WEBVTT - Mountains of Evidence

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<v Speaker 1>The cheerleaders at a gym in Buffalo have been recording

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<v Speaker 1>themselves to make a new documentary where the news reporters

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<v Speaker 1>because one year ago a mass shooting changed their lives.

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<v Speaker 1>He just walked around shot all the black people. The

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<v Speaker 1>cheer squad, most of whom are black, had to figure

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<v Speaker 1>out how to go on and how to compete. I

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<v Speaker 1>wanted to win for them more than anything this season.

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<v Speaker 1>Listen to the embedded podcast from NPR within the iHeartRadio app,

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<v Speaker 1>or wherever you get your podcasts. I'm Carol Fisher and

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<v Speaker 1>I'm hosting a podcast called The Girlfriends. It's Las Vegas,

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<v Speaker 1>it's the nineteen nineties, and it is time to find

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<v Speaker 1>a husband. There were four Jewish doctors who were felt

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<v Speaker 1>to be eligible bachelors. One of them was of the

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<v Speaker 1>Baron bat On paper, he was perfect, but in reality,

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<v Speaker 1>this guy's a wacko. He shouted to the point went unconscious.

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<v Speaker 1>I would call him and I would say, I know

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<v Speaker 1>you killed my sister. You can listen to The Girlfriends

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<v Speaker 1>on the iHeartRadio app, Apple podcast, or wherever you get

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<v Speaker 1>your podcasts. I'm will daily. For years have been on

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<v Speaker 1>the road playing shows and seeing America through live music

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<v Speaker 1>this summer, I'll hit the stage who Season two of

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<v Speaker 1>Sound of Our Town ten cities twelve episodes every other Thursday,

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<v Speaker 1>we explore the live music venues and culture of a

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<v Speaker 1>new American city. With each new episode, our tour continues

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<v Speaker 1>into the kind of venues you want to get to

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<v Speaker 1>when you landed in Detroit, Providence, Denver or Seattle. Listen

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<v Speaker 1>to Sound of Our Town on the iHeartRadio app, Apple

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<v Speaker 1>Podcasts or wherever you get your podcasts. Hart, I'm Freedom

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<v Speaker 1>and I'm Rthie. We have spent the last twenty years

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<v Speaker 1>building and working at some of the largest companies in

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<v Speaker 1>the world. We worked with some remarkable people. Rob mcalinney.

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<v Speaker 1>When I see the people of Wrexham, I grew up

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<v Speaker 1>exactly like them. Check out the Art and Trurom show.

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<v Speaker 1>That is a R d HI and sr Hi r

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<v Speaker 1>M show. Listen to the Arc the Industry I'm show

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<v Speaker 1>on the iHeartRadio app, Apple podcast Oh. Whenever you get

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<v Speaker 1>to your podcast new details into what was uncovered at

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<v Speaker 1>the gruesome crime scenes in Pike County. The prosecutors began

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<v Speaker 1>their painstaking process of walking through every single piece of evidence,

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<v Speaker 1>focusing on that first home owned by Chris Rodent Senior.

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<v Speaker 1>When you've got to make it through eight homicize your

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<v Speaker 1>dann Riot is going to take a long time because

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<v Speaker 1>each one of those people count each person had a life.

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<v Speaker 1>This has to be one of the most horrific things,

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<v Speaker 1>if not the most horrific knight of this person's life.

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<v Speaker 1>This is the Pikes And Massacre. Returned to Pike County

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<v Speaker 1>season four, episode six, Mountains of Evidence. I'm Courtney Armstrong

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<v Speaker 1>until vision producer at Katie Studios with Stephanie Leidecker and

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<v Speaker 1>Jeff Shane. Thus far, George Wagner the fourth trial has

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<v Speaker 1>been both mundane and shocking. It's important to note that

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<v Speaker 1>George Wagner, the fourth currently on trial, has pleaded not

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<v Speaker 1>guilty and has maintained he did not kill anyone. His father,

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<v Speaker 1>Billy Wagner, whose trial is upcoming, has also pleaded not

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<v Speaker 1>guilty to all charges. The prosecution is making its case methodically,

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<v Speaker 1>with hours of testimony, occasionally punctuated with gruesome new details

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<v Speaker 1>of the night in question. The defense has been mostly quiet,

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<v Speaker 1>seemingly waiting for Angie Kannappa and her team to present

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<v Speaker 1>anything dying George Wagner to the crime safely college. Next witness,

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<v Speaker 1>please raise you right hand. You solemnly swear or affirm

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<v Speaker 1>that the testimony you were about to get showing the truth,

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<v Speaker 1>the whole truth, and nothing that's the truth, that you

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<v Speaker 1>shall answer under God, Yes, Sir, I did. Shane Henshaw

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<v Speaker 1>was one of the lead agents for the Ohio Bureau

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<v Speaker 1>of Criminal Investigations, or the CBI. He arrived unseen hours

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<v Speaker 1>after the bodies of Chris Roden Senior and his cousin

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<v Speaker 1>Gary Rodin were discovered. This morning, Andrew Wilson is asking

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<v Speaker 1>the questions for the prosecution's talk a little bit about

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<v Speaker 1>your background or your employment history, taking you up to

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<v Speaker 1>your current employment. So when did you start out in

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<v Speaker 1>law force. I was basically commissioned as a peace officer

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<v Speaker 1>in nineteen ninety. The first fifteen minutes of testimony highlight

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<v Speaker 1>Hanshaw's qualifications. He has years of training and crime scene reconstruction,

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<v Speaker 1>ballistics and blood spatter analysis when I first arrived at

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<v Speaker 1>saying you can see here that there's a lot of buildings,

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<v Speaker 1>there's there's a lot of things that are primary folks.

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<v Speaker 1>So that the prosecution displays a large photo of Chris

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<v Speaker 1>Roden Senior's property agent Henshaw points out the front yard.

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<v Speaker 1>A tow truck sits outside the home Chris Senior lived

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<v Speaker 1>in where Gary was staying that night. There's an eighteen

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<v Speaker 1>wheeler trailer and an eighty sedan with the front half missing.

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<v Speaker 1>Henshaw began his investigation on the lawn itself. As part

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<v Speaker 1>of your work in this case, did you pluck the

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<v Speaker 1>mountain can it's depicted that picture, Yes, I did. In

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<v Speaker 1>addition to that mountain dew can. Did you find a

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<v Speaker 1>couple other items out front of boards? Your seven seven

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<v Speaker 1>union help writ yes, sir. Once again, you see my

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<v Speaker 1>plaquard number two, the scale plaquard and uh you see

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<v Speaker 1>a cigarette butt or a partial cigarette. But there when

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<v Speaker 1>it comes to testifying, it's clear Handshaw as well practiced.

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<v Speaker 1>He listens intently to every question, then turns deliberately to

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<v Speaker 1>address the jury face to face. As part of your

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<v Speaker 1>work in this case, did you collect that cigarette butt? Yes, sir,

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<v Speaker 1>I did. From everything that I've seen and heard, he

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<v Speaker 1>did an excellent job with it. No question about any

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<v Speaker 1>of the advertage that had been not propered by the state,

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<v Speaker 1>And I think that's a large part because of BCA's professionalism.

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<v Speaker 1>The mountain dew can and cigarette butts contained traces of

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<v Speaker 1>Gary Roden's DNA. Next Handshawn Fortner moved on to the

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<v Speaker 1>exterior of the trailer. Tell us what stood out to

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<v Speaker 1>you when you did that initial look. I noticed that

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<v Speaker 1>there were multiple bullet holes in the front of the house.

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<v Speaker 1>There were six bullet holes in a line moving progressively

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<v Speaker 1>closer to the door. You notice the screen door had

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<v Speaker 1>bullet holes, but the front door did not. Was that correct? Yes,

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<v Speaker 1>I've seen that. That led me to believe that the

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<v Speaker 1>front door was most likely opened when the blood lighting

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<v Speaker 1>event had occurred on the evening of April twenty first,

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<v Speaker 1>twenty sixteen. It was clear and breezy and piked in

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<v Speaker 1>temperatures win the low seventies until about seven pm, when

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<v Speaker 1>the wind picked up, dropping the temperature to the high fifties.

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<v Speaker 1>The open door likely provided Chris and Gary with some

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<v Speaker 1>welcomed fresh air. Stephanie and I talk about some of

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<v Speaker 1>the photographs shown in trial and the details they reveal.

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<v Speaker 1>We've heard a lot of reports over the years that

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<v Speaker 1>Chris Sior, Frankie Rodin, and even Chris Jor Rodin worked

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<v Speaker 1>at Big Bear Lake at various times. They operated big equipment.

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<v Speaker 1>We know that Chris sor was said to be building

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<v Speaker 1>patios in and around the area, but we've never been

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<v Speaker 1>able to substantiate those claims essentially until now. Gary Roden,

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<v Speaker 1>Chris Senior, Roden's cousin also worked at Big Bear Lake,

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<v Speaker 1>specifically when he was staying with Chris Rodin, which he

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<v Speaker 1>did on occasion, and this was one of the times

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<v Speaker 1>that he was staying there, you know, working just to

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<v Speaker 1>make a living. Looking at the crime scene, Phoe, we

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<v Speaker 1>can see the clothing that Chris Senior was wearing when

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<v Speaker 1>he was murdered, and he's literally wearing a hooded sweatshirt

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<v Speaker 1>that says big bare leg on it. The question as

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<v Speaker 1>to whether Chris and Gary road and knew their attackers

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<v Speaker 1>or whether they were taken by surprise still remains. Here's

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<v Speaker 1>forensic medical examiner Joseph Scott Morgan. They had to neutralize

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<v Speaker 1>Chris Senior and Gary the positions that they occupied in

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<v Speaker 1>the family. Chris was known not to back down if

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<v Speaker 1>they did not neutralize them, if they just say, grazed

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<v Speaker 1>him in some way and he was able to retreat,

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<v Speaker 1>or Gary was able to retreat, They had access to

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<v Speaker 1>phones or maybe he had an ability to get out

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<v Speaker 1>of that trailer. They could blow the whole show them

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<v Speaker 1>way because the next thing you know, Dana is aware

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<v Speaker 1>of what's about to happen. Hannah is aware, and her

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<v Speaker 1>trailer were what's going to happen. They couldn't run the

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<v Speaker 1>risk of a mountain these people to get to jump

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<v Speaker 1>on them or to a lurn anybody else. So I

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<v Speaker 1>think that that's why they was Chris's house first and

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<v Speaker 1>neutralize Chris Senior. Injurios same time, prosecuting attorney Wilson brings

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<v Speaker 1>up photos of clean exit holes on the interior wall

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<v Speaker 1>of the trailer. There are torn bits of woods circling

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<v Speaker 1>the holes. What does that indicate to you? It indicates directionality.

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<v Speaker 1>First of all, that whatever object calls that would have

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<v Speaker 1>appeared to be coming from the outside end, because this

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<v Speaker 1>is on the inside or every bull that will be

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<v Speaker 1>tract had characteristics and appeared to come from the front

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<v Speaker 1>of the residence toward the residence and then away from

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<v Speaker 1>the residence. And again, would these consistent with half through

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<v Speaker 1>type shots? Yes, sir, some of the bullets went clean

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<v Speaker 1>through the trailer and out through the opposite wall. Here again,

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<v Speaker 1>Joseph Scott Morgan. Well, first off, you're talking about a

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<v Speaker 1>mobile home, which is obviously not the most robust structure anyway,

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<v Speaker 1>You've got a projectile that is traveling out into that muzzle,

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<v Speaker 1>and it is supersonic. That means that with a hopowered rifle,

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<v Speaker 1>it is actually traveling faster than speed of sound. That

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<v Speaker 1>little paper thin wall within a mobile home is not

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<v Speaker 1>going to stop one of these high velocity browns. It's

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<v Speaker 1>going to travel through till it strikes another area or

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<v Speaker 1>person that it would have sufficiently slowed it down, and

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<v Speaker 1>so it would have been I think, a moment of

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<v Speaker 1>total chaos and confusion. One photo shows an exit hole

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<v Speaker 1>right next to Walart that says, quote love less forever.

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<v Speaker 1>The jury has shown a diagram of where bullet shards

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<v Speaker 1>were found inside the trailer. There are two on the

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<v Speaker 1>front porch and a bunch around the chair. In Chris

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<v Speaker 1>Senior's living room, a bullet is lodged in a stereo

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<v Speaker 1>speaker as well. In addition to that projectile that you

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<v Speaker 1>just identified from inside the wall, there were there are

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<v Speaker 1>other projectiles in different areas of that living room. Yes, okay,

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<v Speaker 1>there's a stack of tan pouches and boxes in front

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<v Speaker 1>of Agent Handshaw. At this point, George Wagner fiddles with

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<v Speaker 1>his goatee. His defense attorney checks his watch. Every bullet

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<v Speaker 1>chart that was collected is painstakingly taken out of its

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<v Speaker 1>corresponding envelope and confirmed by Handshaw as evidence he bagged

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<v Speaker 1>six years ago. Here's James Pilcher, Longcome investigative reporter in

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<v Speaker 1>Cincinnati now with Local twelve, followed by Joseph Scott Morgan.

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<v Speaker 1>I mean a lot of us in the media and

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<v Speaker 1>in the Lake community laming not lawyers are why can't

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<v Speaker 1>they speed this up? Why are they going through every shieldcase?

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<v Speaker 1>I think they're trying to cut the defense off at

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<v Speaker 1>the knees as much as possible to say, we exhausted

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<v Speaker 1>every avenue and came up with this conclusion, and we

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<v Speaker 1>looked at every cigarette butt, and we looked at every

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<v Speaker 1>DNA sample, and we did everything we could. You know,

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<v Speaker 1>we live in a faster food world people. I think

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<v Speaker 1>it even extends out to courtroom. They want things delivered

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<v Speaker 1>to them immediately, and sometimes it takes longer to prepare.

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<v Speaker 1>It certainly takes much longer to make your way through it.

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<v Speaker 1>And that's the case with this we're talking about eight

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<v Speaker 1>dead bodies here, eight in four different locations. Was there

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<v Speaker 1>any evidence that you saw with your eyes, based on

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<v Speaker 1>your knowledge, you're training, your experience, that led you to

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<v Speaker 1>believe that any shots had originated from inside of that trailer.

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<v Speaker 1>Going outside of that trailer, I found nothing at all

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<v Speaker 1>that would indicate that any shots were fired from within

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<v Speaker 1>the house. Going out of the house, my opinion was

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<v Speaker 1>that the shots did occur from outside. I felt that

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<v Speaker 1>they were from the front yard area. Agent Todd Partner

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<v Speaker 1>was brought in to use what is called a Pharaoh

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<v Speaker 1>three D scanner of the entire crime scene, including the exterior.

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<v Speaker 1>Here again Joseph Scott Morgan with the Farrow technology. It

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<v Speaker 1>is a laser that is set up and it's kind

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<v Speaker 1>of hard to describe it. Folks have not seen one.

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<v Speaker 1>It sits on a tripod and it is a can

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<v Speaker 1>to something that you would see along the side of

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<v Speaker 1>the roadway if you've ever seen an individual doing surveying.

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<v Speaker 1>Only the scene is automated and you have the lasers

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<v Speaker 1>that are being essentially blasted out of one portion of

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<v Speaker 1>the unit, and the unit itself is spinning around as

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<v Speaker 1>these lasers are kind of firing off in every different direction.

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<v Speaker 1>The laser is shooting over ten million different points as

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<v Speaker 1>it spins around, and you can capture height, depth, width,

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<v Speaker 1>all of those things that we could normally do with

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<v Speaker 1>a regular SLR unit scene. So it really breeds life

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<v Speaker 1>into this when you're taking a look at it. And

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<v Speaker 1>so when the jury members see this in that courtroom

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<v Speaker 1>in Pike County, Ohio for just a few moments, they're

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<v Speaker 1>transported back in time. Walk us through, what do you

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<v Speaker 1>remember about scanning that scene. We did one scan from

0:14:54.240 --> 0:14:57.600
<v Speaker 1>outside out front where you could see kind of the

0:14:57.680 --> 0:15:02.360
<v Speaker 1>whole front yard, bullet holes in the front of the

0:15:02.480 --> 0:15:07.680
<v Speaker 1>trailer that subsequently we placed trajectory rods in, and to

0:15:07.840 --> 0:15:11.080
<v Speaker 1>measure those, we place spheres on those rods that then

0:15:11.160 --> 0:15:17.200
<v Speaker 1>the scanner can pick up to measure our angles. Trajectory

0:15:17.280 --> 0:15:20.440
<v Speaker 1>rods are poked through bullet holes, giving investigators a general

0:15:20.520 --> 0:15:22.720
<v Speaker 1>idea of the path of the bullet as it passed

0:15:22.800 --> 0:15:26.800
<v Speaker 1>through a surface. He pulls a three D model of

0:15:26.880 --> 0:15:29.880
<v Speaker 1>the entire yard with long lines running into the front yard.

0:15:30.960 --> 0:15:34.400
<v Speaker 1>Based on the angular measurement data. We take the horizontal

0:15:34.480 --> 0:15:37.640
<v Speaker 1>angle the vertical angle, and this is just a line

0:15:37.880 --> 0:15:40.560
<v Speaker 1>drawn between those two spheres a straight line that then

0:15:40.640 --> 0:15:44.800
<v Speaker 1>can be extrapolated back to a possible origin of those shots.

0:15:45.400 --> 0:15:48.720
<v Speaker 1>Based on the data that the farrow scan was telling you,

0:15:49.520 --> 0:15:51.360
<v Speaker 1>was it believed that those shots that went through that

0:15:51.480 --> 0:15:54.800
<v Speaker 1>front door came somewhere from the area just behind that

0:15:54.920 --> 0:15:58.040
<v Speaker 1>bushold They point to a spot in the ground about

0:15:58.080 --> 0:16:00.560
<v Speaker 1>twenty feet from the front door on the front lawn.

0:16:02.120 --> 0:16:03.840
<v Speaker 1>What we do know is there are strikes in the

0:16:03.920 --> 0:16:05.320
<v Speaker 1>front of the porch, so it had to be at

0:16:05.400 --> 0:16:09.120
<v Speaker 1>least there, and where the trajectory lines end on the ground,

0:16:09.160 --> 0:16:14.480
<v Speaker 1>swop couldn't be any further round. Joseph Scott Morgan. These

0:16:14.600 --> 0:16:18.200
<v Speaker 1>rounds appear to be going from below to above, so

0:16:18.320 --> 0:16:21.600
<v Speaker 1>they're rising up essentially from the ground. More than likely

0:16:21.680 --> 0:16:24.320
<v Speaker 1>they would be in a kneeling position. I think folks

0:16:24.360 --> 0:16:26.000
<v Speaker 1>would ask, well, why would you be in a kneeling

0:16:26.080 --> 0:16:29.320
<v Speaker 1>position to do that? Well, you would want to try

0:16:29.440 --> 0:16:34.120
<v Speaker 1>to secure your person as solidly as you possibly can

0:16:34.280 --> 0:16:37.760
<v Speaker 1>because the recoil, and with this particular weapon, there is

0:16:37.760 --> 0:16:40.760
<v Speaker 1>a tremendous amount of recoil. Because this is such a

0:16:41.040 --> 0:16:44.360
<v Speaker 1>robust round, you're going to feel it from the moment

0:16:44.480 --> 0:16:47.800
<v Speaker 1>you engage that trigger until that energy transfers through the

0:16:48.360 --> 0:16:53.640
<v Speaker 1>butt of that weapon and into your shoulder. Here's Stephanie.

0:16:55.040 --> 0:17:00.400
<v Speaker 1>We've also heard reports that Senior with expecting Billy Wagner,

0:17:00.600 --> 0:17:03.920
<v Speaker 1>the accused dad, that night. They were apparently going to

0:17:04.000 --> 0:17:06.959
<v Speaker 1>have an important conversation. So what does that mean? Does

0:17:07.000 --> 0:17:10.040
<v Speaker 1>that mean that Billy went up to the front door

0:17:10.280 --> 0:17:12.879
<v Speaker 1>and knocked on it and Chris answered, Could it be

0:17:13.000 --> 0:17:16.640
<v Speaker 1>that they were just surprised? Does the idea of there

0:17:16.680 --> 0:17:21.320
<v Speaker 1>being a person kneeling in wait outside of Chris Senior's

0:17:21.400 --> 0:17:25.440
<v Speaker 1>home in the dark near the woods is such a

0:17:25.600 --> 0:17:30.000
<v Speaker 1>terrifying thought. But we still don't know who that person is,

0:17:30.840 --> 0:17:36.240
<v Speaker 1>which one wasn't. We're going to take a break. We'll

0:17:36.240 --> 0:17:42.320
<v Speaker 1>be back in a moment. Oh. I'm Carol Fisher and

0:17:42.400 --> 0:17:45.480
<v Speaker 1>I'm hosting a podcast called The Girl Friends. Back in

0:17:45.560 --> 0:17:48.560
<v Speaker 1>the nineteen nineties in Las Vegas, a few of us

0:17:48.640 --> 0:17:53.680
<v Speaker 1>dated the most eligible bachelor in town, Bob. He spoke

0:17:53.840 --> 0:17:59.800
<v Speaker 1>several languages, he did medical missionary work, and he was Jewish.

0:18:00.240 --> 0:18:04.840
<v Speaker 1>He was perfect on paper, but he wasn't. He really wasn't.

0:18:05.160 --> 0:18:09.480
<v Speaker 1>He choked into the point she went unconscious. Bob could

0:18:09.600 --> 0:18:13.120
<v Speaker 1>lie about of anything, but only takes the one time

0:18:13.240 --> 0:18:17.520
<v Speaker 1>when somebody ends up dead. Unfortunately for Bob, us girlfriends

0:18:17.640 --> 0:18:20.080
<v Speaker 1>know how to fight back. I wanted him to pay

0:18:20.200 --> 0:18:23.160
<v Speaker 1>for his crime. He needed to be put to justice.

0:18:23.440 --> 0:18:25.000
<v Speaker 1>I'll be honest with you. If I saw him right now,

0:18:25.000 --> 0:18:27.280
<v Speaker 1>I'd spit on him. I would call him and I

0:18:27.359 --> 0:18:30.160
<v Speaker 1>would say, I know you killed my sister. I will

0:18:30.280 --> 0:18:33.200
<v Speaker 1>always hound you and haunt you. You can listen to

0:18:33.280 --> 0:18:37.399
<v Speaker 1>the girl Friends on the iHeartRadio app, Apple podcasts, or

0:18:37.480 --> 0:18:42.360
<v Speaker 1>wherever you get your podcasts from iHeart podcasts. Whitney. Hell

0:18:42.480 --> 0:18:45.880
<v Speaker 1>is going on here. Everyone has their limits. I'd never

0:18:46.000 --> 0:18:48.280
<v Speaker 1>confronted a situation like this. I just thought it was

0:18:48.359 --> 0:18:51.800
<v Speaker 1>just a really terrible immoral thing, a line they won't cross.

0:18:52.080 --> 0:18:55.440
<v Speaker 1>I was stunned, and I just said, no, we're killing people.

0:18:55.960 --> 0:18:58.680
<v Speaker 1>You may never have to face that decision when you

0:18:58.800 --> 0:19:02.440
<v Speaker 1>find yourself at that line. Thoughts ricin aren't ricin, And

0:19:02.720 --> 0:19:06.160
<v Speaker 1>somebody needs to just for once give everybody the whole truth.

0:19:06.280 --> 0:19:10.760
<v Speaker 1>Probably this is evil, and the only person who can

0:19:10.840 --> 0:19:14.080
<v Speaker 1>sound the alarm is you. I wasn't just going to

0:19:14.160 --> 0:19:19.720
<v Speaker 1>sit silently. Buy from iHeart podcasts. These are the whistleblowers.

0:19:19.920 --> 0:19:22.159
<v Speaker 1>If you are disloyal, things are going to happen to

0:19:22.240 --> 0:19:25.320
<v Speaker 1>speak out disgrace to our good. Evil play should be

0:19:25.600 --> 0:19:31.640
<v Speaker 1>prosecute when power corrupts, conscience is the last line of defense.

0:19:32.720 --> 0:19:36.480
<v Speaker 1>I'm Miles Taylor. Listen to the Whistleblowers on the iHeartRadio app,

0:19:36.720 --> 0:19:45.600
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. My name's

0:19:45.680 --> 0:19:49.920
<v Speaker 1>Laverne Cox. I'm an actress, producer, fashionista, and host of

0:19:50.040 --> 0:19:52.920
<v Speaker 1>The Laverne Cox Show. You may remember my award winning

0:19:52.960 --> 0:19:57.200
<v Speaker 1>first season. I've been pretty busy. There's always time to

0:19:57.240 --> 0:20:00.560
<v Speaker 1>touch incredible guests about important things. Keep like me have

0:20:00.680 --> 0:20:03.360
<v Speaker 1>been screaming for years. We've got to watch the Supreme Court.

0:20:03.440 --> 0:20:05.880
<v Speaker 1>What they're doing is wrong, what they're doing is evil.

0:20:05.920 --> 0:20:08.840
<v Speaker 1>They will take things away. And I can only hope

0:20:08.880 --> 0:20:11.600
<v Speaker 1>that Dobbs, is that like Pearl Harbor, moment gro You

0:20:11.720 --> 0:20:14.120
<v Speaker 1>and I both know what it took to just get

0:20:14.200 --> 0:20:16.360
<v Speaker 1>through the day in New York City and get home

0:20:16.440 --> 0:20:19.360
<v Speaker 1>in one piece. And so the fact that we're here

0:20:19.520 --> 0:20:22.159
<v Speaker 1>and what you've achieved and what I've achieved, you know,

0:20:22.600 --> 0:20:26.680
<v Speaker 1>that's momentous. It's not just sitting around complaining about some bills.

0:20:26.800 --> 0:20:29.280
<v Speaker 1>The only reason that you might think, as Chase said,

0:20:29.320 --> 0:20:32.879
<v Speaker 1>that we're always miserable is because people are constantly attacking us,

0:20:32.920 --> 0:20:35.640
<v Speaker 1>and we're constantly noticing it. Listen to The Verne Cox

0:20:35.720 --> 0:20:39.560
<v Speaker 1>Show on the iHeartRadio app, Apple podcast or wherever you

0:20:39.680 --> 0:20:45.719
<v Speaker 1>get your podcast. Be sure to subscribe and share. Hi.

0:20:46.359 --> 0:20:48.760
<v Speaker 1>I'm Delia Wild and I want to invite you to

0:20:48.840 --> 0:20:52.680
<v Speaker 1>listen to my newest podcast, a sense that the afters

0:20:52.720 --> 0:20:56.880
<v Speaker 1>to make up appy. It's called The Oh My God

0:20:57.000 --> 0:21:00.639
<v Speaker 1>Particle Show or OMGPS for short. Are you like me?

0:21:00.800 --> 0:21:04.000
<v Speaker 1>Always wondering about the universally? What the universe is made of?

0:21:04.600 --> 0:21:07.680
<v Speaker 1>What is in the atmospheres of alien panics? And you know,

0:21:07.760 --> 0:21:10.200
<v Speaker 1>how are we even here to even ask those questions?

0:21:10.400 --> 0:21:14.560
<v Speaker 1>So road trip, I want to get some answers directly

0:21:14.640 --> 0:21:18.600
<v Speaker 1>from researchers at the Large Hadron Collider. We're colliding particles

0:21:18.640 --> 0:21:22.080
<v Speaker 1>with energies that naturally existed in the universe, was about

0:21:22.359 --> 0:21:25.320
<v Speaker 1>a trillions of the second Old. I found scientists from

0:21:25.359 --> 0:21:29.400
<v Speaker 1>all over the world. Everybody is working together to get

0:21:29.480 --> 0:21:33.919
<v Speaker 1>their experiment working. I've got to doctor brilliant astrophysicist who

0:21:34.040 --> 0:21:38.359
<v Speaker 1>collaborated with Brian May, the guitarist from Queen. Listen to

0:21:38.480 --> 0:21:40.880
<v Speaker 1>The Oh My God Particle Show on the I heard

0:21:40.960 --> 0:21:44.640
<v Speaker 1>radio app Apple podcasts, or wherever you get your podcasts.

0:21:51.040 --> 0:21:54.320
<v Speaker 1>At this point, testimony moves to the inside of the home.

0:21:55.640 --> 0:21:58.720
<v Speaker 1>In the galley, members of the Rodent, Gillie and Manly

0:21:58.800 --> 0:22:05.520
<v Speaker 1>families prepare themselves elves for another day of horrific photos. Geneva,

0:22:05.720 --> 0:22:10.000
<v Speaker 1>Christina's mother sits stoically in the courtroom. Her daughter hands

0:22:10.040 --> 0:22:15.239
<v Speaker 1>her a tissue, even though she isn't crying yet. Now,

0:22:15.320 --> 0:22:18.600
<v Speaker 1>let's talk about blood or biological evidence. At this scene,

0:22:19.480 --> 0:22:21.600
<v Speaker 1>they start with the pools of blood and an around

0:22:21.640 --> 0:22:24.120
<v Speaker 1>a recliner in the living room inside the front door.

0:22:24.840 --> 0:22:27.479
<v Speaker 1>Just from what we saw, it's obvious that you can

0:22:27.560 --> 0:22:30.960
<v Speaker 1>see what you could consider to be origins or a

0:22:31.119 --> 0:22:34.440
<v Speaker 1>place that a person was in when the blood lighting

0:22:34.440 --> 0:22:39.280
<v Speaker 1>event occurred. Did you take some swabs of the blood

0:22:39.320 --> 0:22:43.160
<v Speaker 1>in front of that chair, Yes, sir, I did. Handshaw

0:22:43.280 --> 0:22:46.920
<v Speaker 1>meticulously documented shoeprints in the dried blood in and around

0:22:46.960 --> 0:22:50.760
<v Speaker 1>the area as well. Is it more likely for a

0:22:51.000 --> 0:22:56.040
<v Speaker 1>shoeprint to be tracked or picked up in blood when

0:22:56.119 --> 0:22:59.080
<v Speaker 1>that blood is wet or fresh, as opposed to dry

0:22:59.160 --> 0:23:02.840
<v Speaker 1>a pool. Absolutely, yes, you said when you very first

0:23:02.880 --> 0:23:05.639
<v Speaker 1>observed these footprints, they were already drying the blood. Is

0:23:05.680 --> 0:23:10.520
<v Speaker 1>that correct? Yes, they were, So you talk about preserving

0:23:10.560 --> 0:23:14.159
<v Speaker 1>it documented, how do you go through actually photographing it

0:23:14.320 --> 0:23:17.960
<v Speaker 1>and then ultimately collecting any shoeprints in this scene, Yes,

0:23:18.080 --> 0:23:20.880
<v Speaker 1>they we're all photographed and documented as they were, as

0:23:20.960 --> 0:23:23.840
<v Speaker 1>they were when they were filmed. And when you talk

0:23:23.880 --> 0:23:27.520
<v Speaker 1>about detail, what's standing out to you where you're like, oh,

0:23:27.920 --> 0:23:30.359
<v Speaker 1>they may be able to do something for this. What's

0:23:30.400 --> 0:23:33.879
<v Speaker 1>actually standing out to me at that particular time was

0:23:33.960 --> 0:23:38.520
<v Speaker 1>the fact that can I stand again, please, in this

0:23:38.800 --> 0:23:41.879
<v Speaker 1>area of the shoe, I'm not seeing any kind of

0:23:41.960 --> 0:23:46.960
<v Speaker 1>wear pattern at all. That meant something to me. The

0:23:47.040 --> 0:23:49.639
<v Speaker 1>shupernt evidence could not be shown to anyone outside the

0:23:49.720 --> 0:23:52.960
<v Speaker 1>courtroom because Judge Steering ordered media not to show any

0:23:53.040 --> 0:23:58.560
<v Speaker 1>photos that included blood. Sitting through this testimony, victims families

0:23:58.600 --> 0:24:03.080
<v Speaker 1>are of course emotional. One family member looks down, not

0:24:03.240 --> 0:24:07.520
<v Speaker 1>wanting to see what comes next. Here again, James Filcher

0:24:08.560 --> 0:24:11.400
<v Speaker 1>don't want to shock the jury, but they also don't

0:24:11.440 --> 0:24:14.960
<v Speaker 1>want to offend the family. There's been some serious tension

0:24:15.520 --> 0:24:18.800
<v Speaker 1>between the media and the family and the prosecution that's

0:24:18.840 --> 0:24:20.720
<v Speaker 1>borne out on some of these motions and some of

0:24:20.760 --> 0:24:23.399
<v Speaker 1>these other things. That we're seeing because we think everything

0:24:23.480 --> 0:24:27.560
<v Speaker 1>should be shown. I mean, blood is blood, they're bloody

0:24:27.600 --> 0:24:31.040
<v Speaker 1>crime scenes. This is what happened. You gotta know how

0:24:31.080 --> 0:24:33.359
<v Speaker 1>these people died. You got to see it. I mean

0:24:33.400 --> 0:24:36.400
<v Speaker 1>it's part of a murder trial and there's eight victims,

0:24:37.840 --> 0:24:41.480
<v Speaker 1>all shot multiple times, so it's part of the deal.

0:24:43.359 --> 0:24:49.240
<v Speaker 1>In this same area of the living room, you identify

0:24:49.320 --> 0:24:52.200
<v Speaker 1>that as being on the floor. Did you also find

0:24:52.520 --> 0:24:55.480
<v Speaker 1>what appeared to be blood's flatter on the wall? Yes,

0:24:55.560 --> 0:24:58.919
<v Speaker 1>we did. Is there anything that sticks out the end

0:24:59.040 --> 0:25:01.480
<v Speaker 1>with respect any personality of that blood or even that

0:25:02.600 --> 0:25:05.680
<v Speaker 1>First of all, there's a lot of blood stains on

0:25:05.840 --> 0:25:10.680
<v Speaker 1>this wall, and in my training that all of these

0:25:10.760 --> 0:25:15.240
<v Speaker 1>stains from what I see are descending stains, which means

0:25:15.280 --> 0:25:20.720
<v Speaker 1>they are traveling down when they struck this wall. Here again,

0:25:21.119 --> 0:25:25.840
<v Speaker 1>Joseph Scott Morgan, that is an indication of a lot

0:25:25.880 --> 0:25:28.600
<v Speaker 1>of anger, because you would think that anybody that was

0:25:28.680 --> 0:25:32.800
<v Speaker 1>familiar enough with firearms that would show up into some

0:25:32.920 --> 0:25:36.560
<v Speaker 1>con environment would also know what kind of forces being

0:25:36.600 --> 0:25:40.040
<v Speaker 1>brought there. With just one shot, you should be able

0:25:40.080 --> 0:25:43.440
<v Speaker 1>to recognize that you don't really need that many, But

0:25:43.600 --> 0:25:47.960
<v Speaker 1>for some reason, the perpetrator found it necessary to lay

0:25:48.040 --> 0:25:51.800
<v Speaker 1>into Chris Senior, specifically to make sure that he was

0:25:52.160 --> 0:25:58.879
<v Speaker 1>totally completely eradicated that he would not rise again. How

0:25:58.920 --> 0:26:01.040
<v Speaker 1>did you take that slab? Where'd you submitted to and

0:26:01.280 --> 0:26:04.040
<v Speaker 1>was that eventually submitted to the lab for DNA testing.

0:26:04.800 --> 0:26:07.480
<v Speaker 1>I believe that eventually it was submitted for DNA testing

0:26:07.800 --> 0:26:12.400
<v Speaker 1>to determine actually which victim's blood. This was the swabs

0:26:12.520 --> 0:26:15.400
<v Speaker 1>from the staining contained in that exhibit. The living room

0:26:15.720 --> 0:26:19.960
<v Speaker 1>of four zero seven seven Union Hill Road, also depicted

0:26:20.119 --> 0:26:25.240
<v Speaker 1>in photo ID number eighteen, tested positive for blood and

0:26:25.359 --> 0:26:29.000
<v Speaker 1>the DNA profile of the blood from this swab contains

0:26:29.359 --> 0:26:33.879
<v Speaker 1>Chris Rodent Senior's DNA. One family member burries are facing

0:26:33.960 --> 0:26:37.639
<v Speaker 1>their hands, another covers her mouth and wipes away tears.

0:26:38.960 --> 0:26:41.480
<v Speaker 1>If Chris Senior was still alive lying on the floor

0:26:41.560 --> 0:26:43.959
<v Speaker 1>at the next bit of evidence may explain what happened

0:26:44.000 --> 0:26:46.720
<v Speaker 1>in the last moments of his life. As you were

0:26:46.760 --> 0:26:52.160
<v Speaker 1>doing your examination of this area, did you also find

0:26:52.320 --> 0:26:57.159
<v Speaker 1>a projectile strike in the floor by that rocker recliment, Yes, sir,

0:26:57.480 --> 0:27:00.640
<v Speaker 1>it was quite some time later before that we were

0:27:01.520 --> 0:27:05.680
<v Speaker 1>at a point in our processing and our investigation that

0:27:05.800 --> 0:27:08.560
<v Speaker 1>I was able to move that chair. When we did

0:27:08.680 --> 0:27:12.600
<v Speaker 1>move the chair. That's when it was we noticed that

0:27:12.680 --> 0:27:14.920
<v Speaker 1>there was a bullet hole, or a suspected bullet hole

0:27:15.000 --> 0:27:18.240
<v Speaker 1>in the floor right next to the chair. It appeared

0:27:18.280 --> 0:27:21.800
<v Speaker 1>that it was going from above down. We knew that

0:27:21.960 --> 0:27:25.159
<v Speaker 1>it came from inside going down toward the floor, and

0:27:25.400 --> 0:27:28.840
<v Speaker 1>assumed that it may have exited under the mobile home.

0:27:29.680 --> 0:27:33.879
<v Speaker 1>Todd Fortner explains further, and at some point, did you

0:27:33.920 --> 0:27:38.960
<v Speaker 1>actually use rods to try to determine the angle that

0:27:39.040 --> 0:27:41.160
<v Speaker 1>that bullet may have gone through that floor? Yes, it's

0:27:41.200 --> 0:27:45.440
<v Speaker 1>a fairly steep downward angle, so the muzzle of the

0:27:45.520 --> 0:27:48.440
<v Speaker 1>weapon was fairly close. A second hole was found here

0:27:48.760 --> 0:27:51.520
<v Speaker 1>and the rod then will extend downward through that hole.

0:27:52.119 --> 0:27:54.840
<v Speaker 1>And did you find again that second hole to be

0:27:55.040 --> 0:27:58.159
<v Speaker 1>in line or intrajectory with that first hole that you

0:27:58.280 --> 0:28:01.320
<v Speaker 1>accept the riding Yes? Were you able to track that

0:28:01.560 --> 0:28:05.639
<v Speaker 1>hole through that joice beneath that trailer, Yes, we were

0:28:05.640 --> 0:28:08.840
<v Speaker 1>able to track it down into the ground. At that point,

0:28:08.920 --> 0:28:12.280
<v Speaker 1>another agent Durst, crawled under the trailer and recovered one

0:28:12.320 --> 0:28:16.120
<v Speaker 1>of the bullets. What did you notice about that projectile

0:28:16.359 --> 0:28:20.399
<v Speaker 1>with didn't go It was a hollow point appeared to

0:28:20.440 --> 0:28:24.080
<v Speaker 1>be a pistol projectile that had not expanded. Basically, the

0:28:24.160 --> 0:28:27.680
<v Speaker 1>way a hollow point bullet works is a softer substance.

0:28:28.000 --> 0:28:31.160
<v Speaker 1>Human tissue is designed to go in and expand those

0:28:31.240 --> 0:28:35.680
<v Speaker 1>metal pedals out in order to create a larger wound track.

0:28:39.800 --> 0:28:43.200
<v Speaker 1>Joseph Scott Morgan, most people when they think of a

0:28:43.640 --> 0:28:46.080
<v Speaker 1>bullet projectile, they'll think of what'll refer to as a

0:28:46.200 --> 0:28:48.920
<v Speaker 1>ball ammunition. That's a bullet that kind of has a

0:28:49.080 --> 0:28:51.720
<v Speaker 1>rounded nose on it. That's kind of the traditional image

0:28:51.760 --> 0:28:55.120
<v Speaker 1>that you think about. So if you have a forty

0:28:55.200 --> 0:28:59.000
<v Speaker 1>caliber round that's being fired out of a weapon, forty

0:28:59.040 --> 0:29:01.560
<v Speaker 1>caliber is pretty much much what you're going to get

0:29:02.000 --> 0:29:05.640
<v Speaker 1>with ball ammunition that can deform and all those sorts

0:29:05.640 --> 0:29:08.720
<v Speaker 1>of things, but the diameter of the round is not

0:29:08.920 --> 0:29:13.600
<v Speaker 1>going to change that much. However, when you start talking

0:29:13.640 --> 0:29:17.960
<v Speaker 1>about a hollow point, what happens is that once that

0:29:18.280 --> 0:29:21.200
<v Speaker 1>round passes out of the end of the muzzle and

0:29:21.320 --> 0:29:25.680
<v Speaker 1>it winds up on its targeted area, these little the

0:29:25.800 --> 0:29:28.440
<v Speaker 1>only way I can really describe it, are these little

0:29:28.480 --> 0:29:32.560
<v Speaker 1>wings essentially kind of deploy. You have a forty caliber

0:29:32.720 --> 0:29:37.800
<v Speaker 1>round that suddenly deploys out upwards a forty five caliber

0:29:40.960 --> 0:29:45.520
<v Speaker 1>Fortner explains why the bullets they found didn't deploy. If

0:29:45.560 --> 0:29:50.760
<v Speaker 1>it hits something hard, for instance, would concrete, potentially even bone,

0:29:51.360 --> 0:29:55.920
<v Speaker 1>before hitting enough of a quantity of soft tissue to expand,

0:29:56.240 --> 0:29:58.880
<v Speaker 1>it will basically just dent the front of it and

0:29:58.960 --> 0:30:01.720
<v Speaker 1>it will keep going and would basically become a non

0:30:01.840 --> 0:30:08.480
<v Speaker 1>hollow point projectile. Of the non training experience that I

0:30:08.640 --> 0:30:15.080
<v Speaker 1>didn't hit like soft tissue, the bullets themselves kind of

0:30:15.320 --> 0:30:18.360
<v Speaker 1>speak to you as a crom scene investigator, I do

0:30:18.560 --> 0:30:25.880
<v Speaker 1>recall something where the actual sequencing of the gunfire tells

0:30:25.920 --> 0:30:30.320
<v Speaker 1>a story this vividly because you give an idea of

0:30:30.680 --> 0:30:36.120
<v Speaker 1>when this horror is just visited upon Chris Senior along

0:30:36.200 --> 0:30:40.600
<v Speaker 1>with Gary, there's an awareness, I think you know that

0:30:40.920 --> 0:30:43.000
<v Speaker 1>the world is kind of blown apart in the side

0:30:43.040 --> 0:30:48.400
<v Speaker 1>of this home. His arm was mangled, and so he's

0:30:48.440 --> 0:30:52.320
<v Speaker 1>writhing in pain on the floor, and then you see

0:30:52.400 --> 0:30:55.520
<v Speaker 1>these other rounds that come from another weapon and they

0:30:55.560 --> 0:30:57.640
<v Speaker 1>pump them into his body and his life ends right

0:30:57.680 --> 0:31:02.480
<v Speaker 1>there on the floor. Sadly, it seems Gary Roden suffered

0:31:02.560 --> 0:31:07.080
<v Speaker 1>a similarly terrifying end. Agent Henshaw found his glasses and

0:31:07.200 --> 0:31:11.400
<v Speaker 1>baseball cap nearby in the kitchen. Hanshaw opens another envelope

0:31:11.440 --> 0:31:15.840
<v Speaker 1>and pulls out Gary Roden's bloodstained hat. As you examined

0:31:15.920 --> 0:31:21.200
<v Speaker 1>that hole or perforation from the outside, did you notice

0:31:21.360 --> 0:31:26.920
<v Speaker 1>any blowout or any frame of that hole on the

0:31:27.040 --> 0:31:30.520
<v Speaker 1>back there that indicated that it was an exit wound

0:31:30.560 --> 0:31:36.120
<v Speaker 1>as opposed to an entrance hole. Appeared to be what

0:31:36.240 --> 0:31:38.920
<v Speaker 1>I initially thought it could be. Okay, well, let me

0:31:38.960 --> 0:31:42.320
<v Speaker 1>ask you this. At some point, did you later learn

0:31:43.040 --> 0:31:47.160
<v Speaker 1>that when that item was being examined, a possible piece

0:31:47.160 --> 0:31:50.680
<v Speaker 1>of a projectile fell out it. Yes, we're able to

0:31:51.480 --> 0:31:55.040
<v Speaker 1>look at that hat and possibly track where that bullet

0:31:55.120 --> 0:31:56.720
<v Speaker 1>had actually come out at the front of the hat.

0:31:57.720 --> 0:32:00.960
<v Speaker 1>At this point, George Wagner's face read and he clenches

0:32:01.040 --> 0:32:05.240
<v Speaker 1>his jaw, and again, does it appear that that area

0:32:05.240 --> 0:32:07.720
<v Speaker 1>of the hat had been pulled or torn or ripped

0:32:08.440 --> 0:32:11.040
<v Speaker 1>away from the half the bill area there? Yes, sir,

0:32:11.080 --> 0:32:18.360
<v Speaker 1>it does here again, investigative reporter James Pilcher, followed by

0:32:18.440 --> 0:32:23.120
<v Speaker 1>medical forensics examiner Joseph Scott Morgan. Somebody shot Gary Roding

0:32:23.160 --> 0:32:25.040
<v Speaker 1>in the back of the head. The bullet went through

0:32:25.120 --> 0:32:27.680
<v Speaker 1>his head and then knocked his cap off, and the

0:32:27.800 --> 0:32:32.560
<v Speaker 1>bullet lodged in the bill of his cap. Once hell

0:32:32.640 --> 0:32:35.160
<v Speaker 1>begins to rain down. You know where all of this

0:32:35.360 --> 0:32:40.280
<v Speaker 1>is occurring. The door bust open. How did he react

0:32:40.360 --> 0:32:43.600
<v Speaker 1>at that moment? Top Was he in total shock? Did

0:32:43.680 --> 0:32:46.080
<v Speaker 1>he have an awareness? Did he know that Chris Seniors

0:32:46.160 --> 0:32:49.200
<v Speaker 1>screamed out as his arm was kind of blown apart?

0:32:50.280 --> 0:32:54.040
<v Speaker 1>Did he rushed to his side? And we don't really

0:32:54.240 --> 0:32:56.680
<v Speaker 1>know that part, but in my mind, I'll imagine that

0:32:57.120 --> 0:33:01.840
<v Speaker 1>you know the same person that exerted domin over Chris Senior.

0:33:02.080 --> 0:33:05.360
<v Speaker 1>Potentially it would have been very easy, as Gary is

0:33:05.440 --> 0:33:09.320
<v Speaker 1>kind of tending to this dear family member, is for

0:33:09.480 --> 0:33:14.080
<v Speaker 1>somebody to have just simply ended his life execution style

0:33:14.480 --> 0:33:17.520
<v Speaker 1>as he stands over and pumps this round into the

0:33:17.600 --> 0:33:24.000
<v Speaker 1>back of his head. Can you tell us what we're

0:33:24.040 --> 0:33:28.440
<v Speaker 1>looking at and where we're heading there? A two, one four.

0:33:30.080 --> 0:33:34.160
<v Speaker 1>We'll be standing in this general area again, this being

0:33:34.240 --> 0:33:39.360
<v Speaker 1>the kitchen chairs here, and you're beginning to see blood patterns.

0:33:40.120 --> 0:33:43.640
<v Speaker 1>At some point, did you continue to move through that

0:33:43.880 --> 0:33:47.480
<v Speaker 1>residence back towards the back bedroom where the body's were, Yes, sir,

0:33:47.560 --> 0:33:50.200
<v Speaker 1>I did He found Chris and Gary at the foot

0:33:50.200 --> 0:33:53.479
<v Speaker 1>of the bed covered in a blanket. After taking photos

0:33:53.520 --> 0:33:56.840
<v Speaker 1>of the entire room, Hanshaw carefully removed the blanket to

0:33:56.960 --> 0:34:00.600
<v Speaker 1>further document the bodies. You tell us it's depicted in

0:34:00.680 --> 0:34:03.600
<v Speaker 1>this picture, and what you're trying to show, trying to

0:34:03.600 --> 0:34:07.160
<v Speaker 1>show the original position of the hands of the victim.

0:34:09.120 --> 0:34:12.319
<v Speaker 1>The victims family members are having an incredibly hard time

0:34:12.480 --> 0:34:16.719
<v Speaker 1>with the graphic photos. Someone allowed themselves to look up

0:34:16.760 --> 0:34:20.120
<v Speaker 1>at the screen where the photos are being projected. Others

0:34:20.200 --> 0:34:27.680
<v Speaker 1>weep openly. A four to fifty once again, as a

0:34:27.719 --> 0:34:33.960
<v Speaker 1>photograph of our victim's hand, showing obviously blood and some

0:34:34.239 --> 0:34:36.640
<v Speaker 1>the condition of the clothing as well. Okay, when we're

0:34:36.680 --> 0:34:40.440
<v Speaker 1>talking victim is just the first victim, Chris Rodin, Yes,

0:34:40.520 --> 0:34:43.719
<v Speaker 1>it is. When you look at his body position, did

0:34:43.760 --> 0:34:46.120
<v Speaker 1>you find his arms to be up over his head

0:34:46.440 --> 0:34:51.719
<v Speaker 1>and his sweatshirt rolled back over his head. Yes. When

0:34:51.800 --> 0:34:55.960
<v Speaker 1>they got to Gary and Chris Senior's bodies to do

0:34:56.160 --> 0:35:00.640
<v Speaker 1>their examinations, their hands were above their heads, the shirts

0:35:00.880 --> 0:35:04.840
<v Speaker 1>sweatshirts were pushed up. Now for us, that's an indication

0:35:04.920 --> 0:35:09.360
<v Speaker 1>that a body has been drug Yes, this would be

0:35:10.360 --> 0:35:17.680
<v Speaker 1>the arm of Gary Rodin, and it extends out parallel

0:35:17.719 --> 0:35:20.600
<v Speaker 1>with the bed and there's saturation stains or a large

0:35:20.600 --> 0:35:24.560
<v Speaker 1>amount of blood on the exterior of the jacket. In

0:35:24.760 --> 0:35:28.000
<v Speaker 1>that photograph, you can see a lot of blood around

0:35:28.040 --> 0:35:32.239
<v Speaker 1>the mouth and those discoloration around the eyes, and then

0:35:32.360 --> 0:35:34.839
<v Speaker 1>what I thought appeared to be a bullet hole near

0:35:34.920 --> 0:35:39.520
<v Speaker 1>the ear. And did you continue to document or get

0:35:39.560 --> 0:35:44.319
<v Speaker 1>closer pictures of what you believed to be a bullet hole, Yes, sir,

0:35:44.440 --> 0:35:48.280
<v Speaker 1>I did. What is the purpose of taking those pictures

0:35:49.000 --> 0:35:52.799
<v Speaker 1>with respect to that body at the seat? I want

0:35:52.840 --> 0:35:57.880
<v Speaker 1>to document this as much as possible. I can't control

0:35:57.960 --> 0:36:02.279
<v Speaker 1>what anybody else does after these bodies are taken out

0:36:02.320 --> 0:36:04.600
<v Speaker 1>of my care or after I'm going, so I want

0:36:04.680 --> 0:36:07.600
<v Speaker 1>to document them as they were, as I found them

0:36:08.480 --> 0:36:11.440
<v Speaker 1>to essentially settle back and understand. Anything that I do

0:36:11.520 --> 0:36:13.880
<v Speaker 1>with the bodies, I can move it slightly and it

0:36:14.000 --> 0:36:17.240
<v Speaker 1>takes it completely out of context. So he was probably directed,

0:36:17.320 --> 0:36:20.319
<v Speaker 1>tell your people to take the bodies out this specific way,

0:36:20.400 --> 0:36:22.720
<v Speaker 1>and you know when it comes to Christine or and Gary,

0:36:22.840 --> 0:36:28.200
<v Speaker 1>that's important. Hanshaw testifies that along with the photographs, his

0:36:28.320 --> 0:36:31.000
<v Speaker 1>team took hundreds of blood sample swabs from the home

0:36:31.200 --> 0:36:34.439
<v Speaker 1>and the bodies of Chris and Gary Rodin. They also

0:36:34.600 --> 0:36:38.719
<v Speaker 1>used what is called a forensic vacuum. Tell the jury

0:36:38.800 --> 0:36:41.479
<v Speaker 1>what a forensic vacuum is and how a forensic vacuum works.

0:36:42.400 --> 0:36:47.759
<v Speaker 1>That's relatively sample. We have a small vacuum that are

0:36:47.840 --> 0:36:51.800
<v Speaker 1>designated for that purpose, and that purpose only would be

0:36:52.080 --> 0:36:56.760
<v Speaker 1>to look for trace evidends such as hairs, fibers, anything

0:36:57.000 --> 0:37:00.920
<v Speaker 1>residual that might have been left behind them there. We

0:37:01.120 --> 0:37:05.040
<v Speaker 1>would seal that bag and then I normally would put

0:37:05.120 --> 0:37:08.719
<v Speaker 1>that bag in another bag and put my label and

0:37:09.200 --> 0:37:12.520
<v Speaker 1>my signature on. If I'm wearing a mask of hood

0:37:12.600 --> 0:37:17.080
<v Speaker 1>and gloves, is that going to impede my DNA from

0:37:17.160 --> 0:37:19.040
<v Speaker 1>going somewhere where you're going to vacuum it up with

0:37:19.080 --> 0:37:22.640
<v Speaker 1>your forensic vacuum. Yes, it can. If Eady Wilson drags

0:37:22.680 --> 0:37:26.200
<v Speaker 1>those bodies to the back of the bedroom and I've

0:37:26.239 --> 0:37:30.160
<v Speaker 1>got gloves on, Am I gonna leave touch DNA? Most

0:37:30.239 --> 0:37:33.600
<v Speaker 1>likely not, But you do that anyways just in case.

0:37:33.719 --> 0:37:36.600
<v Speaker 1>Is that correct? Yes, at that particular time, you have

0:37:36.800 --> 0:37:39.840
<v Speaker 1>no idea if a suspect was wearing gloves or not

0:37:39.920 --> 0:37:46.359
<v Speaker 1>wearing gloves. Here's Jeff speaking with Joseph Scott Morgan. Here

0:37:46.400 --> 0:37:49.040
<v Speaker 1>we are a couple of weeks into the trial. The

0:37:49.160 --> 0:37:52.600
<v Speaker 1>prosecution still has this a DNA problem. The more cases

0:37:52.640 --> 0:37:56.719
<v Speaker 1>that cover personally the more I hear this cry, you know,

0:37:56.800 --> 0:38:00.600
<v Speaker 1>from the public, where's the DNA? Was the DNA? Jurors

0:38:00.719 --> 0:38:07.120
<v Speaker 1>walk in and they are expecting DNA in every single case,

0:38:08.360 --> 0:38:12.080
<v Speaker 1>And I'm sorry, that's not accurate. It's not going to

0:38:12.200 --> 0:38:15.800
<v Speaker 1>happen every single time. You know, if you have a

0:38:15.920 --> 0:38:20.680
<v Speaker 1>barrier between your hand and surface that you place that

0:38:20.800 --> 0:38:24.440
<v Speaker 1>hand upon, there is not much of an opportunity for

0:38:24.560 --> 0:38:27.719
<v Speaker 1>you to shed these dead skin cells that will have

0:38:27.960 --> 0:38:31.719
<v Speaker 1>an incomplete strand of DNA in them. It makes it

0:38:31.840 --> 0:38:40.799
<v Speaker 1>difficult for the prosecution. Let's stop here for another break. Oh.

0:38:42.360 --> 0:38:46.040
<v Speaker 1>I'm Carol Fisher, and I'm hosting a podcast called The Girlfriends.

0:38:46.480 --> 0:38:49.480
<v Speaker 1>Back in the nineteen nineties in Las Vegas, a few

0:38:49.560 --> 0:38:53.400
<v Speaker 1>of us dated the most eligible bachelor in town, Bob.

0:38:54.080 --> 0:39:00.239
<v Speaker 1>He spoke several languages, he did medical missionary work, he

0:39:00.480 --> 0:39:04.360
<v Speaker 1>was Jewish. He was perfect on paper, but he wasn't.

0:39:04.680 --> 0:39:09.560
<v Speaker 1>He really wasn't. He shouted to the point she went unconscious.

0:39:10.000 --> 0:39:13.759
<v Speaker 1>Bob could lie about of anything, but only takes the

0:39:13.880 --> 0:39:17.640
<v Speaker 1>one time when somebody ends up dead. Unfortunately for Bob,

0:39:17.960 --> 0:39:21.000
<v Speaker 1>us girlfriends know how to fight back. I wanted him

0:39:21.000 --> 0:39:23.680
<v Speaker 1>to pay for his crime. He needed to be put

0:39:23.760 --> 0:39:25.839
<v Speaker 1>to justice. I'll be honest with you. If I saw

0:39:25.920 --> 0:39:27.759
<v Speaker 1>him right now, I'd spit on him. I would call

0:39:27.880 --> 0:39:30.680
<v Speaker 1>him and I would say, I know you killed my sister.

0:39:31.120 --> 0:39:34.000
<v Speaker 1>I will always hound you and haunt you. You can

0:39:34.120 --> 0:39:38.399
<v Speaker 1>listen to the girlfriends on the iHeartRadio app, Apple podcasts

0:39:38.640 --> 0:39:43.360
<v Speaker 1>or wherever you get your podcasts from iHeart podcasts. Whitney

0:39:43.440 --> 0:39:46.960
<v Speaker 1>hell is going on here. Everyone has their limits. I'd

0:39:47.000 --> 0:39:49.440
<v Speaker 1>never confronted a situation like this. I just thought it

0:39:49.520 --> 0:39:52.319
<v Speaker 1>was just a really terrible, immoral thing, a line they

0:39:52.400 --> 0:39:55.520
<v Speaker 1>won't cross. I was stunned and I just said, no,

0:39:55.880 --> 0:39:58.759
<v Speaker 1>we're killing people. You may never have to face that

0:39:58.880 --> 0:40:03.480
<v Speaker 1>decision when find yourself at that line. Thout ricin, arn't ricin,

0:40:03.680 --> 0:40:06.840
<v Speaker 1>And somebody needs to just for once give everybody the

0:40:06.920 --> 0:40:11.839
<v Speaker 1>whole truth. This is evil and the only person who

0:40:11.920 --> 0:40:15.279
<v Speaker 1>can sound the alarm is you. I wasn't just going

0:40:15.320 --> 0:40:20.960
<v Speaker 1>to sit silently. Buy from iHeart podcasts. These are the whistleblowers.

0:40:21.200 --> 0:40:23.440
<v Speaker 1>If you are disloyal, things are going to happen. To

0:40:23.480 --> 0:40:27.640
<v Speaker 1>speak out disgrace to our gun. Evil play should be prosecute.

0:40:29.239 --> 0:40:32.920
<v Speaker 1>When power corrupts, conscience is the last line of defense.

0:40:33.960 --> 0:40:37.759
<v Speaker 1>I'm Miles Taylor. Listen to The Whistleblowers on the iHeartRadio app,

0:40:37.960 --> 0:40:46.879
<v Speaker 1>Apple podcasts, or wherever you get your podcasts. My name's

0:40:46.960 --> 0:40:51.200
<v Speaker 1>Laverne Cox. I'm an actress, producer, fashionista, and host of

0:40:51.320 --> 0:40:54.200
<v Speaker 1>The Laverne Cox Show. You may remember my award winning

0:40:54.239 --> 0:40:58.480
<v Speaker 1>first season. I've been pretty busy. There's always time to

0:40:58.520 --> 0:41:01.800
<v Speaker 1>touch incredible guests about important things. People like me have

0:41:01.920 --> 0:41:04.640
<v Speaker 1>been screaming for years. We've got to watch the Supreme Court.

0:41:04.719 --> 0:41:07.160
<v Speaker 1>What they're doing is wrong, what they're doing is evil.

0:41:07.200 --> 0:41:10.120
<v Speaker 1>They will take things away, and I can only hope

0:41:10.160 --> 0:41:12.880
<v Speaker 1>that Dobbs is that like Pearl Harbor moment. Girl. You

0:41:13.000 --> 0:41:15.399
<v Speaker 1>and I both know what it took to just get

0:41:15.480 --> 0:41:17.600
<v Speaker 1>through the day in New York City and get home

0:41:17.719 --> 0:41:20.640
<v Speaker 1>in one piece. And so the fact that we're here

0:41:20.800 --> 0:41:23.440
<v Speaker 1>and what you've achieved and what I've achieved, you know,

0:41:23.880 --> 0:41:27.960
<v Speaker 1>that's momentous. It's not just sitting around complaining about some bills.

0:41:28.080 --> 0:41:30.560
<v Speaker 1>The only reason that you might think, as Chase said,

0:41:30.600 --> 0:41:33.960
<v Speaker 1>that we're always miserable is because people are constantly attacking

0:41:34.080 --> 0:41:36.680
<v Speaker 1>us and we're constantly noticing it. Listen to The Verne

0:41:36.680 --> 0:41:40.640
<v Speaker 1>Cox Show on the iHeartRadio app, Apple podcast or wherever

0:41:40.800 --> 0:41:44.840
<v Speaker 1>you get your podcast, be sure to subscribe and share.

0:41:47.040 --> 0:41:50.320
<v Speaker 1>Hello and welcome to Bad Manners. This is the podcast

0:41:50.400 --> 0:41:53.520
<v Speaker 1>that takes you inside britain stately homes and tells all

0:41:53.600 --> 0:41:57.279
<v Speaker 1>the tales the guide books don't. My name is Tom

0:41:57.360 --> 0:42:00.920
<v Speaker 1>Burton and I'll be your host. Britain is riddled with

0:42:01.040 --> 0:42:05.560
<v Speaker 1>the big houses, from crumbling castles, massive mansions and stately

0:42:05.680 --> 0:42:08.799
<v Speaker 1>piles bigger than bucking and Palace. As a comedian, I'm

0:42:08.840 --> 0:42:10.719
<v Speaker 1>not really bothered about the facts and figures. I just

0:42:10.840 --> 0:42:12.840
<v Speaker 1>want the juicy stuff. So I'm on a mission to

0:42:12.960 --> 0:42:17.000
<v Speaker 1>find out the frightening, filthy and downright jaw dropping stories

0:42:17.040 --> 0:42:20.600
<v Speaker 1>of these stately homes and the people in them. This

0:42:20.880 --> 0:42:24.759
<v Speaker 1>podcast ventures deep inside some of Britain's most incredible and

0:42:24.920 --> 0:42:29.200
<v Speaker 1>outrageous buildings to spill the tea on the scandalous, scary,

0:42:29.640 --> 0:42:33.120
<v Speaker 1>shocking and hilarious tales. So if you want to get

0:42:33.239 --> 0:42:37.960
<v Speaker 1>historically horrid, royally raucous, and downt and dirty, look no further.

0:42:38.520 --> 0:42:42.400
<v Speaker 1>Listen to Bad Manners on the iHeartRadio app, Apple Podcasts

0:42:42.760 --> 0:42:54.440
<v Speaker 1>or wherever you get your podcasts. After hours of testimony

0:42:54.560 --> 0:42:57.840
<v Speaker 1>centered on blood and projectile evidence in the home, the

0:42:58.000 --> 0:43:01.520
<v Speaker 1>prosecution turns to Chris Senior Garage and the space above it.

0:43:02.440 --> 0:43:07.160
<v Speaker 1>Investigator Henshaw was initially drawn to the security cameras we

0:43:07.320 --> 0:43:11.360
<v Speaker 1>thought it appeared as though it were pointing toward the residents. Okay,

0:43:12.120 --> 0:43:13.960
<v Speaker 1>at some point, did that pique your interest to try

0:43:14.000 --> 0:43:17.480
<v Speaker 1>to go find a DDR or recording device that might

0:43:17.520 --> 0:43:20.960
<v Speaker 1>be linked to that gammer. Yes, we attempted to look

0:43:21.040 --> 0:43:24.399
<v Speaker 1>for any kind of recording device that would have maybe

0:43:24.480 --> 0:43:28.160
<v Speaker 1>documented what happened or given us some idea will trace

0:43:28.280 --> 0:43:33.200
<v Speaker 1>the wires back. They led inside and we found nothing,

0:43:33.400 --> 0:43:38.120
<v Speaker 1>no recording device connected to this system. They tested the

0:43:38.160 --> 0:43:42.040
<v Speaker 1>disconnected wires for DNA in case the perpetrators had handled them.

0:43:42.960 --> 0:43:46.719
<v Speaker 1>There was nothing. But the door into the building also

0:43:46.760 --> 0:43:50.239
<v Speaker 1>stood out to h and Handshaw. Did you examine that

0:43:50.360 --> 0:43:54.000
<v Speaker 1>door a little more further for other evidence or the

0:43:54.040 --> 0:43:56.960
<v Speaker 1>possibility about dents. Two things stood out to me. One

0:43:57.040 --> 0:43:59.640
<v Speaker 1>as it appeared as though there was forced entry, I

0:43:59.680 --> 0:44:03.360
<v Speaker 1>would would be consistent with the door handle lying on

0:44:03.520 --> 0:44:06.920
<v Speaker 1>the upper surface of the porch. And the second thing

0:44:07.200 --> 0:44:10.040
<v Speaker 1>is that appeared to be a transfer, a small transfer

0:44:10.120 --> 0:44:13.560
<v Speaker 1>of blood on the exterior face of that door. This

0:44:13.760 --> 0:44:16.880
<v Speaker 1>doesn't look like a spatter pattern. It looks like a

0:44:16.960 --> 0:44:21.400
<v Speaker 1>transfer pattern. The difference would be a transfer would be

0:44:21.480 --> 0:44:24.320
<v Speaker 1>if I had blood on my hand and I touched

0:44:24.400 --> 0:44:28.680
<v Speaker 1>this paper or something else and then moved it away,

0:44:29.680 --> 0:44:34.120
<v Speaker 1>I probably wouldn't leave blood that I transferred from my

0:44:34.239 --> 0:44:38.480
<v Speaker 1>hand onto that surface. Did you eventually take steps to

0:44:39.360 --> 0:44:42.640
<v Speaker 1>identify that according to your BCI numbers and try to

0:44:42.760 --> 0:44:46.279
<v Speaker 1>collect that blood for further testing? Yes, those swabs were

0:44:46.320 --> 0:44:51.160
<v Speaker 1>sent to the lab for testing that stain. Are those

0:44:51.200 --> 0:44:55.440
<v Speaker 1>swabs tested positive for the presence of blood and the

0:44:55.560 --> 0:44:59.879
<v Speaker 1>blood contained in those swabs contained the DNA of Gary Road.

0:45:02.280 --> 0:45:04.560
<v Speaker 1>The defense has a few questions for either of the

0:45:04.640 --> 0:45:10.080
<v Speaker 1>BCI agents, but they do offer one final stipulation. When

0:45:10.360 --> 0:45:14.719
<v Speaker 1>things are stipulated to, it is an agreement that's entered

0:45:14.760 --> 0:45:19.280
<v Speaker 1>into between defense counsel and prosecution that they will stipulate

0:45:19.360 --> 0:45:21.880
<v Speaker 1>to that bit of evidence, that they're not going to

0:45:22.080 --> 0:45:26.680
<v Speaker 1>argue it, they're not going to debate it during this time.

0:45:26.719 --> 0:45:29.560
<v Speaker 1>The parties have another stipulation, all right, put that on

0:45:29.640 --> 0:45:34.760
<v Speaker 1>the record. Ent. Yes, the parties will stipulate and agree

0:45:35.000 --> 0:45:39.879
<v Speaker 1>that with respect to four zero seven seven Union Hill Road,

0:45:41.040 --> 0:45:44.719
<v Speaker 1>none of the evidence collected or examined with respect to

0:45:45.000 --> 0:45:52.680
<v Speaker 1>that scene contained any DNA that was linked to George Wagner,

0:45:52.840 --> 0:45:59.400
<v Speaker 1>this defendant Jake Wagner, Angela Wagner, or Billy Wagner. That's correct.

0:46:01.680 --> 0:46:05.520
<v Speaker 1>That's the voice of Special Prosecutor Andrew Wilson conceding there

0:46:05.640 --> 0:46:08.880
<v Speaker 1>was no DNA evidence linking any of the Wagner family

0:46:09.280 --> 0:46:12.360
<v Speaker 1>to the site where relatives found Chris Roden Senior and

0:46:12.440 --> 0:46:16.560
<v Speaker 1>his cousin Gary dead in April twenty sixteen. There's no

0:46:16.760 --> 0:46:20.240
<v Speaker 1>DNA Avidage. People who were not involved in the system,

0:46:20.560 --> 0:46:23.120
<v Speaker 1>it's the first thing out of their mouth. Well, d

0:46:23.520 --> 0:46:28.680
<v Speaker 1>DNA Avidage. Well, for me, the shoe prints till everything.

0:46:29.880 --> 0:46:33.359
<v Speaker 1>We've been using shoe prints for over one hundred years now.

0:46:33.800 --> 0:46:36.920
<v Speaker 1>I mean, it's been accepted in courtrooms in a lot

0:46:37.000 --> 0:46:42.000
<v Speaker 1>of different places as valid science. It was a massacre,

0:46:42.280 --> 0:46:44.759
<v Speaker 1>but it didn't seem as though they went back to

0:46:44.920 --> 0:46:48.880
<v Speaker 1>kind of cover their traces. I think they did take

0:46:48.920 --> 0:46:50.839
<v Speaker 1>a lot of steps. But there's no such thing as

0:46:50.880 --> 0:46:54.320
<v Speaker 1>the perfect crime. The term criminal mastermind is kind of

0:46:54.360 --> 0:46:58.120
<v Speaker 1>an exymoron because criminals generally aren't masterminds, and they often

0:46:58.200 --> 0:47:01.120
<v Speaker 1>make mistakes which leads in that convict and this is

0:47:01.200 --> 0:47:07.239
<v Speaker 1>one of those examples. More on that next time. For

0:47:07.360 --> 0:47:10.560
<v Speaker 1>more information on the case and relevant photos, follow us

0:47:10.600 --> 0:47:15.440
<v Speaker 1>on Instagram at Katie Underscore Studios. The Piked and Masker

0:47:15.520 --> 0:47:18.880
<v Speaker 1>is produced by Stephanie Lydecker, Jeff Shane, Scott de Graw,

0:47:19.080 --> 0:47:24.960
<v Speaker 1>Andrew Arnow, Gabriel Castillo and me Courtney Armstrong. Editing and

0:47:25.080 --> 0:47:29.600
<v Speaker 1>sound designed by Jeff Ta Music by Jared Aston. The

0:47:29.680 --> 0:47:33.040
<v Speaker 1>Piked and Masker is a production of iHeartRadio and Katie Studios.

0:47:33.719 --> 0:47:36.440
<v Speaker 1>For more podcasts from My Heart Radio, visit the Heart

0:47:36.520 --> 0:47:40.759
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:47:40.840 --> 0:47:46.279
<v Speaker 1>favorite shows. I'm Carol Fisher and I'm hosting a podcast

0:47:46.360 --> 0:47:50.560
<v Speaker 1>called The girl Friends. It's Las Vegas, it's the nineteen nineties,

0:47:50.840 --> 0:47:53.960
<v Speaker 1>and it is time to find a husband. There were

0:47:54.200 --> 0:47:58.680
<v Speaker 1>four Jewish doctors who were felt to be eligible bachelors.

0:47:58.920 --> 0:48:02.400
<v Speaker 1>One of them one of the spot barremout. On paper

0:48:02.640 --> 0:48:06.880
<v Speaker 1>he was perfect, but in reality, this guy is a wacome.

0:48:07.200 --> 0:48:10.839
<v Speaker 1>He shouted to the point she went unconscious. I would

0:48:10.880 --> 0:48:13.239
<v Speaker 1>call him and I would say, I know you killed

0:48:13.280 --> 0:48:16.040
<v Speaker 1>my sister. You can listen to The Girlfriends on the

0:48:16.160 --> 0:48:20.759
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:48:21.600 --> 0:48:23.680
<v Speaker 1>I'm will daily for years have been on the road,

0:48:23.719 --> 0:48:27.040
<v Speaker 1>playing shows and seeing America through live music. This summer,

0:48:27.080 --> 0:48:29.080
<v Speaker 1>I'll hit the stage season two of Sound of Our

0:48:29.160 --> 0:48:34.120
<v Speaker 1>Town ten cities twelve episodes every other Thursday, we explore

0:48:34.160 --> 0:48:36.759
<v Speaker 1>the live music, venues and culture of a new American city.

0:48:36.800 --> 0:48:39.680
<v Speaker 1>With each new episode, our tour continues into the kind

0:48:39.719 --> 0:48:41.359
<v Speaker 1>of venues you want to get to when you landed

0:48:41.400 --> 0:48:45.840
<v Speaker 1>in Detroit, Providence, Denver or Seattle. Listen to Sound of

0:48:45.880 --> 0:48:49.640
<v Speaker 1>Our Town on the iHeartRadio app, Apple Podcasts or wherever

0:48:49.719 --> 0:48:54.440
<v Speaker 1>you get your podcasts. Right, I'm Freedom and I'm Marthy.

0:48:54.719 --> 0:48:57.520
<v Speaker 1>We have spent the last twenty years building and working

0:48:57.560 --> 0:48:59.840
<v Speaker 1>at some of the largest companies in the world. We

0:49:00.120 --> 0:49:03.359
<v Speaker 1>worked with some remarkable people. Rob mcalinney. When I see

0:49:03.400 --> 0:49:05.560
<v Speaker 1>the people of Wrexham, I grew up exactly like them.

0:49:05.840 --> 0:49:08.880
<v Speaker 1>Check out the Art and Treeom show. That is a

0:49:09.520 --> 0:49:14.239
<v Speaker 1>R D HI and S R I R A M Show.

0:49:14.840 --> 0:49:17.440
<v Speaker 1>Listen to the Art Instrie Arm Show on the iHeart

0:49:17.560 --> 0:49:21.200
<v Speaker 1>Radio app, Apple podcasts or wherever you get your podcasts.

0:49:22.320 --> 0:49:25.040
<v Speaker 1>This is the story of a man who's fascinated me.

0:49:25.760 --> 0:49:28.839
<v Speaker 1>His name was Sweet Daddy Grace, and that's a name

0:49:29.120 --> 0:49:32.200
<v Speaker 1>you don't forget. He was a visionary who built a

0:49:32.320 --> 0:49:36.480
<v Speaker 1>fortune as a black man during Jim Crow during the Depression,

0:49:36.920 --> 0:49:40.439
<v Speaker 1>but today not many people know about him. The race

0:49:40.840 --> 0:49:43.279
<v Speaker 1>sort of wiped out, and I wonder if this was

0:49:43.400 --> 0:49:47.919
<v Speaker 1>done intentionally. Listen to Sweet Daddy Grace on the iHeartRadio app,

0:49:48.080 --> 0:49:50.840
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.