WEBVTT - Golf Architecture with Blake Conant

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my ball in a fried egg

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<v Speaker 2>Friday egg, the dreaded Friday Friday, Frida Egg, fridagg Bride egg, Lie,

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<v Speaker 2>I'm about ready to run.

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<v Speaker 1>Off of the hump. Welcome back to the Friday Golf Podcast.

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<v Speaker 1>I am your host and Andy Johnson.

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<v Speaker 3>Uh.

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<v Speaker 1>This week, I'm excited to be joined by one of

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<v Speaker 1>golf's young, bright, up and coming golf architects, Blake Cone.

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<v Speaker 1>Blake has been on this podcast a few times, but

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<v Speaker 1>with me a long time ago, and since his career

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<v Speaker 1>has really progressed. UH, He's done some solo work on

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<v Speaker 1>his own. He's continued to work a lot with Tom Doak,

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<v Speaker 1>and he was a co designer of Old Barnwell, kind

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<v Speaker 1>of one of the big courses in the last five

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<v Speaker 1>years that opened. So I was really excited to chat

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<v Speaker 1>with Blake and kind of just chop it up about

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<v Speaker 1>golf architecture. We discussed a ton of stuff, some on topic,

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<v Speaker 1>some off topic, but it was a really fun conversation.

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<v Speaker 1>Our flew by. We'll have to have him back on

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<v Speaker 1>another time, but before we get to the Blake interview,

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<v Speaker 1>we are also going to add I think most episodes

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<v Speaker 1>will do this. We're going to add a Q and

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<v Speaker 1>a segment at the back. We're fielding questions for this

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<v Speaker 1>through fridagg Golf Club, who is also, you know, the

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<v Speaker 1>sponsor of this episode. Friday Golf Club our community, our membership.

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<v Speaker 1>We have a forum there where we have a kind

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<v Speaker 1>of a standing post asking for questions, so we'll get

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<v Speaker 1>it through there. Friday Golf Club's a awesome, you know,

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<v Speaker 1>community for people that want more from us. We obviously

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<v Speaker 1>you get early access to our events, but we do

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<v Speaker 1>heaps of content, mainly golf course architecture content in there

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<v Speaker 1>as well. There are weekly course profile write ups and

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<v Speaker 1>then we have a pretty vibrant community in the forums

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<v Speaker 1>that discuss all things golf. So if you're interested in

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<v Speaker 1>getting a little bit more from us, supporting us, it's

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<v Speaker 1>one hundred and twenty dollars a year and you can

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<v Speaker 1>join at the Frida egg dot com. All right, let's

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<v Speaker 1>get to Blake Conant. All right, welcoming on for the

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<v Speaker 1>first time in a really long time with me. At

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<v Speaker 1>least you talked with Garrett, I think before more recently

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<v Speaker 1>than me on this feed. Blake Conant one of my

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<v Speaker 1>favorite people in the golf architecture community, and I'm just

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<v Speaker 1>happy that you could carve out time around, you know,

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<v Speaker 1>appointment viewing for you now in January, which you know,

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<v Speaker 1>I didn't expect to utter these words appointment corn Husker

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<v Speaker 1>Nebraska Cornhusker basketball.

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<v Speaker 2>Top five matchup. No, I I appreciate your flexibility. You know,

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<v Speaker 2>the bandwagon was nearly full when I jumped on, but

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<v Speaker 2>there was still just a little bit of room left.

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<v Speaker 2>So so yeah, I'm able to I'm able to follow

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<v Speaker 2>along here.

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<v Speaker 1>I mean, you got Hoiberg. It's that's fun. I mean,

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<v Speaker 1>he was so he was so good when he was

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<v Speaker 1>at Iowa State. You know, he figured it might have

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<v Speaker 1>translate to success in Nebraska. But I find it humorous

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<v Speaker 1>that now Indiana's a football school and now Nebraska's at

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<v Speaker 1>basketball school in the Towy Twys.

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<v Speaker 2>Yeah, yeah, no, it's it's uh, the parallels are almost

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<v Speaker 2>a little scary, and it's it's particularly demoralizing knowing that

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<v Speaker 2>for basketball to be good, the universe says that football

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<v Speaker 2>must be bad. So so here we are, you know,

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<v Speaker 2>thirty years since the national championship. Still still plugging away.

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<v Speaker 2>I'm sure Kai Golbi will appreciate starting starting this chat

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<v Speaker 2>with a Husker football and Husker basketball mentioned.

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<v Speaker 1>Well, yeah, it's always nice to warm up on something.

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<v Speaker 1>Some people get frustrated with that, but it's like, you

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<v Speaker 1>know what, if you go for a run, you warm

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<v Speaker 1>up before you go for a run. We're warming up

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<v Speaker 1>before we get into get into the meat and bones

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<v Speaker 1>of meat and potatoes of this chat.

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<v Speaker 2>Ied the podcast warm up for for for for the record.

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<v Speaker 1>Really, yep, why I want?

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<v Speaker 2>I want to just dive right in or whoever I'm

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<v Speaker 2>listening to, I want them to dive in. I don't

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<v Speaker 2>I don't want. I don't need to hear what you

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<v Speaker 2>had for breakfast. I don't need to hear like how

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<v Speaker 2>much butter you use? Like no, I'm listening to this

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<v Speaker 2>podcast to find out about politics or tech or Husker

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<v Speaker 2>football or whatever.

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<v Speaker 3>I'm listening to. Like, just just jump right into that.

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<v Speaker 1>All right. Well, you know I'm gonna start seeking your

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<v Speaker 1>your golf courses. If you ever have a hole that

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<v Speaker 1>that starts, that's a gentle handshake. I'm gonna say, Hey,

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<v Speaker 1>wtf uh? I wanted to dive into the craziest stuff

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<v Speaker 1>your your first hole better be the craziest stuff every time.

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<v Speaker 2>Oh that's a good Uh yeah, all right, I'll put

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<v Speaker 2>my money where my mouth is. See who what was

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<v Speaker 2>the was it Walt Whitman? It said, you know, do

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<v Speaker 2>I contradict myself?

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<v Speaker 3>Yes?

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<v Speaker 2>Uh something? What's the quote? Something like that? But yes,

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<v Speaker 2>it's like, yeah, no, I contradict me. I contradict myself

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<v Speaker 2>a ton, So so I'm sure I'll start every first

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<v Speaker 2>hole with a gentle handshake.

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<v Speaker 1>Well, you know, old bar Well one of one of

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<v Speaker 1>the courses in your design profile. Uh, you know you

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<v Speaker 1>and and Bridesteiner Co. Designed it. The first hole is

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<v Speaker 1>relatively gentle. I would say it's a short Part five.

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<v Speaker 1>One of the things I'm curious about with it is

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<v Speaker 1>the mounding, the fronting mound. So for those that haven't

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<v Speaker 1>been there, which is probably the vast majority of this podcast,

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<v Speaker 1>there are like these mounds I've never I've never really

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<v Speaker 1>seen it on an American golf course before, where you

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<v Speaker 1>have these two mounds that cut in front and it

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<v Speaker 1>kind of obscures your view off the first tee. But

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<v Speaker 1>then there's a little hole, a little like slot in

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<v Speaker 1>them that you walk through. What was the idea of

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<v Speaker 1>those mounts? It just curious off the top question since

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<v Speaker 1>we're talking about first holes.

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<v Speaker 2>Yeah, they were, you know, they were a product of

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<v Speaker 2>like the the scale being so big, of like where

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<v Speaker 2>do you start? Fair ways? Where do you where do

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<v Speaker 2>you end? And stop grassing lines sometimes and when it's

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<v Speaker 2>so wide open sometimes that's hard to do gracefully. And

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<v Speaker 2>I don't know, we were sort of okay with not

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<v Speaker 2>being graceful. I think it was it was it was

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<v Speaker 2>an honest thing to be intentional about what we were

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<v Speaker 2>doing out there. So part of it was just like, yeah,

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<v Speaker 2>we want burms to be a bit of a theme.

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<v Speaker 2>Why not do that right on the first t Let

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<v Speaker 2>this burm be the start of the fairway in a

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<v Speaker 2>way to start the fairway and then also you know hard,

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<v Speaker 2>you know, initiate sort of a theme that we're going

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<v Speaker 2>to have throughout the golf course. And that one's more

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<v Speaker 2>like aesthetic and provides a glimpse into what you're going

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<v Speaker 2>to see later on. But a lot of the berms

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<v Speaker 2>out there are functional as far as like steering storm water.

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<v Speaker 2>So I'd say fifty percent of them serve a purpose

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<v Speaker 2>for you know, functionality of storm water or for strategy

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<v Speaker 2>of golf.

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<v Speaker 1>Yeah, I I kind of liked it. It felt like

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<v Speaker 1>I was like entering the gates of the golf course

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<v Speaker 1>in a way symbolically, like you walk through and you're

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<v Speaker 1>walking through this little hole in the you know, the

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<v Speaker 1>berm is about as tall as you know, a human being,

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<v Speaker 1>maybe a little shorter than human.

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<v Speaker 2>Shorter waist high, yeah, waster belly button.

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<v Speaker 3>Hi.

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<v Speaker 1>Maybe I think it's a little taller that it could

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<v Speaker 1>be my it could be my memory. The but you

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<v Speaker 1>know what about you know, I guess like one of

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<v Speaker 1>the things that stands out about you got your guys'

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<v Speaker 1>work there is that we've been in this era of

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<v Speaker 1>of like naturalism, the idea of making everything kind of

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<v Speaker 1>blend in. What was the thinking, uh, you know, obviously

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<v Speaker 1>you just alluded to the the function of the burms

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<v Speaker 1>with moving storm water, but the use of these berms

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<v Speaker 1>and the you know, they they look, they appear and

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<v Speaker 1>are band made and they kind of cut against that.

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<v Speaker 1>Was that an intentional decision?

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<v Speaker 3>Yeah?

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<v Speaker 2>Just stylistically, like the variety of styles of stuff we

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<v Speaker 2>have out there and sort of the not trying to

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<v Speaker 2>hide what you're doing type of thing that was certainly intentional.

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<v Speaker 2>You know, it's like we had a good site, we

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<v Speaker 2>didn't have a great site. I think if you were

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<v Speaker 2>you know, if our site was through sand dunes or

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<v Speaker 2>something like you know, Childer's Hall or Sandhills or wherever,

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<v Speaker 2>you might not have made as many of those choices.

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<v Speaker 2>But for us, you know, that was something where we

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<v Speaker 2>were like, it was a way to be honest of hey, we're.

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<v Speaker 3>Going to.

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<v Speaker 2>We need to make the golf work. We want to

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<v Speaker 2>try to make the golf strategy cool. There's no excuse

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<v Speaker 2>not to have a great hole if you've got a

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<v Speaker 2>blank canvas. So oftentimes we're you know, we're doing a

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<v Speaker 2>lot of heavy shaping. I wouldn't call it earthwork, and

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<v Speaker 2>you're and you're moving dirt around you. You're you're cutting

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<v Speaker 2>two feet here, you're plopping it over there, and a

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<v Speaker 2>lot of times the goal is to like blend that

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<v Speaker 2>in and make it look natural. For us, it was, well,

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<v Speaker 2>let's PLoP it here. It's going to serve a purpose

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<v Speaker 2>for the golf strategy, but we don't necessarily need to

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<v Speaker 2>like blend it into nature. So that that was something

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<v Speaker 2>that we're you know, it was just like we've seen

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<v Speaker 2>that tons of great golf courses we've been to of

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<v Speaker 2>you know, the theme is there is no theme, there's

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<v Speaker 2>no bunker style. And a lot of these great golf

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<v Speaker 2>courses like places Brian and I love so much, like

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<v Speaker 2>National Golf Links or Garden City or you know, even

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<v Speaker 2>old photos of pine valleys, so that kind of gives

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<v Speaker 2>you permission to It's like, well, if they can do it,

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<v Speaker 2>why can't we do it?

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<v Speaker 1>You know. Yeah, Somewhere somewhere it got lost that like

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<v Speaker 1>bunkers are are hazards, and you know, I think it

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<v Speaker 1>probably came with the you know, technical precision that that

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<v Speaker 1>modern machinery gave people that you could have that like

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<v Speaker 1>that succinct style of bunker throughout a golf course, or

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<v Speaker 1>you know, sometimes what the sites gave them.

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<v Speaker 2>Yeah, and that's you know, That's what's kind of interesting,

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<v Speaker 2>is like there's this intention to have like a sight

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<v Speaker 2>wide prescription of we want all flash bunkers or grass

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<v Speaker 2>face bunkers, and what you find out is like within

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<v Speaker 2>each site there's little micro sites where hey, a flashbunker

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<v Speaker 2>doesn't work here, Like this is way better off being

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<v Speaker 2>something that's grass spaced, because we're really fighting surface drainage,

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<v Speaker 2>and we'd have to do a ton of work to

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<v Speaker 2>steer the water away from it for it to be

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<v Speaker 2>flash faced, or hey, a bunker doesn't even belong here.

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<v Speaker 2>We can achieve the same thing with mounds. It's way

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<v Speaker 2>less expensive. It actually tends to challenge the better player

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<v Speaker 2>more if you've got something in place of sand. You know,

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<v Speaker 2>it's like you guys who are really good, don't like

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<v Speaker 2>hitting out of awkward stances, out of rough You want

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<v Speaker 2>to be able to control your ball, control the flight

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<v Speaker 2>of it. And that's the thing where it's like hitting

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<v Speaker 2>a shot out of off for a fifteen handicap sometimes

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<v Speaker 2>is welcome, you.

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<v Speaker 1>Know, yeah, absolutely, I you know, it's like one of

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<v Speaker 1>the things you grow up. When you grow up caddying,

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<v Speaker 1>you realize is like sometimes having like a little bit

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<v Speaker 1>of grass in the ball sitting up is a good

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<v Speaker 1>thing for a lot of golfers. And the since we talked,

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<v Speaker 1>you know, it's a number of years have passed, but

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<v Speaker 1>you've gone from where I think you're you know, you're

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<v Speaker 1>still in this process of becoming like a full blown

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<v Speaker 1>solo architect, but you've gone from a shaper to where

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<v Speaker 1>you have a substantial amount of your own work. What's

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<v Speaker 1>what's the transition been?

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<v Speaker 3>Like pretty easy because it's just.

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<v Speaker 2>You know, there isn't a lot of like cold calling

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<v Speaker 2>or me like trying to level jump. A lot of

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<v Speaker 2>a lot of stuff that's come my way is just

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<v Speaker 2>come my way organically, and it's not forced, you know.

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<v Speaker 2>And I think that's a product of just like finding,

0:13:12.800 --> 0:13:15.000
<v Speaker 2>you know, finding the part of this profession that makes

0:13:15.040 --> 0:13:18.200
<v Speaker 2>you happy and wanting to do that and like steering

0:13:18.240 --> 0:13:21.840
<v Speaker 2>yourself towards that a little bit. So for me, that's

0:13:21.880 --> 0:13:25.400
<v Speaker 2>that's the creative side of it. It's like it's the

0:13:25.840 --> 0:13:28.040
<v Speaker 2>planning of a golf course, of a new golf course,

0:13:28.120 --> 0:13:30.920
<v Speaker 2>or master planning for what you're going to do for

0:13:31.000 --> 0:13:34.800
<v Speaker 2>renovation or restoration, and then like executing the work, like

0:13:34.840 --> 0:13:39.560
<v Speaker 2>getting in the dirt and building the features. So for me,

0:13:40.120 --> 0:13:45.160
<v Speaker 2>it's in an industry that is very dependent on what,

0:13:45.400 --> 0:13:49.240
<v Speaker 2>like the economy is doing, it's good to kind of

0:13:50.320 --> 0:13:54.360
<v Speaker 2>have that that that baseline of like Okay, no matter

0:13:54.400 --> 0:13:57.120
<v Speaker 2>if the economy is you know, up here or down here,

0:13:58.040 --> 0:14:01.040
<v Speaker 2>if I enjoy doing these things, I should always be

0:14:01.080 --> 0:14:04.599
<v Speaker 2>able to find a way to do them when the

0:14:04.640 --> 0:14:08.080
<v Speaker 2>economy is going goods. Maybe that means I'm like getting

0:14:08.160 --> 0:14:12.760
<v Speaker 2>solo design work on my own, and if things are slow,

0:14:12.840 --> 0:14:17.160
<v Speaker 2>maybe that means renovation work or I'm helping Tom with something,

0:14:17.160 --> 0:14:21.360
<v Speaker 2>you know, dope with something either shaping for him or

0:14:21.400 --> 0:14:24.880
<v Speaker 2>running a job. And so that's sort of like I'm

0:14:24.880 --> 0:14:29.480
<v Speaker 2>in that transition now of I'd be happy to live

0:14:29.520 --> 0:14:32.520
<v Speaker 2>in that you know, quote unquote purgatory forever because I'm

0:14:32.560 --> 0:14:34.680
<v Speaker 2>just I'm happy doing what I'm doing because I have

0:14:34.680 --> 0:14:39.640
<v Speaker 2>the opportunity to build cool golf and the credit is

0:14:39.680 --> 0:14:44.200
<v Speaker 2>like a secondary thing. But you know, I've always said like,

0:14:44.320 --> 0:14:47.680
<v Speaker 2>as long as Tom keeps working and keeps wanting to

0:14:47.760 --> 0:14:50.200
<v Speaker 2>have me around, like I'm willing to keep learning from

0:14:50.240 --> 0:14:53.320
<v Speaker 2>him and keep working with him. It's a the people

0:14:53.400 --> 0:14:57.760
<v Speaker 2>he surrounds himself with are really cool and he's, you know,

0:14:58.160 --> 0:15:00.480
<v Speaker 2>one of two guys getting the best projects the world.

0:15:00.600 --> 0:15:04.040
<v Speaker 2>So it's just an opportunity to to build golf and

0:15:05.160 --> 0:15:08.680
<v Speaker 2>learn from him at a really high level. So right now,

0:15:08.680 --> 0:15:12.960
<v Speaker 2>it's just like purgatory is a very negative way to

0:15:12.960 --> 0:15:17.240
<v Speaker 2>put it, but yeah, it's this like transitional phase where

0:15:17.560 --> 0:15:19.400
<v Speaker 2>I'm getting to do stuff with Brian, I'm getting to

0:15:19.400 --> 0:15:21.280
<v Speaker 2>do stuff on my own, I'm getting to do stuff

0:15:21.280 --> 0:15:23.800
<v Speaker 2>with Tom, and it's all really fun because I'm just

0:15:23.840 --> 0:15:24.840
<v Speaker 2>working with cool people.

0:15:26.560 --> 0:15:30.400
<v Speaker 1>Uh. PJ would say that, you know, you know Ball,

0:15:31.800 --> 0:15:36.600
<v Speaker 1>knowing Ball and working closely with Tom. What what's something

0:15:36.840 --> 0:15:40.720
<v Speaker 1>about him and his work that kind of blows you

0:15:40.760 --> 0:15:45.200
<v Speaker 1>away that maybe isn't recognizable to the regular golfer.

0:15:50.240 --> 0:15:54.240
<v Speaker 2>It's you know, I think one of the cool things

0:15:54.520 --> 0:15:57.680
<v Speaker 2>about uh, you know, Tom's known for his routings and

0:15:57.720 --> 0:16:03.040
<v Speaker 2>his greens, and I don't think a lot of people

0:16:03.880 --> 0:16:08.840
<v Speaker 2>can comprehend like how those come together, you know, but

0:16:08.920 --> 0:16:12.160
<v Speaker 2>he's he's given glimpses through his books or through some

0:16:12.200 --> 0:16:15.840
<v Speaker 2>of the podcasts that you guys do about his process

0:16:15.840 --> 0:16:16.280
<v Speaker 2>for both.

0:16:16.360 --> 0:16:17.480
<v Speaker 3>One of the cool things of like.

0:16:17.480 --> 0:16:20.120
<v Speaker 2>Building a green with Tom is is the way he

0:16:20.280 --> 0:16:25.480
<v Speaker 2>views it and edits it, which he'll go, you know

0:16:25.600 --> 0:16:26.880
<v Speaker 2>a lot of us when we get on a green,

0:16:26.920 --> 0:16:29.080
<v Speaker 2>we're looking at like the internal contours and what the

0:16:29.120 --> 0:16:33.360
<v Speaker 2>green is doing. Tom will walk the perimeter and like

0:16:33.800 --> 0:16:37.960
<v Speaker 2>look at all the recovery shots and he's trying to

0:16:38.000 --> 0:16:41.520
<v Speaker 2>diagnose like is it impossible from over here? Am I

0:16:41.600 --> 0:16:45.040
<v Speaker 2>okay with that? Like if I miss here, what shots

0:16:45.040 --> 0:16:48.360
<v Speaker 2>do I have to these pins? And so so his

0:16:48.560 --> 0:16:53.239
<v Speaker 2>editing sort of like takes place through through that process,

0:16:53.480 --> 0:16:57.320
<v Speaker 2>especially when building greens. And you know, the first time

0:16:57.320 --> 0:16:59.160
<v Speaker 2>I saw it, saw him do it, and then working

0:16:59.160 --> 0:17:01.160
<v Speaker 2>with him and doing it, it was just like, you know,

0:17:01.200 --> 0:17:03.800
<v Speaker 2>it's a really eye opening way to build because then

0:17:03.920 --> 0:17:08.640
<v Speaker 2>you you just sort of like you broaden the scope

0:17:08.680 --> 0:17:11.879
<v Speaker 2>of what you're looking at and you start to you know,

0:17:11.960 --> 0:17:14.200
<v Speaker 2>Clyde Johnson, my good friend who's over in the UK,

0:17:14.480 --> 0:17:16.560
<v Speaker 2>talks a lot about like the thirty yards in front

0:17:16.600 --> 0:17:20.000
<v Speaker 2>of the green, like that should be the most captivating

0:17:20.119 --> 0:17:23.480
<v Speaker 2>part of the golf course or as captivating as the green,

0:17:25.080 --> 0:17:27.240
<v Speaker 2>And when you're building, agree with Tom, you start to realize,

0:17:27.280 --> 0:17:31.040
<v Speaker 2>like the surrounds and the recovery shots are what makes

0:17:31.080 --> 0:17:32.080
<v Speaker 2>it so interesting.

0:17:33.680 --> 0:17:35.840
<v Speaker 1>Yeah, it's kind of like I think a term in

0:17:35.920 --> 0:17:40.800
<v Speaker 1>golf architecture that people, you know, maybe a novice wouldn't

0:17:40.800 --> 0:17:44.080
<v Speaker 1>really understand is like when you talk about the green complex,

0:17:45.600 --> 0:17:49.840
<v Speaker 1>it should extend probably twenty yards around it, right, would

0:17:49.840 --> 0:17:53.080
<v Speaker 1>you agree with that, Like would you consider things that

0:17:53.119 --> 0:17:56.399
<v Speaker 1>you're building in front of the green as part of

0:17:56.440 --> 0:17:58.160
<v Speaker 1>the overarching green complex?

0:17:59.080 --> 0:17:59.800
<v Speaker 3>Yeah? Totally.

0:17:59.840 --> 0:18:02.320
<v Speaker 2>I mean we're thinking about when we say we're shaping

0:18:02.359 --> 0:18:04.800
<v Speaker 2>a green, like you're you're doing all of that and

0:18:04.840 --> 0:18:08.120
<v Speaker 2>typically you're you're shaping the tie ins to the next

0:18:08.160 --> 0:18:10.800
<v Speaker 2>tee or you're even shaping the next tee too, because

0:18:10.880 --> 0:18:14.800
<v Speaker 2>all that sort of blends together is one green complex.

0:18:16.720 --> 0:18:17.520
<v Speaker 3>And yeah, whether.

0:18:17.359 --> 0:18:20.240
<v Speaker 2>It's twenty yards out or you know, I typically think

0:18:20.280 --> 0:18:22.800
<v Speaker 2>of like wherever your grassing line is going to be.

0:18:22.920 --> 0:18:26.640
<v Speaker 2>Sometimes that's nine paces out, or you know, a head

0:18:26.640 --> 0:18:29.000
<v Speaker 2>that's on the green that throws out can throw seventy

0:18:29.000 --> 0:18:31.200
<v Speaker 2>five feet, so that'd be twenty five yards out from

0:18:31.200 --> 0:18:35.600
<v Speaker 2>the green sometimes that you've got to shape. So yeah,

0:18:35.640 --> 0:18:38.040
<v Speaker 2>all that, all that goes into it. It's a it's

0:18:38.040 --> 0:18:40.359
<v Speaker 2>a big job to build to you know, to have

0:18:40.400 --> 0:18:42.920
<v Speaker 2>a completed green complex.

0:18:44.640 --> 0:18:47.320
<v Speaker 1>When you're when you're working on these projects and you

0:18:47.359 --> 0:18:51.360
<v Speaker 1>know to this, you you just completed a renovation project

0:18:51.400 --> 0:18:53.320
<v Speaker 1>on your own, so you can you can speak to

0:18:53.359 --> 0:18:57.720
<v Speaker 1>this now sure Haven versus you know, working with Tom

0:18:58.000 --> 0:19:00.760
<v Speaker 1>uh You know, when you're working with Tom, you are

0:19:01.080 --> 0:19:04.320
<v Speaker 1>are together with a number of associates that are building greens.

0:19:04.800 --> 0:19:08.160
<v Speaker 1>Or at Old Barnwell you and Brian Schneider are both

0:19:08.200 --> 0:19:12.640
<v Speaker 1>building greens. What's the different dynamic when you're working by

0:19:12.680 --> 0:19:18.720
<v Speaker 1>yourself versus when you're working collectively with a group, and

0:19:19.600 --> 0:19:21.960
<v Speaker 1>what you know are the things that you like or

0:19:22.000 --> 0:19:23.320
<v Speaker 1>maybe don't like about either.

0:19:24.840 --> 0:19:29.640
<v Speaker 2>Yeah, you know, working with Tom, one of the things

0:19:29.680 --> 0:19:32.520
<v Speaker 2>that I picked on picked up on quickly is he's

0:19:32.560 --> 0:19:36.919
<v Speaker 2>willing to hear ideas from everybody and filter them accordingly.

0:19:38.600 --> 0:19:40.439
<v Speaker 2>So when I was an intern at Dismal River, we

0:19:41.000 --> 0:19:45.080
<v Speaker 2>you know, one of his something he wanted to do

0:19:45.119 --> 0:19:48.000
<v Speaker 2>is drive around with every intern and spend a day

0:19:48.040 --> 0:19:50.399
<v Speaker 2>with them, and so he was constantly he was like

0:19:50.440 --> 0:19:52.560
<v Speaker 2>picking my brain for things that I would do, and

0:19:52.600 --> 0:19:55.800
<v Speaker 2>most of them were flushed down the toilet. But that

0:19:55.880 --> 0:19:57.680
<v Speaker 2>was always that was a good reminder of like, yeah, man,

0:19:57.800 --> 0:20:01.280
<v Speaker 2>like a good idea can come from anywhere, So the

0:20:01.320 --> 0:20:03.840
<v Speaker 2>process of building a green or the process of doing

0:20:03.920 --> 0:20:07.359
<v Speaker 2>the work doesn't really change. And then that's something that like, Okay,

0:20:07.400 --> 0:20:10.680
<v Speaker 2>the roles are reversed. But I had shaping help up

0:20:10.720 --> 0:20:14.240
<v Speaker 2>there from two younger guys who have worked with Doglott

0:20:14.280 --> 0:20:19.199
<v Speaker 2>and Brian Scheider, Andre Buchco and Great Carlton, and you know,

0:20:19.400 --> 0:20:24.320
<v Speaker 2>asking what they would do, or you know, trying to

0:20:24.359 --> 0:20:26.840
<v Speaker 2>get input from them of what we should do, or

0:20:26.960 --> 0:20:28.800
<v Speaker 2>you know, a lot of it's me saying like, Hey,

0:20:28.800 --> 0:20:33.119
<v Speaker 2>I'm trying to do this over here, and sometimes I

0:20:33.119 --> 0:20:34.919
<v Speaker 2>have a really clear picture in my head and sometimes

0:20:35.000 --> 0:20:38.639
<v Speaker 2>I don't. And you know, that's that's the fun of

0:20:38.760 --> 0:20:42.080
<v Speaker 2>building golf, whether you're the one whose stuff is being

0:20:42.200 --> 0:20:48.000
<v Speaker 2>edited or you're the editor. You know, having that process

0:20:48.040 --> 0:20:50.119
<v Speaker 2>in place of like a good idea can come from

0:20:50.160 --> 0:20:56.760
<v Speaker 2>anywhere is important. So as far as me building greens,

0:20:56.760 --> 0:20:58.720
<v Speaker 2>it's like sometimes when you're a Tom, you're willing to

0:20:58.800 --> 0:21:01.480
<v Speaker 2>like take a chance. It's because he's a safety net,

0:21:01.720 --> 0:21:03.880
<v Speaker 2>so you can build something wacky and he can come

0:21:03.880 --> 0:21:06.040
<v Speaker 2>around and just be like, yeah, that's stupid. You know,

0:21:08.600 --> 0:21:10.639
<v Speaker 2>when you're doing yourself, you kind of got to be

0:21:10.680 --> 0:21:12.880
<v Speaker 2>your own safety net, or you've got to like you've

0:21:12.880 --> 0:21:14.800
<v Speaker 2>got to be editing in the back of your head too,

0:21:15.280 --> 0:21:18.040
<v Speaker 2>or just realizing like yeah, you know, sometimes it's like

0:21:18.040 --> 0:21:19.960
<v Speaker 2>what would Tom say about this, Well, I'd probably say

0:21:19.960 --> 0:21:23.439
<v Speaker 2>lower at six inches, and it's you know, the golf's

0:21:23.480 --> 0:21:24.800
<v Speaker 2>going to be the same, it's just going to be

0:21:24.800 --> 0:21:28.480
<v Speaker 2>that much more accommodating for the higher handicapper. So yeah,

0:21:28.520 --> 0:21:30.440
<v Speaker 2>sometimes his voice is in the back of my head,

0:21:30.480 --> 0:21:32.600
<v Speaker 2>or Schneider's voice in the back of my head, or Iverson,

0:21:32.760 --> 0:21:36.240
<v Speaker 2>But yeah, it's nice. You know, it's nice being able

0:21:36.280 --> 0:21:40.520
<v Speaker 2>to like, yeah, be the person. Then who's you know,

0:21:40.680 --> 0:21:44.440
<v Speaker 2>providing mentorship or tutelage to other young guys.

0:21:46.040 --> 0:21:50.040
<v Speaker 1>In your career? You know, you you're still young by

0:21:50.160 --> 0:21:53.520
<v Speaker 1>you know, golf architecture standards. You're you're very young. You know,

0:21:55.760 --> 0:21:59.679
<v Speaker 1>are there architectural ideas that you've grown less interested in

0:22:00.080 --> 0:22:03.320
<v Speaker 1>as you've gained experience, like you know, kind of take

0:22:03.400 --> 0:22:05.920
<v Speaker 1>us on your journey as as an architect who thinks

0:22:05.920 --> 0:22:08.840
<v Speaker 1>about this all the time. Are there things that you've

0:22:08.960 --> 0:22:12.280
<v Speaker 1>drawn less interested in and likewise more interested in?

0:22:13.760 --> 0:22:17.879
<v Speaker 2>Yeah, so this will probably ruffle your feathers. But I

0:22:17.880 --> 0:22:21.119
<v Speaker 2>I used to love Langford and think he was like

0:22:21.200 --> 0:22:25.040
<v Speaker 2>the best architect in the world, and I he's the

0:22:25.040 --> 0:22:27.040
<v Speaker 2>more Langford stuff I see in the older I get,

0:22:27.160 --> 0:22:31.159
<v Speaker 2>it's like the less I appreciate it. I shouldn't say

0:22:31.200 --> 0:22:33.320
<v Speaker 2>less I appreciate it, but more I'm like coming back

0:22:33.359 --> 0:22:36.280
<v Speaker 2>down to earth, you know, like that Sonya is not

0:22:36.359 --> 0:22:39.679
<v Speaker 2>a nine, you know what I mean? Where I originally

0:22:39.720 --> 0:22:40.440
<v Speaker 2>thought it was.

0:22:42.000 --> 0:22:45.800
<v Speaker 1>So that and I think what about it has you know,

0:22:45.960 --> 0:22:48.760
<v Speaker 1>kind of like as you've seen more what about the

0:22:48.840 --> 0:22:53.040
<v Speaker 1>Langford work? In particular, you have have you just cooled

0:22:53.080 --> 0:22:55.760
<v Speaker 1>on Not that I don't. It's not that you hate Langford,

0:22:55.840 --> 0:22:57.280
<v Speaker 1>you just aren't as high on him.

0:22:57.640 --> 0:23:00.520
<v Speaker 2>No, And a lot of it is just the raised

0:23:00.520 --> 0:23:04.040
<v Speaker 2>green pads. I think the shapes are really cool. I

0:23:04.280 --> 0:23:08.920
<v Speaker 2>think some of the strategy that he was evoking was

0:23:09.920 --> 0:23:12.680
<v Speaker 2>really it was like really provocative, and it was harkening

0:23:12.720 --> 0:23:15.120
<v Speaker 2>back to some of the stuff that see bing McDonald

0:23:15.240 --> 0:23:16.640
<v Speaker 2>was doing, but he was doing it with his own

0:23:16.720 --> 0:23:20.760
<v Speaker 2>little flavor, and so I think like the bunker strategy

0:23:20.800 --> 0:23:22.639
<v Speaker 2>and the style that he did it was really cool.

0:23:22.680 --> 0:23:28.359
<v Speaker 2>But but a product of how he of his process

0:23:28.359 --> 0:23:30.439
<v Speaker 2>and of his technique is just like a ton of

0:23:30.560 --> 0:23:36.320
<v Speaker 2>raised greens that are only received through an aerial shot

0:23:36.560 --> 0:23:40.879
<v Speaker 2>swich is kind of cool because in a way I

0:23:40.960 --> 0:23:45.840
<v Speaker 2>can like I can put that into my brain and say, Okay,

0:23:45.920 --> 0:23:50.280
<v Speaker 2>what like what if Langford built a punch bowl or

0:23:50.560 --> 0:23:53.399
<v Speaker 2>if length you know, it's like, how would Langford have

0:23:53.480 --> 0:23:55.359
<v Speaker 2>built a punch bowl? And then you could just like

0:23:55.400 --> 0:23:57.440
<v Speaker 2>I'm going to try to build a Langford punch bowl,

0:23:57.960 --> 0:23:59.040
<v Speaker 2>you know, where I'm gonna try.

0:23:58.880 --> 0:24:01.000
<v Speaker 1>To raise up frau that a big ball.

0:24:00.880 --> 0:24:06.679
<v Speaker 2>Yeah yeah, or just yeah, So there's there's things like

0:24:06.720 --> 0:24:11.880
<v Speaker 2>that that you you know, as you refine your taste

0:24:11.920 --> 0:24:17.040
<v Speaker 2>and see more golf, you just start to it's you know,

0:24:17.119 --> 0:24:20.200
<v Speaker 2>it's like it's like placing stuff in order.

0:24:20.240 --> 0:24:20.399
<v Speaker 3>You know.

0:24:20.480 --> 0:24:23.480
<v Speaker 2>It's like, if what I had seen twenty golf courses,

0:24:23.680 --> 0:24:25.880
<v Speaker 2>Lasonia might have been number two, But now that I've

0:24:25.920 --> 0:24:30.159
<v Speaker 2>seen you know, four or five hundred golf courses like Lasonium,

0:24:30.280 --> 0:24:35.160
<v Speaker 2>it's not number two anymore. So though, you know, it's

0:24:35.200 --> 0:24:38.920
<v Speaker 2>that kind of stuff that's like it's, uh, it's it's

0:24:38.920 --> 0:24:40.840
<v Speaker 2>fun to pick on him a little bit because I

0:24:40.880 --> 0:24:44.000
<v Speaker 2>know you guys are such Langford lovers, but I mean.

0:24:44.359 --> 0:24:46.360
<v Speaker 1>As similar a boat as you.

0:24:46.440 --> 0:24:46.520
<v Speaker 4>Like.

0:24:47.080 --> 0:24:49.600
<v Speaker 1>You know, law Sonia was a course I played as

0:24:49.600 --> 0:24:52.040
<v Speaker 1>a kid, and I was like, this is the most

0:24:52.080 --> 0:24:54.000
<v Speaker 1>one of the most amazing courses I've ever played in

0:24:54.000 --> 0:24:58.440
<v Speaker 1>my life. And you know, I think for given public

0:24:58.520 --> 0:25:03.240
<v Speaker 1>golf in America like los Sonia, for the price they

0:25:03.320 --> 0:25:06.520
<v Speaker 1>charge and the quality of product, has got to be

0:25:06.880 --> 0:25:11.480
<v Speaker 1>a top ten facility if you combine price and product. Yeah,

0:25:12.960 --> 0:25:15.600
<v Speaker 1>it just you know, part of golf is you know,

0:25:16.040 --> 0:25:18.800
<v Speaker 1>it just you know, there's a lot of other places

0:25:18.840 --> 0:25:22.040
<v Speaker 1>that are really cool. What I find fascinating about it

0:25:22.080 --> 0:25:25.240
<v Speaker 1>is like, you know, there was the Perry Maxwell. I

0:25:25.240 --> 0:25:28.199
<v Speaker 1>think there was a Perry Maxwell Langford beef. You know

0:25:28.359 --> 0:25:33.359
<v Speaker 1>Maxwell who you know he had basically the complete polar

0:25:33.400 --> 0:25:37.840
<v Speaker 1>opposite style of Langford. For those that don't know who

0:25:37.880 --> 0:25:42.080
<v Speaker 1>we're talking about, is like, you know, William Blankford and

0:25:42.240 --> 0:25:47.920
<v Speaker 1>Theodore Moreau built really like manufactured, big feature stuff, as

0:25:47.960 --> 0:25:52.240
<v Speaker 1>Blake hinted at, like everything kind of goes up versus

0:25:52.240 --> 0:25:56.600
<v Speaker 1>Perry Maxwell was like extremely economical and I would say

0:25:56.720 --> 0:26:01.639
<v Speaker 1>pretty pretty naturalist type of off architecture where you know,

0:26:01.720 --> 0:26:04.200
<v Speaker 1>he's he's trying to move as little earth as he

0:26:04.280 --> 0:26:06.399
<v Speaker 1>can and if he's doing that, he's trying to blend

0:26:06.440 --> 0:26:10.040
<v Speaker 1>it into nature. But they you know, there was a

0:26:10.080 --> 0:26:13.960
<v Speaker 1>lot of There was some Perry Maxwell writing about like

0:26:14.080 --> 0:26:17.840
<v Speaker 1>how you know those that use steam shovels are just

0:26:18.000 --> 0:26:21.280
<v Speaker 1>you know, don't don't have skill effectively, is what he

0:26:21.400 --> 0:26:24.240
<v Speaker 1>was saying. And if you think about it, they were

0:26:24.280 --> 0:26:26.600
<v Speaker 1>working in the same area at the same time and

0:26:26.720 --> 0:26:29.120
<v Speaker 1>oftentimes renovating each other's courses.

0:26:29.760 --> 0:26:34.120
<v Speaker 2>Yeah, yep, I will a hot take on Perry Maxwell

0:26:34.280 --> 0:26:38.760
<v Speaker 2>is I don't I can't think of a course he

0:26:38.800 --> 0:26:42.400
<v Speaker 2>worked on that he's well known for where Dean Woods

0:26:42.520 --> 0:26:47.919
<v Speaker 2>was not his shaper. Dean Woods helped build Dornic Hills

0:26:47.960 --> 0:26:51.640
<v Speaker 2>and he was the point man at Crystal Downs. And yeah,

0:26:52.359 --> 0:26:54.800
<v Speaker 2>if you start to like pull that thread a little bit,

0:26:54.840 --> 0:26:58.120
<v Speaker 2>you'll realize, like Dean Woods was everywhere that Perry Maxwell

0:26:58.240 --> 0:27:01.480
<v Speaker 2>is most well known for. So it's one of those

0:27:01.480 --> 0:27:05.760
<v Speaker 2>things to lining. It's like, you know, everybody wants to

0:27:05.800 --> 0:27:09.040
<v Speaker 2>like glorify the shaper and you know, make a big

0:27:09.119 --> 0:27:10.800
<v Speaker 2>name out of that person who's like, oh, it's like,

0:27:10.800 --> 0:27:13.080
<v Speaker 2>well who Tom who shape your greens? You know, it's

0:27:13.119 --> 0:27:15.680
<v Speaker 2>like but you start to, yeah, you start to look

0:27:15.720 --> 0:27:17.240
<v Speaker 2>into Perry Maxwell a little bit, and it's like, yeah,

0:27:17.280 --> 0:27:19.439
<v Speaker 2>maybe Dean Woods deserves a little bit of credit. You know,

0:27:19.520 --> 0:27:22.000
<v Speaker 2>maybe he's like seems like he was like the Eric

0:27:22.040 --> 0:27:23.879
<v Speaker 2>iverson to Perry Maxwell.

0:27:24.040 --> 0:27:24.280
<v Speaker 3>You know.

0:27:25.800 --> 0:27:28.639
<v Speaker 1>I think that's an interesting part with like Langford and Moreau,

0:27:28.960 --> 0:27:31.919
<v Speaker 1>Like if you go play William Blakeford course that Moreau

0:27:32.119 --> 0:27:37.119
<v Speaker 1>wasn't involved with, you're kind of like, uh whatever, And

0:27:37.119 --> 0:27:41.640
<v Speaker 1>and I think it probably is underrepresented. And I mean

0:27:41.720 --> 0:27:44.560
<v Speaker 1>I know that there's a lot of that with with

0:27:44.680 --> 0:27:48.199
<v Speaker 1>Donald Ross too. It was depending on the shaper, you know,

0:27:48.359 --> 0:27:52.400
<v Speaker 1>the or the construction Foreman effectively. I think a lot

0:27:52.400 --> 0:27:55.320
<v Speaker 1>of times it was referred to, you know, the golf

0:27:55.320 --> 0:27:59.520
<v Speaker 1>courses like you know greatly, you know, even stylistically can

0:27:59.600 --> 0:28:01.840
<v Speaker 1>change from from course of course.

0:28:02.680 --> 0:28:05.239
<v Speaker 2>Yeah, I mean, I mean we could. We could go

0:28:05.280 --> 0:28:08.399
<v Speaker 2>down a rabbit hole too. Of Like you know, Mackenzie's

0:28:08.440 --> 0:28:11.639
<v Speaker 2>six weeks in Australia, it's like, god, he just like

0:28:11.760 --> 0:28:15.320
<v Speaker 2>you walk into Markham right, like if he if he's

0:28:15.359 --> 0:28:18.240
<v Speaker 2>a dud, then what what becomes of all this stuff?

0:28:18.359 --> 0:28:18.600
<v Speaker 3>You know?

0:28:20.320 --> 0:28:25.240
<v Speaker 1>That's I mean, same thing with Hunter and Maxwell to

0:28:25.280 --> 0:28:27.560
<v Speaker 1>a certain extent. I was just reading a thing that

0:28:28.040 --> 0:28:32.360
<v Speaker 1>Josh Pennitt posted this week about like how Mackenzie came

0:28:32.400 --> 0:28:34.119
<v Speaker 1>back to look at the Metal Club and he was

0:28:34.200 --> 0:28:38.040
<v Speaker 1>really thrilled with Hunter's work. And it's like he left

0:28:38.160 --> 0:28:40.520
<v Speaker 1>and he would just he would just come back and

0:28:40.560 --> 0:28:43.000
<v Speaker 1>the course would be done and he would like you know,

0:28:43.080 --> 0:28:47.080
<v Speaker 1>you think about like that's the way certain sub architects

0:28:47.200 --> 0:28:50.120
<v Speaker 1>work today. You know, there's an infamous story of Nick

0:28:50.160 --> 0:28:53.520
<v Speaker 1>Faldo gant gloss on opening day at one of his

0:28:53.600 --> 0:28:56.400
<v Speaker 1>golf courses, driving to the golf course because you know

0:28:56.440 --> 0:29:00.400
<v Speaker 1>he had been there. But that is the way some

0:29:00.480 --> 0:29:04.280
<v Speaker 1>people people still work where it's like, hey, here are

0:29:04.320 --> 0:29:08.200
<v Speaker 1>your plans, go build it. But the era we've gotten in,

0:29:08.400 --> 0:29:13.040
<v Speaker 1>you know, is much more of a craftsmanship, you know,

0:29:14.560 --> 0:29:17.960
<v Speaker 1>era of golf design, where you know, the the InVogue

0:29:18.040 --> 0:29:22.320
<v Speaker 1>popular golf architects are the ones that are either doing

0:29:22.360 --> 0:29:25.120
<v Speaker 1>the work or or pretty attuned to the work and

0:29:25.160 --> 0:29:26.800
<v Speaker 1>the people that are doing the work.

0:29:28.320 --> 0:29:32.360
<v Speaker 2>Yeah, I think so. And it's something that's like it's

0:29:32.400 --> 0:29:35.600
<v Speaker 2>been said for well before this era, but it's it's

0:29:35.640 --> 0:29:39.920
<v Speaker 2>just really hard to draw plans for every golfer and

0:29:40.000 --> 0:29:42.280
<v Speaker 2>every detail of every golful and just like nail it

0:29:42.320 --> 0:29:45.320
<v Speaker 2>on the first try, you know. And and the guys

0:29:45.320 --> 0:29:49.160
<v Speaker 2>who are design bid you know, just they draw plans.

0:29:49.200 --> 0:29:50.920
<v Speaker 2>They know that they spend a lot of time like

0:29:51.080 --> 0:29:56.960
<v Speaker 2>visiting site and editing stuff. But you know a lot

0:29:57.000 --> 0:30:01.000
<v Speaker 2>of times when that's the process, it's like, oh, make

0:30:01.080 --> 0:30:03.479
<v Speaker 2>these edits and I'll be back in five days. And

0:30:03.520 --> 0:30:07.880
<v Speaker 2>then it's like you're either there's either like a latency

0:30:08.000 --> 0:30:11.440
<v Speaker 2>with that or you're kind of twiddling your thumbs just

0:30:11.480 --> 0:30:14.240
<v Speaker 2>like waiting around, or you're you're going and working on

0:30:14.320 --> 0:30:16.520
<v Speaker 2>other stuff. And so it's like it's nice to be

0:30:16.560 --> 0:30:19.880
<v Speaker 2>able to a like be building the stuff, be there

0:30:19.880 --> 0:30:24.440
<v Speaker 2>every day, but also like not have that lost in

0:30:24.520 --> 0:30:29.520
<v Speaker 2>translation moment or the like playing the telephone game trying

0:30:29.560 --> 0:30:33.800
<v Speaker 2>to relay an idea through four different people. So it's

0:30:34.080 --> 0:30:37.320
<v Speaker 2>I think there's there's an efficiency that you see when

0:30:37.360 --> 0:30:40.480
<v Speaker 2>it's like a design build product project that the clients

0:30:40.560 --> 0:30:43.840
<v Speaker 2>maybe really like if they're just like if they're touring

0:30:43.920 --> 0:30:47.320
<v Speaker 2>through and you know, Gil hands on a dozer building

0:30:47.320 --> 0:30:50.000
<v Speaker 2>a green and there's like three excavators around him, It's like, man,

0:30:50.040 --> 0:30:52.719
<v Speaker 2>it's fuck, Like work's happening, Like this is awesome, Like

0:30:53.080 --> 0:30:56.040
<v Speaker 2>I'm getting my money's worth here, you know. So I

0:30:56.560 --> 0:31:00.080
<v Speaker 2>think it's got that appeal more than anything I've.

0:31:00.000 --> 0:31:04.560
<v Speaker 1>I think that there's just a power of interests aligning

0:31:04.840 --> 0:31:12.200
<v Speaker 1>as well in the design build, where like you're you're

0:31:12.200 --> 0:31:16.240
<v Speaker 1>more I think you can run into issues, and I

0:31:16.280 --> 0:31:20.600
<v Speaker 1>think there are like great contractors and they're mediocre contractors

0:31:20.600 --> 0:31:25.320
<v Speaker 1>and bad contractors, like any any industry. But one of

0:31:25.360 --> 0:31:28.479
<v Speaker 1>the things that you know, architects and that you know

0:31:29.040 --> 0:31:32.560
<v Speaker 1>you've obviously worked mostly in the design build, you know,

0:31:32.760 --> 0:31:35.560
<v Speaker 1>set up, but one of the things is like the

0:31:35.680 --> 0:31:40.400
<v Speaker 1>architects if they're contracting the shapers, you know, and working

0:31:40.400 --> 0:31:43.280
<v Speaker 1>with the shapers regularly they are going to be aligned

0:31:43.320 --> 0:31:47.680
<v Speaker 1>on the product, and the architect aligns with the club

0:31:47.960 --> 0:31:51.800
<v Speaker 1>or course that they're building. Where it gets tricky is like,

0:31:52.040 --> 0:31:53.800
<v Speaker 1>you know, and this is just you have to use

0:31:53.840 --> 0:31:56.800
<v Speaker 1>contractors for stuff, regardless of you know, like you're building

0:31:56.800 --> 0:31:59.240
<v Speaker 1>golf course, you're going to use some contractors. But the

0:31:59.280 --> 0:32:02.959
<v Speaker 1>contractors are just trying to get the thing done for

0:32:03.000 --> 0:32:06.080
<v Speaker 1>the most part, and they aren't as invested in the

0:32:06.200 --> 0:32:10.360
<v Speaker 1>architecture or the finished product as they are their budget timeline.

0:32:10.560 --> 0:32:14.720
<v Speaker 1>And I know I'm generalizing. I don't want any contractors

0:32:14.720 --> 0:32:17.360
<v Speaker 1>to get after me. I'm like I said, there are

0:32:17.400 --> 0:32:20.520
<v Speaker 1>good ones, at bad ones and mediocre ones, but like,

0:32:20.680 --> 0:32:24.920
<v Speaker 1>just in general, inherently a contractor enters a different set

0:32:25.040 --> 0:32:30.640
<v Speaker 1>of kind of goals and variables to a project.

0:32:32.240 --> 0:32:39.000
<v Speaker 2>Yeah, yes, and no, I generally agree with you. So

0:32:39.040 --> 0:32:40.240
<v Speaker 2>I'm not going to you know, I'm not going to

0:32:40.360 --> 0:32:44.240
<v Speaker 2>like rebut what you're saying. But also I do think

0:32:44.320 --> 0:32:48.560
<v Speaker 2>there's this bottom line of like everybody answers to the client,

0:32:48.960 --> 0:32:51.680
<v Speaker 2>and then whoever is representing the client on site every

0:32:51.760 --> 0:32:55.280
<v Speaker 2>day kind of like has the final say. So a

0:32:55.320 --> 0:32:57.800
<v Speaker 2>lot of it, a lot of the decision making is

0:32:57.920 --> 0:33:01.360
<v Speaker 2>driven from the top down. Like if the client has

0:33:01.640 --> 0:33:07.840
<v Speaker 2>you know, empowered Brian and me with agency and autonomy

0:33:07.880 --> 0:33:10.560
<v Speaker 2>to do what we please and just make the best

0:33:10.560 --> 0:33:14.880
<v Speaker 2>golf course we can, then whether the contractor is good, bad,

0:33:14.960 --> 0:33:18.520
<v Speaker 2>or indifferent, it's they're they're going to fall online because

0:33:18.520 --> 0:33:22.320
<v Speaker 2>it's like, well, either like that that's the mandate coming

0:33:22.320 --> 0:33:24.480
<v Speaker 2>from the top and if I charge more like the

0:33:24.560 --> 0:33:26.520
<v Speaker 2>client is okay with that because it's all on an

0:33:26.520 --> 0:33:31.160
<v Speaker 2>effort to make the golf course good. So I think

0:33:31.280 --> 0:33:35.440
<v Speaker 2>they're you know, I've been lucky to to not be

0:33:35.480 --> 0:33:37.760
<v Speaker 2>on a lot of like horrible projects where it's just

0:33:37.800 --> 0:33:42.840
<v Speaker 2>gone haywire. So maybe my perspective is like a little

0:33:42.840 --> 0:33:45.920
<v Speaker 2>bit of rainbows at sunshine and I need to Yeah,

0:33:46.600 --> 0:33:48.480
<v Speaker 2>I need to get in the real world a little.

0:33:48.200 --> 0:33:50.680
<v Speaker 1>Bit, or you you guys, get outside your bubble.

0:33:51.760 --> 0:33:52.360
<v Speaker 3>You should have been.

0:33:52.320 --> 0:33:54.960
<v Speaker 2>Able to back in ninety six when there, you know,

0:33:55.040 --> 0:33:57.120
<v Speaker 2>it's like, yeah, I didn't. I don't have that perspective.

0:33:58.400 --> 0:34:02.800
<v Speaker 2>But you know, for the most part, it's like even

0:34:04.040 --> 0:34:08.120
<v Speaker 2>going back to like twenty thirteen when I that was

0:34:08.160 --> 0:34:12.200
<v Speaker 2>like the first renovation restoration Jabozon with Brian at Medina

0:34:14.640 --> 0:34:18.239
<v Speaker 2>and just you know, contractors of that era and then

0:34:18.360 --> 0:34:21.400
<v Speaker 2>even like ten years later, like they've gotten a lot better.

0:34:21.880 --> 0:34:24.759
<v Speaker 2>And I think there was some pushback because back then

0:34:24.800 --> 0:34:28.359
<v Speaker 2>it was still like shaping was still a thing that

0:34:28.560 --> 0:34:34.600
<v Speaker 2>they did and budgeted for, and so when you took

0:34:34.680 --> 0:34:37.359
<v Speaker 2>that out of their nut, that was like that was

0:34:37.760 --> 0:34:40.840
<v Speaker 2>maybe that's where a lot of their margins were coming from,

0:34:41.000 --> 0:34:43.160
<v Speaker 2>and they didn't know what It's like, well, shit, now

0:34:43.160 --> 0:34:47.560
<v Speaker 2>we have to build our margins in you know, drain pipeer, gravel,

0:34:47.640 --> 0:34:49.560
<v Speaker 2>you know, whatever it is. And it's like so I

0:34:49.560 --> 0:34:52.879
<v Speaker 2>think there was always some animosity and friction when when

0:34:52.920 --> 0:34:55.319
<v Speaker 2>that was the case. And I think contractors are just

0:34:55.360 --> 0:34:58.319
<v Speaker 2>like a lot of them now like working in the

0:34:58.320 --> 0:35:03.520
<v Speaker 2>design build way because you know, they're it's not a hobby.

0:35:03.680 --> 0:35:06.200
<v Speaker 2>They still need to make money, right, It's like they're

0:35:06.200 --> 0:35:09.280
<v Speaker 2>not they're not doing it for the love of putting

0:35:09.360 --> 0:35:12.359
<v Speaker 2>in drain pipes. So everybody understands it, like they need

0:35:12.400 --> 0:35:16.840
<v Speaker 2>to make money. But they've figured out their business model

0:35:17.000 --> 0:35:19.920
<v Speaker 2>just just through time and through trial and error, Like, Okay,

0:35:19.960 --> 0:35:22.040
<v Speaker 2>what's the best way to work with design build guys.

0:35:22.040 --> 0:35:24.600
<v Speaker 2>It's like, well, a lot of us are just prima

0:35:24.640 --> 0:35:26.640
<v Speaker 2>donnas who want what we want and like we don't

0:35:26.680 --> 0:35:28.799
<v Speaker 2>want to grease the machine or fuel it up. And

0:35:28.840 --> 0:35:31.600
<v Speaker 2>it's like they're just cool doing that because it's a

0:35:31.600 --> 0:35:33.759
<v Speaker 2>little line item that they can build for and like

0:35:33.880 --> 0:35:36.680
<v Speaker 2>everything's great and copesthetic on site and it's like, yeah,

0:35:36.680 --> 0:35:39.360
<v Speaker 2>whatever you need. So so I think a lot of

0:35:39.400 --> 0:35:41.919
<v Speaker 2>them have gotten like there's a ton of really good

0:35:41.960 --> 0:35:46.239
<v Speaker 2>contractors out there. And I will say just to you know,

0:35:46.840 --> 0:35:51.439
<v Speaker 2>like I know Trip Davis has He's got his own

0:35:51.440 --> 0:35:54.240
<v Speaker 2>shaper who travels around with him and builds all this stuff.

0:35:54.560 --> 0:35:57.840
<v Speaker 2>I think Andy Stables had uses his own shapers.

0:35:57.880 --> 0:36:01.120
<v Speaker 1>So even like like er Green and works with McDonald's

0:36:01.120 --> 0:36:01.920
<v Speaker 1>sons everywhere.

0:36:02.200 --> 0:36:04.839
<v Speaker 2>Yeah, so I think even these guys who maybe work

0:36:04.880 --> 0:36:08.120
<v Speaker 2>a little bit different than Doak or the way we

0:36:08.160 --> 0:36:10.120
<v Speaker 2>work where we want to shape everything, it's like they

0:36:10.280 --> 0:36:14.640
<v Speaker 2>still exercise their control over like, hey that I want

0:36:14.680 --> 0:36:17.080
<v Speaker 2>my guy building the greens because we have a language

0:36:17.120 --> 0:36:20.880
<v Speaker 2>that we speak that makes communication easier. May you know,

0:36:20.920 --> 0:36:23.680
<v Speaker 2>it's going to be more efficient. He knows what I like.

0:36:24.680 --> 0:36:26.240
<v Speaker 2>So I think I think a lot of those guys

0:36:26.280 --> 0:36:28.400
<v Speaker 2>do have people like that they travel around with and

0:36:28.440 --> 0:36:29.000
<v Speaker 2>they work with.

0:36:30.360 --> 0:36:33.160
<v Speaker 1>Uh. In that answer, you know, you hit on a

0:36:33.239 --> 0:36:35.800
<v Speaker 1>subject I wasn't planning to get to I didn't realize

0:36:35.840 --> 0:36:38.320
<v Speaker 1>that you were a part of the Madida one project.

0:36:39.560 --> 0:36:44.360
<v Speaker 1>That that is. I think it's the most underrated course

0:36:44.400 --> 0:36:45.080
<v Speaker 1>in Chicago.

0:36:45.840 --> 0:36:49.880
<v Speaker 2>It's the most underrated factory and camel in Chicago. And

0:36:50.320 --> 0:36:51.800
<v Speaker 2>yours truly built the bunker.

0:36:52.000 --> 0:36:54.320
<v Speaker 1>So yeah, you build the camel bunker.

0:36:54.520 --> 0:36:58.880
<v Speaker 2>Yeah, I rough shaped it in and my man Raffulio

0:36:59.640 --> 0:37:02.680
<v Speaker 2>finished up Brian. Brian might give her a Fulio a

0:37:02.680 --> 0:37:07.560
<v Speaker 2>little more credit than than than me, but yeah, and then.

0:37:07.520 --> 0:37:09.200
<v Speaker 3>Uh, we had a dinner.

0:37:09.719 --> 0:37:11.640
<v Speaker 2>They put on a dinner when Tom was in town,

0:37:11.680 --> 0:37:13.960
<v Speaker 2>and they you know, I was lucky enough to get

0:37:14.000 --> 0:37:15.799
<v Speaker 2>an invite. It was like it must have been like

0:37:15.840 --> 0:37:18.160
<v Speaker 2>the Greens Committee or something. But I sat next to

0:37:18.200 --> 0:37:20.360
<v Speaker 2>a gentleman who explained to me the difference between a

0:37:20.440 --> 0:37:23.360
<v Speaker 2>Dromedary and a Bactrian camel and why they chose to

0:37:23.400 --> 0:37:27.560
<v Speaker 2>have a bactory and camel for uh, for the for

0:37:27.640 --> 0:37:30.879
<v Speaker 2>the camel at Madonna number one and Dramedary is one

0:37:30.920 --> 0:37:33.440
<v Speaker 2>hump bactory and is two hump. You can remember that

0:37:33.560 --> 0:37:37.640
<v Speaker 2>because Bactriyan is a sideways b Laying down.

0:37:37.920 --> 0:37:40.640
<v Speaker 1>This sounds like information that's gonna be really valuable when

0:37:40.640 --> 0:37:43.319
<v Speaker 1>your kid asked you about camels. Yeah, and maybe not

0:37:43.400 --> 0:37:44.160
<v Speaker 1>this podcast.

0:37:44.239 --> 0:37:47.960
<v Speaker 2>Oh yeah, no, no, this is very useful information anyway.

0:37:48.120 --> 0:37:52.280
<v Speaker 1>I will say obligatory take a picture of the camel

0:37:52.320 --> 0:37:53.839
<v Speaker 1>bucker every time up there.

0:37:54.200 --> 0:37:58.520
<v Speaker 2>Yes, no, so that that project. I finished grad school.

0:37:59.239 --> 0:38:03.200
<v Speaker 2>I had jury the after graduating, and then so my

0:38:03.280 --> 0:38:05.560
<v Speaker 2>last thing I did in Athens, Georgia was jury duty,

0:38:05.960 --> 0:38:09.080
<v Speaker 2>and then I drove up to Medina and helped finish

0:38:09.200 --> 0:38:11.480
<v Speaker 2>up there. Mike mccarton had done a lot of like

0:38:12.320 --> 0:38:15.920
<v Speaker 2>the work under Brian who was running the job, so

0:38:16.000 --> 0:38:18.200
<v Speaker 2>there were only a few bunkers left to build, and

0:38:18.239 --> 0:38:21.000
<v Speaker 2>then it was just like finishing greens and doing finished

0:38:21.000 --> 0:38:21.680
<v Speaker 2>work and stuff.

0:38:24.239 --> 0:38:27.200
<v Speaker 1>All right, I've got a couple, you know, just kind

0:38:27.200 --> 0:38:35.560
<v Speaker 1>of general golf golf architecture questions for you. What's the

0:38:35.600 --> 0:38:38.640
<v Speaker 1>golf locale that you think in all of your travels

0:38:38.680 --> 0:38:41.600
<v Speaker 1>you alluded to seeing four or five hundred courses. What's

0:38:41.640 --> 0:38:46.600
<v Speaker 1>the golf locale that every golfer should go to in

0:38:46.640 --> 0:38:49.600
<v Speaker 1>their lives if you had to pick one, I.

0:38:49.480 --> 0:38:55.000
<v Speaker 2>Had to pick one. I mean, I guess it goes

0:38:55.000 --> 0:38:57.520
<v Speaker 2>without saying like the UK, like you just go to

0:38:58.840 --> 0:38:59.399
<v Speaker 2>see St.

0:38:59.400 --> 0:39:02.080
<v Speaker 3>Andrews. It's like everybody should go do that.

0:39:02.520 --> 0:39:05.160
<v Speaker 2>So maybe take that off the board because that's kind

0:39:05.200 --> 0:39:09.400
<v Speaker 2>of like that's that's sort of like everybody's pick.

0:39:10.640 --> 0:39:15.680
<v Speaker 1>I feel like that is the answer. And what people

0:39:15.760 --> 0:39:18.680
<v Speaker 1>need to realize is you can just go and you

0:39:18.719 --> 0:39:21.680
<v Speaker 1>could go and sit there, enter the ballot every day

0:39:21.680 --> 0:39:23.960
<v Speaker 1>and if you don't win, you play on an old

0:39:24.000 --> 0:39:28.520
<v Speaker 1>Tom course, the new course or the course, the Harry

0:39:28.560 --> 0:39:30.480
<v Speaker 1>Colt course, Like just do that.

0:39:31.200 --> 0:39:31.480
<v Speaker 3>Yeah.

0:39:32.239 --> 0:39:35.719
<v Speaker 2>I mean, I don't know if there's like this hesitancy

0:39:35.760 --> 0:39:37.960
<v Speaker 2>to like to rent a car or to just be

0:39:40.080 --> 0:39:42.080
<v Speaker 2>just be free over there. But it's like you can

0:39:42.480 --> 0:39:44.560
<v Speaker 2>got like you just go rent a car and you

0:39:44.600 --> 0:39:46.920
<v Speaker 2>could like you can just have your own wheels and

0:39:47.000 --> 0:39:50.799
<v Speaker 2>drive around. And we're so used to driving far in

0:39:50.840 --> 0:39:55.040
<v Speaker 2>the United States, like you're like the road warrior when

0:39:55.040 --> 0:39:57.319
<v Speaker 2>you drive your own car over in the UK. Like

0:39:57.840 --> 0:40:02.719
<v Speaker 2>I remember, I played Press in the morning and then

0:40:02.760 --> 0:40:05.640
<v Speaker 2>I drove to cruden Bay and I played cruden Bay

0:40:06.640 --> 0:40:08.920
<v Speaker 2>in the afternoon, and then I drove back down to

0:40:08.960 --> 0:40:11.440
<v Speaker 2>Saint Andrews and I was I was talking to somebody

0:40:11.440 --> 0:40:13.160
<v Speaker 2>at the pub and they were like what the like,

0:40:13.320 --> 0:40:16.560
<v Speaker 2>are you fucking kidding me? Like you did all that?

0:40:16.640 --> 0:40:19.440
<v Speaker 2>And I was like it's like four hours in the car,

0:40:19.520 --> 0:40:24.319
<v Speaker 2>Like this is nothing, so you can you can get

0:40:24.360 --> 0:40:28.319
<v Speaker 2>to a ton of places when you're over there, you know.

0:40:28.520 --> 0:40:30.520
<v Speaker 3>The the other I haven't.

0:40:30.880 --> 0:40:34.000
<v Speaker 2>I haven't had a chance to like see golf around Paris,

0:40:34.120 --> 0:40:38.600
<v Speaker 2>but I really want to. The trip around London or

0:40:39.040 --> 0:40:42.239
<v Speaker 2>the Australian sand Belt would be my other two. Like

0:40:42.360 --> 0:40:44.719
<v Speaker 2>there's just so much golf in a dense area that

0:40:44.920 --> 0:40:45.840
<v Speaker 2>it's worth seeing.

0:40:46.920 --> 0:40:50.480
<v Speaker 1>Yeah, Melbourne's like and it's gonna you know, so many

0:40:50.520 --> 0:40:53.200
<v Speaker 1>people have invited me down for various things and it's

0:40:53.239 --> 0:40:56.520
<v Speaker 1>not it's not the invite that's it's just me getting

0:40:56.680 --> 0:41:00.000
<v Speaker 1>and leaving for you know, ten days is kind of

0:41:00.080 --> 0:41:02.799
<v Speaker 1>holding me back. But like, to me, the Melbourne one

0:41:03.080 --> 0:41:05.279
<v Speaker 1>sticks out as probably the one that I most want

0:41:05.360 --> 0:41:07.799
<v Speaker 1>to do along with like New Zealand's the other one.

0:41:08.200 --> 0:41:13.000
<v Speaker 1>For me. Melbourne there's something about like being in a

0:41:13.280 --> 0:41:18.520
<v Speaker 1>world renowned city and it being so close to all

0:41:18.600 --> 0:41:22.479
<v Speaker 1>this world class golf, Like the combination of like, yeah,

0:41:22.680 --> 0:41:26.480
<v Speaker 1>and you can go do nice stuff at night. You know,

0:41:26.680 --> 0:41:30.480
<v Speaker 1>you're not just that that's something that you know, on

0:41:31.120 --> 0:41:32.279
<v Speaker 1>its face appeals to me.

0:41:32.760 --> 0:41:36.480
<v Speaker 2>Yeah, I'm I am out of I am not doing

0:41:36.560 --> 0:41:40.200
<v Speaker 2>like ten day golf trips where you're fitting in thirty

0:41:40.239 --> 0:41:42.879
<v Speaker 2>six holes a day, Like I'm I'm over it, I'm

0:41:42.880 --> 0:41:47.040
<v Speaker 2>done with it. It's it's done. I would be much

0:41:47.200 --> 0:41:50.280
<v Speaker 2>happier doing a ten day trip where I see seven

0:41:50.320 --> 0:41:55.319
<v Speaker 2>golf courses that are great and then have some time

0:41:55.360 --> 0:41:57.160
<v Speaker 2>to like, yeah, go experience the culture.

0:41:57.400 --> 0:41:57.640
<v Speaker 3>You know.

0:41:57.719 --> 0:42:00.319
<v Speaker 2>It's like take takes some time to just have a

0:42:00.360 --> 0:42:02.880
<v Speaker 2>really nice, drawn out dinner, just like walk around the

0:42:02.880 --> 0:42:04.560
<v Speaker 2>city a little bit, like yeah, I don't need to.

0:42:05.600 --> 0:42:07.040
<v Speaker 3>I don't need to bust.

0:42:06.680 --> 0:42:09.359
<v Speaker 2>My hump for you know, a week straight and then

0:42:09.480 --> 0:42:13.080
<v Speaker 2>just like be sore for two weeks afterwards.

0:42:13.680 --> 0:42:17.320
<v Speaker 1>This is You've just explained why I keep balking on

0:42:17.880 --> 0:42:21.799
<v Speaker 1>Australia or New Zealand. As I continued, like every time

0:42:21.800 --> 0:42:23.759
<v Speaker 1>I think about it, I add another week to the

0:42:23.800 --> 0:42:26.239
<v Speaker 1>trip because it's mostly non golf stuff that I want

0:42:26.320 --> 0:42:30.960
<v Speaker 1>to do in the area. But yeah, I think those

0:42:31.000 --> 0:42:34.520
<v Speaker 1>are great answers, and it's I'm kind of with you

0:42:34.560 --> 0:42:37.520
<v Speaker 1>with the packing the golf in I did a trip

0:42:37.560 --> 0:42:40.319
<v Speaker 1>to Saint Andrews last year and we just had one

0:42:40.360 --> 0:42:43.120
<v Speaker 1>round of golf every day, but I had the mornings

0:42:43.120 --> 0:42:45.000
<v Speaker 1>free because we did it so people could win the

0:42:45.040 --> 0:42:49.120
<v Speaker 1>ballot and play the old course. But like having my

0:42:49.200 --> 0:42:51.600
<v Speaker 1>boardings free, it was like a delight. It was like, oh,

0:42:51.640 --> 0:42:54.439
<v Speaker 1>I went out and played golf in the afternoon, came

0:42:54.480 --> 0:42:56.840
<v Speaker 1>back for dinner, and my boarding was wide open. And

0:42:56.880 --> 0:43:00.120
<v Speaker 1>it allowed me so much optionality into terms of what

0:43:00.160 --> 0:43:02.120
<v Speaker 1>I wanted to do. I could go play golf if

0:43:02.160 --> 0:43:05.920
<v Speaker 1>I wanted to. All right, we're gonna try this, uh,

0:43:05.960 --> 0:43:09.480
<v Speaker 1>this rapid fire segment. This is a new thing that

0:43:09.520 --> 0:43:13.200
<v Speaker 1>we're gonna try on architecture pods. Here. I got to

0:43:13.280 --> 0:43:18.359
<v Speaker 1>give you a place or a person or a you know,

0:43:19.280 --> 0:43:22.239
<v Speaker 1>and you tell me the first thing that comes to

0:43:22.320 --> 0:43:27.680
<v Speaker 1>your mind when I say this, let's start with Riviera.

0:43:27.880 --> 0:43:31.080
<v Speaker 2>Oh that's it. That's the that's the way you're doing this. Yeah,

0:43:31.160 --> 0:43:40.960
<v Speaker 2>let's start with Riviera. It makes me think of KURBYR. Enthusiasm.

0:43:41.120 --> 0:43:44.560
<v Speaker 1>Yeah, the Black Swan episode, Yes.

0:43:44.640 --> 0:43:49.840
<v Speaker 2>Yes, Disgruntled, Yeah, all all the times that Riviera. You know,

0:43:49.880 --> 0:43:54.040
<v Speaker 2>it's like, well, it's not Riviera, but it's Riviera. People

0:43:54.040 --> 0:43:56.920
<v Speaker 2>who know know that it's Riviera's Larry David's club. It's like,

0:43:57.040 --> 0:44:00.120
<v Speaker 2>so every time golf is introduced in KIRBYR. Enthusiasm, and

0:44:00.239 --> 0:44:04.360
<v Speaker 2>I think of Riviera, And then I think of Michael Yamachi,

0:44:04.440 --> 0:44:07.200
<v Speaker 2>who that character is based on. And I played golf

0:44:07.200 --> 0:44:10.160
<v Speaker 2>with Michael Yamachi at Dos Renaissance Cups, and he's like

0:44:10.200 --> 0:44:12.600
<v Speaker 2>the nicest guy in the world, and he loves talking

0:44:12.600 --> 0:44:18.319
<v Speaker 2>golf architecture, and so it's just this funny little like yeah,

0:44:18.360 --> 0:44:19.720
<v Speaker 2>six Degrees of Kevin Bacon.

0:44:20.880 --> 0:44:24.000
<v Speaker 1>Yeah, all right, let's go Alistair Mackenzie.

0:44:25.600 --> 0:44:39.840
<v Speaker 2>Oh yeah, probably somehow underrated. Yeah go on, yeah, I

0:44:39.960 --> 0:44:44.200
<v Speaker 2>just yeah, I I you start to like look at

0:44:44.239 --> 0:44:46.160
<v Speaker 2>the list of stuff that he's done and then he's

0:44:46.200 --> 0:44:49.239
<v Speaker 2>worked on, and you're just like, man, that's that guy

0:44:49.280 --> 0:44:52.520
<v Speaker 2>had a good run there in like a short period

0:44:52.520 --> 0:44:54.919
<v Speaker 2>of time, Like you think of you think of these

0:44:55.000 --> 0:44:58.600
<v Speaker 2>like these great runs throughout history that people have been on,

0:44:58.920 --> 0:45:03.040
<v Speaker 2>you know what it crosses, you know, sports or architecture

0:45:03.360 --> 0:45:08.040
<v Speaker 2>or any field whatsoever. It's just like that's pretty good.

0:45:09.880 --> 0:45:13.799
<v Speaker 1>I you know, it's I don't think like, I don't

0:45:13.840 --> 0:45:16.000
<v Speaker 1>think most people would say like La Hinch is the

0:45:16.040 --> 0:45:19.680
<v Speaker 1>best course in the UK or the UK or in Ireland,

0:45:19.920 --> 0:45:23.880
<v Speaker 1>you know, but it's like definitely of like a top tier,

0:45:24.600 --> 0:45:27.960
<v Speaker 1>you know, it's it's very high on people's bucket. Lists,

0:45:27.960 --> 0:45:31.000
<v Speaker 1>and I'm not saying it's the best, but like you know,

0:45:31.080 --> 0:45:35.200
<v Speaker 1>if somebody told you in all of Ireland in the UK,

0:45:35.600 --> 0:45:37.840
<v Speaker 1>La Hinch is my favorite place, you wouldn't be like

0:45:38.800 --> 0:45:42.799
<v Speaker 1>that's crazy, get out of here, you know. And you

0:45:42.920 --> 0:45:47.680
<v Speaker 1>to think like he conceivably did that over four continent

0:45:48.320 --> 0:45:50.600
<v Speaker 1>with you could make a case for a couple of

0:45:50.640 --> 0:45:56.880
<v Speaker 1>courses in America, South America and then Australia. It's mind blowing.

0:45:58.080 --> 0:45:58.279
<v Speaker 3>Yeah.

0:45:58.280 --> 0:46:00.840
<v Speaker 2>It's like when you talk about Tiger Woods, you know,

0:46:00.880 --> 0:46:02.880
<v Speaker 2>and people are like, okay, if you only take what

0:46:02.920 --> 0:46:05.160
<v Speaker 2>he did at the US Open, like that's the eighth

0:46:05.320 --> 0:46:08.640
<v Speaker 2>best career of anybody, you know, whatever it is. It's like,

0:46:09.280 --> 0:46:10.919
<v Speaker 2>oh yeah, he had all that work in the UK

0:46:11.040 --> 0:46:13.719
<v Speaker 2>in Australia. You know. It's like mackenzie's work in the

0:46:13.800 --> 0:46:18.360
<v Speaker 2>US is like unbelievable in itself. It's you know, I've

0:46:18.560 --> 0:46:21.640
<v Speaker 2>seen hardly anything of his in the UK, and I'm

0:46:21.640 --> 0:46:25.160
<v Speaker 2>so eager to because you know, my friend Clyde who

0:46:25.360 --> 0:46:28.120
<v Speaker 2>consulted a lot of these clubs in the UK that

0:46:28.160 --> 0:46:33.360
<v Speaker 2>are McKenzie courses and consults a Titterangi down in New Zealand.

0:46:33.360 --> 0:46:36.440
<v Speaker 2>It's like all these places look incredible, and it's just

0:46:37.360 --> 0:46:40.920
<v Speaker 2>it's like, man, it's just like banger after Bank, you know,

0:46:41.320 --> 0:46:45.520
<v Speaker 2>like they're they're U. Yeah, there's so much great stuff

0:46:45.520 --> 0:46:47.760
<v Speaker 2>that he did, but even the stuff that he isn't

0:46:47.960 --> 0:46:50.040
<v Speaker 2>well known for should be better known.

0:46:51.920 --> 0:46:55.920
<v Speaker 1>So I should put published at some point my list

0:46:55.960 --> 0:46:58.400
<v Speaker 1>of like the places that I haven't gotten to that

0:46:58.440 --> 0:47:01.000
<v Speaker 1>are like kind of obscure that I really want to

0:47:01.040 --> 0:47:04.600
<v Speaker 1>get to. Near the top of it is that Cavendish place.

0:47:04.800 --> 0:47:08.440
<v Speaker 1>I think I pronounced it correct. It's like the fifty

0:47:08.480 --> 0:47:13.440
<v Speaker 1>four hundred yard Alisair McKenzie course in England, and it

0:47:13.480 --> 0:47:17.040
<v Speaker 1>looks delightful, like I dream about playing there. I don't

0:47:17.080 --> 0:47:18.760
<v Speaker 1>know what I'm ever going to get there.

0:47:18.600 --> 0:47:21.880
<v Speaker 2>But right, you know, yeah, I mean that would be

0:47:21.920 --> 0:47:23.960
<v Speaker 2>a fun trip to do, just like all right, I

0:47:23.960 --> 0:47:26.919
<v Speaker 2>want to see the mackenzie UK stuff and I'm sure

0:47:26.920 --> 0:47:28.120
<v Speaker 2>it would blow me away.

0:47:29.160 --> 0:47:32.600
<v Speaker 1>I wanted to do that. I talked to a friend

0:47:32.600 --> 0:47:35.200
<v Speaker 1>of mine, you know, kind of runs our concierge. I

0:47:35.239 --> 0:47:38.000
<v Speaker 1>was like, hey, can we do like an Alistair McKenzie

0:47:38.239 --> 0:47:43.080
<v Speaker 1>UK trip? And he's like, Andy, that is so illogical

0:47:43.600 --> 0:47:46.600
<v Speaker 1>and you end up driving by so many great courses

0:47:46.680 --> 0:47:50.120
<v Speaker 1>to do this that it's a terrible idea, and I'm like, no,

0:47:50.239 --> 0:47:52.719
<v Speaker 1>but I think it would be cool, right, Like, oh,

0:47:52.760 --> 0:47:56.000
<v Speaker 1>I just I went I'd only played Alistair McKenzie courses

0:47:56.080 --> 0:47:57.200
<v Speaker 1>for a week.

0:47:57.920 --> 0:48:02.160
<v Speaker 2>There. Certainly there's enough sickos in your community that you

0:48:02.200 --> 0:48:06.040
<v Speaker 2>could get like eight people or twelve people, you know,

0:48:06.080 --> 0:48:09.000
<v Speaker 2>whatever you need to make it work. Like they'd be

0:48:09.040 --> 0:48:11.440
<v Speaker 2>willing to pass by all these great places in an

0:48:11.440 --> 0:48:13.080
<v Speaker 2>effort to do this thing.

0:48:13.080 --> 0:48:16.640
<v Speaker 1>Right, I think like I kind of side with of

0:48:16.640 --> 0:48:19.640
<v Speaker 1>those like if you're there, I always like because it's

0:48:19.719 --> 0:48:23.360
<v Speaker 1>like the idea of like, you know, how many people

0:48:23.440 --> 0:48:27.080
<v Speaker 1>went to NCR in the seventies and eighties when it

0:48:27.120 --> 0:48:29.400
<v Speaker 1>was ranked as like one of the greatest courses in

0:48:29.920 --> 0:48:32.840
<v Speaker 1>you know, in the country, and right next door was

0:48:32.920 --> 0:48:35.000
<v Speaker 1>Moraine and nobody went to Moraine, you know.

0:48:36.200 --> 0:48:36.480
<v Speaker 3>Yep.

0:48:37.360 --> 0:48:40.160
<v Speaker 1>Yeah, And that was kind of flipped, which is which

0:48:40.200 --> 0:48:43.800
<v Speaker 1>is fascinating, all right. Next up Pine Hills.

0:48:44.560 --> 0:48:50.239
<v Speaker 2>Pine Hills loved it. Second best golf course in Wisconsin.

0:48:52.080 --> 0:48:56.719
<v Speaker 1>What's the best course in Wisconsin? Yeah, yeah, I think that's.

0:48:56.600 --> 0:48:59.279
<v Speaker 2>It's really good. I know people hate on it. No,

0:48:59.360 --> 0:49:03.680
<v Speaker 2>it's the Pine Hills question. Yeah, Harry Smead, I was

0:49:03.719 --> 0:49:06.360
<v Speaker 2>really impressed and a lot of the work that they've undertaken,

0:49:06.480 --> 0:49:09.640
<v Speaker 2>especially like you can tell that the tree work is

0:49:09.760 --> 0:49:13.560
<v Speaker 2>really good and there's still more to do, but it's like,

0:49:14.920 --> 0:49:17.280
<v Speaker 2>you know, you have to chip away at trees. Trees

0:49:17.280 --> 0:49:22.080
<v Speaker 2>aren't a thing that just like happen overnight. But you know,

0:49:22.600 --> 0:49:25.279
<v Speaker 2>for any golf course, if you get the trees in

0:49:25.320 --> 0:49:27.600
<v Speaker 2>the grassing lines right, like you're eighty percent of the

0:49:27.640 --> 0:49:32.480
<v Speaker 2>way there, you know, it's it's it's the detailed stuff

0:49:32.480 --> 0:49:34.759
<v Speaker 2>that everybody wants to spend a ton of money on.

0:49:34.920 --> 0:49:37.680
<v Speaker 2>That's the last like fifteen to twenty percent. It's like, no,

0:49:37.800 --> 0:49:39.840
<v Speaker 2>it's spend a little bit of money and get the

0:49:39.880 --> 0:49:41.799
<v Speaker 2>eighty percent right. I think Pine Hill has done a

0:49:41.800 --> 0:49:42.560
<v Speaker 2>really good job of that.

0:49:43.360 --> 0:49:46.840
<v Speaker 1>I I think that's like one of the worst things

0:49:46.880 --> 0:49:51.239
<v Speaker 1>going on in the industry right now is like two

0:49:51.239 --> 0:49:57.280
<v Speaker 1>may places aren't content enough with being eighty percent, which

0:49:57.800 --> 0:50:00.239
<v Speaker 1>like the amount of money you have to spend to

0:50:00.280 --> 0:50:05.760
<v Speaker 1>get to ninety five is insane, and the vast majority

0:50:05.760 --> 0:50:10.080
<v Speaker 1>of golfers don't even know. And the cost, the cost

0:50:10.120 --> 0:50:11.560
<v Speaker 1>gets passed on to everybody.

0:50:11.920 --> 0:50:16.360
<v Speaker 2>You know, yeah, how and how you know? Have you

0:50:16.400 --> 0:50:19.160
<v Speaker 2>seen that there's a video of the professor who's filling

0:50:19.239 --> 0:50:22.560
<v Speaker 2>up the big jug. And he starts with the biggest

0:50:22.600 --> 0:50:24.839
<v Speaker 2>thing first, you know, it starts with like pingpong balls,

0:50:24.880 --> 0:50:27.480
<v Speaker 2>and it's like is the jug full? In the classroom

0:50:27.520 --> 0:50:30.319
<v Speaker 2>says yes, and then he puts in like marbles, you know,

0:50:30.400 --> 0:50:33.000
<v Speaker 2>and they fill up the void between the ping pong balls.

0:50:33.400 --> 0:50:35.879
<v Speaker 2>It's like, well, is it full now? And everybody says yes,

0:50:35.920 --> 0:50:38.160
<v Speaker 2>and he keeps feeling it with smaller and smaller things,

0:50:38.200 --> 0:50:41.440
<v Speaker 2>and it's like, you know, it's like the point is

0:50:42.080 --> 0:50:45.279
<v Speaker 2>start with the base of the most important things, and

0:50:45.320 --> 0:50:50.600
<v Speaker 2>then as you solidify that, work on the stuff that

0:50:51.239 --> 0:50:55.680
<v Speaker 2>is more and more detail or less important. And so

0:50:55.880 --> 0:50:59.800
<v Speaker 2>often it's like people have the they've got the pyramid

0:51:00.040 --> 0:51:01.040
<v Speaker 2>turned upside down.

0:51:01.320 --> 0:51:01.520
<v Speaker 3>You know.

0:51:01.800 --> 0:51:04.360
<v Speaker 2>It's like, oh, we need we need new bunkers, the

0:51:04.400 --> 0:51:07.239
<v Speaker 2>new bunkers sand and you know, we need new grass here.

0:51:07.280 --> 0:51:10.200
<v Speaker 2>And it's like you need new grass because you've got

0:51:10.239 --> 0:51:12.480
<v Speaker 2>like ten trees over there that are casting shade on

0:51:12.520 --> 0:51:14.400
<v Speaker 2>the green. It's like, so you're just gonna regrass it

0:51:14.440 --> 0:51:16.440
<v Speaker 2>every year until you cut those trees down. It's like,

0:51:16.880 --> 0:51:20.280
<v Speaker 2>just cut the fucking trees down, and you could spend

0:51:20.400 --> 0:51:22.719
<v Speaker 2>a tenth of what you know, you could spend ten

0:51:22.800 --> 0:51:26.680
<v Speaker 2>cents on the dollar to what you're spending. But you know,

0:51:27.440 --> 0:51:30.440
<v Speaker 2>the average club member doesn't want that. They want like

0:51:30.560 --> 0:51:34.200
<v Speaker 2>flat tea boxes, and they want fresh sand and good sand,

0:51:34.320 --> 0:51:37.200
<v Speaker 2>and they want fast greens. And so that's where a

0:51:37.239 --> 0:51:38.640
<v Speaker 2>club is going to spend their money.

0:51:38.800 --> 0:51:44.320
<v Speaker 4>Consistent bunkers, consistent bunkers, consistent Yeah, fast greens, and yeah,

0:51:44.320 --> 0:51:46.560
<v Speaker 4>god forbid, a tea box is like a two percent,

0:51:46.640 --> 0:51:49.160
<v Speaker 4>you know, instead of like the point seventy five percent

0:51:49.280 --> 0:51:50.120
<v Speaker 4>the laser level.

0:51:50.239 --> 0:51:53.600
<v Speaker 1>You know, it's you know, I think about it as

0:51:53.640 --> 0:51:56.400
<v Speaker 1>a kid, like I grew up like like such slanted

0:51:56.480 --> 0:52:00.480
<v Speaker 1>tea boxes, you know, because it's actually like that era design.

0:52:00.560 --> 0:52:02.640
<v Speaker 1>They get built up and then the drought kind of

0:52:02.680 --> 0:52:05.440
<v Speaker 1>settles and they settle like this, and you know that

0:52:05.520 --> 0:52:08.440
<v Speaker 1>was a great, you know, skill development moment for you.

0:52:08.520 --> 0:52:10.920
<v Speaker 1>It's like, you know, you're on the fifteen. It's like, well,

0:52:11.920 --> 0:52:13.799
<v Speaker 1>this is a hook, lie, so I got to choke

0:52:13.920 --> 0:52:15.640
<v Speaker 1>up on the club and aim a little right to

0:52:15.800 --> 0:52:19.560
<v Speaker 1>hit the fairway here all right, next to the rapid fire.

0:52:20.320 --> 0:52:22.880
<v Speaker 1>Charles alson boring.

0:52:25.239 --> 0:52:29.640
<v Speaker 2>No, he's you know, he's just like, yeah, there's a

0:52:29.680 --> 0:52:33.719
<v Speaker 2>lot of stuff that there's a lot of stuff of his.

0:52:33.880 --> 0:52:37.000
<v Speaker 2>It's like it's well routed, it's really good work, but

0:52:37.239 --> 0:52:41.720
<v Speaker 2>it's just like, oh, it's a lot of it's the same,

0:52:41.760 --> 0:52:45.040
<v Speaker 2>and a lot of it's just big broad slopes. You know,

0:52:48.200 --> 0:52:55.319
<v Speaker 2>we're uh, yeah, yeah, it's uh. I think he's I

0:52:55.360 --> 0:52:58.080
<v Speaker 2>think he is a good golf architect, was a good

0:52:58.120 --> 0:53:02.520
<v Speaker 2>golf architect. He knew what he was doing. This is

0:53:02.560 --> 0:53:05.440
<v Speaker 2>me like backtracking now, and like I'm going to backslide

0:53:05.520 --> 0:53:07.520
<v Speaker 2>on my comment. I just don't think he was great

0:53:07.520 --> 0:53:10.879
<v Speaker 2>at building greens there. I think that's where I want

0:53:10.880 --> 0:53:12.840
<v Speaker 2>to land the plane. Not a great greens builder.

0:53:13.960 --> 0:53:18.080
<v Speaker 1>I think that almost every Alison course in America should

0:53:18.120 --> 0:53:19.400
<v Speaker 1>just do a greens renovation.

0:53:20.840 --> 0:53:24.000
<v Speaker 2>I don't know, you're gonna screw more stuff up if

0:53:24.040 --> 0:53:27.200
<v Speaker 2>you do that than just like accept the fact, like

0:53:27.200 --> 0:53:29.880
<v Speaker 2>like you're saying, why aren't people good enough with eighty percent,

0:53:29.960 --> 0:53:32.759
<v Speaker 2>it's like accept the fact that you're just like a

0:53:32.800 --> 0:53:34.960
<v Speaker 2>six or seven, and you're a really solid six or

0:53:35.120 --> 0:53:40.759
<v Speaker 2>seven like they're so you know, it's really hard to

0:53:40.840 --> 0:53:43.719
<v Speaker 2>go from a seven to an eight, and or go

0:53:44.160 --> 0:53:46.160
<v Speaker 2>from an eight to a nine. And I don't I

0:53:46.200 --> 0:53:48.680
<v Speaker 2>don't know if there are any Allison courses in the country.

0:53:48.360 --> 0:53:50.279
<v Speaker 3>That are you know, a nine or an eight.

0:53:51.840 --> 0:53:56.880
<v Speaker 2>But like Davenport, you know, like I love Davenport, it's great,

0:53:57.200 --> 0:53:59.759
<v Speaker 2>But there's a lot of those greens that are just

0:53:59.800 --> 0:54:03.360
<v Speaker 2>like they don't do much for me. And that's okay.

0:54:03.520 --> 0:54:05.359
<v Speaker 2>I think if you tried to rebuild them, maybe you'd

0:54:05.400 --> 0:54:07.560
<v Speaker 2>make it worse. You know, more often than not, you

0:54:07.560 --> 0:54:09.320
<v Speaker 2>would make it worse than you would make it better

0:54:09.400 --> 0:54:10.960
<v Speaker 2>if you had ten tries to do it.

0:54:12.080 --> 0:54:14.960
<v Speaker 1>I think about I grew up Caddy, I got at

0:54:14.960 --> 0:54:19.600
<v Speaker 1>Alison in course, and like I could go back there

0:54:19.800 --> 0:54:23.920
<v Speaker 1>tomorrow and I would know every read on every green

0:54:24.400 --> 0:54:27.879
<v Speaker 1>like the back of my hand. Like to me, there,

0:54:28.400 --> 0:54:30.520
<v Speaker 1>I agree with you, is like they you know, and

0:54:30.840 --> 0:54:34.960
<v Speaker 1>for people that he built just tilted greens, right, they

0:54:35.040 --> 0:54:37.760
<v Speaker 1>just tilt one way and there's a lot of slope

0:54:37.760 --> 0:54:40.959
<v Speaker 1>in them, and you can get challenging spots by having

0:54:40.960 --> 0:54:43.839
<v Speaker 1>to put cross slope and they break a ton or

0:54:44.000 --> 0:54:46.799
<v Speaker 1>you know, downhill putts are really fast, but for the

0:54:46.840 --> 0:54:50.040
<v Speaker 1>most part, you know what's going to happen every single

0:54:50.120 --> 0:54:52.800
<v Speaker 1>time you're on the green, like okay, this one breaks

0:54:52.840 --> 0:54:55.640
<v Speaker 1>this way. I always remember as a Caddy, I wouldn't

0:54:55.680 --> 0:54:59.000
<v Speaker 1>even have to get behind I had okay there for

0:54:59.000 --> 0:55:00.759
<v Speaker 1>so long, I wouldn't even have to be behind the

0:55:01.640 --> 0:55:06.000
<v Speaker 1>person putting's ball to give the read, you know. And

0:55:06.080 --> 0:55:08.880
<v Speaker 1>I think that's maybe, you know where where he misses

0:55:08.920 --> 0:55:12.400
<v Speaker 1>a little is like the zest of of of the green.

0:55:12.520 --> 0:55:14.239
<v Speaker 1>And maybe it was just he was a bad putter

0:55:14.719 --> 0:55:18.479
<v Speaker 1>and he wanted he wanted to reward his ball striking more.

0:55:18.520 --> 0:55:19.000
<v Speaker 3>It could be.

0:55:19.040 --> 0:55:21.759
<v Speaker 2>And I'm curious to you know, I've never done the

0:55:21.920 --> 0:55:24.400
<v Speaker 2>trip to trip to Japan, and I would love to.

0:55:24.560 --> 0:55:27.720
<v Speaker 2>It's like maybe the highest on my list of golf

0:55:27.760 --> 0:55:30.239
<v Speaker 2>slash culture trips. I think that's like my number one

0:55:30.239 --> 0:55:33.600
<v Speaker 2>place I want to go. And I've heard his stuff

0:55:33.600 --> 0:55:35.880
<v Speaker 2>in Japan is different, and I would like to see it,

0:55:35.920 --> 0:55:37.239
<v Speaker 2>and I would like to give him a chance and

0:55:37.719 --> 0:55:41.719
<v Speaker 2>be an open book, or you'd be a yeah, be

0:55:41.840 --> 0:55:44.319
<v Speaker 2>open to receiving what he did over there.

0:55:44.560 --> 0:55:47.319
<v Speaker 1>And I think he's just happier over there and that's

0:55:47.480 --> 0:55:48.959
<v Speaker 1>what led to better work.

0:55:49.239 --> 0:55:49.520
<v Speaker 3>What's that?

0:55:50.600 --> 0:55:52.520
<v Speaker 1>Do you think maybe he was just happier there and

0:55:52.560 --> 0:55:54.080
<v Speaker 1>he built more exciting greens.

0:55:54.480 --> 0:55:56.799
<v Speaker 3>Maybe yeah, I could. I don't know it.

0:55:56.960 --> 0:55:59.280
<v Speaker 2>And maybe it harkens back to like who was running

0:55:59.280 --> 0:56:02.439
<v Speaker 2>the jobs for him was building stuff over there. Maybe

0:56:02.440 --> 0:56:03.160
<v Speaker 2>they were just better.

0:56:05.560 --> 0:56:08.520
<v Speaker 1>What do you do you see any of your personal

0:56:08.840 --> 0:56:12.880
<v Speaker 1>golf uh, you know, leading to bias in your work.

0:56:14.600 --> 0:56:21.480
<v Speaker 2>No, No, because I'm yeah, I don't play enough golf

0:56:21.520 --> 0:56:25.320
<v Speaker 2>and I don't have enough I don't have enough knowledge

0:56:25.360 --> 0:56:29.520
<v Speaker 2>about my own game to create any type of bias

0:56:29.640 --> 0:56:33.200
<v Speaker 2>of like what what I should build? Yeah, there's there's

0:56:33.320 --> 0:56:38.880
<v Speaker 2>there's nothing going on up there. It's uh yeah, you know,

0:56:39.040 --> 0:56:43.960
<v Speaker 2>if anything, it's being Actually, no, I have to be.

0:56:44.560 --> 0:56:47.360
<v Speaker 2>There's one thing I'm biased about, and it's it's my height.

0:56:48.200 --> 0:56:50.960
<v Speaker 2>Oftentimes when we're looking like from a tea box or

0:56:50.960 --> 0:56:52.759
<v Speaker 2>you're trying, you know, you're really trying to get that

0:56:52.880 --> 0:56:56.640
<v Speaker 2>last like foot of elevation change down of like can

0:56:56.680 --> 0:56:59.360
<v Speaker 2>you see over this bunker? Can you see the green surface?

0:57:00.080 --> 0:57:02.080
<v Speaker 2>I'm always the one in the group that's like, yeah,

0:57:02.080 --> 0:57:04.960
<v Speaker 2>we're good, Like we're good, let's move on. And then

0:57:05.160 --> 0:57:07.319
<v Speaker 2>you know, I'll look over at somebody who's put shorter

0:57:07.360 --> 0:57:09.880
<v Speaker 2>than me. It's like just like kneel down to my

0:57:10.000 --> 0:57:13.880
<v Speaker 2>level and see what you see. It's like, okay, that's fair.

0:57:14.040 --> 0:57:16.520
<v Speaker 2>And then it's like kneel down another six inches and

0:57:16.560 --> 0:57:20.479
<v Speaker 2>see what, Like Grandma sees, you know, and so I'm

0:57:20.520 --> 0:57:24.640
<v Speaker 2>constantly reminding myself of like having to do that. So

0:57:25.160 --> 0:57:27.400
<v Speaker 2>it's not something that's my game, but it's something that's

0:57:27.440 --> 0:57:30.800
<v Speaker 2>like I'm six foot four, and yeah, visually I need

0:57:30.840 --> 0:57:32.919
<v Speaker 2>to like understand what it's like to be five foot

0:57:32.920 --> 0:57:35.360
<v Speaker 2>four for visibility purposes.

0:57:36.840 --> 0:57:41.640
<v Speaker 1>When you're does your mood impact how you shape stuff?

0:57:41.840 --> 0:57:45.600
<v Speaker 1>Like if you're in a bad mood, does that day's

0:57:45.680 --> 0:57:48.120
<v Speaker 1>product come out differently than if you're in a good mood.

0:57:50.600 --> 0:57:57.320
<v Speaker 2>Maybe if it's really bad, I might decide to do

0:57:57.360 --> 0:58:02.200
<v Speaker 2>something different. You know. It's not like there's only one

0:58:02.240 --> 0:58:04.680
<v Speaker 2>thing to do any day that I wake up. So

0:58:04.720 --> 0:58:07.160
<v Speaker 2>if I'm like, I don't think I've ever been so

0:58:07.320 --> 0:58:09.760
<v Speaker 2>pissed off that I'm like I can't build this green

0:58:09.840 --> 0:58:14.080
<v Speaker 2>or I can't build this bunker. But maybe it's like

0:58:14.680 --> 0:58:16.439
<v Speaker 2>there's some dirt that I know we need to shove

0:58:16.520 --> 0:58:20.600
<v Speaker 2>over here by Thursday, So may I'll just go shove

0:58:20.680 --> 0:58:24.840
<v Speaker 2>the dirt, you know. Or sometimes it's like if I

0:58:24.880 --> 0:58:27.040
<v Speaker 2>know I've got to take a phone call at a

0:58:27.080 --> 0:58:29.320
<v Speaker 2>certain time, it's like I'll want to be doing something

0:58:29.360 --> 0:58:33.400
<v Speaker 2>that's like mindless rather than hey, I'm trying to like

0:58:33.960 --> 0:58:36.240
<v Speaker 2>get the grades right and put the finishing touches on

0:58:36.280 --> 0:58:42.000
<v Speaker 2>a green. The only thing, you know, it's like otherwise,

0:58:42.440 --> 0:58:45.560
<v Speaker 2>I most of the time, I like, just like my

0:58:45.680 --> 0:58:48.200
<v Speaker 2>first pass, I go as quick as possible, and it's

0:58:48.240 --> 0:58:50.600
<v Speaker 2>super messy, and I want to just get the idea

0:58:50.640 --> 0:58:54.240
<v Speaker 2>in as quickly as I can and then just go

0:58:54.320 --> 0:58:56.600
<v Speaker 2>back to the tea or to the approach and see

0:58:56.640 --> 0:59:00.880
<v Speaker 2>how it looks and then start refining from there. And

0:59:00.960 --> 0:59:03.280
<v Speaker 2>so a lot of time that lends itself to like

0:59:04.160 --> 0:59:07.520
<v Speaker 2>being rushed or being you know, being in some type

0:59:07.520 --> 0:59:10.080
<v Speaker 2>of mood of like, all right, I'm just gonna get

0:59:10.080 --> 0:59:12.200
<v Speaker 2>this done, like hog this dirt out of here real quick,

0:59:12.360 --> 0:59:13.280
<v Speaker 2>like as fast as I can.

0:59:14.720 --> 0:59:16.040
<v Speaker 3>But for the most part, man, I don't know.

0:59:16.120 --> 0:59:20.560
<v Speaker 2>My disposition is usually I'm usually pretty, I'm usually not

0:59:20.680 --> 0:59:21.440
<v Speaker 2>too fired up.

0:59:22.440 --> 0:59:25.160
<v Speaker 1>I just was curious if you notice anything, you know,

0:59:26.360 --> 0:59:28.440
<v Speaker 1>all right, last last thing. We'll get you out of

0:59:28.440 --> 0:59:31.520
<v Speaker 1>here so you can go lock in for the Husker game. Here.

0:59:33.040 --> 0:59:36.560
<v Speaker 1>Last last question. I you know you're you guys are

0:59:36.600 --> 0:59:40.600
<v Speaker 1>currently building gil Roy at uh at Old Barnwell.

0:59:40.920 --> 0:59:41.040
<v Speaker 3>Uh.

0:59:41.520 --> 0:59:44.400
<v Speaker 1>Obviously Old barn Well has gotten you know, tons of praise.

0:59:44.600 --> 0:59:44.840
<v Speaker 3>Uh.

0:59:45.160 --> 0:59:47.280
<v Speaker 1>You know, been a kind of a smash hit. You're

0:59:47.280 --> 0:59:50.320
<v Speaker 1>building second course there, tell tell us a little bit

0:59:50.360 --> 0:59:52.760
<v Speaker 1>about like what's going to make this one unique from

0:59:53.000 --> 0:59:55.560
<v Speaker 1>from the original course, and and how you guys are

0:59:55.600 --> 0:59:59.080
<v Speaker 1>going about building a second course at a facility like

0:59:59.120 --> 1:00:01.200
<v Speaker 1>you know, on a Ruis piece of land.

1:00:02.680 --> 1:00:07.480
<v Speaker 2>Yeah, I think you know. Part of it is the

1:00:07.600 --> 1:00:10.160
<v Speaker 2>land is different, and the way we're using the land

1:00:10.200 --> 1:00:13.440
<v Speaker 2>is a little bit different. We're there's a big valley

1:00:13.440 --> 1:00:16.280
<v Speaker 2>that cuts through the first course, and we're down the

1:00:16.320 --> 1:00:19.200
<v Speaker 2>second course is downstream of that. The valley like in

1:00:19.240 --> 1:00:21.760
<v Speaker 2>a broad sense, sort of opens up a little bit more,

1:00:22.040 --> 1:00:26.000
<v Speaker 2>and those slopes, the side slopes lay back just enough

1:00:26.160 --> 1:00:29.919
<v Speaker 2>that we can play off of them and on them

1:00:29.960 --> 1:00:32.440
<v Speaker 2>and down them and up them a little bit more

1:00:32.480 --> 1:00:35.400
<v Speaker 2>easily than we could have on the first course. The

1:00:35.440 --> 1:00:39.800
<v Speaker 2>first course was more like you know, it's not quite

1:00:39.880 --> 1:00:42.240
<v Speaker 2>straight up sixty feet, but it was something that we

1:00:42.280 --> 1:00:43.760
<v Speaker 2>didn't want to tackle. It would have been a ton

1:00:43.800 --> 1:00:47.760
<v Speaker 2>of earthwork. And and the valley down here where the

1:00:47.760 --> 1:00:49.680
<v Speaker 2>gilroy is going to be is not that so we're

1:00:49.720 --> 1:00:51.600
<v Speaker 2>able to use it a little bit differently, which will

1:00:51.640 --> 1:00:55.240
<v Speaker 2>just lend itself to feeling different than the first course.

1:00:56.680 --> 1:00:59.920
<v Speaker 2>We've found some different kinds of green sites, some on purpose,

1:01:00.200 --> 1:01:03.760
<v Speaker 2>like intentionally, so like hey, we want like we want

1:01:03.800 --> 1:01:06.880
<v Speaker 2>to have this green more smushed into the ground over here,

1:01:06.960 --> 1:01:09.360
<v Speaker 2>even though we know there's like a cool ridge line

1:01:09.360 --> 1:01:12.960
<v Speaker 2>that could be like an infinity type green or something.

1:01:14.480 --> 1:01:17.880
<v Speaker 2>So making conscious choices like that during the routing process

1:01:18.080 --> 1:01:22.440
<v Speaker 2>and then you know, aesthetically, how we treat that stylistically,

1:01:22.480 --> 1:01:25.320
<v Speaker 2>how we treat that, which is you know, right now

1:01:25.360 --> 1:01:28.280
<v Speaker 2>we're in the early stages of building golf and that's

1:01:28.360 --> 1:01:30.680
<v Speaker 2>like it's a really fun time for Brian and me

1:01:30.720 --> 1:01:33.280
<v Speaker 2>to be on site together because we just like we

1:01:33.400 --> 1:01:34.960
<v Speaker 2>sort of have an idea what we want to do.

1:01:35.040 --> 1:01:37.520
<v Speaker 2>But until you start tinkering around in the dirt and

1:01:37.600 --> 1:01:40.800
<v Speaker 2>like you know, getting in the excavator, it's like, okay,

1:01:40.840 --> 1:01:42.720
<v Speaker 2>this is like we could do this, or we could

1:01:42.760 --> 1:01:47.560
<v Speaker 2>do this. You start to get a feel for what

1:01:47.600 --> 1:01:51.240
<v Speaker 2>the site wants and like how you're going to treat

1:01:51.280 --> 1:01:55.280
<v Speaker 2>the other eighteen holes, you know, the different things we

1:01:55.320 --> 1:01:58.040
<v Speaker 2>could do. So that's kind of where we're at right now.

1:01:58.120 --> 1:02:00.680
<v Speaker 2>So it's it's fun. It's like there isn't there isn't

1:02:00.680 --> 1:02:03.200
<v Speaker 2>an answer to that question stylistically of like what it's

1:02:03.200 --> 1:02:04.960
<v Speaker 2>going to be we know, we know it's going to

1:02:04.960 --> 1:02:06.600
<v Speaker 2>be different because we want it to be a little

1:02:06.600 --> 1:02:11.160
<v Speaker 2>bit different. Just as far as how I'm not really

1:02:11.200 --> 1:02:11.720
<v Speaker 2>sure yet.

1:02:13.880 --> 1:02:17.560
<v Speaker 1>All right, looking forward to seeing that I lied. One

1:02:17.640 --> 1:02:22.600
<v Speaker 1>last question, uh dream dream locale to build your own

1:02:22.640 --> 1:02:28.600
<v Speaker 1>golf course. End of your career. You look back and

1:02:29.000 --> 1:02:31.720
<v Speaker 1>if there's one place you'd like to build a golf course,

1:02:32.080 --> 1:02:34.200
<v Speaker 1>you know, it doesn't matter who you know, it could

1:02:34.320 --> 1:02:35.240
<v Speaker 1>you could be anywhere.

1:02:36.240 --> 1:02:41.600
<v Speaker 2>Uh Omaha, Nebraska, so I could sleep in my own bed.

1:02:43.960 --> 1:02:45.360
<v Speaker 1>Figured that would be the answer.

1:02:45.560 --> 1:02:48.120
<v Speaker 2>Yeah, yeah, anywhere in a city.

1:02:48.320 --> 1:02:48.680
<v Speaker 3>Please.

1:02:50.240 --> 1:02:52.480
<v Speaker 2>Just you know, Tom talks about putting stuff out into

1:02:52.480 --> 1:02:54.840
<v Speaker 2>the universe. It's like, I'm going to put stuff out

1:02:54.880 --> 1:02:57.320
<v Speaker 2>of the universe. If there's like a defunct golf course

1:02:57.560 --> 1:03:00.400
<v Speaker 2>that is on a decent piece of land and it's

1:03:00.400 --> 1:03:03.960
<v Speaker 2>surrounded by city, like, let's save it. Let's like the

1:03:04.000 --> 1:03:07.120
<v Speaker 2>people have money, Like, let's let's not invest in the

1:03:07.120 --> 1:03:10.280
<v Speaker 2>next like private destination, Like invest in that piece of

1:03:10.360 --> 1:03:12.760
<v Speaker 2>land and then let's like build a really cool golf

1:03:12.800 --> 1:03:15.440
<v Speaker 2>course on it. So then it's in a city and

1:03:15.480 --> 1:03:18.280
<v Speaker 2>everybody can access it, and it's really like, you know,

1:03:18.480 --> 1:03:20.520
<v Speaker 2>you can drive there instead of having to fly there.

1:03:20.760 --> 1:03:21.360
<v Speaker 3>Be really great.

1:03:22.800 --> 1:03:29.680
<v Speaker 1>Uh not turn into a Ryder Cup venue. All right,

1:03:29.760 --> 1:03:33.480
<v Speaker 1>we'll leave on that, Blake, big thanks for coming coming on.

1:03:33.720 --> 1:03:37.000
<v Speaker 1>People can UH check in on UH on what's going

1:03:37.080 --> 1:03:40.160
<v Speaker 1>on you on your website dundee goolf dot com. Uh.

1:03:40.240 --> 1:03:42.880
<v Speaker 1>They also can follow you on h on X or

1:03:43.200 --> 1:03:47.000
<v Speaker 1>on UH on Instagram. So look forward to seeing your

1:03:47.040 --> 1:03:49.840
<v Speaker 1>new work and UH it's always fun to chat golf

1:03:49.880 --> 1:04:00.000
<v Speaker 1>with you. Thanks Andy, all right, big thanks for Blay

1:04:00.920 --> 1:04:05.600
<v Speaker 1>joining in giving us his time sprecious time probably helped

1:04:05.600 --> 1:04:08.320
<v Speaker 1>the time pass before the Huskers played Michigan. We'll know

1:04:08.480 --> 1:04:11.480
<v Speaker 1>the result when you're listening to this. I'm hoping they

1:04:11.560 --> 1:04:15.040
<v Speaker 1>keep the undefeated run going, one of the great stories

1:04:15.120 --> 1:04:18.240
<v Speaker 1>in college basketball. As I mentioned at the top, we're

1:04:18.240 --> 1:04:20.600
<v Speaker 1>gonna do a little Q and A segment. I think

1:04:20.600 --> 1:04:24.200
<v Speaker 1>we might just do one queue here this week, just

1:04:24.200 --> 1:04:28.360
<v Speaker 1>because it's already an hour. Nick Nelson had a question.

1:04:28.720 --> 1:04:33.520
<v Speaker 1>States like Wisconsin, Nebraska, and the Carolinas have enjoyed a

1:04:33.680 --> 1:04:37.320
<v Speaker 1>huge explosion of exceptional golf course development in the past

1:04:37.400 --> 1:04:41.360
<v Speaker 1>few decades. Are there any states ripe for the same

1:04:41.480 --> 1:04:46.120
<v Speaker 1>level of new development in the next ten years. I

1:04:46.160 --> 1:04:49.600
<v Speaker 1>would say that one state missing from this is Texas

1:04:50.640 --> 1:04:54.720
<v Speaker 1>and the explosion has kind of just started to happen.

1:04:55.520 --> 1:05:00.280
<v Speaker 1>You obviously have new courses Luling Children's Hall, you have

1:05:00.360 --> 1:05:04.120
<v Speaker 1>the Kaiser's Wild Spring Dunes, you have David McClay kidd

1:05:04.240 --> 1:05:07.280
<v Speaker 1>did a course there in Austin called uh I think

1:05:07.280 --> 1:05:10.960
<v Speaker 1>it's uh Laura Loma h. So you're starting to see

1:05:11.400 --> 1:05:15.160
<v Speaker 1>a ton of development in Texas. There's obviously the Big Covey,

1:05:15.200 --> 1:05:18.680
<v Speaker 1>which one golf digests best new course. That's a ton

1:05:18.840 --> 1:05:23.280
<v Speaker 1>of big development area. I think just in general, when

1:05:23.320 --> 1:05:29.520
<v Speaker 1>you look at golf development, you need states that have

1:05:29.680 --> 1:05:37.919
<v Speaker 1>ample land and uh, pretty lax regulatory situations. So when

1:05:37.920 --> 1:05:40.360
<v Speaker 1>you think about that, like the western part of the

1:05:40.480 --> 1:05:42.880
<v Speaker 1>United States, one of the issues that they are going

1:05:42.920 --> 1:05:47.000
<v Speaker 1>to confront all the time is water. But they have

1:05:47.040 --> 1:05:48.760
<v Speaker 1>a ton of land, So it's kind of like a

1:05:48.800 --> 1:05:51.800
<v Speaker 1>trade off, like, are you going to see some great

1:05:51.960 --> 1:05:55.360
<v Speaker 1>projects come out of the West. That's like kind of

1:05:55.400 --> 1:05:58.800
<v Speaker 1>like a maybe because of the issues with natural resources,

1:05:58.840 --> 1:06:01.880
<v Speaker 1>although they have a abundant land. Am I going to

1:06:01.920 --> 1:06:03.840
<v Speaker 1>see a bunch of new projects up in the in

1:06:03.880 --> 1:06:06.600
<v Speaker 1>the northeast of the United States? No, there's no land,

1:06:06.760 --> 1:06:11.400
<v Speaker 1>you know, trying to find two hundred plus part acre parcels.

1:06:12.040 --> 1:06:15.680
<v Speaker 1>That's it's expensive and it's going to be really challenging

1:06:15.720 --> 1:06:19.800
<v Speaker 1>and you're gonna end up being pretty remote with short seasons.

1:06:20.160 --> 1:06:22.960
<v Speaker 1>So I think like where you see a lot of

1:06:22.960 --> 1:06:27.640
<v Speaker 1>this happening, you know, the unlock of the Carolinas is

1:06:27.720 --> 1:06:30.960
<v Speaker 1>like it's a twelve month season. It's a realistic like

1:06:31.040 --> 1:06:33.760
<v Speaker 1>people play golf twelve months a year there. I think

1:06:33.800 --> 1:06:36.680
<v Speaker 1>that's where you see that. Nebraska I think is like

1:06:37.240 --> 1:06:42.000
<v Speaker 1>kind of quasi you know, it's just not you know,

1:06:42.440 --> 1:06:44.680
<v Speaker 1>the season's really short and it's going to be the

1:06:44.720 --> 1:06:47.120
<v Speaker 1>sand hills, and like one of the challenges of building

1:06:47.200 --> 1:06:50.440
<v Speaker 1>like you go find great land to the sand hills tomorrow.

1:06:50.600 --> 1:06:53.040
<v Speaker 1>Like you know, there's if you go look on land sites,

1:06:53.480 --> 1:06:55.800
<v Speaker 1>you can find great land for golf. Now, one of

1:06:55.800 --> 1:06:58.400
<v Speaker 1>the tricky things with Nebraska that nobody thinks about is

1:06:58.720 --> 1:07:02.760
<v Speaker 1>it's hard to staff NOSCA. A state that might be

1:07:03.160 --> 1:07:10.840
<v Speaker 1>ripe for development could be looking in Oklahoma. Oklahoma. I

1:07:10.920 --> 1:07:14.520
<v Speaker 1>think there's some areas of sand in Oklahoma which people

1:07:14.560 --> 1:07:17.080
<v Speaker 1>like to build golf golf courses on. But I think

1:07:17.120 --> 1:07:20.520
<v Speaker 1>the other kind of sneaky thing about Oklahoma, it's got

1:07:20.560 --> 1:07:24.680
<v Speaker 1>a really nice playing season I you know, I went

1:07:24.720 --> 1:07:27.800
<v Speaker 1>down and played Dornic Hills right after it opened back

1:07:27.880 --> 1:07:30.840
<v Speaker 1>up after their renovation, which is about an hour and

1:07:30.880 --> 1:07:33.800
<v Speaker 1>a half north of Dallas or more, Oklahoma. But I

1:07:33.800 --> 1:07:36.360
<v Speaker 1>went and played there in mid November. It was seventy

1:07:36.400 --> 1:07:40.400
<v Speaker 1>degrees and sunny, so you get those like much longer

1:07:41.200 --> 1:07:44.880
<v Speaker 1>seasons there. And I think that that could be an

1:07:44.920 --> 1:07:48.479
<v Speaker 1>area where you might look in in the future and say, hey,

1:07:48.480 --> 1:07:51.960
<v Speaker 1>there could be development there. I think if you look in,

1:07:52.440 --> 1:07:55.120
<v Speaker 1>you know, Georgia could be a state that you might

1:07:55.160 --> 1:08:00.080
<v Speaker 1>see more development. And but I think, like overall, you

1:08:00.120 --> 1:08:02.600
<v Speaker 1>got to look for places that have a lot of

1:08:02.640 --> 1:08:07.479
<v Speaker 1>available land and you know, population nearby. That's the other

1:08:07.720 --> 1:08:11.080
<v Speaker 1>big thing. I don't think the Kaisers when they built

1:08:11.320 --> 1:08:14.480
<v Speaker 1>Sand Valley had really thought about like the population within

1:08:15.000 --> 1:08:17.880
<v Speaker 1>four hours of it when they when they started. But

1:08:18.120 --> 1:08:21.360
<v Speaker 1>what became abundantly clear about like a public golf resort

1:08:21.560 --> 1:08:26.599
<v Speaker 1>is that population within a driving distance is hugely important

1:08:26.600 --> 1:08:29.160
<v Speaker 1>to the success. And you know, with Sand Valley, you

1:08:29.240 --> 1:08:35.479
<v Speaker 1>have Minneapolis, Chicago, Milwaukee, Madison, you know, Iowa all within

1:08:35.640 --> 1:08:39.280
<v Speaker 1>like an easy shot of of the of the golf

1:08:39.479 --> 1:08:41.640
<v Speaker 1>and and I think that's like a huge part of

1:08:41.680 --> 1:08:45.840
<v Speaker 1>their success beyond delivering a great product. So I think

1:08:45.920 --> 1:08:48.679
<v Speaker 1>like the the most important things to look at are

1:08:49.000 --> 1:08:53.560
<v Speaker 1>you know, resources in terms of land and water. Uh.

1:08:53.880 --> 1:08:56.880
<v Speaker 1>And then you know the the laws like are they

1:08:56.920 --> 1:08:59.360
<v Speaker 1>going to play ball and want to you know, build golf.

1:08:59.560 --> 1:09:01.479
<v Speaker 1>And then then the back half of it is like

1:09:01.600 --> 1:09:03.639
<v Speaker 1>depending on what type of facility you want to build,

1:09:03.800 --> 1:09:06.960
<v Speaker 1>population nearby uh, And that's how you kind of I

1:09:07.000 --> 1:09:09.960
<v Speaker 1>would triangulate finding places that you want to build golf.

1:09:10.400 --> 1:09:14.080
<v Speaker 1>So UH. Anyways, we'll do more questions. We have a

1:09:14.120 --> 1:09:18.360
<v Speaker 1>lot of like different golf course golf questions from PGA

1:09:18.479 --> 1:09:24.240
<v Speaker 1>tour to golf course architecture and we will loop in

1:09:24.320 --> 1:09:27.280
<v Speaker 1>PJ for them. He didn't want to join this one.

1:09:27.320 --> 1:09:29.599
<v Speaker 1>He didn't feel like he was going to add to that,

1:09:29.920 --> 1:09:32.160
<v Speaker 1>but he probably would have. We could have asked him

1:09:32.160 --> 1:09:35.240
<v Speaker 1>where he would have liked liked golf to go. But

1:09:35.840 --> 1:09:39.080
<v Speaker 1>thanks for listening. We'll be back next week. You know,

1:09:39.080 --> 1:09:41.760
<v Speaker 1>I don't want to jake to myself. I'll say it

1:09:41.800 --> 1:09:45.560
<v Speaker 1>here and if if he doesn't come through, UH, that

1:09:45.800 --> 1:09:48.559
<v Speaker 1>is you know, he blood's on his hand. But what

1:09:48.720 --> 1:09:52.639
<v Speaker 1>schedule is our first chat with Trevor Trevor Immelman next week? Uh,

1:09:52.720 --> 1:09:55.080
<v Speaker 1>look for looking forward to talking a little bit of

1:09:55.120 --> 1:09:57.960
<v Speaker 1>golf with him. It's been a while since we last talked.

1:09:58.000 --> 1:10:00.840
<v Speaker 1>I think we haven't talked since since the Open. So

1:10:01.320 --> 1:10:04.040
<v Speaker 1>look forward to chatting with Trevor and we'll catch you

1:10:04.040 --> 1:10:05.519
<v Speaker 1>next week. Thanks for listening.