WEBVTT - Pop Culture Minisode (S7 E4 ‘S Wonderful, ‘S Marvelous)

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<v Speaker 1>I am all in.

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<v Speaker 2>All Let's kiss you. I am all in with Scott

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<v Speaker 2>Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcast, Season seven,

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<v Speaker 1>episode five, No.

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<v Speaker 3>Four.

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<v Speaker 1>Why is that up there?

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<v Speaker 2>That's the next episode?

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<v Speaker 1>This is three two one, Hey everybody, Scott Patterson, I

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<v Speaker 1>am all in Podcast, one of their productions. I heard Radio,

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<v Speaker 1>I heard podcasts. Pop Culture Season seven, Episode four is

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<v Speaker 1>wonderful as marvelous and Amy Schugarman is going to start

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<v Speaker 1>us off.

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<v Speaker 2>Christopher and Larely are coming back from a movie. Loralai

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<v Speaker 2>is visibly distressed and overacting Christopher. But I have to

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<v Speaker 2>say we were fairly warned. No, no, a movie should

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<v Speaker 2>not just be its title. Driving Miss Daisy didn't take off,

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<v Speaker 2>didn't all take place in a car? Dances with Wolves

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<v Speaker 2>wasn't one long wolf dance. But this was nothing but

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<v Speaker 2>snake snakes, relentless snakes, Snakes on a plane, Snake snake

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<v Speaker 2>snakes on a plane. Driving Miss Daisy has already been

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<v Speaker 2>a pop culture moment in season six, episode twenty one,

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<v Speaker 2>in reference to Driving Miss Gilmore. Driving Miss Daisy is

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<v Speaker 2>a film about an elderly widow and her driver's friendship,

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<v Speaker 2>over the years. Dances with Wolves is a nineteen ninety

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<v Speaker 2>Western film starring, directed, and produced by Kevin Costner in

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<v Speaker 2>his feature directorial debut. Snake's on a Plane is a

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<v Speaker 2>two thousand and six film starring Samuel L. Jackson and

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<v Speaker 2>the butt of many, many many A joke, Snake's on

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<v Speaker 2>a Plane has been an ongoing joke in pop culture forever.

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<v Speaker 2>Kevin Costner supplied, oh did you know? Some people like that,

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<v Speaker 2>We say did you know? And some people don't, so

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<v Speaker 2>we're gonna have to go with saying it, did you know?

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<v Speaker 2>Kevin Costner supplied three million dollars of his own money

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<v Speaker 2>to complete Dances with Wolves. It had an eighteen million

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<v Speaker 2>dollar budget. The film was a box office success, and

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<v Speaker 2>he ended up making forty million. Like, now, that is

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<v Speaker 2>not what happened for him with water World, but we won't.

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<v Speaker 3>Oh water World still.

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<v Speaker 2>I think he put his own money into water World

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<v Speaker 2>and it did not do as well.

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<v Speaker 3>It's still that's still a live show at Universal Studio.

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<v Speaker 2>Oh yeah, I don't know how there.

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<v Speaker 3>It's still there.

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<v Speaker 2>Oh my god, every day I I've actually seen the

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<v Speaker 2>water World show.

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<v Speaker 3>Yeah, it's fine.

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<v Speaker 4>After complaining about the movie, they saw Christopher and Lorli

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<v Speaker 4>come to realize they are the common factor for bad movies. Lorli,

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<v Speaker 4>we can never see Casablanca together. I'm very sorry. I

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<v Speaker 4>don't care how much I love it, but I will

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<v Speaker 4>not be responsible for ruining Casablanca. Casablanca is a nineteen

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<v Speaker 4>forty two film directed by Michael kurrent Kurtis, starring Humphrey Bogart,

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<v Speaker 4>Ingrid Bergmann, and Paul Henried.

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<v Speaker 2>Is it Casa Blanca or Casa Blanca Tomato Tomato? Actually

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<v Speaker 2>don't know.

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<v Speaker 3>I think he's either were right?

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<v Speaker 2>What do you think it is?

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<v Speaker 1>Scott masa Blanca?

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<v Speaker 2>Yeah, I think you might be right.

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<v Speaker 1>I think it's either or I think it's tomorrow.

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<v Speaker 4>Anyway, did you know there was a height issue with

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<v Speaker 4>the cast. Bogart was only five eight. Bergman, however, was

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<v Speaker 4>almost two inches taller. As a result, director Michael Curtis

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<v Speaker 4>had Bogart stand on blocks or sit on cushions to

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<v Speaker 4>make him seem taller than Bergman.

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<v Speaker 2>Raise your hand if you've seen Casablanca or funny face?

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<v Speaker 2>Was that the movie?

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<v Speaker 1>I've seen Casa Blanca Blanca many times.

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<v Speaker 2>I haven't. Have you seen the fred Astaire one they

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<v Speaker 2>watch at.

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<v Speaker 1>The barn Well, I have not seen that.

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<v Speaker 5>Yeah, I have a fun fact on Casablanca, bring it.

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<v Speaker 5>They filmed that on some of the same sound stages

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<v Speaker 5>that they used for Gilmour.

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<v Speaker 2>No, that is that is a true story there?

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<v Speaker 1>Yeah?

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<v Speaker 2>Wow? Does anyone know where that barn is?

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<v Speaker 1>That's on Humphrey Bogart's old property?

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<v Speaker 2>Is that true?

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<v Speaker 1>Yeah? And the fences are unusually short so he could

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<v Speaker 1>hop over them all the time? Who's true?

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<v Speaker 5>Suzanne Laura I has just walked in from saying goodbye

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<v Speaker 5>to Christopher. She and Rory are struggling to figure out

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<v Speaker 5>what this dynamic means for Rory, and Rory says, god,

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<v Speaker 5>I forget what the protocol is when your mom is

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<v Speaker 5>dating your dad.

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<v Speaker 2>Me too.

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<v Speaker 5>We'll have to consult Emily Post again. Emily Post was

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<v Speaker 5>an author and socially socialite I never know, famous for

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<v Speaker 5>writing about etiquette. She found nationwide success with her nineteen

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<v Speaker 5>twenty two book Etiquette in Society, in Business, in Politics,

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<v Speaker 5>and at Home and did you Know? Her nineteen twenty

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<v Speaker 5>two book was later retitled to Etiquette, The Blue Book

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<v Speaker 5>of Social Usage, and it was ironically, at one point

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<v Speaker 5>the second most stolen book from libraries. It is sir

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<v Speaker 5>random Bible.

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<v Speaker 1>Now definite be true today on either book, Luke.

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<v Speaker 3>Is reviewing the rules administrated at April School. He can't

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<v Speaker 3>believe it, so he can't believe it, so Miss Patty

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<v Speaker 3>gives him advice. Miss Patty says, whenever you were taking

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<v Speaker 3>care of kids, there's a lot of liability. It's the

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<v Speaker 3>same with my dance school, Luke says. And nothing bad

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<v Speaker 3>ever happens. Miss Patty says, nothing ever happens. Oh, except

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<v Speaker 3>that one time. Luke says that one time, Well, I

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<v Speaker 3>took my senior ballerinas to try out for to try

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<v Speaker 3>out for a performance of the Nutcracker, and one of

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<v Speaker 3>the girls pulled to Tanya Harding and knocked the front

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<v Speaker 3>runner for Clara out of the competition, broke her leg

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<v Speaker 3>in three places. Tanya Harding is a former figure skater

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<v Speaker 3>who was involved in the nineteen ninety four scandal with

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<v Speaker 3>rival Nancy Kerrigan, when she was clubbed in the knee

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<v Speaker 3>days before a US Championship competition that would guarantee a

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<v Speaker 3>spot in the Olympics. Her life story was adapted into

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<v Speaker 3>the film I Tanya in twenty seventeen, starring Marco Robbie

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<v Speaker 3>and did you know that Tanya Harding pursued a career

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<v Speaker 3>in professional boxing after her figure skating days were over.

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<v Speaker 2>I never saw Itania, but it's on my list.

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<v Speaker 4>Oh it's really good.

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<v Speaker 2>Yeah, I need to watch that.

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<v Speaker 1>A natural progression from ice skating. A lot of ice

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<v Speaker 1>skaters do end up prize fighting. April notices how dark

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<v Speaker 1>Luke's place is. She suggests they go some place to

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<v Speaker 1>vamp it up. Luke, well, maybe we can pick up

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<v Speaker 1>a few things. I don't know, some pillows, a rug,

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<v Speaker 1>you know, lamps, lamps brighton. April says, hey, we go

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<v Speaker 1>to Tarja. Looks as that sounds kind of fancy. Did

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<v Speaker 1>this joke land on anybody as, Yeah.

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<v Speaker 3>Because people do say Tarja.

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<v Speaker 2>Yeah, yeah, but it was it felt like he would know.

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<v Speaker 1>But yeah, I mean, nobody gets but even if.

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<v Speaker 2>He doesn't go to Target, he would know Target, and

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<v Speaker 2>he would know Tarja.

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<v Speaker 1>He sure would. Oh that sounds kind of fantasy. No, no, no,

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<v Speaker 1>that's how we say target. Oh, never been. Target was

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<v Speaker 1>found in nineteen oh two as part of the top

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<v Speaker 1>ten largest retailers in the United States. It was originally

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<v Speaker 1>called Goodfellows Dry Goods and rebranded as Target in nineteen

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<v Speaker 1>sixty did you know pronouncing Target as though were a

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<v Speaker 1>French boutique, Targe is older than you think. Douglas Dayton,

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<v Speaker 1>who inherited the Dayton business along with his brothers, recalled

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<v Speaker 1>that people were making that joke the first time. The

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<v Speaker 1>first Minneapolis location opened in nineteen sixty two, and on

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<v Speaker 1>this show it sounded exactly that old.

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<v Speaker 2>And that was my stomach growling. I don't know if

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<v Speaker 2>anybody had heard that, But also.

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<v Speaker 1>To the I believe that adds to the punch.

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<v Speaker 2>Yeah, I don't know if anyone heard it. I'm obviously

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<v Speaker 2>very hungry to the pop culture police, I do not

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<v Speaker 2>think this was pop culture. I think Target. It doesn't

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<v Speaker 2>it fit. We're gonna let it slide today, but I'm

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<v Speaker 2>just gonna throw it out there before their defense.

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<v Speaker 1>It was mentioned in the show, so it automatically becomes

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<v Speaker 1>pop culture because it was in the show. So Amy

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<v Speaker 1>and Dan O, sorry my mistake.

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<v Speaker 2>Wow, David Wow considered it pop.

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<v Speaker 1>Considered it pop culture. Who are we to question?

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<v Speaker 2>Okay, So, just so you know, we usually historical references.

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<v Speaker 2>We've been only doing this for seven seasons, but historical

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<v Speaker 2>references we typically don't include. So just if somebody's keeping score,

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<v Speaker 2>we know that target may or may not be exactly

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<v Speaker 2>pop culture. Christopher takes Lorelight on a surprise date, which

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<v Speaker 2>I liked, even though everyone else hated. He drives his

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<v Speaker 2>board Mustang Bullet, which I also thought was his car.

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<v Speaker 2>He didn't rent that car. I felt that it was

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<v Speaker 2>his car, but I could be wrong. He drove it

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<v Speaker 2>up to the barn, honked the horn, projector lights up

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<v Speaker 2>playing Funny Face. The episode title is reference to the

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<v Speaker 2>song It's Wonderful It's Marvelous from the Broadway musical and

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<v Speaker 2>film Funny Face. The title as wonderful s marvelous, which

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<v Speaker 2>I don't think you say it that way is wonderful

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<v Speaker 2>It's marvelous is a classic Gershwin standard that was introduced

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<v Speaker 2>in the nineteen twenty seven Broadway musical Funny Face. The

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<v Speaker 2>song was originally performed by his brother by the brother

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<v Speaker 2>sister team of Fred and Adele Astare. Funny Face then

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<v Speaker 2>turned into a musical film in nineteen fifty seven with

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<v Speaker 2>the same star but different plot, and starred Audrey Hepburn.

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<v Speaker 2>Audrey Hepburn actually sings the song herself in Funny Face,

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<v Speaker 2>and this was her first musical. Now, there is a

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<v Speaker 2>joke in the show, which I'm not gonna tell right

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<v Speaker 2>now because I just realized it's coming up in two

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<v Speaker 2>more pop cultures m H.

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<v Speaker 5>Emily gets pulled over for using her cell phone while driving.

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<v Speaker 5>She refuses to believe it was illegal and argues with

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<v Speaker 5>the officer. The officer says, ma'am, have you been drinking?

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<v Speaker 5>And Emily says, what No, This is outrageous. You know,

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<v Speaker 5>right now someone is robbing a quicki Mart and you're

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<v Speaker 5>standing here harassing me. Quicki Mart is a convenience store

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<v Speaker 5>in the animated television series The Simpsons. It is a

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<v Speaker 5>thirty of American convenience stores such as seven to eleven.

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<v Speaker 5>It is notorious for its high prices and the poor

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<v Speaker 5>quality of its merchandise. Did you know in two thousand

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<v Speaker 5>and seven, Seven to eleven converted eleven of its stores

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<v Speaker 5>in the United States and one in Canada into Quickie

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<v Speaker 5>Marts to promote the Simpsons movie.

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<v Speaker 2>I remember that it was very cute.

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<v Speaker 5>I have a.

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<v Speaker 3>Random question just because it made me think of with

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<v Speaker 3>QUICKI Mart. If you're saying something like target on a show,

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<v Speaker 3>is that considered product placement?

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<v Speaker 1>That's a good question. Probably on this show.

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<v Speaker 2>They probably gave that for free, and you can probably

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<v Speaker 2>get away with that because it's I don't know, I

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<v Speaker 2>think you can get away with all that.

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<v Speaker 1>Why because it's somehow public domain.

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<v Speaker 2>Yeah it's not public domain, but it's like and it's

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<v Speaker 2>not like you had a Target bag, was there? No?

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<v Speaker 1>I think no. But I think if you mentioned in

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<v Speaker 1>a show the product integration was coming into dialogue at

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<v Speaker 1>about that time, I remember this, So I think the

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<v Speaker 1>chances are that it was paid for.

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<v Speaker 2>Well, that could be true, right, So the thing is

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<v Speaker 2>I think and again I don't know. I think you

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<v Speaker 2>could say Target if you want it, but a lot

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<v Speaker 2>of times shows don't because they want Target to pay

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<v Speaker 2>for that, right.

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<v Speaker 1>Right, Yeah, I mean Target's gonna take it anyway. It's

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<v Speaker 1>free advertising, right, Yeah, they didn't have to pay for it.

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<v Speaker 3>Shows random Plood.

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<v Speaker 4>Lorelai and Christopher have just finished Funny Faced, and Lorelei

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<v Speaker 4>isn't all of how good it was. Laurai says it

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<v Speaker 4>was so chuck full of or it's like chock full

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<v Speaker 4>and even Audrey Hepburn was twenty and Freda Stair was

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<v Speaker 4>like eighty. Christopher says he's still fred Astaire lorele Goes.

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<v Speaker 4>I mean he really, he could really tap dance. In

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<v Speaker 4>funny face, the actual age of Audrey Hepburn was twenty

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<v Speaker 4>eight years old and Freda Staire was fifty eight years old,

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<v Speaker 4>So thirty year.

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<v Speaker 1>Difference, hardly any difference, did you know?

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<v Speaker 4>In the film As Good as It Gets, Helen Hunt

0:12:14.800 --> 0:12:18.280
<v Speaker 4>was thirty four years old and Jack Nicholson was sixty

0:12:18.360 --> 0:12:20.560
<v Speaker 4>years old, a twenty six year age difference.

0:12:21.120 --> 0:12:23.200
<v Speaker 2>Can I throw a fun fact out there that I

0:12:23.320 --> 0:12:26.760
<v Speaker 2>might be only getting half right? I believe that Fredastaire

0:12:26.840 --> 0:12:31.360
<v Speaker 2>had quote retired or retired from dancing and then appeared

0:12:31.400 --> 0:12:35.760
<v Speaker 2>on the Oscars, and whoever introduced him said, you've never

0:12:35.880 --> 0:12:38.880
<v Speaker 2>performed on the Oscars, and he came out of retirement

0:12:38.960 --> 0:12:41.959
<v Speaker 2>to dance on the Oscars. I'm not one hundred percent

0:12:41.960 --> 0:12:45.000
<v Speaker 2>sure I have that exactly right, but maybe close back

0:12:45.040 --> 0:12:45.319
<v Speaker 2>to you.

0:12:45.360 --> 0:12:48.080
<v Speaker 1>Danielle, sounds like a Hollywood story to me.

0:12:49.160 --> 0:12:51.640
<v Speaker 4>One more strange age difference that we can point out

0:12:51.640 --> 0:12:54.840
<v Speaker 4>would be from Poison IVY, when Drew Barrymore was seventeen

0:12:55.440 --> 0:12:58.800
<v Speaker 4>and she filmed with Tom Scarrett who was fifty eight

0:12:58.840 --> 0:12:59.880
<v Speaker 4>years old.

0:13:00.120 --> 0:13:02.720
<v Speaker 2>One My only flag on this one is the whole

0:13:02.760 --> 0:13:07.200
<v Speaker 2>point of Poison Ivy is how like, not okay the

0:13:07.320 --> 0:13:11.840
<v Speaker 2>relationship was, whereas in the others we're supposed to embrace it.

0:13:12.520 --> 0:13:14.960
<v Speaker 2>Like in Poison Ivy, it's basically like she's like a

0:13:15.000 --> 0:13:18.520
<v Speaker 2>seductress who I think it's like her friend's dad or

0:13:18.520 --> 0:13:20.040
<v Speaker 2>something that's like the whole plot.

0:13:21.040 --> 0:13:23.679
<v Speaker 3>So, after Laureli and Christopher pick up Emily from jails,

0:13:23.720 --> 0:13:26.600
<v Speaker 3>she asks what music she wants to listen to. Laurai says,

0:13:26.960 --> 0:13:32.360
<v Speaker 3>what's in the mood for Jalehouse, Jialehouse Rock, Fullso Prison Blue.

0:13:32.920 --> 0:13:36.480
<v Speaker 3>Emily says, you're very funny Laurai Lorlai says no, no, no,

0:13:36.559 --> 0:13:39.319
<v Speaker 3>I know, I know working on the Chain Gang.

0:13:41.480 --> 0:13:41.760
<v Speaker 1>Good.

0:13:42.480 --> 0:13:45.480
<v Speaker 3>Jail House Rock is a nineteen fifty seven song by

0:13:45.480 --> 0:13:48.760
<v Speaker 3>Elvis Fullsom Prison Blues is a nineteen fifty five song

0:13:48.800 --> 0:13:52.680
<v Speaker 3>by Johnny Cash, and Chain Gang is a nineteen sixty

0:13:52.760 --> 0:13:55.320
<v Speaker 3>song by Sam Cook. And did you know that Johnny

0:13:55.360 --> 0:13:59.440
<v Speaker 3>Cash performed at Fulsham Prison in nineteen sixty eight and

0:13:59.520 --> 0:14:03.400
<v Speaker 3>release a live album called Johnny Cash at Fulsom prism

0:14:03.840 --> 0:14:06.880
<v Speaker 3>Fulsome Prison after the success of the single.

0:14:07.640 --> 0:14:10.400
<v Speaker 2>I actually loved the song Joe House Rock. I don't

0:14:10.480 --> 0:14:13.440
<v Speaker 2>know Colin, but I love the lyrics, I love the video.

0:14:14.280 --> 0:14:16.600
<v Speaker 2>I love the whole like thing. He's all, if you

0:14:16.679 --> 0:14:19.880
<v Speaker 2>don't have a partner, grab a wooden chair, let's rock.

0:14:20.040 --> 0:14:23.600
<v Speaker 2>Like I just love the whole thing. And that video

0:14:23.640 --> 0:14:29.040
<v Speaker 2>where they're like dancing and two levels and black and white,

0:14:30.240 --> 0:14:31.960
<v Speaker 2>that was like Elvis in his prime to.

0:14:31.960 --> 0:14:39.040
<v Speaker 1>Me, Yeah, oh yeah, you Gus Scott Me. Yeah. Lucy

0:14:39.080 --> 0:14:42.880
<v Speaker 1>continues the story about an audition. Lucy, So the next

0:14:42.920 --> 0:14:46.960
<v Speaker 1>semester he keeps hounding me about how I'd be perfect

0:14:46.960 --> 0:14:49.560
<v Speaker 1>for his production California Sweet, because they have such a

0:14:49.600 --> 0:14:53.480
<v Speaker 1>gift for physical comedy. California's Sweet is a play written

0:14:53.480 --> 0:14:55.760
<v Speaker 1>by Neil Simon. It also turned into a nineteen seventy

0:14:55.800 --> 0:14:59.320
<v Speaker 1>eight comedy film starring Maggie Smith, Allen all To, Michael Kine,

0:14:59.320 --> 0:15:02.640
<v Speaker 1>and Jane f Maggie Smith won the Academy Award for

0:15:02.680 --> 0:15:05.120
<v Speaker 1>Best Supporting Actress for her role in the film Did

0:15:05.120 --> 0:15:07.160
<v Speaker 1>You Know? The film was shot on location in Beverly

0:15:07.320 --> 0:15:11.200
<v Speaker 1>at the Beverly Hills Hotel, the Dorothy Chandler Pavilion at

0:15:11.240 --> 0:15:15.480
<v Speaker 1>the Los Angeles Music Center along Rodeo Drive.

0:15:15.640 --> 0:15:18.120
<v Speaker 2>Daniel is Maggie Smith in your favorite movie? Harry Potter

0:15:18.160 --> 0:15:19.040
<v Speaker 2>or did I make that up?

0:15:20.200 --> 0:15:21.720
<v Speaker 1>She is? She is?

0:15:22.160 --> 0:15:22.520
<v Speaker 3>Yeah?

0:15:23.320 --> 0:15:24.160
<v Speaker 2>Who is she?

0:15:24.160 --> 0:15:24.480
<v Speaker 1>She's?

0:15:24.680 --> 0:15:26.040
<v Speaker 3>Oh my god, I'm blanking on the.

0:15:26.080 --> 0:15:36.000
<v Speaker 2>Name that runs the McGonagall. Yeah, Dary Daniel.

0:15:35.760 --> 0:15:37.840
<v Speaker 4>I just didn't know who Maggie Smith was. I'm sorry.

0:15:38.000 --> 0:15:40.440
<v Speaker 1>Isn't she Dame Maggie Smith? Wasn't she was in a

0:15:40.560 --> 0:15:43.080
<v Speaker 1>room with a view? Yeah she is.

0:15:43.720 --> 0:15:44.280
<v Speaker 2>I'm sure.

0:15:45.760 --> 0:15:48.720
<v Speaker 3>She's Dame Margaret Natalie Smith.

0:15:50.880 --> 0:15:53.120
<v Speaker 2>Anyway, the great stink next week.

0:15:53.480 --> 0:15:55.200
<v Speaker 1>All right, Thanks everybody that's going to do it. We'll

0:15:55.200 --> 0:15:58.960
<v Speaker 1>see you next time. Thank you, Suzanne, Danielle, Tara Amy

0:15:59.200 --> 0:16:02.560
<v Speaker 1>much appreciate it. It's always great to kick it about

0:16:02.720 --> 0:16:35.280
<v Speaker 1>with y'all. Uh, stay safe, everyone, all the best, Hey everybody,

0:16:35.320 --> 0:16:38.640
<v Speaker 1>and up again. Follow us on Instagram at I Am

0:16:38.760 --> 0:16:43.680
<v Speaker 1>All In podcast and email us at Gilmore at iHeartRadio

0:16:44.000 --> 0:16:54.240
<v Speaker 1>dot com.