disagree

523
00:30:21,560 --> 00:30:22,560
Speaker 1: with you. It's crazy.

524
00:30:23,120 --> 00:30:26,600
Speaker 2: It really allows the oils to cook itself, you know

525
00:30:26,640 --> 00:30:29,320
Speaker 2: what I mean to like really like just just contain

526
00:30:29,440 --> 00:30:30,600
Speaker 2: themselves in the hot dog.

527
00:30:30,680 --> 00:30:33,400
Speaker 1: It's almost like it starts to cannibalize itself, like the

528
00:30:33,440 --> 00:30:36,440
Speaker 1: grease starts to eat itself. Yeah, and then that's where

529
00:30:36,440 --> 00:30:38,560
Speaker 1: the flavor comes in. I like the way you put that.

530
00:30:38,640 --> 00:30:40,360
Speaker 1: It's not the way I would have ever thought to

531
00:30:40,360 --> 00:30:42,440
Speaker 1: put it, but it was. That's probably because it's wrong. No,

532
00:30:42,640 --> 00:30:46,360
Speaker 1: it was beautiful. I really liked it. All right, let's

533
00:30:46,360 --> 00:30:48,959
Speaker 1: get another voice. Yeah, we should do another problem solved.

534
00:30:48,960 --> 00:30:50,120
Speaker 1: That was a good one. Yeah.

535
00:30:50,400 --> 00:30:53,400
Speaker 2: I think this person nailed it. You you you called

536
00:30:53,480 --> 00:30:55,080
Speaker 2: you were healthy sober?

537
00:30:55,680 --> 00:30:58,320
Speaker 1: Yeah, you sound I mean he's singing, he's saying.

538
00:30:58,600 --> 00:31:00,440
Speaker 2: But that was that was like I think that was

539
00:31:00,480 --> 00:31:02,520
Speaker 2: a happy thing. I think that was just confidence.

540
00:31:02,640 --> 00:31:05,240
Speaker 1: Okay, maybe when you start calling tell us what time

541
00:31:05,280 --> 00:31:11,880
Speaker 1: of day it is too from knowing what you're doing

542
00:31:11,960 --> 00:31:15,120
Speaker 1: after that? Yeah, yeah are you where are you going?

543
00:31:15,400 --> 00:31:16,760
Speaker 1: Just your pregame of your posting?

544
00:31:16,920 --> 00:31:17,120
Speaker 4: Yeah?

545
00:31:17,160 --> 00:31:18,840
Speaker 2: Is this the end of the night for you or

546
00:31:19,080 --> 00:31:24,080
Speaker 2: you just you're just getting yourself together? Okay, I see

547
00:31:24,080 --> 00:31:25,200
Speaker 2: another one that we should do.

548
00:31:25,320 --> 00:31:25,880
Speaker 1: Here we go.

549
00:31:26,600 --> 00:31:30,920
Speaker 6: It's more Rick Conspiracy theory and observation R and B

550
00:31:31,160 --> 00:31:35,520
Speaker 6: music Guy around nineteen or two thousand and four, two

551
00:31:35,520 --> 00:31:38,600
Speaker 6: thousand and five, when Couchie stopped being.

552
00:31:38,480 --> 00:31:43,960
Speaker 1: Harry Okay, so that's a tough start already. I don't

553
00:31:43,960 --> 00:31:47,480
Speaker 1: know when Couchie stopped being Harry. Oh, I know when

554
00:31:47,520 --> 00:31:50,000
Speaker 1: I got into the game. Yeah, but I don't know.

555
00:31:50,640 --> 00:31:53,720
Speaker 1: I don't have the numbers. When you got into the game.

556
00:31:54,360 --> 00:31:57,120
Speaker 1: Was Coochie Harry or not Harry? I'd say it was

557
00:31:57,200 --> 00:32:02,880
Speaker 1: like seventy thirty not Yeah, yeah, that's about where I was. Yeah,

558
00:32:03,120 --> 00:32:07,160
Speaker 1: it was like, yeah, it's been primarily balls my whole life.

559
00:32:07,520 --> 00:32:12,320
Speaker 1: Yeah yeah, yeah, yeah, but in my life, it stops

560
00:32:12,360 --> 00:32:16,000
Speaker 1: being bald when that comfort grows mm hmmmm h like

561
00:32:16,080 --> 00:32:20,680
Speaker 1: the first time. Nah and then yeah yeah yeah, get

562
00:32:22,000 --> 00:32:24,480
Speaker 1: it comes back. It finds this way back into your home.

563
00:32:24,640 --> 00:32:26,480
Speaker 1: Like I like that. It's like a It's like it's

564
00:32:26,520 --> 00:32:34,280
Speaker 1: like a familiar old sweater. Come on back home there.

565
00:32:37,000 --> 00:32:39,560
Speaker 1: You've had a long journey out there. It's in August.

566
00:32:39,640 --> 00:32:40,680
Speaker 1: Let me pull out my butt.

567
00:32:44,080 --> 00:32:47,400
Speaker 2: Yeah no, I I as far as I knew it,

568
00:32:47,600 --> 00:32:51,000
Speaker 2: But I do like this. This does track, at least

569
00:32:51,080 --> 00:32:56,239
Speaker 2: logically that like two thousand and four hours I was

570
00:32:56,560 --> 00:32:59,280
Speaker 2: probably had been having sex for a year at tops.

571
00:32:59,320 --> 00:33:04,240
Speaker 1: But yeah, I mean too, a year, whole calendar year

572
00:33:04,400 --> 00:33:07,040
Speaker 1: at that point.

573
00:33:08,320 --> 00:33:12,080
Speaker 2: Either way, we were both close to two thousand and four,

574
00:33:12,120 --> 00:33:15,520
Speaker 2: I assume in our start game, and so I would

575
00:33:15,520 --> 00:33:19,360
Speaker 2: say I would say that the music that predates that

576
00:33:20,040 --> 00:33:21,000
Speaker 2: did feel a.

577
00:33:20,920 --> 00:33:23,920
Speaker 1: Lot more like what I knew to be R and B.

578
00:33:24,520 --> 00:33:25,800
Speaker 1: And then everything that.

579
00:33:25,840 --> 00:33:32,600
Speaker 2: Is post date that excluding Confessions and a few sort

580
00:33:32,640 --> 00:33:36,960
Speaker 2: of like confessions, is Harry Couchie it is. That's that's

581
00:33:37,000 --> 00:33:40,800
Speaker 2: a really good point. But I think there's a few examples,

582
00:33:40,880 --> 00:33:45,080
Speaker 2: but they become less and less after that point.

583
00:33:45,360 --> 00:33:50,600
Speaker 1: When did get It showed, I think that was I

584
00:33:50,680 --> 00:33:53,000
Speaker 1: think that was the breaking down. That was the end

585
00:33:53,080 --> 00:33:54,040
Speaker 1: of Harry Couch.

586
00:33:54,280 --> 00:33:56,960
Speaker 2: You're saying that we shouldn't be measuring by the Willennium,

587
00:33:57,040 --> 00:34:01,560
Speaker 2: we should be measuring by pre and Polly get It Shaddy, Yeah,

588
00:34:01,600 --> 00:34:05,040
Speaker 2: because that was like that's I think everybody can agree

589
00:34:05,080 --> 00:34:06,640
Speaker 2: that's called Cucci music.

590
00:34:09,120 --> 00:34:12,320
Speaker 1: But see, I think Lloyd had some Harry Coucy.

591
00:34:12,040 --> 00:34:17,320
Speaker 2: Music with which songs like like that south Side, that song.

592
00:34:19,000 --> 00:34:21,600
Speaker 1: Like that's just meaning up to be nasty. You know

593
00:34:21,640 --> 00:34:23,840
Speaker 1: what it is is that it used to be. And

594
00:34:23,920 --> 00:34:26,120
Speaker 1: this is I hope people understand what we're saying when

595
00:34:26,160 --> 00:34:28,560
Speaker 1: we say Harry Coucy music. Yeah, I think I think

596
00:34:28,560 --> 00:34:31,640
Speaker 1: it's my heart understands it. But I can't verbalize.

597
00:34:32,120 --> 00:34:34,160
Speaker 2: I think it's sort of a raw R and b

598
00:34:34,880 --> 00:34:39,239
Speaker 2: uh that that doesn't that isn't sort of wanting to

599
00:34:39,360 --> 00:34:43,120
Speaker 2: have abs and and titty meet as much as having

600
00:34:43,320 --> 00:34:47,399
Speaker 2: like your fucking your belly hanging over your belt. Yeah,

601
00:34:47,440 --> 00:34:50,480
Speaker 2: and you're going through it and you just really your

602
00:34:50,520 --> 00:34:51,839
Speaker 2: whole heart into this.

603
00:34:52,280 --> 00:34:55,160
Speaker 1: Yeah, we're worried about you. Do you mean is D'Angelo

604
00:34:55,239 --> 00:35:01,719
Speaker 1: Harry Coucy music? Absolutely? Yeah? Yeah, like braids coming out

605
00:35:01,719 --> 00:35:05,400
Speaker 1: a little bit? Come on, man, come on, yeah, Manlo

606
00:35:05,520 --> 00:35:08,040
Speaker 1: looked to that. The Angelo looked good for a year

607
00:35:08,080 --> 00:35:08,920
Speaker 1: and a half.

608
00:35:10,600 --> 00:35:13,839
Speaker 2: You know what I mean, he had like a year

609
00:35:13,840 --> 00:35:16,920
Speaker 2: and a half of halbs and then that man turned

610
00:35:16,960 --> 00:35:18,040
Speaker 2: into a Google.

611
00:35:18,440 --> 00:35:20,560
Speaker 1: I don't like you better. I like fat And that's

612
00:35:20,600 --> 00:35:21,200
Speaker 1: what I'm saying.

613
00:35:21,280 --> 00:35:24,400
Speaker 2: It's like we were still like, nah, that's still sex embodied.

614
00:35:24,680 --> 00:35:27,080
Speaker 1: Yeah, I do. I do. Like, Man, this is a

615
00:35:27,120 --> 00:35:29,600
Speaker 1: good This is a good I do because now if

616
00:35:29,640 --> 00:35:32,080
Speaker 1: I think about it, I want all the Harry Cucure music.

617
00:35:32,080 --> 00:35:34,520
Speaker 1: I don't really it's my preference for sure.

618
00:35:34,719 --> 00:35:35,040
Speaker 6: Damn.

619
00:35:35,160 --> 00:35:37,680
Speaker 1: Yeah, this they continue.

620
00:35:37,800 --> 00:35:39,520
Speaker 6: Because if you go back and listen to R and

621
00:35:39,560 --> 00:35:42,399
Speaker 6: B from like the fifties up until like the late

622
00:35:42,520 --> 00:35:48,040
Speaker 6: nineties who she was Harry and I'm my early forties.

623
00:35:48,080 --> 00:35:50,600
Speaker 6: But you would just had to have been around to

624
00:35:50,719 --> 00:35:54,680
Speaker 6: understand that it was a different type of situation when

625
00:35:55,000 --> 00:36:00,919
Speaker 6: she was Harry. Like, it's just it's just you stop

626
00:36:00,960 --> 00:36:04,439
Speaker 6: begging here, I'm sire, I'm high ship playing.

627
00:36:05,800 --> 00:36:08,560
Speaker 1: No, don't be sorry. First of all, we love you.

628
00:36:09,400 --> 00:36:14,200
Speaker 1: And also here's go with me on this. Here's here's

629
00:36:14,239 --> 00:36:17,759
Speaker 1: what I think. Yeah, this is just what oh no,

630
00:36:18,480 --> 00:36:23,160
Speaker 1: Harry Cuci. It's like, uh, I feel like it's there's

631
00:36:23,200 --> 00:36:26,879
Speaker 1: more maintenance to be done. There's hair you gotta wash,

632
00:36:27,000 --> 00:36:29,399
Speaker 1: there's you know what I mean. It's just like it's

633
00:36:29,480 --> 00:36:32,200
Speaker 1: just like there's more attention that needs to be paid.

634
00:36:32,640 --> 00:36:35,000
Speaker 1: We're Baldcucci is just like set it and forget it.

635
00:36:35,920 --> 00:36:37,719
Speaker 1: You know what I'm saying. We're bald. Now we don't

636
00:36:37,760 --> 00:36:39,480
Speaker 1: have to take care of anything. You don't have to

637
00:36:39,480 --> 00:36:42,799
Speaker 1: tend to your garden. And that's why the music is

638
00:36:43,000 --> 00:36:46,440
Speaker 1: a lot less involved in a lot more fun partying.

639
00:36:46,719 --> 00:36:49,480
Speaker 1: So you want to invest in Harry Pussy, you don't

640
00:36:49,520 --> 00:36:51,279
Speaker 1: really got to invest in Balcouci.

641
00:36:51,600 --> 00:36:55,640
Speaker 2: Yeah, you like it because you you know it's quality

642
00:36:56,239 --> 00:36:58,240
Speaker 2: m and and that takes work.

643
00:36:58,560 --> 00:37:01,600
Speaker 1: That takes love, that takes maintenance. To your point, you

644
00:37:01,600 --> 00:37:04,760
Speaker 1: know what it is, Harry Coochy is a stew, Paulo,

645
00:37:04,960 --> 00:37:07,799
Speaker 1: that's McDonald's. Wow, you can just go get it.

646
00:37:08,680 --> 00:37:12,040
Speaker 2: I'm not gonna call any coochie McDonald's. Uh, I'm too

647
00:37:12,040 --> 00:37:12,640
Speaker 2: big a fan.

648
00:37:15,040 --> 00:37:19,560
Speaker 1: McDonald's isn't delicious in the record. That's my favorite restaurant. Yeah. Yeah,

649
00:37:19,880 --> 00:37:23,120
Speaker 1: I struggle to think of a restaurant I love more

650
00:37:23,160 --> 00:37:24,880
Speaker 1: than McDonald's.

651
00:37:24,239 --> 00:37:26,080
Speaker 2: That's what I'm saying. But you can't get you can't

652
00:37:26,080 --> 00:37:30,600
Speaker 2: get the homemade classics. No, no, no, there's no stew.

653
00:37:30,800 --> 00:37:33,520
Speaker 2: Everybody has one order they like and then they just

654
00:37:33,760 --> 00:37:35,920
Speaker 2: ride that for the until the end of time.

655
00:37:36,040 --> 00:37:38,640
Speaker 1: And I love the chicken and cheese. There's no oxtails

656
00:37:38,640 --> 00:37:40,920
Speaker 1: there right right, you know what I mean. You know

657
00:37:40,960 --> 00:37:43,040
Speaker 1: they were trying to charge me twenty dollars to get

658
00:37:43,080 --> 00:37:45,640
Speaker 1: some goat in the park. Yeah, and I was like,

659
00:37:45,719 --> 00:37:48,680
Speaker 1: I'm the only one out here who wants this. You

660
00:37:48,719 --> 00:37:53,680
Speaker 1: have a Haitian truck in Genver, Colorado. You're lucky I'm here.

661
00:37:54,040 --> 00:37:56,000
Speaker 1: You know how lucky you are that I happened past

662
00:37:56,400 --> 00:37:58,600
Speaker 1: it Jazz in the park to eat your goat. None

663
00:37:58,600 --> 00:38:02,080
Speaker 1: of these people want it twenty dollars.

664
00:38:02,440 --> 00:38:04,800
Speaker 2: I think it's so funny because they had so little

665
00:38:04,800 --> 00:38:06,759
Speaker 2: business that day that they were in the back like

666
00:38:07,320 --> 00:38:08,879
Speaker 2: all right, how far can we push this?

667
00:38:09,239 --> 00:38:12,479
Speaker 1: Yeah? How because we got to make up for lost time.

668
00:38:12,520 --> 00:38:15,640
Speaker 1: Nobody was even standing over there. It was just me.

669
00:38:16,760 --> 00:38:19,239
Speaker 1: I was so mad, bro, I was so mad. But

670
00:38:19,280 --> 00:38:22,200
Speaker 1: that's on you there, because I buy it.

671
00:38:22,400 --> 00:38:24,720
Speaker 2: But that's what I'm saying, is that that the signs

672
00:38:24,760 --> 00:38:29,560
Speaker 2: were there that this wasn't quality on some level, on

673
00:38:29,640 --> 00:38:33,719
Speaker 2: some level of the experience, somebody was unhappy because they

674
00:38:33,880 --> 00:38:36,960
Speaker 2: somebody should have wanted to be at least adventurous and

675
00:38:36,960 --> 00:38:39,040
Speaker 2: been like, well, that's different than all the other ones.

676
00:38:39,120 --> 00:38:40,600
Speaker 1: Sure, right, right, right right.

677
00:38:40,640 --> 00:38:42,839
Speaker 2: I think I don't think people think goat is good

678
00:38:42,880 --> 00:38:47,000
Speaker 2: though I really fucked with goat man. Of course it's amazing.

679
00:38:47,280 --> 00:38:49,520
Speaker 1: Yeah, but I don't think like the general public heats

680
00:38:49,560 --> 00:38:51,680
Speaker 1: go oh, that's crazy. White people he go. I don't

681
00:38:51,680 --> 00:38:55,160
Speaker 1: think white people he go, I know them. Have you

682
00:38:55,200 --> 00:38:58,439
Speaker 1: ever seen one a white person eating the goat? Yeah?

683
00:38:58,719 --> 00:39:01,279
Speaker 2: Not the way I think you're making me think about

684
00:39:01,280 --> 00:39:01,919
Speaker 2: it in my head.

685
00:39:02,200 --> 00:39:09,320
Speaker 1: Well, les part of this out you kid, you standing

686
00:39:09,400 --> 00:39:11,680
Speaker 1: up that made me think that the goat was still

687
00:39:11,719 --> 00:39:13,520
Speaker 1: alive and then just biting into.

688
00:39:14,880 --> 00:39:14,920
Speaker 3: It.

689
00:39:15,560 --> 00:39:19,280
Speaker 2: And my answer was no, but I don't my dad

690
00:39:19,360 --> 00:39:22,080
Speaker 2: maybe like Indian restaurant type situations.

691
00:39:22,160 --> 00:39:24,560
Speaker 1: That also seems like he eats like plantains and stuff.

692
00:39:24,920 --> 00:39:27,319
Speaker 1: I feel like my dad's an adventurous Yeah, I feel

693
00:39:27,360 --> 00:39:30,160
Speaker 1: like that's not the typical. Yeah.

694
00:39:30,200 --> 00:39:34,000
Speaker 2: I think I often assume it is because that's my

695
00:39:34,120 --> 00:39:36,600
Speaker 2: blind spot. Is I go that's white people's ship and

696
00:39:36,640 --> 00:39:38,080
Speaker 2: sometimes it's just my dad.

697
00:39:38,320 --> 00:39:39,919
Speaker 1: I was thinking about when I was at the park.

698
00:39:40,000 --> 00:39:44,160
Speaker 1: I don't even know if I've ever paid for goat wow. Yeah,

699
00:39:44,320 --> 00:39:46,719
Speaker 1: oh man, yeah, I think I've only ever had it.

700
00:39:46,960 --> 00:39:51,680
Speaker 1: So one time my mom in this Ethiopian guy went

701
00:39:51,760 --> 00:39:56,000
Speaker 1: halfs on like a side of goat. Okay years ago. Yeah,

702
00:39:56,080 --> 00:40:04,760
Speaker 1: he had so much got this guy O. It's so funny.

703
00:40:04,760 --> 00:40:05,120
Speaker 1: I didn't.

704
00:40:05,360 --> 00:40:07,400
Speaker 2: It never occurred to me that you could split the

705
00:40:07,480 --> 00:40:08,680
Speaker 2: goat with somebody else.

706
00:40:08,880 --> 00:40:11,520
Speaker 1: Yeah, yeah, yeah, so funny. But they split like a

707
00:40:11,600 --> 00:40:14,000
Speaker 1: half of it. Yeah, so it's like a side order

708
00:40:14,160 --> 00:40:14,960
Speaker 1: goat eat Yeah.

709
00:40:15,160 --> 00:40:15,359
Speaker 4: Yeah.

710
00:40:15,880 --> 00:40:18,560
Speaker 1: Yeah, there's a lot of goat. Go to the big

711
00:40:18,560 --> 00:40:21,480
Speaker 1: as fuck, go to big Enough. Yeah. It's just me

712
00:40:21,520 --> 00:40:29,920
Speaker 1: and you in this apartment, right, mom, third day, this

713
00:40:29,960 --> 00:40:33,360
Speaker 1: week with Goat Sandwiches. I'm uh, just to get a

714
00:40:33,400 --> 00:40:37,439
Speaker 1: little tired. There's always stupid, but that's a good fried

715
00:40:37,560 --> 00:40:42,080
Speaker 1: go to side Haitian food truck aside. Yeah, Harry Coochy Music,

716
00:40:42,160 --> 00:40:43,640
Speaker 1: I think I think he's right on the money with

717
00:40:43,680 --> 00:40:44,200
Speaker 1: his timeline.

718
00:40:44,239 --> 00:40:46,520
Speaker 2: I don't disagree with it at all. It feels very

719
00:40:46,560 --> 00:40:50,200
Speaker 2: accurate to me. It feels very true, and I do

720
00:40:50,280 --> 00:40:53,960
Speaker 2: think that there are some people out there trying to

721
00:40:54,000 --> 00:40:58,760
Speaker 2: push back into that wave. I think currently we're heading,

722
00:40:58,920 --> 00:41:02,040
Speaker 2: I think in the direction where Harry Cuchie Music could

723
00:41:02,080 --> 00:41:02,839
Speaker 2: find its way back.

724
00:41:02,840 --> 00:41:04,640
Speaker 1: So don't give up, hope. Oh, I think the whole

725
00:41:04,640 --> 00:41:08,120
Speaker 1: ship's about to get flipped. Because I also think when

726
00:41:08,160 --> 00:41:12,560
Speaker 1: times is hard, couchies get hairy. I think when this

727
00:41:12,640 --> 00:41:16,000
Speaker 1: country is going through strife, that's a beautiful statement. Couchies

728
00:41:16,120 --> 00:41:21,200
Speaker 1: get hairy, you know what I mean? The Civil Rights Bush, Yeah,

729
00:41:21,719 --> 00:41:27,400
Speaker 1: Woman's fridge movement, La riots Yo. That ship was going crazy.

730
00:41:28,000 --> 00:41:32,760
Speaker 2: Was the amount of pussy that grew through that oj trial.

731
00:41:35,920 --> 00:41:46,319
Speaker 2: When unshaved in protests through oj it selma, that's how

732
00:41:46,360 --> 00:41:48,320
Speaker 2: they kept them skirts from sweating.

733
00:41:49,680 --> 00:41:52,520
Speaker 1: Moisture absorbent. But I do I do believe that when

734
00:41:52,520 --> 00:41:55,480
Speaker 1: this country is going through a difficult time because we

735
00:41:55,520 --> 00:41:57,319
Speaker 1: need to get back to ourselves. We need to get

736
00:41:57,400 --> 00:42:00,840
Speaker 1: back to our roots. You know, you've seen the politics.

737
00:42:00,920 --> 00:42:06,840
Speaker 1: It's going nuts. Absolutely, we got tariffs.

738
00:42:07,440 --> 00:42:10,920
Speaker 2: We absolutely got therfs. What we also need is a break.

739
00:42:11,920 --> 00:42:14,759
Speaker 2: We're gonna say one more break and then when we

740
00:42:14,800 --> 00:42:15,280
Speaker 2: come back.

741
00:42:15,160 --> 00:42:17,279
Speaker 1: We'll do a couple more voicemails. We'll get out of here,

742
00:42:17,640 --> 00:42:20,920
Speaker 1: all right, more David more Langston More. Ma. Mama told me.

743
00:42:31,160 --> 00:42:33,560
Speaker 5: Yeah, so I got Dick in the face, Craig, see

744
00:42:33,560 --> 00:42:35,839
Speaker 5: if he's okay, and.

745
00:42:35,760 --> 00:42:38,200
Speaker 1: I want to see if you're okay. We both do.

746
00:42:38,920 --> 00:42:40,080
Speaker 1: Welcome back to my mama to.

747
00:42:40,400 --> 00:42:44,080
Speaker 2: Welcome back to my mama told me, we're we're still

748
00:42:44,200 --> 00:42:48,319
Speaker 2: being rascals. We're just sugging around talking, talking to you all,

749
00:42:48,480 --> 00:42:50,200
Speaker 2: listening to your voices at least.

750
00:42:50,840 --> 00:42:51,960
Speaker 1: Uh. And here we go.

751
00:42:52,160 --> 00:42:56,040
Speaker 2: We're gonna listen to a few more voicemails. Oh, this

752
00:42:56,080 --> 00:42:58,839
Speaker 2: one's provocative. I'm gonna I'm gonna play this here. We

753
00:42:58,840 --> 00:42:59,920
Speaker 2: don't even tell me the titles.

754
00:43:00,760 --> 00:43:01,319
Speaker 1: Here we come.

755
00:43:02,080 --> 00:43:06,760
Speaker 4: Hey, what's going on? Uh? I'll call it a freaking

756
00:43:06,920 --> 00:43:15,520
Speaker 4: bullshit black Mexican. Yeah, against his ship whatever otherways, My

757
00:43:15,600 --> 00:43:18,239
Speaker 4: mama told me the ice coming after black people.

758
00:43:18,360 --> 00:43:25,200
Speaker 1: Next pause, Uh, absolute fuckolutely watch out, y'all, this is

759
00:43:25,239 --> 00:43:28,359
Speaker 1: a problem. I'm with him. I have nothing else to say. Yeah,

760
00:43:28,360 --> 00:43:30,200
Speaker 1: I didn't like, you should be upset when they're coming

761
00:43:30,200 --> 00:43:31,279
Speaker 1: after the other people too.

762
00:43:31,480 --> 00:43:34,200
Speaker 2: I didn't like how hard he laughed. Uh that that

763
00:43:34,280 --> 00:43:35,319
Speaker 2: rubbed me a little wrong.

764
00:43:35,400 --> 00:43:38,719
Speaker 1: But I think he just feels double affected because he

765
00:43:38,719 --> 00:43:41,719
Speaker 1: said he's black in Mexican. Yeah. I think he's just realizing.

766
00:43:42,000 --> 00:43:45,279
Speaker 1: He's like the world's crashing down. He's like telling his wife,

767
00:43:45,360 --> 00:43:46,200
Speaker 1: you got to grow it out.

768
00:43:50,440 --> 00:43:55,040
Speaker 2: Yeah, it's it's getting nasty. And I will say that

769
00:43:55,040 --> 00:43:59,920
Speaker 2: that before we continue. I've seen a lot of weird

770
00:44:00,080 --> 00:44:03,160
Speaker 2: ship where people are going like a, y'all voted for him.

771
00:44:03,600 --> 00:44:05,680
Speaker 2: I that's what you get. And it's like, if you

772
00:44:05,680 --> 00:44:07,400
Speaker 2: don't shut your dumb ass.

773
00:44:07,160 --> 00:44:10,719
Speaker 1: Bro, that's the stupidest response to that ship, because then

774
00:44:10,760 --> 00:44:15,359
Speaker 1: what okay? Then what okay? Then what we're still you won? Yeah,

775
00:44:15,640 --> 00:44:17,280
Speaker 1: you're smart on the internet.

776
00:44:17,360 --> 00:44:21,040
Speaker 2: You won the game that we all lost. Yeah, okay,

777
00:44:21,280 --> 00:44:25,160
Speaker 2: congrat you fucking elations. I hate that ship, bro. I

778
00:44:25,160 --> 00:44:27,120
Speaker 2: guess you're gonna be smarter than everybody at the end

779
00:44:27,160 --> 00:44:28,400
Speaker 2: of the world. That's a good feeling.

780
00:44:28,480 --> 00:44:32,480
Speaker 1: It's so not like, at least, if you're gonna be annoying,

781
00:44:32,600 --> 00:44:34,520
Speaker 1: figure out a way to be fun annoying.

782
00:44:34,800 --> 00:44:39,600
Speaker 2: Yeah, this is like, this is like boring annoying. Yeah,

783
00:44:39,920 --> 00:44:41,080
Speaker 2: are you just gonna laugh?

784
00:44:41,400 --> 00:44:43,600
Speaker 1: I hate that ship. I hate that ship because it's

785
00:44:43,640 --> 00:44:46,719
Speaker 1: like I get it. I'm scared too. Man, shit's going down.

786
00:44:46,800 --> 00:44:48,759
Speaker 1: It's real terrible. You need to win.

787
00:44:49,160 --> 00:44:53,160
Speaker 2: You're feeling you're feeling so powerless that you just are

788
00:44:53,400 --> 00:44:56,440
Speaker 2: needing to shoot something on the ground. You gotta stomp it.

789
00:44:56,520 --> 00:44:58,440
Speaker 1: You're also doing it to your echo chamber, which is

790
00:44:58,480 --> 00:45:01,120
Speaker 1: the craziest thing about the Internet. It's like, who you

791
00:45:01,480 --> 00:45:03,480
Speaker 1: say that to the people that happened to? Are you

792
00:45:03,520 --> 00:45:06,520
Speaker 1: saying that to the twenty people who follow you who

793
00:45:06,560 --> 00:45:08,160
Speaker 1: think like you do? Like? What are we doing?

794
00:45:08,239 --> 00:45:08,399
Speaker 3: Man?

795
00:45:08,600 --> 00:45:10,040
Speaker 1: It's crazy? Here we go.

796
00:45:10,160 --> 00:45:14,560
Speaker 4: But anyways, I'll be laugh because it's it's tragically funny.

797
00:45:15,160 --> 00:45:18,839
Speaker 1: Because you know, I'm glad he explained him. Yeah he's wrong.

798
00:45:19,320 --> 00:45:22,480
Speaker 4: But if we look at history, you know they are

799
00:45:22,560 --> 00:45:24,640
Speaker 4: going to go whittle down the list and go down

800
00:45:24,840 --> 00:45:28,799
Speaker 4: people and persecute them next or whatever. But also we've

801
00:45:28,960 --> 00:45:32,000
Speaker 4: we've heard some Ice agents referred to this, Uh Uh,

802
00:45:33,800 --> 00:45:36,520
Speaker 4: but uh, disturb and.

803
00:45:37,960 --> 00:45:38,799
Speaker 1: You are doing great.

804
00:45:39,320 --> 00:45:46,320
Speaker 2: He's all right anyway that kick.

805
00:45:48,239 --> 00:45:51,520
Speaker 4: And uh, I know it's not the funniestic, but no,

806
00:45:52,840 --> 00:45:56,560
Speaker 4: you could laugh about it and bring awareness to it. Uh.

807
00:45:56,760 --> 00:46:00,040
Speaker 4: But uh. Also David Bojo said.

808
00:46:02,320 --> 00:46:04,640
Speaker 1: Oh, we were a British colony. We don't. We don't

809
00:46:04,680 --> 00:46:08,200
Speaker 1: speak French. People love really thinking I speak French. Sierra

810
00:46:08,280 --> 00:46:11,120
Speaker 1: Leone does sound like it would have been a French

811
00:46:11,160 --> 00:46:13,600
Speaker 1: I think it is a French word. Yeah, it sounds

812
00:46:13,600 --> 00:46:15,640
Speaker 1: like it would have been there doing. Yeah. No, we're

813
00:46:15,680 --> 00:46:20,840
Speaker 1: the we're British colony. I appreciate that man, Thank you.

814
00:46:22,400 --> 00:46:27,040
Speaker 1: I like French. How are you? I don't even think

815
00:46:27,040 --> 00:46:29,680
Speaker 1: he listen, you're more French than I gave you a compliment.

816
00:46:30,280 --> 00:46:32,200
Speaker 1: As far as that ship that he was saying, hell,

817
00:46:32,320 --> 00:46:35,120
Speaker 1: yeah they're coming for black people, then they're coming for you, stupid,

818
00:46:35,160 --> 00:46:38,120
Speaker 1: fucking poor white people. You think he cares about you?

819
00:46:38,120 --> 00:46:41,160
Speaker 1: You think that guy likes you, You fucking idiot. It's

820
00:46:41,200 --> 00:46:41,640
Speaker 1: the club.

821
00:46:41,920 --> 00:46:45,879
Speaker 2: You're not in it, bro, He's he's kill everybody. He's

822
00:46:45,920 --> 00:46:48,920
Speaker 2: starting with Rosie o'donald, just to see if we'll let

823
00:46:48,960 --> 00:46:49,640
Speaker 2: him do it.

824
00:46:49,920 --> 00:46:52,120
Speaker 1: Yeah, you know what I mean, which is a lot

825
00:46:52,120 --> 00:46:53,359
Speaker 1: of people's gateway into thing.

826
00:46:53,560 --> 00:46:55,719
Speaker 2: Like, he really just needs this to be like a

827
00:46:55,800 --> 00:46:59,040
Speaker 2: public shooting, because if we let him get away with

828
00:46:59,080 --> 00:46:59,760
Speaker 2: this ship.

829
00:47:00,360 --> 00:47:05,279
Speaker 1: He's cruising. Yeah, he's about to cruise through everybody else. Yeah,

830
00:47:05,320 --> 00:47:08,440
Speaker 1: you guys fucking voted for give him all that money.

831
00:47:08,440 --> 00:47:12,520
Speaker 2: Bris likes about to be bad here, he's gonna have.

832
00:47:12,719 --> 00:47:15,160
Speaker 2: That's gonna be his day. Is making a list and

833
00:47:15,280 --> 00:47:16,120
Speaker 2: checking it twice.

834
00:47:16,440 --> 00:47:21,200
Speaker 1: Yuck, yuck. And black people, you're you, You will be

835
00:47:21,239 --> 00:47:24,800
Speaker 1: a target. Nobody is safe. No, it's real scary ship anyway.

836
00:47:25,360 --> 00:47:32,880
Speaker 1: Uh So, resistance starts in the home. Start growing that here. Okay, Okay,

837
00:47:34,200 --> 00:47:37,400
Speaker 1: I just it's really the only way I feel any control.

838
00:47:37,560 --> 00:47:41,280
Speaker 1: That's why I'm staring at them because I'm hoping they're listening.

839
00:47:42,280 --> 00:47:46,440
Speaker 2: The man said something important. I hope you listen anyways, Okay,

840
00:47:47,480 --> 00:47:51,000
Speaker 2: I'm gonna play one more. Yeah, this one seems like

841
00:47:51,080 --> 00:47:55,600
Speaker 2: it objectively will end up being lighter than that one.

842
00:47:56,920 --> 00:48:01,000
Speaker 3: Care on the bus.

843
00:48:03,640 --> 00:48:09,160
Speaker 1: Listen. I also think Kevi on stage is cool. I

844
00:48:09,280 --> 00:48:09,680
Speaker 1: like that.

845
00:48:10,080 --> 00:48:12,680
Speaker 2: I like that in in that in that scenario, he

846
00:48:12,840 --> 00:48:15,560
Speaker 2: was like, keV on bus, no, no, no, keV on

847
00:48:15,680 --> 00:48:16,480
Speaker 2: the bus.

848
00:48:17,960 --> 00:48:20,920
Speaker 1: Does make you sound dumb on the bus.

849
00:48:21,560 --> 00:48:24,920
Speaker 2: Uh yeah, I I I I.

850
00:48:25,600 --> 00:48:27,880
Speaker 1: Think it sucks that you're calling us on the bus.

851
00:48:27,920 --> 00:48:31,560
Speaker 1: Sucks if this is not you, This is just I

852
00:48:31,560 --> 00:48:33,280
Speaker 1: hate when people are on the phone on the bus

853
00:48:33,280 --> 00:48:36,080
Speaker 1: in general, and that's Benson cell phones came out.

854
00:48:37,200 --> 00:48:40,280
Speaker 2: And I hate that that you're drunk on the bus.

855
00:48:40,480 --> 00:48:43,160
Speaker 1: I hate, you know what I mean, Like, I hate

856
00:48:43,160 --> 00:48:46,960
Speaker 1: the whole vibe that got you to calling us. Do

857
00:48:47,000 --> 00:48:51,960
Speaker 1: you know what I mean that likes he's deep, he's deep.

858
00:48:51,719 --> 00:48:54,120
Speaker 2: In it where he's like drunk, but he's on the

859
00:48:54,160 --> 00:48:56,800
Speaker 2: bus and he's but he's like aware of it. Yeah,

860
00:48:56,880 --> 00:48:58,759
Speaker 2: he's like there's too much noise in the background that

861
00:48:58,800 --> 00:49:01,120
Speaker 2: I can't address this, So here we go.

862
00:49:01,239 --> 00:49:02,920
Speaker 1: But I mean, we've all gotten you raised your hand

863
00:49:02,960 --> 00:49:05,560
Speaker 1: if you haven't gotten drunk on the bus. Brother, most

864
00:49:05,560 --> 00:49:07,839
Speaker 1: of my bus rides I've been drunk. Come on, shout

865
00:49:07,840 --> 00:49:12,080
Speaker 1: out to the thirty eight forty nine, the eight X

866
00:49:12,239 --> 00:49:15,440
Speaker 1: drunk or drinking, Yeah, drinking actively on the buzz A

867
00:49:15,560 --> 00:49:17,960
Speaker 1: wanted time. I used to fill up half a coke

868
00:49:18,040 --> 00:49:20,520
Speaker 1: bottle with some cracking. Oh that was your cracking day,

869
00:49:20,680 --> 00:49:24,880
Speaker 1: And I'd be riding the bus to the club. Yeah,

870
00:49:25,280 --> 00:49:28,239
Speaker 1: you know, ride the bus to the clubs. Suck. It

871
00:49:28,400 --> 00:49:33,200
Speaker 1: fucking sucks. Like you get off the bus in your

872
00:49:33,320 --> 00:49:35,840
Speaker 1: nice clothes, like you weren't just on the fucking but

873
00:49:36,280 --> 00:49:38,919
Speaker 1: like it's like so hard to go from Like don't

874
00:49:38,920 --> 00:49:40,400
Speaker 1: want to get stabbed to get pussy.

875
00:49:40,520 --> 00:49:43,520
Speaker 2: Yeah, that's why I always used to get myself about

876
00:49:43,520 --> 00:49:45,719
Speaker 2: a block and a half. That's smart. I'd get off

877
00:49:45,719 --> 00:49:48,400
Speaker 2: a little early, finish the cracking, take it, take a

878
00:49:48,440 --> 00:49:50,040
Speaker 2: couple of swigs, do a lap.

879
00:49:50,520 --> 00:49:53,040
Speaker 1: Yeah you know what I mean. You gotta walk round. Well,

880
00:49:53,200 --> 00:49:56,600
Speaker 1: you gotta get bused off of you. Yeah that's real. Yeah,

881
00:49:56,880 --> 00:49:59,400
Speaker 1: really get off of you. Also, when going to meet

882
00:49:59,480 --> 00:50:01,720
Speaker 1: up with a woman, same thing. Yep, you can't dust

883
00:50:01,760 --> 00:50:03,360
Speaker 1: off of you. Yeah, you can't just go from the

884
00:50:03,360 --> 00:50:04,720
Speaker 1: bus to her door.

885
00:50:04,840 --> 00:50:07,360
Speaker 2: And I think that that maybe is an important lesson

886
00:50:07,400 --> 00:50:10,560
Speaker 2: for our listeners. There is nothing wrong with riding the bus.

887
00:50:10,920 --> 00:50:13,400
Speaker 2: We we do not look down on anybody who uses

888
00:50:13,480 --> 00:50:16,440
Speaker 2: public transportation in any form. I don't give a fuck.

889
00:50:16,640 --> 00:50:18,759
Speaker 2: If that's what you need, if that's what you want,

890
00:50:18,800 --> 00:50:22,319
Speaker 2: if that functions for your life, that's fucking awesome. But

891
00:50:23,000 --> 00:50:24,320
Speaker 2: get that bus off of you.

892
00:50:24,360 --> 00:50:27,680
Speaker 1: Get the bus off. What you're seeing on that bus

893
00:50:28,200 --> 00:50:30,439
Speaker 1: that's not good for the spirit. Don't take it into

894
00:50:30,480 --> 00:50:33,440
Speaker 1: the bar. That's not good for communication. Because you also,

895
00:50:33,560 --> 00:50:36,640
Speaker 1: ever notice nobody likes your bus story. Nobody wants the

896
00:50:36,640 --> 00:50:38,520
Speaker 1: bus store. When you come in and you're like, yeah,

897
00:50:38,520 --> 00:50:43,160
Speaker 1: I just let nobody's like, oh cool, damn, that's not

898
00:50:43,280 --> 00:50:46,400
Speaker 1: like the bus. Yeah, yeah, I just jerking off. Nobody's

899
00:50:46,480 --> 00:50:47,440
Speaker 1: like awesome stories.

900
00:50:47,560 --> 00:50:51,320
Speaker 2: Yeah, truly, if you saw somebody jerking off in this building,

901
00:50:51,680 --> 00:50:53,560
Speaker 2: you'd be like, oh, that's a good story.

902
00:50:53,600 --> 00:50:55,919
Speaker 1: But on the bus, I'm like, that's a bus. You're

903
00:50:55,960 --> 00:50:58,520
Speaker 1: on the bus. Okay, you're on your way over here. Hey,

904
00:50:58,640 --> 00:51:00,879
Speaker 1: and now get that off of you. Get that bus off,

905
00:51:01,000 --> 00:51:03,640
Speaker 1: take a lap. That's important for kids to know. Call

906
00:51:03,719 --> 00:51:06,680
Speaker 1: a friend. Just something that makes you a little bit more.

907
00:51:06,800 --> 00:51:09,719
Speaker 1: You again, go dip in the corner store, buy some gum,

908
00:51:09,800 --> 00:51:12,040
Speaker 1: whatever you gotta do. Absolutely like that.

909
00:51:12,440 --> 00:51:16,080
Speaker 2: I think a beautiful way to to to perhaps end

910
00:51:16,160 --> 00:51:16,560
Speaker 2: this thing.

911
00:51:16,680 --> 00:51:19,319
Speaker 1: Oh there's more, there's more on the bus. We just we.

912
00:51:19,320 --> 00:51:23,120
Speaker 2: Literally didn't even hear any information from Kevin on the bus.

913
00:51:23,760 --> 00:51:28,480
Speaker 3: But I'll be listening to a podcast and I just

914
00:51:28,640 --> 00:51:30,680
Speaker 3: killed my first I call all right, and now I

915
00:51:30,760 --> 00:51:32,520
Speaker 3: see you. Why people call you a little freaky Joe

916
00:51:32,600 --> 00:51:37,600
Speaker 3: basically her. That's why I asked, okay, but also I

917
00:51:37,640 --> 00:51:40,840
Speaker 3: had a clutch scene when it seems like this is

918
00:51:40,840 --> 00:51:41,920
Speaker 3: the right place.

919
00:51:41,680 --> 00:51:43,040
Speaker 1: To ask a question.

920
00:51:44,960 --> 00:51:48,680
Speaker 3: The other colored gradients to light k versus dark seams,

921
00:51:49,200 --> 00:51:52,080
Speaker 3: because I went my entire life thinking maybe you know,

922
00:51:52,160 --> 00:51:56,320
Speaker 3: I was a regular you know, dark as American, and

923
00:51:56,520 --> 00:52:00,480
Speaker 3: so I asked about the past their football, and he

924
00:52:00,600 --> 00:52:03,000
Speaker 3: told me I was to play wide receiver.

925
00:52:06,560 --> 00:52:08,400
Speaker 1: I have big thoughts on that.

926
00:52:08,800 --> 00:52:11,759
Speaker 2: Yeah, I do too, But I think it's better if

927
00:52:11,800 --> 00:52:18,759
Speaker 2: you kick him, Mom. I think I'll come off better

928
00:52:20,239 --> 00:52:24,080
Speaker 2: if you start. No, that the wide receiver of it

929
00:52:24,160 --> 00:52:29,359
Speaker 2: all specifically is very interesting because while I think we

930
00:52:29,440 --> 00:52:33,880
Speaker 2: can agree that in attitude, basically the second most light

931
00:52:33,920 --> 00:52:38,080
Speaker 2: skin position in football, okay, sure right, yeah.

932
00:52:37,960 --> 00:52:42,759
Speaker 1: We defensive backs is first? Oh no, no, no, no, no,

933
00:52:42,800 --> 00:52:45,720
Speaker 1: I wouldn't think that. Actually it is first. It is first,

934
00:52:46,040 --> 00:52:50,160
Speaker 1: but I field dominated by a lot of dark skinned heroes.

935
00:52:51,160 --> 00:52:54,200
Speaker 1: Come on, Jerry Rice is not light skin. You know

936
00:52:54,239 --> 00:52:57,640
Speaker 1: what I mean too? Like dark skin dudes. Who's the

937
00:52:57,719 --> 00:53:03,200
Speaker 1: other guy on Philly? Freddy? His name Freddy Jackson, the receiver? No, no,

938
00:53:03,560 --> 00:53:05,960
Speaker 1: you know, I knew one name, and I didn't. I

939
00:53:05,960 --> 00:53:10,279
Speaker 1: should not have gone an you saw me. I can

940
00:53:10,400 --> 00:53:12,160
Speaker 1: serve nothing, but you cut this out. We can cut

941
00:53:12,160 --> 00:53:14,480
Speaker 1: this out, we can cut this here, this motherfucker gum.

942
00:53:14,600 --> 00:53:21,000
Speaker 9: You know Freddy Freddy Street Street College, your favorite. The

943
00:53:21,080 --> 00:53:24,560
Speaker 9: point is, uh yeah, wide receiver. I feel like traditionally

944
00:53:24,640 --> 00:53:27,160
Speaker 9: are divas but a lot of dark skinned men. And

945
00:53:27,239 --> 00:53:31,720
Speaker 9: it almost it's almost like wide receiving is the great equalizer.

946
00:53:31,600 --> 00:53:35,000
Speaker 1: In this brutal, brutal color war to which we've all

947
00:53:35,040 --> 00:53:39,279
Speaker 1: been embroiled. Yeah. I think that there are probably we

948
00:53:39,320 --> 00:53:43,320
Speaker 1: would all benefit from a little bit of a standardizing

949
00:53:43,400 --> 00:53:47,680
Speaker 1: of our conversations around light skin versus dark skin. And

950
00:53:47,719 --> 00:53:52,719
Speaker 1: I think, unfortunately, I think unfortunately getting a Congress as

951
00:53:52,760 --> 00:53:55,239
Speaker 1: it were together to be able to cover this this

952
00:53:55,400 --> 00:53:58,080
Speaker 1: almost an impossible feed. I mean, I saw it when

953
00:53:58,120 --> 00:54:01,360
Speaker 1: we had that clip Go Big. We had a clip

954
00:54:01,360 --> 00:54:03,680
Speaker 1: go Big, Yeah, and then somebody else had a clip

955
00:54:03,719 --> 00:54:06,640
Speaker 1: go big where they were remixing what we said. Yeah.

956
00:54:06,719 --> 00:54:08,840
Speaker 1: Did you see that? Yeah?

957
00:54:08,960 --> 00:54:14,239
Speaker 2: And it hurt my feelings, yeah whatever. I tried to

958
00:54:14,480 --> 00:54:16,800
Speaker 2: sort of play it cool, but no, it did deeply

959
00:54:16,880 --> 00:54:17,319
Speaker 2: cut my mind.

960
00:54:17,920 --> 00:54:18,160
Speaker 1: Yeah.

961
00:54:18,239 --> 00:54:22,600
Speaker 2: I think I think there's a part of me that

962
00:54:22,600 --> 00:54:27,080
Speaker 2: that understood exactly the point that I think was important,

963
00:54:27,640 --> 00:54:31,160
Speaker 2: and it felt like I had failed in communicating that point.

964
00:54:31,520 --> 00:54:33,440
Speaker 2: Now that's the internet, bro, That's what they do is

965
00:54:33,560 --> 00:54:36,720
Speaker 2: y's the point. That's whole the internet is people listening

966
00:54:36,760 --> 00:54:37,320
Speaker 2: to what you say to me.

967
00:54:37,360 --> 00:54:41,640
Speaker 1: I'm like, well and not like hearing what you said.

968
00:54:41,680 --> 00:54:44,120
Speaker 1: That was because you didn't make a bad point. But no,

969
00:54:44,200 --> 00:54:47,000
Speaker 1: but I do know that like what ends up happening

970
00:54:47,120 --> 00:54:50,520
Speaker 1: is they pull a moment and then they activate that moment, right,

971
00:54:50,920 --> 00:54:54,160
Speaker 1: But it made me feel stupid for allowing a space

972
00:54:54,280 --> 00:54:56,200
Speaker 1: to be the moment, do you know what I mean?

973
00:54:56,920 --> 00:55:00,359
Speaker 1: Don't feel bad for trying. Thanks, thanks David. Let these

974
00:55:00,400 --> 00:55:03,040
Speaker 1: stupid people. That's how I get through it. I just

975
00:55:03,080 --> 00:55:05,799
Speaker 1: assume everybody on the internet is really really stupid, and

976
00:55:05,800 --> 00:55:08,120
Speaker 1: then it makes me feel good about myself. And I

977
00:55:08,120 --> 00:55:10,239
Speaker 1: read their comments, I'm like, because there's no I never

978
00:55:10,239 --> 00:55:13,520
Speaker 1: read a comment where I'm like he got me. Yeah, yeah,

979
00:55:13,600 --> 00:55:14,959
Speaker 1: you know what I mean. I always read a comment

980
00:55:15,000 --> 00:55:17,560
Speaker 1: I'm like, oh, that's because you're dumb. Yeah I feel

981
00:55:17,560 --> 00:55:19,680
Speaker 1: that way, but I still want them to like me,

982
00:55:19,760 --> 00:55:22,400
Speaker 1: and that that's my burden. But you don't. Do you

983
00:55:22,440 --> 00:55:24,759
Speaker 1: want stupid people to like you? I think so as

984
00:55:24,840 --> 00:55:26,160
Speaker 1: much as you want more people to like you.

985
00:55:26,239 --> 00:55:29,879
Speaker 2: No, but I I think I think I still need

986
00:55:29,920 --> 00:55:34,000
Speaker 2: them very badly and uh and until I evolved past

987
00:55:34,080 --> 00:55:36,120
Speaker 2: whatever that feeling is, then I then.

988
00:55:36,000 --> 00:55:40,319
Speaker 1: I'm not safe emotionally socially. Man, you really that's like

989
00:55:40,400 --> 00:55:41,799
Speaker 1: really saying the quiet part out loud.

990
00:55:41,800 --> 00:55:46,520
Speaker 2: I didn't love that, No regread it.

991
00:55:48,560 --> 00:55:53,360
Speaker 1: I'm gonna I'm gonna press play on this. I hate

992
00:55:53,360 --> 00:55:54,080
Speaker 1: that that happened.

993
00:55:54,680 --> 00:55:56,560
Speaker 3: And that was the first time in my life I

994
00:55:56,600 --> 00:56:03,239
Speaker 3: had ever been who like im So like y'all could

995
00:56:03,320 --> 00:56:05,759
Speaker 3: let me know, is it like a colored grady is

996
00:56:05,800 --> 00:56:09,279
Speaker 3: a charge or something I could have referred to as

997
00:56:09,520 --> 00:56:13,720
Speaker 3: I would like to know, sir, Wow, my mother is chocolate.

998
00:56:13,880 --> 00:56:15,839
Speaker 3: I've always wanted to shock it. I've got a shock

999
00:56:15,880 --> 00:56:20,200
Speaker 3: a baby. But appairly, I myself am not. So y'all

1000
00:56:20,239 --> 00:56:22,120
Speaker 3: could give me some insight on there.

1001
00:56:22,160 --> 00:56:27,400
Speaker 1: It'll be great. Thank you. Here's a tough thing about this. Please.

1002
00:56:28,280 --> 00:56:31,480
Speaker 1: We're two people who have never been middle spectrum, so

1003
00:56:31,560 --> 00:56:35,839
Speaker 1: to get any sort of like real answer from us

1004
00:56:35,920 --> 00:56:39,200
Speaker 1: is difficult. Nobody was ever right, like what are you doing?

1005
00:56:39,280 --> 00:56:41,840
Speaker 1: Like Juno Rocks? Like nobody was ever.

1006
00:56:41,800 --> 00:56:44,520
Speaker 2: I mean, I want to propose something, okay, right here

1007
00:56:44,560 --> 00:56:50,359
Speaker 2: and right now I believe that we could do a draft.

1008
00:56:50,600 --> 00:56:53,520
Speaker 2: I believe that we could assemble a team. This is

1009
00:56:53,560 --> 00:56:57,640
Speaker 2: a slippery slow brother. I I'm scared of what I'm

1010
00:56:57,680 --> 00:57:03,160
Speaker 2: saying already. I don't feel safe. I mentioned that earlier,

1011
00:57:04,040 --> 00:57:07,960
Speaker 2: and now I'm trying something insane. But I do believe

1012
00:57:08,080 --> 00:57:11,560
Speaker 2: that we could assemble a team of men and women

1013
00:57:12,040 --> 00:57:17,720
Speaker 2: of various shading ingredients, and we could do a true

1014
00:57:18,520 --> 00:57:23,600
Speaker 2: draft of the tent poles by which light skinned and

1015
00:57:23,800 --> 00:57:26,120
Speaker 2: dark skinned are determined.

1016
00:57:25,720 --> 00:57:27,520
Speaker 1: Like we like in this room. You mean we get

1017
00:57:27,560 --> 00:57:29,920
Speaker 1: like ten people. I think we could. I think we

1018
00:57:31,240 --> 00:57:33,400
Speaker 1: I think we could get a couple of past guests.

1019
00:57:33,440 --> 00:57:34,840
Speaker 1: I don't think we can afford.

1020
00:57:34,520 --> 00:57:40,440
Speaker 2: Ten, uh, because we pay I think our resources are limited.

1021
00:57:41,720 --> 00:57:44,680
Speaker 2: But I think if we could get a nice group together,

1022
00:57:45,080 --> 00:57:49,680
Speaker 2: we could figure it out for celebrity sort of tent poles.

1023
00:57:49,760 --> 00:57:52,520
Speaker 1: We do need to. It would be nice to have

1024
00:57:52,560 --> 00:57:56,240
Speaker 1: some uniform, right, And it's not really for and I

1025
00:57:56,240 --> 00:57:58,440
Speaker 1: don't think this is we're really good guys. This is

1026
00:57:58,440 --> 00:58:00,360
Speaker 1: how you know we're good guys, because there's isn't for

1027
00:58:00,400 --> 00:58:03,040
Speaker 1: my benefit, This isn't for your benefit. We know where

1028
00:58:03,040 --> 00:58:03,480
Speaker 1: we're at.

1029
00:58:03,640 --> 00:58:05,720
Speaker 2: I know I know what's light skin to me? I

1030
00:58:05,760 --> 00:58:09,680
Speaker 2: know what's light skin to me? I'm good, Yeah, I'm good.

1031
00:58:09,840 --> 00:58:15,920
Speaker 2: I'm chilling. What's dark skin to you? Hey, brother, what

1032
00:58:15,960 --> 00:58:19,240
Speaker 2: we're not gonna do is got your media. I'll tell

1033
00:58:19,240 --> 00:58:22,520
Speaker 2: you this. This podcast is a lot of things, but

1034
00:58:22,600 --> 00:58:26,760
Speaker 2: it will never be got your media. You're not gonna

1035
00:58:27,200 --> 00:58:32,960
Speaker 2: You're not gonna tuck her calls and me into something nasty.

1036
00:58:34,520 --> 00:58:40,320
Speaker 2: That's private, brother, that's absolutely private. What's dark skinned to me?

1037
00:58:40,440 --> 00:58:44,040
Speaker 2: And frankly, it should be private to everybody. Make politics

1038
00:58:44,040 --> 00:58:45,800
Speaker 2: private again. That's how I feel.

1039
00:58:45,920 --> 00:58:49,000
Speaker 1: I like that. So you want to draft them? I

1040
00:58:49,040 --> 00:58:50,920
Speaker 1: think we should. I think we should. I'm with that.

1041
00:58:51,000 --> 00:58:51,919
Speaker 1: I think that would be good.

1042
00:58:52,240 --> 00:58:54,440
Speaker 2: And if we don't do it, just no, it's because

1043
00:58:54,440 --> 00:58:57,480
Speaker 2: we sobered up from this entire conversation.

1044
00:58:56,960 --> 00:59:02,880
Speaker 1: Because Will Ferrell stepped in. Hey, fellas, then I got

1045
00:59:03,000 --> 00:59:05,200
Speaker 1: L two coming out. I'm not trying to I'm hearing

1046
00:59:05,360 --> 00:59:11,840
Speaker 1: something about your drafting niggas. I hate how we talking about.

1047
00:59:11,840 --> 00:59:15,160
Speaker 2: I hate to use the word boys, but but now

1048
00:59:15,200 --> 00:59:17,880
Speaker 2: I gotta say it because that's the way you're behaving.

1049
00:59:18,760 --> 00:59:23,280
Speaker 1: Man's funny. That's a good episode. Yeah, you want to

1050
00:59:23,280 --> 00:59:25,360
Speaker 1: tell the people where they can find you? Were done? Yeah,

1051
00:59:25,400 --> 00:59:28,560
Speaker 1: I think so. Yeah, all right, goodbye? Who got Your City?

1052
00:59:28,600 --> 00:59:33,960
Speaker 2: Seveer on Instagram, petre up coming backslass David boy it's

1053
00:59:33,960 --> 00:59:34,760
Speaker 2: probably that.

1054
00:59:35,040 --> 00:59:38,000
Speaker 1: Something like that. Man, Come on, you know, I'm trying

1055
00:59:38,000 --> 00:59:40,400
Speaker 1: to get back in the game. What if it was

1056
00:59:40,480 --> 00:59:45,320
Speaker 1: backslash Arnold from a different strokes And of course it's

1057
00:59:45,400 --> 00:59:48,760
Speaker 1: David Borie. That's a good point. Yeah, there's only one

1058
00:59:48,600 --> 00:59:54,880
Speaker 1: one prominent. You can follow me at Langston Kerman on

1059
00:59:54,920 --> 00:59:58,840
Speaker 1: all social media platforms. Watch my special it's called Bad Poetry.

1060
00:59:58,920 --> 01:00:02,280
Speaker 1: It's on Netflix now, and send us your own drops,

1061
01:00:02,320 --> 01:00:06,600
Speaker 1: your own conspiracy theories. If you want to tell us

1062
01:00:07,080 --> 01:00:09,760
Speaker 1: what is dark Skin to you? I don't want to

1063
01:00:09,760 --> 01:00:12,200
Speaker 1: hear it. Keep it to yourself. But everybody else contact

1064
01:00:12,240 --> 01:00:15,919
Speaker 1: us at Mamma pod at gmail dot com and give

1065
01:00:16,000 --> 01:00:16,920
Speaker 1: us a call a.

1066
01:00:17,040 --> 01:00:20,320
Speaker 2: Four fours A four to four little moms. We want

1067
01:00:20,320 --> 01:00:28,240
Speaker 2: to hear from you, like subscribe, rate review YouTube dot

1068
01:00:28,280 --> 01:00:31,400
Speaker 2: com is where we also have plenty of places for

1069
01:00:31,480 --> 01:00:32,360
Speaker 2: you to see us.

1070
01:00:32,560 --> 01:00:36,520
Speaker 1: And that's the whole shebang. Bye, bitch, I don't give

1071
01:00:36,520 --> 01:00:40,120
Speaker 1: a fuck. Who'll say? What blood own crip.

1072
01:00:43,000 --> 01:00:45,600
Speaker 2: My Mama told Me is a production of Will Ferrell's

1073
01:00:45,600 --> 01:00:50,280
Speaker 2: Big Money Players Network and iHeart Podcasts.

1074
01:00:50,000 --> 01:00:53,080
Speaker 1: Greet It and hosted by Langston Krekt, co hosted by

1075
01:00:53,200 --> 01:00:58,120
Speaker 1: David Bori. Executive produced by Will Ferrell, Hansani and Olivia Akilo.

1076
01:00:58,520 --> 01:01:02,560
Speaker 2: Co produced by Bee Wayne, edited and engineered by Justin.

1077
01:01:02,400 --> 01:01:06,600
Speaker 1: Kommon, music by Nick Chambers, artwork by Dogon Kriga.

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Speaker 2: You can now watch episodes of My Mama Told Me

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Speaker 2: on YouTube. Follow at My Mama Told Me and subscribe

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Speaker 2: to our channel