WEBVTT - Introducing: The Devil You Know with Sarah Marshall

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<v Speaker 1>Hey, everybody, I want to share something special with you

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<v Speaker 1>this week. It's an episode of a new podcast I'm

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<v Speaker 1>pumped about, called The Devil You Know. In the nineteen

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<v Speaker 1>eighties and nineties, Satan and his followers were accused of

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<v Speaker 1>brainwashing children, sacrificing babies, and infiltrating North American society on

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<v Speaker 1>a massive scale. Yet these thousands of alleged Satanists were

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<v Speaker 1>nowhere to be found. Even so, the narrative became embedded

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<v Speaker 1>in our cultural memory, wharping everything at touched, including the

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<v Speaker 1>lives of innocent people, and it never quite died out.

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<v Speaker 1>You may know Sarah Marshall as the host of You'r Wrongabout.

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<v Speaker 1>In her new show, The Devil You Know, she explores

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<v Speaker 1>the tangled web of the Satanic Panic, a journey that

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<v Speaker 1>will take you everywhere from Victoria, BC to rural Kentucky

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<v Speaker 1>to San Antonio, Texas. This is a show about the

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<v Speaker 1>people who experienced the Satanic Panic in real time, the believers,

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<v Speaker 1>the skeptics, the bystanders, the wrongfully convicted. What was it

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<v Speaker 1>like to be a psychologist told to look for Satanists?

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<v Speaker 1>In every case? A mother slowly recovering memories of supposed

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<v Speaker 1>satanic abuse, a teenager accused of conspiracy to murder. The

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<v Speaker 1>stories of these eyewitnesses point us toward the real underlying problems,

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<v Speaker 1>and you can probably guess the problem wasn't the Satanists,

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<v Speaker 1>but us. Okay, here comes the episode. You can find

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<v Speaker 1>the devil, you know wherever you get your podcasts.

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<v Speaker 2>I didn't have any clue what that was all about,

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<v Speaker 2>but now our teacher made it clear that I should

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<v Speaker 2>get the hell out right away.

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<v Speaker 3>This is Diane. She's a photographer. Diane is not her

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<v Speaker 3>actual name, but what I've given her for her privacy

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<v Speaker 3>and also in honor of one of my favorite women

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<v Speaker 3>of the eighties, Diane on Cheers.

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<v Speaker 2>I'm an artist, photographer, designer, art educator, digital designer, and more.

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<v Speaker 3>Diane was telling me about a project she was working

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<v Speaker 3>on in the late nineteen eighties.

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<v Speaker 2>I planned and I arrived in the full.

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<v Speaker 3>It had her traveling around Kentucky.

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<v Speaker 2>I wasn't staying permanently then, but I was there to

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<v Speaker 2>kind of establish the program, find a place to live,

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<v Speaker 2>and kind of get things going.

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<v Speaker 3>She was photographing locals and also teaching them photography.

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<v Speaker 2>The first time I went, we had this little after

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<v Speaker 2>school club of girls who were really interested in photography

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<v Speaker 2>and very enthusiastic. And they went home and told their families,

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<v Speaker 2>and their families were really friendly, and they were inviting

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<v Speaker 2>me over for dinners and stuff. So when I left

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<v Speaker 2>there the first time after a two week residency, I

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<v Speaker 2>left with a really warm place in my heart for

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<v Speaker 2>the town and its people.

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<v Speaker 3>She worked with people of all ages, including local high schoolers.

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<v Speaker 3>That's what brought her to this particular small town.

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<v Speaker 2>So it was a pretty old town. It was really

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<v Speaker 2>scenic and beautiful, kind of nestled in the hills or

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<v Speaker 2>maybe there were mountains. I don't know.

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<v Speaker 3>But before Diane could really settle in and get to work,

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<v Speaker 3>something happened that made her want to get the hell

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<v Speaker 3>out of Dodge.

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<v Speaker 2>And the art teacher turned to me, looked at me

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<v Speaker 2>real seriously, and he said leave right away. So I did.

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<v Speaker 2>I mean? I arrived in the town hopeful and optimistic,

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<v Speaker 2>ready to like work hard and do good work. Yeah,

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<v Speaker 2>And when I left, I couldn't drive fast enough. It

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<v Speaker 2>was just pedal to the metal. I just couldn't put

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<v Speaker 2>the miles between me and that place fast enough. I

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<v Speaker 2>didn't know if I'd end up in a jail or

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<v Speaker 2>if I would end up, you know, thrown in a cave.

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<v Speaker 3>Diane, a stranger in a small town, had unwittingly become

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<v Speaker 3>the target of a conspiracy.

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<v Speaker 2>You know. At the time, I remember hearing about, you know,

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<v Speaker 2>pentagrams on the floor of barns and all kinds of

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<v Speaker 2>stuff like that. I mean, I thought maybe it could happen,

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<v Speaker 2>but I really didn't believe it. Where could all these like,

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<v Speaker 2>all of a sudden, all these devil worshipers pop up.

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<v Speaker 3>What happened to Diane was a microcosm of a larger

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<v Speaker 3>conspiracy sweeping the nation throughout the nineteen eighties. It was

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<v Speaker 3>a conspiracy about a conspiracy. It was a story where

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<v Speaker 3>rumor became panic, and eventually that panic became legend. That

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<v Speaker 3>legend has always fascinated me. But to see it only

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<v Speaker 3>from the distance of the present is to not see

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<v Speaker 3>it at all. The grand sweep of the narrative turns

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<v Speaker 3>it into something that happened to a country or a culture.

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<v Speaker 3>But that also means it happened to individuals, and each

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<v Speaker 3>of them saw something a little different. I thought, could

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<v Speaker 3>this have happened? You know, I mean, it questioned it

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<v Speaker 3>because it's like we had such a strange childhood.

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<v Speaker 4>Anyways, the first version of it was that this was

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<v Speaker 4>somehow wrapped up in the mafia. And then the next

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<v Speaker 4>iteration I heard was that there were some group of

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<v Speaker 4>people at the school called the Group, especially some goth people.

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<v Speaker 5>I remember two days later, maybe even a day later,

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<v Speaker 5>I received a call from Detective Majeca.

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<v Speaker 2>You know, would you come in and come and talk

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<v Speaker 2>to me or.

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<v Speaker 3>I'm sure you know I have nothing to hide.

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<v Speaker 1>Unfortunately, that was the worst thing I could have ever done.

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<v Speaker 3>So what did it look like to the individuals who

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<v Speaker 3>got caught up in this panic, often in ways that

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<v Speaker 3>they could never have imagined. Today, we're going to see

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<v Speaker 3>it through Diane's eyes. Come with me as I traced

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<v Speaker 3>the development of one small strange rumor, a rumor involving

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<v Speaker 3>virgin sacrifice, grave robbing, and Patrick Swayzee. I'm Sarah Marshall,

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<v Speaker 3>and this is the devil you know, Welcome to the eighties.

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<v Speaker 3>Here's what's in legwarmers, Madonna, phones that look like Star Wars,

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<v Speaker 3>trili gy and government initiative. Michael J. Fox, the de Laureate.

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<v Speaker 3>I'm Gohay Fox, Si Cha Koozi vcrgumic, cyndy, lauper, aquanett, fishnets,

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<v Speaker 3>and also apparently Satanism.

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<v Speaker 6>Good morning everyone, I'm Richard chair and welcome to people

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<v Speaker 6>are talking on this Monday. We are live on Television

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<v Speaker 6>Hill and as you know by watching previous programs on

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<v Speaker 6>people are talking that Satanism seems to be on the

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<v Speaker 6>rise here in the United States.

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<v Speaker 3>People, especially Americans. We're getting this information not from the fringes,

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<v Speaker 3>but from mainstream sources like local morning news shows and

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<v Speaker 3>unnationally syndicated daytime talk shows like the Uprah Winfrey Show.

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<v Speaker 5>In every state in the nation, authorities are investigating some

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<v Speaker 5>form of what they call botanic activity, which is covinar.

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<v Speaker 3>Reportedly, people also heard these stories on primetime news, like

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<v Speaker 3>in this investigation by ABC's twenty twenty.

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<v Speaker 7>Dardling sobering results of a twenty twenty investigation, Satanism, devil

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<v Speaker 7>worship is being practiced all across the country.

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<v Speaker 8>We have all types of perversion going on as.

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<v Speaker 7>Affecting America, perverse hideous acts, DeFi belief, suicides, murders, and

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<v Speaker 7>the ritualistic slaughter of children and animals.

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<v Speaker 3>Satan has been in North America for a long time,

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<v Speaker 3>at least according to some, began to enjoy a new

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<v Speaker 3>level of notoriety. In the nineteen sixties and seventies, Anton

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<v Speaker 3>Levy was freaking people out with his Church of Satan

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<v Speaker 3>in San Francisco, a church that, if you read the literature,

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<v Speaker 3>was about worshiping not Satan, but yourself and your ability

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<v Speaker 3>to do whatever you wanted. The public reeled from news

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<v Speaker 3>of the Manson family murders in the wake of their

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<v Speaker 3>nineteen sixty nine crime spree, a case in which teenage

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<v Speaker 3>girls ran away from home and ended up in the

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<v Speaker 3>thrall of a man who commanded them to kill. Surely,

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<v Speaker 3>just some guy couldn't be responsible for such horrific crimes.

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<v Speaker 3>Surely it had to be Satan, and members of the

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<v Speaker 3>growing evangelical Christian movement began arguing that the Age of

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<v Speaker 3>Aquarius was really affront for Satan. One day you're reading

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<v Speaker 3>a horoscope, the next day you're sacrificing a goat. But

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<v Speaker 3>it's hard to know if Satan would have become quite

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<v Speaker 3>the American obsession he was if he hadn't also been

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<v Speaker 3>such big business.

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<v Speaker 8>Satan his father, that guy, he came up from Hell

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<v Speaker 8>and beget a son, a mortal woman.

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<v Speaker 7>Pale Haydans his father and his name is Adrian.

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<v Speaker 3>That was Rosemary's Baby from nineteen sixty eight. It established

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<v Speaker 3>a market for devil movies, and there was no devil

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<v Speaker 3>movie bigger than The Exorcist in nineteen seventy three, which

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<v Speaker 3>told the story of an adolescent girl possessed by a

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<v Speaker 3>demon and the two noble Catholic priests who saved her

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<v Speaker 3>from evil.

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<v Speaker 7>An excellent day an excitator.

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<v Speaker 3>But this pervasive fixation on Satan, both religious and secular,

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<v Speaker 3>achieved a new level of urgency in the nineteen eighties.

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<v Speaker 3>Now stories of Satan tanic activity were no longer just

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<v Speaker 3>in the movies. They were happening in your very own town,

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<v Speaker 3>or at least that was what people were saying.

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<v Speaker 9>And we have essentially in a moral panic, a somewhat

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<v Speaker 9>regressive movement that it's trying to restore old moral lines

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<v Speaker 9>or old cultural habits, you know, kind of like the

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<v Speaker 9>good old days, that the social change was really threatening

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<v Speaker 9>to upend.

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<v Speaker 3>That is Mary to Young, professor emeritus of sociology at

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<v Speaker 3>Grand Valley State University. And according to Mary, many of

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<v Speaker 3>these fears tend to center around children and teenagers. And

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<v Speaker 3>the harms that might befall children, both physical and moral.

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<v Speaker 9>I mean, there was a lot of anxiety about what

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<v Speaker 9>was going on in the family during that period of time.

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<v Speaker 9>That was it's one of the sources of social stress.

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<v Speaker 9>There was a higher rate of divorce, a higher rate

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<v Speaker 9>of what were referred to them as non traditional families.

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<v Speaker 9>We also were dealing with the consequences of a recession.

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<v Speaker 9>We had more and more women going to work, and

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<v Speaker 9>you had a lot of social commentators who were talking

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<v Speaker 9>with one degree of expertise or another about what the

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<v Speaker 9>consequences were of so called latch key children and unsupervised children,

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<v Speaker 9>and children, particularly boys who were not growing up with fathers.

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<v Speaker 3>And is there this idea that the nuclear family must

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<v Speaker 3>stay together to word off Satanists and therefore, you know,

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<v Speaker 3>don't get divorced?

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<v Speaker 8>Right?

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<v Speaker 9>Well, you know, historically, the family has always been the

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<v Speaker 9>moral foundation of society. And when you begin changing that

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<v Speaker 9>moral foundation, and consequentially, other things are going to happen

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<v Speaker 9>that are either going to, depending on your belief system,

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<v Speaker 9>invite evil influences however you define evil, or somehow make

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<v Speaker 9>it much more difficult to resist those.

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<v Speaker 3>This panic across the board was one whose proponents and

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<v Speaker 3>alleged victims were largely white and middle class, in part

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<v Speaker 3>because it affected white America the way so many moral

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<v Speaker 3>panics do by giving a monstrous face to the changes

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<v Speaker 3>that the future might bring. Those accused of being in

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<v Speaker 3>league with the devil were, as you might imagine, a

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<v Speaker 3>more diverse group than their accusers. The weight of false

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<v Speaker 3>accusations fell most heavily, as always, on those without the

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<v Speaker 3>money or the power to crawl out from under them.

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<v Speaker 3>It feels like so many structural problems can be ignored

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<v Speaker 3>when we say, well, these things. Bad outcomes happen because

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<v Speaker 3>people wake up in the morning and sort of dis direction,

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<v Speaker 3>do their affirmations and are like, I'm evil. I'm going

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<v Speaker 3>to do something evil today.

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<v Speaker 9>Right right? I mean, throughout history, there's always been something, someone,

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<v Speaker 9>some group of people, some ideology, whatever that's been labeled

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<v Speaker 9>as evil and evil. The word itself is an extremely

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<v Speaker 9>powerful word. Throwing it into a sentence really begins to

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<v Speaker 9>change the whole narrative about the problem that you're taking

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<v Speaker 9>a look at.

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<v Speaker 3>De Young tells a story where the Satanic panic emerged

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<v Speaker 3>not just from the fears of everyday people, but from

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<v Speaker 3>a whole class of professionals.

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<v Speaker 9>All of a sudden, we had experts popping up on Satanism,

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<v Speaker 9>on cults, on Satanic cults, even on ritual abuse, which

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<v Speaker 9>was a brand new term.

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<v Speaker 3>Self appointed experts who could tell you how to find

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<v Speaker 3>evidence of Satanism in a patient or at a crime scene,

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<v Speaker 3>and who turned around and trained more experts, who trained

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<v Speaker 3>more experts. Across North America, social workers and therapists were

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<v Speaker 3>urged to look for the devil in their client's memories,

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<v Speaker 3>and teachers, parents and children were told that secret Satanic

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<v Speaker 3>messages were hidden in heavy metal songs, comic books, and games.

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<v Speaker 9>Virtually every state that I've taken a look at has

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<v Speaker 9>had its own version of the Satanic panic. For example,

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<v Speaker 9>in Kentucky, where rumors that were going around that a

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<v Speaker 9>Satanic cult was going to kidnap blonde haired, blue eyed

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<v Speaker 9>girls and sacrifice them meant that on one day in

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<v Speaker 9>one community in Kentucky, four hundred and fifty kids were

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<v Speaker 9>kept out of school by their parents. That's a manifestation

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<v Speaker 9>of a belief system.

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<v Speaker 3>By the time we got to the late eighties, the

0:15:18.800 --> 0:15:22.760
<v Speaker 3>idea that Satan and his followers have infiltrated North America

0:15:23.160 --> 0:15:28.160
<v Speaker 3>is thoroughly embedded in our culture. Satanists, you are told,

0:15:28.600 --> 0:15:32.720
<v Speaker 3>are a threat to your children, your town, your country.

0:15:33.600 --> 0:15:36.120
<v Speaker 3>And out of all this fear come people who are

0:15:36.160 --> 0:15:40.920
<v Speaker 3>primed to look for Satanists whenever something a little bit

0:15:41.040 --> 0:15:42.840
<v Speaker 3>out of the ordinary occurs.

0:15:43.880 --> 0:15:49.520
<v Speaker 9>I found training sessions where hundreds of Kentucky police officers

0:15:50.320 --> 0:15:55.720
<v Speaker 9>were attending training sessions on Satanic ritual abuse in what

0:15:56.000 --> 0:16:00.480
<v Speaker 9>was generically referred to as a cult crime. You begin

0:16:01.200 --> 0:16:05.080
<v Speaker 9>to look at those kinds of relationships again, and you

0:16:05.120 --> 0:16:07.640
<v Speaker 9>see that you can have a community that really is

0:16:07.840 --> 0:16:12.200
<v Speaker 9>primed for an allegation, prime to believe it, prime to

0:16:12.600 --> 0:16:17.200
<v Speaker 9>proceed on it as if it were a credible allegation.

0:16:29.400 --> 0:16:32.440
<v Speaker 10>Rumors of devil worship have spread like wildfire across a

0:16:32.520 --> 0:16:35.960
<v Speaker 10>large section of eastern Kentucky, stumping police officers who have

0:16:35.960 --> 0:16:38.600
<v Speaker 10>fielded thousands of telephone calls from terrified line.

0:16:38.400 --> 0:16:41.480
<v Speaker 5>Satan worshippers are looking for blonde, blue eyed children to

0:16:41.560 --> 0:16:44.920
<v Speaker 5>kill in a sacrifice to the devil. Some versions implicate

0:16:45.040 --> 0:16:46.600
<v Speaker 5>vacuum cleaner salesman.

0:16:46.320 --> 0:16:51.119
<v Speaker 11>Vandals painted six sixty six Satan rules and occult symbols

0:16:51.160 --> 0:16:52.000
<v Speaker 11>in the city park.

0:16:52.240 --> 0:16:54.680
<v Speaker 10>Similar incidents or of a portacle on the floor of

0:16:54.680 --> 0:16:57.160
<v Speaker 10>a mobile home the defendants are alleged to have used

0:16:57.200 --> 0:17:01.280
<v Speaker 10>for Satanic ceremonies. The words Satan rules were inscribed outside

0:17:01.280 --> 0:17:03.359
<v Speaker 10>a circle around their time months.

0:17:03.040 --> 0:17:05.760
<v Speaker 5>Noble met with parents who were considering keeping their children

0:17:05.800 --> 0:17:07.800
<v Speaker 5>home because of fears of devil worshippers.

0:17:07.880 --> 0:17:11.320
<v Speaker 11>Videotapes and books on the occult were confiscated, along with

0:17:11.359 --> 0:17:12.800
<v Speaker 11>some heavy metal rock tapes.

0:17:12.840 --> 0:17:16.440
<v Speaker 5>The rumors during migrated into Leslie, clay, Lee, and Ousley

0:17:16.480 --> 0:17:19.680
<v Speaker 5>Counties to the southwest, and Wolf, Powell and mcgoffin counties

0:17:19.720 --> 0:17:20.120
<v Speaker 5>did All.

0:17:20.080 --> 0:17:22.600
<v Speaker 10>Of the law enforcement officials surveyed last week said they

0:17:22.640 --> 0:17:26.440
<v Speaker 10>believe the stories were false. Most agencies reported investigating the

0:17:26.520 --> 0:17:29.000
<v Speaker 10>rumors and finding no supporting evidence.

0:17:29.119 --> 0:17:33.200
<v Speaker 5>The state journal Frank the Messenger Inquirer owned the Louisville Courier,

0:17:33.280 --> 0:17:37.920
<v Speaker 5>Kentucky New Era Lexington Herald Reader September twelfth, nineteen eighty eight.

0:17:42.359 --> 0:17:46.600
<v Speaker 3>September nineteen eighty eight, that is the very same month

0:17:46.680 --> 0:17:51.360
<v Speaker 3>a certain photographer travels to rural Kentucky. Remember our friend

0:17:51.440 --> 0:17:53.920
<v Speaker 3>Diane from earlier when.

0:17:53.760 --> 0:17:55.480
<v Speaker 2>We were at school. We had a lot of fun

0:17:55.640 --> 0:17:59.800
<v Speaker 2>just running inside and outside because in the pinhole cameras

0:18:00.119 --> 0:18:03.119
<v Speaker 2>called you could only put one film in at a time,

0:18:03.240 --> 0:18:05.560
<v Speaker 2>so you would load it up in the dark room,

0:18:05.720 --> 0:18:08.240
<v Speaker 2>run outside, take a picture, and then run back into

0:18:08.320 --> 0:18:10.439
<v Speaker 2>the dark room and develop it. You know, it was

0:18:10.480 --> 0:18:14.280
<v Speaker 2>this frantic, great release of energy as opposed to sitting

0:18:14.359 --> 0:18:16.119
<v Speaker 2>in one of those little school desks.

0:18:16.200 --> 0:18:19.560
<v Speaker 3>You know, for hours, she was working in small towns

0:18:19.600 --> 0:18:24.160
<v Speaker 3>across the state teaching photography to kids and teenagers.

0:18:26.160 --> 0:18:29.520
<v Speaker 2>I was part of an artist grant program through the

0:18:29.600 --> 0:18:34.720
<v Speaker 2>Kentucky Arts Council, So as one of those artists, I

0:18:34.760 --> 0:18:37.960
<v Speaker 2>packed up my car with all kinds of photo gear

0:18:38.520 --> 0:18:41.680
<v Speaker 2>and I would travel around the state doing these residencies.

0:18:42.240 --> 0:18:44.719
<v Speaker 2>I think most of them were about two weeks. The

0:18:44.760 --> 0:18:47.399
<v Speaker 2>town would like find a place for you to stay,

0:18:47.520 --> 0:18:49.479
<v Speaker 2>and you know, you were just kind of on your

0:18:49.560 --> 0:18:53.359
<v Speaker 2>own with the students and the specific group of teachers

0:18:53.640 --> 0:18:58.080
<v Speaker 2>or one teacher. Maybe I would show up with dozens

0:18:58.080 --> 0:19:01.960
<v Speaker 2>of cardboard boxes that the students would make into cameras

0:19:02.400 --> 0:19:07.040
<v Speaker 2>and then photograph with them, and we made school newspapers

0:19:07.240 --> 0:19:11.160
<v Speaker 2>where they would write and publish their photos. We made

0:19:11.160 --> 0:19:15.520
<v Speaker 2>photo books and had exhibits, and we made videos where

0:19:15.560 --> 0:19:18.879
<v Speaker 2>they would write the story and star in it and

0:19:19.040 --> 0:19:21.320
<v Speaker 2>dance in it. And they'd write original music.

0:19:21.960 --> 0:19:24.920
<v Speaker 3>What was it like to be working with teenagers artistically

0:19:25.480 --> 0:19:28.800
<v Speaker 3>and specifically working with young adults in that part of

0:19:28.800 --> 0:19:30.160
<v Speaker 3>the country in that time.

0:19:31.119 --> 0:19:33.480
<v Speaker 2>Once they were on board with it, they really got

0:19:33.840 --> 0:19:38.320
<v Speaker 2>inspired by it, which I really enjoyed because it's so

0:19:38.440 --> 0:19:43.960
<v Speaker 2>hard to sometimes get people interested or teenagers interested. But

0:19:44.440 --> 0:19:47.280
<v Speaker 2>I think it was so different than regular school for

0:19:47.359 --> 0:19:50.280
<v Speaker 2>them that they kind of latched onto it. It was

0:19:50.320 --> 0:19:53.000
<v Speaker 2>a real for them. It was a real opportunity I

0:19:53.080 --> 0:19:57.000
<v Speaker 2>had for years after. Some of the teenagers writing me

0:19:57.119 --> 0:20:01.280
<v Speaker 2>and sending me photos and you know, asking me questions

0:20:01.359 --> 0:20:05.600
<v Speaker 2>because they just wanted to keep going with it. So

0:20:05.680 --> 0:20:09.399
<v Speaker 2>that was pretty amazing. I think most people were happy

0:20:09.440 --> 0:20:12.560
<v Speaker 2>to have a visitor that was going to like shed

0:20:12.680 --> 0:20:14.080
<v Speaker 2>light on something brand new.

0:20:17.560 --> 0:20:21.359
<v Speaker 3>I'm curious about what this town was like, what it

0:20:21.400 --> 0:20:23.480
<v Speaker 3>was like to drive into it, and kind of what

0:20:23.600 --> 0:20:26.439
<v Speaker 3>it you know, the experience of it.

0:20:26.440 --> 0:20:29.280
<v Speaker 2>It was pretty small, but when you drive in, you know,

0:20:29.320 --> 0:20:32.960
<v Speaker 2>you see hills and beautiful scenery. It's like one road

0:20:33.040 --> 0:20:37.439
<v Speaker 2>through the town and some other little neighborhoods around. The

0:20:37.480 --> 0:20:40.480
<v Speaker 2>woman who was the teacher that I stayed with initially,

0:20:41.000 --> 0:20:45.560
<v Speaker 2>she was living in the old one room schoolhouse and

0:20:45.600 --> 0:20:49.040
<v Speaker 2>she used to find like arrowheads in the front yard.

0:20:49.680 --> 0:20:52.399
<v Speaker 3>Was there like, was it like a dairy queen town?

0:20:52.600 --> 0:20:53.280
<v Speaker 3>Was there like a.

0:20:53.800 --> 0:20:56.760
<v Speaker 2>Yes, there was this. There was this great dairy queen

0:20:59.200 --> 0:21:02.400
<v Speaker 2>and I was always just amazed there was this. One

0:21:02.440 --> 0:21:04.320
<v Speaker 2>of the kids had a baby and they would put

0:21:04.320 --> 0:21:07.879
<v Speaker 2>the baby through the order window, you know, place their orders.

0:21:07.920 --> 0:21:09.600
<v Speaker 2>They would like push the baby.

0:21:09.280 --> 0:21:11.760
<v Speaker 3>Through and you have to hold the baby upside down

0:21:11.840 --> 0:21:14.919
<v Speaker 3>like a blizzard to make sure that he's thick enough. Yeah.

0:21:15.840 --> 0:21:18.040
<v Speaker 2>Yeah, maybe.

0:21:18.880 --> 0:21:19.120
<v Speaker 5>Yeah.

0:21:19.160 --> 0:21:22.080
<v Speaker 2>It was like a one everything town, one doctor, one

0:21:22.160 --> 0:21:25.840
<v Speaker 2>dairy queen, one movie theater. I was staying at a

0:21:25.840 --> 0:21:30.320
<v Speaker 2>local motel. The doctor across the street. He offered a

0:21:30.400 --> 0:21:33.120
<v Speaker 2>room in his building. I could use it as a

0:21:33.160 --> 0:21:36.840
<v Speaker 2>studio slash dark room, and I'd run around the town

0:21:37.119 --> 0:21:39.840
<v Speaker 2>as I was doing all this, meeting people, and when

0:21:39.880 --> 0:21:42.600
<v Speaker 2>I did, i'd tell him about the project, and with

0:21:42.680 --> 0:21:45.880
<v Speaker 2>their permission, I would photograph them, and I was using

0:21:45.960 --> 0:21:49.560
<v Speaker 2>a Polaroid camera so I could give them the photo.

0:21:50.560 --> 0:21:55.840
<v Speaker 2>The outcome was always really friendly, and in doing my recognisance,

0:21:55.880 --> 0:21:58.480
<v Speaker 2>I scheduled a meeting with the high school principal and

0:21:58.600 --> 0:22:02.159
<v Speaker 2>the high school art teacher. Day came for our meeting

0:22:02.160 --> 0:22:09.000
<v Speaker 2>and I met the principal. I thought it went fine,

0:22:10.240 --> 0:22:13.000
<v Speaker 2>and then I went to meet with the our teacher,

0:22:13.600 --> 0:22:17.520
<v Speaker 2>and halfway through our meeting, the principal's voice booms out

0:22:17.560 --> 0:22:21.040
<v Speaker 2>of the loud speaker and he said, if anyone sees

0:22:21.119 --> 0:22:26.159
<v Speaker 2>the photo woman, escort to my office immediately. And the

0:22:26.280 --> 0:22:28.800
<v Speaker 2>art teacher turned to me, looked at me real seriously,

0:22:28.840 --> 0:22:32.480
<v Speaker 2>and he said leave right away.

0:22:32.640 --> 0:22:33.360
<v Speaker 9>So I did.

0:22:36.520 --> 0:22:39.600
<v Speaker 3>But during her drive through town, Diane spots a friend

0:22:39.800 --> 0:22:41.240
<v Speaker 3>traveling in the opposite direction.

0:22:42.160 --> 0:22:45.160
<v Speaker 2>I was thinking of finding her anyway, but our paths

0:22:45.280 --> 0:22:48.040
<v Speaker 2>crossed in our cars, and so we stopped. You know,

0:22:48.119 --> 0:22:50.680
<v Speaker 2>people used to, like in a small town that'd stop

0:22:50.680 --> 0:22:53.760
<v Speaker 2>in Mill Street and have a conversation. So we kind

0:22:53.760 --> 0:22:56.120
<v Speaker 2>of stopped in the mill Street and you know, going

0:22:56.160 --> 0:22:59.439
<v Speaker 2>in two different directions, and rolled down our windows and

0:22:59.520 --> 0:23:02.600
<v Speaker 2>I told what had just happened, and she looked at

0:23:02.640 --> 0:23:08.000
<v Speaker 2>me and she said, leave town right away. She said,

0:23:08.080 --> 0:23:14.679
<v Speaker 2>people have disappeared or are disappeared, like abducted, and often

0:23:15.240 --> 0:23:17.800
<v Speaker 2>end up in nearby caves or mines, never to be

0:23:17.880 --> 0:23:23.320
<v Speaker 2>heard from again. So then I really freaked out. And

0:23:23.680 --> 0:23:25.800
<v Speaker 2>she said it in such a way too, that I

0:23:26.040 --> 0:23:28.359
<v Speaker 2>knew it was no joke, you know, And It wasn't

0:23:28.400 --> 0:23:32.760
<v Speaker 2>like a horror film where you might just stay anyway,

0:23:33.040 --> 0:23:36.879
<v Speaker 2>you know. So I was really shocked and upset. I

0:23:36.920 --> 0:23:40.080
<v Speaker 2>went back to the motel and I just grabbed all

0:23:40.119 --> 0:23:42.480
<v Speaker 2>my stuff and threw it in the car and left.

0:23:42.520 --> 0:23:47.119
<v Speaker 2>And for some reason, I remember, like for some reason,

0:23:47.160 --> 0:23:51.360
<v Speaker 2>I decided to change my shirt, and I wasn't hysterical,

0:23:51.440 --> 0:23:56.080
<v Speaker 2>but I was definitely panicky, because I remember I had

0:23:56.119 --> 0:23:59.679
<v Speaker 2>the hardest time trying to button the buttons. Later, I

0:23:59.680 --> 0:24:02.200
<v Speaker 2>found doubt that the sheriff was waiting for me in

0:24:02.320 --> 0:24:06.199
<v Speaker 2>the principal's office, and later I found out that he

0:24:06.320 --> 0:24:08.560
<v Speaker 2>had just missed me at the motel.

0:24:09.080 --> 0:24:09.399
<v Speaker 11>Wow.

0:24:09.440 --> 0:24:12.600
<v Speaker 2>So I was just so glad that I had left.

0:24:12.640 --> 0:24:14.560
<v Speaker 2>I didn't know if I'd end up in a jail

0:24:14.760 --> 0:24:17.239
<v Speaker 2>or if I would end up, you know, thrown in

0:24:17.280 --> 0:24:17.680
<v Speaker 2>a cave.

0:24:21.200 --> 0:24:24.320
<v Speaker 3>When okay, and so you got out of town, and

0:24:24.359 --> 0:24:27.359
<v Speaker 3>so where did you had? Two? From there?

0:24:28.200 --> 0:24:30.600
<v Speaker 2>I just drove back to Cincinnati the next day, and

0:24:31.000 --> 0:24:35.720
<v Speaker 2>you know, nobody here really really understood. And my phone

0:24:35.760 --> 0:24:39.800
<v Speaker 2>started ringing off the hook, just constant phone calls from

0:24:39.880 --> 0:24:44.040
<v Speaker 2>all kinds of different media, including like People magazine, and

0:24:44.080 --> 0:24:46.840
<v Speaker 2>all these people just kept calling and calling and calling

0:24:47.880 --> 0:24:49.639
<v Speaker 2>I really didn't even know what to say. I was

0:24:49.640 --> 0:24:54.400
<v Speaker 2>still trying to process what happened and why. But yeah,

0:24:54.440 --> 0:24:57.760
<v Speaker 2>that's when I found out what I was being accused of.

0:24:57.880 --> 0:24:58.720
<v Speaker 2>Or you know.

0:25:01.480 --> 0:25:04.880
<v Speaker 3>I've been fascinated by Diane's story ever since I stumbled

0:25:04.920 --> 0:25:07.520
<v Speaker 3>across it. I first saw it in a book from

0:25:07.560 --> 0:25:12.160
<v Speaker 3>the eighties about police officers who became experts in cult crimes.

0:25:12.760 --> 0:25:14.879
<v Speaker 3>So when I finally got the chance to sit down

0:25:14.920 --> 0:25:19.600
<v Speaker 3>and talk with her, I had to read her this passage.

0:25:19.680 --> 0:25:24.320
<v Speaker 3>A Cincinnati photographer traveled through rural Kentucky taking photographs under

0:25:24.320 --> 0:25:28.119
<v Speaker 3>a grant from the Kentucky Arts Council. By coincidence, quote,

0:25:28.200 --> 0:25:31.400
<v Speaker 3>rumors that devil worshippers were searching for blonde, blue eyed

0:25:31.480 --> 0:25:36.040
<v Speaker 3>victims for sacrifices reached the town from surrounding counties about

0:25:36.040 --> 0:25:40.560
<v Speaker 3>the same time. The photographer, however, had taken photographs of children,

0:25:40.640 --> 0:25:43.560
<v Speaker 3>prompting the rumor quote that a woman was taking pictures

0:25:43.560 --> 0:25:48.160
<v Speaker 3>of blonde haired, blue eyed girls potential victims for devil worshipers.

0:25:49.240 --> 0:25:52.560
<v Speaker 3>After receiving threats and after the local high school principal

0:25:52.640 --> 0:25:55.800
<v Speaker 3>chased her from school yelling get out, get out, the

0:25:55.800 --> 0:25:56.919
<v Speaker 3>photographer fled.

0:25:58.000 --> 0:26:01.720
<v Speaker 2>Yeah, I don't remember. I don't think that happened. I really,

0:26:02.280 --> 0:26:04.520
<v Speaker 2>I don't think that happened. I think that was like

0:26:04.840 --> 0:26:08.040
<v Speaker 2>some fiction that he made up to make it sound good,

0:26:08.400 --> 0:26:11.600
<v Speaker 2>because I really I just kind of left. You know,

0:26:11.680 --> 0:26:14.639
<v Speaker 2>nobody was around. I just got in the car and left.

0:26:17.760 --> 0:26:20.159
<v Speaker 2>I do want to tell you that right before I

0:26:20.200 --> 0:26:24.879
<v Speaker 2>went to Kentucky, there were rumors reported in Lexington. I

0:26:24.880 --> 0:26:28.080
<v Speaker 2>think they reported it in the newspaper about a theater

0:26:28.200 --> 0:26:32.040
<v Speaker 2>group that was suspected of dealing in witchcraft because they

0:26:32.200 --> 0:26:37.119
<v Speaker 2>ordered yards and yards of black material. You know, and

0:26:37.280 --> 0:26:40.639
<v Speaker 2>anyone who's been to the theater knows that probably black

0:26:40.680 --> 0:26:44.520
<v Speaker 2>material was used as backdrops and blockout curtains and all

0:26:44.600 --> 0:26:45.440
<v Speaker 2>kinds of stuff.

0:26:45.680 --> 0:26:48.399
<v Speaker 3>Right, Probably they had to put on private lives, and

0:26:48.440 --> 0:26:50.480
<v Speaker 3>they needed it for like the night sky.

0:26:50.880 --> 0:26:53.080
<v Speaker 2>Yeah, I mean it could be so many different things,

0:26:53.840 --> 0:26:58.080
<v Speaker 2>so you know. And there was another another little silly

0:26:58.080 --> 0:27:01.000
<v Speaker 2>incident like that reported too, but I can't remember.

0:27:00.640 --> 0:27:01.159
<v Speaker 8>What it is.

0:27:01.600 --> 0:27:04.240
<v Speaker 3>I think that's the part of to me, the really

0:27:04.240 --> 0:27:06.600
<v Speaker 3>compelling thing about this story, and also the way it

0:27:06.640 --> 0:27:09.840
<v Speaker 3>compares to sort of the QAnon logic of today, is that,

0:27:10.880 --> 0:27:14.240
<v Speaker 3>you know, it would be funny if it wasn't so dangerous,

0:27:14.240 --> 0:27:17.560
<v Speaker 3>and if it didn't affect so many people's lives, because

0:27:17.720 --> 0:27:19.639
<v Speaker 3>the sort of are sort of again, it would be

0:27:19.680 --> 0:27:21.600
<v Speaker 3>comical if there weren't real lives at stake.

0:27:22.040 --> 0:27:25.720
<v Speaker 2>Yeah, I mean, it was not funny at all, you know.

0:27:25.760 --> 0:27:27.480
<v Speaker 2>And as a matter of fact, it's going to take

0:27:27.480 --> 0:27:31.360
<v Speaker 2>me days to get over this now, I think, you know.

0:27:32.240 --> 0:27:34.919
<v Speaker 3>Oh yeah, yeah, I'm sure. I think the kind of

0:27:34.920 --> 0:27:40.680
<v Speaker 3>the nervous system response of remembering something like this, yeah.

0:27:40.240 --> 0:27:44.040
<v Speaker 2>Yeah, yeah. I made some notes to kind of get

0:27:44.080 --> 0:27:46.400
<v Speaker 2>it straight in my head, and all of a sudden,

0:27:46.440 --> 0:27:48.800
<v Speaker 2>I started like getting upset.

0:27:48.960 --> 0:27:49.159
<v Speaker 5>You know.

0:27:49.680 --> 0:27:53.280
<v Speaker 2>It's like, no, I'm not the victim here, but I

0:27:53.280 --> 0:27:57.399
<v Speaker 2>think also, I don't really know how much my experience

0:27:57.440 --> 0:28:01.639
<v Speaker 2>had to do with Satan Satanic in it, but I

0:28:01.720 --> 0:28:04.960
<v Speaker 2>do feel like it was part of the zeitgeist of

0:28:04.960 --> 0:28:09.200
<v Speaker 2>that time and they needed some excuse, you know, they

0:28:09.240 --> 0:28:13.640
<v Speaker 2>needed some label for it. Even if it was you know,

0:28:13.880 --> 0:28:17.200
<v Speaker 2>anti Semitism, they weren't going to say that, so they

0:28:17.240 --> 0:28:22.520
<v Speaker 2>had to label it something, and that whole Satanic business

0:28:22.680 --> 0:28:24.200
<v Speaker 2>was timely.

0:28:27.600 --> 0:28:31.000
<v Speaker 3>I find it kind of very depressing that we find

0:28:31.000 --> 0:28:34.200
<v Speaker 3>ourselves in a worldview where people find it more believable

0:28:34.240 --> 0:28:36.959
<v Speaker 3>that somebody is going to come from another town all

0:28:37.000 --> 0:28:40.640
<v Speaker 3>the way to your town to, according to the cover story,

0:28:40.640 --> 0:28:44.000
<v Speaker 3>at least try and sacrifice a virgin rather than just

0:28:44.080 --> 0:28:46.360
<v Speaker 3>being interested in teaching them photography.

0:28:47.640 --> 0:28:50.960
<v Speaker 2>Yeah, why would anyone go all that way, go to

0:28:51.000 --> 0:28:57.840
<v Speaker 2>all that trouble, Yeah, just to like try and infiltrate

0:28:58.000 --> 0:29:00.880
<v Speaker 2>their lives for some other evil purpose.

0:29:01.040 --> 0:29:01.240
<v Speaker 8>You know.

0:29:02.320 --> 0:29:06.960
<v Speaker 3>It just doesn't make any sense either way. This is

0:29:07.000 --> 0:29:09.600
<v Speaker 3>the story that was left on the record and that

0:29:09.680 --> 0:29:14.200
<v Speaker 3>we have now. Satan is in the news. It's just

0:29:14.240 --> 0:29:17.280
<v Speaker 3>a matter of time until he shows up in your town.

0:29:21.520 --> 0:29:24.640
<v Speaker 3>There's a detail of Diane's story that I haven't been

0:29:24.680 --> 0:29:27.840
<v Speaker 3>able to get out of my head. The Black fabric

0:29:28.200 --> 0:29:31.520
<v Speaker 3>and the theater group. How in the world did something

0:29:31.840 --> 0:29:35.880
<v Speaker 3>so small fuel a rumor that engulfed an entire state

0:29:37.000 --> 0:29:42.640
<v Speaker 3>To answer that, we have to go to another small town, Hazard, Kentucky.

0:29:47.040 --> 0:29:51.040
<v Speaker 8>People around here we band together. You mess with us,

0:29:51.160 --> 0:29:52.120
<v Speaker 8>we'll mess you up.

0:29:53.640 --> 0:29:56.880
<v Speaker 3>That is Patrick Balch. He's in his forties now, and

0:29:57.000 --> 0:29:58.680
<v Speaker 3>he grew up in Hazzard.

0:29:58.760 --> 0:30:01.920
<v Speaker 8>About four bars on my and they had a store

0:30:01.960 --> 0:30:07.200
<v Speaker 8>called Dollars and a dime store. Oh my god, that

0:30:07.440 --> 0:30:10.560
<v Speaker 8>brings back so many memories. Hazard was just like a

0:30:10.640 --> 0:30:12.160
<v Speaker 8>ghost town when I was a kid.

0:30:13.400 --> 0:30:16.520
<v Speaker 3>In nineteen eighty eight, when Patrick was about eight years old,

0:30:17.160 --> 0:30:19.000
<v Speaker 3>Hollywood came to town.

0:30:19.960 --> 0:30:24.280
<v Speaker 8>They had an open casting call for locals to come

0:30:24.280 --> 0:30:27.239
<v Speaker 8>in at the Holiday Inn and hazard. My mom just

0:30:27.360 --> 0:30:29.760
<v Speaker 8>took me because she was interested. She wanted to meet

0:30:29.800 --> 0:30:33.480
<v Speaker 8>Patrick Swazey because she basically thought he was a god.

0:30:33.920 --> 0:30:36.479
<v Speaker 8>But ironically, when we went to the casting call, he

0:30:36.560 --> 0:30:40.880
<v Speaker 8>was sitting in the hotel bar. You've seen dirty dancing

0:30:40.920 --> 0:30:43.840
<v Speaker 8>ass and do you know the sleeveless shirt that he

0:30:43.960 --> 0:30:46.880
<v Speaker 8>wore in it. He was wearing that shirt. And we

0:30:46.960 --> 0:30:50.600
<v Speaker 8>go into the hotel bar and I immediately located and

0:30:50.600 --> 0:30:52.880
<v Speaker 8>She's like, that's not him. I was like, yes, it is,

0:30:53.400 --> 0:30:55.480
<v Speaker 8>and I walked up to him. I said, hey, Patrick,

0:30:55.600 --> 0:30:59.600
<v Speaker 8>he's turning around and started talking to me, and Mom's.

0:30:59.120 --> 0:30:59.800
<v Speaker 7>Joll just like.

0:31:01.560 --> 0:31:05.880
<v Speaker 3>Liam Neeson, Helen Hunt, Patrick Swayze, all of them were

0:31:05.880 --> 0:31:09.480
<v Speaker 3>there to film scenes for a movie called Next of Ken.

0:31:10.800 --> 0:31:13.440
<v Speaker 3>Patrick Swayze is Detective Truman Gates.

0:31:16.280 --> 0:31:19.800
<v Speaker 2>He's a country boy. We are gonna find Gerald's killer.

0:31:19.800 --> 0:31:22.760
<v Speaker 3>But he's got some unfinished business in the city.

0:31:24.000 --> 0:31:28.280
<v Speaker 8>Howdy brothers who've been separated for a while. One of

0:31:28.320 --> 0:31:30.800
<v Speaker 8>them gets murdered. The other one dressed to salve it

0:31:30.800 --> 0:31:33.600
<v Speaker 8>because he's a Chicago police officer, and he gets in

0:31:33.720 --> 0:31:36.800
<v Speaker 8>trouble and then his other brother comes to help to

0:31:36.840 --> 0:31:39.560
<v Speaker 8>get revenge more or less, so they're kind of fatten

0:31:39.640 --> 0:31:41.800
<v Speaker 8>with each other. End of it is the best part.

0:31:41.920 --> 0:31:43.640
<v Speaker 8>If you haven't seen it, I'm not gonna tell you,

0:31:43.720 --> 0:31:46.080
<v Speaker 8>but the end of it is. The cemetery scene is

0:31:46.200 --> 0:31:49.720
<v Speaker 8>the best part of it. It shows you how family

0:31:50.120 --> 0:31:53.280
<v Speaker 8>comes together. And Whoop says he.

0:31:53.320 --> 0:31:56.640
<v Speaker 3>Ended up with only one line in the theatrical cut,

0:31:57.000 --> 0:31:59.560
<v Speaker 3>but he basically got to spend a couple of weeks

0:32:00.080 --> 0:32:01.400
<v Speaker 3>hanging out with Patrick Swayzey.

0:32:02.200 --> 0:32:04.920
<v Speaker 8>Yeah, I was little Patrick. He was big Patrick on

0:32:04.960 --> 0:32:08.440
<v Speaker 8>the set. Patrick Swayzy actually is the one that taught

0:32:08.480 --> 0:32:10.080
<v Speaker 8>me how to shoot the bow and arrow, and he

0:32:10.120 --> 0:32:13.400
<v Speaker 8>taught me in about fifteen minutes. I was doing great,

0:32:13.520 --> 0:32:16.400
<v Speaker 8>but at the time that I actually shot for the scene,

0:32:16.480 --> 0:32:21.000
<v Speaker 8>I missed the haystack by probably half a mile. I

0:32:21.000 --> 0:32:24.120
<v Speaker 8>guess I was nervous, but I completely missed the target.

0:32:24.120 --> 0:32:27.040
<v Speaker 8>It's a wonder I didn't shoot somebody in the background,

0:32:27.080 --> 0:32:29.040
<v Speaker 8>but luckily no one was hit.

0:32:30.240 --> 0:32:32.120
<v Speaker 3>In the end, it was one of the high points

0:32:32.120 --> 0:32:35.480
<v Speaker 3>of his childhood and looking back on it now, he

0:32:35.560 --> 0:32:36.880
<v Speaker 3>says that it changed his life.

0:32:37.560 --> 0:32:40.600
<v Speaker 8>Just kind of opened my eyes the fact that the

0:32:40.600 --> 0:32:42.239
<v Speaker 8>world was a lot bigger than what I thought it

0:32:42.280 --> 0:32:44.200
<v Speaker 8>was at the time, because I didn't know there was

0:32:44.200 --> 0:32:47.239
<v Speaker 8>anything beyond hazard. I mean, you know, I was eight

0:32:47.320 --> 0:32:51.920
<v Speaker 8>years old, very naive. Here all these big Hollywood actors

0:32:51.960 --> 0:32:55.720
<v Speaker 8>come in. It just kind of woke me up and

0:32:55.800 --> 0:32:59.280
<v Speaker 8>made me realize that there's mortal life than just Perry County.

0:33:00.720 --> 0:33:04.360
<v Speaker 3>There's another way. Next to Ken left to Mark in Kentucky.

0:33:05.040 --> 0:33:11.640
<v Speaker 3>Patrick talked to my producer Mary.

0:33:09.520 --> 0:33:12.120
<v Speaker 12>Do you remember a scene where a lot of people

0:33:12.200 --> 0:33:15.480
<v Speaker 12>would have been wearing like black dresses.

0:33:15.720 --> 0:33:17.840
<v Speaker 8>The funeral scene when I was doing the funeral and

0:33:18.160 --> 0:33:21.640
<v Speaker 8>having the wake. It's in the deleted scenes. It's also

0:33:21.680 --> 0:33:24.440
<v Speaker 8>the one where I got my handslapped for stealing cookies

0:33:24.520 --> 0:33:25.520
<v Speaker 8>or something off a plate.

0:33:27.040 --> 0:33:31.920
<v Speaker 3>Remember Diane mentioning the theater group buying the black fabric. Well,

0:33:32.360 --> 0:33:35.040
<v Speaker 3>just like the story of her being chased through the school,

0:33:35.640 --> 0:33:40.000
<v Speaker 3>this is a detail that suffered from some historical mistranslation to.

0:33:41.080 --> 0:33:44.160
<v Speaker 12>Okay, I'm going to read you something from this newspaper.

0:33:44.200 --> 0:33:47.800
<v Speaker 12>And this was in the Louisville Courier Journal on September twelfth,

0:33:47.880 --> 0:33:51.200
<v Speaker 12>nineteen eighty eight. It was also reprinted in a lot

0:33:51.240 --> 0:33:54.320
<v Speaker 12>of other places, like papers across the state because it

0:33:54.440 --> 0:33:58.520
<v Speaker 12>was originally from the Associated Press. And the article is

0:33:58.560 --> 0:34:03.320
<v Speaker 12>called devil Worshiped Rumors keep officials busy in Eastern Kentucky,

0:34:04.040 --> 0:34:07.400
<v Speaker 12>and it says rumors of devil worship have spread like

0:34:07.560 --> 0:34:12.280
<v Speaker 12>wildfire across a large section of eastern Kentucky, stumping police

0:34:12.320 --> 0:34:16.760
<v Speaker 12>officials who are fielding thousands of telephone calls from fearful residents.

0:34:17.440 --> 0:34:21.359
<v Speaker 12>Police in Hazard said employees of a department store were

0:34:21.440 --> 0:34:26.759
<v Speaker 12>frantic after someone bought twenty black dresses. Authorities later learned

0:34:26.760 --> 0:34:29.720
<v Speaker 12>the dresses were sewn together for use in movie lighting.

0:34:29.920 --> 0:34:33.040
<v Speaker 12>During the filming of Next of Kin last month in

0:34:33.120 --> 0:34:37.320
<v Speaker 12>Jackson and Perry Counties, a dispatcher said people believed Satan

0:34:37.320 --> 0:34:41.479
<v Speaker 12>worshippers were looking for virgin girls and blonde, blue eyed

0:34:41.560 --> 0:34:43.720
<v Speaker 12>children to sacrifice to the devil.

0:34:46.239 --> 0:34:51.040
<v Speaker 8>Pardon my French, but what the fuck? I don't know

0:34:51.120 --> 0:34:53.640
<v Speaker 8>about nothing like that.

0:34:53.680 --> 0:34:58.160
<v Speaker 12>I mean, yeah, I mean, what do you think about that?

0:34:58.960 --> 0:35:02.239
<v Speaker 8>That's hazard. If somebody goes and takes a ship their

0:35:02.280 --> 0:35:03.960
<v Speaker 8>breast and knows what color it is by the time

0:35:03.960 --> 0:35:06.839
<v Speaker 8>they get out of the bathroom, it's a rumor meal.

0:35:07.120 --> 0:35:09.080
<v Speaker 8>The second you walk out the door, they'll be talking

0:35:09.120 --> 0:35:11.400
<v Speaker 8>about you behind your back if you do anything that

0:35:11.960 --> 0:35:16.120
<v Speaker 8>alarms them. There's so many Bible thumpers and hazard I mean,

0:35:16.280 --> 0:35:19.080
<v Speaker 8>you know the ones that wear the golong denim skirts

0:35:19.120 --> 0:35:22.759
<v Speaker 8>that goes down to their ankles. If you came in

0:35:22.800 --> 0:35:25.560
<v Speaker 8>and bought black eyeliner and a black dress, they'd say

0:35:25.560 --> 0:35:28.759
<v Speaker 8>he is a satan worshiper. You know, No, there weren't

0:35:28.800 --> 0:35:31.759
<v Speaker 8>no Satanis around. Patrick Swazy definitely was a Satanist, and

0:35:31.920 --> 0:35:34.920
<v Speaker 8>Elimnson wasn't a Satanist. And I see no evidence of

0:35:35.000 --> 0:35:37.319
<v Speaker 8>any satan worshiper or anything like that. I didn't see

0:35:37.320 --> 0:35:39.840
<v Speaker 8>anybody naked dancing around a fire at night or anything

0:35:39.880 --> 0:35:41.520
<v Speaker 8>like that. No witches.

0:35:42.600 --> 0:35:44.439
<v Speaker 12>I mean, if you did see something like that, would

0:35:44.480 --> 0:35:47.280
<v Speaker 12>you immediately think, oh, it's Satanists.

0:35:47.840 --> 0:35:49.040
<v Speaker 8>No, I would have joined them.

0:35:49.680 --> 0:35:58.440
<v Speaker 3>Really, So there we have it. Women scared out of

0:35:58.480 --> 0:36:02.080
<v Speaker 3>nearby town because Hollywood movie set bought twenty black dresses

0:36:02.520 --> 0:36:06.279
<v Speaker 3>for an elited scene doesn't really have the same ring

0:36:06.360 --> 0:36:09.560
<v Speaker 3>to it as the other headlines, does it. But in

0:36:09.600 --> 0:36:12.840
<v Speaker 3>any case, when the devil is hard to find. You

0:36:12.840 --> 0:36:19.080
<v Speaker 3>can always displame Patrick Swayze. The activities of a Hollywood

0:36:19.080 --> 0:36:24.000
<v Speaker 3>production crew being mistaken for Satanic ritual is just one

0:36:24.080 --> 0:36:27.800
<v Speaker 3>of many very sketchy pieces of evidence that people pointed

0:36:27.840 --> 0:36:31.360
<v Speaker 3>to as some kind of a smoking gun throughout the

0:36:31.440 --> 0:36:35.560
<v Speaker 3>long decade of the Satanic Panic. And I bring up

0:36:35.560 --> 0:36:38.040
<v Speaker 3>all these details and I bring you the story of

0:36:38.080 --> 0:36:41.759
<v Speaker 3>Diane in this our first episode, because I think the

0:36:41.800 --> 0:36:45.000
<v Speaker 3>story of the Panic itself, the story of a many

0:36:45.040 --> 0:36:47.400
<v Speaker 3>headed hydra that seem to reach into every part of

0:36:47.440 --> 0:36:51.120
<v Speaker 3>North American life, can seem like too big of a

0:36:51.200 --> 0:36:53.400
<v Speaker 3>concept to wrap your head around when you try to

0:36:53.400 --> 0:36:57.000
<v Speaker 3>take it in in its totality. I've been studying it

0:36:57.080 --> 0:36:59.640
<v Speaker 3>for the past ten years or so, and every day

0:36:59.640 --> 0:37:02.120
<v Speaker 3>I feel like I find some new detail that I've

0:37:02.160 --> 0:37:06.759
<v Speaker 3>never encountered before. The Patrick Swayze thing, for example. In

0:37:06.800 --> 0:37:10.880
<v Speaker 3>any case, the story of the dresses, the story of Diane,

0:37:11.280 --> 0:37:13.719
<v Speaker 3>and so many of the other stories that we're going

0:37:13.760 --> 0:37:18.240
<v Speaker 3>to talk about in this series are really about people

0:37:18.400 --> 0:37:22.840
<v Speaker 3>encountering something just a little bit unusual and being stirred

0:37:22.880 --> 0:37:25.600
<v Speaker 3>into such a state of anxiety that they assume not

0:37:25.719 --> 0:37:29.520
<v Speaker 3>just the worst that they can imagine, but something even

0:37:29.600 --> 0:37:34.000
<v Speaker 3>worse than that. This is a scary story because it

0:37:34.040 --> 0:37:36.759
<v Speaker 3>hasn't gone away. Maybe it doesn't need to be out

0:37:36.760 --> 0:37:40.480
<v Speaker 3>all the time. Maybe sometimes it retreats underground, takes a nap,

0:37:40.520 --> 0:37:44.640
<v Speaker 3>and then returns to feast again, like Pennywise and Stephen

0:37:44.680 --> 0:37:48.880
<v Speaker 3>King's it. And of course you can't really personify a

0:37:48.960 --> 0:37:52.319
<v Speaker 3>panic and blame it for the way it recurs. There's

0:37:52.360 --> 0:37:57.560
<v Speaker 3>no panic without the people panicking. Maybe with a phenomenon

0:37:57.680 --> 0:38:01.080
<v Speaker 3>like this, it doesn't come down to us smarter as

0:38:01.080 --> 0:38:04.360
<v Speaker 3>a people, but to us just getting tired of a

0:38:04.360 --> 0:38:08.640
<v Speaker 3>certain story, craving novelty, moving on to something else for

0:38:08.680 --> 0:38:14.640
<v Speaker 3>a while, until Satanists once again seem fresh and shocking, like, oh,

0:38:14.719 --> 0:38:20.200
<v Speaker 3>say about now. What I'm most interested in and what

0:38:20.239 --> 0:38:22.680
<v Speaker 3>I want to share with you are the voices of

0:38:22.719 --> 0:38:27.480
<v Speaker 3>the individuals who found themselves within this larger story. Some

0:38:27.560 --> 0:38:30.000
<v Speaker 3>of them are like Diane. They never thought it could

0:38:30.000 --> 0:38:32.640
<v Speaker 3>happen to them, and some of them thought they knew

0:38:32.640 --> 0:38:36.280
<v Speaker 3>what to expect, but discovered that reality was even more bizarre.

0:38:37.160 --> 0:38:39.680
<v Speaker 3>And some of them had no idea they were even

0:38:39.760 --> 0:38:43.080
<v Speaker 3>part of the story until they were already trapped inside it.

0:38:44.440 --> 0:38:46.759
<v Speaker 3>These are the people and the stories we want to

0:38:46.760 --> 0:38:50.799
<v Speaker 3>look at to understand what happened, but also so we

0:38:50.840 --> 0:38:56.120
<v Speaker 3>can understand together where we're going. I hope you'll join

0:38:56.200 --> 0:38:58.759
<v Speaker 3>me for this season on the Devil you know,