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Speaker 1: Yes, Brandon Bing and I Am Rapport Stereo podcast.

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Speaker 2: This year, they need have no fear, none at all.

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Speaker 1: On today's I Am rapp Reports Stereo podcast, Seawan Penn,

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Speaker 1: The Great Sean Penn is sixty three, The Great Robert

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Speaker 1: de Niro is eighty years old.

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Speaker 2: And much ado about nothing.

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Speaker 1: There is jew face controversy about the new Bradley Cooper

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Speaker 1: movie that is coming out, and it is much ado

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Speaker 1: about nothing. This is a fantastic cinematic I am Rapaport

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Speaker 1: Stereo podcast starting right now. Miles Jordan ak the Bleach

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Speaker 1: Brothers aka the Dust brother Start this puppy off with

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Speaker 1: something real nice. Start this puppy off for something real love,

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Speaker 1: but most imponently, start this puppy off with something real funky.

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Speaker 1: I Am Rappaport Stereo Podcast. Museum quality episode is coming

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Speaker 1: up right now. Boom, have no fear of The Iron

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Speaker 1: Rapperport Stereo podcast is here.

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Speaker 2: Higgety, have no fear.

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Speaker 1: The I Am Rappaport Stereo podcast is here. The Iron

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Speaker 1: Rapport Stereo podcast is in the place to be. Hope

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Speaker 1: everybody's feeling good. I hope everybody's feeling safe. Hope everybody

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Speaker 1: is feeling sane Boom. The name is Michael Rappaport aka

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Speaker 1: the Gringo Man, dingle ak A, The Inflamed Ashkenazi ak A,

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Speaker 1: The Raging Bullshitter a k a. The Salt and of

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Speaker 1: Sniff ak A, the Disruptive Warrior. This is the Iron

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Speaker 1: Stereo Podcast. Hope everybody's feeling good. Hope everybody's feeling safe.

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Speaker 1: Hope everybody is feeling sane. I'm rapp for Stereo podcast

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Speaker 1: coming live and direct, fantastic hard hitting podcast coming at

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Speaker 1: you today. So pumped, so many different things that I'm

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Speaker 1: excited about. But before we get into that, I just

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Speaker 1: want to make sure everybody out there is feeling good.

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Speaker 2: I want to make sure.

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Speaker 1: Everybody out there is taking care of themselves physically, mentally, okay, sexually,

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Speaker 1: if you're into that, whatever the funk you need to

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Speaker 1: do to make your self feel good.

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Speaker 2: As we head into.

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Speaker 1: The final days, the final days of August are here,

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Speaker 1: the last last week or two last two weeks of

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Speaker 1: August or upon us.

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Speaker 2: Then we're gonna be into September. Shit crazy. Enjoy the

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Speaker 2: summer wallets here.

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Speaker 1: Motherfucker's sending love thoughts, sending prayers.

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Speaker 2: To all the people affected by the horrendous fires in Hawaii.

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Speaker 1: The destruction is insane, I mean, terrible, terrible destruction out

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Speaker 1: there in Hawaii. So if anybody has been affected, if

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Speaker 1: anybody has family friends that have been affected, I am

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Speaker 1: thinking about You've been following it closely, particularly the last

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Speaker 1: few days, So I hope everybody out there is. I

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Speaker 1: can't even say okay, man, because some of that devastation

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Speaker 1: just looks crazy, looks really fucking crazy, And people's lives

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Speaker 1: have been changed and affected forever because of those terrible,

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Speaker 1: terrible fires. And I'm heading to Syracuse. I'll be in

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Speaker 1: Syracuse tonight, the eighteenth, the nineteenth, eighteenth, and nineteenth of

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Speaker 1: August I will be in Syracuse performing at the Funny Bone.

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Speaker 2: Ha ha, tickle that Funny Bone.

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Speaker 1: And then in September Salt Lake City, going out there

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Speaker 1: on that Mormon state of mind. Then the fourteenth, fifteenth,

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Speaker 1: and sixteenth, I'll be in Stanford, Connecticut. And the twenty first,

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Speaker 1: twenty second, and twenty third. I am going to be

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Speaker 1: in San Diego October sixth. October seventh, I'm in Atlanta

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Speaker 1: October twentieth. October twenty first.

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Speaker 2: I am in shy Town.

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Speaker 1: Okay, got a lot of dates, a line of funking

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Speaker 1: dates on my calendar. All tickets, all information is available

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Speaker 1: at Michael Rapaportcomedy dot com. Anyway, I gotta say happy, happy,

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Speaker 1: fantastic eightieth birthday to the great Robert de Niro, the

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Speaker 1: fantastic Robert de Niro. Bob de Niro is eighty years

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Speaker 1: old today, and every year we celebrate Bobby d every

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Speaker 1: single I mean, one of the first I Am Rapaport

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Speaker 1: Stereo Podcast Award winning segments was the Robert de Niro

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Speaker 1: Line of the Week, which I stopped doing because it

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Speaker 1: was hard to keep up with, although if I could

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Speaker 1: do it, I would do the Robert De Nirol line

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Speaker 1: of the week all the time. I would do the

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Speaker 1: Robert Duniro line of the day. I fucking love this

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Speaker 1: guy so much. And when I realized that this morning

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Speaker 1: was Robert d Niro's eightieth birthday, I was just like,

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Speaker 1: I hope he's okay. He just lost his grandson in

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Speaker 1: a terrible way. Young kid passed of a drug overdose,

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Speaker 1: very very very sad. And we know Bob doesn't like fanfare.

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Speaker 1: We know Bob doesn't like attention. We know Bob likes

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Speaker 1: the proof to be in the pudding. We know, Bob

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Speaker 1: lets his work do the talking, but we must fawn

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Speaker 1: and let Robert de Niro know.

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Speaker 2: From me.

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Speaker 1: I'll just say, on my behalf, this man has given

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Speaker 1: me so so many moments of inspiration, so many laughs,

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Speaker 1: so many smiles, so many tears. He has spawned so

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Speaker 1: many emotions. He has inspired me on such a deep,

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Speaker 1: deep level. As an actor, I appreciate his work, his artistic.

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Speaker 2: Integrity, his.

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Speaker 1: Quest for perfection so deeply, and he just means so

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Speaker 1: much to me and so so many fans. And there's

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Speaker 1: not an actor that has not been inspired, has not

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Speaker 1: been in awe, hasn't been touched, hasn't been moved by

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Speaker 1: Robert De Niro for years, year after year after year

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Speaker 1: after year after fucking year. Robert de Niro one of

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Speaker 1: the greatest artists of all time, A true blue artist,

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Speaker 1: not just an actor, a goddamn artist. I mean the

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Speaker 1: artistry that he has shown in his work all these

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Speaker 1: years and continues to do a time and time again.

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Speaker 2: It just means so much to me. I mean, and

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Speaker 2: we could go.

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Speaker 1: On and on and on about every goddamn fucking movie

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Speaker 1: that this man has ever made. From the gang that

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Speaker 1: couldn't shoot, strength to bang the drum slowly to his

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Speaker 1: real breakout performance in Mean Streets. Oh my god, Johnny Boy,

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Speaker 1: the character that he played in Mean Streets.

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Speaker 2: Listen.

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Speaker 1: If you have never seen Mean Treats, do yourself a

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Speaker 1: favor and watch it. If you don't want to watch Meantreats,

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Speaker 1: just google Robert de Niro in Mean Streets. And he

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Speaker 1: literally there was no bota bing, There was no none

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Speaker 1: of that street, Italian Street, forget about it. There was

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Speaker 1: none of that.

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Speaker 2: In film.

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Speaker 1: There was none of that on TV obviously until Robert

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Speaker 1: De Niro brought that shit to the forefront. I mean

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Speaker 1: obviously with other great you know, New York performances, Marlon

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Speaker 1: Brando and you know all these sort of mobster you

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Speaker 1: know films of the thirties, forties and fifties. But he

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Speaker 1: he made it real. He brought that fucking bottom being,

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Speaker 1: that Tony soprano shit, that that big pussy that James Cohn.

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Speaker 1: I mean, he brought that shit. That Donnie Brasco. He

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Speaker 1: did it on his own, from his own creation. This

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Speaker 1: is his own imagination that he did it in nineteen

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Speaker 1: seventy three in Mean Streets with the great Harvey kin Tell.

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Speaker 1: Of course, that was the first time he worked with

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Speaker 1: Martin Scorsese. I just fucking loved this guy, man, and

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Speaker 1: I did the the Robert de Niro line of the

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Speaker 1: Week from Mean Streets in the past, Miles Jordan, play

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Speaker 1: a Little Something from Mean Streets. Play Robert de Niro

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Speaker 1: talking to Harvey kin Tell in Mean Streets. I'm gonna

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Speaker 1: let Robert de Niro do the Robert de Niro line

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Speaker 1: of the Week. Listen to him talking the opening scene.

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Speaker 1: I mean, if you watch this scene and you watch

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Speaker 1: Harvey Kitell, you could see he's like, what the fuck man?

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Speaker 1: Robert de Niro's acting was. He was bringing a sense

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Speaker 1: of reality and a sense of authenticity and an energy

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Speaker 1: and a kinetic, frenetic, tangible energy to the surface in

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Speaker 1: Mean Streets. Play that scene with Harvey Kinel from Mean Streets.

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Speaker 1: Miles Jordan aka the Bleach Brothers aka the Dust Brothers, respectfully.

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Speaker 2: Michael's been in my back all night. He's bothering me.

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Speaker 2: Why didn't you make you pay me last Tuesday?

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Speaker 3: What do you mean?

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Speaker 4: I made my pay my last Weuday? What are you

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Speaker 4: talking about?

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Speaker 5: You paid him last week?

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Speaker 6: I paid him last week? Why what he says?

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Speaker 5: Shot him?

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Speaker 7: Pay him?

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Speaker 4: It's a fucking liar.

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Speaker 3: Where was he?

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Speaker 4: You're paid him?

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Speaker 6: Yeah?

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Speaker 4: I paid him last week? Yeah, last weekday.

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Speaker 2: Yeah, Charlie, you don't know what. He's here out front,

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Speaker 2: he's here. Yeah, so what do I kid?

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Speaker 6: Well, let me go get him straighten this thing out,

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Speaker 6: all right.

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Speaker 2: And waited my way to Charlie.

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Speaker 4: What wait, you're right, I'm right.

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Speaker 6: Yeah.

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Speaker 3: Was it last Tuesday?

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Speaker 4: Yeah, that's the tuesday that was last week, that's before.

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Speaker 6: The one is about to come up.

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Speaker 5: My mistake.

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Speaker 2: I'm sorry forgive me.

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Speaker 4: It was last week the week before that. I was

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Speaker 4: thinking of yeah, oh yeah, it wasn't.

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Speaker 2: Honest, that's mean streets.

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Speaker 1: And then, of course, Robert Deniel went on to do

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Speaker 1: Godfather Part two, where he portrayed Vito Corleone, the Godfather

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Speaker 1: himself young Marlon Brando, and then he shut the.

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Speaker 2: Whole fucking shit down. Yo.

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Speaker 1: He went from Mean Streets to The Godfather Part two

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Speaker 1: to a taxi driver. He could have retired, He could

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Speaker 1: have fucking retired. And then the Deer Hunter. This is this,

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Speaker 1: This is this seen when they're playing Russian Roulette after

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Speaker 1: being captured in Vietnam.

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Speaker 2: Is so God damn.

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Speaker 1: It, it's gonna be all right, Nikki, go ahead, shoot

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Speaker 1: show nick.

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Speaker 2: Look you go. You're gonna die, you mother fuck You're

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Speaker 2: gonna die. God damn it.

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Speaker 1: The energy, the fucking real, the reality, the fear, the intensity,

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Speaker 1: everything is in his scene in the Deer Hunter. Fucking ridiculous.

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Speaker 2: Again. This ship comes from his imagination. Let me tell

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Speaker 2: you something. This stuff isn't in the script.

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Speaker 1: What Robert de Niro does, Robert de Niro takes the script,

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Speaker 1: takes all the ideas, takes all the thoughts of the

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Speaker 1: director and the writer and the script, and then puts

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Speaker 1: it into his imagination. One of the underrated words when

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Speaker 1: you're talking about acting is imagination.

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Speaker 2: It's play.

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Speaker 1: And Robert de Niro has an incredible imagination Deer Hunter,

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Speaker 1: ridiculous performance. And then, of course, if I have to

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Speaker 1: take one, I go with Raging Bull.

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Speaker 2: She really did some job on it. You know how

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Speaker 2: fucking nuts you are what she did to you?

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Speaker 5: You fuck my wife?

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Speaker 6: What you fuck my wife?

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Speaker 2: How could you ask me a question? How could you

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Speaker 2: ask me?

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Speaker 1: I'm your brother?

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Speaker 4: You asked me that?

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Speaker 2: Where do you get your bulls big enough to ask

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Speaker 2: me that.

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Speaker 1: Just tell me my favorite of all, my favorite Robert

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Speaker 1: de Niro performances. We did an entire podcast dedicated to

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Speaker 1: Raging Bull. If you've never heard the Iron rapp Port

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Speaker 1: stereo podcast, Raging Bull Podcast, where we had Martin Scorsese,

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Speaker 1: John Teturo, the Real Jake Lamatta, Max Callum and Nick

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Speaker 1: to Turn. It's just a great fucking podcast. You should

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Speaker 1: you should check that out.

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Speaker 2: And you know.

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Speaker 1: Then he went on to do The King of Comedy,

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Speaker 1: which I watched this morning. Rupert Putkin such a bugged out, weird, unique,

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Speaker 1: fucking original film directed by Martin Scorsese, co starring Jerry Lewis,

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Speaker 1: Sandra Bernhard, Once upon a Time in America, Brazil underrated

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Speaker 1: film Angel Heart, Midnight Run, God damn it. I love

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Speaker 1: that fucking film Midnight Run him and Charles Groden. I

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Speaker 1: could go on on Good Fellas, Kate Fear, He's a

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Speaker 1: fucking savage mad Dog, and Glory underrated film Uma Thurman,

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Speaker 1: Bill Murray. This Boy's Light Life launched the career of

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Speaker 1: Leonardo DiCaprio, a Bronxtown which he directed Casino.

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Speaker 6: You're in the finances, You're upstairs, but you are not

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Speaker 6: on the floor. You don't see what's going on. I've

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Speaker 6: got thousands of players. I got five hundred dealers.

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Speaker 2: They're all looking to rob me.

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Speaker 6: Flying twenty four hours a day. I have to let

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Speaker 6: them know I'm watching all the details all the time,

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Speaker 6: that there is not one single thing I will not

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Speaker 6: catch as I am over here.

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Speaker 1: Heat Copland, which I had the honor, the fucking honor

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Speaker 1: of working with Robert De Niro and Copland Jackie Brown,

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Speaker 1: one of my favorite, deep cut, underrated, underappreciated De Niro performances,

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Speaker 1: my favorite Samuel Jackson performance ever, and just so for

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Speaker 1: and so on, and meet the parents, Meet the fucking

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Speaker 1: parents when he started doing the comedy, and analyze this

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Speaker 1: and meet the fockers. I just Miles Jordan, play a

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Speaker 1: little bit of Robert de Niro. I was gonna do

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Speaker 1: the Robert de Niro line of the week. Give me

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Speaker 1: some Robert de Niro as himself. The Robert de Niro

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Speaker 1: Lines of the Week, performed by Robert de Niro.

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Speaker 4: You're talking to me, talking to me, But who the

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Speaker 4: hell so you're talking talking to me?

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Speaker 6: Well, I'm the only one here.

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Speaker 1: I don't think about one shot that much anymore.

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Speaker 2: Mike, you have to think about one shot.

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Speaker 3: One shot is what it's all about. He has to

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Speaker 3: be taken with one shot.

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Speaker 2: I try to tell people that analyst.

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Speaker 7: Ay right, never went down man, ever gotten me down right,

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Speaker 7: never gotten down. Yeah.

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Speaker 3: I grew up in a tough neighborhood and we used

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Speaker 3: to say you can get further with a kind word

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Speaker 3: and a gun than you cant with just a kind word.

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Speaker 3: And in that neighborhood it might have been true. And

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Speaker 3: sometimes a reputation follows you. There is violence in Chicago,

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Speaker 3: of course, but not by me and not by anybody

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Speaker 3: I employ. And I tell you why, because it's not

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Speaker 3: good business.

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Speaker 4: It's all bad.

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Speaker 2: People forgotten what life is all about.

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Speaker 4: They've forgotten what it is to be alive. They need

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Speaker 4: to be reminded.

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Speaker 2: They need to be reminded about.

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Speaker 6: What they have and what they can lose. And what

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Speaker 6: I feel is the joy of life, the gift of life,

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Speaker 6: the freedom of life, the wonderment of life.

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Speaker 3: You took your first place like a man, and you

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Speaker 3: mean the two greatest things in.

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Speaker 2: Life, Well, look at me.

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Speaker 3: Never read on your friends and always keep your mind shut.

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Speaker 5: Okay, I told me one time, don't let yourself get

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Speaker 5: attached to anything you are not willing to walk out

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Speaker 5: on in thirty seconds flat. If you feel the heat

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Speaker 5: around the corner, now, if you're around me and you

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Speaker 5: got to move when I move, how to expect to

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Speaker 5: keep her a marriage? She left?

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Speaker 2: Miss she left? What he experiencing.

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Speaker 3: Let me tell you, I know you don't want to

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Speaker 3: listen to you.

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Speaker 6: For all I don't listen to mine. And I'm telling

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Speaker 6: you you got to pay attention to science and life

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Speaker 6: reaches out at a moment like this. It's a sin if

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Speaker 6: you don't reach back. I'm telling it's a sin if

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Speaker 6: you don't reach back into the launch in.

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Speaker 2: The rest of your days like a curse.

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Speaker 5: You're facing a big.

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Speaker 6: Challenge in your life right now, at this very moment,

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Speaker 6: right here, that God loves you. If she wouldn't be

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Speaker 6: a love you and I don't know if Nick you

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Speaker 6: ever did, but you're sure as hell doesn't love you

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Speaker 6: right now.

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Speaker 5: I'm telling you, don't fuck this up.

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Speaker 1: Bob de Niro, thank you for everything you've done for us.

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Speaker 1: Thank you for pushing the medium foll you pushed, You

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Speaker 1: pushed what is even in the idea of what's capable

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Speaker 1: for us as actors. To do the fucking best, Bobby D.

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Speaker 1: One of my favorite performance is Silver Linings Playbook starring

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Speaker 1: Bradley Cooper Jennifer Lawrence. Beautiful, beautiful performance. He plays Bradley

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Speaker 1: Cooper's father, Just so vulnerable and so great. Robert Danio,

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Speaker 1: the great, Robert Danill eighty years old, eighty years of

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Speaker 1: the fucking Joker, And you know, you know there's some

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Speaker 1: bangers left. As long as he's on camera, there's bangers left.

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Speaker 1: He's got that film coming out, Killers of the Flower

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Speaker 1: Moon with DiCaprio, that Scorsese directed. Robert daniro eighty years old,

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Speaker 1: Everybody Loves You.

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Speaker 6: Podcast.

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Speaker 2: Speaking of birthdays, I didn't know this.

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Speaker 1: I'm sure I've talked about this before, but I wasn't

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Speaker 1: aware of this when I realized that it was Bobby.

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Speaker 2: D's eightieth birthday.

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Speaker 1: Born on the same day, turning sixty three years old today, Okay,

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Speaker 1: April seventeenth. The ridiculously talented some might say, spawned from

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Speaker 1: the same cloth, same type of method, actor, the ridiculous

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Speaker 1: Sean Penn turned sixty three. They share the same birthday.

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Speaker 1: Not surprised. Talk about a goddamn fucking career, Talk about

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Speaker 1: a ridiculous actor.

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Speaker 2: Talk about a.

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Speaker 1: Fucking beast, talk about an imagination, talk about creativity, talk

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Speaker 1: about every single thing, putting it together time and time again,

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Speaker 1: talk about we want more. We know you love saving

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Speaker 1: the world and it's important to do that, but we

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Speaker 1: want more. Sean Penn on screen. We fucking love this guy.

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Speaker 1: Fast Times at Ridgemont High, Bad Boys. I mean he

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Speaker 1: started his fucking Spacolians Fast Times at Ridgemont High. Talk

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Speaker 1: about an imagination, that sort of.

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Speaker 2: You know, dude character. He brought that to the screen.

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Speaker 1: He brought that to the screen in Fast Times at

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Speaker 1: ridge Mont High Bad Boys. Was scary when I saw

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Speaker 1: that film him and what's my guy's name is?

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Speaker 2: Morales? Love that dude, good dude man.

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Speaker 1: Sean Penn's another motherfucking beast man, a funking beast. I

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Speaker 1: love him as a director. Do you ever see Indian Runner.

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Speaker 1: Love that film he directed Into the Wild Carlito's Way

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Speaker 1: as a funking actor.

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Speaker 2: Kleinman.

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Speaker 1: Dead Man Walking directed by another beast of an actor.

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Speaker 2: I mean, that's a that's a very very very very

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Speaker 2: very very good film. Dead Man Walking directed by Tim

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Speaker 2: Robbins Milk.

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Speaker 1: One of my favorite performances that he ever did twenty

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Speaker 1: one Grams with Benisio del Toro, Sean Penn and Naomi

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Speaker 1: Wants that's ain't That is a fucking film right there.

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Speaker 1: I wouldn't call it a feel good film, but if

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Speaker 1: you've never seen twenty one Grams, that is a fucking.

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Speaker 2: Excellent, excellent, excellent film.

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Speaker 1: And like I said, imagination, it's imagination, it's grit, it's determination,

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Speaker 1: it's creativity. I mean, shit, man, I'm not even tipping

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Speaker 1: the iceberg of all the things casualties of war. That

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Speaker 1: a state of grace. Jesus Christ. I fucking love Sean Penn.

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Speaker 1: We want more Sean Penn. We need more shorant.

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Speaker 2: Colors, colors, colors, colors, two of the best.

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Speaker 1: Born on the same day. Happy birthday to the Great,

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Speaker 1: Happy sixty third birthday to the Great Sean Penn. And

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Speaker 1: like I said, save the world, do all your great

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00:23:31,160 --> 00:23:36,119
Speaker 1: philanthropy things, do all your stuff, but do not forget

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Speaker 1: to come back and act, because we everybody fucking love

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Speaker 1: Sean Penn.

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Speaker 2: And rip shout out to his brother. We lost so young.

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Speaker 1: The great Chris Penn was just another great actor that

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Speaker 1: was gone too soon, who I had the pleasure of

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Speaker 1: working with in true romance.

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Speaker 2: And becoming friends with.

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Speaker 1: So Happy birthday to both of those guys and sending love, love,

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00:24:00,320 --> 00:24:04,800
Speaker 1: love thoughts. The Great Chris Penn Reservoir Dogs, so Forth

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Speaker 1: at Close Range, which of course starred Sean Penn, Christopher

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Speaker 1: Walken and Chris Penn.

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Speaker 2: Dope underrated, weird film.

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Speaker 1: Since we're going down the road of films in general

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Speaker 1: on acting, this conversation came up again. It is so stupid,

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Speaker 1: so ridiculous, such a waste of time, So much of

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00:24:27,560 --> 00:24:35,439
Speaker 1: the stupid cancel culture frenzy, fucking social media shit storm

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00:24:35,720 --> 00:24:40,119
Speaker 1: that gets attention that doesn't deserve any fucking attention. The

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Speaker 1: Great Bradley Cooper has a film coming out called Maestro.

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Speaker 1: It is a film that he directed where he plays

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Speaker 1: Leonard Bernstein. Now, most of you dumb funks that are

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Speaker 1: causing all this confusion trying to cancel this, that and

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Speaker 1: the third, all these idiots don't even know who Leonard

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Speaker 1: Bernstein is one of the great Jews of all time. Okay,

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Speaker 1: Leonard Bernstein, look them up, you fools, your dumb dumbs.

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Speaker 1: Leonard Bernstein's is a songwriter, a composer. He's written so much,

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Speaker 1: created so much music that most of us probably don't

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Speaker 1: even know that it was made by Leonard Bernstein. Miles Jordan,

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Speaker 1: play a little bit, Play a little bit of the

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Speaker 1: great Leonard Bernstein. Give me a little Rhapsody in blue.

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00:26:02,640 --> 00:26:07,280
Speaker 1: That's Leonard Bernstein. Everybody knows that music. I learned of

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00:26:07,359 --> 00:26:11,639
Speaker 1: Leonard Bernstein from my father. My father's a big classical

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00:26:11,720 --> 00:26:18,000
Speaker 1: music buff, buff buff disco Dave loves classical music. But

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00:26:18,119 --> 00:26:23,159
Speaker 1: Leonard Bernstein did the music for films. He's this and

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Speaker 1: he's Jewish, and he's a great jew Anyway, Leonard Bernstein.

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Speaker 1: There's a film that is coming out about the life

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Speaker 1: of Leonard Bernstein. Bradley Cooper, who is excellent, an excellent actor,

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Speaker 1: proven himself to be a great director also with The

397
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Speaker 1: Star is Born, and he is fucking star. Everybody loves

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00:26:51,880 --> 00:26:56,879
Speaker 1: Bradley Cooper. He's a good looking guy. Ladies love cool Bradley.

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00:26:58,720 --> 00:27:06,640
Speaker 1: Lll c be Ladies love cool Bradley. Anyway, he directed

400
00:27:06,680 --> 00:27:09,480
Speaker 1: this film that I believe I ain't saying when it's

401
00:27:09,480 --> 00:27:14,480
Speaker 1: coming out because we're not supposed to promote as sag strikers,

402
00:27:14,480 --> 00:27:18,000
Speaker 1: we're not supposed to promote. Nonetheless, this film's got enough

403
00:27:18,119 --> 00:27:23,160
Speaker 1: bad promotion on its own because of the controversy that

404
00:27:23,359 --> 00:27:28,960
Speaker 1: Bradley Cooper is getting because he is number one not Jewish.

405
00:27:29,080 --> 00:27:31,320
Speaker 2: We've had this conversation before on the Iron Wrapper, before

406
00:27:31,320 --> 00:27:32,480
Speaker 2: It's stereo podcast.

407
00:27:33,400 --> 00:27:38,359
Speaker 1: Bradley Cooper's not Jewish, duh, and he used a prosthetic nose,

408
00:27:38,640 --> 00:27:42,160
Speaker 1: which they're now saying they jewed him up. They gave

409
00:27:42,240 --> 00:27:46,120
Speaker 1: him jew face, they gave them jew nose. Now, let

410
00:27:46,119 --> 00:27:51,040
Speaker 1: me start this conversation by saying this. The idea that

411
00:27:51,960 --> 00:27:59,040
Speaker 1: only Jewish actors should play Jewish characters, whether they're real

412
00:27:59,440 --> 00:28:03,440
Speaker 1: or not real, obviously, Leonard Bernstein is real. The idea

413
00:28:03,560 --> 00:28:09,640
Speaker 1: that only real autistic actors should play autistic characters, the

414
00:28:09,680 --> 00:28:16,120
Speaker 1: idea that only trans actors should play trans characters, albeit

415
00:28:16,520 --> 00:28:23,680
Speaker 1: men or women, is so stupid, it's so fucking asinide.

416
00:28:23,800 --> 00:28:27,879
Speaker 1: It's so ridiculous. And the films that I just discussed

417
00:28:27,960 --> 00:28:32,320
Speaker 1: of just Robert de Niro and Sean Penn, if they

418
00:28:32,359 --> 00:28:37,600
Speaker 1: had to cast real characters, the real thing, the real

419
00:28:37,680 --> 00:28:42,400
Speaker 1: authentic item in any one of Robert de Niro's roles,

420
00:28:42,600 --> 00:28:46,800
Speaker 1: he wouldn't be Robert de Niro, You dumb, fuck you,

421
00:28:47,080 --> 00:28:50,480
Speaker 1: Robert DeNiro was in a He's Italian, but he wasn't

422
00:28:50,480 --> 00:28:54,720
Speaker 1: a real true blue gangster. When Robert Robert de Niros

423
00:28:54,760 --> 00:28:58,800
Speaker 1: played Jews, Robert de Niro has played boxers.

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00:28:58,960 --> 00:29:01,400
Speaker 2: Like, at what point does it become stupid?

425
00:29:01,840 --> 00:29:07,240
Speaker 1: Real Jews should play Only Jewish actors should play Jewish characters.

426
00:29:07,600 --> 00:29:13,480
Speaker 1: Only autistic actors should play autistic characters. Only trans actors

427
00:29:13,480 --> 00:29:22,440
Speaker 1: should play trans characters. Dumb, fucking stupid, stupid, stupid, stupid, stupid.

428
00:29:23,120 --> 00:29:24,760
Speaker 2: Sean Penn has played Jews.

429
00:29:25,080 --> 00:29:29,400
Speaker 1: Robert Daniro is playing characters from the South, but he's

430
00:29:29,480 --> 00:29:32,280
Speaker 1: all del Toro's Puerto Rican. He's played characters that are

431
00:29:32,320 --> 00:29:36,960
Speaker 1: in Puerto Rican. He's played Italians and so forth and

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00:29:37,160 --> 00:29:40,479
Speaker 1: so on. The idea that you have to be Jewish

433
00:29:40,800 --> 00:29:44,000
Speaker 1: to play Jewish parts is stupid. The idea that you

434
00:29:44,080 --> 00:29:47,160
Speaker 1: have to be Italian to play Italian parts is stupid.

435
00:29:49,520 --> 00:29:52,880
Speaker 1: And it's been weaponized because it all started, you know,

436
00:29:52,960 --> 00:29:57,920
Speaker 1: on the mainstream because a few years ago, remember remember

437
00:29:57,960 --> 00:30:00,640
Speaker 1: Scarlett Johanson was going to do that film been Tug Rubb,

438
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Speaker 1: which I read that script, Rubin Tug.

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Speaker 2: It's based on this.

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00:30:03,640 --> 00:30:09,640
Speaker 1: Character, this woman trans woman. Uh oh, let me get

441
00:30:09,680 --> 00:30:12,040
Speaker 1: it right. It was a woman who was a trans man.

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00:30:13,200 --> 00:30:16,840
Speaker 1: Dante Gill actually read this script, ran a bunch of

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Speaker 1: massage pollors and and you know they.

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00:30:19,760 --> 00:30:24,080
Speaker 2: Became fronts for prostitution.

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00:30:24,360 --> 00:30:28,640
Speaker 1: Dens and Mascarlo Joans was gonna play it. And because

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00:30:28,680 --> 00:30:32,400
Speaker 1: of social media, the pressure and the backlash that she

447
00:30:32,560 --> 00:30:35,640
Speaker 1: was getting before the film was even being shot, the

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00:30:35,760 --> 00:30:38,720
Speaker 1: film never got made. And let me tell you something,

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00:30:38,760 --> 00:30:41,560
Speaker 1: the film Rubin Tug will never get made because it

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00:30:41,680 --> 00:30:46,760
Speaker 1: takes stars to make movies. You think anybody's you gonna

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00:30:46,800 --> 00:30:52,160
Speaker 1: just give up their money for some Joe Schmoe to

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00:30:52,320 --> 00:30:56,920
Speaker 1: star in a film called Rubin Tug about some you know,

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00:30:57,040 --> 00:31:00,240
Speaker 1: some small independent film about some you know per that

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00:31:00,360 --> 00:31:04,640
Speaker 1: nobody knows about called Dante Gill who's a trans man.

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00:31:05,080 --> 00:31:08,600
Speaker 1: And the presser and the backlash from the trans community,

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00:31:09,040 --> 00:31:11,440
Speaker 1: from the gay community, film didn't get made. So you

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00:31:12,000 --> 00:31:15,040
Speaker 1: know what happens now, The film will never get made.

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00:31:15,880 --> 00:31:20,720
Speaker 1: Mark my words, that film will never ever, ever, ever

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00:31:20,840 --> 00:31:26,160
Speaker 1: ever get made. Daniel day Lewis is another one, played

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00:31:26,240 --> 00:31:31,040
Speaker 1: Vincent van Go. Should the film have not getting gotten made?

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00:31:32,720 --> 00:31:38,680
Speaker 1: Vince van Goo is Dutch? Daniel day Lewis isn't Was

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00:31:38,720 --> 00:31:42,160
Speaker 1: it blasphemy that Vincent Vango played a Dutch character. You

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00:31:42,320 --> 00:31:48,440
Speaker 1: fucking dumb dumbs, You dumb dumbs. Daniel da Lewis is English.

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00:31:49,960 --> 00:31:55,480
Speaker 1: He's played Irish characters. You dummies, You fucking stupid dummies.

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00:31:55,520 --> 00:31:58,080
Speaker 1: He was in the Last of the Mohegans. Also, he

466
00:31:58,200 --> 00:32:02,280
Speaker 1: was in the Age of Innocence. That's why it's called acting,

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00:32:02,360 --> 00:32:07,800
Speaker 1: you fools. There's all this backlash about Bradley Cooper wearing prosthetics,

468
00:32:07,800 --> 00:32:08,800
Speaker 1: saying it's jewface.

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00:32:09,080 --> 00:32:09,960
Speaker 2: He was putting on.

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00:32:11,520 --> 00:32:15,160
Speaker 1: The prosthetics to look like Leonard Bernstein, not to be

471
00:32:15,360 --> 00:32:23,400
Speaker 1: smudge Jews, who at times we do have prominent noses.

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00:32:23,440 --> 00:32:25,760
Speaker 2: And I love my fucking beak. I got a big

473
00:32:26,080 --> 00:32:29,680
Speaker 2: fucking jew beak. I love it. I love it.

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00:32:29,760 --> 00:32:32,520
Speaker 1: And if that's what Bradley Cooper needed to Bradley Cooper

475
00:32:32,560 --> 00:32:34,200
Speaker 1: don't have a jew beak. I have no problem with

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00:32:34,320 --> 00:32:39,400
Speaker 1: him putting on a jew beak to portray Leonard Bernstein.

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00:32:40,640 --> 00:32:46,000
Speaker 2: It's called acting. It's and this is what you're talking about.

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00:32:46,040 --> 00:32:48,360
Speaker 1: And the people that are upset about it probably don't

479
00:32:48,480 --> 00:32:51,600
Speaker 1: know one thing about Leonard Bernstein, but they know a

480
00:32:51,680 --> 00:32:57,240
Speaker 1: lot about being upset. Get a fucking life, Get a

481
00:32:57,280 --> 00:33:01,880
Speaker 1: live Denzel Washington has done Shakespeare. Shakespeare wasn't written for

482
00:33:01,960 --> 00:33:09,200
Speaker 1: black people, you fools. The great al Pacino scarface, he

483
00:33:09,280 --> 00:33:13,040
Speaker 1: ain't Cuban. Al Pacino's not even fully Italian. He's part

484
00:33:13,120 --> 00:33:13,800
Speaker 1: Puerto Rican.

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00:33:14,080 --> 00:33:22,960
Speaker 2: Actors act, actors, act and shooters shoot. Actors act and

486
00:33:23,160 --> 00:33:24,520
Speaker 2: shooters shoot.

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00:33:24,760 --> 00:33:27,280
Speaker 1: Bradley Cooper need to put on that big jew nose

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00:33:27,440 --> 00:33:29,880
Speaker 1: to play Leonard Burnston, because, like I said, some of

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00:33:30,000 --> 00:33:34,280
Speaker 1: us do have big jew noses and they're beautiful. If

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00:33:34,320 --> 00:33:37,200
Speaker 1: you do have a big jew nose, be proud of

491
00:33:37,240 --> 00:33:39,080
Speaker 1: that big fucking Jewish speaker of yours.

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00:33:39,160 --> 00:33:39,960
Speaker 2: I'm proud of mine.

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00:33:40,440 --> 00:33:45,440
Speaker 1: My father loves his chunky, big fucking big ashke Nazi

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00:33:45,560 --> 00:33:46,080
Speaker 1: jew Nos.

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00:33:46,120 --> 00:33:48,160
Speaker 2: I got fucking proud of it.

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00:33:49,880 --> 00:33:53,120
Speaker 1: The only thing that James Gandolfini had in common with

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00:33:53,280 --> 00:33:54,880
Speaker 1: Tony Soprano was that they're Italian.

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00:33:55,040 --> 00:33:58,280
Speaker 2: Other than that, they had nothing in common. Should they have.

499
00:33:58,280 --> 00:34:02,800
Speaker 1: Gotten a real Italian to play Tony Soprano, you fucking

500
00:34:02,920 --> 00:34:06,720
Speaker 1: dumb dumbs. So now this film is gonna have to

501
00:34:06,760 --> 00:34:11,719
Speaker 1: deal with all the the dumbness, the goofiness, the stupidness

502
00:34:13,440 --> 00:34:19,000
Speaker 1: of woke, the woke mob, the woke mobs that come

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00:34:19,080 --> 00:34:23,719
Speaker 1: after every single thing and any thing, but I'm gonna

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00:34:23,760 --> 00:34:25,920
Speaker 1: be watching it because Bradley Cooper is a dope actor.

505
00:34:26,200 --> 00:34:29,520
Speaker 1: Bradley Cooper has proved himself to be a dope filmmaker,

506
00:34:30,400 --> 00:34:32,680
Speaker 1: and I know he puts his blood and guts into

507
00:34:32,800 --> 00:34:35,480
Speaker 1: everything he does, hence the reason why he's so good.

508
00:34:36,920 --> 00:34:39,120
Speaker 1: And The Maestro is coming out on Netflix at some

509
00:34:39,239 --> 00:34:42,520
Speaker 1: point in the next few weeks, and I'll be checking

510
00:34:42,600 --> 00:34:45,120
Speaker 1: it out a week one. Not gonna say day one,

511
00:34:45,920 --> 00:34:50,520
Speaker 1: but I'll be checking it out definitely week one. Anyway,

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00:34:50,560 --> 00:34:57,600
Speaker 1: this was a cinema cinematically packed I Am Rappaport Stereo

513
00:34:57,840 --> 00:35:03,400
Speaker 1: podcast celebrating the eightieth birthday of Robert de Niro and

514
00:35:03,520 --> 00:35:10,359
Speaker 1: a happy, happy, fantastic birthday Sewing Penn, sixty three years old.

515
00:35:10,440 --> 00:35:12,800
Speaker 2: Come see me in Syracuse in September.

516
00:35:12,840 --> 00:35:15,960
Speaker 1: Come see me in Salt Lake City, Stanford, Connecticut, or

517
00:35:16,080 --> 00:35:20,040
Speaker 1: San Diego. Allticts for all my shows throughout the rest

518
00:35:20,080 --> 00:35:24,480
Speaker 1: of two thousand, twenty three twenty twenty three are available

519
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Speaker 1: at Michael Rappaportcomedy dot com. Miles Jordan Ake, The Bleach

520
00:35:28,719 --> 00:35:31,680
Speaker 1: Brothers aka the Dust Brothers. Take me out of here

521
00:35:31,680 --> 00:35:33,880
Speaker 1: with something real nice, Yes, take me at it with

522
00:35:33,960 --> 00:35:37,759
Speaker 1: something real proper, but most importantly and this puppy with

523
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Speaker 1: something real. Fucky's I Am Rappaport stereo podcast, I'm Out