1 00:00:00,040 --> 00:00:07,440 Speaker 1: Yeah. Thirteen Days of Halloween, Devil's Night, a production of 2 00:00:07,440 --> 00:00:10,719 Speaker 1: I Heart three D Audio Blumhouse Television and Grimm and 3 00:00:10,800 --> 00:00:32,760 Speaker 1: Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Okay, Carol, 4 00:00:34,040 --> 00:00:39,440 Speaker 1: I think we lost him. How where did we run? 5 00:00:41,080 --> 00:00:47,640 Speaker 1: I don't know where we are. I see lights over 6 00:00:47,680 --> 00:01:01,560 Speaker 1: the hill. Okay, buddy, let's go What he's that sounds 7 00:01:01,600 --> 00:01:06,880 Speaker 1: like the end of the world. Well, we can't go 8 00:01:06,920 --> 00:01:16,560 Speaker 1: back the other way. Come on, hey, buddy, it's a 9 00:01:16,680 --> 00:01:22,960 Speaker 1: fair all right. This is the fair grounds. I think 10 00:01:23,000 --> 00:01:28,399 Speaker 1: that means we're south of town opposite. Oh so Max, 11 00:01:29,400 --> 00:01:36,560 Speaker 1: mirror Max. Well, I'll be Jim chimped Nex. It is you. 12 00:01:38,120 --> 00:01:45,480 Speaker 1: You remember me? Dorothy? Yeah, Dorothy Dupunt. Hey, Archie, I 13 00:01:45,600 --> 00:01:49,000 Speaker 1: know this kid. He does work for my pop sometimes. 14 00:01:49,440 --> 00:01:52,480 Speaker 1: Pop calls and mirror Max because he gets the Lincoln 15 00:01:52,600 --> 00:01:57,160 Speaker 1: so shiny you could shave in your reflection. Max. This 16 00:01:57,320 --> 00:02:03,120 Speaker 1: is our cheap loor. He's my guy. Now you're doing sport. Actually, 17 00:02:03,600 --> 00:02:06,200 Speaker 1: I'm glad to run into you. I need Helsey just 18 00:02:06,240 --> 00:02:08,720 Speaker 1: can't get good health these days with this kid. He's 19 00:02:08,760 --> 00:02:12,200 Speaker 1: a regular gas piston and Archie. You wouldn't believe it. 20 00:02:12,320 --> 00:02:14,919 Speaker 1: I heard him say the sweetest thing. It was one 21 00:02:14,960 --> 00:02:18,359 Speaker 1: Saturday a few months ago. He spends all days chauvelin 22 00:02:18,440 --> 00:02:20,720 Speaker 1: mud in the back acre, out in the sun. It's 23 00:02:20,720 --> 00:02:24,160 Speaker 1: hot as helen out there. At quitting time. Here comes 24 00:02:24,160 --> 00:02:26,799 Speaker 1: our made Clara to offer him some cold roast be 25 00:02:27,080 --> 00:02:32,280 Speaker 1: for supper, and he says, no thanks. My mom's making 26 00:02:32,400 --> 00:02:35,959 Speaker 1: navy being soup tonight, and it'll sure hurt her feelings 27 00:02:35,960 --> 00:02:40,359 Speaker 1: if I don't come home hungry. What the hell's a navy? 28 00:02:41,120 --> 00:02:43,800 Speaker 1: Isn't that the most darling thing you ever heard? Easy 29 00:02:43,840 --> 00:02:46,760 Speaker 1: on the sugar doll, you're gonna run away with this 30 00:02:46,840 --> 00:02:51,359 Speaker 1: piste ripple, Archie, don't be coarse. I'm just playing Dorothy. 31 00:02:51,400 --> 00:02:56,160 Speaker 1: I need help, ye my dogging me. We're stuck on 32 00:02:56,200 --> 00:02:58,400 Speaker 1: the wrong side of town and I don't have a 33 00:02:58,440 --> 00:03:02,720 Speaker 1: way to get home. Oh well, archiese, Papa sending a 34 00:03:02,760 --> 00:03:05,360 Speaker 1: car to pick us up later. I suppose we could 35 00:03:06,840 --> 00:03:13,560 Speaker 1: give you a ride. Really well, golly, I mean we could, 36 00:03:14,080 --> 00:03:17,840 Speaker 1: but don't beat around the bush doll. Look, we could 37 00:03:18,040 --> 00:03:20,320 Speaker 1: give you a ride, but we're in a jam too, 38 00:03:21,240 --> 00:03:23,280 Speaker 1: So how about you do us a favorite first? What 39 00:03:23,480 --> 00:03:30,440 Speaker 1: is it? Well, earlier tonight I lost something something real important. See, 40 00:03:31,000 --> 00:03:35,440 Speaker 1: I borrowed a tennis bracelet from Archiese mother, robably worth 41 00:03:35,480 --> 00:03:39,240 Speaker 1: more than your house diamonds out the don't be course. 42 00:03:40,120 --> 00:03:42,560 Speaker 1: It was supposed to be just for tonight, but she 43 00:03:42,640 --> 00:03:46,520 Speaker 1: doesn't know I took it. That bracelet means everything to her, 44 00:03:46,520 --> 00:03:49,800 Speaker 1: and I lost it in there at the fair Do 45 00:03:49,840 --> 00:03:52,760 Speaker 1: you think you could go in and find it for us? 46 00:03:55,160 --> 00:03:58,920 Speaker 1: Why can't you go back yourself? Oh, I'll tell you why, 47 00:03:59,160 --> 00:04:06,160 Speaker 1: tight ass brother, fucking Carnie trash Archie. See, Archie caused 48 00:04:06,160 --> 00:04:09,200 Speaker 1: a bit of a stir inside and we got thrown out. 49 00:04:09,400 --> 00:04:12,800 Speaker 1: Jake leg imbeciles French. Hold on, Archie. We were in 50 00:04:13,000 --> 00:04:16,760 Speaker 1: Quiet Cows. Have you been there? No, it's a check 51 00:04:16,839 --> 00:04:19,359 Speaker 1: full of rotten mummies and pickled whale job. It's called 52 00:04:19,480 --> 00:04:23,120 Speaker 1: Quiet Cow's House of Wonders. It's on the far side 53 00:04:23,120 --> 00:04:26,320 Speaker 1: of the fairgrounds, sort of a cookie museum stuff from 54 00:04:26,360 --> 00:04:29,640 Speaker 1: all heck knows where it belongs to this weird old 55 00:04:29,640 --> 00:04:33,360 Speaker 1: woman who calls herself Quiet Cow, nasty old bet out 56 00:04:33,400 --> 00:04:35,920 Speaker 1: of her mind. So we were inside looking at the 57 00:04:36,000 --> 00:04:40,520 Speaker 1: mummies and whatnots, and Archie pipes up, say what's behind 58 00:04:40,600 --> 00:04:44,760 Speaker 1: the secret door? Yeah, you gotta wonder big door just 59 00:04:44,800 --> 00:04:47,520 Speaker 1: says keep out. My friend Frankie says he heard old 60 00:04:47,560 --> 00:04:50,400 Speaker 1: quiet cow runs a gin bar on the sly back there, 61 00:04:50,920 --> 00:04:55,120 Speaker 1: cold booze fan dancers with ditties out to hear. Well, 62 00:04:55,160 --> 00:04:58,080 Speaker 1: whatever it is, she wouldn't open it up for us, 63 00:04:58,240 --> 00:05:01,680 Speaker 1: and Archie lost as town. I said, after everything my 64 00:05:01,720 --> 00:05:04,880 Speaker 1: pops does for this town, you're gonna treat me like smut. 65 00:05:05,320 --> 00:05:08,200 Speaker 1: Keep me out of your ditty joint. How about I 66 00:05:08,200 --> 00:05:10,800 Speaker 1: give it back to you? How would I smash your 67 00:05:10,800 --> 00:05:14,960 Speaker 1: dirty fucking mummies? You had too much to drink, doll face, 68 00:05:15,000 --> 00:05:18,679 Speaker 1: I'm just getting started. Well, I went, Frankie and Bertram 69 00:05:18,720 --> 00:05:20,120 Speaker 1: get here. We ought to go back and burn the 70 00:05:20,120 --> 00:05:22,680 Speaker 1: whole damn. Anyway, Archie made a terrible mess and they 71 00:05:22,760 --> 00:05:25,719 Speaker 1: chased us out into the woods. But then I noticed 72 00:05:25,760 --> 00:05:29,600 Speaker 1: the bracelet was gone. It must have fallen off inside cows. 73 00:05:30,520 --> 00:05:33,760 Speaker 1: If you can find it in there, it would mean 74 00:05:33,760 --> 00:05:37,200 Speaker 1: the world to me. And of course we'd give you 75 00:05:37,240 --> 00:05:41,480 Speaker 1: a ride home. Here, take my ticket, you can get 76 00:05:41,480 --> 00:05:48,320 Speaker 1: in with that. Well, you really are a sweetheart, See 77 00:05:48,320 --> 00:06:01,679 Speaker 1: you soon. Okay, buddy, just got to find this place. 78 00:06:03,000 --> 00:06:07,760 Speaker 1: I think it's this way to come free. Nick West, 79 00:06:07,760 --> 00:06:11,120 Speaker 1: the whims and tips, the store, blood run, hot up, 80 00:06:11,160 --> 00:06:14,200 Speaker 1: stick plunge. Are you a regular matter? A bag of 81 00:06:14,240 --> 00:06:20,279 Speaker 1: wax limps? The old way to know it's as say 82 00:06:20,360 --> 00:06:23,400 Speaker 1: they're cool. Why not give it a goal at the 83 00:06:23,480 --> 00:06:27,040 Speaker 1: knife toss sink the blade and the yellow cork in 84 00:06:27,080 --> 00:06:31,000 Speaker 1: the prize. The only way to lose is to walk away. Sorry, 85 00:06:31,080 --> 00:06:35,040 Speaker 1: Mr I'm in a hurry, so you're in the wrong 86 00:06:35,160 --> 00:06:43,240 Speaker 1: place from her wrong fil bashable Welcome, Welcome to Quiet 87 00:06:43,360 --> 00:06:47,520 Speaker 1: Kyle's House of Wonders, home of the world renowned Hall 88 00:06:47,720 --> 00:06:51,719 Speaker 1: of Mummyosity. I am your hostess. That is my name 89 00:06:51,720 --> 00:06:53,960 Speaker 1: in the marquis. Ladies and gentlemen. We had a bit 90 00:06:54,000 --> 00:06:55,960 Speaker 1: of a bug tustle earlier this evening, and we are 91 00:06:55,960 --> 00:06:58,640 Speaker 1: getting everything cleaned up as I speak. The tour will 92 00:06:58,680 --> 00:07:02,159 Speaker 1: begin in just a moment, and in the meantime, Delbert, 93 00:07:02,920 --> 00:07:06,719 Speaker 1: you may commence with that horrible instrument if you must 94 00:07:07,320 --> 00:07:13,200 Speaker 1: blee madam now has my galic assistant attempts to torture 95 00:07:13,280 --> 00:07:16,160 Speaker 1: melody from that satanic contraption. I would be happy to 96 00:07:16,200 --> 00:07:19,520 Speaker 1: answer any questions you have. Hey, I heard you had 97 00:07:19,520 --> 00:07:22,800 Speaker 1: a two from a man eating tree in there. True, 98 00:07:23,200 --> 00:07:27,480 Speaker 1: you will see it with your own eyes. Yeah, standing barrack. 99 00:07:27,640 --> 00:07:31,320 Speaker 1: Now to that one, I say cock and bull. Ladies 100 00:07:31,360 --> 00:07:34,760 Speaker 1: and gentlemen, The tea in my total is a capital one, 101 00:07:34,840 --> 00:07:38,200 Speaker 1: I assure you. And the only spirits with which I 102 00:07:38,280 --> 00:07:45,160 Speaker 1: associate are those who reach out through the venerable right sales. Well, 103 00:07:45,160 --> 00:07:47,440 Speaker 1: there it is, ladies and gentlemen. If you haven't a 104 00:07:47,440 --> 00:07:49,960 Speaker 1: ticket yet, you may purchase over yonder if you have 105 00:07:50,040 --> 00:07:55,560 Speaker 1: one in hand, right this way, Come tell there see 106 00:07:55,680 --> 00:07:59,560 Speaker 1: here the gunpowder God. Many years ago my late husband 107 00:07:59,560 --> 00:08:02,240 Speaker 1: and I were crossing the plateaus of the Great Altai 108 00:08:02,680 --> 00:08:06,040 Speaker 1: when we came upon a tribe of ox herds, after 109 00:08:06,120 --> 00:08:08,640 Speaker 1: trading for a few bubbles and a kind of sardines, 110 00:08:09,120 --> 00:08:11,480 Speaker 1: said they would take us to see their god in 111 00:08:11,520 --> 00:08:13,840 Speaker 1: the flesh. And what do you know, but when we 112 00:08:13,920 --> 00:08:17,040 Speaker 1: came to it, this idol was no less than an 113 00:08:17,120 --> 00:08:21,920 Speaker 1: unblasted howitzer shell, dressed in garlands of lilac. And the people, 114 00:08:22,000 --> 00:08:24,520 Speaker 1: one by one pressed their lips upon it like it 115 00:08:24,560 --> 00:08:28,520 Speaker 1: was the pissine ring of the pope. This is their god? 116 00:08:28,960 --> 00:08:31,960 Speaker 1: How did that happen? Here? That is a secret of 117 00:08:32,040 --> 00:08:36,160 Speaker 1: the trade. What's this? That is my taxidermy of the 118 00:08:36,240 --> 00:08:40,600 Speaker 1: dreaditor at bear of Patagonia. The beast never grows larger 119 00:08:40,640 --> 00:08:43,720 Speaker 1: than a pumpkin. Yet a single one of these rodents 120 00:08:43,800 --> 00:08:47,160 Speaker 1: could eat a man hole, though often enough they will 121 00:08:47,240 --> 00:08:50,360 Speaker 1: settle for biting off the exposed genitals of one who 122 00:08:50,360 --> 00:08:52,520 Speaker 1: steps away from the group to make water while on 123 00:08:52,559 --> 00:08:56,880 Speaker 1: a hunt. Looks like a stuffed rabbit. Yeah, with assholes, 124 00:08:57,000 --> 00:09:01,760 Speaker 1: fry laugh. Are you like the Philistines? We will take 125 00:09:01,800 --> 00:09:09,920 Speaker 1: your money all the same. Now onto the Hall of Mummiosity. This, 126 00:09:10,600 --> 00:09:14,000 Speaker 1: I believe, I can say with confidence, is the largest 127 00:09:14,080 --> 00:09:18,800 Speaker 1: private collection of mummies on Earth. We have long mummies, 128 00:09:18,800 --> 00:09:22,400 Speaker 1: shot mummies, old mummies, young mummies, Linen's age to find 129 00:09:22,520 --> 00:09:27,160 Speaker 1: hues of emmy, slate and rose, noble mummies, humble mummies, 130 00:09:27,240 --> 00:09:31,320 Speaker 1: kings eternal and children of the past. My late husband 131 00:09:31,320 --> 00:09:34,439 Speaker 1: than I spent the better part of our lives collecting 132 00:09:34,480 --> 00:09:38,240 Speaker 1: these beautiful specimens from every corner of the globe. We 133 00:09:38,360 --> 00:09:41,480 Speaker 1: have not only the refined, stately mummies of Egypt, but 134 00:09:41,559 --> 00:09:45,120 Speaker 1: the creatures of the Jutland bog, curled and cured in 135 00:09:45,280 --> 00:09:50,280 Speaker 1: blankets of Pete, the gorgeous desiccated guardians of the scrubland, 136 00:09:50,320 --> 00:09:54,920 Speaker 1: and the Plane. Our mummies come from every continent, every 137 00:09:55,040 --> 00:09:59,280 Speaker 1: corner of the map. Admire their elegance at your leisure, 138 00:09:59,720 --> 00:10:03,600 Speaker 1: but I must stress, do not touch it was behind 139 00:10:03,600 --> 00:10:07,400 Speaker 1: this door. Stop that now, ship, this is the secret 140 00:10:07,480 --> 00:10:10,000 Speaker 1: room you got that booze all back here? Don't you 141 00:10:10,120 --> 00:10:21,199 Speaker 1: out out dull there? Hey, you can't expect that. Apologies 142 00:10:21,320 --> 00:10:24,560 Speaker 1: for the scene, ladies and gentlemen's hum Fools cannot be 143 00:10:24,679 --> 00:10:39,160 Speaker 1: saved even by education. Enjoy the exhibits. Excuse me, ma'am, 144 00:10:39,200 --> 00:10:42,560 Speaker 1: And who are you? My name is Max. I'm sorry 145 00:10:42,559 --> 00:10:46,320 Speaker 1: to bother you, but I'm looking for something. A friend 146 00:10:46,320 --> 00:10:49,280 Speaker 1: of mine lost his special Barrie slet in here, and 147 00:10:49,400 --> 00:10:52,480 Speaker 1: I'm trying to help her find it. I looked all 148 00:10:52,520 --> 00:10:58,280 Speaker 1: over the floor already. Do you have Boston found? Young man? 149 00:10:58,320 --> 00:11:02,320 Speaker 1: This house, in its full is a lost and found. 150 00:11:03,559 --> 00:11:07,440 Speaker 1: Oh but in the sense you mean, yes, I do, Darbert, 151 00:11:08,840 --> 00:11:11,920 Speaker 1: step into my office. This boy here is in search 152 00:11:11,960 --> 00:11:19,040 Speaker 1: of concert. You will have to excuse the mass. We 153 00:11:19,120 --> 00:11:22,320 Speaker 1: suffered a frightful act of vandalism this evening. In a 154 00:11:22,400 --> 00:11:24,800 Speaker 1: hurry to clean up. I fear that every single thing 155 00:11:24,880 --> 00:11:29,480 Speaker 1: has been mislaid. Dalbert the Lost and Found. One moment, 156 00:11:29,520 --> 00:11:37,840 Speaker 1: madame name, can I ask? Why are you called quiet? Cow? Well? 157 00:11:37,920 --> 00:11:40,520 Speaker 1: Now that is on account of my contract with the 158 00:11:40,600 --> 00:11:45,320 Speaker 1: Power Almighty. You see, one foul, foggy morning many years ago, 159 00:11:46,000 --> 00:11:49,720 Speaker 1: my late husband Brad and I were chopping and whacking 160 00:11:49,760 --> 00:11:52,680 Speaker 1: our way through the jungles of French into China, on 161 00:11:52,760 --> 00:11:55,920 Speaker 1: the trail of a local sorcerer whom we had been 162 00:11:56,000 --> 00:12:00,000 Speaker 1: led to believe possessed the bones of a winged gremlins or. 163 00:12:00,360 --> 00:12:02,760 Speaker 1: And it was on that track that the Lord himself 164 00:12:02,880 --> 00:12:06,920 Speaker 1: intervened to save me from certain death in a pitfall 165 00:12:07,000 --> 00:12:12,480 Speaker 1: tiger trap. Hearing his stern voice call out, I hesitated 166 00:12:12,520 --> 00:12:14,960 Speaker 1: to lay my foot on the forest floor. And I 167 00:12:15,080 --> 00:12:19,240 Speaker 1: tell you, if I had taken one more step, I 168 00:12:19,240 --> 00:12:22,520 Speaker 1: would have tumbled to a perforated and skewered like a 169 00:12:22,600 --> 00:12:26,760 Speaker 1: sausage on stakes of bamboo. As was my poor husband, 170 00:12:27,840 --> 00:12:39,400 Speaker 1: Oh clever he was, and handsome and dextrous. But since 171 00:12:39,440 --> 00:12:42,040 Speaker 1: the Almighty saw fit to withhold me from such a 172 00:12:42,080 --> 00:12:46,280 Speaker 1: piercing ingratitude, I undertook a vow of silence that I 173 00:12:46,400 --> 00:12:52,000 Speaker 1: honor to this day. Does that mean you don't talk 174 00:12:52,840 --> 00:12:57,720 Speaker 1: correct like you're talking right now, dear boy, This is 175 00:12:57,760 --> 00:13:01,840 Speaker 1: not talk, this is discourse. I also keep a vow 176 00:13:01,920 --> 00:13:07,720 Speaker 1: of chastity m by God, Albert, what is taking so long? 177 00:13:08,000 --> 00:13:10,640 Speaker 1: My blood comes to a simmer as I watch you 178 00:13:10,720 --> 00:13:15,080 Speaker 1: foots and fumble about. Max, my boy, behold a man 179 00:13:15,400 --> 00:13:18,640 Speaker 1: so maladroit he'd need a stalking horse to approach a 180 00:13:18,760 --> 00:13:23,160 Speaker 1: pot of beans. Do you hear me? Yes, madam, I 181 00:13:23,240 --> 00:13:30,520 Speaker 1: believe it. It's just here somewhere. Why are you lumbering fangle? 182 00:13:30,720 --> 00:13:33,679 Speaker 1: If I had any sense, I would turn your hide 183 00:13:33,679 --> 00:13:36,319 Speaker 1: into a cover for the privy seat so it would 184 00:13:36,320 --> 00:13:39,880 Speaker 1: not chill my haunches in the midnight hour. Are you 185 00:13:40,000 --> 00:13:49,080 Speaker 1: still not finished? Ha? Ha ha? Good this yeah, that's 186 00:13:49,080 --> 00:13:53,440 Speaker 1: got to be it. Give it here, Dabert. Now, Max, 187 00:13:54,400 --> 00:13:58,600 Speaker 1: I'm not a fool. I know where and who this 188 00:13:58,800 --> 00:14:03,200 Speaker 1: came from. I'll give you the bracelet, but in return 189 00:14:03,320 --> 00:14:10,200 Speaker 1: you must give me her name. Think now, it's only justice. 190 00:14:11,400 --> 00:14:15,520 Speaker 1: This girl and her rattle cap baw laid an absolutely 191 00:14:15,760 --> 00:14:19,600 Speaker 1: senseless wallop on one of my most cherished mummies, the 192 00:14:19,680 --> 00:14:22,440 Speaker 1: body of a holy child from the storm burned peaks 193 00:14:22,520 --> 00:14:27,720 Speaker 1: of the Andes. Now, whatever you think of these withered rapplings, 194 00:14:27,720 --> 00:14:31,080 Speaker 1: they are priceless to me. I travel the world to 195 00:14:31,120 --> 00:14:35,000 Speaker 1: acquire them. There my life's work. You must understand when 196 00:14:35,000 --> 00:14:38,120 Speaker 1: my life's work is stamped into the floorboards by a 197 00:14:38,120 --> 00:14:42,720 Speaker 1: couple of soft boiled bambini on a Halloween lark. It 198 00:14:42,880 --> 00:14:47,920 Speaker 1: is only fair that I would seek justice. I won't 199 00:14:47,960 --> 00:14:51,160 Speaker 1: lock them in the iron maiden, though I do have 200 00:14:51,240 --> 00:14:55,800 Speaker 1: one around here somewhere. I will be engaging the police, 201 00:14:56,920 --> 00:14:59,000 Speaker 1: of course, there's no reason for them to find out 202 00:14:59,120 --> 00:15:08,640 Speaker 1: it was you told so do we have a deal? Sorry, nam, 203 00:15:08,680 --> 00:15:16,240 Speaker 1: I can't h so be it. I'm disappointed, But as 204 00:15:16,320 --> 00:15:20,880 Speaker 1: much as I desire forthrightness, loyalty is a virtue with 205 00:15:20,960 --> 00:15:24,320 Speaker 1: a luster of its own. Of course, this means I'll 206 00:15:24,360 --> 00:15:27,880 Speaker 1: need to keep the bracelet as evidence. Now, run along 207 00:15:28,360 --> 00:15:38,680 Speaker 1: and a merry Halloween to you. Are we gonna do now? Buddy? Now, folks, 208 00:15:38,720 --> 00:15:43,680 Speaker 1: two passengers, Hi, your dirty cheek. That's a trick knife. 209 00:15:43,880 --> 00:15:47,480 Speaker 1: I want my bunny pat. It's truth, everybody tonight down, 210 00:15:47,600 --> 00:15:51,680 Speaker 1: there's no trick. Shall show you something. You're too bit buzzy. 211 00:15:52,960 --> 00:15:55,360 Speaker 1: Imagine the hot breath on your skin. I imagine the 212 00:15:55,400 --> 00:15:57,800 Speaker 1: claws like a drag harro ricking your neck. I fought 213 00:15:57,840 --> 00:15:59,640 Speaker 1: alone is enough to send you were me running from 214 00:15:59,640 --> 00:16:01,840 Speaker 1: a hill. But it's all in the day's work for 215 00:16:01,960 --> 00:16:06,040 Speaker 1: Abel Riggs, the astonishing Lady Lion Tamer. Get your tickets 216 00:16:06,120 --> 00:16:08,440 Speaker 1: now for the last show of the evening, featuring Maybel 217 00:16:08,600 --> 00:16:12,560 Speaker 1: Riggs and the fearsome King of the Pride Happy. How 218 00:16:12,600 --> 00:16:14,880 Speaker 1: does she do it? They all want to know. Will 219 00:16:14,960 --> 00:16:17,520 Speaker 1: this be the night Pappy prevails? Or well Maybel and 220 00:16:17,560 --> 00:16:19,680 Speaker 1: her wit proof Brital enough for the man eating beast. 221 00:16:20,000 --> 00:16:21,920 Speaker 1: The only way to see for yourself is to get 222 00:16:21,920 --> 00:16:26,600 Speaker 1: your ticket now. How about it? Max? Is tap been 223 00:16:26,680 --> 00:16:30,720 Speaker 1: for a lion show, stay boy eat him? Who else 224 00:16:30,720 --> 00:16:34,360 Speaker 1: could it be? I don't know you, Mr. I don't 225 00:16:34,360 --> 00:16:36,560 Speaker 1: want to know you. I don't want anything to do 226 00:16:36,640 --> 00:16:40,800 Speaker 1: with you. Max. I understand you are afraid. You are 227 00:16:40,920 --> 00:16:43,480 Speaker 1: lost and far from home, with no one to trust, 228 00:16:43,800 --> 00:16:46,560 Speaker 1: no when you should trust. But you can tell by 229 00:16:46,600 --> 00:16:49,680 Speaker 1: now that I am not going to hurt you. Quite 230 00:16:49,680 --> 00:16:52,360 Speaker 1: the opposite. A wait for me. Let me walk home 231 00:16:52,400 --> 00:16:55,640 Speaker 1: with you. That is all I ask. I will make 232 00:16:55,640 --> 00:16:57,600 Speaker 1: sure that you get back to your mother and father 233 00:16:57,920 --> 00:17:01,760 Speaker 1: in one piece, and then I will go on my way. 234 00:17:02,720 --> 00:17:08,120 Speaker 1: Why would you do that? Haven't you noticed tonight? Something 235 00:17:08,240 --> 00:17:13,560 Speaker 1: is just not right with the world, mainly you, Max. 236 00:17:14,280 --> 00:17:26,199 Speaker 1: Come with me. Do not run, Miss Cow, Miss Cow, 237 00:17:27,000 --> 00:17:31,560 Speaker 1: you again, We're closed young man. Nope, I need help. 238 00:17:32,600 --> 00:17:35,399 Speaker 1: What's the matter. I don't know what's going on, But 239 00:17:35,480 --> 00:17:38,600 Speaker 1: there's a a madman chasing me all over the place. 240 00:17:39,119 --> 00:17:44,800 Speaker 1: I keep seeing him everywhere. He's a murderer, all right now, 241 00:17:45,280 --> 00:17:50,080 Speaker 1: I just saw him outside. I can't I can't lock 242 00:17:50,200 --> 00:17:56,280 Speaker 1: the door. There, Come here, my boy. I don't know 243 00:17:56,320 --> 00:17:59,760 Speaker 1: what to do, my dog, And you're stuck out here 244 00:17:59,800 --> 00:18:02,479 Speaker 1: on a wrong side of town, and everybody's going crazy 245 00:18:02,480 --> 00:18:07,200 Speaker 1: to night. He nobody even knows I'm here. Nobody knows 246 00:18:07,240 --> 00:18:13,720 Speaker 1: you're here. What about your father and mother? I was 247 00:18:13,760 --> 00:18:17,200 Speaker 1: supposed to be home hours ago, but he got all 248 00:18:17,480 --> 00:18:22,360 Speaker 1: turned around. Do you have a telephone? I could try 249 00:18:22,359 --> 00:18:26,000 Speaker 1: to call them? Of course? Of course? Do you hear 250 00:18:26,160 --> 00:18:30,600 Speaker 1: this stub bear, this little mopet wayfaring on the devil's night, 251 00:18:30,680 --> 00:18:37,680 Speaker 1: and not even his mother knows where to find him. Come, 252 00:18:37,920 --> 00:18:45,720 Speaker 1: let us find the telephone, the secret room. The phone's 253 00:18:45,760 --> 00:18:53,840 Speaker 1: in there this way. This is what everybody wanted to see. 254 00:18:54,840 --> 00:19:01,679 Speaker 1: What is all this bags of cement? Hey? Wait, my dog? Oh, 255 00:19:01,720 --> 00:19:04,680 Speaker 1: he'll be all right out there. We have some business 256 00:19:04,720 --> 00:19:10,600 Speaker 1: in here. Max. How tall are you? What? Small for 257 00:19:10,640 --> 00:19:14,480 Speaker 1: your age? I judge why? I can see in my 258 00:19:14,640 --> 00:19:18,840 Speaker 1: mind I know how the brawnier boys must subject you 259 00:19:18,920 --> 00:19:23,640 Speaker 1: to terrible abuse. I know how boys can be each 260 00:19:23,680 --> 00:19:27,680 Speaker 1: one a minor Attila. Do they spit on you, call 261 00:19:27,760 --> 00:19:30,960 Speaker 1: you a molly cuddle, and pill for the change from 262 00:19:30,960 --> 00:19:35,159 Speaker 1: your pockets? How would you like to be freed of 263 00:19:35,359 --> 00:19:41,920 Speaker 1: these piddling ordeals? Yeah, I don't know what you're talking about. Max, 264 00:19:43,160 --> 00:19:50,480 Speaker 1: How would you like to become a god? Dabert, Honey, 265 00:19:50,520 --> 00:19:54,320 Speaker 1: go help? Hell? No one gaves near you in my 266 00:19:54,359 --> 00:19:58,160 Speaker 1: little cabbage, and no one even knows you're here. No 267 00:19:58,280 --> 00:20:01,840 Speaker 1: sense in screaming yourself, elf, horse, what do you want? 268 00:20:03,160 --> 00:20:08,520 Speaker 1: Look at this? Look what they did to my brittle darling. 269 00:20:09,160 --> 00:20:11,720 Speaker 1: You can barely see that it was once a slender 270 00:20:11,800 --> 00:20:17,560 Speaker 1: boy like yourself. Bones crushed like eggshells, desecrated by the 271 00:20:17,600 --> 00:20:22,840 Speaker 1: heel of a pagan loafer. Look how they ruined him. Well, 272 00:20:23,080 --> 00:20:25,560 Speaker 1: if you won't give me justice, perhaps you can be 273 00:20:25,800 --> 00:20:29,520 Speaker 1: my justice, Dalbert. How long did it take for this 274 00:20:29,600 --> 00:20:34,720 Speaker 1: fine creature to attain his immortality? It seemed, yes, perhaps 275 00:20:35,000 --> 00:20:39,680 Speaker 1: three years to slay the demon, another three to season 276 00:20:39,800 --> 00:20:42,520 Speaker 1: his linens. To tell the truth, I forget where he 277 00:20:42,680 --> 00:20:48,119 Speaker 1: came from, And yet he dried so exquisitely max I 278 00:20:48,280 --> 00:20:52,479 Speaker 1: admit I fib dismission earlier about where most of our 279 00:20:52,560 --> 00:20:56,400 Speaker 1: mummies come from. The truth is, the world has become 280 00:20:56,440 --> 00:20:59,680 Speaker 1: such a treacherous place, and travel so expensive, it hardly 281 00:20:59,720 --> 00:21:02,840 Speaker 1: makes tends to scour the lands of scorpions and bandits 282 00:21:02,840 --> 00:21:06,320 Speaker 1: for a dwindling supply of antiques when the sacred rights 283 00:21:06,400 --> 00:21:11,240 Speaker 1: themselves are at our fingertips. But never fear, you could 284 00:21:11,280 --> 00:21:16,719 Speaker 1: ask no better a guide into your transcendence than myself. 285 00:21:17,160 --> 00:21:21,520 Speaker 1: It was my dear poor Shrade who invented the process, 286 00:21:21,800 --> 00:21:24,639 Speaker 1: rediscovered from the arts of a more civilized eon. But 287 00:21:25,320 --> 00:21:28,879 Speaker 1: I am a faithful caretaker of the way and a 288 00:21:29,000 --> 00:21:34,160 Speaker 1: steady hand to boot Dalbert the rights of everlasting life. 289 00:21:35,640 --> 00:21:41,200 Speaker 1: What's that? Two humble grains of ancient pedigree in equal mixture, 290 00:21:41,920 --> 00:21:48,879 Speaker 1: here salt and here sand, two granular gifts from a 291 00:21:48,920 --> 00:21:52,479 Speaker 1: million years of wind and tide, working upon the rocks 292 00:21:53,440 --> 00:21:56,040 Speaker 1: you see before you're clothed in the linens of heaven. 293 00:21:56,080 --> 00:21:59,400 Speaker 1: You must be purchased as the great enemy of immortality, 294 00:21:59,760 --> 00:22:06,920 Speaker 1: the demon, the demon of moisture. These grains will slay 295 00:22:07,080 --> 00:22:12,560 Speaker 1: the demon and become your holy protectors. Except I must 296 00:22:12,560 --> 00:22:15,800 Speaker 1: warn you of what may be a source of momentary discomfort, 297 00:22:15,840 --> 00:22:19,960 Speaker 1: which bullsh rotten I discovered long ago. It really only 298 00:22:20,000 --> 00:22:26,680 Speaker 1: works from the inside out. Now open your mouth, my boy, 299 00:22:27,560 --> 00:22:38,640 Speaker 1: and you're a sacred journey begin. What's this? Who's there? 300 00:22:39,880 --> 00:22:42,320 Speaker 1: Surprise your old bet? I told you I'll be back 301 00:22:42,359 --> 00:22:46,880 Speaker 1: with my pals, Archie. It's me that rum having boys 302 00:22:46,880 --> 00:22:53,480 Speaker 1: burn it all, burn all this, CARNI tread no, no, no, 303 00:22:54,040 --> 00:22:58,640 Speaker 1: mindless physicot stop Albert, stop them, I get your gun. 304 00:23:03,480 --> 00:23:09,320 Speaker 1: Where do you think you're going? Gold me, lady, Such disloyalty, 305 00:23:09,480 --> 00:23:14,159 Speaker 1: such vicious contempt to tuck tail and run, for God's sake, 306 00:23:14,280 --> 00:23:17,399 Speaker 1: show some dignity. Boy, you are to be one of 307 00:23:17,440 --> 00:23:22,680 Speaker 1: the gods now. And if they burn you burn, let 308 00:23:22,760 --> 00:23:29,040 Speaker 1: go of the boy. What by what right do you think? Oh? 309 00:23:30,119 --> 00:23:35,080 Speaker 1: Oh my word, I'll look at you now, look you 310 00:23:36,440 --> 00:23:40,280 Speaker 1: observe my luck to meet you only at the moment 311 00:23:40,320 --> 00:23:45,040 Speaker 1: my museum is burning. Oh dear, I want you behind glass. 312 00:23:46,000 --> 00:23:52,679 Speaker 1: What a clap of thunder you are? What a shocking angel? No, 313 00:23:53,000 --> 00:24:00,000 Speaker 1: ma'am not an angel, but he's the die you swim. 314 00:24:01,400 --> 00:24:06,080 Speaker 1: Tick your hands off of me. No, Max, run is 315 00:24:06,240 --> 00:24:24,160 Speaker 1: for you, fariful extraordinary errow arrow, Hey Gerry Ward Buddy Gold. 316 00:24:24,400 --> 00:24:31,080 Speaker 1: We're going to get out of here. The train, that's it. 317 00:24:31,920 --> 00:25:02,200 Speaker 1: We'll have to hop it. Come on Colon Faster Boy, 318 00:25:03,320 --> 00:25:08,320 Speaker 1: Thirteen Days of Halloween Devil's Night, starring Carter Rockwood and 319 00:25:08,400 --> 00:25:13,639 Speaker 1: Clancy Brown. Episode three, The fair Grounds written by Joe McCormick, 320 00:25:14,119 --> 00:25:18,159 Speaker 1: featuring the voices of Olivia Castineau, Vinnie balbo Ive, Gordon, 321 00:25:18,400 --> 00:25:24,840 Speaker 1: Nicolas Takowski, Raphael Corkill, Gina Rikiki, and Jeffrey Kennedy. Edited 322 00:25:24,920 --> 00:25:30,320 Speaker 1: by Zosha, Sound designed by Josh Thane, directed by Alexander Williams. 323 00:25:30,720 --> 00:25:35,119 Speaker 1: Script supervision by Nicolas Takowski. Casting by Sunday Bowling c 324 00:25:35,400 --> 00:25:38,840 Speaker 1: s A and Meg Mormon c s A. Production coordinator 325 00:25:38,960 --> 00:25:43,960 Speaker 1: Wayna Calderon. Production assistants Zoe Shay and Amber Ferris. Animal 326 00:25:44,040 --> 00:25:49,040 Speaker 1: recording by Ben James, closing theme by Rose Azerti. Loyalty 327 00:25:49,119 --> 00:25:53,560 Speaker 1: Freak Music dot Com recorded at d G Entertainment in 328 00:25:53,640 --> 00:25:58,000 Speaker 1: Los Angeles, California. Engineered by Gary Forbes and Jody Abbott. 329 00:25:58,240 --> 00:26:03,480 Speaker 1: Additional recording by SoundBite Inc. In Atlanta, Georgia. Engineered by 330 00:26:03,680 --> 00:26:09,320 Speaker 1: Chase Nixon, studio manager Kathy Roberts. Executive producers Aaron Mankey, 331 00:26:09,600 --> 00:26:15,240 Speaker 1: Noah Feinberg, Chris Dicky, Matt Frederick and Alexander Williams. Supervising 332 00:26:15,240 --> 00:26:19,720 Speaker 1: producers Trevor Young and Josh Than, producers Jesse Funk and 333 00:26:19,880 --> 00:26:24,320 Speaker 1: rima Il Kali. Thirteen Days of Halloween was created by 334 00:26:24,359 --> 00:26:27,680 Speaker 1: Matt Frederick and Alexander Williams and is a production of 335 00:26:27,760 --> 00:26:31,439 Speaker 1: iHeart three D Audio, Blumhouse Television, and Grim and Mild 336 00:26:31,520 --> 00:26:34,600 Speaker 1: from Aaron Mankey. Learn more about the show at Grim 337 00:26:34,600 --> 00:26:38,160 Speaker 1: and Mild dot com, slash thirteen Days and find more 338 00:26:38,200 --> 00:26:40,600 Speaker 1: podcasts from I heart Radio by visiting the i Heart 339 00:26:40,680 --> 00:26:43,840 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 340 00:26:43,880 --> 00:27:01,800 Speaker 1: favorite shows. Two