WEBVTT - S3/E3 | The Fairgrounds

0:00:00.040 --> 0:00:07.440
<v Speaker 1>Yeah. Thirteen Days of Halloween, Devil's Night, a production of

0:00:07.440 --> 0:00:10.719
<v Speaker 1>I Heart three D Audio Blumhouse Television and Grimm and

0:00:10.800 --> 0:00:32.760
<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Okay, Carol,

0:00:34.040 --> 0:00:39.440
<v Speaker 1>I think we lost him. How where did we run?

0:00:41.080 --> 0:00:47.640
<v Speaker 1>I don't know where we are. I see lights over

0:00:47.680 --> 0:01:01.560
<v Speaker 1>the hill. Okay, buddy, let's go What he's that sounds

0:01:01.600 --> 0:01:06.880
<v Speaker 1>like the end of the world. Well, we can't go

0:01:06.920 --> 0:01:16.560
<v Speaker 1>back the other way. Come on, hey, buddy, it's a

0:01:16.680 --> 0:01:22.960
<v Speaker 1>fair all right. This is the fair grounds. I think

0:01:23.000 --> 0:01:28.399
<v Speaker 1>that means we're south of town opposite. Oh so Max,

0:01:29.400 --> 0:01:36.560
<v Speaker 1>mirror Max. Well, I'll be Jim chimped Nex. It is you.

0:01:38.120 --> 0:01:45.480
<v Speaker 1>You remember me? Dorothy? Yeah, Dorothy Dupunt. Hey, Archie, I

0:01:45.600 --> 0:01:49.000
<v Speaker 1>know this kid. He does work for my pop sometimes.

0:01:49.440 --> 0:01:52.480
<v Speaker 1>Pop calls and mirror Max because he gets the Lincoln

0:01:52.600 --> 0:01:57.160
<v Speaker 1>so shiny you could shave in your reflection. Max. This

0:01:57.320 --> 0:02:03.120
<v Speaker 1>is our cheap loor. He's my guy. Now you're doing sport. Actually,

0:02:03.600 --> 0:02:06.200
<v Speaker 1>I'm glad to run into you. I need Helsey just

0:02:06.240 --> 0:02:08.720
<v Speaker 1>can't get good health these days with this kid. He's

0:02:08.760 --> 0:02:12.200
<v Speaker 1>a regular gas piston and Archie. You wouldn't believe it.

0:02:12.320 --> 0:02:14.919
<v Speaker 1>I heard him say the sweetest thing. It was one

0:02:14.960 --> 0:02:18.359
<v Speaker 1>Saturday a few months ago. He spends all days chauvelin

0:02:18.440 --> 0:02:20.720
<v Speaker 1>mud in the back acre, out in the sun. It's

0:02:20.720 --> 0:02:24.160
<v Speaker 1>hot as helen out there. At quitting time. Here comes

0:02:24.160 --> 0:02:26.799
<v Speaker 1>our made Clara to offer him some cold roast be

0:02:27.080 --> 0:02:32.280
<v Speaker 1>for supper, and he says, no thanks. My mom's making

0:02:32.400 --> 0:02:35.959
<v Speaker 1>navy being soup tonight, and it'll sure hurt her feelings

0:02:35.960 --> 0:02:40.359
<v Speaker 1>if I don't come home hungry. What the hell's a navy?

0:02:41.120 --> 0:02:43.800
<v Speaker 1>Isn't that the most darling thing you ever heard? Easy

0:02:43.840 --> 0:02:46.760
<v Speaker 1>on the sugar doll, you're gonna run away with this

0:02:46.840 --> 0:02:51.359
<v Speaker 1>piste ripple, Archie, don't be coarse. I'm just playing Dorothy.

0:02:51.400 --> 0:02:56.160
<v Speaker 1>I need help, ye my dogging me. We're stuck on

0:02:56.200 --> 0:02:58.400
<v Speaker 1>the wrong side of town and I don't have a

0:02:58.440 --> 0:03:02.720
<v Speaker 1>way to get home. Oh well, archiese, Papa sending a

0:03:02.760 --> 0:03:05.360
<v Speaker 1>car to pick us up later. I suppose we could

0:03:06.840 --> 0:03:13.560
<v Speaker 1>give you a ride. Really well, golly, I mean we could,

0:03:14.080 --> 0:03:17.840
<v Speaker 1>but don't beat around the bush doll. Look, we could

0:03:18.040 --> 0:03:20.320
<v Speaker 1>give you a ride, but we're in a jam too,

0:03:21.240 --> 0:03:23.280
<v Speaker 1>So how about you do us a favorite first? What

0:03:23.480 --> 0:03:30.440
<v Speaker 1>is it? Well, earlier tonight I lost something something real important. See,

0:03:31.000 --> 0:03:35.440
<v Speaker 1>I borrowed a tennis bracelet from Archiese mother, robably worth

0:03:35.480 --> 0:03:39.240
<v Speaker 1>more than your house diamonds out the don't be course.

0:03:40.120 --> 0:03:42.560
<v Speaker 1>It was supposed to be just for tonight, but she

0:03:42.640 --> 0:03:46.520
<v Speaker 1>doesn't know I took it. That bracelet means everything to her,

0:03:46.520 --> 0:03:49.800
<v Speaker 1>and I lost it in there at the fair Do

0:03:49.840 --> 0:03:52.760
<v Speaker 1>you think you could go in and find it for us?

0:03:55.160 --> 0:03:58.920
<v Speaker 1>Why can't you go back yourself? Oh, I'll tell you why,

0:03:59.160 --> 0:04:06.160
<v Speaker 1>tight ass brother, fucking Carnie trash Archie. See, Archie caused

0:04:06.160 --> 0:04:09.200
<v Speaker 1>a bit of a stir inside and we got thrown out.

0:04:09.400 --> 0:04:12.800
<v Speaker 1>Jake leg imbeciles French. Hold on, Archie. We were in

0:04:13.000 --> 0:04:16.760
<v Speaker 1>Quiet Cows. Have you been there? No, it's a check

0:04:16.839 --> 0:04:19.359
<v Speaker 1>full of rotten mummies and pickled whale job. It's called

0:04:19.480 --> 0:04:23.120
<v Speaker 1>Quiet Cow's House of Wonders. It's on the far side

0:04:23.120 --> 0:04:26.320
<v Speaker 1>of the fairgrounds, sort of a cookie museum stuff from

0:04:26.360 --> 0:04:29.640
<v Speaker 1>all heck knows where it belongs to this weird old

0:04:29.640 --> 0:04:33.360
<v Speaker 1>woman who calls herself Quiet Cow, nasty old bet out

0:04:33.400 --> 0:04:35.920
<v Speaker 1>of her mind. So we were inside looking at the

0:04:36.000 --> 0:04:40.520
<v Speaker 1>mummies and whatnots, and Archie pipes up, say what's behind

0:04:40.600 --> 0:04:44.760
<v Speaker 1>the secret door? Yeah, you gotta wonder big door just

0:04:44.800 --> 0:04:47.520
<v Speaker 1>says keep out. My friend Frankie says he heard old

0:04:47.560 --> 0:04:50.400
<v Speaker 1>quiet cow runs a gin bar on the sly back there,

0:04:50.920 --> 0:04:55.120
<v Speaker 1>cold booze fan dancers with ditties out to hear. Well,

0:04:55.160 --> 0:04:58.080
<v Speaker 1>whatever it is, she wouldn't open it up for us,

0:04:58.240 --> 0:05:01.680
<v Speaker 1>and Archie lost as town. I said, after everything my

0:05:01.720 --> 0:05:04.880
<v Speaker 1>pops does for this town, you're gonna treat me like smut.

0:05:05.320 --> 0:05:08.200
<v Speaker 1>Keep me out of your ditty joint. How about I

0:05:08.200 --> 0:05:10.800
<v Speaker 1>give it back to you? How would I smash your

0:05:10.800 --> 0:05:14.960
<v Speaker 1>dirty fucking mummies? You had too much to drink, doll face,

0:05:15.000 --> 0:05:18.679
<v Speaker 1>I'm just getting started. Well, I went, Frankie and Bertram

0:05:18.720 --> 0:05:20.120
<v Speaker 1>get here. We ought to go back and burn the

0:05:20.120 --> 0:05:22.680
<v Speaker 1>whole damn. Anyway, Archie made a terrible mess and they

0:05:22.760 --> 0:05:25.719
<v Speaker 1>chased us out into the woods. But then I noticed

0:05:25.760 --> 0:05:29.600
<v Speaker 1>the bracelet was gone. It must have fallen off inside cows.

0:05:30.520 --> 0:05:33.760
<v Speaker 1>If you can find it in there, it would mean

0:05:33.760 --> 0:05:37.200
<v Speaker 1>the world to me. And of course we'd give you

0:05:37.240 --> 0:05:41.480
<v Speaker 1>a ride home. Here, take my ticket, you can get

0:05:41.480 --> 0:05:48.320
<v Speaker 1>in with that. Well, you really are a sweetheart, See

0:05:48.320 --> 0:06:01.679
<v Speaker 1>you soon. Okay, buddy, just got to find this place.

0:06:03.000 --> 0:06:07.760
<v Speaker 1>I think it's this way to come free. Nick West,

0:06:07.760 --> 0:06:11.120
<v Speaker 1>the whims and tips, the store, blood run, hot up,

0:06:11.160 --> 0:06:14.200
<v Speaker 1>stick plunge. Are you a regular matter? A bag of

0:06:14.240 --> 0:06:20.279
<v Speaker 1>wax limps? The old way to know it's as say

0:06:20.360 --> 0:06:23.400
<v Speaker 1>they're cool. Why not give it a goal at the

0:06:23.480 --> 0:06:27.040
<v Speaker 1>knife toss sink the blade and the yellow cork in

0:06:27.080 --> 0:06:31.000
<v Speaker 1>the prize. The only way to lose is to walk away. Sorry,

0:06:31.080 --> 0:06:35.040
<v Speaker 1>Mr I'm in a hurry, so you're in the wrong

0:06:35.160 --> 0:06:43.240
<v Speaker 1>place from her wrong fil bashable Welcome, Welcome to Quiet

0:06:43.360 --> 0:06:47.520
<v Speaker 1>Kyle's House of Wonders, home of the world renowned Hall

0:06:47.720 --> 0:06:51.719
<v Speaker 1>of Mummyosity. I am your hostess. That is my name

0:06:51.720 --> 0:06:53.960
<v Speaker 1>in the marquis. Ladies and gentlemen. We had a bit

0:06:54.000 --> 0:06:55.960
<v Speaker 1>of a bug tustle earlier this evening, and we are

0:06:55.960 --> 0:06:58.640
<v Speaker 1>getting everything cleaned up as I speak. The tour will

0:06:58.680 --> 0:07:02.159
<v Speaker 1>begin in just a moment, and in the meantime, Delbert,

0:07:02.920 --> 0:07:06.719
<v Speaker 1>you may commence with that horrible instrument if you must

0:07:07.320 --> 0:07:13.200
<v Speaker 1>blee madam now has my galic assistant attempts to torture

0:07:13.280 --> 0:07:16.160
<v Speaker 1>melody from that satanic contraption. I would be happy to

0:07:16.200 --> 0:07:19.520
<v Speaker 1>answer any questions you have. Hey, I heard you had

0:07:19.520 --> 0:07:22.800
<v Speaker 1>a two from a man eating tree in there. True,

0:07:23.200 --> 0:07:27.480
<v Speaker 1>you will see it with your own eyes. Yeah, standing barrack.

0:07:27.640 --> 0:07:31.320
<v Speaker 1>Now to that one, I say cock and bull. Ladies

0:07:31.360 --> 0:07:34.760
<v Speaker 1>and gentlemen, The tea in my total is a capital one,

0:07:34.840 --> 0:07:38.200
<v Speaker 1>I assure you. And the only spirits with which I

0:07:38.280 --> 0:07:45.160
<v Speaker 1>associate are those who reach out through the venerable right sales. Well,

0:07:45.160 --> 0:07:47.440
<v Speaker 1>there it is, ladies and gentlemen. If you haven't a

0:07:47.440 --> 0:07:49.960
<v Speaker 1>ticket yet, you may purchase over yonder if you have

0:07:50.040 --> 0:07:55.560
<v Speaker 1>one in hand, right this way, Come tell there see

0:07:55.680 --> 0:07:59.560
<v Speaker 1>here the gunpowder God. Many years ago my late husband

0:07:59.560 --> 0:08:02.240
<v Speaker 1>and I were crossing the plateaus of the Great Altai

0:08:02.680 --> 0:08:06.040
<v Speaker 1>when we came upon a tribe of ox herds, after

0:08:06.120 --> 0:08:08.640
<v Speaker 1>trading for a few bubbles and a kind of sardines,

0:08:09.120 --> 0:08:11.480
<v Speaker 1>said they would take us to see their god in

0:08:11.520 --> 0:08:13.840
<v Speaker 1>the flesh. And what do you know, but when we

0:08:13.920 --> 0:08:17.040
<v Speaker 1>came to it, this idol was no less than an

0:08:17.120 --> 0:08:21.920
<v Speaker 1>unblasted howitzer shell, dressed in garlands of lilac. And the people,

0:08:22.000 --> 0:08:24.520
<v Speaker 1>one by one pressed their lips upon it like it

0:08:24.560 --> 0:08:28.520
<v Speaker 1>was the pissine ring of the pope. This is their god?

0:08:28.960 --> 0:08:31.960
<v Speaker 1>How did that happen? Here? That is a secret of

0:08:32.040 --> 0:08:36.160
<v Speaker 1>the trade. What's this? That is my taxidermy of the

0:08:36.240 --> 0:08:40.600
<v Speaker 1>dreaditor at bear of Patagonia. The beast never grows larger

0:08:40.640 --> 0:08:43.720
<v Speaker 1>than a pumpkin. Yet a single one of these rodents

0:08:43.800 --> 0:08:47.160
<v Speaker 1>could eat a man hole, though often enough they will

0:08:47.240 --> 0:08:50.360
<v Speaker 1>settle for biting off the exposed genitals of one who

0:08:50.360 --> 0:08:52.520
<v Speaker 1>steps away from the group to make water while on

0:08:52.559 --> 0:08:56.880
<v Speaker 1>a hunt. Looks like a stuffed rabbit. Yeah, with assholes,

0:08:57.000 --> 0:09:01.760
<v Speaker 1>fry laugh. Are you like the Philistines? We will take

0:09:01.800 --> 0:09:09.920
<v Speaker 1>your money all the same. Now onto the Hall of Mummiosity. This,

0:09:10.600 --> 0:09:14.000
<v Speaker 1>I believe, I can say with confidence, is the largest

0:09:14.080 --> 0:09:18.800
<v Speaker 1>private collection of mummies on Earth. We have long mummies,

0:09:18.800 --> 0:09:22.400
<v Speaker 1>shot mummies, old mummies, young mummies, Linen's age to find

0:09:22.520 --> 0:09:27.160
<v Speaker 1>hues of emmy, slate and rose, noble mummies, humble mummies,

0:09:27.240 --> 0:09:31.320
<v Speaker 1>kings eternal and children of the past. My late husband

0:09:31.320 --> 0:09:34.439
<v Speaker 1>than I spent the better part of our lives collecting

0:09:34.480 --> 0:09:38.240
<v Speaker 1>these beautiful specimens from every corner of the globe. We

0:09:38.360 --> 0:09:41.480
<v Speaker 1>have not only the refined, stately mummies of Egypt, but

0:09:41.559 --> 0:09:45.120
<v Speaker 1>the creatures of the Jutland bog, curled and cured in

0:09:45.280 --> 0:09:50.280
<v Speaker 1>blankets of Pete, the gorgeous desiccated guardians of the scrubland,

0:09:50.320 --> 0:09:54.920
<v Speaker 1>and the Plane. Our mummies come from every continent, every

0:09:55.040 --> 0:09:59.280
<v Speaker 1>corner of the map. Admire their elegance at your leisure,

0:09:59.720 --> 0:10:03.600
<v Speaker 1>but I must stress, do not touch it was behind

0:10:03.600 --> 0:10:07.400
<v Speaker 1>this door. Stop that now, ship, this is the secret

0:10:07.480 --> 0:10:10.000
<v Speaker 1>room you got that booze all back here? Don't you

0:10:10.120 --> 0:10:21.199
<v Speaker 1>out out dull there? Hey, you can't expect that. Apologies

0:10:21.320 --> 0:10:24.560
<v Speaker 1>for the scene, ladies and gentlemen's hum Fools cannot be

0:10:24.679 --> 0:10:39.160
<v Speaker 1>saved even by education. Enjoy the exhibits. Excuse me, ma'am,

0:10:39.200 --> 0:10:42.560
<v Speaker 1>And who are you? My name is Max. I'm sorry

0:10:42.559 --> 0:10:46.320
<v Speaker 1>to bother you, but I'm looking for something. A friend

0:10:46.320 --> 0:10:49.280
<v Speaker 1>of mine lost his special Barrie slet in here, and

0:10:49.400 --> 0:10:52.480
<v Speaker 1>I'm trying to help her find it. I looked all

0:10:52.520 --> 0:10:58.280
<v Speaker 1>over the floor already. Do you have Boston found? Young man?

0:10:58.320 --> 0:11:02.320
<v Speaker 1>This house, in its full is a lost and found.

0:11:03.559 --> 0:11:07.440
<v Speaker 1>Oh but in the sense you mean, yes, I do, Darbert,

0:11:08.840 --> 0:11:11.920
<v Speaker 1>step into my office. This boy here is in search

0:11:11.960 --> 0:11:19.040
<v Speaker 1>of concert. You will have to excuse the mass. We

0:11:19.120 --> 0:11:22.320
<v Speaker 1>suffered a frightful act of vandalism this evening. In a

0:11:22.400 --> 0:11:24.800
<v Speaker 1>hurry to clean up. I fear that every single thing

0:11:24.880 --> 0:11:29.480
<v Speaker 1>has been mislaid. Dalbert the Lost and Found. One moment,

0:11:29.520 --> 0:11:37.840
<v Speaker 1>madame name, can I ask? Why are you called quiet? Cow? Well?

0:11:37.920 --> 0:11:40.520
<v Speaker 1>Now that is on account of my contract with the

0:11:40.600 --> 0:11:45.320
<v Speaker 1>Power Almighty. You see, one foul, foggy morning many years ago,

0:11:46.000 --> 0:11:49.720
<v Speaker 1>my late husband Brad and I were chopping and whacking

0:11:49.760 --> 0:11:52.680
<v Speaker 1>our way through the jungles of French into China, on

0:11:52.760 --> 0:11:55.920
<v Speaker 1>the trail of a local sorcerer whom we had been

0:11:56.000 --> 0:12:00.000
<v Speaker 1>led to believe possessed the bones of a winged gremlins or.

0:12:00.360 --> 0:12:02.760
<v Speaker 1>And it was on that track that the Lord himself

0:12:02.880 --> 0:12:06.920
<v Speaker 1>intervened to save me from certain death in a pitfall

0:12:07.000 --> 0:12:12.480
<v Speaker 1>tiger trap. Hearing his stern voice call out, I hesitated

0:12:12.520 --> 0:12:14.960
<v Speaker 1>to lay my foot on the forest floor. And I

0:12:15.080 --> 0:12:19.240
<v Speaker 1>tell you, if I had taken one more step, I

0:12:19.240 --> 0:12:22.520
<v Speaker 1>would have tumbled to a perforated and skewered like a

0:12:22.600 --> 0:12:26.760
<v Speaker 1>sausage on stakes of bamboo. As was my poor husband,

0:12:27.840 --> 0:12:39.400
<v Speaker 1>Oh clever he was, and handsome and dextrous. But since

0:12:39.440 --> 0:12:42.040
<v Speaker 1>the Almighty saw fit to withhold me from such a

0:12:42.080 --> 0:12:46.280
<v Speaker 1>piercing ingratitude, I undertook a vow of silence that I

0:12:46.400 --> 0:12:52.000
<v Speaker 1>honor to this day. Does that mean you don't talk

0:12:52.840 --> 0:12:57.720
<v Speaker 1>correct like you're talking right now, dear boy, This is

0:12:57.760 --> 0:13:01.840
<v Speaker 1>not talk, this is discourse. I also keep a vow

0:13:01.920 --> 0:13:07.720
<v Speaker 1>of chastity m by God, Albert, what is taking so long?

0:13:08.000 --> 0:13:10.640
<v Speaker 1>My blood comes to a simmer as I watch you

0:13:10.720 --> 0:13:15.080
<v Speaker 1>foots and fumble about. Max, my boy, behold a man

0:13:15.400 --> 0:13:18.640
<v Speaker 1>so maladroit he'd need a stalking horse to approach a

0:13:18.760 --> 0:13:23.160
<v Speaker 1>pot of beans. Do you hear me? Yes, madam, I

0:13:23.240 --> 0:13:30.520
<v Speaker 1>believe it. It's just here somewhere. Why are you lumbering fangle?

0:13:30.720 --> 0:13:33.679
<v Speaker 1>If I had any sense, I would turn your hide

0:13:33.679 --> 0:13:36.319
<v Speaker 1>into a cover for the privy seat so it would

0:13:36.320 --> 0:13:39.880
<v Speaker 1>not chill my haunches in the midnight hour. Are you

0:13:40.000 --> 0:13:49.080
<v Speaker 1>still not finished? Ha? Ha ha? Good this yeah, that's

0:13:49.080 --> 0:13:53.440
<v Speaker 1>got to be it. Give it here, Dabert. Now, Max,

0:13:54.400 --> 0:13:58.600
<v Speaker 1>I'm not a fool. I know where and who this

0:13:58.800 --> 0:14:03.200
<v Speaker 1>came from. I'll give you the bracelet, but in return

0:14:03.320 --> 0:14:10.200
<v Speaker 1>you must give me her name. Think now, it's only justice.

0:14:11.400 --> 0:14:15.520
<v Speaker 1>This girl and her rattle cap baw laid an absolutely

0:14:15.760 --> 0:14:19.600
<v Speaker 1>senseless wallop on one of my most cherished mummies, the

0:14:19.680 --> 0:14:22.440
<v Speaker 1>body of a holy child from the storm burned peaks

0:14:22.520 --> 0:14:27.720
<v Speaker 1>of the Andes. Now, whatever you think of these withered rapplings,

0:14:27.720 --> 0:14:31.080
<v Speaker 1>they are priceless to me. I travel the world to

0:14:31.120 --> 0:14:35.000
<v Speaker 1>acquire them. There my life's work. You must understand when

0:14:35.000 --> 0:14:38.120
<v Speaker 1>my life's work is stamped into the floorboards by a

0:14:38.120 --> 0:14:42.720
<v Speaker 1>couple of soft boiled bambini on a Halloween lark. It

0:14:42.880 --> 0:14:47.920
<v Speaker 1>is only fair that I would seek justice. I won't

0:14:47.960 --> 0:14:51.160
<v Speaker 1>lock them in the iron maiden, though I do have

0:14:51.240 --> 0:14:55.800
<v Speaker 1>one around here somewhere. I will be engaging the police,

0:14:56.920 --> 0:14:59.000
<v Speaker 1>of course, there's no reason for them to find out

0:14:59.120 --> 0:15:08.640
<v Speaker 1>it was you told so do we have a deal? Sorry, nam,

0:15:08.680 --> 0:15:16.240
<v Speaker 1>I can't h so be it. I'm disappointed, But as

0:15:16.320 --> 0:15:20.880
<v Speaker 1>much as I desire forthrightness, loyalty is a virtue with

0:15:20.960 --> 0:15:24.320
<v Speaker 1>a luster of its own. Of course, this means I'll

0:15:24.360 --> 0:15:27.880
<v Speaker 1>need to keep the bracelet as evidence. Now, run along

0:15:28.360 --> 0:15:38.680
<v Speaker 1>and a merry Halloween to you. Are we gonna do now? Buddy? Now, folks,

0:15:38.720 --> 0:15:43.680
<v Speaker 1>two passengers, Hi, your dirty cheek. That's a trick knife.

0:15:43.880 --> 0:15:47.480
<v Speaker 1>I want my bunny pat. It's truth, everybody tonight down,

0:15:47.600 --> 0:15:51.680
<v Speaker 1>there's no trick. Shall show you something. You're too bit buzzy.

0:15:52.960 --> 0:15:55.360
<v Speaker 1>Imagine the hot breath on your skin. I imagine the

0:15:55.400 --> 0:15:57.800
<v Speaker 1>claws like a drag harro ricking your neck. I fought

0:15:57.840 --> 0:15:59.640
<v Speaker 1>alone is enough to send you were me running from

0:15:59.640 --> 0:16:01.840
<v Speaker 1>a hill. But it's all in the day's work for

0:16:01.960 --> 0:16:06.040
<v Speaker 1>Abel Riggs, the astonishing Lady Lion Tamer. Get your tickets

0:16:06.120 --> 0:16:08.440
<v Speaker 1>now for the last show of the evening, featuring Maybel

0:16:08.600 --> 0:16:12.560
<v Speaker 1>Riggs and the fearsome King of the Pride Happy. How

0:16:12.600 --> 0:16:14.880
<v Speaker 1>does she do it? They all want to know. Will

0:16:14.960 --> 0:16:17.520
<v Speaker 1>this be the night Pappy prevails? Or well Maybel and

0:16:17.560 --> 0:16:19.680
<v Speaker 1>her wit proof Brital enough for the man eating beast.

0:16:20.000 --> 0:16:21.920
<v Speaker 1>The only way to see for yourself is to get

0:16:21.920 --> 0:16:26.600
<v Speaker 1>your ticket now. How about it? Max? Is tap been

0:16:26.680 --> 0:16:30.720
<v Speaker 1>for a lion show, stay boy eat him? Who else

0:16:30.720 --> 0:16:34.360
<v Speaker 1>could it be? I don't know you, Mr. I don't

0:16:34.360 --> 0:16:36.560
<v Speaker 1>want to know you. I don't want anything to do

0:16:36.640 --> 0:16:40.800
<v Speaker 1>with you. Max. I understand you are afraid. You are

0:16:40.920 --> 0:16:43.480
<v Speaker 1>lost and far from home, with no one to trust,

0:16:43.800 --> 0:16:46.560
<v Speaker 1>no when you should trust. But you can tell by

0:16:46.600 --> 0:16:49.680
<v Speaker 1>now that I am not going to hurt you. Quite

0:16:49.680 --> 0:16:52.360
<v Speaker 1>the opposite. A wait for me. Let me walk home

0:16:52.400 --> 0:16:55.640
<v Speaker 1>with you. That is all I ask. I will make

0:16:55.640 --> 0:16:57.600
<v Speaker 1>sure that you get back to your mother and father

0:16:57.920 --> 0:17:01.760
<v Speaker 1>in one piece, and then I will go on my way.

0:17:02.720 --> 0:17:08.120
<v Speaker 1>Why would you do that? Haven't you noticed tonight? Something

0:17:08.240 --> 0:17:13.560
<v Speaker 1>is just not right with the world, mainly you, Max.

0:17:14.280 --> 0:17:26.199
<v Speaker 1>Come with me. Do not run, Miss Cow, Miss Cow,

0:17:27.000 --> 0:17:31.560
<v Speaker 1>you again, We're closed young man. Nope, I need help.

0:17:32.600 --> 0:17:35.399
<v Speaker 1>What's the matter. I don't know what's going on, But

0:17:35.480 --> 0:17:38.600
<v Speaker 1>there's a a madman chasing me all over the place.

0:17:39.119 --> 0:17:44.800
<v Speaker 1>I keep seeing him everywhere. He's a murderer, all right now,

0:17:45.280 --> 0:17:50.080
<v Speaker 1>I just saw him outside. I can't I can't lock

0:17:50.200 --> 0:17:56.280
<v Speaker 1>the door. There, Come here, my boy. I don't know

0:17:56.320 --> 0:17:59.760
<v Speaker 1>what to do, my dog, And you're stuck out here

0:17:59.800 --> 0:18:02.479
<v Speaker 1>on a wrong side of town, and everybody's going crazy

0:18:02.480 --> 0:18:07.200
<v Speaker 1>to night. He nobody even knows I'm here. Nobody knows

0:18:07.240 --> 0:18:13.720
<v Speaker 1>you're here. What about your father and mother? I was

0:18:13.760 --> 0:18:17.200
<v Speaker 1>supposed to be home hours ago, but he got all

0:18:17.480 --> 0:18:22.360
<v Speaker 1>turned around. Do you have a telephone? I could try

0:18:22.359 --> 0:18:26.000
<v Speaker 1>to call them? Of course? Of course? Do you hear

0:18:26.160 --> 0:18:30.600
<v Speaker 1>this stub bear, this little mopet wayfaring on the devil's night,

0:18:30.680 --> 0:18:37.680
<v Speaker 1>and not even his mother knows where to find him. Come,

0:18:37.920 --> 0:18:45.720
<v Speaker 1>let us find the telephone, the secret room. The phone's

0:18:45.760 --> 0:18:53.840
<v Speaker 1>in there this way. This is what everybody wanted to see.

0:18:54.840 --> 0:19:01.679
<v Speaker 1>What is all this bags of cement? Hey? Wait, my dog? Oh,

0:19:01.720 --> 0:19:04.680
<v Speaker 1>he'll be all right out there. We have some business

0:19:04.720 --> 0:19:10.600
<v Speaker 1>in here. Max. How tall are you? What? Small for

0:19:10.640 --> 0:19:14.480
<v Speaker 1>your age? I judge why? I can see in my

0:19:14.640 --> 0:19:18.840
<v Speaker 1>mind I know how the brawnier boys must subject you

0:19:18.920 --> 0:19:23.640
<v Speaker 1>to terrible abuse. I know how boys can be each

0:19:23.680 --> 0:19:27.680
<v Speaker 1>one a minor Attila. Do they spit on you, call

0:19:27.760 --> 0:19:30.960
<v Speaker 1>you a molly cuddle, and pill for the change from

0:19:30.960 --> 0:19:35.159
<v Speaker 1>your pockets? How would you like to be freed of

0:19:35.359 --> 0:19:41.920
<v Speaker 1>these piddling ordeals? Yeah, I don't know what you're talking about. Max,

0:19:43.160 --> 0:19:50.480
<v Speaker 1>How would you like to become a god? Dabert, Honey,

0:19:50.520 --> 0:19:54.320
<v Speaker 1>go help? Hell? No one gaves near you in my

0:19:54.359 --> 0:19:58.160
<v Speaker 1>little cabbage, and no one even knows you're here. No

0:19:58.280 --> 0:20:01.840
<v Speaker 1>sense in screaming yourself, elf, horse, what do you want?

0:20:03.160 --> 0:20:08.520
<v Speaker 1>Look at this? Look what they did to my brittle darling.

0:20:09.160 --> 0:20:11.720
<v Speaker 1>You can barely see that it was once a slender

0:20:11.800 --> 0:20:17.560
<v Speaker 1>boy like yourself. Bones crushed like eggshells, desecrated by the

0:20:17.600 --> 0:20:22.840
<v Speaker 1>heel of a pagan loafer. Look how they ruined him. Well,

0:20:23.080 --> 0:20:25.560
<v Speaker 1>if you won't give me justice, perhaps you can be

0:20:25.800 --> 0:20:29.520
<v Speaker 1>my justice, Dalbert. How long did it take for this

0:20:29.600 --> 0:20:34.720
<v Speaker 1>fine creature to attain his immortality? It seemed, yes, perhaps

0:20:35.000 --> 0:20:39.680
<v Speaker 1>three years to slay the demon, another three to season

0:20:39.800 --> 0:20:42.520
<v Speaker 1>his linens. To tell the truth, I forget where he

0:20:42.680 --> 0:20:48.119
<v Speaker 1>came from, And yet he dried so exquisitely max I

0:20:48.280 --> 0:20:52.479
<v Speaker 1>admit I fib dismission earlier about where most of our

0:20:52.560 --> 0:20:56.400
<v Speaker 1>mummies come from. The truth is, the world has become

0:20:56.440 --> 0:20:59.680
<v Speaker 1>such a treacherous place, and travel so expensive, it hardly

0:20:59.720 --> 0:21:02.840
<v Speaker 1>makes tends to scour the lands of scorpions and bandits

0:21:02.840 --> 0:21:06.320
<v Speaker 1>for a dwindling supply of antiques when the sacred rights

0:21:06.400 --> 0:21:11.240
<v Speaker 1>themselves are at our fingertips. But never fear, you could

0:21:11.280 --> 0:21:16.719
<v Speaker 1>ask no better a guide into your transcendence than myself.

0:21:17.160 --> 0:21:21.520
<v Speaker 1>It was my dear poor Shrade who invented the process,

0:21:21.800 --> 0:21:24.639
<v Speaker 1>rediscovered from the arts of a more civilized eon. But

0:21:25.320 --> 0:21:28.879
<v Speaker 1>I am a faithful caretaker of the way and a

0:21:29.000 --> 0:21:34.160
<v Speaker 1>steady hand to boot Dalbert the rights of everlasting life.

0:21:35.640 --> 0:21:41.200
<v Speaker 1>What's that? Two humble grains of ancient pedigree in equal mixture,

0:21:41.920 --> 0:21:48.879
<v Speaker 1>here salt and here sand, two granular gifts from a

0:21:48.920 --> 0:21:52.479
<v Speaker 1>million years of wind and tide, working upon the rocks

0:21:53.440 --> 0:21:56.040
<v Speaker 1>you see before you're clothed in the linens of heaven.

0:21:56.080 --> 0:21:59.400
<v Speaker 1>You must be purchased as the great enemy of immortality,

0:21:59.760 --> 0:22:06.920
<v Speaker 1>the demon, the demon of moisture. These grains will slay

0:22:07.080 --> 0:22:12.560
<v Speaker 1>the demon and become your holy protectors. Except I must

0:22:12.560 --> 0:22:15.800
<v Speaker 1>warn you of what may be a source of momentary discomfort,

0:22:15.840 --> 0:22:19.960
<v Speaker 1>which bullsh rotten I discovered long ago. It really only

0:22:20.000 --> 0:22:26.680
<v Speaker 1>works from the inside out. Now open your mouth, my boy,

0:22:27.560 --> 0:22:38.640
<v Speaker 1>and you're a sacred journey begin. What's this? Who's there?

0:22:39.880 --> 0:22:42.320
<v Speaker 1>Surprise your old bet? I told you I'll be back

0:22:42.359 --> 0:22:46.880
<v Speaker 1>with my pals, Archie. It's me that rum having boys

0:22:46.880 --> 0:22:53.480
<v Speaker 1>burn it all, burn all this, CARNI tread no, no, no,

0:22:54.040 --> 0:22:58.640
<v Speaker 1>mindless physicot stop Albert, stop them, I get your gun.

0:23:03.480 --> 0:23:09.320
<v Speaker 1>Where do you think you're going? Gold me, lady, Such disloyalty,

0:23:09.480 --> 0:23:14.159
<v Speaker 1>such vicious contempt to tuck tail and run, for God's sake,

0:23:14.280 --> 0:23:17.399
<v Speaker 1>show some dignity. Boy, you are to be one of

0:23:17.440 --> 0:23:22.680
<v Speaker 1>the gods now. And if they burn you burn, let

0:23:22.760 --> 0:23:29.040
<v Speaker 1>go of the boy. What by what right do you think? Oh?

0:23:30.119 --> 0:23:35.080
<v Speaker 1>Oh my word, I'll look at you now, look you

0:23:36.440 --> 0:23:40.280
<v Speaker 1>observe my luck to meet you only at the moment

0:23:40.320 --> 0:23:45.040
<v Speaker 1>my museum is burning. Oh dear, I want you behind glass.

0:23:46.000 --> 0:23:52.679
<v Speaker 1>What a clap of thunder you are? What a shocking angel? No,

0:23:53.000 --> 0:24:00.000
<v Speaker 1>ma'am not an angel, but he's the die you swim.

0:24:01.400 --> 0:24:06.080
<v Speaker 1>Tick your hands off of me. No, Max, run is

0:24:06.240 --> 0:24:24.160
<v Speaker 1>for you, fariful extraordinary errow arrow, Hey Gerry Ward Buddy Gold.

0:24:24.400 --> 0:24:31.080
<v Speaker 1>We're going to get out of here. The train, that's it.

0:24:31.920 --> 0:25:02.200
<v Speaker 1>We'll have to hop it. Come on Colon Faster Boy,

0:25:03.320 --> 0:25:08.320
<v Speaker 1>Thirteen Days of Halloween Devil's Night, starring Carter Rockwood and

0:25:08.400 --> 0:25:13.639
<v Speaker 1>Clancy Brown. Episode three, The fair Grounds written by Joe McCormick,

0:25:14.119 --> 0:25:18.159
<v Speaker 1>featuring the voices of Olivia Castineau, Vinnie balbo Ive, Gordon,

0:25:18.400 --> 0:25:24.840
<v Speaker 1>Nicolas Takowski, Raphael Corkill, Gina Rikiki, and Jeffrey Kennedy. Edited

0:25:24.920 --> 0:25:30.320
<v Speaker 1>by Zosha, Sound designed by Josh Thane, directed by Alexander Williams.

0:25:30.720 --> 0:25:35.119
<v Speaker 1>Script supervision by Nicolas Takowski. Casting by Sunday Bowling c

0:25:35.400 --> 0:25:38.840
<v Speaker 1>s A and Meg Mormon c s A. Production coordinator

0:25:38.960 --> 0:25:43.960
<v Speaker 1>Wayna Calderon. Production assistants Zoe Shay and Amber Ferris. Animal

0:25:44.040 --> 0:25:49.040
<v Speaker 1>recording by Ben James, closing theme by Rose Azerti. Loyalty

0:25:49.119 --> 0:25:53.560
<v Speaker 1>Freak Music dot Com recorded at d G Entertainment in

0:25:53.640 --> 0:25:58.000
<v Speaker 1>Los Angeles, California. Engineered by Gary Forbes and Jody Abbott.

0:25:58.240 --> 0:26:03.480
<v Speaker 1>Additional recording by SoundBite Inc. In Atlanta, Georgia. Engineered by

0:26:03.680 --> 0:26:09.320
<v Speaker 1>Chase Nixon, studio manager Kathy Roberts. Executive producers Aaron Mankey,

0:26:09.600 --> 0:26:15.240
<v Speaker 1>Noah Feinberg, Chris Dicky, Matt Frederick and Alexander Williams. Supervising

0:26:15.240 --> 0:26:19.720
<v Speaker 1>producers Trevor Young and Josh Than, producers Jesse Funk and

0:26:19.880 --> 0:26:24.320
<v Speaker 1>rima Il Kali. Thirteen Days of Halloween was created by

0:26:24.359 --> 0:26:27.680
<v Speaker 1>Matt Frederick and Alexander Williams and is a production of

0:26:27.760 --> 0:26:31.439
<v Speaker 1>iHeart three D Audio, Blumhouse Television, and Grim and Mild

0:26:31.520 --> 0:26:34.600
<v Speaker 1>from Aaron Mankey. Learn more about the show at Grim

0:26:34.600 --> 0:26:38.160
<v Speaker 1>and Mild dot com, slash thirteen Days and find more

0:26:38.200 --> 0:26:40.600
<v Speaker 1>podcasts from I heart Radio by visiting the i Heart

0:26:40.680 --> 0:26:43.840
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:26:43.880 --> 0:27:01.800
<v Speaker 1>favorite shows. Two