1 00:00:04,519 --> 00:00:06,720 Speaker 1: So yeah, I mean, I don't have an exact date 2 00:00:06,800 --> 00:00:08,760 Speaker 1: on it, but it was at this point. 3 00:00:08,920 --> 00:00:10,600 Speaker 2: It was definitely post harvest. 4 00:00:10,800 --> 00:00:13,960 Speaker 3: Springing forward has like completely messed me up with that. 5 00:00:14,320 --> 00:00:18,200 Speaker 1: Yeah, but it's like it was. It was around that time. 6 00:00:18,280 --> 00:00:20,680 Speaker 1: And so I, you know, I backed my ox up 7 00:00:20,680 --> 00:00:23,520 Speaker 1: into the cart and I start loading the cart up 8 00:00:23,560 --> 00:00:25,920 Speaker 1: with everything that my family and I had sort of 9 00:00:27,760 --> 00:00:32,080 Speaker 1: grown and made all winter long. The birch brooms that 10 00:00:32,120 --> 00:00:35,879 Speaker 1: my son had carved with a barlow knife, the flax 11 00:00:35,960 --> 00:00:40,080 Speaker 1: that my wife had spun on the spinning wheel into linen, 12 00:00:41,120 --> 00:00:43,800 Speaker 1: the potatoes. But first, of course, I sorted out potatoes 13 00:00:43,920 --> 00:00:45,680 Speaker 1: enough to last me the winter and to seed the 14 00:00:45,720 --> 00:00:48,720 Speaker 1: following spring. And then I walked at my ox's head 15 00:00:48,760 --> 00:00:51,720 Speaker 1: for ten days until I'd reached Portsmouth and Portsmouth Market, 16 00:00:52,560 --> 00:00:54,880 Speaker 1: and there I pedaled my wares and sold until my 17 00:00:54,920 --> 00:00:58,600 Speaker 1: pockets were fat with coins. Went to the market to 18 00:00:58,640 --> 00:01:01,640 Speaker 1: purchase items for my family so that we could better 19 00:01:01,640 --> 00:01:03,840 Speaker 1: prepare ourselves for the following market year. 20 00:01:05,120 --> 00:01:05,560 Speaker 4: Uh. 21 00:01:05,600 --> 00:01:06,639 Speaker 3: And I got and. 22 00:01:06,520 --> 00:01:09,280 Speaker 1: You know this obviously, Hayes, but I got an embroidery 23 00:01:09,319 --> 00:01:11,520 Speaker 1: needle that had sailed over on a ship from England. 24 00:01:12,600 --> 00:01:13,880 Speaker 3: Mm hm. 25 00:01:13,959 --> 00:01:16,280 Speaker 2: Of course I got another Barlow knew from my son. 26 00:01:16,440 --> 00:01:20,679 Speaker 3: Yeah, so that was my suggestion, because what I wanted 27 00:01:20,680 --> 00:01:26,960 Speaker 3: to tell your son about that other knife? Yeah, bitch, 28 00:01:27,120 --> 00:01:28,399 Speaker 3: that's not a barrow knife. 29 00:01:28,760 --> 00:01:32,080 Speaker 1: Well, yes, and it truly was a neighbor's bar kitchen 30 00:01:32,880 --> 00:01:35,720 Speaker 1: bar very low knife. Yeah, the bar was a little 31 00:01:35,760 --> 00:01:37,640 Speaker 1: too low because it was a borrowed kitchen knife from 32 00:01:37,640 --> 00:01:40,240 Speaker 1: the neighbors. I got him an actual barlow knife. He 33 00:01:40,280 --> 00:01:42,800 Speaker 1: had been polite about it, but he knew the difference. 34 00:01:42,840 --> 00:01:45,000 Speaker 1: And you know, I sold the ox. I kissed him 35 00:01:45,000 --> 00:01:47,360 Speaker 1: on a soft pink nose, and I bid him ado. 36 00:01:47,480 --> 00:01:51,080 Speaker 1: I walked home with the kettle and uh two pounds 37 00:01:51,080 --> 00:01:53,360 Speaker 1: of peppermint candies for us to enjoy after meals. 38 00:01:54,240 --> 00:01:58,760 Speaker 3: Boy. Yeah, so anyway, that was kind of my week. 39 00:01:59,200 --> 00:02:03,320 Speaker 1: Uh, I don't know, like what you know, I guess, yeah, 40 00:02:03,360 --> 00:02:04,680 Speaker 1: I guess that was again. 41 00:02:04,680 --> 00:02:05,920 Speaker 2: I didn't want to put a date on it. 42 00:02:05,960 --> 00:02:08,840 Speaker 1: I want to say that was last Sunday because it 43 00:02:08,880 --> 00:02:10,680 Speaker 1: was post harvest. 44 00:02:11,000 --> 00:02:17,080 Speaker 3: Hey, welcome to Hollywood, picking bud and dropping names, Stu, 45 00:02:18,320 --> 00:02:22,640 Speaker 3: what's up? I'm in here, Stut, you're here. You're in here. 46 00:02:22,720 --> 00:02:27,400 Speaker 2: You're here with Kevin with me? You please do me 47 00:02:27,600 --> 00:02:28,880 Speaker 2: the my ox cart man. 48 00:02:30,800 --> 00:02:33,639 Speaker 3: Hi music, talk about it. Music. 49 00:02:33,880 --> 00:02:39,120 Speaker 5: That's that's my jam. I'm the music guy. My name's Stu. 50 00:02:39,240 --> 00:02:41,280 Speaker 4: I don't know what a ballow knife is, but. 51 00:02:41,880 --> 00:02:45,359 Speaker 1: I do either did my son, luckily, but he could 52 00:02:45,440 --> 00:02:48,400 Speaker 1: tell that I was. I had given him something that 53 00:02:48,560 --> 00:02:50,840 Speaker 1: was you know, that was substandard? 54 00:02:51,960 --> 00:02:55,840 Speaker 3: Very good, nice Stewart mackenzie. 55 00:02:56,760 --> 00:02:57,120 Speaker 4: That's me. 56 00:02:57,680 --> 00:03:00,000 Speaker 2: Did you have any other questions? Allow knife? 57 00:03:00,120 --> 00:03:00,200 Speaker 6: No? 58 00:03:00,320 --> 00:03:00,640 Speaker 3: Go ahead? 59 00:03:00,720 --> 00:03:01,320 Speaker 4: No go ahead? 60 00:03:01,520 --> 00:03:03,040 Speaker 2: Did you have any other questions? 61 00:03:04,800 --> 00:03:05,200 Speaker 4: I don't. 62 00:03:05,400 --> 00:03:12,400 Speaker 5: I mean I was getting quite confused about the story. Yeah, 63 00:03:12,480 --> 00:03:15,400 Speaker 5: get getting quack confused by the story. But I enjoyed. 64 00:03:15,639 --> 00:03:19,200 Speaker 5: I enjoyed it. I was thinking about baller knife mostly, 65 00:03:19,680 --> 00:03:21,800 Speaker 5: and I got a little bit stuck on that mentally. 66 00:03:22,000 --> 00:03:24,680 Speaker 1: But uh, it's It's a cycle, isn't it. I mean, 67 00:03:24,720 --> 00:03:26,840 Speaker 1: I mean, all these things we do aren't Aren't they 68 00:03:26,880 --> 00:03:31,680 Speaker 1: just cycles? They repeat, they self fulfill. Yes, we we 69 00:03:31,720 --> 00:03:34,680 Speaker 1: tap the maple trees in winter and boil and boil 70 00:03:34,760 --> 00:03:37,000 Speaker 1: the sap down until we have maple sugar. 71 00:03:37,080 --> 00:03:37,880 Speaker 3: And then what do we. 72 00:03:37,840 --> 00:03:39,040 Speaker 2: Do the following winter. 73 00:03:40,600 --> 00:03:42,520 Speaker 3: That it boil it? 74 00:03:42,800 --> 00:03:45,320 Speaker 1: Well, no, we don't eat it, stew We sell a 75 00:03:45,360 --> 00:03:48,960 Speaker 1: Portsmouth market. It doesn't matter, it honestly doesn't matter. Dude, 76 00:03:49,920 --> 00:03:54,680 Speaker 1: I'm so fucking pumped you're here. Kevin is also pumped. Kevin, 77 00:03:54,720 --> 00:03:56,600 Speaker 1: do you want to take a beat, just a moment 78 00:03:56,680 --> 00:03:59,000 Speaker 1: to have for yourself, to just talk about what this 79 00:03:59,120 --> 00:03:59,560 Speaker 1: means to you. 80 00:03:59,760 --> 00:04:03,440 Speaker 3: He was really scared before you came on, Stu. He 81 00:04:03,480 --> 00:04:07,560 Speaker 3: was really nervous. It was not funny. It was not funny. 82 00:04:07,600 --> 00:04:11,920 Speaker 3: He was like really like, he was like really sick. Yeah, 83 00:04:12,040 --> 00:04:12,920 Speaker 3: he was ill. 84 00:04:13,640 --> 00:04:17,160 Speaker 7: Yeah, what's up, Stu? I'm a chef, Kevin. I produced 85 00:04:17,160 --> 00:04:20,839 Speaker 7: a pod, big fan of your tunes. You guys rock, And. 86 00:04:21,240 --> 00:04:24,640 Speaker 3: He's been talking like this, like I think in preparation 87 00:04:24,880 --> 00:04:29,240 Speaker 3: for a little while, and I don't This is actually 88 00:04:29,279 --> 00:04:32,080 Speaker 3: not how he wanted to be talking like it was. 89 00:04:32,600 --> 00:04:34,800 Speaker 3: He was doing an even more intense version of this. 90 00:04:34,920 --> 00:04:36,560 Speaker 3: Do you want to like take it? Agot do it? 91 00:04:36,560 --> 00:04:39,279 Speaker 3: How you were really gonna do it? Kevin? What's up, Stu? 92 00:04:40,360 --> 00:04:44,200 Speaker 4: What's up? I love pretty good? 93 00:04:45,600 --> 00:04:46,960 Speaker 7: Thanks for doing the show, dude. 94 00:04:47,000 --> 00:04:47,960 Speaker 3: We'll say pretty good? 95 00:04:48,680 --> 00:04:50,880 Speaker 2: Did you say pretty good? After he said I love you. 96 00:04:52,480 --> 00:04:57,080 Speaker 7: Pretty good? Pretty good? Thanks for being here. I love 97 00:04:57,120 --> 00:04:59,960 Speaker 7: you too, And uh yeah, we're gonna have some fun today. 98 00:05:00,040 --> 00:05:02,560 Speaker 7: It's gonna rock and you'll probably never forget this. 99 00:05:03,839 --> 00:05:11,800 Speaker 3: Perfect Stu is the main guy, King Gizzard and the 100 00:05:11,880 --> 00:05:15,320 Speaker 3: Lizard Wizard. You don't like to use the mershmallow on 101 00:05:15,360 --> 00:05:22,480 Speaker 3: your mic either, do you? Mm hmm marshmellow, the black marshmallow. 102 00:05:24,040 --> 00:05:26,880 Speaker 2: Like my mic it's got this mershmallow on it. 103 00:05:29,920 --> 00:05:31,160 Speaker 4: I call that a sob nude. 104 00:05:31,800 --> 00:05:32,160 Speaker 3: You got it? 105 00:05:32,360 --> 00:05:32,480 Speaker 1: Uh? 106 00:05:33,200 --> 00:05:34,240 Speaker 4: Yeah, I don't. I don't know. 107 00:05:34,279 --> 00:05:37,359 Speaker 5: I've never I like spend my whole fucking left in 108 00:05:37,360 --> 00:05:39,560 Speaker 5: front of a microphone, but I don't use one of them. 109 00:05:39,600 --> 00:05:42,320 Speaker 3: Sucks us too. I felt like it was I I 110 00:05:42,480 --> 00:05:43,880 Speaker 3: removed it. 111 00:05:43,920 --> 00:05:45,919 Speaker 4: Is it like a pop filter thing? What is it for? 112 00:05:47,240 --> 00:05:51,040 Speaker 3: I felt like it was capturing and filtering out some 113 00:05:51,120 --> 00:05:51,960 Speaker 3: of my best ship. 114 00:05:53,360 --> 00:05:56,080 Speaker 1: Yeah, just an extra layer between you and your audience. 115 00:05:56,240 --> 00:06:00,320 Speaker 1: I need that because when I come in complete. 116 00:06:02,080 --> 00:06:02,560 Speaker 3: Intense. 117 00:06:03,040 --> 00:06:06,360 Speaker 1: Yeah, I did one without the sock as you call 118 00:06:06,400 --> 00:06:08,560 Speaker 1: it on there, and it was like a sock in 119 00:06:08,600 --> 00:06:11,000 Speaker 1: the fucking face for anyone who listened to it, man, 120 00:06:11,080 --> 00:06:13,760 Speaker 1: because it was it was so powerful some of what 121 00:06:13,839 --> 00:06:14,640 Speaker 1: I was laying down. 122 00:06:16,000 --> 00:06:19,200 Speaker 8: So we need an extra wear for mine. But Hayes 123 00:06:19,279 --> 00:06:21,240 Speaker 8: gives it straight up. And I'm happy to see you 124 00:06:21,360 --> 00:06:25,720 Speaker 8: raw dogging as well. Talk a little bit about King 125 00:06:25,720 --> 00:06:28,760 Speaker 8: Gizzard and what it means to you, Uh, why it 126 00:06:28,960 --> 00:06:33,960 Speaker 8: is called that? And what you're excited about this year? 127 00:06:34,680 --> 00:06:34,840 Speaker 4: King? 128 00:06:35,040 --> 00:06:37,320 Speaker 5: Is it hiss bend? Well, you know it's it's all 129 00:06:37,360 --> 00:06:43,159 Speaker 5: we do is just to do music. Man, Like, yeah, man, 130 00:06:43,200 --> 00:06:45,599 Speaker 5: we're just a band. We just we just like get 131 00:06:45,640 --> 00:06:51,400 Speaker 5: together and and you know when you kind of think 132 00:06:51,440 --> 00:06:53,919 Speaker 5: about what a band is, where that we just we 133 00:06:54,040 --> 00:06:56,400 Speaker 5: just to play heaps of shows, try to record heaps 134 00:06:56,440 --> 00:06:59,279 Speaker 5: of music and just live our lives and be free. 135 00:06:59,640 --> 00:07:02,560 Speaker 1: Picture a band, make it a little hipper, And now 136 00:07:02,560 --> 00:07:04,440 Speaker 1: a sudden you're picturing what that is. 137 00:07:05,320 --> 00:07:08,200 Speaker 2: So yep, that's fucking dope, dude. 138 00:07:08,279 --> 00:07:08,760 Speaker 3: I love that. 139 00:07:08,839 --> 00:07:12,280 Speaker 1: It's like, whatever, man, why you gotta make me try 140 00:07:12,320 --> 00:07:13,160 Speaker 1: to explain it? 141 00:07:13,360 --> 00:07:13,880 Speaker 3: Fuck off? 142 00:07:14,320 --> 00:07:15,440 Speaker 2: I love that energy. 143 00:07:15,520 --> 00:07:16,400 Speaker 3: I'm not pissed. 144 00:07:16,880 --> 00:07:20,560 Speaker 2: So we want to talk about a couple things. 145 00:07:20,600 --> 00:07:24,280 Speaker 1: One is, obviously, you know, we called Kevin in a 146 00:07:24,360 --> 00:07:28,240 Speaker 1: panic last night. Obviously it was Hollywoods biggest night. We 147 00:07:28,320 --> 00:07:32,040 Speaker 1: are Hollywood Handbook. We said, we need a guest who 148 00:07:32,080 --> 00:07:35,400 Speaker 1: can help sort through the noise and make sense of 149 00:07:36,560 --> 00:07:41,680 Speaker 1: a senseless act. What happened was traumatizing for some funny 150 00:07:41,800 --> 00:07:45,080 Speaker 1: to others. I'm not sure who's on the right side. 151 00:07:45,120 --> 00:07:45,640 Speaker 3: Of any of this. 152 00:07:45,840 --> 00:07:52,280 Speaker 1: But at the Oscar ceremony movie man Will Smith did 153 00:07:53,240 --> 00:07:59,320 Speaker 1: slap funny man Christopher Rock and we all looked on 154 00:07:59,640 --> 00:08:04,680 Speaker 1: jaw is a gape. Kevin promised that he would find 155 00:08:04,720 --> 00:08:08,960 Speaker 1: the exact right person to give us the definitive take 156 00:08:09,400 --> 00:08:15,120 Speaker 1: on what has been a very thorny event, to parse. 157 00:08:16,120 --> 00:08:20,520 Speaker 3: Big moment for us for our show. These are issues 158 00:08:21,400 --> 00:08:27,280 Speaker 3: that we have explored on this program in the past. Movies, 159 00:08:28,880 --> 00:08:31,720 Speaker 3: wife wife, hair. 160 00:08:31,960 --> 00:08:34,600 Speaker 1: Being a wife, guy, having a wife's name in your mouth. 161 00:08:34,679 --> 00:08:37,439 Speaker 1: This is stuff we talk about file every week. 162 00:08:39,440 --> 00:08:45,320 Speaker 3: Race. Almost all of these issues are this show has 163 00:08:45,480 --> 00:08:46,800 Speaker 3: talked about at length. 164 00:08:47,240 --> 00:08:49,640 Speaker 1: And this is a moment when all eyes will be 165 00:08:49,840 --> 00:08:52,320 Speaker 1: on this show like it's all Hollywood Handbook. 166 00:08:52,360 --> 00:08:53,480 Speaker 2: It's Hollywood's biggest night. 167 00:08:53,520 --> 00:08:57,280 Speaker 3: So this is when we had every every night, especially lately, 168 00:08:57,360 --> 00:09:01,040 Speaker 3: that is everyone talking about Hollywood. Of course, this episode 169 00:09:01,040 --> 00:09:05,200 Speaker 3: will come out or one week in two days after 170 00:09:05,280 --> 00:09:11,040 Speaker 3: the fact, so as we're delivering the take, I know 171 00:09:11,400 --> 00:09:14,160 Speaker 3: like you've you've had a data process at which like 172 00:09:14,360 --> 00:09:17,960 Speaker 3: you're still we need one that is going to be 173 00:09:18,080 --> 00:09:23,280 Speaker 3: like timely for gotta keep. 174 00:09:23,360 --> 00:09:26,760 Speaker 2: Bear in mind the takes got to keep can't go bad. 175 00:09:27,440 --> 00:09:30,800 Speaker 1: So talk about why you're the right person to do 176 00:09:30,840 --> 00:09:33,920 Speaker 1: this for us and then just lay it on my brother. 177 00:09:34,559 --> 00:09:37,200 Speaker 5: I'm I'm the right person because I'm exactly the wrong person. 178 00:09:37,480 --> 00:09:41,959 Speaker 5: I mean, firstly, I'm like, I'm like an Australian guy 179 00:09:42,440 --> 00:09:43,319 Speaker 5: from Melbourne. 180 00:09:43,400 --> 00:09:45,160 Speaker 4: Like I actually don't. 181 00:09:45,040 --> 00:09:46,240 Speaker 3: Really why is Melbourne. 182 00:09:47,320 --> 00:09:48,160 Speaker 4: I don't really give. 183 00:09:48,000 --> 00:09:52,400 Speaker 5: A fuck about the ceremony really, I mean I don't 184 00:09:52,440 --> 00:09:55,880 Speaker 5: even watch like the Grammys. I kind of think it's dumb, 185 00:09:56,400 --> 00:10:01,440 Speaker 5: but you watch, like, Okay, yeah, everyone in the whole world. 186 00:10:01,800 --> 00:10:03,960 Speaker 5: Everyone in the whole world saw the little Smiths thing. 187 00:10:04,040 --> 00:10:05,319 Speaker 5: So I'm I'm unclued. 188 00:10:05,400 --> 00:10:07,440 Speaker 1: Well, can I say you being from Australia makes you 189 00:10:07,440 --> 00:10:11,160 Speaker 1: the perfect person because you guys got the unedited feed mm. 190 00:10:11,040 --> 00:10:14,120 Speaker 3: Hm oh yeah over here over here it was bleaked. 191 00:10:14,280 --> 00:10:15,760 Speaker 2: I had to watch Australia. 192 00:10:16,880 --> 00:10:17,280 Speaker 3: Really. 193 00:10:18,000 --> 00:10:21,640 Speaker 2: Yeah, but hey, has that a question about Melbourne? 194 00:10:22,320 --> 00:10:25,520 Speaker 3: Yeah? Why you mentioned I'm an Australian guy like from Melbourne? 195 00:10:25,640 --> 00:10:28,480 Speaker 3: What like helped me with? Why that makes you extra 196 00:10:28,600 --> 00:10:31,880 Speaker 3: bad to talk about. 197 00:10:31,559 --> 00:10:34,080 Speaker 4: This because Melbourne's just like. 198 00:10:35,480 --> 00:10:38,560 Speaker 5: It's like this like city where the weather's not really bad, 199 00:10:38,720 --> 00:10:40,679 Speaker 5: no one really does anything, and that's why you make 200 00:10:40,760 --> 00:10:44,199 Speaker 5: music and and like no one is really clued into 201 00:10:44,280 --> 00:10:46,280 Speaker 5: any of that sort of stuff. We just live in 202 00:10:46,280 --> 00:10:49,720 Speaker 5: a little isolated bubble away from the rest of the world. 203 00:10:50,520 --> 00:10:54,000 Speaker 3: And you watch the Grammys and and you I about it, 204 00:10:54,000 --> 00:10:55,240 Speaker 3: and you say you don't watch. 205 00:10:55,440 --> 00:11:00,560 Speaker 6: Ah yeah, no, yeah, yeah Melbourne, Yeah, hypical. 206 00:11:01,120 --> 00:11:05,520 Speaker 3: We all watch the Grammys. Let's like we can admit this. Now, 207 00:11:05,640 --> 00:11:09,000 Speaker 3: lift the veil. And people say, like the ratings are 208 00:11:09,559 --> 00:11:11,560 Speaker 3: and the toilet on the Grammys because so many people 209 00:11:11,600 --> 00:11:12,880 Speaker 3: are lying, And they say. 210 00:11:12,679 --> 00:11:14,439 Speaker 2: Because everyone says they didn't watch it. 211 00:11:15,120 --> 00:11:17,280 Speaker 3: That's what's so fun with me? Is good where You're 212 00:11:17,320 --> 00:11:18,360 Speaker 3: gonna lose. 213 00:11:18,080 --> 00:11:21,360 Speaker 1: The Grammys if you keep up this charade, because if 214 00:11:21,360 --> 00:11:24,080 Speaker 1: you keep pretending not to watch it, they'll think no 215 00:11:24,160 --> 00:11:26,040 Speaker 1: one watches with Like, the. 216 00:11:26,080 --> 00:11:27,960 Speaker 2: Grammys are awesome to watch. 217 00:11:29,240 --> 00:11:32,120 Speaker 3: It's so fun. You're kidding me. 218 00:11:32,520 --> 00:11:35,280 Speaker 1: All these artists coming together to put on a show 219 00:11:35,320 --> 00:11:40,760 Speaker 1: and celebrate one another's work. It's the purest thing the 220 00:11:40,920 --> 00:11:45,000 Speaker 1: industry has at this point. I don't know, man, I 221 00:11:45,080 --> 00:11:48,800 Speaker 1: get worked up, but you were gonna give us so 222 00:11:48,880 --> 00:11:51,319 Speaker 1: you've told us why you're the right person, because you're 223 00:11:51,360 --> 00:11:56,079 Speaker 1: the wrong person, cheeky, uh So, how should I feel? 224 00:11:56,400 --> 00:11:57,640 Speaker 3: We are gonna need the take? 225 00:11:58,080 --> 00:11:59,079 Speaker 2: The take itself. 226 00:12:00,520 --> 00:12:03,920 Speaker 5: Yeah, it's it's it's complicated, which is why it's good. 227 00:12:04,679 --> 00:12:07,120 Speaker 5: We should do some we should do some questions about 228 00:12:07,200 --> 00:12:10,319 Speaker 5: the austral the Australian Aria. 229 00:12:10,040 --> 00:12:12,160 Speaker 3: Awards, the ARIA Awards. 230 00:12:12,520 --> 00:12:14,040 Speaker 4: Yeah, we should do some questions about that. 231 00:12:14,600 --> 00:12:18,400 Speaker 2: All right, let's do it. Question number one for you? 232 00:12:20,920 --> 00:12:22,760 Speaker 4: Yes, I got you. 233 00:12:22,800 --> 00:12:28,120 Speaker 5: No, but anyway, Will Smith, Chris Rock, I don't know 234 00:12:28,360 --> 00:12:33,000 Speaker 5: Chris rock Is. He probably did tell like probably fairly 235 00:12:33,080 --> 00:12:35,160 Speaker 5: poor taste joke, but he's also a comedian. 236 00:12:35,200 --> 00:12:35,920 Speaker 4: It's Chris Rock. 237 00:12:36,160 --> 00:12:38,280 Speaker 5: I mean maybe maybe isn't it kind of your job 238 00:12:38,320 --> 00:12:40,360 Speaker 5: a little bit to do to kind of do that 239 00:12:40,440 --> 00:12:44,440 Speaker 5: when you're doing the speech, probably poor taste, Like let's 240 00:12:44,440 --> 00:12:46,760 Speaker 5: say it's poor taste joke. Right, I'm down with that. 241 00:12:46,840 --> 00:12:48,600 Speaker 5: I pay that poor taste. 242 00:12:48,520 --> 00:12:49,600 Speaker 3: Keep going, keep going. 243 00:12:49,800 --> 00:12:55,160 Speaker 5: Maybe maybe maybe yeah, maybe not, maybe not. Maybe we 244 00:12:55,200 --> 00:12:59,440 Speaker 5: don't go for maybe we don't assault someone. Maybe maybe 245 00:12:59,520 --> 00:13:02,320 Speaker 5: that's probably not not a not a great idea. 246 00:13:02,960 --> 00:13:06,480 Speaker 4: Let's double and then and then let's just let's just 247 00:13:06,640 --> 00:13:07,400 Speaker 4: like leave it at that. 248 00:13:08,200 --> 00:13:11,760 Speaker 3: No, nope, nope, nope, I was with you until you 249 00:13:11,760 --> 00:13:12,440 Speaker 3: said leave it at that. 250 00:13:12,559 --> 00:13:15,120 Speaker 2: We got to keep going and everything else was good. 251 00:13:15,360 --> 00:13:17,760 Speaker 1: Maybe we don'twn assault let's say it was a poor 252 00:13:17,880 --> 00:13:20,880 Speaker 1: taste joke. He's coming down hard on their he wanted 253 00:13:20,920 --> 00:13:21,560 Speaker 1: to deal with. 254 00:13:22,080 --> 00:13:26,520 Speaker 5: It's quite like gross, like like matro, I need to 255 00:13:27,080 --> 00:13:29,959 Speaker 5: I need to like protect my family with violence. Is 256 00:13:30,440 --> 00:13:33,839 Speaker 5: gross to me and makes me feel sick. It actually 257 00:13:33,840 --> 00:13:36,080 Speaker 5: makes me feel sick, and I don't like it. That's 258 00:13:36,200 --> 00:13:38,480 Speaker 5: the honest take. That's not like a joke, I start, 259 00:13:38,559 --> 00:13:42,679 Speaker 5: honest take. But but but also you know it isn't 260 00:13:42,720 --> 00:13:45,480 Speaker 5: as simple as that, of course, so let's let's not 261 00:13:45,679 --> 00:13:49,880 Speaker 5: let's not simplify it to to to only that. But 262 00:13:49,880 --> 00:13:53,440 Speaker 5: but you know that's what wornest. Can words be yeah, 263 00:13:53,960 --> 00:13:56,599 Speaker 5: fu fuck yeah they can, of course they can, and words. 264 00:13:56,320 --> 00:13:57,240 Speaker 9: Can be violence as well. 265 00:13:58,000 --> 00:14:03,040 Speaker 3: I agree with you. Still the very concept makes me sick. 266 00:14:03,559 --> 00:14:08,080 Speaker 3: My family is very aware that if somebody comes from 267 00:14:08,120 --> 00:14:11,040 Speaker 3: my wife, I will be throwing up. That will be 268 00:14:11,120 --> 00:14:17,520 Speaker 3: the first and last thing that I do in response 269 00:14:18,480 --> 00:14:19,600 Speaker 3: violently Step one. 270 00:14:19,920 --> 00:14:23,480 Speaker 1: Step one is also the final step in my plan, 271 00:14:23,680 --> 00:14:30,160 Speaker 1: which is if you insult my wife on any level, 272 00:14:31,040 --> 00:14:35,480 Speaker 1: but especially something that is pretty out of bounds, I'll 273 00:14:35,480 --> 00:14:39,680 Speaker 1: be throwing up. I'll be throwing up quite a bit. STU, 274 00:14:40,840 --> 00:14:42,200 Speaker 1: when's the last time you threw up? 275 00:14:42,240 --> 00:14:46,080 Speaker 4: Stu. Yeah, it's part of my person. 276 00:14:46,600 --> 00:14:50,240 Speaker 3: You don't have to be cool for us. M. Have 277 00:14:50,360 --> 00:14:51,240 Speaker 3: you never thrown up? 278 00:14:52,760 --> 00:14:54,520 Speaker 1: You could admit that you don't know what it feels 279 00:14:54,560 --> 00:14:57,440 Speaker 1: like to throw up. Man, I don't think it's bad 280 00:14:57,520 --> 00:15:00,520 Speaker 1: ass that I do it so often. I actually see 281 00:15:00,600 --> 00:15:03,920 Speaker 1: it as almost a weakness in a way, even though 282 00:15:03,960 --> 00:15:06,400 Speaker 1: people like it that I do it. 283 00:15:07,040 --> 00:15:09,960 Speaker 5: Yeah, it's cool. No, I throw up quite a bit. 284 00:15:10,000 --> 00:15:12,480 Speaker 5: I wrote quite a few songs about vomiting, so I 285 00:15:12,840 --> 00:15:13,360 Speaker 5: do it quite a bit. 286 00:15:13,440 --> 00:15:14,960 Speaker 3: It's it's cool. I like it. 287 00:15:14,960 --> 00:15:15,480 Speaker 4: It's a reason. 288 00:15:15,520 --> 00:15:17,760 Speaker 5: It's a it's a bodily function. It exists for a reason. 289 00:15:17,800 --> 00:15:21,080 Speaker 5: It's like breathing or like hiccupping or something. It's that 290 00:15:21,160 --> 00:15:22,920 Speaker 5: it does. It says purpose you gota vomit. 291 00:15:23,000 --> 00:15:24,600 Speaker 4: Sometimes it's God. 292 00:15:24,680 --> 00:15:25,560 Speaker 3: Don't make mistakes. 293 00:15:26,440 --> 00:15:31,040 Speaker 5: No Coachella, fusassa Coachella? 294 00:15:31,440 --> 00:15:34,760 Speaker 3: What day? What day? Day? Which day? 295 00:15:36,440 --> 00:15:37,000 Speaker 4: Saturday? 296 00:15:37,720 --> 00:15:46,040 Speaker 3: Satdern wrong? Is it a fuck incorrect? Okay, the answer 297 00:15:46,200 --> 00:15:55,280 Speaker 3: is Friday Friday could have saved you. Oh, like a 298 00:15:55,320 --> 00:15:59,640 Speaker 3: big misunderstanding. You show up on Saturday, you get on 299 00:15:59,680 --> 00:16:00,240 Speaker 3: stage with. 300 00:16:00,200 --> 00:16:06,680 Speaker 2: Brock my Friday show, Rockampton. Not gonna like that. 301 00:16:08,200 --> 00:16:08,840 Speaker 3: Your show. 302 00:16:09,480 --> 00:16:10,600 Speaker 4: I like to be in Brockhampton. 303 00:16:11,000 --> 00:16:16,000 Speaker 3: Your show is on Friday, April fifteenth, and then again, 304 00:16:16,160 --> 00:16:20,400 Speaker 3: you know you do it again on April twenty second. 305 00:16:20,840 --> 00:16:22,920 Speaker 3: M m hmm, you know you have to. 306 00:16:24,200 --> 00:16:24,680 Speaker 4: I do know. 307 00:16:24,920 --> 00:16:28,040 Speaker 5: We did do it once before. It's pretty funny. I'm 308 00:16:28,040 --> 00:16:30,080 Speaker 5: sure you've panged several times. It's funny. 309 00:16:30,360 --> 00:16:33,080 Speaker 3: Coachella, It's funny as hell. 310 00:16:32,880 --> 00:16:34,320 Speaker 4: Dude, it's funny. 311 00:16:34,680 --> 00:16:39,320 Speaker 3: I go to laugh man, everyone hair is hilarious. I 312 00:16:39,360 --> 00:16:40,440 Speaker 3: go to cut up man. 313 00:16:42,120 --> 00:16:46,200 Speaker 1: I love that's where I get my laughs on certainly 314 00:16:46,280 --> 00:16:48,160 Speaker 1: not doing it a comedy shows anymore. 315 00:16:48,800 --> 00:16:51,200 Speaker 3: What fond size are we talking about? Mm hmmm. 316 00:16:52,840 --> 00:16:55,840 Speaker 5: I'm sure quite small, But we have a long name, 317 00:16:55,960 --> 00:16:58,040 Speaker 5: so you know, even a small fund takes. 318 00:16:57,920 --> 00:17:00,880 Speaker 1: Up that's a little bit of a and this is 319 00:17:00,920 --> 00:17:02,960 Speaker 1: something to share with other bands. If you have a 320 00:17:03,040 --> 00:17:07,880 Speaker 1: nice long name, even if you're very tiny font at 321 00:17:07,920 --> 00:17:11,840 Speaker 1: Coachella or any festival, you're going to take up a 322 00:17:12,000 --> 00:17:15,920 Speaker 1: lot of the poster and that's valuable. 323 00:17:16,119 --> 00:17:18,119 Speaker 4: During say another hack hit me. 324 00:17:18,359 --> 00:17:20,440 Speaker 3: This is true. This is true. I love that's true. 325 00:17:22,200 --> 00:17:26,560 Speaker 5: Many festivals around the world are happy to pay an 326 00:17:26,640 --> 00:17:31,719 Speaker 5: artist more if they accept a smaller fun size. Are 327 00:17:31,760 --> 00:17:35,160 Speaker 5: you aware of this. It's very fascinating stuff. It's true, 328 00:17:35,200 --> 00:17:36,120 Speaker 5: and we do it all the time. 329 00:17:36,359 --> 00:17:39,640 Speaker 1: You know what, I wasn't aware of it because I'm 330 00:17:39,680 --> 00:17:42,320 Speaker 1: funny this way. The music for me has never been 331 00:17:42,320 --> 00:17:47,120 Speaker 1: about the money. Yeah, I guess I'm crazy that way. 332 00:17:47,280 --> 00:17:51,680 Speaker 1: I'm just like kind of doing it because the fund size, 333 00:17:51,760 --> 00:17:56,879 Speaker 1: fucking groove, the fun size to the fucking groove, the 334 00:17:56,960 --> 00:17:59,800 Speaker 1: fond size. You know, I don't get into all that mass. 335 00:18:00,119 --> 00:18:01,480 Speaker 1: It handles all that for me. 336 00:18:03,000 --> 00:18:05,840 Speaker 3: Sue, I gotta say, you're rocking with a pretty big 337 00:18:05,880 --> 00:18:10,440 Speaker 3: ass font. Yes you are. 338 00:18:10,920 --> 00:18:13,840 Speaker 1: Check your bank account. Somebody fucked up. Man, you got 339 00:18:14,000 --> 00:18:19,080 Speaker 1: big fun. Talk to your manager. What the you're above? 340 00:18:19,359 --> 00:18:23,000 Speaker 1: You're a full row above your second row, Dude, that's 341 00:18:23,160 --> 00:18:23,840 Speaker 1: big fun. 342 00:18:23,960 --> 00:18:27,440 Speaker 3: Leaving aside your Harry's and your billies and like that's 343 00:18:27,440 --> 00:18:30,480 Speaker 3: not that's not even a row. That's its own death. 344 00:18:30,520 --> 00:18:33,040 Speaker 4: Fake playing. 345 00:18:34,320 --> 00:18:40,280 Speaker 3: Row one, your big Seawan's your little babies. Phoebe's up there. 346 00:18:41,800 --> 00:18:43,760 Speaker 3: We we emailed her once to be on this show. 347 00:18:44,520 --> 00:18:49,840 Speaker 1: Connected did still waiting. Yes, she's practically a friend of 348 00:18:49,840 --> 00:18:50,240 Speaker 1: the show. 349 00:18:51,040 --> 00:18:51,560 Speaker 4: That's cool. 350 00:18:52,000 --> 00:18:57,679 Speaker 3: And then Stu is sitting pretty on row too, a 351 00:18:57,720 --> 00:18:59,760 Speaker 3: full Carly Ray Jetson. 352 00:19:00,600 --> 00:19:05,960 Speaker 4: Really, that's yes, Stuk I don't know anyone else on 353 00:19:06,040 --> 00:19:06,879 Speaker 4: now road? Should I? 354 00:19:07,760 --> 00:19:09,120 Speaker 3: City Girls? 355 00:19:09,520 --> 00:19:10,000 Speaker 4: Are they good? 356 00:19:10,560 --> 00:19:18,880 Speaker 3: Uh? That's a that's a band. Uh, there's uh still Woozy, 357 00:19:20,080 --> 00:19:29,639 Speaker 3: there's Nikki, there's Lane eight, there's Pink Sweats. 358 00:19:26,000 --> 00:19:31,399 Speaker 2: Still Woozy, City Girls and pink Sweats. Sounds like my weekends. 359 00:19:30,840 --> 00:19:31,679 Speaker 3: Like the pandemic. 360 00:19:33,119 --> 00:19:36,040 Speaker 4: All Right, band names these days? 361 00:19:36,119 --> 00:19:36,280 Speaker 7: Eh? 362 00:19:37,320 --> 00:19:39,480 Speaker 3: Isn't it crazy? Stu? 363 00:19:40,000 --> 00:19:42,680 Speaker 2: Talk a little bit about what you're gonna do in 364 00:19:42,800 --> 00:19:43,399 Speaker 2: this show. 365 00:19:43,560 --> 00:19:45,560 Speaker 3: We wanted to help you out now. 366 00:19:45,840 --> 00:19:48,960 Speaker 1: I haven't had the pleasure of seeing you perform live yet. 367 00:19:49,080 --> 00:19:50,000 Speaker 1: I'll be a colla. 368 00:19:51,040 --> 00:19:55,640 Speaker 2: What stage banter wise? What have you found works? 369 00:19:55,720 --> 00:19:59,119 Speaker 1: And can we kind of help you get the crowd 370 00:19:59,160 --> 00:20:01,800 Speaker 1: pumped up? I mean one thing you already mentioned right 371 00:20:01,960 --> 00:20:06,200 Speaker 1: is band names these days. I don't know one from 372 00:20:06,280 --> 00:20:09,240 Speaker 1: the other. They feel kind of yours feels kind of long. 373 00:20:10,400 --> 00:20:15,479 Speaker 1: So maybe instead of saying, you know, we're can get 374 00:20:15,560 --> 00:20:18,960 Speaker 1: rid of the like you know, BULDI, Uh, you get 375 00:20:19,040 --> 00:20:21,440 Speaker 1: up and just to get the cheer, just to get 376 00:20:21,480 --> 00:20:22,919 Speaker 1: the crowd on their feet, you go. 377 00:20:23,080 --> 00:20:28,919 Speaker 3: Hey, everybody, I'm Tony Bennett. I like it. What do 378 00:20:28,960 --> 00:20:29,560 Speaker 3: you think about that? 379 00:20:29,880 --> 00:20:32,080 Speaker 5: I think it's it's not bad, It's not bad. I 380 00:20:32,080 --> 00:20:37,600 Speaker 5: think we can do a bit better. But that's silk right, yeah, smooth. No, 381 00:20:38,160 --> 00:20:40,240 Speaker 5: you know, you know what this is good because because 382 00:20:40,280 --> 00:20:43,800 Speaker 5: I don't say no, it's good like anything when we play, 383 00:20:44,560 --> 00:20:45,360 Speaker 5: So you. 384 00:20:45,320 --> 00:20:49,480 Speaker 1: Don't say anything, say anything, bro, No, not really, bro. 385 00:20:50,840 --> 00:20:53,159 Speaker 5: You used to say like pie like six times in 386 00:20:53,200 --> 00:20:56,320 Speaker 5: a row, and then I say like twenty like bye 387 00:20:56,359 --> 00:20:58,360 Speaker 5: bye twenty thirty times in a row at the end, 388 00:20:58,400 --> 00:20:59,560 Speaker 5: and then that's that's my jam. 389 00:20:59,600 --> 00:21:02,199 Speaker 1: That's that's best of all. You know, I may be 390 00:21:02,320 --> 00:21:05,399 Speaker 1: there to see still Woozy. I wander up and I go, hey, fuck, 391 00:21:05,440 --> 00:21:07,479 Speaker 1: I like this sound. Who are these guys? And I 392 00:21:07,560 --> 00:21:11,159 Speaker 1: need you to be telling me I'm Tony Bennett. This 393 00:21:11,640 --> 00:21:14,800 Speaker 1: you know here come. This is a song about what 394 00:21:14,880 --> 00:21:16,399 Speaker 1: a great city New York is. 395 00:21:17,280 --> 00:21:20,399 Speaker 3: Yes, that'll kill and like, you know, this is one 396 00:21:20,440 --> 00:21:25,600 Speaker 3: of the funniest events of the entire year. And like 397 00:21:25,680 --> 00:21:29,320 Speaker 3: the kind of clientele that like goes to Coachella will 398 00:21:29,400 --> 00:21:32,400 Speaker 3: like really love the idea first of all, just name 399 00:21:32,480 --> 00:21:37,320 Speaker 3: checking like a hero to basically everyone there. Like you'll 400 00:21:37,320 --> 00:21:41,240 Speaker 3: get that like the first hit of like haha, that's 401 00:21:41,440 --> 00:21:45,680 Speaker 3: that's funny. Then the next week like people just appreciating 402 00:21:45,800 --> 00:21:49,240 Speaker 3: like an homage to Tony Bennett. Well, like a reverence 403 00:21:49,280 --> 00:21:52,520 Speaker 3: will kind of like settle over the crowd, which will 404 00:21:52,560 --> 00:21:54,439 Speaker 3: like pay off for you as well. And then you 405 00:21:54,600 --> 00:21:56,560 Speaker 3: just like live in the bit like you like do 406 00:21:56,640 --> 00:21:59,520 Speaker 3: not you just do not let it go. 407 00:21:59,640 --> 00:22:02,240 Speaker 1: Never let up, you know, don't let him see you blink. 408 00:22:02,480 --> 00:22:03,720 Speaker 1: Just go ahead and just. 409 00:22:04,000 --> 00:22:07,080 Speaker 9: I mean start fucking crooning, dude. 410 00:22:07,840 --> 00:22:12,119 Speaker 5: Yes, they'll be like Tony Bennett. I know this guy, 411 00:22:12,680 --> 00:22:14,919 Speaker 5: doesn't he's hear the guy who sings that's life in 412 00:22:14,960 --> 00:22:15,400 Speaker 5: my way? 413 00:22:16,080 --> 00:22:18,000 Speaker 2: Uh huh, Yeah, that's. 414 00:22:17,880 --> 00:22:18,879 Speaker 4: What they're gonna be saying. 415 00:22:19,560 --> 00:22:22,000 Speaker 1: Yeah, I don't know, he's the main guy who sings 416 00:22:22,040 --> 00:22:26,120 Speaker 1: my way, but have he never sang it? I'll eat 417 00:22:26,160 --> 00:22:29,040 Speaker 1: my fucking hat man. There's no way he had to 418 00:22:29,040 --> 00:22:30,480 Speaker 1: get a piece of that at some point. 419 00:22:31,080 --> 00:22:35,560 Speaker 3: Definitely, Yeah, yeah, totally, Kevin. Have you been to have 420 00:22:35,680 --> 00:22:38,600 Speaker 3: you been to Stu Show? I have? And is this 421 00:22:38,720 --> 00:22:40,439 Speaker 3: your experience as well? He didn't talk to you at 422 00:22:40,440 --> 00:22:41,200 Speaker 3: all the whole time. 423 00:22:41,480 --> 00:22:44,440 Speaker 7: He said, he said high like ten times at the beginning, and. 424 00:22:44,680 --> 00:22:46,800 Speaker 3: Well he really did say hi that many times, and. 425 00:22:46,760 --> 00:22:48,840 Speaker 7: Then like by twenty five times at the end. 426 00:22:49,160 --> 00:22:52,080 Speaker 1: That's too many highs and byes. And it's and it's 427 00:22:53,119 --> 00:22:55,640 Speaker 1: I hate to do this because you're a guest. It's 428 00:22:55,800 --> 00:22:59,240 Speaker 1: very rude, Like, imagine you came to my show. Like 429 00:22:59,280 --> 00:23:02,440 Speaker 1: you you're at my show. I'm basically talking to you 430 00:23:02,560 --> 00:23:06,120 Speaker 1: almost the whole time. Think about it, and I think 431 00:23:06,160 --> 00:23:08,359 Speaker 1: you probably feel pretty good right now. 432 00:23:09,240 --> 00:23:11,639 Speaker 4: I should work on it. Let's work on it. Okay. 433 00:23:11,680 --> 00:23:15,120 Speaker 5: So we're gonna talk about how I'm Tony Bennett, and well. 434 00:23:15,119 --> 00:23:17,000 Speaker 3: You know, it doesn't have to just be that. 435 00:23:17,080 --> 00:23:18,720 Speaker 1: I mean, I don't want to get bogged down because 436 00:23:18,760 --> 00:23:22,280 Speaker 1: it felt like you didn't really connect to that right away. 437 00:23:22,520 --> 00:23:25,400 Speaker 2: You know, Hey, you don't want to be Tony Bennett. 438 00:23:25,920 --> 00:23:27,720 Speaker 3: Don't be Tony Bennett. That's okay. 439 00:23:28,520 --> 00:23:31,840 Speaker 2: Yeah, it's like he'd be you know, do whatever. Say 440 00:23:32,600 --> 00:23:34,760 Speaker 2: ye know, I'm Steven Stills. 441 00:23:35,080 --> 00:23:36,919 Speaker 4: You know, give him something, but give him something to 442 00:23:36,960 --> 00:23:39,760 Speaker 4: get behind Steven Stills because. 443 00:23:39,520 --> 00:23:42,359 Speaker 3: Steve Steve, Hey, Steve Still. 444 00:23:43,080 --> 00:23:46,800 Speaker 2: Yeah, you guys call me Steve still Steve Stills here. 445 00:23:46,720 --> 00:23:53,720 Speaker 5: Still oh mm hmmm Stills still oh me still o 446 00:23:53,840 --> 00:23:54,560 Speaker 5: the still man. 447 00:23:54,920 --> 00:23:56,159 Speaker 3: You guys call me Steve. 448 00:23:57,040 --> 00:23:57,800 Speaker 4: I'd be still zy. 449 00:23:57,880 --> 00:24:01,800 Speaker 1: I think, okay, great, And then you know, one thing 450 00:24:01,840 --> 00:24:05,760 Speaker 1: people really love is when you go to introduce a song. 451 00:24:05,960 --> 00:24:08,119 Speaker 1: Before a song or after a song, you kind of go, like, 452 00:24:09,000 --> 00:24:10,760 Speaker 1: tell them a little bit about what it's about so 453 00:24:10,800 --> 00:24:13,560 Speaker 1: they have context for it. So you go, hey, I 454 00:24:13,840 --> 00:24:18,200 Speaker 1: just kind of split off from Heydy and. 455 00:24:18,119 --> 00:24:18,960 Speaker 2: Yeah, I'll go ahead. 456 00:24:19,240 --> 00:24:24,280 Speaker 3: Since you're playing, Since you're right next to still Woozy 457 00:24:24,480 --> 00:24:26,760 Speaker 3: on the poster, what if you were woo still Zy, 458 00:24:29,760 --> 00:24:32,919 Speaker 3: like everyone's cheering for you still Zy, that could be 459 00:24:33,000 --> 00:24:37,879 Speaker 3: powerful the reverence that would fall over the crowd and 460 00:24:38,000 --> 00:24:41,240 Speaker 3: that in that context, and so that's a great segue 461 00:24:41,240 --> 00:24:43,920 Speaker 3: into what maybe for what you were saying. 462 00:24:43,680 --> 00:24:47,560 Speaker 5: Se maybe since some stew I can be uh still 463 00:24:47,880 --> 00:24:50,000 Speaker 5: woo still Zy, Will Stewsie. 464 00:24:49,640 --> 00:24:53,800 Speaker 3: Who still Zy? You could be Will will Steosie, will 465 00:24:53,800 --> 00:24:54,320 Speaker 3: be will. 466 00:24:54,160 --> 00:24:58,600 Speaker 1: Stus will Stewsie. Yeah, that's feeling good to me. I'm 467 00:24:58,640 --> 00:25:02,200 Speaker 1: will Steuzie, right, like, thanks for coming on, Will Stoosy 468 00:25:02,400 --> 00:25:04,160 Speaker 1: say thank you? You know it sounds like you said 469 00:25:04,240 --> 00:25:05,400 Speaker 1: high he didn't say thank you. 470 00:25:05,760 --> 00:25:07,680 Speaker 3: Thank you and then get into it. 471 00:25:08,520 --> 00:25:11,480 Speaker 4: Yeah, yeah, thank you, thank you. 472 00:25:11,920 --> 00:25:14,560 Speaker 2: It feels so natural and. 473 00:25:14,480 --> 00:25:15,360 Speaker 4: I'm thank you. 474 00:25:15,600 --> 00:25:18,000 Speaker 2: I know you're you know, we're not here. I'm going 475 00:25:18,200 --> 00:25:18,880 Speaker 2: You're welcome. 476 00:25:19,400 --> 00:25:19,640 Speaker 5: Will. 477 00:25:21,080 --> 00:25:24,800 Speaker 1: Could you maybe talk a little bit about you know, 478 00:25:24,880 --> 00:25:26,960 Speaker 1: it's it's helpful for people to kind of get a 479 00:25:27,000 --> 00:25:28,960 Speaker 1: peek at what generated the lyrics. 480 00:25:29,000 --> 00:25:31,160 Speaker 2: You said you wrote a lot of songs about throwing up. 481 00:25:31,440 --> 00:25:33,359 Speaker 1: I'm going to say, maybe only want to do that 482 00:25:33,440 --> 00:25:36,560 Speaker 1: once to say this song is about throwing up. I 483 00:25:36,600 --> 00:25:40,080 Speaker 1: don't necessarily want to hear that multiple times in a show. 484 00:25:40,800 --> 00:25:43,959 Speaker 1: Maybe pick one throwing up song and then have another 485 00:25:44,000 --> 00:25:46,800 Speaker 1: one and say, like, it doesn't have to be this, 486 00:25:46,880 --> 00:25:49,840 Speaker 1: but go like, this is a song about my favorite podcast. 487 00:25:50,200 --> 00:25:53,479 Speaker 1: It's called I Hope you guys give it a listen. 488 00:25:53,680 --> 00:25:56,639 Speaker 1: I was on recently. They actually inspired a lot of 489 00:25:56,640 --> 00:26:01,560 Speaker 1: what you're going to hear today Coachella, and it's more 490 00:26:01,600 --> 00:26:03,439 Speaker 1: important to me that you listen to them than it 491 00:26:03,480 --> 00:26:05,320 Speaker 1: is that you listen to my music. 492 00:26:05,040 --> 00:26:06,879 Speaker 2: Which is like it's just a band that's whatever and 493 00:26:07,000 --> 00:26:07,800 Speaker 2: whatever about it. 494 00:26:08,160 --> 00:26:11,119 Speaker 3: There's gonna be a pop for sure. Just like just 495 00:26:11,200 --> 00:26:14,680 Speaker 3: you mentioned the name, like I'll be there for first 496 00:26:14,680 --> 00:26:16,840 Speaker 3: of all, and like I'll go insane, I'll be my 497 00:26:17,080 --> 00:26:18,240 Speaker 3: podcasting out. 498 00:26:19,680 --> 00:26:23,600 Speaker 1: My podcast mentioned that this show I will be losing 499 00:26:23,680 --> 00:26:26,200 Speaker 1: by shit sick, yes. 500 00:26:26,280 --> 00:26:30,560 Speaker 3: And other people really start to react out of an 501 00:26:30,600 --> 00:26:32,960 Speaker 3: instinctive need to cover for me. 502 00:26:34,600 --> 00:26:39,280 Speaker 1: Like yeah, there's sort of a core like tribal thing 503 00:26:39,320 --> 00:26:43,520 Speaker 1: that happened. It's like in the DNA of humanity. They're 504 00:26:43,560 --> 00:26:47,040 Speaker 1: not gonna let me have this bigger reaction alone. Hayes 505 00:26:47,080 --> 00:26:49,000 Speaker 1: and I will be on opposite sides just to kind 506 00:26:49,040 --> 00:26:53,320 Speaker 1: of generate like through the middle. Uh this you know 507 00:26:53,840 --> 00:26:58,520 Speaker 1: communal sound that comes out, So you're gonna want to 508 00:26:58,560 --> 00:27:01,680 Speaker 1: pause after you say Hollywood Handbook. And then I think 509 00:27:01,720 --> 00:27:04,439 Speaker 1: what could be really powerful is if you start recommending 510 00:27:04,480 --> 00:27:07,600 Speaker 1: some of your favorite episodes, just like places for them 511 00:27:07,640 --> 00:27:08,919 Speaker 1: to start good ways in. 512 00:27:09,840 --> 00:27:13,800 Speaker 3: Let's do it. Let's go Okay, what would that sound like? 513 00:27:15,400 --> 00:27:19,600 Speaker 4: I haven't listened to any I'm really sorry. Sorry, Oh my. 514 00:27:19,600 --> 00:27:23,600 Speaker 3: Gosh, it's really nice. It's really nice that you're sorry. 515 00:27:24,240 --> 00:27:30,520 Speaker 5: But we'll we'll still recommend definitely, Yeah, definitely, why not? 516 00:27:31,080 --> 00:27:33,440 Speaker 2: Okay, we'll give the people what they want. 517 00:27:34,600 --> 00:27:35,000 Speaker 3: So good? 518 00:27:35,200 --> 00:27:38,280 Speaker 2: Yeah whatever, Yeah, this is feeling so good. 519 00:27:38,359 --> 00:27:40,679 Speaker 3: So many other people come on the show and just 520 00:27:40,760 --> 00:27:47,199 Speaker 3: lay out exactly why not right, Like they just painstakingly 521 00:27:47,280 --> 00:27:51,639 Speaker 3: go through all the reasons why they don't feel comfortable 522 00:27:51,760 --> 00:27:55,679 Speaker 3: like recommending this another but like lack of knowledge, like 523 00:27:55,720 --> 00:27:57,680 Speaker 3: in your case, that's number one. 524 00:27:57,760 --> 00:27:59,840 Speaker 1: Yeah, I still know enough about it. I have to 525 00:27:59,840 --> 00:28:03,720 Speaker 1: do more research. Ye, Like, I'm right here, ask me 526 00:28:03,760 --> 00:28:04,360 Speaker 1: whatever you want. 527 00:28:05,080 --> 00:28:07,240 Speaker 3: But the more they know it doesn't feel like that 528 00:28:07,240 --> 00:28:12,359 Speaker 3: that's bringing us closer to uh to getting name dropped 529 00:28:12,359 --> 00:28:16,400 Speaker 3: on stage. But your energy, man, like, why not. 530 00:28:16,600 --> 00:28:18,440 Speaker 4: Just like fuck it, let's do it. 531 00:28:18,600 --> 00:28:20,760 Speaker 3: You get as much time up there as you want. 532 00:28:21,760 --> 00:28:23,639 Speaker 4: Yeah, I'll never getting off that stage. 533 00:28:24,240 --> 00:28:27,399 Speaker 1: Yes, I don't know what day my show is, I 534 00:28:27,440 --> 00:28:30,040 Speaker 1: don't know what size my font is, and I'm gonna 535 00:28:30,040 --> 00:28:32,040 Speaker 1: get all hung up on whether or not I've ever 536 00:28:32,119 --> 00:28:34,160 Speaker 1: listened to the podcast I'm recommending. 537 00:28:35,320 --> 00:28:37,680 Speaker 2: Most podcasts don't have anything. 538 00:28:37,359 --> 00:28:38,720 Speaker 3: Wrong with them. 539 00:28:39,240 --> 00:28:42,520 Speaker 4: Yeah, oh yeah, you know it's safe. 540 00:28:42,600 --> 00:28:49,520 Speaker 2: Oh yeah, I have a hack. 541 00:28:50,280 --> 00:28:51,080 Speaker 3: Yeah, go ahead. 542 00:28:51,640 --> 00:28:56,200 Speaker 7: Sometimes stew comedy people will like laugh on stage and 543 00:28:56,240 --> 00:29:00,480 Speaker 7: then the audience will start laughing because they're laughing. You 544 00:29:00,520 --> 00:29:03,000 Speaker 7: could do that and say, like during your song, like 545 00:29:03,040 --> 00:29:06,400 Speaker 7: this is so good, and then everyone in the audience 546 00:29:06,560 --> 00:29:07,800 Speaker 7: will start doing that too. 547 00:29:08,360 --> 00:29:09,600 Speaker 3: Yeah. I think that's cool. 548 00:29:09,720 --> 00:29:12,080 Speaker 2: You go, holy shit, I love this one. 549 00:29:12,640 --> 00:29:15,160 Speaker 1: Oh they're playing this, I love this one and you 550 00:29:15,200 --> 00:29:16,920 Speaker 1: start just like dancing to it. 551 00:29:17,440 --> 00:29:18,480 Speaker 4: I love that. 552 00:29:18,480 --> 00:29:20,880 Speaker 3: That could be cool. You're writing this down. 553 00:29:21,240 --> 00:29:25,600 Speaker 5: Yeah, I'm literally wrote literally saying I literally wrote laughing 554 00:29:25,720 --> 00:29:28,560 Speaker 5: therapy because it's the thing I wanted to tell you 555 00:29:28,640 --> 00:29:32,600 Speaker 5: about it, but it's it's it's like a yoga thing. 556 00:29:33,080 --> 00:29:35,760 Speaker 4: But it's very good. I'm into it. We should do it, 557 00:29:36,800 --> 00:29:38,320 Speaker 4: yeah on stage? 558 00:29:39,200 --> 00:29:41,880 Speaker 3: Yeah, I say you do that on stage, like let's 559 00:29:41,920 --> 00:29:42,239 Speaker 3: do that. 560 00:29:42,400 --> 00:29:45,600 Speaker 1: I mean, and the dancing idea, the saying, holy shit, 561 00:29:45,600 --> 00:29:46,280 Speaker 1: they're playing this one. 562 00:29:46,280 --> 00:29:47,040 Speaker 3: I love this song. 563 00:29:47,560 --> 00:29:49,120 Speaker 2: Oh my god, this is my song. 564 00:29:50,280 --> 00:29:55,200 Speaker 3: If you ever gamified any elements of your performance. 565 00:29:55,600 --> 00:30:00,920 Speaker 4: Gamified gamer, I don't know what that means, just. 566 00:30:00,920 --> 00:30:04,479 Speaker 3: Adds like elements of like gaming and like competition, just 567 00:30:04,520 --> 00:30:07,680 Speaker 3: like gives something for the crowd to kind of like 568 00:30:08,320 --> 00:30:11,680 Speaker 3: lock into that they can instead of just being like 569 00:30:11,800 --> 00:30:14,200 Speaker 3: totally passive, where like this guy said hi to me 570 00:30:14,560 --> 00:30:17,120 Speaker 3: seven times and then like play a bunch of music 571 00:30:17,160 --> 00:30:18,960 Speaker 3: like you didn't even know I was here, that said 572 00:30:18,960 --> 00:30:25,680 Speaker 3: goodbye like twenty twenty five times. Like instead, we're actually 573 00:30:25,680 --> 00:30:30,120 Speaker 3: helping the audience participate and like they get to kind 574 00:30:30,160 --> 00:30:35,480 Speaker 3: of like feel like they won something at the end. Potentially, 575 00:30:35,520 --> 00:30:36,320 Speaker 3: you don't do any of. 576 00:30:36,280 --> 00:30:39,960 Speaker 4: That like a mate raffle on stage exactly. 577 00:30:40,280 --> 00:30:44,040 Speaker 1: It's just that except actually my first suggestion, except the 578 00:30:44,120 --> 00:30:47,800 Speaker 1: meat is the you and the fellas, it's you and. 579 00:30:47,720 --> 00:30:51,880 Speaker 5: The Okay I dig that. Yeah, just a bit of mate. 580 00:30:52,680 --> 00:30:57,240 Speaker 3: Yeah, there's seven of you, right yeah mate, that's that's 581 00:30:57,320 --> 00:30:59,240 Speaker 3: a that's too much meat. 582 00:30:59,440 --> 00:31:02,560 Speaker 5: That's so much to me. Yeah, mate, raffle on stage. 583 00:31:02,720 --> 00:31:03,800 Speaker 5: We should definitely do that. 584 00:31:03,880 --> 00:31:04,280 Speaker 4: Look it in? 585 00:31:05,040 --> 00:31:07,320 Speaker 3: Turn off in, Kevin, Can you walk that in for me? 586 00:31:08,040 --> 00:31:08,760 Speaker 7: Lock that one in? 587 00:31:08,920 --> 00:31:11,600 Speaker 1: Do you ever sit down and let your feet kind 588 00:31:11,600 --> 00:31:13,760 Speaker 1: of dangle off the end of stage and sort of 589 00:31:13,840 --> 00:31:16,320 Speaker 1: just kick there almost like you're like a little kid, 590 00:31:16,360 --> 00:31:18,440 Speaker 1: your feet not touching the ground and just kind. 591 00:31:18,240 --> 00:31:21,920 Speaker 9: Of fish and get kind of quiet and just break 592 00:31:21,960 --> 00:31:25,920 Speaker 9: it down and say, you know what, I I camp 593 00:31:25,960 --> 00:31:28,000 Speaker 9: with this song. I was going through a really hard time. 594 00:31:29,040 --> 00:31:30,280 Speaker 3: Yeah, I just. 595 00:31:32,440 --> 00:31:34,920 Speaker 9: I just finished watching the Oscars and I didn't have 596 00:31:35,000 --> 00:31:36,600 Speaker 9: my takes yet. 597 00:31:37,480 --> 00:31:39,479 Speaker 4: I do do that sometimes. 598 00:31:39,000 --> 00:31:42,080 Speaker 1: And I was feeling pretty lost and like and just 599 00:31:42,200 --> 00:31:44,680 Speaker 1: kind of bring us in, like I'm all of a sudden, 600 00:31:45,160 --> 00:31:47,400 Speaker 1: I'm finding myself leaning in. 601 00:31:47,520 --> 00:31:49,880 Speaker 3: And you pretend then you pretend that you caught a fish. 602 00:31:50,400 --> 00:31:50,800 Speaker 3: Mm hmm. 603 00:31:51,160 --> 00:31:54,280 Speaker 5: I actually do do that, but it's way it's way more. 604 00:31:54,640 --> 00:31:59,719 Speaker 5: It's way more cheesy because it's when we're like jamming 605 00:32:00,040 --> 00:32:04,640 Speaker 5: and it gets kind of Daddy like dead, and and 606 00:32:04,640 --> 00:32:06,239 Speaker 5: and then and then it feels like you need to 607 00:32:06,280 --> 00:32:09,040 Speaker 5: like sit down on the edge of the stage. And 608 00:32:09,120 --> 00:32:12,040 Speaker 5: that's that's real. That's real, man, that's how that's how 609 00:32:12,120 --> 00:32:12,960 Speaker 5: cheesy this ship gets. 610 00:32:13,160 --> 00:32:14,360 Speaker 2: Everything I've said has been real. 611 00:32:15,120 --> 00:32:15,880 Speaker 4: Yeah, it's real. 612 00:32:16,400 --> 00:32:18,320 Speaker 1: No, I know, you're just saying that's real, like as 613 00:32:18,360 --> 00:32:20,680 Speaker 1: if that's differentiating it from some of the other. 614 00:32:20,480 --> 00:32:23,720 Speaker 2: Stuff like Stephen Still stuff and the Tony. 615 00:32:25,000 --> 00:32:26,760 Speaker 3: Because you didn't react to it, but just say it 616 00:32:26,920 --> 00:32:29,480 Speaker 3: like I'll like all the time, like say it every 617 00:32:29,480 --> 00:32:32,120 Speaker 3: time either of us know something, but you're gonna say it. 618 00:32:33,320 --> 00:32:36,160 Speaker 2: Yeah, Because like the the meat raffle thing I thought 619 00:32:36,240 --> 00:32:38,320 Speaker 2: was was real. We locked that in so. 620 00:32:38,280 --> 00:32:39,400 Speaker 3: Ieah that's it locked. 621 00:32:39,680 --> 00:32:41,680 Speaker 4: So yeah, it looked totally looked. 622 00:32:42,000 --> 00:32:45,040 Speaker 3: How many gags are you guys? What are you gags? 623 00:32:45,600 --> 00:32:47,920 Speaker 3: How many gags? 624 00:32:48,080 --> 00:32:48,760 Speaker 4: Like the bands? 625 00:32:49,360 --> 00:32:53,400 Speaker 5: Yeah, we had one one less GIX than then you're 626 00:32:53,680 --> 00:32:56,040 Speaker 5: ninety nine gags. Ninety nine gas. 627 00:32:56,400 --> 00:33:00,959 Speaker 3: Okay, m all right, that's pretty good. You know, if 628 00:33:01,360 --> 00:33:02,480 Speaker 3: they weren't there. 629 00:33:03,680 --> 00:33:05,880 Speaker 2: I go, that's probably the most GaX at the whole festival. 630 00:33:05,960 --> 00:33:09,240 Speaker 3: You know, I almost like I don't want to be 631 00:33:09,480 --> 00:33:13,520 Speaker 3: like right up against them, but like one less like 632 00:33:13,600 --> 00:33:15,480 Speaker 3: I would. I would actually go the other way and 633 00:33:15,560 --> 00:33:17,280 Speaker 3: be like five gags. 634 00:33:17,360 --> 00:33:20,040 Speaker 10: I'm only like yeah, I'm only five or six gags 635 00:33:20,720 --> 00:33:23,720 Speaker 10: infinity gags, and I actually then I want to say. 636 00:33:23,520 --> 00:33:27,760 Speaker 3: Them, Yeah, they're there, but they don't want you to go. 637 00:33:28,640 --> 00:33:36,720 Speaker 5: Okay, that's sucks, dude, Stuid Well, Stouzie, I'm so sorry. 638 00:33:37,440 --> 00:33:38,600 Speaker 4: No, who's that scared of me? 639 00:33:39,720 --> 00:33:42,120 Speaker 1: That's what we're worried about too, is one of them 640 00:33:42,880 --> 00:33:46,040 Speaker 1: and you one of them is scared the other ninety 641 00:33:46,120 --> 00:33:46,480 Speaker 1: nine or. 642 00:33:48,480 --> 00:33:50,000 Speaker 3: Not. They are not scared of you. 643 00:33:50,920 --> 00:33:53,640 Speaker 5: Yeah, I've always wanted to say a hundred gigs on stage. 644 00:33:54,000 --> 00:33:55,000 Speaker 5: That's so many gigs. 645 00:33:56,080 --> 00:33:57,600 Speaker 3: They're on Saturday too. 646 00:33:58,560 --> 00:34:10,040 Speaker 5: Oh cool, same day as us, Like, hey, god, hey 647 00:34:10,120 --> 00:34:15,239 Speaker 5: is I was like he did not, and. 648 00:34:15,200 --> 00:34:18,439 Speaker 3: I always thinking did we accidentally lock in the meat 649 00:34:18,520 --> 00:34:20,200 Speaker 3: raffle for Saturday Saturday? 650 00:34:20,440 --> 00:34:20,640 Speaker 4: Yeah? 651 00:34:21,640 --> 00:34:24,680 Speaker 3: Yeah, it's like he's joking, but like, I really do 652 00:34:24,800 --> 00:34:27,560 Speaker 3: need to know that that that. 653 00:34:28,239 --> 00:34:31,520 Speaker 1: Sometimes, Stu, when I'm at a basketball game, there will 654 00:34:31,520 --> 00:34:35,000 Speaker 1: be like three basketballs on screen and they'll all start 655 00:34:35,040 --> 00:34:39,680 Speaker 1: like moving almost like a like a shell game sort 656 00:34:39,680 --> 00:34:42,000 Speaker 1: of thing, where like one of them is like the 657 00:34:42,040 --> 00:34:43,600 Speaker 1: basketball I meant to follow. 658 00:34:44,360 --> 00:34:46,960 Speaker 2: They all look identical and then I. 659 00:34:46,920 --> 00:34:50,600 Speaker 1: Like text like number one, two or three uh to 660 00:34:50,920 --> 00:34:55,280 Speaker 1: like you know, uh some like sprint phone number or something. 661 00:34:55,760 --> 00:34:59,080 Speaker 2: And then I have an opportunity to I. 662 00:34:58,960 --> 00:35:02,319 Speaker 1: Don't know, get my name on screen or something. But 663 00:35:02,360 --> 00:35:04,840 Speaker 1: that really gamifies it in a way that keeps me 664 00:35:04,960 --> 00:35:08,719 Speaker 1: very engaged. Do you guys have any I don't know if. 665 00:35:08,680 --> 00:35:10,640 Speaker 2: You'd rather bring like a rugby ball or something. 666 00:35:10,719 --> 00:35:12,960 Speaker 1: And and and the three of you could sort of 667 00:35:13,000 --> 00:35:15,040 Speaker 1: all switch places and we have to try to keep 668 00:35:15,040 --> 00:35:17,640 Speaker 1: track of who has the magic rugby ball. And then 669 00:35:17,680 --> 00:35:20,319 Speaker 1: they may be they can't you. 670 00:35:20,400 --> 00:35:22,359 Speaker 5: I mean they could text you, like they could text 671 00:35:22,360 --> 00:35:24,880 Speaker 5: Melbvin people who don't play rugby Melbourn people don't give 672 00:35:24,920 --> 00:35:25,359 Speaker 5: to the weather. 673 00:35:26,400 --> 00:35:26,759 Speaker 4: We play. 674 00:35:26,960 --> 00:35:31,840 Speaker 5: We play i f L footy football. It's like Australian football. 675 00:35:31,920 --> 00:35:33,800 Speaker 5: It's pretty weird. You probably maybe know about it. I 676 00:35:33,800 --> 00:35:36,360 Speaker 5: don't know, but we do that sport. But but yeah, we'll 677 00:35:36,400 --> 00:35:40,720 Speaker 5: bring a footy. Bring a footy please, and bring three. 678 00:35:41,360 --> 00:35:44,279 Speaker 7: I'm looking at an article that's the headline is kink 679 00:35:44,280 --> 00:35:47,759 Speaker 7: Gizzard release first person shooter video game for their song 680 00:35:47,920 --> 00:35:48,919 Speaker 7: Mars for the Rich. 681 00:35:49,760 --> 00:35:56,240 Speaker 4: We did do that? Actually sounds like. 682 00:35:54,760 --> 00:35:56,760 Speaker 3: This is the most of some of the most gamer 683 00:35:56,840 --> 00:35:59,120 Speaker 3: fed ship I've ever heard of. My own wife. 684 00:36:00,719 --> 00:36:03,960 Speaker 4: We did do that. Yeah, you should play it now. 685 00:36:04,480 --> 00:36:11,080 Speaker 2: Okay, activate game. Ah, I got shot. 686 00:36:12,680 --> 00:36:13,360 Speaker 4: No you didn't. 687 00:36:13,840 --> 00:36:17,520 Speaker 1: I just got shot. This is a game to you. 688 00:36:17,880 --> 00:36:19,799 Speaker 1: I didn't even get to hear the song. It said 689 00:36:19,880 --> 00:36:23,600 Speaker 1: you're dead. There's no music when you die. This is 690 00:36:23,760 --> 00:36:27,960 Speaker 1: really dark. I didn't know how dark this was. I 691 00:36:27,960 --> 00:36:30,080 Speaker 1: thought there would be two music when I die. 692 00:36:30,480 --> 00:36:32,280 Speaker 4: Where he made a game it's about Will Smith. 693 00:36:33,560 --> 00:36:35,319 Speaker 3: You made a game about that too? 694 00:36:35,719 --> 00:36:39,919 Speaker 5: Oh yeah, wow yeah, yeah, it's really good. 695 00:36:40,719 --> 00:36:41,840 Speaker 3: Sounds awesome. 696 00:36:42,680 --> 00:36:45,200 Speaker 7: You guys have twenty albums, right. 697 00:36:45,480 --> 00:36:51,640 Speaker 4: Yeah, almost come out. Any skits, any skits? 698 00:36:53,480 --> 00:36:57,680 Speaker 1: No, all right, Kevin skits. Okay, Kevin's got something for you. 699 00:36:57,760 --> 00:36:59,200 Speaker 1: Here's your chance, Kevin. 700 00:36:59,560 --> 00:37:02,160 Speaker 2: He can his big skit, his album Skit. 701 00:37:02,920 --> 00:37:06,040 Speaker 3: People will love this at Coachella, and Kevin, can you 702 00:37:06,040 --> 00:37:07,800 Speaker 3: make sure this skit is goaded? Please? 703 00:37:08,120 --> 00:37:10,800 Speaker 2: Yes, with the sauce please. 704 00:37:12,120 --> 00:37:16,279 Speaker 7: After the first song, everyone's going nuts and then you 705 00:37:16,320 --> 00:37:17,600 Speaker 7: say this. 706 00:37:17,680 --> 00:37:21,440 Speaker 3: Is wait, this is when they listen to the album. 707 00:37:22,120 --> 00:37:25,040 Speaker 7: Well, it's going to be for Coachella, but we can 708 00:37:25,120 --> 00:37:27,200 Speaker 7: record this and put this on the album too. 709 00:37:28,239 --> 00:37:36,520 Speaker 1: Live Skit, Live, Skit Okay, better work, okay, Stu says goaded. 710 00:37:36,920 --> 00:37:39,759 Speaker 7: So Stu says, am I the only one that saw 711 00:37:39,760 --> 00:37:45,919 Speaker 7: that Beatles documentary. Everyone's cheering nuts they because everyone loved it. 712 00:37:46,200 --> 00:37:47,000 Speaker 3: They watched it. 713 00:37:47,520 --> 00:37:53,320 Speaker 7: I says to myself self, what if that was about 714 00:37:53,719 --> 00:37:58,279 Speaker 7: my band? And then it's then you guys have like 715 00:37:58,320 --> 00:37:59,840 Speaker 7: a little skit about think. 716 00:37:59,680 --> 00:38:01,479 Speaker 2: It might go something like that. 717 00:38:01,560 --> 00:38:02,719 Speaker 3: Yes, you can do that. 718 00:38:02,880 --> 00:38:05,239 Speaker 1: Yeah, if you want to do that, you don't have to, 719 00:38:05,400 --> 00:38:07,480 Speaker 1: but that would be good with this as. 720 00:38:07,440 --> 00:38:09,080 Speaker 4: That's a good one before track one. 721 00:38:09,000 --> 00:38:12,799 Speaker 3: Of the album and before track one. 722 00:38:12,960 --> 00:38:15,920 Speaker 5: Yeah, do you remember on sometimes you could you could 723 00:38:15,960 --> 00:38:18,879 Speaker 5: like skip backwards past before track one and I would 724 00:38:18,920 --> 00:38:20,359 Speaker 5: have like a secret track. 725 00:38:20,840 --> 00:38:25,240 Speaker 4: That was cool. M hm, I missed that? Remember secret 726 00:38:25,280 --> 00:38:27,360 Speaker 4: tracks and ship Oh gosh? 727 00:38:27,480 --> 00:38:32,440 Speaker 3: Yes, yes, we put one on the in every episode 728 00:38:32,520 --> 00:38:34,000 Speaker 3: of this show that we've ever done. 729 00:38:35,040 --> 00:38:37,560 Speaker 4: But for the CD version of the podcast. 730 00:38:37,320 --> 00:38:39,520 Speaker 1: Yep, mm if you get if you do get it 731 00:38:39,560 --> 00:38:43,000 Speaker 1: on CD, which not enough people do there it does. 732 00:38:43,160 --> 00:38:45,000 Speaker 1: You just have to keep letting it play and there 733 00:38:45,200 --> 00:38:47,000 Speaker 1: seems like it's dead air and it's over and it's 734 00:38:47,000 --> 00:38:48,040 Speaker 1: like boom. 735 00:38:47,719 --> 00:38:49,080 Speaker 3: Track that was not listed. 736 00:38:49,719 --> 00:38:53,239 Speaker 10: That's badass. I pay it, pay that and that's real 737 00:38:54,239 --> 00:38:55,120 Speaker 10: that's real, Stu. 738 00:38:55,200 --> 00:38:58,480 Speaker 7: I'm starting a new initiative with guests. 739 00:38:58,440 --> 00:38:59,839 Speaker 3: Create another initiative. 740 00:39:00,480 --> 00:39:03,399 Speaker 2: No, every week, it's a new initiate it with this guy. 741 00:39:04,600 --> 00:39:07,279 Speaker 7: Just really quick before we end the show. We need 742 00:39:07,320 --> 00:39:09,719 Speaker 7: to physically see you subscribe to the podcast. 743 00:39:10,640 --> 00:39:13,360 Speaker 4: Oh yeah, okay, okay on my phone? 744 00:39:13,800 --> 00:39:15,760 Speaker 7: Yeah, do you have the podcast app? 745 00:39:16,480 --> 00:39:17,719 Speaker 3: Yeah? All right? 746 00:39:17,800 --> 00:39:19,640 Speaker 4: Checks out? Can you say that? 747 00:39:19,760 --> 00:39:20,160 Speaker 3: Okay? 748 00:39:20,560 --> 00:39:22,680 Speaker 7: Do Boys and Boys. 749 00:39:24,200 --> 00:39:24,480 Speaker 5: Top? 750 00:39:25,080 --> 00:39:27,200 Speaker 1: I just looked this up before because you looked up 751 00:39:27,239 --> 00:39:31,680 Speaker 1: our show. That's also recommended. Don't listen to that ship, dude? 752 00:39:32,000 --> 00:39:33,880 Speaker 1: Whatever with you? 753 00:39:34,239 --> 00:39:35,640 Speaker 7: Don't listen? Don't listen? 754 00:39:36,000 --> 00:39:37,840 Speaker 4: Yeah, no, kind I say it anymore? 755 00:39:37,840 --> 00:39:41,640 Speaker 7: Hang on, that's on purpose, my friend? 756 00:39:42,280 --> 00:39:43,960 Speaker 4: What is that? What are you talking about? 757 00:39:44,480 --> 00:39:47,040 Speaker 2: Don't I don't know. 758 00:39:47,120 --> 00:39:48,399 Speaker 3: That's what I say when I listen. 759 00:39:49,000 --> 00:39:51,120 Speaker 4: You want to know what I say when I look 760 00:39:51,160 --> 00:39:51,440 Speaker 4: it up? 761 00:39:52,320 --> 00:39:54,040 Speaker 7: Okay, that's magic tab. 762 00:39:54,600 --> 00:39:55,680 Speaker 2: I'm sorry that happened. 763 00:39:55,960 --> 00:39:57,280 Speaker 3: That's my funny ass. 764 00:39:58,080 --> 00:39:59,000 Speaker 4: This is what I say, yo. 765 00:40:00,160 --> 00:40:03,120 Speaker 2: With all this ship, some of some of it, some 766 00:40:03,239 --> 00:40:04,560 Speaker 2: of that, all right, some of it? 767 00:40:04,680 --> 00:40:07,800 Speaker 7: Did you click it and then look at get played? 768 00:40:07,800 --> 00:40:09,480 Speaker 3: It's logo? Good? 769 00:40:11,160 --> 00:40:13,359 Speaker 7: How do you do the plus on the top plus? 770 00:40:13,960 --> 00:40:19,920 Speaker 1: Oh oh daddy, we got it. 771 00:40:21,200 --> 00:40:21,759 Speaker 4: We got me. 772 00:40:22,719 --> 00:40:27,440 Speaker 3: Wow, ladies, we got them that video? Was that a 773 00:40:27,520 --> 00:40:28,800 Speaker 3: kid in your walk screen? 774 00:40:29,600 --> 00:40:33,480 Speaker 4: That's my kid. That's Minty. She's pretty cute. 775 00:40:33,360 --> 00:40:37,760 Speaker 3: Minty mintyn. Oh, that is a cute kid. Hi, Minty, 776 00:40:38,280 --> 00:40:39,120 Speaker 3: how we doing? 777 00:40:39,239 --> 00:40:39,359 Speaker 10: Hi? 778 00:40:40,960 --> 00:40:41,840 Speaker 4: Eighteen months? 779 00:40:42,440 --> 00:40:46,480 Speaker 3: All right? You got you get read in between my guys? 780 00:40:47,440 --> 00:40:48,640 Speaker 4: Really? Yeah, it's good. 781 00:40:48,640 --> 00:40:52,399 Speaker 5: I only have one, so I don't like, I can't 782 00:40:52,400 --> 00:40:54,799 Speaker 5: really fathom, like the two kids thing. 783 00:40:55,400 --> 00:40:58,200 Speaker 3: That's cool. I got through. Is she lying down yet? 784 00:40:58,360 --> 00:40:59,400 Speaker 3: I got through? Whatever? 785 00:41:00,080 --> 00:41:03,280 Speaker 4: She's like running and ship Okay, so she's. 786 00:41:03,520 --> 00:41:07,840 Speaker 3: Lying down yet and there's no normal pace. 787 00:41:08,960 --> 00:41:12,680 Speaker 1: Those milestones of those benchmarks are like so trying. 788 00:41:12,440 --> 00:41:15,600 Speaker 3: To like make you buy some product to get her 789 00:41:15,640 --> 00:41:17,359 Speaker 3: to lie down, It's like she'll do it. 790 00:41:19,280 --> 00:41:22,560 Speaker 4: I like that. Is she lying down yet? She's lying 791 00:41:22,560 --> 00:41:25,920 Speaker 4: down a lot? Yeah? Actually yeah, it's pretty cold. It's 792 00:41:25,920 --> 00:41:26,640 Speaker 4: pretty cool. 793 00:41:26,800 --> 00:41:28,719 Speaker 3: Because if she weren't, that would actually be really bad. 794 00:41:29,200 --> 00:41:32,279 Speaker 4: None, I was very scared for you. 795 00:41:32,280 --> 00:41:34,200 Speaker 1: At eighteen months. They should have they should be lying 796 00:41:34,200 --> 00:41:35,240 Speaker 1: down for at least a month. 797 00:41:35,120 --> 00:41:35,680 Speaker 3: At that point. 798 00:41:36,320 --> 00:41:37,560 Speaker 4: Yeah, that's crazy. 799 00:41:37,760 --> 00:41:39,200 Speaker 2: No, it would be really scary. 800 00:41:38,920 --> 00:41:40,640 Speaker 3: If she wasn't good. 801 00:41:42,200 --> 00:41:47,520 Speaker 7: Stud Do you know Yorch Yorch he's one of our 802 00:41:47,600 --> 00:41:49,080 Speaker 7: listeners in Australia. 803 00:41:49,880 --> 00:41:52,200 Speaker 4: Oh okay, k pop guy. 804 00:41:53,160 --> 00:41:56,800 Speaker 3: Maybe is he a K pop guy? I actually don't know. 805 00:41:56,640 --> 00:41:59,759 Speaker 3: I mostly think about K pop guy. Yeah, okay, he's 806 00:41:59,800 --> 00:42:01,279 Speaker 3: a pop guy. Yeah. 807 00:42:01,360 --> 00:42:03,400 Speaker 1: I didn't ask his job either, But you know, the 808 00:42:03,440 --> 00:42:05,640 Speaker 1: one time we had him on the stream, he like, 809 00:42:06,560 --> 00:42:08,800 Speaker 1: if you remember, he left his computer in the backyard 810 00:42:08,840 --> 00:42:10,839 Speaker 1: and he ran inside I think to record a K 811 00:42:10,920 --> 00:42:11,479 Speaker 1: pop song. 812 00:42:12,200 --> 00:42:15,920 Speaker 5: Yeah, yeah, okay, Young Young Sin and Wong Peninton is 813 00:42:16,360 --> 00:42:18,160 Speaker 5: named yor K pop guy. 814 00:42:18,239 --> 00:42:19,840 Speaker 4: That's obviously who you're talking about. 815 00:42:19,640 --> 00:42:24,040 Speaker 3: Right, Yeah, I guess that is that's sounding right, I 816 00:42:24,080 --> 00:42:24,960 Speaker 3: guess that is him. 817 00:42:25,280 --> 00:42:27,160 Speaker 4: Yeah, okay, cool, shut up. 818 00:42:28,360 --> 00:42:30,200 Speaker 3: Well he gets a shout out and I didn't get 819 00:42:30,200 --> 00:42:31,239 Speaker 3: on this entire show. 820 00:42:32,239 --> 00:42:34,200 Speaker 9: I haven't been shouted out on my own show. 821 00:42:34,320 --> 00:42:35,680 Speaker 2: But that's fine. 822 00:42:35,800 --> 00:42:36,760 Speaker 9: I guess. 823 00:42:38,000 --> 00:42:42,280 Speaker 1: Well, uh, I am obviously I'm excited for the show. 824 00:42:43,719 --> 00:42:47,320 Speaker 2: I hope you'll take some of these lessons to heart. 825 00:42:47,800 --> 00:42:48,040 Speaker 3: Stu. 826 00:42:48,239 --> 00:42:52,600 Speaker 1: Yeah, because there were moments, and just a few, but 827 00:42:52,640 --> 00:42:55,279 Speaker 1: there were moments where I felt like maybe you were 828 00:42:55,400 --> 00:42:57,719 Speaker 1: humoring us a little bit. 829 00:42:57,840 --> 00:43:00,520 Speaker 4: No, man, I wouldn't do that to you. 830 00:43:00,360 --> 00:43:03,680 Speaker 3: And that's what I said. Sean texted me, He's he's 831 00:43:03,760 --> 00:43:07,080 Speaker 3: humoring my ass. You better make him stop now. 832 00:43:07,719 --> 00:43:09,880 Speaker 5: I'm sorry, man, I should be more genuine. You know 833 00:43:09,960 --> 00:43:10,840 Speaker 5: I wouldn't do that to you. 834 00:43:10,880 --> 00:43:11,160 Speaker 4: Brother. 835 00:43:11,960 --> 00:43:14,279 Speaker 2: I got you a right man, that's feeling. I got 836 00:43:14,320 --> 00:43:15,080 Speaker 2: you good? 837 00:43:15,239 --> 00:43:16,279 Speaker 4: Yeah, yeah, I got you. 838 00:43:16,400 --> 00:43:17,520 Speaker 2: Thank you for gotching me. 839 00:43:17,719 --> 00:43:19,600 Speaker 4: We can have a cuddle when we get there as well. 840 00:43:20,040 --> 00:43:24,120 Speaker 3: When's the new album come out April? 841 00:43:24,520 --> 00:43:25,760 Speaker 4: I think wrong? 842 00:43:26,920 --> 00:43:28,120 Speaker 3: It comes out tomorrow. 843 00:43:30,400 --> 00:43:31,080 Speaker 4: No it doesn't. 844 00:43:31,719 --> 00:43:35,719 Speaker 5: Doesn't it come that's impossible. When'sday podcast coming up the 845 00:43:35,840 --> 00:43:38,080 Speaker 5: day before the album? That's cool? 846 00:43:38,680 --> 00:43:40,120 Speaker 3: Oh it's not finished yet. 847 00:43:40,360 --> 00:43:42,520 Speaker 4: No, it is finished, No, Stu. 848 00:43:43,560 --> 00:43:48,160 Speaker 1: We're trying to create a sense of drama that coming 849 00:43:48,239 --> 00:43:52,319 Speaker 1: out tomorrow and we haven't finished it. Oh and then 850 00:43:52,400 --> 00:43:57,040 Speaker 1: you like find the key like that unlocks the final track. 851 00:43:56,800 --> 00:43:58,160 Speaker 3: Of the album or whatever. 852 00:43:58,880 --> 00:44:02,520 Speaker 2: You know, we're a part of your history, just as 853 00:44:02,560 --> 00:44:03,920 Speaker 2: you've become a part of ours. 854 00:44:04,760 --> 00:44:09,280 Speaker 4: Yeah, with your scorching hot take sexy Hotel. 855 00:44:09,480 --> 00:44:14,080 Speaker 3: On the Oscar? What's it called? What's it called? 856 00:44:14,160 --> 00:44:17,160 Speaker 2: What's you have to know? What your album is called? 857 00:44:19,080 --> 00:44:23,960 Speaker 1: I'm so glad we got touched with the twenty albums. 858 00:44:24,760 --> 00:44:28,279 Speaker 3: You don't know when you don't know, you don't know 859 00:44:28,320 --> 00:44:29,760 Speaker 3: that the new one comes out tomorrow. 860 00:44:30,239 --> 00:44:31,600 Speaker 2: This has become an intervention. 861 00:44:32,320 --> 00:44:35,839 Speaker 6: It's called the Hollywood Handbook. The album is what Yeah 862 00:44:36,000 --> 00:44:42,560 Speaker 6: killer your title dude ship. Yes, that's so good, bad 863 00:44:42,600 --> 00:44:43,000 Speaker 6: for us. 864 00:44:43,040 --> 00:44:46,520 Speaker 2: I guess we don't want to be the other Hollywood 865 00:44:46,520 --> 00:44:48,000 Speaker 2: Handbook when people don't. 866 00:44:47,800 --> 00:44:50,400 Speaker 4: Listen to No, it's it's for real, toy. 867 00:44:50,840 --> 00:44:52,120 Speaker 2: For real though, we're a big show 868 00:44:53,760 --> 00:44:56,160 Speaker 3: Book.