WEBVTT - Origins

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<v Speaker 1>So it's happy. Welcome to those amigos.

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<v Speaker 2>Welcome to do a media you know, that's that's how

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<v Speaker 2>we do things.

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<v Speaker 1>I am we.

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<v Speaker 3>So uh here, we are here, We are there.

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<v Speaker 2>You know a little water for them, are we are

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<v Speaker 2>we switching.

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<v Speaker 1>Up in a little while. Yeah, we'll brobably switch it

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<v Speaker 1>to guns, you know.

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<v Speaker 4>But because it's apropos, we are in your speakeasy.

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<v Speaker 2>And and and for those.

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<v Speaker 4>Of you out there who can't really see this magnificent space,

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<v Speaker 4>this is Wilmer Valderrama is wonderful speakeasy. I mean, this

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<v Speaker 4>thing is pretty impressive. I hope that one day we

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<v Speaker 4>just get the kinda put the camera around. But there's

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<v Speaker 4>this awesome bar over there.

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<v Speaker 1>Hey, Aaron, you went into the yourself a bit.

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<v Speaker 5>Absolutely absolutely, what's going on, y'all. My name is Aaron.

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<v Speaker 5>I'm a producer for Docent Migos. Consider me your third

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<v Speaker 5>amigo for today's episode. I'm over here. And if you

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<v Speaker 5>have any questions or things. If the audience out there

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<v Speaker 5>wants to ask any of our wonderful gentlemen a question,

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<v Speaker 5>I'll be here to present it to you all.

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<v Speaker 1>But I'm excited for the journey. And yeah, let's have

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<v Speaker 1>a good time.

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<v Speaker 4>Yeah, Eron Wilmer, I want to know what the inspiration

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<v Speaker 4>was behind this thing? And I'm I'm every time I

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<v Speaker 4>come here, I just I never want to leave.

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<v Speaker 1>Me too, me too so much. Nobody can get me

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<v Speaker 1>to go anywhere anymore. What was it?

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<v Speaker 2>What was the inspiration?

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<v Speaker 3>Like, you know, I gotta say, I think Timothy Alton

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<v Speaker 3>discovered me, right, And everybody knows about this guy for

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<v Speaker 3>a very.

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<v Speaker 1>Long time, and I discover him late.

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<v Speaker 3>And I just love that every single one of these

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<v Speaker 3>pieces has said so much, and every piece had an

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<v Speaker 3>opinion about itself.

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<v Speaker 2>Like what would you how would you describe his style?

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<v Speaker 3>It's like vintage new, but it's really a vintage, but

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<v Speaker 3>it's made new.

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<v Speaker 1>Right.

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<v Speaker 3>He also uses vintage artifacts and then gives it new purpose, right,

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<v Speaker 3>Like there's just stuff like that, and it's just really

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<v Speaker 3>you know, the deep collars, I don't know, it feels

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<v Speaker 3>like something I've never had before, and I feel inspirational

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<v Speaker 3>to me, you know, in many ways. And but yeah,

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<v Speaker 3>so so I got my first lamp from him, and

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<v Speaker 3>I was like, oh, this is cool. And then he

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<v Speaker 3>turned into a couch, and then he turned into a table,

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<v Speaker 3>and then he turned into like a in artwork and

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<v Speaker 3>it's just start aspiring ball from But I'm like, I'm

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<v Speaker 3>like a you know, I'm like a Timothy Olton double

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<v Speaker 3>R L guy, you know. So I love that that

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<v Speaker 3>stuff is my It's.

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<v Speaker 2>Very indicative of the style.

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<v Speaker 4>I mean, even even like this, like I don't know

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<v Speaker 4>if y'all could see it, woman has this wonderful kind

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<v Speaker 4>of bronze tin roof here ceiling should.

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<v Speaker 2>I Yeah, yeah, it's wonderful.

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<v Speaker 3>Yeah, well yeah, it was definitely like this experiment and

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<v Speaker 3>that you imagine telling your your lady that the room

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<v Speaker 3>downstairs is something that you even have a stage there man,

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<v Speaker 3>And yeah, we have a piano there, we have Sheila,

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<v Speaker 3>he's goes there.

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<v Speaker 1>I think one day we'll have Sheil come in and

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<v Speaker 1>do a thing, you know.

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<v Speaker 2>And we had people perform on that day.

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<v Speaker 3>Yeah, yeah, I think uh Leo clam who's one of

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<v Speaker 3>the ex producers. He's just an incredible producers. Done a beautiful,

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<v Speaker 3>beautiful work. And you know, we had we had a

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<v Speaker 3>little birthday here and but we had a little piano there.

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<v Speaker 3>We have she like the bongos that she gave me

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<v Speaker 3>for my birthday and stuff. So we're I mean, I look,

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<v Speaker 3>I just I love this. I love music. I love

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<v Speaker 3>this this corner.

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<v Speaker 4>I mean you could have like a full band up there, man,

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<v Speaker 4>I mean this is like this reminds me of the

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<v Speaker 4>space that I would see like in New York, somewhere

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<v Speaker 4>like downtown.

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<v Speaker 1>I think.

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<v Speaker 3>So, you know, I feel like you know has that

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<v Speaker 3>you know I you know you talk about the wells

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<v Speaker 3>covered newspapers.

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<v Speaker 1>Yeah, you know what's that about.

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<v Speaker 3>So my friends found this guy who was selling thirty

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<v Speaker 3>years of headlines, real newspapers, thirty years, and he was

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<v Speaker 3>selling for a one hundred bucks.

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<v Speaker 1>So he for the whole bundle.

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<v Speaker 3>Yes, he just wanted it out of his garage. So

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<v Speaker 3>I bought the whole thing. And then I said, uh,

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<v Speaker 3>you know what am if you put it on the walls.

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<v Speaker 3>And so we have like headlines from you know, Mike Tyson,

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<v Speaker 3>you know Mike Tyson in the ear and you know

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<v Speaker 3>the eighty four Olympics, you know Kobe Bryant joining the

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<v Speaker 3>Lakers eighty four.

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<v Speaker 2>He had eighty four Olympics newspaper.

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<v Speaker 3>Yeah and yeah, so that became the one paper of

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<v Speaker 3>the room, and he just felt like the whole place

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<v Speaker 3>had an opinion.

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<v Speaker 1>But speaking of opinions.

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<v Speaker 3>You know, we still and I have some Yeah, we

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<v Speaker 3>don't know why we're here, we're doing this kind of

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<v Speaker 3>what we're here?

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<v Speaker 1>How do we do this?

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<v Speaker 5>Like?

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<v Speaker 1>What happened?

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<v Speaker 2>Did we do this?

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<v Speaker 1>Welcome to those? Am he goos?

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<v Speaker 4>Oh?

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<v Speaker 2>Yes, welcome to those.

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<v Speaker 3>The podcast so you explore the many topics that run

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<v Speaker 3>through Freddy's and might.

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<v Speaker 4>Have our brains, so that you can get a sense

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<v Speaker 4>of what it's like when Wilmar and I get together

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<v Speaker 4>and we just talk and all of a sudden it's

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<v Speaker 4>like three four hours later.

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<v Speaker 3>Yeah, well, perfect segway into like how do we ended

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<v Speaker 3>up here with microphones and speakeasy and like how did

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<v Speaker 3>this happen?

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<v Speaker 2>Yeah?

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<v Speaker 4>I feel like there was a lead up to that day, though,

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<v Speaker 4>because woman and I have known each other twenty five

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<v Speaker 4>years or so, and I found that every time that

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<v Speaker 4>you and I got together, whether we're on a plane

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<v Speaker 4>to London or whatever, it's always like five six seven

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<v Speaker 4>hours of us just talking and it always seems so seamless,

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<v Speaker 4>it didn't seem forced or anything, and so I always

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<v Speaker 4>felt like that was the foundation of why we came

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<v Speaker 4>here today. However, that leads us to the night we

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<v Speaker 4>got together we had a group text between myself, Wilmer

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<v Speaker 4>and shout out to Jay, Hernandez and Rock and we

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<v Speaker 4>had a group text, and for like a year we

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<v Speaker 4>kept saying, when are we getting together?

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<v Speaker 1>When do we get together? When do we get together?

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<v Speaker 4>Finally it was the it was the strike right, and

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<v Speaker 4>it was Jay goes, come on, I know none.

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<v Speaker 2>Of you bastards are working, so let's go and have dinner.

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<v Speaker 4>And we finally did it, and we got together and

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<v Speaker 4>what was that wonderful restaurant.

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<v Speaker 1>We went too.

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<v Speaker 3>It's a it's an Argentina and restaurant on Marroo's my

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<v Speaker 3>favorite steak house in Los Angeles. Highly recommend visiting. Beautiful

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<v Speaker 3>family own. The mom is still doing all the is

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<v Speaker 3>it really?

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<v Speaker 1>Yeah?

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<v Speaker 3>Everybody who you met was you know, brothers, and it's

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<v Speaker 3>beautiful and it's been there forever. I mean it's like

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<v Speaker 3>this hidden jam and yeah, it's it's amazing.

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<v Speaker 1>But so we we ended up showing up who he said, Hey,

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<v Speaker 1>you know what six o'clock dinner.

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<v Speaker 2>Yeah, because you know we're all like like three old men.

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<v Speaker 3>Yeah, we can go bed early. Cut to you know,

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<v Speaker 3>two thirty in the morning. We're still talking and close

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<v Speaker 3>to doing and We're on Merrows telling your mama so

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<v Speaker 3>fat jokes. Like it got to a point where we

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<v Speaker 3>just started talking about anything.

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<v Speaker 4>Okay, hold on, did everybody hear that we were on

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<v Speaker 4>Melrose at three in the morning telling your mama jokes?

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<v Speaker 4>So you could imagine the cars that were passing by,

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<v Speaker 4>and we're watching j Hernandez and Freddie Rodriguez looking like

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<v Speaker 4>three three delinquents Mels at three. Yeah, which is a

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<v Speaker 4>quick shout out to a Warmer. First show he produced

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<v Speaker 4>called Yo Mama, which I was an incredible fan of,

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<v Speaker 4>and as we're there al Melrose, I brought it up

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<v Speaker 4>and we fell right into the ya Mama jact. Yeah.

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<v Speaker 1>No, I that was my first Frankenstein.

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<v Speaker 3>That was my first audacious Uh maybe I could be

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<v Speaker 3>a producer too, you know.

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<v Speaker 1>And then I created this thing and MTV says yes.

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<v Speaker 3>But speaking of all the you know, origin stories and

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<v Speaker 3>all that, I think about our culture, and I think

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<v Speaker 3>about the likability, the likability, the likability of all of

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<v Speaker 3>us somehow ended up embracing a life of you know, entertainment.

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<v Speaker 3>What was that moment for you? Just kind of getting

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<v Speaker 3>down to it, like, what was that moment for that

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<v Speaker 3>you you were like, oh, you know, I want to

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<v Speaker 3>be an actor.

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<v Speaker 4>Yeah, well, I mean, and this is the absolute truth.

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<v Speaker 4>I really wasn't good at anything else.

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<v Speaker 2>And I'm dead serious.

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<v Speaker 4>I feel like I started acting when I was like thirteen,

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<v Speaker 4>and I feel like it's such a crucial age where

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<v Speaker 4>you're trying to find yourself and you're trying to find

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<v Speaker 4>your identity. And I had cousins who were studious, and

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<v Speaker 4>I had friends who were athletes and so on and

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<v Speaker 4>so forth, and I just wasn't really good at any

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<v Speaker 4>of that stuff. And it wasn't until I found acting

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<v Speaker 4>and I found the arts that I really found what

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<v Speaker 4>I felt was my calling, which was in contrast to

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<v Speaker 4>what my parents had planned for me. Right, My parents

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<v Speaker 4>migrated from Puerto Rico to Chicago, didn't speak English. And

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<v Speaker 4>I don't know if you experienced this with your parents,

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<v Speaker 4>but definitely like one track mind, right, came from Puerto

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<v Speaker 4>Rico to Chicago, worked, raised their kids, one of their

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<v Speaker 4>kids to go to school, one of their kids to

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<v Speaker 4>get jobs, you know, lead a normal life. And then

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<v Speaker 4>here I come like, I want to be I want

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<v Speaker 4>to get altita, I want Yeah, what it is that

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<v Speaker 4>it's a hobby, you know, because there was so many

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<v Speaker 4>plays and so much off I was doing in Chicago

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<v Speaker 4>at that time, and it wasn't until I started to

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<v Speaker 4>do it professionally that they started to see that I

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<v Speaker 4>could actually pay the rent.

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<v Speaker 2>But it just it just didn't compute for a long time.

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<v Speaker 2>You know, did you have the same.

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<v Speaker 3>Experience pretty similar? I mean in the sense that you know,

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<v Speaker 3>we are we see, came here to work. We came

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<v Speaker 3>from the different country to you know, where'd you guys,

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<v Speaker 3>where'd you guys come from? Well, we came from Venezuela.

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<v Speaker 3>So my mother is Columbia. My father's Venezuelan, so you know,

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<v Speaker 3>we but they had met at Miami, and you know,

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<v Speaker 3>we'll get deep into that later. But I but I

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<v Speaker 3>think the moment that I said to myself, oh why

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<v Speaker 3>not acting right was almost by necessity, in a weird

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<v Speaker 3>illusion away, you know.

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<v Speaker 2>Necessity.

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<v Speaker 1>Yeah, necessity.

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<v Speaker 3>I felt like you know, I was I was still

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<v Speaker 3>in high school, you know, but I was always acting,

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<v Speaker 3>singing and dances just for fun. You know, I never

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<v Speaker 3>did it professionally. And I remember my dad used to

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<v Speaker 3>drive this masta, you know, held put up for sales

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<v Speaker 3>sign on the moss die and yeah, something like that

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<v Speaker 3>and he would put it for sale sign. And he

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<v Speaker 3>would use this car to transport parts from shop to shop.

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<v Speaker 3>And if for sale sign, he will sell the car

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<v Speaker 3>for a little profit. They would buy another one a

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<v Speaker 3>little more expensive, would put it for sale sign, then

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<v Speaker 3>buy another one, put it for sales sign. And that

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<v Speaker 3>car was just hustling, you know what I mean. And

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<v Speaker 3>then one day that car got.

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<v Speaker 1>Stolen from the front of the house.

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<v Speaker 3>Oh wow, and I saw for the first time, you know,

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<v Speaker 3>the uncertainty and the concern, and the and the fear

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<v Speaker 3>from my mom and from my dad.

0:10:34.480 --> 0:10:37.080
<v Speaker 4>And because that was the money man, that was the

0:10:37.120 --> 0:10:39.720
<v Speaker 4>money maker, that was the train, right, and that was

0:10:39.760 --> 0:10:41.560
<v Speaker 4>what was carried in us buy and well that he

0:10:41.679 --> 0:10:44.240
<v Speaker 4>was selling that he was also making some money and

0:10:44.480 --> 0:10:46.760
<v Speaker 4>using the car and that was a lifeline.

0:10:46.760 --> 0:10:48.880
<v Speaker 3>And you know, in Los Angeles you need a car.

0:10:48.880 --> 0:10:50.880
<v Speaker 3>Like you to get around, you need a car. And

0:10:50.960 --> 0:10:53.439
<v Speaker 3>you know, honestly, that was the moment when I saw

0:10:53.480 --> 0:10:55.520
<v Speaker 3>their concern, I said to myself, I got to get

0:10:55.559 --> 0:10:58.320
<v Speaker 3>in the game. And I was maybe fourteen fifteen years old,

0:10:58.920 --> 0:11:01.560
<v Speaker 3>and I said, I got to do this. And you know,

0:11:02.080 --> 0:11:05.000
<v Speaker 3>remember hearing this commercial. Are you between the ages of

0:11:05.320 --> 0:11:09.079
<v Speaker 3>sixteen was it? Oh man, are you between the fourteen

0:11:09.120 --> 0:11:10.840
<v Speaker 3>and sixty years old? Do you think you got it

0:11:10.880 --> 0:11:12.800
<v Speaker 3>takes to what it takes to to be a TV

0:11:12.920 --> 0:11:16.560
<v Speaker 3>personality and commercials and you know morning Saturday morning shows. Uh.

0:11:16.679 --> 0:11:18.800
<v Speaker 1>Then come to the Hilton and laxah blah blah. We

0:11:18.920 --> 0:11:20.960
<v Speaker 1>do a showcase where industry.

0:11:20.520 --> 0:11:23.160
<v Speaker 3>Experts, industry experts, they are going to deem to see

0:11:23.160 --> 0:11:24.360
<v Speaker 3>if you got what it is?

0:11:24.600 --> 0:11:25.320
<v Speaker 1>If you got it?

0:11:25.480 --> 0:11:28.160
<v Speaker 3>Yeah, So I told my dad and my Dad's like,

0:11:28.240 --> 0:11:29.480
<v Speaker 3>what what is this?

0:11:29.760 --> 0:11:31.880
<v Speaker 1>You know? So we go we showed up this showcase

0:11:31.920 --> 0:11:34.000
<v Speaker 1>and then he was like, but did.

0:11:33.880 --> 0:11:35.640
<v Speaker 2>You do it before that? Or did you just have

0:11:35.720 --> 0:11:40.040
<v Speaker 2>a natural I guess I was doing theater right.

0:11:40.080 --> 0:11:42.760
<v Speaker 3>I was singing and dancing, you know, but again because

0:11:42.800 --> 0:11:45.880
<v Speaker 3>it was like extra codc activities and in school, that

0:11:46.040 --> 0:11:48.120
<v Speaker 3>was the why I did it, you know, because it

0:11:48.160 --> 0:11:48.559
<v Speaker 3>was fun.

0:11:48.600 --> 0:11:48.760
<v Speaker 4>You know.

0:11:48.760 --> 0:11:50.280
<v Speaker 3>I was like, and I didn't know how to speak English.

0:11:50.320 --> 0:11:52.120
<v Speaker 3>So the more I did that, the faster I was

0:11:52.200 --> 0:11:53.200
<v Speaker 3>learning how to speak English.

0:11:53.280 --> 0:11:53.360
<v Speaker 4>Right.

0:11:53.400 --> 0:11:56.040
<v Speaker 3>Yeah, but you know the audacity of thinking that you

0:11:56.040 --> 0:11:58.560
<v Speaker 3>could be that, That's something that I think culturally we

0:11:58.600 --> 0:12:02.040
<v Speaker 3>all have. Yeah, but into it takes a certain amount

0:12:02.080 --> 0:12:03.679
<v Speaker 3>of perfect storms to happen, you.

0:12:03.600 --> 0:12:05.120
<v Speaker 2>Know, right, perfect storms.

0:12:05.200 --> 0:12:08.319
<v Speaker 3>Yeah, so what you say to your family, Hey, I

0:12:08.360 --> 0:12:10.480
<v Speaker 3>want to audition and or like I wanted to how

0:12:10.520 --> 0:12:11.400
<v Speaker 3>does this happen to you?

0:12:12.000 --> 0:12:13.240
<v Speaker 1>Decided you in the theater.

0:12:13.320 --> 0:12:15.640
<v Speaker 2>Or yeah, I sort of stumbled into it.

0:12:16.240 --> 0:12:19.560
<v Speaker 4>In the Chicago public school systems at that time, the

0:12:19.720 --> 0:12:22.880
<v Speaker 4>arts were practically non existent, just to be honest, And

0:12:22.960 --> 0:12:26.520
<v Speaker 4>so my school had no arts, no sports, nothing extracurricular.

0:12:27.080 --> 0:12:28.840
<v Speaker 4>And this is a really important point. You know, what

0:12:28.960 --> 0:12:32.520
<v Speaker 4>happens to kids at that age if there's no direction, right,

0:12:32.559 --> 0:12:35.160
<v Speaker 4>if there's nothing that they're necessarily interested in, whether it's

0:12:35.200 --> 0:12:38.360
<v Speaker 4>the art of sports or something else, then they're susceptible

0:12:38.400 --> 0:12:40.280
<v Speaker 4>to becoming a product of their environment.

0:12:40.400 --> 0:12:43.320
<v Speaker 2>Okay, and I grew up in Chicago. I grew up

0:12:43.320 --> 0:12:44.040
<v Speaker 2>in the inner city.

0:12:44.160 --> 0:12:45.719
<v Speaker 4>I grew up wear a lot of gangs, a lot

0:12:45.720 --> 0:12:48.439
<v Speaker 4>of drugs, a lot of graffiti, a lot of everything

0:12:48.480 --> 0:12:51.640
<v Speaker 4>that you would imagine is in the urban environment. And

0:12:51.720 --> 0:12:55.280
<v Speaker 4>I found myself pretty much going in that direction, or

0:12:55.400 --> 0:12:57.520
<v Speaker 4>saw that I could have gone in that direction if

0:12:57.520 --> 0:13:00.480
<v Speaker 4>I had no If I had no direction, family saw

0:13:00.520 --> 0:13:03.760
<v Speaker 4>it as well. And so when I discovered acting, I've

0:13:03.800 --> 0:13:05.960
<v Speaker 4>just found my calling. But a lot of that was

0:13:06.000 --> 0:13:08.160
<v Speaker 4>just because I wasn't good at anything else, you know,

0:13:08.800 --> 0:13:10.959
<v Speaker 4>and people need to understand that, you know, not every

0:13:11.040 --> 0:13:13.280
<v Speaker 4>kid is a is an athlete, not every kid is

0:13:13.320 --> 0:13:14.280
<v Speaker 4>a mathematician.

0:13:14.400 --> 0:13:14.600
<v Speaker 2>You know.

0:13:14.679 --> 0:13:17.120
<v Speaker 4>You got to find the thing that that the thirteen

0:13:17.200 --> 0:13:19.800
<v Speaker 4>year old kid is good at and then they'll thrive.

0:13:20.160 --> 0:13:23.000
<v Speaker 1>What's the strength and how do you cultivate that? Exactly? Yeah,

0:13:23.040 --> 0:13:24.320
<v Speaker 1>And honestly this.

0:13:24.240 --> 0:13:26.240
<v Speaker 3>Is one of the purposes of where I feel this

0:13:26.360 --> 0:13:29.640
<v Speaker 3>show hopefully be a space for it to explore all

0:13:29.640 --> 0:13:32.800
<v Speaker 3>these ideas and all these thoughts, all these subjects. You know,

0:13:33.320 --> 0:13:35.360
<v Speaker 3>how do you demystified? Right, how do you how do

0:13:35.360 --> 0:13:37.240
<v Speaker 3>you disarm the thought of.

0:13:37.520 --> 0:13:38.520
<v Speaker 1>Any ambition you have?

0:13:38.679 --> 0:13:40.520
<v Speaker 3>You know, I think that there's so much in culturally

0:13:40.559 --> 0:13:42.120
<v Speaker 3>that we have to kind of fight against, you know,

0:13:42.120 --> 0:13:44.720
<v Speaker 3>in order for us to break ground, or break new

0:13:44.840 --> 0:13:47.679
<v Speaker 3>environments or go into new roads, right take take new

0:13:47.760 --> 0:13:50.960
<v Speaker 3>chapters that perhaps our family never thought realistic for us, right,

0:13:51.040 --> 0:13:53.200
<v Speaker 3>you know. So, so I really hope that this space

0:13:53.280 --> 0:13:55.200
<v Speaker 3>that this podcast you know, kind of allows us to

0:13:55.600 --> 0:13:58.000
<v Speaker 3>disarm those thoughts, to create a new a new way

0:13:58.040 --> 0:13:59.960
<v Speaker 3>of thinking, you know, and I think you think about

0:14:00.120 --> 0:14:03.240
<v Speaker 3>the generation that we're experiencing right now, and you know,

0:14:03.280 --> 0:14:05.680
<v Speaker 3>the youngans who are going to carry the torch from

0:14:05.679 --> 0:14:07.800
<v Speaker 3>whatever we were able to humbly achieve.

0:14:08.280 --> 0:14:09.080
<v Speaker 1>And I think that's the.

0:14:09.360 --> 0:14:11.880
<v Speaker 3>Part of this experiment, you know. And we'd like to

0:14:11.920 --> 0:14:16.320
<v Speaker 3>invite everyone who's who's joining us in this podcast to say, hey, like,

0:14:16.440 --> 0:14:17.920
<v Speaker 3>remember when you used to dream big?

0:14:18.120 --> 0:14:20.080
<v Speaker 1>Right like, is it too late to keep dreaming?

0:14:20.560 --> 0:14:22.840
<v Speaker 3>You know, bring some friends, you know, but perhaps the

0:14:22.840 --> 0:14:26.040
<v Speaker 3>third amigo that can inspire you and me, you know

0:14:26.120 --> 0:14:28.920
<v Speaker 3>into other ways you know, that can hopefully translate into

0:14:29.200 --> 0:14:32.240
<v Speaker 3>inspiration for others. You know, this is a show for everyone,

0:14:32.320 --> 0:14:34.680
<v Speaker 3>and we hope that everyone really really enjoys it.

0:14:34.880 --> 0:14:36.240
<v Speaker 2>Yeah, this is a show for everyone.

0:14:36.320 --> 0:14:39.680
<v Speaker 4>You know. I want to hear other people's journeys as well,

0:14:39.720 --> 0:14:41.600
<v Speaker 4>whether you're in the entertainment industry or not.

0:14:41.880 --> 0:14:44.880
<v Speaker 2>You know, what's it like to be in business, what's

0:14:44.880 --> 0:14:47.200
<v Speaker 2>it like to be a doctor or a nurse or

0:14:47.240 --> 0:14:48.320
<v Speaker 2>a teacher or that.

0:14:48.400 --> 0:14:50.800
<v Speaker 4>I want to know what that journey is like and

0:14:50.840 --> 0:14:55.640
<v Speaker 4>how culturally that's impacted you and how that steered your

0:14:55.760 --> 0:14:58.640
<v Speaker 4>journey or whatever decisions you made in that journey.

0:14:58.680 --> 0:15:01.360
<v Speaker 3>Yeah, and what life hacks you know, what ways do

0:15:01.400 --> 0:15:04.640
<v Speaker 3>you can you hack the life that was perceived or

0:15:04.640 --> 0:15:08.160
<v Speaker 3>stereotypically given to you, And how do you break that

0:15:08.240 --> 0:15:10.120
<v Speaker 3>apart and say, hey, you know, I'm going to rewrite

0:15:10.120 --> 0:15:12.400
<v Speaker 3>a new chapter, like how can we do that? And

0:15:12.440 --> 0:15:15.000
<v Speaker 3>then you know, also, let's make sure this is fun,

0:15:15.200 --> 0:15:19.240
<v Speaker 3>you know, you know, you.

0:15:19.200 --> 0:15:20.840
<v Speaker 1>Know, because that's just who we are, you know.

0:15:20.880 --> 0:15:23.920
<v Speaker 3>I think one thing I can say about Latinos is

0:15:23.920 --> 0:15:27.080
<v Speaker 3>that when things get a little complicated, you know, we

0:15:27.120 --> 0:15:27.960
<v Speaker 3>don't complain about it.

0:15:28.000 --> 0:15:38.480
<v Speaker 1>We turn the music a little. Yeah. So let's I

0:15:38.480 --> 0:15:41.400
<v Speaker 1>had a question real quick, how did you two meet?

0:15:42.240 --> 0:15:44.720
<v Speaker 5>Because this is like a dope friendship and I know

0:15:44.760 --> 0:15:47.320
<v Speaker 5>it's been years in the making, and I just want

0:15:47.360 --> 0:15:49.560
<v Speaker 5>to say, like, when was the first time y'all connected

0:15:49.600 --> 0:15:52.000
<v Speaker 5>and knew like, okay, this is going to be like

0:15:52.000 --> 0:15:54.479
<v Speaker 5>a brother or like life.

0:15:54.280 --> 0:15:54.880
<v Speaker 1>Or something like that.

0:15:54.960 --> 0:15:56.400
<v Speaker 5>Like how did you all come across each other?

0:15:58.320 --> 0:16:01.200
<v Speaker 1>That's a great question, that's a weird question.

0:16:01.320 --> 0:16:04.920
<v Speaker 3>I'd say, well, you should go first, because there's multiple

0:16:05.000 --> 0:16:07.400
<v Speaker 3>instances in my life when you and I crosspass words.

0:16:07.440 --> 0:16:11.960
<v Speaker 4>It's like, yeah, this is yeah. I remember I was

0:16:12.040 --> 0:16:15.520
<v Speaker 4>doing I was doing a show I want to say

0:16:15.720 --> 0:16:19.840
<v Speaker 4>nineteen ninety eight, maybe ninety nine, and I remember you

0:16:19.920 --> 0:16:23.200
<v Speaker 4>came to visit a friend and you came on set

0:16:23.240 --> 0:16:25.480
<v Speaker 4>and I think I was shooting at Sony or something,

0:16:26.120 --> 0:16:30.880
<v Speaker 4>and I remember the hair person or the makeup person said, hey, you.

0:16:30.800 --> 0:16:32.080
<v Speaker 1>See that guy.

0:16:32.280 --> 0:16:34.520
<v Speaker 2>He's he's a Latino actor like you.

0:16:35.560 --> 0:16:38.120
<v Speaker 4>And I remember them specifically pointing you out as you

0:16:38.160 --> 0:16:40.600
<v Speaker 4>walked in and you said hello to your friend. And

0:16:40.720 --> 0:16:44.560
<v Speaker 4>at that point I really hadn't met too many other

0:16:45.240 --> 0:16:47.520
<v Speaker 4>Latino Latina actors in Hollywood.

0:16:47.560 --> 0:16:52.080
<v Speaker 2>Man. I really fell alone, you know. And I just

0:16:52.120 --> 0:16:53.600
<v Speaker 2>remember looking at you and going.

0:16:53.400 --> 0:16:57.240
<v Speaker 4>Like, whoh, there's somebody else like me, you know. And

0:16:57.280 --> 0:17:01.000
<v Speaker 4>then I believe your show came out after and obviously

0:17:01.080 --> 0:17:04.480
<v Speaker 4>seeing you on that, I was incredibly proud to see you,

0:17:04.480 --> 0:17:07.680
<v Speaker 4>you doing your thing. And then I just remember being

0:17:07.720 --> 0:17:11.640
<v Speaker 4>out and us having mutual friends and meeting through mutual friends.

0:17:12.240 --> 0:17:14.320
<v Speaker 4>I remember seeing you, I don't know if it was

0:17:14.400 --> 0:17:18.200
<v Speaker 4>Conan O'Brien or whatever, and you were dancing sad side.

0:17:19.480 --> 0:17:22.679
<v Speaker 2>And I was like, he dances sas like man, like,

0:17:23.200 --> 0:17:23.560
<v Speaker 2>you know, I.

0:17:23.560 --> 0:17:26.399
<v Speaker 4>Grew up dancing South Simon didn't get you know, And

0:17:26.480 --> 0:17:28.880
<v Speaker 4>that you spoke Spanish, and which is crazy. You tell

0:17:28.920 --> 0:17:31.399
<v Speaker 4>me that Spanish was your first language and you didn't

0:17:31.400 --> 0:17:35.000
<v Speaker 4>speak English because your English was so impeccable, I would

0:17:35.000 --> 0:17:39.680
<v Speaker 4>have never guessed that you only spoke Spanish. So there

0:17:39.680 --> 0:17:42.720
<v Speaker 4>were a lot of elements that you possessed that felt

0:17:42.840 --> 0:17:43.840
<v Speaker 4>very familiar to me.

0:17:44.000 --> 0:17:46.480
<v Speaker 2>And you just felt like somebody that I had grown.

0:17:46.320 --> 0:17:47.000
<v Speaker 1>Up with, you know.

0:17:47.400 --> 0:17:49.679
<v Speaker 2>And then when we actually met and we started talking,

0:17:49.720 --> 0:17:51.520
<v Speaker 2>I was like, this guy's the coolest freaking guy in

0:17:52.200 --> 0:17:53.359
<v Speaker 2>the world, man, you know.

0:17:53.480 --> 0:17:55.160
<v Speaker 4>And every time we as I said in the beginning

0:17:55.200 --> 0:17:57.560
<v Speaker 4>of the show, every time we talked, it was always

0:17:57.600 --> 0:17:59.920
<v Speaker 4>like three four hours and we always.

0:17:59.640 --> 0:18:02.000
<v Speaker 2>Just you know, just enjoyed each other's company.

0:18:02.160 --> 0:18:03.600
<v Speaker 1>Well, my mine is very similar, you know.

0:18:03.640 --> 0:18:06.679
<v Speaker 3>I think first of all, I remember seeing you a

0:18:06.680 --> 0:18:09.480
<v Speaker 3>six feet under and I was like, and then see

0:18:09.520 --> 0:18:13.719
<v Speaker 3>your Rodriguez, you know, Rodriguez and the credits, I was like, damn,

0:18:14.400 --> 0:18:16.520
<v Speaker 3>you know, and I'm telling you, you what you say

0:18:16.720 --> 0:18:21.320
<v Speaker 3>to me, I feel incredibly just telling of the environment

0:18:21.440 --> 0:18:23.639
<v Speaker 3>and the climbing in which we're coming up as performers,

0:18:23.680 --> 0:18:26.720
<v Speaker 3>you know, I didn't have anything else to compare ourselves to, right,

0:18:26.760 --> 0:18:28.280
<v Speaker 3>and there was like maybe a few of us on

0:18:28.400 --> 0:18:31.400
<v Speaker 3>network TV and cable TV, and you know, I saw

0:18:31.440 --> 0:18:33.720
<v Speaker 3>you a six feet under and you were I mean

0:18:34.080 --> 0:18:37.399
<v Speaker 3>incredible in that Then I realized I started then seeing

0:18:37.440 --> 0:18:40.000
<v Speaker 3>you in so many other movies before that, and I

0:18:40.119 --> 0:18:42.320
<v Speaker 3>was like, oh, this is the same guy I liked

0:18:42.359 --> 0:18:42.920
<v Speaker 3>in this movie.

0:18:42.920 --> 0:18:44.320
<v Speaker 1>This is the same guy I liked in that product.

0:18:44.640 --> 0:18:47.560
<v Speaker 3>And so to me, it was like just to see

0:18:47.600 --> 0:18:54.359
<v Speaker 3>that almost created this mirage that like we weren't just

0:18:55.000 --> 0:18:57.240
<v Speaker 3>the one person in the room, right, Like we weren't

0:18:57.280 --> 0:18:59.000
<v Speaker 3>like the only Latino on the show, the only Latino

0:18:59.040 --> 0:19:01.879
<v Speaker 3>in the movie. And it made me realize that I

0:19:01.920 --> 0:19:04.919
<v Speaker 3>wasn't that I wasn't that alone. But you know, it

0:19:04.920 --> 0:19:07.760
<v Speaker 3>goes full circle to say, like, you know, the moment

0:19:07.840 --> 0:19:09.840
<v Speaker 3>I met you, your your and you know, you were

0:19:10.320 --> 0:19:14.199
<v Speaker 3>unapologetically Latino, and I was like, dude, like it's really

0:19:14.359 --> 0:19:16.320
<v Speaker 3>is it was really beautiful.

0:19:15.920 --> 0:19:16.280
<v Speaker 1>To see that.

0:19:16.400 --> 0:19:18.439
<v Speaker 3>And I say, you know, to your point, some of

0:19:18.480 --> 0:19:22.439
<v Speaker 3>these conversations that we were having, you know, kept untapping

0:19:22.440 --> 0:19:25.080
<v Speaker 3>and un rambling some of the many layers that we

0:19:25.119 --> 0:19:27.879
<v Speaker 3>have never been allowed to talk about because you know,

0:19:27.960 --> 0:19:30.919
<v Speaker 3>you get kind of corner into you know, promote the

0:19:30.960 --> 0:19:33.640
<v Speaker 3>show and you know, talk about the why the show

0:19:33.680 --> 0:19:36.240
<v Speaker 3>and about your character, and you never have the space

0:19:36.320 --> 0:19:37.960
<v Speaker 3>to kind of talk a little bit about what it

0:19:38.000 --> 0:19:40.680
<v Speaker 3>took for you to have the tools that you did,

0:19:40.920 --> 0:19:43.760
<v Speaker 3>and back then you were doing some of the most

0:19:44.119 --> 0:19:47.960
<v Speaker 3>pop culturally moments in history. And I remember seeing you

0:19:48.040 --> 0:19:50.040
<v Speaker 3>go through the ALBUMA Awards and whatever, and I was like,

0:19:50.160 --> 0:19:51.480
<v Speaker 3>of course, I mean like you were.

0:19:51.680 --> 0:19:53.520
<v Speaker 1>You were absolutely lifting our community for.

0:19:53.480 --> 0:19:56.280
<v Speaker 3>So long, but they weren't that many of us, so

0:19:56.320 --> 0:19:59.000
<v Speaker 3>the signal was like just brewing, you know, like we

0:19:59.000 --> 0:20:02.199
<v Speaker 3>were just making them, you know, and but you were

0:20:02.240 --> 0:20:04.480
<v Speaker 3>part of this community that was just breaking ground for

0:20:04.480 --> 0:20:06.320
<v Speaker 3>all of us. And I was it was more than proud.

0:20:06.359 --> 0:20:06.600
<v Speaker 4>I was.

0:20:06.640 --> 0:20:08.800
<v Speaker 3>I just wanted to be like that. I just wanted

0:20:08.840 --> 0:20:10.960
<v Speaker 3>to continue to aspire to do that, you know. And

0:20:11.480 --> 0:20:15.199
<v Speaker 3>but it was our conversations. And I remember when I

0:20:15.240 --> 0:20:18.840
<v Speaker 3>truly fell in love with Freddie Rodriguez was when we

0:20:19.080 --> 0:20:22.359
<v Speaker 3>were on a flight to London, That's right, yeah, yeah,

0:20:22.400 --> 0:20:26.480
<v Speaker 3>and we ended up sitting together like just randomly and

0:20:26.520 --> 0:20:29.720
<v Speaker 3>I'm like, oh, Freddie, nice to see you, and like yeah.

0:20:29.440 --> 0:20:30.280
<v Speaker 1>And You're like the same.

0:20:30.480 --> 0:20:34.920
<v Speaker 3>And then we did not take one blink of a

0:20:35.000 --> 0:20:37.680
<v Speaker 3>nap as from the moment we boarded to the moment

0:20:37.760 --> 0:20:39.280
<v Speaker 3>we landed, to the moment.

0:20:39.000 --> 0:20:41.800
<v Speaker 1>We got our bags, we were talking. I don't know

0:20:41.800 --> 0:20:42.080
<v Speaker 1>how long.

0:20:42.160 --> 0:20:45.040
<v Speaker 3>That flight was like thirteen hours, thirteen hours, and we

0:20:45.160 --> 0:20:48.200
<v Speaker 3>talked about all of it, and that's when I knew,

0:20:48.760 --> 0:20:50.400
<v Speaker 3>you know, you're gonna be my family for life.

0:20:50.600 --> 0:20:52.399
<v Speaker 2>Yeah, thank you, brother. I received that.

0:20:53.320 --> 0:20:56.040
<v Speaker 4>And you know what's interesting about that, you know, us

0:20:56.119 --> 0:20:58.760
<v Speaker 4>talking like that for thirteen hours, I mean, what does

0:20:58.800 --> 0:21:01.360
<v Speaker 4>that say. It said is that there's a lot that

0:21:01.400 --> 0:21:04.520
<v Speaker 4>we were holding back. Right. I don't want to say

0:21:04.560 --> 0:21:06.960
<v Speaker 4>it's like a therapy session, but you know it goes

0:21:07.000 --> 0:21:09.960
<v Speaker 4>to show that that, at least as I'm speaking for myself,

0:21:10.000 --> 0:21:12.720
<v Speaker 4>you know, like I didn't really have too many other

0:21:12.800 --> 0:21:16.000
<v Speaker 4>people that I can talk to like that that understood

0:21:16.000 --> 0:21:20.320
<v Speaker 4>the journey, that understood the steps, that understood starting how

0:21:20.320 --> 0:21:22.879
<v Speaker 4>we started and what it was to be there. You

0:21:22.920 --> 0:21:26.600
<v Speaker 4>said something a minute ago that was really interesting. A

0:21:26.640 --> 0:21:29.880
<v Speaker 4>lot of the projects that we've done, we're always the

0:21:29.920 --> 0:21:34.879
<v Speaker 4>only Latino in that project, you know, and that gets

0:21:34.920 --> 0:21:37.320
<v Speaker 4>lonely man, right, you know, you know, you go from

0:21:37.400 --> 0:21:39.520
<v Speaker 4>movie to movie, show to show, and you're always the

0:21:39.520 --> 0:21:42.880
<v Speaker 4>only Latino person, you know, and you don't have somebody

0:21:42.880 --> 0:21:46.240
<v Speaker 4>else there that you can relate to or talk to.

0:21:46.520 --> 0:21:48.840
<v Speaker 4>And so so then when you get on a plane

0:21:48.880 --> 0:21:50.200
<v Speaker 4>in London for thirteen hours.

0:21:50.240 --> 0:21:52.080
<v Speaker 1>It's like I gotta let it alone.

0:21:52.720 --> 0:21:55.160
<v Speaker 2>I gotta let it out.

0:21:55.840 --> 0:21:57.879
<v Speaker 1>But there was a lack of community, right, there's a

0:21:57.960 --> 0:21:58.440
<v Speaker 1>lack of.

0:21:58.359 --> 0:22:01.120
<v Speaker 3>Awareness, you know, And we were all, you know, lone

0:22:01.200 --> 0:22:03.680
<v Speaker 3>ranger in this thing in different directions, right, we were

0:22:03.680 --> 0:22:07.320
<v Speaker 3>segregated from each other and not allowed to technically commute

0:22:07.800 --> 0:22:11.800
<v Speaker 3>artistically because you're right, like tokenly, you know, we were

0:22:11.800 --> 0:22:14.959
<v Speaker 3>placed in different projects. And by the way, we were

0:22:15.000 --> 0:22:18.200
<v Speaker 3>also where able to play against stereotypes and so many

0:22:18.200 --> 0:22:20.000
<v Speaker 3>different ways, you know, and some all that stuff.

0:22:20.080 --> 0:22:22.359
<v Speaker 1>So it's pretty unbelievable. For me.

0:22:22.440 --> 0:22:23.679
<v Speaker 3>It was like, you know, I had an accent, So

0:22:23.680 --> 0:22:25.280
<v Speaker 3>when I was looking at you as a Latina and

0:22:25.280 --> 0:22:27.359
<v Speaker 3>you did not have an accent but also spoke Spanish,

0:22:27.440 --> 0:22:29.600
<v Speaker 3>I was like, I gotta be like this guy because

0:22:29.640 --> 0:22:31.440
<v Speaker 3>I literally could have ship my accent. And I think

0:22:31.440 --> 0:22:33.280
<v Speaker 3>for right now, I think you can hear that I

0:22:33.320 --> 0:22:35.040
<v Speaker 3>decided to give up on that question.

0:22:36.000 --> 0:22:38.800
<v Speaker 4>Yeah, I never but I never felt it was like

0:22:39.760 --> 0:22:40.600
<v Speaker 4>at the forefront.

0:22:40.960 --> 0:22:43.800
<v Speaker 3>Yeah, it wasn't strong enough to be the night in jobs,

0:22:43.920 --> 0:22:47.960
<v Speaker 3>but it also wasn't like clean enough to play you know,

0:22:48.080 --> 0:22:51.040
<v Speaker 3>the full American guy, you know. But but I mean,

0:22:51.040 --> 0:22:54.840
<v Speaker 3>I to your point I think having our journeys, you know,

0:22:55.000 --> 0:22:56.720
<v Speaker 3>clashing this way, and for us to be able to

0:22:56.800 --> 0:22:59.280
<v Speaker 3>historically record these moments and and say like, we can

0:22:59.359 --> 0:23:02.520
<v Speaker 3>leave this behind and you know, not just for our children,

0:23:02.600 --> 0:23:05.879
<v Speaker 3>but humbly to those who are next. And there's a

0:23:05.920 --> 0:23:08.959
<v Speaker 3>beautiful community out there that has been waiting for this space,

0:23:09.040 --> 0:23:12.080
<v Speaker 3>and I dare to say they're inheriting a space that's

0:23:12.080 --> 0:23:14.920
<v Speaker 3>so much more open, so much more marketable, so much

0:23:14.960 --> 0:23:17.760
<v Speaker 3>more fruitful. And I think the idea that this podcast

0:23:17.760 --> 0:23:19.800
<v Speaker 3>can start this conversation in many ways.

0:23:20.320 --> 0:23:21.720
<v Speaker 1>On that level, it's amazing.

0:23:21.760 --> 0:23:23.719
<v Speaker 3>And I you know, I invite everybody in the studio

0:23:23.760 --> 0:23:27.320
<v Speaker 3>system in Hollywood and all other industries to kind of discover,

0:23:27.880 --> 0:23:30.639
<v Speaker 3>you know, how much of a partner this community can be,

0:23:31.320 --> 0:23:31.880
<v Speaker 3>how much of.

0:23:31.800 --> 0:23:37.400
<v Speaker 4>A partner, how vast our audiences, how big our audiences,

0:23:37.800 --> 0:23:40.560
<v Speaker 4>The audience that's going to tune in to listen to this,

0:23:40.680 --> 0:23:44.160
<v Speaker 4>the audience that has followed us for the last thirty years,

0:23:44.160 --> 0:23:45.679
<v Speaker 4>that have watched all our things.

0:23:45.440 --> 0:23:47.320
<v Speaker 1>And we're going to talk about all those things.

0:23:47.400 --> 0:23:49.280
<v Speaker 3>We're going to bring all of our friends, you know,

0:23:49.359 --> 0:23:51.639
<v Speaker 3>to come and validate these stories. Don't take it just

0:23:51.680 --> 0:23:54.520
<v Speaker 3>from us, but yeah, the idea that we can bring

0:23:54.800 --> 0:23:57.440
<v Speaker 3>other individuals that were part of that journey and also

0:23:57.600 --> 0:23:59.959
<v Speaker 3>individuals that may be part of the journey we're going next,

0:24:00.880 --> 0:24:02.159
<v Speaker 3>and we hope everyone enjoys it.

0:24:02.200 --> 0:24:05.119
<v Speaker 1>And that leads me to my next wondrous question.

0:24:05.920 --> 0:24:07.600
<v Speaker 3>We've been able to talk a little bit of like

0:24:08.040 --> 0:24:11.120
<v Speaker 3>the inspiration, what like what kicked our butts into artistry?

0:24:11.280 --> 0:24:13.600
<v Speaker 3>You know, but I think a lot of people have

0:24:13.640 --> 0:24:17.399
<v Speaker 3>not had the opportunity to hear who is Freddie Rodriguez?

0:24:18.160 --> 0:24:20.439
<v Speaker 1>You know, like where do you come from? Who are

0:24:20.480 --> 0:24:23.360
<v Speaker 1>your parents? You know, who were you as a kid,

0:24:23.359 --> 0:24:24.680
<v Speaker 1>who were you as a student?

0:24:24.840 --> 0:24:27.280
<v Speaker 3>You know, like what what things happen in your life

0:24:27.320 --> 0:24:30.680
<v Speaker 3>that kind of shape what Freddie Rodriguez is today? Because

0:24:30.720 --> 0:24:34.680
<v Speaker 3>although we have to artistry, there's a whole lifetime that happens,

0:24:35.240 --> 0:24:37.320
<v Speaker 3>the play of factor and the choices you make as

0:24:37.320 --> 0:24:39.680
<v Speaker 3>an actor in the in the in your views and your.

0:24:39.600 --> 0:24:43.840
<v Speaker 1>Philosophies of life. And I love to hear that, Oh, well,

0:24:43.880 --> 0:24:44.199
<v Speaker 1>thank you.

0:24:44.520 --> 0:24:47.200
<v Speaker 4>I hope we have another episode in us maybe maybe

0:24:47.240 --> 0:24:48.280
<v Speaker 4>we'll well look at that.

0:24:48.520 --> 0:24:51.800
<v Speaker 3>We got to refill our cup refilled and we welcome

0:24:51.840 --> 0:24:52.880
<v Speaker 3>Maryant Episode two.

0:24:53.000 --> 0:24:54.359
<v Speaker 1>Who is Freddie Rodriguez?

0:24:55.359 --> 0:25:00.199
<v Speaker 2>Salute?

0:25:01.840 --> 0:25:06.240
<v Speaker 4>Dos Amigos is a production from WV Sound and iHeartMedia's

0:25:06.359 --> 0:25:10.880
<v Speaker 4>Michael Tuda podcast network, hosted by Me, Freddie Rodriguez, and

0:25:11.080 --> 0:25:12.280
<v Speaker 4>Wilmer Valderama.

0:25:12.400 --> 0:25:17.160
<v Speaker 3>Those Amigos is produced by Aaron Burlison and Sophie Spencer's Zebos.

0:25:17.640 --> 0:25:22.480
<v Speaker 4>Our executive producers are Wilmer Valderama, Freddie Rodriguez, Aaron Burlison,

0:25:22.680 --> 0:25:24.840
<v Speaker 4>and Leo Klem at WV Sound.

0:25:25.000 --> 0:25:28.520
<v Speaker 3>This episode was edited by Ryan Posts and Aaron Burlison

0:25:29.000 --> 0:25:32.359
<v Speaker 3>and features original music by Madison Devenport and Halo Boy.

0:25:32.560 --> 0:25:36.000
<v Speaker 4>Our cover art photography is by David Avalos and designed

0:25:36.040 --> 0:25:37.400
<v Speaker 4>by Deny holtz.

0:25:37.160 --> 0:25:41.240
<v Speaker 3>Claw and special thanks to every single interview for joining

0:25:41.280 --> 0:25:43.560
<v Speaker 3>this journey and I hope you continue to enjoy us.

0:25:43.840 --> 0:25:46.760
<v Speaker 4>For more podcasts from my Heart, visit the iHeartRadio app,

0:25:47.000 --> 0:25:50.240
<v Speaker 4>Apple podcast, or wherever you listen to your favorite shows.

0:25:50.520 --> 0:25:54.240
<v Speaker 3>See you or hear us in a week or so.