1 00:00:00,760 --> 00:00:03,120 Speaker 1: I am all in. 2 00:00:07,800 --> 00:00:18,440 Speaker 2: All Let's kiss you. I am all in with Scott 3 00:00:18,480 --> 00:00:20,640 Speaker 2: Patterson and iHeartRadio Podcast. 4 00:00:21,079 --> 00:00:26,720 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, Season seven, 5 00:00:26,720 --> 00:00:28,720 Speaker 1: episode five, No. 6 00:00:29,800 --> 00:00:30,000 Speaker 3: Four. 7 00:00:30,480 --> 00:00:31,440 Speaker 1: Why is that up there? 8 00:00:32,000 --> 00:00:33,239 Speaker 2: That's the next episode? 9 00:00:33,320 --> 00:00:36,640 Speaker 1: This is three two one, Hey everybody, Scott Patterson, I 10 00:00:36,680 --> 00:00:41,200 Speaker 1: am all in Podcast, one of their productions. I heard Radio, 11 00:00:41,320 --> 00:00:45,159 Speaker 1: I heard podcasts. Pop Culture Season seven, Episode four is 12 00:00:45,200 --> 00:00:49,680 Speaker 1: wonderful as marvelous and Amy Schugarman is going to start 13 00:00:49,720 --> 00:00:50,160 Speaker 1: us off. 14 00:00:50,840 --> 00:00:53,680 Speaker 2: Christopher and Larely are coming back from a movie. Loralai 15 00:00:53,800 --> 00:00:57,840 Speaker 2: is visibly distressed and overacting Christopher. But I have to 16 00:00:57,840 --> 00:01:00,920 Speaker 2: say we were fairly warned. No, no, a movie should 17 00:01:00,920 --> 00:01:04,320 Speaker 2: not just be its title. Driving Miss Daisy didn't take off, 18 00:01:04,760 --> 00:01:07,440 Speaker 2: didn't all take place in a car? Dances with Wolves 19 00:01:07,480 --> 00:01:09,840 Speaker 2: wasn't one long wolf dance. But this was nothing but 20 00:01:09,920 --> 00:01:12,880 Speaker 2: snake snakes, relentless snakes, Snakes on a plane, Snake snake 21 00:01:12,920 --> 00:01:16,000 Speaker 2: snakes on a plane. Driving Miss Daisy has already been 22 00:01:16,000 --> 00:01:19,000 Speaker 2: a pop culture moment in season six, episode twenty one, 23 00:01:19,160 --> 00:01:22,400 Speaker 2: in reference to Driving Miss Gilmore. Driving Miss Daisy is 24 00:01:22,400 --> 00:01:25,000 Speaker 2: a film about an elderly widow and her driver's friendship, 25 00:01:25,000 --> 00:01:27,840 Speaker 2: over the years. Dances with Wolves is a nineteen ninety 26 00:01:27,880 --> 00:01:31,480 Speaker 2: Western film starring, directed, and produced by Kevin Costner in 27 00:01:31,520 --> 00:01:35,360 Speaker 2: his feature directorial debut. Snake's on a Plane is a 28 00:01:35,360 --> 00:01:38,120 Speaker 2: two thousand and six film starring Samuel L. Jackson and 29 00:01:38,160 --> 00:01:41,720 Speaker 2: the butt of many, many many A joke, Snake's on 30 00:01:41,760 --> 00:01:48,600 Speaker 2: a Plane has been an ongoing joke in pop culture forever. 31 00:01:49,040 --> 00:01:52,920 Speaker 2: Kevin Costner supplied, oh did you know? Some people like that, 32 00:01:52,960 --> 00:01:54,720 Speaker 2: We say did you know? And some people don't, so 33 00:01:54,720 --> 00:01:57,080 Speaker 2: we're gonna have to go with saying it, did you know? 34 00:01:57,680 --> 00:02:00,760 Speaker 2: Kevin Costner supplied three million dollars of his own money 35 00:02:00,760 --> 00:02:03,760 Speaker 2: to complete Dances with Wolves. It had an eighteen million 36 00:02:03,800 --> 00:02:06,880 Speaker 2: dollar budget. The film was a box office success, and 37 00:02:06,920 --> 00:02:11,120 Speaker 2: he ended up making forty million. Like, now, that is 38 00:02:11,200 --> 00:02:14,280 Speaker 2: not what happened for him with water World, but we won't. 39 00:02:14,320 --> 00:02:16,320 Speaker 3: Oh water World still. 40 00:02:16,320 --> 00:02:17,960 Speaker 2: I think he put his own money into water World 41 00:02:17,960 --> 00:02:20,239 Speaker 2: and it did not do as well. 42 00:02:20,480 --> 00:02:23,799 Speaker 3: It's still that's still a live show at Universal Studio. 43 00:02:23,880 --> 00:02:25,520 Speaker 2: Oh yeah, I don't know how there. 44 00:02:25,880 --> 00:02:26,720 Speaker 3: It's still there. 45 00:02:27,040 --> 00:02:29,520 Speaker 2: Oh my god, every day I I've actually seen the 46 00:02:29,560 --> 00:02:30,680 Speaker 2: water World show. 47 00:02:31,040 --> 00:02:32,200 Speaker 3: Yeah, it's fine. 48 00:02:32,440 --> 00:02:35,080 Speaker 4: After complaining about the movie, they saw Christopher and Lorli 49 00:02:35,120 --> 00:02:38,840 Speaker 4: come to realize they are the common factor for bad movies. Lorli, 50 00:02:39,000 --> 00:02:41,880 Speaker 4: we can never see Casablanca together. I'm very sorry. I 51 00:02:41,880 --> 00:02:44,400 Speaker 4: don't care how much I love it, but I will 52 00:02:44,440 --> 00:02:48,160 Speaker 4: not be responsible for ruining Casablanca. Casablanca is a nineteen 53 00:02:48,200 --> 00:02:53,639 Speaker 4: forty two film directed by Michael kurrent Kurtis, starring Humphrey Bogart, 54 00:02:53,760 --> 00:02:56,000 Speaker 4: Ingrid Bergmann, and Paul Henried. 55 00:02:56,360 --> 00:03:00,000 Speaker 2: Is it Casa Blanca or Casa Blanca Tomato Tomato? Actually 56 00:03:00,200 --> 00:03:00,600 Speaker 2: don't know. 57 00:03:01,280 --> 00:03:02,440 Speaker 3: I think he's either were right? 58 00:03:02,520 --> 00:03:03,160 Speaker 2: What do you think it is? 59 00:03:03,160 --> 00:03:07,239 Speaker 1: Scott masa Blanca? 60 00:03:07,480 --> 00:03:08,760 Speaker 2: Yeah, I think you might be right. 61 00:03:09,320 --> 00:03:11,240 Speaker 1: I think it's either or I think it's tomorrow. 62 00:03:12,360 --> 00:03:15,560 Speaker 4: Anyway, did you know there was a height issue with 63 00:03:15,639 --> 00:03:18,840 Speaker 4: the cast. Bogart was only five eight. Bergman, however, was 64 00:03:18,880 --> 00:03:22,720 Speaker 4: almost two inches taller. As a result, director Michael Curtis 65 00:03:22,720 --> 00:03:25,680 Speaker 4: had Bogart stand on blocks or sit on cushions to 66 00:03:25,680 --> 00:03:27,200 Speaker 4: make him seem taller than Bergman. 67 00:03:27,360 --> 00:03:30,760 Speaker 2: Raise your hand if you've seen Casablanca or funny face? 68 00:03:31,440 --> 00:03:32,080 Speaker 2: Was that the movie? 69 00:03:32,600 --> 00:03:35,320 Speaker 1: I've seen Casa Blanca Blanca many times. 70 00:03:35,600 --> 00:03:38,200 Speaker 2: I haven't. Have you seen the fred Astaire one they 71 00:03:38,200 --> 00:03:38,640 Speaker 2: watch at. 72 00:03:38,600 --> 00:03:40,320 Speaker 1: The barn Well, I have not seen that. 73 00:03:40,760 --> 00:03:44,920 Speaker 5: Yeah, I have a fun fact on Casablanca, bring it. 74 00:03:46,280 --> 00:03:49,840 Speaker 5: They filmed that on some of the same sound stages 75 00:03:49,920 --> 00:03:50,960 Speaker 5: that they used for Gilmour. 76 00:03:51,360 --> 00:03:55,760 Speaker 2: No, that is that is a true story there? 77 00:03:56,520 --> 00:03:57,760 Speaker 1: Yeah? 78 00:03:57,760 --> 00:03:59,840 Speaker 2: Wow? Does anyone know where that barn is? 79 00:04:02,360 --> 00:04:04,600 Speaker 1: That's on Humphrey Bogart's old property? 80 00:04:05,080 --> 00:04:05,640 Speaker 2: Is that true? 81 00:04:06,000 --> 00:04:08,400 Speaker 1: Yeah? And the fences are unusually short so he could 82 00:04:08,440 --> 00:04:12,160 Speaker 1: hop over them all the time? Who's true? 83 00:04:12,840 --> 00:04:17,120 Speaker 5: Suzanne Laura I has just walked in from saying goodbye 84 00:04:17,120 --> 00:04:19,920 Speaker 5: to Christopher. She and Rory are struggling to figure out 85 00:04:19,960 --> 00:04:23,240 Speaker 5: what this dynamic means for Rory, and Rory says, god, 86 00:04:23,279 --> 00:04:25,040 Speaker 5: I forget what the protocol is when your mom is 87 00:04:25,120 --> 00:04:27,200 Speaker 5: dating your dad. 88 00:04:27,200 --> 00:04:27,520 Speaker 2: Me too. 89 00:04:27,640 --> 00:04:30,880 Speaker 5: We'll have to consult Emily Post again. Emily Post was 90 00:04:30,920 --> 00:04:35,640 Speaker 5: an author and socially socialite I never know, famous for 91 00:04:35,680 --> 00:04:39,000 Speaker 5: writing about etiquette. She found nationwide success with her nineteen 92 00:04:39,040 --> 00:04:42,440 Speaker 5: twenty two book Etiquette in Society, in Business, in Politics, 93 00:04:42,440 --> 00:04:45,520 Speaker 5: and at Home and did you Know? Her nineteen twenty 94 00:04:45,520 --> 00:04:48,360 Speaker 5: two book was later retitled to Etiquette, The Blue Book 95 00:04:48,400 --> 00:04:51,679 Speaker 5: of Social Usage, and it was ironically, at one point 96 00:04:51,720 --> 00:04:55,600 Speaker 5: the second most stolen book from libraries. It is sir 97 00:04:55,800 --> 00:04:57,080 Speaker 5: random Bible. 98 00:04:59,520 --> 00:05:04,760 Speaker 1: Now definite be true today on either book, Luke. 99 00:05:04,640 --> 00:05:08,440 Speaker 3: Is reviewing the rules administrated at April School. He can't 100 00:05:08,440 --> 00:05:11,640 Speaker 3: believe it, so he can't believe it, so Miss Patty 101 00:05:11,720 --> 00:05:15,400 Speaker 3: gives him advice. Miss Patty says, whenever you were taking 102 00:05:15,400 --> 00:05:18,080 Speaker 3: care of kids, there's a lot of liability. It's the 103 00:05:18,120 --> 00:05:20,920 Speaker 3: same with my dance school, Luke says. And nothing bad 104 00:05:20,960 --> 00:05:24,640 Speaker 3: ever happens. Miss Patty says, nothing ever happens. Oh, except 105 00:05:24,720 --> 00:05:27,800 Speaker 3: that one time. Luke says that one time, Well, I 106 00:05:27,880 --> 00:05:31,360 Speaker 3: took my senior ballerinas to try out for to try 107 00:05:31,400 --> 00:05:33,760 Speaker 3: out for a performance of the Nutcracker, and one of 108 00:05:33,800 --> 00:05:36,760 Speaker 3: the girls pulled to Tanya Harding and knocked the front 109 00:05:36,839 --> 00:05:40,240 Speaker 3: runner for Clara out of the competition, broke her leg 110 00:05:40,360 --> 00:05:44,120 Speaker 3: in three places. Tanya Harding is a former figure skater 111 00:05:44,440 --> 00:05:47,240 Speaker 3: who was involved in the nineteen ninety four scandal with 112 00:05:47,440 --> 00:05:50,480 Speaker 3: rival Nancy Kerrigan, when she was clubbed in the knee 113 00:05:50,800 --> 00:05:55,039 Speaker 3: days before a US Championship competition that would guarantee a 114 00:05:55,080 --> 00:05:57,960 Speaker 3: spot in the Olympics. Her life story was adapted into 115 00:05:58,000 --> 00:06:01,920 Speaker 3: the film I Tanya in twenty seventeen, starring Marco Robbie 116 00:06:02,200 --> 00:06:04,480 Speaker 3: and did you know that Tanya Harding pursued a career 117 00:06:04,520 --> 00:06:08,760 Speaker 3: in professional boxing after her figure skating days were over. 118 00:06:12,279 --> 00:06:14,039 Speaker 2: I never saw Itania, but it's on my list. 119 00:06:14,120 --> 00:06:15,080 Speaker 4: Oh it's really good. 120 00:06:15,360 --> 00:06:16,440 Speaker 2: Yeah, I need to watch that. 121 00:06:17,320 --> 00:06:20,320 Speaker 1: A natural progression from ice skating. A lot of ice 122 00:06:20,320 --> 00:06:26,679 Speaker 1: skaters do end up prize fighting. April notices how dark 123 00:06:26,920 --> 00:06:32,440 Speaker 1: Luke's place is. She suggests they go some place to 124 00:06:32,600 --> 00:06:36,039 Speaker 1: vamp it up. Luke, well, maybe we can pick up 125 00:06:36,040 --> 00:06:38,039 Speaker 1: a few things. I don't know, some pillows, a rug, 126 00:06:38,080 --> 00:06:42,760 Speaker 1: you know, lamps, lamps brighton. April says, hey, we go 127 00:06:42,839 --> 00:06:48,240 Speaker 1: to Tarja. Looks as that sounds kind of fancy. Did 128 00:06:48,279 --> 00:06:51,919 Speaker 1: this joke land on anybody as, Yeah. 129 00:06:51,720 --> 00:06:53,039 Speaker 3: Because people do say Tarja. 130 00:06:53,839 --> 00:06:58,560 Speaker 2: Yeah, yeah, but it was it felt like he would know. 131 00:06:58,960 --> 00:07:02,920 Speaker 1: But yeah, I mean, nobody gets but even if. 132 00:07:02,800 --> 00:07:05,240 Speaker 2: He doesn't go to Target, he would know Target, and 133 00:07:05,240 --> 00:07:06,159 Speaker 2: he would know Tarja. 134 00:07:06,920 --> 00:07:09,200 Speaker 1: He sure would. Oh that sounds kind of fantasy. No, no, no, 135 00:07:09,240 --> 00:07:12,840 Speaker 1: that's how we say target. Oh, never been. Target was 136 00:07:12,840 --> 00:07:15,800 Speaker 1: found in nineteen oh two as part of the top 137 00:07:15,880 --> 00:07:18,840 Speaker 1: ten largest retailers in the United States. It was originally 138 00:07:18,880 --> 00:07:23,520 Speaker 1: called Goodfellows Dry Goods and rebranded as Target in nineteen 139 00:07:23,560 --> 00:07:26,480 Speaker 1: sixty did you know pronouncing Target as though were a 140 00:07:26,560 --> 00:07:31,160 Speaker 1: French boutique, Targe is older than you think. Douglas Dayton, 141 00:07:31,200 --> 00:07:34,120 Speaker 1: who inherited the Dayton business along with his brothers, recalled 142 00:07:34,120 --> 00:07:38,080 Speaker 1: that people were making that joke the first time. The 143 00:07:38,120 --> 00:07:41,760 Speaker 1: first Minneapolis location opened in nineteen sixty two, and on 144 00:07:41,800 --> 00:07:44,760 Speaker 1: this show it sounded exactly that old. 145 00:07:44,520 --> 00:07:46,280 Speaker 2: And that was my stomach growling. I don't know if 146 00:07:46,280 --> 00:07:49,440 Speaker 2: anybody had heard that, But also. 147 00:07:49,240 --> 00:07:51,400 Speaker 1: To the I believe that adds to the punch. 148 00:07:51,480 --> 00:07:53,120 Speaker 2: Yeah, I don't know if anyone heard it. I'm obviously 149 00:07:53,200 --> 00:07:57,040 Speaker 2: very hungry to the pop culture police, I do not 150 00:07:57,200 --> 00:08:00,559 Speaker 2: think this was pop culture. I think Target. It doesn't 151 00:08:00,560 --> 00:08:05,920 Speaker 2: it fit. We're gonna let it slide today, but I'm 152 00:08:06,000 --> 00:08:08,600 Speaker 2: just gonna throw it out there before their defense. 153 00:08:08,640 --> 00:08:13,000 Speaker 1: It was mentioned in the show, so it automatically becomes 154 00:08:13,000 --> 00:08:16,720 Speaker 1: pop culture because it was in the show. So Amy 155 00:08:16,720 --> 00:08:19,440 Speaker 1: and Dan O, sorry my mistake. 156 00:08:19,560 --> 00:08:24,000 Speaker 2: Wow, David Wow considered it pop. 157 00:08:24,200 --> 00:08:27,320 Speaker 1: Considered it pop culture. Who are we to question? 158 00:08:27,400 --> 00:08:31,440 Speaker 2: Okay, So, just so you know, we usually historical references. 159 00:08:31,760 --> 00:08:35,920 Speaker 2: We've been only doing this for seven seasons, but historical 160 00:08:36,000 --> 00:08:41,480 Speaker 2: references we typically don't include. So just if somebody's keeping score, 161 00:08:41,600 --> 00:08:45,160 Speaker 2: we know that target may or may not be exactly 162 00:08:45,600 --> 00:08:50,080 Speaker 2: pop culture. Christopher takes Lorelight on a surprise date, which 163 00:08:50,080 --> 00:08:52,480 Speaker 2: I liked, even though everyone else hated. He drives his 164 00:08:52,800 --> 00:08:55,720 Speaker 2: board Mustang Bullet, which I also thought was his car. 165 00:08:55,840 --> 00:08:57,679 Speaker 2: He didn't rent that car. I felt that it was 166 00:08:57,720 --> 00:09:02,840 Speaker 2: his car, but I could be wrong. He drove it 167 00:09:02,920 --> 00:09:06,240 Speaker 2: up to the barn, honked the horn, projector lights up 168 00:09:06,320 --> 00:09:09,960 Speaker 2: playing Funny Face. The episode title is reference to the 169 00:09:10,120 --> 00:09:14,880 Speaker 2: song It's Wonderful It's Marvelous from the Broadway musical and 170 00:09:14,960 --> 00:09:19,520 Speaker 2: film Funny Face. The title as wonderful s marvelous, which 171 00:09:19,520 --> 00:09:21,880 Speaker 2: I don't think you say it that way is wonderful 172 00:09:22,080 --> 00:09:25,360 Speaker 2: It's marvelous is a classic Gershwin standard that was introduced 173 00:09:25,360 --> 00:09:28,480 Speaker 2: in the nineteen twenty seven Broadway musical Funny Face. The 174 00:09:28,520 --> 00:09:32,040 Speaker 2: song was originally performed by his brother by the brother 175 00:09:32,120 --> 00:09:35,560 Speaker 2: sister team of Fred and Adele Astare. Funny Face then 176 00:09:35,600 --> 00:09:38,040 Speaker 2: turned into a musical film in nineteen fifty seven with 177 00:09:38,080 --> 00:09:40,960 Speaker 2: the same star but different plot, and starred Audrey Hepburn. 178 00:09:41,280 --> 00:09:44,280 Speaker 2: Audrey Hepburn actually sings the song herself in Funny Face, 179 00:09:44,320 --> 00:09:46,400 Speaker 2: and this was her first musical. Now, there is a 180 00:09:46,520 --> 00:09:49,960 Speaker 2: joke in the show, which I'm not gonna tell right 181 00:09:49,960 --> 00:09:52,120 Speaker 2: now because I just realized it's coming up in two 182 00:09:52,160 --> 00:09:54,160 Speaker 2: more pop cultures m H. 183 00:10:04,520 --> 00:10:07,360 Speaker 5: Emily gets pulled over for using her cell phone while driving. 184 00:10:08,280 --> 00:10:10,720 Speaker 5: She refuses to believe it was illegal and argues with 185 00:10:10,760 --> 00:10:14,000 Speaker 5: the officer. The officer says, ma'am, have you been drinking? 186 00:10:14,320 --> 00:10:17,280 Speaker 5: And Emily says, what No, This is outrageous. You know, 187 00:10:17,480 --> 00:10:19,679 Speaker 5: right now someone is robbing a quicki Mart and you're 188 00:10:19,760 --> 00:10:23,120 Speaker 5: standing here harassing me. Quicki Mart is a convenience store 189 00:10:23,120 --> 00:10:25,760 Speaker 5: in the animated television series The Simpsons. It is a 190 00:10:26,000 --> 00:10:28,600 Speaker 5: thirty of American convenience stores such as seven to eleven. 191 00:10:28,920 --> 00:10:31,199 Speaker 5: It is notorious for its high prices and the poor 192 00:10:31,280 --> 00:10:34,280 Speaker 5: quality of its merchandise. Did you know in two thousand 193 00:10:34,280 --> 00:10:37,120 Speaker 5: and seven, Seven to eleven converted eleven of its stores 194 00:10:37,120 --> 00:10:39,680 Speaker 5: in the United States and one in Canada into Quickie 195 00:10:39,720 --> 00:10:41,400 Speaker 5: Marts to promote the Simpsons movie. 196 00:10:41,760 --> 00:10:43,080 Speaker 2: I remember that it was very cute. 197 00:10:43,880 --> 00:10:44,679 Speaker 5: I have a. 198 00:10:44,480 --> 00:10:46,360 Speaker 3: Random question just because it made me think of with 199 00:10:46,480 --> 00:10:49,280 Speaker 3: QUICKI Mart. If you're saying something like target on a show, 200 00:10:49,640 --> 00:10:51,400 Speaker 3: is that considered product placement? 201 00:10:53,600 --> 00:10:58,160 Speaker 1: That's a good question. Probably on this show. 202 00:10:58,200 --> 00:11:01,880 Speaker 2: They probably gave that for free, and you can probably 203 00:11:01,880 --> 00:11:03,959 Speaker 2: get away with that because it's I don't know, I 204 00:11:03,960 --> 00:11:05,160 Speaker 2: think you can get away with all that. 205 00:11:05,559 --> 00:11:07,440 Speaker 1: Why because it's somehow public domain. 206 00:11:07,600 --> 00:11:10,880 Speaker 2: Yeah it's not public domain, but it's like and it's 207 00:11:10,880 --> 00:11:13,959 Speaker 2: not like you had a Target bag, was there? No? 208 00:11:14,480 --> 00:11:16,760 Speaker 1: I think no. But I think if you mentioned in 209 00:11:16,800 --> 00:11:20,199 Speaker 1: a show the product integration was coming into dialogue at 210 00:11:20,200 --> 00:11:23,320 Speaker 1: about that time, I remember this, So I think the 211 00:11:23,400 --> 00:11:25,199 Speaker 1: chances are that it was paid for. 212 00:11:26,040 --> 00:11:28,800 Speaker 2: Well, that could be true, right, So the thing is 213 00:11:28,840 --> 00:11:31,160 Speaker 2: I think and again I don't know. I think you 214 00:11:31,160 --> 00:11:33,240 Speaker 2: could say Target if you want it, but a lot 215 00:11:33,240 --> 00:11:35,600 Speaker 2: of times shows don't because they want Target to pay 216 00:11:35,640 --> 00:11:37,040 Speaker 2: for that, right. 217 00:11:36,800 --> 00:11:40,760 Speaker 1: Right, Yeah, I mean Target's gonna take it anyway. It's 218 00:11:40,760 --> 00:11:43,160 Speaker 1: free advertising, right, Yeah, they didn't have to pay for it. 219 00:11:43,240 --> 00:11:44,240 Speaker 3: Shows random Plood. 220 00:11:44,640 --> 00:11:47,439 Speaker 4: Lorelai and Christopher have just finished Funny Faced, and Lorelei 221 00:11:47,600 --> 00:11:50,360 Speaker 4: isn't all of how good it was. Laurai says it 222 00:11:50,400 --> 00:11:52,440 Speaker 4: was so chuck full of or it's like chock full 223 00:11:52,559 --> 00:11:54,920 Speaker 4: and even Audrey Hepburn was twenty and Freda Stair was 224 00:11:54,960 --> 00:11:59,040 Speaker 4: like eighty. Christopher says he's still fred Astaire lorele Goes. 225 00:11:59,080 --> 00:12:02,280 Speaker 4: I mean he really, he could really tap dance. In 226 00:12:02,360 --> 00:12:05,880 Speaker 4: funny face, the actual age of Audrey Hepburn was twenty 227 00:12:05,880 --> 00:12:08,720 Speaker 4: eight years old and Freda Staire was fifty eight years old, 228 00:12:08,760 --> 00:12:09,440 Speaker 4: So thirty year. 229 00:12:09,360 --> 00:12:12,880 Speaker 1: Difference, hardly any difference, did you know? 230 00:12:12,960 --> 00:12:14,760 Speaker 4: In the film As Good as It Gets, Helen Hunt 231 00:12:14,800 --> 00:12:18,280 Speaker 4: was thirty four years old and Jack Nicholson was sixty 232 00:12:18,360 --> 00:12:20,560 Speaker 4: years old, a twenty six year age difference. 233 00:12:21,120 --> 00:12:23,200 Speaker 2: Can I throw a fun fact out there that I 234 00:12:23,320 --> 00:12:26,760 Speaker 2: might be only getting half right? I believe that Fredastaire 235 00:12:26,840 --> 00:12:31,360 Speaker 2: had quote retired or retired from dancing and then appeared 236 00:12:31,400 --> 00:12:35,760 Speaker 2: on the Oscars, and whoever introduced him said, you've never 237 00:12:35,880 --> 00:12:38,880 Speaker 2: performed on the Oscars, and he came out of retirement 238 00:12:38,960 --> 00:12:41,959 Speaker 2: to dance on the Oscars. I'm not one hundred percent 239 00:12:41,960 --> 00:12:45,000 Speaker 2: sure I have that exactly right, but maybe close back 240 00:12:45,040 --> 00:12:45,319 Speaker 2: to you. 241 00:12:45,360 --> 00:12:48,080 Speaker 1: Danielle, sounds like a Hollywood story to me. 242 00:12:49,160 --> 00:12:51,640 Speaker 4: One more strange age difference that we can point out 243 00:12:51,640 --> 00:12:54,840 Speaker 4: would be from Poison IVY, when Drew Barrymore was seventeen 244 00:12:55,440 --> 00:12:58,800 Speaker 4: and she filmed with Tom Scarrett who was fifty eight 245 00:12:58,840 --> 00:12:59,880 Speaker 4: years old. 246 00:13:00,120 --> 00:13:02,720 Speaker 2: One My only flag on this one is the whole 247 00:13:02,760 --> 00:13:07,200 Speaker 2: point of Poison Ivy is how like, not okay the 248 00:13:07,320 --> 00:13:11,840 Speaker 2: relationship was, whereas in the others we're supposed to embrace it. 249 00:13:12,520 --> 00:13:14,960 Speaker 2: Like in Poison Ivy, it's basically like she's like a 250 00:13:15,000 --> 00:13:18,520 Speaker 2: seductress who I think it's like her friend's dad or 251 00:13:18,520 --> 00:13:20,040 Speaker 2: something that's like the whole plot. 252 00:13:21,040 --> 00:13:23,679 Speaker 3: So, after Laureli and Christopher pick up Emily from jails, 253 00:13:23,720 --> 00:13:26,600 Speaker 3: she asks what music she wants to listen to. Laurai says, 254 00:13:26,960 --> 00:13:32,360 Speaker 3: what's in the mood for Jalehouse, Jialehouse Rock, Fullso Prison Blue. 255 00:13:32,920 --> 00:13:36,480 Speaker 3: Emily says, you're very funny Laurai Lorlai says no, no, no, 256 00:13:36,559 --> 00:13:39,319 Speaker 3: I know, I know working on the Chain Gang. 257 00:13:41,480 --> 00:13:41,760 Speaker 1: Good. 258 00:13:42,480 --> 00:13:45,480 Speaker 3: Jail House Rock is a nineteen fifty seven song by 259 00:13:45,480 --> 00:13:48,760 Speaker 3: Elvis Fullsom Prison Blues is a nineteen fifty five song 260 00:13:48,800 --> 00:13:52,680 Speaker 3: by Johnny Cash, and Chain Gang is a nineteen sixty 261 00:13:52,760 --> 00:13:55,320 Speaker 3: song by Sam Cook. And did you know that Johnny 262 00:13:55,360 --> 00:13:59,440 Speaker 3: Cash performed at Fulsham Prison in nineteen sixty eight and 263 00:13:59,520 --> 00:14:03,400 Speaker 3: release a live album called Johnny Cash at Fulsom prism 264 00:14:03,840 --> 00:14:06,880 Speaker 3: Fulsome Prison after the success of the single. 265 00:14:07,640 --> 00:14:10,400 Speaker 2: I actually loved the song Joe House Rock. I don't 266 00:14:10,480 --> 00:14:13,440 Speaker 2: know Colin, but I love the lyrics, I love the video. 267 00:14:14,280 --> 00:14:16,600 Speaker 2: I love the whole like thing. He's all, if you 268 00:14:16,679 --> 00:14:19,880 Speaker 2: don't have a partner, grab a wooden chair, let's rock. 269 00:14:20,040 --> 00:14:23,600 Speaker 2: Like I just love the whole thing. And that video 270 00:14:23,640 --> 00:14:29,040 Speaker 2: where they're like dancing and two levels and black and white, 271 00:14:30,240 --> 00:14:31,960 Speaker 2: that was like Elvis in his prime to. 272 00:14:31,960 --> 00:14:39,040 Speaker 1: Me, Yeah, oh yeah, you Gus Scott Me. Yeah. Lucy 273 00:14:39,080 --> 00:14:42,880 Speaker 1: continues the story about an audition. Lucy, So the next 274 00:14:42,920 --> 00:14:46,960 Speaker 1: semester he keeps hounding me about how I'd be perfect 275 00:14:46,960 --> 00:14:49,560 Speaker 1: for his production California Sweet, because they have such a 276 00:14:49,600 --> 00:14:53,480 Speaker 1: gift for physical comedy. California's Sweet is a play written 277 00:14:53,480 --> 00:14:55,760 Speaker 1: by Neil Simon. It also turned into a nineteen seventy 278 00:14:55,800 --> 00:14:59,320 Speaker 1: eight comedy film starring Maggie Smith, Allen all To, Michael Kine, 279 00:14:59,320 --> 00:15:02,640 Speaker 1: and Jane f Maggie Smith won the Academy Award for 280 00:15:02,680 --> 00:15:05,120 Speaker 1: Best Supporting Actress for her role in the film Did 281 00:15:05,120 --> 00:15:07,160 Speaker 1: You Know? The film was shot on location in Beverly 282 00:15:07,320 --> 00:15:11,200 Speaker 1: at the Beverly Hills Hotel, the Dorothy Chandler Pavilion at 283 00:15:11,240 --> 00:15:15,480 Speaker 1: the Los Angeles Music Center along Rodeo Drive. 284 00:15:15,640 --> 00:15:18,120 Speaker 2: Daniel is Maggie Smith in your favorite movie? Harry Potter 285 00:15:18,160 --> 00:15:19,040 Speaker 2: or did I make that up? 286 00:15:20,200 --> 00:15:21,720 Speaker 1: She is? She is? 287 00:15:22,160 --> 00:15:22,520 Speaker 3: Yeah? 288 00:15:23,320 --> 00:15:24,160 Speaker 2: Who is she? 289 00:15:24,160 --> 00:15:24,480 Speaker 1: She's? 290 00:15:24,680 --> 00:15:26,040 Speaker 3: Oh my god, I'm blanking on the. 291 00:15:26,080 --> 00:15:36,000 Speaker 2: Name that runs the McGonagall. Yeah, Dary Daniel. 292 00:15:35,760 --> 00:15:37,840 Speaker 4: I just didn't know who Maggie Smith was. I'm sorry. 293 00:15:38,000 --> 00:15:40,440 Speaker 1: Isn't she Dame Maggie Smith? Wasn't she was in a 294 00:15:40,560 --> 00:15:43,080 Speaker 1: room with a view? Yeah she is. 295 00:15:43,720 --> 00:15:44,280 Speaker 2: I'm sure. 296 00:15:45,760 --> 00:15:48,720 Speaker 3: She's Dame Margaret Natalie Smith. 297 00:15:50,880 --> 00:15:53,120 Speaker 2: Anyway, the great stink next week. 298 00:15:53,480 --> 00:15:55,200 Speaker 1: All right, Thanks everybody that's going to do it. We'll 299 00:15:55,200 --> 00:15:58,960 Speaker 1: see you next time. Thank you, Suzanne, Danielle, Tara Amy 300 00:15:59,200 --> 00:16:02,560 Speaker 1: much appreciate it. It's always great to kick it about 301 00:16:02,720 --> 00:16:35,280 Speaker 1: with y'all. Uh, stay safe, everyone, all the best, Hey everybody, 302 00:16:35,320 --> 00:16:38,640 Speaker 1: and up again. Follow us on Instagram at I Am 303 00:16:38,760 --> 00:16:43,680 Speaker 1: All In podcast and email us at Gilmore at iHeartRadio 304 00:16:44,000 --> 00:16:54,240 Speaker 1: dot com.