1 00:00:00,760 --> 00:00:18,440 Speaker 1: I Am all In. I Am all In with Scott 2 00:00:18,440 --> 00:00:22,319 Speaker 1: Patterson and I Heart Radio podcast Everybody Scott Patterson, I 3 00:00:22,360 --> 00:00:25,880 Speaker 1: Am all In Podcast one eleven Productions, I Heart Radio. 4 00:00:25,920 --> 00:00:29,000 Speaker 1: I'm joined for a new episode pop Culture Say good 5 00:00:29,040 --> 00:00:34,400 Speaker 1: Night Gracie, Season three, Episode one E by Tara Sup 6 00:00:34,479 --> 00:00:43,560 Speaker 1: Bax Sack just throwing in, honestly, just it's fine, backs, 7 00:00:44,479 --> 00:00:48,839 Speaker 1: Taras Sup backs every week. We're gonna get it all, 8 00:00:48,880 --> 00:00:59,280 Speaker 1: get it right, Okay, t better call Matt, let him know, 9 00:01:01,360 --> 00:01:05,080 Speaker 1: Daniel Romo, Amy Sugarman. Here we are for pop culture. 10 00:01:05,520 --> 00:01:07,959 Speaker 1: Who are you? Did you say? Who the heck you were? Yeah? 11 00:01:08,000 --> 00:01:12,320 Speaker 1: I did at the Top show. Yeah, Nor Norman, Vincent Peel, 12 00:01:12,400 --> 00:01:18,000 Speaker 1: I'm Labrador Fontane, take your pick. Uh. Alright, So here 13 00:01:18,040 --> 00:01:20,319 Speaker 1: we go. The first thing, the first ever, Rory is 14 00:01:20,360 --> 00:01:22,400 Speaker 1: picking up Lane's backpack at the party for a night 15 00:01:22,440 --> 00:01:25,200 Speaker 1: before loreal I is proud of Rory going to a 16 00:01:25,240 --> 00:01:28,759 Speaker 1: party that got rated by the cops. Imagine a mother 17 00:01:28,880 --> 00:01:35,360 Speaker 1: being thrilled. Did that happen? Loyal I says, are you 18 00:01:35,400 --> 00:01:38,200 Speaker 1: sure she's gonna want that back? Referring to the batpack 19 00:01:38,319 --> 00:01:40,839 Speaker 1: backpack It's been left alone all night at a keg party. 20 00:01:40,840 --> 00:01:45,120 Speaker 1: There's no getting over it. The backpack is permanently scarred. 21 00:01:45,560 --> 00:01:52,000 Speaker 1: That backpack is Zelda Fitzgerald, okay, loyalized references. Is the 22 00:01:52,040 --> 00:01:56,080 Speaker 1: wife of f Scott Fitzgerald that probably the greatest writer 23 00:01:56,160 --> 00:01:59,720 Speaker 1: of pros in the American cannon. The couple were icons 24 00:01:59,800 --> 00:02:03,680 Speaker 1: that as age, Zelda being dubbed the first American flapper, 25 00:02:03,760 --> 00:02:07,960 Speaker 1: but their marriage was troubled with wild nights, drinking and infidelity, 26 00:02:08,160 --> 00:02:13,200 Speaker 1: mental illness, and some say Zelda had schizophrenia. Laureli is 27 00:02:13,240 --> 00:02:16,680 Speaker 1: associating the backpack because Zelda was probably scarred by Scott 28 00:02:16,919 --> 00:02:22,160 Speaker 1: Fitzgerald's literary success and toxic relationship because Zelda herself was 29 00:02:22,320 --> 00:02:30,200 Speaker 1: a writer. Sad reference Zelda, pretty pretty slam in reference 30 00:02:30,240 --> 00:02:35,360 Speaker 1: for a back I mean to call it backpack. Zelda 31 00:02:36,560 --> 00:02:40,960 Speaker 1: then gives the explanation uh. And now on the same scene, 32 00:02:41,000 --> 00:02:43,880 Speaker 1: Lorela is talking about the party the night before. Laurel I, U, 33 00:02:44,040 --> 00:02:46,920 Speaker 1: did they bring the patty wagon? Rory, Yeah, but we 34 00:02:47,000 --> 00:02:49,120 Speaker 1: stuck out the back of the SPEAKEA scene had straight 35 00:02:49,120 --> 00:02:53,919 Speaker 1: into the Algonquin referring to the Algonquin Roundtable, New York 36 00:02:53,960 --> 00:02:58,399 Speaker 1: City at the Algonquin Hotel, which was occupied by Dorothy Parker, 37 00:02:58,600 --> 00:03:04,320 Speaker 1: and this fellow Robert Benchley, who is a writer of uh, 38 00:03:04,520 --> 00:03:08,200 Speaker 1: some of the funniest short stories you will ever read um, 39 00:03:08,240 --> 00:03:10,920 Speaker 1: among other things, Rory drunk again? How is Benchley? And 40 00:03:11,120 --> 00:03:14,600 Speaker 1: Rory says drunk again? Laurel I is referring to the 41 00:03:14,639 --> 00:03:18,679 Speaker 1: Algonquin Hotel, New York City. We're between ninety nine. The 42 00:03:18,720 --> 00:03:21,800 Speaker 1: Algonquin Round Table was born with members of the Vicious 43 00:03:21,800 --> 00:03:25,640 Speaker 1: Circle gathered to discuss current events. Members were authors, journalists, 44 00:03:25,639 --> 00:03:29,200 Speaker 1: and actors, and it's currently a literal literary rand Landmark 45 00:03:30,160 --> 00:03:34,040 Speaker 1: is currently a literary Landmark. Robert Benchley was an original member. 46 00:03:34,040 --> 00:03:35,480 Speaker 1: He was a columnist for The New York or The 47 00:03:35,560 --> 00:03:39,400 Speaker 1: Vanity Fair and wrote short films and short stories. By 48 00:03:39,400 --> 00:03:42,880 Speaker 1: the way, the ladies referred to the jazz ear as 49 00:03:42,920 --> 00:03:46,720 Speaker 1: they did with his Elda Fitzgerald reference before um. As 50 00:03:46,720 --> 00:03:50,560 Speaker 1: they're leaving the house, Laurel I is singing Wind beneath 51 00:03:50,600 --> 00:03:55,400 Speaker 1: My Wings by Bette Midler. Laurelized singing. Did you go ahead, Amy? No? 52 00:03:55,400 --> 00:03:58,360 Speaker 1: No you singing? No you do the singing? Can only 53 00:03:58,440 --> 00:04:01,760 Speaker 1: do it when you're talking. If okay, I'll talk ahead, 54 00:04:02,040 --> 00:04:08,760 Speaker 1: layalized singing Wind beneath my Wings, Little Loreal singing just 55 00:04:08,840 --> 00:04:15,000 Speaker 1: do it so freaking brilliant. References were tougher for me 56 00:04:15,040 --> 00:04:17,800 Speaker 1: that one. I'm like, you annailed it, girl, Yeah, there 57 00:04:17,800 --> 00:04:27,840 Speaker 1: you go? Whoa man? Just like reach up to the 58 00:04:27,839 --> 00:04:33,800 Speaker 1: heavens and wow, that was like zawe. That was superhero singing. 59 00:04:34,160 --> 00:04:36,360 Speaker 1: Are we go? Are you gonna do a residency in Vegas? 60 00:04:37,200 --> 00:04:41,359 Speaker 1: Call me in the shower? Oh boy, the show just 61 00:04:41,600 --> 00:04:47,920 Speaker 1: you me and the soap go alright, laurealized singers, just kidding. 62 00:04:49,040 --> 00:04:51,680 Speaker 1: I'm not gonna stop. It's gonna be Billy. Joel references 63 00:04:55,080 --> 00:04:57,400 Speaker 1: laurealizing song because she's proud of Roy for being in 64 00:04:57,400 --> 00:04:59,159 Speaker 1: the house. He got broken up by the cops because 65 00:04:59,480 --> 00:05:04,400 Speaker 1: of a fight Rory caused. This song was written for 66 00:05:04,480 --> 00:05:10,360 Speaker 1: the film soundtrack Beaches, which is uh funny. Uh. It's 67 00:05:10,440 --> 00:05:14,080 Speaker 1: the most watched film by macho men in the history 68 00:05:14,080 --> 00:05:18,440 Speaker 1: of film. I Digress. Rory goes to visit Lane at 69 00:05:18,520 --> 00:05:21,279 Speaker 1: church and talks about the party the night before, about 70 00:05:21,279 --> 00:05:23,719 Speaker 1: what happened when she got home Lane after I finished 71 00:05:23,760 --> 00:05:30,479 Speaker 1: with my Farely Brothers audition in the bushes. So the 72 00:05:30,520 --> 00:05:33,240 Speaker 1: Farrely Brothers are comedy duo who have written screenplays like 73 00:05:33,320 --> 00:05:35,680 Speaker 1: Dumb and Dumber, there's something about Mary Me, myself and 74 00:05:35,680 --> 00:05:40,880 Speaker 1: Irene Irene the hall pass stuck on you shallow? How uh? 75 00:05:40,880 --> 00:05:44,920 Speaker 1: In these films, someone is always getting drunk and throwing up. 76 00:05:45,279 --> 00:05:48,600 Speaker 1: That reference totally makes sense to me now, Like I 77 00:05:48,640 --> 00:05:50,640 Speaker 1: didn't get it when I watched it, but now I'm like, 78 00:05:50,760 --> 00:05:53,760 Speaker 1: oh my god, that's litilarious. Can you remember someone getting 79 00:05:53,800 --> 00:05:56,440 Speaker 1: drunk and throwing up in and so there's something about 80 00:05:56,480 --> 00:06:00,760 Speaker 1: Mary with Cameron Diaz and Matt Dillon's always think of 81 00:06:00,800 --> 00:06:04,599 Speaker 1: the Fairly brothers with the drunkie bar finess. But okay, 82 00:06:04,880 --> 00:06:07,840 Speaker 1: all right, um, have you ever I've had people throw 83 00:06:07,880 --> 00:06:12,640 Speaker 1: about my car window? Have you the side of the car. 84 00:06:14,720 --> 00:06:19,760 Speaker 1: I've had someone in my car in the back seat. 85 00:06:20,000 --> 00:06:25,080 Speaker 1: That happened once and I started gagging. It was wrong. 86 00:06:25,240 --> 00:06:27,360 Speaker 1: I was in a back seat and somebody in the 87 00:06:27,400 --> 00:06:29,719 Speaker 1: passage seen the front turnaround and puked on the guy 88 00:06:29,800 --> 00:06:34,000 Speaker 1: next to me turned around the way out the window. 89 00:06:34,640 --> 00:06:37,960 Speaker 1: Don't you miss being? Has your kid ever barfed? My 90 00:06:38,040 --> 00:06:40,640 Speaker 1: niece's barf all the time. It's less awful when it's 91 00:06:40,680 --> 00:06:44,080 Speaker 1: a child. You guys like saying that not one of 92 00:06:44,160 --> 00:06:47,680 Speaker 1: the three of you has ever barfed inside a vehicle before. 93 00:06:48,720 --> 00:06:53,000 Speaker 1: I have never I have never done that. Yeah, I 94 00:06:53,040 --> 00:06:57,600 Speaker 1: only like barf when other people, like from drinking, but 95 00:06:57,640 --> 00:07:00,440 Speaker 1: not in a vehicle. They're just in general like that 96 00:07:00,640 --> 00:07:03,560 Speaker 1: a person. That's the bar for Yes, your go to 97 00:07:03,760 --> 00:07:07,039 Speaker 1: words barf, throw up? Like what's your word up? I 98 00:07:07,080 --> 00:07:12,960 Speaker 1: think throw up? Barf is kind of bar that's right to. 99 00:07:13,480 --> 00:07:21,280 Speaker 1: Did you have enough? Bomb? Hannah Say's bombs like an 100 00:07:21,280 --> 00:07:25,400 Speaker 1: invented word. I like it. Um. Yeah, my nieces vomit 101 00:07:25,680 --> 00:07:29,400 Speaker 1: so much in the car, like literally they get car sick. Oh, 102 00:07:29,760 --> 00:07:32,800 Speaker 1: don't give a kid an iPad. Yeah, I can't look 103 00:07:32,840 --> 00:07:41,680 Speaker 1: at anything in the bar name anyway, Moving on, same 104 00:07:41,680 --> 00:07:44,120 Speaker 1: seeing Lane and Roy talking about the night before Lane, 105 00:07:44,640 --> 00:07:48,360 Speaker 1: it was more Stepford than Cold, very converse Serene. Stepford 106 00:07:48,400 --> 00:07:52,840 Speaker 1: Wives is a satirical feminist horror novel by Era Leven. 107 00:07:52,920 --> 00:07:57,800 Speaker 1: I have a feeling I didn't I releven right Rosemary's Baby. Um, 108 00:07:57,960 --> 00:07:59,679 Speaker 1: I don't know if I did see the Nicole Kidman 109 00:07:59,720 --> 00:08:07,080 Speaker 1: Stuffford Wives remake. Yeah, yeah, it wasn't loved it. Speaking 110 00:08:08,080 --> 00:08:12,280 Speaker 1: in it, I think, did you did you ever know? 111 00:08:13,080 --> 00:08:16,240 Speaker 1: Did you ever know? That? You're my hero? I know 112 00:08:16,360 --> 00:08:20,640 Speaker 1: it now. The term came. I'll never forget the term 113 00:08:20,720 --> 00:08:23,840 Speaker 1: came after the novel was published, and how the Stepford 114 00:08:23,880 --> 00:08:27,840 Speaker 1: Wife is an idyllic, robotic, submissive wife created by her husband. 115 00:08:28,400 --> 00:08:31,360 Speaker 1: Stefford is a city in Connecticut. Lane is referring to 116 00:08:31,360 --> 00:08:33,720 Speaker 1: her mom's behavior in reaction to her drunk phone call 117 00:08:34,320 --> 00:08:37,160 Speaker 1: as being calm and robotic, as she just continued house 118 00:08:37,280 --> 00:08:42,520 Speaker 1: chores and ignored Lane. Hence it was more Stepford than cold, 119 00:08:42,679 --> 00:08:47,280 Speaker 1: very calm, very serene. Taylor walks into Luke Steiner singing 120 00:08:47,280 --> 00:08:50,360 Speaker 1: The Candy Man by Sammy Davis Jr. With the announcement 121 00:08:50,400 --> 00:08:54,200 Speaker 1: that his candy shop will finally be open. Taylor, all right, 122 00:08:54,280 --> 00:08:58,400 Speaker 1: somebody blake Kirk please, it was to be Kirk Amy, 123 00:08:58,400 --> 00:09:02,439 Speaker 1: You're Kirk. Here we go, Taylor. The day it's right 124 00:09:02,480 --> 00:09:07,840 Speaker 1: in front alight. You're out, Danielle, you just got hired, 125 00:09:08,240 --> 00:09:11,760 Speaker 1: signed a one day contract. Congratulations Taylor. The day we 126 00:09:11,840 --> 00:09:15,920 Speaker 1: all thought would never get here has arrived. Harbor Day, No, 127 00:09:16,640 --> 00:09:21,720 Speaker 1: the day of reckoning, The day music died. The Day 128 00:09:22,480 --> 00:09:25,920 Speaker 1: the Music Died is known when Richie Vallen's buddy Holly 129 00:09:26,080 --> 00:09:29,679 Speaker 1: and J. P. Richardson died in a plane crash on 130 00:09:29,760 --> 00:09:34,760 Speaker 1: February third, nineteen fifty nine. I Love La Bamba. Don 131 00:09:35,559 --> 00:09:38,240 Speaker 1: I do. I love that movie LaBamba, that's what it's about. Yeah, 132 00:09:39,320 --> 00:09:41,640 Speaker 1: I love La Bamba. And that was who was the actor, 133 00:09:41,960 --> 00:09:45,600 Speaker 1: Lou Diamond Phillips. Totally was out loud Diamond Phillips. Yes, 134 00:09:45,960 --> 00:09:47,640 Speaker 1: I was crushing it. And I can still think of 135 00:09:47,640 --> 00:09:51,760 Speaker 1: the brother Richie, and then the mom's like, got my Richie. 136 00:09:52,400 --> 00:09:55,600 Speaker 1: I still cry. It's such a good movie. Go ahead 137 00:09:55,600 --> 00:10:02,760 Speaker 1: and do that, rich Nice. We're gonna make an actress 138 00:10:02,760 --> 00:10:08,199 Speaker 1: out of you yet five that's what the song, right? 139 00:10:08,240 --> 00:10:13,960 Speaker 1: That was about the music Dad and I get Babe 140 00:10:15,200 --> 00:10:19,760 Speaker 1: American fact, it was about that, right, I'm assuming that 141 00:10:19,960 --> 00:10:21,559 Speaker 1: was that song about that. I have a have a 142 00:10:21,640 --> 00:10:25,240 Speaker 1: very strange relationship with that song. Yeah you don't like 143 00:10:25,280 --> 00:10:29,240 Speaker 1: that tune? Yeah, no, I like it, but it's just 144 00:10:29,280 --> 00:10:31,719 Speaker 1: it's just it's just like it's an odd song. I 145 00:10:32,000 --> 00:10:33,880 Speaker 1: don't like if it's if it was on, I'd immediately 146 00:10:33,960 --> 00:10:37,440 Speaker 1: go to the next song kind of Yeah, but I 147 00:10:37,480 --> 00:10:40,960 Speaker 1: get it right. Uh So Don McLean dubbed this day 148 00:10:41,160 --> 00:10:45,040 Speaker 1: in his One American Pie song up for discussion. Why 149 00:10:45,240 --> 00:10:49,679 Speaker 1: is Kirk referring to this just because he keeps guessing 150 00:10:50,480 --> 00:10:55,599 Speaker 1: day Burday random? Is like? Not because he wants, you 151 00:10:55,640 --> 00:10:57,800 Speaker 1: can say, for Christmas, He's saying our bur Day. He's 152 00:10:57,800 --> 00:11:00,240 Speaker 1: just gonna keep but he wants a taffy. He wants 153 00:11:00,280 --> 00:11:03,080 Speaker 1: to be silenced with a taffy. Yeah, because he gave 154 00:11:03,160 --> 00:11:10,240 Speaker 1: the taffy to Jess, Like shut up right, um, all right. 155 00:11:10,320 --> 00:11:13,080 Speaker 1: Jess's in the diner, is very busy and being mean 156 00:11:13,160 --> 00:11:16,640 Speaker 1: to all the customers, especially to his own father. Jess, 157 00:11:16,679 --> 00:11:18,960 Speaker 1: where the hell have you been? The places a freaking zoo. 158 00:11:19,160 --> 00:11:21,880 Speaker 1: Every table's full, and I've got Sammy Davis Jr. Here 159 00:11:22,040 --> 00:11:26,320 Speaker 1: Thinking it's the Desert in the Candy Man. Can Jess 160 00:11:26,400 --> 00:11:28,600 Speaker 1: is referring to Sammy Davis Jr. Because Taylor was singing 161 00:11:28,640 --> 00:11:32,120 Speaker 1: the Candy Man when he walked in the diner. Nineteen sixties, 162 00:11:32,160 --> 00:11:35,079 Speaker 1: Sammy Davis Jr. Regularly played The Desert in Las Vegas 163 00:11:35,120 --> 00:11:38,320 Speaker 1: along with Frank Sinatra, Dean Martin and Jerry Lewis. They 164 00:11:38,360 --> 00:11:41,160 Speaker 1: are particularly love that song either What the Candy Man? 165 00:11:41,360 --> 00:11:44,680 Speaker 1: That was a big hit for Sammy, big movie called 166 00:11:44,720 --> 00:11:51,079 Speaker 1: The Candy Man, Yeah, Candy Man. Does Willy Wonka have 167 00:11:51,160 --> 00:11:55,079 Speaker 1: that song in it? Yeah? Sure sure sure are the 168 00:11:55,120 --> 00:12:00,240 Speaker 1: original not the Johnt depp one? No, no so Uki 169 00:12:00,360 --> 00:12:04,640 Speaker 1: Laureli seeing Fran has died, uh and wondering if they 170 00:12:04,640 --> 00:12:08,120 Speaker 1: would be able to buy the dragonfly in. So Laura La, okay, 171 00:12:08,200 --> 00:12:13,079 Speaker 1: you guys act out, Laurela and Suki go hun, Daniel, 172 00:12:13,160 --> 00:12:20,640 Speaker 1: your Laura, La Tara, your Suki go okay action. If 173 00:12:20,679 --> 00:12:22,640 Speaker 1: we're meant to have the dragon flight in, then we're 174 00:12:22,679 --> 00:12:29,480 Speaker 1: meant to have it right like Doris Day wonderful. Okay, 175 00:12:29,600 --> 00:12:32,480 Speaker 1: that's a cut. Let's uh print it and we're moving on. 176 00:12:33,200 --> 00:12:37,120 Speaker 1: Check that uh. Doors Day sang the song case Sura Sura, 177 00:12:37,280 --> 00:12:40,439 Speaker 1: which means whatever will be will be. It was introduced 178 00:12:40,480 --> 00:12:43,520 Speaker 1: in Alfred Hitchcock's film The Man Who Knew Too Much. 179 00:12:44,200 --> 00:12:46,360 Speaker 1: It also served as a theme song to her own 180 00:12:46,360 --> 00:12:50,840 Speaker 1: show from to nine seventy three. This is Doris Day's 181 00:12:50,920 --> 00:12:53,959 Speaker 1: most famous song. The ladies are referring are referencing this 182 00:12:54,559 --> 00:12:58,160 Speaker 1: just to reassure themselves if it's meant to be, it 183 00:12:58,240 --> 00:13:02,839 Speaker 1: will be that they will own the end. And ladies 184 00:13:02,880 --> 00:13:07,520 Speaker 1: and gentlemen, I believe that we have wrapped pop culture. 185 00:13:07,559 --> 00:13:11,199 Speaker 1: Are there any thoughts ideas? Do you have a know? 186 00:13:13,920 --> 00:13:16,719 Speaker 1: I just like to point out that we've been, you know, 187 00:13:16,880 --> 00:13:20,559 Speaker 1: singing Bet Midler song for the last few minutes is 188 00:13:20,720 --> 00:13:27,520 Speaker 1: almost Bett Midler season. What does that mean? Did you 189 00:13:27,559 --> 00:13:33,040 Speaker 1: know there's there be a new hocus Focus coming? Yes, thrilled, thrilled, thrilled, thrilled. 190 00:13:33,440 --> 00:13:37,760 Speaker 1: Never never saw that one, never saw I've never seen Kenya. 191 00:13:40,120 --> 00:13:42,600 Speaker 1: Can you take is? Like? I think that was one 192 00:13:42,640 --> 00:13:47,079 Speaker 1: of his biggest movies, Kenny Ortega seen everything that I'm in? 193 00:13:47,400 --> 00:13:53,920 Speaker 1: You know, give me a break. Honestly, Pocus Focus is 194 00:13:54,480 --> 00:13:58,600 Speaker 1: top ten films of all time. Surprise it hasn't had 195 00:13:58,640 --> 00:14:02,160 Speaker 1: more Gilmore references. It feels like the Gilmore Girls would 196 00:14:02,200 --> 00:14:06,640 Speaker 1: reference Hocus Pocus probably, but it seems that they're we 197 00:14:06,720 --> 00:14:11,439 Speaker 1: still have like five more seasons. Alright, kids, Uh, we 198 00:14:11,559 --> 00:14:14,880 Speaker 1: will see you next time. It's been a rollicking good 199 00:14:15,000 --> 00:14:18,680 Speaker 1: time with you, and uh, I guess we're gonna wrap 200 00:14:18,720 --> 00:14:52,200 Speaker 1: it up. So thanks everybody, and we'll see you next time. Hey, everybody, 201 00:14:52,200 --> 00:14:55,520 Speaker 1: and don't forget follow us on Instagram at I Am 202 00:14:55,600 --> 00:14:59,560 Speaker 1: All In podcast and email us at Gilmore at I 203 00:14:59,760 --> 00:15:02,960 Speaker 1: heart radio dot com. Oh you get more fans. 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