1 00:00:00,800 --> 00:00:02,800 Speaker 1: Hello, and welcome to Cool People who did cool stuff. 2 00:00:02,800 --> 00:00:05,440 Speaker 1: I'm your host, Margaret Killjoy, and this week is Spooky Week. 3 00:00:05,440 --> 00:00:07,320 Speaker 1: Actually last week was Spooky Week, but I kind of 4 00:00:07,320 --> 00:00:09,959 Speaker 1: sucked up the timing about three part episodes. So this 5 00:00:10,000 --> 00:00:13,040 Speaker 1: week is Spooky Week. And instead of what I usually do, 6 00:00:13,520 --> 00:00:16,440 Speaker 1: tell you about some cool actual person from history, this 7 00:00:16,480 --> 00:00:18,520 Speaker 1: week I'm telling you about a cool person from folklore. 8 00:00:19,600 --> 00:00:22,520 Speaker 1: My guest today is Jamie Loftus, who herself is a 9 00:00:22,520 --> 00:00:25,799 Speaker 1: creature out of folklore? What are you the personification of 10 00:00:25,840 --> 00:00:30,160 Speaker 1: a gun? I can't remember, Jamie? Oh what was I? I? Actually, 11 00:00:30,200 --> 00:00:35,880 Speaker 1: it's been heavily, it's been hotly debated over over time. Um, 12 00:00:35,920 --> 00:00:40,000 Speaker 1: you know, I don't. I let people interpret it for themselves. 13 00:00:40,080 --> 00:00:42,720 Speaker 1: It's not for me to say as as as someone 14 00:00:42,760 --> 00:00:44,760 Speaker 1: who's not a real person, more of an idea than 15 00:00:44,800 --> 00:00:48,320 Speaker 1: a person, It's not for me to say, Okay, that's fair. 16 00:00:49,040 --> 00:00:52,200 Speaker 1: It's up for the listener to decide. What have you've 17 00:00:52,240 --> 00:00:55,520 Speaker 1: been the what have you've been popularly interpreted to be 18 00:00:55,600 --> 00:01:00,520 Speaker 1: the personification of Margaret? Oh lord? Um? Well, what's fun 19 00:01:00,520 --> 00:01:02,320 Speaker 1: about that is I think people actually do do that 20 00:01:02,360 --> 00:01:04,200 Speaker 1: to me. But then they, like, you know, they pick 21 00:01:04,319 --> 00:01:06,560 Speaker 1: like one aspect of your personality and run with it. 22 00:01:06,840 --> 00:01:10,640 Speaker 1: And it used to be the like the like vagabond figure, right, 23 00:01:10,720 --> 00:01:13,360 Speaker 1: like it's the like perpetual traveler. And then it was 24 00:01:13,400 --> 00:01:16,200 Speaker 1: like the girl who lives in a black house that 25 00:01:16,240 --> 00:01:18,360 Speaker 1: she built in the forest, and like, both of those 26 00:01:18,360 --> 00:01:20,920 Speaker 1: are like true things about me. But yeah, I see 27 00:01:20,920 --> 00:01:23,839 Speaker 1: where they're coming from. To be fair, you did write 28 00:01:23,880 --> 00:01:27,759 Speaker 1: a chapter in your latest book about a girl turned 29 00:01:27,800 --> 00:01:32,280 Speaker 1: which that lives in a house in the forest. That's true. 30 00:01:32,760 --> 00:01:36,759 Speaker 1: That's true. So you did kind of write your own folklore. Yeah, 31 00:01:36,800 --> 00:01:40,160 Speaker 1: that seems like something I would do. Fair enough, they 32 00:01:40,160 --> 00:01:45,920 Speaker 1: have cultivated people often think that I am extremely chaotic 33 00:01:45,959 --> 00:01:48,880 Speaker 1: and don't have any semblance of control over my life. 34 00:01:49,640 --> 00:01:54,000 Speaker 1: But that's not true. That is completely that is factually inaccurate. 35 00:01:54,760 --> 00:01:57,800 Speaker 1: You're far too productive for that to be true. I 36 00:01:57,920 --> 00:02:01,000 Speaker 1: have my ship together just enough, thank you very much. 37 00:02:01,600 --> 00:02:05,800 Speaker 1: But here we are. Here we are too, or three 38 00:02:05,880 --> 00:02:12,640 Speaker 1: three women who represent ideas and are projected upon constantly. Sophie, 39 00:02:12,639 --> 00:02:17,839 Speaker 1: what's your professionally? Even my folklore? I think I think 40 00:02:17,880 --> 00:02:20,000 Speaker 1: you wrote my folklore if you told me I was 41 00:02:20,040 --> 00:02:26,680 Speaker 1: the pope of podcasting. So it's probably just like the 42 00:02:26,720 --> 00:02:30,560 Speaker 1: weird para social folklore that that all I do is 43 00:02:30,600 --> 00:02:35,959 Speaker 1: say no, which is not true the personification of sometimes 44 00:02:35,960 --> 00:02:46,680 Speaker 1: I say absolutely not. Yeah, so the queen of yeah yeah, Well, Jamie, 45 00:02:46,680 --> 00:02:48,960 Speaker 1: when you pointed out that, like, also professionally, we are 46 00:02:49,280 --> 00:02:52,160 Speaker 1: like that is the odd thing about doing this kind 47 00:02:52,200 --> 00:02:55,480 Speaker 1: of work is that you're like, oh, yeah, romanticize my life. 48 00:02:55,480 --> 00:02:58,840 Speaker 1: You'll buy my books. Right, You're like, it's not it's 49 00:02:58,880 --> 00:03:02,680 Speaker 1: not that negative, and it doesn't always even bother me. 50 00:03:02,720 --> 00:03:07,160 Speaker 1: But sometimes you're just like, well, I know what I'm like. Yeah, 51 00:03:07,720 --> 00:03:10,200 Speaker 1: and and and for me, nobody even knows what my 52 00:03:10,320 --> 00:03:15,320 Speaker 1: job is and that's fun and I'm not telling any 53 00:03:15,400 --> 00:03:20,920 Speaker 1: of you. Yeah. Well, one person whose job we do know. Uh. 54 00:03:21,040 --> 00:03:25,160 Speaker 1: The audio engineering is done by ian and the theme 55 00:03:25,240 --> 00:03:28,679 Speaker 1: music was written by a woman. Yeah. And where we 56 00:03:28,760 --> 00:03:31,320 Speaker 1: last left off, we talked about who Bobby Aga was, 57 00:03:31,440 --> 00:03:33,520 Speaker 1: about her chicken hut and her bony legs, and how 58 00:03:33,560 --> 00:03:36,280 Speaker 1: she ate children who misbehaved. Today we're going to talk 59 00:03:36,320 --> 00:03:38,920 Speaker 1: about what she means and where she comes from. But 60 00:03:39,240 --> 00:03:46,040 Speaker 1: first another story. I'm excited. I literally I have my 61 00:03:46,080 --> 00:03:50,840 Speaker 1: blanket here too, and I'm saying, okay, this story is 62 00:03:50,880 --> 00:03:55,800 Speaker 1: called by command of Prince Daniel. That's a great name 63 00:03:55,840 --> 00:04:02,080 Speaker 1: for a story. Okay, okay, as translated yeah by Leonard 64 00:04:02,200 --> 00:04:05,200 Speaker 1: Arthur Magnus, also about a hundred years ago. I didn't 65 00:04:05,280 --> 00:04:07,280 Speaker 1: forgot to write down the date I picked the public 66 00:04:07,320 --> 00:04:10,800 Speaker 1: domain translations. Is what happened. I'm inherently mistrustful of someone 67 00:04:10,880 --> 00:04:14,240 Speaker 1: who actively goes by three names, so this will be interesting, 68 00:04:15,600 --> 00:04:18,560 Speaker 1: that's fair. Yeah, I'm trying to come up with the 69 00:04:18,560 --> 00:04:20,599 Speaker 1: counter example, but I don't have one off the top 70 00:04:20,600 --> 00:04:24,480 Speaker 1: of my head. Three namers generally fall into the buckets 71 00:04:24,480 --> 00:04:29,760 Speaker 1: of serial killers or child stars, and um, you know, 72 00:04:29,920 --> 00:04:31,680 Speaker 1: and and so you're just like, this is going to 73 00:04:31,720 --> 00:04:35,719 Speaker 1: be a mixed bag. We'll see YEA. Once upon a 74 00:04:35,800 --> 00:04:38,680 Speaker 1: time there was an aged queen who had a son 75 00:04:38,760 --> 00:04:42,839 Speaker 1: and a daughter who were fine sturred each children, but 76 00:04:42,920 --> 00:04:49,560 Speaker 1: there was also an yeah coming in hard. But there 77 00:04:49,600 --> 00:04:51,799 Speaker 1: was also an evil witch who could not bear them, 78 00:04:51,839 --> 00:04:54,520 Speaker 1: and she began to lay plots how she might contrive 79 00:04:54,560 --> 00:04:57,880 Speaker 1: their overthrow. I think this is not even whatever I 80 00:04:57,960 --> 00:05:01,200 Speaker 1: must pulling anything. So she to the old queen and said, 81 00:05:01,960 --> 00:05:05,200 Speaker 1: dear gossip, that must be the queen's name. I don't know. 82 00:05:05,480 --> 00:05:08,080 Speaker 1: I am giving you a ring. Put it on your 83 00:05:08,080 --> 00:05:10,760 Speaker 1: son's hand, and then he will be rich and generous. 84 00:05:11,000 --> 00:05:13,680 Speaker 1: Only he must marry the maiden whom this ring fits. 85 00:05:14,880 --> 00:05:18,040 Speaker 1: The mother believed her and was extremely glad, and at 86 00:05:18,080 --> 00:05:21,239 Speaker 1: her death bade her son marry only the woman whom 87 00:05:21,240 --> 00:05:25,440 Speaker 1: the ring fitted. Time went by, and the boy grew up. 88 00:05:25,440 --> 00:05:27,640 Speaker 1: He became a man, and he looked at all the maidens. 89 00:05:27,960 --> 00:05:30,480 Speaker 1: Very many of them he liked, only as soon as 90 00:05:30,480 --> 00:05:32,279 Speaker 1: he put the ring on their finger. It was either 91 00:05:32,320 --> 00:05:35,440 Speaker 1: too broad or too narrow. So he traveled from village 92 00:05:35,440 --> 00:05:38,360 Speaker 1: to village, from town to town, and searched out all 93 00:05:38,360 --> 00:05:41,279 Speaker 1: the fair damsels. But he could not find his chosen one, 94 00:05:41,560 --> 00:05:46,080 Speaker 1: and he returned home in a reflective mood. What is 95 00:05:46,120 --> 00:05:49,840 Speaker 1: the mother? What is the matter? Brother? His sister asked him. 96 00:05:49,880 --> 00:05:52,279 Speaker 1: So he told her of his trouble, explained his sorrow. 97 00:05:52,760 --> 00:05:55,960 Speaker 1: What a wonderful ring you have, said the sister, Let 98 00:05:56,000 --> 00:06:02,800 Speaker 1: me try it on. No, hey, bro um, that wedding ring. 99 00:06:03,120 --> 00:06:07,920 Speaker 1: Why don't she slap it on this finger? No problems here? Meanwhile, 100 00:06:08,120 --> 00:06:11,880 Speaker 1: the water system is poisoned. There's all these policy issues. 101 00:06:11,960 --> 00:06:14,599 Speaker 1: While this guy has been fucking off putting rings on 102 00:06:14,600 --> 00:06:19,000 Speaker 1: the random people. People are dying. Meanwhile, we have some 103 00:06:19,080 --> 00:06:23,039 Speaker 1: incest in progress. This is disgusting. Yeah, this is clearly 104 00:06:23,040 --> 00:06:27,760 Speaker 1: an HBO show. Yeah. She tried it on her finger, 105 00:06:28,000 --> 00:06:30,280 Speaker 1: and the ring was firm as firmly fixed as if 106 00:06:30,320 --> 00:06:32,680 Speaker 1: it had been soldered on, as though it had been 107 00:06:32,680 --> 00:06:36,599 Speaker 1: made for her. Oh, sister, you are my chosen bride 108 00:06:36,600 --> 00:06:40,080 Speaker 1: and you must be my wife. What a horrible idea brother, 109 00:06:40,680 --> 00:06:43,560 Speaker 1: That would be a sin. But the brother would not 110 00:06:43,600 --> 00:06:46,000 Speaker 1: listen to a word she said. He danced for joy 111 00:06:46,160 --> 00:06:48,359 Speaker 1: and told her to make ready for the wedding. She 112 00:06:48,440 --> 00:06:51,039 Speaker 1: wept bitter tears, went in front of the house and 113 00:06:51,080 --> 00:06:54,720 Speaker 1: sat on the threshold and let her tears flow. Two 114 00:06:54,800 --> 00:06:57,640 Speaker 1: old beggars came up, and she gave them to eat 115 00:06:57,680 --> 00:07:00,560 Speaker 1: and drink. They asked what her trouble was us, and 116 00:07:00,680 --> 00:07:04,760 Speaker 1: she needs must tell the two. Now weep no more, 117 00:07:05,160 --> 00:07:08,400 Speaker 1: but do what we say. Make up four dolls and 118 00:07:08,400 --> 00:07:11,600 Speaker 1: put them in four corners of your room. After your 119 00:07:11,640 --> 00:07:14,080 Speaker 1: brother calls you in for the betrothal, go and if 120 00:07:14,120 --> 00:07:16,559 Speaker 1: he calls you into the bridal chamber, ask for time, 121 00:07:16,800 --> 00:07:21,040 Speaker 1: trust in God, and follow our advice. And the beggars departed. 122 00:07:22,000 --> 00:07:26,520 Speaker 1: We need less doll based solutions in this world. I 123 00:07:26,560 --> 00:07:30,720 Speaker 1: don't know doll into girl to I mean, look, as 124 00:07:30,720 --> 00:07:32,960 Speaker 1: the owner of many dolls, they have not solved a 125 00:07:33,080 --> 00:07:36,600 Speaker 1: damn problem. And in fact, they've been an active deterrent. Uh, 126 00:07:36,720 --> 00:07:41,280 Speaker 1: they've maybe cause more problems then they've solved for me, 127 00:07:41,360 --> 00:07:43,840 Speaker 1: thank you very much. You mean because when people come 128 00:07:43,840 --> 00:07:46,200 Speaker 1: into your house, it's just dolls staring at you from 129 00:07:46,200 --> 00:07:49,720 Speaker 1: the wall. Yeah, people don't like that, it turns out, Margaret. 130 00:07:49,720 --> 00:07:51,800 Speaker 1: But people come into your house, they seed nine thousand 131 00:07:51,880 --> 00:07:55,559 Speaker 1: dollars and they're like, um, interesting, I just got so 132 00:07:55,680 --> 00:07:58,200 Speaker 1: busy and sick. Okay, So what we should try is 133 00:07:58,240 --> 00:08:00,520 Speaker 1: we should trade and you can become a sword girl 134 00:08:00,560 --> 00:08:02,280 Speaker 1: for a while and I'll become a doll girl for 135 00:08:02,320 --> 00:08:06,080 Speaker 1: a while, and we'll just, yeah, like walking a mile 136 00:08:06,160 --> 00:08:10,119 Speaker 1: in each other's shoes. Um, it would be useful because 137 00:08:10,520 --> 00:08:14,360 Speaker 1: the pigs and valleys of being a doll girl are 138 00:08:15,240 --> 00:08:17,960 Speaker 1: I feel like I've really lived and I want to 139 00:08:18,000 --> 00:08:19,720 Speaker 1: know what it feels like to be a sword girl. 140 00:08:19,800 --> 00:08:22,640 Speaker 1: Also a horse girl. Yeah, I do want to be 141 00:08:22,680 --> 00:08:26,800 Speaker 1: a horse girl, but horses don't respect my authority and 142 00:08:27,720 --> 00:08:32,880 Speaker 1: go where they want. And it's hard. I've been saying 143 00:08:32,880 --> 00:08:40,720 Speaker 1: that for years. Horses are so fucking disrespectful. Yeah. Yeah. 144 00:08:40,960 --> 00:08:43,400 Speaker 1: The brother and the sister were betrothed, and he went 145 00:08:43,440 --> 00:08:46,280 Speaker 1: into the room and cried out, sister mine, come in. 146 00:08:46,920 --> 00:08:49,160 Speaker 1: I will come in a moment. Brother, I'm only taking 147 00:08:49,200 --> 00:08:52,440 Speaker 1: off my earrings. And the dolls in the four corners 148 00:08:52,440 --> 00:08:57,680 Speaker 1: began to sing, cuckoo, Prince Danilo, cuckoo, dio ver leo 149 00:08:58,559 --> 00:09:01,920 Speaker 1: ku Ku. It's as a brother Kukou weds his sister Kukou. 150 00:09:02,280 --> 00:09:06,480 Speaker 1: Earth must be split asunder Kukou and the sister lie 151 00:09:06,600 --> 00:09:10,840 Speaker 1: hid under. Then the earth rose up and slowly started 152 00:09:10,880 --> 00:09:14,200 Speaker 1: to swallow the sister, and the brother cried out again, 153 00:09:14,760 --> 00:09:20,360 Speaker 1: did she do? Oh wait, you're here? Okay, sorry, I'm no, 154 00:09:20,520 --> 00:09:23,440 Speaker 1: no no, And the brother cried out again, sister mine, 155 00:09:23,559 --> 00:09:26,880 Speaker 1: come into the feather bed in in a minute, Brother, 156 00:09:27,080 --> 00:09:30,160 Speaker 1: I am undoing my girdle. And the dolls began to saying, Cuckoo, 157 00:09:30,200 --> 00:09:33,559 Speaker 1: Prince de nilo, cukoo, giver you hukou. It is a 158 00:09:33,640 --> 00:09:37,280 Speaker 1: brother Kuku weds his sister Huku. Earth must be split 159 00:09:37,360 --> 00:09:41,920 Speaker 1: asunder cuckoo, and the sister lie hid under. Only she 160 00:09:42,000 --> 00:09:45,840 Speaker 1: had vanished now all but her head, and the brother 161 00:09:45,920 --> 00:09:49,040 Speaker 1: cried out again, come into the feather bed in, a minute, brother, 162 00:09:49,240 --> 00:09:51,959 Speaker 1: I am taking off my shoes, and the dolls went 163 00:09:52,000 --> 00:09:55,280 Speaker 1: on cooing, and she vanished under the earth, and the 164 00:09:55,360 --> 00:09:58,679 Speaker 1: brother kept crying and crying and crying, and when she 165 00:09:58,840 --> 00:10:01,720 Speaker 1: never returned, he became angry and ran out to fetch her. 166 00:10:02,240 --> 00:10:04,760 Speaker 1: He could see nothing but the dolls, which kept singing, 167 00:10:05,120 --> 00:10:07,680 Speaker 1: so we knocked off their heads and threw them into 168 00:10:07,760 --> 00:10:11,640 Speaker 1: the stove. Okay, I actually think I've maybe done this. 169 00:10:14,600 --> 00:10:18,480 Speaker 1: Had four dolls in the corner while man slowly gets 170 00:10:18,640 --> 00:10:22,760 Speaker 1: more and more furious and then just sucking bolt. It's like, 171 00:10:22,840 --> 00:10:32,680 Speaker 1: where are you nothing? Yeah? Yeah. The sister went farther 172 00:10:32,880 --> 00:10:35,000 Speaker 1: under the earth and she saw a little hut, standing 173 00:10:35,080 --> 00:10:39,079 Speaker 1: on cox feet and turning round. Hout, she cried out, 174 00:10:39,480 --> 00:10:41,520 Speaker 1: stand as you should with your back to the wood. 175 00:10:42,320 --> 00:10:44,840 Speaker 1: Exactly how there's a forest under the earth is not explained, 176 00:10:44,920 --> 00:10:49,040 Speaker 1: Just to be clear. I like the idea, I know, right. Yeah, 177 00:10:49,120 --> 00:10:51,920 Speaker 1: it's very gobliny, and I'm approve of all thanks goblining, 178 00:10:53,000 --> 00:10:57,400 Speaker 1: especially my dog who was a goblin. So the hut 179 00:10:57,480 --> 00:11:00,200 Speaker 1: stopped and the doors opened, and a fair maiden looked out. 180 00:11:00,559 --> 00:11:02,959 Speaker 1: She was knitting a cloth with gold and silver thread. 181 00:11:03,440 --> 00:11:07,559 Speaker 1: She greeted the guest friendly, and kindly but sighed and said, oh, 182 00:11:07,679 --> 00:11:09,640 Speaker 1: my darling and my sister, I am so glad to 183 00:11:09,679 --> 00:11:11,559 Speaker 1: see you. I shall be glad to look after you 184 00:11:11,640 --> 00:11:13,160 Speaker 1: and care for you as long as my mother is 185 00:11:13,280 --> 00:11:16,200 Speaker 1: not here, But as soon as she flies in, woe 186 00:11:16,320 --> 00:11:20,160 Speaker 1: to you and me, for she is a witch. When 187 00:11:20,240 --> 00:11:22,839 Speaker 1: she heard this, the maiden was frightened, but could not 188 00:11:23,000 --> 00:11:28,040 Speaker 1: fly anywhere. I think means like runaway. Okay. I was like, well, yeah, 189 00:11:28,160 --> 00:11:31,280 Speaker 1: she's a person, yeah, exactly like I can't fly anywhere either. 190 00:11:31,960 --> 00:11:37,360 Speaker 1: So she's not drink covid anyway, Okay. So she sat 191 00:11:37,400 --> 00:11:39,560 Speaker 1: down and began helping the other maiden at her work. 192 00:11:40,000 --> 00:11:43,000 Speaker 1: So they chattered along, and soon at the right time 193 00:11:43,080 --> 00:11:45,920 Speaker 1: before the mother came, the fair Maiden turned her guests 194 00:11:45,960 --> 00:11:48,440 Speaker 1: into a needle because she's totally not a witch herself, 195 00:11:48,720 --> 00:11:51,360 Speaker 1: turned her guest into a needle, stuck her into the 196 00:11:51,400 --> 00:11:54,640 Speaker 1: bassom and put it on one side. But scarcely had 197 00:11:54,679 --> 00:11:59,120 Speaker 1: this been done when Bobby Yaga came in. Now and 198 00:11:59,200 --> 00:12:04,160 Speaker 1: then everyone's cheering. Everyone at midnight screening's like, yes, there 199 00:12:04,320 --> 00:12:10,400 Speaker 1: she is, This is why we come here. Oh exactly, 200 00:12:11,280 --> 00:12:14,880 Speaker 1: what a rush she's back. Yeah, now, my fair daughter, 201 00:12:15,000 --> 00:12:17,160 Speaker 1: my little child, tell me at once, why does the 202 00:12:17,280 --> 00:12:23,480 Speaker 1: room smell so of Russian bones? Classic baba, you know, 203 00:12:24,720 --> 00:12:29,400 Speaker 1: sniff in that blood. Mother, there have been strange men 204 00:12:29,559 --> 00:12:32,640 Speaker 1: journey in past who wanted a drink of water? Why 205 00:12:32,720 --> 00:12:35,120 Speaker 1: did you not keep them? They were too old, mother, 206 00:12:35,320 --> 00:12:39,679 Speaker 1: much too tough a snack for your teeth. Henceforth, entice 207 00:12:39,760 --> 00:12:41,520 Speaker 1: them all into the house, and never let them go. 208 00:12:42,160 --> 00:12:44,320 Speaker 1: I must now go get about again and look out 209 00:12:44,440 --> 00:12:47,400 Speaker 1: for other booty. As soon as ever she had gone, 210 00:12:47,840 --> 00:12:50,760 Speaker 1: the maiden set to work again, knitting, talking and laughing. 211 00:12:52,520 --> 00:12:54,760 Speaker 1: Then the witch came into the room once more. She 212 00:12:54,880 --> 00:12:57,800 Speaker 1: sniffed about the house and said, daughter, my sweet daughter, 213 00:12:57,880 --> 00:13:00,520 Speaker 1: my darling, tell me at once, why does it smells 214 00:13:00,520 --> 00:13:04,960 Speaker 1: so of Russian bones? Old men who were just passing by, 215 00:13:05,040 --> 00:13:07,080 Speaker 1: who wanted to warm their hands. I did my best 216 00:13:07,160 --> 00:13:10,120 Speaker 1: to keep them, but they would not stay. So the 217 00:13:10,200 --> 00:13:13,839 Speaker 1: witch was angry, scolded her daughter, and flew away. In 218 00:13:13,920 --> 00:13:16,439 Speaker 1: the meantime, her unknown guest was sitting in the bassoon. 219 00:13:17,880 --> 00:13:23,360 Speaker 1: Someone is listening, but I keep thinking bassoon and yeah 220 00:13:23,960 --> 00:13:27,000 Speaker 1: it makes me laugh. And someone who's listening knows this word, 221 00:13:27,360 --> 00:13:29,000 Speaker 1: and it's like, what the fund is wrong with you? 222 00:13:29,559 --> 00:13:31,520 Speaker 1: You had two days to learn how to pronounce it. 223 00:13:32,600 --> 00:13:34,920 Speaker 1: The maidens once more set to work. Yeah, I do 224 00:13:35,040 --> 00:13:38,199 Speaker 1: like the bassoon. Okay. Anyway, the maidens once more set 225 00:13:38,280 --> 00:13:40,240 Speaker 1: to work. So it laughed and thought how they might 226 00:13:40,440 --> 00:13:43,160 Speaker 1: escape the evil witch. This time they forgot how. The 227 00:13:43,240 --> 00:13:45,400 Speaker 1: hours were flying by, and suddenly the witch stood in 228 00:13:45,480 --> 00:13:49,120 Speaker 1: front of them, darling, tell me where have the Russian 229 00:13:49,160 --> 00:13:53,079 Speaker 1: bones crept away? Here? My mother, a fair maiden is 230 00:13:53,120 --> 00:13:56,800 Speaker 1: waiting for you. Daughter, mind darling, heat the oven quickly, 231 00:13:57,080 --> 00:14:00,760 Speaker 1: make it very hot. If this were like a realistic story, 232 00:14:01,800 --> 00:14:07,040 Speaker 1: Bobby AGA's daughter would be like, Mom, stop talking about 233 00:14:07,120 --> 00:14:11,199 Speaker 1: Russian bones. Yeah, it's kind of weird, so embarrassing. I 234 00:14:11,280 --> 00:14:16,280 Speaker 1: have a friend over a. Yeah. So the maiden looked 235 00:14:16,360 --> 00:14:18,959 Speaker 1: up and was frightened to death, for Bobby Aga, with 236 00:14:19,080 --> 00:14:21,600 Speaker 1: the wooden legs, stood in front of her, and to 237 00:14:21,800 --> 00:14:24,960 Speaker 1: the ceiling rose her nose. So the mother and daughter 238 00:14:25,120 --> 00:14:28,800 Speaker 1: carried firewood in logs of oak and maple, made the 239 00:14:28,880 --> 00:14:32,520 Speaker 1: oven ready till the flames shot up merrily. Then the 240 00:14:32,600 --> 00:14:35,200 Speaker 1: witch took her broad shovel and said, in a friendly voice, 241 00:14:35,920 --> 00:14:39,240 Speaker 1: go and sit on my shovel, fair child. So the 242 00:14:39,280 --> 00:14:41,960 Speaker 1: maiden obeyed, and the Bobby a god was going to 243 00:14:42,000 --> 00:14:44,240 Speaker 1: shove her into the oven, but the girl stuck her 244 00:14:44,280 --> 00:14:48,120 Speaker 1: feet against the wall of the hearth. Will you sit still, girl? 245 00:14:49,200 --> 00:14:51,480 Speaker 1: But it was not any good. Bobby Aga could not 246 00:14:51,560 --> 00:14:54,120 Speaker 1: put the maiden into the oven, so she became angry, 247 00:14:54,240 --> 00:14:57,280 Speaker 1: thrust her back and said, you are simply wasting time. 248 00:14:57,600 --> 00:14:59,360 Speaker 1: Just look at me and see how it is done. 249 00:15:00,160 --> 00:15:02,440 Speaker 1: Down she sat on the shovel with her legs nicely 250 00:15:02,480 --> 00:15:06,480 Speaker 1: trusted together. So the maidens instantly put her into the oven, 251 00:15:06,840 --> 00:15:09,800 Speaker 1: shut the oven door and slammed her in, took their 252 00:15:09,880 --> 00:15:14,320 Speaker 1: knitting with them and their comb in their brush ran away. God, 253 00:15:14,440 --> 00:15:18,320 Speaker 1: I do love the confidence that it takes to be like, um, 254 00:15:19,240 --> 00:15:22,560 Speaker 1: this is how you sit on a shovel. Yeah, you're 255 00:15:22,560 --> 00:15:29,760 Speaker 1: gonna get put in? Yeah yeah, loving it? Yeah? They 256 00:15:29,880 --> 00:15:32,360 Speaker 1: ran hard away, but when they turned round there was 257 00:15:32,400 --> 00:15:35,280 Speaker 1: bobby Aga running after them. She had set herself free, 258 00:15:35,680 --> 00:15:38,800 Speaker 1: some real ex mocking a ship in this Yeah yeah, 259 00:15:40,400 --> 00:15:44,120 Speaker 1: who hoo hoo. They're run the two. So the maidens, 260 00:15:44,240 --> 00:15:47,040 Speaker 1: in their need, threw the brush away and a thick, 261 00:15:47,400 --> 00:15:51,240 Speaker 1: dense coppice, which is like a bunch of trees a rose, 262 00:15:51,360 --> 00:15:54,000 Speaker 1: which she could not break through, so she stretched out 263 00:15:54,040 --> 00:15:58,000 Speaker 1: her claws scratched herself away through and again ran after them. 264 00:15:58,720 --> 00:16:03,080 Speaker 1: Whither should the two girls flee? They flung their comb 265 00:16:03,160 --> 00:16:05,880 Speaker 1: behind them, and a dark, murky oak forest grew up 266 00:16:05,960 --> 00:16:09,560 Speaker 1: so thick no fly could have ever flown its way through. 267 00:16:10,600 --> 00:16:13,080 Speaker 1: Then the witch wetted her teeth and set to work. 268 00:16:13,680 --> 00:16:16,160 Speaker 1: She went on, tearing up one tree after the other 269 00:16:16,280 --> 00:16:19,400 Speaker 1: by the roots, and she made herself away and again 270 00:16:19,480 --> 00:16:22,120 Speaker 1: set out after them, and almost caught up with them. 271 00:16:22,840 --> 00:16:27,480 Speaker 1: I like this one, Vasiline or whatever her name is, Yeah, 272 00:16:27,760 --> 00:16:34,160 Speaker 1: totally Vasiline the sexy. What was that? Was that? Vasilisa 273 00:16:34,240 --> 00:16:42,040 Speaker 1: the beautiful? Yeah? Yeah, yeah, Vassiline sexy? Yeah, basically. Now, 274 00:16:42,160 --> 00:16:44,560 Speaker 1: the two girls had no strength left to run, so 275 00:16:44,760 --> 00:16:48,480 Speaker 1: through the cloth behind them, and a broad sea stretched out, deep, 276 00:16:48,600 --> 00:16:51,960 Speaker 1: wide and fiery. The old woman rose up, wanted to 277 00:16:52,040 --> 00:16:54,120 Speaker 1: fly over it, but fell into the fire and was 278 00:16:54,240 --> 00:16:59,480 Speaker 1: burned to death. Again with the burning, I know, the 279 00:16:59,560 --> 00:17:03,000 Speaker 1: poor aiden's, poor homeless dubs did not know whither to go. 280 00:17:03,720 --> 00:17:05,679 Speaker 1: They sat down in order to rest, and a man 281 00:17:05,840 --> 00:17:08,600 Speaker 1: came and asked them who they were. He told his 282 00:17:08,760 --> 00:17:11,720 Speaker 1: master that the two little birds had fluttered onto his estate. 283 00:17:12,040 --> 00:17:15,280 Speaker 1: The two fairest damsels similar in form and shape, eye 284 00:17:15,400 --> 00:17:18,600 Speaker 1: for eye and line for line. One was his sister, 285 00:17:18,840 --> 00:17:21,600 Speaker 1: but which was it? What is this? Oh? Yeah, okay, 286 00:17:21,640 --> 00:17:25,840 Speaker 1: the master is the prince. Okay. One was a sister, 287 00:17:26,119 --> 00:17:29,280 Speaker 1: but which was it? He could not guess. So the 288 00:17:29,400 --> 00:17:31,960 Speaker 1: Master went to both of them. One was a sister, 289 00:17:32,440 --> 00:17:35,840 Speaker 1: which the servant had not lied. He did not know them, 290 00:17:36,200 --> 00:17:38,520 Speaker 1: and she was angry with him and did not say. 291 00:17:39,520 --> 00:17:43,320 Speaker 1: What shall I do? Asked the master. Master. I will 292 00:17:43,400 --> 00:17:47,080 Speaker 1: pour blood into an eu skin, put that under my armpit, 293 00:17:47,600 --> 00:17:50,360 Speaker 1: and talked to the maiden. In the meantime, I will 294 00:17:50,440 --> 00:17:52,480 Speaker 1: go and I will stab you in the side with 295 00:17:52,600 --> 00:17:55,920 Speaker 1: my knife, and then blood will flow, and your sister 296 00:17:56,040 --> 00:18:01,159 Speaker 1: will betray herself as to who she is the Nothing 297 00:18:01,280 --> 00:18:05,280 Speaker 1: could go wrong with this plan. This plan is air tight, 298 00:18:06,280 --> 00:18:13,600 Speaker 1: no notes, what could very well? Yeah, as soon as 299 00:18:13,640 --> 00:18:16,480 Speaker 1: it was said, it was done. The servants stabbed his 300 00:18:16,560 --> 00:18:18,639 Speaker 1: master in the side, and the blood poured forth, and 301 00:18:18,720 --> 00:18:21,640 Speaker 1: he fell down. And Margaret isn't the one who wrote 302 00:18:21,680 --> 00:18:25,239 Speaker 1: this story. So then his sister flung herself over him 303 00:18:25,240 --> 00:18:28,480 Speaker 1: and cried out, oh, my brother, my darling. Then her 304 00:18:28,520 --> 00:18:33,000 Speaker 1: brother jumped up again, healthy and well. Margaret, if the 305 00:18:33,280 --> 00:18:36,359 Speaker 1: moral of this story is she should have fucked her brother. 306 00:18:37,200 --> 00:18:45,200 Speaker 1: I'm gonna I'm gonna break my iPad. Okay, he embraced 307 00:18:45,240 --> 00:18:49,320 Speaker 1: his sister, gave her a proper husband, and he married 308 00:18:49,359 --> 00:18:53,320 Speaker 1: her friend. It's not Game of thron, it's got it 309 00:18:53,359 --> 00:18:57,399 Speaker 1: got for the ring fitted her just as well, and 310 00:18:57,480 --> 00:19:02,280 Speaker 1: they all lived splendidly and happily. Okay, they did not 311 00:19:02,480 --> 00:19:05,199 Speaker 1: stick the landing on that one. I'll be perfectly honest 312 00:19:05,560 --> 00:19:09,399 Speaker 1: that that that one was going great and then it 313 00:19:09,480 --> 00:19:13,760 Speaker 1: really turned to dogshit at the end. But like, oh, 314 00:19:13,840 --> 00:19:16,359 Speaker 1: actually this ring also fits my friend, so you can 315 00:19:16,440 --> 00:19:20,440 Speaker 1: have sex with her. And yeah, it's brother was so 316 00:19:21,520 --> 00:19:26,879 Speaker 1: come to the feather bed my ass. That's wow, what 317 00:19:27,080 --> 00:19:30,680 Speaker 1: a what it can And and also Bobby Yaga gone 318 00:19:30,760 --> 00:19:36,400 Speaker 1: without Bobby Bobby Yaga. I'm hitting this, everyone says Bobby 319 00:19:36,800 --> 00:19:39,959 Speaker 1: Bobby Yaga. And then I just like watched a Russian 320 00:19:40,200 --> 00:19:43,520 Speaker 1: cartoon where she's like, I'm Bobby Aga and I'm like, okay, cool, 321 00:19:43,560 --> 00:19:45,119 Speaker 1: that's what I'm gonna try. And second, like, let's go 322 00:19:45,240 --> 00:19:49,320 Speaker 1: with that one. But she once again, uh disappeared in 323 00:19:49,400 --> 00:19:54,560 Speaker 1: the middle of the story. Yeah, because she's no one asks, um, 324 00:19:55,880 --> 00:19:57,720 Speaker 1: how there's a joke here. I don't know. How to 325 00:19:57,760 --> 00:20:01,360 Speaker 1: do it? Um okay. I wanted to read this one 326 00:20:01,480 --> 00:20:04,840 Speaker 1: because sometimes Bobbyaga is what's called in folklore stories a donor, 327 00:20:05,320 --> 00:20:07,560 Speaker 1: like someone who will give you the stuff you need, right, 328 00:20:07,680 --> 00:20:13,119 Speaker 1: like the skull with the fire to burn your slightly 329 00:20:13,200 --> 00:20:17,280 Speaker 1: wicked steps a stepmother, right. And sometimes she's just a 330 00:20:17,320 --> 00:20:20,560 Speaker 1: cannibal on a chicken hut. And I wanted to give 331 00:20:20,600 --> 00:20:25,240 Speaker 1: you a taste. Yeah, exactly, um, give you a taste 332 00:20:25,280 --> 00:20:29,159 Speaker 1: of the cannibal version. So who the fuck is she? 333 00:20:29,560 --> 00:20:31,879 Speaker 1: Where did she come from? We'll talk about her name 334 00:20:31,880 --> 00:20:33,560 Speaker 1: we mentioned a little bit about it last time, and 335 00:20:33,600 --> 00:20:35,680 Speaker 1: take a little bit more into it. The simplest but 336 00:20:35,760 --> 00:20:38,840 Speaker 1: sort of an accurate translation is grandmother witch baba meaning 337 00:20:38,880 --> 00:20:42,800 Speaker 1: grandmother short for babushka um. No, one's really presented a 338 00:20:42,880 --> 00:20:46,000 Speaker 1: compelling case about the etymology of of yoga, but people 339 00:20:46,000 --> 00:20:51,160 Speaker 1: have done it, and baba icily means grandmother in tons 340 00:20:51,200 --> 00:20:54,520 Speaker 1: of Slavic languages. My own Irish grandmother went by baba, 341 00:20:54,880 --> 00:20:56,840 Speaker 1: which is not Irish at all. It might actually just 342 00:20:56,880 --> 00:20:59,800 Speaker 1: be my family being weird, but maybe it's spread elsewhere. 343 00:21:00,040 --> 00:21:03,680 Speaker 1: I I don't really know. It trips off that I 344 00:21:03,880 --> 00:21:05,800 Speaker 1: was as you were saying that I realized that I've 345 00:21:05,960 --> 00:21:09,560 Speaker 1: written on a show where there's the main grandmother characters 346 00:21:09,600 --> 00:21:12,320 Speaker 1: called Baba, and I was like, wow, my memory is 347 00:21:12,480 --> 00:21:15,360 Speaker 1: um bad. One of the things I found really interesting 348 00:21:15,720 --> 00:21:19,320 Speaker 1: I found at least one reference to that um baba 349 00:21:19,440 --> 00:21:22,440 Speaker 1: as a meaning grandmother is probably derived from the Old 350 00:21:22,520 --> 00:21:28,840 Speaker 1: Russian baba meaning midwife, sorceress, or fortune teller. So it's 351 00:21:29,560 --> 00:21:33,760 Speaker 1: actually like grandma means which not the other way around 352 00:21:34,000 --> 00:21:37,520 Speaker 1: or whatever. Okay, And I don't I don't hate that. 353 00:21:38,080 --> 00:21:42,680 Speaker 1: I don't hate that. So basically her names means Granny 354 00:21:42,720 --> 00:21:45,360 Speaker 1: Yuga the witch as far as I can tell. As 355 00:21:45,400 --> 00:21:48,720 Speaker 1: a as a folkloric figure, there's actually no known origin. 356 00:21:48,800 --> 00:21:51,240 Speaker 1: There's a lot of guesses, and I have some guesses 357 00:21:51,320 --> 00:21:54,000 Speaker 1: as well that well they're not my own guess is 358 00:21:54,040 --> 00:21:57,800 Speaker 1: they're the guesses that I prefer esthetically and or I mean, 359 00:21:57,840 --> 00:22:00,200 Speaker 1: it seemed more convincing out of the stuff what I've 360 00:22:00,240 --> 00:22:03,480 Speaker 1: read about it. My question is like, in the chronology 361 00:22:03,800 --> 00:22:08,360 Speaker 1: of witches, do you know, like where where does she come? 362 00:22:08,560 --> 00:22:14,800 Speaker 1: Is she like an early folkloric which character or somewhere 363 00:22:14,800 --> 00:22:18,440 Speaker 1: in the middle, or I guess I I there's just 364 00:22:18,520 --> 00:22:20,760 Speaker 1: been so many witch figures throughout history. I don't really 365 00:22:20,800 --> 00:22:23,879 Speaker 1: know where she falls. I haven't done I actually at 366 00:22:23,920 --> 00:22:26,920 Speaker 1: some point want to do um more of a deep 367 00:22:27,000 --> 00:22:29,159 Speaker 1: dive into the history of witches. And I have like 368 00:22:29,280 --> 00:22:31,119 Speaker 1: the stuff that I've read about it and stuff, but 369 00:22:31,200 --> 00:22:34,359 Speaker 1: that's constantly changing as people present different ideas. So I 370 00:22:34,960 --> 00:22:37,200 Speaker 1: the answers I don't know. UM I can say that 371 00:22:37,680 --> 00:22:41,800 Speaker 1: I can because people don't know when she comes from. 372 00:22:42,119 --> 00:22:44,159 Speaker 1: It seems like she actually is a very similar actual 373 00:22:44,240 --> 00:22:47,639 Speaker 1: origin as witches, but as sort of a a mythic 374 00:22:47,800 --> 00:22:50,720 Speaker 1: figure rather than like, oh, that lady over there will 375 00:22:50,760 --> 00:22:52,560 Speaker 1: like read the entrails of a chicken, so we should 376 00:22:52,600 --> 00:22:55,639 Speaker 1: kill her, you know. I like, I mean, I like, 377 00:22:55,720 --> 00:23:00,440 Speaker 1: I like the variations on like I don't know. I 378 00:23:00,560 --> 00:23:02,440 Speaker 1: like the flavor of which that she is where it's 379 00:23:02,480 --> 00:23:06,240 Speaker 1: like she's very powerful. It doesn't seem like the story 380 00:23:06,320 --> 00:23:10,119 Speaker 1: has a vested interest in doing away with her or 381 00:23:10,280 --> 00:23:14,480 Speaker 1: like making a strong I don't know. I I don't 382 00:23:14,480 --> 00:23:18,440 Speaker 1: think I've encountered this flavor of which before excited well, 383 00:23:19,240 --> 00:23:25,080 Speaker 1: speaking of flavors of witches, uh, which flavored potato chips 384 00:23:26,200 --> 00:23:33,040 Speaker 1: that you could buy called witch chips? Our sponsors today's 385 00:23:34,800 --> 00:23:42,760 Speaker 1: here are some ads and we are back. I'm hoping 386 00:23:43,080 --> 00:23:46,880 Speaker 1: that which is would be into dill pickle chips, only 387 00:23:46,960 --> 00:23:49,960 Speaker 1: because I hope that I'm a witch and dill pickle 388 00:23:50,040 --> 00:23:52,239 Speaker 1: chips are delicious. Have you have either of you ever 389 00:23:52,320 --> 00:23:55,080 Speaker 1: tried them. I've had dill pickles and I've had chips. 390 00:23:55,840 --> 00:23:59,359 Speaker 1: I've had dill pickle chips. They're great. They have no 391 00:23:59,680 --> 00:24:02,480 Speaker 1: no right to be as good as they are. It's 392 00:24:02,600 --> 00:24:05,840 Speaker 1: just it's mostly just really loud salt. That's how I 393 00:24:05,880 --> 00:24:14,920 Speaker 1: would describe the chips sort of. But like, but but 394 00:24:15,119 --> 00:24:18,520 Speaker 1: what if what if vinegar minded her business and it 395 00:24:18,680 --> 00:24:20,879 Speaker 1: was just salt screaming at the top of its lungs. 396 00:24:20,960 --> 00:24:24,600 Speaker 1: It's all capital letters. Salt is what the pickle chip 397 00:24:24,680 --> 00:24:28,000 Speaker 1: tastes like. And that is like as a sodium head. 398 00:24:28,240 --> 00:24:32,520 Speaker 1: All right, I love it. I love it. Big sodium guy, um, 399 00:24:33,640 --> 00:24:38,520 Speaker 1: huge sodium guy. Yeah. Okay, So Bobby I got started 400 00:24:38,520 --> 00:24:41,680 Speaker 1: showing up in written sources in the eighteenth century and 401 00:24:41,840 --> 00:24:43,680 Speaker 1: things that we're talking about. How she's been around for 402 00:24:43,720 --> 00:24:47,719 Speaker 1: a very long time, like collections of Russian folklore as 403 00:24:47,800 --> 00:24:53,159 Speaker 1: well as eighteenth century Russian political cartoons. Okay, there are 404 00:24:53,200 --> 00:24:56,680 Speaker 1: these single panel woodblock prints called love Key that were 405 00:24:56,720 --> 00:24:59,080 Speaker 1: in the style of the time, and she was a 406 00:24:59,200 --> 00:25:02,800 Speaker 1: common figure in these woodblock prints as sort of an archetype. 407 00:25:03,200 --> 00:25:04,800 Speaker 1: And she was used in a couple of different ways, 408 00:25:04,840 --> 00:25:07,600 Speaker 1: and people like to argue about People feel very certain 409 00:25:07,640 --> 00:25:10,879 Speaker 1: about what the interpretation of her and these are, but 410 00:25:11,000 --> 00:25:12,960 Speaker 1: they disagree with each other, and I have no fucking 411 00:25:12,960 --> 00:25:15,520 Speaker 1: way of knowing. Some ways she was used to represent 412 00:25:15,600 --> 00:25:18,320 Speaker 1: like the old ways and the old beliefs, but an 413 00:25:18,359 --> 00:25:20,440 Speaker 1: other times she was probably used as like this, like 414 00:25:20,560 --> 00:25:24,600 Speaker 1: finished lady married the tsar at some point, and it 415 00:25:24,800 --> 00:25:27,920 Speaker 1: was like, here's this fucking evil which she's going to 416 00:25:28,040 --> 00:25:32,920 Speaker 1: come funk up our good Christian czar by being finished 417 00:25:32,960 --> 00:25:37,479 Speaker 1: and therefore like you know, a barbarian or whatever. Okay. 418 00:25:38,880 --> 00:25:41,360 Speaker 1: In seventeen fifty five she appeared in writing for maybe 419 00:25:41,400 --> 00:25:43,400 Speaker 1: the first time, and it was a list of Slavic 420 00:25:43,480 --> 00:25:46,280 Speaker 1: gods and their Greek counterparts, and so she was listed 421 00:25:46,480 --> 00:25:49,639 Speaker 1: as a god and in it she was the only 422 00:25:49,760 --> 00:25:51,760 Speaker 1: god or one of the only gods in that list 423 00:25:51,840 --> 00:25:56,240 Speaker 1: with no counterpart. There was no counterpart to a Greek god. Wow, 424 00:25:57,000 --> 00:26:00,479 Speaker 1: that's cool. I know, there's like later p who kind 425 00:26:00,520 --> 00:26:02,760 Speaker 1: of comparative her sphone, but it wasn't. I think being 426 00:26:02,840 --> 00:26:05,600 Speaker 1: done at the time. I mean, I I like that 427 00:26:05,720 --> 00:26:08,000 Speaker 1: as sort of being canonical to who she is of 428 00:26:08,160 --> 00:26:12,040 Speaker 1: like she doesn't she has so much like power and 429 00:26:12,160 --> 00:26:17,840 Speaker 1: intent that she doesn't need a sidekicker counterpart. Like that's amazing. Yeah, 430 00:26:17,880 --> 00:26:21,560 Speaker 1: and it it makes her basically like unique and like 431 00:26:21,680 --> 00:26:24,240 Speaker 1: indigenous to that area, and that is going to tie 432 00:26:24,280 --> 00:26:26,240 Speaker 1: into some of the kind of ship that I find 433 00:26:26,280 --> 00:26:30,400 Speaker 1: really interesting about it. Um. Okay, But there's one other 434 00:26:30,480 --> 00:26:33,560 Speaker 1: at a station attestation people talking about her from back 435 00:26:33,600 --> 00:26:35,760 Speaker 1: in the day that's super interesting to me. There was 436 00:26:35,840 --> 00:26:38,760 Speaker 1: this guy, his name was a Chokov MacHale, and he 437 00:26:38,840 --> 00:26:42,640 Speaker 1: wrote a book in sev two called Dictionary of Russian Superstitions, 438 00:26:43,119 --> 00:26:45,200 Speaker 1: and I cannot find an English translation of it. I'm 439 00:26:45,240 --> 00:26:46,920 Speaker 1: very sad, and I almost bought a Russian copy of 440 00:26:47,000 --> 00:26:51,520 Speaker 1: it because it's that rock and it's all about all 441 00:26:51,560 --> 00:26:54,879 Speaker 1: the weird pagany ship that people were doing. Um, unlike 442 00:26:54,960 --> 00:26:57,760 Speaker 1: the weird good normal stuff like being part of a 443 00:26:57,760 --> 00:27:00,920 Speaker 1: blood drinking called like Christianity. Um, it's all about the 444 00:27:01,040 --> 00:27:06,960 Speaker 1: like superstitions. Blood. Yeah. I actually don't remember whether Orthodox. 445 00:27:07,000 --> 00:27:09,240 Speaker 1: I don't know whether Orthodox believes it literally turns into 446 00:27:09,240 --> 00:27:11,800 Speaker 1: blood in your body. The way that Catholics did. But um, 447 00:27:12,200 --> 00:27:14,680 Speaker 1: I know that there was Catholics there too anyway, So 448 00:27:14,800 --> 00:27:19,000 Speaker 1: it's all about like, well, yeah, Catholics famously chill. It's 449 00:27:19,000 --> 00:27:22,560 Speaker 1: about blood, blood sacrifices and shamanic marriages and all this 450 00:27:22,720 --> 00:27:27,000 Speaker 1: like stuff. And he doesn't like superstitions, and as far 451 00:27:27,080 --> 00:27:29,560 Speaker 1: as anyone can tell, as as far as historians can tell, 452 00:27:29,600 --> 00:27:32,040 Speaker 1: he didn't make up anything in the book. But he 453 00:27:32,160 --> 00:27:34,680 Speaker 1: also wasn't very great about vetting his sources, so he 454 00:27:34,760 --> 00:27:36,480 Speaker 1: didn't like be like, oh, you know, would be funny 455 00:27:36,480 --> 00:27:39,360 Speaker 1: as I like if we did this, um, But instead 456 00:27:39,400 --> 00:27:40,600 Speaker 1: he's just like, oh, I met a guy in the 457 00:27:40,680 --> 00:27:43,000 Speaker 1: road who told me this, and that's totally what people do, 458 00:27:43,760 --> 00:27:46,560 Speaker 1: you know. So he's not the strongest source in the world, 459 00:27:46,760 --> 00:27:49,280 Speaker 1: and this is the one of the main sources we 460 00:27:49,359 --> 00:27:52,600 Speaker 1: have about well. He he wrote down a lot of 461 00:27:52,640 --> 00:27:56,440 Speaker 1: folk tales and folk songs, and he systematized Russian legislation, 462 00:27:56,600 --> 00:27:59,040 Speaker 1: not in this book, in a different book. He's just like, 463 00:27:59,640 --> 00:28:01,359 Speaker 1: I feel being like a guy who knows how to 464 00:28:01,400 --> 00:28:04,560 Speaker 1: write books was like kind of just like a job 465 00:28:04,600 --> 00:28:07,560 Speaker 1: at the time. I feel like that's what podcasting is 466 00:28:07,920 --> 00:28:09,720 Speaker 1: right now, where you're like if you know how to 467 00:28:09,800 --> 00:28:12,400 Speaker 1: do this, you can kind of talk about fucking whatever 468 00:28:13,320 --> 00:28:16,720 Speaker 1: or that's I'm banking on that. And in this guy's corner, 469 00:28:16,800 --> 00:28:18,960 Speaker 1: I'm like, oh, yeah, you can just totally switch areas 470 00:28:19,000 --> 00:28:22,120 Speaker 1: of expertise because you knew how to write something down. 471 00:28:22,680 --> 00:28:27,080 Speaker 1: I mean that that is my job, yes, like tychically 472 00:28:27,119 --> 00:28:30,919 Speaker 1: what we're both doing. He also wrote a book speaking 473 00:28:31,000 --> 00:28:34,639 Speaker 1: of calendars that the devil could make in such or 474 00:28:35,040 --> 00:28:38,640 Speaker 1: different sapphic things. He wrote a book called Comely Cook, 475 00:28:38,960 --> 00:28:44,480 Speaker 1: or Adventures of Lewd Woman. I love him. I'm like yeah. 476 00:28:46,320 --> 00:28:49,800 Speaker 1: In his seventy two Superstitions book, he talks about an 477 00:28:49,800 --> 00:28:54,680 Speaker 1: Eastern Slavic goddess named Yagi Baba. And so this is 478 00:28:54,760 --> 00:28:59,040 Speaker 1: a pre Baba Yaga character who sits in an iron 479 00:28:59,160 --> 00:29:01,760 Speaker 1: mortar with an iron pestle in her hand and is 480 00:29:01,800 --> 00:29:05,120 Speaker 1: a death god. And I think the mortar and pestle 481 00:29:05,240 --> 00:29:08,480 Speaker 1: for like grinding up the dead right, like like being 482 00:29:08,520 --> 00:29:12,040 Speaker 1: returned to the earth kind of stuff. And there's very 483 00:29:12,200 --> 00:29:15,440 Speaker 1: little information about a Yagia Babba and in English, um, 484 00:29:16,240 --> 00:29:19,480 Speaker 1: basically just like the sentence or two from this guy's book. 485 00:29:20,280 --> 00:29:23,440 Speaker 1: But people made blood sacrifices to her, which she used 486 00:29:23,480 --> 00:29:28,360 Speaker 1: to feed her two granddaughters. And in some Bobby stories 487 00:29:28,680 --> 00:29:31,040 Speaker 1: she has two granddaughters, and sometimes she has two sisters. 488 00:29:32,080 --> 00:29:34,200 Speaker 1: So and then the story you just told me she 489 00:29:34,320 --> 00:29:40,240 Speaker 1: had a daughter, is that correct? Do we know who? Like, 490 00:29:40,520 --> 00:29:45,840 Speaker 1: how does Bobbo go? Who bon reproduced? Yeah? Who? She? Who? She? 491 00:29:46,000 --> 00:29:52,360 Speaker 1: Fucking we will we will get okay good, because it 492 00:29:52,440 --> 00:29:53,920 Speaker 1: seems like, I mean, at least in the story you 493 00:29:54,040 --> 00:29:57,560 Speaker 1: just told, it seemed like the daughter was very maybe 494 00:29:57,600 --> 00:30:01,400 Speaker 1: the I can't imagine Bobby got Jean are recessive, but 495 00:30:01,600 --> 00:30:04,960 Speaker 1: like she seemed like she didn't have the Babby you 496 00:30:05,080 --> 00:30:08,040 Speaker 1: got intensity about her. Yeah, yeah, but she was magic 497 00:30:08,240 --> 00:30:10,320 Speaker 1: and like turned her and turned her friend into a 498 00:30:10,440 --> 00:30:14,920 Speaker 1: needle and also looked exactly like the friend. I mean, 499 00:30:15,000 --> 00:30:19,000 Speaker 1: that is some like doppel banger ship, right, Like that 500 00:30:19,200 --> 00:30:21,920 Speaker 1: is like oh, cute girls coming to the window. Let 501 00:30:21,960 --> 00:30:25,280 Speaker 1: me just like, oh I am I am you No, 502 00:30:25,560 --> 00:30:30,240 Speaker 1: I'm a cute girl. So yeah, that story was wild. 503 00:30:30,280 --> 00:30:34,120 Speaker 1: I I got, I got, I got sidetracked by the 504 00:30:35,040 --> 00:30:37,640 Speaker 1: the incest fake out. But there's a lot going on 505 00:30:37,800 --> 00:30:42,720 Speaker 1: in there. Yeah, yeah, I know, it's it's weird. Um. Yeah, 506 00:30:43,440 --> 00:30:46,960 Speaker 1: So from as far as I can tell, this seems 507 00:30:47,000 --> 00:30:49,960 Speaker 1: like this is the main argument that Babbia is based 508 00:30:50,000 --> 00:30:53,480 Speaker 1: on the Agia Babba is based on an Eastern Slavic goddess, 509 00:30:53,560 --> 00:30:55,600 Speaker 1: that there's not that much information about the people perform 510 00:30:55,640 --> 00:30:59,960 Speaker 1: blood sacrifices. To Vladimir prop Right in the nineties talk 511 00:31:00,000 --> 00:31:02,640 Speaker 1: about ho Bobby represents the guardian between the land of 512 00:31:02,680 --> 00:31:04,760 Speaker 1: the living and the forest of the dead, and so 513 00:31:04,840 --> 00:31:06,920 Speaker 1: this is where she starts getting compared to Persephone in 514 00:31:07,040 --> 00:31:10,360 Speaker 1: Greek mythology though, the goddess of the harvest who ruled 515 00:31:10,400 --> 00:31:14,000 Speaker 1: the underworld. M h. And there's actually some stuff about 516 00:31:14,080 --> 00:31:16,960 Speaker 1: her being like an agricultural god to not Persephone, but 517 00:31:17,120 --> 00:31:20,000 Speaker 1: um Bobbia god being like kind of an agricultural god. 518 00:31:20,080 --> 00:31:23,040 Speaker 1: And there's like some stuff about I actually literally don't 519 00:31:23,040 --> 00:31:24,440 Speaker 1: remember if I put this in the script later and not, 520 00:31:24,520 --> 00:31:26,520 Speaker 1: so maybe I'll end up repeating this or skimming past it. 521 00:31:26,600 --> 00:31:30,720 Speaker 1: But like plowing the earth with her teeth um, and 522 00:31:30,840 --> 00:31:34,200 Speaker 1: that's like why she has like the wild fucked up teeth, okay, 523 00:31:34,480 --> 00:31:38,640 Speaker 1: which is fucking cool. Her hut, her hut faces the forest, 524 00:31:38,880 --> 00:31:40,800 Speaker 1: which is the land of the dead, and the people 525 00:31:40,840 --> 00:31:42,960 Speaker 1: have to turn the hot around because they can't walk 526 00:31:43,040 --> 00:31:44,560 Speaker 1: to the other side because that's the land of the 527 00:31:44,640 --> 00:31:49,000 Speaker 1: dead in this reading of like the forest representing the 528 00:31:49,120 --> 00:31:51,040 Speaker 1: land of the dead and death. So they have to 529 00:31:51,120 --> 00:31:54,120 Speaker 1: turn her house around. Yeah, because okay, when you show 530 00:31:54,200 --> 00:31:56,400 Speaker 1: up Bobby August houses facing the wrong way and you 531 00:31:56,480 --> 00:31:59,800 Speaker 1: have to say like hut hut, turn around and face me. Um, okay, 532 00:32:00,080 --> 00:32:01,280 Speaker 1: And because you're kind of like, well, why don't you 533 00:32:01,360 --> 00:32:03,440 Speaker 1: just walk around the house? Like when I think to myself, 534 00:32:03,880 --> 00:32:06,080 Speaker 1: I would like to be um by the back door 535 00:32:06,080 --> 00:32:08,120 Speaker 1: of a house, I don't think to myself, how can 536 00:32:08,160 --> 00:32:10,240 Speaker 1: I entice the house to turn around? I tend to 537 00:32:10,280 --> 00:32:15,680 Speaker 1: think to myself, I will walk around that. Margaret, you're 538 00:32:15,720 --> 00:32:18,600 Speaker 1: being too accommodating. You need to ask for what you 539 00:32:18,720 --> 00:32:21,080 Speaker 1: need if you need the house to turn to you. 540 00:32:21,680 --> 00:32:25,080 Speaker 1: And that's self care, and that's practice, and that's pottery 541 00:32:25,160 --> 00:32:32,440 Speaker 1: class all in one turned to me. Yeah. And so 542 00:32:32,920 --> 00:32:35,120 Speaker 1: this makes the stories tie into the hero's journey if 543 00:32:35,120 --> 00:32:37,760 Speaker 1: it's about like the land of the dead and ship right. Um, 544 00:32:37,800 --> 00:32:39,400 Speaker 1: And I kind of like low ki hate the hero's 545 00:32:39,480 --> 00:32:41,520 Speaker 1: journey as like a plot structure that is like used 546 00:32:41,520 --> 00:32:46,920 Speaker 1: for everything. But this concept throughout folklore, especially Western folklore, 547 00:32:47,280 --> 00:32:49,080 Speaker 1: where you're like going into the land of the dead 548 00:32:49,160 --> 00:32:51,200 Speaker 1: to return to the land of the living um and 549 00:32:51,280 --> 00:32:54,120 Speaker 1: sometimes it's like a death and rebirth. Sometimes that means 550 00:32:54,400 --> 00:32:56,920 Speaker 1: sometimes I was symbolized by being swallowed by an animal, 551 00:32:57,440 --> 00:32:59,760 Speaker 1: and so the chicken legs as part of the hut 552 00:33:00,720 --> 00:33:02,960 Speaker 1: like could be like the house is the animal that 553 00:33:03,040 --> 00:33:07,520 Speaker 1: you're getting swallowed by when you're being reborn. And so 554 00:33:07,680 --> 00:33:10,120 Speaker 1: there's this this theory. And I also think that that 555 00:33:10,360 --> 00:33:13,360 Speaker 1: sometimes the walls are made of bone, right, and certainly 556 00:33:13,400 --> 00:33:14,960 Speaker 1: the gate walls are made of bone. I feel like 557 00:33:15,000 --> 00:33:17,400 Speaker 1: that ties into that too. There's this theory that Bobbia 558 00:33:17,480 --> 00:33:18,880 Speaker 1: gott and the journey to her it was like this 559 00:33:19,000 --> 00:33:23,480 Speaker 1: coming of age ritual in the pre Christianized version of 560 00:33:23,560 --> 00:33:27,080 Speaker 1: all this, and so going on this hero's journey is 561 00:33:27,080 --> 00:33:32,400 Speaker 1: how these characters become adults. And there's no actual like 562 00:33:33,080 --> 00:33:34,720 Speaker 1: the people who have done a lot of research about 563 00:33:34,720 --> 00:33:37,040 Speaker 1: Bobbia go like theorize this, but it's like mostly based 564 00:33:37,080 --> 00:33:39,280 Speaker 1: on like, well pretty much every other culture we've looked 565 00:33:39,320 --> 00:33:42,320 Speaker 1: at has this, so they probably did too, we don't know. 566 00:33:42,920 --> 00:33:48,360 Speaker 1: And so it's like, yeah, okay. To quote Andreas Johns, 567 00:33:48,400 --> 00:33:51,760 Speaker 1: who wrote kind of the main English language academic study 568 00:33:52,200 --> 00:33:56,840 Speaker 1: of Bobbiica, uh, and he's discussing a different author, Vladimir 569 00:33:56,920 --> 00:34:01,040 Speaker 1: props Ideas quote as the initiation will died out only 570 00:34:01,080 --> 00:34:04,600 Speaker 1: Bobby AGA's association with death was remembered. With the appearance 571 00:34:04,600 --> 00:34:07,560 Speaker 1: of agriculture, a new religion replaced older hunting beliefs, and 572 00:34:07,720 --> 00:34:11,200 Speaker 1: the old divinities were reinterpreted as evil spirits. Your god, 573 00:34:11,400 --> 00:34:13,720 Speaker 1: the mother and mistress of the beasts, became a witch. 574 00:34:14,880 --> 00:34:19,160 Speaker 1: And I actually a little bit there's a lot of 575 00:34:19,160 --> 00:34:21,680 Speaker 1: like modern anthropological stuff about how like this idea that 576 00:34:21,800 --> 00:34:24,160 Speaker 1: like everyone was hunters and then suddenly was like, what 577 00:34:24,280 --> 00:34:26,920 Speaker 1: if we throw the seeds in the ground. Now everyone's agriculture, 578 00:34:27,080 --> 00:34:29,680 Speaker 1: And like there's been a lot of like anthropological ship 579 00:34:29,719 --> 00:34:31,400 Speaker 1: about how like ship was like way blurrier than that, 580 00:34:32,520 --> 00:34:36,120 Speaker 1: And so I'm like less excited. I'm less quick to 581 00:34:36,200 --> 00:34:38,279 Speaker 1: believe that has to do with like the coming of 582 00:34:38,320 --> 00:34:42,440 Speaker 1: agriculture disrupting that traditional form, and probably more of the 583 00:34:42,480 --> 00:34:46,640 Speaker 1: coming of Christianity that made her a demon, and like 584 00:34:46,800 --> 00:34:50,000 Speaker 1: all the old gods become like myths or demons instead 585 00:34:50,040 --> 00:34:54,960 Speaker 1: of God's you know that scans more for me as well. Yeah, yeah, 586 00:34:55,040 --> 00:34:58,040 Speaker 1: And and so she becomes a boogeyman with coming to Christianity, 587 00:34:58,560 --> 00:35:00,719 Speaker 1: and if you're obedient and listen to your mother, you 588 00:35:00,800 --> 00:35:03,680 Speaker 1: survive your encounter with her. She's the bad mother to 589 00:35:03,680 --> 00:35:05,920 Speaker 1: be contrasted with the good mother, like we were talking about. 590 00:35:06,480 --> 00:35:08,160 Speaker 1: And then one of the reasons I find that really 591 00:35:08,200 --> 00:35:11,800 Speaker 1: interesting is that as I was doing all this reading 592 00:35:11,840 --> 00:35:17,720 Speaker 1: about rural Slavic and rural Russian kind of like medieval 593 00:35:17,840 --> 00:35:21,279 Speaker 1: early medieval and stuff families, not everyone lived in a 594 00:35:21,360 --> 00:35:24,360 Speaker 1: nuclear family. A lot of rural people lived in extended 595 00:35:24,400 --> 00:35:28,680 Speaker 1: family units under in one household, under one patriarch. And 596 00:35:28,760 --> 00:35:31,400 Speaker 1: then even that under one patriarch might be an assumption 597 00:35:31,480 --> 00:35:34,719 Speaker 1: from patriarchal anthropologist, but I don't know. So a kid 598 00:35:34,840 --> 00:35:38,160 Speaker 1: grows up with a bunch of mothers because you grow 599 00:35:38,280 --> 00:35:40,560 Speaker 1: up with like a bunch of family units that are 600 00:35:40,680 --> 00:35:43,399 Speaker 1: one family unit, because you live rurally and it takes 601 00:35:43,400 --> 00:35:47,840 Speaker 1: a village to raise a child, right, all right? And 602 00:35:47,920 --> 00:35:50,680 Speaker 1: the wackiest thing that people like to talk about Bobby 603 00:35:50,719 --> 00:35:54,120 Speaker 1: at God that I have a unique interest in. She's 604 00:35:54,120 --> 00:36:01,440 Speaker 1: also perceived as a a phallic mother to some folklore scholars. Okay, 605 00:36:01,920 --> 00:36:05,160 Speaker 1: she's unpacked that. Yeah, so she's presented as wielding a 606 00:36:05,239 --> 00:36:08,040 Speaker 1: pestle and a broom. She has a bony leg and 607 00:36:08,160 --> 00:36:11,240 Speaker 1: a large nose and making air quotes here, and sometimes 608 00:36:11,239 --> 00:36:13,799 Speaker 1: she has a giant iron tooth or an iron hook, 609 00:36:14,320 --> 00:36:17,040 Speaker 1: and she attacks with snakes sometimes and sometimes she has 610 00:36:17,040 --> 00:36:19,840 Speaker 1: an entire army. These are all like masculine traits, and 611 00:36:19,880 --> 00:36:22,160 Speaker 1: some of them are like penis traits, according to people 612 00:36:22,200 --> 00:36:24,560 Speaker 1: who are under the like psycho sexual ship that I 613 00:36:24,960 --> 00:36:29,239 Speaker 1: don't really believe in personally. Yeah, so to quote Andreas 614 00:36:29,320 --> 00:36:34,200 Speaker 1: John's about this again. Some psychologists have interpreted fantasies about 615 00:36:34,200 --> 00:36:38,120 Speaker 1: phallic women as an expression of male castration anxiety. As 616 00:36:38,200 --> 00:36:41,040 Speaker 1: frightening as the fantasies of phallic women may be themselves, 617 00:36:41,400 --> 00:36:44,719 Speaker 1: they serve to deny women's genital difference and the more 618 00:36:44,880 --> 00:36:48,640 Speaker 1: frightening possibility that a man might lose his penis. Freud 619 00:36:48,760 --> 00:36:51,920 Speaker 1: states that the snakes which form Medusa's hair are quote 620 00:36:52,040 --> 00:36:55,960 Speaker 1: derived are are derived from the castration complex. It is 621 00:36:56,000 --> 00:36:59,120 Speaker 1: a remarkable fact that, however frightening they may be in themselves, 622 00:36:59,440 --> 00:37:01,840 Speaker 1: they never less sort of actually as a mitigation of 623 00:37:01,880 --> 00:37:05,000 Speaker 1: the horror of Medusa, because they replaced the penis, the 624 00:37:05,120 --> 00:37:10,040 Speaker 1: absence of which causes the horror. Huh. I think this 625 00:37:10,160 --> 00:37:12,960 Speaker 1: is a bullshit. But I hear Freddian theory and I'm 626 00:37:13,000 --> 00:37:14,840 Speaker 1: just like, sounds like it might have been more of 627 00:37:14,920 --> 00:37:19,279 Speaker 1: a him thing, and uh, this is not our this 628 00:37:19,480 --> 00:37:22,239 Speaker 1: is maybe not the collective issue that we're making it 629 00:37:22,360 --> 00:37:25,439 Speaker 1: out to be. Yeah, the whole like well you would 630 00:37:25,440 --> 00:37:29,360 Speaker 1: say that is having penis of it, never the penis 631 00:37:29,480 --> 00:37:32,520 Speaker 1: envy ship, the phallic woman thing. It's like and like, okay, 632 00:37:32,560 --> 00:37:35,400 Speaker 1: so there's this a concept of like the phallic woman, 633 00:37:36,120 --> 00:37:39,080 Speaker 1: and which is writing. Broomsticks is another example of this. 634 00:37:39,200 --> 00:37:40,600 Speaker 1: And there's like people who have written all the ship 635 00:37:40,600 --> 00:37:43,320 Speaker 1: about Buffy the Vampire Slayer as a phallic woman because 636 00:37:43,400 --> 00:37:48,279 Speaker 1: like she runs around staking people, right, and I'm just 637 00:37:48,400 --> 00:37:53,160 Speaker 1: like weapons are pointing and sharp, like I know, I 638 00:37:53,239 --> 00:37:58,000 Speaker 1: know he's like I didn't like the tree isaginal weapon 639 00:37:58,920 --> 00:38:04,759 Speaker 1: like a net? I guess um yeah, no, no, it's 640 00:38:04,800 --> 00:38:08,719 Speaker 1: it's um. I mean it's interesting to me because I'm 641 00:38:08,760 --> 00:38:11,920 Speaker 1: interested in trying to explore like the concepts of transness 642 00:38:11,960 --> 00:38:15,360 Speaker 1: throughout history and ship and so less is the like 643 00:38:16,840 --> 00:38:21,520 Speaker 1: phallack mother. But there's like this like it's this like male, 644 00:38:23,040 --> 00:38:26,000 Speaker 1: I don't put this Okay, So it's like Shroedinger's genitals 645 00:38:26,760 --> 00:38:28,960 Speaker 1: in the unobserved state a man or a woman could 646 00:38:29,000 --> 00:38:32,040 Speaker 1: have any set of genitals, and so witches and Bobby 647 00:38:32,239 --> 00:38:34,920 Speaker 1: Got could have anything. And it's like presented as like, 648 00:38:35,000 --> 00:38:37,880 Speaker 1: that's part of the fear of witches and these like 649 00:38:38,080 --> 00:38:42,000 Speaker 1: masculinized women is that they like could have dicks, and 650 00:38:42,960 --> 00:38:45,879 Speaker 1: I think it's I think it's horseship. But the part 651 00:38:45,920 --> 00:38:47,520 Speaker 1: of it I like is like, yeah, I don't know. 652 00:38:47,640 --> 00:38:51,000 Speaker 1: I mean, I I know some women with dicks. And 653 00:38:53,400 --> 00:38:57,840 Speaker 1: just the phrase Shrodinger's genitals stop being my tracks and 654 00:38:57,920 --> 00:39:02,680 Speaker 1: I'll never move again. It's so good. That was an 655 00:39:02,800 --> 00:39:07,759 Speaker 1: unbelievable turn of phrase. Thank you for that. Yeah, no, yeah, 656 00:39:07,800 --> 00:39:10,279 Speaker 1: thanks uh and so okay, so this makes her like 657 00:39:10,320 --> 00:39:14,320 Speaker 1: a potentially transfigure um and and in the ways in 658 00:39:14,360 --> 00:39:16,759 Speaker 1: which she was a fertility goddess actually tie into that 659 00:39:16,920 --> 00:39:20,440 Speaker 1: in that like, um like because she's she's the one 660 00:39:20,520 --> 00:39:23,880 Speaker 1: plowing the fields. There's like fertility shit about the like 661 00:39:24,120 --> 00:39:28,279 Speaker 1: masculine act rather than the receptive whatever fucking nonsense that 662 00:39:28,320 --> 00:39:33,240 Speaker 1: people are into that ship. Yeah, and she also seems 663 00:39:33,239 --> 00:39:36,360 Speaker 1: similar to stop talking about drunk for a moment. She 664 00:39:36,480 --> 00:39:40,720 Speaker 1: seems similar to me, to another another goddess, another Slavic 665 00:39:40,760 --> 00:39:44,080 Speaker 1: goddess named Mokosh is a deaf god and a mother 666 00:39:44,160 --> 00:39:47,880 Speaker 1: goddess and Mokosh is the ruler of death and fertility, 667 00:39:48,080 --> 00:39:51,279 Speaker 1: life and rebirth. And she's like more famous because she 668 00:39:51,400 --> 00:39:53,120 Speaker 1: was one of the gods who was sort of like 669 00:39:54,239 --> 00:39:57,600 Speaker 1: h canonized essentially, like not by the Christians, but by 670 00:39:57,680 --> 00:40:00,280 Speaker 1: like a a formal codification of some of the pagan 671 00:40:00,320 --> 00:40:02,759 Speaker 1: ship that was happening. She was the only girl that 672 00:40:02,840 --> 00:40:06,080 Speaker 1: got just like the weird guy's book, Yeah, yeah, exactly. 673 00:40:06,200 --> 00:40:08,120 Speaker 1: This is like there's like more like statues and shipped 674 00:40:08,120 --> 00:40:10,640 Speaker 1: to Mokosh around and like and like, um, I wish 675 00:40:10,680 --> 00:40:14,080 Speaker 1: i'd remember wrote down more exactly, but like a guy 676 00:40:14,160 --> 00:40:17,439 Speaker 1: who like formalized a lot of the pagan ship only 677 00:40:17,480 --> 00:40:22,359 Speaker 1: picked one girl and picked Mokosh. And she's the ruler 678 00:40:22,400 --> 00:40:25,880 Speaker 1: of death and fertility, life and rebirth. Her name probably 679 00:40:25,960 --> 00:40:32,320 Speaker 1: means moisture, which rules. And she's related to another Slavic goddess. 680 00:40:32,520 --> 00:40:37,759 Speaker 1: Go ahead, not sorry, just folklore. Sometimes you're like I guess, 681 00:40:37,840 --> 00:40:42,640 Speaker 1: so yeah, sure, great, Yeah. She's related to another slav 682 00:40:42,680 --> 00:40:46,919 Speaker 1: At goddess, matt Zemla, who is called the moist Mother Earth. 683 00:40:47,680 --> 00:40:50,360 Speaker 1: And in the nineteenth century, the two goddesses Mocash and 684 00:40:50,400 --> 00:40:53,200 Speaker 1: Matt Zamiela sort of became one in a lot of 685 00:40:53,360 --> 00:40:56,400 Speaker 1: like people's minds and stuff. Um, and the relationship is 686 00:40:56,440 --> 00:40:59,640 Speaker 1: like super fuzzy, like sometimes they're related and sometimes they're not. 687 00:40:59,760 --> 00:41:02,600 Speaker 1: Like and Mokosh, there are claims that she has been 688 00:41:02,640 --> 00:41:06,400 Speaker 1: portrayed with male genitals throughout time, and so you know, 689 00:41:07,280 --> 00:41:09,839 Speaker 1: transgoddess is for the wind from from my book, um, 690 00:41:09,920 --> 00:41:13,440 Speaker 1: and Mokosh probably came from the fins like Bobby Agamida, 691 00:41:13,520 --> 00:41:16,759 Speaker 1: which we'll get to in a bit or I guess 692 00:41:16,800 --> 00:41:20,880 Speaker 1: we get to it now. Okay, I want to talk 693 00:41:20,880 --> 00:41:27,000 Speaker 1: about chicken. Yeah, yeah, yes, okay, this is the part 694 00:41:27,080 --> 00:41:29,239 Speaker 1: that I feel most confident about. I know where the 695 00:41:29,320 --> 00:41:33,799 Speaker 1: chicken legged hut comes from. I can't believe you've We've 696 00:41:33,840 --> 00:41:35,960 Speaker 1: been here, We've been here for two hours. Tell me, 697 00:41:36,360 --> 00:41:41,640 Speaker 1: all right, does the chicken well, it probably comes from 698 00:41:41,760 --> 00:41:43,600 Speaker 1: the vendors of No. I'm going to give you the 699 00:41:43,640 --> 00:41:45,280 Speaker 1: actual answer, but first we have to do an ad pivot. 700 00:41:45,640 --> 00:41:50,640 Speaker 1: Oh my god, advertisers support the economy that we all 701 00:41:50,760 --> 00:41:55,120 Speaker 1: participated in gladly. We're all so excited about the way 702 00:41:55,160 --> 00:41:58,040 Speaker 1: the economy works. Sophie's shaking her head and disbelieve it. 703 00:41:58,120 --> 00:42:01,280 Speaker 1: How well I'm doing my job. Listen to the ads 704 00:42:01,320 --> 00:42:03,439 Speaker 1: so I can hear where this damn chicken leg hunt 705 00:42:03,560 --> 00:42:12,440 Speaker 1: comes from. Already, all right, ads, ads over, Okay, I 706 00:42:12,560 --> 00:42:14,920 Speaker 1: want you to google what you you're actually at an 707 00:42:14,920 --> 00:42:16,120 Speaker 1: I pad, you might not be able to do this. 708 00:42:17,440 --> 00:42:20,080 Speaker 1: I gotta, I gotta phone, I gotta telephone. What's up? Okay? 709 00:42:20,600 --> 00:42:24,160 Speaker 1: I want you to google, Um, Sammy s a m 710 00:42:24,280 --> 00:42:30,919 Speaker 1: I storehouse and an image searches say, Sammy storehouse. Oh god, 711 00:42:31,040 --> 00:42:34,480 Speaker 1: my tabs are so embarrassing. I just had I just 712 00:42:34,560 --> 00:42:37,920 Speaker 1: had to open the Minion's menu at eyehop so I 713 00:42:38,000 --> 00:42:47,560 Speaker 1: can type this in Sammy storehouse. Okay, And we're hitting images. Oh, 714 00:42:48,960 --> 00:42:54,080 Speaker 1: this building has gams. Yeah, that is a chicken leg 715 00:42:54,200 --> 00:42:59,440 Speaker 1: at hut Okay, okay, so that so it's I'm looking 716 00:42:59,560 --> 00:43:03,120 Speaker 1: at um. The first result is kind of a log cabin, 717 00:43:04,320 --> 00:43:08,880 Speaker 1: but it's got it's got sexy little legs. It's got 718 00:43:09,000 --> 00:43:13,360 Speaker 1: four four sexy legs, which is chickens don't well. But 719 00:43:13,840 --> 00:43:17,080 Speaker 1: her hot sometimes has four legs, sometimes as two and 720 00:43:17,160 --> 00:43:23,759 Speaker 1: sometimes as four. This I can I'll tell you about it. Yeah, 721 00:43:23,800 --> 00:43:26,399 Speaker 1: are these still? Are these still feasible? Can we still 722 00:43:26,440 --> 00:43:29,680 Speaker 1: do this, So I don't know. I mean, yeah, you 723 00:43:29,719 --> 00:43:33,080 Speaker 1: can certainly build that, and and the some Sami folks 724 00:43:33,120 --> 00:43:36,440 Speaker 1: still do. So this comes this chicken legged hut. As 725 00:43:36,480 --> 00:43:37,640 Speaker 1: far as I can tell, and as far as a 726 00:43:37,719 --> 00:43:39,279 Speaker 1: lot of other people can tell, I didn't come up 727 00:43:39,280 --> 00:43:41,959 Speaker 1: with this idea. Um. It comes from the Sami people, 728 00:43:42,160 --> 00:43:46,520 Speaker 1: who are indigenous to what is usually has historically been 729 00:43:46,520 --> 00:43:49,319 Speaker 1: called Lapland, but is better known as a Sami Um, 730 00:43:49,520 --> 00:43:52,480 Speaker 1: which is northern Norway, Sweden, Finland and like the northwestern 731 00:43:52,520 --> 00:43:55,759 Speaker 1: bits of Russia. And for centuries, the Sami actually had 732 00:43:55,800 --> 00:43:58,759 Speaker 1: little contact with the Germanic Scandinavians who lived in southern 733 00:43:58,840 --> 00:44:02,200 Speaker 1: Scandinavia UM, which is like the Vikings and the Norse 734 00:44:02,280 --> 00:44:04,040 Speaker 1: and Germanic gods and all that ship. The Sami had 735 00:44:04,080 --> 00:44:07,040 Speaker 1: their own fucking thing going on and still do. They 736 00:44:07,120 --> 00:44:10,000 Speaker 1: lived in places that were too barren to cultivate, so 737 00:44:10,320 --> 00:44:13,320 Speaker 1: they were left alone for a long time. UM. Coastal 738 00:44:13,360 --> 00:44:16,040 Speaker 1: Sami traditionally sustained themselves as fishers, while those in the 739 00:44:16,080 --> 00:44:21,399 Speaker 1: interior traditionally heard reindeer. The nineteenth century caused force assimilation 740 00:44:21,760 --> 00:44:25,279 Speaker 1: project of quote civilizing them as part sad and true, 741 00:44:26,400 --> 00:44:29,560 Speaker 1: banning their languages, giving incentives to settlers to move into 742 00:44:29,600 --> 00:44:33,000 Speaker 1: their territory. Their children were taken to residential schools to 743 00:44:33,040 --> 00:44:37,279 Speaker 1: have their culture destroyed. All the usual colonizers ship. These days, 744 00:44:37,320 --> 00:44:40,040 Speaker 1: Sami lands are being exploited for mineral and oil and 745 00:44:40,160 --> 00:44:46,120 Speaker 1: gas resources, disturbing the reindeer um and I don't know, um, 746 00:44:46,560 --> 00:44:50,600 Speaker 1: just destroying an entire indigenous Yeah, because I think that's 747 00:44:50,640 --> 00:44:55,200 Speaker 1: something that people don't recognize enough, is that colonization happens 748 00:44:55,719 --> 00:44:59,239 Speaker 1: everywhere in the world. Um. And you know, indigenous people 749 00:44:59,280 --> 00:45:05,319 Speaker 1: getting shoved into states and then oppressed happens sucking everywhere. Interestingly, 750 00:45:05,520 --> 00:45:08,560 Speaker 1: this is a theme that is explored in the movie 751 00:45:08,680 --> 00:45:14,480 Speaker 1: Frozen two. That's cool. Yeah, that's just a fact. Yeah. 752 00:45:15,200 --> 00:45:18,840 Speaker 1: I mean I have not heard about the um about 753 00:45:19,480 --> 00:45:22,759 Speaker 1: Sami culture before. This is all new to me, okay, 754 00:45:22,800 --> 00:45:25,560 Speaker 1: And so many of them, the Sammi were traditionally migratory, 755 00:45:25,719 --> 00:45:27,960 Speaker 1: the folks who would follow the reindeer and heard reindeer, 756 00:45:28,480 --> 00:45:31,200 Speaker 1: and so they built storehouses on stilts for all the 757 00:45:31,280 --> 00:45:34,040 Speaker 1: stuff that they weren't taking with them on migration. And 758 00:45:34,120 --> 00:45:36,719 Speaker 1: I've read this both as storehouses of dried food, like 759 00:45:37,200 --> 00:45:39,440 Speaker 1: you know, all the stuff that they prepare and they're like, 760 00:45:39,480 --> 00:45:42,000 Speaker 1: why can't we can't take all this with us. I've 761 00:45:42,040 --> 00:45:44,560 Speaker 1: also read it as storehouses of just like stuff, like 762 00:45:44,680 --> 00:45:46,560 Speaker 1: all the stuff that when we come back here we're 763 00:45:46,560 --> 00:45:50,520 Speaker 1: gonna want. And so wild animals can't get in because 764 00:45:50,600 --> 00:45:54,960 Speaker 1: the stilts and sometimes they didn't have windows, and the 765 00:45:55,040 --> 00:45:58,239 Speaker 1: stilts were sometimes for tree trunks with their roots looking 766 00:45:58,280 --> 00:46:03,200 Speaker 1: like chicken feet. And yeah, I I cannot imagine after 767 00:46:03,239 --> 00:46:05,760 Speaker 1: seeing this sort of image, I cannot imagine another origin 768 00:46:05,840 --> 00:46:09,879 Speaker 1: of this, because, um, the you know, the Slavs were, 769 00:46:10,480 --> 00:46:14,280 Speaker 1: if at their like wildest, venturing into the far birch forests, 770 00:46:14,840 --> 00:46:17,560 Speaker 1: you know, um, and traditionally Bobby Aga lives in birch forest. 771 00:46:18,760 --> 00:46:22,040 Speaker 1: That's when you would be encountering something like this. I 772 00:46:22,120 --> 00:46:26,480 Speaker 1: mean visually it is so fucking cool looking, Like I 773 00:46:27,239 --> 00:46:31,360 Speaker 1: get why the image stuck because it it looks amazing. Yeah, totally. 774 00:46:32,680 --> 00:46:34,960 Speaker 1: And so the Sami aren't fins, right, There's a lot 775 00:46:35,040 --> 00:46:38,960 Speaker 1: of different groups of people that share that little sort 776 00:46:39,000 --> 00:46:42,200 Speaker 1: of vague. Um, it's not part of the Scandinavian Peninsula, 777 00:46:42,280 --> 00:46:46,440 Speaker 1: the Finland part. But there are several Finnish ogresses, one 778 00:46:46,480 --> 00:46:48,080 Speaker 1: of him is good and one of whom is bad. 779 00:46:48,400 --> 00:46:50,640 Speaker 1: Who are seen as potential origins of Bobby a gaswell, 780 00:46:50,800 --> 00:46:52,680 Speaker 1: or like influences on it that like Bobby Gas like 781 00:46:52,760 --> 00:46:57,600 Speaker 1: both of those ogresses at once, and one more weird 782 00:46:57,719 --> 00:47:01,799 Speaker 1: thing that ties into the Bobby a myth. Now she's 783 00:47:01,840 --> 00:47:05,239 Speaker 1: like shoving, um, shoving our protagonist into the oven on 784 00:47:05,280 --> 00:47:08,839 Speaker 1: the like shovel or whatever into the huge oven. Boy 785 00:47:08,960 --> 00:47:13,680 Speaker 1: do I okay? Well? Um? There was this Eastern Slavic 786 00:47:13,960 --> 00:47:20,759 Speaker 1: traditional healing method called baking children where if the kid 787 00:47:20,880 --> 00:47:24,760 Speaker 1: is sick, especially like a child who's born too early 788 00:47:25,040 --> 00:47:28,160 Speaker 1: or like some other issues, you put them in the 789 00:47:28,239 --> 00:47:33,000 Speaker 1: oven for a while, um not too hot obviously, instead 790 00:47:33,000 --> 00:47:36,759 Speaker 1: of timer because it's easy to get distracted, you know, 791 00:47:37,040 --> 00:47:40,200 Speaker 1: like I get yeah, yeah, we've all been there. So 792 00:47:40,320 --> 00:47:42,279 Speaker 1: that was a thing that people did, and it's like 793 00:47:42,320 --> 00:47:46,640 Speaker 1: almost certainly the origin of the the The person who 794 00:47:46,719 --> 00:47:49,279 Speaker 1: knows the traditional methods is like the evil witch who 795 00:47:49,719 --> 00:47:56,240 Speaker 1: bakes children. Right, I feel, Okay, this did it work? 796 00:47:57,600 --> 00:47:59,600 Speaker 1: I don't know the answer to that. I think there 797 00:47:59,600 --> 00:48:01,320 Speaker 1: are probab probably some things that would have helped with 798 00:48:01,640 --> 00:48:04,480 Speaker 1: but I do not know. And I think that they 799 00:48:04,520 --> 00:48:08,920 Speaker 1: did it in a way to your kid, Yeah, just 800 00:48:09,040 --> 00:48:11,680 Speaker 1: made made it afraid of enclosed spaces for the rest 801 00:48:11,719 --> 00:48:18,040 Speaker 1: of her life. What Yeah, wow, Freud would have had 802 00:48:18,080 --> 00:48:20,200 Speaker 1: a fucking field day with us back into the womb 803 00:48:20,280 --> 00:48:25,320 Speaker 1: ship too. It was a fucking weirdo. I just like, 804 00:48:27,680 --> 00:48:32,239 Speaker 1: you know, uh that is um okay, so so bad 805 00:48:32,320 --> 00:48:39,680 Speaker 1: witches put like baked children? Yeah yeah, question mark okay, okay, 806 00:48:39,880 --> 00:48:44,520 Speaker 1: so that ogresses in this case. Yeah, well yes, sometimes 807 00:48:44,600 --> 00:48:47,520 Speaker 1: you know, sometimes she's an over us. And so, as 808 00:48:47,560 --> 00:48:50,080 Speaker 1: far as I can tell, basically, Bobby Aga in post 809 00:48:50,160 --> 00:48:54,280 Speaker 1: Christian folklore represents the fear of the pagan other, especially 810 00:48:54,360 --> 00:48:58,640 Speaker 1: the sort of like indigenous pagan other, the knowledgeable, strange 811 00:48:58,680 --> 00:49:01,640 Speaker 1: people in the woods in Siberia, it seems like Bobby 812 00:49:01,640 --> 00:49:04,040 Speaker 1: Aga represents the fear of the indigenous people out there. 813 00:49:04,280 --> 00:49:06,280 Speaker 1: And then in western Russia it was like the indigenous 814 00:49:06,280 --> 00:49:09,000 Speaker 1: people who lived there are like the the people who 815 00:49:09,040 --> 00:49:11,920 Speaker 1: are being mothered by this. And I think that this 816 00:49:12,040 --> 00:49:14,360 Speaker 1: ties into how she can always smell the Russian blood 817 00:49:14,920 --> 00:49:18,399 Speaker 1: because she's not Russian. She's a foreigner. She's not from 818 00:49:18,480 --> 00:49:23,320 Speaker 1: a different place, but she's from a foreign culture because Russia, clearly, 819 00:49:23,640 --> 00:49:26,480 Speaker 1: you know, it's a very large place. And so it's 820 00:49:26,560 --> 00:49:31,880 Speaker 1: that colonial storytelling tradition of um, implying that all of 821 00:49:32,080 --> 00:49:37,879 Speaker 1: the evil comes from the indigenous character. That's being Okay, Yeah, 822 00:49:38,400 --> 00:49:42,400 Speaker 1: that that's my organized And then it might be more 823 00:49:42,480 --> 00:49:45,279 Speaker 1: of like just purely about paganism. Um, it might be 824 00:49:45,440 --> 00:49:47,880 Speaker 1: more a bunch of other stuff, but that that is 825 00:49:47,960 --> 00:49:51,120 Speaker 1: my read of it, Okay. But she's also got the 826 00:49:51,239 --> 00:49:53,680 Speaker 1: like entrancing power of the other two, right, because she's 827 00:49:53,680 --> 00:49:55,920 Speaker 1: not just a villain. She's the villain in about two 828 00:49:56,000 --> 00:49:59,960 Speaker 1: thirds of the stories she's in, and she's almost unique 829 00:50:00,000 --> 00:50:03,239 Speaker 1: and folk and folklore because overall she's like this bad 830 00:50:03,280 --> 00:50:06,040 Speaker 1: bit who eats kids. But she's the representation of the 831 00:50:06,080 --> 00:50:09,719 Speaker 1: catalyst of change that's necessary in any person's life. People 832 00:50:09,760 --> 00:50:13,319 Speaker 1: have described as like the god of tough love. That's 833 00:50:13,320 --> 00:50:16,480 Speaker 1: a cool that's a cool tital I could use that. 834 00:50:17,600 --> 00:50:19,840 Speaker 1: And I like how a lot of the kind of 835 00:50:20,239 --> 00:50:23,640 Speaker 1: pre Christian beliefs or morals like survive in monsters. I 836 00:50:23,719 --> 00:50:26,080 Speaker 1: really have this whole thing where I really like monsters. 837 00:50:27,480 --> 00:50:33,160 Speaker 1: And to quote Madame Pemita writing for Bust, if we 838 00:50:33,280 --> 00:50:35,480 Speaker 1: look back even further, we see her in her truer 839 00:50:35,560 --> 00:50:38,000 Speaker 1: guys as the forest Mother, the guardian of the woods. 840 00:50:38,440 --> 00:50:41,440 Speaker 1: This is where her dicey nature comes in for our ancestors. 841 00:50:41,520 --> 00:50:45,800 Speaker 1: The wild was truly ambiguous. Nature provided food, materials, and beauty, 842 00:50:46,080 --> 00:50:48,200 Speaker 1: but it could also be devil you, devour you, and 843 00:50:48,320 --> 00:50:51,799 Speaker 1: destroy you. Babba Yaga is just like that, cruel one 844 00:50:51,880 --> 00:50:55,520 Speaker 1: moment and achingly sweet and generous the next. An ancient 845 00:50:55,600 --> 00:50:58,399 Speaker 1: Slavic paganism of three planes of existence. There's the middle 846 00:50:58,480 --> 00:51:00,839 Speaker 1: world where we all live. We've the upper world where 847 00:51:00,880 --> 00:51:02,719 Speaker 1: the gods hang out, and then you have the lower world, 848 00:51:02,760 --> 00:51:05,520 Speaker 1: which isn't hell. It's like where the plant spirits and 849 00:51:05,560 --> 00:51:08,080 Speaker 1: the animals and like the mythical things hang out. And 850 00:51:08,120 --> 00:51:12,560 Speaker 1: Bobby as like lower world all the way. Okay, I 851 00:51:12,800 --> 00:51:16,719 Speaker 1: I like that, uh that kind of not I I 852 00:51:16,760 --> 00:51:19,040 Speaker 1: don't even know if that's a hierarchy, but I like 853 00:51:19,239 --> 00:51:22,600 Speaker 1: I like that concept of the lower world. Yeah, yeah, 854 00:51:22,719 --> 00:51:24,120 Speaker 1: me too. I want to learn more about a lot 855 00:51:24,200 --> 00:51:26,040 Speaker 1: of this stuff, like because a lot of this is 856 00:51:26,120 --> 00:51:28,719 Speaker 1: like mentioned in Passing and stuff about Bobby at God. 857 00:51:28,719 --> 00:51:30,120 Speaker 1: And then I like start digging into it because I 858 00:51:30,120 --> 00:51:32,800 Speaker 1: get excited, and then I remember that I um have 859 00:51:32,960 --> 00:51:37,360 Speaker 1: to eventually finished projects. But even like the concept of 860 00:51:37,680 --> 00:51:40,520 Speaker 1: the forest beneath the ground and like stuff like that, 861 00:51:41,000 --> 00:51:43,560 Speaker 1: it just I don't know all of that imagery is 862 00:51:43,600 --> 00:51:49,080 Speaker 1: so cool. Yeah, totally, um, and so so Christian Russians 863 00:51:49,120 --> 00:51:50,480 Speaker 1: don't actually have to go very far to find a 864 00:51:50,480 --> 00:51:53,960 Speaker 1: pagan other. There's been an unbroken tradition of paganism right 865 00:51:54,040 --> 00:51:57,399 Speaker 1: to the present day within Russia. Um, about five miles 866 00:51:57,440 --> 00:52:00,680 Speaker 1: east of Moscow, there the Mari people who are ethnically 867 00:52:00,960 --> 00:52:03,719 Speaker 1: finn U grick I believe, and they claim that their 868 00:52:03,760 --> 00:52:07,040 Speaker 1: religion is about seven thousand, five and thirty years old. 869 00:52:07,440 --> 00:52:09,200 Speaker 1: And when I say about, I mean they claim that 870 00:52:09,239 --> 00:52:11,600 Speaker 1: their religion is seven thousand, five and thirty years old. 871 00:52:11,800 --> 00:52:15,080 Speaker 1: I was like, that's a very precise about um, which 872 00:52:15,239 --> 00:52:17,919 Speaker 1: which implies that they have a specific start date. Yeah, 873 00:52:18,400 --> 00:52:22,480 Speaker 1: and in so many ways they're just like the archetypical 874 00:52:22,680 --> 00:52:25,759 Speaker 1: pagans that people when they think about European paganism, Um, 875 00:52:25,880 --> 00:52:29,040 Speaker 1: they're polytheists. They meet in sacred groves instead of churches, 876 00:52:30,239 --> 00:52:33,520 Speaker 1: and and they've run across some problems over the years. 877 00:52:33,560 --> 00:52:36,759 Speaker 1: You'd think that, Um, the history of history is the 878 00:52:36,840 --> 00:52:40,960 Speaker 1: history of people accepting religious differences. That's I mean, that's 879 00:52:41,000 --> 00:52:44,160 Speaker 1: the way I've understood it, and I've only read books 880 00:52:44,280 --> 00:52:48,359 Speaker 1: from the winners, So I think that that's probably chill. Yeah, 881 00:52:48,560 --> 00:52:50,920 Speaker 1: they're like, oh, we totally accepted them. And then they 882 00:52:51,080 --> 00:52:55,000 Speaker 1: just stopped believing what they believed peacefully. Yeah, there's a 883 00:52:55,040 --> 00:53:03,440 Speaker 1: holiday about that coming up. Garbage. Sorry, continue. So the 884 00:53:03,520 --> 00:53:05,520 Speaker 1: problems that they've run into first, they ran into the 885 00:53:05,560 --> 00:53:09,360 Speaker 1: problems of Christians. Russia started christianizing more intensely around the 886 00:53:09,440 --> 00:53:11,840 Speaker 1: yearth a thousand, and a lot of Pagans had to 887 00:53:11,880 --> 00:53:14,279 Speaker 1: resettle or do what Christianized people have done all over 888 00:53:14,280 --> 00:53:17,480 Speaker 1: the world, especially Catholics, they syncretize. Um, there's this like 889 00:53:17,560 --> 00:53:20,479 Speaker 1: dual faith thing that people have going on where people 890 00:53:20,640 --> 00:53:23,560 Speaker 1: managed successfully for hundreds of years, if not thousands of years, 891 00:53:24,360 --> 00:53:26,760 Speaker 1: where they're like, oh, yeah, I'm like Catholic or Orthodox 892 00:53:26,840 --> 00:53:28,760 Speaker 1: or whatever, and then they go out to the glade 893 00:53:28,800 --> 00:53:31,520 Speaker 1: and keep up their actual religion. And so a lot 894 00:53:31,600 --> 00:53:36,319 Speaker 1: of the Mari religious believers were practicing that, and then 895 00:53:36,320 --> 00:53:40,759 Speaker 1: they had a bigger problem the Bolsheviks. When the Bolsheviks 896 00:53:41,400 --> 00:53:44,600 Speaker 1: took over Russia created the USSR. They didn't like religion, 897 00:53:44,920 --> 00:53:48,120 Speaker 1: sort of a classic thing. Mosques and churches were raised 898 00:53:48,160 --> 00:53:51,120 Speaker 1: all over, and so were the sacred growths. They would 899 00:53:51,280 --> 00:53:52,880 Speaker 1: run through and be like, that's also a thing you're 900 00:53:52,920 --> 00:53:56,600 Speaker 1: not allowed to do. One Mari practitioner describes life under 901 00:53:56,640 --> 00:53:58,880 Speaker 1: the Soviet Union about how they creep into the forest 902 00:53:58,960 --> 00:54:04,040 Speaker 1: to practice. Quote the police, fervent atheists, communists would come. 903 00:54:04,400 --> 00:54:07,640 Speaker 1: They kicked over our cauldrons and chased us away. And 904 00:54:07,680 --> 00:54:09,480 Speaker 1: that was mostly the seventies and eighties. I think a 905 00:54:09,520 --> 00:54:12,720 Speaker 1: lot of the more intense anti religious stuff that was happening. 906 00:54:12,800 --> 00:54:14,920 Speaker 1: But again, this is like a thing I like to 907 00:54:14,960 --> 00:54:19,239 Speaker 1: have touched on peripherally but not dive deep into. Yeah, 908 00:54:19,280 --> 00:54:23,279 Speaker 1: I'm interested. I mean every uh, every sort of like 909 00:54:23,360 --> 00:54:27,640 Speaker 1: alley this story leads down. Is that's wild. After the 910 00:54:27,680 --> 00:54:30,359 Speaker 1: fall of the uss are the practice started back up again, 911 00:54:30,440 --> 00:54:34,160 Speaker 1: more more openly, until the other classic monster on the 912 00:54:34,200 --> 00:54:41,200 Speaker 1: world stage Putin. Yeah oh Putin Uh is not a 913 00:54:41,320 --> 00:54:47,239 Speaker 1: huge supporter of religious freedom. Yeah, no, weirdly um persecution 914 00:54:47,360 --> 00:54:50,319 Speaker 1: And the article I'm reading is about who that's talking about. 915 00:54:50,360 --> 00:54:52,320 Speaker 1: This is from about when it was like starting to 916 00:54:52,400 --> 00:54:54,319 Speaker 1: kick back in. I have not been able to find 917 00:54:54,360 --> 00:54:58,160 Speaker 1: the follow up about Putin changing his mind and suddenly 918 00:54:58,239 --> 00:55:02,520 Speaker 1: being very tolerant. And he actually specifically used an anti 919 00:55:02,600 --> 00:55:05,719 Speaker 1: extremist law that persecutes a ton of religions UM like 920 00:55:05,840 --> 00:55:09,040 Speaker 1: Muslims and Jehovah's Witnesses and the Marii Pagans, where it's 921 00:55:09,080 --> 00:55:14,120 Speaker 1: like if you're book is like, hey, our practices are cool. 922 00:55:14,200 --> 00:55:16,759 Speaker 1: We don't like churches. They're like, that's extremism because you 923 00:55:16,840 --> 00:55:21,040 Speaker 1: said this other thing. Okay, And so I don't know. 924 00:55:22,239 --> 00:55:26,239 Speaker 1: I don't know. I think putin bait and swing. Yeah. Yeah, 925 00:55:26,440 --> 00:55:28,120 Speaker 1: And I don't know a ton about them. But they're 926 00:55:28,120 --> 00:55:31,279 Speaker 1: still around, They're still doing their thing. They consciously stand 927 00:55:31,320 --> 00:55:34,319 Speaker 1: in solidarity with indigenous and pagan religions the world round, 928 00:55:34,400 --> 00:55:38,440 Speaker 1: especially as relates to climate change. One practitioner said, they say, 929 00:55:38,480 --> 00:55:40,160 Speaker 1: we need to increase consumption to get out of the 930 00:55:40,200 --> 00:55:42,360 Speaker 1: economic crisis, but if we all start to consume on 931 00:55:42,400 --> 00:55:44,919 Speaker 1: the level of England or America will destroy the earth 932 00:55:44,960 --> 00:55:49,360 Speaker 1: within a decade. So at least on this level, I 933 00:55:49,480 --> 00:55:53,120 Speaker 1: like them, you know. I was like, yeah that, I'm 934 00:55:53,200 --> 00:55:55,560 Speaker 1: I'm on board with that. Yeah, I'm so, I'm I 935 00:55:55,680 --> 00:56:00,239 Speaker 1: wanna learn more about this. Yeah. So back to bubbya Got. 936 00:56:01,400 --> 00:56:04,759 Speaker 1: The thing is, she's never centered in the story. She's 937 00:56:04,760 --> 00:56:07,439 Speaker 1: never the protagonist. She's a force of nature that people 938 00:56:07,520 --> 00:56:10,200 Speaker 1: contend with. No One ever asks how is Bobby Aga? 939 00:56:10,440 --> 00:56:14,280 Speaker 1: They only ask um, you know about about the arch Crone, 940 00:56:14,360 --> 00:56:17,480 Speaker 1: the bone Mother. These are other names I found for Um. 941 00:56:17,920 --> 00:56:20,759 Speaker 1: The way you're describing this, it cracks me up. It 942 00:56:21,000 --> 00:56:23,959 Speaker 1: just like sounds like you're like teeing up to pitch 943 00:56:24,120 --> 00:56:28,200 Speaker 1: a really shitty Disney Plus series about like people always 944 00:56:28,360 --> 00:56:33,279 Speaker 1: ask like no one ever asked how is Bobby and 945 00:56:33,800 --> 00:56:40,640 Speaker 1: in this reboot starring insert a woman here, This is 946 00:56:40,760 --> 00:56:43,839 Speaker 1: a this is a terrible Catherine Han mini series rating 947 00:56:43,880 --> 00:56:45,719 Speaker 1: to happen. I think we can do it well, I've 948 00:56:45,760 --> 00:56:48,200 Speaker 1: been This has all been my long pitch to to 949 00:56:48,320 --> 00:56:52,840 Speaker 1: get you as co writer. I'm in. I'm in, baby, 950 00:56:52,960 --> 00:56:56,120 Speaker 1: all right. She's almost never married in any of the stories, 951 00:56:56,160 --> 00:56:59,920 Speaker 1: which good for her, right, sometimes she has children or grandchildren. 952 00:57:00,320 --> 00:57:02,400 Speaker 1: She's clearly doing what she wants even when she has 953 00:57:02,480 --> 00:57:06,839 Speaker 1: children and is unmarried. So fuck yeah. Um. There's one 954 00:57:06,880 --> 00:57:09,840 Speaker 1: guy she sometimes represented as hooking up with another pagan 955 00:57:09,920 --> 00:57:13,440 Speaker 1: fear of the other guy. And his name is Coche 956 00:57:13,600 --> 00:57:17,440 Speaker 1: the Deathless, and he's kind of cool because his name 957 00:57:17,480 --> 00:57:19,600 Speaker 1: is I mean, it's a cool name. I mean, I 958 00:57:19,760 --> 00:57:22,320 Speaker 1: was like, I'm i I'm I'm into the name. What 959 00:57:22,480 --> 00:57:25,720 Speaker 1: does deal? Well, Jamie, I'm glad you asked. He's a 960 00:57:25,800 --> 00:57:28,840 Speaker 1: weird and more immortal wizard warrior guy who can't die 961 00:57:28,920 --> 00:57:31,440 Speaker 1: because he hides his soul and objects like in a 962 00:57:31,520 --> 00:57:33,000 Speaker 1: needle and an egg and a duck and a hair 963 00:57:33,080 --> 00:57:36,600 Speaker 1: and a chest buried on a far island. All right, well, 964 00:57:36,760 --> 00:57:40,840 Speaker 1: none of this is disqualifying to me, so continue. He's 965 00:57:40,840 --> 00:57:42,760 Speaker 1: got a ton of magical items, and he has a 966 00:57:42,840 --> 00:57:46,200 Speaker 1: super fast magical horse. In one story, he gets this 967 00:57:46,280 --> 00:57:49,960 Speaker 1: horse from Bobby at Goa. And sometimes the horse is 968 00:57:50,000 --> 00:57:52,280 Speaker 1: three legs, sometimes a seven legs, sometimes has the normal 969 00:57:52,360 --> 00:57:56,480 Speaker 1: boring amount of legs. And this guy is probably or 970 00:57:56,520 --> 00:57:58,280 Speaker 1: at least has been conjectured in a way that I 971 00:57:58,360 --> 00:58:01,240 Speaker 1: find convincing enough to make this in action, because it's entertaining. 972 00:58:01,520 --> 00:58:05,400 Speaker 1: He might have been an actual guy. Uh. There was 973 00:58:05,480 --> 00:58:09,960 Speaker 1: a twelfth century pagan Cohn of the of the Kuman 974 00:58:10,040 --> 00:58:13,560 Speaker 1: people named Khan con Check, who maybe let us he 975 00:58:13,640 --> 00:58:15,520 Speaker 1: had the hardest time finding this part out. I'm like, 976 00:58:15,600 --> 00:58:18,280 Speaker 1: maybe he led a slave uprising. I'm not sure. Um, 977 00:58:18,320 --> 00:58:20,840 Speaker 1: I don't feel confident about that. But he also is 978 00:58:20,880 --> 00:58:23,400 Speaker 1: conjectured to have like lived over a hundred years old, 979 00:58:23,480 --> 00:58:25,640 Speaker 1: unless maybe his kid was using his name too. But 980 00:58:25,840 --> 00:58:30,440 Speaker 1: basically he was the immortal because Um, he lived over 981 00:58:30,600 --> 00:58:33,120 Speaker 1: he like saw six generations of people, and so everyone's 982 00:58:33,120 --> 00:58:34,919 Speaker 1: like that guy is never gonna fucking die. He keeps 983 00:58:34,920 --> 00:58:40,240 Speaker 1: sucking conquering everything because everyone lived six years back. Yeah, exactly. 984 00:58:41,000 --> 00:58:44,920 Speaker 1: And he wore an ombulet of protection that was an 985 00:58:45,040 --> 00:58:47,840 Speaker 1: arrow head inside of an egg shape, and so that's 986 00:58:47,880 --> 00:58:49,680 Speaker 1: probably where you get the like needle in the egg 987 00:58:49,720 --> 00:58:51,160 Speaker 1: and the dock and the goose and the hole in 988 00:58:51,160 --> 00:58:53,040 Speaker 1: the bottom of the sea. There's a hole. There's a hole. 989 00:58:53,240 --> 00:58:55,000 Speaker 1: There's a hole in the bottom of the sea. I 990 00:58:55,080 --> 00:58:58,440 Speaker 1: was like, keep going, keep And since he was a 991 00:58:58,560 --> 00:59:01,840 Speaker 1: successful battle guy, he was a pagan, he became a batty, right. 992 00:59:02,160 --> 00:59:04,920 Speaker 1: I mean most battle guys are batties to be to 993 00:59:05,000 --> 00:59:06,440 Speaker 1: be real that what they do is run around hit 994 00:59:06,480 --> 00:59:08,560 Speaker 1: people with swords, which is like not usually a polite 995 00:59:09,280 --> 00:59:14,240 Speaker 1: thing to do. It's not usually smiled upon in polite society. Um. 996 00:59:14,520 --> 00:59:16,880 Speaker 1: But because him and Bobby and God were both baddies, 997 00:59:16,920 --> 00:59:19,320 Speaker 1: people like to ship them together and sometimes they got 998 00:59:19,360 --> 00:59:23,960 Speaker 1: together in stories and that's so God. I love when 999 00:59:24,000 --> 00:59:27,240 Speaker 1: you're like, yeah, folk like folk tales and fan fiction, 1000 00:59:27,400 --> 00:59:30,560 Speaker 1: are they live in the same neighborhood. And it was 1001 00:59:30,600 --> 00:59:34,080 Speaker 1: we're just like, uh, they're both pretty bad. What if 1002 00:59:34,120 --> 00:59:38,840 Speaker 1: they fucked totally? Totally? People have been horny for so long. 1003 00:59:39,200 --> 00:59:42,760 Speaker 1: And you know that's my controversial statement. Since he hid 1004 00:59:43,080 --> 00:59:46,640 Speaker 1: his soul and other objects, we could call this book 1005 00:59:46,960 --> 00:59:55,160 Speaker 1: which for lich swish. Yeah, thanks, um And and that's 1006 00:59:55,200 --> 00:59:59,880 Speaker 1: what I've got about Bobby A gum cool. I love 1007 01:00:00,120 --> 01:00:04,520 Speaker 1: Bob the as I was, Um I was. I googled, 1008 01:00:04,640 --> 01:00:07,720 Speaker 1: I hit Google images bravely to see, like what different 1009 01:00:07,760 --> 01:00:10,960 Speaker 1: interpretations of her look like, and it is like, well, 1010 01:00:10,960 --> 01:00:12,240 Speaker 1: I mean, I think we talked about this in the 1011 01:00:12,320 --> 01:00:18,680 Speaker 1: last episode, but all of the kind of cartoon like 1012 01:00:19,480 --> 01:00:24,600 Speaker 1: anti an't I any woman who isn't like aggressively Western 1013 01:00:24,680 --> 01:00:28,000 Speaker 1: beauty standards. You've got the cartoon anti semitism, and you 1014 01:00:28,200 --> 01:00:32,800 Speaker 1: also have Bobby Agawa was an antagonist in a Miyazaki 1015 01:00:32,920 --> 01:00:36,680 Speaker 1: movie which I didn't realize. I haven't seen it. Have 1016 01:00:36,800 --> 01:00:41,320 Speaker 1: you seen it? Which movie is it in? Um? It's 1017 01:00:41,360 --> 01:00:47,400 Speaker 1: when I haven't seen. Sorry, it's um the main antagonist 1018 01:00:47,520 --> 01:00:50,800 Speaker 1: and Mr Dough and the Egg Princess. She brings the 1019 01:00:50,880 --> 01:00:53,800 Speaker 1: Egg Princess to life. Her home is the Castle of 1020 01:00:53,880 --> 01:00:57,960 Speaker 1: the Dark Forest. Seems like a loose interpretation, but I 1021 01:00:58,040 --> 01:01:00,400 Speaker 1: think this is a short film, but I wanna I 1022 01:01:00,440 --> 01:01:02,040 Speaker 1: want to go back and watch it now to see 1023 01:01:02,720 --> 01:01:07,000 Speaker 1: how Miyazaki interpreted. But she was still a cannibal okay okay. 1024 01:01:09,040 --> 01:01:12,800 Speaker 1: And and also, um, if you're familiar with the Miyazaki 1025 01:01:12,920 --> 01:01:15,240 Speaker 1: character you Baba from Spirit in a way which I 1026 01:01:15,280 --> 01:01:19,400 Speaker 1: have seen, I guess that Bobby Yaga has you Baba 1027 01:01:19,560 --> 01:01:21,680 Speaker 1: energy as well. I was like, oh, I want to 1028 01:01:21,720 --> 01:01:25,200 Speaker 1: see more Bobby Yaga. Seems like there should be more 1029 01:01:25,440 --> 01:01:28,840 Speaker 1: modern interpretations of She's cool. I know there's a um. 1030 01:01:29,040 --> 01:01:33,520 Speaker 1: I watched a Lost Girl episode, um, Bobby Aga in 1031 01:01:34,240 --> 01:01:36,880 Speaker 1: preparation for this. I've never actually seen Lost Girl, and 1032 01:01:36,960 --> 01:01:38,960 Speaker 1: my friend was like, what the fun and then it 1033 01:01:39,080 --> 01:01:42,440 Speaker 1: was and then described it as in the genre of 1034 01:01:43,320 --> 01:01:47,880 Speaker 1: entertainment that is people who fight demons and quip. Oh see, 1035 01:01:48,800 --> 01:01:51,120 Speaker 1: that's what I like. That that can be you You 1036 01:01:51,200 --> 01:01:52,880 Speaker 1: got to be in the right mood, but that can 1037 01:01:52,920 --> 01:01:56,160 Speaker 1: be a good genre. I have written to novellas that 1038 01:01:56,240 --> 01:01:58,240 Speaker 1: are people who fight demons and quips, So I like, 1039 01:01:59,080 --> 01:02:03,200 Speaker 1: I'm into it. Yeah, you're damn good at it, thank you, 1040 01:02:03,440 --> 01:02:07,920 Speaker 1: thank you. M Yeah. No. And there is the Japanese analogue. 1041 01:02:07,920 --> 01:02:11,880 Speaker 1: I didn't get into it more. There's like um, comparisons 1042 01:02:12,080 --> 01:02:16,520 Speaker 1: that made and to two cultures especially nearby like Japan 1043 01:02:16,560 --> 01:02:19,800 Speaker 1: and Siberia, and I want to know more about how 1044 01:02:19,880 --> 01:02:23,280 Speaker 1: all of that traces around. Um. But that is also 1045 01:02:23,360 --> 01:02:27,920 Speaker 1: the stuff that people get doctorates in. I'm a lowly 1046 01:02:28,400 --> 01:02:30,920 Speaker 1: the equivalent of the the guy who writes the like 1047 01:02:31,960 --> 01:02:35,280 Speaker 1: I'll write down your legal structure and write erotic fan 1048 01:02:35,400 --> 01:02:39,440 Speaker 1: fick about a maid. Um. Yeah, I think that that 1049 01:02:39,640 --> 01:02:42,280 Speaker 1: is a beautiful place to be. That is a culturally 1050 01:02:42,400 --> 01:02:49,400 Speaker 1: significant and impactful place to be. Thanks, well, this has 1051 01:02:49,480 --> 01:02:54,120 Speaker 1: been so fascinating. Yeah. Uh, if people want to hear 1052 01:02:54,280 --> 01:02:59,320 Speaker 1: you occupy that cultural space, how can they do so? Yes, Uh, 1053 01:02:59,680 --> 01:03:02,880 Speaker 1: you can do all sorts of stuff. I was because 1054 01:03:02,920 --> 01:03:07,439 Speaker 1: we're talking about Baba, I would recommend watching a show 1055 01:03:07,520 --> 01:03:10,360 Speaker 1: called Teenage Euthanasia, in which there is a character named 1056 01:03:10,440 --> 01:03:13,080 Speaker 1: Baba written on the show for a couple of years. 1057 01:03:13,200 --> 01:03:17,160 Speaker 1: It's streaming on HBO Max. It's a really fun show, um, 1058 01:03:17,560 --> 01:03:22,240 Speaker 1: and Baba is also kind of a mystical, mysterious figure. Um. 1059 01:03:22,480 --> 01:03:25,400 Speaker 1: You can also preorder my book Raw Dog, which is 1060 01:03:25,440 --> 01:03:29,560 Speaker 1: about hot dogs, which Baba you got famously loves, and 1061 01:03:30,160 --> 01:03:33,000 Speaker 1: you can listen to any of my podcasts about extremely 1062 01:03:33,080 --> 01:03:39,480 Speaker 1: specific topic on cool Zone Media, I ever heard of it, Sophie. 1063 01:03:39,680 --> 01:03:43,080 Speaker 1: Anything you want to plug, just follow up closon media 1064 01:03:43,360 --> 01:03:46,120 Speaker 1: on Instagram and Twitter for all the all the things, 1065 01:03:47,200 --> 01:03:50,120 Speaker 1: um and then and then and then Margaret, Robert Evans 1066 01:03:50,200 --> 01:03:53,480 Speaker 1: and myself will be doing a special live stream I 1067 01:03:53,560 --> 01:03:57,920 Speaker 1: believe on December eighth. More details to come, um, but 1068 01:03:58,080 --> 01:04:03,200 Speaker 1: it's going to be a good time. And if you 1069 01:04:03,440 --> 01:04:07,680 Speaker 1: want to read my Fight Demons and Quip book, uh, 1070 01:04:07,920 --> 01:04:09,880 Speaker 1: the first one is called The Lamb Will Slaughter the 1071 01:04:09,960 --> 01:04:12,640 Speaker 1: Lion and the second one is called the Barrel Will 1072 01:04:12,680 --> 01:04:15,200 Speaker 1: Send what it May. And yes, I realized I named 1073 01:04:15,240 --> 01:04:19,680 Speaker 1: my books things that no one remembers. But the Lamb 1074 01:04:19,760 --> 01:04:24,200 Speaker 1: will Slaughter the Lion or just like Margaret Killjoy books 1075 01:04:24,600 --> 01:04:27,360 Speaker 1: will probably do that for you as a blue cover, 1076 01:04:27,600 --> 01:04:33,400 Speaker 1: the cool cover. And you can hear us next week 1077 01:04:33,720 --> 01:04:43,320 Speaker 1: when we talk about more things. Hi, Hi, Hi, cool people. 1078 01:04:43,480 --> 01:04:46,240 Speaker 1: Who did Cool Stuff is a production of cool Zone Media. 1079 01:04:46,600 --> 01:04:49,400 Speaker 1: But more podcasts and cool Zone Media. Visit our website 1080 01:04:49,520 --> 01:04:51,960 Speaker 1: cool zone media dot com or check us out on 1081 01:04:52,120 --> 01:04:55,000 Speaker 1: the I Heart Radio app, Apple Podcasts or wherever you 1082 01:04:55,080 --> 01:05:00,880 Speaker 1: get your podcasts. Zo