WEBVTT - From Slate Money: 37.8% Scammier

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<v Speaker 1>Pushkin. Hey, it's Jacob Goldstein and this is the feed

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<v Speaker 1>where you normally hear what's your problem, But today we're

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<v Speaker 1>playing a preview from another podcast. The show is called

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<v Speaker 1>Slate Money. It's made by Slate and it's about wait

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<v Speaker 1>for it money. Every week, Felix Salmon and Emily Peck

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<v Speaker 1>of Axios and Slate Paydirt columnist Elizabeth Spires chat about

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<v Speaker 1>things like Bitcoin and the possible sale of Twitter, and

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<v Speaker 1>the standoff between Disney and the State of Florida. Also,

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<v Speaker 1>they interview smart, interesting people. In the episode You're about

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<v Speaker 1>to Hear, Felix and Emily sit down with Alexandra Roberts,

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<v Speaker 1>a law professor who was an expert in trademarks. Truly

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<v Speaker 1>an underrated subject trademarks. On the show, they talk about

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<v Speaker 1>everything from counterfeits to parodies to the story of what

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<v Speaker 1>happened when MasterCard tried to change its logo. Okay, here

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<v Speaker 1>is the preview of Slate Money. Hello, Welcome to the

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<v Speaker 1>ip Lisnia episode of Slate Money, your guy to the

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<v Speaker 1>business and finance news of the week. I'm Felix Amon

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<v Speaker 1>of Axios. I'm here with Emily Peck, also of Axios. Hello,

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<v Speaker 1>and Emily, how excited you are you about this week's show.

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<v Speaker 1>I am so excited. It's all coming back to me.

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<v Speaker 1>Everything I thought I forgot about IP I remembered. We

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<v Speaker 1>have the one and only Alexandrew Roberts aka Lex Lanham

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<v Speaker 1>on Twitter. Alex, introduce yourself. Who are you? I am

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<v Speaker 1>an Intellectual Property and trademark law professor at the University

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<v Speaker 1>of New Hampshire School of Law. You are everyone's favorite

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<v Speaker 1>IP expert. You are going to talk to us about

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<v Speaker 1>so many amazing bits and pieces of trademarks. We're going

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<v Speaker 1>to talk about social media. We're going to talk about

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<v Speaker 1>rights of publicity. We're going to talk about brands. We're

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<v Speaker 1>going to talk about counterfeits. We're going to talk about parodies.

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<v Speaker 1>We're going to talk about mischief. We're going to have

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<v Speaker 1>a Slate Plus segment about Felix the Cat and whether

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<v Speaker 1>I can use it as my Twitter avator. It's so

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<v Speaker 1>much fun. Honestly, this is the best show about IP

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<v Speaker 1>law you will listen to all months. I can guarantee it.

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<v Speaker 1>It's all coming up on Slate Money. The one thing

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<v Speaker 1>that Emily loves more than anything else on this show

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<v Speaker 1>is when I remind everyone that she used to work

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<v Speaker 1>at IP Law and Business magazine. He used to run it. Indeed,

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<v Speaker 1>I was the executive editor. So this is your show, Emily.

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<v Speaker 1>I'm turning the reins over to you for this one.

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<v Speaker 1>So man at you. Okay? Well, yes, I was on

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<v Speaker 1>the intellectual property beat from two thousand and one to

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<v Speaker 1>two thousand and six and then I really dropped off.

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<v Speaker 1>I was doing the reading preparing for this episod it

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<v Speaker 1>and I remember a trademark conference I went to in Toronto,

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<v Speaker 1>and then I was like, what even was a trademark conference?

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<v Speaker 1>Like I couldn't conceive of how that was anything, Like

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<v Speaker 1>that's really my favorite. Actually, I can't think of anything

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<v Speaker 1>more fun than the trade. Oh yeah, I mean wow,

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<v Speaker 1>people go crazy those IP lawyers. Alex, you sent us

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<v Speaker 1>a thing on You gave us some like reading because

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<v Speaker 1>you're a good university professor. One of the pieces of

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<v Speaker 1>reading you sent us included the sentence the ninth Circuit

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<v Speaker 1>sited hot digity dog in support if It's decision. And

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<v Speaker 1>now I just love IP law because it's like one

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<v Speaker 1>of my favorite sentences of all time. The main reason

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<v Speaker 1>I love IP law is because I follow you on Twitter.

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<v Speaker 1>You must follow on Twitter. You're at Lex Lanham, which

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<v Speaker 1>is what reading the LANDOM Act is that what it means?

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<v Speaker 1>Tell us what the Landom Act is. Sure, the landom

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<v Speaker 1>Act is the Trademark Act, and it covers trademark registration

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<v Speaker 1>and trademark infringement and dilution and even false advertising passing

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<v Speaker 1>off things like that. So everything that I study is

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<v Speaker 1>in this federal statute. Is it huge? No, it's not

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<v Speaker 1>huge at all. But it's this one relatively not huge

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<v Speaker 1>act which has spawned an entire industry basically exactly. So

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<v Speaker 1>you get many hundreds or thousands of cases applying and

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<v Speaker 1>interpreting it, and people get a trademark confused with copyright.

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<v Speaker 1>But trademark and copyright are not the same. That is

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<v Speaker 1>correct lane to us, and I think this is a

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<v Speaker 1>distinction people often mess up. Sure, Okay, So trademarks are

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<v Speaker 1>brand names. They protect the use of a name or

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<v Speaker 1>a logo or trade dress or something like that in

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<v Speaker 1>connection with the sale of goods or services in commerce. Right,

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<v Speaker 1>Copyright is something that protects expressive works, so original works

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<v Speaker 1>of authorship fixed in tangible medium. So if you're thinking

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<v Speaker 1>about you know, a painting of film, a television show

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<v Speaker 1>the actual content of it, then you're thinking about copyright.

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<v Speaker 1>And if you're thinking about the brand name or the

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<v Speaker 1>logo or something like that, then you're thinking about trademark law.

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<v Speaker 1>They are not synonymous. Then they are not at all interchangeable,

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<v Speaker 1>although often they intersect. The right of publicity is like

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<v Speaker 1>another thing entirely, which is neither of those two things.

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<v Speaker 1>That's right. Right of publicity is a way to protect

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<v Speaker 1>the use of somebody's name, image, or likeness, the commercial

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<v Speaker 1>use right. So if you're a celebrity, or even if

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<v Speaker 1>you're a regular person and your face gets used in

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<v Speaker 1>an advertisement or your name gets used or something like that,

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<v Speaker 1>then you might have a right a publicity cause of

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<v Speaker 1>action that's actually covered by state law. So almost every

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<v Speaker 1>state has either a statute, not almost every but more

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<v Speaker 1>than half of states have either a statute or common

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<v Speaker 1>law protection or both for wright a publicity. But if

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<v Speaker 1>someone someone put my photograph in a ad on Twitter, say,

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<v Speaker 1>and started using it to sell cat food, then I

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<v Speaker 1>could probably sue that person in many states, absolutely, And

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<v Speaker 1>that's going to be a place also where a couple

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<v Speaker 1>of these things intersect and overlap, right, because you might

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<v Speaker 1>have a right publicity claim based on the use of

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<v Speaker 1>your image in connection with commercial advertising, and you might

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<v Speaker 1>also have a copyright claim or the owner of the

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<v Speaker 1>photo that they're using might have a copyright claim. And

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<v Speaker 1>what's interesting to me about the difference between trademark and

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<v Speaker 1>copyright or one of the interesting things is that trademarks

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<v Speaker 1>are forever if you keep using them and you keep

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<v Speaker 1>them alive. You have to kind of like tend to

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<v Speaker 1>it like a little fire, but then it could be

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<v Speaker 1>it could be a flame and perpetuity. Whereas the copyright

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<v Speaker 1>you have it, you don't have to tend to it.

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<v Speaker 1>It's yours, but ultimately it will expire, although the time

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<v Speaker 1>it takes to expire is past your lifetime and keeps

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<v Speaker 1>getting extended by big corporations. That's right, and write a publicity.

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<v Speaker 1>It depends on the state. So some state protections extend

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<v Speaker 1>past death. Some states have posthumous protection for like a

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<v Speaker 1>hundred years, some have it form more like twenty years.

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<v Speaker 1>And some states say no, this is something that you

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<v Speaker 1>can protect while you're alive, and when you're dead, others

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<v Speaker 1>can go ahead and use your name or image. Yeah,

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<v Speaker 1>we were we were just talking on Twitter about this

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<v Speaker 1>whether Freda Carlo, who is dead, has a right of

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<v Speaker 1>publicity and it looks like she doesn't in Mexico, but

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<v Speaker 1>she does in California. And her photograph was being used

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<v Speaker 1>by our favorite alternative investment platform, master Works and one

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<v Speaker 1>of their ads on Twitter, and I'm like, are they

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<v Speaker 1>allowed to do this? And it kind of seemed like

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<v Speaker 1>probably not that they were doing it anyway, but this

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<v Speaker 1>is something which is big on Twitter. Like Twitter is

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<v Speaker 1>just the world's biggest trademark and copyright infringement machine. Like

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<v Speaker 1>everything you see on Twitter is like people are tweeting

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<v Speaker 1>out photographs that they don't have rights too. They're using

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<v Speaker 1>trademarks they don't have rights to, and that seems to

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<v Speaker 1>be fine, Like is that damaging anyone? It kind of

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<v Speaker 1>depends who's the speaker, who's the user, right, So a

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<v Speaker 1>lot of the kinds of uses that you're thinking about

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<v Speaker 1>are going to be fair uses. We have fair use

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<v Speaker 1>doctrines in all three of those areas. And when you

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<v Speaker 1>are just a regular person with a regular sized following,

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<v Speaker 1>you can always reference trademarks. For example, that's always going

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<v Speaker 1>to be a fair use to say I got new

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<v Speaker 1>Nike issues. I'm so excited about them stuff like that.

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<v Speaker 1>I think there's some interesting copyright questions around fair use

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<v Speaker 1>when we see use on social media, whether something is

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<v Speaker 1>transformative what you're kind of adding to it. But the

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<v Speaker 1>rules are very different when you are a commercial entity,

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<v Speaker 1>and when what you're doing looks more like advertising, or

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<v Speaker 1>when it's like specifically an ad, a promoted tweet, than

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<v Speaker 1>presumably the bar is much loa I guess not quite

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<v Speaker 1>around it would be. But but you're you're much more

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<v Speaker 1>likely to be infringing that way because that is an

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<v Speaker 1>explicitly commercial activity. You're engaging it, that's right. But if

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<v Speaker 1>you are a brand with millions of followers, whether you

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<v Speaker 1>label something an AD and whether it gets becomes a

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<v Speaker 1>promoted tweet or whether you just kind of push it

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<v Speaker 1>out to your millions of followers, I don't think makes

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<v Speaker 1>a huge difference from an infringement perspective. I thought there

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<v Speaker 1>was an interesting case where this was blurry recently, the

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<v Speaker 1>comedian Leslie Jones. She tweets out like videos of herself

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<v Speaker 1>watching the Olympics, and she did it during the election

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<v Speaker 1>watching Steve Cornaki and it's always hilarious and funny, and

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<v Speaker 1>I guess she was doing this with the Olympics, and

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<v Speaker 1>NBC was upset about it and told her to stop,

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<v Speaker 1>which I thought was just I mean, I guess it's

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<v Speaker 1>their right to tell her to stop, but was dumb

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<v Speaker 1>because she is making the Olympics interesting which NBC would

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<v Speaker 1>benefit only benefit from. So that seemed like like it

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<v Speaker 1>seems like a lot of the time the issues that

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<v Speaker 1>arise are because companies are overly protective of their ip

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<v Speaker 1>IP and their brand ends, and sometimes they overstep the

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<v Speaker 1>protection where it could be to their benefit. Yeah, I

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<v Speaker 1>have a question about that, which is when this kind

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<v Speaker 1>of thing happens, and you see like the New York

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<v Speaker 1>Times do it a lot. When people like quote New

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<v Speaker 1>York Times headlines and stuff, there's something which you hear

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<v Speaker 1>which is basically, it's not you, we don't particularly mind

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<v Speaker 1>you doing this, but if we just allow people to

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<v Speaker 1>do this, then that would set a precedent, and then

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<v Speaker 1>if someone did something that actually did damage us or

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<v Speaker 1>that we didn't want them to do, it would be

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<v Speaker 1>harder for us to enforce it. Is that true, That's

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<v Speaker 1>not particularly true, at least from a trademark perspective. So

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<v Speaker 1>the kind of duty to police gets really overblown when

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<v Speaker 1>companies make that argument, you know, we have to enforce

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<v Speaker 1>this consistently or else we'll lose it. We won't be

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<v Speaker 1>able to enforce it. That is typically a justification for

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<v Speaker 1>unnecessary over enforcement or bullying. So you don't lose trademark

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<v Speaker 1>rights unless you really have stepped away and are doing

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<v Speaker 1>absolutely nothing to control use by licensees or to police

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<v Speaker 1>lots of really infringing harmful uses. What about like trademarks

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<v Speaker 1>like Kleenex or Google or Xerox, things that become like

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<v Speaker 1>generic in the language, Like, what can a company do

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<v Speaker 1>about that? Do they still have their trademark? Right? Yeah,

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<v Speaker 1>So what matters with genero side is really what consumers understand,

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<v Speaker 1>and it's not how consumers use the term. So we

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<v Speaker 1>could survey a bunch of people and they could all say, Yeah,

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<v Speaker 1>I use Kleenex, but but I know it to be

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<v Speaker 1>a brand. I use Kleenex to refer to puffs or

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<v Speaker 1>any brand of tissues that I'm using. But I know

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<v Speaker 1>that Kleenex is a trademark and when it's used, it

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<v Speaker 1>means that the product comes from one particular company. So

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<v Speaker 1>we wouldn't have genero side in a case like that.

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<v Speaker 1>What companies do when they're concerned about losing their marks.

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<v Speaker 1>To genero side is they'll kind of do like an

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<v Speaker 1>campaign to raise awareness, which can feel really silly. Right,

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<v Speaker 1>So we've seen Xerox duties and Nintendo and Tater Tots

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<v Speaker 1>and all kinds of brands have like taken out colorful

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<v Speaker 1>ads saying, hey, we just want to remind you we

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<v Speaker 1>are the only company that can make Tater Tots or

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<v Speaker 1>that can make Kleenex. And I think sometimes to consumers

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<v Speaker 1>that feels like, are you policing my language and telling

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<v Speaker 1>me what to say? But what they're really focused on

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<v Speaker 1>is we just need you to have that information. We

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<v Speaker 1>need you to be aware that not all tissues are Kleenex,

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<v Speaker 1>and as long as we can get that, we can

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<v Speaker 1>probably hang onto our mark. And that came up in

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<v Speaker 1>the Google case too, Right, everybody uses Google as a verb,

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<v Speaker 1>as a noun, as an adjective in every way to

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<v Speaker 1>me and I look something up on the Internet. But

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<v Speaker 1>if you ask them, they're like, no, no, Google is

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<v Speaker 1>a brand. I know. Yeah, so it's both desirable and

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<v Speaker 1>undesirable kind of thing to happen. Brand. But also, like,

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<v Speaker 1>is this part of the jurisprudence that if people stop

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<v Speaker 1>knowing that it's a company and the trademark, Like the

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<v Speaker 1>judge will go out and sort of take an opinion

0:13:08.436 --> 0:13:10.596
<v Speaker 1>poll basically and say do you know this? And then

0:13:10.596 --> 0:13:14.396
<v Speaker 1>if they if people go, I didn't know that. Like,

0:13:14.676 --> 0:13:18.476
<v Speaker 1>what's a good example of actual genericide where something became

0:13:18.556 --> 0:13:20.596
<v Speaker 1>so much a part of the language that it stopped

0:13:20.596 --> 0:13:24.956
<v Speaker 1>being a trademark. Murphy Bad sing or sewing machines, Yeah,

0:13:25.076 --> 0:13:29.956
<v Speaker 1>shredded wheat. So things that were once marks that no

0:13:29.996 --> 0:13:32.276
<v Speaker 1>longer function as marks because people use them as like

0:13:32.316 --> 0:13:35.116
<v Speaker 1>a whole category term, which again, like you kind of

0:13:35.156 --> 0:13:38.796
<v Speaker 1>want as a brand the marketer like nothing better than

0:13:38.876 --> 0:13:43.036
<v Speaker 1>like everyone's saying, oh, go google it, Like that's desirable, right,

0:13:43.076 --> 0:13:46.316
<v Speaker 1>It shows you've saturated the market, you are the name

0:13:46.396 --> 0:13:48.996
<v Speaker 1>of the thing you make. That's that's not right, but

0:13:49.036 --> 0:13:52.116
<v Speaker 1>it's risky, right. So there was a recent case over

0:13:52.196 --> 0:13:54.916
<v Speaker 1>Comic Con that was kind of a close call. When

0:13:54.956 --> 0:13:56.836
<v Speaker 1>we've talked about in my class is popsicle. So you

0:13:56.836 --> 0:14:00.556
<v Speaker 1>see popsicle using like original brand popsicle. A lot of

0:14:00.556 --> 0:14:03.396
<v Speaker 1>these marks are right on the margin and we're not

0:14:03.436 --> 0:14:05.516
<v Speaker 1>going to have cases about them because they don't want

0:14:05.556 --> 0:14:08.836
<v Speaker 1>to enforce in a way that gets another party to say, actually,

0:14:08.916 --> 0:14:12.156
<v Speaker 1>you're registration should be canceled because your mark has become generic.

0:14:12.436 --> 0:14:15.516
<v Speaker 1>We're going to prove it with survey data. So those

0:14:16.236 --> 0:14:20.276
<v Speaker 1>mark owners really have to proceed with caution. So is

0:14:20.316 --> 0:14:24.116
<v Speaker 1>this also why so many brands slap that little TM

0:14:24.156 --> 0:14:27.636
<v Speaker 1>symbol all over everything? It's that part of just reminding

0:14:27.636 --> 0:14:30.276
<v Speaker 1>people that brand is a trademark. Is there some other

0:14:30.316 --> 0:14:32.756
<v Speaker 1>reason to do that? Yeah, So the circle R is

0:14:32.756 --> 0:14:35.316
<v Speaker 1>what you use when you have a registration, and that

0:14:35.516 --> 0:14:37.676
<v Speaker 1>does I mean, I think consumers A lot of consumers

0:14:37.756 --> 0:14:40.436
<v Speaker 1>know what that means. So that helps send that message

0:14:40.556 --> 0:14:44.436
<v Speaker 1>this is a trademark, right. The TM actually just about

0:14:44.436 --> 0:14:46.996
<v Speaker 1>anybody can use and it signals like we think this

0:14:47.076 --> 0:14:50.196
<v Speaker 1>is our trademark and we're working on getting making it

0:14:50.276 --> 0:14:53.156
<v Speaker 1>our trademark and conditioning consumers to understand that this is

0:14:53.156 --> 0:14:55.676
<v Speaker 1>a source indicator for our brand. So the TM is

0:14:55.676 --> 0:15:00.596
<v Speaker 1>a little bit less meaningful, but both of them serves

0:15:00.676 --> 0:15:03.596
<v Speaker 1>like in terms of the utility, the reason why they

0:15:03.636 --> 0:15:09.876
<v Speaker 1>appear everywhere is precisely just to protect against scenariosite. There's

0:15:09.916 --> 0:15:12.556
<v Speaker 1>no other reason to do it to protect against used

0:15:12.556 --> 0:15:16.196
<v Speaker 1>by others. So if a competitor sees something on packaging

0:15:16.236 --> 0:15:18.516
<v Speaker 1>and says, hey, that's a great descriptive term for our product,

0:15:18.556 --> 0:15:21.156
<v Speaker 1>and we use that too. Looks like we can't because

0:15:21.156 --> 0:15:23.156
<v Speaker 1>this company is using it as a trademark and not

0:15:23.196 --> 0:15:28.076
<v Speaker 1>just as a descriptive phrase. My favorite example of this

0:15:28.236 --> 0:15:31.276
<v Speaker 1>was when master Card decided to change its logo. It

0:15:31.396 --> 0:15:34.116
<v Speaker 1>used to be an orange circle in the yellow circle

0:15:34.156 --> 0:15:37.156
<v Speaker 1>overlapping them in the said master Card underneath it. And

0:15:37.236 --> 0:15:41.916
<v Speaker 1>then they decided that this was so universally recognizable that

0:15:41.956 --> 0:15:44.276
<v Speaker 1>he didn't need to use the word master card anymore,

0:15:44.356 --> 0:15:46.236
<v Speaker 1>and they would just have two circles and it would

0:15:46.236 --> 0:15:52.316
<v Speaker 1>be this beautiful, clean, perfect simple logo. And then it

0:15:52.396 --> 0:15:57.396
<v Speaker 1>was it was released into the world, and every time

0:15:57.436 --> 0:15:59.796
<v Speaker 1>you saw that logo, it had this little buzzing bee

0:15:59.916 --> 0:16:02.316
<v Speaker 1>to the top right of it saying like registered trademark

0:16:02.316 --> 0:16:05.836
<v Speaker 1>because they couldn't get rid of it. Yeah, I think

0:16:05.836 --> 0:16:07.756
<v Speaker 1>we see that a lot. So we get a kind

0:16:07.796 --> 0:16:11.236
<v Speaker 1>of combo composite at mark and then the brand says, hey,

0:16:11.316 --> 0:16:15.476
<v Speaker 1>let's condition consumers to understand like, just this really basic

0:16:15.516 --> 0:16:19.916
<v Speaker 1>representation also indicates that it's a MasterCard product or whatever.

0:16:20.236 --> 0:16:22.836
<v Speaker 1>So we're working up to being able to use that

0:16:22.876 --> 0:16:25.316
<v Speaker 1>by itself. So Snickers a couple years ago did a

0:16:25.316 --> 0:16:27.636
<v Speaker 1>promo where they had the regular packaging, but they put

0:16:27.636 --> 0:16:30.116
<v Speaker 1>different words instead of Snickers, So the bars didn't say

0:16:30.116 --> 0:16:33.116
<v Speaker 1>Snickers at all. They said like angry or whatever, you know,

0:16:33.156 --> 0:16:36.876
<v Speaker 1>some cutes terms that we're supposed to reference their ad campaign.

0:16:37.596 --> 0:16:40.836
<v Speaker 1>And I think what that does is like reinforce consumers

0:16:40.836 --> 0:16:44.756
<v Speaker 1>recognize our trade dress, like our packaging colors and font

0:16:44.796 --> 0:16:48.236
<v Speaker 1>and things like that, even without the words Snickers. So

0:16:48.356 --> 0:16:51.276
<v Speaker 1>now if somebody else tries to use something really similar,

0:16:51.316 --> 0:16:53.276
<v Speaker 1>we can go to court and say, look, we don't

0:16:53.316 --> 0:16:56.116
<v Speaker 1>even need to have the word Snickers on the packaging

0:16:56.316 --> 0:17:00.556
<v Speaker 1>for consumers to get this. Sometimes companies let these trademarks

0:17:01.116 --> 0:17:05.636
<v Speaker 1>die and there's a whole business in reviving them. Hey,

0:17:05.676 --> 0:17:09.036
<v Speaker 1>there's a business in reviving them. B this is coming

0:17:09.396 --> 0:17:12.596
<v Speaker 1>now because like the Washington football team changed its name.

0:17:12.796 --> 0:17:16.156
<v Speaker 1>What are they called, oh, Commanders, the Commanders. Yeah. So

0:17:16.196 --> 0:17:18.916
<v Speaker 1>now the question is like what happens to that trademark

0:17:18.916 --> 0:17:21.716
<v Speaker 1>because not only is it not being used and dead,

0:17:21.756 --> 0:17:24.876
<v Speaker 1>but it's offensive to many people. And this holds for

0:17:24.996 --> 0:17:28.796
<v Speaker 1>like the ant Jemima trademark and what was it Uncle

0:17:28.836 --> 0:17:31.156
<v Speaker 1>Ben's right, So this is like a whole new issue

0:17:31.236 --> 0:17:34.716
<v Speaker 1>kind of cropping up now. Yeah, and so like, I

0:17:34.756 --> 0:17:38.556
<v Speaker 1>guess two questions, Like, first is if I stop using

0:17:38.596 --> 0:17:42.236
<v Speaker 1>my trademark, then obviously, given the whole like use it

0:17:42.316 --> 0:17:46.476
<v Speaker 1>or lose it thing, it's no longer mine. But then

0:17:46.796 --> 0:17:52.316
<v Speaker 1>what's the mechanism whereby the legal system works out who

0:17:52.436 --> 0:17:55.436
<v Speaker 1>gets to have it next? Like, and then like, is

0:17:55.436 --> 0:17:59.276
<v Speaker 1>there a mechanism where the legal systems can say, well, actually,

0:17:59.356 --> 0:18:02.596
<v Speaker 1>no one can get it next because it's offensive, not

0:18:02.676 --> 0:18:06.076
<v Speaker 1>because it's offensive, but potentially because it still creates a

0:18:06.116 --> 0:18:09.036
<v Speaker 1>likelihood of confusion with the prior owner right. So, trade

0:18:09.156 --> 0:18:12.116
<v Speaker 1>mark rats in the United States are based on use

0:18:12.156 --> 0:18:14.796
<v Speaker 1>in commerce. That's how you acquire rights, and when you

0:18:14.796 --> 0:18:16.916
<v Speaker 1>get a registration, that's just supposed to be kind of

0:18:16.956 --> 0:18:21.196
<v Speaker 1>a formal recognition of the rights that you get through use.

0:18:22.436 --> 0:18:24.996
<v Speaker 1>So when somebody stops using a mark for a couple

0:18:25.036 --> 0:18:26.876
<v Speaker 1>of years and they don't show that they have an

0:18:26.876 --> 0:18:29.436
<v Speaker 1>intent to resume use in the near future, they don't

0:18:29.436 --> 0:18:32.316
<v Speaker 1>have a specific excuse like we're waiting for this component

0:18:32.316 --> 0:18:34.636
<v Speaker 1>to be available, or there's an embargo with this country

0:18:34.716 --> 0:18:38.396
<v Speaker 1>or something like that, then that mark is deemed abandoned.

0:18:38.756 --> 0:18:41.756
<v Speaker 1>They won't have any more rights, and somebody else can

0:18:41.796 --> 0:18:46.556
<v Speaker 1>come along and start using it and seek protection for it. Right,

0:18:46.596 --> 0:18:48.596
<v Speaker 1>So the question about who gets it is really like

0:18:49.316 --> 0:18:53.636
<v Speaker 1>whoever gets there first. But there's a doctrine called residual

0:18:53.636 --> 0:18:57.676
<v Speaker 1>goodwill that says, like, listen, this mark is famous in

0:18:57.716 --> 0:19:00.756
<v Speaker 1>this country. And maybe not everybody knows about the abandonment,

0:19:00.756 --> 0:19:02.916
<v Speaker 1>but everybody knows this mark. And so if you come

0:19:02.916 --> 0:19:08.276
<v Speaker 1>along and start using it for something that's related but different,

0:19:09.276 --> 0:19:11.436
<v Speaker 1>you're going to be free riding on that goodwill that exists,

0:19:11.436 --> 0:19:14.156
<v Speaker 1>and you're potentially going to deceive consumers. Right. So if

0:19:14.156 --> 0:19:17.796
<v Speaker 1>a Jemima, if that brand announces we're not using this

0:19:17.876 --> 0:19:21.316
<v Speaker 1>mark anymore because we've come to understand that it's really problematic,

0:19:21.596 --> 0:19:23.596
<v Speaker 1>and then a week later somebody picks it up and

0:19:23.596 --> 0:19:27.716
<v Speaker 1>starts using it for maple syrup or some other breakfast food,

0:19:27.876 --> 0:19:29.996
<v Speaker 1>then we can expect a good amount of consumers to

0:19:30.116 --> 0:19:33.396
<v Speaker 1>think that it still comes from the old brand. Right.

0:19:33.716 --> 0:19:36.476
<v Speaker 1>But then the question is who's going to stop them,

0:19:36.796 --> 0:19:40.716
<v Speaker 1>because it might not be the USPTO. USPTO might say, well,

0:19:40.996 --> 0:19:44.236
<v Speaker 1>nobody else currently has trademark rights, so you can have them.

0:19:44.836 --> 0:19:47.956
<v Speaker 1>So most of the case law comes from the prior

0:19:48.036 --> 0:19:52.996
<v Speaker 1>owner suing for infringement based on those rights that come

0:19:53.036 --> 0:19:55.836
<v Speaker 1>from residual goodwill. But if you're a mark owner who's

0:19:55.876 --> 0:19:59.356
<v Speaker 1>like just announced to the world we are stepping away

0:19:59.356 --> 0:20:02.356
<v Speaker 1>from this mark, we know it to be harmful, then

0:20:02.396 --> 0:20:05.836
<v Speaker 1>it feels like kind of tricky to enforce those rights.

0:20:06.276 --> 0:20:08.156
<v Speaker 1>So I think we've seen brands do a couple of

0:20:08.156 --> 0:20:11.596
<v Speaker 1>different things, Like the Cleveland Indians they said they weren't

0:20:11.596 --> 0:20:15.036
<v Speaker 1>going to use Chief wah Who anymore that mascot based

0:20:15.036 --> 0:20:18.196
<v Speaker 1>on some harmful stereotypes on the uniforms, but they were

0:20:18.276 --> 0:20:21.916
<v Speaker 1>kind of low key still using it for merchandise right

0:20:22.876 --> 0:20:24.916
<v Speaker 1>and an Jemima's I think is still using in some

0:20:24.956 --> 0:20:28.356
<v Speaker 1>other countries or using on the back of the products.

0:20:28.716 --> 0:20:31.476
<v Speaker 1>And then Uncle Ben's they changed it to Ben's original,

0:20:31.476 --> 0:20:33.876
<v Speaker 1>which is still similar enough that they can probably enforce

0:20:33.916 --> 0:20:36.836
<v Speaker 1>those rights. So they're kind of we're seeing some ways

0:20:36.876 --> 0:20:40.356
<v Speaker 1>that those who are stepping away from a mark are

0:20:40.436 --> 0:20:43.716
<v Speaker 1>still trying to hang on to some rights. One thing

0:20:43.756 --> 0:20:45.876
<v Speaker 1>that was interesting to me in doing the reading catching

0:20:45.916 --> 0:20:49.516
<v Speaker 1>up from two thousand and five was the Washington football

0:20:49.556 --> 0:20:52.476
<v Speaker 1>team name, because when I was covering IP there was

0:20:52.676 --> 0:20:57.036
<v Speaker 1>a lawsuit over the trademark because some Native American groups

0:20:57.076 --> 0:21:00.076
<v Speaker 1>said you can't trademark something offensive, which I guess is

0:21:00.116 --> 0:21:02.716
<v Speaker 1>in the land I'm act, But when I was reading

0:21:02.996 --> 0:21:05.676
<v Speaker 1>last night, was that that went away because of some

0:21:05.756 --> 0:21:08.316
<v Speaker 1>other case where they said, oh, yeah, you can actually

0:21:08.836 --> 0:21:11.076
<v Speaker 1>trade mark things that are offensive, so can you? You

0:21:11.076 --> 0:21:14.636
<v Speaker 1>can trademark things that are offensive now? Absolutely So. The

0:21:14.716 --> 0:21:17.596
<v Speaker 1>landmark used to contain a bar on registration of offensive

0:21:17.716 --> 0:21:22.116
<v Speaker 1>or scandalous or marks that disparage a particular group. And

0:21:22.196 --> 0:21:24.036
<v Speaker 1>so for a long time, like you know, the band

0:21:24.036 --> 0:21:27.156
<v Speaker 1>Buttle Servers, they didn't have a registration for their trademark,

0:21:27.196 --> 0:21:30.996
<v Speaker 1>even though that's a pretty well known mark, right. Um So,

0:21:31.196 --> 0:21:35.276
<v Speaker 1>in a pair of cases, the Supreme Court overturned that

0:21:35.316 --> 0:21:39.236
<v Speaker 1>bar on registration essentially based on the First Amendment, based

0:21:39.276 --> 0:21:42.516
<v Speaker 1>on the idea that this is speech in addition to

0:21:42.636 --> 0:21:47.756
<v Speaker 1>being commercial, and we can't regulate that speech in these

0:21:47.836 --> 0:21:51.156
<v Speaker 1>kind of specific ways that we've been doing. That's an

0:21:51.196 --> 0:21:54.156
<v Speaker 1>anti cancel culture ruling. I feel like people don't know

0:21:54.236 --> 0:21:56.836
<v Speaker 1>that this is amazing. This went all the way to

0:21:56.876 --> 0:22:00.636
<v Speaker 1>the Supreme Court, who which mark was being instigated in

0:22:00.676 --> 0:22:03.756
<v Speaker 1>front of scouts. Yeah. So the first one was the Slants,

0:22:04.156 --> 0:22:07.876
<v Speaker 1>which is a band made up of Asian American artists,

0:22:08.196 --> 0:22:11.396
<v Speaker 1>and they shows that mark as kind of a reclaiming

0:22:11.436 --> 0:22:13.836
<v Speaker 1>of a slur, you know, something that was tongue in cheek.

0:22:14.116 --> 0:22:17.676
<v Speaker 1>So it wasn't about a bunch of white people using

0:22:17.716 --> 0:22:21.116
<v Speaker 1>a mark that is disparaging to a group that has

0:22:21.116 --> 0:22:23.796
<v Speaker 1>been marginalized. In said, it was members of that marginalized

0:22:23.796 --> 0:22:25.996
<v Speaker 1>group trying to take it back. And when they applied

0:22:26.036 --> 0:22:29.716
<v Speaker 1>to register at the USPTO said, we think that is

0:22:29.796 --> 0:22:33.196
<v Speaker 1>an offensive term. And here's some Urban Dictionary entries and

0:22:33.276 --> 0:22:36.476
<v Speaker 1>here's one time that Miley Cyrus said something offensive. So

0:22:36.516 --> 0:22:38.996
<v Speaker 1>the band appealed that. They appealed it all the way

0:22:39.116 --> 0:22:41.196
<v Speaker 1>up and they were able to succeed on this First

0:22:41.196 --> 0:22:48.716
<v Speaker 1>Amendment based argument with some strange bad fellows. Alexandrew Roberts,

0:22:48.716 --> 0:22:50.796
<v Speaker 1>thank you for coming on this, Joe, this is so

0:22:50.916 --> 0:22:53.116
<v Speaker 1>much fun. It was I've been looking forward to this

0:22:53.196 --> 0:22:56.516
<v Speaker 1>for so long and it totally lived up to all expectations.

0:22:56.556 --> 0:23:00.116
<v Speaker 1>You are a superstar. My pleasure. And yet, thank you

0:23:00.156 --> 0:23:02.396
<v Speaker 1>for listening for Slate Money and we will be back

0:23:03.036 --> 0:23:11.276
<v Speaker 1>next week with even more Slate Money. M h. That

0:23:11.476 --> 0:23:15.236
<v Speaker 1>was the Slight Money podcast. You can find it wherever,