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Speaker 1: Yes, Brendon being in rapports Stereo podcast is here. He

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Speaker 1: could have no fear. Museum Quality Podcasting, full disruption, is

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Speaker 1: on display from Vancouver, from Canada. Me and the young

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Speaker 1: shooter are on the road and we're disgusting guests. Why

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Speaker 1: is the young shooter even here with me? Plus, why

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Speaker 1: are people still talking French in Vancouver when we're fifteen

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Speaker 1: minutes away from Seattle? and Dj Academics, the Non Djing

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Speaker 1: faith DJ, ripping him to the motherfucking bone for disrespecting

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Speaker 1: the forefathers, the creators of hip hop. All that and more,

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Speaker 1: talking Nia long, talking, Adam Levine, talking a lot of

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Speaker 1: ship from Vancouver. Iron rappers Stereo podcast coming up next month.

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Speaker 1: Jourd the bleached a, the death brothers started puppy with

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Speaker 1: something real. Nice starts probably with something real. Lab mostly

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Speaker 1: started to puppy up with something of fucking this is

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Speaker 1: the Iron Rappaport Stereo pocket. Let's fucking go. Boom, you

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Speaker 1: could say, boom too. Okay, boom. Yes, Higgy, have no fear.

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Speaker 1: The I am Rappaport Stereo podcast is here. I'm Rapport

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Speaker 1: Stereo podcast is live and direct. Welcome. Name is Michael Rappaport,

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Speaker 1: a k the Gringo Man Dingo, a k the fined

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Speaker 1: Osh Cannazi, a k a the salt of sniff, a

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Speaker 1: k the raging bullshitter, a k a the disruptive warrior.

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Speaker 1: And you are now rocking with the very, very best.

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Speaker 1: Welcome to the Iron Dome of disruption. Welcome to the IGGITY,

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Speaker 1: the Ziggity, the Ziggity zone of disruption. I'm rapports Stereo podcast,

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Speaker 1: live and direct from Canada. Oh, can come and live

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Speaker 1: and direct from Vancouver. The hotel room to tell you

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Speaker 1: with the young shooter, Deuced Puccino, a k deuced Collins,

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Speaker 1: a k a. What is it? What do I call you?

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Speaker 1: The other day deuce Valentine's. Valentine's a new one. I

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Speaker 1: like Valentine. You like that one in rapports Stereo Pok

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Speaker 1: is coming live and direct from Van Kissel, Vancouver. How

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Speaker 1: are you, shooter? I'm great, man. It's it's great to

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Speaker 1: be in the coup. I'm in the cove with disruption himself.

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Speaker 1: I am here sharing a room again. You know, I

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Speaker 1: don't want to complain right up the top, but we

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Speaker 1: are sharing a room. We're at an INN. I thought

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Speaker 1: we were gonna be at this kind of like a

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Speaker 1: really Nice Condo, but it's I'm just glad to be

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Speaker 1: here with you, my one of my best friends, one

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Speaker 1: of my best friends. Well, I'm glad to be here

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Speaker 1: with you. This is a unique situation because we're recording

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Speaker 1: in person on locate, Shin, on the road. We could

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Speaker 1: talk at the same time, like you could say watch,

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Speaker 1: watch this, we could do this, you could go start talking. Hey,

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Speaker 1: you don't do that, we can do other and it's like,

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Speaker 1: you know, yeah, we can, can we do yeah, we

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Speaker 1: could do that. This is cool, man, we're doing it.

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Speaker 1: This is great. We're, we're, we're, we're doing it, because

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Speaker 1: a lot of times on the zoom you you don't

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Speaker 1: want to do that. But again, we can do it. Yes, you, no, no,

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Speaker 1: fuck you, man. Yeah, and this and Miles Davis, the

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Speaker 1: sound engineers, like he's in heaven right now. I love that.

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Speaker 1: That Um. But let's talk about the CONDO. Let's talk

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Speaker 1: about it's not a condo. We're at a motel right now.

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Speaker 1: Right we're in the room that we're in right now.

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Speaker 1: is perfectly fine. It is. It is fine. It's close quarters,

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Speaker 1: but it's perfect. Its close cuters. It smells good. The

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Speaker 1: sheets are clean, we have a balcony, which is a

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Speaker 1: huge plus, which means we could have the window open

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Speaker 1: get some fresh air. We need it. And I wouldn't

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Speaker 1: say it smells good, I'd say it smells it smells

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Speaker 1: good at the moment because the incense is lit, but

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Speaker 1: when we go to sleep at night, a lot of

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Speaker 1: sounds come out of your ass, a lot of smells

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Speaker 1: come out of your ass, and I am suffocating in

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Speaker 1: my bed. You. First of all, that's I'm fifty two, homie.

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Speaker 1: Go to the bathroom all the fuck up. Let me,

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Speaker 1: let me tell everybody a story about what kind of

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Speaker 1: fucking Weirdo I'm dealing with here. So we're in UH,

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Speaker 1: a hotel room, a basic hotel room with two beds. Okay,

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Speaker 1: I had to take we were taking a nap yesterday.

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Speaker 1: I woke up the shooters in the bathroom. I woke up.

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Speaker 1: I had to take a PISS. Now, I don't know

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Speaker 1: if people understand this, but when you get to be

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Speaker 1: a certain age, when you have to Piss, you have

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Speaker 1: to Piss, especially when you've woken up from a nap

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Speaker 1: like I have to take a piss. I have to Piss.

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Speaker 1: You can only hold it so long and this fucking

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Speaker 1: guy's in the shower. I knock on the door because

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Speaker 1: the door is locked. He's like, I'm in the shower

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Speaker 1: wreaking out, like literally freaking out. But you were freaking out.

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Speaker 1: You have a different version of these events. No, like

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Speaker 1: your tone is like what the fuck? I have have soaping,

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Speaker 1: but I'm like open the door, I have to Piss.

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Speaker 1: I'm not coming in the shower with you. You're behind

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Speaker 1: the shower curtain. No one wants to see your little

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Speaker 1: soapy Dick. No one cares. Look, hold on, hold on,

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Speaker 1: I'm like, Yo, I'm gonna Piss in a bucket pe

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Speaker 1: and that. You didn't, though. I and what did I do?

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Speaker 1: I got right. Know, you didn't get right and it

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Speaker 1: took you. I hate it again. Look, hold on, hold on.

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Speaker 1: I shampoo like somebody wants to come in the shower

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Speaker 1: with you and pissing. No, I need to just open

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Speaker 1: the first of all, why are you locking the shower door?

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Speaker 1: That's what. That's what. That's what a normal person does.

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Speaker 1: I take a shower. I Want my privacy. I wanted

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Speaker 1: to be private. I locked you in the shower behind

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Speaker 1: the fucking shower curtain, like I wouldn't. I wouldn't even

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Speaker 1: consider locking the fucking shower door if I'm in the

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Speaker 1: room with another person, because I'm like, if, if I'm shipping,

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Speaker 1: you're not coming in there, if I'm shower ring, like,

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Speaker 1: if you come in to take a Piss, like you're coming.

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Speaker 1: We're coming in there. It was it was that. It's

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Speaker 1: like I'm coming in the shower to take a ship

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Speaker 1: while you're showering, then I understand that. Listen, this is

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Speaker 1: not a dorm room. Okay, it's not a dorm. It's

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Speaker 1: basically a dorm room. I need I need two minutes

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Speaker 1: of Privacy Wall I'm in there. I don't need people

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Speaker 1: coming in and out. It's not in and out. No

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Speaker 1: one trying to look at your fucking look. No, I

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Speaker 1: fucking you grew up with your brothers and a sister,

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Speaker 1: right and no, who was trying to look at my Dick?

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Speaker 1: They gave me my privacy, even if nobody was trying

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Speaker 1: to look at your little soapy Dick. I just didn't

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Speaker 1: know why you chose that time to come in. I

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Speaker 1: had to Piss, right. It's just it was interesting timing, though.

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Speaker 1: Wouldn't you say interesting timing, that I had to Piss.

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Speaker 1: That was it. I was in the shower, but ass naked,

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Speaker 1: but that that's okay. Behind the fucking shower curtain you

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Speaker 1: can take a peek. You know, God help you when

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Speaker 1: you go to jail. I'm not going to jail. Don't

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Speaker 1: ever put that on me. Why the funk would I

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Speaker 1: ever be going to jail? Why would I ever be

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Speaker 1: going to jail? And if I did go to jail,

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Speaker 1: I would, I mean fuck, I would be fucked in

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Speaker 1: more ways than one. I might you might go to

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Speaker 1: jail at some point. Would you want you to go

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Speaker 1: to jail? Why would you say that? God help you

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Speaker 1: if ever go to jail. That's all I'm saying. Maybe

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Speaker 1: I'll see you there. I ain't going to I ain't

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Speaker 1: going going back. I ain't going back. You were there

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Speaker 1: in the first place, motherfucker. I didn't know you were

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Speaker 1: there in the first place. What were you doing in jail?

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Speaker 1: What were you doing in jail, because this is the

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Speaker 1: first I'm hearing about. The point is the drama in

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Speaker 1: your voice, the confusion, the the excitement, the like, the

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Speaker 1: panic in your voice when I was simply trying to

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Speaker 1: take a piss was like the and I was like,

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Speaker 1: I'm gonna break this fucking door down, like I told

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Speaker 1: you open it up. I'm breaking this motherfucker down. And

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Speaker 1: that's fine, because I don't have my card on file

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Speaker 1: for the incidentals that you have here stinking. I'll leave you.

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Speaker 1: I'll call the Canadian police. They got different rules here.

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Speaker 1: You go to prison up here, you said you they

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Speaker 1: ain't been. I don't know what the rules are. I

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Speaker 1: don't know what they are, but you get locked up

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Speaker 1: up here, you're on your own. That's what I know.

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Speaker 1: That's what I that's what I told you yesterday. You're

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Speaker 1: getting into any altercations out here. I am going in altercations.

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Speaker 1: I got one altercation left in me. I ain't saying who,

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Speaker 1: I ain't saying where, I ain't saying when and I

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Speaker 1: ain't saying who. I'm saying that again. I got one

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Speaker 1: more in me and it ain't gonna be an altercation.

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Speaker 1: What is it? It ain't gonna be an an altercation.

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Speaker 1: To me, the word means when you're like mixed up

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Speaker 1: in something and like you're like scrapping, like words are spoken,

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Speaker 1: words as no words. Well, what are you saying? Fists

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Speaker 1: are flying, like I ain't even know. Fist not fist

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Speaker 1: for self defense. I don't want to talk about that.

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Speaker 1: I don't want to talk about this on these lines.

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Speaker 1: I don't want to talk about it. When we're in

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Speaker 1: international waters, I don't either, because, as Americanized as it

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Speaker 1: seems in united in Canada, where we are? We in Canada,

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Speaker 1: when when that plane lands, they're talking French. What's up

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Speaker 1: with that? What's up with the French thing, by the way,

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Speaker 1: because a lot of people are very touchy about it.

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Speaker 1: And like on my flight, like they're talking in French

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Speaker 1: and I get here and it's like I understood in Montreal.

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Speaker 1: You know, we're in Montreal. There's like the border or

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Speaker 1: whatever it's. There's a border here. Yeah, I know it's

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Speaker 1: a border here, but like it's like a French border

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Speaker 1: over there, right, like isn't it kind of like you're

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Speaker 1: asking the wrongs. And then like Toronto kind of made

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Speaker 1: sense because that was near Montreal. But like Toronto's near

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Speaker 1: Buffalo Right, like you could drive from buffalo two hours

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Speaker 1: you're in Toronto, boom, right. But now we're on the

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Speaker 1: West Coast and I'm like, I thought it would be

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Speaker 1: different here, but we're like fifteen minutes from Seattle, like

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Speaker 1: Seattle's fifteen minutes right. The Bullshit, is what I'm saying.

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Speaker 1: I'm with you, but like your French ship. No disrespect

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Speaker 1: to anybody, but it's like you could literally drive to

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Speaker 1: Seattle and like you're down there, you're partying with Sean

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Speaker 1: Camp Gary Payton, like Nirvana, like there's flannel shirts. Like

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Speaker 1: what's with the French? I don't know. And it is

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Speaker 1: touchy because we asked a few Vancouver Ins. Is that

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Speaker 1: what you would call Vancouver Knight, Vancouver Rights? British Columbians?

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Speaker 1: I don't know. I don't know, and I'm saying this

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Speaker 1: with no dispect, no disrespecting there, and I love Vancouver.

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Speaker 1: I absolutely love it out here. They have manners in Canada.

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Speaker 1: I saw this in my own eyes when you're crossing,

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Speaker 1: like when you're in lines, like when I was crossing

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Speaker 1: the border and like I'm going through T S A,

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Speaker 1: I see people that children and women ahead of them.

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Speaker 1: You'll never see that in the United States. You I

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Speaker 1: saw people let them in front of the line. I

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Speaker 1: was like you would never see that on on your

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Speaker 1: best day. Never ever, we, we, we don't do that

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Speaker 1: there are women and children. There's a t s a line.

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Speaker 1: Suck them, fuck them, fuck them, let them fun those

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Speaker 1: little ships. You want women's rights, okay, here's your women's right.

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Speaker 1: You stay in that fucking line unaccompanied. They don't give

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Speaker 1: a fuck, they don't give a fun. Here they're letting

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Speaker 1: them cross, they're letting them, they're they're, they're pushing. I

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Speaker 1: saw it. I was like, did they do that here?

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Speaker 1: They're really friendly out here. But I want to I

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Speaker 1: want to give I want to give a shout out

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Speaker 1: to the t s a guy in Vancouver. Yeah, what

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Speaker 1: happened with you and while you were out there, what

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Speaker 1: was your like? So I was going from Vancoux. I

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Speaker 1: was in Toronto. It's a T S A guy in Toronto.

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Speaker 1: I was going from Toronto to Vancouver. Now I was

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Speaker 1: flying essentially Um domestically within Canada. I don't know what

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Speaker 1: the rules and regulations are about a toilet tree bag.

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Speaker 1: I don't know. I don't know what what's different, but

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Speaker 1: they all knew me, they all recognized me. Very nice

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Speaker 1: when they recognized me. And then my bag goes through

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Speaker 1: and they're like is you have toilet trees? And I

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Speaker 1: go yeah, I got. I got toilet trees, I said,

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Speaker 1: but it's all within the size limit. He goes, well,

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Speaker 1: we have to check it, Andy, but he pulls. He

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Speaker 1: Ays that I want you to know I'm a big Fan.

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Speaker 1: I'm like, all right, cool. So this is gonna be

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Speaker 1: a quick we're going to of the formalities. I went

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Speaker 1: through my my toilet tree bag. He's taking out everything,

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Speaker 1: my lotion, my motherfucking my pills, my ointments, my creams.

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Speaker 1: I said, you just told me you're a big fan.

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Speaker 1: He goes, yeah, I am, he goes, but this I

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Speaker 1: have a Veno baby lotion for exzema therapy. It's great lotion.

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Speaker 1: I don't have EXZEMA, but have skin stuff, but it's really,

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Speaker 1: really a moisturizing lotion. I suggested especially for travel, the

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Speaker 1: travel size of the Avena Baby eggzemo therapy lotion. He

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Speaker 1: takes it out. He's holding like it's just embarrassing that

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Speaker 1: he's got my keelship. I'm like, you know what, if

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Speaker 1: I have my motion Lotion in here? I don't. I

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Speaker 1: don't travel with motion lotion, but in a toilet tree

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Speaker 1: bag anything could be in there. Any fucking thing could

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Speaker 1: be there. And hombies. What about this, what about that?

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Speaker 1: And then he pulls me aside like he's doing me

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Speaker 1: because you know, if if you say that it's for

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Speaker 1: Um medical use, then there won't be a problem. I

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Speaker 1: go okay, it's for medical use. He goes okay, and

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Speaker 1: I'm like, is there someone watching? Like why are you

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Speaker 1: making who do I have to you mean if I

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Speaker 1: tell you it's for medical use? Yeah, WHO's that for?

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Speaker 1: WHO's IT for? Like, is it big brother watching? Like

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Speaker 1: you just said you're a big Fan. You just said

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Speaker 1: you loved hired learning. You just said you watched only

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Speaker 1: murders in the building. Why are you emptying my ship?

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Speaker 1: Maybe he wanted to see, like what kind of products

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Speaker 1: you are like his, he's you know, he's a big

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Speaker 1: fan of years. He wanted to maybe get the same problem. Nah, NA, NA,

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Speaker 1: I was. I was embarrassed and I knew there was

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Speaker 1: nothing to be embarrassed I'm like, you're using your authority

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Speaker 1: to sort of spend time with someone that you say

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Speaker 1: you're a fan with, yet your emptying my ship out

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Speaker 1: at the airport, which is like, I mean he took

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Speaker 1: all of it out. He violated you, he homie violated me,

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Speaker 1: he violated it. You were like awesome powers and that

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Speaker 1: scene where at the at the T S A, where

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Speaker 1: they take that penis pump out and he's emptying all

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Speaker 1: that ship. He's like is this yours? He's like that's

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Speaker 1: not mine, I've never seen it before. I mean that

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Speaker 1: was you. He violated me and, like I said, there

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Speaker 1: wasn't anything in there that I was embarrassed about it.

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Speaker 1: I'm just like if you said I'm a fan, just

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Speaker 1: let let me go, and that's okay. If you have Exima, dude,

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Speaker 1: I don't care about I have like you have exzema? Right, no,

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Speaker 1: I have other things. I have other things. I have

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Speaker 1: soiacis stuff. Oh, you have so. I knew a girl

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Speaker 1: had siasis and her hands were really wrinkly. I don't

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Speaker 1: have that. Listen, it's all about part of the inflammation. Okay, podcast. Well,

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Speaker 1: how how is the inflammation? The inflammation is fine. How

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Speaker 1: do we get it down? It's not. It's not as

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Speaker 1: good as it was. I'm off the Sammy Sosa. I'm

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Speaker 1: off the Presdent Zone. I don't like the board people.

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Speaker 1: All right, how is my a nation? Wan't you answer this?

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Speaker 1: Where was I the last two days while you were

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Speaker 1: sleeping early in the morning, on the toilet. Nope, not,

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Speaker 1: that's not the right answer. When you woke up this morning,

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Speaker 1: where was I at? Oh, working out. Boom. When you

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Speaker 1: when you woke up yesterday, where was I at? You

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Speaker 1: were on the toilet and then you said I'm gonna

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Speaker 1: go take a work I'm gonna go work out. Boom.

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Speaker 1: So when you saw me this morning, when we went

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Speaker 1: to starbucks, you were jacked up, Jack The fund. You

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Speaker 1: said wake the funk up in all caps to me,

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Speaker 1: and I you know, that's like it lights a fire

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Speaker 1: under my ass, like it's so abrasive. And he said lobby,

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Speaker 1: three minutes, meet me, all caps, three separate text you

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Speaker 1: could just do it in one text, ring my hats

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Speaker 1: in like like you were like fucking Heisenberg, like there

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Speaker 1: you go. Because so my inflammation is is not as

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Speaker 1: great as it was when I was on the Sammy Sosa,

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Speaker 1: but it's way better than it was before I had pneumonia.

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Speaker 1: I'm dealing, I'm wheeling, I'm moving, I'm grooving up, but

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Speaker 1: I'll tell you one thing, and this goes back to

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Speaker 1: disruptive fitness. Disruptive Fitness twenty two. I don't care if

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Speaker 1: you do fucking ten jumping jacks. I don't care if

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Speaker 1: you do ten push ups. I don't care if you

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Speaker 1: fucking just do some stretching. When you wake up and

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Speaker 1: you move your body, it changes the temperament, it changes

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Speaker 1: the temperature, it changes the mind for the whole fucking day.

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Speaker 1: And I'm telling you, the motto is, if I could

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Speaker 1: fucking do it, you could fucking do it. I'll say

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00:16:38,920 --> 00:16:42,240
Speaker 1: it again. If I could fucking do it, you can

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Speaker 1: do it. Boom. Did we ever take a poll on

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Speaker 1: if that was like, an original motto? I don't need

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Speaker 1: to take a poll. I know that's an original model. Okay, well,

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Speaker 1: it might not be an original why don't you just

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Speaker 1: why don't you? Why don't you let the motto? Why

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Speaker 1: don't you let the inspiration sink into your body instead

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Speaker 1: of trying to question it? I love the motto. I

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Speaker 1: just wonder if if you coined that model or not.

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Speaker 1: But that that doesn't it's neither here nor there, like

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Speaker 1: that's that's fine. If it works for you, it works

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Speaker 1: for that's not the motto. If it works for me,

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Speaker 1: it works for you. That's my motto. If it works

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Speaker 1: for me, it works for you. That's not a motto.

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Speaker 1: I think that is a motto, a Tagline, a slogan,

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Speaker 1: a sales pitch. If I could fucking do it, you

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Speaker 1: could fucking do it. And I ain't doing it for

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Speaker 1: the sailing, I'm doing it for the inspiration because when

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Speaker 1: I'm telling you I was fucked up in the game

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Speaker 1: and when I'm telling you I amy you can verify.

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Speaker 1: Do I seem like one of these people who's like

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Speaker 1: super perked up and positive? Uh No, positive is not no, positive,

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Speaker 1: not no, that's not positivity. No, but if you could

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Speaker 1: be optimistic for for like an hour out of the

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Speaker 1: twenty four hours of the day, that's like that's a

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Speaker 1: huge feat. And what I'm saying is I woke up

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Speaker 1: this morning I felt like Shit. I'm in a hotel room,

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Speaker 1: I'm on the West Coast, there's a chain inges, there's

333
00:18:00,800 --> 00:18:03,520
Speaker 1: time changes, there's all that ship. I didn't feel like

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Speaker 1: working out. I went out, I went downstairs. That fucking

335
00:18:06,280 --> 00:18:09,639
Speaker 1: little bullshit Jim. It was for only one person at

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00:18:09,640 --> 00:18:12,880
Speaker 1: a time. It's two close quarters for more than one person,

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00:18:13,000 --> 00:18:14,760
Speaker 1: unless it's like two people I know each other. Was

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Speaker 1: Small Gym. fucking I went on the little balcony all

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Speaker 1: off the gym, did my fucking jumping jack routine, broke

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Speaker 1: a fucking sweat. Went in there. I was like and

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Speaker 1: I'm in my hand. I'm like, just do the jumping

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Speaker 1: Jack Routine. You're on row, and then I'm like no,

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Speaker 1: just start the weights. I get that pump on. Boom, chest, boom,

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00:18:33,359 --> 00:18:36,920
Speaker 1: more chest, boom, more chest, and then we're doing boom,

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00:18:36,960 --> 00:18:40,920
Speaker 1: we're doing we're doing buys, we're doing more buys, we're

346
00:18:41,000 --> 00:18:45,200
Speaker 1: doing squats. Okay, we're doing more squats, listening boom, and

347
00:18:45,240 --> 00:18:48,680
Speaker 1: then we're doing tries, we're doing more tries, and then,

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00:18:48,880 --> 00:18:51,240
Speaker 1: at this point we're full sweat, we're feeling good, we

349
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Speaker 1: got the fucking music playing and if I could fucking

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Speaker 1: do it, boom, you could fucking do it. It's what

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00:18:58,400 --> 00:19:02,719
Speaker 1: I'm saying. That's my story. Oh Yeah, and I'm sticking

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00:19:02,760 --> 00:19:05,639
Speaker 1: to it. And also, it's usually those days that you

353
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Speaker 1: really don't feel like working out and getting out of bed.

354
00:19:08,440 --> 00:19:11,160
Speaker 1: Those are the days you should really fucking get out

355
00:19:11,200 --> 00:19:13,760
Speaker 1: and do it and you get that, you're moving, you're grooving,

356
00:19:14,080 --> 00:19:16,800
Speaker 1: you're shaking around the inflammation, whether you have it or not,

357
00:19:17,440 --> 00:19:21,320
Speaker 1: and once that sweat comes, you're like, I'm fucking in here.

358
00:19:21,400 --> 00:19:25,359
Speaker 1: I'm fucking doing it, I'm fucking doing it and I

359
00:19:25,440 --> 00:19:28,359
Speaker 1: feel good and then, you know, I've been dipping around

360
00:19:28,400 --> 00:19:31,280
Speaker 1: with a little coffee, which probably isn't the best thing

361
00:19:31,359 --> 00:19:33,920
Speaker 1: for my inflammation, but I need that Jack Up, especially

362
00:19:34,000 --> 00:19:36,320
Speaker 1: on the road. You're Jack The funk up. You're unstoppable

363
00:19:36,359 --> 00:19:38,480
Speaker 1: today and it's like it is inspiring me. But and

364
00:19:38,600 --> 00:19:40,200
Speaker 1: and your tagline. I'll just end it on this with

365
00:19:40,320 --> 00:19:41,920
Speaker 1: the if I can do it, you can do it,

366
00:19:42,040 --> 00:19:43,760
Speaker 1: like I did get surgery on my foot a couple

367
00:19:43,760 --> 00:19:46,359
Speaker 1: of weeks ago and like, I really can't do it. Yes,

368
00:19:46,480 --> 00:19:48,479
Speaker 1: you can't. I can't get on a treadmill and do that, right,

369
00:19:48,520 --> 00:19:51,800
Speaker 1: we don't. Yeah, I know, but the doctor was like,

370
00:19:51,920 --> 00:19:54,040
Speaker 1: don't do that. The doctor was like, don't do what,

371
00:19:54,440 --> 00:19:56,320
Speaker 1: like I told him, like my friend Michael, he says,

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00:19:56,359 --> 00:19:57,840
Speaker 1: you know, if I could fucking do it, you could

373
00:19:57,880 --> 00:19:59,760
Speaker 1: sucking do it. My doctor was like, Hey, that's really

374
00:19:59,800 --> 00:20:02,040
Speaker 1: bad advice. Thing. Don't do it. You just got what's

375
00:20:02,080 --> 00:20:06,000
Speaker 1: your doctor's name? His name is Dr Glenn Feffer. Fuck

376
00:20:06,160 --> 00:20:09,639
Speaker 1: Dr Feffer. Tell Dr Feffer you could suck my fucking Dick,

377
00:20:09,680 --> 00:20:12,240
Speaker 1: because Dr Feffer is a lazy motherfucker WHO's trying to

378
00:20:12,520 --> 00:20:15,119
Speaker 1: you know what he's trying to do. He's trying to

379
00:20:15,240 --> 00:20:17,359
Speaker 1: keep you down, and can tell I haven't worked out

380
00:20:17,400 --> 00:20:20,840
Speaker 1: in months. Dr Feffer's trying to hold you back and

381
00:20:21,040 --> 00:20:23,640
Speaker 1: keep you down. So Dr Feffer could suck a big fat.

382
00:20:24,359 --> 00:20:26,160
Speaker 1: He told me to keep eating pasta, to eat those

383
00:20:26,200 --> 00:20:28,560
Speaker 1: carbs and enjoy myself on this time off. No, Dr

384
00:20:28,600 --> 00:20:32,000
Speaker 1: Feffer could eat a big fat. Okay, okay. He's trying

385
00:20:32,040 --> 00:20:34,240
Speaker 1: to hold you back because you can work out. You

386
00:20:34,320 --> 00:20:36,240
Speaker 1: don't need to run on the treadmill. You could. You

387
00:20:36,320 --> 00:20:38,680
Speaker 1: could either do stairmaster, you can get a pump on,

388
00:20:38,720 --> 00:20:40,159
Speaker 1: you can do some push ups, you could do some

389
00:20:40,280 --> 00:20:42,080
Speaker 1: pull ups, you could. We're gonna go for a walk

390
00:20:42,160 --> 00:20:44,879
Speaker 1: tomorrow along walk, and you're like, I said to you

391
00:20:44,960 --> 00:20:46,600
Speaker 1: this morning. You know there's a great walk along the

392
00:20:46,680 --> 00:20:48,480
Speaker 1: word and you're like, well, the surgery, I go, bitch,

393
00:20:48,800 --> 00:20:51,119
Speaker 1: see now, you're trying to use the surgery as a crutch,

394
00:20:51,280 --> 00:20:54,440
Speaker 1: but you're off the crutches. I'll say it again. You're

395
00:20:54,480 --> 00:20:57,600
Speaker 1: trying to use the surgery as a crutch. Put you're

396
00:20:57,640 --> 00:21:00,640
Speaker 1: off the crutches. Wrap your head. You see me. I'm

397
00:21:00,680 --> 00:21:02,679
Speaker 1: moving around, I'm putting on a brave face for you. Man,

398
00:21:02,760 --> 00:21:07,920
Speaker 1: I'm really just came back from like fucking something. You

399
00:21:08,000 --> 00:21:10,359
Speaker 1: didn't come back from now. You don't know what it's like, Bro,

400
00:21:10,520 --> 00:21:13,159
Speaker 1: you don't know what it's like your playball bodied person,

401
00:21:13,640 --> 00:21:16,080
Speaker 1: my man, Yo, did you? Did you have to hand

402
00:21:16,119 --> 00:21:18,240
Speaker 1: in your Handicap Parker? Yet they have it till October

403
00:21:18,359 --> 00:21:20,680
Speaker 1: twenty because they know I need that ship. You're still

404
00:21:20,800 --> 00:21:23,600
Speaker 1: using the handicap. Well, it's great parking and I can

405
00:21:23,640 --> 00:21:26,440
Speaker 1: only for you. Can only go so far, motherfucker. My

406
00:21:26,520 --> 00:21:28,800
Speaker 1: doctor prescribed it. Go ahead and report me. You're you'RE

407
00:21:28,840 --> 00:21:35,200
Speaker 1: gonna be in jail one day. You'RE gonna go are Nah, yeah, yeah, yeah,

408
00:21:35,280 --> 00:21:37,240
Speaker 1: you are. I'm not. I'm not going. I'm not going

409
00:21:37,280 --> 00:21:39,360
Speaker 1: to jail. And they're gonna do that documentary and they're

410
00:21:39,359 --> 00:21:41,240
Speaker 1: gonna interview all the people around you, and I'm gonna say,

411
00:21:41,240 --> 00:21:43,680
Speaker 1: you know what, I could have seen this coming. Huh,

412
00:21:44,240 --> 00:21:48,159
Speaker 1: I could have seen this coming. No, that's a fucking Lootie,

413
00:21:48,320 --> 00:21:51,080
Speaker 1: my man. I want to go back to the place

414
00:21:51,119 --> 00:21:54,080
Speaker 1: where we checked into first. So this trip we were

415
00:21:54,080 --> 00:21:57,840
Speaker 1: supposed to stay at a condo. Uh, the comedy club

416
00:21:58,359 --> 00:22:01,800
Speaker 1: has a condominium in a place that seemed like it

417
00:22:01,880 --> 00:22:04,480
Speaker 1: was above board, seemed like it was nice, where other

418
00:22:04,600 --> 00:22:08,080
Speaker 1: comedians stay, and I'm thinking, okay, I'm assuming with other

419
00:22:08,200 --> 00:22:14,400
Speaker 1: comedians staying there and comedians being the NASTIEST, dirtiest, grimyst

420
00:22:15,160 --> 00:22:20,040
Speaker 1: I mean most these are just inebriated, degenerate, degenerate Fox.

421
00:22:21,400 --> 00:22:24,040
Speaker 1: The first thing that I expect is every time a

422
00:22:24,080 --> 00:22:26,920
Speaker 1: new comedian comes in there, just like an AIRBNB, there's

423
00:22:27,000 --> 00:22:30,760
Speaker 1: brand new sheet. I walked in there I could tell

424
00:22:31,000 --> 00:22:34,399
Speaker 1: just doing the eye test there was not brand new sheets. No,

425
00:22:36,040 --> 00:22:40,040
Speaker 1: they weren't washed, that we were definitely stayed, but it was. Yes,

426
00:22:40,119 --> 00:22:42,080
Speaker 1: it was like Brian Callen had been in those seats,

427
00:22:42,160 --> 00:22:45,600
Speaker 1: Cheeto Santino and all these Fox. I'll never sleep where

428
00:22:45,680 --> 00:22:53,080
Speaker 1: Brian Callen, Cheeto fucking Santino, Bobby Lee, any nasty motherfucker's

429
00:22:53,119 --> 00:22:56,560
Speaker 1: have ever fucking bedded down. And I know everybody performs

430
00:22:56,640 --> 00:23:00,320
Speaker 1: at the House of Comedy BC and I know that

431
00:23:00,440 --> 00:23:04,520
Speaker 1: a bunch of these dirty, nasty, degenerate fucking I mean

432
00:23:04,600 --> 00:23:07,399
Speaker 1: these are some nasty motherfucker's Comedians, and not just the

433
00:23:07,440 --> 00:23:11,800
Speaker 1: guys that I mentioned. No disrespect Brian Callen, Cheeto Santino,

434
00:23:12,480 --> 00:23:18,399
Speaker 1: fucking any of them. There's the list of them. I

435
00:23:18,520 --> 00:23:20,520
Speaker 1: knew that we were sleeping in in a place where

436
00:23:21,280 --> 00:23:24,040
Speaker 1: the sheets, the towels like they had like other people.

437
00:23:24,119 --> 00:23:27,720
Speaker 1: The next man's like shampoo and like Bobby Lee, like

438
00:23:27,800 --> 00:23:29,880
Speaker 1: you could tell he he doesn't shower. He doesn't seem

439
00:23:29,880 --> 00:23:32,000
Speaker 1: like a guy who showers. If he does, I don't

440
00:23:32,040 --> 00:23:34,480
Speaker 1: want to be in the shower that he was in

441
00:23:34,640 --> 00:23:37,439
Speaker 1: unless it's bleached to the bone. Because I opened up

442
00:23:37,440 --> 00:23:39,160
Speaker 1: my balcony and I was like what a beautiful view,

443
00:23:39,240 --> 00:23:41,560
Speaker 1: and then there was like an ash trait just filled

444
00:23:41,640 --> 00:23:43,600
Speaker 1: with joints, which is cool. I'm on a break of

445
00:23:43,640 --> 00:23:45,840
Speaker 1: smoking weed. But then I got into bed and and

446
00:23:46,080 --> 00:23:47,840
Speaker 1: and I looked under the bed because I dropped one

447
00:23:47,880 --> 00:23:49,960
Speaker 1: of my pills and there were about three to four

448
00:23:50,080 --> 00:23:52,560
Speaker 1: different vapes under my bed, like it was. It's a

449
00:23:52,600 --> 00:23:55,240
Speaker 1: grimy place, like it's like I'm not I'm fifty two.

450
00:23:55,320 --> 00:23:58,320
Speaker 1: First of all, I Michael Rappaport Right. Second of all,

451
00:23:58,320 --> 00:24:01,480
Speaker 1: I'm fifty two. So of all I'm Michael Rappaport, and

452
00:24:01,520 --> 00:24:05,040
Speaker 1: I'm thinking to myself if, if my wife knew that

453
00:24:05,720 --> 00:24:08,240
Speaker 1: somebody let me stay in a place like this, she's

454
00:24:08,240 --> 00:24:12,040
Speaker 1: gonna be like, you're a fucking like, who, who are

455
00:24:12,119 --> 00:24:14,879
Speaker 1: you letting represent you? How did you wind up getting

456
00:24:16,760 --> 00:24:20,280
Speaker 1: coerced to stay in a condo where other comedians stay

457
00:24:20,320 --> 00:24:22,960
Speaker 1: and they don't scrub it to the BI zone? And

458
00:24:23,080 --> 00:24:25,080
Speaker 1: then me and the youngsterter, we we go to our

459
00:24:25,400 --> 00:24:28,680
Speaker 1: our separate quarters. He's in his bedroom, mom in my room,

460
00:24:28,720 --> 00:24:31,080
Speaker 1: and I'm like, Yo, Duke, turn the air on. So

461
00:24:31,240 --> 00:24:33,600
Speaker 1: you start going around to try to figure out where

462
00:24:33,640 --> 00:24:35,760
Speaker 1: the air is and it turns out there's no air

463
00:24:35,840 --> 00:24:38,080
Speaker 1: conditioner in the condom. Right. They were like, you gotta

464
00:24:38,080 --> 00:24:40,320
Speaker 1: put this two about the window and there's a funnel

465
00:24:40,359 --> 00:24:43,560
Speaker 1: that you have to get through over there. That fuck

466
00:24:43,680 --> 00:24:46,560
Speaker 1: that funnel. So we told him the next morning, after

467
00:24:46,680 --> 00:24:50,800
Speaker 1: a piss night of sleep, horrible, terrible night of sleep, Yo,

468
00:24:51,880 --> 00:24:56,560
Speaker 1: we need a new hotel room, okay, with two beds

469
00:24:57,320 --> 00:25:01,159
Speaker 1: and a balcony, because there's no way to see and

470
00:25:01,320 --> 00:25:04,159
Speaker 1: and and home. He starts long talking, right. He was

471
00:25:04,240 --> 00:25:06,760
Speaker 1: start talking about, oh, the funnel and this that in

472
00:25:06,800 --> 00:25:09,840
Speaker 1: the third and I'm like, check this out. There's also

473
00:25:09,920 --> 00:25:15,040
Speaker 1: a four seasons nearby which which we could check ourselves into.

474
00:25:15,560 --> 00:25:18,439
Speaker 1: Send the TAB your way, or you could get us

475
00:25:18,480 --> 00:25:22,879
Speaker 1: a new hotel. Were there conditioning and a balking because,

476
00:25:23,240 --> 00:25:24,879
Speaker 1: like I said a couple of minutes ago, on my

477
00:25:25,320 --> 00:25:29,600
Speaker 1: rapport and I'm fifty two and I'm Michael rapp right.

478
00:25:29,600 --> 00:25:31,280
Speaker 1: But that's another thing. Is like. And we ended up

479
00:25:31,359 --> 00:25:34,720
Speaker 1: leaving the CONDO and you being Michael Rappaport, somehow I'm

480
00:25:34,920 --> 00:25:38,040
Speaker 1: I'm traveling with this famous celebrity, famous Michael Rappaport. We're

481
00:25:38,119 --> 00:25:41,400
Speaker 1: lugging our own suitcases and backpacks over a break looking

482
00:25:41,480 --> 00:25:44,639
Speaker 1: like assholes, and and and I'm with Michael Rappaport, but

483
00:25:44,720 --> 00:25:47,560
Speaker 1: somehow I'm I'm in a motel. So what is that about?

484
00:25:47,640 --> 00:25:49,520
Speaker 1: And and and and that's what I start to think, like,

485
00:25:49,640 --> 00:25:52,400
Speaker 1: why are you even here? Why? Why am I here?

486
00:25:52,640 --> 00:25:55,960
Speaker 1: Because what am I doing? I'm like, what is what? What?

487
00:25:56,480 --> 00:25:58,520
Speaker 1: What do you bring to it? What do I bring

488
00:25:58,600 --> 00:26:00,240
Speaker 1: to it? What do I get out of it? But

489
00:26:00,800 --> 00:26:02,720
Speaker 1: let's first talked about what do you bring to it?

490
00:26:02,840 --> 00:26:08,560
Speaker 1: Because first show in Vancouver Great, great, great crowd, fantastic,

491
00:26:08,880 --> 00:26:12,280
Speaker 1: very unique theater, like it's not a club. It's almost

492
00:26:12,280 --> 00:26:16,240
Speaker 1: like a like an old theater, like Strip club, but

493
00:26:16,280 --> 00:26:18,840
Speaker 1: it's it's now a comedic club. But you could smell

494
00:26:19,000 --> 00:26:21,439
Speaker 1: the asbestos when you walk in the building. You can

495
00:26:21,520 --> 00:26:24,159
Speaker 1: feel like like something has happened here, whether we're catching

496
00:26:24,240 --> 00:26:28,120
Speaker 1: something there. Yeah, definitely. I'm on stage doing my show.

497
00:26:28,520 --> 00:26:31,840
Speaker 1: There's a guy in the front row, a fan, but

498
00:26:32,080 --> 00:26:36,680
Speaker 1: he's so hyped up, so jacked up, that maybe he's

499
00:26:36,680 --> 00:26:39,000
Speaker 1: not a fan. He's laughing a little bit too loud.

500
00:26:40,080 --> 00:26:41,720
Speaker 1: I got my eye on him. He's right in the front,

501
00:26:41,880 --> 00:26:43,720
Speaker 1: like he could step on stage and try to Chris

502
00:26:43,880 --> 00:26:47,920
Speaker 1: Rock me. But he's a fan, right. They're all fans, though.

503
00:26:48,240 --> 00:26:50,359
Speaker 1: They attacked Chapelle there. He's a big fan with a

504
00:26:50,400 --> 00:26:53,439
Speaker 1: knife and you never know, I'm doing this show. Everybody

505
00:26:53,600 --> 00:26:56,440
Speaker 1: was well aware of this guy. He's very excited to

506
00:26:56,480 --> 00:26:58,160
Speaker 1: be there. He slapped in my hand at one point.

507
00:26:58,320 --> 00:27:02,720
Speaker 1: Fan Ten minutes fifty. He's getting more hyped up, like

508
00:27:02,920 --> 00:27:05,440
Speaker 1: I hear him while I'm doing he's like yeah, funk that. Yeah,

509
00:27:05,840 --> 00:27:09,640
Speaker 1: I hear him while I'm yeah, I hear him, yeah, Bitch.

510
00:27:11,800 --> 00:27:14,960
Speaker 1: And and the people around him are like uncomfortable by

511
00:27:15,040 --> 00:27:20,359
Speaker 1: this and I'm thinking to myself, where's Dean? What's Dean doing,

512
00:27:20,840 --> 00:27:24,520
Speaker 1: because we've had this conversation dean. If there's somebody in

513
00:27:24,640 --> 00:27:28,040
Speaker 1: the crowd, even if they're a fan, they're making noise

514
00:27:28,240 --> 00:27:32,520
Speaker 1: they're distracting me. Number one, they're making the other fans,

515
00:27:32,920 --> 00:27:37,440
Speaker 1: the other paying customers, uncomfortable. What what will dean, the

516
00:27:37,680 --> 00:27:39,800
Speaker 1: the the guy who has a security shirt? Did you

517
00:27:39,840 --> 00:27:42,040
Speaker 1: bring your security I didn't bring it this time. You

518
00:27:42,080 --> 00:27:46,720
Speaker 1: didn't bring it this time. We've heard it's a staff shirt.

519
00:27:46,760 --> 00:27:48,760
Speaker 1: It's not even a security shirt. Is this staff? It's

520
00:27:48,800 --> 00:27:52,080
Speaker 1: a white shirt. It's very non threatening. But but you

521
00:27:52,280 --> 00:27:54,199
Speaker 1: heard him from where you were in the Green Room

522
00:27:54,240 --> 00:27:55,959
Speaker 1: and you heard him. Well, I was trying to get

523
00:27:56,000 --> 00:27:59,040
Speaker 1: skittles and the drawer wouldn't open, like there was like

524
00:27:59,240 --> 00:28:01,440
Speaker 1: there's a Cantra to get skittles for you, while there's

525
00:28:01,480 --> 00:28:05,159
Speaker 1: a fan harassing me and making the rest of the

526
00:28:05,240 --> 00:28:09,080
Speaker 1: other fans uncomfortable, you're trying to get yourself skittles. I

527
00:28:09,280 --> 00:28:11,600
Speaker 1: was hungry. You said I'm not eating dinner tonight and

528
00:28:11,640 --> 00:28:13,600
Speaker 1: you're not eating dinner tonight. We had a big lunch.

529
00:28:13,640 --> 00:28:15,639
Speaker 1: I was trying to fend for myself up there. But

530
00:28:15,800 --> 00:28:17,639
Speaker 1: you're you're absolutely right. For the rest of the weekend

531
00:28:17,640 --> 00:28:19,040
Speaker 1: I'm gonna be on I'M gonna be in the back

532
00:28:19,080 --> 00:28:21,920
Speaker 1: of the theater, arms crossed, maybe with some binoculars. And

533
00:28:22,480 --> 00:28:24,240
Speaker 1: you remember, I had your back in New York. I

534
00:28:24,400 --> 00:28:26,320
Speaker 1: threw that funker out. Who was who was trying to

535
00:28:26,480 --> 00:28:28,520
Speaker 1: harass you and say all sorts of ship I threw

536
00:28:28,520 --> 00:28:30,480
Speaker 1: them out and I even walked up and said get

537
00:28:30,520 --> 00:28:32,639
Speaker 1: the funk out. That was get that was one of

538
00:28:32,720 --> 00:28:35,840
Speaker 1: your finest moments when you told that guy when we

539
00:28:35,960 --> 00:28:38,520
Speaker 1: were performing at Caroline to get the funk up and

540
00:28:38,640 --> 00:28:41,320
Speaker 1: get the funk out. That was sick. That was awesome.

541
00:28:42,360 --> 00:28:45,320
Speaker 1: I'll be there. We had the real security there to

542
00:28:45,400 --> 00:28:47,640
Speaker 1: back you up, but you were the first man. You

543
00:28:47,680 --> 00:28:50,240
Speaker 1: were to get the funk up and get the fuck out.

544
00:28:51,960 --> 00:28:54,880
Speaker 1: But last night, right, you were nowhere to be fast

545
00:28:54,880 --> 00:28:56,760
Speaker 1: and I can't disagree with you on that. I'm not

546
00:28:56,840 --> 00:28:59,080
Speaker 1: gonna sit here. And you're telling me now that what

547
00:28:59,200 --> 00:29:02,239
Speaker 1: you were trying to do get yourself skittles. Well, I'm

548
00:29:02,280 --> 00:29:04,360
Speaker 1: on stage. So the point is it's like, what are

549
00:29:04,360 --> 00:29:08,680
Speaker 1: you doing here? Well, Um, you're not Mickey. You're not

550
00:29:08,880 --> 00:29:11,720
Speaker 1: mickeying me when I'm when I'm doing my workouts. You

551
00:29:13,040 --> 00:29:15,520
Speaker 1: like the room. It's like we're running out of water.

552
00:29:15,640 --> 00:29:18,480
Speaker 1: You're not bringing water. Like, no, I did bring I

553
00:29:18,560 --> 00:29:22,040
Speaker 1: did get up early. I'm on these streets of trying

554
00:29:22,080 --> 00:29:26,120
Speaker 1: to have a productive, positive, optimistic day. What the fun

555
00:29:26,400 --> 00:29:29,560
Speaker 1: are you doing? I made a lot of reservations for lunches.

556
00:29:29,720 --> 00:29:31,960
Speaker 1: We were having a beautiful Sushi lunch day. I made

557
00:29:32,000 --> 00:29:34,160
Speaker 1: that reservation an open table. I did a lot of

558
00:29:34,200 --> 00:29:37,080
Speaker 1: research for what we can do in Vancouver. I think

559
00:29:37,120 --> 00:29:39,440
Speaker 1: I may be helping you with with the show Um

560
00:29:40,080 --> 00:29:42,360
Speaker 1: and I feel I feel like I'm bringing stuff to

561
00:29:42,400 --> 00:30:04,480
Speaker 1: the table. Post email DOCCA. Who is that email doctor?

562
00:30:04,560 --> 00:30:07,080
Speaker 1: The coach of the Boston Celtics who swept the Brooklyn

563
00:30:07,160 --> 00:30:12,320
Speaker 1: Nets last year in the NBA playoffs, m who led

564
00:30:12,360 --> 00:30:14,720
Speaker 1: them to the NBA finals verse the Golden State Wars.

565
00:30:14,800 --> 00:30:17,040
Speaker 1: It was his first year as a head coach, I believe.

566
00:30:17,120 --> 00:30:18,520
Speaker 1: I believe it was his first year as a head

567
00:30:18,560 --> 00:30:25,400
Speaker 1: coach of the Boston Celtics. I'm pretty sure married two friends,

568
00:30:26,360 --> 00:30:32,840
Speaker 1: icon sex symbol actress, Nia long. I keep hearing about

569
00:30:32,840 --> 00:30:36,160
Speaker 1: this girl me along, Nia, Nia long. I've I've been

570
00:30:36,200 --> 00:30:37,840
Speaker 1: hearing about her all over twitter. I've been like, I

571
00:30:37,920 --> 00:30:41,160
Speaker 1: thought this was Nia long. I thought it was like

572
00:30:41,280 --> 00:30:43,680
Speaker 1: a musician. I didn't realize that she was an actress.

573
00:30:44,040 --> 00:30:46,520
Speaker 1: You didn't realize that the actually know what she looks like.

574
00:30:46,840 --> 00:30:49,360
Speaker 1: I have no idea what Nia long looks like. I

575
00:30:49,400 --> 00:30:51,520
Speaker 1: don't know what Udaca looks like. I don't know who

576
00:30:51,560 --> 00:30:53,160
Speaker 1: any of these people are. I don't know what the

577
00:30:53,240 --> 00:30:56,160
Speaker 1: controversy hold on, hold on. You don't know who nia

578
00:30:56,240 --> 00:30:58,960
Speaker 1: long is. I have no idea. A gun to my head.

579
00:30:59,120 --> 00:31:02,800
Speaker 1: WHO's knee long? I'm dying. I have no idea who

580
00:31:02,880 --> 00:31:05,200
Speaker 1: that is. Let me tell you something. I'm gonna tell

581
00:31:05,200 --> 00:31:08,440
Speaker 1: you this as a favorite you, because because I like you,

582
00:31:09,000 --> 00:31:11,160
Speaker 1: I care about you and I know I look out

583
00:31:11,200 --> 00:31:14,640
Speaker 1: for your best interests. Don't I'm not gonna say to

584
00:31:14,760 --> 00:31:17,640
Speaker 1: miles and Jordan's to delete what you just said from

585
00:31:17,680 --> 00:31:20,680
Speaker 1: the PODCAST, but I'm not gonna not say to delete it.

586
00:31:21,160 --> 00:31:26,080
Speaker 1: Don't tell anybody, don't say that out loud, don't mention

587
00:31:26,160 --> 00:31:30,200
Speaker 1: it to anybody, don't repeat what you just said. But

588
00:31:30,280 --> 00:31:32,160
Speaker 1: I don't know who she is. You don't know who

589
00:31:32,320 --> 00:31:34,720
Speaker 1: nia long is. I have have you ever heard the

590
00:31:34,800 --> 00:31:36,680
Speaker 1: name Neia Long? I've heard it from you saying it

591
00:31:36,720 --> 00:31:40,000
Speaker 1: out of your mouth right now. Nil Long. That's that's

592
00:31:40,040 --> 00:31:42,640
Speaker 1: the first time I've heard it. Okay, and on twitter.

593
00:31:43,240 --> 00:31:44,680
Speaker 1: I have no image of who this is and I

594
00:31:44,720 --> 00:31:46,360
Speaker 1: don't know. You don't know if it's a black person

595
00:31:46,440 --> 00:31:48,400
Speaker 1: of a white you know. I know she's a black person.

596
00:31:48,520 --> 00:31:51,200
Speaker 1: I think she's a black lady m but you don't.

597
00:31:51,240 --> 00:31:52,920
Speaker 1: You don't know any of her movies. Someone told me

598
00:31:53,040 --> 00:31:56,960
Speaker 1: she was in hustlers. NOPE, or she wasn't in hustlers.

599
00:31:57,440 --> 00:32:02,320
Speaker 1: That's one of her first. Poetic Justice, I heard someone

600
00:32:02,400 --> 00:32:06,320
Speaker 1: mentioned was antic justice. What had a cameo in it

601
00:32:06,480 --> 00:32:09,160
Speaker 1: or something? Nope, I have no idea who that is.

602
00:32:09,240 --> 00:32:16,760
Speaker 1: Then what's the controversy? Sometimes I sometimes like like I

603
00:32:16,800 --> 00:32:18,520
Speaker 1: don't know where to go with that. Well, that's where

604
00:32:18,520 --> 00:32:23,040
Speaker 1: the age difference comes in. Not Na, not, not, not

605
00:32:23,360 --> 00:32:29,480
Speaker 1: Nona Neil long is a life time actress. I believe

606
00:32:29,600 --> 00:32:34,080
Speaker 1: she started as a teenager on a soap opera. She's

607
00:32:34,120 --> 00:32:39,120
Speaker 1: a sex symbol. She's now fifty two. She looks ridiculous.

608
00:32:39,280 --> 00:32:42,479
Speaker 1: I've known her UM. Her sort of big break as

609
00:32:42,520 --> 00:32:45,560
Speaker 1: a film actress came when she played Cuba gooding junior's

610
00:32:46,000 --> 00:32:50,400
Speaker 1: girlfriend in the iconic film by friend the late Great

611
00:32:50,680 --> 00:32:53,880
Speaker 1: John Singleton, boys in the hood. She's been in movie

612
00:32:53,960 --> 00:32:57,240
Speaker 1: after movie after movie. She's been name checked numerous times.

613
00:32:57,360 --> 00:32:59,240
Speaker 1: I've seen boys. I love boys in the hood and

614
00:32:59,360 --> 00:33:01,400
Speaker 1: I love Cuba. It's been a long time since I've

615
00:33:01,400 --> 00:33:02,800
Speaker 1: seen it, so I know who nia long is, because

616
00:33:02,840 --> 00:33:06,680
Speaker 1: I love that movie. Laurence Fishburne, right, and UH and

617
00:33:06,760 --> 00:33:09,160
Speaker 1: ice cube, and she's the one with the braids. Right. NOPE,

618
00:33:09,600 --> 00:33:11,680
Speaker 1: she's not the one who's that's Regina King, who had

619
00:33:11,720 --> 00:33:14,120
Speaker 1: the braids in U boys in the Hood Neelong was

620
00:33:14,200 --> 00:33:18,200
Speaker 1: Cuba gooding, junior's girlfriend in it. And you just confused.

621
00:33:18,240 --> 00:33:21,040
Speaker 1: So you're saying, well, black women, don't you say that.

622
00:33:21,160 --> 00:33:25,120
Speaker 1: Don't you say just say, just say that. I would

623
00:33:25,200 --> 00:33:28,280
Speaker 1: never say people would appreciate in respect. They wouldn't respect that.

624
00:33:28,320 --> 00:33:31,120
Speaker 1: They there's nothing to appreciate about that. That's that's highly

625
00:33:31,240 --> 00:33:32,960
Speaker 1: racist and that's not true at all. I don't feel

626
00:33:33,000 --> 00:33:35,400
Speaker 1: that way. Just say I got her character confused with

627
00:33:35,520 --> 00:33:38,200
Speaker 1: Regina King. Obviously I love that. I'm a huge boys

628
00:33:38,200 --> 00:33:40,680
Speaker 1: in the Hood Fan. I love that movie. That's one

629
00:33:40,680 --> 00:33:42,520
Speaker 1: of my favorite films. Now I just want to I

630
00:33:42,560 --> 00:33:45,120
Speaker 1: just want to point something out. We're in a hotel

631
00:33:45,240 --> 00:33:48,760
Speaker 1: room and on the TV is ghostbusters too. I want

632
00:33:48,800 --> 00:33:51,040
Speaker 1: to tell you a little piece of Michael Rapport Trivia.

633
00:33:51,280 --> 00:33:55,280
Speaker 1: And I was in the seventh grade. I would take

634
00:33:55,360 --> 00:33:59,920
Speaker 1: the bus across town and the scene that they're showing

635
00:34:00,080 --> 00:34:05,080
Speaker 1: ing on ghostbusters outside the museum while I was taking

636
00:34:05,160 --> 00:34:09,520
Speaker 1: the bus. They were shooting that in ghostbusters too, because

637
00:34:09,560 --> 00:34:13,600
Speaker 1: this ghostbusters ghostbusters too. Yep, I was taking them and

638
00:34:13,840 --> 00:34:17,720
Speaker 1: I saw them like shooting that while I was taking

639
00:34:17,800 --> 00:34:21,720
Speaker 1: the bus on Um, I believe it's Broadway. No, not Broadway,

640
00:34:21,920 --> 00:34:27,359
Speaker 1: Central Park, West, little Michael, Rapport Trivia, Um, films, Trivia. Um.

641
00:34:28,400 --> 00:34:31,280
Speaker 1: The point is niil long is married to email doco,

642
00:34:31,360 --> 00:34:33,839
Speaker 1: who's the coach of the Boston Celtics. It came out

643
00:34:33,880 --> 00:34:36,279
Speaker 1: a couple of days ago that email docer. Whatever the fun.

644
00:34:36,640 --> 00:34:38,399
Speaker 1: You know, I used to feel like, oh, we don't

645
00:34:38,400 --> 00:34:41,239
Speaker 1: pronounce his name correctly. You cheated on Ni a long.

646
00:34:41,520 --> 00:34:44,600
Speaker 1: Fuck your name, Duke Funk, your name. We don't need

647
00:34:44,640 --> 00:34:47,520
Speaker 1: to get your name right, like we we don't need

648
00:34:47,600 --> 00:34:50,000
Speaker 1: to pronounce it correctly. You, you, you cheating on Nia

649
00:34:50,080 --> 00:34:58,240
Speaker 1: long with allegedly, he's had inappropriate relationships with another female

650
00:34:58,360 --> 00:35:03,080
Speaker 1: staffer from the Boston Celtic. Some grimy shit happened, I

651
00:35:03,160 --> 00:35:05,719
Speaker 1: don't know, but basically what he did his cheat on

652
00:35:05,880 --> 00:35:09,000
Speaker 1: Nia long, and Nia long, like I said, is a

653
00:35:09,120 --> 00:35:12,680
Speaker 1: beloved sex symbol. WHO, who? Whose name has been mentioned

654
00:35:13,239 --> 00:35:16,680
Speaker 1: numerous talk I think ghost face killer uh said, Nia

655
00:35:16,760 --> 00:35:19,879
Speaker 1: long with the Cherry Thong. Like her, she gets name

656
00:35:19,960 --> 00:35:24,279
Speaker 1: dropped in the school. So ume data email. Whoever funk

657
00:35:24,400 --> 00:35:26,520
Speaker 1: this guy is, the Celtics coach who did a great

658
00:35:26,600 --> 00:35:28,680
Speaker 1: job with him last year, had him on the verge

659
00:35:28,719 --> 00:35:32,399
Speaker 1: of winning a championship, has now been suspended for a year.

660
00:35:32,840 --> 00:35:35,040
Speaker 1: What he did is still being figured out. Who He

661
00:35:35,120 --> 00:35:36,719
Speaker 1: did it with is still being figured out, but he

662
00:35:36,840 --> 00:35:43,239
Speaker 1: had relations with somebody within the Boston Celtics staff Um

663
00:35:44,200 --> 00:35:45,800
Speaker 1: and it feels like it might have been more than that,

664
00:35:45,960 --> 00:35:48,200
Speaker 1: because not only is he dealing with the wrath of

665
00:35:48,320 --> 00:35:49,960
Speaker 1: Nia long, which I wouldn't want to be on the

666
00:35:50,120 --> 00:35:53,000
Speaker 1: other side of, he's dealing with the wrath of the NBA,

667
00:35:53,080 --> 00:35:57,640
Speaker 1: the Boston Celtics and like all of social media, everybody

668
00:35:57,719 --> 00:36:01,640
Speaker 1: loves NIA long and you're a amy ship bag in general,

669
00:36:01,840 --> 00:36:04,560
Speaker 1: and this has been a bad week for motherfucker's that

670
00:36:04,600 --> 00:36:07,480
Speaker 1: are married for infidelitic it just goes to show in

671
00:36:07,560 --> 00:36:12,560
Speaker 1: two you gotta just pay. You gotta pay for Pussy

672
00:36:12,680 --> 00:36:15,160
Speaker 1: and and some people will say, yeah, that that makes sense,

673
00:36:15,960 --> 00:36:18,160
Speaker 1: but see, a lot of a lot of women don't

674
00:36:18,239 --> 00:36:23,560
Speaker 1: understand men like the the chase. Yeah, I love the chase,

675
00:36:23,680 --> 00:36:25,279
Speaker 1: I'm a big fan of the chase. I don't like

676
00:36:25,400 --> 00:36:27,000
Speaker 1: girls that like me. I like the chase. I like

677
00:36:27,120 --> 00:36:29,279
Speaker 1: the girls that want nothing to do with me. And

678
00:36:29,480 --> 00:36:31,640
Speaker 1: if you pay for if you pay for Pussy, if

679
00:36:31,680 --> 00:36:36,400
Speaker 1: you pay the plane, you're you're getting the sex, but

680
00:36:36,520 --> 00:36:39,840
Speaker 1: you're eliminating the chase because even if she's role playing,

681
00:36:40,800 --> 00:36:43,879
Speaker 1: you're paying to play and inevitably you know you're gonna

682
00:36:43,920 --> 00:36:45,840
Speaker 1: get unless you want to go to a dominate trix.

683
00:36:46,200 --> 00:36:49,160
Speaker 1: I'm not interested in that. Unless you like going to dominator.

684
00:36:49,600 --> 00:36:51,279
Speaker 1: Like to do that? I don't like doing that. I'm

685
00:36:51,320 --> 00:36:53,279
Speaker 1: not getting smacked around. I don't either. I don't want

686
00:36:53,320 --> 00:36:55,160
Speaker 1: my ball stepped on. I don't. I don't want to

687
00:36:55,160 --> 00:36:57,320
Speaker 1: be called a piece of ship. I already feel like

688
00:36:57,400 --> 00:36:58,920
Speaker 1: a piece of ship. Why would I want someone to

689
00:36:59,000 --> 00:37:01,239
Speaker 1: tell me that? Why would already know that? I woke

690
00:37:01,320 --> 00:37:02,920
Speaker 1: up this morning feeling like a piece of ship. I

691
00:37:03,000 --> 00:37:06,080
Speaker 1: fought through it by working out why would I want

692
00:37:06,120 --> 00:37:09,400
Speaker 1: a dominatrix and to pay her nonetheless to tell you

693
00:37:09,480 --> 00:37:11,600
Speaker 1: that you're a piece of ship. You know, good, cheating

694
00:37:11,680 --> 00:37:15,120
Speaker 1: cock sucker. Oh, you paid for this, motherfucker. Then you

695
00:37:15,160 --> 00:37:17,399
Speaker 1: whip me and then, like, you hit me. I don't

696
00:37:17,400 --> 00:37:19,880
Speaker 1: know what they hit you with. They beat you like

697
00:37:19,960 --> 00:37:22,280
Speaker 1: a paddle, like a frat boy paddle. I don't paddle.

698
00:37:23,080 --> 00:37:27,600
Speaker 1: Um whips, whips, leather, all sorts of leather, a latex, latex,

699
00:37:27,840 --> 00:37:31,959
Speaker 1: oils they do? They do that? They drip candle wax

700
00:37:32,000 --> 00:37:34,400
Speaker 1: on your body and I'm like Ah, and imagine me

701
00:37:34,480 --> 00:37:37,000
Speaker 1: running around like kid. Ah. And then you need to

702
00:37:37,040 --> 00:37:40,160
Speaker 1: safe for to get out of it right. It just

703
00:37:40,200 --> 00:37:42,520
Speaker 1: doesn't sound fun. And then, and then, when you're safe,

704
00:37:42,560 --> 00:37:47,040
Speaker 1: wording is it? Like? Does she even lose? Because you know,

705
00:37:47,239 --> 00:37:51,400
Speaker 1: like the Dominatrix must be like this guy's pathetic. But

706
00:37:51,520 --> 00:37:54,200
Speaker 1: but then when you punk out, yeah, then what then?

707
00:37:54,280 --> 00:37:57,600
Speaker 1: Do she really like? Oh my God, you bitch ass Motherfucker, like, Oh,

708
00:37:57,680 --> 00:38:00,320
Speaker 1: you're complaining over a little candle wax. I've had like

709
00:38:00,480 --> 00:38:03,480
Speaker 1: five ft five little little geeks in here and they're

710
00:38:03,560 --> 00:38:05,880
Speaker 1: tougher than you. In her head she's saying that. And

711
00:38:05,960 --> 00:38:08,960
Speaker 1: I don't know what's the safe word, like tomato, just

712
00:38:09,280 --> 00:38:13,560
Speaker 1: stop stop fucking please stop. This hurts. I hate this.

713
00:38:13,640 --> 00:38:15,560
Speaker 1: I want to go home to my wife. I hate

714
00:38:15,600 --> 00:38:23,440
Speaker 1: this ship. Stop, stop, at least stop fucking banana. I

715
00:38:23,480 --> 00:38:25,400
Speaker 1: don't I don't know what it is because there might

716
00:38:25,440 --> 00:38:28,239
Speaker 1: be a banana in the tail pipe. Right. That's so.

717
00:38:28,320 --> 00:38:30,880
Speaker 1: The safe word has to be something obscure like tomato,

718
00:38:32,239 --> 00:38:34,640
Speaker 1: or WHO's on third? Who's on third, something like that,

719
00:38:35,640 --> 00:38:38,399
Speaker 1: because you can't just say stop, no, because she won't

720
00:38:38,440 --> 00:38:40,720
Speaker 1: think that you mean it, because stop, stop, is almost

721
00:38:40,760 --> 00:38:46,200
Speaker 1: like more interesting, I think. I don't know. I wouldn't.

722
00:38:46,239 --> 00:38:48,640
Speaker 1: You're asking the wrong guy. I've never been to a dominatrix.

723
00:38:48,680 --> 00:38:50,440
Speaker 1: I don't think I'll ever go to a dominatrix. I

724
00:38:50,520 --> 00:38:52,520
Speaker 1: don't want to be beaten up and told him a

725
00:38:52,560 --> 00:38:56,440
Speaker 1: fucking miserable motherfucker. The mere fact that I'm I'm in

726
00:38:56,520 --> 00:38:59,759
Speaker 1: the situation with the Dominatrix, I'm already fucked up and

727
00:38:59,800 --> 00:39:02,840
Speaker 1: I'm a miserable motherfucker, definitely. So I don't need you again.

728
00:39:03,320 --> 00:39:07,360
Speaker 1: The point is that, between Adam Levine and and emay,

729
00:39:07,640 --> 00:39:11,920
Speaker 1: whatever the funk his name is, it's it's because Adam Levin. Now,

730
00:39:12,320 --> 00:39:15,279
Speaker 1: what happened with this fucking guy, this girl, sumner? I

731
00:39:15,320 --> 00:39:17,880
Speaker 1: don't find the fact that I even know this girl's name. Sumner.

732
00:39:17,960 --> 00:39:22,960
Speaker 1: I don't know some instagram model. She went on Tiktok

733
00:39:23,040 --> 00:39:25,520
Speaker 1: and started leaking D M s from him and she

734
00:39:25,640 --> 00:39:27,960
Speaker 1: showed these texts that he wanted to name his newborn

735
00:39:28,080 --> 00:39:30,759
Speaker 1: baby after her. And is that crazy? There's actually no

736
00:39:31,000 --> 00:39:34,000
Speaker 1: proof that they actually hooked up. There is no proof

737
00:39:34,040 --> 00:39:35,960
Speaker 1: that they hooked up, but there are texts. And then

738
00:39:36,000 --> 00:39:38,520
Speaker 1: a lot more women started coming out saying he dm

739
00:39:38,600 --> 00:39:40,520
Speaker 1: me and this and that, and then he put out

740
00:39:40,520 --> 00:39:42,960
Speaker 1: a statement being like I have a lot of regret

741
00:39:43,000 --> 00:39:45,560
Speaker 1: about this, but I did not have an affair. So

742
00:39:45,719 --> 00:39:48,160
Speaker 1: he is saying that he's working on his marriage. Apparently

743
00:39:48,200 --> 00:39:50,319
Speaker 1: his wife is smoking hot and people are like, why

744
00:39:50,360 --> 00:39:52,759
Speaker 1: would you cheat on her? Well, listen, men are not

745
00:39:52,880 --> 00:39:55,960
Speaker 1: to be trusted. There the whole thing about cheating and

746
00:39:56,080 --> 00:40:00,600
Speaker 1: the hotness. I'm telling you, you got to dig deep,

747
00:40:00,800 --> 00:40:03,520
Speaker 1: because there's like a list of women on online who

748
00:40:03,600 --> 00:40:07,520
Speaker 1: have been cheated on. It's like Emily Ratikowski, Um, Adam

749
00:40:07,640 --> 00:40:12,200
Speaker 1: Levine's woman, Jennifer Lopez, Um, there's like a whole bunch

750
00:40:12,200 --> 00:40:13,800
Speaker 1: of life. Should be a support group with all like

751
00:40:14,400 --> 00:40:17,040
Speaker 1: but they're saying if, if NIA long. Now you're saying,

752
00:40:17,040 --> 00:40:19,560
Speaker 1: if you're cheating on these women, what does the regular

753
00:40:19,680 --> 00:40:23,480
Speaker 1: woman what is her chances? And what I'm saying is,

754
00:40:23,520 --> 00:40:26,839
Speaker 1: if you're going to cheat in two this ain't the name,

755
00:40:26,960 --> 00:40:31,440
Speaker 1: this ain't the eighties, the ninety, the cameras, the text messages,

756
00:40:31,520 --> 00:40:33,520
Speaker 1: the D M s and all that there. It's fucking

757
00:40:33,560 --> 00:40:35,960
Speaker 1: there forever. You gotta be so careful. It's like you said,

758
00:40:35,960 --> 00:40:37,840
Speaker 1: pay for sex if you really want to go to Vegas.

759
00:40:38,000 --> 00:40:40,000
Speaker 1: But people don't want to pay for it. They want

760
00:40:40,040 --> 00:40:44,000
Speaker 1: to chase, they want the fun. They're idiots and maybe

761
00:40:44,000 --> 00:40:46,560
Speaker 1: they deserve to get caught. Okay, I'm just saying that

762
00:40:46,680 --> 00:40:49,640
Speaker 1: between me and the minute. But the fuck and Adam Levine,

763
00:40:50,120 --> 00:40:54,719
Speaker 1: bad fucking week, terrible, bad fucking week. But I don't

764
00:40:54,760 --> 00:40:57,600
Speaker 1: feel that bad. I don't feel bad at all for well,

765
00:40:57,640 --> 00:40:59,359
Speaker 1: I don't feel bad for his wife, like I don't

766
00:40:59,400 --> 00:41:03,880
Speaker 1: know much about Adam Levine. Yeah, I know, move like Jagger, right,

767
00:41:06,040 --> 00:41:09,160
Speaker 1: I don't know that song. Yes, she will be loved.

768
00:41:09,360 --> 00:41:11,839
Speaker 1: What does that one? It's Maroon Five. It's some old ship.

769
00:41:11,960 --> 00:41:13,800
Speaker 1: I can't stand them. But what about move like I

770
00:41:13,920 --> 00:41:17,319
Speaker 1: like Black Jagger. You gotta make any move like Jack

771
00:41:17,680 --> 00:41:21,800
Speaker 1: you gotta move right, move like Jagger, but when you

772
00:41:21,920 --> 00:41:24,720
Speaker 1: see him you're not, like it's not a huge shocker

773
00:41:24,880 --> 00:41:27,640
Speaker 1: that this guys is cheating on his wife. Like, I

774
00:41:27,719 --> 00:41:30,080
Speaker 1: mean just the image of him. It's like, yeah, I

775
00:41:30,160 --> 00:41:32,279
Speaker 1: could see that. He looks like a fucking he looks

776
00:41:32,320 --> 00:41:34,319
Speaker 1: like a Dick, but then he seems like maybe he's

777
00:41:34,320 --> 00:41:35,840
Speaker 1: a nice guy. We don't know him. We don't know

778
00:41:36,040 --> 00:41:38,480
Speaker 1: he grew up with Jonah Hill. He did. Oh yeah,

779
00:41:38,520 --> 00:41:40,720
Speaker 1: he went to my brother, he went to my family's friends,

780
00:41:41,320 --> 00:41:43,840
Speaker 1: like they were like like my brother's age. He's like

781
00:41:43,920 --> 00:41:46,239
Speaker 1: on my Adam Levin. Jona hill is like really good

782
00:41:46,280 --> 00:41:51,120
Speaker 1: friends with his mother, Jonah Hill. Uh Adam Levine's mom,

783
00:41:51,360 --> 00:41:53,759
Speaker 1: patsy is her name. They're like really good friends. She

784
00:41:53,800 --> 00:41:55,400
Speaker 1: comes over to my house all the time, like I

785
00:41:55,480 --> 00:41:57,279
Speaker 1: wonder I had I had talked to my mom about that,

786
00:41:57,360 --> 00:41:59,960
Speaker 1: but they're very good friends. But she don't know Joe

787
00:42:00,040 --> 00:42:02,520
Speaker 1: to hill. My brother was in class with Jonah Hill.

788
00:42:02,520 --> 00:42:04,440
Speaker 1: They were. And what about your mom? No, I forget

789
00:42:04,520 --> 00:42:06,400
Speaker 1: Jonah Hill. I don't what about him. Your Mom's never

790
00:42:06,480 --> 00:42:08,440
Speaker 1: hung out with Jonah Hill. Why would my mom have

791
00:42:08,560 --> 00:42:11,200
Speaker 1: hung out with Jonah Hill? Because she's friends with Adam Levine,

792
00:42:11,600 --> 00:42:14,040
Speaker 1: Adam Levine's mother. She doesn't hang out with Jonah Hill,

793
00:42:14,120 --> 00:42:15,960
Speaker 1: but I'm sure if she's like, I know your mom.

794
00:42:16,120 --> 00:42:18,560
Speaker 1: So she's never met Adam Levin. I think she's met

795
00:42:18,640 --> 00:42:20,719
Speaker 1: him before. So why doesn't he come hang out? I

796
00:42:20,719 --> 00:42:24,040
Speaker 1: don't know, he should. Fuck you never met Adam Levin?

797
00:42:24,120 --> 00:42:25,800
Speaker 1: I never met him. So how good of friends is

798
00:42:25,880 --> 00:42:28,880
Speaker 1: your mom really with Jonah Jonah Hill's mom? She's not.

799
00:42:29,040 --> 00:42:30,719
Speaker 1: She's not friends with Jona hills mom. She's friends with

800
00:42:30,719 --> 00:42:34,080
Speaker 1: Adam Levine's okay, whatever the case is. Whatever, whatever the case,

801
00:42:34,880 --> 00:42:37,000
Speaker 1: who cares? WHO GIVES A ship? I don't give a funk.

802
00:42:37,040 --> 00:42:39,800
Speaker 1: I don't give a funk either. You milk that, I

803
00:42:40,200 --> 00:42:44,280
Speaker 1: milk anything. I was just bringing it up. Bad Week anyway,

804
00:42:44,320 --> 00:42:47,040
Speaker 1: bad week, bad. And the final person I want to

805
00:42:47,040 --> 00:42:50,520
Speaker 1: talk about is this guy DJ academics. Yeah, you have

806
00:42:50,640 --> 00:42:52,400
Speaker 1: to speak on that. I don't know anything about that.

807
00:42:52,640 --> 00:42:56,239
Speaker 1: This guy academics is one of these hip probably made

808
00:42:56,480 --> 00:42:58,919
Speaker 1: it's probably making so much money. I don't know why.

809
00:43:00,280 --> 00:43:04,960
Speaker 1: I have no idea why people have ever found him interesting.

810
00:43:05,040 --> 00:43:08,080
Speaker 1: I don't find him is an interesting personality. I don't

811
00:43:08,160 --> 00:43:11,799
Speaker 1: find his content could. I don't know how he got

812
00:43:11,880 --> 00:43:16,600
Speaker 1: put on, but this piece of ship, academics, uh, was

813
00:43:16,719 --> 00:43:21,800
Speaker 1: recorded or said something to the effect that these old rappers,

814
00:43:21,880 --> 00:43:26,080
Speaker 1: when you see them, they're dusty and something or other another.

815
00:43:26,560 --> 00:43:30,560
Speaker 1: And he's talking about like. He didn't mention names. He

816
00:43:30,600 --> 00:43:32,520
Speaker 1: didn't mention it. You don't need to mention he was

817
00:43:32,560 --> 00:43:34,480
Speaker 1: just he he's talking about the guys that are not

818
00:43:35,200 --> 00:43:38,600
Speaker 1: he saw about like old school rappers, uh not, like

819
00:43:38,840 --> 00:43:41,839
Speaker 1: ll cool J, who's obviously still prominent. He's talking about

820
00:43:41,880 --> 00:43:45,520
Speaker 1: pretty much everybody else. He's sawing about mother. He's talking

821
00:43:45,520 --> 00:43:48,440
Speaker 1: about pioneers, like rock him. He saw about pioneers like

822
00:43:49,920 --> 00:43:52,200
Speaker 1: he's talking about those dudes. He's talking about like the

823
00:43:52,280 --> 00:43:56,840
Speaker 1: guys who invented dejaying scratching, and lll went on a rant,

824
00:43:57,560 --> 00:44:01,760
Speaker 1: you know, in a very articulate, eloquent way, a speaking

825
00:44:01,800 --> 00:44:05,719
Speaker 1: on this dirty and talk about dusty. This guy academics.

826
00:44:06,080 --> 00:44:10,240
Speaker 1: He's been looking dusty. He's a short, talk about bloated,

827
00:44:10,400 --> 00:44:14,960
Speaker 1: probably inflamed, no talent, motherfucker, and the fact that he

828
00:44:15,080 --> 00:44:19,200
Speaker 1: called goes by the name of DJ academics. There's I've

829
00:44:19,200 --> 00:44:24,600
Speaker 1: said this before, you know, we we, we've made jokes

830
00:44:24,640 --> 00:44:28,799
Speaker 1: about DJ kaled, but when I saw old footage, I'm

831
00:44:28,840 --> 00:44:32,400
Speaker 1: talking about skinny Dj Khaled, footage of him cutting and

832
00:44:32,520 --> 00:44:36,640
Speaker 1: scratching in the nineties records, I'm like, okay, he can

833
00:44:36,680 --> 00:44:38,359
Speaker 1: do it. He's actually like about this is a dude

834
00:44:38,400 --> 00:44:44,879
Speaker 1: who put in time into his craft, academics. He don't cut,

835
00:44:45,040 --> 00:44:47,879
Speaker 1: he don't scratch, you don't beat Juggle, he don't mix,

836
00:44:48,080 --> 00:44:52,799
Speaker 1: he don't produce. How are you a DJ like? MOTHERFUCKER's

837
00:44:52,840 --> 00:44:54,719
Speaker 1: need to start stepping into the dudes like Yo, you

838
00:44:54,840 --> 00:44:57,640
Speaker 1: can't call yourself a DJ off the top. That's a

839
00:44:57,719 --> 00:45:00,560
Speaker 1: loose term. They're just throwing out DJ to shoulding's like

840
00:45:00,600 --> 00:45:03,799
Speaker 1: I'm DJ, no, you're you're playing an itunes like were

841
00:45:03,920 --> 00:45:05,800
Speaker 1: like on on an APP and it's just you're not

842
00:45:06,080 --> 00:45:10,640
Speaker 1: Djang like. And for this motherfucker to go on and

843
00:45:10,719 --> 00:45:12,520
Speaker 1: talk about how you just can't say and I'm a

844
00:45:12,680 --> 00:45:15,440
Speaker 1: ship talking to you can't say that about these motherfucker's.

845
00:45:16,800 --> 00:45:20,960
Speaker 1: They built this culture. Dudes names, who we do know,

846
00:45:21,200 --> 00:45:25,160
Speaker 1: dud's names who the common person doesn't know, the break dancers,

847
00:45:25,400 --> 00:45:28,800
Speaker 1: the B boys, the the the Graffiti Dudes, the K

848
00:45:29,040 --> 00:45:31,080
Speaker 1: R s ones, the ones we know and the ones

849
00:45:31,160 --> 00:45:36,359
Speaker 1: we don't know. For this fat, non talented, Bullshit Shit Bag,

850
00:45:36,480 --> 00:45:42,240
Speaker 1: little motherfucker academics to insult these dudes and ain't okay,

851
00:45:43,320 --> 00:45:45,440
Speaker 1: I don't give a fuck. I don't know anything about home.

852
00:45:46,040 --> 00:45:48,080
Speaker 1: I just about him, but I was like Nah, that

853
00:45:48,320 --> 00:45:51,680
Speaker 1: is just not acceptable because hip hop, when you think about,

854
00:45:52,200 --> 00:45:58,840
Speaker 1: when you think about how impactful today in hip hop is,

855
00:45:58,920 --> 00:46:03,960
Speaker 1: how much it is a part of Americana, the way

856
00:46:04,040 --> 00:46:07,000
Speaker 1: we speak to Yo, what's up? That's hip hop. Yo.

857
00:46:07,120 --> 00:46:13,080
Speaker 1: What up? White people, Paris, Hilton, Kim Kardashton being that's dope.

858
00:46:13,239 --> 00:46:16,120
Speaker 1: That's a hip hop sling. All the sling that we say,

859
00:46:16,200 --> 00:46:21,080
Speaker 1: all the fashion, the music, obviously, the way people dance,

860
00:46:21,440 --> 00:46:24,239
Speaker 1: the way people speak, the stuff that it was was

861
00:46:24,400 --> 00:46:28,520
Speaker 1: bred from hip hop, from hip hop culture. That is

862
00:46:28,600 --> 00:46:33,799
Speaker 1: just part of regular Americana now. And for any insulting

863
00:46:33,920 --> 00:46:37,359
Speaker 1: on the people that created it from nothing, this ship

864
00:46:37,520 --> 00:46:42,479
Speaker 1: was created from nothing. MOTHERFUCKER's didn't have instruments, they didn't

865
00:46:42,520 --> 00:46:46,480
Speaker 1: have music class and they created a whole genre of

866
00:46:46,719 --> 00:46:50,200
Speaker 1: music and and slinging and the way people talk, the

867
00:46:50,239 --> 00:46:53,560
Speaker 1: way people walk, the way people dance, the way people speak,

868
00:46:53,640 --> 00:46:57,800
Speaker 1: and this no talented motherfucker. To discredit those people that

869
00:46:57,920 --> 00:47:00,759
Speaker 1: invented this ship from scratch like pulling a rabbit out

870
00:47:00,760 --> 00:47:03,880
Speaker 1: of their hat, but it's a real rabbit that is

871
00:47:04,040 --> 00:47:09,959
Speaker 1: fifty years old. Fuck this, dude, fuck DJ academics, Fuck

872
00:47:10,040 --> 00:47:13,080
Speaker 1: your no talent. Fuck your sites, fuck your blogs, fuck

873
00:47:13,160 --> 00:47:14,839
Speaker 1: your shows. They need to make it. What did they call?

874
00:47:14,880 --> 00:47:16,799
Speaker 1: They need to make a something out of him. They

875
00:47:16,840 --> 00:47:20,160
Speaker 1: need to make an example out of him, example out

876
00:47:20,200 --> 00:47:22,239
Speaker 1: of him, because I feel like he wants like talk

877
00:47:22,280 --> 00:47:25,440
Speaker 1: about you know, like and you know, people not. You know,

878
00:47:25,560 --> 00:47:30,960
Speaker 1: they cancel people, they should cancel, cancel that motherfucker, because

879
00:47:31,040 --> 00:47:34,400
Speaker 1: you can't say that ship, you can't discredit the motherfucker's

880
00:47:34,440 --> 00:47:39,359
Speaker 1: that literally change the world. Worldwide. There's not a there's

881
00:47:39,400 --> 00:47:43,120
Speaker 1: not a place, a continent, a city, a country that

882
00:47:43,239 --> 00:47:47,560
Speaker 1: hasn't been influenced by hip hop hors and the influencers,

883
00:47:47,800 --> 00:47:50,480
Speaker 1: the guys who started it. For him to say they're dusty,

884
00:47:50,520 --> 00:47:52,560
Speaker 1: and they don't. They they're not significant because they didn't

885
00:47:52,560 --> 00:47:55,440
Speaker 1: make money, because they were getting jerked when there was

886
00:47:55,520 --> 00:47:58,200
Speaker 1: no record contracts, when there was no record. Dude like well,

887
00:47:58,400 --> 00:48:00,719
Speaker 1: L O Colte said, there was no man, there was

888
00:48:00,760 --> 00:48:04,520
Speaker 1: no structure for it, because it just came from creativity

889
00:48:05,000 --> 00:48:08,080
Speaker 1: and talk about optimism and hope and all that stuff.

890
00:48:08,320 --> 00:48:10,400
Speaker 1: It all came from that. So for this dude to

891
00:48:10,520 --> 00:48:17,520
Speaker 1: discredit those people, suck a Dick. Done. I'm done. Came

892
00:48:17,600 --> 00:48:22,239
Speaker 1: saw disrupted, kick, came saw disrupted mile join kid the

893
00:48:22,280 --> 00:48:24,000
Speaker 1: bleached brothers. Take us out here with something real nice,

894
00:48:25,120 --> 00:48:28,560
Speaker 1: take us at it with something real out but most importantly,

895
00:48:28,800 --> 00:48:31,120
Speaker 1: take us out of here with something real funky. I

896
00:48:31,200 --> 00:48:32,640
Speaker 1: am reports, Stereo podcast, not