1 00:00:02,759 --> 00:00:05,840 Speaker 1: Thirteen days of Halloween is a production of I heart radio, 2 00:00:05,960 --> 00:00:10,640 Speaker 1: Blumhouse television and grim and mild from Aaron mankey headphones recommended. 3 00:00:10,960 --> 00:00:31,560 Speaker 1: Listener discretion advised. Ah, good evening, dear friend. Welcome to 4 00:00:31,600 --> 00:00:36,680 Speaker 1: Hawthorne Manners Grand Ball Room. There are two rather curious 5 00:00:36,760 --> 00:00:40,000 Speaker 1: things you may notice about this place. The first of course, 6 00:00:40,440 --> 00:00:45,199 Speaker 1: the ghostly music which seems to emanate from every wall. 7 00:00:47,120 --> 00:00:50,320 Speaker 1: This is, in one sense, merely a trick of the 8 00:00:50,560 --> 00:00:56,400 Speaker 1: masterful acoustics so magnificently trapping the sounds of celebrations past 9 00:00:56,880 --> 00:01:00,800 Speaker 1: the way a kerchief might capture one's perfume. It is, 10 00:01:01,120 --> 00:01:06,399 Speaker 1: in another more tragic sense, a sort of haunting, but 11 00:01:06,520 --> 00:01:10,400 Speaker 1: let us not speak in metaphors. The second thing takes 12 00:01:10,400 --> 00:01:14,360 Speaker 1: a bit longer to fully realize, though not readily apparent 13 00:01:14,440 --> 00:01:18,080 Speaker 1: to the human eye. The ball room floor is suddenly 14 00:01:18,160 --> 00:01:22,360 Speaker 1: warped and twisted and at certain points rises and drops. 15 00:01:23,160 --> 00:01:27,600 Speaker 1: The Deep Auburn staining of the majestic hardwood renders these 16 00:01:27,640 --> 00:01:33,720 Speaker 1: hazards effectively invisible. One wishes to believe that this was 17 00:01:33,760 --> 00:01:39,000 Speaker 1: an accidental flaw in the architects otherwise flawless desire. But 18 00:01:39,440 --> 00:01:43,319 Speaker 1: the architect was a solitary sort of man, and I 19 00:01:43,360 --> 00:01:47,000 Speaker 1: believe that, despite his genius, or perhaps because of it, 20 00:01:47,640 --> 00:01:53,360 Speaker 1: he disdained humanity. His daughter, however, had no such problem. 21 00:01:53,440 --> 00:01:56,480 Speaker 1: In fact, she pined for human contact outside of her 22 00:01:56,520 --> 00:01:59,160 Speaker 1: father and servants, and so begged him to throw a 23 00:01:59,200 --> 00:02:02,360 Speaker 1: ball in her honor. I have a ballroom, if not 24 00:02:02,440 --> 00:02:07,600 Speaker 1: to host dances, she asked him. He relented with the caveat. 25 00:02:08,520 --> 00:02:13,480 Speaker 1: It was not to be a mere dance, but competition. 26 00:02:15,280 --> 00:02:18,480 Speaker 1: Whatever couple made it through the long night should win 27 00:02:18,960 --> 00:02:24,080 Speaker 1: a glamorous prize. On the appointed evening, a large crowd 28 00:02:24,200 --> 00:02:27,679 Speaker 1: gathered at Hawthorne Manor and with a grand gesture, our 29 00:02:27,919 --> 00:02:33,240 Speaker 1: architect signaled for the music to begin. Dozens of calls 30 00:02:33,320 --> 00:02:36,840 Speaker 1: to flooded to the dance floor. Almost immediately there was 31 00:02:36,880 --> 00:02:40,200 Speaker 1: a cry. A young woman had sprained her ankle then 32 00:02:40,240 --> 00:02:44,480 Speaker 1: had to be carried off. Dances and witnesses alike shook 33 00:02:44,520 --> 00:02:48,400 Speaker 1: their heads and pity, but before they could refocus their attentions, 34 00:02:48,760 --> 00:02:52,800 Speaker 1: another had twisted her ankle, this time break it by 35 00:02:52,880 --> 00:02:56,400 Speaker 1: the third injury. Mere moments later, those on the dance 36 00:02:56,400 --> 00:03:01,000 Speaker 1: floor began to realize that something was amiss. The floor 37 00:03:01,120 --> 00:03:05,080 Speaker 1: itself was a hazard to the dances it was built 38 00:03:05,600 --> 00:03:09,320 Speaker 1: to injure, it is rumored at the architect watch from 39 00:03:09,320 --> 00:03:14,280 Speaker 1: the balcony with Glee. Many continued to dance upon the 40 00:03:14,280 --> 00:03:20,440 Speaker 1: twisted ballroom floor and by dawn one couple remained, their 41 00:03:20,480 --> 00:03:28,040 Speaker 1: ankles bruised and bloodied. His daughter never forgave him this transgression. 42 00:03:30,320 --> 00:03:35,840 Speaker 1: And what apparition do we find here? This delicate creature 43 00:03:35,880 --> 00:03:40,360 Speaker 1: in white is known through Hawthorne manner as the bride. 44 00:03:41,880 --> 00:03:45,560 Speaker 1: You two already have your unspoken names in common. I'll 45 00:03:45,640 --> 00:03:49,640 Speaker 1: leave you to catch up on what else you may share. 46 00:03:54,240 --> 00:03:56,320 Speaker 1: It's important to me that you know that I was 47 00:03:56,360 --> 00:04:02,680 Speaker 1: in love, and love and young and stupid. It was 48 00:04:02,680 --> 00:04:07,360 Speaker 1: a whirlwind Romance, Bradley and I. Twenty One century coffee 49 00:04:07,360 --> 00:04:11,360 Speaker 1: shop meet cute, complete with spilled pour overs, the both 50 00:04:11,360 --> 00:04:15,280 Speaker 1: of us apologizing in a scramble for Napkins. And our 51 00:04:15,280 --> 00:04:19,080 Speaker 1: eyes met and he was the handsomest thing. I had 52 00:04:19,120 --> 00:04:23,720 Speaker 1: ever seen, such kind eyes and a Hollywood jaw at 53 00:04:23,720 --> 00:04:27,200 Speaker 1: the Sistine Chapel face. He was a work of art, 54 00:04:28,160 --> 00:04:34,560 Speaker 1: just a beautiful, beautiful man. Bradley. He caught me there 55 00:04:35,040 --> 00:04:38,760 Speaker 1: and I never let him let me go. Then we 56 00:04:38,760 --> 00:04:41,960 Speaker 1: were married and it was like it happened the next day. 57 00:04:42,120 --> 00:04:44,839 Speaker 1: We just wanted one another and could not slow down. 58 00:04:45,800 --> 00:04:48,400 Speaker 1: A wedding reception was a blur of dancing and hubs 59 00:04:48,400 --> 00:04:53,480 Speaker 1: from old friends and Champagne. God, the Champagne. I must 60 00:04:53,480 --> 00:04:56,080 Speaker 1: have finished an entire bottle. And you know, if you're 61 00:04:56,080 --> 00:04:57,839 Speaker 1: the bride, you don't get a lot of time to 62 00:04:58,000 --> 00:05:00,159 Speaker 1: eat or sit still or stop to take it all in. 63 00:05:01,120 --> 00:05:03,560 Speaker 1: So we toasted with friends and family late into the 64 00:05:03,680 --> 00:05:08,960 Speaker 1: night and then we stumbled to our honeymoon suite. The 65 00:05:09,000 --> 00:05:12,159 Speaker 1: alcohol made my cheeks feel rosy and gave the room 66 00:05:12,240 --> 00:05:18,440 Speaker 1: some motion. Oh my God, Bradley's face. He was the 67 00:05:18,480 --> 00:05:21,320 Speaker 1: only thing I could see, the only thing I wanted, 68 00:05:22,160 --> 00:05:25,360 Speaker 1: and his chestnut eyes and strong shoulders and his body 69 00:05:25,400 --> 00:05:32,160 Speaker 1: on mine. I was deliriously happy. We collapsed on the bed. 70 00:05:32,720 --> 00:05:37,359 Speaker 1: He said something funny I don't remember. I wish I 71 00:05:37,360 --> 00:05:41,320 Speaker 1: could remember every stupid joke he ever told me, but 72 00:05:41,480 --> 00:05:45,359 Speaker 1: he said it and I laughed so loudly flinch. I 73 00:05:45,480 --> 00:05:47,960 Speaker 1: jumped on him and took his movie star cheekbones in 74 00:05:48,000 --> 00:05:51,360 Speaker 1: my hands. I pressed my face to his, but we 75 00:05:51,360 --> 00:05:55,520 Speaker 1: were still laughing too hard to kiss. I wish I 76 00:05:55,520 --> 00:05:59,240 Speaker 1: could remember him that way. I wish his face lived 77 00:05:59,240 --> 00:06:03,479 Speaker 1: in me forever in that moment, but I fell back 78 00:06:03,520 --> 00:06:06,440 Speaker 1: to my pillow and I don't remember sleep coming on, 79 00:06:07,680 --> 00:06:12,920 Speaker 1: but it came. It felt like dreams came quickly, like 80 00:06:13,000 --> 00:06:15,760 Speaker 1: I stepped out of the real world and into somewhere else. 81 00:06:17,720 --> 00:06:20,159 Speaker 1: I was on the ocean floor, holding my breath, in 82 00:06:20,200 --> 00:06:23,919 Speaker 1: the hull of a sunken ship. I felt pressure crushing 83 00:06:23,920 --> 00:06:27,400 Speaker 1: in on me and it was very dim. The entire 84 00:06:27,480 --> 00:06:30,479 Speaker 1: world was gray and heavy and I could barely move. 85 00:06:31,480 --> 00:06:33,560 Speaker 1: I walked through the door of something that looked like 86 00:06:33,600 --> 00:06:36,480 Speaker 1: a vault and there was a flash of light and 87 00:06:36,520 --> 00:06:39,560 Speaker 1: I was staring at rows of long, sharp teeth, all 88 00:06:39,600 --> 00:06:42,839 Speaker 1: curving in different directions. It was one of those anglerfish, 89 00:06:42,880 --> 00:06:45,960 Speaker 1: those awful looking Zombie ie fish with the dangling light 90 00:06:46,000 --> 00:06:47,840 Speaker 1: and the teeth like spears, and it caught me in 91 00:06:47,920 --> 00:06:52,479 Speaker 1: its light and it unhinged its jaw and I couldn't scream. 92 00:06:52,520 --> 00:06:55,640 Speaker 1: I couldn't scream, I couldn't move or look away, and 93 00:06:55,680 --> 00:07:00,400 Speaker 1: it was just teeth in that terrible face. I woke 94 00:07:00,480 --> 00:07:05,320 Speaker 1: up soaking wet and feeling panicked. Bradley was still on, asleep, 95 00:07:05,360 --> 00:07:07,960 Speaker 1: and I reached out to touch his face, but my 96 00:07:08,000 --> 00:07:12,040 Speaker 1: pillow was sticky. Oh my God, I'd thrown up. It 97 00:07:12,120 --> 00:07:15,640 Speaker 1: was everywhere. I slid out of the bed. My head 98 00:07:15,720 --> 00:07:17,840 Speaker 1: was throbbing and my eyes wouldn't adjust to the dark. 99 00:07:19,000 --> 00:07:20,840 Speaker 1: I turned on the lamp and there was a flash 100 00:07:20,840 --> 00:07:24,560 Speaker 1: of light that made me loozy again. When I could 101 00:07:24,600 --> 00:07:27,960 Speaker 1: open my eyes see what I'd done, it was a mess. 102 00:07:28,600 --> 00:07:32,160 Speaker 1: The sheets were ruined and Bradley was peacefully lying in 103 00:07:32,200 --> 00:07:36,520 Speaker 1: the middle of it. It was awful. It looked like 104 00:07:36,560 --> 00:07:38,840 Speaker 1: he was the one who had thrown up, there was 105 00:07:38,880 --> 00:07:42,640 Speaker 1: so much pooled around his face. I went to Bradley's 106 00:07:42,680 --> 00:07:49,440 Speaker 1: side and squeezed his shoulder. He rolled over his face, 107 00:07:50,440 --> 00:07:58,320 Speaker 1: his face, it was eaten or melting. It was awful. 108 00:08:00,440 --> 00:08:03,440 Speaker 1: where he'd been lying, his cheek, his jaw, his eye, 109 00:08:03,520 --> 00:08:06,679 Speaker 1: half of his face, it was gone. It was red 110 00:08:06,720 --> 00:08:09,920 Speaker 1: and modeled, it was bleeding, it was white, it was foaming, 111 00:08:10,000 --> 00:08:15,240 Speaker 1: it was gone. Oh my God, his beautiful face. And 112 00:08:15,360 --> 00:08:20,120 Speaker 1: I screamed and he woke up. I could see it hurt. 113 00:08:20,240 --> 00:08:22,480 Speaker 1: He was confused and hurt and I wanted to hold 114 00:08:22,560 --> 00:08:25,600 Speaker 1: him but I couldn't. I couldn't go near him and 115 00:08:25,680 --> 00:08:28,080 Speaker 1: he stood by the bed and I backed against the 116 00:08:28,120 --> 00:08:30,040 Speaker 1: other wall and he asked me what happened. He said, 117 00:08:30,400 --> 00:08:34,920 Speaker 1: are you okay? Can you believe that? He was an 118 00:08:34,960 --> 00:08:38,280 Speaker 1: agony and he was asking me if I was okay 119 00:08:38,800 --> 00:08:41,760 Speaker 1: and I couldn't do anything. There was this pressure crushing 120 00:08:41,800 --> 00:08:44,360 Speaker 1: me and I couldn't move and I had to fight 121 00:08:44,400 --> 00:08:46,160 Speaker 1: my own body to be able to speak, like I 122 00:08:46,200 --> 00:08:48,080 Speaker 1: had to ball up my fists and stop, and then 123 00:08:48,120 --> 00:08:52,120 Speaker 1: I could yell I'm sorry. And he touched up part 124 00:08:52,120 --> 00:08:55,200 Speaker 1: of his face and his eyes went wide and I 125 00:08:55,280 --> 00:08:56,880 Speaker 1: reached an arm out from my side of the room 126 00:08:56,920 --> 00:08:59,000 Speaker 1: and said no, so he don't touch it, don't look 127 00:08:59,000 --> 00:09:01,840 Speaker 1: at it. He flexed his jaw and I saw his 128 00:09:01,880 --> 00:09:04,400 Speaker 1: tongue poking its way through where his cheek had been. 129 00:09:04,559 --> 00:09:08,360 Speaker 1: Oh my God, I couldn't look at him. He ran 130 00:09:08,600 --> 00:09:11,800 Speaker 1: passed me to the bathroom and this sound he made, 131 00:09:14,320 --> 00:09:16,720 Speaker 1: he was shouting and his voice was gurgling and I 132 00:09:16,760 --> 00:09:18,760 Speaker 1: don't know. I said, I don't know when I threw 133 00:09:18,840 --> 00:09:22,439 Speaker 1: up and I don't know. Vomit doesn't do this. Vomit 134 00:09:22,480 --> 00:09:26,719 Speaker 1: doesn't melt skin. His eyes were wild. What was in 135 00:09:26,760 --> 00:09:30,320 Speaker 1: that champagne? I don't know, I told him. I said 136 00:09:30,320 --> 00:09:33,440 Speaker 1: it was the bottle his mother gave us. He came 137 00:09:33,480 --> 00:09:37,640 Speaker 1: close he had to shut my eyes, the one my 138 00:09:37,720 --> 00:09:42,600 Speaker 1: mother gave you. He started to pace. My mom gave 139 00:09:42,760 --> 00:09:48,000 Speaker 1: you a bottle and you drink it. Oh my God, 140 00:09:50,120 --> 00:09:53,240 Speaker 1: Oh my God. Bradley had always insisted that I shouldn't 141 00:09:53,240 --> 00:09:56,080 Speaker 1: trust his mother. I don't believe a word from her 142 00:09:56,120 --> 00:09:59,720 Speaker 1: treacherous mouth, he said, but she'd always presented herself as 143 00:09:59,760 --> 00:10:04,960 Speaker 1: kind into me, nurturing even I didn't understand. He moved 144 00:10:05,000 --> 00:10:07,320 Speaker 1: back to the bed and looked into the awful mess. there. 145 00:10:08,000 --> 00:10:10,520 Speaker 1: A few gentle wisps of smoke rose from the slowly 146 00:10:10,559 --> 00:10:19,000 Speaker 1: disintegrating sheets Bradley's side. Oh mother, not again. Then this 147 00:10:19,120 --> 00:10:22,280 Speaker 1: Gurgo came from inside him and he fell to the floor. 148 00:10:23,240 --> 00:10:25,760 Speaker 1: I looked down and he was coughing up blood. I 149 00:10:25,760 --> 00:10:27,840 Speaker 1: could see his teeth working inside his mouth and it 150 00:10:27,880 --> 00:10:29,760 Speaker 1: was all spilling out of all of the holes in 151 00:10:29,800 --> 00:10:32,040 Speaker 1: his face. I don't know if he knew he was 152 00:10:32,120 --> 00:10:34,880 Speaker 1: doing it, but he hugged my legs and wretched and 153 00:10:34,920 --> 00:10:38,160 Speaker 1: I thought of his mother laughing and dancing and pressing 154 00:10:38,160 --> 00:10:41,680 Speaker 1: a bottle of champagne into my hands with a sweet smile. 155 00:10:43,400 --> 00:10:45,680 Speaker 1: Bradley heaved into my knees and I could hear he 156 00:10:45,760 --> 00:10:52,880 Speaker 1: was trying to say, help me, help me. There was 157 00:10:52,920 --> 00:10:56,280 Speaker 1: a painting Hotel Room, art that you're not really meant 158 00:10:56,320 --> 00:10:59,480 Speaker 1: to look at. There was a lighthouse. It was kind 159 00:10:59,520 --> 00:11:02,200 Speaker 1: of blurry, like the artist worked too fast with too 160 00:11:02,320 --> 00:11:05,640 Speaker 1: much paint. But there was a little ship off in 161 00:11:05,679 --> 00:11:10,600 Speaker 1: the distance, just a gray shape headed towards the rocky shore. 162 00:11:12,559 --> 00:11:16,320 Speaker 1: I took a deep breath. Honey, honey, listen to me, 163 00:11:16,400 --> 00:11:18,520 Speaker 1: you're going to be all right. I'm going to take 164 00:11:18,559 --> 00:11:22,000 Speaker 1: care of you. And then I meant it. I mean 165 00:11:22,040 --> 00:11:28,920 Speaker 1: I wanted to with my whole heart. I loved him. 166 00:11:28,960 --> 00:11:32,160 Speaker 1: I knew what I needed to do and I saw 167 00:11:32,240 --> 00:11:35,760 Speaker 1: him so hard that I was starting to hyperventilate. My 168 00:11:35,840 --> 00:11:38,800 Speaker 1: shoulders and neck shook in the words were coming out 169 00:11:38,840 --> 00:11:42,800 Speaker 1: and stutters and yelps. I reached down and I ran 170 00:11:42,920 --> 00:11:45,000 Speaker 1: my fingers through his hair and he looked up and 171 00:11:45,040 --> 00:11:50,559 Speaker 1: I touched his good cheek. I turned his half beautiful 172 00:11:50,600 --> 00:11:53,600 Speaker 1: face up to mine. His eyes were worried wide and 173 00:11:53,679 --> 00:11:56,600 Speaker 1: his teeth chattered and I could see his tongue thrashing, 174 00:11:57,000 --> 00:11:59,400 Speaker 1: feeling around for a mouth. It just wasn't there anymore. 175 00:12:01,160 --> 00:12:04,760 Speaker 1: I tried to see the man I loved, but all 176 00:12:04,840 --> 00:12:07,440 Speaker 1: that I saw was awful Zombie eyes and teeth like 177 00:12:07,559 --> 00:12:11,640 Speaker 1: spears and an unhinging jaw. I couldn't scream. It was 178 00:12:11,720 --> 00:12:18,240 Speaker 1: just teeth and that terrible face. I told him that 179 00:12:18,280 --> 00:12:24,600 Speaker 1: I loved him then. Nothing would change that. And then 180 00:12:24,600 --> 00:12:29,240 Speaker 1: I stuck my fingers down by throat. Shuddered, I gagged, 181 00:12:30,320 --> 00:12:32,760 Speaker 1: I had a fount of vile word out of me 182 00:12:36,200 --> 00:12:42,600 Speaker 1: to his ruin face. It down his throat. I picked 183 00:12:42,679 --> 00:12:47,640 Speaker 1: up the phone and dialed my mother in Law's room. 184 00:12:47,720 --> 00:12:50,120 Speaker 1: She was on the same floor. It would only take 185 00:12:50,120 --> 00:12:53,160 Speaker 1: a few minutes for her to arrive to see what 186 00:12:53,320 --> 00:12:58,760 Speaker 1: she had done to her to my Bradley, as the 187 00:12:58,800 --> 00:13:01,000 Speaker 1: phone at tempted to could I to down the last 188 00:13:01,040 --> 00:13:05,400 Speaker 1: bit of champagne from the nearly empty bottle? Hopefully there 189 00:13:05,440 --> 00:13:09,680 Speaker 1: was enough left for her. I went to the corner 190 00:13:09,720 --> 00:13:12,840 Speaker 1: of the bed and sat down. He was hunched over 191 00:13:12,920 --> 00:13:21,559 Speaker 1: on the floor, regurgling and convulsing, drowning really. He looked 192 00:13:21,640 --> 00:13:23,720 Speaker 1: up to see, and it was both to see, going 193 00:13:23,840 --> 00:13:29,160 Speaker 1: on directions, his jaw coming loose. He looked like up 194 00:13:29,160 --> 00:13:34,680 Speaker 1: eached fish gasping for life, and then he was gone. 195 00:13:36,920 --> 00:13:40,040 Speaker 1: My Guy had released him back into the deep, set 196 00:13:40,120 --> 00:13:43,800 Speaker 1: him free. It saved him. So he could always be 197 00:13:43,800 --> 00:13:52,520 Speaker 1: beautiful and good. I wish his face lived in me forever. 198 00:13:54,200 --> 00:13:57,440 Speaker 1: When I try to think of my Bradley, I only 199 00:13:57,480 --> 00:14:01,280 Speaker 1: see those final moments and in my memories melt away. 200 00:14:03,120 --> 00:14:07,000 Speaker 1: Mike's a picture you're not meant to look at like 201 00:14:07,080 --> 00:14:33,080 Speaker 1: I'm working too fast with too much paint. A tragic 202 00:14:33,160 --> 00:14:37,040 Speaker 1: love story. Now there are many of those here at Hawthorne. 203 00:14:38,240 --> 00:14:42,240 Speaker 1: Broken hearts tend towards this place. It must be something 204 00:14:42,320 --> 00:14:46,440 Speaker 1: in the air. Tomorrow, a change of pace perhaps. Beat 205 00:14:46,480 --> 00:14:48,800 Speaker 1: me outside the east wing in the morning. I have 206 00:14:48,840 --> 00:14:52,000 Speaker 1: something titillating to show you. For now, watch your step 207 00:14:52,400 --> 00:14:55,680 Speaker 1: and when you dream tonight, dream of doorways. Yes, do you, 208 00:14:57,920 --> 00:15:04,400 Speaker 1: until the morning. Thirteen days of Halloween was created by 209 00:15:04,440 --> 00:15:08,160 Speaker 1: Matt Frederick and Alex Williams and executive produced by Aaron Manky, 210 00:15:08,400 --> 00:15:13,320 Speaker 1: starring Keegan Michael Key as the caretaker. Today's story was 211 00:15:13,360 --> 00:15:16,640 Speaker 1: written by Mike John's, performed by Jessica Losa and directed 212 00:15:16,640 --> 00:15:19,520 Speaker 1: by Matt Frederick, with editing and sound designed by Ben 213 00:15:19,600 --> 00:15:25,080 Speaker 1: Kybrick additional writing and script supervision from Nicholas Takowski. Only 214 00:15:25,200 --> 00:15:32,880 Speaker 1: six days remain. Tomorrow another story. It was just a 215 00:15:32,960 --> 00:15:38,120 Speaker 1: dream at first. She stood there looking beautiful sweet, batting 216 00:15:38,160 --> 00:15:42,320 Speaker 1: those lashes at me like reaching out. Don't let me go, 217 00:15:43,480 --> 00:15:46,160 Speaker 1: I can be here with you. Don't let me go, 218 00:15:46,840 --> 00:15:50,800 Speaker 1: hold on. I didn't want to let her go. I 219 00:15:50,920 --> 00:15:54,280 Speaker 1: also couldn't be keeping a whole damn body around the apartment. 220 00:15:54,320 --> 00:16:00,360 Speaker 1: You know I'm not a serial killer. Thirteen days of 221 00:16:00,400 --> 00:16:03,840 Speaker 1: Halloween is a production of I heart radio, Blumhouse television 222 00:16:03,920 --> 00:16:07,040 Speaker 1: and Grimm and mild from Aaron Mankey. For more podcasts 223 00:16:07,040 --> 00:16:09,480 Speaker 1: from my heart radio, visit the I heart radio APP, 224 00:16:09,560 --> 00:16:12,880 Speaker 1: apple podcasts or wherever you listen to your favorite shows. 225 00:16:13,200 --> 00:16:16,240 Speaker 1: And learn more about thirteen days of Halloween at Grimm 226 00:16:16,360 --> 00:16:23,880 Speaker 1: and mild dot com.