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Speaker 1: Hello the Internet, and welcome to this special episode of

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Speaker 1: Generally Night Guys Uh to Saturday. It's about the Roaring twenties. Uh.

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Speaker 1: You know what what that decade can tell us about

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Speaker 1: the decade we're about to live through. There's a lot

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Speaker 1: of interesting parallels. This episode is brought to you by Mazda.

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Speaker 1: Thank you, masa joy of driving, Thank you Mansda. As

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Speaker 1: you know that you know what they did, They said, look,

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Speaker 1: run the precipice of a historic event. Who do we

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Speaker 1: get to talk talk about this? To educate the masses

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Speaker 1: to discuss their visions of the future. And they said,

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Speaker 1: there's only one answer, uh, And they couldn't get them.

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Speaker 1: So then they went down their list and they got

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Speaker 1: to us. I think we were like seventeen on the list,

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Speaker 1: but come not back on that's not bad. We were

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Speaker 1: definitely in the hundreds. Look, I'm trying to be a

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Speaker 1: little cocky. Yeah, yeah, but much love to mas that because,

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Speaker 1: as you know, it's always a family thing with them.

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Speaker 1: So yes, whenever they're like, hey, what's your thoughts, oh,

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Speaker 1: so well, we got them, we got them. We've got

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Speaker 1: some ideas about this because you know, right now, with

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Speaker 1: the pandemic going on. I feel like a lot of

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Speaker 1: people are thinking like we're stuck inside. I feel I

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Speaker 1: feel like I need to get out. I feel like

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Speaker 1: I need to break out. And things are not the same.

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Speaker 1: There's a lot of built up energy that people have

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Speaker 1: and when just not even ironically just like clockwork, where

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Speaker 1: it's like, let's maybe go back literally almost one hundred

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Speaker 1: years and see that. Okay, we're going through a very

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Speaker 1: similar thing, very similar energy swirling around people being very

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Speaker 1: uncertain about their futures and what is normal and what

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Speaker 1: could be normal, And yeah, it's an interesting thing to

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Speaker 1: talk about. Pandemics can't keep us down. World wars can't

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Speaker 1: keep us down. Uh. And usually after events like this,

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Speaker 1: historic challenges we'll call them. Uh, you know, the human

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Speaker 1: race comes out of it with a burst of creativity,

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Speaker 1: with a burst of uh democratic you know, movements and

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Speaker 1: really kind of interesting things. So we're gonna we're gonna

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Speaker 1: talk about that, um, but just specifically to what you

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Speaker 1: were talking about that there are certain things that I

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Speaker 1: miss from my old life, pre pandemic life, Like grocery

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Speaker 1: shopping was something that I would miss, like going out

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Speaker 1: to the grocery store and just you know, going through

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Speaker 1: like yeah, it was like my yeah, and I don't

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Speaker 1: miss that at all. Of just sort of it feels

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Speaker 1: like the stakes are higher or it's just more of

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Speaker 1: like it's the reasons for doing it are different, like

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Speaker 1: it's purely to get out there, and I think it's

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Speaker 1: just more stressful and like I don't know, it's just

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Speaker 1: not as when I look back on it, it's like

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Speaker 1: after a week when I look back on grocery shopping

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Speaker 1: and I'm not like, man, that was that was great.

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Speaker 1: I also think I was shopping. I also think I've

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Speaker 1: just found, like really enjoyed spending time with the family

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Speaker 1: and that's not a thing where I can bring you know,

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Speaker 1: the kids along with me to grocery shopping anymore. Um,

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Speaker 1: but driving is definitely getting out on the open road

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Speaker 1: with the with the mrs and the boys is It's

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Speaker 1: been awesome man, So it really, I mean, and look,

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Speaker 1: I know I'm where this episode has been brought to

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Speaker 1: you by Moster, but like straight up, uh, the day

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Speaker 1: before everything locked down, Mazda was like in the build up,

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Speaker 1: they let me, you know, drive around a c X

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Speaker 1: nine and it was just so funny because like the

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Speaker 1: car got delivered and I'm like, I think everything's about

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Speaker 1: to shut down in the like in at least l

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Speaker 1: A and the state of California. So it's a very

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Speaker 1: bittersweet moment. But then I realized, I'm like, oh, this

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Speaker 1: is like the thing that is going to get me

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Speaker 1: to like just see sunlight, feel like the fresh air

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Speaker 1: on my skin. And I was mobbing around this thing

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Speaker 1: all over town. I could not stop driving because it

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Speaker 1: was like the one way I didn't have to feel,

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Speaker 1: you know, guilty. I wasn't putting anybody at risk. I'm

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Speaker 1: was being I'm obviously you are socially distant in a car,

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Speaker 1: so I'm going to I'm driving up, you know, to

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Speaker 1: Payga Canyon looking out at the ocean. We went. We

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Speaker 1: were driving like just to Torrance on a whim her

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Speaker 1: majesty and I because I was like, you know what,

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Speaker 1: Buffy the Vampire Slayer is like her favorite TV show,

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Speaker 1: and I'm like, I know they shout at at Torrance

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Speaker 1: High School. Let's just go. Let's just go drive around

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Speaker 1: the city and see all the touring locations. Nothing better

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Speaker 1: than just to do that in a car quick easy.

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Speaker 1: It felt like an activity. So I'm I still am

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Speaker 1: like I have this renewed joy or like at least

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Speaker 1: acknowledge the freedom that really driving provides, especially in l A,

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Speaker 1: because traffic is a little bit less as the city

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Speaker 1: adjusts to block down and it makes it so much easier.

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Speaker 1: I'm really surprised, as a like lifelong Angelino, how I'm like,

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Speaker 1: you wanta get in the car, you want to go somewhere.

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Speaker 1: It's like it's like Thanksgiving, you know, Thanksgiving weekend when

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Speaker 1: you're in l A. Everybody has left town, and it's like, ah,

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Speaker 1: this is what this is. L A would be the

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Speaker 1: best town in the world if it was always like this,

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Speaker 1: if it was just it had the appropriate number of

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Speaker 1: cars for the infrastructure. Yeah that um, yeah, it was

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Speaker 1: for a little while. There was like driving around in

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Speaker 1: a actual car commercial because you know how in car

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Speaker 1: commercials there's like never any other cars on the road.

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Speaker 1: That's kind of what it felt like. Um, you know

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Speaker 1: right now, I would normally be on the East Coast

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Speaker 1: on a family vacation where we're you know, in New Jersey,

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Speaker 1: uh with you know, Pittsburgh, we fly there. Um, So

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Speaker 1: instead of doing that this year, we are just taking

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Speaker 1: some road trips. Uh. Been to Big Sir, we went

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Speaker 1: up to man Myth Lakes. There's just a lot of

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Speaker 1: really great like nature in this you know, it's it's

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Speaker 1: kind of like a challenge finding all the cool things

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Speaker 1: to see that are within a you know, six to

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Speaker 1: eight hour drive. Since I got a four year old

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Speaker 1: and a two year old, they can't do much more

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Speaker 1: than that's pretty good though, eight hours in the eight

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Speaker 1: hour drive with two young children, a lot of stops

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Speaker 1: for a lot of stops. Yeah, my my two year

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Speaker 1: old is uh we we have to get it so

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Speaker 1: his blood is mostly drama means before we start driving,

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Speaker 1: because he Yeah, the poor the poor young ones you

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Speaker 1: hate to see. But you know, so the way I

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Speaker 1: drive man tearing around them corners. Uh, I just feel

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Speaker 1: I'm right now, I'm a little bit spoiled because I've

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Speaker 1: driven a c X nine, a c X thirty. I

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Speaker 1: went back to my equally brilliant to three. But I'm

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Speaker 1: a little bit longing for those drives in those cars

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Speaker 1: because it really helps re engage your sense of like mobility. Uh,

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Speaker 1: you know, especially when a time like this, when you

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Speaker 1: have uh limited options to stimulate yourself, but also a

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Speaker 1: lot of road to cover, and again we have to

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Speaker 1: say that despite all like sort of the darkness that surrounds,

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Speaker 1: like what's happening now, the thing that's really good to

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Speaker 1: focus on is that everyone is looking forward to getting

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Speaker 1: out of this and doing something different that feels good,

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Speaker 1: that feels better than before. And we only have just

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Speaker 1: amazing examples from history, uh, to to reinforce that idea

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Speaker 1: that a lot of people, despite a lot of write

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Speaker 1: ups you read and even the things we even discussed

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Speaker 1: on the show, feels very doomy and gloomy, but it's

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Speaker 1: it's these are sort of these moments where we realize

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Speaker 1: that we're actually just sort of changing things a bit.

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Speaker 1: And yes, there is a lot of pain and suffering,

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Speaker 1: but on the other side of that is that it

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Speaker 1: forces us to innovate and look at things differently. Yeah,

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Speaker 1: so let's take a quick break and when we come back,

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Speaker 1: we're going to talk about some parallels what happened in

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Speaker 1: the nineteen twenties and how that can inform where we're

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Speaker 1: headed and we're back. And so one of the things

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Speaker 1: that uh, you know, just doing some light research on

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Speaker 1: the on the nineteen twenties that jumped out is just

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Speaker 1: that it seemed to be like sort of a democratization

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Speaker 1: of a bunch of different things. It was like the

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Speaker 1: democratization of being able to travel, like transport essentially, like

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Speaker 1: cars were invented, invented inies right there, how they were not,

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Speaker 1: but they became. First of all, roads became like much

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Speaker 1: better in the nineteen twenties. That was like a major

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Speaker 1: you know that the American economy had a little pocket change,

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Speaker 1: a little extra money to spend. Uh. They spent some

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Speaker 1: of that on improving the roads and also forward uh

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Speaker 1: you know, built h or started making cars a little

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Speaker 1: bit more affordable. The Model T sold for fo HI

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Speaker 1: about one quarter of the cost of what it had

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Speaker 1: cost before, and then it just like slowly got lower

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Speaker 1: and lower until more and more people, I think by

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Speaker 1: the end of the twenties or twenty three million people

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Speaker 1: uh driving It's kind of like a bigger deal than

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Speaker 1: I realized. Like when you just think about you know,

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Speaker 1: in the past, you had to wait for the train

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Speaker 1: to arrive to get the news, like you had to

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Speaker 1: wait for somebody to bring the newspaper to you, and

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Speaker 1: you know they had to wait for somebody to bring

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Speaker 1: it to them. So you were like really relying on

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Speaker 1: a massive you know, supply chain just to get the news, um,

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Speaker 1: and now you could drive to a place to to

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Speaker 1: get the news, and information was just traveling at a

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Speaker 1: less controlled, more democratic way. And it was also like

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Speaker 1: the radio started popping out a little bit more. Do

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Speaker 1: you think people were doing that as a flex where

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Speaker 1: they were like they're like, oh, you know what, I'm

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Speaker 1: gonna go drive and get that newspaper so I can

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Speaker 1: laugh when Harold finds out about what happened after dinner

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Speaker 1: just lunch or whatever they were calling it back. I

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Speaker 1: don't know why. That's like one of the things I

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Speaker 1: always get fixated off from, like the old times. I'm like, wait,

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Speaker 1: what's what's dinner? And then there's so I didn't even

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Speaker 1: know that this was like in books. And again I'm

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Speaker 1: not I'm not accurately describing this, but it's just the

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Speaker 1: idea that I just like the concept of supper. All

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Speaker 1: that to say that I derailed that point just to

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Speaker 1: talk about the words supper. You still call it supper, right,

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Speaker 1: Oh yeah, you always you use it as a verbal

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Speaker 1: out of the time. You're like guys, let's sup, yeah,

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Speaker 1: or I just as agree eating them like supper supper man.

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Speaker 1: The flapper and suffrage movement. Uh, we're you know. Some

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Speaker 1: theories are that it was based on young people, specifically

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Speaker 1: young women, seeing World War One and like what a

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Speaker 1: mess it causes when you just let adult men take

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Speaker 1: to like make all the decisions for everyone. Uh, and

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Speaker 1: so that was a big thing. There was also, uh,

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Speaker 1: you know, prohibition pushed people into the underground, right, So yeah,

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Speaker 1: well and I think too, and then that gives way

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Speaker 1: to like the rise of jazz music, and you know,

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Speaker 1: one of the great greatest American art forms is born

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Speaker 1: out of the twenties. And these are the kinds of things.

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Speaker 1: I'm like, Man, you think about how like sort of

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Speaker 1: gloomy and dark it the experiences for people to be

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Speaker 1: looking at just a devastating world war and then you know,

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Speaker 1: an devastating pandemic that like no one had ever seen.

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Speaker 1: And then still just like renewed sense of like let's

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Speaker 1: let's get together. And yes, alcohol is illegal, but you

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Speaker 1: know what, there's this good music and maybe we've got

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Speaker 1: to take a little risk because at this point we

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Speaker 1: don't have that much time anymore. There's just like this,

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Speaker 1: there's like I don't know, there's just an extra quality

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Speaker 1: of life to a lot of this era that I

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Speaker 1: feel like it's very unique, like it's it's it's because

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Speaker 1: it's it's position in relation to the Spanish flu in

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Speaker 1: World War One, where it's you know, they were doing

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Speaker 1: a lot in the twenties, you know, to the point

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Speaker 1: we figured that out by the thirties that you know,

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Speaker 1: got a little out of hand. But there is like

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Speaker 1: this sort of idea of like this like explosion of

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Speaker 1: life and energy and creativity that's really fascinating. Yeah, I mean,

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Speaker 1: I do think the one thing that we're seeing that's

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Speaker 1: different right now is that like we're having our economic

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Speaker 1: collapse at the beginning of the twenties, whereas they had

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Speaker 1: their's they were just like you know, flying blind on

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Speaker 1: a rocket motorcycle, just you know, feeling invincible. Yeah, they're

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Speaker 1: just like anything is possible, Anything is possible. Put some

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Speaker 1: wings on this thing, man, maybe get airborne. I don't know, um,

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Speaker 1: but yeah, So, I mean it's you like just the

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Speaker 1: cover charge for going out was you're going to break

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Speaker 1: the law because alcohols alcohol is illegal and everybody's still

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Speaker 1: trying to have a social life, so you know you

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Speaker 1: have the speakeasies. Uh, it just lets people be a

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Speaker 1: little bit less um buttoned up and yeah, but there's

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Speaker 1: it's just really it shows you even if it's illegal

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Speaker 1: to hang out, it's like, you know what weird, let's

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Speaker 1: or we're not illegal to hang out, but to like

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Speaker 1: imbibe and socialize in the normal way, there's just this

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Speaker 1: just insatiable appetite for it. I'm just curious, like what

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Speaker 1: how this will affect sort of our you know, the

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Speaker 1: next phase of socializing to like what a like how

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Speaker 1: we look at a nightclub or what the value is

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Speaker 1: in a nightclub. You know, like if we're discovering because

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Speaker 1: I'm finding myself finding other ways to like replace you know,

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Speaker 1: the old ways of like consumer culture activity that I

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Speaker 1: used to do, which is like go to a bar

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Speaker 1: or these other things and just find you know, the

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Speaker 1: piece at home or just like having like really great

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Speaker 1: conversations on Zoom and things like that. I found. You know, like,

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Speaker 1: I don't know if there's almost gonna be like a

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Speaker 1: minimalist twenties happening where we're like a lot of it,

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Speaker 1: because yeah, to your point, like we're sort of reversing

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Speaker 1: the sequence where the opulence and excess, I mean it's

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Speaker 1: been going on for a minute. But now it's really

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Speaker 1: starting to you know, the lack of sort of economic

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Speaker 1: equalities starting to show itself. But in that we're also

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Speaker 1: very much simplifying things because of the pandemic. It's just

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Speaker 1: it it really, I'm curious enough if we're just like, yeah,

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Speaker 1: let's just do some book reading, let's be near each other.

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Speaker 1: You know what I mean by a fire, Yeah, people

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Speaker 1: hanging in their yards with other people, like more one

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Speaker 1: on one. I feel like conversation gets four grounded a

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Speaker 1: little bit more than it does at a at a

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Speaker 1: loud bar where you're having to like shout over the

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Speaker 1: bon Jovi right, or just like bars that I hang

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Speaker 1: out with, Yeah, you're you're dueling piano bars. You don't

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Speaker 1: have to go to those anymore. But it is kind

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Speaker 1: of like this thing where I'm almost like, hey, come over,

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Speaker 1: so we can just like talk like and you can like,

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Speaker 1: you know, hang out in my backyard and we can

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Speaker 1: be socially distant, and I'm just like having a conversation

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Speaker 1: versus before be like where you want to go? Should

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Speaker 1: we go to? Like see this thing? Go eat there,

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Speaker 1: da da da. And it's just more like I just

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Speaker 1: I really enjoy this like really meaningful human contact. Yeah,

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Speaker 1: whether it is like going on a road on a

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Speaker 1: day trip with like friends and you know that allows

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Speaker 1: you to stay outdoors. I do feel like there's yeah,

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Speaker 1: there's mindfulness about what you do. It's not we can't

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Speaker 1: just go to the same place as we used to

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Speaker 1: go to or like meet up at a restaurant. So

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Speaker 1: you have to like kind of come up with your

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Speaker 1: own plan, plan a picnic, uh, you know, plan a

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Speaker 1: figure out a great place. Like I just found out

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Speaker 1: about this river that you can go to with your

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Speaker 1: family that you just like go and hang out and

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Speaker 1: like sitting sit on some rocks in the river and

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Speaker 1: the kids chase bugs, and like we're going to do

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Speaker 1: that this weekend. It's like yeah, yeah, exactly. Yeah, if

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Speaker 1: you've seen if you've seen Terminator too, you know the

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Speaker 1: river I'm talking about or Greece, right, Um, yeah, So

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Speaker 1: I mean it's it's planning, it's being more intentional. I

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Speaker 1: could see all that stuff happening, and then you know

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Speaker 1: what one of the pair allells that I see is

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Speaker 1: in the ninet twenties, there were these dances that were

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Speaker 1: happening at these like speakeasies and stuff like the Charleston

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Speaker 1: and you know, all these dances that are associated with flappers,

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Speaker 1: and then you know, we're seeing with the like Obviously

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Speaker 1: social media has been around for over a decade now,

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Speaker 1: but we're gonna see, we're gonna start to see a

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Speaker 1: time where there won't be a like every celebrity who

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Speaker 1: is in the prime of their like career will have

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Speaker 1: come up like in a world with social media. And

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Speaker 1: then you also have like the rise of TikTok and

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Speaker 1: like dances on TikTok, so you can kind of challenge

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Speaker 1: the new Charleston, I believe. So yeah, yeah, I'm sure

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Speaker 1: there were some. Can you imagine like like seventy years

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Speaker 1: from now, like people dress up like it's the odds

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Speaker 1: and are like the tens and are just like doing

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Speaker 1: this avage challenge and like whoa man like these? Remember

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Speaker 1: my grandma used to cut a rug to this one

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Speaker 1: because you see people doing it. I mean, it's I

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Speaker 1: think it's probably inevitable, right, and that really will be

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Speaker 1: a strange moment. Yeah, alright, let's take one more break

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Speaker 1: and we'll be right back to close it out and

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Speaker 1: we're back. Yeah, So just a couple other well, one thing,

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Speaker 1: one thing is uh one of the strangest ideas in

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Speaker 1: US history that got kicked off in the twenties. Um

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Speaker 1: that I think is related to the you know, people

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Speaker 1: being able to drive wherever they wanted, Mount Rushmore, the

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Speaker 1: idea of just carving a bunch of giant faces into

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Speaker 1: the side of a mountain. Uh, and and just generally

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Speaker 1: the whole tourist trap culture of America, which is one

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Speaker 1: of my favorite things about America. Is uh that that

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Speaker 1: all kind of kicked off in the twenties. I'm also

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Speaker 1: thinking of like flagpole sitting in the twenties, like what

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Speaker 1: what's our what's our flagpole sitting of? Now? For people

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Speaker 1: who don't aren't aware of what flagpole sitting it was

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Speaker 1: just an old a fad back in the mid twenty

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Speaker 1: and started in the mid twenties of just somebody sitting

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Speaker 1: on top of a pole or like a flagpole for

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Speaker 1: a long time. It's just like an endurance to like

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Speaker 1: a flex but like, oh yeah, I'm gonna sit on

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Speaker 1: this flagpole for forty days or however many long I

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Speaker 1: think someone did. Uh, I guess someone four hundred thirty

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Speaker 1: nine days. That was in the thirties. That was the

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Speaker 1: longest someone had done. But in the twenties we're talking

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Speaker 1: about the more advanced flagpole sitting, the fourth fourth wave

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Speaker 1: flagpole sitting. It was actually fifth wave. Yeah, this is

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Speaker 1: in the eighties, but in in the twenties, I think

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Speaker 1: at the time it was like twelve days or seventeen days.

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Speaker 1: The first I was just like I did it for

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Speaker 1: thirteen hours, and then it was like I'm gonna I'm

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Speaker 1: gonna just top that. Yeah, yeah, I think I'm wondering

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Speaker 1: what that. I feel like it's similarly the sort of

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Speaker 1: anybody can become famous sort of thing, like now instead

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Speaker 1: of um, I mean that was kind of people's reaction

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Speaker 1: to movies too. It was like there's so many more

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Speaker 1: famous people now, it's not just like a handful of people.

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Speaker 1: And then whoever pays attention to play is like, now

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Speaker 1: movies are rising, and there's all these glamorous people that

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Speaker 1: you can see on like the big screen movies. Back

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Speaker 1: then we're really big screens. Um. But that also gave

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Speaker 1: rise to the um cosmetics industry. People were trying to

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Speaker 1: look like movie stars. UM oh interesting. Yeah. But so

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Speaker 1: with flagpole sitting, it's like, well, there's you know, anyone

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Speaker 1: it's a thing that anyone can do. Sure, Louis arm

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Speaker 1: Strongs are great trumpet player, but I can sit on

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Speaker 1: this flagpole for But jazz is so interesting because it's like, yeah,

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Speaker 1: you can with Like before, wasn't it all big band stuff.

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Speaker 1: So like jazz, you just had to get like four

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Speaker 1: talented musicians. So it's again like bringing it down to

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Speaker 1: like the level of individual talent as opposed to you know,

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Speaker 1: needing to get a small battalion of people who have

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Speaker 1: instruments were reading like very rigid music off of sheets,

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Speaker 1: like sheet music, you know. And like the thing with

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Speaker 1: jazz and improvisation is like that's truly like the you know,

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Speaker 1: purest form of getting down, you know, on your instrument

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Speaker 1: is to just be like, what's the chart, what are

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Speaker 1: the chord changes? I'll take it from here. I don't

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Speaker 1: know where my fingers are gonna take me and what

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Speaker 1: notes I'm going to hit, but that's just what I'm

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Speaker 1: going to get out. And I think that's what made

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Speaker 1: that music so interesting too, is because it was sort

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Speaker 1: of it wasn't following sort of the same patterns of

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Speaker 1: pre vious like art forms, just felt something like really

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Speaker 1: fluid and full of life, so you know, and shout

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Speaker 1: out to the jazz, the jazz performers of our day,

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Speaker 1: the comedic improvisers, Our Yea, Our Total, Louis Armstrong's and

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Speaker 1: Cannonball not Canniball Auderly, but you know, you get it. Yeah,

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Speaker 1: I don't. I don't know who Cannonball Auderly? Oh Jack?

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Speaker 1: Is he a flagpole sitter? See somebody who saxophonist? Another

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Speaker 1: example of sort of the Harry Houdini. The rise of

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Speaker 1: Houdini was during the twenties, and that's again like a

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Speaker 1: thing that was sort of a birthday party trick that

385
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Speaker 1: became like he became the most famous person on the

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Speaker 1: planet in the twenties, Babe ruth Uh you know it was.

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Speaker 1: It was the rise of the celebrity. It was like

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Speaker 1: an era of celebrity worship. Yeah, And I guess maybe

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Speaker 1: it's weird like we have It's almost like we're at

390
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Speaker 1: this point where we're actually maybe headed in the opposite

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Speaker 1: but we're just intersecting at this weird point where we're like, wait,

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Speaker 1: are we in that twenty are we are? We also

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Speaker 1: doing the different part? But it's interesting because the energetically

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Speaker 1: it's similar, but it's also like the things that rose

395
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Speaker 1: up at that time, we're like, are maybe now ebbing um.

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Speaker 1: Which is really interesting to think about because I think

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Speaker 1: celebrity worship, as we've seen has become really like has

398
00:23:35,280 --> 00:23:38,080
Speaker 1: gone on the decline and just the last six months

399
00:23:38,720 --> 00:23:41,679
Speaker 1: very very aggressively. But at the same time we're like

400
00:23:41,720 --> 00:23:43,880
Speaker 1: embracing these other things that feel a little bit more

401
00:23:43,960 --> 00:23:48,080
Speaker 1: pure and substantive, so like the best kind of twenties.

402
00:23:48,480 --> 00:23:53,400
Speaker 1: It's interesting because the like radio was becoming a thing,

403
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Speaker 1: also loud speakers, Like that's how long ago was was

404
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Speaker 1: prior to this, if you wanted to give a speech

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Speaker 1: that a lot of people heard, you had to speak loudly,

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Speaker 1: like stand on a tall thing, um that, And then

407
00:24:06,520 --> 00:24:11,800
Speaker 1: the loud speaker became I think the The Magna Magnavox

408
00:24:11,840 --> 00:24:15,520
Speaker 1: company received its greatest recognition in nineteen nineteen when President

409
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Speaker 1: Woodrow Wilson gave a speech in front of fifty thousand people.

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Speaker 1: Prior to that, people were like, did you hear about

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Speaker 1: this new technology where one man can speak to fifty

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Speaker 1: thousand people? Um? But it's sort of You're like, if

413
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Speaker 1: if we think of it as you know, we we

414
00:24:33,160 --> 00:24:36,600
Speaker 1: tend to just group things into well that's the twentieth century,

415
00:24:36,640 --> 00:24:39,760
Speaker 1: so it's nineteen hundred two year two thousand. But if

416
00:24:39,800 --> 00:24:44,000
Speaker 1: we actually like gauge it as like nineteen twenty up through,

417
00:24:45,160 --> 00:24:47,960
Speaker 1: that would make more sense as like a grouping of years,

418
00:24:48,040 --> 00:24:50,840
Speaker 1: because that was the age of celebrity. It was the

419
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Speaker 1: age of you know, leaders being able to I don't know,

420
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Speaker 1: reach a bunch of people and just kind of dictate it.

421
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Speaker 1: Like the guy who invented the loud speed are later

422
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Speaker 1: regretted it because he saw how dictators used his technology.

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Speaker 1: So you know, once we figure out this whole social

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Speaker 1: media thing, maybe maybe will Jack Dorsey will be like

425
00:25:11,480 --> 00:25:16,760
Speaker 1: I regret it, Like yeah, I mean that's the sort

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Speaker 1: of thing that like the inventors of social media, you

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Speaker 1: you'd hope that they eventually come around to the fact

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00:25:22,080 --> 00:25:24,760
Speaker 1: that there there were some real problems with it. Technology

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00:25:24,920 --> 00:25:32,080
Speaker 1: is being manipulated, uh in ways that are harmful to society.

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00:25:32,119 --> 00:25:35,800
Speaker 1: But um, you know, there's no reason that once people

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00:25:36,000 --> 00:25:40,240
Speaker 1: take responsibility for those sorts of things that we wouldn't

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00:25:40,440 --> 00:25:44,800
Speaker 1: see that change wouldn't see like a thing where we

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00:25:44,840 --> 00:25:50,040
Speaker 1: can leave the era of celebrity in the past. Um

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00:25:50,119 --> 00:25:52,320
Speaker 1: and maybe you know, like the black plague with Some

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00:25:52,359 --> 00:25:55,840
Speaker 1: people think it ended serfdom, but it was really just

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00:25:56,080 --> 00:26:00,119
Speaker 1: the labor pool became lower and surfs were able to

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00:26:00,240 --> 00:26:03,160
Speaker 1: bargain better. So maybe this can be the age where

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00:26:03,240 --> 00:26:06,200
Speaker 1: workers can also help get together and get their fair

439
00:26:06,240 --> 00:26:08,639
Speaker 1: share as well. I mean, it's just like at the

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00:26:08,760 --> 00:26:11,080
Speaker 1: end of the day, whether or not it's like going

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00:26:11,119 --> 00:26:13,520
Speaker 1: to be a repeat of that or a different version,

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00:26:13,680 --> 00:26:15,360
Speaker 1: what we know is there is this is some kind

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00:26:15,400 --> 00:26:20,640
Speaker 1: of punctuation um and with and after that, the possibilities

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00:26:20,640 --> 00:26:23,920
Speaker 1: are endless. I choose to be optimistic. Yeah, I mean

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00:26:24,000 --> 00:26:27,719
Speaker 1: Abraham Lincoln said the best way to uh get the

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00:26:27,720 --> 00:26:31,360
Speaker 1: future you want is to choose it. So heck yeah,

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00:26:31,480 --> 00:26:36,000
Speaker 1: heck yeah, man. Yeah, So I mean that that is

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00:26:36,080 --> 00:26:38,440
Speaker 1: kind of a I think a good place to close

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00:26:38,560 --> 00:26:41,080
Speaker 1: is just that we are coming to the end of

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00:26:41,119 --> 00:26:46,320
Speaker 1: a very coherent like themed century and now it's our

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00:26:47,280 --> 00:26:50,080
Speaker 1: are we have the ability to choose where we where

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00:26:50,080 --> 00:26:53,000
Speaker 1: we take it next. One last thing is that Mickey

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00:26:53,000 --> 00:26:58,400
Speaker 1: Mouse was invented in the twenties steamboat Willie, and at

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00:26:58,400 --> 00:27:01,400
Speaker 1: the time it was like seeing as an adult thing

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00:27:01,960 --> 00:27:05,160
Speaker 1: and then and then it became like a giant, like

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00:27:05,840 --> 00:27:09,680
Speaker 1: you know, the biggest the inventor of imagination for children,

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00:27:09,840 --> 00:27:14,520
Speaker 1: what is your prediction for something that is like seen

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00:27:14,600 --> 00:27:17,919
Speaker 1: as one type of thing that could become like bigger

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00:27:17,960 --> 00:27:21,720
Speaker 1: in a different demographic. I'm just gonna put you on

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00:27:21,720 --> 00:27:24,320
Speaker 1: the spot there. I don't know what's the thing that is,

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00:27:24,359 --> 00:27:28,520
Speaker 1: like the Instagram rip off of TikTok, like reels or whatever.

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00:27:29,200 --> 00:27:32,159
Speaker 1: It's weird because I'm seeing so many adults use that

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00:27:32,200 --> 00:27:35,879
Speaker 1: because like so many adults weren't using TikTok and they

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00:27:35,880 --> 00:27:38,080
Speaker 1: were on Instagram, so it's like the same thing like

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00:27:38,480 --> 00:27:41,840
Speaker 1: they weren't using Snapchat. But when you got stories, now

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00:27:41,920 --> 00:27:44,600
Speaker 1: the people are using the stories and now I'm just saying,

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00:27:44,600 --> 00:27:47,959
Speaker 1: like older people use reels in like the weirdest ways.

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00:27:48,600 --> 00:27:50,920
Speaker 1: But I'm just I don't know. In my mind, I'm

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00:27:50,920 --> 00:27:52,679
Speaker 1: just being like, that's the thing for younger people that

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00:27:52,760 --> 00:27:56,200
Speaker 1: adults are using now, uh, And Okay, they're just having

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00:27:56,200 --> 00:27:57,960
Speaker 1: fun with it. But I don't know what's gonna have

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00:27:58,000 --> 00:28:00,840
Speaker 1: that same sort of flip flop where they're gonna be

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00:28:00,920 --> 00:28:05,679
Speaker 1: like adults used to love that, right, Huh. Yeah, I

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00:28:05,680 --> 00:28:09,040
Speaker 1: don't know either. I don't know. Uh, I don't know.

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00:28:09,119 --> 00:28:13,640
Speaker 1: You guys decide, you guys, let's know in the comments

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00:28:13,640 --> 00:28:16,840
Speaker 1: guys yea, and also shout outs to Mazda for allowing

477
00:28:16,960 --> 00:28:20,160
Speaker 1: us to bring you a nice Saturday episode filled with

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00:28:20,200 --> 00:28:24,520
Speaker 1: our visions of the future in our analyzes. And please

479
00:28:24,600 --> 00:28:27,560
Speaker 1: y'all go check out the new Moss to see UV lineup.

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00:28:27,640 --> 00:28:30,719
Speaker 1: Okay it's yeah. I'm gonna tell you firsthand, never been

481
00:28:30,720 --> 00:28:33,640
Speaker 1: in a better car, miss it every day to our

482
00:28:33,720 --> 00:28:37,800
Speaker 1: cry tears every morning thinking about that car. Maybe I do.

483
00:28:38,080 --> 00:28:40,680
Speaker 1: Is it because the exterior design? Maybe it is? Is

484
00:28:40,680 --> 00:28:42,760
Speaker 1: it because the leather seats are so buttery and I

485
00:28:42,760 --> 00:28:45,040
Speaker 1: have never had a car with leather seats before? Yes,

486
00:28:45,080 --> 00:28:47,960
Speaker 1: that's it. Also, does it take us twenty minutes to

487
00:28:48,000 --> 00:28:51,120
Speaker 1: get started recording Daily zeyegeys because he's crying about this

488
00:28:51,240 --> 00:28:55,880
Speaker 1: every day? Yes? And does Jack violate his co host

489
00:28:55,960 --> 00:28:58,360
Speaker 1: trust by saying stuff like that in the branded episode?

490
00:28:58,640 --> 00:29:02,400
Speaker 1: Yes he does, But worry not because Mazda will keep

491
00:29:02,440 --> 00:29:06,040
Speaker 1: you good and you can trust them. Yeah. Yeah, and

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00:29:06,200 --> 00:29:09,600
Speaker 1: that's gonna do it. For this special Saturday edition of

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00:29:09,640 --> 00:29:14,080
Speaker 1: The Daily Zeitgeist, we will talk to you also. Bye.

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Speaker 1: M