WEBVTT - Ep 57: Josh T. Pearson

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<v Speaker 1>Loud and Quiet presents Midnight Chats.

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<v Speaker 2>Evening listeners a bit of a special Midnight Chats for

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<v Speaker 2>you tonight. As you know, we usually record these podcasts

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<v Speaker 2>behind closed doors in the quieter spot that we can find,

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<v Speaker 2>but on some rare occasions we do head out into

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<v Speaker 2>the outside world just to see what that looks like

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<v Speaker 2>before we scurry on back to our little office in

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<v Speaker 2>East London. Back at the start of September, we headed

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<v Speaker 2>to Lama Tree Gardens in Dorset, which is the picturesque

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<v Speaker 2>home of End of the Road. Now if you don't

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<v Speaker 2>know it, it's an amazing festival and I particularly enjoyed

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<v Speaker 2>this year, not just because the sun was shining and

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<v Speaker 2>that at Loud and Quiet we got to kick the

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<v Speaker 2>whole thing off with the opening night party, which was

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<v Speaker 2>really fun, but because I got to see so much

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<v Speaker 2>good music.

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<v Speaker 1>As part of the.

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<v Speaker 2>Stuff that we do with End of the Road, we

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<v Speaker 2>take our podcast gear along with us, and for the

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<v Speaker 2>third year running we've recorded an episode of Midnight Chats

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<v Speaker 2>live on stage at the festival. We nickname it Midday

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<v Speaker 2>Chats for the weekend because we record it at lunchtime

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<v Speaker 2>when everybody's easing themselves into the day with a coffee

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<v Speaker 2>or usually something stronger than that. In the past we've

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<v Speaker 2>recorded episodes with Anna Meredith and last year Nadan Shah.

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<v Speaker 2>Both of those are still available to listen to their

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<v Speaker 2>episodes twelve and thirty three in the archive if you

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<v Speaker 2>do want to go back and check those out. This year,

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<v Speaker 2>my guest was Josh T. Pearson. He played on the

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<v Speaker 2>Friday night on the main Wood stage and joined on

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<v Speaker 2>Saturday lunchtime at the Piano stage for this conversation. If

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<v Speaker 2>you don't know Josh, he found cult fame with the

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<v Speaker 2>Texas based band Lyft to Experience in the early two thousands.

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<v Speaker 2>They made the seminal post rock album Texas Jerusalem Crossroads,

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<v Speaker 2>and then split up and did separate things. Josh went

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<v Speaker 2>away promised he'd grow a beard until he made a

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<v Speaker 2>second album, and eventually emerged a decade later with a

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<v Speaker 2>very Big Beard and his first solo album, which was

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<v Speaker 2>Last of the Country Gentleman in twenty eleven. But to

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<v Speaker 2>bring things right up to speed, he returned this year

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<v Speaker 2>with his second solo album, The Straight Hits, which marked

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<v Speaker 2>a different sound and a different, clean shaven appearance for Josh.

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<v Speaker 2>This came as lift to experience, played their first show

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<v Speaker 2>together in fifteen odd years at Guy Garvey's Meltdown in

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<v Speaker 2>twenty sixteen, and they also did Primavera Sound in Barcelona

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<v Speaker 2>this year. Just to paint the picture of this podcast

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<v Speaker 2>you're about to hear, a few hundred people gathered at

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<v Speaker 2>the Piano stage, which is located in the woods at

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<v Speaker 2>the festival and is decorated like an old person's living

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<v Speaker 2>room with lampshades and vintagey chairs and obviously a piano.

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<v Speaker 2>Josh was running on rock Star time and arrived triumphantly

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<v Speaker 2>about two minutes before we started recording this on one

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<v Speaker 2>of those festival buggies that you see because his keys

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<v Speaker 2>player had a broken foot. Josh had a cigarette in

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<v Speaker 2>one hand and a glass of white wine in the

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<v Speaker 2>other and settled in for this conversation. I'm fairly confident

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<v Speaker 2>that he'd had a late night before, and he was

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<v Speaker 2>putting the blame squarely on his vegan sound guy who

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<v Speaker 2>smokes a lot of weed. Apparently. Anyway, as you're about

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<v Speaker 2>to hear, Josh is less of an interviewee and more

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<v Speaker 2>of a storyteller. What my mum would have afectionately referred

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<v Speaker 2>to as a bit of a character. This is one

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<v Speaker 2>of the more unruly episodes of Midnight Chats that we've recorded,

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<v Speaker 2>but also one of the most honest, endearing, and entertaining.

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<v Speaker 2>But just quickly before we get into that, if you

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<v Speaker 2>didn't catch Stu announcing the news on the last podcast,

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<v Speaker 2>we are now officially available on Spotify, So if you

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<v Speaker 2>prefer to listen to your podcasts on Spotify, you can

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<v Speaker 2>now search for us and you'll find all the old

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<v Speaker 2>episodes and all the new episodes that we make over there.

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<v Speaker 2>So let's get into the conversation. Thank you and the

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<v Speaker 2>road festival. Thank you, Josh T. Pearson. Thank you to

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<v Speaker 2>all of those who came to listen and those of

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<v Speaker 2>you listening now. Of course, this is Midnight Chats episode

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<v Speaker 2>fifty seven. Please were you joined me in welcoming Josh T.

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<v Speaker 1>Pearson?

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<v Speaker 3>Yeah, thanks, I'll blessing almost sort of.

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<v Speaker 1>Josh, you already said that you are feeling.

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<v Speaker 3>Night. Yeah, yeah, I'm good. I'm a professional. I'll be

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<v Speaker 3>up and ready in a couple hours.

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<v Speaker 1>How was the show last night? You played there?

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<v Speaker 3>Nobody died. I was happy to hear that I had

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<v Speaker 3>a whole team we've been doing They got a new

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<v Speaker 3>record out Smash Hits, and we just put a band

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<v Speaker 3>together a couple of months ago. Real quick. I have

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<v Speaker 3>a new band a couple of weeks ago. These one

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<v Speaker 3>off shows are kind of hard because you just kind

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<v Speaker 3>of get everything going and then you just stop. So

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<v Speaker 3>about halfway through the set, you're like, that's pretty good,

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<v Speaker 3>let's do it again. But two weeks ago we played

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<v Speaker 3>Larude of Rock, which is in some malo in Brittany,

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<v Speaker 3>and we pricked practiced with a new drummer on Thursday,

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<v Speaker 3>Alie from the Duke's Spirit, and then a new guitar

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<v Speaker 3>player on Friday, Laurent who was a Frenchman, and then

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<v Speaker 3>we played Saturday right before Patty Smith, which was pretty cool.

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<v Speaker 3>We fist bumped oh way out. I was pulling for

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<v Speaker 3>Patty Cakes, but she wasn't having it. I'm kidding. None

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<v Speaker 3>of that happened except they're playing before Patty Smith and

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<v Speaker 3>the practicing anyway. Yeah, so it was good. Yeah, but

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<v Speaker 3>I feel if we did it again it'd be better.

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<v Speaker 3>Now it's a big stage. I was thinking we were

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<v Speaker 3>doing the garden stage. I was just telling the stories.

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<v Speaker 3>I was in my head in my practicing, and I

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<v Speaker 3>was playing the garden stage and just killing it, you know,

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<v Speaker 3>and let me get to the wood stage, like shit,

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<v Speaker 3>this is a little bigger. I wasn't fair for this,

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<v Speaker 3>but I think it was okay.

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<v Speaker 2>Y'all.

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<v Speaker 3>People don't move around as much, and it's nervous because

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<v Speaker 3>this is my fourth time here, and I love y'all.

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<v Speaker 3>I recognize a bunch of your faces and feels like family.

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<v Speaker 3>So and it's a new sort of a bit of

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<v Speaker 3>it partuy from the last of so I was happy

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<v Speaker 3>that people were there.

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<v Speaker 2>You did something that I've never seen anybody do before

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<v Speaker 2>a show, which was that about fifteen minutes before you started,

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<v Speaker 2>I was walking up and I could already hear your

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<v Speaker 2>voice and I was like, as Josh, come on stage early,

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<v Speaker 2>but you were playing your new record through the PA

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<v Speaker 2>system and using us as guinea pigs.

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<v Speaker 3>Totally, absolutely, that's what I was doing. That's called controversy.

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<v Speaker 3>It's a punk rock, keyht comedy album that nobody wants

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<v Speaker 3>to touch for some reason. I think it's a hit.

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<v Speaker 3>That's great. Comedy is to be a lot in country stuff,

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<v Speaker 3>but I don't know anyway. I've recorded over a year ago.

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<v Speaker 3>That's great.

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<v Speaker 2>Is there a song on there about when I arrived,

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<v Speaker 2>there was a song that was referencing like Instagram and

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<v Speaker 2>Twitter and stuff like that.

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<v Speaker 3>Is that right? Yeah, there's one Facebook for life. It's

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<v Speaker 3>just about I mean, it's a silly story about a

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<v Speaker 3>guy who gets a Facebook message from an old flame

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<v Speaker 3>twenty years later and he's married and it interrupts the

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<v Speaker 3>family flow. Wives haven't none of it. And I'm modern.

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<v Speaker 3>I mean, it's it's silly and lighthearted, but it's touching

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<v Speaker 3>on a bigger, greater catastrophe and we'll we'll never say

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<v Speaker 3>goodbye again. It's just such a completely different world now.

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<v Speaker 3>Partying is a thing of the past.

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<v Speaker 2>You know, are you social media fan or you generally

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<v Speaker 2>don't want to touch I.

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<v Speaker 3>Think it's I mean, it's the best and the worst.

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<v Speaker 3>I was kidding yesterday with the Instagram when I said,

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<v Speaker 3>y'all ever heard of Instagram? It's killed me. It's it's

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<v Speaker 3>just I wanted to make my I put my handle

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<v Speaker 3>that Josh. I wanted to make it Josh de Pearson

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<v Speaker 3>officially sucks at Instagram, but they're too many characters, so

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<v Speaker 3>I made it Josh T Pearson officially rules because I couldn't.

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<v Speaker 3>I don't have enough followers to get the actual official thing,

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<v Speaker 3>you know, so maybe y'all should follow me and then

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<v Speaker 3>I could just be official.

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<v Speaker 1>You need a blue tick, Come on, people.

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<v Speaker 3>I think I think Instagram is really the panopticon of

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<v Speaker 3>the modern age. It's it's like the actual apple, the

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<v Speaker 3>belly of the beast when we're I mean, we're really

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<v Speaker 3>in the midst of creating any species. And the next

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<v Speaker 3>twenty years are going to get You think this twenty

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<v Speaker 3>was crazy, the next twenty you're going to get just

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<v Speaker 3>so wild. I think they put singularity at around mid thirties,

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<v Speaker 3>twenty thirty six, thirty eight, something like that. But it's

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<v Speaker 3>gonna it's going to be a crazy interesting time. And

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<v Speaker 3>I really do think that something like Instagram really is

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<v Speaker 3>biting the apple and tasting, tasting the fruit, and there's

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<v Speaker 3>you have all knowledge of good and evil. You can't

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<v Speaker 3>look away. It's it's really something.

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<v Speaker 2>This comedy album that you've written, when and what you

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<v Speaker 2>said you made it? You wrote it about a year ago.

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<v Speaker 2>Where were you at that time? Why did you want

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<v Speaker 2>to do make that album?

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<v Speaker 3>Well? I actually i'd been kind of toying with it

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<v Speaker 3>for a few years and writing a lot of silly

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<v Speaker 3>paper stuff. I write all the time. I just never

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<v Speaker 3>put out because I'm Christian, you know.

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<v Speaker 2>The people.

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<v Speaker 3>So and when I was at the election in London

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<v Speaker 3>at the what do you call it, American Embassy, and

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<v Speaker 3>I don't know if y'all got the memoum, but Donald

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<v Speaker 3>Trump won and a friend invited me, and there's a

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<v Speaker 3>bunch of left wing liberals there, you know, of course,

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<v Speaker 3>because if you're in London anyway, And because of the

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<v Speaker 3>time change, it was like four thirty four in the

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<v Speaker 3>morning when the return started coming in, and all these

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<v Speaker 3>liberals have been drinking all day, really delicious wine, and

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<v Speaker 3>they knew that Hillary was gonna win. They just knew that.

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<v Speaker 3>They knew that was the reality. And when the reality

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<v Speaker 3>started switching, like oh good god, this cannot be happening,

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<v Speaker 3>it was like night of the Living dead, you know.

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<v Speaker 3>And there were just there were like packs of women

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<v Speaker 3>in corners weeping, like hands in the air, like this

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<v Speaker 3>cannot be happening. Like, man, this is really getting serious.

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<v Speaker 3>You know. America just elected a gambling casino owner. His

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<v Speaker 3>sole purpose is to make money off the weakness of

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<v Speaker 3>man and have a sort of flesh what do you

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<v Speaker 3>call contests with women's based on their aesthetic feeling only

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<v Speaker 3>things that they had nothing to do with anyway. Well,

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<v Speaker 3>this we got to do something about this. And it

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<v Speaker 3>was an interesting response. I'm an American, I really I had

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<v Speaker 3>never really felt that before then fell in allegiance to

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<v Speaker 3>it. It wasn't xenophobic or jigorist or anything like that kind

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<v Speaker 3>of until then. It's like, with this information, this confirmed

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<v Speaker 3>bias that we're in with technology is getting really serious,

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<v Speaker 3>where you're just your realities are becoming so separate and

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<v Speaker 3>there's you can't even talk about you can't have a dialogue.

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<v Speaker 3>And so part of the controversy stuff was trying to

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<v Speaker 3>use humor as a device just to poke fun at

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<v Speaker 3>all sides, and we need to be able to talk

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<v Speaker 3>about this. Yeah, this is this is serious and kind

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<v Speaker 3>of break down some of the social constructs. There's one

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<v Speaker 3>song and they're really proud of called boy Names Straight,

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<v Speaker 3>which is like my my modern version of boy Name Sue.

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<v Speaker 3>And then it's about a Rednick who gets really drunk

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<v Speaker 3>one night and he goes to the bar and this

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<v Speaker 3>other Rednick is there and kind of looking at him,

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<v Speaker 3>and he's not really sure what's going on. I think

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<v Speaker 3>he's kind of hitting on him, and they start playing pool,

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<v Speaker 3>and he wakes up the next day and he's alone

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<v Speaker 3>in his room and there's broken glass everywhere. His butt's

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<v Speaker 3>real sore, and he's sore all over. Sorry kids, and

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<v Speaker 3>Broke Back Mountains playing on his computer on repeat, and

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<v Speaker 3>he has what he calls a Texas Angel crisis. He

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<v Speaker 3>just doesn't know what happens. And there's a little twist

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<v Speaker 3>at the end, really playful and silly, but I really

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<v Speaker 3>think that, you know that old adage, if if you

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<v Speaker 3>want to speak the truth, you got to make him laugh,

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<v Speaker 3>you know so, And then something in the last ten

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<v Speaker 3>years are spent more time investing. When I came out

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<v Speaker 3>of that last of the Country Gentleman thing, I've been

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<v Speaker 3>so focused on just introverted to bear and down this

0:13:01.480 --> 0:13:06.520
<v Speaker 3>really heavy uh, taking all the energies upon you. And

0:13:06.559 --> 0:13:10.920
<v Speaker 3>I'm trying to turn the corner where I try to

0:13:10.960 --> 0:13:13.880
<v Speaker 3>tap into humor more. And that seemed they say that's

0:13:13.920 --> 0:13:16.240
<v Speaker 3>the hardest art for him. So I don't know if

0:13:16.240 --> 0:13:19.040
<v Speaker 3>I'm getting there, but I think with some of those songs,

0:13:19.080 --> 0:13:21.079
<v Speaker 3>I arrived at a good place. And if you can

0:13:21.120 --> 0:13:24.480
<v Speaker 3>make somebody laugh, even if I realize I'm burning down

0:13:24.520 --> 0:13:30.280
<v Speaker 3>the whole thing had before, like integrity and stuff. But

0:13:31.200 --> 0:13:34.240
<v Speaker 3>if I can make somebody giggle and feel good, like

0:13:34.320 --> 0:13:37.120
<v Speaker 3>that feels all right. Laughter, It really is the best

0:13:37.160 --> 0:13:38.520
<v Speaker 3>medicine and it heals people.

0:13:38.559 --> 0:13:40.160
<v Speaker 1>And you go back to Texas often.

0:13:40.280 --> 0:13:42.160
<v Speaker 3>Yeah, I've been in Austin for a few years now.

0:13:42.320 --> 0:13:44.160
<v Speaker 1>Okay, that's where you're based right now because you live.

0:13:44.720 --> 0:13:47.600
<v Speaker 3>Yeah, Austin's not really Texas, but you get to say

0:13:47.640 --> 0:13:50.120
<v Speaker 3>you're from Texas and then be in this little liberal

0:13:50.160 --> 0:13:53.840
<v Speaker 3>bubble where people read books and stuff and eat healthy.

0:13:54.240 --> 0:13:56.679
<v Speaker 3>It's awesome. They say, you have Austin and you have

0:13:56.720 --> 0:13:59.000
<v Speaker 3>Texas all around it, and that's the altrue. There's four

0:13:59.040 --> 0:14:02.240
<v Speaker 3>man cities in Texas, Alice, Houston, Austin, and San Antonio,

0:14:02.559 --> 0:14:06.840
<v Speaker 3>and they're you know, pretty liberal and urban. Then you

0:14:06.960 --> 0:14:10.079
<v Speaker 3>go ten twenty minutes out and it's just rural stuff.

0:14:10.160 --> 0:14:13.240
<v Speaker 3>So it's split down the middle demographically as the rest

0:14:13.280 --> 0:14:15.840
<v Speaker 3>of the country. Houston's I think it just eclipsed Chicago

0:14:15.920 --> 0:14:18.880
<v Speaker 3>for the third biggest city, you know, and we don't

0:14:18.880 --> 0:14:21.520
<v Speaker 3>even think about Houston up and Dallas for worth You forget,

0:14:21.560 --> 0:14:27.080
<v Speaker 3>it's in Texas. So it's New York La Houston used

0:14:27.080 --> 0:14:29.280
<v Speaker 3>to be in New York, La Chicago, Houston anyway, somewhere.

0:14:29.280 --> 0:14:31.680
<v Speaker 3>There's twenty eight million people in Texas. It's just a

0:14:31.720 --> 0:14:33.840
<v Speaker 3>little bit bigger than France, which I like to remind

0:14:33.920 --> 0:14:38.800
<v Speaker 3>French people when I'm there. So Ray, Yeah is Ray?

0:14:39.760 --> 0:14:41.600
<v Speaker 1>How is Texas the days? Because let you say it's.

0:14:41.520 --> 0:14:44.920
<v Speaker 3>At yet, it's really hot. It's like forty degrees right there.

0:14:45.200 --> 0:14:47.520
<v Speaker 3>It's so hot. That's how people are crazy. It's just

0:14:47.640 --> 0:14:51.520
<v Speaker 3>the weather is relentless, you know, it's like religion, flat

0:14:51.600 --> 0:14:53.920
<v Speaker 3>land with in more of miss skies and then forty

0:14:53.960 --> 0:14:56.400
<v Speaker 3>degree heat, which one hundred for us. That just makes

0:14:56.440 --> 0:14:59.120
<v Speaker 3>you crazy. Yeah, they stay indoors a lot. We use

0:14:59.120 --> 0:15:04.840
<v Speaker 3>the air conditioning. God bless America like to provide economy,

0:15:04.920 --> 0:15:08.960
<v Speaker 3>you know, generate luck of energy and stuff. I always

0:15:09.040 --> 0:15:12.120
<v Speaker 3>do that thing with my friend's always bitch about gentrification

0:15:12.200 --> 0:15:14.440
<v Speaker 3>and stuff. I don't play devil, not Devil's advocate. I'll

0:15:14.440 --> 0:15:17.440
<v Speaker 3>just I'll use these coin these phrases that are in

0:15:17.480 --> 0:15:21.120
<v Speaker 3>their skill set with gentrification and say, man, this can't

0:15:21.120 --> 0:15:23.160
<v Speaker 3>believe another new thing moved in here. And then I'll say,

0:15:23.160 --> 0:15:25.360
<v Speaker 3>like man, I like all this life and this growth,

0:15:25.480 --> 0:15:31.800
<v Speaker 3>you know, it's nice to see movement, and yeah, people healthy. Anyway,

0:15:32.080 --> 0:15:36.240
<v Speaker 3>the whole world's flipped over man gentrified. It's really something.

0:15:36.040 --> 0:15:39.720
<v Speaker 2>Who's seen lifting experience in the last couple of years.

0:15:39.720 --> 0:15:45.200
<v Speaker 3>Bless are the rest of you. Where were you then

0:15:46.000 --> 0:15:50.000
<v Speaker 3>when I needed to would have another chance to see that?

0:15:51.760 --> 0:15:59.360
<v Speaker 3>Maybe that makes us an offer we think that going

0:15:59.400 --> 0:16:03.160
<v Speaker 3>on fumes. I don't know as demands. You know, we

0:16:03.240 --> 0:16:06.200
<v Speaker 3>got offered one gig this year at Primavara, and we

0:16:06.200 --> 0:16:08.720
<v Speaker 3>were so thrilled, honored. Twenty years later, it's just such

0:16:08.760 --> 0:16:10.720
<v Speaker 3>an it's an honor. It's honored to have you all here.

0:16:11.520 --> 0:16:14.840
<v Speaker 3>There's no five year plan here. I'm I was not

0:16:14.960 --> 0:16:17.000
<v Speaker 3>surprised to be here at all, and I'm really grateful

0:16:17.320 --> 0:16:20.000
<v Speaker 3>for the joke I say. I'd like to think each

0:16:20.000 --> 0:16:21.360
<v Speaker 3>and every one of you, So if you could just

0:16:21.480 --> 0:16:26.560
<v Speaker 3>form a line here on the left, I'd love to. Yeah,

0:16:26.600 --> 0:16:27.560
<v Speaker 3>we'll do it, how much?

0:16:27.920 --> 0:16:29.360
<v Speaker 1>Yeah? Yeah, where's my chat book?

0:16:29.520 --> 0:16:33.160
<v Speaker 3>I mean, it's only these gigs. It's just we have men.

0:16:33.400 --> 0:16:36.560
<v Speaker 3>I mean broke even you know which putting out the remix.

0:16:36.960 --> 0:16:39.680
<v Speaker 3>We worked really hard that year to the remix it

0:16:39.840 --> 0:16:42.920
<v Speaker 3>and extensively on the graphics and stuff, just to kind

0:16:42.920 --> 0:16:44.760
<v Speaker 3>of have it as I originally wanted it with a

0:16:44.760 --> 0:16:48.080
<v Speaker 3>big foldout, and I think we almost broke even It's

0:16:48.120 --> 0:16:50.640
<v Speaker 3>just it's labor, it's love, it's our for artsake, you know.

0:16:50.720 --> 0:16:53.680
<v Speaker 3>But we were toying with the idea. I've definitely have songs.

0:16:53.720 --> 0:16:57.240
<v Speaker 3>We had finished half of the next record before I

0:16:57.320 --> 0:17:00.120
<v Speaker 3>went a little crazy. But we'll see what's around on

0:17:00.160 --> 0:17:01.720
<v Speaker 3>the bin. I'd like to see what happens with the

0:17:01.760 --> 0:17:05.720
<v Speaker 3>comedy record. Yeah, Like if I could tickle America's fancy

0:17:06.359 --> 0:17:08.240
<v Speaker 3>and like really kind of win them and then you

0:17:08.280 --> 0:17:10.560
<v Speaker 3>sneak up behind him with this really scary ass shit,

0:17:10.600 --> 0:17:17.199
<v Speaker 3>that'd be awesome. That's crazy. I like when people change,

0:17:17.280 --> 0:17:20.159
<v Speaker 3>you know. I just don't know what's coming out next

0:17:20.280 --> 0:17:23.720
<v Speaker 3>in life and in love, and that just keeps it exciting.

0:17:23.760 --> 0:17:26.000
<v Speaker 3>But with art too, it would have been selling out

0:17:26.040 --> 0:17:27.480
<v Speaker 3>for me to make the same kind of record. I

0:17:27.480 --> 0:17:31.000
<v Speaker 3>have so many heartbreak songs, staggering stuff. But I needed

0:17:31.000 --> 0:17:34.240
<v Speaker 3>to try this other way for a second, just to

0:17:34.560 --> 0:17:40.840
<v Speaker 3>kind of burn down myself, to not be stifled or

0:17:41.119 --> 0:17:43.920
<v Speaker 3>drafted by it. But that wasn't your question at all.

0:17:45.520 --> 0:17:50.280
<v Speaker 2>When Lifting Experience went and played Guy Garvey's Mountdown in

0:17:50.320 --> 0:17:52.439
<v Speaker 2>twenty sixteen. That was obviously your first show in a

0:17:52.440 --> 0:17:56.120
<v Speaker 2>long time. Was it simply the invitation that prompted doing

0:17:56.119 --> 0:17:57.800
<v Speaker 2>that again or thinking about it?

0:17:57.960 --> 0:18:01.760
<v Speaker 3>Yeah? And there were men, know, we had enough to

0:18:01.760 --> 0:18:03.960
<v Speaker 3>go our separate ways, and they were real soul issues

0:18:04.000 --> 0:18:07.440
<v Speaker 3>involved and were kind of corrupted this section. We were

0:18:07.480 --> 0:18:11.439
<v Speaker 3>at a couple of us. I think it would have

0:18:11.640 --> 0:18:13.960
<v Speaker 3>formed our our nature or spirit that we kept on

0:18:14.000 --> 0:18:17.200
<v Speaker 3>that path. So it was important to call it quits,

0:18:18.080 --> 0:18:21.680
<v Speaker 3>I think for the greatest experience in life. And we

0:18:21.720 --> 0:18:24.560
<v Speaker 3>had rounded those corners and dealt with our issues and

0:18:24.840 --> 0:18:26.919
<v Speaker 3>we were on speaking terms again and like, yeah, this

0:18:27.000 --> 0:18:29.439
<v Speaker 3>is let's try this. It's fun. And there was the

0:18:29.520 --> 0:18:32.840
<v Speaker 3>offer there because it's a public festival. They had a

0:18:33.680 --> 0:18:36.840
<v Speaker 3>budget that would allow three men and separate states, to

0:18:38.080 --> 0:18:40.920
<v Speaker 3>separate countries, to get together and practice for a couple

0:18:40.920 --> 0:18:42.920
<v Speaker 3>of weeks and then fly us over higher the gear

0:18:43.000 --> 0:18:47.440
<v Speaker 3>as international flights and pay for the you know Lee

0:18:47.560 --> 0:18:52.000
<v Speaker 3>from Leeds for his him and his marijuana. And we

0:18:52.040 --> 0:18:54.720
<v Speaker 3>had a light guy. Uh. That was awesome. They'd really

0:18:54.720 --> 0:18:58.520
<v Speaker 3>treated us like stars at that little uh at the

0:18:58.600 --> 0:19:01.280
<v Speaker 3>Royal Festival Hall. What's a I love South Maccenter. It's

0:19:01.280 --> 0:19:04.080
<v Speaker 3>one of my favorite. I played all those rooms, so

0:19:04.200 --> 0:19:06.520
<v Speaker 3>it was really nice and I'm glad we pulled it off.

0:19:06.560 --> 0:19:09.480
<v Speaker 3>It was a lot of pressure because it's such a boutique,

0:19:09.520 --> 0:19:13.160
<v Speaker 3>little niche band, you know, and we had fallen over

0:19:13.200 --> 0:19:15.720
<v Speaker 3>here in Europe on two thousand and one, but even

0:19:15.720 --> 0:19:21.320
<v Speaker 3>in Texas it's just like I know, it's the small demographic,

0:19:22.920 --> 0:19:24.960
<v Speaker 3>So there was a lot of pressure on us to

0:19:25.960 --> 0:19:27.680
<v Speaker 3>play as well as it was in the minds of

0:19:27.760 --> 0:19:30.360
<v Speaker 3>the people from twenty years ago, because it was really

0:19:30.440 --> 0:19:32.520
<v Speaker 3>a special thing, and we realized playing those teams like

0:19:32.560 --> 0:19:35.320
<v Speaker 3>this is really special. We just worked so hard on

0:19:35.320 --> 0:19:38.159
<v Speaker 3>those tunes, beat them up for a year, and just

0:19:38.240 --> 0:19:41.040
<v Speaker 3>put such grace in between the notes, and it was

0:19:41.160 --> 0:19:44.000
<v Speaker 3>really a joy to revisit. It was like time travel

0:19:44.560 --> 0:19:46.240
<v Speaker 3>going back to that place in your head, you.

0:19:46.200 --> 0:19:49.080
<v Speaker 2>Know, emotionally. What was that experience like of getting the

0:19:49.480 --> 0:19:51.199
<v Speaker 2>three of you back together. Was it a bit of

0:19:51.240 --> 0:19:53.680
<v Speaker 2>a roller coaster or has it been because you obviously like, say,

0:19:53.680 --> 0:19:54.800
<v Speaker 2>you did Primavera this year.

0:19:54.960 --> 0:19:59.080
<v Speaker 3>Yeah, it's man, it's neat really buddies and they would

0:19:59.080 --> 0:20:00.679
<v Speaker 3>spend a few years to ge this, so it was

0:20:00.800 --> 0:20:04.400
<v Speaker 3>just like with your childhood friends again, and he's doing great.

0:20:04.440 --> 0:20:07.080
<v Speaker 3>He's in Portland making wine. That's why I couldn't be

0:20:07.119 --> 0:20:10.520
<v Speaker 3>at these JTP shows. He makes this organic wine. It's

0:20:10.560 --> 0:20:13.359
<v Speaker 3>really delicious, you know, it's really cool without the soul fates.

0:20:13.440 --> 0:20:16.520
<v Speaker 3>There's no hangover. You can just drink it and drink

0:20:16.560 --> 0:20:18.200
<v Speaker 3>and drink it, and then you wake up and you

0:20:18.240 --> 0:20:25.040
<v Speaker 3>feel awesome. No one tells me shit, I started smoking

0:20:25.080 --> 0:20:29.000
<v Speaker 3>four months ago. It's so stupid. That's quit for ten years.

0:20:29.800 --> 0:20:31.800
<v Speaker 3>It's a terrible drug. It's awesome.

0:20:31.880 --> 0:20:34.639
<v Speaker 1>You know what about read editing some today so much.

0:20:34.680 --> 0:20:36.120
<v Speaker 3>I'll tell you what it is. It's that you can

0:20:36.200 --> 0:20:40.239
<v Speaker 3>want something more than anything else in the world, like

0:20:40.520 --> 0:20:43.320
<v Speaker 3>twenty times a day and get it, like I want

0:20:43.359 --> 0:20:45.199
<v Speaker 3>more than anything right now, and then you get to

0:20:45.240 --> 0:20:47.800
<v Speaker 3>get it and you get to do that like twenty

0:20:47.840 --> 0:20:52.520
<v Speaker 3>times a day, and it's the worst and it's just awful.

0:20:52.760 --> 0:20:56.159
<v Speaker 3>They're so bad for you. Where the kids went? You

0:20:56.200 --> 0:20:58.360
<v Speaker 3>always feel guilty you spoken in front of children. It's

0:20:58.359 --> 0:21:00.920
<v Speaker 3>neat how innocence brings out things you shouldn't be done.

0:21:00.960 --> 0:21:05.040
<v Speaker 3>You know, I quit drinking for seven years, seven of

0:21:05.040 --> 0:21:09.960
<v Speaker 3>the worst years of my life. Mom, I didn't raise

0:21:10.040 --> 0:21:16.399
<v Speaker 3>no quitter stupid. Thank you all, Good night. Sorry I

0:21:16.480 --> 0:21:17.959
<v Speaker 3>interrupted you again.

0:21:18.200 --> 0:21:20.960
<v Speaker 1>You went back and watch the old YouTube videos. I

0:21:20.960 --> 0:21:23.320
<v Speaker 1>did a story lift experience.

0:21:23.440 --> 0:21:25.800
<v Speaker 3>The thing was, it was so long ago. There's like

0:21:25.840 --> 0:21:29.159
<v Speaker 3>no no one had cell phone cameras. There's like so

0:21:29.280 --> 0:21:31.159
<v Speaker 3>little footage, like I don't know what we're playing, and

0:21:31.119 --> 0:21:33.639
<v Speaker 3>they trying to google it. Like there was one video

0:21:33.720 --> 0:21:36.840
<v Speaker 3>from a show in LA and for some stupid reason,

0:21:37.240 --> 0:21:39.800
<v Speaker 3>Thank the good Lord, this guy did a close up

0:21:39.840 --> 0:21:42.840
<v Speaker 3>of my hand for like thirty minutes. He was being artful,

0:21:43.080 --> 0:21:46.240
<v Speaker 3>you know, like this is awesome. It was like, that's

0:21:46.240 --> 0:21:49.639
<v Speaker 3>what that chord was. And here's another thing that's kind

0:21:49.640 --> 0:21:51.760
<v Speaker 3>of interesting, some of the parts because it was so intricate,

0:21:51.800 --> 0:21:53.600
<v Speaker 3>so many little parts he played just one time. It

0:21:53.640 --> 0:21:57.600
<v Speaker 3>was you know, composed really specifically. And I couldn't get

0:21:57.640 --> 0:22:01.200
<v Speaker 3>a couple of things. I was playing acoustic running practicing,

0:22:01.280 --> 0:22:04.439
<v Speaker 3>and then I couldn't get it until I plugged in

0:22:04.480 --> 0:22:07.440
<v Speaker 3>the pedals. And I guess because the way the synapses

0:22:07.480 --> 0:22:10.120
<v Speaker 3>are connected in the brain, and it would start coming

0:22:10.160 --> 0:22:12.520
<v Speaker 3>back to me because you're hitting all those things at once,

0:22:12.560 --> 0:22:16.200
<v Speaker 3>and as we link things together in our mind, as

0:22:16.200 --> 0:22:19.200
<v Speaker 3>we do with language and stuff. That's pretty cool.

0:22:19.440 --> 0:22:21.520
<v Speaker 2>And the experience now you're obviously out on the road

0:22:21.840 --> 0:22:24.679
<v Speaker 2>performing you know, solo material. You've been, you know, playing

0:22:24.680 --> 0:22:26.520
<v Speaker 2>shows in the UK regular the last couple of years.

0:22:26.560 --> 0:22:28.600
<v Speaker 2>It's been a number of times in your career where

0:22:28.640 --> 0:22:31.320
<v Speaker 2>you've kind of to the listener's here, kind of disappeared

0:22:31.359 --> 0:22:33.680
<v Speaker 2>off the radar and gone and done your thing. How

0:22:33.680 --> 0:22:35.800
<v Speaker 2>important is it to do that, to get away from

0:22:35.800 --> 0:22:38.640
<v Speaker 2>things and work on things in isolation and then come back.

0:22:38.800 --> 0:22:42.480
<v Speaker 3>Well, it's more for that was just me, the inward journey.

0:22:42.480 --> 0:22:45.879
<v Speaker 3>I was never like a part of the system or

0:22:45.960 --> 0:22:47.480
<v Speaker 3>rock and roll. I mean I didn't put out a

0:22:47.520 --> 0:22:50.240
<v Speaker 3>record for ten years. That wasn't an accident. I really

0:22:50.280 --> 0:22:54.120
<v Speaker 3>specifically chose to go this other way of introversion and introspection.

0:22:54.800 --> 0:22:57.000
<v Speaker 3>And just like if I were to put out good

0:22:57.000 --> 0:22:59.280
<v Speaker 3>records and you be part of that system, then you

0:22:59.359 --> 0:23:02.680
<v Speaker 3>lose a different sort of life path. People treat you differently.

0:23:02.760 --> 0:23:07.919
<v Speaker 3>And then I wanted to explore everything of poverty and

0:23:09.359 --> 0:23:11.600
<v Speaker 3>even I say fame, even in that sort of level,

0:23:11.600 --> 0:23:13.560
<v Speaker 3>Like I wasn't willing to pay that sort of I

0:23:13.560 --> 0:23:16.240
<v Speaker 3>couldn't afford to pay that price, you know, in my

0:23:16.320 --> 0:23:18.880
<v Speaker 3>own growth. It just couldn't do that. And I felt

0:23:18.920 --> 0:23:21.679
<v Speaker 3>like I rounded a corner where I kind of gathered

0:23:21.800 --> 0:23:24.520
<v Speaker 3>enough of what I needed to experience and then I

0:23:24.680 --> 0:23:26.480
<v Speaker 3>can put that back. So now I would love to

0:23:27.320 --> 0:23:29.959
<v Speaker 3>put out and I was gonna put this into the universe.

0:23:30.000 --> 0:23:31.480
<v Speaker 3>If I could put out a record a year, or

0:23:31.480 --> 0:23:33.280
<v Speaker 3>two records a year, I definitely have the material. But

0:23:34.040 --> 0:23:36.840
<v Speaker 3>it may just be time too that I'm I'm older,

0:23:37.080 --> 0:23:40.520
<v Speaker 3>closer to death in my forties now, and you want

0:23:40.520 --> 0:23:43.679
<v Speaker 3>to see a physical mark. I don't know. I don't know.

0:23:44.000 --> 0:23:47.960
<v Speaker 3>I don't know why I do anything, truthfully, but it's

0:23:48.000 --> 0:23:50.920
<v Speaker 3>not without concerted effort. And I ride every day, and

0:23:51.359 --> 0:23:56.240
<v Speaker 3>even just for you know, self help. I try to

0:23:56.800 --> 0:23:58.960
<v Speaker 3>write a little something each day. It's not for a

0:23:59.040 --> 0:24:02.080
<v Speaker 3>lack of songs. But if I could try to put

0:24:02.080 --> 0:24:04.639
<v Speaker 3>out a couple of records a year and make some

0:24:04.720 --> 0:24:07.040
<v Speaker 3>people smile, that'd be really neat, neat for me. But

0:24:07.280 --> 0:24:09.000
<v Speaker 3>if I help, there's still time.

0:24:09.320 --> 0:24:12.359
<v Speaker 2>Yeah, what kind of person are you? Are you a

0:24:12.400 --> 0:24:15.399
<v Speaker 2>planner or do you just let things happen? Like do

0:24:15.400 --> 0:24:18.480
<v Speaker 2>you know where you're going to bed?

0:24:18.920 --> 0:24:22.280
<v Speaker 3>I mean the last fifteen years like of this. No,

0:24:22.560 --> 0:24:25.400
<v Speaker 3>I've been in a suitcase for years. The last few

0:24:25.440 --> 0:24:28.200
<v Speaker 3>years I've been more stationary I used to could float

0:24:28.240 --> 0:24:29.920
<v Speaker 3>around like I went to Berlin for two weeks and

0:24:29.960 --> 0:24:33.280
<v Speaker 3>stayed two years, you know, led by the like a

0:24:33.400 --> 0:24:36.800
<v Speaker 3>spirit walk for fifteen years. And then I'm trying to

0:24:36.800 --> 0:24:40.960
<v Speaker 3>transition that off a little more. It hasn't happened yet,

0:24:41.000 --> 0:24:44.879
<v Speaker 3>But these shows, like booking two months in advance to

0:24:45.000 --> 0:24:47.520
<v Speaker 3>kind of the longest I've ever booked a show. Actually,

0:24:47.520 --> 0:24:50.320
<v Speaker 3>the Lift show was the most advanced we'd ever said,

0:24:50.359 --> 0:24:53.040
<v Speaker 3>I will be at this place and four months from now,

0:24:53.359 --> 0:24:58.320
<v Speaker 3>you know. So I don't say that as a good

0:24:58.359 --> 0:25:01.840
<v Speaker 3>thing or a bad thing. It was just, oh yeah,

0:25:02.119 --> 0:25:02.879
<v Speaker 3>it was what it was.

0:25:03.160 --> 0:25:05.280
<v Speaker 2>How is it felt to put down some roots again

0:25:05.359 --> 0:25:07.920
<v Speaker 2>in Texas for the moment at least nice?

0:25:08.480 --> 0:25:10.840
<v Speaker 3>It seemed like I've spent maybe six seven years in

0:25:10.880 --> 0:25:12.800
<v Speaker 3>Europe on and off, two years there and then they

0:25:12.840 --> 0:25:15.480
<v Speaker 3>go back to the countryside and complete isolation and go

0:25:15.600 --> 0:25:19.840
<v Speaker 3>back to Europe, and it was kind of nice in

0:25:19.880 --> 0:25:24.280
<v Speaker 3>those foreign countries because Man needs community. No, Man is

0:25:24.280 --> 0:25:27.200
<v Speaker 3>an island all that, But you could be around community

0:25:27.240 --> 0:25:30.639
<v Speaker 3>in a foreign country where you don't speak the language,

0:25:30.760 --> 0:25:33.360
<v Speaker 3>but you're still around people, so you're not taking out

0:25:33.359 --> 0:25:37.760
<v Speaker 3>of your headspace with all the simple you know, mundane

0:25:37.760 --> 0:25:41.280
<v Speaker 3>stuff people say all the time on that tube or whatever.

0:25:41.359 --> 0:25:43.000
<v Speaker 3>And I was like, and she was like, and they

0:25:43.000 --> 0:25:44.679
<v Speaker 3>were like, you know that sort of thing. So you

0:25:44.680 --> 0:25:46.320
<v Speaker 3>can be alone and still be around people. But the

0:25:46.400 --> 0:25:50.080
<v Speaker 3>last few years I kind of felt a call toward home,

0:25:51.000 --> 0:25:54.480
<v Speaker 3>like to be around the familiarity of my youth and

0:25:54.520 --> 0:25:58.280
<v Speaker 3>the humor. Really, the you can say one line even

0:25:58.320 --> 0:26:01.879
<v Speaker 3>just in a certain inflection and it's agreed upon that,

0:26:01.920 --> 0:26:04.080
<v Speaker 3>you know what it is Actually that two years in

0:26:04.080 --> 0:26:06.240
<v Speaker 3>Berlin without going back to the States, where you really

0:26:06.240 --> 0:26:08.760
<v Speaker 3>started to feel just like a foreigner. And after that

0:26:08.840 --> 0:26:12.480
<v Speaker 3>you're you're a foreigner everywhere. You You're never never at home.

0:26:12.800 --> 0:26:16.480
<v Speaker 3>And that was really neat to feel like a foreigner.

0:26:16.840 --> 0:26:20.240
<v Speaker 3>I need just to developed other levels of compassion and understanding.

0:26:20.280 --> 0:26:21.960
<v Speaker 3>And it was interesting, like I grew up in Texas,

0:26:22.040 --> 0:26:24.080
<v Speaker 3>never learned these Spanish that took French for some dumb

0:26:24.119 --> 0:26:28.679
<v Speaker 3>reason because I attracted to art, crap and stuff. There

0:26:28.680 --> 0:26:32.639
<v Speaker 3>are no French people in Texas. But after two years,

0:26:32.760 --> 0:26:35.080
<v Speaker 3>that one two year stint straight, when I came back

0:26:35.160 --> 0:26:37.440
<v Speaker 3>to Texas, the first thing immediately it's like, shoit, I

0:26:37.520 --> 0:26:39.280
<v Speaker 3>even learn some Spanish, and a lot of Spanish people

0:26:39.320 --> 0:26:41.320
<v Speaker 3>like just without even thinking about it, and got some

0:26:41.359 --> 0:26:43.920
<v Speaker 3>Spanish books. Just pleasantries, you know, making them giggle and

0:26:44.000 --> 0:26:46.320
<v Speaker 3>laugh and make them feel wanted and helped that they're

0:26:46.359 --> 0:26:48.520
<v Speaker 3>not alone. And it means a lot. And I always

0:26:48.560 --> 0:26:50.800
<v Speaker 3>still try to do that. Like in London, you always

0:26:51.240 --> 0:26:54.120
<v Speaker 3>learn how to say thank you in like ten different languages,

0:26:54.160 --> 0:26:57.240
<v Speaker 3>just to tell the whatever. The Polish girl behind the

0:26:57.280 --> 0:27:01.200
<v Speaker 3>counter chinquia, you know, they light up, just say they're

0:27:01.240 --> 0:27:03.639
<v Speaker 3>working hard. And if you go to another country, did

0:27:03.680 --> 0:27:07.320
<v Speaker 3>to get a job like that sucks? Anyway?

0:27:07.840 --> 0:27:09.159
<v Speaker 1>What things? What do you take?

0:27:09.280 --> 0:27:14.400
<v Speaker 3>I wasn't your question either. It's talking freestyle Lee man,

0:27:14.520 --> 0:27:16.840
<v Speaker 3>that's marijuana. Dang.

0:27:17.400 --> 0:27:19.520
<v Speaker 2>What kind of things do you really enjoy about the

0:27:19.560 --> 0:27:21.600
<v Speaker 2>lifestyle that you live at the moment, because no.

0:27:23.080 --> 0:27:27.720
<v Speaker 3>I mean I'm tired. It's really the people you meet

0:27:27.840 --> 0:27:30.040
<v Speaker 3>along the way, along the journey. And especially with that

0:27:30.119 --> 0:27:31.760
<v Speaker 3>kind of boutique stuff. When I was doing that more

0:27:31.760 --> 0:27:33.720
<v Speaker 3>performance art where it's just based on the live show,

0:27:33.880 --> 0:27:36.680
<v Speaker 3>the only people that were coming were real fans. And

0:27:37.200 --> 0:27:42.000
<v Speaker 3>there's a good quote by h. John who's that filmmaker

0:27:42.000 --> 0:27:46.280
<v Speaker 3>in Baltimore, The Little Mustache. John Waters is a filmmaker

0:27:46.760 --> 0:27:49.920
<v Speaker 3>filmmaker in Baltimore Boutique Films, and he was asked a

0:27:50.000 --> 0:27:51.879
<v Speaker 3>question about family. He said, Well, the good thing about

0:27:51.960 --> 0:27:54.760
<v Speaker 3>being at my level, if anyone recognizes you on the street,

0:27:55.000 --> 0:27:57.280
<v Speaker 3>chances are high that if they recognize you for your work,

0:27:57.600 --> 0:28:01.000
<v Speaker 3>they're going to be in the pretty cool stuff. So

0:28:01.080 --> 0:28:02.680
<v Speaker 3>you want to kind of talk to him. And that's

0:28:03.440 --> 0:28:06.520
<v Speaker 3>that's the blessing of choosing that other path where you

0:28:06.520 --> 0:28:08.600
<v Speaker 3>don't played by the system and where it becomes your

0:28:08.600 --> 0:28:12.560
<v Speaker 3>boss and then your slave driver. And I haven't put

0:28:12.560 --> 0:28:14.000
<v Speaker 3>out a record now and put you know, you have

0:28:14.040 --> 0:28:15.760
<v Speaker 3>to wait here, blah blah blah and all that stuff.

0:28:15.800 --> 0:28:19.440
<v Speaker 3>But the people you meet, fellow travelers drawn to those

0:28:19.560 --> 0:28:23.560
<v Speaker 3>vibrations that are really searching, seeking for some sort of

0:28:23.880 --> 0:28:26.280
<v Speaker 3>help or to help others to deal with their own

0:28:26.320 --> 0:28:30.119
<v Speaker 3>life or translate their life experience into something.

0:28:30.320 --> 0:28:33.960
<v Speaker 2>And you've got to meet presumably lots of other bands,

0:28:34.119 --> 0:28:36.119
<v Speaker 2>artists that you have fans of along the way. You

0:28:36.480 --> 0:28:38.840
<v Speaker 2>mentioned Neil hall State last night on stage. Who else

0:28:38.840 --> 0:28:40.560
<v Speaker 2>have you met along the way that you know that's

0:28:40.600 --> 0:28:41.320
<v Speaker 2>been a real thrill?

0:28:41.480 --> 0:28:45.560
<v Speaker 3>Oh, Warren Ellis. I love his playing so much. He's

0:28:45.640 --> 0:28:49.840
<v Speaker 3>just a real player. Uh. In the old tradition Nick Cave.

0:28:50.320 --> 0:28:54.000
<v Speaker 3>I'm a huge fan of his work. Kevin Shields. Yeah,

0:28:54.040 --> 0:28:56.320
<v Speaker 3>I have been real blessed and honored Dustin o'haller and

0:28:56.560 --> 0:28:58.640
<v Speaker 3>I love his piano stuff, and I met him before

0:28:58.640 --> 0:29:00.960
<v Speaker 3>he did the piano stuff. We went first tours together.

0:29:01.040 --> 0:29:04.719
<v Speaker 3>He was an event called t Vics and uh I

0:29:04.760 --> 0:29:07.120
<v Speaker 3>was on Belly Union and he went on to put

0:29:07.160 --> 0:29:10.920
<v Speaker 3>out two of my favorite piano records. Ever. It's been

0:29:10.920 --> 0:29:15.480
<v Speaker 3>a real neat blessing. You know the people you meet

0:29:15.520 --> 0:29:17.600
<v Speaker 3>along the way, and then you think, well, I must

0:29:17.680 --> 0:29:20.840
<v Speaker 3>be doing something right if i'm you get to meet

0:29:20.840 --> 0:29:26.480
<v Speaker 3>your heroes. I like to meet Bob Dylan, but I

0:29:26.480 --> 0:29:28.920
<v Speaker 3>don't think that's gonna happen. I never met Willie Nelson.

0:29:29.080 --> 0:29:30.760
<v Speaker 3>I like to meet Willie Nelson. I actually wrote a

0:29:30.800 --> 0:29:32.959
<v Speaker 3>hit song. All my friends have met Willie Nelson, so

0:29:33.000 --> 0:29:37.320
<v Speaker 3>why can't I what's available on YouTube? All my loser

0:29:37.360 --> 0:29:40.760
<v Speaker 3>friends have met. Well, like anyway, I'd ask the Lord

0:29:40.840 --> 0:29:42.840
<v Speaker 3>if I could meet Bob Dylan, but I know that

0:29:42.880 --> 0:29:49.760
<v Speaker 3>he's he's still limited with certain you know. Anyway, how

0:29:49.760 --> 0:29:52.960
<v Speaker 3>are y'all doing? They're good? It's so happy. I'm so

0:29:53.200 --> 0:29:55.440
<v Speaker 3>I like, I can't even believe her here it's really neat.

0:29:55.760 --> 0:30:00.000
<v Speaker 3>Makes me super happy. We're playing here at five fifteen

0:30:00.920 --> 0:30:02.840
<v Speaker 3>and there's a signing at three o'clock that I say

0:30:02.880 --> 0:30:04.760
<v Speaker 3>that already a rough trade.

0:30:05.920 --> 0:30:09.200
<v Speaker 2>Would you in these periods where you've not been again,

0:30:10.920 --> 0:30:11.520
<v Speaker 2>would you.

0:30:11.640 --> 0:30:15.200
<v Speaker 3>I'm not a vegetarian because I love animals. I'm a

0:30:15.280 --> 0:30:23.760
<v Speaker 3>vegetarian because I hate plants. That's good. I heard that

0:30:23.800 --> 0:30:28.080
<v Speaker 3>one the other day. I take off my fancy.

0:30:26.920 --> 0:30:29.960
<v Speaker 1>Who it's Texas humor generally like the one nine is

0:30:30.160 --> 0:30:31.000
<v Speaker 1>like is that is that?

0:30:31.080 --> 0:30:31.600
<v Speaker 3>Like? Yes?

0:30:31.880 --> 0:30:32.760
<v Speaker 1>Yeah, okay.

0:30:34.920 --> 0:30:37.080
<v Speaker 2>In the periods that you've been touring and making music

0:30:37.120 --> 0:30:39.360
<v Speaker 2>and doing this as your like primary job, would you

0:30:39.400 --> 0:30:40.920
<v Speaker 2>ever go and do another job?

0:30:41.000 --> 0:30:41.400
<v Speaker 1>Like would you?

0:30:41.440 --> 0:30:45.280
<v Speaker 3>Quote, I gotta work construction in between gigs sometimes. Okay,

0:30:45.400 --> 0:30:46.960
<v Speaker 3>so when you go back to actually had an early

0:30:47.000 --> 0:30:49.240
<v Speaker 3>neat moment, that's gonna suck for me, and I hate

0:30:49.240 --> 0:30:53.880
<v Speaker 3>to take it away any mistake. My friends joke because

0:30:54.160 --> 0:30:58.000
<v Speaker 3>that comedy record management thinks you're going to ruin your career.

0:30:58.440 --> 0:30:59.880
<v Speaker 3>And then I say that to my friends and they're

0:30:59.920 --> 0:31:05.400
<v Speaker 3>like career, what career? So yeah, that's a ruined any mystique.

0:31:05.440 --> 0:31:08.400
<v Speaker 3>But had a nice moment six months ago in Texas

0:31:09.360 --> 0:31:13.080
<v Speaker 3>where I'm working this construction gig where I'm just clearing

0:31:13.080 --> 0:31:16.040
<v Speaker 3>the site and then loading a big one of those canisters,

0:31:16.400 --> 0:31:18.760
<v Speaker 3>those big containers, you know, with all the shit that's around.

0:31:19.560 --> 0:31:25.520
<v Speaker 3>And I realized that it's thirty years later and I'm

0:31:25.560 --> 0:31:28.520
<v Speaker 3>doing the exact same gig the work that I did

0:31:28.600 --> 0:31:33.800
<v Speaker 3>when I was twelve years old. You know, I'm clearing

0:31:34.640 --> 0:31:37.720
<v Speaker 3>shit off construction sites. I guess this is a neat

0:31:37.720 --> 0:31:40.400
<v Speaker 3>little loop. That's cool. And I was standing on top

0:31:40.440 --> 0:31:43.520
<v Speaker 3>of the because I filled the whole container and I

0:31:43.560 --> 0:31:45.400
<v Speaker 3>was standing on there to rearrange crap to get more

0:31:45.440 --> 0:31:47.720
<v Speaker 3>so if you know the big like the train containers.

0:31:48.160 --> 0:31:50.080
<v Speaker 3>So I'm standing there and just start laughing. It's like,

0:31:50.120 --> 0:31:54.000
<v Speaker 3>this is what you're doing when you're twelve. That's cool.

0:31:54.320 --> 0:31:56.120
<v Speaker 3>I worked a lot when I was a kid, a

0:31:56.200 --> 0:32:01.000
<v Speaker 3>bunch of different jobs, and then twenty seven, when lift happened,

0:32:01.040 --> 0:32:03.400
<v Speaker 3>we started to move. And I was a carpenter before that,

0:32:03.600 --> 0:32:06.320
<v Speaker 3>so I'm really handy with wood, so that's my fallback stuff.

0:32:06.360 --> 0:32:11.040
<v Speaker 3>But I also I was clear seater sometimes our friend's dad.

0:32:11.440 --> 0:32:14.520
<v Speaker 3>It's just it's hand to mouth stuff. Like we did

0:32:14.520 --> 0:32:18.120
<v Speaker 3>these two months of gigs, and I think we're man

0:32:18.360 --> 0:32:20.160
<v Speaker 3>I shouldn't say this in front of the band member,

0:32:20.160 --> 0:32:23.000
<v Speaker 3>but I think we'll manage to get the whole band paid.

0:32:24.720 --> 0:32:27.960
<v Speaker 3>But I'm not I'm gonna make I mean, I've had

0:32:27.960 --> 0:32:29.920
<v Speaker 3>five pounds and I got here my card wasn't working.

0:32:29.960 --> 0:32:34.200
<v Speaker 3>So it's not a yeah, we gotta keep putting You

0:32:34.240 --> 0:32:37.040
<v Speaker 3>gotta keep putting out records if you want to. You know,

0:32:37.240 --> 0:32:39.200
<v Speaker 3>you gotta build a profile, building and all that, and

0:32:39.240 --> 0:32:42.080
<v Speaker 3>I just never did that. So I'm paying for it now,

0:32:42.240 --> 0:32:46.000
<v Speaker 3>which is fine. I'm happy to be here and happy

0:32:46.000 --> 0:32:47.800
<v Speaker 3>to pay for it. That's the preceure paid to go

0:32:47.840 --> 0:32:50.600
<v Speaker 3>with that other route. Working's good for you doing that

0:32:50.640 --> 0:32:53.040
<v Speaker 3>other work too. You just think, man, I really should

0:32:53.040 --> 0:32:56.880
<v Speaker 3>be doing music instead of load of trash. After a

0:32:56.960 --> 0:33:00.120
<v Speaker 3>lyft went well, I went out to the countryside. I

0:33:00.160 --> 0:33:04.320
<v Speaker 3>was a janitor at this Christian nonprofit. Just donate my

0:33:04.400 --> 0:33:06.920
<v Speaker 3>time for a couple of years and I fix it. Man.

0:33:07.120 --> 0:33:09.880
<v Speaker 3>Really good at plumbing too, electricity. I'm not very good

0:33:09.880 --> 0:33:13.400
<v Speaker 3>at invisible stuff that kills you. Stay away from that,

0:33:13.520 --> 0:33:16.200
<v Speaker 3>but pretty much everything else, I'm really handy and the

0:33:17.320 --> 0:33:22.880
<v Speaker 3>you know, really good at chainsawng super good and uh

0:33:23.560 --> 0:33:28.040
<v Speaker 3>weed eating. I like butter with those electric weeds, chainsaw.

0:33:28.160 --> 0:33:30.160
<v Speaker 3>I like, I think the trees really tell you what

0:33:30.200 --> 0:33:32.760
<v Speaker 3>the cut, you know, and they're really grateful once once

0:33:32.760 --> 0:33:35.640
<v Speaker 3>they're cared for. They really were like in two days

0:33:35.640 --> 0:33:37.960
<v Speaker 3>with rain. They're just a whole new tree, full of life.

0:33:38.640 --> 0:33:40.880
<v Speaker 3>Gardens like to be tended, you know, I really do.

0:33:41.840 --> 0:33:45.760
<v Speaker 3>I hate plants. I played this festival See Changed a

0:33:45.760 --> 0:33:48.160
<v Speaker 3>week ago. I played alone and there was a place

0:33:48.200 --> 0:33:52.920
<v Speaker 3>called dark dart Teen Tin Darting Tin Hall. It's awesome.

0:33:53.360 --> 0:33:55.680
<v Speaker 3>It was really old. But they said they had gardens

0:33:55.680 --> 0:33:58.680
<v Speaker 3>there that have been kept for a thousand years. And

0:33:58.760 --> 0:34:00.880
<v Speaker 3>I started laughing because I can keep a garden for

0:34:00.920 --> 0:34:05.080
<v Speaker 3>a week. That's not good. I got better ones.

0:34:06.920 --> 0:34:09.319
<v Speaker 1>Should we finish the podcast with? Should we finish with

0:34:09.320 --> 0:34:09.640
<v Speaker 1>a joke?

0:34:09.760 --> 0:34:12.399
<v Speaker 3>I don't know? You got one? Oh man that told

0:34:12.440 --> 0:34:14.479
<v Speaker 3>all the good ones yesterday? You know what they're Willie

0:34:14.520 --> 0:34:17.320
<v Speaker 3>Nelson wanted the chickpea joke. Let's say the willing Nelson

0:34:17.360 --> 0:34:21.320
<v Speaker 3>for the podcast. There's children here though, Oh yeah, okay,

0:34:22.719 --> 0:34:25.319
<v Speaker 3>let's say don't answer if you know what this is

0:34:25.320 --> 0:34:27.040
<v Speaker 3>the old This is a classic joking text. You all

0:34:27.120 --> 0:34:30.160
<v Speaker 3>know what Willie Nelson is, right, Yeah, you're all music

0:34:30.239 --> 0:34:32.480
<v Speaker 3>lover it's good for those of you don't. He's in

0:34:32.719 --> 0:34:35.879
<v Speaker 3>Texas legend here icon. He's in his eighties, a big

0:34:35.880 --> 0:34:37.920
<v Speaker 3>gray beard, and he's just actually a jazz player that

0:34:37.920 --> 0:34:41.920
<v Speaker 3>plays country music, but a voice from God. And anyway,

0:34:43.000 --> 0:34:46.279
<v Speaker 3>so the joke is, ladies, what's the worst thing to

0:34:46.320 --> 0:34:50.640
<v Speaker 3>hear when you're giving Willi Nelson the blow chop? I'm

0:34:50.640 --> 0:34:57.799
<v Speaker 3>not really Willie Nelson. I'm just some old guy anyway.

0:34:58.600 --> 0:34:59.319
<v Speaker 3>Thank you, good night.

0:34:59.480 --> 0:35:01.400
<v Speaker 1>Well everybody join me just in saying thanks to.

0:35:01.440 --> 0:35:02.480
<v Speaker 3>Josh for the podcast.

0:35:02.719 --> 0:35:03.720
<v Speaker 1>Join us in the podcast.

0:35:05.360 --> 0:35:29.840
<v Speaker 3>Thanks Josh, thank good, Thanks my puzzle. Midnight Chats is

0:35:29.880 --> 0:35:31.279
<v Speaker 3>a Loud and Quiet podcast.

0:35:31.520 --> 0:35:33.160
<v Speaker 1>Music courtesy of gold Panda.

0:35:33.600 --> 0:35:37.440
<v Speaker 3>Search Midnight Chats on iTunes for more episodes and to subscribe.

0:35:37.880 --> 0:35:49.680
<v Speaker 3>For more information, visit Loud and Quiet dot com.