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Speaker 1: Look maner oh, I see you. Wow. Look over there.

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Speaker 1: Wow is that the culture?

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Speaker 2: Yes?

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Speaker 1: Goodness wow, lost culture.

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Speaker 3: Ding dong lost culture istas calling. We're already sort of

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Speaker 3: in process on this episode. We just got right into it.

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Speaker 4: I think it's because it's well by the time this

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Speaker 4: comes out, it will be pisc season the beginning day one,

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Speaker 4: because it's sort of time.

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Speaker 3: Who was ringing through the hallways as we were preparing

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Speaker 3: was his and we were sort of connecting about really

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Speaker 3: just how good Sociss it is. And I said, most

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Speaker 3: memorable concert of my life March fifth, twenty twenty three,

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Speaker 3: Pisce season, my birthday.

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Speaker 2: Fell off that diving board.

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Speaker 1: Why why do we laugh? Why why is there laughter?

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Speaker 3: So you think it's funny to think of someone falling

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Speaker 3: off a diving board, which is actually really why I've been.

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Speaker 1: Unbelievable that she fell.

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Speaker 4: She was sitting like Princess Diana and then slipped off.

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Speaker 1: Tragic, hail oh, tragic.

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Speaker 4: And I love that we're back in like a classics space.

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Speaker 1: I think our guest has always been.

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Speaker 3: In that space, studied the classics, study the classics vocals.

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Speaker 1: That is the PAS. This is a moment. What is PVAs.

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Speaker 4: Professional performing arts school, which I want to really dig

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Speaker 4: deep into, like what was the feeling knowing that the

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Speaker 4: other school was right up the street?

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Speaker 2: You know what I mean?

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Speaker 3: The episodes it's title front Runner is Professional Performing Arts episode.

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Speaker 1: Yes, okay, because we're about.

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Speaker 2: To be schooled them.

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Speaker 4: Anyways, Absolutely, our guest is a legend winner of Polsirograce

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Speaker 4: All Stars, Trader season four participant.

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Speaker 3: But the thing is, really it wasn't anyone's fault. It

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Speaker 3: was just that luck thing that happens in Traders. I

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Speaker 3: really wanted a world where our guest was at the end,

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Speaker 3: and I felt it there for a second in the

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Speaker 3: edit was like I even said to people, definitively, they're

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Speaker 3: baking in into the edit. Money wins well because because

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Speaker 3: because because because our guest was booked for this, for

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Speaker 3: this show, yes before the season started, and we were

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Speaker 3: like Monet's coming, that means she does very, that means

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Speaker 3: she does well. We were like baked into that reality.

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Speaker 3: Come to find out she was a participant. But I

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Speaker 3: would have loved this a reality in which, at Bob's encouragement,

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Speaker 3: she got rid of Derinda first.

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Speaker 1: I would have loved that would have been amazing.

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Speaker 4: And what that would have seved us all this like this,

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Speaker 4: Ron Funches, Derenda just.

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Speaker 3: It's the will they won't They of the year? Well

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Speaker 3: yeah yeah, Ron Funches and Derinda, but also the host

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Speaker 3: of I Guess maybe the best podcast ever sibling Rivalry.

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Speaker 4: And talks and on gorgeous. I can't tell if that

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Speaker 4: white couch is gorgeous or disgusting. Let's let's get into it.

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Speaker 4: Is the tour February twentieth, May twenty third, it's her

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Speaker 4: birthday coming up.

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Speaker 2: Everyone welcome. Was such a lovely introduction.

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Speaker 1: It's a lovely time. You don't introduce you you.

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Speaker 2: I do, No, of course I.

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Speaker 3: Do.

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Speaker 1: I do.

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Speaker 2: I love a good intro, and I work really harder

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Speaker 2: than because I think it's a great way to set.

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Speaker 1: The tone of the interview.

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Speaker 2: You know, that interview is where they I could tell

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Speaker 2: they had no idea who the fuck I was, And

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Speaker 2: it was like, well, here we go, here.

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Speaker 4: We go, because because they call you, yeah, and then

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Speaker 4: but like she was on, so you think, so you

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Speaker 4: think you can draw.

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Speaker 1: I'm like, god, here we go. Yes, Chuck, Hi, Chuck,

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Speaker 1: how are you doing? I to be This is actually

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Speaker 1: a moment in history as well, because.

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Speaker 3: There's lare, there's Laura, there's literally because your to be husband,

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Speaker 3: Yes is Andy short who go so back with.

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Speaker 2: Yeah yan, But y'all know him in like a really

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Speaker 2: over like I can't even imagine that person that he

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Speaker 2: was like back then like he was he did a

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Speaker 2: lot of drugs, did a lot of drinking, like was

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Speaker 2: a mess, and he's just so different now drink the

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Speaker 2: biggest He was straight.

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Speaker 3: He was so straight he would walk around with an

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Speaker 3: iguana on him. That's crazy, Like do you remember when

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Speaker 3: head He'll have to like say what type of lizard?

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Speaker 2: It was really ragged dragon.

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Speaker 3: I'm the type of gay where I don't know the

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Speaker 3: difference between the lizards, you know what I mean?

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Speaker 1: Like see this was to illustrate your.

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Speaker 2: Cat looks so weird or something.

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Speaker 3: Your cat needs to be water cat.

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Speaker 2: Literally this is weird.

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Speaker 1: I mean.

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Speaker 2: Now he has a dog Potato, which the jury is

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Speaker 2: out on a.

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Speaker 1: Dog named Potato. I thought you said a doll potato.

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Speaker 1: He looks for. He waters that as well. Water is

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Speaker 1: that as well?

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Speaker 4: I feel comfortable striking about Andy, you know, because he

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Speaker 4: feels comfortable sea. He won't tell it's his claim to

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Speaker 4: fame is now his claim to fame is that you

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Speaker 4: two are madly in love. But I was his first cat,

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Speaker 4: his first this was yeah, because I visited him. So

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Speaker 4: he transferred to Emerson. Yes, he was because he was

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Speaker 4: kicked out of NYU.

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Speaker 1: I don't know that the dail.

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Speaker 3: Actually he was in our sketch comedy group and then

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Speaker 3: one day he just left and we were like what happened?

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Speaker 1: And we just figured he needed a change.

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Speaker 5: Yeah.

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Speaker 1: No, he was really up on this, up on the liquor.

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Speaker 1: He was like, I need to change my life.

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Speaker 2: Got sober and then and then but apparently because he

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Speaker 2: was so bad that third semester and why you asked

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Speaker 2: him to leave? Wow, They're like you have to go whoa. Yeah,

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Speaker 2: They're like you're no, no privilege here? Are you gone.

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Speaker 1: Out of here? Yeah?

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Speaker 4: So then he so then he goes to Emerson. He

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Speaker 4: transferred to Emerson is like a darling there because he's

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Speaker 4: the funniest person. And then after we graduate twenty twelve,

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Speaker 4: I this summer after we graduate undergrad I go up

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Speaker 4: to Boston and I was like, I'm gonna visit Andy.

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Speaker 4: How's he doing. He's sober now, he's great, Like I'm

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Speaker 4: you know, I love Barney his late mother, and so

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Speaker 4: I go up to Boston. I stay with him. We

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Speaker 4: have like I would say, a weekend that was like

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Speaker 4: a year pe in short film.

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Speaker 1: It was like so romantic.

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Speaker 3: And then and then we and then we went to

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Speaker 3: Walden Pond, Okay, snuck around like like a part of

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Speaker 3: the of the pond where like no one's allowed, Like

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Speaker 3: we like dove in and like swam a bit and like.

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Speaker 1: A talented creative person.

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Speaker 4: There was like a tense moment where we were just

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Speaker 4: like waiting in the waters kind of like looking at

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Speaker 4: each other like what is this? And then we go home,

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Speaker 4: We go back to his place, and then like I think,

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Speaker 4: and then at some point we just started.

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Speaker 1: Kiss you gingerly.

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Speaker 4: He drop me off the train station. Was like, well

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Speaker 4: that this this would never happen, Like this would never.

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Speaker 4: I'm so glad our paths diverged because you two found.

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Speaker 2: Love and you got to get you a woman.

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Speaker 1: I totally forgot.

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Speaker 2: About that years ago. And in this like crazy elaborate engagement,

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Speaker 2: he like flew her family and his family in like

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Speaker 2: this like crazy bachelor scavenger hunt in Central Parks. I was,

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Speaker 2: if you're gonna propose me, babe, you gotta up that ante. Absolutely,

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Speaker 2: I'm like, I gonna get.

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Speaker 1: The fast.

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Speaker 2: I guess just on bended me at a at like

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Speaker 2: a mid medieval times.

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Speaker 1: Yeah, it seems so hetero though it is very hetero.

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Speaker 1: So then what did he do? What did he do

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Speaker 1: for you?

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Speaker 2: So on our very first date, we went out for

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Speaker 2: ice cream for our first date. Like that people who

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Speaker 2: do dinner for a first date, are you crazy? So

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Speaker 2: that is a you're paying like sixty eighty bucks to

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Speaker 2: talk to someone. It goes on way too long, like

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Speaker 2: an hour and a half. What if it's a bad date.

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Speaker 2: Now you just locked in for an hour and a

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Speaker 2: half with this person. That's like awful desert and you

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Speaker 2: have to get concerned. So we've had ice cream at

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Speaker 2: Vandalin ice Cream in in La and after that we like,

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Speaker 2: we were gonna go to Griffith Observatory to like just

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Speaker 2: check it out, but it was a.

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Speaker 1: Saturday, it was really busy.

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Speaker 2: So we he dropped me back back off of my car.

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Speaker 2: We shd a little kiss, and then later on the

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Speaker 2: night he was like, I'm to go to Hot Talk Sunday,

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Speaker 2: so you want to meet there? Met at Hot Dog Sunday.

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Speaker 2: So four our four anniversary. He was like, I want

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Speaker 2: to take you to Vandulin ice Cream again. I was like, okay, sure,

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Speaker 2: go into Vandline ice Cream.

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Speaker 1: Walk in.

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Speaker 2: They're playing my song love like this like the thing,

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Speaker 2: and they named like a flavor after me. I was like,

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Speaker 2: oh my god, this.

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Speaker 1: Is so sweet, so cute.

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Speaker 2: Before I get that's very cute. And then after he

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Speaker 2: was like, maybe let's go to Hot Doalk Sunday. Now

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Speaker 2: Hot Talk Sunday, y'all don't know starts at five pm.

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Speaker 2: At this point it's two pm. I was like, well,

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Speaker 2: why would we go there? Like the bar is going

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Speaker 2: to be closed. Like He's like, that's what I don't

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Speaker 2: want to go there. He's like, well, let's just try.

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Speaker 2: I was like, any that's stupid.

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Speaker 1: Yeah. I was like, who wants to go like to

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Speaker 1: a closed bar. That's I'm not going there.

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Speaker 2: He's like, I think we should try him like that

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Speaker 2: is literally the dumbest idea anyone has ever said it.

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Speaker 2: I'm like, no, I'm actually taking me home now, I'm bad.

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Speaker 2: I take me home.

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Speaker 1: He's like he just god.

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Speaker 2: I was like, ah, fine, I'll do your stupid idea.

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Speaker 2: Go to Hot Dog Sunday. Get there Selena STDs is

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Speaker 2: playing the door girl and then she ushers me in.

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Speaker 2: He's on stage and there's like a beautiful sunflower installation

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Speaker 2: of like because you want me some flowers on a

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Speaker 2: first date?

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Speaker 1: And he's on stage.

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Speaker 2: He comes on in this black outfit and he sings

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Speaker 2: this acoustic version of my song love like This, and

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Speaker 2: as y'all know, and he does not sing. He had

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Speaker 2: taken voice lessons for a year to learn how to

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Speaker 2: sing for the profolos though, and very romantic. Oh no,

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Speaker 2: we didn't dive in a pond, but that would have

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Speaker 2: been that.

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Speaker 1: Would have been neither. We had a little different pond

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Speaker 1: that you guys. You guys have the rest of your

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Speaker 1: lives to do. I feel like, how could it be

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Speaker 1: more romantic?

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Speaker 2: It was very sweet but good, But can I say something?

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Speaker 2: I feel like such an asshole? Why say you proposed

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Speaker 2: gives me the ring? My god, it sounds so cunty

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Speaker 2: gives me the ring? And then I looked at the ring.

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Speaker 2: I'm like, oh, this is beautiful. And then later that

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Speaker 2: night I was like, he was like, so, how do

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Speaker 2: you feel about the ring? I was like, I like it,

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Speaker 2: but one little change. I wanted just an eternity set

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Speaker 2: Bobby Diamond.

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Speaker 1: Yeah it really is. Okay, so.

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Speaker 2: And he had this but there was like a big

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Speaker 2: skirt cut diamond in the middle of it. It was

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Speaker 2: his mother's engagement. So I was like, I love this.

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Speaker 2: I was like, let's take off the stone. I'll put

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Speaker 2: on something else, yes, because I had.

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Speaker 1: To wear this of my life, you know what I mean.

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Speaker 2: So I'm putting it in like as.

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Speaker 3: So fucking tasteful, elegant, like a little that is you.

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Speaker 3: Oh my god, I'm so happy that you got like

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Speaker 3: the proposal you deserve. That is like I could not

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Speaker 3: think of someone I was actually saying. He back in

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Speaker 3: the day was known as being so effortlessly funny, like

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Speaker 3: in our schedule.

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Speaker 1: He was by far real.

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Speaker 3: People thought of him as one of the people that

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Speaker 3: was it could naturally sell anything in terms of comedy.

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Speaker 2: Well, y'all, hole, y'all's whole class, Like I mean, like

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Speaker 2: it's birth legend.

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Speaker 1: Something was crazy, like it is like so many talented

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Speaker 1: people from this class and it's crazy. Yeah.

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Speaker 3: I also shout out Steph Shoe, who is going to

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Speaker 3: be in Rocky Horror?

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Speaker 1: Did you see this Rocky? And I cannot wait to

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Speaker 1: see it.

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Speaker 3: Oh my god, it's really a gag. And I can't

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Speaker 3: believe Steph is that it's just perfect for that like.

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Speaker 1: Show that was so good.

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Speaker 2: I'm you know, I've only gotten I've only got it

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Speaker 2: gone it into theater as I left New York because

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Speaker 2: Borner raised New Yorker, but living here, I never went

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Speaker 2: to go see shows.

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Speaker 1: I was like, because you couldn't afford it, because that

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Speaker 1: was it for me.

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Speaker 3: Like we did not go when we were here all

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Speaker 3: the time, and we could have taken advantage of like

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Speaker 3: studios and stuff, but we just couldn't afford it. Like

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Speaker 3: that's why we never saw anything back in the day.

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Speaker 2: I was just ignorant.

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Speaker 1: Yeah, I don't know that.

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Speaker 2: Late in life, I think moving to l A, I

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Speaker 2: was like, I want to just experience more theater and

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Speaker 2: but sometimes.

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Speaker 1: Well it's really weaker right now.

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Speaker 2: I know.

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Speaker 3: That's why all of a sudden, it's like, well, I'm

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Speaker 3: sure things are going to be great eventually, but the

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Speaker 3: thing is like the reason why there's like a lot

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Speaker 3: of things happening, there's a lot of space in theaters,

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Speaker 3: so things are now starting to get thrown up. Yeah,

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Speaker 3: but do you know what Jennifer Husband just announced is

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Speaker 3: she's producing dream Girls.

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Speaker 2: That's coming back.

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Speaker 3: Yeah, yeah, which I've been I've been thinking why the

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Speaker 3: fund did they not bring that with amb?

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Speaker 1: Okay, so I had Ember Island the show. I was

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Speaker 1: like Amber, what happened?

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Speaker 2: She was like, I'm not going to say it was

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Speaker 2: because of me, but I could not come and do

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Speaker 2: it on Broadway. Yeah. This was like when this is

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Speaker 2: twenty eighteen, I think yeah, and like I had a

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Speaker 2: little money was on Draggers. I was like, you know,

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Speaker 2: I'm gonna like take a week off and make sure

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Speaker 2: I go see the show. But I never made time

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Speaker 2: to go do it. And I was kicking when I

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Speaker 2: because everyone was like, oh, it's coming to Broadway, right.

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Speaker 2: It was like bringing the Western production is coming to Broadway. Okay,

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Speaker 2: I'll just wait till it comes to New York ye.

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Speaker 2: And when it didn't, I was so mad that I

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Speaker 2: did not get to see the Western production of dream Girls.

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Speaker 2: But now we're going to get it here on Broadway.

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Speaker 2: You've done Broadway.

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Speaker 1: I've never done Broadway. You You're such a fucking fit,

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Speaker 1: you know.

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Speaker 2: I Cause I also okay to be the realty. I

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Speaker 2: just thought it auditioning for stuff I like November, and

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Speaker 2: because I was like, I'm an opera girly and in

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Speaker 2: school you were we they kind of taught us to

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Speaker 2: stick on it. Like there was like, you're not going

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Speaker 2: to do theater like it was that, like it was

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Speaker 2: that whole thing. So for for the longest time, I

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Speaker 2: was like, I can't do music theater like I need to.

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Speaker 1: I'm holding myself out for opera, you know.

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Speaker 2: But now I was like, now I'm a fully formed adult,

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Speaker 2: I'm like, no, I fucking love music theater.

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Speaker 1: Death becomes her. I've seen the show like nineteen times.

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Speaker 1: This is my dream.

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Speaker 2: Yes, I think that I can do the viola van

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Speaker 2: horn role. Imagine that in full dragoons and it is

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Speaker 2: the type of role where it sits with musically Yeah,

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Speaker 2: but Noel, it sits perfectly in my register and it

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Speaker 2: will still be just dramatic.

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Speaker 3: There's no reason for this to not happen. I have

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Speaker 3: to say out loud, this needs to happen. This viola

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Speaker 3: is thee Williams. Yeah, exactly, this would tear.

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Speaker 1: It would be a done deal.

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Speaker 3: I think it would be about every single I'm counting,

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Speaker 3: but in a sea I need that, by the way,

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Speaker 3: like she is so, and I've been watching so much

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Speaker 3: Kelly Rowland content.

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Speaker 1: I think today we're recording it's her birthday? Better know it?

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Speaker 3: Well, well, is it February thirteenth her birthday? Because there

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Speaker 3: there's been a lot of I don't know, Tina, what's

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Speaker 3: tra happy birthday today?

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Speaker 4: So what we're recording it is if you Beyonce dot com,

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Speaker 4: it's a lot of Kelly. I was just checking beyontay

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Speaker 4: dot com recently and it's a lot of Kelly stuff.

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Speaker 3: There's a Kelly Roland happening, and I just always appreciate.

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Speaker 1: When that happened.

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Speaker 2: She did an interview I think like two days ago,

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Speaker 2: and I just saw I pop up on on TikTok

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Speaker 2: or something like that, and she and someone asked her

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Speaker 2: to like, so, there are all these rumors that on

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Speaker 2: your tour that Beyonce like was giving you notes and

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Speaker 2: like everything. And she was like absolutely. She was like,

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Speaker 2: she's my best friend. She heard the greatest artists in

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Speaker 2: the world. Of course, she was like anytime my friends

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Speaker 2: cons my show, I welcome notes and I make my

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Speaker 2: show better. I was like, good on you and like

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Speaker 2: not being like no, I don't need any help. She's like, no,

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Speaker 2: like Beyonce is my best friend. Ye nothing, I'm gonna

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Speaker 2: like milk that. Of course she give me the notes.

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Speaker 1: She was iron sharpens iron. Yes. I was like, where, yes, wow,

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Speaker 1: because it is true.

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Speaker 3: I mean, like just to speak to that like you

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Speaker 3: surround yourself with. I think like the highest caliber of

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Speaker 3: people as well, like you every single week talked to

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Speaker 3: multiple times the funniest, smartest person about the dry queen,

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Speaker 3: because that's who you are. And I really do think

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Speaker 3: like I was there when we were all nominated and

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Speaker 3: you guys won the Glad Award, and I was like, yeah,

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Speaker 3: they should be winning every award for two people talking

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Speaker 3: to each other, Like that's just how I feel.

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Speaker 4: We're never gonna win those awards because we don't do Patreon,

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Speaker 4: like we we.

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Speaker 2: Can't talk y'all.

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Speaker 1: I'm just saying that it's done. We're done. We're done.

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Speaker 3: You do you do sibling rivalry, Patreon sibling rival and

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Speaker 3: then you do watchery, Yeah, which is I guess it

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Speaker 3: is like.

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Speaker 1: Part of it sold it in.

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Speaker 4: But then but then but then the money talks thing

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Speaker 4: is the couch is discussing.

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Speaker 2: You think, oh that couch, so that couch. It is

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Speaker 2: like one hundred dollar couch from the Facebook market place. Yes, yeah,

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Speaker 2: it works with the sex. It does because it's supposed

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Speaker 2: to be like this eighties basement e vibe just chill.

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Speaker 1: So yeah, I love that couch.

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Speaker 4: Well, I just I have to ask, just because you

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Speaker 4: briefly mentioned it with with Joel, Final Fantasy Tent talk

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Speaker 4: about it.

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Speaker 2: Oh my god. Okay, So, in my humble opinion, Final

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Speaker 2: Fantasy Tent is one of the best games of the decades, story,

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Speaker 2: best story of the night. It's just like the gameplay

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00:16:43,240 --> 00:16:45,960
Speaker 2: is just so good, that this beautiful love story with

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00:16:46,000 --> 00:16:48,600
Speaker 2: Titus and you, and then you have this witch Luna

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00:16:48,640 --> 00:16:51,520
Speaker 2: with these little like voodoo dolls. It is just I

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00:16:51,600 --> 00:16:54,120
Speaker 2: just I played the game through about three or four times.

381
00:16:55,040 --> 00:16:56,640
Speaker 2: I go through it. I make sure I get all

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Speaker 2: the aon's, I'm like doing all the bonus contents. I

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00:16:59,040 --> 00:17:02,120
Speaker 2: just love that game so much. And it's so beautifully shot.

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00:17:02,160 --> 00:17:05,719
Speaker 2: It's so beautifully shot whatever whatever, but like this, yes,

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00:17:05,840 --> 00:17:08,359
Speaker 2: oh my god, what what's this? This is?

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Speaker 4: This turned the whole generation of boys day. This is if.

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Speaker 3: You do you know, do you know Siva Fuva? Of course,

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Speaker 3: of course our camera guys know one of them. She's

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Speaker 3: in a different group, by the way, than the people

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Speaker 3: who knew the film seven.

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Speaker 1: Mixture of people.

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Speaker 3: Last week we had a whole bunch of guys that

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Speaker 3: we mentioned the David Fincher film seven and they all

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Speaker 3: started to activate.

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Speaker 4: So this is a little bit of different here, but similar.

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Speaker 4: We're bringing people together. Shiva was just is the Countiest

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Speaker 4: Ice before there was.

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Speaker 2: Elsa before they were Shiva.

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Speaker 4: And then sometimes they do Shiva twins. They do an

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Speaker 4: army of Shiva's in two Shiva's are more there's a

401
00:17:53,040 --> 00:17:55,520
Speaker 4: bunch of Shiva's. But Shiva is basically the Ice goddess

402
00:17:55,600 --> 00:17:57,919
Speaker 4: and she in Final Fasy ten. Her her signature movie

403
00:17:57,960 --> 00:17:59,000
Speaker 4: is always called Diamond Dust.

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00:17:59,080 --> 00:18:00,720
Speaker 1: Yeah huh, and it was.

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00:18:01,000 --> 00:18:05,320
Speaker 4: So it's just just everybody, including you, Diamond Look up

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00:18:05,440 --> 00:18:07,280
Speaker 4: Diamond Dust Final Fantasy ten.

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00:18:07,760 --> 00:18:08,639
Speaker 3: You it is.

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00:18:08,960 --> 00:18:14,000
Speaker 1: That sounds like a Stevie Nick single Dust. Diamond Dust

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Speaker 1: Final Fantasy. It's so good.

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Speaker 2: Oh, I'm see. This is thank you for bringing the

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Speaker 2: video games into the sea.

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Speaker 1: So you're a big you're a big gamer.

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Speaker 4: I and we just came out from Japan and my

414
00:18:29,960 --> 00:18:32,240
Speaker 4: whole fucking thing there was just going to the Final

415
00:18:32,280 --> 00:18:36,040
Speaker 4: Fantasy Cafe by myself it was God, it makes me

416
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Speaker 4: so happy.

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Speaker 2: It's like the best thing of all time. What are

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00:18:38,840 --> 00:18:40,920
Speaker 2: you playing now? I'm playing Marvel Rivals, A lot of

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00:18:40,960 --> 00:18:44,359
Speaker 2: Marvel Rivals. I love Marvel Rivals. I play Smash Brothers

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00:18:45,280 --> 00:18:52,119
Speaker 2: a ridiculous right now separ off King Lucas and Megan man.

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Speaker 1: Math.

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00:18:54,240 --> 00:18:56,960
Speaker 2: Well, you know I play like I play like I

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Speaker 2: want to say weekly about ten twelve hours a week.

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Speaker 2: What time?

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Speaker 1: You know It's the way I decompressed. Okay with him,

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00:19:06,640 --> 00:19:07,720
Speaker 1: he was always play video games.

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Speaker 2: After they have like a blue a bunch of stuff.

428
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Speaker 2: I'm like, just give me like two hour a second,

429
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Speaker 2: just like, but where's where's Andy in this moment?

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Speaker 1: See?

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00:19:14,320 --> 00:19:15,840
Speaker 2: So you know that was a big thing in a

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Speaker 2: relationship because you know, I will say Andy's more of

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Speaker 2: a codependent person.

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Speaker 1: I'm independent.

435
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Speaker 2: Like I let me say, after college, I did not

436
00:19:23,480 --> 00:19:25,800
Speaker 2: have any fucking roommates. I worked my asshole so I

437
00:19:25,840 --> 00:19:27,879
Speaker 2: can live by myself and not have any roommates ever,

438
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Speaker 2: because I was just I lived with like three straight

439
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Speaker 2: guys in college and it was awful.

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Speaker 1: One of them was Scott Blessed blessed you.

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00:19:33,240 --> 00:19:36,240
Speaker 2: Scott. Scott was a man, was hair on every inch

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Speaker 2: of his body and we were in the kind gets

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Speaker 2: all over girl in the back and you know, shrit guys,

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Speaker 2: they don't clean.

445
00:19:41,960 --> 00:19:43,119
Speaker 1: But I was like, I did not want to live

446
00:19:43,160 --> 00:19:44,320
Speaker 1: with any anyone ever.

447
00:19:44,640 --> 00:19:47,320
Speaker 2: Yeah, so so yeah, so when we got to when

448
00:19:47,320 --> 00:19:48,879
Speaker 2: we got together, he was the first person I had

449
00:19:48,920 --> 00:19:49,960
Speaker 2: lived with since college.

450
00:19:50,600 --> 00:19:53,800
Speaker 1: And we also moved fast. We moved in together at

451
00:19:53,920 --> 00:20:03,240
Speaker 1: seven months. Girl, superic lesbian scortab you just travel after

452
00:20:03,320 --> 00:20:05,800
Speaker 1: speed of light as a lesbian.

453
00:20:07,680 --> 00:20:11,280
Speaker 2: Space so and then so my perfect in a perfect

454
00:20:11,280 --> 00:20:13,960
Speaker 2: world for me, how we're spending time. We're in the

455
00:20:14,000 --> 00:20:16,359
Speaker 2: same house together, occupying the same space differently. You're in

456
00:20:16,440 --> 00:20:19,120
Speaker 2: your room, I'm in my room. I think that's great.

457
00:20:19,440 --> 00:20:21,320
Speaker 2: And he wants to be right here next to me

458
00:20:21,359 --> 00:20:23,280
Speaker 2: on the couch, and I'm like, he's one of those.

459
00:20:23,520 --> 00:20:24,280
Speaker 2: He's one of those.

460
00:20:24,760 --> 00:20:29,600
Speaker 3: So one thing is that there has to be separate bathrooms. Absolutely, Okay,

461
00:20:29,800 --> 00:20:32,800
Speaker 3: I just want to test some checkouts. Separate separate bathroom,

462
00:20:32,840 --> 00:20:33,640
Speaker 3: separate closets.

463
00:20:33,800 --> 00:20:35,639
Speaker 1: So you really did get it all I did.

464
00:20:36,840 --> 00:20:38,760
Speaker 2: I had the honesty closet and the bathrooms and I

465
00:20:38,840 --> 00:20:41,119
Speaker 2: think that's all my thing. And he's downstairs, thank you.

466
00:20:41,520 --> 00:20:44,520
Speaker 4: That is that should be normal if you have if

467
00:20:44,560 --> 00:20:47,200
Speaker 4: you are lucky enough to have that be the arrangement.

468
00:20:47,359 --> 00:20:50,600
Speaker 3: Yeah, edible arrangement if you can, it's the most edible

469
00:20:50,680 --> 00:20:52,720
Speaker 3: arrangement out of all the arrangements. I'd say it's the

470
00:20:52,840 --> 00:21:01,800
Speaker 3: most edible. We have to ask you the central question

471
00:21:01,880 --> 00:21:04,320
Speaker 3: of our podcast. Yes, I feel like you are third

472
00:21:04,359 --> 00:21:06,680
Speaker 3: co host energy, But I this way. When I was

473
00:21:06,720 --> 00:21:08,440
Speaker 3: on Morning Talks, I was like, oh I remember, I

474
00:21:08,560 --> 00:21:11,120
Speaker 3: was like it's over. When they said it was time

475
00:21:11,160 --> 00:21:13,399
Speaker 3: to go, I was like I could talk forever. Of course,

476
00:21:13,960 --> 00:21:16,080
Speaker 3: what was the culture that made you say culture was

477
00:21:16,119 --> 00:21:18,560
Speaker 3: for you? This is the central question of lost culture,

478
00:21:18,560 --> 00:21:20,440
Speaker 3: and we put it to you now on exchange.

479
00:21:20,680 --> 00:21:26,040
Speaker 2: For me, it is unequivocally that's so raven. Oh okay,

480
00:21:26,960 --> 00:21:31,720
Speaker 2: that's so raven. Like the way that that show was

481
00:21:31,880 --> 00:21:34,879
Speaker 2: literally a cultural recess was dope like before, like you know,

482
00:21:34,920 --> 00:21:36,399
Speaker 2: because in that same era we had Sweet Life as

483
00:21:36,440 --> 00:21:39,639
Speaker 2: I Can, Coady, Liza Maguire, all those things. She was

484
00:21:39,720 --> 00:21:41,479
Speaker 2: the first, it was the first black girl let sitcom,

485
00:21:41,840 --> 00:21:44,600
Speaker 2: and she was a little ficker and Raven was allowed

486
00:21:44,640 --> 00:21:48,600
Speaker 2: to be funny, crazy. Her physical comedy was unmatched. She

487
00:21:48,680 --> 00:21:53,600
Speaker 2: was giving the best comedic performance on right. Absolutely, Yes,

488
00:21:54,200 --> 00:21:55,840
Speaker 2: I should put all these characters. She was a psychic

489
00:21:55,880 --> 00:21:58,440
Speaker 2: all this stuff, and like I just thought, like seeing

490
00:21:58,640 --> 00:22:01,960
Speaker 2: Raven Baxter on my screen, all the different characters, she

491
00:22:02,080 --> 00:22:04,280
Speaker 2: was like very like Martinez or jamboxets playing all these

492
00:22:04,320 --> 00:22:07,480
Speaker 2: different characters Anne Murphy's type shit, and she was just

493
00:22:07,920 --> 00:22:11,120
Speaker 2: and also not even that Raven simone like you look fast,

494
00:22:11,200 --> 00:22:13,680
Speaker 2: you rewind fifteen years before that she was doing on

495
00:22:13,760 --> 00:22:15,560
Speaker 2: the Cosby Show. So Raven has always been on the

496
00:22:15,880 --> 00:22:19,240
Speaker 2: cutting edge of like really this like sitcom TV show

497
00:22:19,320 --> 00:22:22,040
Speaker 2: space yea, like ushering this new era and normalizing the

498
00:22:22,119 --> 00:22:24,520
Speaker 2: experience of black folks living and being like stars. Yeah,

499
00:22:24,680 --> 00:22:26,920
Speaker 2: so that's what Raven was after me, Doctor Little too,

500
00:22:27,200 --> 00:22:29,720
Speaker 2: Doctor Dolittle too, because they knew.

501
00:22:29,760 --> 00:22:32,359
Speaker 3: They had someone who could do anything anything, Yah, do

502
00:22:32,440 --> 00:22:35,000
Speaker 3: anything like when you when you talk about it being

503
00:22:35,359 --> 00:22:38,400
Speaker 3: like akin to all of those things of the past,

504
00:22:38,440 --> 00:22:41,000
Speaker 3: it's because they were like, we have an opportunity in

505
00:22:41,119 --> 00:22:45,040
Speaker 3: this talent to throw any kind of sketch situation, any

506
00:22:45,119 --> 00:22:46,280
Speaker 3: kind of thing at this person.

507
00:22:46,640 --> 00:22:49,600
Speaker 1: And you do not see that. Now you don't see that,

508
00:22:49,760 --> 00:22:51,560
Speaker 1: And it is a little bit like she was a kid,

509
00:22:51,680 --> 00:22:52,160
Speaker 1: et cetera.

510
00:22:52,320 --> 00:22:54,399
Speaker 3: Like you know, we now look at like being a

511
00:22:54,480 --> 00:22:56,720
Speaker 3: child actor differently in terms of how much they should work.

512
00:22:57,119 --> 00:23:01,399
Speaker 3: But the thing is like that type of personality doesn't

513
00:23:01,440 --> 00:23:03,119
Speaker 3: even really exist anymore, Yeah.

514
00:23:03,000 --> 00:23:05,960
Speaker 2: Because there aren't showcases for it anymore. Right, Yeah, It's like, well,

515
00:23:06,000 --> 00:23:07,920
Speaker 2: it's like why can't we have that, Like why like

516
00:23:08,119 --> 00:23:11,040
Speaker 2: like surely the talent isn't gone. There is no kid

517
00:23:11,080 --> 00:23:13,840
Speaker 2: out there who has that same breadth of like talent,

518
00:23:13,960 --> 00:23:15,680
Speaker 2: but where it gets.

519
00:23:15,520 --> 00:23:18,679
Speaker 4: Lost in the sauce of like social media stuff now

520
00:23:18,800 --> 00:23:22,520
Speaker 4: like there really aren't like like what's what's what's been

521
00:23:22,520 --> 00:23:25,720
Speaker 4: the last big like Disney Channel slash Nick show, Like

522
00:23:25,760 --> 00:23:28,840
Speaker 4: they're just there aren't those things except like High School Musical,

523
00:23:28,960 --> 00:23:30,560
Speaker 4: the series that whatever.

524
00:23:30,680 --> 00:23:32,840
Speaker 3: I guess like if you attach that to it, then

525
00:23:33,000 --> 00:23:35,960
Speaker 3: like you could say Olivia Rodrigo, but then she wasn't

526
00:23:36,080 --> 00:23:38,120
Speaker 3: like famous for being on that show.

527
00:23:38,200 --> 00:23:40,760
Speaker 1: She became a superstar as a result of that song.

528
00:23:40,960 --> 00:23:41,480
Speaker 2: Yeah, the song.

529
00:23:41,640 --> 00:23:44,000
Speaker 1: Yeah, So it is hard to say. Yeah, I don't

530
00:23:44,040 --> 00:23:46,560
Speaker 1: think does Disney do they still do original shows like that?

531
00:23:46,600 --> 00:23:46,920
Speaker 1: I can't.

532
00:23:46,960 --> 00:23:48,960
Speaker 2: I can't name one or like have we aged out

533
00:23:49,000 --> 00:23:50,720
Speaker 2: as we just don't know. But I still watch cartoons.

534
00:23:50,720 --> 00:23:52,520
Speaker 2: I love Avatar last Yeah.

535
00:23:52,400 --> 00:23:55,520
Speaker 3: I mean listen, I feel like if if there was

536
00:23:55,560 --> 00:23:58,639
Speaker 3: a personality that like existed like that, we would know it.

537
00:23:58,680 --> 00:24:00,200
Speaker 1: I would also point out who was like that.

538
00:24:01,240 --> 00:24:08,120
Speaker 2: I want to say Amanda Vines as well. He's the man, She's.

539
00:24:08,280 --> 00:24:09,880
Speaker 1: Gender is construct whatever.

540
00:24:10,000 --> 00:24:13,560
Speaker 2: Showed the Amanda show like iconic, like Raven and Raven

541
00:24:13,600 --> 00:24:16,000
Speaker 2: and Amanda they were like they were, they were they

542
00:24:16,040 --> 00:24:18,320
Speaker 2: were paying the bills over there and at Disney for.

543
00:24:20,240 --> 00:24:23,200
Speaker 1: Well, like my dad was always like, this girl is

544
00:24:23,240 --> 00:24:25,920
Speaker 1: the funniest person on television. I was like, she is, yeah,

545
00:24:26,200 --> 00:24:26,600
Speaker 1: so good.

546
00:24:27,040 --> 00:24:31,480
Speaker 2: Favorite that's the Raven episode, the one when she they're

547
00:24:31,520 --> 00:24:33,440
Speaker 2: in the store with the mall and I think she

548
00:24:33,520 --> 00:24:37,520
Speaker 2: get the premonition or the future of someone stealing something

549
00:24:37,640 --> 00:24:39,760
Speaker 2: or something like that, and they have and she's like

550
00:24:39,840 --> 00:24:45,880
Speaker 2: trying to stop Orlando Brown, which she's what what what's

551
00:24:45,920 --> 00:24:52,680
Speaker 2: what's She's not well, she's not well okay yeah. And

552
00:24:52,800 --> 00:24:54,520
Speaker 2: then like Chelsea, which oh my god, she was also

553
00:24:54,520 --> 00:24:57,320
Speaker 2: a great actress to and she is great.

554
00:24:57,520 --> 00:24:58,200
Speaker 1: Yeah, she she was.

555
00:24:58,280 --> 00:25:01,040
Speaker 2: She was also really a great timing and stuff like

556
00:25:01,119 --> 00:25:03,320
Speaker 2: these kids, I'm like, well, y'all were really y'all were

557
00:25:03,359 --> 00:25:04,480
Speaker 2: in theater and stuff as kids.

558
00:25:04,920 --> 00:25:08,320
Speaker 1: No, well, no, no, we were. He did theater and

559
00:25:08,440 --> 00:25:10,679
Speaker 1: I was like sports sports sports worst. I was more

560
00:25:10,720 --> 00:25:14,159
Speaker 1: of Andy short mask he was any short No.

561
00:25:14,480 --> 00:25:17,080
Speaker 4: I there were the kids who did like community theater

562
00:25:17,119 --> 00:25:19,520
Speaker 4: where you went, fuck yeah, they're they're living.

563
00:25:20,200 --> 00:25:22,720
Speaker 1: You were weaponized in a way they can't do it,

564
00:25:23,200 --> 00:25:26,280
Speaker 1: but it was. I always wanted to become like a

565
00:25:26,320 --> 00:25:29,760
Speaker 1: little theater weapon. Yeah, but there was no runway for me.

566
00:25:29,960 --> 00:25:32,200
Speaker 2: Yeah, I was, I was, I was. I was doing sketchers.

567
00:25:32,280 --> 00:25:33,960
Speaker 2: I was being made to fun. I was being made

568
00:25:34,000 --> 00:25:36,639
Speaker 2: fun of them. Oh yeah, I was find opera.

569
00:25:37,280 --> 00:25:40,480
Speaker 1: So I was this chubby little black boy in middle school.

570
00:25:40,480 --> 00:25:42,240
Speaker 2: I went to Marine Park Junior High School, the third

571
00:25:42,320 --> 00:25:47,000
Speaker 2: worst middle school in New York City. In Marine Park

572
00:25:47,240 --> 00:25:49,280
Speaker 2: like so bad, Like in middle school sixtheven and eighth

573
00:25:49,320 --> 00:25:51,359
Speaker 2: gradey they would have like cop cars lined out of

574
00:25:51,400 --> 00:25:54,280
Speaker 2: the school to get it to corrals onto the buses.

575
00:25:54,720 --> 00:25:56,800
Speaker 2: But like seventh grade, I had been jumped like five

576
00:25:56,920 --> 00:25:59,959
Speaker 2: times because I was just a bitch. I've always got

577
00:26:00,080 --> 00:26:01,440
Speaker 2: to walk like that fee duck. I've always had a

578
00:26:01,440 --> 00:26:03,480
Speaker 2: thick old booty walking around. Always makes fun of me

579
00:26:03,520 --> 00:26:07,000
Speaker 2: for the ship and then so like I would always

580
00:26:07,000 --> 00:26:08,720
Speaker 2: make fun of me. But as all quair kids do,

581
00:26:08,800 --> 00:26:11,920
Speaker 2: I found comfort and joy in chorus, Honey me go

582
00:26:12,000 --> 00:26:14,560
Speaker 2: to the chorus. I was one of the three boys

583
00:26:14,600 --> 00:26:16,119
Speaker 2: in chorus, and I had a low voice, like I

584
00:26:16,160 --> 00:26:18,760
Speaker 2: started growing facial hair in like seventh grade. So I

585
00:26:18,920 --> 00:26:21,840
Speaker 2: was like, could be becau sing the low notes and yeah.

586
00:26:23,600 --> 00:26:25,080
Speaker 2: And then after that, my teacher was like, you know what,

587
00:26:25,080 --> 00:26:27,440
Speaker 2: you should audition one of those high schools in the city.

588
00:26:27,480 --> 00:26:30,200
Speaker 2: I was like, oh, there's like audition high school. She's like, yeah,

589
00:26:30,240 --> 00:26:33,040
Speaker 2: there's a local audio's ppa. Yes, there's the one in

590
00:26:33,119 --> 00:26:35,800
Speaker 2: Queens of Frank Sinatra, all those ones. I was like, okay.

591
00:26:35,960 --> 00:26:39,720
Speaker 2: So I literally they treated like a fucking American idol

592
00:26:39,760 --> 00:26:42,240
Speaker 2: of this ship. You stand, you line, you line up

593
00:26:42,280 --> 00:26:45,280
Speaker 2: outside the school. You get a number on a cold

594
00:26:45,400 --> 00:26:47,960
Speaker 2: New York City morning, and you're eating your bacon and

595
00:26:48,000 --> 00:26:50,080
Speaker 2: cheese and line trying to do you a little scale

596
00:26:50,080 --> 00:26:52,640
Speaker 2: also warm up and you do like a sight singing

597
00:26:53,600 --> 00:26:54,600
Speaker 2: little scale the.

598
00:26:54,640 --> 00:26:57,720
Speaker 1: Sight sing You have the sight sing at the tender

599
00:26:57,760 --> 00:26:59,240
Speaker 1: age of thirteen fifteen.

600
00:26:59,400 --> 00:27:02,679
Speaker 2: Yes, girl, and you do that. And then my audition

601
00:27:02,800 --> 00:27:04,720
Speaker 2: song was flying without Wings by Rubs.

602
00:27:04,400 --> 00:27:09,560
Speaker 1: Better And that's the joy of rings, And that's the

603
00:27:09,680 --> 00:27:16,040
Speaker 1: joy of rings. That is the joy of rings. He

604
00:27:16,320 --> 00:27:19,880
Speaker 1: was so good, but he was so good, right good,

605
00:27:20,359 --> 00:27:24,240
Speaker 1: It was good, was good. Kimberly Lock was better, was

606
00:27:24,960 --> 00:27:26,920
Speaker 1: the one, and Trenise was my girl.

607
00:27:27,280 --> 00:27:31,000
Speaker 3: I love Kimberly Lock sang Somewhere of the Rainbow three

608
00:27:31,440 --> 00:27:36,360
Speaker 3: different times in the same she said, you remember this one,

609
00:27:38,760 --> 00:27:41,119
Speaker 3: always say somewhere somewhere.

610
00:27:41,440 --> 00:27:43,520
Speaker 2: And then Clayvey came is he like a politician now?

611
00:27:43,800 --> 00:27:49,439
Speaker 1: He tried, yeah, yeah, did you just audition for pd

612
00:27:49,560 --> 00:27:49,840
Speaker 1: A s.

613
00:27:49,880 --> 00:27:53,400
Speaker 2: The audition for LaGuardia and PSK Sinatra And I got

614
00:27:53,440 --> 00:27:55,880
Speaker 2: into I'm sorry and Talent Limited, which I know Talent

615
00:27:55,960 --> 00:27:56,800
Speaker 2: Limited is still over here.

616
00:27:56,840 --> 00:27:59,200
Speaker 1: It was on the limited Talent Unlimited.

617
00:28:01,280 --> 00:28:07,040
Speaker 2: Limited Talent, and I got into PPAs Tamma Talent Ulimited

618
00:28:07,160 --> 00:28:09,280
Speaker 2: and Span Sinatra, but LaGuardia said no, thank you.

619
00:28:09,520 --> 00:28:12,560
Speaker 4: So what was the feeling because you can talk about

620
00:28:12,560 --> 00:28:14,080
Speaker 4: it now it's been enough to yeah, yeah, for sure.

621
00:28:14,160 --> 00:28:15,800
Speaker 4: What was the feeling of going to PPS knowing that

622
00:28:15,840 --> 00:28:16,920
Speaker 4: Laguardi was just up the street?

623
00:28:17,000 --> 00:28:20,040
Speaker 2: Okay? You know, so like literally it's literally like what

624
00:28:20,800 --> 00:28:23,080
Speaker 2: fifteen blocks literally up on the same avenue off the

625
00:28:23,080 --> 00:28:26,160
Speaker 2: street on the on the west side, west side. You're

626
00:28:26,160 --> 00:28:28,080
Speaker 2: on the west side, and you know, I mean at first,

627
00:28:28,160 --> 00:28:30,040
Speaker 2: you like I didn't get into the fame school, I

628
00:28:30,040 --> 00:28:33,360
Speaker 2: didn't get into Leguardia, but like I really, I really

629
00:28:33,440 --> 00:28:35,680
Speaker 2: do feel like everything happens for a reason. Yes, And

630
00:28:35,920 --> 00:28:39,040
Speaker 2: because I went to PPAs, we had a miss write

631
00:28:39,120 --> 00:28:41,320
Speaker 2: name was Chhanta, right, and she was really big on like,

632
00:28:41,640 --> 00:28:43,160
Speaker 2: I know, y'all kids like y'all R and B and

633
00:28:43,200 --> 00:28:44,920
Speaker 2: your hip hop, but y'all gonna learn some culture in

634
00:28:44,920 --> 00:28:48,240
Speaker 2: this motherfucking so she would like, so she would introduce

635
00:28:48,320 --> 00:28:50,680
Speaker 2: us to opera and anthems and spirituals and stuff like that.

636
00:28:50,760 --> 00:28:52,680
Speaker 2: And we we were part of this, like touring choir

637
00:28:52,800 --> 00:28:55,560
Speaker 2: the Songs of Solomon and we would tour on spring

638
00:28:55,640 --> 00:28:58,560
Speaker 2: break and midwinter break, we would go on tours to

639
00:28:58,680 --> 00:29:01,520
Speaker 2: Canada around the state and like she was really instrumental

640
00:29:01,560 --> 00:29:03,640
Speaker 2: and introducing me to opera. So that's why from her,

641
00:29:03,680 --> 00:29:05,440
Speaker 2: I was like, maybe I came to opera. And I

642
00:29:05,480 --> 00:29:09,480
Speaker 2: went to Westminster Aquard College in Jersey for my degree

643
00:29:09,520 --> 00:29:09,960
Speaker 2: in music.

644
00:29:10,040 --> 00:29:15,000
Speaker 4: Head Yeah that's George. Yeah, and then you stuck around Bronx.

645
00:29:15,800 --> 00:29:17,280
Speaker 1: No, so I went to school there.

646
00:29:17,320 --> 00:29:19,280
Speaker 2: When I came back, I moved to Brooklyn, but went

647
00:29:19,320 --> 00:29:20,800
Speaker 2: back on to Brooklyn for a year and I got

648
00:29:20,840 --> 00:29:24,480
Speaker 2: my own place, and I lived in Brooklyn for two years,

649
00:29:24,520 --> 00:29:25,880
Speaker 2: and then then I moved to the Bronx.

650
00:29:26,480 --> 00:29:29,560
Speaker 1: And then were you doing the Bronx was so disgusting? Yeah? Yeah,

651
00:29:29,600 --> 00:29:32,640
Speaker 1: yeah it was the communities. It was weird. It was terrible.

652
00:29:32,880 --> 00:29:34,480
Speaker 2: But when I want to oh, so, when I finished that,

653
00:29:34,600 --> 00:29:37,560
Speaker 2: I taught at p S. One thirty at her nandaz

654
00:29:37,560 --> 00:29:43,040
Speaker 2: Desta School in the Lower East Side Theater, teaching music,

655
00:29:43,160 --> 00:29:46,719
Speaker 2: music teaching. I was like the little music teacher there.

656
00:29:46,800 --> 00:29:48,000
Speaker 2: And I did that for a year and a half

657
00:29:48,080 --> 00:29:50,880
Speaker 2: and I was like, this is awful. So I did

658
00:29:50,960 --> 00:29:53,680
Speaker 2: that and then I then I stang with Portland Opera

659
00:29:53,800 --> 00:29:56,280
Speaker 2: for two years and we're on summer break and I

660
00:29:56,320 --> 00:29:57,920
Speaker 2: was doing a young artist program here in the city

661
00:29:58,320 --> 00:29:59,720
Speaker 2: and then I met Jasmine Rice. Was it?

662
00:29:59,800 --> 00:30:01,239
Speaker 1: Yeah? I saw drafting that night.

663
00:30:01,480 --> 00:30:05,920
Speaker 2: Really. Hudson Williams. Yeah, yeah, I saw that. Oh my god,

664
00:30:05,960 --> 00:30:07,840
Speaker 2: I boughtus Hudson Williams looking person Gorge.

665
00:30:09,680 --> 00:30:11,720
Speaker 1: He's twenty five. I'm like, he's a whole ten years

666
00:30:11,760 --> 00:30:15,960
Speaker 1: younger than Yeah, twenty five. I know. It's okay, okay,

667
00:30:16,000 --> 00:30:17,120
Speaker 1: it's okay, that's sure.

668
00:30:17,040 --> 00:30:17,360
Speaker 2: It's okay.

669
00:30:17,360 --> 00:30:18,560
Speaker 1: It sounds like a perfect.

670
00:30:21,160 --> 00:30:23,240
Speaker 2: And it always on a summer break. And this is

671
00:30:23,240 --> 00:30:25,600
Speaker 2: when season three of Dragons was airing and Jason and

672
00:30:25,680 --> 00:30:27,800
Speaker 2: I connected over this love for drag race and we

673
00:30:27,880 --> 00:30:30,040
Speaker 2: were like, should we try to try doing drag So

674
00:30:30,160 --> 00:30:31,640
Speaker 2: we went to that this one they had the big

675
00:30:31,680 --> 00:30:34,000
Speaker 2: ass for our twenty one on Times Square and girl.

676
00:30:34,040 --> 00:30:36,120
Speaker 1: We went on our lunch break and we were shopping.

677
00:30:35,880 --> 00:30:39,120
Speaker 2: Like women, honey, just two big men in the women's section,

678
00:30:39,360 --> 00:30:41,520
Speaker 2: be like, y'all have this with a forty two yeah,

679
00:30:42,360 --> 00:30:44,360
Speaker 2: And then we tried on dresses and Forever twenty one

680
00:30:44,840 --> 00:30:47,080
Speaker 2: went to mac got like some ruby Woo lipstick and

681
00:30:47,200 --> 00:30:50,080
Speaker 2: like some foundation and literally got in dragon, went to

682
00:30:50,160 --> 00:30:53,000
Speaker 2: the Ritz and saw forty four and as do a

683
00:30:53,040 --> 00:30:55,520
Speaker 2: show there, and from that night on we were like, oh,

684
00:30:55,600 --> 00:30:56,960
Speaker 2: we're a bit by the buck, we're doing this, and

685
00:30:57,040 --> 00:31:00,240
Speaker 2: then we started doing We did Pride that year. We

686
00:31:00,320 --> 00:31:03,600
Speaker 2: walked the entire parade from fifty second Street down to

687
00:31:03,640 --> 00:31:06,760
Speaker 2: the West Village in like six inch heels like it

688
00:31:06,880 --> 00:31:09,800
Speaker 2: was crazy. It was, Oh, I love it, I loved it.

689
00:31:09,840 --> 00:31:11,040
Speaker 1: It was it was. It was the time of my life.

690
00:31:11,040 --> 00:31:13,400
Speaker 1: And did you enjast know each other from doing opera before?

691
00:31:13,720 --> 00:31:15,840
Speaker 2: No, that Young Artist program summer of twenty twelve with

692
00:31:15,920 --> 00:31:17,080
Speaker 2: the first time we've ever met.

693
00:31:17,160 --> 00:31:18,760
Speaker 1: We just happened to bounce into each other.

694
00:31:18,880 --> 00:31:19,080
Speaker 2: Og.

695
00:31:19,320 --> 00:31:21,240
Speaker 1: Yeah, And she's such an amazing signing. She's an amazing

696
00:31:21,360 --> 00:31:21,840
Speaker 1: both of you are.

697
00:31:21,880 --> 00:31:25,840
Speaker 2: I think I so love her voice, beautifully voice. But

698
00:31:25,920 --> 00:31:28,160
Speaker 2: when I started doing drag, I was still working because

699
00:31:28,200 --> 00:31:30,720
Speaker 2: I I was on summer break and I was working

700
00:31:30,800 --> 00:31:34,600
Speaker 2: at the Holiday in Express at JFK. I had told

701
00:31:34,640 --> 00:31:35,959
Speaker 2: my boss. I was like, I'm going to be late

702
00:31:36,160 --> 00:31:38,600
Speaker 2: for Pride. Because I was doing Pride. I was I'm

703
00:31:38,640 --> 00:31:40,200
Speaker 2: going to be a little late. And I'm like in

704
00:31:40,320 --> 00:31:44,240
Speaker 2: my Suzuki Grand Vatara leaving Pride, driving down the Biqui

705
00:31:45,080 --> 00:31:47,440
Speaker 2: and I was using duct tape to cinch my waist.

706
00:31:47,720 --> 00:31:50,840
Speaker 2: So I'm in the car like removing my makeup, trying

707
00:31:50,880 --> 00:31:52,880
Speaker 2: to take my my my pads and shit all wine

708
00:31:53,000 --> 00:31:55,680
Speaker 2: driving and I take the ducty to rip it off,

709
00:31:55,720 --> 00:31:57,640
Speaker 2: and I rip off a chunk of my skin the

710
00:31:57,760 --> 00:31:59,480
Speaker 2: size of like a.

711
00:31:59,560 --> 00:32:02,720
Speaker 1: Sack of This is another short film you guys both have.

712
00:32:04,440 --> 00:32:06,600
Speaker 2: Because I was like, I'm like, oh my god, and

713
00:32:06,680 --> 00:32:07,840
Speaker 2: I was like I have to go to work. And

714
00:32:07,920 --> 00:32:10,480
Speaker 2: I get to work. I kind of half dragged, half half.

715
00:32:10,400 --> 00:32:10,840
Speaker 1: A stud on.

716
00:32:10,920 --> 00:32:13,600
Speaker 2: He was like, you're fired, fired.

717
00:32:13,680 --> 00:32:14,480
Speaker 1: I got fired.

718
00:32:14,560 --> 00:32:17,080
Speaker 2: Yeah. Oh he was such a homophone, that guy. He he,

719
00:32:17,600 --> 00:32:19,400
Speaker 2: he did not like that. It came to that there

720
00:32:19,600 --> 00:32:23,960
Speaker 2: bleeding fired and bleeding and half drag when, oh my.

721
00:32:24,080 --> 00:32:26,640
Speaker 1: God, this is incredible. Was when was Barracuda.

722
00:32:27,040 --> 00:32:28,360
Speaker 2: Barracuda started.

723
00:32:29,600 --> 00:32:31,080
Speaker 1: So I was like work.

724
00:32:31,160 --> 00:32:32,600
Speaker 2: After that job, I got a job at the Yale

725
00:32:32,640 --> 00:32:34,120
Speaker 2: Club of New York City, which is a very high

726
00:32:34,160 --> 00:32:37,680
Speaker 2: problem luv in Dartmouth, and I was doing that. It

727
00:32:37,760 --> 00:32:40,480
Speaker 2: was my first like union job. I was making like

728
00:32:41,200 --> 00:32:43,960
Speaker 2: thirty dollars an hour. I was living be the loco.

729
00:32:44,880 --> 00:32:48,080
Speaker 2: So I'm doing that. And then at that point I

730
00:32:48,160 --> 00:32:50,120
Speaker 2: was still like going out randomly New York here and there,

731
00:32:50,160 --> 00:32:52,800
Speaker 2: going out to a club here, no gigs. And then

732
00:32:52,840 --> 00:32:55,280
Speaker 2: I had picked up like one gig at the Phoenix

733
00:32:55,360 --> 00:32:58,840
Speaker 2: Bar in the Lower East Side, Like Phoenix, is she

734
00:32:58,920 --> 00:32:59,440
Speaker 2: still here with me?

735
00:32:59,640 --> 00:33:02,400
Speaker 1: She's still I think she is. If she is, we

736
00:33:02,480 --> 00:33:05,400
Speaker 1: haven't seen her. Maybe I did, like a year and

737
00:33:05,480 --> 00:33:08,440
Speaker 1: a half stumble into the Phoenix. I think I might

738
00:33:08,560 --> 00:33:09,959
Speaker 1: have like isn't this funny?

739
00:33:10,280 --> 00:33:14,920
Speaker 2: Like So I was doing that, became friends and Bob,

740
00:33:14,960 --> 00:33:16,479
Speaker 2: and Bob was like, you need to quit your job

741
00:33:16,480 --> 00:33:18,520
Speaker 2: at Yale Club. I was like why, He's like, Wana,

742
00:33:18,760 --> 00:33:20,520
Speaker 2: I think you really have talent to be really great

743
00:33:20,560 --> 00:33:22,920
Speaker 2: in drag. If you've on doing half measures, you never

744
00:33:22,960 --> 00:33:23,640
Speaker 2: succeeded anything.

745
00:33:23,720 --> 00:33:24,920
Speaker 1: Well, come on, Bob, I know.

746
00:33:25,160 --> 00:33:27,280
Speaker 2: I was like a girl, I have a union job,

747
00:33:27,400 --> 00:33:29,200
Speaker 2: like I have like benefits, I have health insurance. You

748
00:33:29,240 --> 00:33:31,760
Speaker 2: dirty drag quins and you hurt yourself. You can't pay

749
00:33:31,800 --> 00:33:33,520
Speaker 2: for your health insurance. I can pay for my ship,

750
00:33:34,720 --> 00:33:35,120
Speaker 2: did you know?

751
00:33:35,320 --> 00:33:38,040
Speaker 1: I was like what? And then like literally two weeks later,

752
00:33:38,080 --> 00:33:39,360
Speaker 1: I was like, I think he's right, and I just

753
00:33:39,440 --> 00:33:40,680
Speaker 1: quit my job. Whoa.

754
00:33:40,920 --> 00:33:43,440
Speaker 2: And then I just wore full time in drag and

755
00:33:43,560 --> 00:33:45,440
Speaker 2: then one thing led to another. Then I got one gig,

756
00:33:45,480 --> 00:33:47,600
Speaker 2: then two gigs, and three gigs, and then by a

757
00:33:47,720 --> 00:33:50,160
Speaker 2: year after I quit that job, I had like seven

758
00:33:50,240 --> 00:33:51,200
Speaker 2: gigs over like five days.

759
00:33:51,200 --> 00:33:55,040
Speaker 3: In the years you were the girl very fair. This

760
00:33:55,200 --> 00:33:58,400
Speaker 3: is this is like when we were really out a

761
00:33:58,520 --> 00:33:59,800
Speaker 3: lot in like our midt.

762
00:34:00,360 --> 00:34:02,640
Speaker 1: And like we would go to see Bob. Yeah, you

763
00:34:02,680 --> 00:34:04,520
Speaker 1: would host watch parties. Yeah, watch parties.

764
00:34:04,760 --> 00:34:06,800
Speaker 4: Come to the watch parties in the host and I

765
00:34:06,920 --> 00:34:09,719
Speaker 4: was like, yeah, like our local girls keep like moving

766
00:34:09,760 --> 00:34:10,000
Speaker 4: it up.

767
00:34:10,719 --> 00:34:15,240
Speaker 3: I would see Alexus We did a show with Alexis

768
00:34:15,719 --> 00:34:18,160
Speaker 3: really yeah. What was the show is called drag Court.

769
00:34:18,280 --> 00:34:24,359
Speaker 3: Drag Court and the judge and I was Ruby Rue

770
00:34:24,520 --> 00:34:25,279
Speaker 3: was the judge.

771
00:34:26,680 --> 00:34:29,480
Speaker 1: And it was all and who was against. It's like

772
00:34:29,760 --> 00:34:30,799
Speaker 1: up against like Bible Girl.

773
00:34:30,840 --> 00:34:33,160
Speaker 3: I want to say Bible girls did the show Bible

774
00:34:34,000 --> 00:34:35,880
Speaker 3: My whole was the snugger for I never spoke.

775
00:34:38,239 --> 00:34:41,040
Speaker 1: Those were God we were really I love about those,

776
00:34:41,160 --> 00:34:43,320
Speaker 1: like I just I loved all of that ship.

777
00:34:44,320 --> 00:34:46,680
Speaker 2: What we were doing, you know what I mean?

778
00:34:46,800 --> 00:34:50,080
Speaker 1: And and really no one can Joe and I talk about.

779
00:34:50,120 --> 00:34:52,839
Speaker 1: We used to do this filthy lip sync dance duo

780
00:34:53,000 --> 00:34:54,360
Speaker 1: which was like we were just like whores.

781
00:34:54,400 --> 00:34:56,400
Speaker 3: We just want underwear and like drew makeup all over

782
00:34:56,400 --> 00:34:59,120
Speaker 3: our face and we were called sluck, were slut and.

783
00:34:59,160 --> 00:34:59,839
Speaker 1: Flat and fun.

784
00:35:00,360 --> 00:35:02,359
Speaker 3: We were there to be a months where the entire

785
00:35:02,480 --> 00:35:05,960
Speaker 3: Google cow was just okay, Thursday, Saturday.

786
00:35:06,200 --> 00:35:07,359
Speaker 1: We were yeah.

787
00:35:07,840 --> 00:35:10,640
Speaker 3: And there was one time when we realized like it

788
00:35:10,800 --> 00:35:12,480
Speaker 3: was over when we looked out into the crowd and

789
00:35:12,560 --> 00:35:13,400
Speaker 3: there was one person.

790
00:35:13,760 --> 00:35:20,520
Speaker 1: It was our friend Amanda by the vines. She doesn't

791
00:35:20,560 --> 00:35:21,400
Speaker 1: know about fuck.

792
00:35:21,280 --> 00:35:23,080
Speaker 2: Ritz Crack and I. We did a show together at

793
00:35:23,160 --> 00:35:26,560
Speaker 2: on at Hardware Barns Sundays. We'll turn it on Sundays

794
00:35:26,960 --> 00:35:28,600
Speaker 2: and like, this is what I think the girls in

795
00:35:28,680 --> 00:35:31,439
Speaker 2: New York. Well, what I've heard is that girls aren't

796
00:35:31,440 --> 00:35:34,400
Speaker 2: interested in like growing shows anymore. Like they they started

797
00:35:34,400 --> 00:35:36,239
Speaker 2: doing dragging their living rooms and they're like, well, my

798
00:35:36,360 --> 00:35:38,160
Speaker 2: my booking feats one hundred fifty dollars and blah bla

799
00:35:38,160 --> 00:35:38,680
Speaker 2: blah blah blah.

800
00:35:38,719 --> 00:35:39,920
Speaker 1: I was like, no, what crack, And I started that

801
00:35:39,960 --> 00:35:41,960
Speaker 1: show what turning on Sundays. I'm not kidding.

802
00:35:42,160 --> 00:35:45,240
Speaker 2: They would be sometimes maybe two people in the audience,

803
00:35:45,760 --> 00:35:48,800
Speaker 2: one drunk lesbian and one guy sleep asleep in the

804
00:35:48,840 --> 00:35:52,120
Speaker 2: back corner name ru Paul, just to sleep, not paying

805
00:35:52,280 --> 00:35:53,279
Speaker 2: any attention to us.

806
00:35:53,400 --> 00:35:54,319
Speaker 1: But we did the show.

807
00:35:54,840 --> 00:35:56,279
Speaker 2: We did our thing, and we grew it and grew

808
00:35:56,320 --> 00:35:58,480
Speaker 2: it and by the time we were like, but right

809
00:35:58,520 --> 00:36:00,200
Speaker 2: before we left because we couldn't do because of drag race,

810
00:36:00,239 --> 00:36:02,160
Speaker 2: because we were traveling and stuff, we had built a

811
00:36:02,200 --> 00:36:03,720
Speaker 2: show of people would come out to you on somedings

812
00:36:03,760 --> 00:36:05,360
Speaker 2: and we like packed the bar up. But I'm like,

813
00:36:05,920 --> 00:36:07,680
Speaker 2: you gotta just you gotta work, like work for that ship.

814
00:36:08,040 --> 00:36:10,239
Speaker 4: And then once you say, like you like learned so

815
00:36:10,440 --> 00:36:12,600
Speaker 4: many things from just being in the room in the

816
00:36:12,640 --> 00:36:13,120
Speaker 4: same space.

817
00:36:13,400 --> 00:36:16,800
Speaker 2: Yes, yes, like you know, I didn't like have traditional

818
00:36:17,200 --> 00:36:19,000
Speaker 2: stand up comedy, like I was going to the cellar

819
00:36:19,080 --> 00:36:20,680
Speaker 2: and doing all the like you know how Mateo and

820
00:36:20,719 --> 00:36:21,719
Speaker 2: Nicole and all these people do.

821
00:36:21,880 --> 00:36:25,320
Speaker 1: Have so much respect I have done because it is hard.

822
00:36:25,480 --> 00:36:26,200
Speaker 2: It's really hard.

823
00:36:26,239 --> 00:36:28,040
Speaker 1: And Mateo would talk a lot too about being like

824
00:36:28,120 --> 00:36:30,000
Speaker 1: the only GIY guy and like how tough that was,

825
00:36:30,200 --> 00:36:30,759
Speaker 1: you know what I mean?

826
00:36:31,000 --> 00:36:32,960
Speaker 2: Yeah, So I kind of did mine in my own

827
00:36:33,000 --> 00:36:36,080
Speaker 2: way by coming up in drag and like performing for

828
00:36:36,120 --> 00:36:38,840
Speaker 2: two and three people and like doing bits and throughout.

829
00:36:38,880 --> 00:36:41,480
Speaker 2: Four years ago, my agent was like, hey, Comedy Dynamics,

830
00:36:41,520 --> 00:36:44,400
Speaker 2: they want to do special before different queens. I was

831
00:36:44,480 --> 00:36:46,279
Speaker 2: like special, Like well, he's like comedy specialist. He's like,

832
00:36:46,280 --> 00:36:47,640
Speaker 2: you're interested. I was like, well, I'm not a stand

833
00:36:47,680 --> 00:36:49,279
Speaker 2: up comedian. He's like, well, yeah you are. I was

834
00:36:49,320 --> 00:36:52,600
Speaker 2: like I'm not. And he was like, I've gone to

835
00:36:52,640 --> 00:36:54,120
Speaker 2: your shows. I used to see New York before. I

836
00:36:54,200 --> 00:36:55,640
Speaker 2: was like, you are a stand up comedian. You just

837
00:36:55,680 --> 00:36:58,200
Speaker 2: not calling yourself. And I was like I don't know.

838
00:36:58,520 --> 00:37:00,239
Speaker 2: He's like doing your favorite Just sit down for week,

839
00:37:00,960 --> 00:37:03,040
Speaker 2: try to write some material, see where you get, and

840
00:37:03,120 --> 00:37:04,920
Speaker 2: then let's talk after that so I like to like

841
00:37:04,960 --> 00:37:06,080
Speaker 2: a week off of work, and I was just like

842
00:37:06,160 --> 00:37:08,640
Speaker 2: at home, like writing bits, going over material. I was like,

843
00:37:08,880 --> 00:37:11,120
Speaker 2: I think I have like an hour here of comedy.

844
00:37:11,800 --> 00:37:13,640
Speaker 2: That next week he booked me at the brea improv.

845
00:37:13,880 --> 00:37:15,480
Speaker 2: I did a brain improv, sold it out, did a

846
00:37:15,520 --> 00:37:18,200
Speaker 2: really good job, and then this is what I don't love.

847
00:37:18,280 --> 00:37:19,960
Speaker 2: The next week I recorded a special, which is not

848
00:37:20,000 --> 00:37:23,120
Speaker 2: what you do. Oh I could, I didn't know that.

849
00:37:23,840 --> 00:37:26,560
Speaker 2: So I recorded my first special ever after literally doing

850
00:37:26,600 --> 00:37:30,320
Speaker 2: the material for literally one week, right, and so it's fine.

851
00:37:30,840 --> 00:37:32,600
Speaker 2: But now I've worked on this new hour for the

852
00:37:32,640 --> 00:37:35,160
Speaker 2: past two years. This material is so fucking funny. It

853
00:37:35,400 --> 00:37:37,560
Speaker 2: is at such a good place. I'm so happy for

854
00:37:37,600 --> 00:37:39,480
Speaker 2: people to come see it and like these comed clothes

855
00:37:39,480 --> 00:37:40,759
Speaker 2: and they booked me and I come and at the

856
00:37:40,800 --> 00:37:44,719
Speaker 2: weekend they're like, wow, that was really good, And I'm like,

857
00:37:45,160 --> 00:37:46,560
Speaker 2: what were you expected?

858
00:37:47,000 --> 00:37:49,480
Speaker 3: I know, like, you're not someone who does the thing

859
00:37:49,600 --> 00:37:52,480
Speaker 3: where you don't work your fucking house show up like

860
00:37:52,560 --> 00:37:53,480
Speaker 3: that was an anomoly.

861
00:37:53,719 --> 00:37:54,920
Speaker 2: Yeah, I was like, what are you? Like, what are

862
00:37:54,960 --> 00:37:57,400
Speaker 2: these girls coming when they're doing here at these clothes?

863
00:37:57,640 --> 00:37:59,920
Speaker 2: So anyway, but I'm happy that it is working out well.

864
00:38:00,040 --> 00:38:02,080
Speaker 2: And this new hour is so beautiful and with.

865
00:38:02,120 --> 00:38:04,600
Speaker 1: It our knees gendered to you.

866
00:38:06,480 --> 00:38:08,359
Speaker 3: Because because you and we talked about how your feet,

867
00:38:08,400 --> 00:38:15,680
Speaker 3: you got foot feminization, uh, pediatric feminization, surgery podiatric okay.

868
00:38:15,640 --> 00:38:22,200
Speaker 1: Not cyminization. I mean you went to a pediatrist.

869
00:38:22,280 --> 00:38:24,160
Speaker 2: I was, well, he's not a p diiaturs. Oh sorry,

870
00:38:24,200 --> 00:38:26,480
Speaker 2: he is a pediatrist. But my friend who was a surgeon,

871
00:38:26,480 --> 00:38:29,880
Speaker 2: said I should have went to ah the orthopedic orthopedic surgeon.

872
00:38:30,000 --> 00:38:33,279
Speaker 4: Hey, I was gonna say foot doctor doctor. You said

873
00:38:33,320 --> 00:38:34,560
Speaker 4: Andy has gargwoll feet.

874
00:38:36,320 --> 00:38:38,160
Speaker 2: That I think Andy has very beautiful feet. And I

875
00:38:38,200 --> 00:38:39,840
Speaker 2: posted it on our Patreon.

876
00:38:39,600 --> 00:38:42,680
Speaker 1: And you posted his foot to patriot.

877
00:38:44,120 --> 00:38:44,160
Speaker 3: No.

878
00:38:44,440 --> 00:38:46,359
Speaker 1: No, I stuck a figure.

879
00:38:49,000 --> 00:38:55,320
Speaker 2: He was like, and he has pretty feet, so pretty,

880
00:38:55,719 --> 00:38:56,240
Speaker 2: it's pretty.

881
00:38:56,760 --> 00:38:59,640
Speaker 3: I mean he like he is a different man now

882
00:38:59,719 --> 00:39:03,959
Speaker 3: than he He pops up on my grid and I'm like, okay.

883
00:39:04,680 --> 00:39:06,879
Speaker 2: You know he still has some straight tendencies. We're trying

884
00:39:06,880 --> 00:39:11,160
Speaker 2: to beat them out of him for the most part. Like, okay,

885
00:39:11,400 --> 00:39:14,280
Speaker 2: this also, I recognize that I may have a tinge

886
00:39:14,280 --> 00:39:14,760
Speaker 2: of OCD.

887
00:39:15,160 --> 00:39:19,919
Speaker 1: Yeah, okay, I think you're probably not alone here. Okay, yeah,

888
00:39:20,120 --> 00:39:22,359
Speaker 1: So like, but as game and I feel like that's

889
00:39:22,400 --> 00:39:24,520
Speaker 1: kind of a default factory setting. It's a gay power.

890
00:39:24,640 --> 00:39:27,120
Speaker 2: It's a gay power. And Andy's late to the game.

891
00:39:27,200 --> 00:39:28,960
Speaker 2: He doesn't see these things. So I am constant he

892
00:39:29,000 --> 00:39:32,480
Speaker 2: does this thing. He got a fucking ninja creamy for Christmas.

893
00:39:33,960 --> 00:39:34,480
Speaker 1: Like a mixer.

894
00:39:35,200 --> 00:39:37,360
Speaker 2: It basically takes you can put anything inside of it

895
00:39:37,400 --> 00:39:38,960
Speaker 2: and it can turn it into an ice cream or

896
00:39:39,000 --> 00:39:40,800
Speaker 2: a sword bat ninja creamy.

897
00:39:40,920 --> 00:39:46,800
Speaker 1: But I am happy thinking about it. A ninja creamy.

898
00:39:47,239 --> 00:39:47,879
Speaker 1: It's so good.

899
00:39:48,040 --> 00:39:49,719
Speaker 2: It's kind of like a nutrient bullet, but like for

900
00:39:49,920 --> 00:39:53,520
Speaker 2: making ice cream. And so he is this thing. He

901
00:39:53,640 --> 00:39:56,080
Speaker 2: makes all the disorbeys. He puts him the thing. He'll

902
00:39:56,239 --> 00:39:58,839
Speaker 2: pick one out of the out of the freezer, take

903
00:39:58,920 --> 00:40:03,200
Speaker 2: the lid off, put the lid on the counter, and leave,

904
00:40:04,480 --> 00:40:06,279
Speaker 2: and then you just have a dirty ice school on

905
00:40:06,320 --> 00:40:09,759
Speaker 2: the counter. I'm like, when literally the sink, this is lid,

906
00:40:10,160 --> 00:40:12,399
Speaker 2: the sink is right here. I would they just take

907
00:40:12,480 --> 00:40:13,359
Speaker 2: it and put into sin.

908
00:40:13,880 --> 00:40:16,239
Speaker 1: One time lids on the counter. It's coachure number twenty

909
00:40:17,400 --> 00:40:18,000
Speaker 1: on the counter.

910
00:40:18,600 --> 00:40:21,360
Speaker 2: Like one time our clean lady left at like five o'clock.

911
00:40:21,960 --> 00:40:24,239
Speaker 2: I walked downstairs and at five o five there's a

912
00:40:24,360 --> 00:40:26,719
Speaker 2: dirty lid on the counter. I said, what is this

913
00:40:26,880 --> 00:40:28,520
Speaker 2: lid doing on the count? I was like, Andy, get

914
00:40:28,560 --> 00:40:31,120
Speaker 2: out here right now and wash this lid and put

915
00:40:31,160 --> 00:40:31,439
Speaker 2: it away.

916
00:40:31,520 --> 00:40:32,680
Speaker 1: And does he do it in shame?

917
00:40:32,920 --> 00:40:33,120
Speaker 5: Yes?

918
00:40:33,320 --> 00:40:33,880
Speaker 1: You watch him?

919
00:40:34,080 --> 00:40:34,279
Speaker 2: Yeah?

920
00:40:34,560 --> 00:40:37,120
Speaker 1: You just I sit there and I'm gonna Avid make

921
00:40:37,160 --> 00:40:37,839
Speaker 1: the bed every morning.

922
00:40:37,880 --> 00:40:40,279
Speaker 2: There's nothing better to me than coming back home and

923
00:40:40,360 --> 00:40:41,600
Speaker 2: just getting in a nice made bed.

924
00:40:42,320 --> 00:40:42,799
Speaker 1: I'm sorry.

925
00:40:43,800 --> 00:40:47,000
Speaker 3: There is no excuse for your bed not to be made.

926
00:40:47,080 --> 00:40:49,480
Speaker 3: And I will full on go over to friends homes

927
00:40:50,000 --> 00:40:52,359
Speaker 3: and they allow me to come in the home when

928
00:40:52,440 --> 00:40:54,800
Speaker 3: the bed isn't made, Pillows on the ground, close on

929
00:40:54,920 --> 00:40:55,320
Speaker 3: the ground.

930
00:40:58,040 --> 00:40:59,040
Speaker 1: I don't want to see it.

931
00:40:59,160 --> 00:41:01,640
Speaker 2: And I'm judging every time I'm judging. I am judging you.

932
00:41:02,239 --> 00:41:02,759
Speaker 1: Did you talk?

933
00:41:03,840 --> 00:41:06,439
Speaker 2: I don't top sheet, I don't top. I don't Yeah

934
00:41:06,520 --> 00:41:08,160
Speaker 2: that top she that's that's that's a step too far.

935
00:41:08,200 --> 00:41:09,680
Speaker 1: That's a step too far, because then you got a

936
00:41:09,680 --> 00:41:10,840
Speaker 1: straighten map. Yeah, it's.

937
00:41:12,480 --> 00:41:14,240
Speaker 2: That's I don't need the top sheet now. I recently

938
00:41:14,320 --> 00:41:17,520
Speaker 2: started well, I was into dou Vets. That was ordered

939
00:41:17,600 --> 00:41:20,399
Speaker 2: over because I watched like every I try every week,

940
00:41:20,680 --> 00:41:22,279
Speaker 2: Let's be honest, every two weeks is fine.

941
00:41:22,360 --> 00:41:23,479
Speaker 1: Every two And then.

942
00:41:23,400 --> 00:41:25,360
Speaker 2: I'm like redoing the duvet was like, I was like,

943
00:41:25,440 --> 00:41:27,600
Speaker 2: I just it's such a to do. So now we

944
00:41:27,719 --> 00:41:29,640
Speaker 2: just have like three different comforters. We just rotate, we

945
00:41:29,840 --> 00:41:32,200
Speaker 2: we we vacuums steal the ones to know she's the

946
00:41:32,239 --> 00:41:34,480
Speaker 2: one that we're doing. It feels like you're you're going

947
00:41:34,560 --> 00:41:35,120
Speaker 2: cave diving.

948
00:41:36,520 --> 00:41:40,400
Speaker 1: I still don't know what what the good plan of

949
00:41:40,440 --> 00:41:42,040
Speaker 1: attackers supposed.

950
00:41:41,680 --> 00:41:43,400
Speaker 4: To turn it inside out, line it up, do the

951
00:41:43,680 --> 00:41:46,360
Speaker 4: roll right. People are nodding and then put take the

952
00:41:46,440 --> 00:41:51,040
Speaker 4: laby in and then put it Truly, I get that,

953
00:41:51,239 --> 00:41:55,800
Speaker 4: but that doesn't like a menace in the sheets underneath.

954
00:41:55,880 --> 00:41:59,200
Speaker 3: Like, let's go on, does you got you gotta pose

955
00:41:59,239 --> 00:42:03,800
Speaker 3: whatever TV show or podcast listening literally to focus on exactly.

956
00:42:04,000 --> 00:42:06,400
Speaker 1: Yeah, I can't do it. I've had anxious fits about it.

957
00:42:06,440 --> 00:42:07,319
Speaker 1: I'm like I can't.

958
00:42:08,440 --> 00:42:10,400
Speaker 2: It's like why, yeah, why.

959
00:42:10,480 --> 00:42:11,440
Speaker 1: So like little things like that.

960
00:42:11,560 --> 00:42:13,840
Speaker 2: I'm still like nursing, you know, turning lit on.

961
00:42:13,880 --> 00:42:15,920
Speaker 3: The counter is a big no no. And all the

962
00:42:16,000 --> 00:42:21,080
Speaker 3: points you just gained for that proposal andy out, some

963
00:42:21,200 --> 00:42:24,640
Speaker 3: of them have gone out. You're still You're still and

964
00:42:24,719 --> 00:42:25,520
Speaker 3: he's always up?

965
00:42:26,560 --> 00:42:29,799
Speaker 1: Really is he? Would you call him? Wait?

966
00:42:29,840 --> 00:42:31,360
Speaker 3: Did you did you abob to talk about this is

967
00:42:31,440 --> 00:42:34,040
Speaker 3: he like a fitness influencer. Now you think he's trying

968
00:42:34,120 --> 00:42:36,040
Speaker 3: to be, but like, let's it happened. He has the

969
00:42:36,080 --> 00:42:38,480
Speaker 3: full time job doing his like recovery work. I'm like,

970
00:42:38,600 --> 00:42:40,360
Speaker 3: you don't have time to finish influence.

971
00:42:40,719 --> 00:42:42,160
Speaker 1: I think I think they work hand in him.

972
00:42:42,280 --> 00:42:43,360
Speaker 2: Well, you know, he he is.

973
00:42:43,520 --> 00:42:44,200
Speaker 1: His whole thing is that.

974
00:42:44,280 --> 00:42:46,120
Speaker 2: Well, you know, I gotta like keep on going on

975
00:42:46,160 --> 00:42:48,160
Speaker 2: all these expensive places with these I'm just trying to

976
00:42:48,200 --> 00:42:49,960
Speaker 2: keep up. I'm like, yeah, we'll keep up, bitch, Yeah,

977
00:42:51,840 --> 00:42:53,359
Speaker 2: get a third job, get a fourth one.

978
00:42:54,520 --> 00:42:55,239
Speaker 1: Do you get five?

979
00:42:55,960 --> 00:42:56,400
Speaker 2: Exactly?

980
00:42:56,960 --> 00:43:02,799
Speaker 1: Got five jobs coming out your ears? He's not doing enough.

981
00:43:10,840 --> 00:43:12,920
Speaker 2: They'll probably too big. Would you'll ever do the Traders?

982
00:43:13,440 --> 00:43:15,440
Speaker 1: Okay? This is this has come up like, this is

983
00:43:15,440 --> 00:43:16,600
Speaker 1: like the fourth time it's come up.

984
00:43:16,800 --> 00:43:19,000
Speaker 2: Well wait, but from someone from their show.

985
00:43:19,360 --> 00:43:21,960
Speaker 3: Yes, absolutely so this is the first time someone from

986
00:43:21,960 --> 00:43:25,719
Speaker 3: the show. We love the show, and we said, like,

987
00:43:25,960 --> 00:43:27,840
Speaker 3: what was it? Probably two years ago we said it.

988
00:43:27,920 --> 00:43:29,800
Speaker 3: We came on an episode all brave and we're like,

989
00:43:30,080 --> 00:43:30,560
Speaker 3: we'll do it.

990
00:43:30,680 --> 00:43:32,400
Speaker 1: Ask us to do it, please, we want.

991
00:43:32,320 --> 00:43:32,600
Speaker 2: To do it.

992
00:43:33,000 --> 00:43:36,000
Speaker 3: And then they asked, and I don't know about you,

993
00:43:36,120 --> 00:43:38,680
Speaker 3: but I personally thought about them editing me into a

994
00:43:38,760 --> 00:43:42,000
Speaker 3: character I thought about doing reality television for real and earnest.

995
00:43:41,719 --> 00:43:44,000
Speaker 1: And it made me very young. This is this is

996
00:43:44,040 --> 00:43:45,759
Speaker 1: what Joel can Booster says too. It's like the three

997
00:43:45,800 --> 00:43:46,000
Speaker 1: of us.

998
00:43:46,120 --> 00:43:47,839
Speaker 4: He's kind of like influenced us in this way where

999
00:43:47,880 --> 00:43:50,480
Speaker 4: it's like they you're handing over the edit to them,

1000
00:43:50,760 --> 00:43:51,640
Speaker 4: you have no idea what they'll do.

1001
00:43:51,960 --> 00:43:53,000
Speaker 1: Are you over that fear?

1002
00:43:53,040 --> 00:43:53,160
Speaker 3: Now?

1003
00:43:53,239 --> 00:43:54,080
Speaker 1: Like do you still have to see?

1004
00:43:54,160 --> 00:43:56,239
Speaker 2: Yeah? Because what I've realized in the reality I've done,

1005
00:43:56,280 --> 00:44:00,279
Speaker 2: I'm like, it really just amplifies who you are. I

1006
00:44:00,360 --> 00:44:03,560
Speaker 2: think both of y'all are actually funny, good, it's nicely people.

1007
00:44:03,680 --> 00:44:06,359
Speaker 2: I was like, so it is virtually impossible to turn

1008
00:44:06,400 --> 00:44:08,400
Speaker 2: you into some like gargling monster because that's not who

1009
00:44:08,480 --> 00:44:08,759
Speaker 2: y'all are.

1010
00:44:09,080 --> 00:44:14,400
Speaker 1: Who sent you here? Who sent you people who go on.

1011
00:44:14,440 --> 00:44:18,600
Speaker 2: TV and look like like Michael or what I'm saying.

1012
00:44:18,440 --> 00:44:21,640
Speaker 1: Because it's like and I have to say, like, I

1013
00:44:21,800 --> 00:44:22,920
Speaker 1: I wonder what you think about this?

1014
00:44:23,160 --> 00:44:26,200
Speaker 3: Based on the reactions that people are earning now out

1015
00:44:26,280 --> 00:44:28,840
Speaker 3: and about they feel very strong.

1016
00:44:29,480 --> 00:44:31,480
Speaker 1: But I wonder, as someone who went.

1017
00:44:31,480 --> 00:44:35,759
Speaker 3: Through it, how how are you feeling with everything has

1018
00:44:35,800 --> 00:44:38,440
Speaker 3: shaken out in terms of the way people are being

1019
00:44:38,520 --> 00:44:41,880
Speaker 3: received the way the game is going, like fallouts, like

1020
00:44:42,000 --> 00:44:42,960
Speaker 3: where do you sit in.

1021
00:44:43,000 --> 00:44:43,279
Speaker 1: All of it?

1022
00:44:44,160 --> 00:44:47,120
Speaker 2: I does this come out after? What did this come out?

1023
00:44:47,160 --> 00:44:50,080
Speaker 1: This is gonna come out not this Wednesday, but Wednesday after.

1024
00:44:52,000 --> 00:44:57,719
Speaker 2: But I think that yesterday, okay, I think that for

1025
00:44:57,800 --> 00:45:00,680
Speaker 2: the most part, what what happened but in the Castle

1026
00:45:00,840 --> 00:45:03,640
Speaker 2: is what is showing Again, there's so many conversations, conversations

1027
00:45:03,680 --> 00:45:05,960
Speaker 2: that happened that you don't know about, so something that

1028
00:45:06,000 --> 00:45:07,800
Speaker 2: you steal on TV, like, oh, that that happened.

1029
00:45:07,800 --> 00:45:08,840
Speaker 1: I didn't realize that happened.

1030
00:45:09,080 --> 00:45:10,839
Speaker 2: But for the most part, I think like how people

1031
00:45:10,880 --> 00:45:12,880
Speaker 2: were behaving the Castle are what they did, Like we

1032
00:45:12,960 --> 00:45:15,759
Speaker 2: all knew Colton was playing an aggressive game, you know

1033
00:45:15,760 --> 00:45:18,520
Speaker 2: what I mean? And I think the cons the consensus

1034
00:45:18,640 --> 00:45:20,880
Speaker 2: online is that it's a bad strategy. I don't think

1035
00:45:20,920 --> 00:45:22,960
Speaker 2: it's that bad. I think it's just playing hard. They're

1036
00:45:22,960 --> 00:45:25,160
Speaker 2: just playing hard. And I'm like, I'd rather, honestly, I

1037
00:45:25,280 --> 00:45:29,600
Speaker 2: radther Colton than a terrorpinske. What the hell is going on?

1038
00:45:30,120 --> 00:45:33,040
Speaker 3: I'm rooting for them because if this last episode it's

1039
00:45:33,120 --> 00:45:35,680
Speaker 3: like it's like the we're just like talking at the

1040
00:45:35,760 --> 00:45:38,960
Speaker 3: round table about like okay, so the truth is we're

1041
00:45:39,000 --> 00:45:41,080
Speaker 3: best friends, and so for that reason, I know he's

1042
00:45:41,120 --> 00:45:41,640
Speaker 3: not a trainer.

1043
00:45:42,360 --> 00:45:46,279
Speaker 2: It's just like, I'm like, my god, how brave of

1044
00:45:46,400 --> 00:45:48,120
Speaker 2: Tara and Johnny to come out his friends.

1045
00:45:50,200 --> 00:45:50,439
Speaker 1: Girl.

1046
00:45:50,600 --> 00:45:52,880
Speaker 3: It's just also so funny too, because other people in

1047
00:45:52,960 --> 00:45:55,719
Speaker 3: the house you can tell it's split from people being like, yeah,

1048
00:45:55,719 --> 00:45:57,560
Speaker 3: I knew they were best friends, like I know the

1049
00:45:57,640 --> 00:46:00,320
Speaker 3: terror Lepinske and Johnny weird thing, duh, and people that

1050
00:46:00,400 --> 00:46:04,600
Speaker 3: are like they revealed best friends and that was the

1051
00:46:04,719 --> 00:46:07,520
Speaker 3: worst thing you ever had, like Mark Ballast being like

1052
00:46:08,480 --> 00:46:12,239
Speaker 3: they just really sign their death Warren, I'm like, I

1053
00:46:12,280 --> 00:46:13,239
Speaker 3: don't know who I'm rooting for.

1054
00:46:13,360 --> 00:46:16,279
Speaker 2: I guess I'm rooting for Maura for more. Okay, the

1055
00:46:16,360 --> 00:46:17,920
Speaker 2: tea about Mara, I'm not kidding.

1056
00:46:17,960 --> 00:46:18,640
Speaker 1: This is a fact.

1057
00:46:18,719 --> 00:46:22,920
Speaker 2: She said it in the Castle. Maura had not watched

1058
00:46:22,960 --> 00:46:25,520
Speaker 2: a single episode of the show before winning the Castle.

1059
00:46:25,560 --> 00:46:28,320
Speaker 2: Maura had no idea they were banishments. Maura had no

1060
00:46:28,400 --> 00:46:29,720
Speaker 2: idea people were getting murdered.

1061
00:46:29,840 --> 00:46:32,960
Speaker 1: I Tank, someone's getting murdered. After the first night, she

1062
00:46:33,080 --> 00:46:34,919
Speaker 1: was like, she was literally I think after the first

1063
00:46:35,000 --> 00:46:42,759
Speaker 1: round table, I think, sorry, you're gonna go. I'm gonna go.

1064
00:46:42,800 --> 00:46:49,880
Speaker 1: Sorry Oi oy Tank sings the kind of just is

1065
00:46:50,840 --> 00:46:53,040
Speaker 1: gone shocked and stringe.

1066
00:46:53,320 --> 00:46:56,240
Speaker 2: After the after the fort she got vanished. I'm not kidding.

1067
00:46:56,239 --> 00:46:58,680
Speaker 2: We all were in the everyone's really upset, yes, and

1068
00:46:58,760 --> 00:47:03,600
Speaker 2: we're all in the the kitchen and she goes, it's

1069
00:47:03,600 --> 00:47:08,239
Speaker 2: just gonna happen every night, and I was like, are

1070
00:47:08,280 --> 00:47:13,600
Speaker 2: you doing a bit like what's happened every day? More

1071
00:47:13,680 --> 00:47:15,359
Speaker 2: just wanted to come on to even and wear beautiful clothes,

1072
00:47:15,400 --> 00:47:19,920
Speaker 2: which she did. Think she's a stunning individual. There's frames

1073
00:47:19,960 --> 00:47:22,279
Speaker 2: of the show where I'm like, what and that's her

1074
00:47:22,360 --> 00:47:25,359
Speaker 2: in real life? Like Maura looks like that, like more

1075
00:47:25,680 --> 00:47:28,320
Speaker 2: like she like she has beautiful, gorgeous skin. She wears

1076
00:47:28,360 --> 00:47:30,440
Speaker 2: like a little a little a little baby cream and

1077
00:47:31,080 --> 00:47:33,760
Speaker 2: I'm a scar of baby and she's like looking stunning.

1078
00:47:34,280 --> 00:47:36,160
Speaker 1: They should do a watch a pack in for traders.

1079
00:47:36,200 --> 00:47:37,280
Speaker 1: Oh that would be good.

1080
00:47:39,640 --> 00:47:43,200
Speaker 2: There. Well, you know they reach out to a little

1081
00:47:43,200 --> 00:47:44,719
Speaker 2: bird told me that they've reached out to like some

1082
00:47:44,920 --> 00:47:45,719
Speaker 2: people do the show.

1083
00:47:45,760 --> 00:47:47,920
Speaker 1: But a big deterrent is that you have to do

1084
00:47:47,960 --> 00:47:48,760
Speaker 1: your own glam.

1085
00:47:50,960 --> 00:47:51,120
Speaker 3: For you.

1086
00:47:51,440 --> 00:47:53,319
Speaker 2: No no, no, not for me, but like for other people,

1087
00:47:53,360 --> 00:47:55,799
Speaker 2: like are allegedly like they have they've asked he's doing

1088
00:47:55,840 --> 00:47:57,560
Speaker 2: her own GLAMs money.

1089
00:47:58,040 --> 00:48:01,880
Speaker 1: Okay, well man, crazy town. What what do you think

1090
00:48:02,000 --> 00:48:04,319
Speaker 1: is going on with her hair? I think they're wig

1091
00:48:04,640 --> 00:48:04,920
Speaker 1: thank you?

1092
00:48:05,080 --> 00:48:07,080
Speaker 2: Yeah, yeah yeah, but the white goes up threads were like,

1093
00:48:07,640 --> 00:48:09,200
Speaker 2: Maura is not where we're I'll like you think her

1094
00:48:09,280 --> 00:48:14,320
Speaker 2: hair work, come on, booty legs overnight, they're wigs, girl.

1095
00:48:15,360 --> 00:48:17,640
Speaker 3: One hat she had was pretty genius to all our hats,

1096
00:48:17,719 --> 00:48:20,239
Speaker 3: all our hats. Everything she's wearing is fearce. I will

1097
00:48:20,239 --> 00:48:23,440
Speaker 3: also shout out Candace and Rinna both looked incredible all

1098
00:48:23,480 --> 00:48:25,919
Speaker 3: the time. I am a little bit like I kind

1099
00:48:25,960 --> 00:48:28,399
Speaker 3: of can't have Tara and Johnny get like voted out

1100
00:48:28,480 --> 00:48:31,160
Speaker 3: immediately because with Candace gun they are kind of Now

1101
00:48:31,239 --> 00:48:34,880
Speaker 3: I'm watching why, I'm watching Candice leaving. I'm like, should

1102
00:48:35,239 --> 00:48:37,520
Speaker 3: place of glory, but like I really want her to

1103
00:48:37,600 --> 00:48:40,839
Speaker 3: go to the end. We're to Candace House, drive back

1104
00:48:40,880 --> 00:48:42,719
Speaker 3: one Record of the Year. At the Cultural Awards, hear

1105
00:48:42,840 --> 00:48:44,880
Speaker 3: the thing about Candace, right, does she come for you?

1106
00:48:45,360 --> 00:48:49,719
Speaker 2: So when we had the thing and like Allen chose

1107
00:48:49,800 --> 00:48:51,279
Speaker 2: chose the Traders, I was like in my mind, I

1108
00:48:51,360 --> 00:48:52,879
Speaker 2: was like, I know, I just knew. I just said

1109
00:48:52,880 --> 00:48:56,560
Speaker 2: to myself, I said, I know, Colton Natalie, jam Jam Portia,

1110
00:48:56,840 --> 00:48:59,400
Speaker 2: and Candace. I'll say those those five, those are faithfuls.

1111
00:48:59,400 --> 00:49:00,920
Speaker 2: I just feel like I just know that they are

1112
00:49:01,120 --> 00:49:02,799
Speaker 2: because in this show, people like, well you can't trust

1113
00:49:02,840 --> 00:49:04,479
Speaker 2: I'm like, in that game, if you don't trust people,

1114
00:49:04,480 --> 00:49:05,000
Speaker 2: you have nothing.

1115
00:49:05,040 --> 00:49:10,239
Speaker 1: You have to trust something based on exactly So.

1116
00:49:10,400 --> 00:49:12,520
Speaker 2: I trusted Cannas and I said to her in the bar,

1117
00:49:12,640 --> 00:49:15,040
Speaker 2: brought into the bar, no one was there. I was like, Canna, look,

1118
00:49:15,680 --> 00:49:17,520
Speaker 2: I don't know if you're a faithful. I don't know

1119
00:49:17,520 --> 00:49:19,640
Speaker 2: if you're a trader. You don't know if I'm a faithful.

1120
00:49:20,040 --> 00:49:21,440
Speaker 2: You don't know if I'm a trader. But I'll tell

1121
00:49:21,440 --> 00:49:23,520
Speaker 2: you this. If I'm a faithful, I will never bring

1122
00:49:23,560 --> 00:49:25,440
Speaker 2: your name up at the roundtable. And if I'm a trader,

1123
00:49:25,480 --> 00:49:26,640
Speaker 2: I will never say a name of the turret.

1124
00:49:26,719 --> 00:49:27,680
Speaker 1: I just trust you. I want to go to the

1125
00:49:27,760 --> 00:49:29,440
Speaker 1: end of the game with you. She's like, she was like,

1126
00:49:29,480 --> 00:49:30,440
Speaker 1: I got you. You said me too.

1127
00:49:30,760 --> 00:49:33,480
Speaker 2: The next day she when I was in the challenge

1128
00:49:33,480 --> 00:49:35,360
Speaker 2: and I said, I think Lisa might be a trader.

1129
00:49:35,480 --> 00:49:37,000
Speaker 1: Fuck you did? I said that to her.

1130
00:49:37,200 --> 00:49:39,880
Speaker 2: But the thing is that these little passing conversations, like

1131
00:49:40,200 --> 00:49:41,920
Speaker 2: you don't think anything of it. It's just literally like

1132
00:49:41,960 --> 00:49:43,640
Speaker 2: a girl. I think Lisa's trader. It was literally that

1133
00:49:43,760 --> 00:49:45,600
Speaker 2: quick and that could just be and that's the thing

1134
00:49:45,640 --> 00:49:47,200
Speaker 2: that gets you out. So she told Lisa that night,

1135
00:49:47,440 --> 00:49:51,080
Speaker 2: But I think her her flaw there was that Candace

1136
00:49:51,280 --> 00:49:54,280
Speaker 2: was not arming herself with enough allies outside of the turret.

1137
00:49:54,719 --> 00:49:57,160
Speaker 1: It was the winning strategy for Serie season one was

1138
00:49:57,200 --> 00:50:00,600
Speaker 1: that she had so many als exactly playing Rob is

1139
00:50:00,640 --> 00:50:00,840
Speaker 1: doing that.

1140
00:50:01,080 --> 00:50:03,560
Speaker 2: Rob has so many allies outside the turrets, so he

1141
00:50:03,600 --> 00:50:06,000
Speaker 2: doesn't have to have to trust Lise Arcana's because he

1142
00:50:06,080 --> 00:50:08,520
Speaker 2: has and it's hire cast of people that he that

1143
00:50:08,760 --> 00:50:10,480
Speaker 2: that he knows that would never wipe his name down.

1144
00:50:10,600 --> 00:50:13,239
Speaker 3: Yeah, and also he has the benefit of being on

1145
00:50:13,320 --> 00:50:16,600
Speaker 3: the right side of two Traders votes. I honestly, So,

1146
00:50:16,760 --> 00:50:20,480
Speaker 3: this last episode just ended and it's Kristin Kish questioning

1147
00:50:20,640 --> 00:50:22,359
Speaker 3: Eric and she's like, I feel like there's something weird

1148
00:50:22,400 --> 00:50:25,239
Speaker 3: with Eric, and she tells Rob. I'm like, if I'm Rob,

1149
00:50:25,920 --> 00:50:28,879
Speaker 3: I because they have the option to vote out Christ

1150
00:50:29,000 --> 00:50:32,520
Speaker 3: to murder Kristen, I murder Natalie. Let Kristen keep spinning

1151
00:50:32,600 --> 00:50:34,600
Speaker 3: on Eric and then turn around be like, you're right,

1152
00:50:34,680 --> 00:50:37,800
Speaker 3: it is Eric, and then you vote out three traders.

1153
00:50:37,719 --> 00:50:38,840
Speaker 1: Then no one is.

1154
00:50:40,200 --> 00:50:42,960
Speaker 3: Yeah, I think Rob if he plays this next episode

1155
00:50:43,000 --> 00:50:45,120
Speaker 3: well and will be a little behind and when this

1156
00:50:45,320 --> 00:50:47,040
Speaker 3: releases has its sewn up.

1157
00:50:47,680 --> 00:50:51,080
Speaker 1: Rob is so excellent. Well, he was so quiet. I

1158
00:50:51,200 --> 00:50:54,920
Speaker 1: think he was so quiet laughing at me. It's and

1159
00:50:55,040 --> 00:50:56,960
Speaker 1: I don't even I'm not even crazy about wanting to

1160
00:50:57,000 --> 00:50:59,480
Speaker 1: fuck him. Yeah, that's not what it's about. I think.

1161
00:51:00,160 --> 00:51:00,600
Speaker 1: Here's the thing.

1162
00:51:00,680 --> 00:51:01,800
Speaker 2: Like, I'm like, Rob is cute.

1163
00:51:01,840 --> 00:51:03,680
Speaker 1: I'm like, but I am not. Oh no, oh my god.

1164
00:51:03,800 --> 00:51:06,360
Speaker 2: People like Rob is so hot, just give me. I'm like,

1165
00:51:06,440 --> 00:51:07,080
Speaker 2: he's cute.

1166
00:51:07,120 --> 00:51:09,279
Speaker 1: I think he's incredible to look at. I'm not like,

1167
00:51:09,800 --> 00:51:11,000
Speaker 1: whoa falling?

1168
00:51:12,640 --> 00:51:14,920
Speaker 2: Yeah, it's not that fu But well, he's a very

1169
00:51:14,960 --> 00:51:15,400
Speaker 2: sweet guy.

1170
00:51:15,440 --> 00:51:15,600
Speaker 1: Though.

1171
00:51:15,600 --> 00:51:18,960
Speaker 2: He's so sweet, and he was so quiet. I was like,

1172
00:51:19,239 --> 00:51:21,920
Speaker 2: I just is this Alabama or is this just homeschool?

1173
00:51:21,960 --> 00:51:25,320
Speaker 2: I didn't realize like why he was just you know

1174
00:51:25,360 --> 00:51:26,840
Speaker 2: what I mean? And I was only there for what

1175
00:51:26,960 --> 00:51:29,680
Speaker 2: five episodes? So and I form my time that I

1176
00:51:29,760 --> 00:51:31,200
Speaker 2: thought I trusted him too. I was like, oh, I

1177
00:51:31,239 --> 00:51:32,880
Speaker 2: think I think Rob is a is a.

1178
00:51:32,880 --> 00:51:34,799
Speaker 1: Faithful you never he never crushed her.

1179
00:51:34,680 --> 00:51:37,800
Speaker 2: Mind at all. When they're revealing that little digital content

1180
00:51:37,840 --> 00:51:41,440
Speaker 2: afterwards and I was like, rob I knew Lisa, and

1181
00:51:41,440 --> 00:51:44,319
Speaker 2: I was shocked by Robin Candice Lisa. Yeah, I knew

1182
00:51:44,360 --> 00:51:47,520
Speaker 2: Lisa her after that murder in the thing which she

1183
00:51:47,640 --> 00:51:52,040
Speaker 2: told Caroline, no, you won't see me at Bram. Yeah,

1184
00:51:52,200 --> 00:51:54,319
Speaker 2: and that next morning we asked her to explain the thing.

1185
00:51:54,480 --> 00:51:57,439
Speaker 2: She was so obviously just picking it out of her ass.

1186
00:51:57,480 --> 00:52:00,440
Speaker 2: Well literally and.

1187
00:52:03,840 --> 00:52:06,680
Speaker 1: MASKU is black black.

1188
00:52:06,680 --> 00:52:09,520
Speaker 2: Exactly, So I was like, girl, like come on. So

1189
00:52:09,600 --> 00:52:10,960
Speaker 2: that was when I was like, oh, List is a

1190
00:52:10,960 --> 00:52:16,560
Speaker 2: trader for sure, and what a gag? Yeah you you

1191
00:52:16,840 --> 00:52:19,359
Speaker 2: you got out being right, which my skill get Yeah,

1192
00:52:19,680 --> 00:52:22,120
Speaker 2: but no, because you do not get around table. I

1193
00:52:22,160 --> 00:52:24,640
Speaker 2: would rather I can fight for my life.

1194
00:52:24,760 --> 00:52:28,360
Speaker 1: So you can get the drama of persecute, like I

1195
00:52:28,480 --> 00:52:30,439
Speaker 1: want to, Like, I want to curse everybody out before

1196
00:52:30,440 --> 00:52:32,239
Speaker 1: they like me. I want to. I want to fight

1197
00:52:32,320 --> 00:52:36,200
Speaker 1: for myself. You know, you want a tribal council. Yeah exactly, Yes, yes, exactly.

1198
00:52:36,320 --> 00:52:38,160
Speaker 3: You know who had a really good one last season

1199
00:52:38,320 --> 00:52:43,000
Speaker 3: Sierra Miller. She was just like she went down like

1200
00:52:43,120 --> 00:52:45,520
Speaker 3: a bad bitch, like she really really was good. Have

1201
00:52:45,600 --> 00:52:47,560
Speaker 3: you are you guys watching? Do you watch Summerhouse? No?

1202
00:52:47,960 --> 00:52:50,800
Speaker 1: Have you watched Summerhouse? Suse it's a thick season.

1203
00:52:51,760 --> 00:52:54,520
Speaker 3: She's on it, and she's she's having an amazing season,

1204
00:52:54,640 --> 00:52:55,839
Speaker 3: like she's she's really good.

1205
00:52:55,880 --> 00:52:58,560
Speaker 1: Reality, what is her purpose of the summer house? Kind

1206
00:52:58,560 --> 00:53:01,200
Speaker 1: of just you know, where a party in? Okay, that's it.

1207
00:53:01,360 --> 00:53:03,000
Speaker 4: You You you see them go back to the city

1208
00:53:03,080 --> 00:53:04,839
Speaker 4: during the week and they're doing their little day jobs,

1209
00:53:04,920 --> 00:53:06,440
Speaker 4: and then it's every week and they go to the

1210
00:53:06,480 --> 00:53:08,480
Speaker 4: summer Okay.

1211
00:53:07,880 --> 00:53:08,120
Speaker 1: Got it.

1212
00:53:08,440 --> 00:53:10,960
Speaker 2: Wait, so y'all answer the question. So you're on the

1213
00:53:11,280 --> 00:53:12,560
Speaker 2: on the fence, you would.

1214
00:53:12,840 --> 00:53:15,640
Speaker 4: I'm on the fence. I'm on the fence, would you?

1215
00:53:16,320 --> 00:53:18,360
Speaker 4: Because I had to say no because I was shooting

1216
00:53:18,400 --> 00:53:19,759
Speaker 4: a movie. God, so I couldn't do.

1217
00:53:19,800 --> 00:53:20,360
Speaker 2: It that season.

1218
00:53:20,560 --> 00:53:25,440
Speaker 1: I just you know what, I'm not in. No, I'm not.

1219
00:53:25,719 --> 00:53:27,880
Speaker 3: They've also also it would be hard to do it

1220
00:53:27,920 --> 00:53:29,480
Speaker 3: with certain people because the thing is like if we

1221
00:53:29,640 --> 00:53:30,040
Speaker 3: went in.

1222
00:53:30,160 --> 00:53:33,440
Speaker 1: Together, I feel like that's a Johnny and Terraces. Oh yeah,

1223
00:53:33,480 --> 00:53:36,279
Speaker 1: for sure, but I mean everyone I know.

1224
00:53:36,400 --> 00:53:37,719
Speaker 3: That's the thing is we would not be able to

1225
00:53:37,800 --> 00:53:40,160
Speaker 3: take I'm not talking about them because I don't want

1226
00:53:40,160 --> 00:53:40,520
Speaker 3: them to know.

1227
00:53:41,200 --> 00:53:46,360
Speaker 1: We're very close, like the entire one could not hide that. No,

1228
00:53:46,480 --> 00:53:48,520
Speaker 1: we can't. But I think but I think they're so like,

1229
00:53:48,719 --> 00:53:51,000
Speaker 1: could you imagine Tiffany New York Pollar in this?

1230
00:53:51,400 --> 00:53:54,640
Speaker 2: And that's what I've been awaiting. What is the big idea?

1231
00:53:55,080 --> 00:53:57,160
Speaker 2: I think she every because she's done every season of

1232
00:53:57,360 --> 00:53:59,280
Speaker 2: House of Villains. Yeah, they feel at the same time.

1233
00:53:59,200 --> 00:54:02,040
Speaker 3: See whoever he is managing her in this regard needs

1234
00:54:02,120 --> 00:54:04,320
Speaker 3: to toss the House of It's no shade to the

1235
00:54:04,360 --> 00:54:04,960
Speaker 3: House of Villaine.

1236
00:54:05,960 --> 00:54:09,080
Speaker 1: But Traders is a bigger show. Traders. Would we meet her, Yes,

1237
00:54:09,280 --> 00:54:10,560
Speaker 1: it would cause a commotion.

1238
00:54:10,800 --> 00:54:13,640
Speaker 2: It would be a Tiffany New York.

1239
00:54:16,360 --> 00:54:17,360
Speaker 1: Gemma and Tiffany.

1240
00:54:17,640 --> 00:54:20,000
Speaker 2: We always need just one brit just up in the castle.

1241
00:54:20,040 --> 00:54:20,960
Speaker 2: Bring Jay mccollins.

1242
00:54:21,360 --> 00:54:24,440
Speaker 1: Please, what what you have to imagine? There is a

1243
00:54:24,560 --> 00:54:25,680
Speaker 1: list with these names on it.

1244
00:54:25,880 --> 00:54:27,960
Speaker 2: I'm sure like Meanie Leaks needs to be at the

1245
00:54:28,040 --> 00:54:31,240
Speaker 2: Roans and mean Less has given us Reality TV gold monologue.

1246
00:54:31,280 --> 00:54:33,960
Speaker 1: Have you ever seen Celebrity of Princess with Nani Leeks.

1247
00:54:34,360 --> 00:54:37,799
Speaker 2: Of course she was bullying LaToya Jackson and one time

1248
00:54:37,880 --> 00:54:40,120
Speaker 2: she's literally standing over her and she's like, She's like,

1249
00:54:40,160 --> 00:54:42,719
Speaker 2: that's why I go back at your age and not.

1250
00:54:42,800 --> 00:54:44,759
Speaker 1: Twelve, and the LaToya looks at her and goes, you

1251
00:54:44,880 --> 00:54:46,800
Speaker 1: mean all you have of me is hish I just

1252
00:54:46,880 --> 00:54:50,800
Speaker 1: have a height with the th hi you just have

1253
00:54:51,360 --> 00:54:52,759
Speaker 1: and it was their a whole love of word. Nani

1254
00:54:52,880 --> 00:54:54,440
Speaker 1: was like bye ghost.

1255
00:54:56,120 --> 00:54:56,360
Speaker 2: She was.

1256
00:54:58,719 --> 00:55:01,480
Speaker 1: She was saying boot to a ghost, which doesn't really

1257
00:55:01,560 --> 00:55:07,359
Speaker 1: make no good. He was remain it remains, remain.

1258
00:55:07,520 --> 00:55:09,839
Speaker 3: Legend and it made me so happy. It's very much

1259
00:55:09,920 --> 00:55:12,279
Speaker 3: that I do think so honey to me that they

1260
00:55:12,400 --> 00:55:15,160
Speaker 3: figured it out so that she can come back, because

1261
00:55:16,160 --> 00:55:19,560
Speaker 3: if you're gonna do retrospectives and it's within reason, because

1262
00:55:19,600 --> 00:55:21,520
Speaker 3: for some people out there, I don't think it's within reason.

1263
00:55:21,600 --> 00:55:24,920
Speaker 3: But I'm so thrilled that it was within reason for

1264
00:55:25,120 --> 00:55:29,440
Speaker 3: Ninni and Andy to come back together and for people

1265
00:55:29,920 --> 00:55:32,040
Speaker 3: like to get what they need so that this can

1266
00:55:32,080 --> 00:55:32,680
Speaker 3: all happen.

1267
00:55:33,520 --> 00:55:35,680
Speaker 2: Which means she's in good grace with Peacock, which could

1268
00:55:35,680 --> 00:55:38,359
Speaker 2: be Peacock the traders some like cross my fingers ever

1269
00:55:38,400 --> 00:55:40,479
Speaker 2: get the leaks on traders. At some point of course

1270
00:55:40,600 --> 00:55:44,640
Speaker 2: we the part. I was just gonna say media and

1271
00:55:44,760 --> 00:55:46,000
Speaker 2: I'm not doing my own glam.

1272
00:55:46,520 --> 00:55:49,120
Speaker 1: But you don't think an exception could be made. You've

1273
00:55:49,160 --> 00:55:49,840
Speaker 1: been on the inside.

1274
00:55:50,800 --> 00:55:53,239
Speaker 2: Let me tell you something that show they care so

1275
00:55:53,400 --> 00:55:55,919
Speaker 2: much about the integrity of the game they do not play.

1276
00:55:56,080 --> 00:55:59,520
Speaker 2: Everything is in secrecy and they make sure that you

1277
00:55:59,640 --> 00:56:02,000
Speaker 2: were really having the real experience day don't fuck around.

1278
00:56:02,120 --> 00:56:02,600
Speaker 1: You can tell.

1279
00:56:02,680 --> 00:56:05,040
Speaker 4: You can tell because the way you guys are treated

1280
00:56:05,280 --> 00:56:07,680
Speaker 4: like someone's been killed exactly.

1281
00:56:07,800 --> 00:56:09,640
Speaker 2: Yeah. Yeah yeah, And like I used to watch him

1282
00:56:09,800 --> 00:56:12,000
Speaker 2: like these these celebrities need to get a live girl.

1283
00:56:12,120 --> 00:56:15,440
Speaker 2: No one's really dying. Everyone calmed down the after Porsche.

1284
00:56:15,440 --> 00:56:16,640
Speaker 2: I was like, we should have a usage.

1285
00:56:16,960 --> 00:56:20,520
Speaker 1: Yeah, this is really because you believe the reality that

1286
00:56:20,600 --> 00:56:20,800
Speaker 1: you're in.

1287
00:56:20,920 --> 00:56:23,759
Speaker 3: And by the way, like they do an amazing job

1288
00:56:23,800 --> 00:56:27,760
Speaker 3: of creating atmosphere and Alan is so instant.

1289
00:56:27,760 --> 00:56:29,960
Speaker 1: Can you talk about like how it feels to have

1290
00:56:30,160 --> 00:56:31,640
Speaker 1: his theater in those moments?

1291
00:56:31,800 --> 00:56:34,080
Speaker 2: Yes, so thank you, thank you for saying that Alan

1292
00:56:34,280 --> 00:56:36,759
Speaker 2: is really I mean, he's a theater actor. Like Alan.

1293
00:56:36,840 --> 00:56:39,640
Speaker 2: This is Alan's bad. Alan is doing his thing. Alan

1294
00:56:39,800 --> 00:56:42,759
Speaker 2: is is He's so grand and so major, and he's

1295
00:56:42,800 --> 00:56:45,399
Speaker 2: so presentational and everything he does. When you walk into

1296
00:56:45,440 --> 00:56:47,759
Speaker 2: that roundtable, you walk in there and they play the

1297
00:56:47,840 --> 00:56:51,120
Speaker 2: hanging Tree from from a from the fucking Hugger game

1298
00:56:51,160 --> 00:56:53,719
Speaker 2: from the Hunger Games. Wow, because it's just sets the mood,

1299
00:56:53,719 --> 00:56:56,320
Speaker 2: it sets the vibor. You're like oh shit, And we

1300
00:56:56,440 --> 00:56:57,880
Speaker 2: we all sit there in silence and we'll listen to

1301
00:56:57,960 --> 00:57:00,720
Speaker 2: the song through. Then Alan comes in gives a speech

1302
00:57:01,239 --> 00:57:03,320
Speaker 2: and they let you go and you just go. And

1303
00:57:03,680 --> 00:57:05,680
Speaker 2: it's always like who's going to talk first? It's going

1304
00:57:05,719 --> 00:57:09,520
Speaker 2: to speak first because it's like nerve wracking, and then

1305
00:57:09,560 --> 00:57:11,200
Speaker 2: someone breaks the silence to do it. And we're going

1306
00:57:11,280 --> 00:57:14,240
Speaker 2: at it for like an hour, an hour and hour fifteen.

1307
00:57:14,560 --> 00:57:16,280
Speaker 2: It's a long ass time and it needs to edit

1308
00:57:16,360 --> 00:57:17,720
Speaker 2: down to like ten minutes.

1309
00:57:18,520 --> 00:57:22,120
Speaker 3: And how intense does it get like emotionally, like do

1310
00:57:22,160 --> 00:57:24,440
Speaker 3: you feel like it's captured on the screen. Oh?

1311
00:57:24,520 --> 00:57:26,200
Speaker 2: No, I think it's I think I think no, I

1312
00:57:26,240 --> 00:57:28,920
Speaker 2: think it feels more in person. Like the really intense

1313
00:57:28,960 --> 00:57:31,720
Speaker 2: one when I was there was when Tiffany was getting unbanished.

1314
00:57:32,000 --> 00:57:33,480
Speaker 1: That that was such a bummer.

1315
00:57:33,680 --> 00:57:36,120
Speaker 2: Yeah, but it was even more intense Tiffany was going

1316
00:57:36,120 --> 00:57:38,040
Speaker 2: in because like she was, she she was going off

1317
00:57:38,080 --> 00:57:39,840
Speaker 2: for a while and then people going back and forth

1318
00:57:39,880 --> 00:57:41,600
Speaker 2: with her and she was like, listen, I'm here from

1319
00:57:41,640 --> 00:57:41,960
Speaker 2: my son.

1320
00:57:42,160 --> 00:57:42,400
Speaker 1: Yeah.

1321
00:57:42,560 --> 00:57:44,360
Speaker 2: She was like, She's like, I'm here from I'm sitting

1322
00:57:44,560 --> 00:57:46,520
Speaker 2: I'm sending a I was saying, an eight year old

1323
00:57:46,520 --> 00:57:49,360
Speaker 2: black go to college in three months, She's like, I'm

1324
00:57:49,360 --> 00:57:50,880
Speaker 2: here for this money, but you know, if you'll, if

1325
00:57:50,920 --> 00:57:53,200
Speaker 2: y'all don't think I'm I'm a faithfulness to send me home,

1326
00:57:53,320 --> 00:57:55,240
Speaker 2: send me the fuck home right now. Then it was

1327
00:57:55,280 --> 00:57:57,800
Speaker 2: just sitting there like, oh wait, I do believe her now,

1328
00:57:57,920 --> 00:57:59,840
Speaker 2: but yeah, I know it's still got to go home.

1329
00:57:59,880 --> 00:58:03,880
Speaker 1: But so at that point, like you're still thinking, like

1330
00:58:04,160 --> 00:58:05,480
Speaker 1: I can't stick my neck.

1331
00:58:05,520 --> 00:58:07,320
Speaker 2: Yeah, because I'm like, what is just a really good actress?

1332
00:58:07,520 --> 00:58:10,080
Speaker 2: I was like, I was like I had this gut

1333
00:58:10,200 --> 00:58:11,160
Speaker 2: feeling that is her go.

1334
00:58:13,600 --> 00:58:16,320
Speaker 1: But you know who earned it, Danielle Danielle because she

1335
00:58:16,520 --> 00:58:21,080
Speaker 1: swore on her what her? Yeah, but you know what,

1336
00:58:21,160 --> 00:58:22,480
Speaker 1: I think that's fair fair game.

1337
00:58:22,800 --> 00:58:27,040
Speaker 3: If I'm going to break down, bent myself out of

1338
00:58:27,080 --> 00:58:29,680
Speaker 3: shape and swear on my grandson and I'm lying, and

1339
00:58:29,800 --> 00:58:33,200
Speaker 3: you believe me, I bet myself out of shape, I'm

1340
00:58:33,240 --> 00:58:35,720
Speaker 3: not not paying for it. I'm the one who did

1341
00:58:35,800 --> 00:58:36,800
Speaker 3: the deal with that.

1342
00:58:36,880 --> 00:58:37,720
Speaker 1: I agree.

1343
00:58:37,720 --> 00:58:41,080
Speaker 2: Also, I miss her just over this hop like campness.

1344
00:58:42,040 --> 00:58:44,120
Speaker 2: My favorite was I think like it was towards the

1345
00:58:44,160 --> 00:58:46,600
Speaker 2: and and someone cried and she someone got bantage and

1346
00:58:46,680 --> 00:58:47,880
Speaker 2: she's there, the hands are shaking.

1347
00:58:47,880 --> 00:58:51,200
Speaker 3: She's like, people did way too much on her because

1348
00:58:51,240 --> 00:58:54,880
Speaker 3: it was so fun to watch her. I'm like, and

1349
00:58:55,000 --> 00:58:57,000
Speaker 3: I also tend to think people are doing too much

1350
00:58:57,080 --> 00:58:59,560
Speaker 3: on everyone because ultimately, at the end of the day,

1351
00:58:59,640 --> 00:59:02,960
Speaker 3: every episode has been so good and if someone is.

1352
00:59:02,960 --> 00:59:06,440
Speaker 1: Flopping, that's also part of what makes it good. That's great.

1353
00:59:06,800 --> 00:59:09,920
Speaker 2: Yeah, celebrity UK Traders, did you watch? I did with

1354
00:59:10,000 --> 00:59:12,280
Speaker 2: Alan Alan Carr and it was a great season. I

1355
00:59:12,320 --> 00:59:17,280
Speaker 2: heard the New Civilian one is I heard the best season? Great?

1356
00:59:17,360 --> 00:59:20,040
Speaker 2: Oh yeah, ones are amazing because they maybe they want

1357
00:59:20,120 --> 00:59:21,640
Speaker 2: that coin they want.

1358
00:59:22,120 --> 00:59:24,680
Speaker 3: And then they with the most random job, like the

1359
00:59:24,760 --> 00:59:29,640
Speaker 3: Clairvoyant season two. Clairvoyant was truly out of this world.

1360
00:59:30,040 --> 00:59:35,080
Speaker 3: But this I think season one of Australia my favorite Traders,

1361
00:59:35,480 --> 00:59:38,200
Speaker 3: Like season one of Australia. Season two of Australia it

1362
00:59:38,760 --> 00:59:41,480
Speaker 3: really went off the roads. But season one of Australia

1363
00:59:41,520 --> 00:59:44,680
Speaker 3: and I think, like, honestly, every season of UK Traders.

1364
00:59:45,800 --> 00:59:48,440
Speaker 2: They're still like I never watched the New Zealand one

1365
00:59:48,440 --> 00:59:50,600
Speaker 2: because I was like, we're in like an airbnb.

1366
00:59:50,840 --> 00:59:51,280
Speaker 1: What is this.

1367
00:59:51,800 --> 00:59:53,840
Speaker 2: I was like, it's just someone's someone's summer house. I'm like,

1368
00:59:53,880 --> 00:59:56,280
Speaker 2: this is an eventful and I'm not watching it.

1369
00:59:56,400 --> 00:59:58,960
Speaker 3: And you're a Survivor, Girly Survivor you brought you were

1370
00:59:58,960 --> 01:00:00,480
Speaker 3: the first person to bring Survivor and drag Race.

1371
01:00:00,480 --> 01:00:02,280
Speaker 2: I feel, yes, yes, I wanted to. I want to

1372
01:00:02,280 --> 01:00:05,640
Speaker 2: play that game. And I did that little Influencer Island

1373
01:00:06,000 --> 01:00:07,479
Speaker 2: this past summer, which was fun.

1374
01:00:07,760 --> 01:00:08,640
Speaker 1: Thirty six hours.

1375
01:00:08,840 --> 01:00:11,360
Speaker 2: Yes, and I was like, you know what, They're gonna

1376
01:00:11,400 --> 01:00:12,720
Speaker 2: be nice, so it They're not going to be that

1377
01:00:12,880 --> 01:00:17,480
Speaker 2: crazy baby. It was the real experience. We were really

1378
01:00:17,560 --> 01:00:20,720
Speaker 2: out there and that on that beach, cold cold, it

1379
01:00:20,880 --> 01:00:23,800
Speaker 2: rained on us from three pm until like six am

1380
01:00:23,840 --> 01:00:27,200
Speaker 2: the next morning. And I was like, it's surely it's

1381
01:00:27,240 --> 01:00:29,200
Speaker 2: like a health hazard, Like they can't do this, and

1382
01:00:29,200 --> 01:00:30,640
Speaker 2: they're like, oh no, yeah, go sit out here, just

1383
01:00:30,760 --> 01:00:33,200
Speaker 2: us and one cameraman on this beach. It was insane.

1384
01:00:33,600 --> 01:00:38,720
Speaker 1: Could you do the show? Not after the rain? It's

1385
01:00:38,760 --> 01:00:41,840
Speaker 1: hard to be cold. It's hard to be cold. I mean,

1386
01:00:41,880 --> 01:00:44,440
Speaker 1: I wouldn't do it. I think I would, though I

1387
01:00:44,560 --> 01:00:45,560
Speaker 1: love Survivor so much.

1388
01:00:45,640 --> 01:00:48,080
Speaker 2: Though you get the opportunity to do I'm like, you

1389
01:00:48,160 --> 01:00:53,720
Speaker 2: know what, just what's what's carpetium carpetdium? Bitch?

1390
01:00:54,160 --> 01:00:56,520
Speaker 3: But not Mike White just getting back from doing his

1391
01:00:56,680 --> 01:00:59,439
Speaker 3: second season and then came back in full on wrote

1392
01:00:59,480 --> 01:01:02,120
Speaker 3: White Loaded, and like they're casting it and going, I'm like,

1393
01:01:02,480 --> 01:01:04,880
Speaker 3: how do you have the capacity to go do season

1394
01:01:05,000 --> 01:01:08,760
Speaker 3: fifty right and then come back and fully the biggest

1395
01:01:08,760 --> 01:01:11,720
Speaker 3: show TV? And now it's going and like, I don't

1396
01:01:11,800 --> 01:01:15,760
Speaker 3: know like it because the word on the street is

1397
01:01:16,000 --> 01:01:17,280
Speaker 3: it's going to be a really good season.

1398
01:01:17,320 --> 01:01:17,640
Speaker 1: I heard.

1399
01:01:17,680 --> 01:01:19,680
Speaker 2: I hope so because you know there's you know, there's

1400
01:01:19,840 --> 01:01:22,360
Speaker 2: a Yallowig survivor fans. Yeah, there's a lot of you know,

1401
01:01:22,520 --> 01:01:24,800
Speaker 2: the fans do not like necessarily like the new era.

1402
01:01:25,480 --> 01:01:28,520
Speaker 2: So I'm hoping with bringing back majority old era players,

1403
01:01:28,560 --> 01:01:29,880
Speaker 2: we'll get more of that gameplay.

1404
01:01:30,680 --> 01:01:33,360
Speaker 4: It's merging, it's merging all of it, right, It's like

1405
01:01:33,440 --> 01:01:35,840
Speaker 4: it really is like a beautiful cross section of like

1406
01:01:35,920 --> 01:01:37,040
Speaker 4: the entire history of the show.

1407
01:01:37,320 --> 01:01:38,800
Speaker 1: That what feels like, Yeah, yeah.

1408
01:01:38,760 --> 01:01:41,240
Speaker 3: I mean they certainly got from season one to season

1409
01:01:41,320 --> 01:01:45,440
Speaker 3: forty nine. Yeah, missus Jenna from Borneo the first season,

1410
01:01:45,600 --> 01:01:48,600
Speaker 3: Jenna Lewis, she's like the biggest veteran, huh. And then

1411
01:01:48,640 --> 01:01:51,600
Speaker 3: obviously Colby is back. I'm still not over that they

1412
01:01:51,600 --> 01:01:53,720
Speaker 3: don't have Jerry Manthea on that beach. Jerry's not back

1413
01:01:53,760 --> 01:01:57,040
Speaker 3: for that's not and even Colby now is doing press

1414
01:01:57,080 --> 01:01:59,480
Speaker 3: being like I'm not even gonna lie, like I got

1415
01:01:59,520 --> 01:02:04,120
Speaker 3: there because it's his actual first season without Villains together

1416
01:02:04,240 --> 01:02:07,720
Speaker 3: Heroes and Villains and the first All Stars and Australian Outback,

1417
01:02:07,920 --> 01:02:10,160
Speaker 3: so he was like, hit the beach for the fourth time.

1418
01:02:10,400 --> 01:02:12,000
Speaker 1: She wasn't there, not gonna lie.

1419
01:02:12,400 --> 01:02:15,320
Speaker 3: She deserved to be there and like apparently they said

1420
01:02:15,320 --> 01:02:17,680
Speaker 3: in a recent interview a lot of what they didn't

1421
01:02:17,680 --> 01:02:21,400
Speaker 3: show in season twenty Heroes Versus Villains was Jerry and

1422
01:02:21,520 --> 01:02:23,720
Speaker 3: Kolby going off to fish together and actually forming a

1423
01:02:23,760 --> 01:02:27,600
Speaker 3: relationship of friendship, like just genuinely being like, let's do

1424
01:02:27,800 --> 01:02:30,800
Speaker 3: something together. Yeah, And he said that their history like

1425
01:02:31,440 --> 01:02:34,400
Speaker 3: actually moved forward. So he said, had she been on

1426
01:02:34,480 --> 01:02:36,600
Speaker 3: the beach for fifty I would have been like, let's

1427
01:02:36,600 --> 01:02:37,600
Speaker 3: play together, let's play.

1428
01:02:37,440 --> 01:02:38,920
Speaker 1: Together this and how fun would that?

1429
01:02:39,760 --> 01:02:41,800
Speaker 2: So as a fan, that should have been delicious to watch.

1430
01:02:42,400 --> 01:02:44,320
Speaker 2: One thing I will say about Jeff Probes is that

1431
01:02:44,560 --> 01:02:47,000
Speaker 2: that man you know, you know from Drag Race and

1432
01:02:47,080 --> 01:02:49,880
Speaker 2: other shows, like a lot of times the hosts they

1433
01:02:49,960 --> 01:02:52,360
Speaker 2: had the air piece in and they're getting fed stuff

1434
01:02:52,400 --> 01:02:54,680
Speaker 2: and Jeff does not refuses to word to air ros.

1435
01:02:55,240 --> 01:02:57,880
Speaker 2: He raw dogs the whole thing. He is looking up talking,

1436
01:02:58,080 --> 01:03:00,280
Speaker 2: like getting information on every character. When he does call,

1437
01:03:00,320 --> 01:03:02,960
Speaker 2: it's like, so, Matt, so you you worked at a clamshack.

1438
01:03:03,160 --> 01:03:06,200
Speaker 2: How is that going to survivor? Like he knows to

1439
01:03:06,320 --> 01:03:11,280
Speaker 2: a torreta like, well, I was vulnerable. He goes into

1440
01:03:11,360 --> 01:03:14,320
Speaker 2: detail on all every and everyone. He's doing that from

1441
01:03:14,440 --> 01:03:16,439
Speaker 2: his brain. He's not getting fed by producers. He loves

1442
01:03:16,480 --> 01:03:18,600
Speaker 2: that show so much. When you are learning the challenge,

1443
01:03:18,880 --> 01:03:20,880
Speaker 2: Jeff is running you through. The challenge is not not

1444
01:03:21,160 --> 01:03:24,360
Speaker 2: not a challenge producer. Jeff is coming and like running, Okay,

1445
01:03:24,360 --> 01:03:26,920
Speaker 2: You're gonna grab the snake and like he's like, so,

1446
01:03:28,560 --> 01:03:29,600
Speaker 2: I was very impressed by that.

1447
01:03:30,160 --> 01:03:32,760
Speaker 1: He's an icon. He's not. Did you watch Australia Versus

1448
01:03:32,800 --> 01:03:36,000
Speaker 1: the World? Yes, poverty my girl harvedy.

1449
01:03:36,200 --> 01:03:38,800
Speaker 3: I thought, you know it was applauding. I actually thought

1450
01:03:38,800 --> 01:03:42,400
Speaker 3: someone left to their feet. I was like, actually knowing

1451
01:03:43,080 --> 01:03:45,800
Speaker 3: the tea, which is that it's that it's.

1452
01:03:48,240 --> 01:03:49,480
Speaker 1: Killed that by the way.

1453
01:03:49,960 --> 01:03:52,720
Speaker 3: To see Suri come back and Trader season one and

1454
01:03:52,880 --> 01:03:57,440
Speaker 3: just dominate, and then seeing Parvity dominate Australia out Back,

1455
01:03:57,600 --> 01:04:01,040
Speaker 3: don't forget Suri also was dominant up until the very end,

1456
01:04:01,280 --> 01:04:04,200
Speaker 3: just like she did in Micronesia, and Soria's back for

1457
01:04:04,280 --> 01:04:07,720
Speaker 3: Survivor's season fifty and I am praying, yeah, that.

1458
01:04:07,800 --> 01:04:10,560
Speaker 1: It goes well. I don't know how it could because

1459
01:04:10,600 --> 01:04:12,560
Speaker 1: they're going to see her and be like, yeah, you

1460
01:04:12,600 --> 01:04:15,160
Speaker 1: gotta go. Yeah, the threat girl.

1461
01:04:15,240 --> 01:04:15,760
Speaker 2: She's a threat.

1462
01:04:15,840 --> 01:04:17,560
Speaker 3: She's such a good game play and she also like

1463
01:04:18,000 --> 01:04:19,720
Speaker 3: you know that every fan in the world is going

1464
01:04:19,760 --> 01:04:22,240
Speaker 3: to be on her side if you do care at

1465
01:04:22,280 --> 01:04:24,120
Speaker 3: all about the edit, better to just get her out

1466
01:04:24,160 --> 01:04:24,560
Speaker 3: really quick.

1467
01:04:25,000 --> 01:04:26,720
Speaker 1: She can't get to the end. And you read the

1468
01:04:26,760 --> 01:04:29,640
Speaker 1: one looking mittery at the end being like, sorry, I'm

1469
01:04:29,720 --> 01:04:32,360
Speaker 1: trying to be everyone in the world rooting against you.

1470
01:04:32,680 --> 01:04:35,320
Speaker 2: Yeah. No, Soias. She's good and she's an I met

1471
01:04:35,320 --> 01:04:37,640
Speaker 2: her a few times a person. She is so sweet.

1472
01:04:37,960 --> 01:04:40,440
Speaker 1: Yeah, it's just a kind just a kind nurse. She

1473
01:04:40,760 --> 01:04:43,200
Speaker 1: was working the hospitals during COVID.

1474
01:04:43,400 --> 01:04:44,720
Speaker 2: Yeah, yeah, crazy.

1475
01:04:44,920 --> 01:04:47,120
Speaker 1: Yeah, we'd be were missed not to ask about drag Race.

1476
01:04:47,120 --> 01:04:47,400
Speaker 2: I don't know.

1477
01:04:47,400 --> 01:04:50,240
Speaker 4: You and Bob are doing the watches, the watch watchery. Wow,

1478
01:04:50,320 --> 01:04:51,160
Speaker 4: what are your thoughts so far?

1479
01:04:51,680 --> 01:04:53,720
Speaker 2: I think this season is going very well. I like

1480
01:04:53,800 --> 01:04:55,920
Speaker 2: the girls a lot. I like that the median age

1481
01:04:56,040 --> 01:04:59,680
Speaker 2: is not twenty one girls in their thirties. Yeah, and yeah,

1482
01:04:59,720 --> 01:05:01,000
Speaker 2: you know what records is what it is. I think

1483
01:05:01,040 --> 01:05:03,400
Speaker 2: fans who watched Draggers are expecting something different, like it's

1484
01:05:03,400 --> 01:05:05,600
Speaker 2: the same producers, the same like what like it's the

1485
01:05:05,640 --> 01:05:06,080
Speaker 2: same show.

1486
01:05:06,120 --> 01:05:06,800
Speaker 1: It's comfort viewing it.

1487
01:05:06,880 --> 01:05:09,520
Speaker 2: It's exactly, it's comforting. We're we're gonna get a stach game.

1488
01:05:09,560 --> 01:05:11,800
Speaker 2: We know we're gonna get designed like it's gonna like

1489
01:05:11,880 --> 01:05:13,880
Speaker 2: it just is what it is. People get frustrated, like

1490
01:05:14,440 --> 01:05:16,600
Speaker 2: why don't they? I'm like, it is is, this is

1491
01:05:16,640 --> 01:05:18,160
Speaker 2: what it is, exactly what I'm enjoying it.

1492
01:05:18,360 --> 01:05:21,640
Speaker 4: I can't believe there was They made Jan Sports with

1493
01:05:21,920 --> 01:05:23,920
Speaker 4: her name not to Jan because they were fearing a lawsuit.

1494
01:05:23,960 --> 01:05:26,520
Speaker 4: But they let Sierra miskeeper because I guess yours doesn't

1495
01:05:26,520 --> 01:05:27,760
Speaker 4: exist anymore?

1496
01:05:27,880 --> 01:05:28,720
Speaker 1: What they don't.

1497
01:05:30,200 --> 01:05:31,840
Speaker 2: Yeah, it's no more.

1498
01:05:32,400 --> 01:05:37,400
Speaker 1: Sorry, sorry, getport out of business. I don't know.

1499
01:05:39,200 --> 01:05:41,000
Speaker 2: Differently too, So maybe that's the thing to cause Sierra

1500
01:05:41,040 --> 01:05:45,840
Speaker 2: miss was s I e. They are like want to step.

1501
01:05:45,720 --> 01:05:51,280
Speaker 3: Yeah, step right, it's actually rule of culture number fifteen

1502
01:05:51,360 --> 01:05:51,960
Speaker 3: one two steps.

1503
01:05:53,120 --> 01:05:53,320
Speaker 2: Yeah.

1504
01:05:54,440 --> 01:05:57,920
Speaker 1: I Mia Star is my favorite A star. I like

1505
01:05:58,000 --> 01:05:58,520
Speaker 1: her to me.

1506
01:05:58,600 --> 01:06:01,120
Speaker 3: I just I like the Dion's the Dion's. Yeah, the

1507
01:06:01,200 --> 01:06:03,320
Speaker 3: Dion's juicy and Athenis do you see anything? I do

1508
01:06:03,400 --> 01:06:05,600
Speaker 3: like d because she's a done for girl. Okay, I

1509
01:06:05,720 --> 01:06:07,880
Speaker 3: think the most memorable thing about the whole thing is

1510
01:06:07,960 --> 01:06:09,280
Speaker 3: watching Discord Adams walk.

1511
01:06:09,320 --> 01:06:11,680
Speaker 1: Of course, of course that walk is good. The walk

1512
01:06:11,840 --> 01:06:13,480
Speaker 1: is so good for me.

1513
01:06:13,800 --> 01:06:16,560
Speaker 2: Yeah, and a lot of people are turning on Jane Dome,

1514
01:06:16,640 --> 01:06:19,200
Speaker 2: which I like her. She's why because she seems a

1515
01:06:19,200 --> 01:06:21,280
Speaker 2: little perturbed in all of her interviews. She's always like

1516
01:06:21,400 --> 01:06:24,200
Speaker 2: kind of like mean, mugging and like rolling her eyes

1517
01:06:24,280 --> 01:06:26,400
Speaker 2: like these girls. I think people get into vibe like

1518
01:06:26,440 --> 01:06:28,760
Speaker 2: she feels like she's better than the competition, which I

1519
01:06:28,920 --> 01:06:31,200
Speaker 2: mean to be honest, she is very funny, her runways

1520
01:06:31,240 --> 01:06:34,120
Speaker 2: are incredible and so she's like killing it.

1521
01:06:34,360 --> 01:06:37,040
Speaker 1: So people always, I don't know, it's weird.

1522
01:06:37,160 --> 01:06:39,800
Speaker 2: Sometimes people really love like the one that's like shining

1523
01:06:39,800 --> 01:06:43,240
Speaker 2: above everyone, like Sasha Colby, Jakes, Bonsuen, etcetera.

1524
01:06:43,480 --> 01:06:45,160
Speaker 1: But then you have someone like James who's doing a

1525
01:06:45,200 --> 01:06:48,000
Speaker 1: good job, but people are like, no, not her. Yeah,

1526
01:06:48,120 --> 01:06:48,600
Speaker 1: I don't know why.

1527
01:06:48,760 --> 01:06:50,440
Speaker 3: Maybe it doesn't have to do with like the energy

1528
01:06:50,480 --> 01:06:52,840
Speaker 3: that she brings to it, like that gets reflected back.

1529
01:06:53,000 --> 01:06:55,360
Speaker 1: Yeah. Yeah, interesting, I'm Kenya, please her fan.

1530
01:06:55,640 --> 01:06:57,600
Speaker 2: Of course, she has nothing more to offer her. She

1531
01:06:57,680 --> 01:07:00,880
Speaker 2: has to go home, I think, didn't she No, No,

1532
01:07:01,360 --> 01:07:03,040
Speaker 2: she was saved by the raid of Queen. She was

1533
01:07:03,080 --> 01:07:05,680
Speaker 2: saved by the rad Yeah. I love Kenya too, but

1534
01:07:05,840 --> 01:07:08,520
Speaker 2: she has nothing else to give not great runways, does it?

1535
01:07:08,680 --> 01:07:09,400
Speaker 2: Doesn't You don't know what.

1536
01:07:09,440 --> 01:07:10,040
Speaker 1: Her lip sync?

1537
01:07:10,200 --> 01:07:12,280
Speaker 2: You don't know the words to your own song. Yeah,

1538
01:07:12,600 --> 01:07:14,440
Speaker 2: that's insane to me that in.

1539
01:07:14,480 --> 01:07:16,360
Speaker 3: The Year of Our Lord twenty twenty six, you kind

1540
01:07:16,400 --> 01:07:17,840
Speaker 3: of have to go up there and know the words

1541
01:07:17,880 --> 01:07:19,000
Speaker 3: to your at least.

1542
01:07:18,880 --> 01:07:19,800
Speaker 1: To your songs.

1543
01:07:19,800 --> 01:07:21,800
Speaker 3: And you were the vocals to a few weeks ago.

1544
01:07:23,080 --> 01:07:27,720
Speaker 3: Like what that was insane in an unpadded room, you

1545
01:07:27,800 --> 01:07:29,560
Speaker 3: know what I mean? Wait, what was the last thing

1546
01:07:29,600 --> 01:07:30,200
Speaker 3: you lip synced?

1547
01:07:30,280 --> 01:07:32,720
Speaker 2: Lip sync? Okay, so it had been a while, yes,

1548
01:07:33,080 --> 01:07:36,120
Speaker 2: but you know, every once a year I try to

1549
01:07:36,160 --> 01:07:37,720
Speaker 2: do a show at my I used to do my

1550
01:07:37,800 --> 01:07:40,200
Speaker 2: one woman show on Saturdays at Hardware, just a good

1551
01:07:40,240 --> 01:07:42,440
Speaker 2: old nasty drag.

1552
01:07:42,440 --> 01:07:44,600
Speaker 1: Hard exactly hard drag show.

1553
01:07:44,880 --> 01:07:48,160
Speaker 2: Me doing an opening number to the Gospel Truth from Hercules,

1554
01:07:48,880 --> 01:07:50,560
Speaker 2: doing like three or four lipsing numbers doing it, then

1555
01:07:50,600 --> 01:07:51,600
Speaker 2: do the drag suicide of the end.

1556
01:07:51,600 --> 01:07:53,160
Speaker 1: So I did that like two weeks ago at Hardware

1557
01:07:53,200 --> 01:07:56,960
Speaker 1: and it was I juice, I go, oh, it was great.

1558
01:07:57,600 --> 01:07:58,240
Speaker 1: It was great.

1559
01:07:58,440 --> 01:08:01,160
Speaker 2: It was so good and like and I will never

1560
01:08:01,360 --> 01:08:02,960
Speaker 2: ever not want to do a show like that because

1561
01:08:02,960 --> 01:08:04,840
Speaker 2: now I don't really get to do shows like that ever.

1562
01:08:05,520 --> 01:08:06,880
Speaker 2: Coming back once a year in New York and just

1563
01:08:06,960 --> 01:08:09,080
Speaker 2: doing it. The bar was packed up to the front door,

1564
01:08:09,080 --> 01:08:10,680
Speaker 2: and it was just a great time. I had a

1565
01:08:10,720 --> 01:08:11,080
Speaker 2: great time.

1566
01:08:11,160 --> 01:08:12,480
Speaker 1: We need to bring back those times.

1567
01:08:12,600 --> 01:08:16,040
Speaker 3: Honestly, it's bumming me out to know that so much

1568
01:08:16,200 --> 01:08:19,880
Speaker 3: happens online, Like comedy is that's how commedy.

1569
01:08:19,560 --> 01:08:20,479
Speaker 2: It's for sure.

1570
01:08:20,800 --> 01:08:24,040
Speaker 3: I mean, like all community driven activities, whether it's like

1571
01:08:24,160 --> 01:08:27,200
Speaker 3: watching drag, going to see comedy, et cetera. It's just

1572
01:08:27,360 --> 01:08:30,320
Speaker 3: you have to be in rooms earlier, like you have

1573
01:08:30,560 --> 01:08:33,679
Speaker 3: to learn from each other what feels good. I agree

1574
01:08:33,680 --> 01:08:36,240
Speaker 3: with you, Like I really think it's important. And I

1575
01:08:36,360 --> 01:08:38,519
Speaker 3: think I get really bummed out. Maybe because it's this

1576
01:08:38,600 --> 01:08:40,840
Speaker 3: time of year, it's very cool. We all feel extra

1577
01:08:41,040 --> 01:08:43,519
Speaker 3: inside and so I think we're extra on our phones,

1578
01:08:43,560 --> 01:08:46,519
Speaker 3: but especially with everything going on the way it's been

1579
01:08:46,560 --> 01:08:49,960
Speaker 3: going on, like it's all very isolating and just to

1580
01:08:50,120 --> 01:08:52,200
Speaker 3: like here you were out there doing a show, like

1581
01:08:53,120 --> 01:08:53,599
Speaker 3: I don't.

1582
01:08:53,400 --> 01:08:54,400
Speaker 1: Know we have to be in rooms.

1583
01:08:54,439 --> 01:08:55,679
Speaker 2: Oh no, for sure, we have to be in rooms.

1584
01:08:55,720 --> 01:08:56,040
Speaker 2: It was great.

1585
01:08:56,040 --> 01:08:56,800
Speaker 1: The energy was dope.

1586
01:08:56,840 --> 01:08:58,960
Speaker 2: And afterwards, like I like ran back to my hotel,

1587
01:08:59,439 --> 01:09:00,960
Speaker 2: I changed, I went to go see Fred again.

1588
01:09:01,000 --> 01:09:05,200
Speaker 1: I did Molly into like four o'clock. So good was

1589
01:09:05,200 --> 01:09:07,839
Speaker 1: that That new venue in Queens.

1590
01:09:08,000 --> 01:09:11,439
Speaker 2: It's like a studio, it's like a sound stage they

1591
01:09:11,479 --> 01:09:12,639
Speaker 2: make into a performance hall.

1592
01:09:12,920 --> 01:09:14,120
Speaker 1: Wait, are you a Coachella person?

1593
01:09:14,360 --> 01:09:17,320
Speaker 2: Never been? And I got jealous when I saw y'all there.

1594
01:09:17,600 --> 01:09:18,559
Speaker 2: You know what come with us?

1595
01:09:18,640 --> 01:09:20,960
Speaker 3: I he had never been to last year. He got

1596
01:09:21,040 --> 01:09:23,559
Speaker 3: obsessed with it three years in a row. I did

1597
01:09:23,640 --> 01:09:25,000
Speaker 3: not think I was going to be the kind of

1598
01:09:25,040 --> 01:09:27,479
Speaker 3: person either. You really can figures your arms at it? Yes,

1599
01:09:27,479 --> 01:09:28,160
Speaker 3: I understand, I was.

1600
01:09:28,280 --> 01:09:28,920
Speaker 1: I was you want.

1601
01:09:30,520 --> 01:09:33,000
Speaker 2: You one? Okay, maybe I'll try it. I was just

1602
01:09:33,160 --> 01:09:35,960
Speaker 2: like everyone who describes Coachella, and they make this sound

1603
01:09:36,000 --> 01:09:37,439
Speaker 2: like it's such a to do, Like they make it

1604
01:09:37,479 --> 01:09:38,599
Speaker 2: sounds as like burning Man.

1605
01:09:38,680 --> 01:09:41,439
Speaker 3: You have to like there is so much good real

1606
01:09:41,800 --> 01:09:45,720
Speaker 3: music though, like get over the logistics bullshit, which there

1607
01:09:45,840 --> 01:09:46,320
Speaker 3: is a lot of.

1608
01:09:46,439 --> 01:09:46,639
Speaker 2: Yeah.

1609
01:09:46,840 --> 01:09:49,479
Speaker 4: Once once you're like in, you're like this is great,

1610
01:09:49,640 --> 01:09:51,760
Speaker 4: truly genuinely like wonderful, okay, but.

1611
01:09:51,800 --> 01:09:52,880
Speaker 1: You gotta see something about it.

1612
01:09:52,920 --> 01:09:55,120
Speaker 4: It boulders is your cynicism in a way that you're like,

1613
01:09:55,400 --> 01:09:58,040
Speaker 4: oh look, there's like sure, like I'm on a little

1614
01:09:58,040 --> 01:09:59,439
Speaker 4: bit of shrooms, but like there's like a kid there

1615
01:09:59,520 --> 01:10:00,559
Speaker 4: like dancing yo gabaga.

1616
01:10:01,240 --> 01:10:04,320
Speaker 2: It's sweet, okay, cynicism And I heard synesthesia. I'm like, wait,

1617
01:10:04,320 --> 01:10:05,040
Speaker 2: you can see colors.

1618
01:10:05,960 --> 01:10:11,160
Speaker 3: Literally, I'll never forget, like it was two years ago,

1619
01:10:11,560 --> 01:10:14,679
Speaker 3: Like there was a day that was just really really

1620
01:10:14,760 --> 01:10:16,840
Speaker 3: really like hot, Like I walked by and there was

1621
01:10:16,920 --> 01:10:19,439
Speaker 3: this young singer singing this song called the Hardest Part

1622
01:10:19,479 --> 01:10:22,120
Speaker 3: and it was Olivia Dean and I was like remember her. Oh,

1623
01:10:22,360 --> 01:10:23,960
Speaker 3: so I was like you can see and we saw

1624
01:10:24,040 --> 01:10:27,559
Speaker 3: Victoria Monet and that show was sick. This was after

1625
01:10:27,640 --> 01:10:29,040
Speaker 3: she had won Best New Artist and stuff, so she

1626
01:10:29,120 --> 01:10:31,479
Speaker 3: was kind of popping off. But Chapel Roone the show

1627
01:10:31,600 --> 01:10:35,200
Speaker 3: that made her launch. Like we were watching, Yes, you

1628
01:10:35,320 --> 01:10:38,439
Speaker 3: can see some really cool stuff about a year two

1629
01:10:38,520 --> 01:10:41,640
Speaker 3: years in advance at Coachella, like during the day at

1630
01:10:41,680 --> 01:10:45,840
Speaker 3: those smaller tents, like I really like just seeing who's around,

1631
01:10:46,280 --> 01:10:49,080
Speaker 3: just going where there's energy, like some people will We're

1632
01:10:49,120 --> 01:10:50,639
Speaker 3: all gonna go see this and it'll be someone I've

1633
01:10:50,680 --> 01:10:53,080
Speaker 3: never fucking heard of, and I'll go there and be like, oh,

1634
01:10:53,160 --> 01:10:55,160
Speaker 3: I feel like I was able to catch a vibe.

1635
01:10:55,680 --> 01:10:57,679
Speaker 3: It's being in rooms. These are all outdoor tents.

1636
01:10:59,040 --> 01:11:01,280
Speaker 1: That's why I like it. Okay, maybe I'll try this year.

1637
01:11:01,360 --> 01:11:02,240
Speaker 1: Then who's headline?

1638
01:11:02,240 --> 01:11:05,559
Speaker 4: Do we know who's Carol g Justin Bieber? Okay, yeah,

1639
01:11:05,760 --> 01:11:07,840
Speaker 4: so I had a cat thrown in there. That's a

1640
01:11:07,920 --> 01:11:08,559
Speaker 4: good variety.

1641
01:11:08,720 --> 01:11:11,800
Speaker 1: Okay, only festival I've ever been to his a cl

1642
01:11:12,640 --> 01:11:14,720
Speaker 1: city limits. I always get jealous. They always have great.

1643
01:11:14,880 --> 01:11:16,799
Speaker 2: It was great and that was That's that's my Messissa

1644
01:11:16,800 --> 01:11:17,280
Speaker 2: for the first time.

1645
01:11:17,360 --> 01:11:19,280
Speaker 1: I'm like I met her.

1646
01:11:19,360 --> 01:11:21,280
Speaker 2: I was like on my flight, I was like leaving

1647
01:11:21,439 --> 01:11:23,439
Speaker 2: La to just fly to Austin, just go see her

1648
01:11:24,040 --> 01:11:27,479
Speaker 2: love michirl. Yes, it was before s os I came out,

1649
01:11:27,520 --> 01:11:30,080
Speaker 2: so it was after control, but she had had some

1650
01:11:30,160 --> 01:11:32,640
Speaker 2: singles like whatever, and then so I'm like, I'm on

1651
01:11:33,120 --> 01:11:35,560
Speaker 2: my flight, I got I was. I was sitting in

1652
01:11:35,680 --> 01:11:38,080
Speaker 2: seat one B and I'm like sitting there just on

1653
01:11:38,160 --> 01:11:41,200
Speaker 2: my phone. It was they had the good WiFi. Someone

1654
01:11:41,360 --> 01:11:43,720
Speaker 2: Instagram and looking at stories and then I get to

1655
01:11:43,760 --> 01:11:48,000
Speaker 2: her stories randomly. I'm like, oh, I was like, she's yeah, wait,

1656
01:11:48,160 --> 01:11:50,000
Speaker 2: that was like adult. I was like, I saw someone

1657
01:11:50,080 --> 01:11:52,720
Speaker 2: with that outfit on bitch. I look back and she

1658
01:11:52,960 --> 01:11:55,559
Speaker 2: is in seat three C on the isle, like two

1659
01:11:55,600 --> 01:11:58,639
Speaker 2: seats behind me. I was like, oh my god, God.

1660
01:11:59,000 --> 01:11:59,960
Speaker 2: So I text patting myself.

1661
01:12:00,000 --> 01:12:02,880
Speaker 1: I was like Patty. Patty was on my flight and

1662
01:12:03,000 --> 01:12:03,559
Speaker 1: he was like, go say.

1663
01:12:03,560 --> 01:12:04,840
Speaker 2: I was like, what, can't say hi to her?

1664
01:12:05,320 --> 01:12:05,720
Speaker 1: Talk to me?

1665
01:12:06,200 --> 01:12:07,680
Speaker 2: And He's like I just I was like, no, I'm

1666
01:12:07,680 --> 01:12:08,679
Speaker 2: not doing a girl that's still annoying.

1667
01:12:08,680 --> 01:12:09,240
Speaker 1: I'm not going to do that.

1668
01:12:09,720 --> 01:12:11,560
Speaker 2: So we land, I get off the jet bridge. I

1669
01:12:11,600 --> 01:12:12,720
Speaker 2: was like, you know what I should say? I was like,

1670
01:12:12,840 --> 01:12:14,200
Speaker 2: you just wait here at the end of the jet bridge,

1671
01:12:14,240 --> 01:12:15,840
Speaker 2: like by the ticket count. Let me just say hi.

1672
01:12:16,240 --> 01:12:20,280
Speaker 2: So she comes off and then I go, hey, I

1673
01:12:20,320 --> 01:12:22,439
Speaker 2: don't want to bother you. I'm I'm coming here to

1674
01:12:22,479 --> 01:12:24,120
Speaker 2: ac im my na is Monet. I'm a huge fan

1675
01:12:24,160 --> 01:12:25,720
Speaker 2: of yours. I'm so excited to see this weekend. She

1676
01:12:25,840 --> 01:12:28,040
Speaker 2: was like me and my team knew that was you.

1677
01:12:28,600 --> 01:12:30,840
Speaker 2: She was like, we love you. I was like you.

1678
01:12:31,200 --> 01:12:31,880
Speaker 2: I was like, I love you.

1679
01:12:33,040 --> 01:12:33,800
Speaker 1: Of course she knew.

1680
01:12:34,120 --> 01:12:36,560
Speaker 2: I was like, why would she know that?

1681
01:12:36,920 --> 01:12:37,479
Speaker 1: You know what I mean?

1682
01:12:37,560 --> 01:12:39,200
Speaker 2: I was I was still gagged. I was like, I'm

1683
01:12:39,200 --> 01:12:41,280
Speaker 2: a huge fan. I was like, I'm just so excited

1684
01:12:41,280 --> 01:12:42,479
Speaker 2: to see you. She's like, well, do you have tickets.

1685
01:12:42,520 --> 01:12:44,479
Speaker 2: I was like, yeah, tickets already. She's like, well, take

1686
01:12:44,479 --> 01:12:47,160
Speaker 2: my sistant's number and she will like make sure that

1687
01:12:47,200 --> 01:12:49,400
Speaker 2: you guys have like a nice private space to watch it.

1688
01:12:49,479 --> 01:12:51,679
Speaker 1: And I was like, okay, great to get the number,

1689
01:12:52,080 --> 01:12:53,600
Speaker 1: and then I leave to go the baggage claim. I

1690
01:12:53,600 --> 01:12:55,559
Speaker 1: wait for my bag. Her and her assistant walk over

1691
01:12:55,640 --> 01:12:55,800
Speaker 1: to me.

1692
01:12:55,880 --> 01:12:57,400
Speaker 2: She's like, just so you know, Hugh was texting, this

1693
01:12:57,520 --> 01:13:00,240
Speaker 2: is my assistant here, and they were talking while like

1694
01:13:00,280 --> 01:13:02,360
Speaker 2: being both from the East Coast because she's from Jersey,

1695
01:13:02,400 --> 01:13:03,960
Speaker 2: I was like, I'm from New York. Blah blah blah blah.

1696
01:13:04,120 --> 01:13:06,120
Speaker 2: Because I didn't want it to get awkward, I was like, oh,

1697
01:13:06,439 --> 01:13:08,559
Speaker 2: I got myself, now I'll leave. Didn't have my bags,

1698
01:13:08,800 --> 01:13:10,560
Speaker 2: but I just didn't want to say anything weird, so

1699
01:13:10,640 --> 01:13:12,720
Speaker 2: I just like dipped out, waited for her to get

1700
01:13:12,760 --> 01:13:17,920
Speaker 2: her bags, went back to get I was like, let

1701
01:13:17,960 --> 01:13:18,519
Speaker 2: me just leave it.

1702
01:13:18,920 --> 01:13:21,559
Speaker 1: I don't weird. It's like it's like when you reach

1703
01:13:21,640 --> 01:13:24,080
Speaker 1: a point where you're like I can only mess the size.

1704
01:13:23,960 --> 01:13:28,040
Speaker 2: Exactly let me walk away and just wait till she

1705
01:13:28,160 --> 01:13:30,719
Speaker 2: leaves and then get my ship. But she was literally

1706
01:13:30,720 --> 01:13:34,599
Speaker 2: the nicest, so nice, like so sweet.

1707
01:13:34,760 --> 01:13:36,200
Speaker 1: But it has such a funny interaction.

1708
01:13:36,400 --> 01:13:37,760
Speaker 4: Oh, I just I just went up to her when

1709
01:13:37,760 --> 01:13:40,320
Speaker 4: she was at SNL. This is like right before i

1710
01:13:40,360 --> 01:13:42,080
Speaker 4: SS came out, and I was like, you are we

1711
01:13:42,120 --> 01:13:44,519
Speaker 4: did promise to get the Pikiki. I was there when

1712
01:13:44,520 --> 01:13:48,000
Speaker 4: they first met. I was there and I was like,

1713
01:13:48,479 --> 01:13:50,720
Speaker 4: I looked at her. I've said this since control. I

1714
01:13:50,840 --> 01:13:53,080
Speaker 4: was like, you are our generations Joni Mitchell. And then

1715
01:13:53,120 --> 01:13:54,760
Speaker 4: she went she went wide and she was like, oh

1716
01:13:54,840 --> 01:13:58,400
Speaker 4: you like me, like me?

1717
01:13:59,479 --> 01:14:02,840
Speaker 1: That is so accurate though it is, yes, it's her

1718
01:14:03,800 --> 01:14:04,719
Speaker 1: confessional shit.

1719
01:14:04,960 --> 01:14:06,640
Speaker 2: Yeah. And also I.

1720
01:14:06,640 --> 01:14:10,080
Speaker 3: Feel like everyone, just like you know, celebrates the pen,

1721
01:14:10,160 --> 01:14:13,799
Speaker 3: celebrates the pen, celebrates the pen. Her voice is so easy.

1722
01:14:15,160 --> 01:14:19,400
Speaker 3: Her voice is so easy, She's so musical. She's always

1723
01:14:19,560 --> 01:14:21,920
Speaker 3: like it's just like her voice is in her brain.

1724
01:14:22,080 --> 01:14:22,960
Speaker 1: Yes, you know what I mean.

1725
01:14:23,000 --> 01:14:26,840
Speaker 3: It's like you feel her thoughts as she sings. She's

1726
01:14:26,880 --> 01:14:29,040
Speaker 3: literally a thoughtful singer. I say the same thing about

1727
01:14:29,040 --> 01:14:30,840
Speaker 3: like Sarah Burrell sometimes where it's like I feel like

1728
01:14:31,720 --> 01:14:34,080
Speaker 3: you hear how smart the voice?

1729
01:14:34,120 --> 01:14:35,720
Speaker 2: I agree? Well, also because you can tell that when

1730
01:14:35,760 --> 01:14:38,600
Speaker 2: she writes like sometimes like people are like right, they

1731
01:14:38,640 --> 01:14:40,320
Speaker 2: will like get the track and they're writing to the track,

1732
01:14:40,360 --> 01:14:42,600
Speaker 2: and can tell Sissa is she she goes home, she

1733
01:14:42,640 --> 01:14:45,439
Speaker 2: does her journaling, and she's taking her stories and just

1734
01:14:45,560 --> 01:14:48,160
Speaker 2: like sometimes freestyling it to a b and just finding

1735
01:14:48,200 --> 01:14:51,000
Speaker 2: what works. So I feel like she's she's a singer

1736
01:14:51,040 --> 01:14:54,080
Speaker 2: that write, that writes like a rapper, and I'm obsessed

1737
01:14:54,160 --> 01:14:56,920
Speaker 2: with her, whatever her process is. I'm obsessed with how

1738
01:14:56,960 --> 01:15:00,360
Speaker 2: she's able to fit these fucking soliloquies. Yes to like

1739
01:15:00,479 --> 01:15:03,559
Speaker 2: this like verse chords, prey, hooked, whatever, it's dope, She's

1740
01:15:03,600 --> 01:15:03,920
Speaker 2: the best.

1741
01:15:04,080 --> 01:15:13,000
Speaker 1: So good, Okay, I think it might be time. It's time,

1742
01:15:13,160 --> 01:15:14,360
Speaker 1: it's time for having honey.

1743
01:15:14,800 --> 01:15:17,720
Speaker 3: So this is of course that moment when there are

1744
01:15:17,800 --> 01:15:21,120
Speaker 3: three moments each a minute in length, and they all

1745
01:15:21,240 --> 01:15:23,679
Speaker 3: are and I don't think so, honey, a little tantrum

1746
01:15:23,760 --> 01:15:24,240
Speaker 3: on culture.

1747
01:15:24,720 --> 01:15:27,280
Speaker 1: I have something. It's based in the lives experience.

1748
01:15:27,320 --> 01:15:29,280
Speaker 2: Okay, this is Matt Rodgers. Okay, so many as time

1749
01:15:29,320 --> 01:15:29,760
Speaker 2: starts now.

1750
01:15:29,720 --> 01:15:33,479
Speaker 3: I don't think so, honey. Melatonin, you are demonic, you

1751
01:15:33,560 --> 01:15:35,640
Speaker 3: are diabol for your devilish Yeah. I wake up in

1752
01:15:35,680 --> 01:15:38,639
Speaker 3: the morning. It's depression of fourth duh huh, didn't even

1753
01:15:38,680 --> 01:15:42,560
Speaker 3: mean to do that. I honestly, I have had the

1754
01:15:42,640 --> 01:15:48,400
Speaker 3: most vivid dreams after taking these pills. Also, I've also

1755
01:15:48,479 --> 01:15:51,400
Speaker 3: been on like xiproso they've been like interacting. I think

1756
01:15:51,479 --> 01:15:53,760
Speaker 3: I am waking up and I don't know what's real.

1757
01:15:54,040 --> 01:15:56,360
Speaker 3: I had a dream that we wrote a whole film

1758
01:15:56,560 --> 01:15:59,360
Speaker 3: years ago, years ago, we wrote a whole film, that

1759
01:15:59,439 --> 01:16:02,160
Speaker 3: it was getting success at the Sundance Film Festival. And

1760
01:16:02,200 --> 01:16:04,000
Speaker 3: I was like, I don't think we wrote a film,

1761
01:16:04,240 --> 01:16:05,880
Speaker 3: and they were like, no, you did. You just don't

1762
01:16:05,920 --> 01:16:08,439
Speaker 3: remember it. And I was like what and they were like,

1763
01:16:08,560 --> 01:16:10,000
Speaker 3: you're getting a claim at Sundance.

1764
01:16:10,040 --> 01:16:12,599
Speaker 1: And I woke up and I thought for about fifteen minutes,

1765
01:16:12,680 --> 01:16:15,040
Speaker 1: like bohen and I have a film at sundown.

1766
01:16:14,720 --> 01:16:18,599
Speaker 5: Fifteen seconds because I took two three milligam mega milligam

1767
01:16:19,360 --> 01:16:24,040
Speaker 5: gummies of melatonin and I'm depressed for six hours because

1768
01:16:24,080 --> 01:16:29,280
Speaker 5: I think I'm losing my mind, and also depression I melatonin, no,

1769
01:16:29,560 --> 01:16:30,839
Speaker 5: you take, you don't give.

1770
01:16:31,120 --> 01:16:34,360
Speaker 1: And that's one minute you take, you don't give, you take.

1771
01:16:34,760 --> 01:16:38,519
Speaker 3: And it's not my first time being in like sort

1772
01:16:38,520 --> 01:16:41,400
Speaker 3: of a moment of not feeling great, and then melatonin.

1773
01:16:41,479 --> 01:16:43,679
Speaker 3: You take it to help you sleep and it wakes

1774
01:16:43,760 --> 01:16:46,840
Speaker 3: you wake up and things are worse. I think melatonin

1775
01:16:46,920 --> 01:16:47,599
Speaker 3: is a deal with the devil.

1776
01:16:47,720 --> 01:16:50,400
Speaker 4: I think you can make it, like Dwayne Read, you

1777
01:16:50,600 --> 01:16:54,880
Speaker 4: make it, Dwayne Raid if it still exists. The veil

1778
01:16:55,000 --> 01:16:58,400
Speaker 4: was so thin between the world of the dream where

1779
01:16:58,760 --> 01:17:01,360
Speaker 4: we had written a Sundance but you in the dream

1780
01:17:01,400 --> 01:17:02,920
Speaker 4: were like, you guys are gaslighting me.

1781
01:17:03,240 --> 01:17:05,200
Speaker 1: We don't have a movie. I literally was telling them

1782
01:17:05,200 --> 01:17:06,920
Speaker 1: in the dream. I was like, we didn't do this.

1783
01:17:07,479 --> 01:17:08,559
Speaker 1: They were like, you did.

1784
01:17:09,280 --> 01:17:11,920
Speaker 3: You are getting a claim You wrote and directed this

1785
01:17:12,040 --> 01:17:14,479
Speaker 3: film together. And I was chatting with him and he

1786
01:17:14,600 --> 01:17:16,680
Speaker 3: was a gas we know.

1787
01:17:17,000 --> 01:17:18,080
Speaker 1: It was like it was like an au.

1788
01:17:18,080 --> 01:17:21,680
Speaker 3: Term moment when we were having our autterm moment at

1789
01:17:21,720 --> 01:17:23,600
Speaker 3: the sun Dance Film Festival. I swear to god, I

1790
01:17:23,760 --> 01:17:27,200
Speaker 3: lived this and I woke up and I was like,

1791
01:17:27,439 --> 01:17:30,679
Speaker 3: I can't believe that this thing we did from college

1792
01:17:30,800 --> 01:17:33,040
Speaker 3: or something, because I started to really believe it, Like.

1793
01:17:33,160 --> 01:17:35,479
Speaker 1: I can't believe we're ever gonna claim this one is

1794
01:17:35,479 --> 01:17:39,720
Speaker 1: film festival, which by the way, passed past this.

1795
01:17:39,920 --> 01:17:42,120
Speaker 3: This is way past the Sundance Film Festival. Isn't Yeah,

1796
01:17:43,040 --> 01:17:44,880
Speaker 3: this happened last week while I was in Milan, because

1797
01:17:44,920 --> 01:17:45,880
Speaker 3: I don't know where I am.

1798
01:17:46,000 --> 01:17:48,280
Speaker 1: We've been traveling and taking drugs, drugs.

1799
01:17:48,479 --> 01:17:53,080
Speaker 4: Someone just told me James Cameron had a dream in

1800
01:17:53,720 --> 01:17:55,600
Speaker 4: middle school that was Avatar.

1801
01:17:55,960 --> 01:17:59,640
Speaker 1: Oh my no, he made Is this true? How do

1802
01:17:59,760 --> 01:18:04,559
Speaker 1: I know that's true? That's true? Really?

1803
01:18:04,960 --> 01:18:06,960
Speaker 3: See, this is what the straight guys behind the camera. No,

1804
01:18:07,400 --> 01:18:10,600
Speaker 3: I know that James Cara had Alvatar illustrations.

1805
01:18:11,320 --> 01:18:14,080
Speaker 2: James Cameron is so rich that he invents new technology

1806
01:18:14,160 --> 01:18:17,120
Speaker 2: for every movie his I watched those ridiculous when they

1807
01:18:17,240 --> 01:18:20,000
Speaker 2: have like a sponge and like some mops bristles on

1808
01:18:20,040 --> 01:18:20,800
Speaker 2: their heads and they're like.

1809
01:18:20,920 --> 01:18:22,840
Speaker 3: Hey, hey, I'm a film guy. Do you guys want

1810
01:18:22,880 --> 01:18:24,000
Speaker 3: to know how I think we can go to the

1811
01:18:24,040 --> 01:18:24,960
Speaker 3: bottom of the ocean and.

1812
01:18:25,040 --> 01:18:27,280
Speaker 2: Feel like and like they make. They have to invent

1813
01:18:27,400 --> 01:18:29,360
Speaker 2: new technology for his movies. It's insane.

1814
01:18:30,720 --> 01:18:32,320
Speaker 1: Has anyone seen Fire and Ash yet?

1815
01:18:32,439 --> 01:18:32,639
Speaker 5: Yes?

1816
01:18:32,800 --> 01:18:33,040
Speaker 3: You have?

1817
01:18:33,320 --> 01:18:33,679
Speaker 2: I did?

1818
01:18:33,840 --> 01:18:34,479
Speaker 1: Did you see?

1819
01:18:35,320 --> 01:18:35,880
Speaker 2: It's so good?

1820
01:18:36,439 --> 01:18:39,679
Speaker 1: We're like Avasar hive. We we really love the French.

1821
01:18:39,880 --> 01:18:41,599
Speaker 2: I mean in this in this last one, they really

1822
01:18:41,680 --> 01:18:44,599
Speaker 2: sent her a spider and I'm like, okay, they really

1823
01:18:45,160 --> 01:18:48,160
Speaker 2: spiders spider spider stories.

1824
01:18:48,840 --> 01:18:52,080
Speaker 3: I forgot the kid's name was Spicy. Yes, yes, I

1825
01:18:52,280 --> 01:18:54,320
Speaker 3: heard she was giving everything though.

1826
01:18:54,840 --> 01:18:59,240
Speaker 1: Which which oh yeah, she was great. She was so good.

1827
01:18:59,439 --> 01:19:01,800
Speaker 3: It was called her is countress because I feel like

1828
01:19:01,920 --> 01:19:08,000
Speaker 3: that's counts hunter hunter, countress, hunter contress.

1829
01:19:09,280 --> 01:19:10,599
Speaker 1: She is the villain.

1830
01:19:11,439 --> 01:19:14,519
Speaker 2: She's amazing. I love her her acting and just oh,

1831
01:19:14,560 --> 01:19:18,880
Speaker 2: it's so good, She's everything. Okay, I'm watching. That's an

1832
01:19:18,960 --> 01:19:19,599
Speaker 2: edible arrangement.

1833
01:19:19,800 --> 01:19:22,200
Speaker 3: I'm telling you, I'm seeing Wuthering Heights. I'm seeing Avatar

1834
01:19:22,240 --> 01:19:23,960
Speaker 3: fire and ash. I'm seeing the moment and then I'm

1835
01:19:24,000 --> 01:19:25,600
Speaker 3: surely passing the fucked.

1836
01:19:25,360 --> 01:19:26,799
Speaker 2: Out triple feature.

1837
01:19:27,000 --> 01:19:29,200
Speaker 1: Okay, bow Yang, do you have such a topic.

1838
01:19:29,320 --> 01:19:29,439
Speaker 2: I do.

1839
01:19:29,880 --> 01:19:32,599
Speaker 4: Okay, this is Bowen Yang's. I don't think so, honey,

1840
01:19:32,680 --> 01:19:34,519
Speaker 4: and his time starts now, I don't think so, honey.

1841
01:19:34,680 --> 01:19:39,280
Speaker 4: Orthodn tics orthodon, sure, I don't. I think the desire

1842
01:19:39,400 --> 01:19:42,120
Speaker 4: for straight teeth is like a sham, right, Like if

1843
01:19:42,160 --> 01:19:43,800
Speaker 4: I had fucked up teeth, I think I would be

1844
01:19:43,840 --> 01:19:47,240
Speaker 4: a more interesting person. I think straightening my teeth has

1845
01:19:47,400 --> 01:19:50,519
Speaker 4: taken texture away from my personality. I would have had

1846
01:19:50,560 --> 01:19:54,760
Speaker 4: to overcome more if I had a gap tooth. If

1847
01:19:54,960 --> 01:19:58,640
Speaker 4: I I think, I think orthodonture is maybe the beginnings

1848
01:19:58,760 --> 01:20:01,880
Speaker 4: of a body dyst morphia that is permissible. I don't

1849
01:20:01,880 --> 01:20:04,240
Speaker 4: think it's a gender dysphoria. I think it's a body

1850
01:20:04,280 --> 01:20:06,560
Speaker 4: dysmorphia where you're like, something's wrong with me. I have

1851
01:20:06,760 --> 01:20:09,040
Speaker 4: to correct it rather than accepting it.

1852
01:20:09,479 --> 01:20:09,639
Speaker 3: Now.

1853
01:20:10,000 --> 01:20:13,400
Speaker 4: I just came from the dermatologists, and I think that

1854
01:20:13,680 --> 01:20:15,960
Speaker 4: is also. I would not I would not be as

1855
01:20:16,000 --> 01:20:18,120
Speaker 4: eager to go there and get a guy's laser beamed

1856
01:20:18,120 --> 01:20:21,000
Speaker 4: at my face. I did not suffer as a teenager

1857
01:20:21,040 --> 01:20:23,360
Speaker 4: in a formative time in my life to let someone

1858
01:20:23,439 --> 01:20:27,000
Speaker 4: poke around in my mouth and put metal and rubber

1859
01:20:27,120 --> 01:20:30,080
Speaker 4: bands in it, to give, to give society permission to

1860
01:20:30,200 --> 01:20:33,240
Speaker 4: and to to mess with this what what is already

1861
01:20:33,240 --> 01:20:34,519
Speaker 4: maybe just fine to begin with.

1862
01:20:34,720 --> 01:20:36,719
Speaker 3: And that is what the first of all, you glow,

1863
01:20:37,040 --> 01:20:40,479
Speaker 3: shimmer and more. And second of all, let me see

1864
01:20:40,479 --> 01:20:46,200
Speaker 3: it to you. To Siamese baby tooth, talk to more

1865
01:20:46,240 --> 01:20:48,639
Speaker 3: about that. It was one tooth that rooted as one

1866
01:20:48,720 --> 01:20:51,600
Speaker 3: and then branched off into two Siamese.

1867
01:20:51,760 --> 01:20:54,760
Speaker 1: Oh wow, it's probably not that. It's not it's not

1868
01:20:54,840 --> 01:20:59,400
Speaker 1: the woke thing to say, probably to the Siamese population.

1869
01:20:59,640 --> 01:21:05,000
Speaker 1: We were when I had to conjoined and I I

1870
01:21:05,640 --> 01:21:07,639
Speaker 1: we stand with the Siamon, you stand with the Siamese,

1871
01:21:07,760 --> 01:21:07,960
Speaker 1: and that.

1872
01:21:07,960 --> 01:21:09,800
Speaker 2: Would be that would be a conversation started.

1873
01:21:12,560 --> 01:21:14,600
Speaker 4: And now I just I don't know. I feel like

1874
01:21:15,800 --> 01:21:17,639
Speaker 4: I feel like I should have just left the saloon,

1875
01:21:17,720 --> 01:21:19,599
Speaker 4: you know what I mean. But you've you've even.

1876
01:21:21,400 --> 01:21:23,519
Speaker 2: Well you know I wanted to get Veneers.

1877
01:21:24,120 --> 01:21:25,160
Speaker 1: No, don't so.

1878
01:21:25,840 --> 01:21:28,439
Speaker 2: So this was this is after visil Line. Yes, I

1879
01:21:28,520 --> 01:21:30,479
Speaker 2: was in the city. I had my my lesbian doctor

1880
01:21:31,000 --> 01:21:37,080
Speaker 2: to doctor Harrison. I love doctor, you say, doctor, doctor docta.

1881
01:21:37,640 --> 01:21:38,720
Speaker 1: And then I went to her and I was like,

1882
01:21:38,720 --> 01:21:39,960
Speaker 1: I want to get Vineer. She's like, no, you're not.

1883
01:21:40,040 --> 01:21:41,320
Speaker 1: I was like, I want to get Veneers. She was like,

1884
01:21:41,360 --> 01:21:41,960
Speaker 1: I can't afford it.

1885
01:21:42,000 --> 01:21:43,840
Speaker 2: Now she's like no, She's like, you're gonna You're gonna

1886
01:21:43,840 --> 01:21:45,640
Speaker 2: get in visiline and you'll be fine, trust me. And

1887
01:21:45,720 --> 01:21:47,720
Speaker 2: I am happy I got a Visiline there.

1888
01:21:47,720 --> 01:21:50,960
Speaker 3: You I mean, they look they're they're glow and in

1889
01:21:51,040 --> 01:21:54,240
Speaker 3: the dark. Remember that song, Yeah, that was like a

1890
01:21:54,320 --> 01:21:55,400
Speaker 3: song for like a seconds.

1891
01:21:55,479 --> 01:21:59,080
Speaker 2: Well, you know, teeth like health is genetic because my

1892
01:21:59,280 --> 01:22:01,240
Speaker 2: first like, I'm until I was like I didn't say

1893
01:22:01,280 --> 01:22:02,880
Speaker 2: like flossing like I should as an adult.

1894
01:22:02,920 --> 01:22:05,200
Speaker 1: Until I was like twenty two, I will like go

1895
01:22:05,479 --> 01:22:06,519
Speaker 1: to and eat Landa and I not.

1896
01:22:06,760 --> 01:22:08,439
Speaker 2: But it's because, like a lot of it is just

1897
01:22:08,560 --> 01:22:11,519
Speaker 2: genetically like just I didn't have to work very hard

1898
01:22:11,560 --> 01:22:12,400
Speaker 2: to maintain my teeth.

1899
01:22:12,520 --> 01:22:16,599
Speaker 3: I think my teeth are gaining space, Like I think

1900
01:22:16,640 --> 01:22:18,840
Speaker 3: my teeth are trying to run away. Like I look

1901
01:22:18,840 --> 01:22:21,160
Speaker 3: at my teeth and I'm like, there's more space between

1902
01:22:21,320 --> 01:22:24,800
Speaker 3: these motherfuckers than I know there was, And I'm going

1903
01:22:24,840 --> 01:22:25,720
Speaker 3: to get to the bottom of it.

1904
01:22:25,800 --> 01:22:28,919
Speaker 1: It's a knives out mystery in my mouth. Social distancing

1905
01:22:29,040 --> 01:22:34,040
Speaker 1: is over social distance. That said your titties are social distancing.

1906
01:22:35,720 --> 01:22:36,720
Speaker 2: Yeah, she she did.

1907
01:22:36,880 --> 01:22:39,280
Speaker 3: She said she said to someone that their titties were

1908
01:22:39,320 --> 01:22:42,559
Speaker 3: social distancing. And I forget to whom.

1909
01:22:43,320 --> 01:22:45,680
Speaker 4: And when it happened Atlanta during COVID, I think was

1910
01:22:45,760 --> 01:22:48,599
Speaker 4: doing better than other franchises during COVID.

1911
01:22:48,720 --> 01:22:53,160
Speaker 2: Yes, fucking love Williams' icon.

1912
01:22:53,400 --> 01:22:55,880
Speaker 1: I am obsessed with her. She's so funny, she's.

1913
01:22:58,080 --> 01:22:59,840
Speaker 2: I was so mad when I saw a porch with it,

1914
01:23:00,120 --> 01:23:02,559
Speaker 2: was like, yeah, yeah, I get to play with Porsche.

1915
01:23:02,600 --> 01:23:04,720
Speaker 2: Williams obsessed portion get it wrong for me, and her

1916
01:23:04,800 --> 01:23:07,200
Speaker 2: ass is insane in real life. Yeah, of course, it's

1917
01:23:07,360 --> 01:23:10,360
Speaker 2: a literal show. Wait, did people pick up this on

1918
01:23:10,439 --> 01:23:11,760
Speaker 2: like on like TikTok or anything like?

1919
01:23:12,320 --> 01:23:14,320
Speaker 4: I think her Round table where she got banished some

1920
01:23:14,479 --> 01:23:16,920
Speaker 4: I think I think it was more who like literally

1921
01:23:17,000 --> 01:23:19,880
Speaker 4: said who said that? Like someone said who said that

1922
01:23:20,160 --> 01:23:25,400
Speaker 4: at round run it back, go back and watch it

1923
01:23:28,880 --> 01:23:33,480
Speaker 4: happened someone says, who said So I thought funny.

1924
01:23:34,680 --> 01:23:35,080
Speaker 1: Watched it.

1925
01:23:36,880 --> 01:23:39,000
Speaker 3: And she'll be on the reunion too. I think the

1926
01:23:39,160 --> 01:23:42,200
Speaker 3: thing that this road trip that they just did Girls Trip.

1927
01:23:42,400 --> 01:23:43,720
Speaker 3: Have you watched Potomac this year?

1928
01:23:43,920 --> 01:23:45,160
Speaker 1: You know, I've never watched Potomac.

1929
01:23:45,439 --> 01:23:46,080
Speaker 2: I heard is good.

1930
01:23:46,120 --> 01:23:46,720
Speaker 1: I never watched it.

1931
01:23:47,400 --> 01:23:51,439
Speaker 3: It was by far our favorite. Then like something didn't happen.

1932
01:23:51,520 --> 01:23:54,040
Speaker 3: It just got a little weird, and then it's had.

1933
01:23:53,960 --> 01:23:58,200
Speaker 1: A really good season. Okay, I'll go back. Salt Lake City, Potomac.

1934
01:23:58,560 --> 01:24:02,080
Speaker 3: Those are franchises that when I'm really and usually Beverly Hills,

1935
01:24:02,120 --> 01:24:03,800
Speaker 3: but just kind of lost me this year.

1936
01:24:03,840 --> 01:24:05,479
Speaker 2: I don't know. At least the word is not on

1937
01:24:05,479 --> 01:24:06,280
Speaker 2: Beverly Hills anymore.

1938
01:24:06,600 --> 01:24:07,599
Speaker 1: She hasn't been for a few years.

1939
01:24:07,600 --> 01:24:09,840
Speaker 2: Okay, But on her last season she was like a

1940
01:24:09,960 --> 01:24:12,840
Speaker 2: villain on it apparently, yes, deeply, Yeah, she.

1941
01:24:13,000 --> 01:24:15,760
Speaker 3: Was deeply villainized on her last season and I really

1942
01:24:15,800 --> 01:24:17,439
Speaker 3: think she was having like a very hard personal time

1943
01:24:18,160 --> 01:24:21,679
Speaker 3: this morning. She was, Yeah, she was their whole story,

1944
01:24:21,720 --> 01:24:23,880
Speaker 3: a lot of the storyline this year on Beverly Hills

1945
01:24:23,920 --> 01:24:25,640
Speaker 3: in the beginning anyway, And then it has come up

1946
01:24:25,640 --> 01:24:28,160
Speaker 3: a bunch is that Garcela left like that, like they

1947
01:24:28,240 --> 01:24:32,120
Speaker 3: can't seem to stop, like they're running in circles about

1948
01:24:32,160 --> 01:24:32,960
Speaker 3: why Garcela left.

1949
01:24:33,040 --> 01:24:35,040
Speaker 1: I'm like, she left because she didn't like you guys. Yeah,

1950
01:24:35,120 --> 01:24:36,680
Speaker 1: she was over it, like she was over this was

1951
01:24:36,760 --> 01:24:37,439
Speaker 1: her job for her.

1952
01:24:37,640 --> 01:24:40,160
Speaker 3: Yeah, I was like she was she was done, yeah,

1953
01:24:40,560 --> 01:24:44,519
Speaker 3: being on this cat Yeah, and they just can't arrive there.

1954
01:24:44,720 --> 01:24:48,800
Speaker 1: No, well maybe it was because we did it.

1955
01:24:49,000 --> 01:24:49,800
Speaker 2: I was like, she didn't like you.

1956
01:24:50,240 --> 01:24:54,439
Speaker 1: Yeah, I'm going to leave the podcast. No, come on,

1957
01:24:54,840 --> 01:24:57,240
Speaker 1: come on, Okay, you're ready, this is the moment. I

1958
01:24:57,439 --> 01:24:59,280
Speaker 1: am ready. Okay, here we go.

1959
01:24:59,479 --> 01:25:01,760
Speaker 2: This is my exchanges. I don't think so many your

1960
01:25:01,800 --> 01:25:04,559
Speaker 2: time starts now. I don't think so honey about people

1961
01:25:04,560 --> 01:25:05,960
Speaker 2: showing me pictures of their children.

1962
01:25:06,200 --> 01:25:06,479
Speaker 1: Okay.

1963
01:25:06,800 --> 01:25:08,920
Speaker 2: The other day, I had the privilege of being in

1964
01:25:09,000 --> 01:25:09,720
Speaker 2: the Delta one.

1965
01:25:11,040 --> 01:25:11,799
Speaker 1: What privilege.

1966
01:25:11,960 --> 01:25:16,120
Speaker 2: And I was trying to to enjoy my sausage Porbridge

1967
01:25:16,520 --> 01:25:17,840
Speaker 2: and as woman comes over to me. She's like, oh

1968
01:25:17,840 --> 01:25:19,400
Speaker 2: my god, are you MONA exchange is like, yes, I am,

1969
01:25:19,800 --> 01:25:21,160
Speaker 2: and she's telling me she talked to me. She's like,

1970
01:25:21,160 --> 01:25:22,519
Speaker 2: you know, I love dragons. You guys really help me

1971
01:25:22,560 --> 01:25:24,000
Speaker 2: out through my pregnancy. Thank you so much for your

1972
01:25:24,000 --> 01:25:25,960
Speaker 2: hard work. Beautiful, I love her. That do you mind

1973
01:25:26,000 --> 01:25:27,360
Speaker 2: if I show a picture of my of my of

1974
01:25:27,439 --> 01:25:30,920
Speaker 2: my of my daughter, to which I said sure. She

1975
01:25:31,040 --> 01:25:33,519
Speaker 2: pulls out a picture and Season ten was ten, about

1976
01:25:33,880 --> 01:25:35,640
Speaker 2: eight years ago. I'm expecting to see at least a

1977
01:25:35,680 --> 01:25:39,240
Speaker 2: college age student. She pulls out a picture of a baby.

1978
01:25:39,360 --> 01:25:42,519
Speaker 2: I'm telling y'all, one straight out the pussy, you know,

1979
01:25:42,560 --> 01:25:44,559
Speaker 2: when it's still wrinkly, the eyes are still closed, it's

1980
01:25:44,560 --> 01:25:45,640
Speaker 2: still covened in chlorophyll.

1981
01:25:45,960 --> 01:25:48,160
Speaker 1: I cannot wait fifteen seconds.

1982
01:25:48,160 --> 01:25:49,720
Speaker 2: So I was like, I don't even need to be

1983
01:25:49,800 --> 01:25:52,200
Speaker 2: accosted by a picture of a newborn baby at six

1984
01:25:52,240 --> 01:25:54,000
Speaker 2: o'clock in the morning in adulta loungehere, I'm going to

1985
01:25:54,040 --> 01:25:57,360
Speaker 2: be eating bacon, sausage, egg and cheese. Not, I don't think,

1986
01:25:57,400 --> 01:26:00,639
Speaker 2: So keep your chidrens pictures to yourselves and only my permission.

1987
01:26:00,640 --> 01:26:02,599
Speaker 1: If I asked, then you show me until then, don't

1988
01:26:02,640 --> 01:26:04,880
Speaker 1: do it. And that's one minute. That's one minute. You're

1989
01:26:04,920 --> 01:26:07,720
Speaker 1: never gonna ask to see if I will not that

1990
01:26:07,800 --> 01:26:12,519
Speaker 1: will never not right, not girl, rare baby, rare.

1991
01:26:12,439 --> 01:26:16,639
Speaker 2: Rare baby. This baby's medium rare. Like you just gave

1992
01:26:16,680 --> 01:26:17,759
Speaker 2: birth to Lord Voldemort.

1993
01:26:17,880 --> 01:26:21,559
Speaker 3: Okay, you have to baby, you have to jail covered

1994
01:26:21,600 --> 01:26:24,080
Speaker 3: in chlorophyll or whatever this stuff is on it, don't

1995
01:26:24,880 --> 01:26:25,320
Speaker 3: I see it?

1996
01:26:25,720 --> 01:26:26,880
Speaker 1: I just wow.

1997
01:26:27,240 --> 01:26:29,320
Speaker 3: Yeah, the last thing in the morning should be the

1998
01:26:29,400 --> 01:26:31,519
Speaker 3: egg samwich exactly, not the baby.

1999
01:26:31,800 --> 01:26:33,040
Speaker 2: And I had to look at this thing.

2000
01:26:33,080 --> 01:26:34,840
Speaker 1: I had to pretend to be like, oh my god,

2001
01:26:35,040 --> 01:26:36,720
Speaker 1: that's the nice thank you.

2002
01:26:37,680 --> 01:26:39,840
Speaker 4: And so she was basically saying that she was watching

2003
01:26:39,960 --> 01:26:44,200
Speaker 4: season ten Super eight years after or seven years after

2004
01:26:44,280 --> 01:26:44,679
Speaker 4: it aired.

2005
01:26:44,840 --> 01:26:46,400
Speaker 2: You know, No, she was watching it in real like

2006
01:26:46,479 --> 01:26:50,360
Speaker 2: when she was id. She was watching she was having

2007
01:26:50,400 --> 01:26:53,360
Speaker 2: a hard pregnancy and watching drag Race really helped her out.

2008
01:26:54,439 --> 01:26:55,760
Speaker 2: And I guess you showed me a picture of the

2009
01:26:55,840 --> 01:26:59,639
Speaker 2: baby when the baby was born, right, But I don't

2010
01:26:59,680 --> 01:27:02,200
Speaker 2: know why I would have seen updated picture, Like what

2011
01:27:02,800 --> 01:27:06,000
Speaker 2: is Cynthia doing now? I need to know what she's

2012
01:27:06,000 --> 01:27:09,920
Speaker 2: growing in going into It was eight years ago, I know,

2013
01:27:10,120 --> 01:27:10,679
Speaker 2: is that crazy?

2014
01:27:11,120 --> 01:27:15,240
Speaker 1: What is time? Honestly, I think my favorite seasons were

2015
01:27:15,400 --> 01:27:21,800
Speaker 1: nine and ten, like really of all drag Race, yes, six, six, eight, nine, ten, four.

2016
01:27:22,760 --> 01:27:24,760
Speaker 3: The thing is, I like when it got a little

2017
01:27:24,840 --> 01:27:29,320
Speaker 3: bigger too. I loved when it was like trust me,

2018
01:27:29,439 --> 01:27:33,559
Speaker 3: like those were the golden age years. Definitely, like five, six,

2019
01:27:34,439 --> 01:27:37,840
Speaker 3: like eight was like truly like when it got big,

2020
01:27:37,920 --> 01:27:40,920
Speaker 3: it felt like for community reasons. And then nine ten

2021
01:27:41,320 --> 01:27:43,320
Speaker 3: it did have the mainstream moment that I think I

2022
01:27:43,560 --> 01:27:47,800
Speaker 3: really liked watching nine, like the pinnacle of drag Race

2023
01:27:47,840 --> 01:27:49,680
Speaker 3: for me will always and forever be.

2024
01:27:49,960 --> 01:27:52,799
Speaker 1: I love finale of nine. It was a few.

2025
01:27:52,720 --> 01:27:57,400
Speaker 3: Episodes of nine like just good, yeah, a true neck

2026
01:27:57,439 --> 01:28:01,720
Speaker 3: and neck and then Sasha coming out of nowhere like yeah.

2027
01:28:01,960 --> 01:28:04,839
Speaker 3: And any time a season of reality show of reality

2028
01:28:04,880 --> 01:28:08,240
Speaker 3: show ends at its climax, that's good.

2029
01:28:09,280 --> 01:28:11,599
Speaker 2: And also like all those like earlier seasons were on Logo.

2030
01:28:11,680 --> 01:28:13,840
Speaker 2: Those were like the dark days of drag Race. They

2031
01:28:13,920 --> 01:28:15,439
Speaker 2: paid those bitches when they.

2032
01:28:15,360 --> 01:28:16,960
Speaker 1: Were they were really being.

2033
01:28:18,280 --> 01:28:20,080
Speaker 2: They were really being broken.

2034
01:28:20,520 --> 01:28:24,080
Speaker 1: They were broken down and they were awful then.

2035
01:28:24,160 --> 01:28:26,200
Speaker 2: And also like you think back to the early seasons, y'all,

2036
01:28:26,520 --> 01:28:29,080
Speaker 2: season two of drag Race, they wasn't even lace frunts.

2037
01:28:29,360 --> 01:28:31,679
Speaker 2: They all had at harsh Front. There was not literally

2038
01:28:32,120 --> 01:28:34,559
Speaker 2: not a single laceprint was on the show. The first

2039
01:28:34,640 --> 01:28:37,160
Speaker 2: lace print to Everybody and Dragons was Manila in season three.

2040
01:28:37,520 --> 01:28:42,760
Speaker 2: What yeah, Manila historical facts. It is historical facts, stop

2041
01:28:42,960 --> 01:28:48,439
Speaker 2: or something. He's the first lace print. And back then

2042
01:28:48,439 --> 01:28:50,680
Speaker 2: they were all wearing Charlotte Rouss and wet Seal like

2043
01:28:50,880 --> 01:28:55,560
Speaker 2: that drag. Then the bitches are wearing like Customer to

2044
01:28:56,280 --> 01:28:57,880
Speaker 2: Valentino was.

2045
01:28:59,120 --> 01:29:02,000
Speaker 1: You know, could be making the whole collection.

2046
01:29:02,800 --> 01:29:06,080
Speaker 2: Also, y'all see the Sriana Runway show where Cocoa was

2047
01:29:06,120 --> 01:29:08,560
Speaker 2: wearing a beautiful gown and Leslie Jones is like, come on,

2048
01:29:08,720 --> 01:29:16,960
Speaker 2: Coco and like just like this show, by the way

2049
01:29:17,000 --> 01:29:19,920
Speaker 2: that dressed Coco. Yeah, just screaming, just scareaming. I was like,

2050
01:29:20,040 --> 01:29:20,960
Speaker 2: Leslie Jones, I love her.

2051
01:29:22,280 --> 01:29:27,600
Speaker 1: John, this was so fun. Happy birthday, Thank you.

2052
01:29:28,200 --> 01:29:29,519
Speaker 2: I know, I don't know I'm going to do my birthday.

2053
01:29:29,520 --> 01:29:32,400
Speaker 2: I'm not a big birthday person. Neither water sign thing,

2054
01:29:32,960 --> 01:29:37,000
Speaker 2: Yeah you're cancer scorpio scorpio to Well, here's the thing,

2055
01:29:37,120 --> 01:29:39,120
Speaker 2: I did not know scorpios were cancers until I mean,

2056
01:29:39,600 --> 01:29:42,800
Speaker 2: water signed until like a year ago. Gives very just

2057
01:29:42,880 --> 01:29:50,800
Speaker 2: like fire or land water water dripping, yeah, dripping.

2058
01:29:51,560 --> 01:29:55,800
Speaker 1: We're all water Signs is a scorpios exactly. Yeah, is

2059
01:29:55,800 --> 01:29:56,120
Speaker 1: that well?

2060
01:29:56,200 --> 01:29:57,680
Speaker 3: I mean that was what was so special about it

2061
01:29:57,720 --> 01:30:00,360
Speaker 3: was seeing it. It was nominated for Best Vibe down

2062
01:30:00,400 --> 01:30:05,320
Speaker 3: at the Culture Awards. She did her Wet Ass so

2063
01:30:05,400 --> 01:30:08,479
Speaker 3: o S show on Pisce season on my birthday when

2064
01:30:08,560 --> 01:30:08,840
Speaker 3: I was.

2065
01:30:08,920 --> 01:30:13,400
Speaker 1: Crying cheerful tear for tearful Major the planets are alive.

2066
01:30:15,120 --> 01:30:15,960
Speaker 2: I can only hope.

2067
01:30:16,040 --> 01:30:17,200
Speaker 1: We love you, we love you.

2068
01:30:17,880 --> 01:30:22,719
Speaker 3: See the tour, all the shows, money talks, sibling rivalry,

2069
01:30:22,880 --> 01:30:23,400
Speaker 3: et cetera.

2070
01:30:24,120 --> 01:30:27,880
Speaker 1: And we end every episode of the song and if

2071
01:30:27,880 --> 01:30:33,520
Speaker 1: you want hid.

2072
01:30:38,840 --> 01:30:40,760
Speaker 3: And if you want to hear that, listen to so Os, which,

2073
01:30:40,760 --> 01:30:43,599
Speaker 3: by the way, is still trending in the top ten

2074
01:30:43,720 --> 01:30:47,200
Speaker 3: on the board like somehow four year old album crazy.

2075
01:30:47,720 --> 01:30:53,360
Speaker 1: Honestly I would Okay, yeah, so good.

2076
01:30:54,439 --> 01:30:56,559
Speaker 4: Last Culture Reaches is the production by Will Ferrel's Big

2077
01:30:56,560 --> 01:30:57,839
Speaker 4: Money Players and then I Heart Radio.

2078
01:30:57,680 --> 01:31:01,160
Speaker 3: Podcasts, created and hosted by Matt Rogers and Bowen Yang,

2079
01:31:01,360 --> 01:31:05,240
Speaker 3: Executive produced by Anna Hasnier and produced by Becca Ramos.

2080
01:31:05,040 --> 01:31:07,320
Speaker 1: Edited a mixed by Doug Baine, and our music is

2081
01:31:07,400 --> 01:31:08,400
Speaker 1: by Henry Koberski.