1 00:00:04,800 --> 00:00:16,759 Speaker 1: Creator Freaks and Geeks, director Bridesmaids, The Heat Spy A 2 00:00:16,800 --> 00:00:22,280 Speaker 1: simple favor, another simple favor, author of another spy, a memoir, 3 00:00:22,880 --> 00:00:25,040 Speaker 1: another The Heat that I Believe I. 4 00:00:26,840 --> 00:00:27,600 Speaker 2: Brie Howard. 5 00:00:27,840 --> 00:00:30,280 Speaker 3: It's one rainy afternoon, not unlike today? 6 00:00:31,360 --> 00:00:31,960 Speaker 2: Is it called kick me? 7 00:00:32,080 --> 00:00:33,800 Speaker 1: Pall? I was? 8 00:00:33,840 --> 00:00:35,920 Speaker 2: That was the first, the first memoir. 9 00:00:35,800 --> 00:00:37,920 Speaker 1: If you will, another Ghostbusters. 10 00:00:39,000 --> 00:00:41,120 Speaker 2: There's just so many and now. 11 00:00:42,840 --> 00:00:45,040 Speaker 1: At long last, The Housemaid. 12 00:00:45,640 --> 00:00:48,040 Speaker 2: Yes we've all been waiting for. 13 00:00:50,200 --> 00:00:50,440 Speaker 1: First. 14 00:00:50,520 --> 00:00:57,320 Speaker 3: Let me sorry. Welcome to Hollywood Handbook, the only show 15 00:00:57,360 --> 00:01:00,360 Speaker 3: where we collect the exclusive fitness secrets of the stars, 16 00:01:01,840 --> 00:01:05,919 Speaker 3: obviously health and wellness and increasingly important conversation. 17 00:01:06,480 --> 00:01:06,880 Speaker 1: Uh. 18 00:01:06,959 --> 00:01:10,080 Speaker 3: Paul Figue is our guest. He was telling us just 19 00:01:10,120 --> 00:01:14,000 Speaker 3: before the show how heavy the cameras have gotten, and 20 00:01:14,040 --> 00:01:16,199 Speaker 3: that they had gotten later and later and now they've 21 00:01:16,240 --> 00:01:18,520 Speaker 3: gotten insanely heavy. 22 00:01:18,640 --> 00:01:20,720 Speaker 1: And the stuff they're wanting you to do with them, 23 00:01:20,800 --> 00:01:23,240 Speaker 1: they really want you to run after some of these actors. 24 00:01:23,280 --> 00:01:26,400 Speaker 1: They want to go crazy, start booking it well, and 25 00:01:26,440 --> 00:01:27,080 Speaker 1: it's this is. 26 00:01:27,120 --> 00:01:30,080 Speaker 3: Just this generation. I mean, they're so spoiled and they 27 00:01:30,240 --> 00:01:32,240 Speaker 3: just decide to go wherever they want and you just 28 00:01:32,280 --> 00:01:33,880 Speaker 3: have to chase them with the camera and they're not 29 00:01:34,000 --> 00:01:37,440 Speaker 3: holding anything heavy, No, exactly, some of them. Amount of 30 00:01:37,480 --> 00:01:38,920 Speaker 3: makeup they have must be a little heavy. 31 00:01:39,319 --> 00:01:41,480 Speaker 2: Well, it's entitlement, is what we consider. 32 00:01:41,160 --> 00:01:45,840 Speaker 1: It that you for saying that. 33 00:01:46,480 --> 00:01:51,000 Speaker 2: And there's the poor camera person running behind him, Yeah, 34 00:01:51,360 --> 00:01:52,360 Speaker 2: trying to get a shot. 35 00:01:52,920 --> 00:01:56,320 Speaker 1: And they don't get to. I don't see them on 36 00:01:56,320 --> 00:01:59,040 Speaker 1: the cover of Entertainment Weekly or Premier magazine. 37 00:01:59,400 --> 00:02:01,840 Speaker 2: No, they They weren't at the g Q party last week. 38 00:02:02,080 --> 00:02:02,560 Speaker 2: I didn't see. 39 00:02:03,040 --> 00:02:06,120 Speaker 1: Of course I was there, we all were. 40 00:02:06,400 --> 00:02:07,800 Speaker 3: We were chopping it up a little bit. 41 00:02:07,880 --> 00:02:08,040 Speaker 1: Then. 42 00:02:08,120 --> 00:02:09,840 Speaker 2: Yeah, that was fun. We had a we had a 43 00:02:09,840 --> 00:02:10,520 Speaker 2: really nice time. 44 00:02:10,800 --> 00:02:15,920 Speaker 3: What was that dessert they had given us that was 45 00:02:15,960 --> 00:02:16,800 Speaker 3: so delectable? 46 00:02:16,880 --> 00:02:20,640 Speaker 2: That's right, it was so interesting it had That was 47 00:02:20,680 --> 00:02:25,120 Speaker 2: the g q's They tried to do it kind of 48 00:02:25,520 --> 00:02:31,560 Speaker 2: quis yes, cake, it didn't didn't quite work. She didn't quite. 49 00:02:31,360 --> 00:02:39,680 Speaker 3: Workiche cueichs cake. And it was and it was, yes, 50 00:02:39,720 --> 00:02:42,640 Speaker 3: it was, it was, But but the name was challenging 51 00:02:42,760 --> 00:02:43,480 Speaker 3: for all of us. 52 00:02:43,840 --> 00:02:47,080 Speaker 2: Yes, but surrounded by beautiful people, it's always wonderful. The 53 00:02:47,320 --> 00:02:48,720 Speaker 2: dessert gorgeous. 54 00:02:48,800 --> 00:02:51,840 Speaker 3: Yeah, and here I am mm hmmm, here we are 55 00:02:52,040 --> 00:02:53,799 Speaker 3: a fucking troglodite. 56 00:02:54,560 --> 00:02:56,760 Speaker 2: I feel like, don't be hard in yourself. 57 00:02:56,760 --> 00:03:00,560 Speaker 1: Shown feel like itscusting. 58 00:03:01,680 --> 00:03:03,920 Speaker 3: Climbing through the GQ party. 59 00:03:05,440 --> 00:03:07,639 Speaker 2: Well, I'm not here to make you feel better about yourself. 60 00:03:07,639 --> 00:03:11,320 Speaker 1: Well, we actually do need you to make you feel 61 00:03:11,320 --> 00:03:13,480 Speaker 1: better about himself just so, just in the interest of 62 00:03:13,560 --> 00:03:15,040 Speaker 1: us like getting going. 63 00:03:15,040 --> 00:03:17,840 Speaker 3: Yeah, in terms of getting the fitness secrets of the stars. 64 00:03:17,960 --> 00:03:21,040 Speaker 1: And you know what he is going to need is 65 00:03:21,600 --> 00:03:23,480 Speaker 1: just to kind of be wound up a little bit. 66 00:03:25,160 --> 00:03:28,120 Speaker 1: And this is your special super power. 67 00:03:28,120 --> 00:03:30,519 Speaker 3: But you do you generate that idea? Is you take 68 00:03:30,600 --> 00:03:31,480 Speaker 3: these you know. 69 00:03:32,520 --> 00:03:37,680 Speaker 2: I make people feel good about themselves exactly. Well, Sean, 70 00:03:37,720 --> 00:03:39,040 Speaker 2: you are a very good eater. 71 00:03:39,800 --> 00:03:43,320 Speaker 3: Well, and and Paul, you know I've been waiting to 72 00:03:43,360 --> 00:03:47,240 Speaker 3: hear that I finished. I'm not just mine a lot 73 00:03:47,280 --> 00:03:51,400 Speaker 3: of these, you know these? Yeah, these stars, right, they 74 00:03:51,480 --> 00:03:54,080 Speaker 3: just picked these little They're like first not for me, 75 00:03:54,200 --> 00:03:56,680 Speaker 3: not for me. Anytime I saw someone not for me, 76 00:03:56,760 --> 00:03:58,600 Speaker 3: I just told the whole wait staff if they say 77 00:03:58,640 --> 00:04:01,880 Speaker 3: not for me, yes for me. There, So I had 78 00:04:02,120 --> 00:04:06,680 Speaker 3: piles of these geequeichess and all the yes. 79 00:04:07,120 --> 00:04:09,839 Speaker 2: I think you were eating off of a Walt Goggins plate. 80 00:04:11,280 --> 00:04:17,240 Speaker 3: Yes, yeah, yeah, yeah, Walt Walt slimming down. He's always 81 00:04:18,360 --> 00:04:20,919 Speaker 3: bulking and cutting and bulking and cutting, and he's in 82 00:04:20,960 --> 00:04:23,760 Speaker 3: a cutting phase, and so I was in a cutting 83 00:04:23,800 --> 00:04:26,640 Speaker 3: phase with some of the trees on his plate, cutting. 84 00:04:26,640 --> 00:04:28,120 Speaker 3: Big there you go, peastcake. 85 00:04:28,200 --> 00:04:31,800 Speaker 2: And I saw you're over the caviar table, and it 86 00:04:31,880 --> 00:04:32,719 Speaker 2: was quite impressive. 87 00:04:33,160 --> 00:04:40,080 Speaker 1: I appreciate it. He took it straight to the dome. Big, big, 88 00:04:40,160 --> 00:04:41,000 Speaker 1: big metal straw. 89 00:04:41,120 --> 00:04:43,320 Speaker 3: I bring a I bring a wide, I bring a 90 00:04:43,320 --> 00:04:45,320 Speaker 3: boba straw, a metal boba straw. 91 00:04:46,600 --> 00:04:48,600 Speaker 2: You should have used, you know, a you know, a 92 00:04:48,640 --> 00:04:51,440 Speaker 2: mother of pearl straw, because you know, the caviar doesn't 93 00:04:51,440 --> 00:04:52,960 Speaker 2: interact well with the steel. 94 00:04:53,040 --> 00:04:58,120 Speaker 1: So this was an uncle of pearl, which is actually 95 00:04:58,360 --> 00:04:59,640 Speaker 1: way more masculine. 96 00:05:00,320 --> 00:05:04,040 Speaker 2: Yeah, that's a good one. That's a good one. Yeah, nice, Well, congratulations. 97 00:05:04,120 --> 00:05:06,080 Speaker 1: And so those have just been kind of falling out 98 00:05:06,200 --> 00:05:09,280 Speaker 1: over the course of the ensuing week. We might have 99 00:05:09,320 --> 00:05:10,800 Speaker 1: a couple of caviars fall out. 100 00:05:10,680 --> 00:05:13,680 Speaker 3: Of they've been dripping out of. Yeah. I sort of 101 00:05:13,720 --> 00:05:16,720 Speaker 3: loaded my sinuses up with caviar, and so they've been 102 00:05:16,760 --> 00:05:19,760 Speaker 3: coming out of various headholes. And I don't really have 103 00:05:19,839 --> 00:05:22,640 Speaker 3: any say over when it happens or how it happens. 104 00:05:22,680 --> 00:05:25,520 Speaker 2: But well, one one big, one, big sneeze. It's gonna 105 00:05:25,520 --> 00:05:31,640 Speaker 2: look like a act naturally the Caspian Sea exactly, Yes, yes, 106 00:05:31,760 --> 00:05:35,680 Speaker 2: the call yes fellas the housemade. 107 00:05:36,480 --> 00:05:37,239 Speaker 3: This is a pot. 108 00:05:37,080 --> 00:05:43,640 Speaker 1: Boiler, dare say? Thrillers fogging the lens in the in 109 00:05:43,720 --> 00:05:50,080 Speaker 1: the theater in addition to providing thrilling twists. And I thought, yeah, okay, 110 00:05:50,080 --> 00:05:52,719 Speaker 1: it's gonna have twists? Is it gonna have turns? 111 00:05:53,440 --> 00:05:56,200 Speaker 3: That was where I actually what I let my guard 112 00:05:56,240 --> 00:05:58,240 Speaker 3: down once I saw a couple of twists. Yes, and 113 00:05:58,279 --> 00:06:00,720 Speaker 3: I said, wow, are pretty much air? 114 00:06:02,040 --> 00:06:03,039 Speaker 2: Yea, then we got you again? 115 00:06:03,160 --> 00:06:03,280 Speaker 1: Right? 116 00:06:03,360 --> 00:06:07,000 Speaker 3: Didn't turn me, They turned me right around. 117 00:06:07,080 --> 00:06:09,040 Speaker 1: But I want to know what this was like for you, Paul, 118 00:06:09,120 --> 00:06:16,600 Speaker 1: because you we know about method acting. Yes, you, your 119 00:06:16,600 --> 00:06:20,400 Speaker 1: approach is method directing, where you believe that the movie 120 00:06:20,440 --> 00:06:22,440 Speaker 1: is real. You don't know how you got there. You're 121 00:06:22,560 --> 00:06:27,520 Speaker 1: watching you get very scared something now that you're you're 122 00:06:27,560 --> 00:06:30,080 Speaker 1: not prepared for it. They're not paying attention to you. 123 00:06:30,760 --> 00:06:32,159 Speaker 1: You want them to, but you don't. 124 00:06:32,440 --> 00:06:35,599 Speaker 3: My understanding is that you frequently will try to intervene 125 00:06:35,640 --> 00:06:39,320 Speaker 3: with the scenarios taking place, or you wable trailer, punishing 126 00:06:39,320 --> 00:06:42,240 Speaker 3: yourself for your failure to step up and protect your characters. 127 00:06:42,560 --> 00:06:44,719 Speaker 2: Yeah, I feel bad, I've called the police several times. 128 00:06:44,760 --> 00:06:48,679 Speaker 2: Of course I know. Yeah, they stopped showing up because 129 00:06:48,680 --> 00:06:50,800 Speaker 2: they knew what I was doing and I didn't. 130 00:06:50,920 --> 00:06:55,880 Speaker 3: So that was the director who cried, that's right, that's me, 131 00:06:56,640 --> 00:07:02,040 Speaker 3: and what could go wrong? The the but the movie. 132 00:07:02,640 --> 00:07:05,320 Speaker 3: So the people are and again I don't want to 133 00:07:05,360 --> 00:07:10,480 Speaker 3: say too much, they're actually a little strange, aren't they. 134 00:07:11,800 --> 00:07:13,680 Speaker 2: You think like everyone has something to hide? 135 00:07:14,200 --> 00:07:18,080 Speaker 3: Why aren't? And this isn't exclusive to any one person, 136 00:07:18,120 --> 00:07:20,600 Speaker 3: but I've noticed this a little bit. And this is 137 00:07:20,800 --> 00:07:25,520 Speaker 3: a simple favorite too. Why is it that women are 138 00:07:25,520 --> 00:07:28,840 Speaker 3: never quite what they seem? Why is it that women 139 00:07:29,080 --> 00:07:32,400 Speaker 3: these days? And I think this is art reflecting life. 140 00:07:32,840 --> 00:07:34,440 Speaker 3: These women are never quite what they see? 141 00:07:35,440 --> 00:07:36,480 Speaker 2: Is anyone made? 142 00:07:36,520 --> 00:07:39,880 Speaker 1: Well, okay, that's what he's asking, because it's. 143 00:07:39,840 --> 00:07:43,200 Speaker 3: Yes, there you go, but it's not yes. I think 144 00:07:43,240 --> 00:07:48,200 Speaker 3: that I'm maybe thinking of these movies and the posters. 145 00:07:48,240 --> 00:07:50,440 Speaker 3: Who knows, I'm the posters and the characters, and I'm 146 00:07:50,480 --> 00:07:52,280 Speaker 3: seeing these women on the thing, and I go, I 147 00:07:52,320 --> 00:07:54,760 Speaker 3: wonder if they'll be what they seem? And time and 148 00:07:54,800 --> 00:07:57,720 Speaker 3: time again, I go, hmmm, this is kind of like 149 00:07:57,760 --> 00:08:00,480 Speaker 3: what happens to me. But I suppose I'm not what 150 00:08:00,520 --> 00:08:01,440 Speaker 3: I see either. 151 00:08:01,800 --> 00:08:04,960 Speaker 2: Well, there you go. See dudes are are are fairly 152 00:08:05,000 --> 00:08:05,920 Speaker 2: inconsistent too. 153 00:08:06,000 --> 00:08:08,040 Speaker 3: I find here I look like this in a different way, 154 00:08:08,760 --> 00:08:10,640 Speaker 3: sliming around the g Q party. 155 00:08:10,800 --> 00:08:13,760 Speaker 1: You could just give him a little a little it's like. 156 00:08:14,200 --> 00:08:15,160 Speaker 3: That's what I look like. 157 00:08:15,320 --> 00:08:17,440 Speaker 2: But now we know, boy, I'm a champion. 158 00:08:18,400 --> 00:08:19,400 Speaker 1: I mean, I'll say, there you go. 159 00:08:19,920 --> 00:08:21,160 Speaker 2: He's just good about yourself. 160 00:08:21,320 --> 00:08:24,160 Speaker 1: Sean is interested in like men's wear and things like that. 161 00:08:24,200 --> 00:08:27,880 Speaker 1: If you could just compliment like his choices today, Yeah, 162 00:08:28,040 --> 00:08:30,560 Speaker 1: you you wear suits. Obviously he's spent a lot of 163 00:08:30,600 --> 00:08:34,840 Speaker 1: time on on on his sort of yeah, more casual. 164 00:08:35,120 --> 00:08:36,560 Speaker 1: He's made a lot of choices today. 165 00:08:37,480 --> 00:08:39,800 Speaker 2: Yeah, well I know. It's it's a it's a it's 166 00:08:39,800 --> 00:08:44,960 Speaker 2: a good look. Uh, it's befitting a good eater. Yeah, 167 00:08:45,000 --> 00:08:48,520 Speaker 2: it's it's loose, and it's got the kangaroo pocket. You 168 00:08:48,520 --> 00:08:49,079 Speaker 2: know what I mean. 169 00:08:49,200 --> 00:08:53,720 Speaker 3: That's in there in my little pouch. 170 00:08:54,360 --> 00:08:56,439 Speaker 2: Do you line it with plastic so that it doesn't 171 00:08:56,520 --> 00:08:56,960 Speaker 2: leak out? 172 00:08:57,920 --> 00:09:05,280 Speaker 3: That's a really smart idea yea. Next, and this is 173 00:09:05,440 --> 00:09:07,640 Speaker 3: and this is me at the next GQ party. Paul 174 00:09:07,679 --> 00:09:08,440 Speaker 3: taught me this. 175 00:09:10,360 --> 00:09:13,360 Speaker 2: Thanks yelling from the housetops. We usually do that in college. 176 00:09:15,000 --> 00:09:16,640 Speaker 2: I got invited to some things that they did the 177 00:09:16,720 --> 00:09:18,800 Speaker 2: d g A when I was a student at at 178 00:09:18,800 --> 00:09:21,640 Speaker 2: film school, and we'd always sneak in a bag and 179 00:09:21,679 --> 00:09:26,000 Speaker 2: steal all the cheese, little cheese cubes. 180 00:09:25,600 --> 00:09:27,200 Speaker 3: That they got to go and kick me too. 181 00:09:27,840 --> 00:09:28,400 Speaker 2: There you go. 182 00:09:28,520 --> 00:09:29,360 Speaker 3: That's going in. 183 00:09:30,000 --> 00:09:34,760 Speaker 2: Mm hmm, kick me again, another, kick me another, another, 184 00:09:35,440 --> 00:09:36,960 Speaker 2: another kicking the ass exactly. 185 00:09:37,280 --> 00:09:43,920 Speaker 1: The speaking of women not being what they seem. This 186 00:09:44,120 --> 00:09:46,720 Speaker 1: movie has Sarah Cooper. 187 00:09:46,440 --> 00:09:48,920 Speaker 2: In it, Yes, the great Sarah. 188 00:09:49,200 --> 00:09:51,000 Speaker 1: Now there was no way for you to know this, Paul, 189 00:09:51,080 --> 00:09:57,280 Speaker 1: but Sarah Cooper actually has made a series of videos 190 00:09:57,480 --> 00:10:00,480 Speaker 1: passed around underground where she. 191 00:10:00,640 --> 00:10:04,160 Speaker 3: Does kind of like faces of death style. 192 00:10:05,600 --> 00:10:11,840 Speaker 1: Disrespectful impersonations of the President of the United States. 193 00:10:12,040 --> 00:10:14,840 Speaker 3: So yeah, I think I've heard of it. Yes, the 194 00:10:15,080 --> 00:10:17,840 Speaker 3: and the you go oh president from a long time ago. 195 00:10:17,960 --> 00:10:20,439 Speaker 1: Now the current president actually the current president right now. 196 00:10:21,400 --> 00:10:23,360 Speaker 2: I thought it was Garfield. She was making fun of it. 197 00:10:23,760 --> 00:10:28,359 Speaker 1: And Garfield is on the kid's lips right now exactly, 198 00:10:28,559 --> 00:10:33,800 Speaker 1: not the cat. I just wonder, Paul, I'm just worried. Okay, 199 00:10:34,040 --> 00:10:35,360 Speaker 1: the movie's gonna come out. 200 00:10:35,400 --> 00:10:37,160 Speaker 3: Uh huh. 201 00:10:37,240 --> 00:10:41,440 Speaker 1: And I worry that you are exposed in a way 202 00:10:42,160 --> 00:10:46,120 Speaker 1: that if I didn't say something, I don't would be 203 00:10:46,160 --> 00:10:47,480 Speaker 1: able to forgive myself line. 204 00:10:47,600 --> 00:10:49,640 Speaker 3: Thank you for the warning, Thank you for the warning. 205 00:10:49,640 --> 00:10:53,199 Speaker 3: When this becomes a talking point, well there you go. 206 00:10:53,400 --> 00:10:54,440 Speaker 2: Maybe we can prep. 207 00:10:54,240 --> 00:10:56,720 Speaker 3: A little bit today for what your response will be. 208 00:10:56,800 --> 00:11:00,560 Speaker 3: So I'm I don't know who would be talking about this, 209 00:11:00,600 --> 00:11:04,439 Speaker 3: Billy Bush, I guess I'm you've got a new movie out. 210 00:11:04,520 --> 00:11:06,160 Speaker 3: We're here on the red carpet. 211 00:11:06,840 --> 00:11:10,439 Speaker 2: How dare you? Sir? Hey man? You know what. 212 00:11:14,200 --> 00:11:14,800 Speaker 1: Instantly? 213 00:11:15,200 --> 00:11:19,680 Speaker 2: See look at that exactly right in Billy's phase? Say like, 214 00:11:19,760 --> 00:11:24,120 Speaker 2: freedom of speech, baby, freedom of speech? Okay, first Amendment done? 215 00:11:24,320 --> 00:11:28,520 Speaker 1: Okay. I think my understanding is that the studio has 216 00:11:28,559 --> 00:11:33,160 Speaker 1: taken care of it and they have replaced Sarah Cooper 217 00:11:34,160 --> 00:11:42,360 Speaker 1: digitally in this film. Yes, with Baron Trump. Yes he 218 00:11:42,440 --> 00:11:48,120 Speaker 1: doesn't he doesn't speak, but he doesn't have to exactly. 219 00:11:48,200 --> 00:11:50,520 Speaker 2: The power is there, Yeah, the power is there. 220 00:11:50,920 --> 00:11:52,640 Speaker 1: Power he exudes. 221 00:11:52,840 --> 00:11:57,960 Speaker 3: Interesting thought experiment. Does freedom of speech extent to lip syncing? 222 00:11:59,280 --> 00:11:59,679 Speaker 1: Wow? 223 00:12:00,200 --> 00:12:03,200 Speaker 2: It's not freedom of a lip? That's right? 224 00:12:03,920 --> 00:12:07,760 Speaker 3: Can you mouth fire in a crowded thetis. 225 00:12:08,760 --> 00:12:13,080 Speaker 2: Just make the shape if it comes out to somebody 226 00:12:13,080 --> 00:12:16,600 Speaker 2: else's mile. If you're a ventriloquiest. Does your dummy have 227 00:12:16,640 --> 00:12:18,079 Speaker 2: freedom of speech? That's what I want. 228 00:12:18,320 --> 00:12:21,760 Speaker 3: Wow, Well that's for the course to decide. 229 00:12:22,559 --> 00:12:26,720 Speaker 2: There we go, we'll put this Department of Justice. 230 00:12:28,200 --> 00:12:29,960 Speaker 3: Did you worry at all with your background? And of 231 00:12:30,000 --> 00:12:33,040 Speaker 3: course Hayes kindly listed many of your credits and not 232 00:12:33,080 --> 00:12:36,960 Speaker 3: even all of them. Did you worry at all? As 233 00:12:37,000 --> 00:12:42,439 Speaker 3: you have sort of made this impressive transition more dramatic, 234 00:12:42,559 --> 00:12:46,760 Speaker 3: more thrillery, twisty work that people who have a familiarity 235 00:12:46,800 --> 00:12:51,359 Speaker 3: with your earlier films will be watching with an expectation 236 00:12:52,360 --> 00:12:54,440 Speaker 3: that Spy will kick in the door and deal with 237 00:12:54,480 --> 00:12:55,320 Speaker 3: some of the batteries. 238 00:12:56,200 --> 00:12:58,840 Speaker 2: Well, I'm trying to launch the FIG cinematic universe. 239 00:12:59,760 --> 00:13:02,320 Speaker 3: Yeah, and I was asking I was asking this next, 240 00:13:02,640 --> 00:13:05,320 Speaker 3: did you consider Spy kicking in the door, because I, 241 00:13:05,440 --> 00:13:07,960 Speaker 3: from my experience, I was going, I think Spy would 242 00:13:07,960 --> 00:13:09,400 Speaker 3: handle some of this stuff pretty well. 243 00:13:09,720 --> 00:13:11,640 Speaker 2: I know, I was kind of hoping Statham would show 244 00:13:11,679 --> 00:13:13,920 Speaker 2: up because he could every problem. 245 00:13:14,000 --> 00:13:17,200 Speaker 1: You know what I actually think, as I actually think, 246 00:13:17,600 --> 00:13:20,120 Speaker 1: having having seen the movie, if you remember the movie, 247 00:13:20,440 --> 00:13:22,560 Speaker 1: she actually proved herself to be just as good as 248 00:13:22,559 --> 00:13:23,080 Speaker 1: a spy. 249 00:13:23,559 --> 00:13:29,000 Speaker 3: Yes, and that is although and that's and That's another 250 00:13:29,040 --> 00:13:33,920 Speaker 3: instance where this woman was not exactly what she sees, 251 00:13:35,760 --> 00:13:37,800 Speaker 3: and we did learn that through the course of. 252 00:13:37,760 --> 00:13:42,280 Speaker 2: The very mysterious exactly keep you on your toes right, 253 00:13:43,080 --> 00:13:44,880 Speaker 2: And I can't even pick which spy I would want 254 00:13:44,920 --> 00:13:45,439 Speaker 2: to save me. 255 00:13:47,120 --> 00:13:47,640 Speaker 3: Stay them. 256 00:13:49,040 --> 00:13:49,720 Speaker 1: Well, I don't know. 257 00:13:51,559 --> 00:13:55,240 Speaker 2: It depends which if you're getting a working man Stathum 258 00:13:55,360 --> 00:13:58,800 Speaker 2: or the beekeeper Stateum, yes, if you're getting rick Ford, 259 00:13:58,840 --> 00:14:02,840 Speaker 2: maybe not. Hmm, there you go. I'm referencing my own movie. 260 00:14:02,880 --> 00:14:08,560 Speaker 1: But Paul's character every you know, every movie we've ever seen. 261 00:14:08,640 --> 00:14:10,000 Speaker 2: Like there you go. 262 00:14:10,080 --> 00:14:12,719 Speaker 3: That's been a big part of the show lately as 263 00:14:12,720 --> 00:14:14,839 Speaker 3: we've had some of these directors on. 264 00:14:21,160 --> 00:14:26,360 Speaker 1: Paul. Yes, Kevin, where did you read the book? Where 265 00:14:26,360 --> 00:14:29,880 Speaker 1: were you paint us a picture of? Like where you do? 266 00:14:29,880 --> 00:14:31,520 Speaker 1: You have a special note? You know you got to 267 00:14:31,520 --> 00:14:35,160 Speaker 1: read the book it. 268 00:14:34,120 --> 00:14:36,280 Speaker 2: It's this hard seat that has a big hole in 269 00:14:36,280 --> 00:14:38,840 Speaker 2: the middle. No, I'm joking, of course, I would never 270 00:14:38,880 --> 00:14:45,120 Speaker 2: read that on the toilet. Maybe a chapter or two. 271 00:14:44,360 --> 00:14:46,160 Speaker 1: I see it with a hole in the middle. Doesn't 272 00:14:46,160 --> 00:14:48,200 Speaker 1: have to be a toilet, Oh. 273 00:14:48,240 --> 00:14:52,240 Speaker 2: It doesn't what I'm on it if. 274 00:14:52,120 --> 00:14:57,680 Speaker 3: There's a hole, Okay, you feel the keyboard Warriors aggregating this. 275 00:14:57,680 --> 00:14:59,560 Speaker 3: This can get taken out of context. 276 00:15:00,560 --> 00:15:01,720 Speaker 2: It's all clickbait boys. 277 00:15:01,960 --> 00:15:06,000 Speaker 3: H that's good press. So so yeah, it's a it's 278 00:15:06,040 --> 00:15:09,240 Speaker 3: a great question because everyone's got their own reading rituals 279 00:15:09,240 --> 00:15:10,320 Speaker 3: and this feels like a beach read? 280 00:15:10,320 --> 00:15:12,160 Speaker 1: Am I wrong? H? 281 00:15:12,720 --> 00:15:15,600 Speaker 2: I wouldn't dare call it that. I mean, yeah, it's 282 00:15:15,640 --> 00:15:18,120 Speaker 2: it's a it's a what Yeah, I guess i'd call 283 00:15:18,160 --> 00:15:19,320 Speaker 2: it a beach read. But you don't have to be 284 00:15:19,400 --> 00:15:19,840 Speaker 2: on the beach. 285 00:15:20,160 --> 00:15:22,720 Speaker 3: Well, and so I have a feeling you weren't. 286 00:15:23,920 --> 00:15:24,280 Speaker 1: You know what? 287 00:15:25,200 --> 00:15:27,080 Speaker 2: Look at this, this, This does not go on the beach. 288 00:15:28,280 --> 00:15:32,800 Speaker 2: This flees from the beach. It's like a vampire. Are 289 00:15:32,840 --> 00:15:34,920 Speaker 2: you beach fellas? Are you beach boys? 290 00:15:35,040 --> 00:15:35,960 Speaker 1: Oh? God? 291 00:15:36,880 --> 00:15:42,200 Speaker 3: Yeah, I mean I can tell you some of the 292 00:15:42,240 --> 00:15:42,880 Speaker 3: time of year. 293 00:15:44,280 --> 00:15:44,800 Speaker 2: Yeah. 294 00:15:45,080 --> 00:15:48,400 Speaker 3: The boogie boarding, yes there you mister. 295 00:15:50,000 --> 00:15:51,480 Speaker 2: It's a chef's kiss. 296 00:15:51,320 --> 00:15:52,720 Speaker 1: On the yes. 297 00:15:52,800 --> 00:15:58,200 Speaker 3: Yes, it's uh some and a bum bum when we 298 00:15:58,240 --> 00:16:02,360 Speaker 3: go there, because it is a really a phenomenal experience. 299 00:16:03,200 --> 00:16:07,200 Speaker 3: I can't go in the water, but just to be 300 00:16:07,360 --> 00:16:12,800 Speaker 3: that close to it is sort of terrifying and exhilarating. 301 00:16:12,960 --> 00:16:14,920 Speaker 3: And I actually can't touch the water. I can't. 302 00:16:15,120 --> 00:16:17,680 Speaker 2: You know, you have a water allergy. Is that what 303 00:16:17,680 --> 00:16:18,120 Speaker 2: I'm hearing? 304 00:16:19,320 --> 00:16:24,640 Speaker 3: Yeah, I guess that's basically uh yes, that's that's a 305 00:16:24,760 --> 00:16:28,480 Speaker 3: kind way to put it. 306 00:16:28,600 --> 00:16:30,840 Speaker 2: More of a serious syndrome going on here. 307 00:16:30,960 --> 00:16:36,520 Speaker 1: Yeah, yeah, it's yeah, he has a syndrome, your syndrome, 308 00:16:37,480 --> 00:16:40,520 Speaker 1: and he only drinks Celsius because that is the one 309 00:16:40,600 --> 00:16:41,800 Speaker 1: drink that doesn't have water in it. 310 00:16:43,080 --> 00:16:46,400 Speaker 3: Celsius, that's the first water free liquid. It was it 311 00:16:46,480 --> 00:16:48,800 Speaker 3: was created a mit Wow. 312 00:16:49,080 --> 00:16:53,040 Speaker 2: Really yeah yeah, it was like to pick some of 313 00:16:53,080 --> 00:16:53,400 Speaker 2: that up. 314 00:16:53,440 --> 00:16:54,960 Speaker 3: I mean, you're a movie guy, you know, like that 315 00:16:55,080 --> 00:16:57,600 Speaker 3: sort of goodwill hunting, like they always kind of change 316 00:16:57,680 --> 00:16:59,760 Speaker 3: the story a little bit for the movie. But he 317 00:16:59,880 --> 00:17:02,280 Speaker 3: was not solving you know, equations on them where that's 318 00:17:02,280 --> 00:17:06,800 Speaker 3: all like movie magic. That's exciting, you know. But what 319 00:17:06,880 --> 00:17:09,720 Speaker 3: really happened was there was a janitor there who was 320 00:17:09,800 --> 00:17:13,160 Speaker 3: just mixing the different cleaning fluids until he finally created 321 00:17:13,800 --> 00:17:17,680 Speaker 3: a drink that had no no water, no liquid whatsoever. Wow, 322 00:17:17,920 --> 00:17:19,080 Speaker 3: that liquid, but it had no water. 323 00:17:19,800 --> 00:17:21,840 Speaker 2: I would try it, but since I'm in showbiz, all 324 00:17:22,080 --> 00:17:27,880 Speaker 2: I drink is Lacroix. Really it is the show biz. 325 00:17:29,320 --> 00:17:32,960 Speaker 2: We just we just waited that we waited the factory 326 00:17:33,040 --> 00:17:36,280 Speaker 2: for what new flavor is going to introduce and we 327 00:17:36,160 --> 00:17:38,200 Speaker 2: and we run around and celebrate. 328 00:17:38,440 --> 00:17:40,639 Speaker 3: So this is a segment we've been doing on our show, 329 00:17:40,760 --> 00:17:46,240 Speaker 3: Top fifteen Lacroix flavors we do. We put them up 330 00:17:46,240 --> 00:17:48,440 Speaker 3: on the board. So we've got you've got numbers one 331 00:17:48,440 --> 00:17:51,680 Speaker 3: through fifteen here and you can go in any order 332 00:17:51,720 --> 00:17:54,480 Speaker 3: you want. Usually people go like completely out of or 333 00:17:54,560 --> 00:17:56,919 Speaker 3: they'll go, this is number eleven, this is number nine. 334 00:17:57,200 --> 00:17:59,880 Speaker 3: You know, this is if you have any honorable mention 335 00:18:00,200 --> 00:18:02,520 Speaker 3: as well that you want to throw in. But we 336 00:18:02,640 --> 00:18:04,920 Speaker 3: like to go through those in it. Let's people kind 337 00:18:04,920 --> 00:18:06,840 Speaker 3: of imagine that they're on one of your sets and 338 00:18:06,840 --> 00:18:09,840 Speaker 3: they're rooting through the cooler for Oh, is there any 339 00:18:09,880 --> 00:18:13,040 Speaker 3: of Paul's favorite here? I want to curry favor with 340 00:18:13,560 --> 00:18:14,600 Speaker 3: the big boss man. 341 00:18:14,840 --> 00:18:17,399 Speaker 2: You know, you walk up drinking one of my favorites. 342 00:18:17,440 --> 00:18:19,520 Speaker 2: I'm like, hey, there's something about this person. 343 00:18:19,720 --> 00:18:21,720 Speaker 3: Wait a minute, you and I are kind of on 344 00:18:21,800 --> 00:18:23,800 Speaker 3: the same level vibe exactly. 345 00:18:23,880 --> 00:18:26,320 Speaker 2: I want to star in a movie now and. 346 00:18:26,240 --> 00:18:29,159 Speaker 3: That's yeah, So what is the flavor that? What is 347 00:18:29,200 --> 00:18:30,280 Speaker 3: that for you? 348 00:18:32,160 --> 00:18:35,080 Speaker 2: Probably I like one of the most hated flavors, which 349 00:18:35,119 --> 00:18:35,879 Speaker 2: is lemonzello. 350 00:18:36,240 --> 00:18:37,280 Speaker 3: Oh my good. 351 00:18:37,400 --> 00:18:43,240 Speaker 2: Some people get very upset about that devilish So I'm 352 00:18:43,600 --> 00:18:48,160 Speaker 2: an Italian lover something, you go, I feel like I'm 353 00:18:48,200 --> 00:18:50,439 Speaker 2: in Rome. I feel like I'm in Rome when it 354 00:18:50,520 --> 00:18:55,680 Speaker 2: does transport us, when I crack open that can lemonngella. 355 00:18:57,000 --> 00:18:57,840 Speaker 2: Funny Exactly. 356 00:18:58,040 --> 00:19:00,760 Speaker 1: We're watching a movie and you see, like critics talk 357 00:19:00,800 --> 00:19:02,520 Speaker 1: about this one of people like that just like don't 358 00:19:02,560 --> 00:19:05,480 Speaker 1: understand the business, asking why the characters are just like 359 00:19:05,520 --> 00:19:08,159 Speaker 1: doing all these little burps all the time, where like 360 00:19:09,119 --> 00:19:12,359 Speaker 1: why did they have to stop talking and kind of swallows. 361 00:19:12,440 --> 00:19:14,720 Speaker 3: Yeah, it's not an audible belch, but it's just a 362 00:19:14,760 --> 00:19:17,359 Speaker 3: little like sort of like you can see a little 363 00:19:17,720 --> 00:19:18,720 Speaker 3: air pocket. 364 00:19:19,160 --> 00:19:20,760 Speaker 1: And her if. 365 00:19:22,160 --> 00:19:24,520 Speaker 2: Yeah, like if it was in a cartoon, it would 366 00:19:24,560 --> 00:19:27,719 Speaker 2: you know, a drawing of an old timey drunk little bubble. 367 00:19:27,840 --> 00:19:32,359 Speaker 2: It would be her exactly with little stars around. And 368 00:19:32,400 --> 00:19:34,560 Speaker 2: then he pulls out the thing and he you know, 369 00:19:35,200 --> 00:19:37,520 Speaker 2: an elephant walks past, and he pulls the bottle out. 370 00:19:37,560 --> 00:19:41,639 Speaker 2: It's got three x's and he out, yeah, never drinking 371 00:19:41,680 --> 00:19:42,560 Speaker 2: again exactly, So. 372 00:19:42,600 --> 00:19:44,080 Speaker 1: He actually didn't have a problem. 373 00:19:44,080 --> 00:19:46,719 Speaker 2: That turns out he didn't have to stop drinking. 374 00:19:47,720 --> 00:19:49,840 Speaker 1: Well, he just saw it was real. 375 00:19:51,359 --> 00:19:52,800 Speaker 2: I love you? 376 00:19:55,320 --> 00:19:58,120 Speaker 3: Is that line in my little I believe that is yeah, 377 00:19:58,160 --> 00:19:58,720 Speaker 3: and that's going. 378 00:19:58,640 --> 00:19:59,440 Speaker 1: To be in the trailer. 379 00:19:59,560 --> 00:20:02,040 Speaker 2: So we're changing the name of the movie to them. 380 00:20:02,119 --> 00:20:05,560 Speaker 2: Actually it's going to double feature to serve with love. 381 00:20:10,080 --> 00:20:14,440 Speaker 1: Yes, adapted a book before this first book. 382 00:20:15,840 --> 00:20:20,320 Speaker 2: I mean I've done three movies based on book. Come on, yes, 383 00:20:20,480 --> 00:20:20,800 Speaker 2: I did. 384 00:20:22,720 --> 00:20:24,840 Speaker 3: There you go, Oh that's a book. 385 00:20:25,560 --> 00:20:27,159 Speaker 2: Was a book, that was a book, and then The 386 00:20:27,160 --> 00:20:31,119 Speaker 2: School for Good and Evil and now The Housemaid. 387 00:20:31,560 --> 00:20:35,479 Speaker 1: You wish I mean when you meet these writers, do 388 00:20:35,520 --> 00:20:38,480 Speaker 1: you wish that they like it didn't make you do 389 00:20:38,520 --> 00:20:42,000 Speaker 1: all this work about like what pants they have? Just 390 00:20:42,040 --> 00:20:44,520 Speaker 1: say what pants are supposed to have on for this part? 391 00:20:44,600 --> 00:20:49,320 Speaker 1: All right? Just say what? Like what were they doing 392 00:20:49,359 --> 00:20:55,360 Speaker 1: with their hands here? Stuff? Were they not holding stuff? Right? 393 00:20:55,680 --> 00:20:59,960 Speaker 3: Well? Reading the book going, some of us can't be 394 00:21:00,160 --> 00:21:01,440 Speaker 3: in the movie. 395 00:21:02,160 --> 00:21:05,600 Speaker 2: I mean, yes, you got a weed, you gotta weed exactly. 396 00:21:06,320 --> 00:21:09,120 Speaker 2: It's like, because just maybe too long. 397 00:21:09,240 --> 00:21:12,080 Speaker 1: Just describe it and have pictures in there. Please. I'm 398 00:21:12,119 --> 00:21:15,000 Speaker 1: a very visual person. Oh yeah, I know you are too. 399 00:21:15,080 --> 00:21:20,040 Speaker 1: I'm so visual. Yes, I'm seeing something. I'm accumulating information 400 00:21:20,200 --> 00:21:24,959 Speaker 1: about the world from you what I see with my eyes. 401 00:21:25,280 --> 00:21:26,200 Speaker 1: That's my thing. 402 00:21:26,440 --> 00:21:29,000 Speaker 3: And on the opposite, and that's what makes it a partnership. 403 00:21:29,040 --> 00:21:31,560 Speaker 3: You see me with these headphones on, and everything you 404 00:21:31,640 --> 00:21:37,080 Speaker 3: say is creating these like incredible, you know, imaginary worlds 405 00:21:37,119 --> 00:21:42,639 Speaker 3: for me to dive into, and I can't understand what 406 00:21:42,720 --> 00:21:47,520 Speaker 3: I'm seeing at all. Does that make sense, paul Ah. 407 00:21:47,320 --> 00:21:51,520 Speaker 2: Sure, you know it does. There's things called comic books 408 00:21:51,680 --> 00:21:53,720 Speaker 2: that could maybe help you along. 409 00:21:54,200 --> 00:21:57,679 Speaker 1: Okay, but can he hear those for me? 410 00:21:57,800 --> 00:22:00,560 Speaker 3: It's all yes, he would love that. 411 00:22:01,000 --> 00:22:03,280 Speaker 2: There we go, a graphic novel. 412 00:22:03,320 --> 00:22:05,919 Speaker 1: I'd love to know about it. Oh, yeah, there you go. 413 00:22:06,119 --> 00:22:08,719 Speaker 2: Here's yeah, the graphic novels novel and he's sold. 414 00:22:09,840 --> 00:22:11,880 Speaker 3: But the graphic part of it. 415 00:22:12,240 --> 00:22:14,879 Speaker 2: Graphic novel sounds so much smarter than comic book, doesn't. 416 00:22:15,560 --> 00:22:20,199 Speaker 3: Yeah, that was a good branding exercise, speaking of branding. 417 00:22:21,440 --> 00:22:22,960 Speaker 1: And we've we've gotten there. 418 00:22:23,840 --> 00:22:26,600 Speaker 2: He's in my movie branding Sclenar exactly. 419 00:22:26,600 --> 00:22:29,639 Speaker 3: He's in my movie speaking of branding. How was branding 420 00:22:29,680 --> 00:22:30,639 Speaker 3: Scleinar to work with? 421 00:22:31,359 --> 00:22:36,040 Speaker 2: He was brand spanking fantastic. He's the best. I love 422 00:22:36,080 --> 00:22:38,800 Speaker 2: that guy so much. He's a very funny guy too. 423 00:22:39,280 --> 00:22:44,040 Speaker 3: He looks strong y. 424 00:22:46,320 --> 00:22:48,840 Speaker 2: You thought it was funny, Yeah, well, you know that's 425 00:22:48,960 --> 00:22:49,560 Speaker 2: not a monster. 426 00:22:49,680 --> 00:22:56,200 Speaker 3: I am, did you get any big hugs? 427 00:22:57,600 --> 00:23:01,120 Speaker 2: Me? Oh yeah, of course, sure, of course. You gotta 428 00:23:01,119 --> 00:23:01,879 Speaker 2: be looking forward. 429 00:23:01,920 --> 00:23:04,840 Speaker 3: It's bittersweet to wrap a movie always because you this 430 00:23:04,880 --> 00:23:07,000 Speaker 3: is your family. Now you've been you know, you've been 431 00:23:07,040 --> 00:23:09,520 Speaker 3: with them. But also it's cleash knows something. It's an 432 00:23:09,520 --> 00:23:12,360 Speaker 3: achievement and you gotta be thinking. Man, on rap day, 433 00:23:12,359 --> 00:23:16,399 Speaker 3: I'm gonna get a monster hug from branding sar Exactly right. 434 00:23:16,520 --> 00:23:18,199 Speaker 2: I was counting. I was counting the days. I was 435 00:23:18,200 --> 00:23:23,080 Speaker 2: like in a prison cell where you almost a thirty four. 436 00:23:23,200 --> 00:23:28,680 Speaker 2: Here we go, and then his big muscly arms enveloped me. Exactly. 437 00:23:29,280 --> 00:23:31,200 Speaker 2: I know he is a big, handsome man. 438 00:23:31,680 --> 00:23:34,760 Speaker 1: You're just one of those I don't need to just 439 00:23:34,840 --> 00:23:38,399 Speaker 1: one arm. I'm not big. 440 00:23:39,480 --> 00:23:42,240 Speaker 2: Come on, I would qualify you as being a superhero. 441 00:23:42,280 --> 00:23:43,359 Speaker 1: I don't care which side. 442 00:23:44,000 --> 00:23:48,960 Speaker 2: Big arm. Here he comes, save the day, big arm, 443 00:23:49,280 --> 00:23:52,719 Speaker 2: causing big harm. Wait, this is this is writing itself? 444 00:23:53,400 --> 00:23:55,399 Speaker 3: Gosh, and it's one of these graphic novels we've been 445 00:23:55,400 --> 00:23:56,040 Speaker 3: talking about. 446 00:23:56,320 --> 00:23:58,800 Speaker 2: There you go, let's get the paint pictures going. 447 00:23:58,840 --> 00:23:59,639 Speaker 1: Where did we shoot? 448 00:23:59,720 --> 00:24:01,240 Speaker 3: Where we're on location? 449 00:24:02,960 --> 00:24:03,080 Speaker 1: Uh? 450 00:24:03,320 --> 00:24:07,240 Speaker 2: This we shot in New Jersey? Yeah, the housemade shot 451 00:24:07,280 --> 00:24:10,400 Speaker 2: in New Jersey, Madison, New Jersey, and Morristown. 452 00:24:10,520 --> 00:24:14,080 Speaker 3: Good gracious, Elizabeth old stomping grounds. 453 00:24:14,119 --> 00:24:17,560 Speaker 2: Really are you here? Are a Jersey Forget it? 454 00:24:17,600 --> 00:24:24,920 Speaker 3: I used to be at Madison, Morris Madison, Elizabeth, Morristown, Morristown, 455 00:24:25,040 --> 00:24:28,800 Speaker 3: forget it. Here, I am here. I am peering through 456 00:24:28,840 --> 00:24:34,639 Speaker 3: the gates of Fairleigh Dickinson University, the ivy aside. 457 00:24:34,320 --> 00:24:39,240 Speaker 2: Right exactly at head Gum Studios. I was literally just 458 00:24:39,240 --> 00:24:41,240 Speaker 2: sitting where you are last week. 459 00:24:41,920 --> 00:24:46,920 Speaker 3: Oh no, I know, Sorry, sorry, I might have left. Well, 460 00:24:47,000 --> 00:24:48,720 Speaker 3: it's just yeah, what show was that? 461 00:24:50,280 --> 00:24:55,359 Speaker 2: Uh? That would be ass that's here and Nicole's show 462 00:24:55,640 --> 00:24:58,480 Speaker 2: and they're lovely funny people, and that went better or worse? 463 00:25:00,119 --> 00:25:00,640 Speaker 1: We have time. 464 00:25:00,720 --> 00:25:01,280 Speaker 3: You gotta pick. 465 00:25:01,359 --> 00:25:05,040 Speaker 1: We have time. There's absolutely no reason to declare now 466 00:25:05,720 --> 00:25:07,679 Speaker 1: whether it's worse than their. 467 00:25:07,800 --> 00:25:09,680 Speaker 2: It's It's not a competition, boys, it's not. 468 00:25:10,320 --> 00:25:12,879 Speaker 1: They only get like, you know, did they have to 469 00:25:12,960 --> 00:25:17,080 Speaker 1: decide whether it was a success or failure after twenty 470 00:25:17,160 --> 00:25:17,800 Speaker 1: nine minutes? 471 00:25:18,280 --> 00:25:20,600 Speaker 2: No, they know exactly it has it been twenty nine minutes? 472 00:25:21,520 --> 00:25:24,600 Speaker 3: And how long does it feel? It's flying bye? Isn't it? 473 00:25:24,640 --> 00:25:24,840 Speaker 1: Paul? 474 00:25:25,000 --> 00:25:28,560 Speaker 2: Flying by? I thought didn't we just start? Yes two 475 00:25:28,640 --> 00:25:34,600 Speaker 2: days ago? Ha, got you. That's what I call up. 476 00:25:34,640 --> 00:25:35,280 Speaker 1: But now. 477 00:25:36,760 --> 00:25:38,119 Speaker 3: I'm learning so much. 478 00:25:39,280 --> 00:25:42,040 Speaker 2: You see, in comedy, we got a thing called put down. 479 00:25:42,680 --> 00:25:45,280 Speaker 2: We gotta pick me up? Yeah, we gotta. I don't know. 480 00:25:45,280 --> 00:25:48,920 Speaker 1: I just make a no yes. And that's something I 481 00:25:48,960 --> 00:25:49,440 Speaker 1: can't get away. 482 00:25:49,440 --> 00:25:50,000 Speaker 2: Our secrets. 483 00:25:50,080 --> 00:25:51,600 Speaker 1: Some of these characters in the movie. 484 00:25:51,680 --> 00:25:55,000 Speaker 3: Mmmm, it's true, and I'm putting them down and picking 485 00:25:55,040 --> 00:25:58,439 Speaker 3: them up M macket flip it and reverse it or 486 00:25:58,440 --> 00:26:01,200 Speaker 3: whatever they say. Now, I mean, I Jesus Christ, Paul, 487 00:26:01,560 --> 00:26:04,200 Speaker 3: you know, I can't keep up with all this stuff. 488 00:26:04,760 --> 00:26:06,400 Speaker 2: The kids and their terminology. 489 00:26:07,240 --> 00:26:11,320 Speaker 3: Speaking of MM, just as a kind of peek into 490 00:26:11,400 --> 00:26:14,199 Speaker 3: the process of you know what where Hollywood is at 491 00:26:14,320 --> 00:26:14,800 Speaker 3: right now? 492 00:26:15,359 --> 00:26:16,199 Speaker 2: Yeah? 493 00:26:16,240 --> 00:26:22,240 Speaker 3: Are there boy intimacy coordinators? I don't know, to be 494 00:26:22,320 --> 00:26:25,639 Speaker 3: quite honest, Okay, I don't. I'm not you know, I 495 00:26:25,640 --> 00:26:30,360 Speaker 3: guess if there is one. Yeah, I have some questions 496 00:26:30,400 --> 00:26:30,720 Speaker 3: for them. 497 00:26:31,040 --> 00:26:31,960 Speaker 2: Want to send them to you. 498 00:26:32,400 --> 00:26:33,199 Speaker 1: I just want to. 499 00:26:34,240 --> 00:26:36,080 Speaker 3: I just have some questions that I feel like they 500 00:26:36,080 --> 00:26:36,800 Speaker 3: could help me with. 501 00:26:38,160 --> 00:26:39,600 Speaker 2: You know what. I think we could arrange that. 502 00:26:39,920 --> 00:26:41,920 Speaker 3: Yeah, if there was even one. And I don't know 503 00:26:41,960 --> 00:26:44,600 Speaker 3: if they're ever boys, but I feel like when I 504 00:26:44,640 --> 00:26:46,960 Speaker 3: see them, it's not a boy usually but if there 505 00:26:47,000 --> 00:26:48,680 Speaker 3: was one that was a boy, and I don't care 506 00:26:49,440 --> 00:26:51,480 Speaker 3: moving whenever, I don't, you know, it has nothing to 507 00:26:51,520 --> 00:26:53,320 Speaker 3: do with that, but just for me for some of 508 00:26:53,320 --> 00:26:56,240 Speaker 3: my stuff, you talk to a boy. Yeah, I would 509 00:26:56,320 --> 00:26:57,840 Speaker 3: rather talk to a boy. Some of the questions. I 510 00:26:57,880 --> 00:27:00,679 Speaker 3: don't even know if a girl knows. 511 00:26:59,720 --> 00:27:04,000 Speaker 1: Necessarily nothing like women doing. Oh my god. 512 00:27:04,040 --> 00:27:05,600 Speaker 3: I think they should have the job. 513 00:27:05,440 --> 00:27:06,240 Speaker 1: For him to talk to them. 514 00:27:06,240 --> 00:27:08,480 Speaker 3: I don't think it only they should have the job necessarily. 515 00:27:08,480 --> 00:27:11,760 Speaker 3: I don't think that that's always, you know, kind of 516 00:27:11,760 --> 00:27:13,600 Speaker 3: a rule that you don't want to only ever have 517 00:27:13,640 --> 00:27:16,520 Speaker 3: one perspective on something. And I think it could be 518 00:27:16,560 --> 00:27:18,359 Speaker 3: really helpful for me, actually, if we could find one 519 00:27:18,359 --> 00:27:19,919 Speaker 3: who was a boy, and I think that would make 520 00:27:19,960 --> 00:27:21,639 Speaker 3: me feel a little safer in some of the questions. 521 00:27:21,840 --> 00:27:24,080 Speaker 2: That's cool. I think they could. I think that we 522 00:27:24,160 --> 00:27:28,240 Speaker 2: have them. They're called stunt coordinators, So there you go. 523 00:27:28,400 --> 00:27:31,600 Speaker 3: Okay, mm hmm, intimate stuff. 524 00:27:31,680 --> 00:27:36,080 Speaker 1: The way to my stunts, the way Sean is doing it. 525 00:27:36,119 --> 00:27:41,200 Speaker 1: He does have to wear those suits when they wear 526 00:27:41,280 --> 00:27:43,280 Speaker 1: for when the dog comes up and bites you on the. 527 00:27:43,320 --> 00:27:48,560 Speaker 3: Arm, right, yeah, big, big, padded and I'm coated in 528 00:27:48,600 --> 00:27:50,560 Speaker 3: a special gel where I can be on fire for 529 00:27:50,600 --> 00:27:51,720 Speaker 3: a couple of minutes as well. 530 00:27:51,760 --> 00:27:53,960 Speaker 2: There you go excellent. So you're perfectly saying. 531 00:27:53,840 --> 00:27:57,840 Speaker 3: Yeah, so that that part is fine. But then once 532 00:27:57,880 --> 00:27:59,800 Speaker 3: I have that on, there's some other questions. I have 533 00:27:59,840 --> 00:28:02,520 Speaker 3: a how some other stuff could work, but it's like, 534 00:28:02,520 --> 00:28:05,040 Speaker 3: it's not for you, obviously, it's for if you can 535 00:28:05,080 --> 00:28:05,800 Speaker 3: find one of them. 536 00:28:06,280 --> 00:28:10,160 Speaker 2: Okay, let me look around. I know they're out there, 537 00:28:10,200 --> 00:28:11,800 Speaker 2: and it sounds like a very sexy scene. Do you 538 00:28:11,800 --> 00:28:17,560 Speaker 2: want to give me your phone number? Yeah? See, look 539 00:28:17,560 --> 00:28:18,840 Speaker 2: at that. It works. 540 00:28:19,760 --> 00:28:22,760 Speaker 1: It was the snow reel. The snow. 541 00:28:22,880 --> 00:28:24,800 Speaker 2: The snow was real and wasn't supposed to be there. 542 00:28:26,640 --> 00:28:28,440 Speaker 2: It snowed the day before we did. It's like, I 543 00:28:28,440 --> 00:28:31,600 Speaker 2: guess we're almost snow, which I'm glad we did. But yeah, 544 00:28:31,640 --> 00:28:33,360 Speaker 2: that snow is all real and very cold. 545 00:28:33,800 --> 00:28:36,440 Speaker 1: If you want snow that shows up reel on camera, 546 00:28:38,720 --> 00:28:41,680 Speaker 1: I you got to call me next time, Paul, and 547 00:28:41,760 --> 00:28:47,920 Speaker 1: I'll get really because like I snowshop, real snow often 548 00:28:47,960 --> 00:28:48,600 Speaker 1: doesn't appear. 549 00:28:48,760 --> 00:28:51,440 Speaker 3: It doesn't it doesn't read. And that's why Hayes had 550 00:28:51,480 --> 00:28:53,440 Speaker 3: to ask. You know how when you see ice cream 551 00:28:53,440 --> 00:28:55,880 Speaker 3: in a commercial, it's really a big hunk mashed potatoes. 552 00:28:56,440 --> 00:28:57,640 Speaker 2: That's right, that's right. 553 00:28:58,240 --> 00:29:01,520 Speaker 1: So I have this ply of like this incredible. So 554 00:29:01,520 --> 00:29:04,920 Speaker 1: what I did was I left a thirty two rack 555 00:29:05,000 --> 00:29:09,560 Speaker 1: of starry in my freezer. Have you had storry? I 556 00:29:09,560 --> 00:29:11,600 Speaker 1: have not, but I haven't either because I left it 557 00:29:11,600 --> 00:29:12,600 Speaker 1: all in the freezer and it. 558 00:29:12,600 --> 00:29:14,440 Speaker 3: Exploded undrinkable that way. 559 00:29:14,680 --> 00:29:21,040 Speaker 1: But I now have this incredible supply of the most 560 00:29:21,240 --> 00:29:23,760 Speaker 1: real looking snow because I sent a video to the 561 00:29:23,800 --> 00:29:27,200 Speaker 1: manufacturer to try and get them to like basically paint 562 00:29:27,320 --> 00:29:30,000 Speaker 1: like threatening them. Right, let's settle this. 563 00:29:30,160 --> 00:29:34,400 Speaker 3: Yeah, this is faulty story, bring the court with it 564 00:29:34,440 --> 00:29:37,720 Speaker 3: when this happened. And then picture the freezer. 565 00:29:37,840 --> 00:29:42,520 Speaker 1: I'm just like transported to this like this, this winter wonderland. 566 00:29:42,920 --> 00:29:46,080 Speaker 1: That real snow does not do it the same way 567 00:29:47,120 --> 00:29:49,720 Speaker 1: that an exploded can of story does. 568 00:29:50,280 --> 00:29:52,480 Speaker 2: That's true. Admit, how much do you have? Do you 569 00:29:52,520 --> 00:29:55,440 Speaker 2: have enough to cover an entire lawn with it? 570 00:29:57,040 --> 00:29:58,240 Speaker 1: Director? I don't want to tell you how to do 571 00:29:58,280 --> 00:30:00,480 Speaker 1: your job, but if you get up really those to it, 572 00:30:00,520 --> 00:30:02,320 Speaker 1: it can look huge. 573 00:30:03,080 --> 00:30:11,240 Speaker 2: So doing like inserts like the ice planted off really well, 574 00:30:12,640 --> 00:30:14,800 Speaker 2: you're like in that that new Apple hand that they 575 00:30:14,800 --> 00:30:15,520 Speaker 2: played constantly. 576 00:30:15,520 --> 00:30:16,560 Speaker 1: It was just like that. 577 00:30:17,040 --> 00:30:19,160 Speaker 2: People making movies and the guy gets hit in the 578 00:30:19,160 --> 00:30:21,520 Speaker 2: face with the fake snow. That's I thought that you. 579 00:30:22,320 --> 00:30:25,760 Speaker 1: I'm I'm that every single one of those is me, 580 00:30:28,000 --> 00:30:31,280 Speaker 1: all based on his energy I bring to a production. 581 00:30:31,760 --> 00:30:33,720 Speaker 1: Let's just grip it and rip it. 582 00:30:33,880 --> 00:30:36,640 Speaker 3: He's like Forrest Gump, but just for apple Ads. It's 583 00:30:36,680 --> 00:30:38,360 Speaker 3: always something that has happened to him. 584 00:30:38,400 --> 00:30:41,200 Speaker 2: He's always interacting with like Zeleig exactly. 585 00:30:41,280 --> 00:30:44,640 Speaker 1: Remember the one where they crushed all the instruments and 586 00:30:45,280 --> 00:30:46,400 Speaker 1: books and. 587 00:30:46,760 --> 00:30:48,760 Speaker 3: Yes, they smashed them up statues. 588 00:30:48,880 --> 00:30:49,959 Speaker 1: That was all my stuff. 589 00:30:50,040 --> 00:30:58,120 Speaker 3: That was his empty afterwards, but except for a phone. 590 00:30:58,280 --> 00:31:01,520 Speaker 1: They gave me a phone. That was nice. I actually 591 00:31:01,600 --> 00:31:02,440 Speaker 1: had one already. 592 00:31:02,760 --> 00:31:06,720 Speaker 3: Never work with animals or children, they say, but there's 593 00:31:06,760 --> 00:31:07,920 Speaker 3: a child in the movie. 594 00:31:08,880 --> 00:31:11,800 Speaker 2: Yes, Indiana. Very talented and very talent Indiana. 595 00:31:11,880 --> 00:31:14,600 Speaker 3: Did she talk about her experience on any other film sets. 596 00:31:15,840 --> 00:31:19,120 Speaker 2: Uh No, she was very focused on our movie. 597 00:31:19,360 --> 00:31:21,760 Speaker 3: She didn't mention any she didn't mention a very professional. 598 00:31:21,840 --> 00:31:23,840 Speaker 3: She didn't mention a movie that she filmed last fall. 599 00:31:24,760 --> 00:31:25,520 Speaker 2: What movie was that? 600 00:31:27,160 --> 00:31:31,200 Speaker 3: Wow, it's called the dink sor have a pick aball 601 00:31:31,240 --> 00:31:32,040 Speaker 3: tennis movie? 602 00:31:32,600 --> 00:31:33,200 Speaker 2: Don't she in that? 603 00:31:34,440 --> 00:31:36,960 Speaker 1: She didn't mention it? Wow? She so it sounds like 604 00:31:37,360 --> 00:31:40,040 Speaker 1: said she wasn't in it, so. 605 00:31:39,960 --> 00:31:42,120 Speaker 2: She knows she told you I'm not in it. 606 00:31:42,960 --> 00:31:49,080 Speaker 3: Well, that can be arranged. That can be arranged, might. 607 00:31:48,960 --> 00:31:50,960 Speaker 1: Make some things confusing. 608 00:31:52,080 --> 00:31:55,360 Speaker 3: Yeah, oh no, no, there's no way around it. I 609 00:31:55,360 --> 00:31:57,240 Speaker 3: mean unless we can do this kind of Baron Trump 610 00:31:57,280 --> 00:32:02,080 Speaker 3: move or know you could get you can guess Sarah 611 00:32:02,080 --> 00:32:05,880 Speaker 3: Cooper real quick there, I got a hair and trigger. 612 00:32:05,600 --> 00:32:10,400 Speaker 1: On that these days, Paul, which theater should people see 613 00:32:10,400 --> 00:32:11,000 Speaker 1: this movie in? 614 00:32:13,000 --> 00:32:16,960 Speaker 2: Whicheverone holds the most people, because you want to be 615 00:32:17,000 --> 00:32:19,760 Speaker 2: with a big crowd, because this gets a big gets 616 00:32:19,800 --> 00:32:21,240 Speaker 2: a big response. 617 00:32:20,880 --> 00:32:23,320 Speaker 1: To Wolverines play. 618 00:32:24,480 --> 00:32:27,760 Speaker 2: Yes, stadiums. I'm pushing for sports stadiums. 619 00:32:27,520 --> 00:32:33,000 Speaker 3: College stadium, college at the Big House, college basketball court tour. 620 00:32:33,920 --> 00:32:35,520 Speaker 3: It's projected onto the court. 621 00:32:35,720 --> 00:32:35,960 Speaker 1: Yes. 622 00:32:36,560 --> 00:32:39,920 Speaker 3: Yeah, the movies showing straight down. 623 00:32:41,040 --> 00:32:43,040 Speaker 2: The cheaper seats, so you gotta look at it upside down. 624 00:32:43,640 --> 00:32:47,280 Speaker 3: You can have cheerleaders still there, you know, mascots for 625 00:32:47,360 --> 00:32:50,360 Speaker 3: the movie or sort of dancing on the sidelines. 626 00:32:50,640 --> 00:32:52,560 Speaker 2: Right. I like the idea of cheerleaders for a movie. 627 00:32:52,600 --> 00:32:53,880 Speaker 2: I think that's actually a good idea. 628 00:32:54,080 --> 00:32:55,760 Speaker 1: Could help some of these. 629 00:32:56,600 --> 00:33:01,760 Speaker 2: They just come out with things get slower, like, hey, everybody. 630 00:32:59,480 --> 00:33:02,680 Speaker 1: They sometimes I who am I rooting for in this? 631 00:33:03,800 --> 00:33:04,160 Speaker 2: Yeah? 632 00:33:04,040 --> 00:33:04,520 Speaker 1: Who do I? 633 00:33:05,040 --> 00:33:08,320 Speaker 2: They'll tell you yeah. But with a thriller, they'll they'll 634 00:33:08,360 --> 00:33:09,920 Speaker 2: have to, you know, they'll fake you out. 635 00:33:10,040 --> 00:33:12,720 Speaker 3: Well, that's interesting that they would sort of change their 636 00:33:13,560 --> 00:33:16,360 Speaker 3: you know, allegiance in the middle of the film with 637 00:33:16,400 --> 00:33:17,920 Speaker 3: a new sweater of sorts. 638 00:33:18,480 --> 00:33:18,920 Speaker 2: There you go. 639 00:33:18,960 --> 00:33:20,960 Speaker 3: It's like, now I've got a different sweater around. I go, 640 00:33:21,160 --> 00:33:24,480 Speaker 3: oh my, And I would feel betrayed, honestly by them. 641 00:33:24,800 --> 00:33:28,360 Speaker 3: I wouldn't know what to believe that process. 642 00:33:28,480 --> 00:33:29,080 Speaker 2: That's the point. 643 00:33:29,120 --> 00:33:32,000 Speaker 3: That's art, isn't it. It's supposed to provoke us. It's 644 00:33:32,040 --> 00:33:34,479 Speaker 3: the point of the thriller. It's supposed to make us 645 00:33:34,520 --> 00:33:36,400 Speaker 3: feel stupid. 646 00:33:37,120 --> 00:33:38,880 Speaker 2: We'll call them the red herrings. 647 00:33:39,320 --> 00:33:47,880 Speaker 1: Oh and they have red hair, their red hair all 648 00:33:47,880 --> 00:33:48,520 Speaker 1: over the place. 649 00:33:48,920 --> 00:33:51,240 Speaker 2: There you go, exactly For those in the audience who 650 00:33:51,240 --> 00:33:53,320 Speaker 2: don't know what a red herring is, it was a 651 00:33:53,440 --> 00:33:57,480 Speaker 2: term invented by Alfred Hitchcock for something that's uh is 652 00:33:57,760 --> 00:34:01,360 Speaker 2: it misleads you? Just so people don't think I'm just 653 00:34:01,360 --> 00:34:02,280 Speaker 2: talking about fish. 654 00:34:03,560 --> 00:34:10,320 Speaker 3: Oh no, I know, Paul. Our audience is very savvy. 655 00:34:10,440 --> 00:34:13,759 Speaker 3: They know so much about this stuff. You do not 656 00:34:13,960 --> 00:34:15,799 Speaker 3: have to hold their hand through any of it? 657 00:34:15,840 --> 00:34:21,200 Speaker 2: Did I just insult them all by explaining that are 658 00:34:21,239 --> 00:34:22,200 Speaker 2: the mean tweets coming in? 659 00:34:22,360 --> 00:34:26,919 Speaker 1: No? No, no, they're a different platform. 660 00:34:27,120 --> 00:34:30,600 Speaker 2: Okay, it's got a different name now, right. 661 00:34:30,760 --> 00:34:34,000 Speaker 1: Nay, Well that was ax. Yeah, they were found to 662 00:34:34,040 --> 00:34:38,799 Speaker 1: be a little The stuff they were doing was not 663 00:34:38,840 --> 00:34:43,319 Speaker 1: really appropriate for the platform. So there was actually a 664 00:34:43,360 --> 00:34:49,600 Speaker 1: line their own space, five thousand stretch their legs, yeah, yes, 665 00:34:49,880 --> 00:34:50,520 Speaker 1: five thousand. 666 00:34:50,640 --> 00:34:53,279 Speaker 3: Yeah, so it's you know, I didn't know that. I 667 00:34:53,320 --> 00:34:54,560 Speaker 3: didn't know they went that high. 668 00:34:54,680 --> 00:35:01,239 Speaker 2: But a million, a million Chan exactly said shouldn't back 669 00:35:01,320 --> 00:35:02,560 Speaker 2: the tape up? Back the tape up? 670 00:35:03,719 --> 00:35:05,719 Speaker 3: Cavin make it seem like I said a million Chan 671 00:35:05,840 --> 00:35:09,919 Speaker 3: in the edit because I just feel like I can't 672 00:35:09,920 --> 00:35:13,479 Speaker 3: get fucking dombed by Paul Fie like my own fucking show. 673 00:35:14,040 --> 00:35:17,200 Speaker 2: Too late, man, this is going out, this is going 674 00:35:17,239 --> 00:35:19,320 Speaker 2: out live? Baby? How much? 675 00:35:21,239 --> 00:35:28,200 Speaker 3: How much AI are we using in the movie, and 676 00:35:28,200 --> 00:35:33,640 Speaker 3: and how many scoops? And yeah, what's the dosageos? What's 677 00:35:33,680 --> 00:35:38,239 Speaker 3: the dosage? And moving forward? Do we even have to 678 00:35:38,320 --> 00:35:39,360 Speaker 3: show up anymore? 679 00:35:42,239 --> 00:35:44,440 Speaker 2: They would, they would they I think the people in 680 00:35:44,520 --> 00:35:47,600 Speaker 2: charge would love that. But I am a I am 681 00:35:47,640 --> 00:35:51,520 Speaker 2: a devout hater of AI. I don't. I refuse to 682 00:35:51,600 --> 00:35:54,160 Speaker 2: use any of it. I don't use chat, GPT, I 683 00:35:54,160 --> 00:35:55,440 Speaker 2: don't use any of that stuff. 684 00:35:56,000 --> 00:35:56,280 Speaker 1: People. 685 00:35:57,400 --> 00:35:59,239 Speaker 2: Let me ask you, fellows, did any of us ask 686 00:35:59,360 --> 00:36:02,880 Speaker 2: for AI? Tell me one person who said I really 687 00:36:02,920 --> 00:36:07,879 Speaker 2: wish there was an artificial intelligence taking people's jobs away. 688 00:36:08,080 --> 00:36:14,280 Speaker 3: As I look back, the only people I heard asking 689 00:36:14,360 --> 00:36:17,800 Speaker 3: for it were made of metal. 690 00:36:18,760 --> 00:36:20,200 Speaker 1: Wow. Ah. 691 00:36:23,280 --> 00:36:24,520 Speaker 2: I mean when I was a kid and I watched 692 00:36:24,520 --> 00:36:25,920 Speaker 2: Star Wars, I was like, Hey, that'd be cool to 693 00:36:25,960 --> 00:36:27,440 Speaker 2: have a droid. But I didn't say go out and 694 00:36:27,480 --> 00:36:31,239 Speaker 2: invent one. It's gonna eventually kill me. 695 00:36:31,600 --> 00:36:31,839 Speaker 1: Yeah. 696 00:36:31,840 --> 00:36:36,560 Speaker 3: Well, and in Star Wars, the droids aren't making movies. 697 00:36:37,480 --> 00:36:38,880 Speaker 1: Yeah. 698 00:36:38,880 --> 00:36:40,840 Speaker 2: Well, R two did. 699 00:36:40,880 --> 00:36:44,720 Speaker 1: Project actually make a movie that was actually made a movie? 700 00:36:44,880 --> 00:36:51,439 Speaker 1: Not the perfect example robots in movies. It is true 701 00:36:51,480 --> 00:36:55,719 Speaker 1: they don't make movies. This one specifically did make a 702 00:36:55,760 --> 00:36:57,239 Speaker 1: movie and project it. 703 00:36:58,160 --> 00:37:03,440 Speaker 2: Yes, he's his own distribution, ship's studio. He's the author distribution. 704 00:37:04,000 --> 00:37:06,480 Speaker 1: I mean, I wish we had been talking about a 705 00:37:06,520 --> 00:37:07,400 Speaker 1: different movie. 706 00:37:07,760 --> 00:37:15,040 Speaker 3: Yeah, and it feels like into this yep. Sorry, just 707 00:37:15,160 --> 00:37:17,520 Speaker 3: set my ass up now. 708 00:37:17,640 --> 00:37:21,680 Speaker 1: As the director, you will of course be leaving prizes 709 00:37:21,760 --> 00:37:24,560 Speaker 1: under the seats for people who go see the movie 710 00:37:24,719 --> 00:37:29,680 Speaker 1: what kind of treats the giveaway expect to get obviously 711 00:37:29,719 --> 00:37:34,520 Speaker 1: not under every seat, but yes, that's why you got 712 00:37:34,520 --> 00:37:35,560 Speaker 1: to buy multiple tickets. 713 00:37:35,600 --> 00:37:37,799 Speaker 3: Yes, so you got to you gotta go more than once, 714 00:37:37,800 --> 00:37:39,760 Speaker 3: and you got to sit in different areas of the theater. 715 00:37:40,200 --> 00:37:44,239 Speaker 3: And so what what is the giveaway with this one? 716 00:37:44,520 --> 00:37:44,759 Speaker 1: Is it? 717 00:37:45,040 --> 00:37:47,200 Speaker 3: Is it a wink to the movie? Are we giving 718 00:37:47,200 --> 00:37:49,920 Speaker 3: away you know, mother's precious china. 719 00:37:49,920 --> 00:37:53,880 Speaker 2: Or to give away bottles of my gin that that 720 00:37:54,640 --> 00:38:00,000 Speaker 2: show up very prominently in the film. 721 00:37:59,160 --> 00:38:05,200 Speaker 1: Taped to the underneath a movie scene. Yeah, m m, 722 00:38:05,600 --> 00:38:07,760 Speaker 1: there a lot of people, a lot of trouble. 723 00:38:07,960 --> 00:38:11,440 Speaker 2: Mm Just we'll tell you before the movie so you 724 00:38:11,480 --> 00:38:14,120 Speaker 2: can just enjoy it. You can sip as you scream 725 00:38:14,440 --> 00:38:18,080 Speaker 2: and watch the movie. There you go, by the way, 726 00:38:18,120 --> 00:38:21,920 Speaker 2: it's called Artingstall's brilliant London dry gin. Go pick yourself 727 00:38:22,000 --> 00:38:24,439 Speaker 2: up a bottle and that's what you call that's called 728 00:38:24,440 --> 00:38:25,800 Speaker 2: the plug, my friends? 729 00:38:26,080 --> 00:38:30,640 Speaker 3: And is this a cosum ego situation? Are you the 730 00:38:31,160 --> 00:38:34,600 Speaker 3: master behind the gin? Are juniper berries? 731 00:38:34,760 --> 00:38:37,440 Speaker 2: And I am? It's my recipe and you signed the 732 00:38:37,440 --> 00:38:39,560 Speaker 2: bottle personal recipe. 733 00:38:39,560 --> 00:38:43,040 Speaker 3: And and are you at odds at all with mister 734 00:38:43,120 --> 00:38:45,440 Speaker 3: Ryan Reynolds and his aviator jin and are the two 735 00:38:45,480 --> 00:38:48,960 Speaker 3: of you bitter rivals? And it is it a contest 736 00:38:49,000 --> 00:38:51,360 Speaker 3: between you? And of course you've made a simple Flavor 737 00:38:51,440 --> 00:38:54,640 Speaker 3: with Blake and you're thinking in the if he comes 738 00:38:54,680 --> 00:38:56,200 Speaker 3: to set, we're going to have a. 739 00:38:56,200 --> 00:38:57,080 Speaker 2: Gin off. 740 00:38:59,120 --> 00:38:59,200 Speaker 1: That. 741 00:38:59,280 --> 00:39:02,800 Speaker 2: Well, I did promoted aviation in the first simple Favorite. 742 00:39:04,400 --> 00:39:07,120 Speaker 2: But you know, there you go. No, Ryan and I 743 00:39:07,200 --> 00:39:08,399 Speaker 2: have a good relationship. 744 00:39:08,760 --> 00:39:10,680 Speaker 3: I called it aviator. I was trying to help you. 745 00:39:10,719 --> 00:39:12,000 Speaker 3: I was trying to kill their seo. 746 00:39:12,600 --> 00:39:14,680 Speaker 2: I keep doing that. Keep doing that. 747 00:39:15,160 --> 00:39:16,920 Speaker 1: Don't make movies and star wars. 748 00:39:17,880 --> 00:39:21,040 Speaker 2: They sold their gins, so they're fine. So call it 749 00:39:21,040 --> 00:39:21,640 Speaker 2: whatever you want. 750 00:39:21,760 --> 00:39:25,719 Speaker 3: Well, chime in in the comments, listeners, Is this the 751 00:39:25,800 --> 00:39:28,240 Speaker 3: Clem Dog's worst episode of all time? 752 00:39:28,560 --> 00:39:31,480 Speaker 1: I just have to call it. It's just too many, 753 00:39:31,920 --> 00:39:34,399 Speaker 1: It's just too many. We just have to When does 754 00:39:34,400 --> 00:39:35,120 Speaker 1: the movie come out? 755 00:39:36,239 --> 00:39:42,960 Speaker 2: It comes out December nineteenth, all right, that's it.