WEBVTT - Family Secrets Live: In Conversation with Dr. Bessel van der Kolk

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<v Speaker 1>Family Secrets as a production of I Heart Radio High

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<v Speaker 1>Family Secrets Listeners. It's Danny. I'm very excited to be

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<v Speaker 1>sharing a special bonus episode of Family Secrets with you all.

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<v Speaker 1>At the end of January. To celebrate the paperback publication

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<v Speaker 1>of my memoir Inheritance, I did a series of live

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<v Speaker 1>podcast events around the country and the first of these

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<v Speaker 1>was at the Music Hall in Portsmouth, New Hampshire with

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<v Speaker 1>the renowned trauma expert and author of The Body Keeps

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<v Speaker 1>the Score, Dr Bessel vander Kolke. After all, when it

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<v Speaker 1>comes to family secrets, trauma is inevitably involved. But when

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<v Speaker 1>Bessel and I sat down for our conversation, we none

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<v Speaker 1>of us had any idea that we were about to

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<v Speaker 1>enter a time of collective trauma. This will be a

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<v Speaker 1>two part special bonus episode my conversation with Bessel today

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<v Speaker 1>and then we'll share the conversation with the audience in

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<v Speaker 1>Portsmouth tomorrow. Good evening, everyone, it's great to be here.

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<v Speaker 1>It's great to be here with Bessel. It's amazing to

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<v Speaker 1>see this turnout on a late January evening in Portsmouth,

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<v Speaker 1>UM or anywhere really, um in this gorgeous theater. So

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<v Speaker 1>I was I was thinking about I've been thinking for

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<v Speaker 1>a while about coming here and doing this special live

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<v Speaker 1>episode of UM of Family Secrets with Bessel as my guest.

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<v Speaker 1>And I was thinking about, I love full circle moments,

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<v Speaker 1>and this feels like one to me. About three winters ago,

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<v Speaker 1>um I reached out to Bessel. We have a mutual friend,

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<v Speaker 1>the yogi and yoga philosopher Stephen Cope, and um I

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<v Speaker 1>was in uh complicated state. I had recently made the

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<v Speaker 1>discovery about a huge family secret of my own after

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<v Speaker 1>casually doing a DNA test, recreationally doing a DNA DNA

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<v Speaker 1>test the way I think of it, and discovered in

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<v Speaker 1>pretty short order that my beloved dad who raised me

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<v Speaker 1>had not been my biological father, which was something that

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<v Speaker 1>had never entered my mind. And so I was in

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<v Speaker 1>this state of really almost a kind of relationship to

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<v Speaker 1>my own self, my my identity, my body, my face

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<v Speaker 1>in the mirror. UM that felt traumatizing, um and shocking.

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<v Speaker 1>And I was walking around really feeling the physical symptoms

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<v Speaker 1>of that, the dizziness, the lightheadedness, the floatiness, and UM.

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<v Speaker 1>So I reached out to Bessel and he very kindly

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<v Speaker 1>agreed to meet me and we spent an afternoon talking

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<v Speaker 1>by a fire on a winter day, and I couldn't

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<v Speaker 1>have imagined, as it's been true in my life so

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<v Speaker 1>many times, that it would just be three short years

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<v Speaker 1>later and I would have synthesized this um metabolized this

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<v Speaker 1>experience into a book, Inheritance, and that then I would

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<v Speaker 1>simultaneously create this podcast, which was a happy accident. Um

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<v Speaker 1>just really briefly, I wrote this book about my family secret,

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<v Speaker 1>about my being the family secret, and then all of

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<v Speaker 1>a sudden people started telling me their's. And the very

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<v Speaker 1>first time that that happened, it was a friend of mine,

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<v Speaker 1>the Buddhist mindfulness teacher, Sylvia Borstein, and she had just

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<v Speaker 1>read the manuscript of Inheritance, and it prompted her to

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<v Speaker 1>tell me a story of a family secret of hers.

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<v Speaker 1>And I was on the other end of the phone,

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<v Speaker 1>and I thought, I wish I was recording this. And

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<v Speaker 1>that is the entire way that this podcast was born.

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<v Speaker 1>But one of the things that I've noticed in now

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<v Speaker 1>to going on three seasons of the podcast as thirty.

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<v Speaker 1>This new season is launching next week. It will be

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<v Speaker 1>thirty guests that I've spoken to, which is not it's

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<v Speaker 1>not really a scientific sample. But I've noticed a few things,

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<v Speaker 1>and one of the things that I've noticed is that

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<v Speaker 1>every guest of mine, at some point or another, no

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<v Speaker 1>matter what their story is, does use the word trauma.

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<v Speaker 1>And I guess I wanted to begin by there's a

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<v Speaker 1>there's a line from The Body Keeps the Score which

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<v Speaker 1>I just reread, uh and re underlined and felt new

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<v Speaker 1>things about. I think The Body Keeps the Score is

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<v Speaker 1>a book that you can probably come back to multiple

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<v Speaker 1>times and life and read it differently and have different

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<v Speaker 1>um different moments in it and different concepts in it

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<v Speaker 1>that are underscored. But I figured that you wrote the

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<v Speaker 1>book probably in around and you wrote that we're over

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<v Speaker 1>ten years. Yeah, you didn't write it in but as

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<v Speaker 1>you were writing this um at this point you wrote,

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<v Speaker 1>we're on the verge of becoming a trauma conscious society.

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<v Speaker 1>So I guess I wanted to ask you what you

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<v Speaker 1>meant by that then, and how does that sit with

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<v Speaker 1>you now seven years later. Well, I think that's a

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<v Speaker 1>very tough question because believe in this sharply divided world,

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<v Speaker 1>and at the same time that I no hundreds of

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<v Speaker 1>people around the country who are doing amazing work. I

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<v Speaker 1>know people who have these yoga programs in the Baltimore

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<v Speaker 1>Into City schools. I know people who have Shakespeare the

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<v Speaker 1>Kansas City, Kansas prisons, and just amazing programs, singing with soldiers,

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<v Speaker 1>working with horses and people are easy. There's enormous layers

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<v Speaker 1>of consciousness and really getting it. And then our mainstream

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<v Speaker 1>society becomes more and more rooted in there's destructive capitalist

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<v Speaker 1>world of how can we make more money and destroy

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<v Speaker 1>about a little bit faster so that we can make

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<v Speaker 1>more money, which is just a stolishing including medicine itself.

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<v Speaker 1>Of course, psychiatry very much so, of living with a

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<v Speaker 1>crazy diagnostic system, giving people labels that don't make any sense,

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<v Speaker 1>that have no scientific validity. And at the same time

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<v Speaker 1>there's other group of people who don't get paid by insurance,

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<v Speaker 1>who you know, who are not part of the system.

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<v Speaker 1>Be the discovering a lot and they see the difference

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<v Speaker 1>becomes a larger and larger in a way UM and

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<v Speaker 1>I don't get it, it's very much, but you see,

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<v Speaker 1>so it becomes right now, So it becomes larger and larger.

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<v Speaker 1>And yet at the same time there's more and more

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<v Speaker 1>of an identification of UM and experience, a piece of history,

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<v Speaker 1>a parent and aspect of childhood, um as as being

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<v Speaker 1>identified as trauma. More and more, it seems, I mean,

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<v Speaker 1>your book has it came out three years ago, four

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<v Speaker 1>years ago, and there's a reason why your book is

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<v Speaker 1>occupied the top three spots of the New York Times

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<v Speaker 1>Paperback nonfiction bestseller list for an entire year. Um, people

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<v Speaker 1>in airports are thinking, I know what I'm gonna read.

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<v Speaker 1>I'm not gonna read Daniel Steele. I'm not going to

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<v Speaker 1>read Danny Shapiro. No. Also because it's the next book

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<v Speaker 1>you read. You know. So what what do you think

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<v Speaker 1>that that that hung is about. That's again, it's a

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<v Speaker 1>tricky question. I see it, and I see so I'm

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<v Speaker 1>so impressed that I live in a particular world. People

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<v Speaker 1>ask me all the time what was happening in the world.

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<v Speaker 1>I said, I don't know. I just know the people

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<v Speaker 1>I know and know the people who come to see me,

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<v Speaker 1>the people who I hang out with, the people who

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<v Speaker 1>want to share their work with me, and I meet

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<v Speaker 1>always enlightened, very thoughtful, very mindful people. At the same

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<v Speaker 1>thing to people I don't see like you on your

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<v Speaker 1>stories about I said, and I don't know how large

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<v Speaker 1>this is, you know, and so I don't know, but

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<v Speaker 1>I know that that there's many places, almost every place

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<v Speaker 1>that I go to. I meant, people who do amazing

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<v Speaker 1>things in terms of getting into your body, telling the truth,

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<v Speaker 1>speaking openly, trying to lead an authentic life. Interestingly, also

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<v Speaker 1>in Silicon Valley, which is the hubble of the world

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<v Speaker 1>in some ways, where there's all the money and all

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<v Speaker 1>these immature people doing amazing things and crazy things, and

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<v Speaker 1>yet people are also really searching for how do we

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<v Speaker 1>keep ourselves together, how do we pay attention to each other?

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<v Speaker 1>And so there's a very serious effort to understand how

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<v Speaker 1>we can make safe, safe and energizic places for each other.

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<v Speaker 1>My mind just went to the quote unquote wellness movement

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<v Speaker 1>as something that's kind of adjacent to this in a

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<v Speaker 1>way where I think we, meaning we who think about

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<v Speaker 1>these things are thinking about the body more and more

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<v Speaker 1>as the place that is the locus of where it

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<v Speaker 1>all gets expressed. I mean, there's a moment in your

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<v Speaker 1>book probably several where you talk about god instincts, right

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<v Speaker 1>or And I remember when I was reading that thinking,

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<v Speaker 1>I have never in my life had a got instinct

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<v Speaker 1>and followed it and regretted it, and I have had

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<v Speaker 1>got instincts and ignored them, and that that leads to

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<v Speaker 1>you know, walls and trouble. I think, but that the

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<v Speaker 1>idea that we're listening listening to our body is more Yes,

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<v Speaker 1>we are, you know, in certain circles at the same

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<v Speaker 1>time that we know the importance of the body and

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<v Speaker 1>being saved together. Our published school systems are abolishing um

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<v Speaker 1>recess our bodies, theater are abolishing sports and giving kids

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<v Speaker 1>tests to substitute for that. One of the Obama's worst

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<v Speaker 1>appointments are you, Duncan, who who just ramped a little

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<v Speaker 1>test gets wrote completely ignoring the natural thing that the

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<v Speaker 1>kidneys to do is to play at the horse about

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<v Speaker 1>and to feel your body RelA ship other bodies. And

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<v Speaker 1>so you have these layers that live side by side.

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<v Speaker 1>Um um. I don't know the prevalence of idolt. I

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<v Speaker 1>see a lot of good things happening, but I see

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<v Speaker 1>a lot of bad things happening at the same time.

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<v Speaker 1>Let me, for example, the dean of my medical school

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<v Speaker 1>UH called me and said, I've read your book, and

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<v Speaker 1>I think you can really help us because we have

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<v Speaker 1>a terrible problem with burnout more of our doctors, law

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<v Speaker 1>of suicide, people leaving people being horribly depressed. And can

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<v Speaker 1>you help us? I said, I'd love to h and

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<v Speaker 1>then she said, but you cannot change the system. I guess,

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<v Speaker 1>so where should I help you if you're unwilling to

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<v Speaker 1>actually look at the fact that you're only allowed to

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<v Speaker 1>see people for seven minutes and not from a long

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<v Speaker 1>term relationship with them, which is the well spring of

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<v Speaker 1>human wellness is long term relationships, as your books A

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<v Speaker 1>beautifully talks about. You know, we're basically law people who

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<v Speaker 1>like to belong to groups of people, and that's our essence.

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<v Speaker 1>And if you live in a completely alienated, uh corporate world,

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<v Speaker 1>all the connection get ignored and loyalty doesn't get rewarded

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<v Speaker 1>and you're not on the right track. Well, and of

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<v Speaker 1>course you're talking about the ground of childhood as as

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<v Speaker 1>where so many tracks get laid that once they're laid

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<v Speaker 1>are the question really is how we're able to or

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<v Speaker 1>whether we're able to adapt to act to have efficacy right. Um.

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<v Speaker 1>I think generally, if you have resources, you can find

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<v Speaker 1>all kinds of ways to really change yourself. You do it.

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<v Speaker 1>Change yourself is actually engage in things that dive actually

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<v Speaker 1>contradict what you were. You're holding your body. So when

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<v Speaker 1>you're stiffened up, taking tang or dancing lessons would be

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<v Speaker 1>very good. Be just justin tune with somebody else. I

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<v Speaker 1>talked a lot about singing. We know a lot about

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<v Speaker 1>the new ablehold. You're singing about us to the brain.

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<v Speaker 1>Singing together is marvelous thing. It really makes you feel

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<v Speaker 1>cheerful and the mystic and connected. But we don't sing anymore.

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<v Speaker 1>You can still go to singing camp or take a

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<v Speaker 1>workshops where we do sing. So when you say resources,

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<v Speaker 1>what do you what do you mean by resources? Like,

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<v Speaker 1>if you have the resources, you have resources? What what

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<v Speaker 1>are we? What are resources? You need money, you need

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<v Speaker 1>time off, you need to access, have access to stuff.

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<v Speaker 1>And maybe a little community like enforcement, maybe a rich

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<v Speaker 1>community in terms of resources. There are yoga classes, their

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<v Speaker 1>tychi classes, they're choirs, their places and double a A meetings.

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<v Speaker 1>These were people can come to and actually meet each

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<v Speaker 1>other and get to know each other. Maybe that's why

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<v Speaker 1>people moved to place like like it needs to be around,

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<v Speaker 1>it needs to be visible. We'll be back in a

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<v Speaker 1>moment with more family secrets. We were talking backstage about

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<v Speaker 1>one of the patients that you write about in your

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<v Speaker 1>book who really didn't have the kindergarten teacher, who really

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<v Speaker 1>had a very very difficult childhood. I mean one would

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<v Speaker 1>say not a lot of resources right available to her,

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<v Speaker 1>who ended up more than okay, you know, with a

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<v Speaker 1>with a with a very fulfilled life. How does that happen? See,

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<v Speaker 1>nothing is linear, you know, it's like that leads to death,

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<v Speaker 1>and that leads to death. But you say she had

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<v Speaker 1>no resources, which of what I said, But I said

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<v Speaker 1>it was horribly abused by both of her parents. But

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<v Speaker 1>a mid music together at home. And I think something

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<v Speaker 1>like making music together and just letting it hang out

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<v Speaker 1>and getting into his people can be enormously powerful to

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<v Speaker 1>just to get things you cannot lie and play music

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<v Speaker 1>that there's truthmaking and and getting the stone fight and

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<v Speaker 1>get doing it to write mom and stuff like that.

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<v Speaker 1>That's interesting. Tomorrow night, I'm going to be in New

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<v Speaker 1>York City and my guest is this UH singer songwriter

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<v Speaker 1>named Alison Moore. And Allison was I mean, she's she's

0:15:34.160 --> 0:15:39.760
<v Speaker 1>the daughter of two Nashville country singers. Father was an alcoholic.

0:15:40.360 --> 0:15:43.320
<v Speaker 1>They made music together, all of them. The two sisters

0:15:43.320 --> 0:15:46.040
<v Speaker 1>and the father and the mother, and then when she

0:15:46.120 --> 0:15:49.000
<v Speaker 1>was fourteen, her father shot and killed her mother and

0:15:49.320 --> 0:15:53.520
<v Speaker 1>then turned his gun against himself and committed suicide. And

0:15:54.360 --> 0:15:57.160
<v Speaker 1>I've thought a lot about Allison in preparation for talking

0:15:57.160 --> 0:15:59.960
<v Speaker 1>to her and her sister Shelby Lynn, who are both beauty,

0:16:00.000 --> 0:16:04.680
<v Speaker 1>beutiful singer songwriters, and I think a big part of

0:16:04.720 --> 0:16:08.080
<v Speaker 1>what had to have saved them in some way was

0:16:08.080 --> 0:16:11.320
<v Speaker 1>was music and the memory of the music that they

0:16:11.360 --> 0:16:15.480
<v Speaker 1>made with their with their parents when they were all together. Yeah,

0:16:15.720 --> 0:16:18.920
<v Speaker 1>I would think that, like we talk backstage about our

0:16:19.520 --> 0:16:22.960
<v Speaker 1>lived just backgrounds, I bet that yon Kipper services still

0:16:23.080 --> 0:16:26.880
<v Speaker 1>move you deeply, even though you may not practices. I

0:16:26.960 --> 0:16:30.560
<v Speaker 1>still love back data start like that from my background

0:16:30.600 --> 0:16:35.240
<v Speaker 1>and it's it's it's the it's the ground of um.

0:16:35.280 --> 0:16:37.640
<v Speaker 1>You know. I was. I was telling you that I

0:16:37.680 --> 0:16:40.920
<v Speaker 1>wrote this memoir called Devotion, and one of the things

0:16:41.000 --> 0:16:44.040
<v Speaker 1>that I discovered after it was published, I was expecting

0:16:44.040 --> 0:16:48.280
<v Speaker 1>because I because I was raised observant in a very

0:16:48.320 --> 0:16:51.400
<v Speaker 1>strict home, I was always envious of people who were

0:16:51.400 --> 0:16:54.360
<v Speaker 1>brought up with nothing because I thought that they just

0:16:54.400 --> 0:16:57.760
<v Speaker 1>meant we got to choose, you know, uh, with no guilt.

0:16:58.200 --> 0:17:00.720
<v Speaker 1>You know, you could just pick from the Smorga's board

0:17:00.720 --> 0:17:05.679
<v Speaker 1>of religions. And what I was struck by and learned

0:17:06.480 --> 0:17:09.840
<v Speaker 1>just from people responding to me to the book was

0:17:09.880 --> 0:17:12.840
<v Speaker 1>that the people who were brought up with nothing were

0:17:12.880 --> 0:17:18.919
<v Speaker 1>actually the most lost and confused in their spiritual life,

0:17:19.400 --> 0:17:24.320
<v Speaker 1>and that growing up with anything gave people either something

0:17:24.359 --> 0:17:29.120
<v Speaker 1>to remember or something to to rail against. But it

0:17:29.200 --> 0:17:35.120
<v Speaker 1>was something formative, living up with rules and structures. And

0:17:35.440 --> 0:17:37.960
<v Speaker 1>when they call liturgies, it's very important, and we will

0:17:38.000 --> 0:17:41.840
<v Speaker 1>believe in literature. You get up and every Saturday you

0:17:41.960 --> 0:17:45.480
<v Speaker 1>do a particular thing, and every fortune July you do

0:17:45.520 --> 0:17:48.000
<v Speaker 1>another thing, and you know what to look for, a

0:17:48.040 --> 0:17:52.200
<v Speaker 1>certain regularity to life, and little predictability and a little

0:17:52.240 --> 0:17:54.840
<v Speaker 1>thing of At that time, we're really to go to

0:17:54.920 --> 0:17:59.920
<v Speaker 1>devote ourselves to something that we do together, which oledge

0:18:00.040 --> 0:18:03.679
<v Speaker 1>of course, do you make noises together, you move together?

0:18:04.640 --> 0:18:06.920
<v Speaker 1>And I think being vased in something like that is

0:18:07.000 --> 0:18:15.879
<v Speaker 1>very important. You talk a lot about um action as being,

0:18:16.200 --> 0:18:22.399
<v Speaker 1>and you're you're talking particularly about um the kinds of

0:18:23.600 --> 0:18:27.000
<v Speaker 1>capital t traumas you know, as I think of them,

0:18:27.119 --> 0:18:30.760
<v Speaker 1>UM where someone is trapped or someone is in a

0:18:30.800 --> 0:18:33.520
<v Speaker 1>burning car and can't save the people around them, or

0:18:33.560 --> 0:18:39.000
<v Speaker 1>someone is violently attacked and can't move, and the inability

0:18:39.080 --> 0:18:48.280
<v Speaker 1>to take action somehow embeds itself and makes UM recovery

0:18:48.520 --> 0:18:54.760
<v Speaker 1>or reprocessing more complex. Or it's a combination of two things,

0:18:54.800 --> 0:18:58.920
<v Speaker 1>so that basically, when you're exposed to something horrenda's you're

0:18:58.960 --> 0:19:04.240
<v Speaker 1>automatically meant to move or meant to do something. If

0:19:04.320 --> 0:19:07.080
<v Speaker 1>at that point you don't move or do something, the

0:19:07.200 --> 0:19:11.320
<v Speaker 1>horror wors to trigger your brain to move, actually go

0:19:11.440 --> 0:19:14.720
<v Speaker 1>in a different direction, take a different path, take a

0:19:14.760 --> 0:19:19.520
<v Speaker 1>path into collapse and helplessness. So when people started messing

0:19:19.560 --> 0:19:21.880
<v Speaker 1>with you, the normal thing is like get the hell

0:19:21.880 --> 0:19:27.000
<v Speaker 1>away from me and to move. UM. The thing that

0:19:27.119 --> 0:19:29.479
<v Speaker 1>happens to many people has when something scary it happens,

0:19:29.720 --> 0:19:33.520
<v Speaker 1>they collapse and come forth. So it's the opposite of

0:19:33.600 --> 0:19:37.040
<v Speaker 1>fight or flight. Yeah right, it's we need to collapse

0:19:37.600 --> 0:19:43.360
<v Speaker 1>that keeps people going. So it's actually just I um.

0:19:43.520 --> 0:19:46.639
<v Speaker 1>I said. There's a program called Impact used to be

0:19:46.680 --> 0:19:51.080
<v Speaker 1>called model mugging where you train women who I think

0:19:51.080 --> 0:19:54.200
<v Speaker 1>it happens to many people, particularly women who have been abused.

0:19:54.800 --> 0:19:59.560
<v Speaker 1>They bodies stand to be collapsed of I can't do

0:19:59.600 --> 0:20:04.000
<v Speaker 1>anything or anything I'm good for it. And they teach

0:20:04.080 --> 0:20:09.760
<v Speaker 1>them martial arts and to fight and to recreate the

0:20:09.800 --> 0:20:12.680
<v Speaker 1>most scary thing into lives and to take action where

0:20:12.720 --> 0:20:16.240
<v Speaker 1>they couldn't take action before. To my mind, a beautiful

0:20:16.280 --> 0:20:20.080
<v Speaker 1>program to help people to get out of that physical

0:20:20.160 --> 0:20:24.960
<v Speaker 1>sense of helplessness. And you don't become a tough broad instead,

0:20:25.400 --> 0:20:28.600
<v Speaker 1>he just becomes become a person who walks through the

0:20:28.640 --> 0:20:34.120
<v Speaker 1>world with self confidence. Well, there's so much. I mean,

0:20:34.160 --> 0:20:38.880
<v Speaker 1>I was very struck by the story that you tell

0:20:39.040 --> 0:20:42.520
<v Speaker 1>very early in the book about family friends of yours

0:20:42.640 --> 0:20:49.119
<v Speaker 1>and their little boy who were very close to the

0:20:49.200 --> 0:20:53.240
<v Speaker 1>towers on nine eleven UM. And it was his first

0:20:53.320 --> 0:20:56.280
<v Speaker 1>day of school, I think. And um, so he saw

0:20:56.320 --> 0:21:00.080
<v Speaker 1>a lot as many people didn't many children did. And

0:21:01.440 --> 0:21:06.760
<v Speaker 1>his parents had you know, you visited parents. Um, we're

0:21:06.800 --> 0:21:10.960
<v Speaker 1>processing what they were processing. But it was a very loving, um,

0:21:11.200 --> 0:21:16.479
<v Speaker 1>safe grounded family environment. And actually and I walked through

0:21:17.200 --> 0:21:22.000
<v Speaker 1>clean up side on September fift They knew the rescue worker,

0:21:22.040 --> 0:21:26.480
<v Speaker 1>so we we were in the sten stuff. We did

0:21:26.560 --> 0:21:29.520
<v Speaker 1>something we didn't just talk about home and and and

0:21:29.520 --> 0:21:34.920
<v Speaker 1>and the boy came as well. So he then draws

0:21:35.160 --> 0:21:38.320
<v Speaker 1>a he makes a drawing and it's a drawing of

0:21:38.359 --> 0:21:41.400
<v Speaker 1>the buildings, and the buildings are on fire, and there

0:21:41.440 --> 0:21:46.240
<v Speaker 1>are there are people jumping from the buildings, and then

0:21:46.280 --> 0:21:48.960
<v Speaker 1>there's something that you can't quite make out at the

0:21:49.000 --> 0:21:51.920
<v Speaker 1>bottom of the drawing, and it's a black circle. And

0:21:52.000 --> 0:21:55.080
<v Speaker 1>you asked him what was his name? Um, what's what's

0:21:55.080 --> 0:21:58.600
<v Speaker 1>the boy's name? No? No, no, yeah, no, what's the

0:21:58.800 --> 0:22:01.560
<v Speaker 1>what's what's the blacks circle? And he says, that's a trampoline.

0:22:03.520 --> 0:22:06.480
<v Speaker 1>Is so moving? That's a tramp and and what you

0:22:06.600 --> 0:22:10.399
<v Speaker 1>describe as the way that he found an adaptation that

0:22:10.520 --> 0:22:14.200
<v Speaker 1>his his mind was able to was able to imagine

0:22:14.240 --> 0:22:19.280
<v Speaker 1>alternatives very much. Can they talk about your book? You

0:22:19.400 --> 0:22:23.960
<v Speaker 1>find out it's this horrendous piece of news, that dirty devastation.

0:22:24.440 --> 0:22:30.800
<v Speaker 1>Next thing, you go online and find out who that relative. Maybe,

0:22:31.040 --> 0:22:34.880
<v Speaker 1>so you immediately get to keep gear and do something

0:22:35.480 --> 0:22:38.239
<v Speaker 1>instead of pretending like, okay, didn't happen. Let me just

0:22:39.160 --> 0:22:43.120
<v Speaker 1>keep that very fooled, like everything is normal. You immediately

0:22:43.200 --> 0:22:47.840
<v Speaker 1>goes into action, including lying your bed and contemplating what

0:22:47.840 --> 0:22:50.680
<v Speaker 1>what you were going to do. But your own story

0:22:50.720 --> 0:22:55.320
<v Speaker 1>is it is a remarkable story about resilience itself. And

0:22:55.440 --> 0:22:58.520
<v Speaker 1>you use what you do best, which is finding words,

0:22:59.440 --> 0:23:01.879
<v Speaker 1>And you wish, said everybody, because finding words is a

0:23:01.880 --> 0:23:06.200
<v Speaker 1>beautiful thing. I felt, I've never been more grateful to

0:23:07.240 --> 0:23:10.679
<v Speaker 1>that this is what I do. Um, although I also

0:23:10.760 --> 0:23:13.479
<v Speaker 1>think it's kind of a chicken and egg situation, like

0:23:13.600 --> 0:23:15.439
<v Speaker 1>is this what I do? Because this was always the

0:23:15.480 --> 0:23:19.479
<v Speaker 1>story that was lurking, It's impossible to really pry them apart.

0:23:19.600 --> 0:23:23.120
<v Speaker 1>There's some way in which this was always the story

0:23:23.160 --> 0:23:26.520
<v Speaker 1>that was lurking beneath all the other stories. I always

0:23:26.520 --> 0:23:30.280
<v Speaker 1>wrote about family secrets. All my novels were centered around

0:23:30.280 --> 0:23:33.119
<v Speaker 1>the corrosive power of secrets and families. And then I

0:23:33.119 --> 0:23:36.359
<v Speaker 1>started writing memoirs. No one was more surprised than me.

0:23:36.400 --> 0:23:39.800
<v Speaker 1>Why was I writing memoirs. I wasn't particularly interested in

0:23:39.840 --> 0:23:42.600
<v Speaker 1>my own life, but I was digging for something, and

0:23:42.680 --> 0:23:44.880
<v Speaker 1>I was using my life sort of as a laboratory

0:23:45.000 --> 0:23:49.960
<v Speaker 1>to try to make inquiries into things that I was interesting. Interesting,

0:23:50.600 --> 0:23:54.679
<v Speaker 1>m you could make it interesting. Not everybody can do that,

0:23:54.840 --> 0:24:01.080
<v Speaker 1>you know, well, I was like trying to always put

0:24:01.119 --> 0:24:04.280
<v Speaker 1>together what belongs with what It always felt like a puzzle.

0:24:04.840 --> 0:24:08.240
<v Speaker 1>And then the answer to the biggest puzzle of all,

0:24:08.720 --> 0:24:10.720
<v Speaker 1>you know, the line and inheritance, where I write I

0:24:10.760 --> 0:24:13.080
<v Speaker 1>always knew there was a secret when I didn't know

0:24:13.280 --> 0:24:17.040
<v Speaker 1>the secret was me. That's right, I think that. And

0:24:17.240 --> 0:24:20.000
<v Speaker 1>so we're just finishing up our work book for a book,

0:24:20.480 --> 0:24:23.439
<v Speaker 1>and we invite people to write all the time. And

0:24:23.480 --> 0:24:27.400
<v Speaker 1>also my organized way to just start writing. Take a glass,

0:24:28.119 --> 0:24:32.040
<v Speaker 1>start writing about the glass. See what comes up. By

0:24:32.080 --> 0:24:35.520
<v Speaker 1>free writing, sooner or later, piece of yourself start getting

0:24:35.560 --> 0:24:39.359
<v Speaker 1>revealed much better than if you and I talked to

0:24:39.400 --> 0:24:42.280
<v Speaker 1>each other, because if I talked to you, I meanly

0:24:42.400 --> 0:24:44.560
<v Speaker 1>worried about better, you will like what I'm saying. But

0:24:44.880 --> 0:24:47.120
<v Speaker 1>I think I'm smart. But if you write to yourself

0:24:48.200 --> 0:24:50.520
<v Speaker 1>that critic concurce teme because I'm just going to write

0:24:50.520 --> 0:24:53.159
<v Speaker 1>some nonsense. You can't do that because you have to

0:24:53.320 --> 0:24:57.399
<v Speaker 1>make a living, do it. We'll be back in a

0:24:57.440 --> 0:25:06.320
<v Speaker 1>moment with more family secrets. When I teach Larger treats

0:25:06.320 --> 0:25:08.280
<v Speaker 1>a couple of times a year, there's an exercise that

0:25:08.359 --> 0:25:12.119
<v Speaker 1>I love giving the group and it's based on a

0:25:12.160 --> 0:25:14.000
<v Speaker 1>book that came out in the eighties by a writer

0:25:14.080 --> 0:25:16.520
<v Speaker 1>named Joe Brainerd. And the book is called I Remember,

0:25:17.000 --> 0:25:20.280
<v Speaker 1>which are two of the most evocative words when put

0:25:20.320 --> 0:25:24.520
<v Speaker 1>together in the English language. If you begin with the

0:25:24.520 --> 0:25:27.800
<v Speaker 1>words I remember, you will finish that sentence and then

0:25:27.920 --> 0:25:30.560
<v Speaker 1>drop down a line and then begin again. I remember

0:25:30.680 --> 0:25:33.480
<v Speaker 1>dropped down the line. And then it becomes associative. And

0:25:33.560 --> 0:25:35.480
<v Speaker 1>I sit from where I sit, and I look out

0:25:35.520 --> 0:25:38.040
<v Speaker 1>at a room full of people and they're all writing.

0:25:38.560 --> 0:25:42.439
<v Speaker 1>No one stops, and and then they discover things. And

0:25:42.480 --> 0:25:44.080
<v Speaker 1>then I have them go back to their rooms that

0:25:44.200 --> 0:25:50.040
<v Speaker 1>night and say, now right, I don't remember you don't

0:25:50.080 --> 0:25:52.639
<v Speaker 1>necessarily shared it with people. That's the important Say yes,

0:25:52.960 --> 0:25:56.439
<v Speaker 1>you're right for yourself and find words for your inner world.

0:25:57.560 --> 0:26:00.520
<v Speaker 1>That it's actually your book, also your in this piece

0:26:00.520 --> 0:26:03.919
<v Speaker 1>of truth, and you're basically dumbfounded, and you talk about

0:26:04.560 --> 0:26:08.320
<v Speaker 1>my quotation from trauma that trauma is a known verbal experience,

0:26:08.840 --> 0:26:12.639
<v Speaker 1>and then you start finding words to begin to borgainize

0:26:12.640 --> 0:26:16.399
<v Speaker 1>you relationship to yourself, which is beautiful. Well, I I

0:26:16.560 --> 0:26:18.600
<v Speaker 1>quote you in in the book, and it's actually from

0:26:18.800 --> 0:26:21.320
<v Speaker 1>the interview that you did with Christa Tippett Um that

0:26:21.400 --> 0:26:24.120
<v Speaker 1>I was driving along and it absolutely just you stopped

0:26:24.200 --> 0:26:26.679
<v Speaker 1>me in my tracks, which was, Um, it's the nature

0:26:26.680 --> 0:26:28.879
<v Speaker 1>of trauma that it doesn't allow a story to be told.

0:26:29.359 --> 0:26:33.800
<v Speaker 1>And I realized I realized something interesting about writing about trauma.

0:26:34.359 --> 0:26:38.320
<v Speaker 1>Because when I began Inheritance, I started writing right away.

0:26:38.400 --> 0:26:40.919
<v Speaker 1>I was writing on index cards. I was trying to

0:26:41.000 --> 0:26:44.720
<v Speaker 1>remember because my brain was kind of injured a little bit,

0:26:44.720 --> 0:26:48.800
<v Speaker 1>so words, I thought, thoughts that I wanted to retain.

0:26:48.840 --> 0:26:50.960
<v Speaker 1>I was afraid I wouldn't be able to bring them

0:26:50.960 --> 0:26:55.199
<v Speaker 1>back or remember. And then I started actually writing, and

0:26:55.240 --> 0:26:57.720
<v Speaker 1>I wrote about two hundred pages as I was researching

0:26:57.760 --> 0:27:00.639
<v Speaker 1>and doing and then I had to go way because

0:27:01.119 --> 0:27:04.400
<v Speaker 1>my last book was coming out and I was traveling,

0:27:04.840 --> 0:27:07.159
<v Speaker 1>So I left the pages, which were pages I was

0:27:07.160 --> 0:27:10.359
<v Speaker 1>feeling okay about. And when I came back and I

0:27:10.400 --> 0:27:14.399
<v Speaker 1>reread them, my heart just sank because they were no good.

0:27:15.040 --> 0:27:19.720
<v Speaker 1>They were they were recursive. They were an exercise in

0:27:20.240 --> 0:27:24.679
<v Speaker 1>writing from trauma if the nature of trauma is that

0:27:24.720 --> 0:27:27.119
<v Speaker 1>it doesn't allow a story to be told. I was

0:27:27.160 --> 0:27:31.800
<v Speaker 1>returning again and again to the same questions without new

0:27:31.880 --> 0:27:36.400
<v Speaker 1>insight or new additions to those questions, which is, I think,

0:27:36.440 --> 0:27:39.640
<v Speaker 1>what when we tell stories in a state of trauma,

0:27:39.680 --> 0:27:42.879
<v Speaker 1>that's kind of what we're doing. And I kept on this,

0:27:43.000 --> 0:27:45.359
<v Speaker 1>the question I kept returning to over and over again,

0:27:45.560 --> 0:27:47.359
<v Speaker 1>what did my mother know? What did my father know?

0:27:47.480 --> 0:27:51.000
<v Speaker 1>And it wasn't going anywhere, and I realized, I think

0:27:51.200 --> 0:27:55.520
<v Speaker 1>poets can write directly from trauma. I think they're the

0:27:55.600 --> 0:28:05.119
<v Speaker 1>only but the prose prose can't come directly from that place.

0:28:05.160 --> 0:28:09.880
<v Speaker 1>It needs a tiny, little, full crumb of distance. When

0:28:09.920 --> 0:28:14.639
<v Speaker 1>I finally started again, I realized that I wanted to

0:28:14.680 --> 0:28:16.959
<v Speaker 1>write from a place where I could go into the past,

0:28:17.440 --> 0:28:22.159
<v Speaker 1>where I could be in the present of the story,

0:28:22.400 --> 0:28:25.639
<v Speaker 1>and where I could also make these leaps into I

0:28:25.640 --> 0:28:27.639
<v Speaker 1>wanted to hold the present, the past, and the future

0:28:28.440 --> 0:28:31.520
<v Speaker 1>in in in my hands and be able to I

0:28:31.560 --> 0:28:35.120
<v Speaker 1>wanted to be a storyteller, and I wanted to shape

0:28:36.040 --> 0:28:38.640
<v Speaker 1>order out of the chaos of the story, which is

0:28:39.120 --> 0:28:41.239
<v Speaker 1>what I do. And one of the insights that I

0:28:41.280 --> 0:28:45.120
<v Speaker 1>had um in rereading The Body Keeps the Score was

0:28:45.200 --> 0:28:49.720
<v Speaker 1>that I think that that was my action that in order,

0:28:49.840 --> 0:28:53.520
<v Speaker 1>like starting to report, starting to research, starting to write.

0:28:53.560 --> 0:28:55.120
<v Speaker 1>I mean, I love the question when people say, how

0:28:55.160 --> 0:28:56.320
<v Speaker 1>soon did you know you were going to write a

0:28:56.320 --> 0:29:03.240
<v Speaker 1>book about this? Like five seconds? Because what else was

0:29:03.280 --> 0:29:05.640
<v Speaker 1>I going to do? It's how I how you do it,

0:29:05.640 --> 0:29:07.040
<v Speaker 1>It's how I do it, It's how I know any

0:29:07.280 --> 0:29:09.640
<v Speaker 1>new choreographer you would have bade it down side of it,

0:29:10.520 --> 0:29:13.840
<v Speaker 1>That's right, that's right. But I remember saying to my

0:29:13.880 --> 0:29:18.200
<v Speaker 1>therapist at the time, um, what if I were a

0:29:18.280 --> 0:29:20.000
<v Speaker 1>lawyer and I just had to go back to my

0:29:20.080 --> 0:29:23.800
<v Speaker 1>law firm and go back to work. And she said, well,

0:29:24.440 --> 0:29:28.000
<v Speaker 1>you probably would start drinking way too much an event

0:29:28.760 --> 0:29:31.600
<v Speaker 1>and eventually have a little mini breakdown and have to

0:29:31.600 --> 0:29:35.320
<v Speaker 1>take some time off. Um. But the stuffing it away,

0:29:36.240 --> 0:29:41.760
<v Speaker 1>the shelving at the compartmentalizing it, um, I imagine that

0:29:41.760 --> 0:29:46.280
<v Speaker 1>that's what a lot of people do for a while

0:29:46.600 --> 0:29:50.600
<v Speaker 1>until it doesn't work anymore. And to my Mike, does

0:29:50.600 --> 0:29:54.560
<v Speaker 1>a woman come to my thirty one annual Traumicas this year?

0:29:54.760 --> 0:29:58.600
<v Speaker 1>Her name is Anita Sawyer, who is a psychologist professor.

0:29:59.120 --> 0:30:02.240
<v Speaker 1>I met her, sat next to her in the Parliament Yale,

0:30:02.400 --> 0:30:04.680
<v Speaker 1>and she said, when I was a kid, I was

0:30:04.720 --> 0:30:09.960
<v Speaker 1>hospitalized for cutting myself, for eating glass, for it was

0:30:10.040 --> 0:30:12.880
<v Speaker 1>prereendous things, and they called the schizophrenic, he called me

0:30:13.000 --> 0:30:16.760
<v Speaker 1>bipolar order, they called me all these names. And then

0:30:17.080 --> 0:30:19.480
<v Speaker 1>but became very clear I was re enacting my sexual

0:30:19.520 --> 0:30:22.600
<v Speaker 1>trauma as a kid. And then slowly she found words

0:30:22.600 --> 0:30:26.120
<v Speaker 1>for herself and what it was, eaty touched by. She

0:30:26.160 --> 0:30:29.120
<v Speaker 1>didn't have any pretense that she was a writer. She

0:30:29.120 --> 0:30:33.880
<v Speaker 1>she got scholarships to go to writing retreats and maybe

0:30:33.880 --> 0:30:36.840
<v Speaker 1>she do classes with you, Beful, I know, and she

0:30:37.120 --> 0:30:41.360
<v Speaker 1>learned to write and tell her truth. And it's just stunning,

0:30:41.560 --> 0:30:44.520
<v Speaker 1>stunning thing that she was able to be deliberate, this

0:30:44.680 --> 0:30:48.120
<v Speaker 1>poor girl who was so abused from herself by finding

0:30:48.200 --> 0:30:52.000
<v Speaker 1>language for the experience for the girls just spectacular. And

0:30:52.040 --> 0:30:54.680
<v Speaker 1>when when I was jealous of because I didn't do

0:30:54.760 --> 0:30:57.239
<v Speaker 1>that when I brought my book, is that we need

0:30:57.320 --> 0:31:00.320
<v Speaker 1>to have more writing retreats. We have the knee, more

0:31:00.400 --> 0:31:04.400
<v Speaker 1>places where people can go and safely right about themselves,

0:31:04.400 --> 0:31:07.640
<v Speaker 1>because safely experience themselves and right now you need to

0:31:07.680 --> 0:31:11.080
<v Speaker 1>go to another house. In order to do that, they

0:31:11.120 --> 0:31:13.120
<v Speaker 1>have to insurance to pay for it. You know, let's

0:31:13.160 --> 0:31:16.320
<v Speaker 1>complete so true. You know we're in New England, so

0:31:16.360 --> 0:31:17.600
<v Speaker 1>this will make sense to a lot of you. But

0:31:17.680 --> 0:31:21.680
<v Speaker 1>so I teach once a year at Crapolo, and and

0:31:21.720 --> 0:31:23.880
<v Speaker 1>Cropola looks a little bit like a nuthouse when you're

0:31:23.920 --> 0:31:27.760
<v Speaker 1>driving up to it. And a mother and daughter who

0:31:27.920 --> 0:31:30.600
<v Speaker 1>came together once, maybe a year or two ago, and

0:31:30.800 --> 0:31:32.959
<v Speaker 1>they later told me that they're pulling up the driveway

0:31:32.960 --> 0:31:34.840
<v Speaker 1>and the daughter's said to the mother mom Am, I

0:31:34.880 --> 0:31:40.840
<v Speaker 1>going to rehab, but Old Jasmine Building is still a

0:31:40.920 --> 0:31:45.959
<v Speaker 1>bit kind of It restores my faith in humanity whenever

0:31:46.000 --> 0:31:49.040
<v Speaker 1>I lead one of those retreats, because people are coming

0:31:49.120 --> 0:31:53.720
<v Speaker 1>from everywhere and they're not necessarily writers. There are people

0:31:53.720 --> 0:31:56.120
<v Speaker 1>in there because they've published books and they want something

0:31:56.160 --> 0:31:58.000
<v Speaker 1>out of the weekend. That's that there are people in

0:31:58.040 --> 0:32:01.720
<v Speaker 1>there who are really just in this place of not

0:32:01.800 --> 0:32:04.840
<v Speaker 1>just they're in a place of self exploration and their

0:32:05.000 --> 0:32:10.320
<v Speaker 1>side by side. And I always tell them when they're

0:32:10.320 --> 0:32:13.320
<v Speaker 1>about to write something, you're you're not going to share this,

0:32:13.800 --> 0:32:16.480
<v Speaker 1>or you are going to share this. And there are

0:32:16.560 --> 0:32:18.720
<v Speaker 1>exercises I give them that they will share, and I

0:32:18.760 --> 0:32:22.080
<v Speaker 1>break them up into small groups and they go all

0:32:22.080 --> 0:32:25.600
<v Speaker 1>over the you know that main hall in Incropollo, and

0:32:25.760 --> 0:32:30.200
<v Speaker 1>as they're they're sharing their work. That's what restores my

0:32:30.240 --> 0:32:33.040
<v Speaker 1>faith in humanity because I walk around the room and

0:32:33.040 --> 0:32:35.760
<v Speaker 1>I see all of these people who have never met

0:32:35.760 --> 0:32:39.040
<v Speaker 1>each other before that day, and they are leaning forward

0:32:39.160 --> 0:32:45.000
<v Speaker 1>and they're listening, they're crying. There's such a there's such

0:32:45.040 --> 0:32:48.160
<v Speaker 1>a longing and a hunger for that kind of connection. See,

0:32:48.320 --> 0:32:51.480
<v Speaker 1>and that gets back to your early impressionive, is there

0:32:51.480 --> 0:32:53.880
<v Speaker 1>an increased all the sending of trauma. Is it or

0:32:53.920 --> 0:32:59.640
<v Speaker 1>is it worth? The critical issue is once believe in authority.

0:33:00.760 --> 0:33:04.840
<v Speaker 1>You know, um, do I go to somebody who knows

0:33:04.880 --> 0:33:09.200
<v Speaker 1>it all? Or m I do authority? But you're traumatized.

0:33:09.240 --> 0:33:12.920
<v Speaker 1>It's very hard to believe that you're the authority, but

0:33:13.160 --> 0:33:16.400
<v Speaker 1>you are. And so the critical thing that you probably

0:33:16.400 --> 0:33:18.320
<v Speaker 1>do in your workshops that I do in my workshops

0:33:18.920 --> 0:33:24.280
<v Speaker 1>is really the focus of control is inside of you

0:33:24.960 --> 0:33:29.200
<v Speaker 1>and to discover yourself, and nobody can do that for you.

0:33:29.200 --> 0:33:31.800
<v Speaker 1>You can create an the place where people can do it.

0:33:32.680 --> 0:33:35.160
<v Speaker 1>You can go to your down studio, your music study,

0:33:35.440 --> 0:33:38.040
<v Speaker 1>the writing studio, but the end you have to put

0:33:38.080 --> 0:33:41.000
<v Speaker 1>it out and you can't do it in your head.

0:33:42.800 --> 0:33:46.400
<v Speaker 1>I mean, that's the thing that I think of the

0:33:46.440 --> 0:33:49.000
<v Speaker 1>writing workshops that I've taught over many years, you know,

0:33:49.080 --> 0:33:51.560
<v Speaker 1>small academic writing workshops, and I think of them now

0:33:51.920 --> 0:33:54.080
<v Speaker 1>as a bunch of bubble heads around a table like

0:33:54.200 --> 0:33:58.960
<v Speaker 1>kind of disconnected from bodies. And I can no longer

0:33:59.040 --> 0:34:02.480
<v Speaker 1>when I teach, I can never teach without including meditation

0:34:02.560 --> 0:34:05.080
<v Speaker 1>in my teaching without I mean, I'm not a yoga teacher,

0:34:05.120 --> 0:34:08.120
<v Speaker 1>but I incorporate yoga or bringing a yoga teacher, because

0:34:10.160 --> 0:34:17.680
<v Speaker 1>that sense of stories being um caught or trapped in

0:34:17.760 --> 0:34:20.160
<v Speaker 1>the body. I mean, Stephen Cope writes so about that

0:34:20.200 --> 0:34:23.360
<v Speaker 1>a lot in yoga, in The Quest for the True Self,

0:34:24.400 --> 0:34:27.000
<v Speaker 1>or you know, anyone who has practiced yoga knows that

0:34:27.080 --> 0:34:29.600
<v Speaker 1>feeling of being in a certain pose like a hip opener,

0:34:29.640 --> 0:34:35.440
<v Speaker 1>and suddenly like we have such little access to our

0:34:36.440 --> 0:34:39.520
<v Speaker 1>histories in our inner lives. It means shocking to me

0:34:39.600 --> 0:34:43.040
<v Speaker 1>how little access we have. And I've come that's become

0:34:43.120 --> 0:34:48.600
<v Speaker 1>so clear to me since my discovery because I go back.

0:34:48.880 --> 0:34:51.360
<v Speaker 1>I recently had reason to go back and read my

0:34:51.440 --> 0:34:56.680
<v Speaker 1>early work to see I have a unique capacity to

0:34:56.719 --> 0:35:00.399
<v Speaker 1>see what I knew or didn't know. The year old

0:35:00.400 --> 0:35:05.919
<v Speaker 1>writing her first novel, did she know? She knew? It's there,

0:35:06.080 --> 0:35:08.319
<v Speaker 1>It's there on the page. It makes me just bow

0:35:08.440 --> 0:35:10.959
<v Speaker 1>down and say, yes, there is an unconscious and it's

0:35:11.600 --> 0:35:16.040
<v Speaker 1>alive and well and living in all of us. Because I,

0:35:16.120 --> 0:35:19.000
<v Speaker 1>through the path of all of my books, was somehow

0:35:19.120 --> 0:35:23.560
<v Speaker 1>tracing this um. I mean, in one of my books

0:35:23.600 --> 0:35:26.799
<v Speaker 1>a few years ago, way before before my discovery, I

0:35:26.840 --> 0:35:32.680
<v Speaker 1>wrote about snooping through my parents things, haunting my mother's closets.

0:35:33.080 --> 0:35:37.440
<v Speaker 1>You know, really yeah, I think I read about all

0:35:37.480 --> 0:35:42.919
<v Speaker 1>my books. Don't let me stay in your house. Um.

0:35:42.920 --> 0:35:45.920
<v Speaker 1>But but the the language that stopped me, stopped me

0:35:46.080 --> 0:35:50.600
<v Speaker 1>was what was I looking for a clue? A reason?

0:35:51.000 --> 0:35:54.319
<v Speaker 1>I wrote that I was looking for a reason. I

0:35:54.360 --> 0:35:58.759
<v Speaker 1>mean that just sort of astonishes me. Um. Can you

0:35:58.800 --> 0:36:03.680
<v Speaker 1>talk a little bit about some of what people can do,

0:36:04.440 --> 0:36:08.200
<v Speaker 1>you know, the tools that you write about, whether it's

0:36:08.480 --> 0:36:12.919
<v Speaker 1>M d R or it's that amazing theater therapy that

0:36:13.239 --> 0:36:16.239
<v Speaker 1>I found completely fascinating. I wanted to do it well,

0:36:17.239 --> 0:36:20.319
<v Speaker 1>Stephen Cope, we mentioned before, I thought this book, you're

0:36:20.360 --> 0:36:24.080
<v Speaker 1>going to true self as a true a true book

0:36:24.560 --> 0:36:29.680
<v Speaker 1>and learning to inhabit your body. It's terribly important. You know.

0:36:30.000 --> 0:36:33.319
<v Speaker 1>I've done all these different things. Um, but I think

0:36:33.360 --> 0:36:35.960
<v Speaker 1>what may be most most helpful for me is to

0:36:36.000 --> 0:36:40.200
<v Speaker 1>get rolled. ROL is the most intense body therapy there is.

0:36:40.719 --> 0:36:42.840
<v Speaker 1>I was born at the end of the second god Board.

0:36:43.160 --> 0:36:45.960
<v Speaker 1>Half of my birth co or died because of the

0:36:46.000 --> 0:36:50.160
<v Speaker 1>star fishing card. I barely made it and it was

0:36:50.200 --> 0:36:54.080
<v Speaker 1>just sickly little kid. I was had asthma and I

0:36:54.200 --> 0:36:58.160
<v Speaker 1>was a frozen little boy. And not until my body

0:36:58.280 --> 0:37:02.239
<v Speaker 1>was opened up out of its position did I begin

0:37:02.320 --> 0:37:06.800
<v Speaker 1>to be reflourish intellectually. Also, it's interesting and say something

0:37:06.840 --> 0:37:08.440
<v Speaker 1>needs to be opened up in your body. And I

0:37:08.520 --> 0:37:13.319
<v Speaker 1>think yoga martial arts may be very very helpful that

0:37:13.440 --> 0:37:16.440
<v Speaker 1>you just give you a sense of presence and agency

0:37:16.640 --> 0:37:19.719
<v Speaker 1>on a physical level. There's not not enough, not a

0:37:19.760 --> 0:37:22.400
<v Speaker 1>lot of it doesn't solve your problems, but I certainly

0:37:22.480 --> 0:37:26.400
<v Speaker 1>opous things up. UM. Have you talked about it in

0:37:26.480 --> 0:37:29.600
<v Speaker 1>the back e MDR was a great breakthrough to me.

0:37:30.160 --> 0:37:36.160
<v Speaker 1>UM in my training, I started with Fritz Burs before

0:37:36.440 --> 0:37:39.040
<v Speaker 1>did my residency, and I think we should explain to

0:37:39.080 --> 0:37:41.879
<v Speaker 1>people what I let let me do. Fritz Burs first,

0:37:42.360 --> 0:37:45.320
<v Speaker 1>Fritz Fritz Burs and the old weird guy in Nassal

0:37:45.960 --> 0:37:49.440
<v Speaker 1>we're no ar teaching. UM had people sit, talk to

0:37:49.440 --> 0:37:51.880
<v Speaker 1>each other, different parts of each other, moved from chail

0:37:51.920 --> 0:37:55.920
<v Speaker 1>to chair, called front part of themselves, do a lot

0:37:55.920 --> 0:38:00.279
<v Speaker 1>of acting. And I started my training at Harvard and

0:38:00.360 --> 0:38:03.520
<v Speaker 1>I was called in and said, if I hear you move,

0:38:03.760 --> 0:38:06.600
<v Speaker 1>if I ever hear you move your patients again, you're fired.

0:38:07.200 --> 0:38:09.319
<v Speaker 1>And I'll be sure you never get a job as

0:38:09.320 --> 0:38:12.880
<v Speaker 1>a trist because we don't move. We give drugs and

0:38:13.000 --> 0:38:15.919
<v Speaker 1>we talk to people. We don't move. I said, yes, sir,

0:38:16.719 --> 0:38:19.120
<v Speaker 1>so I didn't because we believe in authority, but you're

0:38:19.920 --> 0:38:22.600
<v Speaker 1>and so I didn't do anything. And then the MDR

0:38:22.960 --> 0:38:26.279
<v Speaker 1>a weird treatment where you move your fingers in front

0:38:26.280 --> 0:38:29.440
<v Speaker 1>of people's eyes. This is our thing, you know, I

0:38:29.480 --> 0:38:33.480
<v Speaker 1>no one of no we believesn't it. And I started

0:38:33.480 --> 0:38:37.839
<v Speaker 1>to do it, and people just and in these older

0:38:37.880 --> 0:38:43.040
<v Speaker 1>states of consciousness and their memories started to go like, yeah,

0:38:43.160 --> 0:38:46.640
<v Speaker 1>that happened to me, shaid that poor kid. But the

0:38:46.719 --> 0:38:49.320
<v Speaker 1>kid had to put up it back then. But it

0:38:49.440 --> 0:38:52.560
<v Speaker 1>sort of allowed your brain to put it into the

0:38:52.560 --> 0:38:56.239
<v Speaker 1>past and to associated to do things. And just this

0:38:56.320 --> 0:39:01.120
<v Speaker 1>past year, after twenty years of hustling for stealing from

0:39:01.120 --> 0:39:04.400
<v Speaker 1>other grounds, we define it to study how e MDR

0:39:04.480 --> 0:39:07.760
<v Speaker 1>works and to actually change the brain circuits that allow

0:39:07.840 --> 0:39:11.920
<v Speaker 1>you to observe yourself and to activate part of the

0:39:12.000 --> 0:39:14.880
<v Speaker 1>brain is largely to say this happened to be a

0:39:14.880 --> 0:39:18.120
<v Speaker 1>long time ago, but it's not happening right now. And

0:39:18.200 --> 0:39:23.320
<v Speaker 1>so these beauty eye movements change brain tracks. And almost

0:39:23.360 --> 0:39:26.520
<v Speaker 1>all my colleagues said, that's bizarre. I don't won't give

0:39:26.560 --> 0:39:28.920
<v Speaker 1>you any money to study about this. Bizarre movements do,

0:39:29.520 --> 0:39:33.440
<v Speaker 1>but joys are bizarre. Of once changed brain tracks in

0:39:33.440 --> 0:39:36.759
<v Speaker 1>a very profound way, probably more more powerful than any

0:39:36.840 --> 0:39:41.120
<v Speaker 1>drum that we know of. Um and sorry, and that's

0:39:41.120 --> 0:39:43.959
<v Speaker 1>true for everybody who's wives drama. You have to try

0:39:44.000 --> 0:39:46.600
<v Speaker 1>things out, and some of the things may be strange,

0:39:47.239 --> 0:39:52.080
<v Speaker 1>like checking or what people do in China to tai

0:39:52.239 --> 0:39:57.960
<v Speaker 1>chi everybody, it works. You actually recommended kickboxing in the

0:39:58.080 --> 0:40:00.600
<v Speaker 1>in the boat by boat and at the end of

0:40:00.600 --> 0:40:03.400
<v Speaker 1>the summer and seen it and it was struggling with

0:40:03.440 --> 0:40:06.480
<v Speaker 1>her if she don't getting anywhere, she did kickbooksing. So

0:40:06.560 --> 0:40:10.360
<v Speaker 1>as she comes into September and she marched into my office.

0:40:10.840 --> 0:40:14.960
<v Speaker 1>So what's happened to you? I said, less. It took

0:40:15.040 --> 0:40:17.840
<v Speaker 1>some kickboxing lessons and my husband and I gets a

0:40:17.840 --> 0:40:40.719
<v Speaker 1>little much better than able, just a less. For more

0:40:40.719 --> 0:40:43.600
<v Speaker 1>podcasts for my Heart Radio, visit the I Heart Radio app,

0:40:43.680 --> 0:40:46.680
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.