WEBVTT - Part Two: Baba Yaga: Everyone's Favorite Witch From Folklore

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<v Speaker 1>Hello, and welcome to Cool People who did cool stuff.

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<v Speaker 1>I'm your host, Margaret Killjoy, and this week is Spooky Week.

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<v Speaker 1>Actually last week was Spooky Week, but I kind of

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<v Speaker 1>sucked up the timing about three part episodes. So this

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<v Speaker 1>week is Spooky Week. And instead of what I usually do,

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<v Speaker 1>tell you about some cool actual person from history, this

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<v Speaker 1>week I'm telling you about a cool person from folklore.

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<v Speaker 1>My guest today is Jamie Loftus, who herself is a

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<v Speaker 1>creature out of folklore? What are you the personification of

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<v Speaker 1>a gun? I can't remember, Jamie? Oh what was I? I? Actually,

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<v Speaker 1>it's been heavily, it's been hotly debated over over time. Um,

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<v Speaker 1>you know, I don't. I let people interpret it for themselves.

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<v Speaker 1>It's not for me to say as as as someone

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<v Speaker 1>who's not a real person, more of an idea than

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<v Speaker 1>a person, It's not for me to say, Okay, that's fair.

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<v Speaker 1>It's up for the listener to decide. What have you've

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<v Speaker 1>been the what have you've been popularly interpreted to be

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<v Speaker 1>the personification of Margaret? Oh lord? Um? Well, what's fun

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<v Speaker 1>about that is I think people actually do do that

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<v Speaker 1>to me. But then they, like, you know, they pick

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<v Speaker 1>like one aspect of your personality and run with it.

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<v Speaker 1>And it used to be the like the like vagabond figure, right,

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<v Speaker 1>like it's the like perpetual traveler. And then it was

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<v Speaker 1>like the girl who lives in a black house that

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<v Speaker 1>she built in the forest, and like, both of those

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<v Speaker 1>are like true things about me. But yeah, I see

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<v Speaker 1>where they're coming from. To be fair, you did write

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<v Speaker 1>a chapter in your latest book about a girl turned

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<v Speaker 1>which that lives in a house in the forest. That's true.

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<v Speaker 1>That's true. So you did kind of write your own folklore. Yeah,

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<v Speaker 1>that seems like something I would do. Fair enough, they

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<v Speaker 1>have cultivated people often think that I am extremely chaotic

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<v Speaker 1>and don't have any semblance of control over my life.

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<v Speaker 1>But that's not true. That is completely that is factually inaccurate.

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<v Speaker 1>You're far too productive for that to be true. I

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<v Speaker 1>have my ship together just enough, thank you very much.

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<v Speaker 1>But here we are. Here we are too, or three

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<v Speaker 1>three women who represent ideas and are projected upon constantly. Sophie,

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<v Speaker 1>what's your professionally? Even my folklore? I think I think

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<v Speaker 1>you wrote my folklore if you told me I was

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<v Speaker 1>the pope of podcasting. So it's probably just like the

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<v Speaker 1>weird para social folklore that that all I do is

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<v Speaker 1>say no, which is not true the personification of sometimes

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<v Speaker 1>I say absolutely not. Yeah, so the queen of yeah yeah, Well, Jamie,

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<v Speaker 1>when you pointed out that, like, also professionally, we are

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<v Speaker 1>like that is the odd thing about doing this kind

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<v Speaker 1>of work is that you're like, oh, yeah, romanticize my life.

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<v Speaker 1>You'll buy my books. Right, You're like, it's not it's

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<v Speaker 1>not that negative, and it doesn't always even bother me.

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<v Speaker 1>But sometimes you're just like, well, I know what I'm like. Yeah,

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<v Speaker 1>and and and for me, nobody even knows what my

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<v Speaker 1>job is and that's fun and I'm not telling any

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<v Speaker 1>of you. Yeah. Well, one person whose job we do know. Uh.

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<v Speaker 1>The audio engineering is done by ian and the theme

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<v Speaker 1>music was written by a woman. Yeah. And where we

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<v Speaker 1>last left off, we talked about who Bobby Aga was,

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<v Speaker 1>about her chicken hut and her bony legs, and how

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<v Speaker 1>she ate children who misbehaved. Today we're going to talk

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<v Speaker 1>about what she means and where she comes from. But

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<v Speaker 1>first another story. I'm excited. I literally I have my

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<v Speaker 1>blanket here too, and I'm saying, okay, this story is

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<v Speaker 1>called by command of Prince Daniel. That's a great name

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<v Speaker 1>for a story. Okay, okay, as translated yeah by Leonard

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<v Speaker 1>Arthur Magnus, also about a hundred years ago. I didn't

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<v Speaker 1>forgot to write down the date I picked the public

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<v Speaker 1>domain translations. Is what happened. I'm inherently mistrustful of someone

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<v Speaker 1>who actively goes by three names, so this will be interesting,

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<v Speaker 1>that's fair. Yeah, I'm trying to come up with the

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<v Speaker 1>counter example, but I don't have one off the top

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<v Speaker 1>of my head. Three namers generally fall into the buckets

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<v Speaker 1>of serial killers or child stars, and um, you know,

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<v Speaker 1>and and so you're just like, this is going to

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<v Speaker 1>be a mixed bag. We'll see YEA. Once upon a

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<v Speaker 1>time there was an aged queen who had a son

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<v Speaker 1>and a daughter who were fine sturred each children, but

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<v Speaker 1>there was also an yeah coming in hard. But there

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<v Speaker 1>was also an evil witch who could not bear them,

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<v Speaker 1>and she began to lay plots how she might contrive

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<v Speaker 1>their overthrow. I think this is not even whatever I

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<v Speaker 1>must pulling anything. So she to the old queen and said,

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<v Speaker 1>dear gossip, that must be the queen's name. I don't know.

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<v Speaker 1>I am giving you a ring. Put it on your

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<v Speaker 1>son's hand, and then he will be rich and generous.

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<v Speaker 1>Only he must marry the maiden whom this ring fits.

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<v Speaker 1>The mother believed her and was extremely glad, and at

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<v Speaker 1>her death bade her son marry only the woman whom

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<v Speaker 1>the ring fitted. Time went by, and the boy grew up.

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<v Speaker 1>He became a man, and he looked at all the maidens.

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<v Speaker 1>Very many of them he liked, only as soon as

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<v Speaker 1>he put the ring on their finger. It was either

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<v Speaker 1>too broad or too narrow. So he traveled from village

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<v Speaker 1>to village, from town to town, and searched out all

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<v Speaker 1>the fair damsels. But he could not find his chosen one,

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<v Speaker 1>and he returned home in a reflective mood. What is

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<v Speaker 1>the mother? What is the matter? Brother? His sister asked him.

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<v Speaker 1>So he told her of his trouble, explained his sorrow.

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<v Speaker 1>What a wonderful ring you have, said the sister, Let

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<v Speaker 1>me try it on. No, hey, bro um, that wedding ring.

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<v Speaker 1>Why don't she slap it on this finger? No problems here? Meanwhile,

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<v Speaker 1>the water system is poisoned. There's all these policy issues.

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<v Speaker 1>While this guy has been fucking off putting rings on

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<v Speaker 1>the random people. People are dying. Meanwhile, we have some

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<v Speaker 1>incest in progress. This is disgusting. Yeah, this is clearly

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<v Speaker 1>an HBO show. Yeah. She tried it on her finger,

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<v Speaker 1>and the ring was firm as firmly fixed as if

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<v Speaker 1>it had been soldered on, as though it had been

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<v Speaker 1>made for her. Oh, sister, you are my chosen bride

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<v Speaker 1>and you must be my wife. What a horrible idea brother,

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<v Speaker 1>That would be a sin. But the brother would not

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<v Speaker 1>listen to a word she said. He danced for joy

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<v Speaker 1>and told her to make ready for the wedding. She

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<v Speaker 1>wept bitter tears, went in front of the house and

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<v Speaker 1>sat on the threshold and let her tears flow. Two

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<v Speaker 1>old beggars came up, and she gave them to eat

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<v Speaker 1>and drink. They asked what her trouble was us, and

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<v Speaker 1>she needs must tell the two. Now weep no more,

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<v Speaker 1>but do what we say. Make up four dolls and

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<v Speaker 1>put them in four corners of your room. After your

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<v Speaker 1>brother calls you in for the betrothal, go and if

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<v Speaker 1>he calls you into the bridal chamber, ask for time,

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<v Speaker 1>trust in God, and follow our advice. And the beggars departed.

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<v Speaker 1>We need less doll based solutions in this world. I

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<v Speaker 1>don't know doll into girl to I mean, look, as

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<v Speaker 1>the owner of many dolls, they have not solved a

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<v Speaker 1>damn problem. And in fact, they've been an active deterrent. Uh,

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<v Speaker 1>they've maybe cause more problems then they've solved for me,

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<v Speaker 1>thank you very much. You mean because when people come

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<v Speaker 1>into your house, it's just dolls staring at you from

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<v Speaker 1>the wall. Yeah, people don't like that, it turns out, Margaret.

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<v Speaker 1>But people come into your house, they seed nine thousand

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<v Speaker 1>dollars and they're like, um, interesting, I just got so

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<v Speaker 1>busy and sick. Okay, So what we should try is

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<v Speaker 1>we should trade and you can become a sword girl

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<v Speaker 1>for a while and I'll become a doll girl for

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<v Speaker 1>a while, and we'll just, yeah, like walking a mile

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<v Speaker 1>in each other's shoes. Um, it would be useful because

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<v Speaker 1>the pigs and valleys of being a doll girl are

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<v Speaker 1>I feel like I've really lived and I want to

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<v Speaker 1>know what it feels like to be a sword girl.

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<v Speaker 1>Also a horse girl. Yeah, I do want to be

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<v Speaker 1>a horse girl, but horses don't respect my authority and

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<v Speaker 1>go where they want. And it's hard. I've been saying

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<v Speaker 1>that for years. Horses are so fucking disrespectful. Yeah. Yeah.

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<v Speaker 1>The brother and the sister were betrothed, and he went

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<v Speaker 1>into the room and cried out, sister mine, come in.

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<v Speaker 1>I will come in a moment. Brother, I'm only taking

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<v Speaker 1>off my earrings. And the dolls in the four corners

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<v Speaker 1>began to sing, cuckoo, Prince Danilo, cuckoo, dio ver leo

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<v Speaker 1>ku Ku. It's as a brother Kukou weds his sister Kukou.

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<v Speaker 1>Earth must be split asunder Kukou and the sister lie

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<v Speaker 1>hid under. Then the earth rose up and slowly started

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<v Speaker 1>to swallow the sister, and the brother cried out again,

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<v Speaker 1>did she do? Oh wait, you're here? Okay, sorry, I'm no,

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<v Speaker 1>no no, And the brother cried out again, sister mine,

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<v Speaker 1>come into the feather bed in in a minute, Brother,

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<v Speaker 1>I am undoing my girdle. And the dolls began to saying, Cuckoo,

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<v Speaker 1>Prince de nilo, cukoo, giver you hukou. It is a

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<v Speaker 1>brother Kuku weds his sister Huku. Earth must be split

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<v Speaker 1>asunder cuckoo, and the sister lie hid under. Only she

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<v Speaker 1>had vanished now all but her head, and the brother

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<v Speaker 1>cried out again, come into the feather bed in, a minute, brother,

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<v Speaker 1>I am taking off my shoes, and the dolls went

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<v Speaker 1>on cooing, and she vanished under the earth, and the

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<v Speaker 1>brother kept crying and crying and crying, and when she

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<v Speaker 1>never returned, he became angry and ran out to fetch her.

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<v Speaker 1>He could see nothing but the dolls, which kept singing,

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<v Speaker 1>so we knocked off their heads and threw them into

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<v Speaker 1>the stove. Okay, I actually think I've maybe done this.

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<v Speaker 1>Had four dolls in the corner while man slowly gets

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<v Speaker 1>more and more furious and then just sucking bolt. It's like,

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<v Speaker 1>where are you nothing? Yeah? Yeah. The sister went farther

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<v Speaker 1>under the earth and she saw a little hut, standing

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<v Speaker 1>on cox feet and turning round. Hout, she cried out,

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<v Speaker 1>stand as you should with your back to the wood.

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<v Speaker 1>Exactly how there's a forest under the earth is not explained,

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<v Speaker 1>Just to be clear. I like the idea, I know, right. Yeah,

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<v Speaker 1>it's very gobliny, and I'm approve of all thanks goblining,

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<v Speaker 1>especially my dog who was a goblin. So the hut

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<v Speaker 1>stopped and the doors opened, and a fair maiden looked out.

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<v Speaker 1>She was knitting a cloth with gold and silver thread.

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<v Speaker 1>She greeted the guest friendly, and kindly but sighed and said, oh,

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<v Speaker 1>my darling and my sister, I am so glad to

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<v Speaker 1>see you. I shall be glad to look after you

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<v Speaker 1>and care for you as long as my mother is

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<v Speaker 1>not here, But as soon as she flies in, woe

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<v Speaker 1>to you and me, for she is a witch. When

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<v Speaker 1>she heard this, the maiden was frightened, but could not

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<v Speaker 1>fly anywhere. I think means like runaway. Okay. I was like, well, yeah,

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<v Speaker 1>she's a person, yeah, exactly like I can't fly anywhere either.

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<v Speaker 1>So she's not drink covid anyway, Okay. So she sat

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<v Speaker 1>down and began helping the other maiden at her work.

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<v Speaker 1>So they chattered along, and soon at the right time

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<v Speaker 1>before the mother came, the fair Maiden turned her guests

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<v Speaker 1>into a needle because she's totally not a witch herself,

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<v Speaker 1>turned her guest into a needle, stuck her into the

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<v Speaker 1>bassom and put it on one side. But scarcely had

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<v Speaker 1>this been done when Bobby Yaga came in. Now and

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<v Speaker 1>then everyone's cheering. Everyone at midnight screening's like, yes, there

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<v Speaker 1>she is, This is why we come here. Oh exactly,

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<v Speaker 1>what a rush she's back. Yeah, now, my fair daughter,

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<v Speaker 1>my little child, tell me at once, why does the

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<v Speaker 1>room smell so of Russian bones? Classic baba, you know,

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<v Speaker 1>sniff in that blood. Mother, there have been strange men

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<v Speaker 1>journey in past who wanted a drink of water? Why

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<v Speaker 1>did you not keep them? They were too old, mother,

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<v Speaker 1>much too tough a snack for your teeth. Henceforth, entice

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<v Speaker 1>them all into the house, and never let them go.

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<v Speaker 1>I must now go get about again and look out

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<v Speaker 1>for other booty. As soon as ever she had gone,

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<v Speaker 1>the maiden set to work again, knitting, talking and laughing.

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<v Speaker 1>Then the witch came into the room once more. She

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<v Speaker 1>sniffed about the house and said, daughter, my sweet daughter,

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<v Speaker 1>my darling, tell me at once, why does it smells

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<v Speaker 1>so of Russian bones? Old men who were just passing by,

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<v Speaker 1>who wanted to warm their hands. I did my best

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<v Speaker 1>to keep them, but they would not stay. So the

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<v Speaker 1>witch was angry, scolded her daughter, and flew away. In

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<v Speaker 1>the meantime, her unknown guest was sitting in the bassoon.

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<v Speaker 1>Someone is listening, but I keep thinking bassoon and yeah

0:13:23.960 --> 0:13:27.000
<v Speaker 1>it makes me laugh. And someone who's listening knows this word,

0:13:27.360 --> 0:13:29.000
<v Speaker 1>and it's like, what the fund is wrong with you?

0:13:29.559 --> 0:13:31.520
<v Speaker 1>You had two days to learn how to pronounce it.

0:13:32.600 --> 0:13:34.920
<v Speaker 1>The maidens once more set to work. Yeah, I do

0:13:35.040 --> 0:13:38.199
<v Speaker 1>like the bassoon. Okay. Anyway, the maidens once more set

0:13:38.280 --> 0:13:40.240
<v Speaker 1>to work. So it laughed and thought how they might

0:13:40.440 --> 0:13:43.160
<v Speaker 1>escape the evil witch. This time they forgot how. The

0:13:43.240 --> 0:13:45.400
<v Speaker 1>hours were flying by, and suddenly the witch stood in

0:13:45.480 --> 0:13:49.120
<v Speaker 1>front of them, darling, tell me where have the Russian

0:13:49.160 --> 0:13:53.079
<v Speaker 1>bones crept away? Here? My mother, a fair maiden is

0:13:53.120 --> 0:13:56.800
<v Speaker 1>waiting for you. Daughter, mind darling, heat the oven quickly,

0:13:57.080 --> 0:14:00.760
<v Speaker 1>make it very hot. If this were like a realistic story,

0:14:01.800 --> 0:14:07.040
<v Speaker 1>Bobby AGA's daughter would be like, Mom, stop talking about

0:14:07.120 --> 0:14:11.199
<v Speaker 1>Russian bones. Yeah, it's kind of weird, so embarrassing. I

0:14:11.280 --> 0:14:16.280
<v Speaker 1>have a friend over a. Yeah. So the maiden looked

0:14:16.360 --> 0:14:18.959
<v Speaker 1>up and was frightened to death, for Bobby Aga, with

0:14:19.080 --> 0:14:21.600
<v Speaker 1>the wooden legs, stood in front of her, and to

0:14:21.800 --> 0:14:24.960
<v Speaker 1>the ceiling rose her nose. So the mother and daughter

0:14:25.120 --> 0:14:28.800
<v Speaker 1>carried firewood in logs of oak and maple, made the

0:14:28.880 --> 0:14:32.520
<v Speaker 1>oven ready till the flames shot up merrily. Then the

0:14:32.600 --> 0:14:35.200
<v Speaker 1>witch took her broad shovel and said, in a friendly voice,

0:14:35.920 --> 0:14:39.240
<v Speaker 1>go and sit on my shovel, fair child. So the

0:14:39.280 --> 0:14:41.960
<v Speaker 1>maiden obeyed, and the Bobby a god was going to

0:14:42.000 --> 0:14:44.240
<v Speaker 1>shove her into the oven, but the girl stuck her

0:14:44.280 --> 0:14:48.120
<v Speaker 1>feet against the wall of the hearth. Will you sit still, girl?

0:14:49.200 --> 0:14:51.480
<v Speaker 1>But it was not any good. Bobby Aga could not

0:14:51.560 --> 0:14:54.120
<v Speaker 1>put the maiden into the oven, so she became angry,

0:14:54.240 --> 0:14:57.280
<v Speaker 1>thrust her back and said, you are simply wasting time.

0:14:57.600 --> 0:14:59.360
<v Speaker 1>Just look at me and see how it is done.

0:15:00.160 --> 0:15:02.440
<v Speaker 1>Down she sat on the shovel with her legs nicely

0:15:02.480 --> 0:15:06.480
<v Speaker 1>trusted together. So the maidens instantly put her into the oven,

0:15:06.840 --> 0:15:09.800
<v Speaker 1>shut the oven door and slammed her in, took their

0:15:09.880 --> 0:15:14.320
<v Speaker 1>knitting with them and their comb in their brush ran away. God,

0:15:14.440 --> 0:15:18.320
<v Speaker 1>I do love the confidence that it takes to be like, um,

0:15:19.240 --> 0:15:22.560
<v Speaker 1>this is how you sit on a shovel. Yeah, you're

0:15:22.560 --> 0:15:29.760
<v Speaker 1>gonna get put in? Yeah yeah, loving it? Yeah? They

0:15:29.880 --> 0:15:32.360
<v Speaker 1>ran hard away, but when they turned round there was

0:15:32.400 --> 0:15:35.280
<v Speaker 1>bobby Aga running after them. She had set herself free,

0:15:35.680 --> 0:15:38.800
<v Speaker 1>some real ex mocking a ship in this Yeah yeah,

0:15:40.400 --> 0:15:44.120
<v Speaker 1>who hoo hoo. They're run the two. So the maidens,

0:15:44.240 --> 0:15:47.040
<v Speaker 1>in their need, threw the brush away and a thick,

0:15:47.400 --> 0:15:51.240
<v Speaker 1>dense coppice, which is like a bunch of trees a rose,

0:15:51.360 --> 0:15:54.000
<v Speaker 1>which she could not break through, so she stretched out

0:15:54.040 --> 0:15:58.000
<v Speaker 1>her claws scratched herself away through and again ran after them.

0:15:58.720 --> 0:16:03.080
<v Speaker 1>Whither should the two girls flee? They flung their comb

0:16:03.160 --> 0:16:05.880
<v Speaker 1>behind them, and a dark, murky oak forest grew up

0:16:05.960 --> 0:16:09.560
<v Speaker 1>so thick no fly could have ever flown its way through.

0:16:10.600 --> 0:16:13.080
<v Speaker 1>Then the witch wetted her teeth and set to work.

0:16:13.680 --> 0:16:16.160
<v Speaker 1>She went on, tearing up one tree after the other

0:16:16.280 --> 0:16:19.400
<v Speaker 1>by the roots, and she made herself away and again

0:16:19.480 --> 0:16:22.120
<v Speaker 1>set out after them, and almost caught up with them.

0:16:22.840 --> 0:16:27.480
<v Speaker 1>I like this one, Vasiline or whatever her name is, Yeah,

0:16:27.760 --> 0:16:34.160
<v Speaker 1>totally Vasiline the sexy. What was that? Was that? Vasilisa

0:16:34.240 --> 0:16:42.040
<v Speaker 1>the beautiful? Yeah? Yeah, yeah, Vassiline sexy? Yeah, basically. Now,

0:16:42.160 --> 0:16:44.560
<v Speaker 1>the two girls had no strength left to run, so

0:16:44.760 --> 0:16:48.480
<v Speaker 1>through the cloth behind them, and a broad sea stretched out, deep,

0:16:48.600 --> 0:16:51.960
<v Speaker 1>wide and fiery. The old woman rose up, wanted to

0:16:52.040 --> 0:16:54.120
<v Speaker 1>fly over it, but fell into the fire and was

0:16:54.240 --> 0:16:59.480
<v Speaker 1>burned to death. Again with the burning, I know, the

0:16:59.560 --> 0:17:03.000
<v Speaker 1>poor aiden's, poor homeless dubs did not know whither to go.

0:17:03.720 --> 0:17:05.679
<v Speaker 1>They sat down in order to rest, and a man

0:17:05.840 --> 0:17:08.600
<v Speaker 1>came and asked them who they were. He told his

0:17:08.760 --> 0:17:11.720
<v Speaker 1>master that the two little birds had fluttered onto his estate.

0:17:12.040 --> 0:17:15.280
<v Speaker 1>The two fairest damsels similar in form and shape, eye

0:17:15.400 --> 0:17:18.600
<v Speaker 1>for eye and line for line. One was his sister,

0:17:18.840 --> 0:17:21.600
<v Speaker 1>but which was it? What is this? Oh? Yeah, okay,

0:17:21.640 --> 0:17:25.840
<v Speaker 1>the master is the prince. Okay. One was a sister,

0:17:26.119 --> 0:17:29.280
<v Speaker 1>but which was it? He could not guess. So the

0:17:29.400 --> 0:17:31.960
<v Speaker 1>Master went to both of them. One was a sister,

0:17:32.440 --> 0:17:35.840
<v Speaker 1>which the servant had not lied. He did not know them,

0:17:36.200 --> 0:17:38.520
<v Speaker 1>and she was angry with him and did not say.

0:17:39.520 --> 0:17:43.320
<v Speaker 1>What shall I do? Asked the master. Master. I will

0:17:43.400 --> 0:17:47.080
<v Speaker 1>pour blood into an eu skin, put that under my armpit,

0:17:47.600 --> 0:17:50.360
<v Speaker 1>and talked to the maiden. In the meantime, I will

0:17:50.440 --> 0:17:52.480
<v Speaker 1>go and I will stab you in the side with

0:17:52.600 --> 0:17:55.920
<v Speaker 1>my knife, and then blood will flow, and your sister

0:17:56.040 --> 0:18:01.159
<v Speaker 1>will betray herself as to who she is the Nothing

0:18:01.280 --> 0:18:05.280
<v Speaker 1>could go wrong with this plan. This plan is air tight,

0:18:06.280 --> 0:18:13.600
<v Speaker 1>no notes, what could very well? Yeah, as soon as

0:18:13.640 --> 0:18:16.480
<v Speaker 1>it was said, it was done. The servants stabbed his

0:18:16.560 --> 0:18:18.639
<v Speaker 1>master in the side, and the blood poured forth, and

0:18:18.720 --> 0:18:21.640
<v Speaker 1>he fell down. And Margaret isn't the one who wrote

0:18:21.680 --> 0:18:25.239
<v Speaker 1>this story. So then his sister flung herself over him

0:18:25.240 --> 0:18:28.480
<v Speaker 1>and cried out, oh, my brother, my darling. Then her

0:18:28.520 --> 0:18:33.000
<v Speaker 1>brother jumped up again, healthy and well. Margaret, if the

0:18:33.280 --> 0:18:36.359
<v Speaker 1>moral of this story is she should have fucked her brother.

0:18:37.200 --> 0:18:45.200
<v Speaker 1>I'm gonna I'm gonna break my iPad. Okay, he embraced

0:18:45.240 --> 0:18:49.320
<v Speaker 1>his sister, gave her a proper husband, and he married

0:18:49.359 --> 0:18:53.320
<v Speaker 1>her friend. It's not Game of thron, it's got it

0:18:53.359 --> 0:18:57.399
<v Speaker 1>got for the ring fitted her just as well, and

0:18:57.480 --> 0:19:02.280
<v Speaker 1>they all lived splendidly and happily. Okay, they did not

0:19:02.480 --> 0:19:05.199
<v Speaker 1>stick the landing on that one. I'll be perfectly honest

0:19:05.560 --> 0:19:09.399
<v Speaker 1>that that that one was going great and then it

0:19:09.480 --> 0:19:13.760
<v Speaker 1>really turned to dogshit at the end. But like, oh,

0:19:13.840 --> 0:19:16.359
<v Speaker 1>actually this ring also fits my friend, so you can

0:19:16.440 --> 0:19:20.440
<v Speaker 1>have sex with her. And yeah, it's brother was so

0:19:21.520 --> 0:19:26.879
<v Speaker 1>come to the feather bed my ass. That's wow, what

0:19:27.080 --> 0:19:30.680
<v Speaker 1>a what it can And and also Bobby Yaga gone

0:19:30.760 --> 0:19:36.400
<v Speaker 1>without Bobby Bobby Yaga. I'm hitting this, everyone says Bobby

0:19:36.800 --> 0:19:39.959
<v Speaker 1>Bobby Yaga. And then I just like watched a Russian

0:19:40.200 --> 0:19:43.520
<v Speaker 1>cartoon where she's like, I'm Bobby Aga and I'm like, okay, cool,

0:19:43.560 --> 0:19:45.119
<v Speaker 1>that's what I'm gonna try. And second, like, let's go

0:19:45.240 --> 0:19:49.320
<v Speaker 1>with that one. But she once again, uh disappeared in

0:19:49.400 --> 0:19:54.560
<v Speaker 1>the middle of the story. Yeah, because she's no one asks, um,

0:19:55.880 --> 0:19:57.720
<v Speaker 1>how there's a joke here. I don't know. How to

0:19:57.760 --> 0:20:01.360
<v Speaker 1>do it? Um okay. I wanted to read this one

0:20:01.480 --> 0:20:04.840
<v Speaker 1>because sometimes Bobbyaga is what's called in folklore stories a donor,

0:20:05.320 --> 0:20:07.560
<v Speaker 1>like someone who will give you the stuff you need, right,

0:20:07.680 --> 0:20:13.119
<v Speaker 1>like the skull with the fire to burn your slightly

0:20:13.200 --> 0:20:17.280
<v Speaker 1>wicked steps a stepmother, right. And sometimes she's just a

0:20:17.320 --> 0:20:20.560
<v Speaker 1>cannibal on a chicken hut. And I wanted to give

0:20:20.600 --> 0:20:25.240
<v Speaker 1>you a taste. Yeah, exactly, um, give you a taste

0:20:25.280 --> 0:20:29.159
<v Speaker 1>of the cannibal version. So who the fuck is she?

0:20:29.560 --> 0:20:31.879
<v Speaker 1>Where did she come from? We'll talk about her name

0:20:31.880 --> 0:20:33.560
<v Speaker 1>we mentioned a little bit about it last time, and

0:20:33.600 --> 0:20:35.680
<v Speaker 1>take a little bit more into it. The simplest but

0:20:35.760 --> 0:20:38.840
<v Speaker 1>sort of an accurate translation is grandmother witch baba meaning

0:20:38.880 --> 0:20:42.800
<v Speaker 1>grandmother short for babushka um. No, one's really presented a

0:20:42.880 --> 0:20:46.000
<v Speaker 1>compelling case about the etymology of of yoga, but people

0:20:46.000 --> 0:20:51.160
<v Speaker 1>have done it, and baba icily means grandmother in tons

0:20:51.200 --> 0:20:54.520
<v Speaker 1>of Slavic languages. My own Irish grandmother went by baba,

0:20:54.880 --> 0:20:56.840
<v Speaker 1>which is not Irish at all. It might actually just

0:20:56.880 --> 0:20:59.800
<v Speaker 1>be my family being weird, but maybe it's spread elsewhere.

0:21:00.040 --> 0:21:03.680
<v Speaker 1>I I don't really know. It trips off that I

0:21:03.880 --> 0:21:05.800
<v Speaker 1>was as you were saying that I realized that I've

0:21:05.960 --> 0:21:09.560
<v Speaker 1>written on a show where there's the main grandmother characters

0:21:09.600 --> 0:21:12.320
<v Speaker 1>called Baba, and I was like, wow, my memory is

0:21:12.480 --> 0:21:15.360
<v Speaker 1>um bad. One of the things I found really interesting

0:21:15.720 --> 0:21:19.320
<v Speaker 1>I found at least one reference to that um baba

0:21:19.440 --> 0:21:22.440
<v Speaker 1>as a meaning grandmother is probably derived from the Old

0:21:22.520 --> 0:21:28.840
<v Speaker 1>Russian baba meaning midwife, sorceress, or fortune teller. So it's

0:21:29.560 --> 0:21:33.760
<v Speaker 1>actually like grandma means which not the other way around

0:21:34.000 --> 0:21:37.520
<v Speaker 1>or whatever. Okay, And I don't I don't hate that.

0:21:38.080 --> 0:21:42.680
<v Speaker 1>I don't hate that. So basically her names means Granny

0:21:42.720 --> 0:21:45.360
<v Speaker 1>Yuga the witch as far as I can tell. As

0:21:45.400 --> 0:21:48.720
<v Speaker 1>a as a folkloric figure, there's actually no known origin.

0:21:48.800 --> 0:21:51.240
<v Speaker 1>There's a lot of guesses, and I have some guesses

0:21:51.320 --> 0:21:54.000
<v Speaker 1>as well that well they're not my own guess is

0:21:54.040 --> 0:21:57.800
<v Speaker 1>they're the guesses that I prefer esthetically and or I mean,

0:21:57.840 --> 0:22:00.200
<v Speaker 1>it seemed more convincing out of the stuff what I've

0:22:00.240 --> 0:22:03.480
<v Speaker 1>read about it. My question is like, in the chronology

0:22:03.800 --> 0:22:08.360
<v Speaker 1>of witches, do you know, like where where does she come?

0:22:08.560 --> 0:22:14.800
<v Speaker 1>Is she like an early folkloric which character or somewhere

0:22:14.800 --> 0:22:18.440
<v Speaker 1>in the middle, or I guess I I there's just

0:22:18.520 --> 0:22:20.760
<v Speaker 1>been so many witch figures throughout history. I don't really

0:22:20.800 --> 0:22:23.879
<v Speaker 1>know where she falls. I haven't done I actually at

0:22:23.920 --> 0:22:26.920
<v Speaker 1>some point want to do um more of a deep

0:22:27.000 --> 0:22:29.159
<v Speaker 1>dive into the history of witches. And I have like

0:22:29.280 --> 0:22:31.119
<v Speaker 1>the stuff that I've read about it and stuff, but

0:22:31.200 --> 0:22:34.359
<v Speaker 1>that's constantly changing as people present different ideas. So I

0:22:34.960 --> 0:22:37.200
<v Speaker 1>the answers I don't know. UM I can say that

0:22:37.680 --> 0:22:41.800
<v Speaker 1>I can because people don't know when she comes from.

0:22:42.119 --> 0:22:44.159
<v Speaker 1>It seems like she actually is a very similar actual

0:22:44.240 --> 0:22:47.639
<v Speaker 1>origin as witches, but as sort of a a mythic

0:22:47.800 --> 0:22:50.720
<v Speaker 1>figure rather than like, oh, that lady over there will

0:22:50.760 --> 0:22:52.560
<v Speaker 1>like read the entrails of a chicken, so we should

0:22:52.600 --> 0:22:55.639
<v Speaker 1>kill her, you know. I like, I mean, I like,

0:22:55.720 --> 0:23:00.440
<v Speaker 1>I like the variations on like I don't know. I

0:23:00.560 --> 0:23:02.440
<v Speaker 1>like the flavor of which that she is where it's

0:23:02.480 --> 0:23:06.240
<v Speaker 1>like she's very powerful. It doesn't seem like the story

0:23:06.320 --> 0:23:10.119
<v Speaker 1>has a vested interest in doing away with her or

0:23:10.280 --> 0:23:14.480
<v Speaker 1>like making a strong I don't know. I I don't

0:23:14.480 --> 0:23:18.440
<v Speaker 1>think I've encountered this flavor of which before excited well,

0:23:19.240 --> 0:23:25.080
<v Speaker 1>speaking of flavors of witches, uh, which flavored potato chips

0:23:26.200 --> 0:23:33.040
<v Speaker 1>that you could buy called witch chips? Our sponsors today's

0:23:34.800 --> 0:23:42.760
<v Speaker 1>here are some ads and we are back. I'm hoping

0:23:43.080 --> 0:23:46.880
<v Speaker 1>that which is would be into dill pickle chips, only

0:23:46.960 --> 0:23:49.960
<v Speaker 1>because I hope that I'm a witch and dill pickle

0:23:50.040 --> 0:23:52.239
<v Speaker 1>chips are delicious. Have you have either of you ever

0:23:52.320 --> 0:23:55.080
<v Speaker 1>tried them. I've had dill pickles and I've had chips.

0:23:55.840 --> 0:23:59.359
<v Speaker 1>I've had dill pickle chips. They're great. They have no

0:23:59.680 --> 0:24:02.480
<v Speaker 1>no right to be as good as they are. It's

0:24:02.600 --> 0:24:05.840
<v Speaker 1>just it's mostly just really loud salt. That's how I

0:24:05.880 --> 0:24:14.920
<v Speaker 1>would describe the chips sort of. But like, but but

0:24:15.119 --> 0:24:18.520
<v Speaker 1>what if what if vinegar minded her business and it

0:24:18.680 --> 0:24:20.879
<v Speaker 1>was just salt screaming at the top of its lungs.

0:24:20.960 --> 0:24:24.600
<v Speaker 1>It's all capital letters. Salt is what the pickle chip

0:24:24.680 --> 0:24:28.000
<v Speaker 1>tastes like. And that is like as a sodium head.

0:24:28.240 --> 0:24:32.520
<v Speaker 1>All right, I love it. I love it. Big sodium guy, um,

0:24:33.640 --> 0:24:38.520
<v Speaker 1>huge sodium guy. Yeah. Okay, So Bobby I got started

0:24:38.520 --> 0:24:41.680
<v Speaker 1>showing up in written sources in the eighteenth century and

0:24:41.840 --> 0:24:43.680
<v Speaker 1>things that we're talking about. How she's been around for

0:24:43.720 --> 0:24:47.719
<v Speaker 1>a very long time, like collections of Russian folklore as

0:24:47.800 --> 0:24:53.159
<v Speaker 1>well as eighteenth century Russian political cartoons. Okay, there are

0:24:53.200 --> 0:24:56.680
<v Speaker 1>these single panel woodblock prints called love Key that were

0:24:56.720 --> 0:24:59.080
<v Speaker 1>in the style of the time, and she was a

0:24:59.200 --> 0:25:02.800
<v Speaker 1>common figure in these woodblock prints as sort of an archetype.

0:25:03.200 --> 0:25:04.800
<v Speaker 1>And she was used in a couple of different ways,

0:25:04.840 --> 0:25:07.600
<v Speaker 1>and people like to argue about People feel very certain

0:25:07.640 --> 0:25:10.879
<v Speaker 1>about what the interpretation of her and these are, but

0:25:11.000 --> 0:25:12.960
<v Speaker 1>they disagree with each other, and I have no fucking

0:25:12.960 --> 0:25:15.520
<v Speaker 1>way of knowing. Some ways she was used to represent

0:25:15.600 --> 0:25:18.320
<v Speaker 1>like the old ways and the old beliefs, but an

0:25:18.359 --> 0:25:20.440
<v Speaker 1>other times she was probably used as like this, like

0:25:20.560 --> 0:25:24.600
<v Speaker 1>finished lady married the tsar at some point, and it

0:25:24.800 --> 0:25:27.920
<v Speaker 1>was like, here's this fucking evil which she's going to

0:25:28.040 --> 0:25:32.920
<v Speaker 1>come funk up our good Christian czar by being finished

0:25:32.960 --> 0:25:37.479
<v Speaker 1>and therefore like you know, a barbarian or whatever. Okay.

0:25:38.880 --> 0:25:41.360
<v Speaker 1>In seventeen fifty five she appeared in writing for maybe

0:25:41.400 --> 0:25:43.400
<v Speaker 1>the first time, and it was a list of Slavic

0:25:43.480 --> 0:25:46.280
<v Speaker 1>gods and their Greek counterparts, and so she was listed

0:25:46.480 --> 0:25:49.639
<v Speaker 1>as a god and in it she was the only

0:25:49.760 --> 0:25:51.760
<v Speaker 1>god or one of the only gods in that list

0:25:51.840 --> 0:25:56.240
<v Speaker 1>with no counterpart. There was no counterpart to a Greek god. Wow,

0:25:57.000 --> 0:26:00.479
<v Speaker 1>that's cool. I know, there's like later p who kind

0:26:00.520 --> 0:26:02.760
<v Speaker 1>of comparative her sphone, but it wasn't. I think being

0:26:02.840 --> 0:26:05.600
<v Speaker 1>done at the time. I mean, I I like that

0:26:05.720 --> 0:26:08.000
<v Speaker 1>as sort of being canonical to who she is of

0:26:08.160 --> 0:26:12.040
<v Speaker 1>like she doesn't she has so much like power and

0:26:12.160 --> 0:26:17.840
<v Speaker 1>intent that she doesn't need a sidekicker counterpart. Like that's amazing. Yeah,

0:26:17.880 --> 0:26:21.560
<v Speaker 1>and it it makes her basically like unique and like

0:26:21.680 --> 0:26:24.240
<v Speaker 1>indigenous to that area, and that is going to tie

0:26:24.280 --> 0:26:26.240
<v Speaker 1>into some of the kind of ship that I find

0:26:26.280 --> 0:26:30.400
<v Speaker 1>really interesting about it. Um. Okay, But there's one other

0:26:30.480 --> 0:26:33.560
<v Speaker 1>at a station attestation people talking about her from back

0:26:33.600 --> 0:26:35.760
<v Speaker 1>in the day that's super interesting to me. There was

0:26:35.840 --> 0:26:38.760
<v Speaker 1>this guy, his name was a Chokov MacHale, and he

0:26:38.840 --> 0:26:42.640
<v Speaker 1>wrote a book in sev two called Dictionary of Russian Superstitions,

0:26:43.119 --> 0:26:45.200
<v Speaker 1>and I cannot find an English translation of it. I'm

0:26:45.240 --> 0:26:46.920
<v Speaker 1>very sad, and I almost bought a Russian copy of

0:26:47.000 --> 0:26:51.520
<v Speaker 1>it because it's that rock and it's all about all

0:26:51.560 --> 0:26:54.879
<v Speaker 1>the weird pagany ship that people were doing. Um, unlike

0:26:54.960 --> 0:26:57.760
<v Speaker 1>the weird good normal stuff like being part of a

0:26:57.760 --> 0:27:00.920
<v Speaker 1>blood drinking called like Christianity. Um, it's all about the

0:27:01.040 --> 0:27:06.960
<v Speaker 1>like superstitions. Blood. Yeah. I actually don't remember whether Orthodox.

0:27:07.000 --> 0:27:09.240
<v Speaker 1>I don't know whether Orthodox believes it literally turns into

0:27:09.240 --> 0:27:11.800
<v Speaker 1>blood in your body. The way that Catholics did. But um,

0:27:12.200 --> 0:27:14.680
<v Speaker 1>I know that there was Catholics there too anyway, So

0:27:14.800 --> 0:27:19.000
<v Speaker 1>it's all about like, well, yeah, Catholics famously chill. It's

0:27:19.000 --> 0:27:22.560
<v Speaker 1>about blood, blood sacrifices and shamanic marriages and all this

0:27:22.720 --> 0:27:27.000
<v Speaker 1>like stuff. And he doesn't like superstitions, and as far

0:27:27.080 --> 0:27:29.560
<v Speaker 1>as anyone can tell, as as far as historians can tell,

0:27:29.600 --> 0:27:32.040
<v Speaker 1>he didn't make up anything in the book. But he

0:27:32.160 --> 0:27:34.680
<v Speaker 1>also wasn't very great about vetting his sources, so he

0:27:34.760 --> 0:27:36.480
<v Speaker 1>didn't like be like, oh, you know, would be funny

0:27:36.480 --> 0:27:39.360
<v Speaker 1>as I like if we did this, um, But instead

0:27:39.400 --> 0:27:40.600
<v Speaker 1>he's just like, oh, I met a guy in the

0:27:40.680 --> 0:27:43.000
<v Speaker 1>road who told me this, and that's totally what people do,

0:27:43.760 --> 0:27:46.560
<v Speaker 1>you know. So he's not the strongest source in the world,

0:27:46.760 --> 0:27:49.280
<v Speaker 1>and this is the one of the main sources we

0:27:49.359 --> 0:27:52.600
<v Speaker 1>have about well. He he wrote down a lot of

0:27:52.640 --> 0:27:56.440
<v Speaker 1>folk tales and folk songs, and he systematized Russian legislation,

0:27:56.600 --> 0:27:59.040
<v Speaker 1>not in this book, in a different book. He's just like,

0:27:59.640 --> 0:28:01.359
<v Speaker 1>I feel being like a guy who knows how to

0:28:01.400 --> 0:28:04.560
<v Speaker 1>write books was like kind of just like a job

0:28:04.600 --> 0:28:07.560
<v Speaker 1>at the time. I feel like that's what podcasting is

0:28:07.920 --> 0:28:09.720
<v Speaker 1>right now, where you're like if you know how to

0:28:09.800 --> 0:28:12.400
<v Speaker 1>do this, you can kind of talk about fucking whatever

0:28:13.320 --> 0:28:16.720
<v Speaker 1>or that's I'm banking on that. And in this guy's corner,

0:28:16.800 --> 0:28:18.960
<v Speaker 1>I'm like, oh, yeah, you can just totally switch areas

0:28:19.000 --> 0:28:22.120
<v Speaker 1>of expertise because you knew how to write something down.

0:28:22.680 --> 0:28:27.080
<v Speaker 1>I mean that that is my job, yes, like tychically

0:28:27.119 --> 0:28:30.919
<v Speaker 1>what we're both doing. He also wrote a book speaking

0:28:31.000 --> 0:28:34.639
<v Speaker 1>of calendars that the devil could make in such or

0:28:35.040 --> 0:28:38.640
<v Speaker 1>different sapphic things. He wrote a book called Comely Cook,

0:28:38.960 --> 0:28:44.480
<v Speaker 1>or Adventures of Lewd Woman. I love him. I'm like yeah.

0:28:46.320 --> 0:28:49.800
<v Speaker 1>In his seventy two Superstitions book, he talks about an

0:28:49.800 --> 0:28:54.680
<v Speaker 1>Eastern Slavic goddess named Yagi Baba. And so this is

0:28:54.760 --> 0:28:59.040
<v Speaker 1>a pre Baba Yaga character who sits in an iron

0:28:59.160 --> 0:29:01.760
<v Speaker 1>mortar with an iron pestle in her hand and is

0:29:01.800 --> 0:29:05.120
<v Speaker 1>a death god. And I think the mortar and pestle

0:29:05.240 --> 0:29:08.480
<v Speaker 1>for like grinding up the dead right, like like being

0:29:08.520 --> 0:29:12.040
<v Speaker 1>returned to the earth kind of stuff. And there's very

0:29:12.200 --> 0:29:15.440
<v Speaker 1>little information about a Yagia Babba and in English, um,

0:29:16.240 --> 0:29:19.480
<v Speaker 1>basically just like the sentence or two from this guy's book.

0:29:20.280 --> 0:29:23.440
<v Speaker 1>But people made blood sacrifices to her, which she used

0:29:23.480 --> 0:29:28.360
<v Speaker 1>to feed her two granddaughters. And in some Bobby stories

0:29:28.680 --> 0:29:31.040
<v Speaker 1>she has two granddaughters, and sometimes she has two sisters.

0:29:32.080 --> 0:29:34.200
<v Speaker 1>So and then the story you just told me she

0:29:34.320 --> 0:29:40.240
<v Speaker 1>had a daughter, is that correct? Do we know who? Like,

0:29:40.520 --> 0:29:45.840
<v Speaker 1>how does Bobbo go? Who bon reproduced? Yeah? Who? She? Who? She?

0:29:46.000 --> 0:29:52.360
<v Speaker 1>Fucking we will we will get okay good, because it

0:29:52.440 --> 0:29:53.920
<v Speaker 1>seems like, I mean, at least in the story you

0:29:54.040 --> 0:29:57.560
<v Speaker 1>just told, it seemed like the daughter was very maybe

0:29:57.600 --> 0:30:01.400
<v Speaker 1>the I can't imagine Bobby got Jean are recessive, but

0:30:01.600 --> 0:30:04.960
<v Speaker 1>like she seemed like she didn't have the Babby you

0:30:05.080 --> 0:30:08.040
<v Speaker 1>got intensity about her. Yeah, yeah, but she was magic

0:30:08.240 --> 0:30:10.320
<v Speaker 1>and like turned her and turned her friend into a

0:30:10.440 --> 0:30:14.920
<v Speaker 1>needle and also looked exactly like the friend. I mean,

0:30:15.000 --> 0:30:19.000
<v Speaker 1>that is some like doppel banger ship, right, Like that

0:30:19.200 --> 0:30:21.920
<v Speaker 1>is like oh, cute girls coming to the window. Let

0:30:21.960 --> 0:30:25.280
<v Speaker 1>me just like, oh I am I am you No,

0:30:25.560 --> 0:30:30.240
<v Speaker 1>I'm a cute girl. So yeah, that story was wild.

0:30:30.280 --> 0:30:34.120
<v Speaker 1>I I got, I got, I got sidetracked by the

0:30:35.040 --> 0:30:37.640
<v Speaker 1>the incest fake out. But there's a lot going on

0:30:37.800 --> 0:30:42.720
<v Speaker 1>in there. Yeah, yeah, I know, it's it's weird. Um. Yeah,

0:30:43.440 --> 0:30:46.960
<v Speaker 1>So from as far as I can tell, this seems

0:30:47.000 --> 0:30:49.960
<v Speaker 1>like this is the main argument that Babbia is based

0:30:50.000 --> 0:30:53.480
<v Speaker 1>on the Agia Babba is based on an Eastern Slavic goddess,

0:30:53.560 --> 0:30:55.600
<v Speaker 1>that there's not that much information about the people perform

0:30:55.640 --> 0:30:59.960
<v Speaker 1>blood sacrifices. To Vladimir prop Right in the nineties talk

0:31:00.000 --> 0:31:02.640
<v Speaker 1>about ho Bobby represents the guardian between the land of

0:31:02.680 --> 0:31:04.760
<v Speaker 1>the living and the forest of the dead, and so

0:31:04.840 --> 0:31:06.920
<v Speaker 1>this is where she starts getting compared to Persephone in

0:31:07.040 --> 0:31:10.360
<v Speaker 1>Greek mythology though, the goddess of the harvest who ruled

0:31:10.400 --> 0:31:14.000
<v Speaker 1>the underworld. M h. And there's actually some stuff about

0:31:14.080 --> 0:31:16.960
<v Speaker 1>her being like an agricultural god to not Persephone, but

0:31:17.120 --> 0:31:20.000
<v Speaker 1>um Bobbia god being like kind of an agricultural god.

0:31:20.080 --> 0:31:23.040
<v Speaker 1>And there's like some stuff about I actually literally don't

0:31:23.040 --> 0:31:24.440
<v Speaker 1>remember if I put this in the script later and not,

0:31:24.520 --> 0:31:26.520
<v Speaker 1>so maybe I'll end up repeating this or skimming past it.

0:31:26.600 --> 0:31:30.720
<v Speaker 1>But like plowing the earth with her teeth um, and

0:31:30.840 --> 0:31:34.200
<v Speaker 1>that's like why she has like the wild fucked up teeth, okay,

0:31:34.480 --> 0:31:38.640
<v Speaker 1>which is fucking cool. Her hut, her hut faces the forest,

0:31:38.880 --> 0:31:40.800
<v Speaker 1>which is the land of the dead, and the people

0:31:40.840 --> 0:31:42.960
<v Speaker 1>have to turn the hot around because they can't walk

0:31:43.040 --> 0:31:44.560
<v Speaker 1>to the other side because that's the land of the

0:31:44.640 --> 0:31:49.000
<v Speaker 1>dead in this reading of like the forest representing the

0:31:49.120 --> 0:31:51.040
<v Speaker 1>land of the dead and death. So they have to

0:31:51.120 --> 0:31:54.120
<v Speaker 1>turn her house around. Yeah, because okay, when you show

0:31:54.200 --> 0:31:56.400
<v Speaker 1>up Bobby August houses facing the wrong way and you

0:31:56.480 --> 0:31:59.800
<v Speaker 1>have to say like hut hut, turn around and face me. Um, okay,

0:32:00.080 --> 0:32:01.280
<v Speaker 1>And because you're kind of like, well, why don't you

0:32:01.360 --> 0:32:03.440
<v Speaker 1>just walk around the house? Like when I think to myself,

0:32:03.880 --> 0:32:06.080
<v Speaker 1>I would like to be um by the back door

0:32:06.080 --> 0:32:08.120
<v Speaker 1>of a house, I don't think to myself, how can

0:32:08.160 --> 0:32:10.240
<v Speaker 1>I entice the house to turn around? I tend to

0:32:10.280 --> 0:32:15.680
<v Speaker 1>think to myself, I will walk around that. Margaret, you're

0:32:15.720 --> 0:32:18.600
<v Speaker 1>being too accommodating. You need to ask for what you

0:32:18.720 --> 0:32:21.080
<v Speaker 1>need if you need the house to turn to you.

0:32:21.680 --> 0:32:25.080
<v Speaker 1>And that's self care, and that's practice, and that's pottery

0:32:25.160 --> 0:32:32.440
<v Speaker 1>class all in one turned to me. Yeah. And so

0:32:32.920 --> 0:32:35.120
<v Speaker 1>this makes the stories tie into the hero's journey if

0:32:35.120 --> 0:32:37.760
<v Speaker 1>it's about like the land of the dead and ship right. Um,

0:32:37.800 --> 0:32:39.400
<v Speaker 1>And I kind of like low ki hate the hero's

0:32:39.480 --> 0:32:41.520
<v Speaker 1>journey as like a plot structure that is like used

0:32:41.520 --> 0:32:46.920
<v Speaker 1>for everything. But this concept throughout folklore, especially Western folklore,

0:32:47.280 --> 0:32:49.080
<v Speaker 1>where you're like going into the land of the dead

0:32:49.160 --> 0:32:51.200
<v Speaker 1>to return to the land of the living um and

0:32:51.280 --> 0:32:54.120
<v Speaker 1>sometimes it's like a death and rebirth. Sometimes that means

0:32:54.400 --> 0:32:56.920
<v Speaker 1>sometimes I was symbolized by being swallowed by an animal,

0:32:57.440 --> 0:32:59.760
<v Speaker 1>and so the chicken legs as part of the hut

0:33:00.720 --> 0:33:02.960
<v Speaker 1>like could be like the house is the animal that

0:33:03.040 --> 0:33:07.520
<v Speaker 1>you're getting swallowed by when you're being reborn. And so

0:33:07.680 --> 0:33:10.120
<v Speaker 1>there's this this theory. And I also think that that

0:33:10.360 --> 0:33:13.360
<v Speaker 1>sometimes the walls are made of bone, right, and certainly

0:33:13.400 --> 0:33:14.960
<v Speaker 1>the gate walls are made of bone. I feel like

0:33:15.000 --> 0:33:17.400
<v Speaker 1>that ties into that too. There's this theory that Bobbia

0:33:17.480 --> 0:33:18.880
<v Speaker 1>gott and the journey to her it was like this

0:33:19.000 --> 0:33:23.480
<v Speaker 1>coming of age ritual in the pre Christianized version of

0:33:23.560 --> 0:33:27.080
<v Speaker 1>all this, and so going on this hero's journey is

0:33:27.080 --> 0:33:32.400
<v Speaker 1>how these characters become adults. And there's no actual like

0:33:33.080 --> 0:33:34.720
<v Speaker 1>the people who have done a lot of research about

0:33:34.720 --> 0:33:37.040
<v Speaker 1>Bobbia go like theorize this, but it's like mostly based

0:33:37.080 --> 0:33:39.280
<v Speaker 1>on like, well pretty much every other culture we've looked

0:33:39.320 --> 0:33:42.320
<v Speaker 1>at has this, so they probably did too, we don't know.

0:33:42.920 --> 0:33:48.360
<v Speaker 1>And so it's like, yeah, okay. To quote Andreas Johns,

0:33:48.400 --> 0:33:51.760
<v Speaker 1>who wrote kind of the main English language academic study

0:33:52.200 --> 0:33:56.840
<v Speaker 1>of Bobbiica, uh, and he's discussing a different author, Vladimir

0:33:56.920 --> 0:34:01.040
<v Speaker 1>props Ideas quote as the initiation will died out only

0:34:01.080 --> 0:34:04.600
<v Speaker 1>Bobby AGA's association with death was remembered. With the appearance

0:34:04.600 --> 0:34:07.560
<v Speaker 1>of agriculture, a new religion replaced older hunting beliefs, and

0:34:07.720 --> 0:34:11.200
<v Speaker 1>the old divinities were reinterpreted as evil spirits. Your god,

0:34:11.400 --> 0:34:13.720
<v Speaker 1>the mother and mistress of the beasts, became a witch.

0:34:14.880 --> 0:34:19.160
<v Speaker 1>And I actually a little bit there's a lot of

0:34:19.160 --> 0:34:21.680
<v Speaker 1>like modern anthropological stuff about how like this idea that

0:34:21.800 --> 0:34:24.160
<v Speaker 1>like everyone was hunters and then suddenly was like, what

0:34:24.280 --> 0:34:26.920
<v Speaker 1>if we throw the seeds in the ground. Now everyone's agriculture,

0:34:27.080 --> 0:34:29.680
<v Speaker 1>And like there's been a lot of like anthropological ship

0:34:29.719 --> 0:34:31.400
<v Speaker 1>about how like ship was like way blurrier than that,

0:34:32.520 --> 0:34:36.120
<v Speaker 1>And so I'm like less excited. I'm less quick to

0:34:36.200 --> 0:34:38.279
<v Speaker 1>believe that has to do with like the coming of

0:34:38.320 --> 0:34:42.440
<v Speaker 1>agriculture disrupting that traditional form, and probably more of the

0:34:42.480 --> 0:34:46.640
<v Speaker 1>coming of Christianity that made her a demon, and like

0:34:46.800 --> 0:34:50.000
<v Speaker 1>all the old gods become like myths or demons instead

0:34:50.040 --> 0:34:54.960
<v Speaker 1>of God's you know that scans more for me as well. Yeah, yeah,

0:34:55.040 --> 0:34:58.040
<v Speaker 1>And and so she becomes a boogeyman with coming to Christianity,

0:34:58.560 --> 0:35:00.719
<v Speaker 1>and if you're obedient and listen to your mother, you

0:35:00.800 --> 0:35:03.680
<v Speaker 1>survive your encounter with her. She's the bad mother to

0:35:03.680 --> 0:35:05.920
<v Speaker 1>be contrasted with the good mother, like we were talking about.

0:35:06.480 --> 0:35:08.160
<v Speaker 1>And then one of the reasons I find that really

0:35:08.200 --> 0:35:11.800
<v Speaker 1>interesting is that as I was doing all this reading

0:35:11.840 --> 0:35:17.720
<v Speaker 1>about rural Slavic and rural Russian kind of like medieval

0:35:17.840 --> 0:35:21.279
<v Speaker 1>early medieval and stuff families, not everyone lived in a

0:35:21.360 --> 0:35:24.360
<v Speaker 1>nuclear family. A lot of rural people lived in extended

0:35:24.400 --> 0:35:28.680
<v Speaker 1>family units under in one household, under one patriarch. And

0:35:28.760 --> 0:35:31.400
<v Speaker 1>then even that under one patriarch might be an assumption

0:35:31.480 --> 0:35:34.719
<v Speaker 1>from patriarchal anthropologist, but I don't know. So a kid

0:35:34.840 --> 0:35:38.160
<v Speaker 1>grows up with a bunch of mothers because you grow

0:35:38.280 --> 0:35:40.560
<v Speaker 1>up with like a bunch of family units that are

0:35:40.680 --> 0:35:43.399
<v Speaker 1>one family unit, because you live rurally and it takes

0:35:43.400 --> 0:35:47.840
<v Speaker 1>a village to raise a child, right, all right? And

0:35:47.920 --> 0:35:50.680
<v Speaker 1>the wackiest thing that people like to talk about Bobby

0:35:50.719 --> 0:35:54.120
<v Speaker 1>at God that I have a unique interest in. She's

0:35:54.120 --> 0:36:01.440
<v Speaker 1>also perceived as a a phallic mother to some folklore scholars. Okay,

0:36:01.920 --> 0:36:05.160
<v Speaker 1>she's unpacked that. Yeah, so she's presented as wielding a

0:36:05.239 --> 0:36:08.040
<v Speaker 1>pestle and a broom. She has a bony leg and

0:36:08.160 --> 0:36:11.240
<v Speaker 1>a large nose and making air quotes here, and sometimes

0:36:11.239 --> 0:36:13.799
<v Speaker 1>she has a giant iron tooth or an iron hook,

0:36:14.320 --> 0:36:17.040
<v Speaker 1>and she attacks with snakes sometimes and sometimes she has

0:36:17.040 --> 0:36:19.840
<v Speaker 1>an entire army. These are all like masculine traits, and

0:36:19.880 --> 0:36:22.160
<v Speaker 1>some of them are like penis traits, according to people

0:36:22.200 --> 0:36:24.560
<v Speaker 1>who are under the like psycho sexual ship that I

0:36:24.960 --> 0:36:29.239
<v Speaker 1>don't really believe in personally. Yeah, so to quote Andreas

0:36:29.320 --> 0:36:34.200
<v Speaker 1>John's about this again. Some psychologists have interpreted fantasies about

0:36:34.200 --> 0:36:38.120
<v Speaker 1>phallic women as an expression of male castration anxiety. As

0:36:38.200 --> 0:36:41.040
<v Speaker 1>frightening as the fantasies of phallic women may be themselves,

0:36:41.400 --> 0:36:44.719
<v Speaker 1>they serve to deny women's genital difference and the more

0:36:44.880 --> 0:36:48.640
<v Speaker 1>frightening possibility that a man might lose his penis. Freud

0:36:48.760 --> 0:36:51.920
<v Speaker 1>states that the snakes which form Medusa's hair are quote

0:36:52.040 --> 0:36:55.960
<v Speaker 1>derived are are derived from the castration complex. It is

0:36:56.000 --> 0:36:59.120
<v Speaker 1>a remarkable fact that, however frightening they may be in themselves,

0:36:59.440 --> 0:37:01.840
<v Speaker 1>they never less sort of actually as a mitigation of

0:37:01.880 --> 0:37:05.000
<v Speaker 1>the horror of Medusa, because they replaced the penis, the

0:37:05.120 --> 0:37:10.040
<v Speaker 1>absence of which causes the horror. Huh. I think this

0:37:10.160 --> 0:37:12.960
<v Speaker 1>is a bullshit. But I hear Freddian theory and I'm

0:37:13.000 --> 0:37:14.840
<v Speaker 1>just like, sounds like it might have been more of

0:37:14.920 --> 0:37:19.279
<v Speaker 1>a him thing, and uh, this is not our this

0:37:19.480 --> 0:37:22.239
<v Speaker 1>is maybe not the collective issue that we're making it

0:37:22.360 --> 0:37:25.439
<v Speaker 1>out to be. Yeah, the whole like well you would

0:37:25.440 --> 0:37:29.360
<v Speaker 1>say that is having penis of it, never the penis

0:37:29.480 --> 0:37:32.520
<v Speaker 1>envy ship, the phallic woman thing. It's like and like, okay,

0:37:32.560 --> 0:37:35.400
<v Speaker 1>so there's this a concept of like the phallic woman,

0:37:36.120 --> 0:37:39.080
<v Speaker 1>and which is writing. Broomsticks is another example of this.

0:37:39.200 --> 0:37:40.600
<v Speaker 1>And there's like people who have written all the ship

0:37:40.600 --> 0:37:43.320
<v Speaker 1>about Buffy the Vampire Slayer as a phallic woman because

0:37:43.400 --> 0:37:48.279
<v Speaker 1>like she runs around staking people, right, and I'm just

0:37:48.400 --> 0:37:53.160
<v Speaker 1>like weapons are pointing and sharp, like I know, I

0:37:53.239 --> 0:37:58.000
<v Speaker 1>know he's like I didn't like the tree isaginal weapon

0:37:58.920 --> 0:38:04.759
<v Speaker 1>like a net? I guess um yeah, no, no, it's

0:38:04.800 --> 0:38:08.719
<v Speaker 1>it's um. I mean it's interesting to me because I'm

0:38:08.760 --> 0:38:11.920
<v Speaker 1>interested in trying to explore like the concepts of transness

0:38:11.960 --> 0:38:15.360
<v Speaker 1>throughout history and ship and so less is the like

0:38:16.840 --> 0:38:21.520
<v Speaker 1>phallack mother. But there's like this like it's this like male,

0:38:23.040 --> 0:38:26.000
<v Speaker 1>I don't put this Okay, So it's like Shroedinger's genitals

0:38:26.760 --> 0:38:28.960
<v Speaker 1>in the unobserved state a man or a woman could

0:38:29.000 --> 0:38:32.040
<v Speaker 1>have any set of genitals, and so witches and Bobby

0:38:32.239 --> 0:38:34.920
<v Speaker 1>Got could have anything. And it's like presented as like,

0:38:35.000 --> 0:38:37.880
<v Speaker 1>that's part of the fear of witches and these like

0:38:38.080 --> 0:38:42.000
<v Speaker 1>masculinized women is that they like could have dicks, and

0:38:42.960 --> 0:38:45.879
<v Speaker 1>I think it's I think it's horseship. But the part

0:38:45.920 --> 0:38:47.520
<v Speaker 1>of it I like is like, yeah, I don't know.

0:38:47.640 --> 0:38:51.000
<v Speaker 1>I mean, I I know some women with dicks. And

0:38:53.400 --> 0:38:57.840
<v Speaker 1>just the phrase Shrodinger's genitals stop being my tracks and

0:38:57.920 --> 0:39:02.680
<v Speaker 1>I'll never move again. It's so good. That was an

0:39:02.800 --> 0:39:07.759
<v Speaker 1>unbelievable turn of phrase. Thank you for that. Yeah, no, yeah,

0:39:07.800 --> 0:39:10.279
<v Speaker 1>thanks uh and so okay, so this makes her like

0:39:10.320 --> 0:39:14.320
<v Speaker 1>a potentially transfigure um and and in the ways in

0:39:14.360 --> 0:39:16.759
<v Speaker 1>which she was a fertility goddess actually tie into that

0:39:16.920 --> 0:39:20.440
<v Speaker 1>in that like, um like because she's she's the one

0:39:20.520 --> 0:39:23.880
<v Speaker 1>plowing the fields. There's like fertility shit about the like

0:39:24.120 --> 0:39:28.279
<v Speaker 1>masculine act rather than the receptive whatever fucking nonsense that

0:39:28.320 --> 0:39:33.240
<v Speaker 1>people are into that ship. Yeah, and she also seems

0:39:33.239 --> 0:39:36.360
<v Speaker 1>similar to stop talking about drunk for a moment. She

0:39:36.480 --> 0:39:40.720
<v Speaker 1>seems similar to me, to another another goddess, another Slavic

0:39:40.760 --> 0:39:44.080
<v Speaker 1>goddess named Mokosh is a deaf god and a mother

0:39:44.160 --> 0:39:47.880
<v Speaker 1>goddess and Mokosh is the ruler of death and fertility,

0:39:48.080 --> 0:39:51.279
<v Speaker 1>life and rebirth. And she's like more famous because she

0:39:51.400 --> 0:39:53.120
<v Speaker 1>was one of the gods who was sort of like

0:39:54.239 --> 0:39:57.600
<v Speaker 1>h canonized essentially, like not by the Christians, but by

0:39:57.680 --> 0:40:00.280
<v Speaker 1>like a a formal codification of some of the pagan

0:40:00.320 --> 0:40:02.759
<v Speaker 1>ship that was happening. She was the only girl that

0:40:02.840 --> 0:40:06.080
<v Speaker 1>got just like the weird guy's book, Yeah, yeah, exactly.

0:40:06.200 --> 0:40:08.120
<v Speaker 1>This is like there's like more like statues and shipped

0:40:08.120 --> 0:40:10.640
<v Speaker 1>to Mokosh around and like and like, um, I wish

0:40:10.680 --> 0:40:14.080
<v Speaker 1>i'd remember wrote down more exactly, but like a guy

0:40:14.160 --> 0:40:17.439
<v Speaker 1>who like formalized a lot of the pagan ship only

0:40:17.480 --> 0:40:22.359
<v Speaker 1>picked one girl and picked Mokosh. And she's the ruler

0:40:22.400 --> 0:40:25.880
<v Speaker 1>of death and fertility, life and rebirth. Her name probably

0:40:25.960 --> 0:40:32.320
<v Speaker 1>means moisture, which rules. And she's related to another Slavic goddess.

0:40:32.520 --> 0:40:37.759
<v Speaker 1>Go ahead, not sorry, just folklore. Sometimes you're like I guess,

0:40:37.840 --> 0:40:42.640
<v Speaker 1>so yeah, sure, great, Yeah. She's related to another slav

0:40:42.680 --> 0:40:46.919
<v Speaker 1>At goddess, matt Zemla, who is called the moist Mother Earth.

0:40:47.680 --> 0:40:50.360
<v Speaker 1>And in the nineteenth century, the two goddesses Mocash and

0:40:50.400 --> 0:40:53.200
<v Speaker 1>Matt Zamiela sort of became one in a lot of

0:40:53.360 --> 0:40:56.400
<v Speaker 1>like people's minds and stuff. Um, and the relationship is

0:40:56.440 --> 0:40:59.640
<v Speaker 1>like super fuzzy, like sometimes they're related and sometimes they're not.

0:40:59.760 --> 0:41:02.600
<v Speaker 1>Like and Mokosh, there are claims that she has been

0:41:02.640 --> 0:41:06.400
<v Speaker 1>portrayed with male genitals throughout time, and so you know,

0:41:07.280 --> 0:41:09.839
<v Speaker 1>transgoddess is for the wind from from my book, um,

0:41:09.920 --> 0:41:13.440
<v Speaker 1>and Mokosh probably came from the fins like Bobby Agamida,

0:41:13.520 --> 0:41:16.759
<v Speaker 1>which we'll get to in a bit or I guess

0:41:16.800 --> 0:41:20.880
<v Speaker 1>we get to it now. Okay, I want to talk

0:41:20.880 --> 0:41:27.000
<v Speaker 1>about chicken. Yeah, yeah, yes, okay, this is the part

0:41:27.080 --> 0:41:29.239
<v Speaker 1>that I feel most confident about. I know where the

0:41:29.320 --> 0:41:33.799
<v Speaker 1>chicken legged hut comes from. I can't believe you've We've

0:41:33.840 --> 0:41:35.960
<v Speaker 1>been here, We've been here for two hours. Tell me,

0:41:36.360 --> 0:41:41.640
<v Speaker 1>all right, does the chicken well, it probably comes from

0:41:41.760 --> 0:41:43.600
<v Speaker 1>the vendors of No. I'm going to give you the

0:41:43.640 --> 0:41:45.280
<v Speaker 1>actual answer, but first we have to do an ad pivot.

0:41:45.640 --> 0:41:50.640
<v Speaker 1>Oh my god, advertisers support the economy that we all

0:41:50.760 --> 0:41:55.120
<v Speaker 1>participated in gladly. We're all so excited about the way

0:41:55.160 --> 0:41:58.040
<v Speaker 1>the economy works. Sophie's shaking her head and disbelieve it.

0:41:58.120 --> 0:42:01.280
<v Speaker 1>How well I'm doing my job. Listen to the ads

0:42:01.320 --> 0:42:03.439
<v Speaker 1>so I can hear where this damn chicken leg hunt

0:42:03.560 --> 0:42:12.440
<v Speaker 1>comes from. Already, all right, ads, ads over, Okay, I

0:42:12.560 --> 0:42:14.920
<v Speaker 1>want you to google what you you're actually at an

0:42:14.920 --> 0:42:16.120
<v Speaker 1>I pad, you might not be able to do this.

0:42:17.440 --> 0:42:20.080
<v Speaker 1>I gotta, I gotta phone, I gotta telephone. What's up? Okay?

0:42:20.600 --> 0:42:24.160
<v Speaker 1>I want you to google, Um, Sammy s a m

0:42:24.280 --> 0:42:30.919
<v Speaker 1>I storehouse and an image searches say, Sammy storehouse. Oh god,

0:42:31.040 --> 0:42:34.480
<v Speaker 1>my tabs are so embarrassing. I just had I just

0:42:34.560 --> 0:42:37.920
<v Speaker 1>had to open the Minion's menu at eyehop so I

0:42:38.000 --> 0:42:47.560
<v Speaker 1>can type this in Sammy storehouse. Okay, And we're hitting images. Oh,

0:42:48.960 --> 0:42:54.080
<v Speaker 1>this building has gams. Yeah, that is a chicken leg

0:42:54.200 --> 0:42:59.440
<v Speaker 1>at hut Okay, okay, so that so it's I'm looking

0:42:59.560 --> 0:43:03.120
<v Speaker 1>at um. The first result is kind of a log cabin,

0:43:04.320 --> 0:43:08.880
<v Speaker 1>but it's got it's got sexy little legs. It's got

0:43:09.000 --> 0:43:13.360
<v Speaker 1>four four sexy legs, which is chickens don't well. But

0:43:13.840 --> 0:43:17.080
<v Speaker 1>her hot sometimes has four legs, sometimes as two and

0:43:17.160 --> 0:43:23.759
<v Speaker 1>sometimes as four. This I can I'll tell you about it. Yeah,

0:43:23.800 --> 0:43:26.399
<v Speaker 1>are these still? Are these still feasible? Can we still

0:43:26.440 --> 0:43:29.680
<v Speaker 1>do this, So I don't know. I mean, yeah, you

0:43:29.719 --> 0:43:33.080
<v Speaker 1>can certainly build that, and and the some Sami folks

0:43:33.120 --> 0:43:36.440
<v Speaker 1>still do. So this comes this chicken legged hut. As

0:43:36.480 --> 0:43:37.640
<v Speaker 1>far as I can tell, and as far as a

0:43:37.719 --> 0:43:39.279
<v Speaker 1>lot of other people can tell, I didn't come up

0:43:39.280 --> 0:43:41.959
<v Speaker 1>with this idea. Um. It comes from the Sami people,

0:43:42.160 --> 0:43:46.520
<v Speaker 1>who are indigenous to what is usually has historically been

0:43:46.520 --> 0:43:49.319
<v Speaker 1>called Lapland, but is better known as a Sami Um,

0:43:49.520 --> 0:43:52.480
<v Speaker 1>which is northern Norway, Sweden, Finland and like the northwestern

0:43:52.520 --> 0:43:55.759
<v Speaker 1>bits of Russia. And for centuries, the Sami actually had

0:43:55.800 --> 0:43:58.759
<v Speaker 1>little contact with the Germanic Scandinavians who lived in southern

0:43:58.840 --> 0:44:02.200
<v Speaker 1>Scandinavia UM, which is like the Vikings and the Norse

0:44:02.280 --> 0:44:04.040
<v Speaker 1>and Germanic gods and all that ship. The Sami had

0:44:04.080 --> 0:44:07.040
<v Speaker 1>their own fucking thing going on and still do. They

0:44:07.120 --> 0:44:10.000
<v Speaker 1>lived in places that were too barren to cultivate, so

0:44:10.320 --> 0:44:13.320
<v Speaker 1>they were left alone for a long time. UM. Coastal

0:44:13.360 --> 0:44:16.040
<v Speaker 1>Sami traditionally sustained themselves as fishers, while those in the

0:44:16.080 --> 0:44:21.399
<v Speaker 1>interior traditionally heard reindeer. The nineteenth century caused force assimilation

0:44:21.760 --> 0:44:25.279
<v Speaker 1>project of quote civilizing them as part sad and true,

0:44:26.400 --> 0:44:29.560
<v Speaker 1>banning their languages, giving incentives to settlers to move into

0:44:29.600 --> 0:44:33.000
<v Speaker 1>their territory. Their children were taken to residential schools to

0:44:33.040 --> 0:44:37.279
<v Speaker 1>have their culture destroyed. All the usual colonizers ship. These days,

0:44:37.320 --> 0:44:40.040
<v Speaker 1>Sami lands are being exploited for mineral and oil and

0:44:40.160 --> 0:44:46.120
<v Speaker 1>gas resources, disturbing the reindeer um and I don't know, um,

0:44:46.560 --> 0:44:50.600
<v Speaker 1>just destroying an entire indigenous Yeah, because I think that's

0:44:50.640 --> 0:44:55.200
<v Speaker 1>something that people don't recognize enough, is that colonization happens

0:44:55.719 --> 0:44:59.239
<v Speaker 1>everywhere in the world. Um. And you know, indigenous people

0:44:59.280 --> 0:45:05.319
<v Speaker 1>getting shoved into states and then oppressed happens sucking everywhere. Interestingly,

0:45:05.520 --> 0:45:08.560
<v Speaker 1>this is a theme that is explored in the movie

0:45:08.680 --> 0:45:14.480
<v Speaker 1>Frozen two. That's cool. Yeah, that's just a fact. Yeah.

0:45:15.200 --> 0:45:18.840
<v Speaker 1>I mean I have not heard about the um about

0:45:19.480 --> 0:45:22.759
<v Speaker 1>Sami culture before. This is all new to me, okay,

0:45:22.800 --> 0:45:25.560
<v Speaker 1>And so many of them, the Sammi were traditionally migratory,

0:45:25.719 --> 0:45:27.960
<v Speaker 1>the folks who would follow the reindeer and heard reindeer,

0:45:28.480 --> 0:45:31.200
<v Speaker 1>and so they built storehouses on stilts for all the

0:45:31.280 --> 0:45:34.040
<v Speaker 1>stuff that they weren't taking with them on migration. And

0:45:34.120 --> 0:45:36.719
<v Speaker 1>I've read this both as storehouses of dried food, like

0:45:37.200 --> 0:45:39.440
<v Speaker 1>you know, all the stuff that they prepare and they're like,

0:45:39.480 --> 0:45:42.000
<v Speaker 1>why can't we can't take all this with us. I've

0:45:42.040 --> 0:45:44.560
<v Speaker 1>also read it as storehouses of just like stuff, like

0:45:44.680 --> 0:45:46.560
<v Speaker 1>all the stuff that when we come back here we're

0:45:46.560 --> 0:45:50.520
<v Speaker 1>gonna want. And so wild animals can't get in because

0:45:50.600 --> 0:45:54.960
<v Speaker 1>the stilts and sometimes they didn't have windows, and the

0:45:55.040 --> 0:45:58.239
<v Speaker 1>stilts were sometimes for tree trunks with their roots looking

0:45:58.280 --> 0:46:03.200
<v Speaker 1>like chicken feet. And yeah, I I cannot imagine after

0:46:03.239 --> 0:46:05.760
<v Speaker 1>seeing this sort of image, I cannot imagine another origin

0:46:05.840 --> 0:46:09.879
<v Speaker 1>of this, because, um, the you know, the Slavs were,

0:46:10.480 --> 0:46:14.280
<v Speaker 1>if at their like wildest, venturing into the far birch forests,

0:46:14.840 --> 0:46:17.560
<v Speaker 1>you know, um, and traditionally Bobby Aga lives in birch forest.

0:46:18.760 --> 0:46:22.040
<v Speaker 1>That's when you would be encountering something like this. I

0:46:22.120 --> 0:46:26.480
<v Speaker 1>mean visually it is so fucking cool looking, Like I

0:46:27.239 --> 0:46:31.360
<v Speaker 1>get why the image stuck because it it looks amazing. Yeah, totally.

0:46:32.680 --> 0:46:34.960
<v Speaker 1>And so the Sami aren't fins, right, There's a lot

0:46:35.040 --> 0:46:38.960
<v Speaker 1>of different groups of people that share that little sort

0:46:39.000 --> 0:46:42.200
<v Speaker 1>of vague. Um, it's not part of the Scandinavian Peninsula,

0:46:42.280 --> 0:46:46.440
<v Speaker 1>the Finland part. But there are several Finnish ogresses, one

0:46:46.480 --> 0:46:48.080
<v Speaker 1>of him is good and one of whom is bad.

0:46:48.400 --> 0:46:50.640
<v Speaker 1>Who are seen as potential origins of Bobby a gaswell,

0:46:50.800 --> 0:46:52.680
<v Speaker 1>or like influences on it that like Bobby Gas like

0:46:52.760 --> 0:46:57.600
<v Speaker 1>both of those ogresses at once, and one more weird

0:46:57.719 --> 0:47:01.799
<v Speaker 1>thing that ties into the Bobby a myth. Now she's

0:47:01.840 --> 0:47:05.239
<v Speaker 1>like shoving, um, shoving our protagonist into the oven on

0:47:05.280 --> 0:47:08.839
<v Speaker 1>the like shovel or whatever into the huge oven. Boy

0:47:08.960 --> 0:47:13.680
<v Speaker 1>do I okay? Well? Um? There was this Eastern Slavic

0:47:13.960 --> 0:47:20.759
<v Speaker 1>traditional healing method called baking children where if the kid

0:47:20.880 --> 0:47:24.760
<v Speaker 1>is sick, especially like a child who's born too early

0:47:25.040 --> 0:47:28.160
<v Speaker 1>or like some other issues, you put them in the

0:47:28.239 --> 0:47:33.000
<v Speaker 1>oven for a while, um not too hot obviously, instead

0:47:33.000 --> 0:47:36.759
<v Speaker 1>of timer because it's easy to get distracted, you know,

0:47:37.040 --> 0:47:40.200
<v Speaker 1>like I get yeah, yeah, we've all been there. So

0:47:40.320 --> 0:47:42.279
<v Speaker 1>that was a thing that people did, and it's like

0:47:42.320 --> 0:47:46.640
<v Speaker 1>almost certainly the origin of the the The person who

0:47:46.719 --> 0:47:49.279
<v Speaker 1>knows the traditional methods is like the evil witch who

0:47:49.719 --> 0:47:56.240
<v Speaker 1>bakes children. Right, I feel, Okay, this did it work?

0:47:57.600 --> 0:47:59.600
<v Speaker 1>I don't know the answer to that. I think there

0:47:59.600 --> 0:48:01.320
<v Speaker 1>are probab probably some things that would have helped with

0:48:01.640 --> 0:48:04.480
<v Speaker 1>but I do not know. And I think that they

0:48:04.520 --> 0:48:08.920
<v Speaker 1>did it in a way to your kid, Yeah, just

0:48:09.040 --> 0:48:11.680
<v Speaker 1>made made it afraid of enclosed spaces for the rest

0:48:11.719 --> 0:48:18.040
<v Speaker 1>of her life. What Yeah, wow, Freud would have had

0:48:18.080 --> 0:48:20.200
<v Speaker 1>a fucking field day with us back into the womb

0:48:20.280 --> 0:48:25.320
<v Speaker 1>ship too. It was a fucking weirdo. I just like,

0:48:27.680 --> 0:48:32.239
<v Speaker 1>you know, uh that is um okay, so so bad

0:48:32.320 --> 0:48:39.680
<v Speaker 1>witches put like baked children? Yeah yeah, question mark okay, okay,

0:48:39.880 --> 0:48:44.520
<v Speaker 1>so that ogresses in this case. Yeah, well yes, sometimes

0:48:44.600 --> 0:48:47.520
<v Speaker 1>you know, sometimes she's an over us. And so, as

0:48:47.560 --> 0:48:50.080
<v Speaker 1>far as I can tell, basically, Bobby Aga in post

0:48:50.160 --> 0:48:54.280
<v Speaker 1>Christian folklore represents the fear of the pagan other, especially

0:48:54.360 --> 0:48:58.640
<v Speaker 1>the sort of like indigenous pagan other, the knowledgeable, strange

0:48:58.680 --> 0:49:01.640
<v Speaker 1>people in the woods in Siberia, it seems like Bobby

0:49:01.640 --> 0:49:04.040
<v Speaker 1>Aga represents the fear of the indigenous people out there.

0:49:04.280 --> 0:49:06.280
<v Speaker 1>And then in western Russia it was like the indigenous

0:49:06.280 --> 0:49:09.000
<v Speaker 1>people who lived there are like the the people who

0:49:09.040 --> 0:49:11.920
<v Speaker 1>are being mothered by this. And I think that this

0:49:12.040 --> 0:49:14.360
<v Speaker 1>ties into how she can always smell the Russian blood

0:49:14.920 --> 0:49:18.399
<v Speaker 1>because she's not Russian. She's a foreigner. She's not from

0:49:18.480 --> 0:49:23.320
<v Speaker 1>a different place, but she's from a foreign culture because Russia, clearly,

0:49:23.640 --> 0:49:26.480
<v Speaker 1>you know, it's a very large place. And so it's

0:49:26.560 --> 0:49:31.880
<v Speaker 1>that colonial storytelling tradition of um, implying that all of

0:49:32.080 --> 0:49:37.879
<v Speaker 1>the evil comes from the indigenous character. That's being Okay, Yeah,

0:49:38.400 --> 0:49:42.400
<v Speaker 1>that that's my organized And then it might be more

0:49:42.480 --> 0:49:45.279
<v Speaker 1>of like just purely about paganism. Um, it might be

0:49:45.440 --> 0:49:47.880
<v Speaker 1>more a bunch of other stuff, but that that is

0:49:47.960 --> 0:49:51.120
<v Speaker 1>my read of it, Okay. But she's also got the

0:49:51.239 --> 0:49:53.680
<v Speaker 1>like entrancing power of the other two, right, because she's

0:49:53.680 --> 0:49:55.920
<v Speaker 1>not just a villain. She's the villain in about two

0:49:56.000 --> 0:49:59.960
<v Speaker 1>thirds of the stories she's in, and she's almost unique

0:50:00.000 --> 0:50:03.239
<v Speaker 1>and folk and folklore because overall she's like this bad

0:50:03.280 --> 0:50:06.040
<v Speaker 1>bit who eats kids. But she's the representation of the

0:50:06.080 --> 0:50:09.719
<v Speaker 1>catalyst of change that's necessary in any person's life. People

0:50:09.760 --> 0:50:13.319
<v Speaker 1>have described as like the god of tough love. That's

0:50:13.320 --> 0:50:16.480
<v Speaker 1>a cool that's a cool tital I could use that.

0:50:17.600 --> 0:50:19.840
<v Speaker 1>And I like how a lot of the kind of

0:50:20.239 --> 0:50:23.640
<v Speaker 1>pre Christian beliefs or morals like survive in monsters. I

0:50:23.719 --> 0:50:26.080
<v Speaker 1>really have this whole thing where I really like monsters.

0:50:27.480 --> 0:50:33.160
<v Speaker 1>And to quote Madame Pemita writing for Bust, if we

0:50:33.280 --> 0:50:35.480
<v Speaker 1>look back even further, we see her in her truer

0:50:35.560 --> 0:50:38.000
<v Speaker 1>guys as the forest Mother, the guardian of the woods.

0:50:38.440 --> 0:50:41.440
<v Speaker 1>This is where her dicey nature comes in for our ancestors.

0:50:41.520 --> 0:50:45.800
<v Speaker 1>The wild was truly ambiguous. Nature provided food, materials, and beauty,

0:50:46.080 --> 0:50:48.200
<v Speaker 1>but it could also be devil you, devour you, and

0:50:48.320 --> 0:50:51.799
<v Speaker 1>destroy you. Babba Yaga is just like that, cruel one

0:50:51.880 --> 0:50:55.520
<v Speaker 1>moment and achingly sweet and generous the next. An ancient

0:50:55.600 --> 0:50:58.399
<v Speaker 1>Slavic paganism of three planes of existence. There's the middle

0:50:58.480 --> 0:51:00.839
<v Speaker 1>world where we all live. We've the upper world where

0:51:00.880 --> 0:51:02.719
<v Speaker 1>the gods hang out, and then you have the lower world,

0:51:02.760 --> 0:51:05.520
<v Speaker 1>which isn't hell. It's like where the plant spirits and

0:51:05.560 --> 0:51:08.080
<v Speaker 1>the animals and like the mythical things hang out. And

0:51:08.120 --> 0:51:12.560
<v Speaker 1>Bobby as like lower world all the way. Okay, I

0:51:12.800 --> 0:51:16.719
<v Speaker 1>I like that, uh that kind of not I I

0:51:16.760 --> 0:51:19.040
<v Speaker 1>don't even know if that's a hierarchy, but I like

0:51:19.239 --> 0:51:22.600
<v Speaker 1>I like that concept of the lower world. Yeah, yeah,

0:51:22.719 --> 0:51:24.120
<v Speaker 1>me too. I want to learn more about a lot

0:51:24.200 --> 0:51:26.040
<v Speaker 1>of this stuff, like because a lot of this is

0:51:26.120 --> 0:51:28.719
<v Speaker 1>like mentioned in Passing and stuff about Bobby at God.

0:51:28.719 --> 0:51:30.120
<v Speaker 1>And then I like start digging into it because I

0:51:30.120 --> 0:51:32.800
<v Speaker 1>get excited, and then I remember that I um have

0:51:32.960 --> 0:51:37.360
<v Speaker 1>to eventually finished projects. But even like the concept of

0:51:37.680 --> 0:51:40.520
<v Speaker 1>the forest beneath the ground and like stuff like that,

0:51:41.000 --> 0:51:43.560
<v Speaker 1>it just I don't know all of that imagery is

0:51:43.600 --> 0:51:49.080
<v Speaker 1>so cool. Yeah, totally, um, and so so Christian Russians

0:51:49.120 --> 0:51:50.480
<v Speaker 1>don't actually have to go very far to find a

0:51:50.480 --> 0:51:53.960
<v Speaker 1>pagan other. There's been an unbroken tradition of paganism right

0:51:54.040 --> 0:51:57.399
<v Speaker 1>to the present day within Russia. Um, about five miles

0:51:57.440 --> 0:52:00.680
<v Speaker 1>east of Moscow, there the Mari people who are ethnically

0:52:00.960 --> 0:52:03.719
<v Speaker 1>finn U grick I believe, and they claim that their

0:52:03.760 --> 0:52:07.040
<v Speaker 1>religion is about seven thousand, five and thirty years old.

0:52:07.440 --> 0:52:09.200
<v Speaker 1>And when I say about, I mean they claim that

0:52:09.239 --> 0:52:11.600
<v Speaker 1>their religion is seven thousand, five and thirty years old.

0:52:11.800 --> 0:52:15.080
<v Speaker 1>I was like, that's a very precise about um, which

0:52:15.239 --> 0:52:17.919
<v Speaker 1>which implies that they have a specific start date. Yeah,

0:52:18.400 --> 0:52:22.480
<v Speaker 1>and in so many ways they're just like the archetypical

0:52:22.680 --> 0:52:25.759
<v Speaker 1>pagans that people when they think about European paganism, Um,

0:52:25.880 --> 0:52:29.040
<v Speaker 1>they're polytheists. They meet in sacred groves instead of churches,

0:52:30.239 --> 0:52:33.520
<v Speaker 1>and and they've run across some problems over the years.

0:52:33.560 --> 0:52:36.759
<v Speaker 1>You'd think that, Um, the history of history is the

0:52:36.840 --> 0:52:40.960
<v Speaker 1>history of people accepting religious differences. That's I mean, that's

0:52:41.000 --> 0:52:44.160
<v Speaker 1>the way I've understood it, and I've only read books

0:52:44.280 --> 0:52:48.359
<v Speaker 1>from the winners, So I think that that's probably chill. Yeah,

0:52:48.560 --> 0:52:50.920
<v Speaker 1>they're like, oh, we totally accepted them. And then they

0:52:51.080 --> 0:52:55.000
<v Speaker 1>just stopped believing what they believed peacefully. Yeah, there's a

0:52:55.040 --> 0:53:03.440
<v Speaker 1>holiday about that coming up. Garbage. Sorry, continue. So the

0:53:03.520 --> 0:53:05.520
<v Speaker 1>problems that they've run into first, they ran into the

0:53:05.560 --> 0:53:09.360
<v Speaker 1>problems of Christians. Russia started christianizing more intensely around the

0:53:09.440 --> 0:53:11.840
<v Speaker 1>yearth a thousand, and a lot of Pagans had to

0:53:11.880 --> 0:53:14.279
<v Speaker 1>resettle or do what Christianized people have done all over

0:53:14.280 --> 0:53:17.480
<v Speaker 1>the world, especially Catholics, they syncretize. Um, there's this like

0:53:17.560 --> 0:53:20.479
<v Speaker 1>dual faith thing that people have going on where people

0:53:20.640 --> 0:53:23.560
<v Speaker 1>managed successfully for hundreds of years, if not thousands of years,

0:53:24.360 --> 0:53:26.760
<v Speaker 1>where they're like, oh, yeah, I'm like Catholic or Orthodox

0:53:26.840 --> 0:53:28.760
<v Speaker 1>or whatever, and then they go out to the glade

0:53:28.800 --> 0:53:31.520
<v Speaker 1>and keep up their actual religion. And so a lot

0:53:31.600 --> 0:53:36.319
<v Speaker 1>of the Mari religious believers were practicing that, and then

0:53:36.320 --> 0:53:40.759
<v Speaker 1>they had a bigger problem the Bolsheviks. When the Bolsheviks

0:53:41.400 --> 0:53:44.600
<v Speaker 1>took over Russia created the USSR. They didn't like religion,

0:53:44.920 --> 0:53:48.120
<v Speaker 1>sort of a classic thing. Mosques and churches were raised

0:53:48.160 --> 0:53:51.120
<v Speaker 1>all over, and so were the sacred growths. They would

0:53:51.280 --> 0:53:52.880
<v Speaker 1>run through and be like, that's also a thing you're

0:53:52.920 --> 0:53:56.600
<v Speaker 1>not allowed to do. One Mari practitioner describes life under

0:53:56.640 --> 0:53:58.880
<v Speaker 1>the Soviet Union about how they creep into the forest

0:53:58.960 --> 0:54:04.040
<v Speaker 1>to practice. Quote the police, fervent atheists, communists would come.

0:54:04.400 --> 0:54:07.640
<v Speaker 1>They kicked over our cauldrons and chased us away. And

0:54:07.680 --> 0:54:09.480
<v Speaker 1>that was mostly the seventies and eighties. I think a

0:54:09.520 --> 0:54:12.720
<v Speaker 1>lot of the more intense anti religious stuff that was happening.

0:54:12.800 --> 0:54:14.920
<v Speaker 1>But again, this is like a thing I like to

0:54:14.960 --> 0:54:19.239
<v Speaker 1>have touched on peripherally but not dive deep into. Yeah,

0:54:19.280 --> 0:54:23.279
<v Speaker 1>I'm interested. I mean every uh, every sort of like

0:54:23.360 --> 0:54:27.640
<v Speaker 1>alley this story leads down. Is that's wild. After the

0:54:27.680 --> 0:54:30.359
<v Speaker 1>fall of the uss are the practice started back up again,

0:54:30.440 --> 0:54:34.160
<v Speaker 1>more more openly, until the other classic monster on the

0:54:34.200 --> 0:54:41.200
<v Speaker 1>world stage Putin. Yeah oh Putin Uh is not a

0:54:41.320 --> 0:54:47.239
<v Speaker 1>huge supporter of religious freedom. Yeah, no, weirdly um persecution

0:54:47.360 --> 0:54:50.319
<v Speaker 1>And the article I'm reading is about who that's talking about.

0:54:50.360 --> 0:54:52.320
<v Speaker 1>This is from about when it was like starting to

0:54:52.400 --> 0:54:54.319
<v Speaker 1>kick back in. I have not been able to find

0:54:54.360 --> 0:54:58.160
<v Speaker 1>the follow up about Putin changing his mind and suddenly

0:54:58.239 --> 0:55:02.520
<v Speaker 1>being very tolerant. And he actually specifically used an anti

0:55:02.600 --> 0:55:05.719
<v Speaker 1>extremist law that persecutes a ton of religions UM like

0:55:05.840 --> 0:55:09.040
<v Speaker 1>Muslims and Jehovah's Witnesses and the Marii Pagans, where it's

0:55:09.080 --> 0:55:14.120
<v Speaker 1>like if you're book is like, hey, our practices are cool.

0:55:14.200 --> 0:55:16.759
<v Speaker 1>We don't like churches. They're like, that's extremism because you

0:55:16.840 --> 0:55:21.040
<v Speaker 1>said this other thing. Okay, And so I don't know.

0:55:22.239 --> 0:55:26.239
<v Speaker 1>I don't know. I think putin bait and swing. Yeah. Yeah,

0:55:26.440 --> 0:55:28.120
<v Speaker 1>And I don't know a ton about them. But they're

0:55:28.120 --> 0:55:31.279
<v Speaker 1>still around, They're still doing their thing. They consciously stand

0:55:31.320 --> 0:55:34.319
<v Speaker 1>in solidarity with indigenous and pagan religions the world round,

0:55:34.400 --> 0:55:38.440
<v Speaker 1>especially as relates to climate change. One practitioner said, they say,

0:55:38.480 --> 0:55:40.160
<v Speaker 1>we need to increase consumption to get out of the

0:55:40.200 --> 0:55:42.360
<v Speaker 1>economic crisis, but if we all start to consume on

0:55:42.400 --> 0:55:44.919
<v Speaker 1>the level of England or America will destroy the earth

0:55:44.960 --> 0:55:49.360
<v Speaker 1>within a decade. So at least on this level, I

0:55:49.480 --> 0:55:53.120
<v Speaker 1>like them, you know. I was like, yeah that, I'm

0:55:53.200 --> 0:55:55.560
<v Speaker 1>I'm on board with that. Yeah, I'm so, I'm I

0:55:55.680 --> 0:56:00.239
<v Speaker 1>wanna learn more about this. Yeah. So back to bubbya Got.

0:56:01.400 --> 0:56:04.759
<v Speaker 1>The thing is, she's never centered in the story. She's

0:56:04.760 --> 0:56:07.439
<v Speaker 1>never the protagonist. She's a force of nature that people

0:56:07.520 --> 0:56:10.200
<v Speaker 1>contend with. No One ever asks how is Bobby Aga?

0:56:10.440 --> 0:56:14.280
<v Speaker 1>They only ask um, you know about about the arch Crone,

0:56:14.360 --> 0:56:17.480
<v Speaker 1>the bone Mother. These are other names I found for Um.

0:56:17.920 --> 0:56:20.759
<v Speaker 1>The way you're describing this, it cracks me up. It

0:56:21.000 --> 0:56:23.959
<v Speaker 1>just like sounds like you're like teeing up to pitch

0:56:24.120 --> 0:56:28.200
<v Speaker 1>a really shitty Disney Plus series about like people always

0:56:28.360 --> 0:56:33.279
<v Speaker 1>ask like no one ever asked how is Bobby and

0:56:33.800 --> 0:56:40.640
<v Speaker 1>in this reboot starring insert a woman here, This is

0:56:40.760 --> 0:56:43.839
<v Speaker 1>a this is a terrible Catherine Han mini series rating

0:56:43.880 --> 0:56:45.719
<v Speaker 1>to happen. I think we can do it well, I've

0:56:45.760 --> 0:56:48.200
<v Speaker 1>been This has all been my long pitch to to

0:56:48.320 --> 0:56:52.840
<v Speaker 1>get you as co writer. I'm in. I'm in, baby,

0:56:52.960 --> 0:56:56.120
<v Speaker 1>all right. She's almost never married in any of the stories,

0:56:56.160 --> 0:56:59.920
<v Speaker 1>which good for her, right, sometimes she has children or grandchildren.

0:57:00.320 --> 0:57:02.400
<v Speaker 1>She's clearly doing what she wants even when she has

0:57:02.480 --> 0:57:06.839
<v Speaker 1>children and is unmarried. So fuck yeah. Um. There's one

0:57:06.880 --> 0:57:09.840
<v Speaker 1>guy she sometimes represented as hooking up with another pagan

0:57:09.920 --> 0:57:13.440
<v Speaker 1>fear of the other guy. And his name is Coche

0:57:13.600 --> 0:57:17.440
<v Speaker 1>the Deathless, and he's kind of cool because his name

0:57:17.480 --> 0:57:19.600
<v Speaker 1>is I mean, it's a cool name. I mean, I

0:57:19.760 --> 0:57:22.320
<v Speaker 1>was like, I'm i I'm I'm into the name. What

0:57:22.480 --> 0:57:25.720
<v Speaker 1>does deal? Well, Jamie, I'm glad you asked. He's a

0:57:25.800 --> 0:57:28.840
<v Speaker 1>weird and more immortal wizard warrior guy who can't die

0:57:28.920 --> 0:57:31.440
<v Speaker 1>because he hides his soul and objects like in a

0:57:31.520 --> 0:57:33.000
<v Speaker 1>needle and an egg and a duck and a hair

0:57:33.080 --> 0:57:36.600
<v Speaker 1>and a chest buried on a far island. All right, well,

0:57:36.760 --> 0:57:40.840
<v Speaker 1>none of this is disqualifying to me, so continue. He's

0:57:40.840 --> 0:57:42.760
<v Speaker 1>got a ton of magical items, and he has a

0:57:42.840 --> 0:57:46.200
<v Speaker 1>super fast magical horse. In one story, he gets this

0:57:46.280 --> 0:57:49.960
<v Speaker 1>horse from Bobby at Goa. And sometimes the horse is

0:57:50.000 --> 0:57:52.280
<v Speaker 1>three legs, sometimes a seven legs, sometimes has the normal

0:57:52.360 --> 0:57:56.480
<v Speaker 1>boring amount of legs. And this guy is probably or

0:57:56.520 --> 0:57:58.280
<v Speaker 1>at least has been conjectured in a way that I

0:57:58.360 --> 0:58:01.240
<v Speaker 1>find convincing enough to make this in action, because it's entertaining.

0:58:01.520 --> 0:58:05.400
<v Speaker 1>He might have been an actual guy. Uh. There was

0:58:05.480 --> 0:58:09.960
<v Speaker 1>a twelfth century pagan Cohn of the of the Kuman

0:58:10.040 --> 0:58:13.560
<v Speaker 1>people named Khan con Check, who maybe let us he

0:58:13.640 --> 0:58:15.520
<v Speaker 1>had the hardest time finding this part out. I'm like,

0:58:15.600 --> 0:58:18.280
<v Speaker 1>maybe he led a slave uprising. I'm not sure. Um,

0:58:18.320 --> 0:58:20.840
<v Speaker 1>I don't feel confident about that. But he also is

0:58:20.880 --> 0:58:23.400
<v Speaker 1>conjectured to have like lived over a hundred years old,

0:58:23.480 --> 0:58:25.640
<v Speaker 1>unless maybe his kid was using his name too. But

0:58:25.840 --> 0:58:30.440
<v Speaker 1>basically he was the immortal because Um, he lived over

0:58:30.600 --> 0:58:33.120
<v Speaker 1>he like saw six generations of people, and so everyone's

0:58:33.120 --> 0:58:34.919
<v Speaker 1>like that guy is never gonna fucking die. He keeps

0:58:34.920 --> 0:58:40.240
<v Speaker 1>sucking conquering everything because everyone lived six years back. Yeah, exactly.

0:58:41.000 --> 0:58:44.920
<v Speaker 1>And he wore an ombulet of protection that was an

0:58:45.040 --> 0:58:47.840
<v Speaker 1>arrow head inside of an egg shape, and so that's

0:58:47.880 --> 0:58:49.680
<v Speaker 1>probably where you get the like needle in the egg

0:58:49.720 --> 0:58:51.160
<v Speaker 1>and the dock and the goose and the hole in

0:58:51.160 --> 0:58:53.040
<v Speaker 1>the bottom of the sea. There's a hole. There's a hole.

0:58:53.240 --> 0:58:55.000
<v Speaker 1>There's a hole in the bottom of the sea. I

0:58:55.080 --> 0:58:58.440
<v Speaker 1>was like, keep going, keep And since he was a

0:58:58.560 --> 0:59:01.840
<v Speaker 1>successful battle guy, he was a pagan, he became a batty, right.

0:59:02.160 --> 0:59:04.920
<v Speaker 1>I mean most battle guys are batties to be to

0:59:05.000 --> 0:59:06.440
<v Speaker 1>be real that what they do is run around hit

0:59:06.480 --> 0:59:08.560
<v Speaker 1>people with swords, which is like not usually a polite

0:59:09.280 --> 0:59:14.240
<v Speaker 1>thing to do. It's not usually smiled upon in polite society. Um.

0:59:14.520 --> 0:59:16.880
<v Speaker 1>But because him and Bobby and God were both baddies,

0:59:16.920 --> 0:59:19.320
<v Speaker 1>people like to ship them together and sometimes they got

0:59:19.360 --> 0:59:23.960
<v Speaker 1>together in stories and that's so God. I love when

0:59:24.000 --> 0:59:27.240
<v Speaker 1>you're like, yeah, folk like folk tales and fan fiction,

0:59:27.400 --> 0:59:30.560
<v Speaker 1>are they live in the same neighborhood. And it was

0:59:30.600 --> 0:59:34.080
<v Speaker 1>we're just like, uh, they're both pretty bad. What if

0:59:34.120 --> 0:59:38.840
<v Speaker 1>they fucked totally? Totally? People have been horny for so long.

0:59:39.200 --> 0:59:42.760
<v Speaker 1>And you know that's my controversial statement. Since he hid

0:59:43.080 --> 0:59:46.640
<v Speaker 1>his soul and other objects, we could call this book

0:59:46.960 --> 0:59:55.160
<v Speaker 1>which for lich swish. Yeah, thanks, um And and that's

0:59:55.200 --> 0:59:59.880
<v Speaker 1>what I've got about Bobby A gum cool. I love

1:00:00.120 --> 1:00:04.520
<v Speaker 1>Bob the as I was, Um I was. I googled,

1:00:04.640 --> 1:00:07.720
<v Speaker 1>I hit Google images bravely to see, like what different

1:00:07.760 --> 1:00:10.960
<v Speaker 1>interpretations of her look like, and it is like, well,

1:00:10.960 --> 1:00:12.240
<v Speaker 1>I mean, I think we talked about this in the

1:00:12.320 --> 1:00:18.680
<v Speaker 1>last episode, but all of the kind of cartoon like

1:00:19.480 --> 1:00:24.600
<v Speaker 1>anti an't I any woman who isn't like aggressively Western

1:00:24.680 --> 1:00:28.000
<v Speaker 1>beauty standards. You've got the cartoon anti semitism, and you

1:00:28.200 --> 1:00:32.800
<v Speaker 1>also have Bobby Agawa was an antagonist in a Miyazaki

1:00:32.920 --> 1:00:36.680
<v Speaker 1>movie which I didn't realize. I haven't seen it. Have

1:00:36.800 --> 1:00:41.320
<v Speaker 1>you seen it? Which movie is it in? Um? It's

1:00:41.360 --> 1:00:47.400
<v Speaker 1>when I haven't seen. Sorry, it's um the main antagonist

1:00:47.520 --> 1:00:50.800
<v Speaker 1>and Mr Dough and the Egg Princess. She brings the

1:00:50.880 --> 1:00:53.800
<v Speaker 1>Egg Princess to life. Her home is the Castle of

1:00:53.880 --> 1:00:57.960
<v Speaker 1>the Dark Forest. Seems like a loose interpretation, but I

1:00:58.040 --> 1:01:00.400
<v Speaker 1>think this is a short film, but I wanna I

1:01:00.440 --> 1:01:02.040
<v Speaker 1>want to go back and watch it now to see

1:01:02.720 --> 1:01:07.000
<v Speaker 1>how Miyazaki interpreted. But she was still a cannibal okay okay.

1:01:09.040 --> 1:01:12.800
<v Speaker 1>And and also, um, if you're familiar with the Miyazaki

1:01:12.920 --> 1:01:15.240
<v Speaker 1>character you Baba from Spirit in a way which I

1:01:15.280 --> 1:01:19.400
<v Speaker 1>have seen, I guess that Bobby Yaga has you Baba

1:01:19.560 --> 1:01:21.680
<v Speaker 1>energy as well. I was like, oh, I want to

1:01:21.720 --> 1:01:25.200
<v Speaker 1>see more Bobby Yaga. Seems like there should be more

1:01:25.440 --> 1:01:28.840
<v Speaker 1>modern interpretations of She's cool. I know there's a um.

1:01:29.040 --> 1:01:33.520
<v Speaker 1>I watched a Lost Girl episode, um, Bobby Aga in

1:01:34.240 --> 1:01:36.880
<v Speaker 1>preparation for this. I've never actually seen Lost Girl, and

1:01:36.960 --> 1:01:38.960
<v Speaker 1>my friend was like, what the fun and then it

1:01:39.080 --> 1:01:42.440
<v Speaker 1>was and then described it as in the genre of

1:01:43.320 --> 1:01:47.880
<v Speaker 1>entertainment that is people who fight demons and quip. Oh see,

1:01:48.800 --> 1:01:51.120
<v Speaker 1>that's what I like. That that can be you You

1:01:51.200 --> 1:01:52.880
<v Speaker 1>got to be in the right mood, but that can

1:01:52.920 --> 1:01:56.160
<v Speaker 1>be a good genre. I have written to novellas that

1:01:56.240 --> 1:01:58.240
<v Speaker 1>are people who fight demons and quips, So I like,

1:01:59.080 --> 1:02:03.200
<v Speaker 1>I'm into it. Yeah, you're damn good at it, thank you,

1:02:03.440 --> 1:02:07.920
<v Speaker 1>thank you. M Yeah. No. And there is the Japanese analogue.

1:02:07.920 --> 1:02:11.880
<v Speaker 1>I didn't get into it more. There's like um, comparisons

1:02:12.080 --> 1:02:16.520
<v Speaker 1>that made and to two cultures especially nearby like Japan

1:02:16.560 --> 1:02:19.800
<v Speaker 1>and Siberia, and I want to know more about how

1:02:19.880 --> 1:02:23.280
<v Speaker 1>all of that traces around. Um. But that is also

1:02:23.360 --> 1:02:27.920
<v Speaker 1>the stuff that people get doctorates in. I'm a lowly

1:02:28.400 --> 1:02:30.920
<v Speaker 1>the equivalent of the the guy who writes the like

1:02:31.960 --> 1:02:35.280
<v Speaker 1>I'll write down your legal structure and write erotic fan

1:02:35.400 --> 1:02:39.440
<v Speaker 1>fick about a maid. Um. Yeah, I think that that

1:02:39.640 --> 1:02:42.280
<v Speaker 1>is a beautiful place to be. That is a culturally

1:02:42.400 --> 1:02:49.400
<v Speaker 1>significant and impactful place to be. Thanks, well, this has

1:02:49.480 --> 1:02:54.120
<v Speaker 1>been so fascinating. Yeah. Uh, if people want to hear

1:02:54.280 --> 1:02:59.320
<v Speaker 1>you occupy that cultural space, how can they do so? Yes, Uh,

1:02:59.680 --> 1:03:02.880
<v Speaker 1>you can do all sorts of stuff. I was because

1:03:02.920 --> 1:03:07.439
<v Speaker 1>we're talking about Baba, I would recommend watching a show

1:03:07.520 --> 1:03:10.360
<v Speaker 1>called Teenage Euthanasia, in which there is a character named

1:03:10.440 --> 1:03:13.080
<v Speaker 1>Baba written on the show for a couple of years.

1:03:13.200 --> 1:03:17.160
<v Speaker 1>It's streaming on HBO Max. It's a really fun show, um,

1:03:17.560 --> 1:03:22.240
<v Speaker 1>and Baba is also kind of a mystical, mysterious figure. Um.

1:03:22.480 --> 1:03:25.400
<v Speaker 1>You can also preorder my book Raw Dog, which is

1:03:25.440 --> 1:03:29.560
<v Speaker 1>about hot dogs, which Baba you got famously loves, and

1:03:30.160 --> 1:03:33.000
<v Speaker 1>you can listen to any of my podcasts about extremely

1:03:33.080 --> 1:03:39.480
<v Speaker 1>specific topic on cool Zone Media, I ever heard of it, Sophie.

1:03:39.680 --> 1:03:43.080
<v Speaker 1>Anything you want to plug, just follow up closon media

1:03:43.360 --> 1:03:46.120
<v Speaker 1>on Instagram and Twitter for all the all the things,

1:03:47.200 --> 1:03:50.120
<v Speaker 1>um and then and then and then Margaret, Robert Evans

1:03:50.200 --> 1:03:53.480
<v Speaker 1>and myself will be doing a special live stream I

1:03:53.560 --> 1:03:57.920
<v Speaker 1>believe on December eighth. More details to come, um, but

1:03:58.080 --> 1:04:03.200
<v Speaker 1>it's going to be a good time. And if you

1:04:03.440 --> 1:04:07.680
<v Speaker 1>want to read my Fight Demons and Quip book, uh,

1:04:07.920 --> 1:04:09.880
<v Speaker 1>the first one is called The Lamb Will Slaughter the

1:04:09.960 --> 1:04:12.640
<v Speaker 1>Lion and the second one is called the Barrel Will

1:04:12.680 --> 1:04:15.200
<v Speaker 1>Send what it May. And yes, I realized I named

1:04:15.240 --> 1:04:19.680
<v Speaker 1>my books things that no one remembers. But the Lamb

1:04:19.760 --> 1:04:24.200
<v Speaker 1>will Slaughter the Lion or just like Margaret Killjoy books

1:04:24.600 --> 1:04:27.360
<v Speaker 1>will probably do that for you as a blue cover,

1:04:27.600 --> 1:04:33.400
<v Speaker 1>the cool cover. And you can hear us next week

1:04:33.720 --> 1:04:43.320
<v Speaker 1>when we talk about more things. Hi, Hi, Hi, cool people.

1:04:43.480 --> 1:04:46.240
<v Speaker 1>Who did Cool Stuff is a production of cool Zone Media.

1:04:46.600 --> 1:04:49.400
<v Speaker 1>But more podcasts and cool Zone Media. Visit our website

1:04:49.520 --> 1:04:51.960
<v Speaker 1>cool zone media dot com or check us out on

1:04:52.120 --> 1:04:55.000
<v Speaker 1>the I Heart Radio app, Apple Podcasts or wherever you

1:04:55.080 --> 1:05:00.880
<v Speaker 1>get your podcasts. Zo