WEBVTT - Selects: Rainbows: Delighting humanity since forever

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<v Speaker 1>Hi, everybody. Not a double rainbow coming your way, just

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<v Speaker 1>a single rainbow. In this Selects episode from February three,

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<v Speaker 1>two thy fifteen, the Year of Our Lord. This one

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<v Speaker 1>is Rainbow's colon Delighting Humanity since Forever. If I'm not mistaken,

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<v Speaker 1>that was a Josh Clark title, and I love it.

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<v Speaker 1>Good job, my friend. Check it out. We explain all

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<v Speaker 1>about how rainbows work, and now you can know too. Enjoy.

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<v Speaker 1>Welcome to stuff you should know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Clark with

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<v Speaker 2>Charles W. Chuck Bryant and Jerry Rowland. Have we ever

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<v Speaker 2>said Jerry's last night don't mix? So? Well? We have.

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<v Speaker 1>Now it's out there. It's on the internet. Even someone

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<v Speaker 1>really updated our Wikipedia page. If you look lately, it's

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<v Speaker 1>robust that even says they're producer Jerry Jerome Rowland. How

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<v Speaker 1>do they know that? I guess I've said it on

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<v Speaker 1>the podcast before.

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<v Speaker 2>I am sure that you have. So how are you doing?

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<v Speaker 1>I'm great man, Rainbow's As the author points out, they've

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<v Speaker 1>inspired countless fairy tale songs and legends.

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<v Speaker 2>Man, I love rainbows. I think rainbows are just fantastic

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<v Speaker 2>They're probably the greatest graphic design of all time. I

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<v Speaker 2>just think rainbows are great.

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<v Speaker 1>Well, it is funny to when you read the different

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<v Speaker 1>articles how people it's kind of corny when they talk

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<v Speaker 1>about how they delight in astound. But darn it, when

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<v Speaker 1>you see a rainbow, even as a jaded, cynical adult,

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<v Speaker 1>there's no way you can't look and just go.

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<v Speaker 2>Oh, that's pretty neat.

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<v Speaker 1>Yeah, at the very least, you'll go, oh, a rainbow.

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<v Speaker 2>If somebody says, hey, there's a rainbow over there, you're

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<v Speaker 2>going to look up.

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<v Speaker 1>I don't care.

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<v Speaker 2>And if you doubt, if you doubt a rainbow's ability

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<v Speaker 2>to astound adults, all you have to do is look

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<v Speaker 2>up Yosembity Bears Double Rainbow video, which I watched today.

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<v Speaker 2>It's pretty pretty great stuff.

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<v Speaker 1>All Bear Vesquez. Yeah, yeah, that guy's what.

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<v Speaker 2>Does it mean?

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<v Speaker 1>I know what it means. You're on peyote. You know.

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<v Speaker 1>Next time someone does see a rainbow and say that,

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<v Speaker 1>I'm gonna test everything and just say so, and I'm

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<v Speaker 1>gonna luck, all right, see if they just think I'm

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<v Speaker 1>dead inside.

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<v Speaker 2>Let's see what happens, all right. I'm curious to see

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<v Speaker 2>whether you can not look, of course, I look so

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<v Speaker 2>chuck that we're not the first to be delighted and

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<v Speaker 2>amused by rainbows. It goes back several years, decades at least,

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<v Speaker 2>they've been around forever. There There is a lot of

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<v Speaker 2>mythology surrounding them, because you know, they're unusual. They don't

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<v Speaker 2>happen every day, and well, I guess they depends on

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<v Speaker 2>where you live, but it's not necessarily a normal occurrence.

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<v Speaker 1>No. I found that the philosopher Descartes Rene Descartes was

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<v Speaker 1>the first to describe kind of the modern accurate theory

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<v Speaker 1>in sixteen thirty seven.

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<v Speaker 2>Oh yeah, yeah, nice.

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<v Speaker 1>He's the first one. And it's like, hey, wait a minute,

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<v Speaker 1>there's some refraction and going on here.

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<v Speaker 2>Right, Well, most people usually associate that with Newton.

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<v Speaker 1>Yeah, well he's the first one to describe the spectrum.

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<v Speaker 2>Right he was. And apparently I saw this cool video

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<v Speaker 2>by Philip Ball on The Atlantic that basically it said

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<v Speaker 2>that Newton just made up the ROYGBIV spectrum. What do

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<v Speaker 2>you mean, so the red, orange, yellow, green, blue, indigo, violet.

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<v Speaker 2>Sure is Newton's interpretation of the rainbow. Before that, all

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<v Speaker 2>sorts of different cultures had different ideas of what made

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<v Speaker 2>up a rainbow, how many colors there were, what the

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<v Speaker 2>colors were, and our interpretation of the rainbow spectrum is

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<v Speaker 2>a Newtonian invention, and a lot of people say, it's

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<v Speaker 2>not seven, it's actually six, Indigo, not really there Newton

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<v Speaker 2>And apparently Newton was trying to shoehorn the rainbow spectrum

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<v Speaker 2>into the musical octave. So he's he tried. He's trying

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<v Speaker 2>to shoehorn music, which has sound wavelengths with light, which

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<v Speaker 2>has wavelengths, and making them one and the same. But

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<v Speaker 2>history has kind of shown like, no, there's six. Yeah,

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<v Speaker 2>we'll go with six for the rainbow. So Roy GBIV,

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<v Speaker 2>which we learned in school. Yeah, apparently I learned school.

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<v Speaker 2>You did too, Oh yeah, yeah, sure, it's just Roy Gibb.

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<v Speaker 2>There's no way to go.

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<v Speaker 1>Yeah. Well he was busy making is h cookies from

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<v Speaker 1>figs too, so he had lots of stuff going on.

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<v Speaker 2>Those are good.

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<v Speaker 1>Oh yeah, I can mound some picnicts.

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<v Speaker 2>Yeah, because they're good for you, so you can eat

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<v Speaker 2>the whole bag one's sitting if you want.

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<v Speaker 1>Yeah. I'd never buy them, but if I see them

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<v Speaker 1>on like if you give blood or something, they're on

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<v Speaker 1>a snack table. That's when I get my fig Newton on.

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<v Speaker 2>Yeah, so Newton wasn't the only one. Before Newton, there

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<v Speaker 2>was like a whole Celtic legend about the pot of

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<v Speaker 2>gold at the end of the rainbow. There was God

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<v Speaker 2>saying more bad after the Great Flood and promising it

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<v Speaker 2>would never happen again by showing rainbows come out after rains,

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<v Speaker 2>like it's fine, it's stopping, We're not going to flood

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<v Speaker 2>the earth again.

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<v Speaker 1>Of course, you can't find a pot of gold at

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<v Speaker 1>the end of a rainbow because you cannot go to

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<v Speaker 1>the end of a rainbow. Yes, you never. You can't

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<v Speaker 1>go under a rainbow. You can't go over a rainbow.

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<v Speaker 2>And we'll explain all this why in just a second. Sure,

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<v Speaker 2>but first forget we have to talk about to get

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<v Speaker 2>to the bottom of how rainbows work, which to me

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<v Speaker 2>I think is awesome. It's one of those things where Okay,

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<v Speaker 2>this is how it works, we understand it now. Yeah,

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<v Speaker 2>I love science. Stuff like that, baked in science, yes,

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<v Speaker 2>just done. It's not like scientists think this is what's happening,

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<v Speaker 2>and it's probably true, but that remains to be seen.

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<v Speaker 2>This is one of those ones where, like we know

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<v Speaker 2>how rainbows work, and here's how. But to get to

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<v Speaker 2>the bottom of rainbows, we have to understand how light

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<v Speaker 2>works first.

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<v Speaker 1>Yeah, and I thought this article, even though there was

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<v Speaker 1>a lot more digging in to do, I thought the

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<v Speaker 1>shopping cart explanation for the basically how light travels, yeah,

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<v Speaker 1>was pretty pretty darn good, fantastic. You know. One reason

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<v Speaker 1>they say visible spectrum is because the light is moving

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<v Speaker 1>so fast that you can't see it. It's like and

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<v Speaker 1>the combination of all those is white light, like the

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<v Speaker 1>sun is white light, because all those colors are super

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<v Speaker 1>imposed on one another. Yeah, But when it hits like

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<v Speaker 1>a water droplet or something else, it's going to slow

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<v Speaker 1>down enough, and we'll get to all this where you

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<v Speaker 1>can see those individual parts of the spectrum.

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<v Speaker 2>Right, And that shopping cart explanation, like you said, it

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<v Speaker 2>definitely simplifies the whole thing, and it's not quite right,

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<v Speaker 2>but it does a pretty good job of illustrating the

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<v Speaker 2>principles that are going on, you know.

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<v Speaker 1>Yeah, So basically light is moving at different speeds depending

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<v Speaker 1>on what kind of medium it's traveling through. Right, So,

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<v Speaker 1>like I said, when it hits water, it's going to

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<v Speaker 1>slow down a lot. That's going to change its speed.

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<v Speaker 1>If you're pushing a shopping cart, the asphalt is the medium.

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<v Speaker 1>If you push it onto grass, it's going to slow down.

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<v Speaker 1>That's a new medium. It's a new medium.

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<v Speaker 2>It's gone. It's transitioned from one media to another.

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<v Speaker 1>That's right. And if you hit that grass at an angle,

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<v Speaker 1>and we've probably done this if you had to, we're

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<v Speaker 1>able to steal a shopping cart. As a kid, you're

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<v Speaker 1>pushing your friends around in it, you're hauling through the neighborhood,

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<v Speaker 1>and you hit that grass at an angle, and it's

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<v Speaker 1>going to take a really sharp turn because that front

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<v Speaker 1>right wheel, let's say, is going to hit the grass

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<v Speaker 1>and all of a sudden, really quickly, it's going to

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<v Speaker 1>be traveling at a much slower speed than the rest

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<v Speaker 1>of it, and your friend's going to tumble out, and

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<v Speaker 1>everyone's going to have a good time.

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<v Speaker 2>Exactly. Just wear your helmet so that imagine that the

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<v Speaker 2>shopping cart is a photon of light or a beam

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<v Speaker 2>of white visible sunlight, and the grass is a prism. Yeah,

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<v Speaker 2>so the parking lot was air and it was moving through.

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<v Speaker 2>Just find no problem. But when it hit that prism,

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<v Speaker 2>it slowed down. Yes, And because it came at an angle.

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<v Speaker 2>One side of the light hit sooner and it made

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<v Speaker 2>it turn, and that is called refraction. The bending of

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<v Speaker 2>light is refraction.

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<v Speaker 1>Yeah. And in the case of a rainbow, that prism

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<v Speaker 1>is a rain drop. So I mean this is the

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<v Speaker 1>simple quick version. We'll get more detailed. But when it

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<v Speaker 1>hits that rain drop, it's going to slow down and

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<v Speaker 1>it's going to bend.

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<v Speaker 2>Right. So depending on the reflective index, which is how

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<v Speaker 2>much light bends, depending on the wavelength, the wavelength of light,

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<v Speaker 2>which is another term for color, sure is going to

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<v Speaker 2>bend at a different angle. So when that visible light,

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<v Speaker 2>which is all the colors of the visible spectrum combined,

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<v Speaker 2>hits a prism and it bends or a rain drop, right,

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<v Speaker 2>it bends at different angles because the wavelengths are different,

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<v Speaker 2>and so that visible light comes undone into its component wavelengths,

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<v Speaker 2>which are all the colors of the rainbow, and they

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<v Speaker 2>spread out.

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<v Speaker 1>It's called dispersion, right, Yeah, And that's it really. But

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<v Speaker 1>like I said, in this case, we're talking about rain

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<v Speaker 1>and because rain is you know, rain drops are all

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<v Speaker 1>different shapes and sizes, it's not going to be as

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<v Speaker 1>consistent as like a prism might be but it's going

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<v Speaker 1>to have the same effect. It's going to hit the

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<v Speaker 1>rain drop, it's going to slow down like the wheel

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<v Speaker 1>digging into the grass of the shopping cart, and it's

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<v Speaker 1>going to refract, and some of it's going to keep going.

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<v Speaker 1>Some of it's going to bounce back, but different the

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<v Speaker 1>different color is going to bounce at a different angle.

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<v Speaker 1>And it's all relative to where you are on the ground. Like,

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<v Speaker 1>no person two people see the same rainbow, right, So

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<v Speaker 1>we're all subjective.

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<v Speaker 2>Right, So when light hits the prism and it bends,

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<v Speaker 2>like you said, because the different lights have different wavelengths,

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<v Speaker 2>different colors have different wavelengths. Red has the longest wavelength,

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<v Speaker 2>so it bends the least. Yes, I believe violet has

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<v Speaker 2>the shortest wavelength, so it bends the most. But because

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<v Speaker 2>again because of these different wavelengths, they bend differently, so

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<v Speaker 2>that the light spreads apart and when it exits the prism,

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<v Speaker 2>it bends again and it forms that spectrum of separated

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<v Speaker 2>light separated out.

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<v Speaker 1>And this, if you notice we keep saying the word bend,

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<v Speaker 1>That's why a rainbow is an arc instead of like

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<v Speaker 1>a right angle, because the light is bending.

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<v Speaker 2>So Chuck We've been kind of teasing this a little bit,

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<v Speaker 2>but we'll get into exactly how you go from prism

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<v Speaker 2>ter rain, drop and hence to rainbow right after this.

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<v Speaker 1>All right, if you want to see a rainbow, or

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<v Speaker 1>if you're gonna see a rainbow, there need to be

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<v Speaker 1>three conditions. The sun's got to be behind you, big one.

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<v Speaker 1>You're gonna have moisture in front of you, right, and

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<v Speaker 1>you the sun must be shining that those sun's rays

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<v Speaker 1>must be shining at forty two degrees of what's called

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<v Speaker 1>the antisolar point, which is basically where the shadow of

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<v Speaker 1>your head is on the ground. Okay, so if you

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<v Speaker 1>can see the shadow of your head, that's gonna be

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<v Speaker 1>that forty two degree antisolar point, right.

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<v Speaker 2>So what you do is you put your back directly

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<v Speaker 2>to the sun, right, yeah, and then turn forty two degrees,

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<v Speaker 2>which I guess if it were negative forty two degrees,

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<v Speaker 2>you'd be turning to the left. So I guess you'd

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<v Speaker 2>be turning to the right a little bit about forty

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<v Speaker 2>two degrees, which you can kind of measure off in

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<v Speaker 2>your head. It's not quite for forty five degrees. And

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<v Speaker 2>if you're looking at rain and the sun's behind you.

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<v Speaker 2>You're gonna see where that forty two degrees is because

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<v Speaker 2>once you hit that point, there's your rainbow.

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<v Speaker 1>Yeah, but I mean you can move your body around

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<v Speaker 1>and still see the rainbow. I mean it's where the

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<v Speaker 1>sun is hitting. The sun's got to be hitting it

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<v Speaker 1>at forty two degrees.

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<v Speaker 2>I see. Okay, so Chuck, it doesn't matter then where

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<v Speaker 2>your head is. It's it's the rain drop's relation to

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<v Speaker 2>the sun. This needs to be forty two degrees the

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<v Speaker 2>producer rainbow.

0:12:33.800 --> 0:12:36.439
<v Speaker 1>Yeah, the sunshine must be hitting it at forty two degrees.

0:12:36.559 --> 0:12:39.839
<v Speaker 2>Okay, So let's let's get back to basics again for

0:12:39.880 --> 0:12:44.280
<v Speaker 2>a second. When the sunlight hits the rain drop, each

0:12:44.520 --> 0:12:47.840
<v Speaker 2>individual rain drop is acting like a prism, right, that's right.

0:12:47.880 --> 0:12:51.559
<v Speaker 2>So that visible white light is hitting a rain drop, Yeah,

0:12:51.679 --> 0:12:55.120
<v Speaker 2>it's hitting it at an angle. It's going kaboom into

0:12:55.200 --> 0:12:59.240
<v Speaker 2>like a colored spectrum inside the rain drop, and then

0:12:59.280 --> 0:13:04.200
<v Speaker 2>it's gonna flecked back again, refract again, exiting the rain drop,

0:13:04.280 --> 0:13:06.920
<v Speaker 2>so it bends again and it comes back at you.

0:13:08.120 --> 0:13:14.000
<v Speaker 2>The thing is is when you see a light colored

0:13:14.040 --> 0:13:17.240
<v Speaker 2>light wavelength from a rain drop, you're not seeing the

0:13:17.280 --> 0:13:20.160
<v Speaker 2>whole spectrum. You're not seeing millions of little rainbows. You're

0:13:20.160 --> 0:13:23.480
<v Speaker 2>seeing one big rainbow. And the reason why is because

0:13:23.520 --> 0:13:26.680
<v Speaker 2>each individual rain drop, depending on its relation to you

0:13:26.960 --> 0:13:30.640
<v Speaker 2>and I guess to the sun, is shooting one color

0:13:30.720 --> 0:13:33.839
<v Speaker 2>at you. It's shooting all colors at you, but you're

0:13:33.880 --> 0:13:36.440
<v Speaker 2>only picking up on one color because there's only one

0:13:36.520 --> 0:13:41.440
<v Speaker 2>color from a rain drop that is angled correctly to

0:13:41.600 --> 0:13:45.640
<v Speaker 2>you and your line of sight so that it's the

0:13:45.679 --> 0:13:48.559
<v Speaker 2>only one you're picking up on is red. And then

0:13:48.800 --> 0:13:51.760
<v Speaker 2>all of the rain drops around that rain drop are

0:13:51.800 --> 0:13:54.960
<v Speaker 2>doing the same thing. They're shooting about in relation to

0:13:55.040 --> 0:13:58.439
<v Speaker 2>your line of sight, red towards you. But then the

0:13:58.520 --> 0:14:02.000
<v Speaker 2>rain drops a little lower than that, right are shooting yellow,

0:14:02.440 --> 0:14:04.240
<v Speaker 2>and then lower than that green, and so on and

0:14:04.280 --> 0:14:06.240
<v Speaker 2>so on, and so you get to violet. And so

0:14:06.800 --> 0:14:09.880
<v Speaker 2>these groups are rain these groups of rain drops are

0:14:09.960 --> 0:14:15.360
<v Speaker 2>producing this rainbow cumulatively as far as your line of

0:14:15.400 --> 0:14:16.440
<v Speaker 2>sight is concerned.

0:14:16.520 --> 0:14:18.560
<v Speaker 1>Yeah, because the rain is just falling, so where it

0:14:18.640 --> 0:14:20.720
<v Speaker 1>is in the sky, I mean, as it falls, it's

0:14:20.760 --> 0:14:21.720
<v Speaker 1>going to be changing color.

0:14:22.080 --> 0:14:22.320
<v Speaker 2>Right.

0:14:22.400 --> 0:14:25.400
<v Speaker 1>You know, it's not like frozen in mid air or anything.

0:14:25.520 --> 0:14:26.560
<v Speaker 2>But it seems like it.

0:14:26.680 --> 0:14:28.960
<v Speaker 1>But it seems like it right exactly.

0:14:28.560 --> 0:14:29.960
<v Speaker 2>Isn't that phenomenal.

0:14:30.160 --> 0:14:30.720
<v Speaker 1>It really is.

0:14:31.080 --> 0:14:33.360
<v Speaker 2>I just think that's just as cool as it gets.

0:14:33.480 --> 0:14:36.520
<v Speaker 1>Yeah, it's super cool. And you'll always notice too, the

0:14:36.560 --> 0:14:38.960
<v Speaker 1>sky under the rainbow is going to be brighter than out.

0:14:39.720 --> 0:14:42.240
<v Speaker 1>And when you've got a double rainbow, which we'll get to,

0:14:43.040 --> 0:14:48.680
<v Speaker 1>the area between those two is usually really dark, right,

0:14:48.720 --> 0:14:49.360
<v Speaker 1>And that's.

0:14:49.160 --> 0:14:51.520
<v Speaker 2>Called the Alexander's Dark Band.

0:14:51.680 --> 0:14:57.280
<v Speaker 1>Yeah, Alexander's Band because he was Alexander Afrio Aphrodisius was

0:14:57.280 --> 0:15:01.600
<v Speaker 1>the first dude, huh to describe that. That's a great name,

0:15:02.040 --> 0:15:04.880
<v Speaker 1>Alexander Afrodisias. Yeah, it's pretty good.

0:15:04.960 --> 0:15:08.440
<v Speaker 2>It sounds like a seventies exploitation movie or something totally.

0:15:09.200 --> 0:15:11.680
<v Speaker 2>But yeah. So the reason why in between the double

0:15:11.760 --> 0:15:16.760
<v Speaker 2>rainbows you have Alexander's Band is because the light there

0:15:17.200 --> 0:15:22.400
<v Speaker 2>is reflecting away from you and it's so it's a

0:15:22.480 --> 0:15:23.120
<v Speaker 2>dark area.

0:15:23.280 --> 0:15:23.840
<v Speaker 1>Yeah.

0:15:23.880 --> 0:15:28.040
<v Speaker 2>So the sunlight hitting those rain drops is going away

0:15:28.520 --> 0:15:31.760
<v Speaker 2>like oh, it's dark inside the rainbow, all of that

0:15:31.840 --> 0:15:35.120
<v Speaker 2>light is reflecting back to you and you're seeing all

0:15:35.160 --> 0:15:37.960
<v Speaker 2>of the different colors come at you and they're recombining

0:15:38.000 --> 0:15:41.720
<v Speaker 2>indivisible light, so there's no color, it's just bright sunlight

0:15:41.760 --> 0:15:42.280
<v Speaker 2>in the middle.

0:15:43.040 --> 0:15:45.520
<v Speaker 1>Yeah, and that you know, sunlight they also always describe

0:15:45.520 --> 0:15:48.120
<v Speaker 1>it as white, I mean, sunlight as all the colors.

0:15:48.760 --> 0:15:49.960
<v Speaker 1>We just you know, can't see it.

0:15:50.120 --> 0:15:54.080
<v Speaker 2>Yeah, we should really do a whole How Color Works episode.

0:15:54.200 --> 0:15:57.520
<v Speaker 2>It's fascinating stuff. But yeah, depending on whether you're a

0:15:57.560 --> 0:16:03.800
<v Speaker 2>painter who's mixing chemical, whether you're a chemist or a physicist, Yeah,

0:16:03.880 --> 0:16:06.760
<v Speaker 2>white is either the presence of all colors or the

0:16:06.920 --> 0:16:08.080
<v Speaker 2>absence of color.

0:16:08.320 --> 0:16:10.280
<v Speaker 1>Right, you know, it's kind of mind blowing.

0:16:10.280 --> 0:16:11.960
<v Speaker 2>We should totally do how color Works.

0:16:13.240 --> 0:16:15.120
<v Speaker 1>Well, I guess after this break we'll talk a little

0:16:15.120 --> 0:16:18.800
<v Speaker 1>bit more about the double rainbow all the way and

0:16:18.920 --> 0:16:21.160
<v Speaker 1>even well we'll just leave it at that.

0:16:21.280 --> 0:16:44.160
<v Speaker 2>What does it mean? So, Chuck, you want to talk

0:16:44.160 --> 0:16:46.600
<v Speaker 2>about double rainbows and what forms them?

0:16:46.800 --> 0:16:48.040
<v Speaker 1>It's pretty much the same thing.

0:16:47.960 --> 0:16:51.400
<v Speaker 2>Right, Yeah, the lights refracted twice.

0:16:51.720 --> 0:16:53.160
<v Speaker 1>Yeah, it's just a double refraction.

0:16:53.520 --> 0:16:55.360
<v Speaker 2>Yeah. Well, what's cool is if you look at a

0:16:55.400 --> 0:16:58.760
<v Speaker 2>double rainbow, the one on top, the higher one that's

0:16:58.840 --> 0:17:04.520
<v Speaker 2>the second refraction, Yes, is reversed. So rather than red

0:17:04.560 --> 0:17:08.280
<v Speaker 2>being on the top, yeah, it's on the bottom. Yeah,

0:17:08.400 --> 0:17:11.479
<v Speaker 2>it's a reverse rainbow, is what a double rainbow is.

0:17:11.520 --> 0:17:14.520
<v Speaker 1>And you can have a triple and even a quad. Nice,

0:17:14.680 --> 0:17:17.640
<v Speaker 1>but it's rare. Yeah, like I've seen a little bit

0:17:17.640 --> 0:17:20.960
<v Speaker 1>of a triple once. I think, to where you just

0:17:21.000 --> 0:17:25.520
<v Speaker 1>see the faintest hint of that third one. And if

0:17:25.520 --> 0:17:27.840
<v Speaker 1>you're seeing that, that means the niche I think it's

0:17:27.840 --> 0:17:30.639
<v Speaker 1>called the primary and secondary. That means your primary is

0:17:30.720 --> 0:17:34.040
<v Speaker 1>super super super sharp. Yeah, to where it looks like

0:17:34.080 --> 0:17:37.560
<v Speaker 1>it's drawn on the sky, painted on the sky. Nice,

0:17:37.560 --> 0:17:39.080
<v Speaker 1>and then your secondary is gonna be a little more

0:17:39.119 --> 0:17:41.960
<v Speaker 1>faint than the third one because the triple refraction. You know,

0:17:42.000 --> 0:17:45.080
<v Speaker 1>it's not the easiest thing to occur in nature.

0:17:45.200 --> 0:17:48.320
<v Speaker 2>Yeah, And one of the things that makes the primary

0:17:48.400 --> 0:17:51.320
<v Speaker 2>rainbow and then hence the secondary. And I guess tertiarian

0:17:51.400 --> 0:17:55.520
<v Speaker 2>so on rainbows bright is the amount of sunlight and

0:17:55.560 --> 0:17:59.080
<v Speaker 2>the number of rain drops because remember those rain drops

0:17:59.080 --> 0:18:03.679
<v Speaker 2>that you're seeing that the spectrum is made up of

0:18:04.160 --> 0:18:06.520
<v Speaker 2>light wavelengths that's coming at you from a bunch of

0:18:06.560 --> 0:18:08.840
<v Speaker 2>different rain drops and they reinforce one another, and the

0:18:08.840 --> 0:18:11.840
<v Speaker 2>more they reinforce one another, the brighter the rainbow is.

0:18:12.320 --> 0:18:14.400
<v Speaker 1>Yeah, and you'll, I mean, I feel like I usually

0:18:14.400 --> 0:18:17.160
<v Speaker 1>see rainbows when it's not raining where I'm standing, right,

0:18:17.480 --> 0:18:20.920
<v Speaker 1>but that doesn't matter. It's you know, oh, you.

0:18:20.880 --> 0:18:23.040
<v Speaker 2>Can be being rained on and still see the rainbow.

0:18:23.200 --> 0:18:26.040
<v Speaker 1>Well, yeah, but it's like sometimes it's like a super

0:18:26.119 --> 0:18:28.320
<v Speaker 1>light rain where it has just rained really hard. Maybe

0:18:28.320 --> 0:18:31.080
<v Speaker 1>it's tapering off or maybe stopped altogether. But the point

0:18:31.160 --> 0:18:34.720
<v Speaker 1>is where the rainbow is. It's not like they said earlier,

0:18:34.760 --> 0:18:37.760
<v Speaker 1>you can't drive up to a rainbow. I'm going to

0:18:37.840 --> 0:18:40.880
<v Speaker 1>go up and find that thing, because it's just a

0:18:40.920 --> 0:18:43.200
<v Speaker 1>perspective trick basically. Right.

0:18:43.280 --> 0:18:47.200
<v Speaker 2>The only apparently from this Scientific American article you sent,

0:18:47.560 --> 0:18:50.720
<v Speaker 2>the only visual information we get from a rainbow is

0:18:50.800 --> 0:18:52.480
<v Speaker 2>the band of its arc.

0:18:53.160 --> 0:18:55.120
<v Speaker 1>Yeah, and everything else is what's around.

0:18:54.840 --> 0:18:58.760
<v Speaker 2>It, right, right, So, like, if a rainbow seems really huge,

0:18:58.920 --> 0:19:01.639
<v Speaker 2>it's because, say, the mountains in the background look small,

0:19:02.080 --> 0:19:05.560
<v Speaker 2>which makes the rainbow, by contrast, look very big and majestic.

0:19:06.040 --> 0:19:08.719
<v Speaker 2>If we're close to, say, like the mountains are like

0:19:08.760 --> 0:19:11.880
<v Speaker 2>a cell phone tower or something like that, the rainbow

0:19:11.960 --> 0:19:13.960
<v Speaker 2>may look very small by comparison.

0:19:14.280 --> 0:19:15.919
<v Speaker 1>Yeah, And the way they liken it, and that I

0:19:15.960 --> 0:19:20.000
<v Speaker 1>think in that article I think was like the human head,

0:19:20.000 --> 0:19:23.040
<v Speaker 1>it's like roughly the same size, but if it was

0:19:23.119 --> 0:19:24.600
<v Speaker 1>right in front of your face, it would block out

0:19:24.640 --> 0:19:26.760
<v Speaker 1>a whole movie screen. But if it was further away,

0:19:27.280 --> 0:19:29.440
<v Speaker 1>it would just be like, hey, there's that guy's head.

0:19:29.560 --> 0:19:33.080
<v Speaker 2>It's the same thing, same thing. And then Phil Plait,

0:19:33.160 --> 0:19:38.800
<v Speaker 2>who's who does the Bad Astronomer blog for Slate, he

0:19:39.480 --> 0:19:43.840
<v Speaker 2>did a pretty good explanation of full circle rainbows.

0:19:43.920 --> 0:19:46.000
<v Speaker 1>Yeah, I had never ever heard of that until you

0:19:46.040 --> 0:19:48.120
<v Speaker 1>sent me that. So it makes sense though.

0:19:47.960 --> 0:19:50.520
<v Speaker 2>It totally does. So remember we talked about a rainbow

0:19:50.640 --> 0:19:53.600
<v Speaker 2>arcing over the sky and because the light is bent

0:19:53.920 --> 0:19:55.080
<v Speaker 2>out of the prism.

0:19:55.440 --> 0:19:56.920
<v Speaker 1>Well, no, it's because it starts on one part of

0:19:56.960 --> 0:19:58.920
<v Speaker 1>the ground and ends on another part of the ground, right.

0:19:58.800 --> 0:20:02.680
<v Speaker 2>Where the goal is. The reason why it has that

0:20:02.920 --> 0:20:06.439
<v Speaker 2>arc is because what you're seeing is part of what

0:20:06.680 --> 0:20:10.040
<v Speaker 2>really is a full circle, and it's depending on where

0:20:10.080 --> 0:20:13.280
<v Speaker 2>you are. Now, you have a certain amount of rain

0:20:13.359 --> 0:20:18.840
<v Speaker 2>drops available to reflect the light to you.

0:20:19.119 --> 0:20:19.320
<v Speaker 1>Yeah.

0:20:19.560 --> 0:20:22.240
<v Speaker 2>Right, So when you're on the ground and you're looking

0:20:22.720 --> 0:20:24.760
<v Speaker 2>up or just over to the horizon, sure you have

0:20:24.760 --> 0:20:26.840
<v Speaker 2>a certain amount of rain drops available to you to

0:20:26.920 --> 0:20:30.600
<v Speaker 2>form a rainbow. If you were able to get away

0:20:30.600 --> 0:20:33.359
<v Speaker 2>from the ground, you have even more rain drops not

0:20:33.480 --> 0:20:37.280
<v Speaker 2>just above you, but now below you as well, and

0:20:37.320 --> 0:20:39.879
<v Speaker 2>you can see a full circle. That is the actual

0:20:39.960 --> 0:20:44.200
<v Speaker 2>real rainbow. Yeah, so a real rainbow depending on where

0:20:44.240 --> 0:20:47.199
<v Speaker 2>you are in relation to the ground is either a

0:20:47.280 --> 0:20:49.800
<v Speaker 2>part of a circle, an arc, or a full circle.

0:20:50.359 --> 0:20:52.200
<v Speaker 1>Yeah, and there was a picture. I mean he said

0:20:52.200 --> 0:20:55.520
<v Speaker 1>that pilots see him all the time, or I guess

0:20:55.520 --> 0:20:58.199
<v Speaker 1>if you're in astute flyer, that's not just like a

0:20:58.280 --> 0:21:02.640
<v Speaker 1>sleep with a black blankets, right, Yeah, you can look

0:21:02.640 --> 0:21:04.040
<v Speaker 1>out a window of a plane and see one too,

0:21:04.080 --> 0:21:06.919
<v Speaker 1>because you're above it. Right, It's pretty neat. I mean,

0:21:06.960 --> 0:21:09.199
<v Speaker 1>there was a photo of one and it was like,

0:21:09.320 --> 0:21:11.320
<v Speaker 1>oh wow, there's a full circle rainbow.

0:21:11.400 --> 0:21:13.639
<v Speaker 2>Full circle rainbow. It looks it looks kind of like

0:21:13.680 --> 0:21:16.240
<v Speaker 2>a lens flare a little bit, but yeah, to a

0:21:16.280 --> 0:21:20.200
<v Speaker 2>rainbow lens flair and Phil Plate had in that same

0:21:21.040 --> 0:21:26.200
<v Speaker 2>blog post a double circle rainbow, which was really neat.

0:21:26.359 --> 0:21:29.600
<v Speaker 1>Yeah, so go check that out. I agree that was

0:21:29.640 --> 0:21:33.359
<v Speaker 1>pretty cool. Yeah, you know that thing we were talking

0:21:33.359 --> 0:21:37.440
<v Speaker 1>about earlier too, about the perspective. That's why the I

0:21:37.480 --> 0:21:39.040
<v Speaker 1>think I thought you did it. Don't be dumb about

0:21:39.040 --> 0:21:40.840
<v Speaker 1>why the moon looks bigger? Have you done that?

0:21:41.240 --> 0:21:44.240
<v Speaker 2>No, it's so why can you see the moon during

0:21:44.240 --> 0:21:45.119
<v Speaker 2>the day sometimes?

0:21:45.320 --> 0:21:46.560
<v Speaker 1>Oh why is that?

0:21:47.200 --> 0:21:48.520
<v Speaker 2>Well, I'll tell you why.

0:21:48.359 --> 0:21:50.560
<v Speaker 1>Because I saw it like a one the other day

0:21:50.560 --> 0:21:52.040
<v Speaker 1>that was like super late in the day.

0:21:52.600 --> 0:21:55.600
<v Speaker 2>Well, the reason why. A better question is why can't

0:21:55.640 --> 0:21:57.920
<v Speaker 2>you see the moon all the time, even during the day.

0:21:58.119 --> 0:22:01.200
<v Speaker 2>So it's not the Moon's very bright. It's the brightest

0:22:01.240 --> 0:22:03.760
<v Speaker 2>object in the sky, second only to the Sun. Sure,

0:22:04.080 --> 0:22:06.720
<v Speaker 2>but it also gets its light from the Sun. So

0:22:06.960 --> 0:22:09.919
<v Speaker 2>most of the time when you can't see the Moon

0:22:10.480 --> 0:22:14.920
<v Speaker 2>during the day, it's because the moon is behind you, right,

0:22:15.359 --> 0:22:17.840
<v Speaker 2>So the light that it's getting from the Sun is

0:22:17.880 --> 0:22:20.920
<v Speaker 2>behind you. Now, if the moon is closer to the Sun,

0:22:21.240 --> 0:22:24.040
<v Speaker 2>like depending on where the moon is in its lunar phase,

0:22:24.800 --> 0:22:27.399
<v Speaker 2>then you can look up and see the Sun and

0:22:27.440 --> 0:22:29.960
<v Speaker 2>the Moon at the same time. It's above the horizon.

0:22:30.080 --> 0:22:33.400
<v Speaker 2>In other words, Oh okay, so if the moon were

0:22:33.440 --> 0:22:35.920
<v Speaker 2>always visible above the horizon, you'd always be able to

0:22:35.920 --> 0:22:38.880
<v Speaker 2>see it during the day, gotcha. And it just has

0:22:38.920 --> 0:22:40.919
<v Speaker 2>to do with where it is in relation to the

0:22:40.960 --> 0:22:43.639
<v Speaker 2>Sun in the lunar phase. Does that make sense?

0:22:43.840 --> 0:22:44.159
<v Speaker 1>Yeah?

0:22:44.480 --> 0:22:47.679
<v Speaker 2>If it's just go watch that, don't be dumb on it.

0:22:47.760 --> 0:22:51.120
<v Speaker 1>Yeah, they call that a bonus, an impromptu bonus.

0:22:51.200 --> 0:22:51.760
<v Speaker 2>Yeah.

0:22:51.800 --> 0:22:53.960
<v Speaker 1>But the reason why the moon will look really huge

0:22:53.960 --> 0:22:56.120
<v Speaker 1>in the sky is because the same thing we're talking

0:22:56.119 --> 0:22:59.040
<v Speaker 1>about with the perspective, like the mountain is like when

0:22:59.040 --> 0:23:02.280
<v Speaker 1>you're low on the horizon, and it's gonna look enormous.

0:23:02.119 --> 0:23:06.600
<v Speaker 2>Right if there's a lot less stuff, Yeah, near close

0:23:06.680 --> 0:23:09.600
<v Speaker 2>to you, Yeah, it's gonna look very big.

0:23:09.880 --> 0:23:13.000
<v Speaker 1>Yeah. And when I went to Montana years ago. My

0:23:13.240 --> 0:23:16.639
<v Speaker 1>explanation I got because you step off the plane and

0:23:16.680 --> 0:23:19.880
<v Speaker 1>you think, wow, the sky does look bigger, Like what's

0:23:19.920 --> 0:23:21.760
<v Speaker 1>the deal? They call it Big Sky Country, and it

0:23:21.800 --> 0:23:24.280
<v Speaker 1>really does look bigger. And the explanation I got from

0:23:24.280 --> 0:23:27.440
<v Speaker 1>the locals, which it's because the clouds. So again it's

0:23:27.480 --> 0:23:28.520
<v Speaker 1>just a perspective trick.

0:23:29.080 --> 0:23:31.080
<v Speaker 2>So like the mountains are way over there.

0:23:31.240 --> 0:23:33.520
<v Speaker 1>I think it's just the clouds that they typically get

0:23:33.560 --> 0:23:36.800
<v Speaker 1>are the big, huge, puffy clouds.

0:23:37.119 --> 0:23:39.159
<v Speaker 2>But they look big in relation to the mountains in

0:23:39.200 --> 0:23:39.760
<v Speaker 2>the distance.

0:23:40.240 --> 0:23:42.200
<v Speaker 1>Yeah, I think that's the deal. So it makes the

0:23:42.240 --> 0:23:43.520
<v Speaker 1>sky appear to look larger.

0:23:43.840 --> 0:23:47.840
<v Speaker 2>Plus I imagine also there's fewer obstacles and obstructions, so

0:23:47.880 --> 0:23:50.640
<v Speaker 2>that it's just there's more sky to see and take

0:23:50.720 --> 0:23:52.000
<v Speaker 2>in just looking around, right.

0:23:52.119 --> 0:23:54.040
<v Speaker 1>Yeah. Yeah, Like when I lived in Yuma and you

0:23:54.080 --> 0:23:56.000
<v Speaker 1>go out in the desert and you can see like

0:23:56.600 --> 0:24:00.080
<v Speaker 1>one hundred and degrees from horizon to horizon, right, But

0:24:00.119 --> 0:24:04.160
<v Speaker 1>they don't have the cloud formations, So the sky looks

0:24:04.200 --> 0:24:05.920
<v Speaker 1>bigger in Montana than it does like in the middle

0:24:05.920 --> 0:24:08.159
<v Speaker 1>of the desert. Yeah, because most of the time in

0:24:08.200 --> 0:24:11.240
<v Speaker 1>the desert you're going to see that, you know, just blue,

0:24:11.320 --> 0:24:15.560
<v Speaker 1>nothing but blue. Yeah, so there's no perspective nice, you know,

0:24:15.800 --> 0:24:17.320
<v Speaker 1>like when you take a picture of something to sell

0:24:17.320 --> 0:24:20.040
<v Speaker 1>on eBay, you put your fist next to it so

0:24:20.080 --> 0:24:21.600
<v Speaker 1>people know how big it is.

0:24:21.600 --> 0:24:22.399
<v Speaker 2>Is that what people do?

0:24:23.080 --> 0:24:23.240
<v Speaker 1>Oh?

0:24:23.320 --> 0:24:26.080
<v Speaker 2>Sure, I've seen quarters and rulers. Never seen a fish.

0:24:26.800 --> 0:24:29.400
<v Speaker 1>Yeah, that's quarters and rulers. That's probably a better rule

0:24:29.400 --> 0:24:29.680
<v Speaker 1>of thumb.

0:24:29.720 --> 0:24:33.919
<v Speaker 2>Yeah right, Yeah, so, Chuck, I got a couple other things. Apparently,

0:24:34.440 --> 0:24:37.679
<v Speaker 2>when you look at a rainbow, it's not an even

0:24:37.760 --> 0:24:42.159
<v Speaker 2>division or an even representation of all the colors. You

0:24:42.200 --> 0:24:45.840
<v Speaker 2>see the most red, it's the most visible. Apparently, thirty

0:24:45.880 --> 0:24:48.879
<v Speaker 2>eight percent of a rainbow is red and green is

0:24:48.920 --> 0:24:55.240
<v Speaker 2>second at fifteen. Blue is the least with just eleven percent.

0:24:56.320 --> 0:24:56.920
<v Speaker 1>What is green?

0:24:57.359 --> 0:25:01.359
<v Speaker 2>Green is twenty two percent? Okay, twenty two percent of

0:25:01.520 --> 0:25:02.399
<v Speaker 2>rainbow green?

0:25:02.920 --> 0:25:05.199
<v Speaker 1>Interesting. I wonder what color blind we need to do

0:25:05.320 --> 0:25:09.200
<v Speaker 1>on color blindness. But it's I looked into the article

0:25:09.200 --> 0:25:12.440
<v Speaker 1>and it was just sort of started to melt my brain. Yeah,

0:25:12.480 --> 0:25:15.040
<v Speaker 1>like all this stuff. So I just said, no, put

0:25:15.040 --> 0:25:15.879
<v Speaker 1>that on the back burner.

0:25:15.920 --> 0:25:17.240
<v Speaker 2>I think you did a great job with this.

0:25:17.880 --> 0:25:20.399
<v Speaker 1>Well we'll see, I'm sure we'll get stuff wrong.

0:25:21.400 --> 0:25:25.600
<v Speaker 2>And lastly, the LGBT rainbow flag designed in nineteen seventy

0:25:25.640 --> 0:25:28.199
<v Speaker 2>eight by a guy named Gilbert Baker. Really and it

0:25:28.280 --> 0:25:30.680
<v Speaker 2>used to have eight. It had turquoise and hot pink

0:25:30.760 --> 0:25:33.600
<v Speaker 2>on it before. Yeah, but apparently they ran out of

0:25:33.640 --> 0:25:36.199
<v Speaker 2>fabric for hot pink because the things like started to

0:25:36.240 --> 0:25:39.399
<v Speaker 2>take off, so they discontinued that, and I think the

0:25:39.440 --> 0:25:42.119
<v Speaker 2>same went for the turquoise one. Too interesting, we just

0:25:42.160 --> 0:25:42.800
<v Speaker 2>went with six.

0:25:43.480 --> 0:25:49.000
<v Speaker 1>And now is it a it's a shining monument for establishments,

0:25:49.760 --> 0:25:52.520
<v Speaker 1>for people to say I want to go in there,

0:25:52.680 --> 0:25:54.320
<v Speaker 1>and some people to say I don't want to go

0:25:54.359 --> 0:25:56.560
<v Speaker 1>in there, sadly, right, you know.

0:25:56.800 --> 0:25:57.680
<v Speaker 2>Yeah.

0:25:57.880 --> 0:26:01.240
<v Speaker 1>We went to a gay bar in Philadelphia one afternoon,

0:26:03.119 --> 0:26:05.320
<v Speaker 1>and I say, by accident, not like it was a

0:26:05.320 --> 0:26:05.760
<v Speaker 1>big deal.

0:26:06.040 --> 0:26:07.000
<v Speaker 2>Was it the Blue Oyster?

0:26:07.480 --> 0:26:10.680
<v Speaker 1>No? No, And it was in the afternoon, so that

0:26:10.800 --> 0:26:12.480
<v Speaker 1>was just you know, you know how it is in

0:26:12.520 --> 0:26:15.600
<v Speaker 1>some bars in the afternoon. Yeah, like the the serious

0:26:15.600 --> 0:26:16.520
<v Speaker 1>regulars are in there.

0:26:16.640 --> 0:26:19.680
<v Speaker 2>Sure it doesn't matter gay, straight, whatever, and.

0:26:19.640 --> 0:26:21.479
<v Speaker 1>They were very cool guys, and they were like, uh,

0:26:21.720 --> 0:26:23.439
<v Speaker 1>and it was a big group of us, and I

0:26:23.480 --> 0:26:25.720
<v Speaker 1>think they were like, you know, you know you're in

0:26:25.760 --> 0:26:27.760
<v Speaker 1>a gay bar, right, And they were kind of pointing

0:26:27.800 --> 0:26:31.200
<v Speaker 1>that out. And I was like, oh, well, great, serve

0:26:31.280 --> 0:26:34.160
<v Speaker 1>me a bloody Mary then, right exactly, Like I didn't

0:26:34.160 --> 0:26:35.760
<v Speaker 1>know if he thought we were. I think he knew

0:26:35.760 --> 0:26:38.520
<v Speaker 1>where from out of town. Sure, so he was just

0:26:38.560 --> 0:26:41.720
<v Speaker 1>a letter yeah, yeah, like he didn't want any trouble.

0:26:42.680 --> 0:26:43.919
<v Speaker 2>Oh gotcha, you know.

0:26:44.840 --> 0:26:46.560
<v Speaker 1>I was like, we're not like that, my friend.

0:26:46.880 --> 0:26:47.320
<v Speaker 2>That's good.

0:26:47.400 --> 0:26:48.360
<v Speaker 1>Just a happy accident.

0:26:48.480 --> 0:26:51.760
<v Speaker 2>Does a good ending to the rainbow episode. Yeah. Uh.

0:26:51.880 --> 0:26:53.960
<v Speaker 2>If you want to know more about rainbows, go check

0:26:53.960 --> 0:26:57.600
<v Speaker 2>out our article on the site rainbows. Just type that

0:26:57.640 --> 0:26:59.760
<v Speaker 2>word into how stuff works. Go check out that Slate

0:27:00.400 --> 0:27:03.400
<v Speaker 2>and Scientific American in the Atlantic. Some good stuff out there.

0:27:04.280 --> 0:27:07.040
<v Speaker 2>And I said search bar. I think in there somewhere,

0:27:07.080 --> 0:27:08.560
<v Speaker 2>which means it is time for listener mail.

0:27:11.880 --> 0:27:17.760
<v Speaker 1>That's right. I'm gonna call this Pliny the Beer and

0:27:17.840 --> 0:27:24.080
<v Speaker 1>this is from Cory and I think Corey's in San Francisco. Hey, guys,

0:27:24.080 --> 0:27:27.119
<v Speaker 1>love the podcast. I was listening to Cinnamon today and

0:27:27.160 --> 0:27:29.960
<v Speaker 1>there was an exchange about Pliny and a comment that

0:27:30.000 --> 0:27:33.159
<v Speaker 1>there was one and only. I think anyone in the

0:27:33.160 --> 0:27:35.959
<v Speaker 1>Bay Area would know that there are two Pliny's, the

0:27:36.000 --> 0:27:39.240
<v Speaker 1>Elder and the Younger. That's because one of our local

0:27:39.240 --> 0:27:41.600
<v Speaker 1>breweries has a beer called Pliny the Elder, which is

0:27:41.640 --> 0:27:45.040
<v Speaker 1>known by beer ficionados as one of the best beers

0:27:45.280 --> 0:27:48.360
<v Speaker 1>out there. In fact, it sells out weekly from local groceries.

0:27:48.400 --> 0:27:52.000
<v Speaker 1>They also make a Pliny the Younger, which only comes

0:27:52.000 --> 0:27:55.080
<v Speaker 1>out for two weeks a year, and people wait in

0:27:55.119 --> 0:27:57.960
<v Speaker 1>line for hours just to get a pint. And there

0:27:58.040 --> 0:28:00.800
<v Speaker 1>is also a real historical Pliny the Elder and Planty

0:28:00.840 --> 0:28:02.320
<v Speaker 1>the Younger, who was his nephew.

0:28:03.119 --> 0:28:05.000
<v Speaker 2>I didn't realize it was his nephew, and.

0:28:04.920 --> 0:28:07.360
<v Speaker 1>That is from Corey. And I did look it up

0:28:07.440 --> 0:28:10.199
<v Speaker 1>because the two weeks thing, I did not believe it,

0:28:10.240 --> 0:28:11.760
<v Speaker 1>but I just, you know, sometimes you want to see

0:28:11.760 --> 0:28:14.320
<v Speaker 1>it with your own eyes, huh. And yeah, Pliny the

0:28:14.359 --> 0:28:15.960
<v Speaker 1>Younger is a triple IPA.

0:28:17.080 --> 0:28:18.800
<v Speaker 2>Oh well, that sounds awesome.

0:28:18.720 --> 0:28:22.919
<v Speaker 1>Named for the nephew and adopted son evidently, and it

0:28:23.000 --> 0:28:26.160
<v Speaker 1>is pub draft only. They don't even bottle it, very

0:28:26.200 --> 0:28:31.000
<v Speaker 1>limited distribution locally and it's seasonal, so for just two

0:28:31.000 --> 0:28:36.000
<v Speaker 1>weeks a year in February at the Bay of Bengal.

0:28:36.320 --> 0:28:38.480
<v Speaker 1>You can get it in a bar, I guess in

0:28:38.520 --> 0:28:41.920
<v Speaker 1>San Francisco. Nice and it is a ten point twenty

0:28:42.000 --> 0:28:49.240
<v Speaker 1>five percenter Wow, Yeah, as opposed to eight for the Elder.

0:28:50.360 --> 0:28:51.640
<v Speaker 2>And they're both IPAs.

0:28:52.120 --> 0:28:54.840
<v Speaker 1>Yeah, one's the double and the triple, so that's a

0:28:54.880 --> 0:28:57.000
<v Speaker 1>live Yeah, and you can get to planey the Elder

0:28:57.000 --> 0:29:00.400
<v Speaker 1>and the bottles. It's not quite as exclusive to try

0:29:00.440 --> 0:29:03.440
<v Speaker 1>that on our tour. Yeah, I guess only the Elder

0:29:03.640 --> 0:29:04.760
<v Speaker 1>and yes, someone.

0:29:04.880 --> 0:29:06.840
<v Speaker 2>Unless we luck out and happen to be there during

0:29:06.880 --> 0:29:08.040
<v Speaker 2>that two week period. Huh.

0:29:08.080 --> 0:29:10.640
<v Speaker 1>Well, no, it's in February always that what you said.

0:29:10.800 --> 0:29:13.360
<v Speaker 1>But if there's a bar out there that maybe wanted

0:29:13.400 --> 0:29:14.640
<v Speaker 1>to just say we're out.

0:29:14.360 --> 0:29:16.440
<v Speaker 2>Pint, put it under the bar, save it for a

0:29:16.480 --> 0:29:17.680
<v Speaker 2>month for us, we'll be there.

0:29:17.760 --> 0:29:18.920
<v Speaker 1>I don't think that's going to happen.

0:29:19.600 --> 0:29:23.080
<v Speaker 2>If you want to correct us after we get something

0:29:23.200 --> 0:29:26.280
<v Speaker 2>flagrantly wrong, like we did with the whole plainy thing,

0:29:27.040 --> 0:29:30.240
<v Speaker 2>you can tweet to us at sysk podcast. You can

0:29:30.240 --> 0:29:32.560
<v Speaker 2>post it on Facebook dot com slash stuff you should know.

0:29:32.840 --> 0:29:35.320
<v Speaker 2>You can send us an email to Stuff Podcast at

0:29:35.320 --> 0:29:38.400
<v Speaker 2>HowStuffWorks dot com, and as always, joined us at our

0:29:38.400 --> 0:29:44.240
<v Speaker 2>home on the web, Stuff Youshould Know dot Com. Stuff

0:29:44.240 --> 0:29:46.240
<v Speaker 2>you Should Know is a production of iHeartRadio.

0:29:46.720 --> 0:29:49.920
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0:29:50.120 --> 0:29:53.040
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