WEBVTT - Why are we all so afraid to get real on social media?

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<v Speaker 1>Hi everyone, I'm Katie Kuric and welcome to next question today,

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<v Speaker 1>the comedian who is gleefully shattering Instagram's illusion of the

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<v Speaker 1>perfect self and the perfect life. So much of what

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<v Speaker 1>we say is BS like, there's something in that, there's

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<v Speaker 1>a real funny idea behind the fact that this is

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<v Speaker 1>all b S. I talked with thee Less Barber, an

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<v Speaker 1>Australian actress and comedian who has become famous for her

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<v Speaker 1>Instagram feed, a stream of not particularly flattering photos and

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<v Speaker 1>videos of herself. That feed, which is seen by six

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<v Speaker 1>point eight million people, got her a TV special, a

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<v Speaker 1>world tour, a book deal, and yes, a podcast, but

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<v Speaker 1>Instagram is still her go to destination for comedy. Because

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<v Speaker 1>I am Australian, I leave in Australia. I don't have

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<v Speaker 1>to be on the road all the time. I feel

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<v Speaker 1>as though I can put out a sketch or a

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<v Speaker 1>post and it's seen as a show, a stand up show.

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<v Speaker 1>So my next question for Celeste and this highly curated

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<v Speaker 1>hashtag no filter world, what does it take to be

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<v Speaker 1>real when we're all just faking it? A social media

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<v Speaker 1>only has the power you give it. You can turn

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<v Speaker 1>it off, you can physically and literally turn it off

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<v Speaker 1>and walk away from it, or you can use it.

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<v Speaker 1>Use it if you want to use it to talk

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<v Speaker 1>to someone. If you don't want to see something, you

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<v Speaker 1>can turn it off or use it as powerfully as

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<v Speaker 1>you want to. Celeste Barbara realized a long time ago

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<v Speaker 1>that our culture feeds on a certain level of artifice.

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<v Speaker 1>I remember before social media, when we'd get you know, magazines.

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<v Speaker 1>I'm a big fan of magazines always. I love fashion

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<v Speaker 1>InStyle was always my bible. And you know, you'd see

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<v Speaker 1>a photo of a model in their cape Moss for example,

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<v Speaker 1>or whatever, Cindy Crawford a gorgeous model in there. But

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<v Speaker 1>you well, for me, I knew that that was for

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<v Speaker 1>them to do. That was that was Cindy Crawford on

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<v Speaker 1>a motorbike on a rooftop in a bikini on a Wednesday,

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<v Speaker 1>because that's all that that's Cindy Crawford's thing to do.

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<v Speaker 1>And we kind of knew that there was photoshop and

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<v Speaker 1>that it was just very heightened reality. It was. It

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<v Speaker 1>was art, if you will, and I've always respected kind

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<v Speaker 1>of that art form. But then when social media came

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<v Speaker 1>around and it was being sold that similar image, for example,

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<v Speaker 1>was being sold as an attainable life or as something

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<v Speaker 1>that just actually does happen on a Wednesday for everyone, right,

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<v Speaker 1>and something that was truly authentic, yeah, and living my

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<v Speaker 1>best life or living my best self. And I was like, oh,

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<v Speaker 1>this isn't real. But the thing, the scary thing is

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<v Speaker 1>it was getting to a point where like, oh, people

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<v Speaker 1>don't know that though, people are thinking that this is real.

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<v Speaker 1>And it was like a bit of a snake in

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<v Speaker 1>the grass for me because it kind of steeps in

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<v Speaker 1>when you're at your at your weakest. I guess you know,

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<v Speaker 1>you have three in the morning and your breastfeeding and

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<v Speaker 1>you haven't slept for what feels like fifteen years, and

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<v Speaker 1>you're flicking through your phone and you see these images

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<v Speaker 1>and you're like, oh, that hurts. In two thousand fifteen,

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<v Speaker 1>Celesque posted a photo on her Instagram. On one side

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<v Speaker 1>was a picture of a model in a ballet studio

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<v Speaker 1>wearing sleek athletic wear, her hair elegantly pulled back, doing

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<v Speaker 1>an incredibly flexible yoga pose. On the other side a

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<v Speaker 1>picture of Celeste on the floor of her home. You

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<v Speaker 1>can even see a baby in the background. She's wearing

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<v Speaker 1>gray sweats and is also trying to do the same

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<v Speaker 1>yoga pose but getting nowhere close. She tagged the photo

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<v Speaker 1>hashtag challenge accepted, and then I posted it with the

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<v Speaker 1>caption underneath it, I'm starting something because I just I

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<v Speaker 1>just knew, I knew it was funny, and it hadn't

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<v Speaker 1>been tapped into I might take the pisce out of

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<v Speaker 1>people all the time. It was a visual joke Celeste

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<v Speaker 1>had with her sister and on Instagram. It was an

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<v Speaker 1>immediate hit. Celest did another, and then another, and by

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<v Speaker 1>now she's created hundreds of these photos and video parodies.

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<v Speaker 1>The best way I describe it is I take inappropriate,

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<v Speaker 1>half naked, unflattering photos of myself and put them next

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<v Speaker 1>to models and celebrities. But first comes the models. I

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<v Speaker 1>see a photo that they have posted, and then I

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<v Speaker 1>do my version of it. But it's a parody, so

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<v Speaker 1>something's added to it. It's not I'm not mimicking them,

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<v Speaker 1>I'm I'm adding to it. I'm doing a satire. Give

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<v Speaker 1>me some example, Celest, of some of the funny posts

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<v Speaker 1>you've done. Well. The first one that comes to mind,

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<v Speaker 1>which I think is probably the easiest to describe, is

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<v Speaker 1>Cindy Crawford doing her Pepsi commercial where she's so beautifully

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<v Speaker 1>opens a can of pepsi. Oh, she's so beautiful and

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<v Speaker 1>has a drink of it, and I think it was

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<v Speaker 1>a Super Bowl ad. Yeah, but then she's done a

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<v Speaker 1>reboot right exactly for I think Vogue seventy three questions

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<v Speaker 1>she did it. Can you show me how Cindy Crawford

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<v Speaker 1>drinks pepsi? Well, I'll sure try. So what I did

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<v Speaker 1>was I had like a massive bottle of pepsi and

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<v Speaker 1>I opened it and so the pepsi then spread all

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<v Speaker 1>over me because that's what happens. And usually do this

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<v Speaker 1>in a split screen. Yeah, I use it in a

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<v Speaker 1>split screen or with a fear with a video. I

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<v Speaker 1>go forward and back um, and then yes, so the

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<v Speaker 1>pepsi goes all over me. Then I try and sip

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<v Speaker 1>up and I'm burping because it's fizzy and it's all through.

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<v Speaker 1>But then at the end I just try and be

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<v Speaker 1>really sexy and like Cyndy and yet that I actually

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<v Speaker 1>interviewed Cindy on my podcast and she was such a

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<v Speaker 1>good sport. She loved it. Yeah, she loved it, And

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<v Speaker 1>I was like, can you let PEPSI know? And we

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<v Speaker 1>can do something together. I'm still waiting for that call.

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<v Speaker 1>And then you take sort of fashion spreads and it

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<v Speaker 1>might be somebody in this ridiculous situation posing in a

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<v Speaker 1>beating suit, like on a some kind of contraption on

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<v Speaker 1>the be each, and then you do it on a

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<v Speaker 1>little rickety wagon. Bring I bring on my wagon like

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<v Speaker 1>that was one of um IRENA's shake. I think the

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<v Speaker 1>beautiful model where she's just she's got a gorgeous chair

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<v Speaker 1>down by the beach and she's in like these amazing

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<v Speaker 1>like little swimmers and she's just putting the chair out

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<v Speaker 1>and sitting down and flicking her hair around and being gorgeous.

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<v Speaker 1>And then cut to me and I'm trying to put

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<v Speaker 1>up a beach umbrella and it's trapping me underneath it

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<v Speaker 1>and I'm kicking it, and there's a wagon that's in

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<v Speaker 1>the sands in my face, and then at the end,

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<v Speaker 1>I just got to stand next to it, defeated. It's funny,

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<v Speaker 1>but it's also I think, you know, you're you're tapping

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<v Speaker 1>into how many women feel when they do look at

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<v Speaker 1>these images that are unattainable and unrealistic. And it's been

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<v Speaker 1>shown that social media really does contribute to anxiety and depression,

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<v Speaker 1>not only for adults, but particularly for for kids. And um,

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<v Speaker 1>is that something that that you yourself, we're thinking about

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<v Speaker 1>and worried about in the back of your head as

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<v Speaker 1>you kind of poked a hole in all this manufacturing

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<v Speaker 1>of an image. Well, that was a very long winded question.

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<v Speaker 1>It was good though. I like to thank you arms

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<v Speaker 1>and everything it was. It was lovely. Um, I to

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<v Speaker 1>be completely honest with you, I did this because I

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<v Speaker 1>thought it was funny. My I primarily just want to

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<v Speaker 1>make people laugh, always have and the fact that I

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<v Speaker 1>am cutting through all and I've always just cut through crap.

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<v Speaker 1>People are never unsure of where they stand with me

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<v Speaker 1>because I don't fluff around and go people. I'm always

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<v Speaker 1>very honest and I've just kind of always been like that.

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<v Speaker 1>So to tie that in with wanting to make people laugh,

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<v Speaker 1>I think that's why it hit a nerve, because it

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<v Speaker 1>was kind of truth talking and calling it out and

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<v Speaker 1>really funny. I think that's how it kind of cut through.

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<v Speaker 1>It also seemed to dovetail Celeste with the body positivity movement.

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<v Speaker 1>You know that that women can be beautiful and be

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<v Speaker 1>great and all sheeps and sizes, so you almost actually

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<v Speaker 1>cut that trend as well. Yeah, and that that was

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<v Speaker 1>unintentional as well. I never started this to be a

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<v Speaker 1>body positive thing. I'm very happy to be caught up

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<v Speaker 1>in that movement or whatever, like, very very happy to

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<v Speaker 1>be but it was never an intention of mine. Because

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<v Speaker 1>when we talk about beauty, it seems so much of

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<v Speaker 1>how we see beauty is literally how we see it

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<v Speaker 1>and what it looks like. How I look makes up

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<v Speaker 1>a very very small percentage of who I am. I

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<v Speaker 1>believe that for a lot of us, and I so like,

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<v Speaker 1>you know, some of the things I post I won't

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<v Speaker 1>look at again because I'm like, oh, that's that's a lot.

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<v Speaker 1>But most of the time I see it for the

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<v Speaker 1>funny joke that it is. I feel like people are

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<v Speaker 1>laughing with me. There are people who are laughing at

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<v Speaker 1>me and hate it and then again go nuts, whatever

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<v Speaker 1>blows your hair back. But for me it was just

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<v Speaker 1>not even a celebration of how I looked, But it's

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<v Speaker 1>a celebration of something else, your spirit, other, my sense

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<v Speaker 1>of humor, my understanding of what's funny, my understanding of

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<v Speaker 1>knowing that that is unattainable lifestyle that we need to

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<v Speaker 1>stop trying to strive for and how funny is it

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<v Speaker 1>if I try and do it? That's that's the main

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<v Speaker 1>main point to it. I mean I do get if

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<v Speaker 1>I lose weight or whatever, I do get comments going

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<v Speaker 1>You're looking too good now for this to work, And

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<v Speaker 1>I'm like, no, no, comedy, beauty, not oil and water,

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<v Speaker 1>smush that all in together and it makes up who

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<v Speaker 1>we are and saying with you know, smart and beautiful.

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<v Speaker 1>Where it just just showing the other the other side

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<v Speaker 1>of social media as well, trying to use it for

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<v Speaker 1>good and so you said that you are using it

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<v Speaker 1>in a positive way. But also two I think get

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<v Speaker 1>more opportunities. Have other people reached out to you, celest

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<v Speaker 1>and said, we think you're really funny. We'd like to

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<v Speaker 1>talk to you about a absolutely yeah. Well tom Ford

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<v Speaker 1>is a fine example. Yes, exactly when we made out

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<v Speaker 1>and now we're a boyfriend and girlfriend forever and always

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<v Speaker 1>tell the story of tom Ford and what happened. Well,

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<v Speaker 1>he emailed, well, his people emailed me three years ago

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<v Speaker 1>maybe and it was the subject line was tom Ford

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<v Speaker 1>for tom Ford and Seleste or something like that, and

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<v Speaker 1>in the email it said tom Ford adores you. He

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<v Speaker 1>thinks that you are amazing and would love to collaborate

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<v Speaker 1>one day best And you know the sound and email

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<v Speaker 1>makes when it comes into your inboxes. That sound had

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<v Speaker 1>barely finished by the time I wrote, yes, what does

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<v Speaker 1>you need? When does he want it? On my way?

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<v Speaker 1>Like I just and see seed, my publicist, my publicist, publicist,

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<v Speaker 1>my mom, my dad, my nana, everyone that bullied me

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<v Speaker 1>at school, Like I just see seed. Everyone in on

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<v Speaker 1>it and sent it back and went, yes, what do

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<v Speaker 1>you need? And we collaborate before a show where it

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<v Speaker 1>was a campaign that he has for Boys and Girls

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<v Speaker 1>Lipstick where two incredibly offensively attractive models are sitting at

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<v Speaker 1>an airport and then they just make out and there's

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<v Speaker 1>lipstick all over them. And tom Ford said to me,

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<v Speaker 1>I thought we could do one of it where you

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<v Speaker 1>and I make out. And I was like, yeah, that

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<v Speaker 1>works for me. That's fine, that's that's that's fine for me.

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<v Speaker 1>So we did it with them. I just did a

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<v Speaker 1>parody of being a model and walking down to tom

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<v Speaker 1>Ford catwalk, So we need to just walk here do

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<v Speaker 1>it again so I can tell you what you need

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<v Speaker 1>to change. It's just liquid sunshine. That man, he really is.

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<v Speaker 1>He had all the models come down and me come

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<v Speaker 1>down as well, and they got in my way and

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<v Speaker 1>I was like, get them out of the way, and

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<v Speaker 1>you know, and then when we were doing a fitting

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<v Speaker 1>three sucking, I'm cramping. It's on, it's on. Just we

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<v Speaker 1>had some tape. Do we have some duct take? We

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<v Speaker 1>cut it together in a way that hey, win, okay,

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<v Speaker 1>thank you so last and he walked out and I

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<v Speaker 1>then just started to try and steal things. It's almost

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<v Speaker 1>like a tom Forde smaller sport. I think you're going

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<v Speaker 1>to take your things, and then we cut it that.

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<v Speaker 1>He came back in and he was like, Selest, as

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<v Speaker 1>someone trying to steal things. And I've got like eighteen

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<v Speaker 1>pairs of sunglasses on and handbags with like one shoe

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<v Speaker 1>in it. Well, it's so exciting to have all of

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<v Speaker 1>this happened to you. And when we come back, I

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<v Speaker 1>want to find out about your childhood how you got

0:12:27.160 --> 0:12:30.040
<v Speaker 1>into this crazy line of work, but we'll talk about

0:12:30.080 --> 0:12:42.160
<v Speaker 1>that right after this. You grew up in New South

0:12:42.240 --> 0:12:46.760
<v Speaker 1>Wales far North coast. Good, Yes, we did our research, Selest,

0:12:46.840 --> 0:12:49.160
<v Speaker 1>So what was your childhood like? Was that a very

0:12:49.200 --> 0:12:54.040
<v Speaker 1>sort of quaint, remote, rugged, beautiful place to grow up?

0:12:54.040 --> 0:12:56.719
<v Speaker 1>What was it like all of those things, but not rugged. No.

0:12:56.880 --> 0:13:00.680
<v Speaker 1>I grew up. I grew up right on the border

0:13:00.720 --> 0:13:03.800
<v Speaker 1>of New South Wales and Queensland, so right on the

0:13:03.840 --> 0:13:08.400
<v Speaker 1>beach Rainbow Bay, Kira or um Dieba, Like that's where

0:13:08.400 --> 0:13:11.160
<v Speaker 1>all some of the best surfers in the world come from.

0:13:11.240 --> 0:13:15.200
<v Speaker 1>Joel Parkinson, Mick Fanning, Stephanie Gilmour, Michael Klupo, Rabbit buff

0:13:15.160 --> 0:13:18.640
<v Speaker 1>follow me. They're all world champion surfers and they've come

0:13:19.120 --> 0:13:22.800
<v Speaker 1>from there. Um And I never surfed in my life.

0:13:22.960 --> 0:13:25.880
<v Speaker 1>I was a dancer when I was little, so um.

0:13:25.920 --> 0:13:27.840
<v Speaker 1>But it was just a really beautiful area. I grew

0:13:27.920 --> 0:13:31.120
<v Speaker 1>up in it, specifically in a place called Terranora, beautiful

0:13:31.200 --> 0:13:33.960
<v Speaker 1>house that my dad built and my mom designed. So.

0:13:33.960 --> 0:13:36.160
<v Speaker 1>I have an older sister, Olivia, who was three and

0:13:36.160 --> 0:13:39.439
<v Speaker 1>a half years older than me. That people always ask

0:13:39.480 --> 0:13:41.480
<v Speaker 1>who's older, and I'm like, she is older, she's three

0:13:41.520 --> 0:13:44.440
<v Speaker 1>and out she loves it. Um. Yeah, And I danced

0:13:44.440 --> 0:13:47.040
<v Speaker 1>a lot as a kid and just was always quite atmatic.

0:13:47.240 --> 0:13:51.280
<v Speaker 1>And it sounds like your parents. I read a sweet

0:13:51.320 --> 0:13:56.040
<v Speaker 1>story about how they didn't want to medicate you even

0:13:56.040 --> 0:13:59.680
<v Speaker 1>though because I've got a d and that they and

0:14:00.000 --> 0:14:03.560
<v Speaker 1>Eldan you a certain confidence and loving who you are

0:14:03.760 --> 0:14:07.760
<v Speaker 1>for who you are, and not wanting to alter kind

0:14:07.800 --> 0:14:12.920
<v Speaker 1>of your your thing, your chemistry, your persona, your spirit. Yeah.

0:14:12.960 --> 0:14:16.600
<v Speaker 1>And um, I also don't really think they had much

0:14:16.640 --> 0:14:19.760
<v Speaker 1>of a choice because I was I'm a lot and

0:14:19.800 --> 0:14:22.640
<v Speaker 1>I like being a lot. Is your sister a lot? Yeah?

0:14:22.960 --> 0:14:24.760
<v Speaker 1>Both of you. Yeah, we are a lot, But so

0:14:24.960 --> 0:14:27.320
<v Speaker 1>is my mom, and then when she's not, so is

0:14:27.320 --> 0:14:31.200
<v Speaker 1>my dad. So we're all it's a lot, big personality. Yeah,

0:14:31.440 --> 0:14:33.880
<v Speaker 1>I mean my dad's a lot more kind of quiet

0:14:33.920 --> 0:14:37.200
<v Speaker 1>and subtle with his humor. And my mom is so

0:14:37.280 --> 0:14:39.080
<v Speaker 1>funny when she knows she has an audience and she

0:14:39.160 --> 0:14:41.440
<v Speaker 1>knows people are listening. She's a bit sassy like that.

0:14:41.880 --> 0:14:45.400
<v Speaker 1>But um, yeah, I remember hearing them talk to the doctor.

0:14:45.480 --> 0:14:47.480
<v Speaker 1>So I was diagnosed with a d D. And they

0:14:47.480 --> 0:14:52.000
<v Speaker 1>were talking to the doctor about me being medicated. And

0:14:52.160 --> 0:14:55.680
<v Speaker 1>I was sixteen when I was diagnosed. That's quite late

0:14:56.240 --> 0:15:00.000
<v Speaker 1>to be medicated for a d D. It usually happens young.

0:15:00.080 --> 0:15:02.840
<v Speaker 1>Go well, I think, so, you know, younger in your life,

0:15:02.880 --> 0:15:05.600
<v Speaker 1>earlier in your life. I'm quite grateful that it didn't

0:15:05.640 --> 0:15:09.400
<v Speaker 1>for me because I struggled a bit. I struggled. I

0:15:09.440 --> 0:15:12.200
<v Speaker 1>was bullied a little bit at school, and I, like

0:15:12.240 --> 0:15:13.880
<v Speaker 1>I say, I was a lot. I couldn't sit still

0:15:13.920 --> 0:15:15.480
<v Speaker 1>for five minutes. And it got to a point where

0:15:15.480 --> 0:15:17.120
<v Speaker 1>teachers when I'd go to walk into class and go,

0:15:17.200 --> 0:15:19.520
<v Speaker 1>let's just not worry about it today, and I go sure,

0:15:19.560 --> 0:15:21.920
<v Speaker 1>and I'd just sit outside. Really yeah, because it was

0:15:22.240 --> 0:15:27.360
<v Speaker 1>I was distracting and disruptive. Yeah, absolutely, So I heard

0:15:27.360 --> 0:15:29.440
<v Speaker 1>my parents saying, well, you know, when we did the

0:15:29.440 --> 0:15:35.040
<v Speaker 1>test and I was very much had um and I

0:15:35.080 --> 0:15:36.400
<v Speaker 1>had to sit in the waiting room. I heard my

0:15:36.440 --> 0:15:40.720
<v Speaker 1>mom saying, we just don't want her to change. We

0:15:40.800 --> 0:15:44.720
<v Speaker 1>don't want drugs to change her. We just wanted to

0:15:44.800 --> 0:15:47.560
<v Speaker 1>be a bit easier for her at school. And the

0:15:47.600 --> 0:15:49.960
<v Speaker 1>doctor's like, you know, this won't change her in any way.

0:15:50.000 --> 0:15:53.200
<v Speaker 1>And I remember my mom saying, we know she's full on,

0:15:54.120 --> 0:15:57.200
<v Speaker 1>but we like that about her. I'm getting emotional thinking

0:15:57.240 --> 0:15:59.040
<v Speaker 1>about it, and I'll never forget that as a sixteen

0:15:59.120 --> 0:16:03.440
<v Speaker 1>year old girl hearing at it was so lovely. And then, honestly,

0:16:03.520 --> 0:16:07.360
<v Speaker 1>I took the first tablet of Writtlan different like a sorry,

0:16:07.400 --> 0:16:10.680
<v Speaker 1>same person, just I could. I sat and read a

0:16:10.840 --> 0:16:14.160
<v Speaker 1>paragraph in this book about a d D and mom

0:16:14.160 --> 0:16:15.880
<v Speaker 1>and dad just watched me and they cried because I've

0:16:15.880 --> 0:16:18.560
<v Speaker 1>never sat and read anything in my life. When this

0:16:18.680 --> 0:16:21.920
<v Speaker 1>was around the same time that your your mom said,

0:16:21.640 --> 0:16:24.560
<v Speaker 1>we like the way she is, but yeah, they put

0:16:24.600 --> 0:16:27.160
<v Speaker 1>you on medication anywhere. Well, yes, but they put me

0:16:27.200 --> 0:16:29.680
<v Speaker 1>on medication. And sorry, they put me on medication because

0:16:29.720 --> 0:16:32.120
<v Speaker 1>the doctor said it all it will It's not going

0:16:32.160 --> 0:16:35.200
<v Speaker 1>to change her. It's just going to make her focus,

0:16:35.240 --> 0:16:37.600
<v Speaker 1>and it's going to make up that chemical in her

0:16:37.640 --> 0:16:40.320
<v Speaker 1>brain that she doesn't have that will help her to

0:16:40.440 --> 0:16:45.240
<v Speaker 1>sit and listen in class and know how to read

0:16:45.720 --> 0:16:48.280
<v Speaker 1>a story or write a story. It's just going to

0:16:48.360 --> 0:16:52.160
<v Speaker 1>help her. And exactly what happened, I didn't change at all.

0:16:52.480 --> 0:16:55.400
<v Speaker 1>I could just focus, and that's when I started writing jokes,

0:16:55.400 --> 0:16:58.240
<v Speaker 1>and that's when I could kind of sit and really

0:16:58.280 --> 0:17:00.320
<v Speaker 1>get into what it is I wanted to do. So

0:17:00.440 --> 0:17:02.360
<v Speaker 1>tell me what it is you wanted to do and

0:17:02.400 --> 0:17:06.040
<v Speaker 1>how you did it. Um. I went to drama school,

0:17:06.119 --> 0:17:09.240
<v Speaker 1>so I've always written jokes and just always been funny

0:17:09.240 --> 0:17:13.639
<v Speaker 1>and loud, and I always thought it's not really because

0:17:13.680 --> 0:17:16.800
<v Speaker 1>I think comedy comes quite easily to me. I find

0:17:16.800 --> 0:17:20.119
<v Speaker 1>it quite easy. So for some silly reason, I think, well,

0:17:20.160 --> 0:17:22.600
<v Speaker 1>that's not acting. It needs to be hard and torturous

0:17:22.680 --> 0:17:26.199
<v Speaker 1>and really you know the challenge every night or every

0:17:26.280 --> 0:17:29.760
<v Speaker 1>day on set. So I went to drama school for

0:17:29.840 --> 0:17:32.240
<v Speaker 1>three years, graduated and started doing it like a few

0:17:32.240 --> 0:17:35.360
<v Speaker 1>little comedy shows, not stand up but acting, because I'm

0:17:35.640 --> 0:17:39.680
<v Speaker 1>a trained actor first and foremost an actor. And then um,

0:17:39.720 --> 0:17:43.320
<v Speaker 1>I got a role on a television show in Australia

0:17:43.320 --> 0:17:45.080
<v Speaker 1>called All Saints, which was kind of like The Gray's

0:17:45.080 --> 0:17:50.840
<v Speaker 1>Anatomy without the doctor, without the McDreamy. Um unfortunately. Yeah.

0:17:51.040 --> 0:17:54.480
<v Speaker 1>And then I was on that for five years and

0:17:54.960 --> 0:17:57.359
<v Speaker 1>kind of played a bit of a lighter character to

0:17:57.440 --> 0:17:59.760
<v Speaker 1>everyone else, but it was a drama. It was a

0:17:59.800 --> 0:18:02.160
<v Speaker 1>d on the show absolutely. And then it was my

0:18:02.480 --> 0:18:06.840
<v Speaker 1>beautiful friend Mark Priestley, who has since passed away. He's

0:18:06.920 --> 0:18:10.400
<v Speaker 1>so sad. I read about that. He was a very

0:18:10.480 --> 0:18:14.199
<v Speaker 1>very close friend of your tattoo to his took his

0:18:14.280 --> 0:18:16.919
<v Speaker 1>own life. Yeah, he killed himself. Yeah, it was that

0:18:17.040 --> 0:18:20.119
<v Speaker 1>was a lot to deal with that. He was he

0:18:20.200 --> 0:18:23.720
<v Speaker 1>an actor, yes, one, I thought, I tell his name.

0:18:23.760 --> 0:18:27.480
<v Speaker 1>I'm sure he was quite well known in Australia. He was. Yeah,

0:18:27.840 --> 0:18:30.439
<v Speaker 1>this is before all Ozzie started coming over and taking

0:18:30.440 --> 0:18:34.600
<v Speaker 1>over Hollywood. Um, he was incredible, and he was the one.

0:18:34.680 --> 0:18:36.960
<v Speaker 1>He used to just come around to my house. I'd

0:18:37.000 --> 0:18:40.960
<v Speaker 1>like three am with a video camera and go, let's

0:18:41.000 --> 0:18:43.280
<v Speaker 1>just shoot stuff. And I'm like, yes, let's do that.

0:18:43.359 --> 0:18:46.600
<v Speaker 1>And we just ship stupid sketches and we think they

0:18:46.640 --> 0:18:48.440
<v Speaker 1>were the funniest things in the world. And I always

0:18:48.440 --> 0:18:52.640
<v Speaker 1>thought he was so funny and so wonderful, and then

0:18:52.960 --> 0:18:55.720
<v Speaker 1>and so did everyone. He was very well known in

0:18:56.000 --> 0:19:00.800
<v Speaker 1>the industry and loved and sought after. And then the

0:19:00.800 --> 0:19:03.800
<v Speaker 1>fact that he said to me, I'll never forget this conversation.

0:19:04.080 --> 0:19:06.480
<v Speaker 1>We're sitting on set in between takes of you know,

0:19:06.600 --> 0:19:10.320
<v Speaker 1>someone's dying on their hospital bed and this show really dramatic,

0:19:10.800 --> 0:19:14.240
<v Speaker 1>but in between you know, lighting setups or something, Mark,

0:19:14.280 --> 0:19:15.720
<v Speaker 1>and I was saying there just like writing, like a

0:19:15.720 --> 0:19:18.600
<v Speaker 1>little sketch, and he went, maybe you should say and

0:19:18.640 --> 0:19:20.199
<v Speaker 1>then you just stopped, looked at me, went no, you

0:19:20.240 --> 0:19:22.640
<v Speaker 1>know what you're doing and I was like, no, no write.

0:19:22.640 --> 0:19:24.240
<v Speaker 1>He goes, no, you know what you're doing, and then

0:19:24.280 --> 0:19:29.000
<v Speaker 1>he went, you know that, right, You're you're amazing at comedy.

0:19:29.280 --> 0:19:32.159
<v Speaker 1>No one can do what you do. And He's like,

0:19:32.200 --> 0:19:34.200
<v Speaker 1>because I was always like, ohm, whatever, it's just boring,

0:19:34.240 --> 0:19:37.600
<v Speaker 1>and he goes, no, that's boring. You not understanding what

0:19:37.680 --> 0:19:40.439
<v Speaker 1>you can do is boring now, so just get on

0:19:40.480 --> 0:19:43.359
<v Speaker 1>with it, and that chang bang that day on at

0:19:43.440 --> 0:19:47.560
<v Speaker 1>least lent into it, lent into my strengths, lent into

0:19:47.600 --> 0:19:50.840
<v Speaker 1>what I loved and kind of knew I was good at.

0:19:51.359 --> 0:19:55.080
<v Speaker 1>So where did your career take you after that? Unemployment?

0:19:55.160 --> 0:19:59.240
<v Speaker 1>For a little while, I was then a writer on

0:20:00.359 --> 0:20:02.719
<v Speaker 1>a show, a really bad show that we don't need

0:20:02.760 --> 0:20:05.560
<v Speaker 1>to talk about, and then um, I had babies, and

0:20:05.600 --> 0:20:10.560
<v Speaker 1>then it was when I had my second son, first time,

0:20:11.560 --> 0:20:14.920
<v Speaker 1>first son. But my friend called me and said she's

0:20:14.960 --> 0:20:18.080
<v Speaker 1>doing some stand up and I was like, good on you,

0:20:18.160 --> 0:20:20.040
<v Speaker 1>because I'd always been told I should do stand up.

0:20:20.080 --> 0:20:22.840
<v Speaker 1>And I was like, yes, you are, tell me where

0:20:22.840 --> 0:20:26.199
<v Speaker 1>you're doing it. I'll send flowers. I'm so excited. And

0:20:26.240 --> 0:20:29.440
<v Speaker 1>I was like, I know what's happening, I know what's coming.

0:20:29.480 --> 0:20:30.879
<v Speaker 1>And she said, I want you to open for me,

0:20:31.680 --> 0:20:33.239
<v Speaker 1>and I was she got me at a good time

0:20:33.240 --> 0:20:36.679
<v Speaker 1>because I was sleep deprived. I had a newborn, and

0:20:36.720 --> 0:20:39.639
<v Speaker 1>I went. She goes, it's like five minutes, it's in

0:20:39.680 --> 0:20:44.920
<v Speaker 1>a small space. It's in the Sydney Fringe Festival five

0:20:44.960 --> 0:20:48.720
<v Speaker 1>minutes and I went okay, no, yeah, no, I wan't

0:20:48.800 --> 0:20:52.600
<v Speaker 1>shut yeah, yes, hang up, and she just hung up

0:20:52.720 --> 0:20:55.119
<v Speaker 1>because the last thing I said was yes. And so

0:20:55.200 --> 0:20:58.600
<v Speaker 1>then I went dad, And so I had five minutes

0:20:59.119 --> 0:21:00.399
<v Speaker 1>and I got up and I did it. And it

0:21:00.480 --> 0:21:02.080
<v Speaker 1>was one of you know, I hear those stories like

0:21:02.560 --> 0:21:06.359
<v Speaker 1>Shirley Temple or whatever. You're terrified, but then you open

0:21:06.440 --> 0:21:09.920
<v Speaker 1>the curtain and you see the microphone and the spotlight

0:21:10.520 --> 0:21:14.360
<v Speaker 1>and you think, I'm never leaving. I will die up here.

0:21:14.400 --> 0:21:17.200
<v Speaker 1>This is amazing. And I was supposed to be five minutes.

0:21:17.200 --> 0:21:19.800
<v Speaker 1>And after fifteen minutes she was kind of side stage

0:21:19.800 --> 0:21:22.800
<v Speaker 1>going get off. And then that was it. That was

0:21:22.800 --> 0:21:25.960
<v Speaker 1>me done, and and and obviously you wouldn't feel this

0:21:26.000 --> 0:21:30.680
<v Speaker 1>way if the reception wasn't incredible to your humor, and

0:21:30.720 --> 0:21:34.000
<v Speaker 1>you did you and then did you sort of transition

0:21:34.160 --> 0:21:38.520
<v Speaker 1>to stand up? Well? No. Then Instagram started coming more

0:21:38.560 --> 0:21:40.479
<v Speaker 1>and more, like I did more, and I was posting

0:21:40.520 --> 0:21:43.280
<v Speaker 1>twice a day every day on Instagram because I knew

0:21:43.280 --> 0:21:44.719
<v Speaker 1>it was good. I knew I wanted it out there.

0:21:44.760 --> 0:21:47.000
<v Speaker 1>I wanted people. I sent to some of my friends

0:21:47.000 --> 0:21:49.639
<v Speaker 1>who had like ten thousand followers, who were well known actors.

0:21:49.640 --> 0:21:51.240
<v Speaker 1>I was like, can you repost this for me? I

0:21:51.280 --> 0:21:53.680
<v Speaker 1>really want to. I think it's something good and it's fine.

0:21:54.040 --> 0:21:57.000
<v Speaker 1>All my friends thought it was hilarious, and so I had,

0:21:57.080 --> 0:21:59.000
<v Speaker 1>you know, excellent friends going shock, this is my friend

0:21:59.080 --> 0:22:02.440
<v Speaker 1>Celeste and posting out for me. And then I kind

0:22:02.440 --> 0:22:05.360
<v Speaker 1>of got to a point where I was like, I'm

0:22:05.480 --> 0:22:08.440
<v Speaker 1>very I'm very proactive, always have been. I'm a hustler.

0:22:12.800 --> 0:22:16.600
<v Speaker 1>I mean, I'm a hustler. And I remember sitting at

0:22:16.640 --> 0:22:21.480
<v Speaker 1>my computer and just went, well, there's nothing really coming in,

0:22:22.440 --> 0:22:25.280
<v Speaker 1>and I'm there's a lot I'm putting out and I'm

0:22:25.280 --> 0:22:28.320
<v Speaker 1>getting a lot of people wanted to interview me about it,

0:22:28.440 --> 0:22:32.520
<v Speaker 1>and it was really great instant gratification, and I was

0:22:32.600 --> 0:22:35.960
<v Speaker 1>like cracking. I mean, I may have been at a

0:22:36.000 --> 0:22:39.680
<v Speaker 1>million followers by now. It grew really quickly, and I went,

0:22:39.960 --> 0:22:43.800
<v Speaker 1>I want to I want to prove myself. I'm I

0:22:43.880 --> 0:22:45.640
<v Speaker 1>know what I'm doing. And I just in that moment,

0:22:45.680 --> 0:22:49.359
<v Speaker 1>went to and just booked a theater in Sydney in Australia.

0:22:49.440 --> 0:22:51.440
<v Speaker 1>I was living just out of Sydney at that time.

0:22:52.000 --> 0:22:54.840
<v Speaker 1>I had just had my second baby, and I was like,

0:22:55.280 --> 0:22:56.760
<v Speaker 1>I want to book a theater. So I booked two

0:22:56.920 --> 0:23:00.440
<v Speaker 1>nights at this theater called the Giant Dwarf in Red

0:23:00.440 --> 0:23:04.240
<v Speaker 1>Phone in Sydney, and then went shit, oh god, Now

0:23:04.400 --> 0:23:06.960
<v Speaker 1>it was three months from that date when I've got

0:23:06.960 --> 0:23:09.439
<v Speaker 1>nothing on, I want to do a show, and I

0:23:09.480 --> 0:23:11.639
<v Speaker 1>didn't assault it out and it killed and I toured

0:23:11.680 --> 0:23:19.480
<v Speaker 1>it and now I'm making out tom Ford when we

0:23:19.560 --> 0:23:22.520
<v Speaker 1>come back. How Celesque gave back to her native land

0:23:23.000 --> 0:23:44.800
<v Speaker 1>in its time of need. Now to Australia, where they're

0:23:44.800 --> 0:23:47.879
<v Speaker 1>facing those massive fires already among the worst in that

0:23:47.920 --> 0:23:53.440
<v Speaker 1>country's history. Haunting images flames, plumes of smoke, and firefighters

0:23:53.840 --> 0:23:58.920
<v Speaker 1>desperately battling walls of fire. Another costly and deadly day

0:23:58.960 --> 0:24:04.000
<v Speaker 1>in this month longer testrophe, the terrifying scale of Australia's

0:24:04.040 --> 0:24:07.879
<v Speaker 1>Bush five as Austro is beginning to image. Bush Fires

0:24:07.920 --> 0:24:11.280
<v Speaker 1>are not new to Australia, but this fire season has

0:24:11.320 --> 0:24:14.680
<v Speaker 1>proved to be one of the country's worst ever. By

0:24:14.720 --> 0:24:17.720
<v Speaker 1>some estimates, as many as twenty eight people have died,

0:24:18.080 --> 0:24:20.879
<v Speaker 1>more than twelve million acres that burned to the ground,

0:24:21.359 --> 0:24:24.639
<v Speaker 1>and thousands of homes have been destroyed. And then, of

0:24:24.680 --> 0:24:28.960
<v Speaker 1>course there were all the animals. Because the devastation was

0:24:29.040 --> 0:24:32.520
<v Speaker 1>so personal for Celest, she did the only thing she

0:24:32.560 --> 0:24:39.400
<v Speaker 1>could think of. She turned to her Instagram following, you raised,

0:24:39.440 --> 0:24:41.920
<v Speaker 1>I believe and correct me if I'm wrong, Celest, thirty

0:24:41.960 --> 0:24:47.000
<v Speaker 1>million dollars maybe more. Well, I raised fifty one and

0:24:47.000 --> 0:24:50.280
<v Speaker 1>a half million dollars Australian, so that might be like

0:24:50.359 --> 0:24:52.560
<v Speaker 1>forty eight American dollars. I don't know, because well it's

0:24:52.600 --> 0:24:56.359
<v Speaker 1>it's an amazing amount of money because of the wildfires

0:24:56.560 --> 0:25:02.040
<v Speaker 1>in Australia and this this affected you very personally, not

0:25:02.080 --> 0:25:06.159
<v Speaker 1>only because you're from Australia, but you had friends and

0:25:06.240 --> 0:25:11.840
<v Speaker 1>family members and you watched their homes go up and small. Right, Well,

0:25:12.160 --> 0:25:15.760
<v Speaker 1>so my mother in law. It is in Eden, which

0:25:15.760 --> 0:25:18.480
<v Speaker 1>is the complete other end of the state from where

0:25:18.480 --> 0:25:20.760
<v Speaker 1>we live. It's the far South coast of New South

0:25:20.840 --> 0:25:23.000
<v Speaker 1>Wales and we're on the far North coast, and so

0:25:23.040 --> 0:25:26.439
<v Speaker 1>it's where RP my husband is France his home and

0:25:27.000 --> 0:25:30.240
<v Speaker 1>we were there for Christmas and I remember going up

0:25:30.320 --> 0:25:32.439
<v Speaker 1>up the street or something and going, God, this some

0:25:32.520 --> 0:25:34.919
<v Speaker 1>smile and everyone we knew there were fires kind of

0:25:34.960 --> 0:25:39.720
<v Speaker 1>around and then it was terrible and terrible like in Canberra,

0:25:39.800 --> 0:25:43.160
<v Speaker 1>our capital in South Australia and over on Kangaroo Island,

0:25:43.200 --> 0:25:47.040
<v Speaker 1>like it wasn't good. But I was like, oh, what

0:25:47.280 --> 0:25:49.400
<v Speaker 1>is bad? And then kind of going the smoke's really

0:25:49.440 --> 0:25:51.879
<v Speaker 1>full on here. And then we left. After Christmas, I

0:25:51.920 --> 0:25:58.000
<v Speaker 1>went home and it swung. It came really really badly,

0:25:58.040 --> 0:26:00.840
<v Speaker 1>and my husband's cousin lost her home. We've lost a

0:26:00.880 --> 0:26:06.960
<v Speaker 1>billion wildlife. So I saw my mother in law, who

0:26:07.040 --> 0:26:10.760
<v Speaker 1>was a very very strong woman, like I had sixteen

0:26:10.800 --> 0:26:13.919
<v Speaker 1>years with this excellent woman and she is a strong lady,

0:26:14.119 --> 0:26:17.520
<v Speaker 1>and she was not okay and she was panicking, and

0:26:17.800 --> 0:26:20.919
<v Speaker 1>that really it really struck me. And the thing is

0:26:20.960 --> 0:26:24.800
<v Speaker 1>she's so she's so well informed and so hands on

0:26:24.920 --> 0:26:28.200
<v Speaker 1>joy that she was like, no one's here. There isn't

0:26:28.200 --> 0:26:31.159
<v Speaker 1>a helicopter in the sky, there isn't any a d

0:26:31.280 --> 0:26:33.240
<v Speaker 1>F on the on the ground, which is not the

0:26:33.280 --> 0:26:35.520
<v Speaker 1>fault of the a d F. It's a it's a

0:26:35.560 --> 0:26:40.320
<v Speaker 1>government thing. There's no one here, and and I that's

0:26:40.359 --> 0:26:42.600
<v Speaker 1>when I went, oh my gosh. And that's when I

0:26:42.640 --> 0:26:46.080
<v Speaker 1>started the fundraiser and I just said, please help anyway

0:26:46.119 --> 0:26:48.800
<v Speaker 1>you can. This is terrifying, and started a goal of

0:26:48.840 --> 0:26:53.920
<v Speaker 1>thirty dollars. Because I also saw people internationally going how

0:26:53.960 --> 0:26:57.439
<v Speaker 1>can we help because I've got a big following, especially internationally,

0:26:58.480 --> 0:27:01.560
<v Speaker 1>people I don't people wanted to they didn't know what

0:27:01.600 --> 0:27:04.520
<v Speaker 1>to do exactly. And I mean there's obviously other ways

0:27:04.560 --> 0:27:06.600
<v Speaker 1>they are the places they could have donated to it,

0:27:06.680 --> 0:27:08.600
<v Speaker 1>but the way I ended up doing it was just

0:27:08.720 --> 0:27:13.800
<v Speaker 1>really straightforward. It was just a kind of so I click, donate, done,

0:27:14.040 --> 0:27:18.000
<v Speaker 1>and I think that's kind of what people needed as well. Um.

0:27:18.080 --> 0:27:20.320
<v Speaker 1>And then yet we also my husband and I kept

0:27:20.359 --> 0:27:25.320
<v Speaker 1>everyone very updated on my Instagram stories, which we're getting

0:27:26.000 --> 0:27:29.280
<v Speaker 1>millions of views my stories because people like this is

0:27:29.280 --> 0:27:33.280
<v Speaker 1>how we're staying updated, which is a really daunting thing

0:27:33.280 --> 0:27:34.840
<v Speaker 1>because you're like, god, I need to make sure I

0:27:34.840 --> 0:27:38.400
<v Speaker 1>know what I'm talking about. And it's a big responsibility, absolutely,

0:27:38.440 --> 0:27:42.760
<v Speaker 1>but it does show how media consumption has changed absolute ramatically.

0:27:42.840 --> 0:27:47.200
<v Speaker 1>It's instantaneous. It's it's um, you know what do they

0:27:47.280 --> 0:27:50.959
<v Speaker 1>call it, uh, citizen created? You know it's not you're

0:27:51.040 --> 0:27:53.720
<v Speaker 1>not a journalist, no, And it's power to the people.

0:27:53.840 --> 0:27:56.679
<v Speaker 1>I keep saying that I keep with the amount of

0:27:56.760 --> 0:28:01.199
<v Speaker 1>money raised, and also I would post about it. I

0:28:01.200 --> 0:28:03.520
<v Speaker 1>had so many people going, oh, this is also happening.

0:28:03.520 --> 0:28:05.240
<v Speaker 1>I'm like Okay, cool, that's good to know. When I'll

0:28:05.240 --> 0:28:07.480
<v Speaker 1>make sure that people know about that, or you'll add

0:28:07.520 --> 0:28:09.800
<v Speaker 1>that to your story exactly, and then you could give

0:28:09.840 --> 0:28:13.200
<v Speaker 1>a very much a three sixty view of the country.

0:28:12.600 --> 0:28:15.639
<v Speaker 1>And I was also acutely aware of letting people know

0:28:15.680 --> 0:28:17.560
<v Speaker 1>that I am not the face of this, I'm not

0:28:17.600 --> 0:28:21.359
<v Speaker 1>the savior of this. I'm I'm you. I'm that person

0:28:21.440 --> 0:28:25.000
<v Speaker 1>over there. I'm scared, and this is my kind of

0:28:25.040 --> 0:28:27.800
<v Speaker 1>experience of the whole thing. And then we end up

0:28:27.840 --> 0:28:30.880
<v Speaker 1>getting to, oh my god, fifty one and a half

0:28:30.920 --> 0:28:34.919
<v Speaker 1>million dollars. That's amazing. And then it turns out I've

0:28:34.920 --> 0:28:37.600
<v Speaker 1>saved the world. No, that's not true. Well, but I mean,

0:28:37.720 --> 0:28:41.880
<v Speaker 1>I'm sure you you helped a great deal. Well, it

0:28:41.960 --> 0:28:46.000
<v Speaker 1>was extraordinary as in Australia, our firefighters, majority of our

0:28:46.000 --> 0:28:51.360
<v Speaker 1>firefighters a volunteer, and there were stories coming through of

0:28:52.320 --> 0:28:57.680
<v Speaker 1>I'm talking eighty foot flames in the sky coming that

0:28:57.760 --> 0:29:02.040
<v Speaker 1>will go through over a few kilometers in fifteen minutes

0:29:02.440 --> 0:29:04.400
<v Speaker 1>and you can't. You can't put that out of human being.

0:29:04.400 --> 0:29:06.480
<v Speaker 1>Can't put that out that has to burn, You can't.

0:29:07.040 --> 0:29:10.560
<v Speaker 1>But they're standing there in shoes that I've got on,

0:29:10.680 --> 0:29:13.920
<v Speaker 1>just sneakers, and like some of them putting just putting

0:29:13.920 --> 0:29:16.320
<v Speaker 1>their hand over their mouth because they don't have the equipment.

0:29:17.240 --> 0:29:20.320
<v Speaker 1>So that's why I that's why I chose the New

0:29:20.360 --> 0:29:25.520
<v Speaker 1>South Wales RFS to it was the trust of RFS,

0:29:25.560 --> 0:29:31.200
<v Speaker 1>the yeah, New South Wales Rural Fire Service, um, so

0:29:31.480 --> 0:29:34.040
<v Speaker 1>the volunteers can. Then all the money then goes to

0:29:34.240 --> 0:29:37.760
<v Speaker 1>the brigade, so then they go out and get the

0:29:37.840 --> 0:29:42.080
<v Speaker 1>equipment that they need. Hopefully finally the fires got under

0:29:42.120 --> 0:29:45.320
<v Speaker 1>control and are now out. Celest they're out because now

0:29:45.360 --> 0:29:50.760
<v Speaker 1>we're underwater. Well tell everyone listening what has replaced the problem,

0:29:50.840 --> 0:29:54.320
<v Speaker 1>because now it's flooding. Obviously we're flooded in I showed

0:29:54.360 --> 0:29:59.719
<v Speaker 1>you a photo before we started middle of Sydney. The

0:29:59.720 --> 0:30:03.280
<v Speaker 1>sea he and water is up to the windows of

0:30:03.320 --> 0:30:07.520
<v Speaker 1>the cars were flooded. The fires are all out, but

0:30:07.600 --> 0:30:12.920
<v Speaker 1>now we're flash flooding. It's it's the deforestation and nothing

0:30:13.000 --> 0:30:15.600
<v Speaker 1>there to kind of I think. So I haven't I've

0:30:15.680 --> 0:30:18.240
<v Speaker 1>been here since. I mean, it was torrential rain when

0:30:18.240 --> 0:30:20.760
<v Speaker 1>I left to fly here to the States, so I

0:30:20.800 --> 0:30:23.840
<v Speaker 1>haven't been home to see exactly what it is. But

0:30:24.000 --> 0:30:27.360
<v Speaker 1>it looks as though, yeah, that's that's what it is.

0:30:27.720 --> 0:30:31.560
<v Speaker 1>It's it's terrifying. It's terrifying, and I'm all, I now

0:30:31.920 --> 0:30:35.160
<v Speaker 1>goes all right, I'll start another fundraiser. I'll raise another

0:30:35.160 --> 0:30:36.959
<v Speaker 1>fifty one million dollars, and said, I don't know what

0:30:37.000 --> 0:30:40.239
<v Speaker 1>to do. I really don't. It's quite scary. Do you

0:30:40.280 --> 0:30:42.600
<v Speaker 1>feel like the world is a scary place right now?

0:30:42.640 --> 0:30:45.960
<v Speaker 1>I mean, obviously it's it's great to have moments of

0:30:46.040 --> 0:30:49.600
<v Speaker 1>levity and relief through people like you and your humor,

0:30:49.800 --> 0:30:53.880
<v Speaker 1>but so many friends of mine feel that we're in

0:30:53.960 --> 0:30:57.959
<v Speaker 1>such dire streets in so many different ways. I agree.

0:30:58.200 --> 0:31:01.360
<v Speaker 1>I think it's a very scary time. I do. However,

0:31:02.400 --> 0:31:04.120
<v Speaker 1>I feel that there is a bit of a ground

0:31:04.160 --> 0:31:09.600
<v Speaker 1>swell going on at home in Australia, and I'm here

0:31:09.640 --> 0:31:11.800
<v Speaker 1>a lot, and I've been here a lot in the

0:31:11.840 --> 0:31:15.480
<v Speaker 1>past few years when you now have a different president

0:31:15.560 --> 0:31:18.360
<v Speaker 1>and everything. And when I first came over when he

0:31:18.440 --> 0:31:21.960
<v Speaker 1>was first in office, I was like, oh, this is terrifying,

0:31:22.040 --> 0:31:24.200
<v Speaker 1>this is a this is a real you just feel

0:31:24.240 --> 0:31:28.440
<v Speaker 1>it was very hostile. But since coming back more and

0:31:28.520 --> 0:31:30.400
<v Speaker 1>going home, you know, back and forth and over to

0:31:30.600 --> 0:31:33.160
<v Speaker 1>the UK as well, I feel like there's a real

0:31:34.040 --> 0:31:36.800
<v Speaker 1>ground swell happening. And I think the Internet has a

0:31:36.840 --> 0:31:38.680
<v Speaker 1>lot to do with that because we can all you

0:31:38.720 --> 0:31:40.240
<v Speaker 1>and I can sit here and talk now, and we

0:31:40.280 --> 0:31:43.920
<v Speaker 1>can all reach out to each other more. But I'm

0:31:43.960 --> 0:31:46.680
<v Speaker 1>just having this thing where I'm like, like I said before,

0:31:46.760 --> 0:31:50.200
<v Speaker 1>power to the people, and I feel like that's really

0:31:50.240 --> 0:31:53.800
<v Speaker 1>starting to bubble, which it needs to bubble quicker. So

0:31:54.400 --> 0:31:57.320
<v Speaker 1>before we go, what is your dream man? Where do

0:31:57.360 --> 0:32:00.480
<v Speaker 1>you want to go from here? Celeste Barber? My goal

0:32:00.520 --> 0:32:03.120
<v Speaker 1>in life is to play the King in Hamilton's. I

0:32:03.120 --> 0:32:06.040
<v Speaker 1>would love to play. I can't think um and I'm

0:32:06.080 --> 0:32:08.520
<v Speaker 1>not a man, but I want to. I want to

0:32:08.560 --> 0:32:11.400
<v Speaker 1>try and find a way to make that a character

0:32:11.520 --> 0:32:13.600
<v Speaker 1>choice for that character to play the King, and I

0:32:13.640 --> 0:32:16.800
<v Speaker 1>think it's the most incredible role ever. And everything I

0:32:16.840 --> 0:32:19.600
<v Speaker 1>do I do from the ground up, and that's really

0:32:19.600 --> 0:32:24.920
<v Speaker 1>exciting and and amazing and exhausting. So I'm really like

0:32:25.040 --> 0:32:26.640
<v Speaker 1>the idea of just being given a script and a

0:32:26.640 --> 0:32:28.720
<v Speaker 1>call sheet now and just turning up to a film

0:32:28.840 --> 0:32:31.160
<v Speaker 1>that would be lovely. And because you have a busy

0:32:31.240 --> 0:32:34.280
<v Speaker 1>life and two little boys that are still seven and

0:32:34.520 --> 0:32:38.200
<v Speaker 1>eight and nearly six, eight and six, so you've got

0:32:38.200 --> 0:32:41.400
<v Speaker 1>a you've got a busy life. With your hashtag hard husband.

0:32:41.480 --> 0:32:45.960
<v Speaker 1>It's so hot he is isn't heat? It makes me

0:32:46.560 --> 0:32:49.320
<v Speaker 1>people come and say to you, like, good on your

0:32:49.360 --> 0:32:53.440
<v Speaker 1>for a snag, and yeah, well done, congratulations because he's hot. Yeah.

0:32:53.640 --> 0:32:56.000
<v Speaker 1>But it's also interesting when my husband drops our sons

0:32:56.040 --> 0:33:00.520
<v Speaker 1>at school, when someone in grade three walks paston guys,

0:33:00.600 --> 0:33:02.880
<v Speaker 1>hi hot husband. My husband's like, no, no, that's weird.

0:33:02.960 --> 0:33:05.800
<v Speaker 1>That's it's appy or it's Mr Robin. Please don't say that.

0:33:05.800 --> 0:33:08.720
<v Speaker 1>That's very weird for me, like you know, a ten

0:33:08.800 --> 0:33:11.600
<v Speaker 1>year old saying it. Yeah, so funny. Well, I'm really

0:33:11.600 --> 0:33:14.320
<v Speaker 1>happy to meet you. Thank you so much for doing this.

0:33:14.520 --> 0:33:16.880
<v Speaker 1>Thank you so much for having me. This trait for me,

0:33:16.960 --> 0:33:27.440
<v Speaker 1>an absolute trait. Well, thank you, thank you. And that

0:33:27.480 --> 0:33:30.240
<v Speaker 1>does it for this week's episode of Next Question Everyone.

0:33:30.560 --> 0:33:32.760
<v Speaker 1>I have to say I it's so much fun talking

0:33:32.800 --> 0:33:35.959
<v Speaker 1>with Celeste Barber. She's so delightful and if you like

0:33:36.040 --> 0:33:39.720
<v Speaker 1>a laugh, she's a must follow on Instagram, especially during

0:33:39.760 --> 0:33:43.120
<v Speaker 1>these troubling times. Oh and so Less also interviewed me

0:33:43.360 --> 0:33:47.080
<v Speaker 1>for her podcast called Celeste and Her Best I love

0:33:47.160 --> 0:33:49.640
<v Speaker 1>her friend Tom by the way, who does this podcast

0:33:49.720 --> 0:33:53.160
<v Speaker 1>with her. You can find that on the Luminary podcast app.

0:33:53.480 --> 0:33:56.000
<v Speaker 1>I'm not sure when that's coming out, but keep a

0:33:56.040 --> 0:33:58.400
<v Speaker 1>listen out for it, and while you're at it, keep

0:33:58.440 --> 0:34:00.640
<v Speaker 1>an eye on Next Question. We've got a lot of

0:34:00.680 --> 0:34:04.400
<v Speaker 1>good stuff coming, so make sure you subscribe on Apple Podcasts,

0:34:04.760 --> 0:34:07.720
<v Speaker 1>the I Heart Radio app, or really wherever you listen.

0:34:08.120 --> 0:34:10.160
<v Speaker 1>And if you'd like some help keeping up with all

0:34:10.160 --> 0:34:12.920
<v Speaker 1>the news, check out my morning newsletter. It's called Wake

0:34:13.000 --> 0:34:16.680
<v Speaker 1>Up Call. Just go to Katie Currek dot com to subscribe.

0:34:16.960 --> 0:34:19.520
<v Speaker 1>And of course you can find me on Instagram, just

0:34:19.640 --> 0:34:23.160
<v Speaker 1>like Celeste and all the other social media channels. Although

0:34:23.160 --> 0:34:26.520
<v Speaker 1>I'm not nearly funny, she is. Until next time and

0:34:26.640 --> 0:34:34.279
<v Speaker 1>my Next question, I'm Katie Curic. Thanks for listening. Next

0:34:34.360 --> 0:34:36.719
<v Speaker 1>Question with Katie Couric is a production of I Heart

0:34:36.800 --> 0:34:40.560
<v Speaker 1>Radio and Katie Currik Media. The executive producers are Katie Currik,

0:34:40.680 --> 0:34:44.680
<v Speaker 1>Courtney Litz, and Tyler Klang. The supervising producer is Lauren Hansen.

0:34:45.320 --> 0:34:49.480
<v Speaker 1>Our show producer is Bethan Macaluso. The associate producers are

0:34:49.520 --> 0:34:53.880
<v Speaker 1>Emily Pinto and Derek Clemens. Editing by Derrek Clements, Dylan

0:34:53.920 --> 0:34:59.000
<v Speaker 1>Fagin and Lowell Berlante, Mixing by Dylan Fagan. Our researcher

0:34:59.120 --> 0:35:02.840
<v Speaker 1>is Gabriel Lo Sir For more information on today's episode,

0:35:03.000 --> 0:35:05.480
<v Speaker 1>go to Katie Couric dot com and follow us on

0:35:05.520 --> 0:35:13.400
<v Speaker 1>Twitter and Instagram at Katie Couric. For more podcasts for

0:35:13.480 --> 0:35:16.600
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0:35:16.760 --> 0:35:18.800
<v Speaker 1>or wherever you listen to your favorite shows.