WEBVTT - One on One: Aris Alvarado

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<v Speaker 1>I am all in. Oh, let's kiss you. I am

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<v Speaker 1>all in with Scott Pattison and I Hurt radio podcast Everybody.

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<v Speaker 1>We're gonna sit down doing one on one interview with

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<v Speaker 1>Oris Elorado, who portrayed the character of Caesar, the chef

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<v Speaker 1>at Luke's Diner, My diner. Uh, Caesar's chef Lukes Downer.

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<v Speaker 1>He's a bubbly He's bubbly and sweet. Did you know

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<v Speaker 1>that he's bubbly and sweet? Did you know that you're

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<v Speaker 1>bubbly and sweet? Yeah? I can't help it. It just

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<v Speaker 1>turns on and Caesar is its head stressed when there

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<v Speaker 1>are a lot of customers and not completely at ease

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<v Speaker 1>and having to deal with them at times when Luke

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<v Speaker 1>is away and Caesar runs the dinner. Your first appearance

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<v Speaker 1>was season two, episode thirteen, Totist Get a Task at

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<v Speaker 1>last appearances season seven, Wow. You hung in there for

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<v Speaker 1>basically the run of the show. Season seven episode twenty

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<v Speaker 1>two Bond Voyage, which we talked we will talk about. Um.

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<v Speaker 1>So you're an accomplished actor. You're noted for your comedic

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<v Speaker 1>timing and your roles in television. Early on his acting career, Uh,

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<v Speaker 1>you spend time with variety of series, including Gilmore Girls,

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<v Speaker 1>Ground for Life two thousand to two thousand five, The Shield,

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<v Speaker 1>which was on FX. He continued his comedic performances throughout

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<v Speaker 1>the early two thousands, appearing in Life on a Stick

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<v Speaker 1>Fox two thousand and four, head Case Stars two thousand

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<v Speaker 1>six through oh nine. In more recent years, he has

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<v Speaker 1>had roles in the comedy The Yard Sale, Uh two

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<v Speaker 1>thousand and six with John Fuentes, UH, Kicking It, Old

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<v Speaker 1>school S k O L two thousand and seven, and

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<v Speaker 1>the Joel Murray Black comedy God Bless America two thousand

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<v Speaker 1>and twelve. He reprised his role of Caesar and Gilmore Girls.

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<v Speaker 1>You're in Life two thousand sixteen. Ladies and gentlemen, let's

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<v Speaker 1>bring them in the one, the Only, the Magnificent Caesar himself,

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<v Speaker 1>Our Salvarado, thank you for coming on. Um, let's get

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<v Speaker 1>started right away. How have you been What have you

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<v Speaker 1>been up to in the last I don't know it

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<v Speaker 1>twenty some odd years. You know, I'm still acted, having

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<v Speaker 1>a good time, good man, good. So, So you played Caesar,

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<v Speaker 1>who was you were my chef at the dinner? You

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<v Speaker 1>were Luke chef. Um. But that you know that character

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<v Speaker 1>is played by a couple of different actors. But you

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<v Speaker 1>were originally cast, right, I mean tell us about that. Well,

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<v Speaker 1>I originally came in for a different role that I

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<v Speaker 1>got cast in. I paid a for an exchange student

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<v Speaker 1>for um Um don't say do Um family. They were

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<v Speaker 1>visiting and it was the episode with the hockey game

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<v Speaker 1>and I was supposed to come down the stairs. Everybody

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<v Speaker 1>into the hockey game and I come down and I said,

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<v Speaker 1>you know those says I know they stopped in Spanish

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<v Speaker 1>and that was my line. And then Lorelie was on

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<v Speaker 1>the phone and she's like, oh, I don't know what

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<v Speaker 1>to do with you now. And that's what I was

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<v Speaker 1>cast for. We shot it, and I watched the episode

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<v Speaker 1>and I was cut. They cut me out of it.

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<v Speaker 1>So I called my agent. I'm like, hey, what happened.

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<v Speaker 1>He goes, oh, I forgot to tell you. They said,

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<v Speaker 1>you know, maybe they'll call you back for something else.

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<v Speaker 1>And I was like, well, you didn't tell me. I

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<v Speaker 1>got cut. But two or two months later, a few

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<v Speaker 1>months later, I was in Vegas and I got a call, Hey,

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<v Speaker 1>they need you tomorrow for a fitting at Warner Brothers.

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<v Speaker 1>I'm like, I'm in Vegas. They're like, well, um, okay,

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<v Speaker 1>let me find out. And they called me back. They said, oh,

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<v Speaker 1>well they have your sizes already, don't worry about it,

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<v Speaker 1>just be back in two days. They're giving you this

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<v Speaker 1>part Caesar coming for it. And then show up at

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<v Speaker 1>home and I'm like, hey, I never got a scrip

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<v Speaker 1>or anything, you know, the night before and I didn't

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<v Speaker 1>get anything. So I called the A D and they're like, well,

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<v Speaker 1>let me see what what do you have to say?

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<v Speaker 1>And it was like, oh, well your lines are no

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<v Speaker 1>ham no ham no ham. I was like, all right,

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<v Speaker 1>got it, don't need the script. And as I recall,

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<v Speaker 1>you nailed it every time. Um uh, give us your

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<v Speaker 1>impressions of I mean you, what was it like being there?

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<v Speaker 1>You were there all of the time, we worked together

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<v Speaker 1>all of the time. What was it like for you

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<v Speaker 1>watching all that? And um tell us give us your

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<v Speaker 1>best behind the scenes stuff. Well it was very um well,

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<v Speaker 1>I loved it because in college they told me to

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<v Speaker 1>slow down, slow down. I'll from New York, so I

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<v Speaker 1>talk fast, but being on this set, it was like, oh,

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<v Speaker 1>speed up. I'm like, wait a minute, you try to

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<v Speaker 1>be to speed up. I went to school to slow down.

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<v Speaker 1>What's going on, Okay, I'll speed up. But it was

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<v Speaker 1>very in the beginning. I was very like scared because

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<v Speaker 1>I didn't want it, like you guys have so much

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<v Speaker 1>to learn. So we stayed back and did what I

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<v Speaker 1>had to do. Went in, did my job, left, did everything.

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<v Speaker 1>But it was very professional set. It was very I

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<v Speaker 1>want to say intense, but it was, um it's like, well,

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<v Speaker 1>like you gotta be on the ball. You have to

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<v Speaker 1>be on the ball there. So it made me, It

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<v Speaker 1>made me more disciplined as an actor to being on

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<v Speaker 1>that set. Yeah, that was like, yeah, that was like

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<v Speaker 1>a New York theater. You know. That was like you're

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<v Speaker 1>always in a serious intense rehearsal, you know, and it

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<v Speaker 1>was like fighting for your job every time you were

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<v Speaker 1>there because you really wanted to do great. Yeah. Absolutely,

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<v Speaker 1>um uh do you I mean I kind of remember

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<v Speaker 1>you did have some lines. You did have lines. You

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<v Speaker 1>had dialogue, right, sometimes not not a lot, but you

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<v Speaker 1>did have some dialogue. Do you remember the dialogue? I

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<v Speaker 1>mean yeah, I mean I had dialogue throughout every time

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<v Speaker 1>I showed up, and it got bigger and bigger as

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<v Speaker 1>you know every season went by, Like like like I

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<v Speaker 1>love the scene where you're going out of town own.

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<v Speaker 1>I know you're watching the episodes. I don't know if

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<v Speaker 1>you open to these episodes yet. You go out of

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<v Speaker 1>town and you're leaving me in charge, and I'm like,

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<v Speaker 1>oh my god, what is there's a flash flood? What

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<v Speaker 1>am I gonna do? And you know who's gonna what

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<v Speaker 1>if I get a bad shoulder, Who's gonna wrote my elbow?

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<v Speaker 1>Because you know how to wrote my elbow? You know,

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<v Speaker 1>I'm more nervous. And it's like a big run in

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<v Speaker 1>the diner, outside the diner. So that was like a big,

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<v Speaker 1>big scene. And I had another big scene with Laura Lyman.

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<v Speaker 1>I had a day and she was looking for you.

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<v Speaker 1>So got some nice big pieces in there. Most of

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<v Speaker 1>the time it was a two or three lines, but

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<v Speaker 1>you know those those were nice juicy parts that I

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<v Speaker 1>love to do because it was like, all right, now

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<v Speaker 1>they've given me, they're taking the trading wheels off, It's

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<v Speaker 1>time for me to go. And there you go. Man. Yeah,

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<v Speaker 1>I don't you know what. We haven't gotten to that

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<v Speaker 1>scene yet, but I'm looking forward to that one. Um

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<v Speaker 1>you see, there you go? Man? Um? Were there other

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<v Speaker 1>scenes that you were in outside of Luke's or was

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<v Speaker 1>it always inside of Luke's. Always inside of Lukes except

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<v Speaker 1>for there was a car crash or something that hit

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<v Speaker 1>the diner at one point and we were outside the diner.

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<v Speaker 1>And then and then at the final one of seasons

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<v Speaker 1>seven where we have the big party for Rory going

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<v Speaker 1>away and we build a tent, and that's the other

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<v Speaker 1>time I'm outside of the gotcha? So um? Oh in

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<v Speaker 1>the town meeting? I did one town meeting? Oh oh

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<v Speaker 1>you were I did one? Yeah. I was like, this

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<v Speaker 1>is so cool if I do get the towel. Really,

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<v Speaker 1>how long were you in the town meeting shooting? Um?

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<v Speaker 1>It was just for one one episode. It might have

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<v Speaker 1>been for the big tent scene because we're like trying

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<v Speaker 1>to figure out what's going out. I'm not I don't

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<v Speaker 1>remember the exact episode. But you made it into a

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<v Speaker 1>You made it into a town hall meeting. Huh wow

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<v Speaker 1>wow um? And they probably they probably had you there

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<v Speaker 1>all day? Right Oh yeah? Oh sure? Oh yeah yeah. Um.

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<v Speaker 1>So did you enjoy um being at Luke's more than

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<v Speaker 1>you enjoyed being at Chilton Prep? Um? Yes, I did.

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<v Speaker 1>The day was I always say, like you see me

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<v Speaker 1>shol to Prep? I think I was just there on

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<v Speaker 1>a date. I didn't go to that school. I think

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<v Speaker 1>I was on a date with a girl that went

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<v Speaker 1>to that school. That's what I my explanation of that series. Gotcha? Gotcha?

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<v Speaker 1>So you were you were going out on a date

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<v Speaker 1>with somebody from children nobody that went to that huh?

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<v Speaker 1>And who was that? Who was that lucky person? I

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<v Speaker 1>don't want anyone knows on the show. So here we go.

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<v Speaker 1>That's the day. So tell us what it was like

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<v Speaker 1>getting the call, uh in two thousand and fifteen to

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<v Speaker 1>be invited back to do a Year in the Life.

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<v Speaker 1>Tell us about that. That was? That was really cool because, um,

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<v Speaker 1>it's funny because when I heard the revival was happening,

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<v Speaker 1>I wrote Amy a letter be like, hey, I would

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<v Speaker 1>love to be back on the show. You know, I

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<v Speaker 1>gave her a little storyline. You're like, maybe Caesar's competing

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<v Speaker 1>with Luke and he opened up his old diner or something. Nope.

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<v Speaker 1>You know, but it was getting that call with special

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<v Speaker 1>because I mean need like a lot of actors on

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<v Speaker 1>the show. That was like my first row in Hollywood,

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<v Speaker 1>a big studio and everything. You know, I did independent

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<v Speaker 1>stuff before, but this was like my first row in

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<v Speaker 1>going into that dressing room after getting the job and

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<v Speaker 1>seeing my apron laid out for me. It was just

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<v Speaker 1>like it was like a superhero moment. You know. It

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<v Speaker 1>was like I was like, Wow, I'm would have donned

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<v Speaker 1>this on again and go back to work. You know. Yeah,

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<v Speaker 1>that was a really cool moment for me to when

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<v Speaker 1>I walked into my trailer and sold the hat and

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<v Speaker 1>the flannel and the Yeah, it's just like wow, yeah,

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<v Speaker 1>yeah it is. It's it's like your uniform s. I

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<v Speaker 1>love when Fats I see FETs dressed up as you.

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<v Speaker 1>Oh yeah, here's Caesar, there's Luke there. You go. Uh,

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<v Speaker 1>um was your was it the same role? You came

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<v Speaker 1>back for Caesar? And you're like, okay, Um, do you

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<v Speaker 1>have a favorite scene that you filmed? Do you remember

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<v Speaker 1>a favorite scene? Um? Who? I mean? My favorite scene was,

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<v Speaker 1>I mean, as as an actor, was a big scene

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<v Speaker 1>where we shot inside the dinner outside down and you're

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<v Speaker 1>going out. But my favorite scene to be there was,

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<v Speaker 1>um the Ted scene when like the Bond boyage the

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<v Speaker 1>last episode. It was just like all the actors were there,

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<v Speaker 1>you know, everybody in the town where that was there,

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<v Speaker 1>and you know, it was like like we didn't know

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<v Speaker 1>what the show was over yet, but it was a

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<v Speaker 1>nice little you know, ending to that moment and having

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<v Speaker 1>everyone there, the whole town bry to Glory going off

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<v Speaker 1>to to do her job. Who'd you hang out with

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<v Speaker 1>on set during breaks? Um? Because I had all of

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<v Speaker 1>our chairs like in the same area all the time, right,

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<v Speaker 1>So I was really shy and quiet, so like were yeah,

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<v Speaker 1>So it was it was funny because what type Alexis

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<v Speaker 1>and I were in our chairs inside the town hall,

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<v Speaker 1>you know, waiting for the next seat, and we're both

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<v Speaker 1>She's quiet and shy too, so we're sitting like, I

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<v Speaker 1>don't know, tell me the way that what word went

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<v Speaker 1>between us? Okay, we're gonna say so she's gonna say something, Okay,

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<v Speaker 1>it was it was I was just I was very

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<v Speaker 1>shy back then, so I mean people, it's only afterwards

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<v Speaker 1>that I started talking to people like now freends with

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<v Speaker 1>a lot of people in the cast, you know, right right,

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<v Speaker 1>But I unders said, it was very quiet because I

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<v Speaker 1>was only recurring, so I would pop in, you know,

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<v Speaker 1>pop in one day every three months or something, right, right, right, right? Um?

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<v Speaker 1>What else do you remember about that? Being on the set.

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<v Speaker 1>Tell us tell us your best memories about being on

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<v Speaker 1>the set, like when you were not working but just

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<v Speaker 1>sort of waiting for setups and all that kind of stuff.

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<v Speaker 1>What would you do? Would you would you go to

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<v Speaker 1>that's looking at those the studios and be like, oh,

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<v Speaker 1>Friends is shooting here, and you know this show was

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<v Speaker 1>shot there. And if you say, I remember one time

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<v Speaker 1>I saw Matthew, Perry and Noral talking outside. You know

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<v Speaker 1>one night it was just chilly because Matthew was shooting studio,

0:12:26.840 --> 0:12:30.080
<v Speaker 1>I forgot the new for the show students. It's like

0:12:30.120 --> 0:12:32.240
<v Speaker 1>cool and just being on that and on that and

0:12:32.240 --> 0:12:35.040
<v Speaker 1>I said, I realized, you wait, uh, this is like

0:12:37.120 --> 0:12:38.680
<v Speaker 1>I don't know it was. It was my first home,

0:12:38.760 --> 0:12:41.240
<v Speaker 1>you know, like I love I love being that show.

0:12:41.360 --> 0:12:44.320
<v Speaker 1>Your girls need so much to me, you know, it's

0:12:44.360 --> 0:12:46.880
<v Speaker 1>like just being there. And every time they called me back,

0:12:46.880 --> 0:12:48.600
<v Speaker 1>I'm like, all right, cool, they liked me. They still

0:12:48.640 --> 0:12:57.360
<v Speaker 1>like me. Um so, um so. Tell us what you're

0:12:57.400 --> 0:13:01.400
<v Speaker 1>working on right now? Um well, I just last year

0:13:01.440 --> 0:13:03.560
<v Speaker 1>I did a bunch of stuff. You know, one movie

0:13:03.720 --> 0:13:07.120
<v Speaker 1>just came out called Bromates Video The Man. I didn't

0:13:07.120 --> 0:13:08.559
<v Speaker 1>even know it came out. It came out last week

0:13:08.559 --> 0:13:10.120
<v Speaker 1>and somebody say I just saw you on my TV

0:13:10.240 --> 0:13:12.800
<v Speaker 1>or whatever some video the man and as this other

0:13:12.840 --> 0:13:16.360
<v Speaker 1>movie coming out called Bootyology, which is hilarious. It's about

0:13:16.400 --> 0:13:19.080
<v Speaker 1>these guys that actually existed in l A in the

0:13:19.160 --> 0:13:22.040
<v Speaker 1>nineties and they were like these white wrappers that wrapped

0:13:22.080 --> 0:13:27.240
<v Speaker 1>about butts, but really intelligent wrapped like it's like, well,

0:13:27.320 --> 0:13:30.360
<v Speaker 1>these guys are like smart. I mean these guys they

0:13:30.400 --> 0:13:33.040
<v Speaker 1>are actually engineer, music engineers, and they do all the

0:13:33.120 --> 0:13:36.400
<v Speaker 1>music for like Dancing with the Stars and so you

0:13:36.520 --> 0:13:38.800
<v Speaker 1>take you to get dance, so they do all that music.

0:13:38.840 --> 0:13:42.120
<v Speaker 1>So they their music has all these great sounds in it,

0:13:42.160 --> 0:13:44.319
<v Speaker 1>and they're really smart, and it's supposed to be. It's

0:13:44.360 --> 0:13:47.719
<v Speaker 1>been doing great on the film festival circuit, like we're

0:13:47.720 --> 0:13:51.600
<v Speaker 1>winning awards, so they're supposed to give us some news lately.

0:13:51.640 --> 0:13:54.120
<v Speaker 1>So I'm hoping like they got picked up by some

0:13:54.240 --> 0:13:57.640
<v Speaker 1>distributor or maybe Netflix or something. So that's coming out.

0:13:57.679 --> 0:14:00.400
<v Speaker 1>And I've just been working on different shows like Save

0:14:00.480 --> 0:14:05.120
<v Speaker 1>by the Bell last year. Um just did Tacoma FD,

0:14:05.520 --> 0:14:08.480
<v Speaker 1>you know, just working here and there. Oh Tacoma FD

0:14:08.720 --> 0:14:12.319
<v Speaker 1>is funny. Oh yeah, I like that show. I've seen

0:14:12.360 --> 0:14:15.000
<v Speaker 1>a couple of episodes. It's it's really funny. And yeah,

0:14:15.320 --> 0:14:19.120
<v Speaker 1>I did one episode. The guys were great too. There

0:14:20.280 --> 0:14:22.840
<v Speaker 1>just working with them and just you know, seat over

0:14:22.880 --> 0:14:26.600
<v Speaker 1>and over. It was like laughter, right right right, They're

0:14:26.680 --> 0:14:32.320
<v Speaker 1>really great. It's really a great show. Um um. So

0:14:32.360 --> 0:14:36.680
<v Speaker 1>what else can you remember about filming in Luke's Diner?

0:14:36.920 --> 0:14:40.600
<v Speaker 1>Because you know, the memory I have, especially of you,

0:14:41.600 --> 0:14:44.600
<v Speaker 1>is that we did a big, big like ten It

0:14:44.680 --> 0:14:46.880
<v Speaker 1>was like a tent paid scene and it was so

0:14:47.280 --> 0:14:51.600
<v Speaker 1>busy diner, tons of activity and and you were passing

0:14:51.600 --> 0:14:55.360
<v Speaker 1>me plates, uh several times throughout that and you were

0:14:55.480 --> 0:14:57.800
<v Speaker 1>back there and we were hustling around, running around. Was

0:14:57.840 --> 0:15:00.960
<v Speaker 1>a big rush, and you the timing had to be

0:15:01.000 --> 0:15:03.800
<v Speaker 1>perfect and did you remember that day because that it

0:15:03.920 --> 0:15:07.480
<v Speaker 1>was that one scene that that that never leaves my mind.

0:15:07.520 --> 0:15:10.560
<v Speaker 1>It's like, how did we pull that off? Because it

0:15:10.600 --> 0:15:13.680
<v Speaker 1>was such a blocking uh you know it was it

0:15:13.800 --> 0:15:17.640
<v Speaker 1>was so it was so specifically blocked and everything had

0:15:17.680 --> 0:15:21.400
<v Speaker 1>to be perfectly timed on the line and passing the plate,

0:15:21.440 --> 0:15:24.720
<v Speaker 1>and we did it so many times. But yeah, that

0:15:24.760 --> 0:15:30.040
<v Speaker 1>those rehearsing, those blocking was it was kind of intense,

0:15:30.160 --> 0:15:33.280
<v Speaker 1>but you know, it was fun and I do kind

0:15:33.280 --> 0:15:36.600
<v Speaker 1>of remember that day because it was like, Okay, we're

0:15:36.600 --> 0:15:43.600
<v Speaker 1>gonna do this this pake with this head, and then

0:15:43.640 --> 0:15:46.600
<v Speaker 1>you do it perfectly, and then the script superviter comes out.

0:15:46.640 --> 0:15:49.680
<v Speaker 1>The script supervisor comes out and says, Scott, you actually,

0:15:49.960 --> 0:15:52.560
<v Speaker 1>on you know, the fourth page here on this line,

0:15:52.760 --> 0:15:56.320
<v Speaker 1>Caesar hands you the two plate, the one plate of

0:15:56.320 --> 0:15:59.680
<v Speaker 1>the eggs with the with the bacon and the sausage,

0:16:00.080 --> 0:16:02.000
<v Speaker 1>and you took it in your right hand. But in

0:16:02.040 --> 0:16:04.520
<v Speaker 1>the master you you took it in your left hand. Sorry,

0:16:04.560 --> 0:16:09.080
<v Speaker 1>we're gonna have to do it again. Yeah, And doing

0:16:09.120 --> 0:16:13.240
<v Speaker 1>those so many times, I was like, yeah, you get fried.

0:16:13.280 --> 0:16:14.960
<v Speaker 1>I mean, I'm surprised at you because you have to

0:16:14.960 --> 0:16:17.400
<v Speaker 1>do so much and then say so much. But there

0:16:17.400 --> 0:16:21.080
<v Speaker 1>were fun scenes to do. When we had like this

0:16:21.280 --> 0:16:25.760
<v Speaker 1>tourist there. I thought the more people, the better in

0:16:25.840 --> 0:16:29.640
<v Speaker 1>the diner. I really enjoyed those scenes. You know, they

0:16:29.640 --> 0:16:32.680
<v Speaker 1>were so hectic, and and you remember how nervous you'd

0:16:32.720 --> 0:16:35.320
<v Speaker 1>get right before. I mean you'd rehearse, rehearse, rehearse, and

0:16:35.360 --> 0:16:37.120
<v Speaker 1>then it was like, Okay, we're gonna shoot. And then

0:16:37.160 --> 0:16:39.200
<v Speaker 1>you get like, oh god, here we go. We're actually

0:16:39.240 --> 0:16:46.760
<v Speaker 1>gonna try this. You know, so much fun. Everybody's Scott

0:16:46.800 --> 0:16:49.800
<v Speaker 1>Patterson exciting news. I will be appearing at the Rhode

0:16:49.800 --> 0:16:53.360
<v Speaker 1>Island Comic Con November four through six at the Rhode

0:16:53.360 --> 0:16:57.520
<v Speaker 1>Island Convention Center and Duncan Doughnuts Center, One Saving Street, Providence,

0:16:57.600 --> 0:17:01.120
<v Speaker 1>Rhode Island, November four through the six. Uh. Get your

0:17:01.120 --> 0:17:05.000
<v Speaker 1>tickets at r I Comic Con dot com. Rhode Island

0:17:05.000 --> 0:17:08.359
<v Speaker 1>Comic Con coming November four through six, the biggest show

0:17:08.440 --> 0:17:11.520
<v Speaker 1>in the smallest state. Can't wait to see everybody from

0:17:11.560 --> 0:17:13.840
<v Speaker 1>all over the Northeast and all over the country. Come

0:17:13.880 --> 0:17:16.480
<v Speaker 1>on out. I'm gonna be there with Jared Paddalicky, Michael Rooker,

0:17:16.640 --> 0:17:19.119
<v Speaker 1>the cast of Walking Dead, the cast of Stranger Things.

0:17:19.359 --> 0:17:22.760
<v Speaker 1>It's going to be a really fun show. Can't wait

0:17:22.800 --> 0:17:27.360
<v Speaker 1>to meet everybody. See that. Okay, so we're gonna play

0:17:27.880 --> 0:17:32.120
<v Speaker 1>a little game here called rapid fire. Okay, so I'm

0:17:32.119 --> 0:17:36.119
<v Speaker 1>gonna fire questions at you, right uh, and just answer

0:17:36.160 --> 0:17:39.560
<v Speaker 1>as quickly as you can. Good luck, good luck to you?

0:17:40.119 --> 0:17:41.800
<v Speaker 1>All right? How many coups of coffee do you have them?

0:17:41.840 --> 0:17:44.159
<v Speaker 1>One day? I don't drink coffee. There you go, are

0:17:44.200 --> 0:17:47.560
<v Speaker 1>your team Logan Team Jesser Team Dean, Uh Team Jess

0:17:47.560 --> 0:17:51.200
<v Speaker 1>Because I did my first team with oh you did

0:17:51.320 --> 0:17:53.600
<v Speaker 1>tell us about that? That was that? What that was?

0:17:53.640 --> 0:17:55.400
<v Speaker 1>The no ham, no ham, no hand. That was when

0:17:55.400 --> 0:18:00.000
<v Speaker 1>his dad shows up. Oh right, that show up day

0:18:00.320 --> 0:18:02.479
<v Speaker 1>and he's just sitting to Rob As he's just sitting there,

0:18:02.520 --> 0:18:04.920
<v Speaker 1>you can't you can't really see him. And then Milo

0:18:05.000 --> 0:18:09.400
<v Speaker 1>walks in. Yeah, he goes, I need um, I need ham,

0:18:09.440 --> 0:18:11.280
<v Speaker 1>and he's like, I got no ham. He goes, well,

0:18:11.359 --> 0:18:14.000
<v Speaker 1>so some pieces of bacon together and make some ham.

0:18:14.080 --> 0:18:17.320
<v Speaker 1>You know, after I said no ham, no ham, no

0:18:17.440 --> 0:18:21.520
<v Speaker 1>ham three times? Um? How how how long did you

0:18:21.560 --> 0:18:26.120
<v Speaker 1>work on those lines at home before you can? Yeah?

0:18:27.040 --> 0:18:32.240
<v Speaker 1>So what's your favorite Gilmore Girl's character? Oh? Kirk uh

0:18:32.240 --> 0:18:34.720
<v Speaker 1>and why tell me why? Because he gets to pay,

0:18:35.000 --> 0:18:37.520
<v Speaker 1>he gets to have all these jobs. Then you know,

0:18:37.680 --> 0:18:39.920
<v Speaker 1>did he try it? There's one episode the episode was

0:18:39.920 --> 0:18:42.080
<v Speaker 1>talking about before when you Can Leave You Down. He's

0:18:42.080 --> 0:18:44.320
<v Speaker 1>trying to take my job in that in that and

0:18:44.440 --> 0:18:49.760
<v Speaker 1>that scene, that's right, my job talking to you and

0:18:49.800 --> 0:18:52.719
<v Speaker 1>he's inside already serving people. So I wrote back inside

0:18:52.720 --> 0:18:54.120
<v Speaker 1>and fight with him like, hey, what are you doing?

0:18:54.240 --> 0:18:57.600
<v Speaker 1>You know right? But he does have all these different

0:18:57.640 --> 0:18:59.680
<v Speaker 1>jobs to do all these different things, and it's such

0:18:59.680 --> 0:19:04.400
<v Speaker 1>a fun character to play. Variety and it's it's amazing. Yeah,

0:19:04.520 --> 0:19:08.560
<v Speaker 1>I think Kirk. People answer that Kirk several times. Yeah,

0:19:08.800 --> 0:19:11.320
<v Speaker 1>that would be fun. Uh what would you order at

0:19:11.400 --> 0:19:14.840
<v Speaker 1>Luke's diner? I would order and Luke wouldn't like it.

0:19:15.160 --> 0:19:18.720
<v Speaker 1>Chila quills. I don't know if you remember that. I

0:19:18.800 --> 0:19:21.360
<v Speaker 1>try to bring it Chila kills as a breakfast day

0:19:22.119 --> 0:19:24.920
<v Speaker 1>sees try to bring it chili kiles, and you were like, no,

0:19:24.960 --> 0:19:28.480
<v Speaker 1>I don't want chilikils here, you know. And those characters

0:19:28.520 --> 0:19:33.040
<v Speaker 1>loved it too. You know, yall know that Chila kills

0:19:33.080 --> 0:19:38.760
<v Speaker 1>though Chia kills. You're like, what's that? It's a secret?

0:19:38.760 --> 0:19:40.920
<v Speaker 1>Beat you at Luke's that you know you gotta come

0:19:40.960 --> 0:19:43.240
<v Speaker 1>to be in a secret you know secret Beau? You

0:19:43.280 --> 0:19:45.600
<v Speaker 1>know what? You and I we should open a diner together.

0:19:45.680 --> 0:19:50.160
<v Speaker 1>I bet you we do well, what do you think

0:19:51.520 --> 0:19:54.120
<v Speaker 1>a blast? No, we just go in, we take over

0:19:54.200 --> 0:19:58.760
<v Speaker 1>a diner like one time. Yeah, it's funny. At the

0:19:59.320 --> 0:20:01.119
<v Speaker 1>when he did the re Bible, I heard you you

0:20:01.119 --> 0:20:04.119
<v Speaker 1>showed up at like a coffee shop. Yeah, and I

0:20:04.160 --> 0:20:07.560
<v Speaker 1>did too. I went to a like proble Things. I

0:20:07.600 --> 0:20:10.320
<v Speaker 1>went with a friend of mine, jumped behind the counter

0:20:10.480 --> 0:20:14.040
<v Speaker 1>and started. But would it be funny if we took

0:20:14.080 --> 0:20:16.679
<v Speaker 1>over you know, I walk in and you know, we

0:20:16.760 --> 0:20:19.160
<v Speaker 1>take over a diner, and then and then you're actually there.

0:20:19.160 --> 0:20:23.200
<v Speaker 1>It's like Caesar, give me the thing. But I guess

0:20:23.240 --> 0:20:26.399
<v Speaker 1>that would be we should do. That would be very funny.

0:20:26.680 --> 0:20:29.440
<v Speaker 1>Would you rather go on a road trip with Taylor

0:20:29.840 --> 0:20:34.840
<v Speaker 1>or Michelle? I would like both of them because and

0:20:34.960 --> 0:20:37.240
<v Speaker 1>sit in the back seat and watch them in the

0:20:37.240 --> 0:20:40.159
<v Speaker 1>front seat right direct. That would be a show and

0:20:40.240 --> 0:20:42.520
<v Speaker 1>I'll be entertained the whole time on the road trip.

0:20:42.880 --> 0:20:44.600
<v Speaker 1>I wonder what they would be like together on a

0:20:44.680 --> 0:20:46.480
<v Speaker 1>road trip. Do you think they cancel each other around

0:20:46.600 --> 0:20:53.200
<v Speaker 1>or get into it? Recording the whole thing? Alright? Finished

0:20:53.240 --> 0:20:56.720
<v Speaker 1>the lyric and where you lead? I will follow dot

0:20:56.760 --> 0:21:02.679
<v Speaker 1>dot dot anywhere that you tell me to. You nailed it, buddy,

0:21:02.800 --> 0:21:10.159
<v Speaker 1>nice job. Keep going, keep going. No, I don't know.

0:21:10.280 --> 0:21:16.520
<v Speaker 1>I never forgot. I can't stop now. Uh, Jackson's Vegetables

0:21:17.200 --> 0:21:21.800
<v Speaker 1>or Suki's baked goods, goods? There you go. Have you

0:21:21.840 --> 0:21:29.359
<v Speaker 1>seen me? I got ask It's on the paper. I

0:21:29.359 --> 0:21:32.520
<v Speaker 1>gotta ask you. I knew the answer that I got asked. Uh.

0:21:33.000 --> 0:21:36.080
<v Speaker 1>Would you rather listen to Drella's harp or the Troubadour's

0:21:36.200 --> 0:21:43.439
<v Speaker 1>cover song cover There you Go a little grantly, Buffalo Children,

0:21:43.520 --> 0:21:47.800
<v Speaker 1>Prepper Stars Hollow Hi, I'm gonna says, there you go, buddy.

0:21:48.119 --> 0:21:52.159
<v Speaker 1>All right. It was awesome catching up a little bit.

0:21:52.200 --> 0:21:54.400
<v Speaker 1>You gotta you gotta come back when we have more time,

0:21:54.440 --> 0:21:56.560
<v Speaker 1>because that was that was only twenty minutes. We could

0:21:56.600 --> 0:22:28.560
<v Speaker 1>we could do, we could do two hours. Hot ja

0:22:16.400 --> 0:22:31.920
<v Speaker 1>ja hey everybody, and don't forget follow us on Instagram

0:22:31.960 --> 0:22:35.720
<v Speaker 1>at I Am all In podcast and email us at

0:22:35.880 --> 0:22:39.960
<v Speaker 1>Gilmore at I heart radio dot com. Oh you, gil

0:22:40.040 --> 0:22:41.600
<v Speaker 1>More fans. If you're looking for the best cup of

0:22:41.640 --> 0:22:44.359
<v Speaker 1>coffee in the world, go to my website for my

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<v Speaker 1>company scott ep dot com, s C O T T

0:22:47.520 --> 0:22:50.560
<v Speaker 1>y P dot com, scott ep dot com Grade one

0:22:50.960 --> 0:22:59.560
<v Speaker 1>Specialty Coffee