1 00:00:03,560 --> 00:00:08,560 Speaker 1: Welcome back to not just another episode of Alchemy this 2 00:00:08,680 --> 00:00:11,600 Speaker 1: I'm your host, Kevin Pollock. Yes that Kevin Pollock. No, no, 3 00:00:11,640 --> 00:00:15,440 Speaker 1: not to worry. That crunching sound is me. Yeah. Little 4 00:00:15,480 --> 00:00:18,640 Speaker 1: comedy tip for y'all if you want to feel funny, 5 00:00:19,560 --> 00:00:22,200 Speaker 1: um as you're putting on your shoes, pouring some cat 6 00:00:22,320 --> 00:00:25,160 Speaker 1: and crunch No no, thank me later, but I digress. 7 00:00:25,480 --> 00:00:28,240 Speaker 1: Let's meet to Rakahawi no particular order. Let's quickly check 8 00:00:28,280 --> 00:00:31,800 Speaker 1: in with Craig Kokowski for his two start of summer review. Ka, 9 00:00:33,520 --> 00:00:39,240 Speaker 1: Memorial Day has happened. Uh you can wear white, gentlemen 10 00:00:39,520 --> 00:00:45,879 Speaker 1: and and ladies. Summer is underway, and uh all you 11 00:00:46,120 --> 00:00:54,279 Speaker 1: Leo's and uh Gemini's maybe out there getting ready to 12 00:00:54,280 --> 00:00:59,080 Speaker 1: celebrate those birthdays. Get those gas grills and cold grills 13 00:00:59,120 --> 00:01:02,120 Speaker 1: fired up because you're gonna be cooking in your yard. 14 00:01:02,560 --> 00:01:06,640 Speaker 1: I've got a surfboard right here in my office, which 15 00:01:06,680 --> 00:01:09,640 Speaker 1: is my wife's. There's a guitar also my wife's. I 16 00:01:09,720 --> 00:01:14,280 Speaker 1: have no cool accoutrement uh in in the office. But 17 00:01:14,600 --> 00:01:17,200 Speaker 1: but happy summer everyone. It feels like it's gonna be 18 00:01:17,240 --> 00:01:19,800 Speaker 1: a good one. And I think the heat is going 19 00:01:19,840 --> 00:01:25,840 Speaker 1: to kill the virus. And uh, I think we're just 20 00:01:25,880 --> 00:01:31,120 Speaker 1: headed towards a happy and healthy autumn. Yes, thank you 21 00:01:31,200 --> 00:01:33,600 Speaker 1: for that. The office you referred to as yours, is 22 00:01:33,640 --> 00:01:37,880 Speaker 1: that also, Carlos. Yeah, it's more her office than mine. 23 00:01:38,640 --> 00:01:42,800 Speaker 1: Just checking. Hey, there's cars Alvarado no longer high see. 24 00:01:43,280 --> 00:01:49,720 Speaker 1: Care to shine some love on chef Marcos. I don't, 25 00:01:49,800 --> 00:01:52,480 Speaker 1: I don't. I don't know. I don't know. I don't. 26 00:01:52,560 --> 00:01:54,680 Speaker 1: I don't even know who that is. You're not watching 27 00:01:54,760 --> 00:01:58,520 Speaker 1: Vote Deck Sailing yet, I'm not. Oh, oh my god, 28 00:01:58,680 --> 00:02:03,520 Speaker 1: all right, we're good, well and we'll stop. I'll tell you, 29 00:02:03,520 --> 00:02:06,120 Speaker 1: I'll tell you where this began quickly, Kevin was sure 30 00:02:06,200 --> 00:02:08,000 Speaker 1: enough it was the last season in the season before 31 00:02:08,080 --> 00:02:10,800 Speaker 1: you said, oh, Jimmie and I are really into this season. 32 00:02:10,840 --> 00:02:12,720 Speaker 1: I forget, I forget which one it was. It was 33 00:02:12,760 --> 00:02:15,239 Speaker 1: just sailing. I didn't know there was an option. I 34 00:02:15,320 --> 00:02:20,480 Speaker 1: was like, I'm not kidding. I was like, and then 35 00:02:20,480 --> 00:02:25,320 Speaker 1: I just gonna faded away. Yeah. Yeah, we jumped back 36 00:02:25,320 --> 00:02:28,640 Speaker 1: into Sailing Yacht after not enjoying the first season, and thankfully, 37 00:02:28,680 --> 00:02:33,919 Speaker 1: because the chef on this is arguably the best chef yet, 38 00:02:34,000 --> 00:02:38,160 Speaker 1: he's got a restaurant downtown carl mar Marlu that we're 39 00:02:38,200 --> 00:02:42,080 Speaker 1: gonna go check out. Yeah, Chef Marcos, he's just beyond beyond. 40 00:02:42,880 --> 00:02:46,480 Speaker 1: Brings the amazing cooking of course, and playing, but also 41 00:02:47,720 --> 00:02:52,800 Speaker 1: a personality and disposition. There's never been a not crazy chef, 42 00:02:52,880 --> 00:02:56,320 Speaker 1: you know the right. Speaking of which, look out, it's 43 00:02:56,320 --> 00:03:03,120 Speaker 1: smart Gagliardi time. What MG hammered, Yeah, you knew you 44 00:03:03,200 --> 00:03:08,840 Speaker 1: were meant for show business when blank, When I walked 45 00:03:08,880 --> 00:03:12,240 Speaker 1: on stage for the first time at five years old 46 00:03:12,919 --> 00:03:17,480 Speaker 1: in a production of the Best Christmas Pageant ever? Uh, 47 00:03:18,280 --> 00:03:22,280 Speaker 1: and did a bit and got a laugh? What was 48 00:03:22,320 --> 00:03:25,359 Speaker 1: the what was the what was what we're calling a bit? 49 00:03:26,320 --> 00:03:28,440 Speaker 1: I was playing? I was just a like a it's 50 00:03:28,480 --> 00:03:30,400 Speaker 1: not an extra if you're in a play, right, you 51 00:03:30,400 --> 00:03:32,959 Speaker 1: don't call him extras in place? It was an ensemble. 52 00:03:33,320 --> 00:03:36,160 Speaker 1: I was ensemble. That's the word. I was in the ensemble. 53 00:03:36,200 --> 00:03:38,880 Speaker 1: I was five, and I had I had just gotten 54 00:03:38,960 --> 00:03:43,240 Speaker 1: boxing gloves, uh, and I loved my boxing gloves. And 55 00:03:43,320 --> 00:03:46,960 Speaker 1: so they decided that my character was the little kid 56 00:03:46,960 --> 00:03:50,600 Speaker 1: who was dressed like an angel but wore his boxing gloves. 57 00:03:50,840 --> 00:03:52,920 Speaker 1: It was I walked out on stage and my boxing 58 00:03:52,960 --> 00:03:56,200 Speaker 1: gloves and then the stage manager runs out and takes 59 00:03:56,240 --> 00:03:59,400 Speaker 1: my boxing gloves off, and I stomped my way up 60 00:03:59,440 --> 00:04:02,000 Speaker 1: into the risers where we're all gonna stand and sing. 61 00:04:02,240 --> 00:04:05,160 Speaker 1: And when I stomped away, stomp of stage, and I 62 00:04:05,240 --> 00:04:07,040 Speaker 1: hear laughter from the audience and I turned around and 63 00:04:07,040 --> 00:04:12,400 Speaker 1: I thought, oh, me like, yeah, me like, So that 64 00:04:12,480 --> 00:04:18,520 Speaker 1: was where it all began. That's pretty awesome. I love that. Yeah. 65 00:04:18,760 --> 00:04:21,560 Speaker 1: And last but the return of Canker stories for you. 66 00:04:21,600 --> 00:04:24,120 Speaker 1: If you think of leaves, it's James Heeney, Johnny Jim Jack. 67 00:04:24,680 --> 00:04:27,440 Speaker 1: Tell us about your recent gig in San Diego, please, 68 00:04:27,839 --> 00:04:31,000 Speaker 1: Oh my gosh. It was the most amazing experience. I 69 00:04:31,040 --> 00:04:33,560 Speaker 1: got to play the character of Ron Burgundy for the 70 00:04:33,640 --> 00:04:37,240 Speaker 1: Rock and Roll Marathon, uh, and they liked me so much. 71 00:04:37,240 --> 00:04:39,239 Speaker 1: In October they wanted me to come up for the expo. 72 00:04:39,760 --> 00:04:42,160 Speaker 1: So I came for the expo and I was just 73 00:04:42,520 --> 00:04:45,280 Speaker 1: the original person that was doing it. Lost the gigs. 74 00:04:45,279 --> 00:04:48,800 Speaker 1: They booked something and just didn't give notice. But they 75 00:04:48,839 --> 00:04:52,240 Speaker 1: just did lines from the movie and there's such inappropriate lines. 76 00:04:52,320 --> 00:04:54,760 Speaker 1: I ended up improvising most of it, and I was 77 00:04:54,839 --> 00:04:59,400 Speaker 1: fake interviewing people at the expo, and my favorite thing 78 00:04:59,440 --> 00:05:01,159 Speaker 1: was by the and they had a line of people 79 00:05:01,480 --> 00:05:03,960 Speaker 1: that wanted me to interview with them with a fake 80 00:05:04,040 --> 00:05:08,240 Speaker 1: microphone as they were recording it on their phone. And 81 00:05:08,480 --> 00:05:10,680 Speaker 1: I can't believe I was paid to do something that 82 00:05:10,720 --> 00:05:13,240 Speaker 1: I had so much fun performing. That is what we 83 00:05:13,360 --> 00:05:17,520 Speaker 1: call righteous. Yeah, I'm so glad I asked. That's great 84 00:05:17,560 --> 00:05:20,719 Speaker 1: to hear, and now let's do a damn show. All 85 00:05:20,760 --> 00:05:25,440 Speaker 1: of our scene suggestions have been gathered from listener emails 86 00:05:25,560 --> 00:05:27,479 Speaker 1: or from our patron v i P s. And we 87 00:05:27,600 --> 00:05:31,440 Speaker 1: thank you all from all for your wanted what We 88 00:05:31,520 --> 00:05:34,560 Speaker 1: thank you all for your wanted for wanting to be 89 00:05:34,640 --> 00:05:37,600 Speaker 1: involved in the show geez, as well as supporting who 90 00:05:37,640 --> 00:05:44,440 Speaker 1: wet this cry? You sure all right for supporting us 91 00:05:44,440 --> 00:05:47,559 Speaker 1: to patriot. In fact, after some three episodes under our belts, 92 00:05:47,560 --> 00:05:49,720 Speaker 1: the time has in fact come to step away from 93 00:05:49,720 --> 00:05:51,840 Speaker 1: this glory is fun. We must bid you all a 94 00:05:52,000 --> 00:05:55,920 Speaker 1: grateful so long, not for well forever, but so long 95 00:05:56,000 --> 00:05:58,280 Speaker 1: for now. New episodes will roll out to the end 96 00:05:58,279 --> 00:06:02,680 Speaker 1: of this month of June too, I mentioned for those 97 00:06:02,760 --> 00:06:07,480 Speaker 1: listening long after this date anyway, Thank you again, sincerely, 98 00:06:07,720 --> 00:06:12,159 Speaker 1: if not lovingly, and now on with today's show. Scene 99 00:06:12,160 --> 00:06:15,120 Speaker 1: one was sent in by patron v I P. Thomas Lawson, 100 00:06:16,000 --> 00:06:19,240 Speaker 1: who wrote, Hi Alchemy Gang I get ideas every time 101 00:06:19,279 --> 00:06:23,120 Speaker 1: I listened to you work your magic scene suggestion inheriting 102 00:06:23,760 --> 00:06:31,520 Speaker 1: a circus if you just sign here and here here, 103 00:06:31,560 --> 00:06:38,159 Speaker 1: we just need your right here. Why Beauregard quiet? Now sit, 104 00:06:38,200 --> 00:06:40,240 Speaker 1: I'll sit on your mat. Beauregard, sit on your mat 105 00:06:40,279 --> 00:06:43,120 Speaker 1: while mommy signs the signs the deed. Now sign right 106 00:06:43,120 --> 00:06:46,440 Speaker 1: here at the bottom. You're you're signing as the guardian 107 00:06:46,720 --> 00:06:49,920 Speaker 1: for Beauregard. Well, yes, Beauregard is a dog, and how 108 00:06:50,000 --> 00:06:54,279 Speaker 1: is a dog going to sign a thing? But it's 109 00:06:54,279 --> 00:06:56,760 Speaker 1: a circus. It's a circus. Now I'm just I'm just 110 00:06:56,839 --> 00:07:00,320 Speaker 1: the guardian. I'm just the guardian for Beauregard, signing right 111 00:07:00,400 --> 00:07:06,760 Speaker 1: here for Beauregarded. Now he's the owner. Okay, congratulations, don't 112 00:07:06,760 --> 00:07:14,600 Speaker 1: congratulate me. Congratulate Beauregard. Accuses Beauregard. Beauregard. Congrat congratulate Beauregard. Um, 113 00:07:15,280 --> 00:07:21,280 Speaker 1: congratulations Beauregard. Yeah, I'm packing all my things. I don't 114 00:07:21,320 --> 00:07:24,360 Speaker 1: think this circus thing is gonna be for me. The 115 00:07:24,400 --> 00:07:28,520 Speaker 1: management changed this ridiculous city, passed it onto a dog. 116 00:07:29,680 --> 00:07:33,559 Speaker 1: But Bonzo, you're the number one clown we have. It's 117 00:07:33,680 --> 00:07:36,160 Speaker 1: just not you know, you know what, You're gonna get 118 00:07:36,200 --> 00:07:39,480 Speaker 1: this all wrapped up before the dogs take over. You 119 00:07:39,480 --> 00:07:42,080 Speaker 1: know what it's gonna be like. You know what's gonna 120 00:07:42,120 --> 00:07:45,080 Speaker 1: be like when a dog starts running the show. Well, 121 00:07:45,160 --> 00:07:47,320 Speaker 1: I guess maybe the animals will have more say in 122 00:07:47,360 --> 00:07:51,360 Speaker 1: the show. You they're gonna have more say. You know. 123 00:07:51,520 --> 00:07:53,760 Speaker 1: The first thing that happened over at the other circus 124 00:07:53,800 --> 00:07:57,760 Speaker 1: down the street, the dog started running the clowns riding 125 00:07:58,160 --> 00:08:05,800 Speaker 1: the clowns the dogs. The dogs were riding the clowns, 126 00:08:05,800 --> 00:08:07,400 Speaker 1: and the and the clowns had to go around on 127 00:08:07,440 --> 00:08:10,680 Speaker 1: their knees running into the circle. I'm not sticking around 128 00:08:10,680 --> 00:08:14,520 Speaker 1: for that. That was Rick Circus, right, Rick Circus? Yeah? 129 00:08:14,560 --> 00:08:20,280 Speaker 1: Oh god Rent, Yeah, they were lower rent And that's 130 00:08:20,320 --> 00:08:24,200 Speaker 1: our future. That's our future. But Bonzo, there's gonna be 131 00:08:24,240 --> 00:08:27,440 Speaker 1: so much room in the car if you're gone. I 132 00:08:27,560 --> 00:08:30,120 Speaker 1: might have taken up the most space in the car, 133 00:08:30,240 --> 00:08:33,520 Speaker 1: but let's be honest, that car was so full of love. 134 00:08:34,280 --> 00:08:37,240 Speaker 1: I think it's gonna be okay without me. Well, can 135 00:08:37,280 --> 00:08:42,280 Speaker 1: I can I get your Seltzer bottle? This? I guess 136 00:08:42,280 --> 00:08:45,480 Speaker 1: so I actually plan on not being a clown at 137 00:08:45,520 --> 00:08:49,360 Speaker 1: all anymore. I've always kind of wanted to get into Bonso, 138 00:08:49,440 --> 00:08:54,160 Speaker 1: how was your last day at the circus? Well, it 139 00:08:54,320 --> 00:08:56,760 Speaker 1: was it was rough. I wish I would have gotten 140 00:08:56,760 --> 00:08:59,040 Speaker 1: out a couple of days earlier. My knees are scraped 141 00:08:59,040 --> 00:09:02,280 Speaker 1: the hell right because of the dogs writing you. Do 142 00:09:02,320 --> 00:09:04,199 Speaker 1: you want to help with the big shows? Do you 143 00:09:04,240 --> 00:09:06,160 Speaker 1: want me to help you take the Yeah? If you 144 00:09:06,160 --> 00:09:09,960 Speaker 1: wouldn't mind. Wow, let's do the left one. Here we go, 145 00:09:11,000 --> 00:09:16,920 Speaker 1: and the right one. Oh that's a nota okay, Bonzo, 146 00:09:17,400 --> 00:09:21,960 Speaker 1: you are looking for investors in your startup and you 147 00:09:22,040 --> 00:09:24,760 Speaker 1: have come to the right place. You know, we were 148 00:09:25,559 --> 00:09:28,640 Speaker 1: we he says. He says he feels the same way. 149 00:09:28,679 --> 00:09:30,480 Speaker 1: This is the right place and he can't wait to 150 00:09:30,480 --> 00:09:36,880 Speaker 1: work with you. Oh will Bonzo not be speaking for himself? No, no, 151 00:09:36,880 --> 00:09:42,200 Speaker 1: I for for the record, Beauregard and I are going 152 00:09:42,240 --> 00:09:44,719 Speaker 1: into basiness together, but I'm going to be doing all 153 00:09:44,720 --> 00:09:49,160 Speaker 1: the talking. You say into basiness, I did say into basiness. 154 00:09:50,679 --> 00:09:54,240 Speaker 1: The worry is I'm kind of I'm legally obliged to 155 00:09:54,280 --> 00:09:57,440 Speaker 1: work with Beauregard. I'll have to do circus work. Let 156 00:09:57,480 --> 00:10:01,080 Speaker 1: me you say legally obliged. Frankly, the only reason why 157 00:10:01,160 --> 00:10:04,520 Speaker 1: we're interested is because I've and now no, no disrespect 158 00:10:04,559 --> 00:10:09,239 Speaker 1: to you. Beauregard has money, you know, he has assets, 159 00:10:09,600 --> 00:10:14,880 Speaker 1: and he's a good boy. He's a good So you 160 00:10:14,920 --> 00:10:19,880 Speaker 1: want to copyright the word baseness? Yeah, it's going to 161 00:10:20,000 --> 00:10:24,079 Speaker 1: be part of my name for the for the well, 162 00:10:24,160 --> 00:10:27,440 Speaker 1: the baseness. Okay, and are you spelling it b A 163 00:10:27,800 --> 00:10:31,120 Speaker 1: y s. No, it's spelled the same way as the 164 00:10:31,160 --> 00:10:36,560 Speaker 1: word business pronounced baseness Okay, that would be it could 165 00:10:36,600 --> 00:10:39,160 Speaker 1: be a problem for the copyright Yeah, because I think 166 00:10:39,440 --> 00:10:43,920 Speaker 1: any judge would rule that kind of a common word. Daddy, 167 00:10:44,000 --> 00:10:48,200 Speaker 1: how was your last day at the copyright office? It 168 00:10:48,360 --> 00:10:54,280 Speaker 1: was it was the worst. Oh, you kids haven't seen that. 169 00:10:54,480 --> 00:10:57,600 Speaker 1: We're gonna take your shoes off for you. It's time 170 00:10:57,640 --> 00:11:02,000 Speaker 1: for you to relax. Now. My shoes are so tight. Yeah, 171 00:11:02,000 --> 00:11:06,200 Speaker 1: they're so tight. I'm so sick of being an uptight 172 00:11:06,280 --> 00:11:12,040 Speaker 1: businessman with these tight leather shoes. Uh, Dad, you always 173 00:11:12,040 --> 00:11:14,160 Speaker 1: told us we could follow our dreams, so maybe it's 174 00:11:14,160 --> 00:11:21,080 Speaker 1: time for you to follow yours. Yeah. Well, well, thanks Charlie, 175 00:11:21,160 --> 00:11:27,480 Speaker 1: Thanks Rico. Uh you know I've I've always wanted to 176 00:11:27,480 --> 00:11:34,280 Speaker 1: open a frozen drink stand at Uh we can help yeah, yeah, 177 00:11:34,320 --> 00:11:38,600 Speaker 1: we can help you. Yeah, you'd help me make pina 178 00:11:38,640 --> 00:11:42,720 Speaker 1: coladas and margarita's for all the beach goers. Well you're dead, 179 00:11:45,160 --> 00:11:51,880 Speaker 1: hey kid? Um? Yeah, just like a opinion. You work here? Yeah? 180 00:11:52,640 --> 00:11:54,280 Speaker 1: Well can I get for you? Here? You go? There? 181 00:11:54,320 --> 00:11:59,040 Speaker 1: You go to Dakaris? Thank you, chap. I'd like an opinion. 182 00:11:59,200 --> 00:12:04,080 Speaker 1: How old are you? What would you like? I'd like 183 00:12:04,160 --> 00:12:09,480 Speaker 1: an opinion? Colada? You want that ship strong? Yeah? Again? 184 00:12:09,559 --> 00:12:12,840 Speaker 1: How how old are you? Like? Yeah? Are you with 185 00:12:12,920 --> 00:12:17,320 Speaker 1: that babe over there? Yeah? That that that babe over Yeah, 186 00:12:17,360 --> 00:12:19,840 Speaker 1: that's that's that's my girlfriend. Yes, I'm with that babe 187 00:12:19,840 --> 00:12:25,280 Speaker 1: over there. Oh my god, he's so cute. I got muscles. 188 00:12:25,800 --> 00:12:29,960 Speaker 1: Do you want to feel like? Kid? Are you flirt? Whoa? 189 00:12:30,000 --> 00:12:33,480 Speaker 1: Did you just kiss my girlfriend? I'm just a kid. Yeah, 190 00:12:33,480 --> 00:12:35,199 Speaker 1: I know. What the hell are you doing working in 191 00:12:35,240 --> 00:12:39,920 Speaker 1: a beachside drink frozen drink bar? Well, I'm turning into 192 00:12:39,960 --> 00:12:43,880 Speaker 1: a basiness man. Oh wow, basiness spelled b U s 193 00:12:43,920 --> 00:12:46,960 Speaker 1: I n e ss business. That's right. Do you know 194 00:12:47,000 --> 00:12:50,800 Speaker 1: the definition of business? I bet you're gonna tell me. 195 00:12:51,640 --> 00:12:58,760 Speaker 1: It means from babies two bonnets, from babies to bonnets 196 00:12:58,760 --> 00:13:03,160 Speaker 1: and anyone in between. It could be it. Hey, babe, 197 00:13:03,200 --> 00:13:05,920 Speaker 1: this guy, this kid can't charge us for alcoholic who 198 00:13:05,960 --> 00:13:08,440 Speaker 1: get in trouble. Let's just not pay him, that's true. Yeah, 199 00:13:08,559 --> 00:13:11,280 Speaker 1: you know what, We're just gonna take this. It's gonna 200 00:13:11,320 --> 00:13:16,719 Speaker 1: take this. He's got a shotgun. I do what my 201 00:13:16,760 --> 00:13:21,680 Speaker 1: son says. Huh whoa where did he even come from? 202 00:13:21,679 --> 00:13:24,280 Speaker 1: Behind us? Well? I own the business, but I only 203 00:13:24,400 --> 00:13:29,160 Speaker 1: handle the copyright law martins business. My son's make all 204 00:13:29,200 --> 00:13:32,000 Speaker 1: the drinks and uh and handle all of the transactions. 205 00:13:32,600 --> 00:13:35,200 Speaker 1: And yes, I think you owe us thirty dollars for 206 00:13:35,240 --> 00:13:42,440 Speaker 1: those pat Yeah, and more more more, kiss on the cheek. 207 00:13:44,559 --> 00:13:47,480 Speaker 1: I'm Rico, the accountant, and so the thirty dollars has 208 00:13:47,559 --> 00:13:50,760 Speaker 1: to be cashed. But we'll also consider venmo. Okay, this 209 00:13:50,880 --> 00:13:54,559 Speaker 1: kid can't be more than three. What is he even doing? 210 00:13:54,920 --> 00:14:01,120 Speaker 1: The business is business? Okay? What's your point, Mike? You 211 00:14:01,160 --> 00:14:04,280 Speaker 1: know what? What's your point? Do you want these drinks? 212 00:14:04,360 --> 00:14:10,959 Speaker 1: Old man? Yes, I want those drinks? Young kid? About 213 00:14:11,000 --> 00:14:18,040 Speaker 1: a finger pointing? Okay, mom, dad, how is cabo? Oh? 214 00:14:18,200 --> 00:14:20,240 Speaker 1: Sit down and we'll take your shoes off. Thanks, get 215 00:14:20,280 --> 00:14:22,720 Speaker 1: the left one first, You got it? You got it. 216 00:14:24,120 --> 00:14:26,640 Speaker 1: I just I don't know, Honeywood. We had we had 217 00:14:26,680 --> 00:14:29,120 Speaker 1: a run in with you know. What I took away 218 00:14:29,160 --> 00:14:33,000 Speaker 1: from it is some kids are working, are willing to hustle. Like, 219 00:14:33,120 --> 00:14:34,640 Speaker 1: what do you what did you even do? All? We 220 00:14:34,680 --> 00:14:37,040 Speaker 1: were just play video game. No, I'm glad you brought 221 00:14:37,080 --> 00:14:40,200 Speaker 1: that up. I have a form here that if you 222 00:14:40,200 --> 00:14:43,080 Speaker 1: guys just signed, I could start my new summer job. 223 00:14:44,120 --> 00:14:50,920 Speaker 1: Oh really, let me see this form? Uh? Why did 224 00:14:51,800 --> 00:14:55,200 Speaker 1: That's the section where it says what your job title 225 00:14:55,240 --> 00:14:57,440 Speaker 1: is is blank? Why is that blank? Well? I have 226 00:14:57,520 --> 00:15:02,440 Speaker 1: to kind of audition dad. It's like a it's a circus. 227 00:15:03,040 --> 00:15:07,800 Speaker 1: Wait a minute, who is Rick? Who is Rick? And 228 00:15:07,880 --> 00:15:10,040 Speaker 1: what is Rick Circus? I don't know that I like 229 00:15:10,160 --> 00:15:12,560 Speaker 1: you getting a job like this. He's just a kid hunting. 230 00:15:12,600 --> 00:15:15,440 Speaker 1: I mean, like, well, but you guys said, no, I 231 00:15:15,440 --> 00:15:18,440 Speaker 1: I should be more responsible to get a coffee shop. Yeah, 232 00:15:18,440 --> 00:15:21,920 Speaker 1: a circus feels like a lot. Yeah, but who knows? 233 00:15:21,960 --> 00:15:26,720 Speaker 1: Who knows? Who knows? Okay, Look, circuses are very competitive 234 00:15:26,720 --> 00:15:29,360 Speaker 1: in this town. There's at least five in a three 235 00:15:29,400 --> 00:15:33,600 Speaker 1: block radius. Uh so you know Rick Circus. Like, we 236 00:15:33,600 --> 00:15:36,000 Speaker 1: we've got to step it up a little bet. Are 237 00:15:36,040 --> 00:15:38,480 Speaker 1: you willing to do that? Kid? Yes, sir, yes, sir. 238 00:15:38,640 --> 00:15:41,920 Speaker 1: I put together four of what I think my best 239 00:15:41,920 --> 00:15:43,480 Speaker 1: talents and maybe you could choose one and see if 240 00:15:43,520 --> 00:15:45,400 Speaker 1: you guys there's no need for that. Get that on 241 00:15:45,400 --> 00:15:47,120 Speaker 1: all fours. I'm gonna put a pug on your back. 242 00:15:48,080 --> 00:15:57,440 Speaker 1: One see two got to us from listener Patrick oh Halley, 243 00:15:57,600 --> 00:16:02,160 Speaker 1: who wrote, Hey yo, alchemists. Don't know who's hosting this week, 244 00:16:02,200 --> 00:16:09,160 Speaker 1: but whoever it is is doing a wonderful job anyway. Wow, 245 00:16:10,080 --> 00:16:14,240 Speaker 1: I was I prefer multi award winning Kevin Paul. I 246 00:16:14,280 --> 00:16:17,880 Speaker 1: was watching Mrs Masil, Thank you Kevin, and I can't 247 00:16:17,880 --> 00:16:21,240 Speaker 1: get past Ethan being five. I'm a teacher and I 248 00:16:21,320 --> 00:16:23,360 Speaker 1: know that that kid has got to be around nine 249 00:16:23,440 --> 00:16:26,080 Speaker 1: years old. The actor does a good job, but I 250 00:16:26,120 --> 00:16:28,040 Speaker 1: know it must be hard to get an actual five 251 00:16:28,120 --> 00:16:31,120 Speaker 1: year old right now. But I digress my scenes and 252 00:16:31,160 --> 00:16:33,160 Speaker 1: why is it hardy and a five year old right 253 00:16:33,280 --> 00:16:42,360 Speaker 1: right now? Supply chain, supply chain, supply chain is broken down? 254 00:16:45,520 --> 00:16:48,520 Speaker 1: But I digress. Patrick goes on My scene suggestion is 255 00:16:48,520 --> 00:16:51,920 Speaker 1: adults being passed off as children, but only one person 256 00:16:52,120 --> 00:16:59,200 Speaker 1: isn't buying it. Thanks for all you do, love Patrick, okay, 257 00:16:59,320 --> 00:17:06,600 Speaker 1: uh Auditioning for Danny, I have Steven is Steven here? 258 00:17:07,000 --> 00:17:12,320 Speaker 1: That's that's me. I'm Stephen oh all right, Stephen, come 259 00:17:12,359 --> 00:17:15,600 Speaker 1: on in. You have the sides? Thanks? Yeah, yeah, I 260 00:17:15,600 --> 00:17:17,240 Speaker 1: got it. I got I'm ready with the same you're 261 00:17:17,280 --> 00:17:19,920 Speaker 1: signed in. Hold on really quick? Can I just say 262 00:17:19,960 --> 00:17:22,480 Speaker 1: he looks so cute and that angel costume with those 263 00:17:22,520 --> 00:17:27,119 Speaker 1: boxing gloves. Thanks. Well, look, you know I read I 264 00:17:27,160 --> 00:17:29,240 Speaker 1: read the script. No, I can hear you. You guys 265 00:17:29,280 --> 00:17:31,480 Speaker 1: are right in front of me, like, yeah, okay, sorry, 266 00:17:31,480 --> 00:17:35,080 Speaker 1: it's you look at Thanks. I appreciate that. Do you 267 00:17:35,160 --> 00:17:38,800 Speaker 1: have any questions for us? No? I mean, um, it's 268 00:17:38,840 --> 00:17:42,960 Speaker 1: a script is pretty self explanatory. These guys, they're all Americans, right, 269 00:17:43,160 --> 00:17:47,000 Speaker 1: that's the yes and the scene. Okay. I just didn't 270 00:17:47,000 --> 00:17:49,080 Speaker 1: know if you guys wanted an accent or anything. How 271 00:17:49,080 --> 00:17:52,720 Speaker 1: many are you? How many? Oh, I'm this, I'm this many? Wow? 272 00:17:53,720 --> 00:17:56,240 Speaker 1: Can I just put sidebar for a second? Do you 273 00:17:56,320 --> 00:18:00,920 Speaker 1: think it's not I'm not like, can hear everything you guys? 274 00:18:00,960 --> 00:18:02,080 Speaker 1: Do you want me to do? You would just like 275 00:18:02,160 --> 00:18:05,719 Speaker 1: me to step out of the room. I'll speak in code. 276 00:18:05,960 --> 00:18:08,240 Speaker 1: He's a big boy. What do you want to say? 277 00:18:08,560 --> 00:18:12,080 Speaker 1: I'm worried that the script is gonna unveil a very 278 00:18:12,119 --> 00:18:14,800 Speaker 1: important figure, like what if there was something he didn't 279 00:18:14,800 --> 00:18:18,119 Speaker 1: know about Santa Claus and the script might unveil that. 280 00:18:18,280 --> 00:18:22,040 Speaker 1: Is there a way we can avoid spoilers? Good concern, 281 00:18:22,119 --> 00:18:24,560 Speaker 1: that's a good concern. Yeah. I don't know why we 282 00:18:24,600 --> 00:18:26,679 Speaker 1: have HR at the auditions these days, but what are 283 00:18:26,680 --> 00:18:29,560 Speaker 1: you gonna do? I think for this very reason, you 284 00:18:29,600 --> 00:18:33,439 Speaker 1: can't keep your hands to yourself. Excuse me. I'm Steven's 285 00:18:33,520 --> 00:18:37,600 Speaker 1: mother and just I was waiting outside. It was taking 286 00:18:37,600 --> 00:18:40,800 Speaker 1: a while. I just want to make sure everything's going. Okay, Mom, 287 00:18:40,840 --> 00:18:44,280 Speaker 1: everything's fine. Get your stop licking my face everything. It's 288 00:18:44,960 --> 00:18:49,399 Speaker 1: a little dirt on your face there, but that's gross, Like, please, 289 00:18:50,119 --> 00:18:54,000 Speaker 1: can you come over here? Come on, Steve's mom. I'm 290 00:18:54,040 --> 00:18:56,040 Speaker 1: the producer of the production. This is our director and 291 00:18:56,040 --> 00:19:00,320 Speaker 1: this is our third pretty HR quick question. R name 292 00:19:00,600 --> 00:19:07,560 Speaker 1: your position, it's my position. Resources. Does Stephen? Does Stephen 293 00:19:07,680 --> 00:19:14,920 Speaker 1: still believe in the magic of the Holidays? Oh? Yes, yes, 294 00:19:15,040 --> 00:19:19,119 Speaker 1: I haven't told him about Santa Okay, okay, okay, okay, 295 00:19:19,119 --> 00:19:22,359 Speaker 1: So this is the concern. Yes, Why are you guys 296 00:19:22,359 --> 00:19:25,440 Speaker 1: so concerned about Santa Claus? What happened to him? No, 297 00:19:26,200 --> 00:19:30,080 Speaker 1: nothing's happened to him. Nothing's happened to Stephen. He's behind 298 00:19:30,240 --> 00:19:33,359 Speaker 1: Stevie and he'll be there on December twenty five. He 299 00:19:33,520 --> 00:19:39,520 Speaker 1: is every year. Thanks, Mom, You've read the sides, as 300 00:19:39,560 --> 00:19:42,720 Speaker 1: you said, you've prepared the audition. So I'm gonna ask 301 00:19:43,000 --> 00:19:46,639 Speaker 1: hr to stand down here. Okay, all right, I'm just 302 00:19:46,760 --> 00:19:49,000 Speaker 1: afraid of what's going to happen. Well, that's your job 303 00:19:49,040 --> 00:19:52,280 Speaker 1: to be afraid, and it's my job to be carefree 304 00:19:52,400 --> 00:19:58,159 Speaker 1: and um yeah yeah, and irresponsible. So Stephen, let's go ahead. 305 00:19:58,480 --> 00:20:01,360 Speaker 1: And when you're ready to go ahead and jump sure, sure, 306 00:20:02,119 --> 00:20:07,240 Speaker 1: mommy daddy, why are you always fighting? Can I just 307 00:20:07,280 --> 00:20:09,960 Speaker 1: give you a quick note? Yeah? Yeah, kind of throw 308 00:20:10,000 --> 00:20:11,960 Speaker 1: that away. It seems like you're making too much of 309 00:20:12,000 --> 00:20:18,520 Speaker 1: a thing. I mean, okay, just throw that away. You're 310 00:20:18,560 --> 00:20:21,840 Speaker 1: not terribly impressed that they're fighting yet again, he's been 311 00:20:21,880 --> 00:20:28,560 Speaker 1: taking improv classes. Yeah, give me a suggestion, then, Could 312 00:20:28,600 --> 00:20:31,480 Speaker 1: I get a suggestion for a way to just throw 313 00:20:31,560 --> 00:20:34,840 Speaker 1: that line away? Okay, children, get around, gather around now. 314 00:20:34,920 --> 00:20:37,600 Speaker 1: I'm about to post a list here. Okay, if your 315 00:20:37,680 --> 00:20:40,359 Speaker 1: name is not on the list, we won't be using 316 00:20:40,400 --> 00:20:44,240 Speaker 1: you this season, but that doesn't mean you can't come back, 317 00:20:44,640 --> 00:20:48,800 Speaker 1: um next season. Um, does anybody have any questions? Let's 318 00:20:48,840 --> 00:20:53,719 Speaker 1: just see the cast list. Okay, okay, um okay, I'm 319 00:20:53,720 --> 00:21:02,160 Speaker 1: gonna do it. I'm gonna do it. Here we go, Yes, unbelievable, 320 00:21:02,760 --> 00:21:09,680 Speaker 1: A bitch in your first Your HR? Is that correct? Yes, 321 00:21:09,920 --> 00:21:15,159 Speaker 1: I'm a HR. You can call me Judy, Judy. I 322 00:21:15,200 --> 00:21:19,920 Speaker 1: have a concern. My child auditioned for this holiday production 323 00:21:20,600 --> 00:21:23,159 Speaker 1: and was not cast. Now that isn't a concern, But 324 00:21:23,240 --> 00:21:25,520 Speaker 1: when I came to pick her up and she was bawling, 325 00:21:25,720 --> 00:21:31,120 Speaker 1: I saw what looked like seventeen eighteen grown adults walking out, 326 00:21:31,440 --> 00:21:36,280 Speaker 1: high fiving and whatnot, saying to her in your face, Uh, 327 00:21:36,800 --> 00:21:39,040 Speaker 1: what am I missing here? Is this an adult production 328 00:21:39,119 --> 00:21:42,600 Speaker 1: or a child production? Children? I am so sorry, but 329 00:21:42,720 --> 00:21:46,040 Speaker 1: it looks like your daughter didn't make it, so I'm 330 00:21:46,080 --> 00:21:51,119 Speaker 1: actually HR for her. It's it's unfortunate the way the 331 00:21:51,240 --> 00:21:55,159 Speaker 1: lines aren't kind of gets blurry. But she's not an employee, 332 00:21:55,200 --> 00:21:58,760 Speaker 1: so I'm not responsible. Understood, understood, But just between you 333 00:21:58,800 --> 00:22:02,120 Speaker 1: and I just just just human human. Am I crazy? 334 00:22:02,560 --> 00:22:05,760 Speaker 1: Or is this cast full of adults pretending to be children? 335 00:22:07,200 --> 00:22:11,840 Speaker 1: Come on now, full of adults? This is a children's play. 336 00:22:11,920 --> 00:22:15,040 Speaker 1: Sometimes you have to hire the best of the best. 337 00:22:15,080 --> 00:22:17,880 Speaker 1: And they got in their cars and drove away. Some 338 00:22:18,240 --> 00:22:20,639 Speaker 1: looks like some of the kids waiting for them. It 339 00:22:20,680 --> 00:22:24,600 Speaker 1: would be illegal for us to have grown adults portraying children. 340 00:22:24,640 --> 00:22:29,400 Speaker 1: That's not the way it works. That's okay. How did 341 00:22:29,440 --> 00:22:35,359 Speaker 1: the audition for the school play go? Honey? Not great? 342 00:22:37,560 --> 00:22:39,280 Speaker 1: Do you want me to take off your shoes here? 343 00:22:39,359 --> 00:22:44,720 Speaker 1: Let's take him off so you're not comfortable? Yeah, tell 344 00:22:44,760 --> 00:22:49,240 Speaker 1: your mom what happened? What happened you? But peds so wonderfully? Yeah? 345 00:22:49,240 --> 00:22:51,480 Speaker 1: I worked, I worked really hard. I had a song 346 00:22:51,560 --> 00:22:55,000 Speaker 1: and everything I wanted to do. But some some guy 347 00:22:55,040 --> 00:22:58,960 Speaker 1: with a beard's gonna play Annie. Wait, but how does 348 00:22:59,000 --> 00:23:02,560 Speaker 1: that look? Look? Look? Okay? Two things are happening here, darling. 349 00:23:02,600 --> 00:23:07,480 Speaker 1: Two things. Okay, One, our child has no talent, but 350 00:23:06,640 --> 00:23:10,680 Speaker 1: too But two she was beat out by what I 351 00:23:10,200 --> 00:23:12,320 Speaker 1: I feel like I'm losing my mind. I think it 352 00:23:12,359 --> 00:23:14,879 Speaker 1: was all adults. I think there are adults pretending to 353 00:23:14,880 --> 00:23:19,359 Speaker 1: be children in this production. Okay? But also also her 354 00:23:19,480 --> 00:23:22,360 Speaker 1: range is yeah, can we go back to go back 355 00:23:22,400 --> 00:23:25,919 Speaker 1: to one for a second. Were insisting that our genius 356 00:23:26,000 --> 00:23:31,119 Speaker 1: daughter has no talent, no innate talent. I mean, sure 357 00:23:31,200 --> 00:23:34,359 Speaker 1: she's smart, but she doesn't there's no soul behind what 358 00:23:34,520 --> 00:23:36,760 Speaker 1: she's singing, not like you, darling, you when you sing 359 00:23:36,760 --> 00:23:41,560 Speaker 1: their soul? Alright, Tom, alright, Tom, settled there, honey, honey, 360 00:23:41,760 --> 00:23:46,280 Speaker 1: do any character from a Disney movie or attraction go okay? 361 00:23:46,560 --> 00:23:52,720 Speaker 1: Um this here's the wildest riding the wilderness? About that? Tom? 362 00:23:52,920 --> 00:23:57,400 Speaker 1: Does that? Want help? And they were in the same country, 363 00:23:57,480 --> 00:24:00,879 Speaker 1: shepherds biting in the field, keeping watch over their flock 364 00:24:00,960 --> 00:24:03,640 Speaker 1: by night. I low, the Angel of the Lord came 365 00:24:03,720 --> 00:24:06,240 Speaker 1: upon them, and the glory of the Lord shone round 366 00:24:06,240 --> 00:24:09,480 Speaker 1: about them, and they were sore afraid, and the angel said, 367 00:24:09,520 --> 00:24:18,199 Speaker 1: unto them, fear not. Well, that's that's really good. Listen, 368 00:24:18,359 --> 00:24:20,840 Speaker 1: you're just hr okay. The director needs to give at 369 00:24:20,840 --> 00:24:25,080 Speaker 1: this point. I'm sorry, I'm sorry. I came all right, 370 00:24:27,480 --> 00:24:31,600 Speaker 1: even positive ones, and I just need a quick affirmation. 371 00:24:33,080 --> 00:24:38,400 Speaker 1: There's Judy's huh. Honestly, you're allowed to be here apparently, 372 00:24:39,040 --> 00:24:40,960 Speaker 1: but I don't see anything in the by laws where 373 00:24:41,000 --> 00:24:45,880 Speaker 1: you speak, So thank you, Gerald. Can I ask, uh, 374 00:24:46,280 --> 00:24:50,520 Speaker 1: have you had actual acting training? Have you attended any 375 00:24:50,560 --> 00:24:54,480 Speaker 1: acting class? I don't know if you're sort of genius 376 00:24:54,560 --> 00:24:59,280 Speaker 1: by training or you're a natural, which would you say? Yeah? Well, 377 00:24:59,320 --> 00:25:04,800 Speaker 1: I mean what what I've done nerve uh my method? 378 00:25:05,480 --> 00:25:07,800 Speaker 1: You know, I'm pretty much pretty much classically trained, and 379 00:25:07,920 --> 00:25:12,320 Speaker 1: Gerald remind me, Oh, so that's that's what the posture 380 00:25:12,359 --> 00:25:16,240 Speaker 1: is all about. Jerald. What's how how old are you? 381 00:25:16,280 --> 00:25:23,680 Speaker 1: How many? Um? This many? Okay? Wow, wonderful, wonderful. Did 382 00:25:23,720 --> 00:25:26,000 Speaker 1: you hear you went to Juilliard? Is that a thing? 383 00:25:26,080 --> 00:25:29,159 Speaker 1: Is that? Did that happen? Yeah? That's a thing and 384 00:25:29,240 --> 00:25:33,239 Speaker 1: that happened. Okay. I was expecting to get a lot 385 00:25:33,240 --> 00:25:39,320 Speaker 1: of ship for carrying this security blanket. But m looks 386 00:25:39,320 --> 00:25:42,960 Speaker 1: like I'm all right, Okay, everybody yet round. The reviews 387 00:25:42,960 --> 00:25:45,480 Speaker 1: are in. The reviews are, and now listen, whatever it 388 00:25:45,520 --> 00:25:47,840 Speaker 1: says in the paper, it doesn't mean, it doesn't take 389 00:25:47,840 --> 00:25:52,000 Speaker 1: away from the experience. Our director has been so wonderful. 390 00:25:52,119 --> 00:25:54,360 Speaker 1: He support his entire heart and soul to this production, 391 00:25:54,400 --> 00:25:57,439 Speaker 1: as you all know. Um sure, I'm a producer, but 392 00:25:57,480 --> 00:25:59,160 Speaker 1: I also felt like some of your mothers if I'm 393 00:25:59,160 --> 00:26:04,960 Speaker 1: being honest, being honest, and Judy's here, okay, here we go, 394 00:26:05,440 --> 00:26:09,600 Speaker 1: here we go. Okay, Well the headline is are these 395 00:26:09,640 --> 00:26:15,240 Speaker 1: even kids? This is good performed and we sent them 396 00:26:15,280 --> 00:26:21,480 Speaker 1: to a new place. Yeah, okay, who's the critic? Um? 397 00:26:21,480 --> 00:26:29,080 Speaker 1: Oh that's John Suption Coption attention to John Suption. Right, Okay, 398 00:26:29,160 --> 00:26:33,199 Speaker 1: let's see what he says. He says, hold on everybody. 399 00:26:33,359 --> 00:26:37,400 Speaker 1: This seems like the people on stage are full grown adults. 400 00:26:37,520 --> 00:26:39,800 Speaker 1: As a matter of fact, I was in traffic school 401 00:26:39,880 --> 00:26:42,399 Speaker 1: with one of them two weeks ago. What does you 402 00:26:42,400 --> 00:26:46,720 Speaker 1: mean by hold on everybody? A way to start? Yeah, 403 00:26:47,359 --> 00:26:51,400 Speaker 1: not a great lead. You have to consider the source. Yeah, 404 00:26:51,400 --> 00:26:53,399 Speaker 1: who would say hold on everybody at the time? That 405 00:26:53,400 --> 00:26:56,800 Speaker 1: doesn't mean sense. Also, it implies everyone is speaking at 406 00:26:56,920 --> 00:27:05,840 Speaker 1: him and who is this? You want a pullitzer for criticism? Everybody? 407 00:27:07,040 --> 00:27:19,280 Speaker 1: Let me continue now, everybody just holds on. He wrote that, Well, Um, Judy, 408 00:27:19,320 --> 00:27:22,640 Speaker 1: as you know, the play is a hit, and we 409 00:27:22,680 --> 00:27:27,280 Speaker 1: are we're going to a Broadway. Um, I know, but 410 00:27:27,440 --> 00:27:34,439 Speaker 1: Broadway has Broadway hr. I know it does, and I understand. 411 00:27:34,840 --> 00:27:37,719 Speaker 1: I understand. It's just we want to offer you a 412 00:27:37,840 --> 00:27:44,240 Speaker 1: role role. But I'm I'm this many. We know, we know, 413 00:27:44,440 --> 00:27:49,399 Speaker 1: but there's the grandmother role, the old old grandmother who's dying. 414 00:27:50,560 --> 00:27:54,320 Speaker 1: Every word is dying. Well, but I'm only this many, 415 00:27:54,440 --> 00:27:57,840 Speaker 1: So like that's a little it's a stretch. That's all 416 00:27:57,840 --> 00:27:59,040 Speaker 1: we can do. If you want to be a part 417 00:27:59,040 --> 00:28:02,199 Speaker 1: of the production and you have to always. If you 418 00:28:02,280 --> 00:28:05,240 Speaker 1: haven't noticed, I've snuck into every audition room. I'm at 419 00:28:05,240 --> 00:28:07,880 Speaker 1: all the play readings. Yes, I'll take it. I'll take 420 00:28:07,920 --> 00:28:14,280 Speaker 1: the role. Welcome to Broadway. Wow, children, do I have 421 00:28:14,359 --> 00:28:19,240 Speaker 1: to let the other old lady go? Well, we'll tell 422 00:28:19,240 --> 00:28:22,439 Speaker 1: her right now. Children, get around and get around. What's up? 423 00:28:22,480 --> 00:28:29,680 Speaker 1: What's up? Put the cigarettes out? You shouldn't be smoking. 424 00:28:31,040 --> 00:28:36,080 Speaker 1: We got good news. We're going to the show. What show? 425 00:28:36,080 --> 00:28:39,680 Speaker 1: Were we going to major League Baseball? This show is 426 00:28:39,760 --> 00:28:43,200 Speaker 1: going to Broadway. You said we're going to the show. 427 00:28:43,240 --> 00:28:45,920 Speaker 1: Are we gonna be in the show and to go 428 00:28:46,000 --> 00:28:49,400 Speaker 1: to the show to Broadway? The house seats? Okay, here's 429 00:28:49,400 --> 00:28:52,280 Speaker 1: what I meant. We're going to the show. Prom I 430 00:28:52,320 --> 00:28:58,240 Speaker 1: got tickets for everybody while and while we're in New York, 431 00:28:58,280 --> 00:29:03,480 Speaker 1: we're going to also put up this production. We're a hit. Okay, cool, 432 00:29:04,120 --> 00:29:07,320 Speaker 1: that sounds good. Yeah, we deserve it. So we're gonna 433 00:29:07,320 --> 00:29:14,280 Speaker 1: have to renegotiate salaries. Then, yes, an understudy for the matinees. 434 00:29:14,560 --> 00:29:20,440 Speaker 1: I don't do the matinees. Okay, yes, of course, um, yes, yes, 435 00:29:20,560 --> 00:29:22,280 Speaker 1: we will get to that. We will follow all the 436 00:29:22,280 --> 00:29:26,680 Speaker 1: equity laws and by laws. Is that you know? Yeah, 437 00:29:26,720 --> 00:29:29,959 Speaker 1: there's pretty laws and by laws. Yeah, are you remember 438 00:29:30,440 --> 00:29:32,480 Speaker 1: I am? I am? There's always an asterisk next to 439 00:29:32,520 --> 00:29:40,040 Speaker 1: my name in the in the play. Honestly, I don't 440 00:29:40,040 --> 00:29:43,920 Speaker 1: buy it. I don't buy that you have. And here, 441 00:29:44,000 --> 00:29:47,120 Speaker 1: by the way, oh, this is actually good and bad news, 442 00:29:47,960 --> 00:29:51,320 Speaker 1: good news for Judy kind of. Are you sure that 443 00:29:51,360 --> 00:29:53,080 Speaker 1: I should do this in front of everybody? I think 444 00:29:53,120 --> 00:29:58,080 Speaker 1: that's the time, Tara, Tara, You've done a great run 445 00:29:58,480 --> 00:30:01,160 Speaker 1: here at the local theater. But we're going to Broadway, 446 00:30:01,200 --> 00:30:03,480 Speaker 1: so we're gonna have to let you go. And I'm 447 00:30:03,520 --> 00:30:06,040 Speaker 1: gonna be playing the role of the old old lady 448 00:30:06,320 --> 00:30:11,600 Speaker 1: dying grandma. Okay, okay, okay, hold on, hold on, you're 449 00:30:11,640 --> 00:30:15,360 Speaker 1: doing me a favor. I don't want to go to Broadway. 450 00:30:15,680 --> 00:30:18,480 Speaker 1: I can't do eight shows for seventy four hours. But 451 00:30:18,680 --> 00:30:21,479 Speaker 1: you are from HR and you should not be acting 452 00:30:21,520 --> 00:30:26,720 Speaker 1: in any production of anything other than HR presents. We're boring, 453 00:30:28,840 --> 00:30:32,800 Speaker 1: and since we're since we're being honest, I need you 454 00:30:32,840 --> 00:30:36,640 Speaker 1: all to know I'm not an adult producer. What the 455 00:30:36,640 --> 00:30:41,520 Speaker 1: hell is that? Wait? I'm six. He's taking his trench 456 00:30:41,600 --> 00:30:47,360 Speaker 1: coat off. Three of them, he's four, three kids, he's five. 457 00:30:47,560 --> 00:30:52,440 Speaker 1: We all go to Cartman elementary in your face. Yeah. Second, 458 00:30:53,640 --> 00:31:01,240 Speaker 1: you guys are good actors a Broadway that a scene 459 00:31:01,280 --> 00:31:09,560 Speaker 1: to everybody. Scene three. Scene three comes to us from 460 00:31:09,600 --> 00:31:14,280 Speaker 1: patron Alcamaniac Allison from Philly. Allison was in one of 461 00:31:14,280 --> 00:31:17,920 Speaker 1: our zooms that the Alcomnia actually got to be in, 462 00:31:17,960 --> 00:31:21,360 Speaker 1: and we loved having her with us for that. She wrote, Hi, there, 463 00:31:21,840 --> 00:31:25,400 Speaker 1: I'd like to witness firsthand the writers of junk mail, 464 00:31:25,560 --> 00:31:29,080 Speaker 1: especially the ones just send me pink cardstock and so on. 465 00:31:29,560 --> 00:31:35,320 Speaker 1: Um pretty selected, pre qualified. Yeah, Allison from Philly. So 466 00:31:35,400 --> 00:31:38,680 Speaker 1: the writers of junk mail ps great to hang on 467 00:31:38,760 --> 00:31:42,040 Speaker 1: zoom with you. All those perks are the best, were 468 00:31:42,800 --> 00:31:49,280 Speaker 1: they were the best? Allison technicality, too soon, too soon. 469 00:31:51,000 --> 00:31:55,480 Speaker 1: This is really gonna trick people. Take a look at this. 470 00:31:55,560 --> 00:31:57,320 Speaker 1: It's kind of gold star on the top and it 471 00:31:57,360 --> 00:32:02,240 Speaker 1: says you're the winner. Okay, just if there are no 472 00:32:02,280 --> 00:32:05,800 Speaker 1: bad ideas right now, so please keep going. Huh, Well, 473 00:32:05,840 --> 00:32:07,720 Speaker 1: that was that was what I had prepared over the 474 00:32:07,720 --> 00:32:11,800 Speaker 1: weekend for today. Traditionally, you're in this case would be 475 00:32:11,800 --> 00:32:16,320 Speaker 1: spelled with an apostrophe. Are e yeah ship. Well, I 476 00:32:16,320 --> 00:32:19,600 Speaker 1: mean this is just this is a prototype. I'm sure 477 00:32:19,640 --> 00:32:21,320 Speaker 1: that when we put it to the presses we can, 478 00:32:22,000 --> 00:32:26,160 Speaker 1: but we had a direct policy about presenting in this 479 00:32:26,280 --> 00:32:30,600 Speaker 1: room with your finished product. So I'm sorry, you're gonna 480 00:32:30,640 --> 00:32:33,920 Speaker 1: have to leave the island. Uh I have, I have 481 00:32:34,200 --> 00:32:39,320 Speaker 1: Uh wait wait wait are you see you're leaving the island. Yeah, yeah, 482 00:32:39,320 --> 00:32:47,560 Speaker 1: I got your bag. Great to see you, Craig go Okay, Timothy, 483 00:32:47,600 --> 00:32:49,200 Speaker 1: what do you got? Yeah? First of all, he should 484 00:32:49,240 --> 00:32:52,240 Speaker 1: have known not to bring a prototype to the finals. 485 00:32:52,440 --> 00:32:57,480 Speaker 1: Come on here, I present to you the envelope in 486 00:32:57,520 --> 00:33:00,920 Speaker 1: which the information will be In the envelope looks like 487 00:33:00,960 --> 00:33:06,680 Speaker 1: it's handwritten. Oh great, love those Yeah, but it's not. So. 488 00:33:06,760 --> 00:33:09,760 Speaker 1: I've developed a font. You can type any name, any address, 489 00:33:09,800 --> 00:33:12,280 Speaker 1: and it looks like it's coming from a friend. Oh 490 00:33:12,320 --> 00:33:16,000 Speaker 1: and you've even got a slight smudge there. That's a 491 00:33:16,160 --> 00:33:18,560 Speaker 1: nice is that well? And that, let me tell you, 492 00:33:19,000 --> 00:33:21,360 Speaker 1: that's where the tech really came in. It wasn't even 493 00:33:21,400 --> 00:33:24,040 Speaker 1: I mean, this is new tech, the smudge tech. It 494 00:33:24,120 --> 00:33:28,280 Speaker 1: looks like somebody did it. And I think the open 495 00:33:28,440 --> 00:33:36,160 Speaker 1: rate on this envelope um an No, I know, we've 496 00:33:36,200 --> 00:33:39,200 Speaker 1: we've had a hard time getting over the open rate. 497 00:33:39,240 --> 00:33:41,440 Speaker 1: A lot of people rip, they read and rip, read 498 00:33:41,480 --> 00:33:43,600 Speaker 1: and rip. I think I think, I think we've got 499 00:33:43,600 --> 00:33:49,680 Speaker 1: an opening here. That is my contribution. That was beautiful. 500 00:33:51,280 --> 00:33:57,920 Speaker 1: Thanks guys, Thanks guys, I got one for you. Yeah, Greg, No, no, no, 501 00:33:57,920 --> 00:33:59,600 Speaker 1: no, no no, no, it's gonna work time. It's gonna work 502 00:33:59,680 --> 00:34:03,560 Speaker 1: this time. Yeah. Check this out. Look at that. Look 503 00:34:03,600 --> 00:34:05,760 Speaker 1: at that. Doesn't that look official? Doesn't that look official? 504 00:34:06,040 --> 00:34:08,239 Speaker 1: But technically we can't get in trouble because it says 505 00:34:08,440 --> 00:34:14,440 Speaker 1: Federal Bureau of Investigation, United States of Amcara. See what 506 00:34:14,520 --> 00:34:17,640 Speaker 1: I did. So people are gonna we can't get sued. 507 00:34:17,719 --> 00:34:19,759 Speaker 1: We can't get sued by the defense this time. I 508 00:34:19,800 --> 00:34:22,919 Speaker 1: mean years is a pronunciation issue. I don't know that 509 00:34:22,920 --> 00:34:25,920 Speaker 1: that is gonna clear what I do? Like, do you 510 00:34:25,960 --> 00:34:29,160 Speaker 1: put stickers on it? Well, look it's it's smelled from America, 511 00:34:29,239 --> 00:34:32,000 Speaker 1: but it's pronounced a meccaa. See you look the stickers. 512 00:34:32,160 --> 00:34:34,160 Speaker 1: Look there's eagles. That was an eagle. That one was 513 00:34:34,400 --> 00:34:39,640 Speaker 1: the Great Seal of the United States of Amcara. Yeah, well, 514 00:34:39,920 --> 00:34:41,759 Speaker 1: this one's gonna work this time. I promise nobody's gonna 515 00:34:41,760 --> 00:34:46,719 Speaker 1: go to jail again this time. It's Look, if you 516 00:34:46,760 --> 00:34:48,800 Speaker 1: think everything's gonna put us out of business, we're not 517 00:34:48,840 --> 00:34:51,560 Speaker 1: gonna get in trouble this time, guys, I swear, why 518 00:34:51,640 --> 00:34:54,240 Speaker 1: is that? How are we not gonna because I changed 519 00:34:54,360 --> 00:34:56,160 Speaker 1: enough of it around that the government can't get mad 520 00:34:56,160 --> 00:35:04,640 Speaker 1: at us. Todd, Honey, we got an official letter. It's 521 00:35:04,680 --> 00:35:08,719 Speaker 1: from the FBI. Oh shit, I'm not opening it. I 522 00:35:08,760 --> 00:35:11,360 Speaker 1: have nothing to do with this time. You said you stopped, 523 00:35:11,840 --> 00:35:15,040 Speaker 1: You said you stopped all of the bad stuff, and 524 00:35:15,080 --> 00:35:17,080 Speaker 1: here we are not opening the letter. Doesn't make it 525 00:35:17,120 --> 00:35:19,760 Speaker 1: not exist. Okay, we we should burn it. We should 526 00:35:19,800 --> 00:35:25,880 Speaker 1: burn the letter, don't you fucking light. You told me 527 00:35:25,960 --> 00:35:28,080 Speaker 1: we were safe, You told me we were done with 528 00:35:28,120 --> 00:35:31,760 Speaker 1: this life, and now the FBI is sending us letters. 529 00:35:33,320 --> 00:35:35,600 Speaker 1: All right, well, well you know what, maybe if we 530 00:35:35,719 --> 00:35:38,799 Speaker 1: just show up at their office in person and explain ourselves. 531 00:35:39,160 --> 00:35:42,239 Speaker 1: I mean it was it's a simple oopsie loop this 532 00:35:42,320 --> 00:35:49,919 Speaker 1: regretting um this letter. Yes, sir, we haven't opened the letter, 533 00:35:49,960 --> 00:35:54,320 Speaker 1: but we just wanted to the time we will confess 534 00:35:54,360 --> 00:36:00,239 Speaker 1: all of our Well, I wouldn't call them um crime 535 00:36:01,400 --> 00:36:05,919 Speaker 1: record this. No, please please starting local. You don't mind, 536 00:36:06,040 --> 00:36:08,320 Speaker 1: I don't mind, Okay, I mean it's probably in the 537 00:36:08,400 --> 00:36:19,320 Speaker 1: letter anyway, Okay, I Mary Elizabeth Burke, I am admitting 538 00:36:19,560 --> 00:36:24,680 Speaker 1: to the crimes which I have committed. I'll start there. Okay, 539 00:36:28,080 --> 00:36:31,719 Speaker 1: n the crimes, I'm sure they're in your letter, but 540 00:36:31,800 --> 00:36:38,000 Speaker 1: if you need to hear them from me, um, well, baby, Okay, 541 00:36:38,840 --> 00:36:46,640 Speaker 1: I found it, Dan Burke. I have found it pretty precise, Bob, 542 00:36:46,880 --> 00:36:52,080 Speaker 1: Dan Bob Burke, I found it. Is there something wrong 543 00:36:52,120 --> 00:36:55,440 Speaker 1: with the melan niue, Bob Robert, I think would be okay? 544 00:36:55,440 --> 00:37:00,279 Speaker 1: But well, my parents wanted something nice and simple. Damn 545 00:37:00,280 --> 00:37:04,239 Speaker 1: bumper damp, your honor? Can we fast forward through this 546 00:37:04,320 --> 00:37:07,799 Speaker 1: part of the tape? Dan, Bob, you get in here. 547 00:37:07,960 --> 00:37:14,160 Speaker 1: I said, it's attack. I'm coming. I'm coming, mom. Yeah, 548 00:37:14,239 --> 00:37:16,440 Speaker 1: let's fast forward through this. I think the judge has 549 00:37:16,440 --> 00:37:19,600 Speaker 1: a good point. Prosecution would definitely like the fast forward. 550 00:37:21,480 --> 00:37:23,640 Speaker 1: All right, look, I'm gonna I'm gonna pause that. I'm 551 00:37:23,640 --> 00:37:26,840 Speaker 1: gonna pause the tape right here at six minutes fifty 552 00:37:26,880 --> 00:37:30,399 Speaker 1: one seconds. This is where the confession actually happens, Your honor. 553 00:37:30,480 --> 00:37:33,880 Speaker 1: I'm just gonna hit play right here. I found the 554 00:37:33,920 --> 00:37:36,560 Speaker 1: perfect way to fold a dollar bill and have it 555 00:37:36,680 --> 00:37:40,680 Speaker 1: eject from a vending machine and still give sodas. Got 556 00:37:40,719 --> 00:37:43,480 Speaker 1: a little hole in a quarter. We got snacks, we 557 00:37:43,600 --> 00:37:46,839 Speaker 1: got we got chips, we got sweet snacks we got. 558 00:37:49,080 --> 00:37:53,799 Speaker 1: I don't know if that's actually a federal crime. Well, 559 00:37:54,000 --> 00:37:56,640 Speaker 1: you that wrong in my notes. Let me fast forward 560 00:37:56,640 --> 00:37:59,480 Speaker 1: a little bit. It's a little further than that. They're 561 00:37:59,600 --> 00:38:02,759 Speaker 1: right here, right here, forty one minutes and fifty two 562 00:38:02,800 --> 00:38:07,280 Speaker 1: seconds play, and that is also not a federal crime. 563 00:38:07,560 --> 00:38:11,320 Speaker 1: I'm so sorry. Let me pause. I'm just gonna fast forward. 564 00:38:11,520 --> 00:38:14,200 Speaker 1: All right. We're at three hours, twenty six minutes and 565 00:38:14,320 --> 00:38:15,920 Speaker 1: nineteen seconds. I think this is what I wrote this 566 00:38:15,960 --> 00:38:17,960 Speaker 1: in my notes. This is where they actually confess to 567 00:38:18,040 --> 00:38:21,319 Speaker 1: a crime. Okay, so you want to a six inch 568 00:38:21,480 --> 00:38:25,040 Speaker 1: tuna with with nothing on? Justus the tuna? Okay, hit pause, 569 00:38:26,880 --> 00:38:30,200 Speaker 1: your honor. I might have grabbed the wrong legal pad 570 00:38:30,239 --> 00:38:33,960 Speaker 1: today coming into the courtroom. Um, you know what, you 571 00:38:33,960 --> 00:38:35,359 Speaker 1: know what, Let me just let me just try one more, 572 00:38:35,400 --> 00:38:37,319 Speaker 1: Let me just try one more. Dig around in here. 573 00:38:37,320 --> 00:38:38,719 Speaker 1: Oh here it is here, it is right here. Wrote 574 00:38:38,719 --> 00:38:40,320 Speaker 1: it on a napkin, so sorry, wrote it on a 575 00:38:40,400 --> 00:38:44,040 Speaker 1: napkin right here. It's at eleven hours and nine minutes 576 00:38:44,120 --> 00:38:49,800 Speaker 1: even right fast forward to that and there it is. Yeah, 577 00:38:49,800 --> 00:38:57,360 Speaker 1: I'm sorry. Um a mega wine? What's that? What was that? 578 00:38:58,120 --> 00:39:01,200 Speaker 1: Did you say? I put myself a mega Uh wine. 579 00:39:03,000 --> 00:39:11,480 Speaker 1: That's ridiculous. Yeah, okay, I mean this are you the bad? 580 00:39:13,640 --> 00:39:16,279 Speaker 1: How are you? It's just where's the other agent who 581 00:39:16,280 --> 00:39:21,240 Speaker 1: got the sandwich is nine hours ago? We're really tired. 582 00:39:21,560 --> 00:39:23,759 Speaker 1: We can pause right there. We can pause right there, 583 00:39:23,800 --> 00:39:28,000 Speaker 1: Your honor. So that begs the question this gentleman on 584 00:39:28,040 --> 00:39:30,799 Speaker 1: the witness stand, what was he doing in there with 585 00:39:30,840 --> 00:39:33,480 Speaker 1: a mega of wine? What were you doing in there 586 00:39:33,480 --> 00:39:35,080 Speaker 1: with the mega of wine? I knew we'd get to 587 00:39:35,120 --> 00:39:39,120 Speaker 1: that spot on the tape eventually. It looks like to 588 00:39:39,239 --> 00:39:42,160 Speaker 1: me he was just re enacting a moment from the 589 00:39:42,280 --> 00:39:50,840 Speaker 1: Johnny Depp heard trial. I may I may have mixed 590 00:39:50,840 --> 00:39:56,040 Speaker 1: my tapes up again, Your honor. I apologize. Well, I 591 00:39:56,080 --> 00:39:59,000 Speaker 1: think it's a great idea for for a scam. But 592 00:39:59,520 --> 00:40:02,719 Speaker 1: I mean, what all right, hypothetically Greg, and you're not 593 00:40:02,800 --> 00:40:05,000 Speaker 1: leaving the island obviously, And yes, I came up with 594 00:40:05,000 --> 00:40:07,160 Speaker 1: the cool fond where it looks like it's handwritten but 595 00:40:07,200 --> 00:40:11,239 Speaker 1: just hybridically with yours. Greg. What if somebody thought they 596 00:40:11,239 --> 00:40:13,680 Speaker 1: were gonna get in trouble and they never actually opened 597 00:40:13,719 --> 00:40:15,600 Speaker 1: the letter, and they take that letter directly to the 598 00:40:15,640 --> 00:40:19,319 Speaker 1: FBI and then incriminate themselves in some kind of well, 599 00:40:19,360 --> 00:40:23,480 Speaker 1: why might that ever happen? Though? What didn't? I'm being stupid? 600 00:40:23,520 --> 00:40:25,520 Speaker 1: So okay, in your scenario, they thin gets the NBI, 601 00:40:25,600 --> 00:40:29,200 Speaker 1: they open it, and they realized that there's a tire seal. Yeah, exactly. 602 00:40:29,640 --> 00:40:31,880 Speaker 1: It's all about the envelope. It's all about the envelope. 603 00:40:32,080 --> 00:40:35,279 Speaker 1: I'm an idiot. I mean idiot. I mean you're under 604 00:40:35,400 --> 00:40:43,000 Speaker 1: arrest for not taking advantage of savings. That's good, that's good, 605 00:40:43,080 --> 00:40:44,440 Speaker 1: that's good. I don't know. I guess I have this 606 00:40:44,480 --> 00:40:47,320 Speaker 1: weird imagination. You know, it just takes me to weird places. 607 00:40:48,840 --> 00:40:50,640 Speaker 1: At least we didn't get kicked off. At least we 608 00:40:50,640 --> 00:40:53,120 Speaker 1: didn't get kicked off the island. Hey, Gregg, can I 609 00:40:53,160 --> 00:40:55,719 Speaker 1: ask you a question? Yeah, since we're just in our 610 00:40:55,760 --> 00:41:01,080 Speaker 1: bunks waiting for tomorrow. Sure, when you close your eyes, like, 611 00:41:02,680 --> 00:41:07,200 Speaker 1: can you actually picture what a MECA would actually look like? 612 00:41:09,080 --> 00:41:14,160 Speaker 1: Like a dream place? It's it's my utopia. It's the 613 00:41:14,200 --> 00:41:17,680 Speaker 1: place I've always wanted to go. We're the only thing 614 00:41:17,719 --> 00:41:21,680 Speaker 1: the Federal Bureau of Investigation is investigating is the price 615 00:41:21,719 --> 00:41:27,279 Speaker 1: of tires. And and nobody nobody bothers you, and and 616 00:41:27,440 --> 00:41:29,359 Speaker 1: you can do whatever you want, and all the mail 617 00:41:29,680 --> 00:41:34,920 Speaker 1: is has stickers. Yeah, and and and and everyone has 618 00:41:34,960 --> 00:41:39,799 Speaker 1: their own circus, even dogs, even dogs, and and and 619 00:41:39,840 --> 00:41:42,000 Speaker 1: then in the circus of my dreams, in the circus 620 00:41:42,000 --> 00:41:45,160 Speaker 1: of my dreams, it's just the dogs riding around on clowns. 621 00:41:45,880 --> 00:41:49,600 Speaker 1: Doesn't that sound nice? Is this? Doesn't that sound nice? Guys? Guys, 622 00:41:49,680 --> 00:41:56,200 Speaker 1: open the window. Holy shit, he keep craig, you came back. 623 00:41:56,360 --> 00:41:59,239 Speaker 1: Let me in, Let me in. I jumped off the boat. 624 00:41:59,280 --> 00:42:01,839 Speaker 1: You're not supposed umped off the boat. Let me come, 625 00:42:01,840 --> 00:42:06,560 Speaker 1: I let me okay here the buds open. Yeah, Oh 626 00:42:06,600 --> 00:42:12,120 Speaker 1: my god, what you are drenched? You're getting water everywhere. Shure, 627 00:42:12,600 --> 00:42:14,200 Speaker 1: I need a pair of close one if you give 628 00:42:14,200 --> 00:42:15,880 Speaker 1: me a pair of clothes, A pair of clothes, A 629 00:42:15,920 --> 00:42:21,880 Speaker 1: pair of clothes, the tops, bottoms, tops, bottoms. All right, 630 00:42:24,440 --> 00:42:28,359 Speaker 1: So you were sent to an island where you were 631 00:42:28,360 --> 00:42:34,920 Speaker 1: forced to brainstorm ideas for for for junk mail. And 632 00:42:35,000 --> 00:42:37,520 Speaker 1: you you weren't compensated in any way for this. You 633 00:42:37,520 --> 00:42:43,759 Speaker 1: you lived in cabins and bunks. That's right. Feel free 634 00:42:43,800 --> 00:42:48,439 Speaker 1: to confirm this at any point. That's that's correct. Well, 635 00:42:48,440 --> 00:42:54,520 Speaker 1: that's that's not a federal crime. Well, it felt that 636 00:42:54,600 --> 00:42:57,879 Speaker 1: we were kidnapped. We were kidnapped well, then the yeah, 637 00:42:58,160 --> 00:43:00,719 Speaker 1: where did you go willingly? Or were you forced to 638 00:43:00,760 --> 00:43:03,400 Speaker 1: go to the okay? Then that you were not kidnapped 639 00:43:03,400 --> 00:43:05,759 Speaker 1: if you went, but it felt it wasn't great. The 640 00:43:05,760 --> 00:43:09,000 Speaker 1: cabins were in full disclosure. I was kicked off the 641 00:43:09,040 --> 00:43:12,000 Speaker 1: island tonight and I risked my life and swam back. 642 00:43:12,040 --> 00:43:16,359 Speaker 1: But it really didn't feel fair. Well they told you 643 00:43:16,400 --> 00:43:21,600 Speaker 1: to go, then you're you're fine. But yeah, but you know, 644 00:43:21,920 --> 00:43:23,920 Speaker 1: Mr Agent, part of me I just I just see 645 00:43:23,960 --> 00:43:27,080 Speaker 1: something fell off your desk. It looks like handwritten letter 646 00:43:27,120 --> 00:43:31,319 Speaker 1: from somebody, so I don't know, it's probably important. Yeah, 647 00:43:31,760 --> 00:43:37,279 Speaker 1: wait a minute, this is from the FBI. You are 648 00:43:37,320 --> 00:43:41,359 Speaker 1: the FBI, right, that's weird. Why with the FBI write 649 00:43:41,400 --> 00:43:43,240 Speaker 1: me a little? But it's written in such a nice cursive, 650 00:43:43,320 --> 00:43:49,680 Speaker 1: it's clearly it's clearly for me. That looks official. Yes, 651 00:43:50,320 --> 00:43:55,480 Speaker 1: Agent Michaels, you got a letter. You were saying, Yes, 652 00:43:56,800 --> 00:43:58,759 Speaker 1: I'm not sure if this was the right department to 653 00:43:58,760 --> 00:44:01,520 Speaker 1: go to, but yeah, let's find out what what what 654 00:44:01,600 --> 00:44:05,359 Speaker 1: is your concern about this letter? Well, I I don't 655 00:44:05,360 --> 00:44:10,080 Speaker 1: know why it was sent to my desk or why 656 00:44:10,080 --> 00:44:13,719 Speaker 1: it wasn't done over email or somebody. Uh, you know, 657 00:44:14,040 --> 00:44:16,399 Speaker 1: requested a one on one with me. But it's it's 658 00:44:16,400 --> 00:44:20,960 Speaker 1: a very nice letter. Aside, What is the content of 659 00:44:21,040 --> 00:44:26,800 Speaker 1: concern within the letter? Well, uh, this says that the 660 00:44:27,320 --> 00:44:30,319 Speaker 1: federal First of all, just to say, it reads, if 661 00:44:30,360 --> 00:44:36,400 Speaker 1: you would please. Okay, well, we're getting emphasize it's the FPN. 662 00:44:37,000 --> 00:44:41,680 Speaker 1: We're trying to keep things pretty precise, but okay, it 663 00:44:41,840 --> 00:44:52,320 Speaker 1: reads thank you. Listen up people. Wow, that does feel 664 00:44:52,320 --> 00:44:56,520 Speaker 1: like it says it does. Well, that's that's why. That's 665 00:44:56,520 --> 00:45:02,480 Speaker 1: why I use that that phrase exactly. It says, listen up, people, 666 00:45:03,719 --> 00:45:10,799 Speaker 1: the Federal Breast Investigators need to check the size of 667 00:45:10,800 --> 00:45:18,080 Speaker 1: your bra. Right. Okay, well, I don't know where to 668 00:45:18,160 --> 00:45:21,520 Speaker 1: begin unpacking that, but let's start with the fact that 669 00:45:21,560 --> 00:45:28,719 Speaker 1: you do. You're concerned because of your possible involvement and 670 00:45:28,760 --> 00:45:32,319 Speaker 1: what one feels like I'm implicated in this. It does 671 00:45:32,400 --> 00:45:34,640 Speaker 1: to me as well, but you would know better than 672 00:45:34,680 --> 00:45:37,239 Speaker 1: me as to whether there's any reason for you to 673 00:45:37,280 --> 00:45:40,160 Speaker 1: be concerned. Look, it's really good that you came to 674 00:45:40,200 --> 00:45:46,839 Speaker 1: see us. We are the Federal Boob Investigators. Official investigators 675 00:45:46,840 --> 00:45:52,040 Speaker 1: are breast investigators. Well, there's we have different units here. Yes, 676 00:45:52,400 --> 00:45:54,960 Speaker 1: officially I an official, right, the left one and the 677 00:45:55,040 --> 00:45:59,120 Speaker 1: right one. Right, that's correct, that's correct. Now, um, please 678 00:45:59,239 --> 00:46:04,000 Speaker 1: excuse this work that we're renting our actual headquarters, much 679 00:46:04,040 --> 00:46:07,040 Speaker 1: like the Pentagon is under Yeah, this is very very 680 00:46:07,080 --> 00:46:10,440 Speaker 1: spare here renovation. But there's coffee. This's coffee. Anyway, let's 681 00:46:10,440 --> 00:46:14,759 Speaker 1: get back to your particular case. Um. Now, did you 682 00:46:14,880 --> 00:46:20,759 Speaker 1: know that of bra wearers are wearing a bra that 683 00:46:20,800 --> 00:46:28,960 Speaker 1: doesn't fit them properly? Bobby football tournament in five three there? Um, 684 00:46:29,000 --> 00:46:32,200 Speaker 1: But with your help and this coupon, you can get 685 00:46:32,200 --> 00:46:38,320 Speaker 1: a free fitting. Look, I'm I don't wear bras. I 686 00:46:38,320 --> 00:46:39,960 Speaker 1: I'm not sure why this has to take place on 687 00:46:39,960 --> 00:46:46,280 Speaker 1: an island either though. This it wasn't easy to get here, sure, sure, 688 00:46:46,719 --> 00:46:51,000 Speaker 1: but you are here and you are eligible for a 689 00:46:51,040 --> 00:46:53,759 Speaker 1: free fitting. Or you could also give that fitting to 690 00:46:53,920 --> 00:46:56,680 Speaker 1: a friend or family member, but they have to take 691 00:46:56,680 --> 00:46:59,279 Speaker 1: their way here to the island. I didn't need all 692 00:46:59,320 --> 00:47:02,359 Speaker 1: of these return address labels either, Like I'm never I'm 693 00:47:02,400 --> 00:47:04,560 Speaker 1: never going to use all of these. Those are yours? 694 00:47:04,600 --> 00:47:08,879 Speaker 1: Those yours? You don't pay, don them, I don't need them. 695 00:47:08,920 --> 00:47:12,680 Speaker 1: We gonna we cannot take them back? Actually yours those 696 00:47:13,160 --> 00:47:18,359 Speaker 1: these return address labels? Okay, okay, fair enough, fair enough. Yeah, 697 00:47:18,440 --> 00:47:22,160 Speaker 1: this this feels weird to be honest, like, as an 698 00:47:22,200 --> 00:47:24,400 Speaker 1: agent for so many years, it feels like the tables 699 00:47:24,400 --> 00:47:26,239 Speaker 1: have been turned and I'm on the other side now, 700 00:47:26,280 --> 00:47:28,799 Speaker 1: and it doesn't feel good. It doesn't feel good, right, 701 00:47:28,840 --> 00:47:30,479 Speaker 1: it doesn't feel good, but you know, it does feel 702 00:47:30,520 --> 00:47:36,240 Speaker 1: good when your breasts are cups the way they should be. Okay, 703 00:47:38,120 --> 00:47:40,400 Speaker 1: all right, if you if if you need me to 704 00:47:40,440 --> 00:47:43,239 Speaker 1: buy a bra to just get you off my back, uh, 705 00:47:43,360 --> 00:47:46,480 Speaker 1: then then I'll do it. That sounds good. So what 706 00:47:46,520 --> 00:47:49,759 Speaker 1: are we looking at here? It's uh, I think I'm 707 00:47:49,800 --> 00:48:01,960 Speaker 1: a twenty eight a. You know, guys, this has been 708 00:48:01,960 --> 00:48:05,920 Speaker 1: a weird business idea business idea part of me getting 709 00:48:05,920 --> 00:48:08,000 Speaker 1: come out here on this island to buy a brawl 710 00:48:08,000 --> 00:48:10,280 Speaker 1: and then leave it. I feel weird. I feel weird. 711 00:48:10,560 --> 00:48:14,000 Speaker 1: That was the point. We were supposed to feel weird. Yeah, 712 00:48:14,080 --> 00:48:16,600 Speaker 1: And besides, look, how are we supposed to know what 713 00:48:16,760 --> 00:48:22,560 Speaker 1: makes a good business? We're only this many it's business? 714 00:48:23,200 --> 00:48:28,840 Speaker 1: Oh sorry, business? Yea, all right, listen, I say we 715 00:48:29,000 --> 00:48:35,360 Speaker 1: do uh cheerios again for lunch and some juice boxes 716 00:48:35,440 --> 00:48:41,080 Speaker 1: for dinner, all in favor saying these dollar bills look 717 00:48:41,160 --> 00:48:45,960 Speaker 1: almost almost perfect. You can totally use them. You can 718 00:48:46,000 --> 00:48:47,600 Speaker 1: totally use them in the store. We're not going to 719 00:48:47,680 --> 00:48:51,440 Speaker 1: get caught again again. Come on, darling, you say we 720 00:48:51,440 --> 00:48:54,399 Speaker 1: can't get out again again, What are the odds? We're 721 00:48:54,400 --> 00:48:57,200 Speaker 1: pretty much off the grid now and pause it right there? 722 00:48:57,239 --> 00:48:59,160 Speaker 1: Pause it? Did you hear it? I do? I find 723 00:48:59,160 --> 00:49:05,799 Speaker 1: the confession. That is our show for today. Yeah, well 724 00:49:05,880 --> 00:49:11,640 Speaker 1: done everyone. Uh let's um, well, gosh, let's start with 725 00:49:11,719 --> 00:49:16,080 Speaker 1: Dr James Heeney. Thank you so much for at least 726 00:49:16,120 --> 00:49:21,480 Speaker 1: washing your head. Thank you. That was an off That 727 00:49:21,600 --> 00:49:28,040 Speaker 1: was an off recording comment. I only washed the top 728 00:49:28,080 --> 00:49:31,400 Speaker 1: part of my head, but that was private that you've divulged. 729 00:49:32,239 --> 00:49:35,359 Speaker 1: Last chance to break some some news, our second, last 730 00:49:35,440 --> 00:49:38,480 Speaker 1: chance to break some news. Um, but thank you so 731 00:49:38,560 --> 00:49:41,839 Speaker 1: much for being here, James, Yes, thanks for having me. 732 00:49:41,880 --> 00:49:44,320 Speaker 1: And please, if you can get a chance and muster 733 00:49:44,440 --> 00:49:46,839 Speaker 1: up the courage to watch the video game footage, go 734 00:49:46,920 --> 00:49:49,920 Speaker 1: to YouTube and check out Team Front. It's a heck 735 00:49:49,960 --> 00:49:51,920 Speaker 1: of a lot of fun. You'll have some laughs even 736 00:49:51,960 --> 00:49:55,120 Speaker 1: if you're not a gamer. Right on. Thank you for that. 737 00:49:55,640 --> 00:49:59,239 Speaker 1: Mark Gagley already, good sir, oh man, thank you, thank you, 738 00:49:59,280 --> 00:50:02,680 Speaker 1: thank you. This is always so fun. Uh yeah, you 739 00:50:02,680 --> 00:50:05,480 Speaker 1: guys are delightful. What a fun show? Uh and uh 740 00:50:05,560 --> 00:50:07,719 Speaker 1: find me, I'm at mark Gags. We got this with 741 00:50:07,760 --> 00:50:10,720 Speaker 1: Mark and Hall on the Maximum Fun Network and Blood 742 00:50:10,719 --> 00:50:14,000 Speaker 1: and Treasure season two on Paramount Plus. It has dropped. 743 00:50:14,440 --> 00:50:21,279 Speaker 1: Uh July dropped? Hello, Yeah, July on Disneyland's birthday. H Right? 744 00:50:21,480 --> 00:50:25,799 Speaker 1: Even better? Right? And it drops on which network? On 745 00:50:25,880 --> 00:50:30,360 Speaker 1: Paramount Plus? Yeah, I gotta have the US in the 746 00:50:30,400 --> 00:50:34,799 Speaker 1: trek shows. Sure, yeah, well, congrats on that. Look forward 747 00:50:34,800 --> 00:50:36,720 Speaker 1: to singing to thank you again for being a Greg 748 00:50:37,080 --> 00:50:40,200 Speaker 1: Kakowski so much fun. I don't remember what I did 749 00:50:40,440 --> 00:50:44,560 Speaker 1: uh off Mike or on Mike, but but you can 750 00:50:44,560 --> 00:50:46,600 Speaker 1: put it all. You can put all out there for 751 00:50:46,640 --> 00:50:52,080 Speaker 1: the part takeoff. Yeah, we have um a little three 752 00:50:52,160 --> 00:50:54,360 Speaker 1: minute versions of the show that we're going to release 753 00:50:54,440 --> 00:50:57,080 Speaker 1: all the patrons subscribers. That was just the front part 754 00:50:57,120 --> 00:51:03,080 Speaker 1: of the show before we actually starts. Yeah. Yeah. When 755 00:51:03,120 --> 00:51:05,680 Speaker 1: it's usually like do we all have the right mikes? 756 00:51:07,719 --> 00:51:12,200 Speaker 1: The caster's going, can you check your en tester? Mike? Yeah, 757 00:51:12,920 --> 00:51:17,320 Speaker 1: Chris Alvarado, thank you, ol Man Shore. I love doing this. 758 00:51:17,480 --> 00:51:20,239 Speaker 1: I love you guys fair enough. I love you back. 759 00:51:20,640 --> 00:51:23,320 Speaker 1: Do you want to steer anyone towards UM? So you 760 00:51:23,400 --> 00:51:25,719 Speaker 1: know what you can go to at Chris Alvarado. That's 761 00:51:25,760 --> 00:51:28,120 Speaker 1: my Instagram where I don't do a lot or you know, 762 00:51:28,160 --> 00:51:31,160 Speaker 1: if you want to see me for probably less than 763 00:51:31,320 --> 00:51:33,400 Speaker 1: one full second on screen, but you still want to 764 00:51:33,440 --> 00:51:35,360 Speaker 1: get a sense of me, check out Hacks. I'm on 765 00:51:35,480 --> 00:51:38,240 Speaker 1: the second the last episode of the second season of Hacks. 766 00:51:39,520 --> 00:51:43,520 Speaker 1: Craig saw he did you recognize me? Okay? So I 767 00:51:43,640 --> 00:51:47,279 Speaker 1: am right now this second and last episode. So the 768 00:51:47,320 --> 00:51:50,359 Speaker 1: whole second season of Hacks is already aired, and it's 769 00:51:50,360 --> 00:51:54,920 Speaker 1: already aired, viewable and viewable on HBO Max Hot damn, 770 00:51:55,120 --> 00:51:58,319 Speaker 1: good news. I will look for you and thank you. Chris. 771 00:51:58,400 --> 00:52:01,520 Speaker 1: You were great. You were great. I should say thanks, 772 00:52:01,880 --> 00:52:04,279 Speaker 1: you know, it's not it's you know, I'm not. I'm 773 00:52:04,280 --> 00:52:06,520 Speaker 1: not gonna television like Mark I did, like go to 774 00:52:06,719 --> 00:52:08,719 Speaker 1: Rome and all over the world. We stuff. I just 775 00:52:08,800 --> 00:52:13,640 Speaker 1: went down to Century City and Century City. Chris, Chris, 776 00:52:13,680 --> 00:52:16,360 Speaker 1: stay focused. You're not selling right now. Okay, you're not 777 00:52:16,600 --> 00:52:20,359 Speaker 1: selling at all the show. Why we hired you, Why 778 00:52:20,480 --> 00:52:23,760 Speaker 1: we want you to be in the Hacks universe. Yeah, 779 00:52:23,840 --> 00:52:25,880 Speaker 1: that's right, that's right. I'm in the Hacks universe. Thank you. 780 00:52:25,920 --> 00:52:30,000 Speaker 1: I'm not happy to be there. Yes, um let's thank 781 00:52:30,040 --> 00:52:35,640 Speaker 1: our producer and engineer to the stars, Mr Doug Bane. Fine, 782 00:52:35,719 --> 00:52:39,520 Speaker 1: folks that I hurt, Media who cannot believe we're saying goodbye, 783 00:52:39,760 --> 00:52:42,800 Speaker 1: bump them. They just don't know what they're gonna do 784 00:52:42,960 --> 00:52:48,400 Speaker 1: without it. I'm your host, Kevin Pollock. Thank you again, 785 00:52:48,880 --> 00:52:52,239 Speaker 1: each and every one of you. We uh love you 786 00:52:52,320 --> 00:52:55,160 Speaker 1: now more than ever. Please tell everyone you've ever met 787 00:52:55,320 --> 00:52:59,439 Speaker 1: how much you enjoy this show and how you can't 788 00:52:59,480 --> 00:53:03,120 Speaker 1: wait to see those last few episodes. Until next time, 789 00:53:07,320 --> 00:53:10,000 Speaker 1: Shan h