Speaker 1: M m m, well, well, well, what are you doing?
Speaker 1: I apologize, this is Alkin's observatory. How dare you? How
Speaker 1: can you have the nerve to come in here to
Speaker 1: You murdered her, You murdered my vizier, my support, my love. Yes,
Speaker 1: that was in view of everything unfortunate. You say that
Speaker 1: to me, Yes, I say that I did that, and
Speaker 1: I saw my son's throat cut by the bell Iraq.
Speaker 1: It is truly amazing what you have to put up
Speaker 1: with in the pursuit of power. And I would also
Speaker 1: say to your majesty that if you were an ordinary person,
Speaker 1: if you were just Manel, daughter of General Kulan, then
Speaker 1: I would tell you to pick up this glass retort,
Speaker 1: smash it and cut my throat with it. But you see,
Speaker 1: you are not just an ordinary person like this, seeing
Speaker 1: glass a remarkable instrument. You have a purpose. You are Manel,
Speaker 1: Sultana of Tumanba, and you have a duty to the
Speaker 1: citizens of tuman Bear to keep them in their cities safe.
Speaker 1: What are you talking about the ball Iraq? What am
Speaker 1: I supposed to be looking at Cadali? What have they
Speaker 1: done since they've arrived, Yes, taken over the justice system,
Speaker 1: But what of all the great building projects they talked of.
Speaker 1: Once again, I ask you, aqueduct They are mending it. Yes,
Speaker 1: I see workmen, hoists and one of the wonders of
Speaker 1: Truman Bay. It delivers water from the mountains to the city,
Speaker 1: sorely needed. Agreed, But we suspect, do we not, that
Speaker 1: the Ballaract do not have our best interests at heart?
Speaker 1: So why such generosity to Monday? Season four, Episode four
Speaker 1: feels like old times by Mike Walker. The city wakes
Speaker 1: as the light touches the pink stone of the walls.
Speaker 1: Human Bay comes alive, and once again it's going to
Speaker 1: be hotter than yesterday? Is it the fires from the
Speaker 1: sky announcing they're coming. As the merchants and shopkeepers, the soldiers,
Speaker 1: slaves and carpenters go about their lives, so I go
Speaker 1: about mine again, reconnecting with my old networks, my eyes,
Speaker 1: my ears, my feelings, and with me. I don't get
Speaker 1: out enough. Bellow, they're missing her, feezs Acolyte, another man
Speaker 1: of secrets and lies. Oh I miss them. The stinks
Speaker 1: of Touman Bay. Think her feet is an old man.
Speaker 1: You'll need to be looked after. He'll need a supply
Speaker 1: of alcohol. Maybe not if he really has stopped drinking.
Speaker 1: Still frail not lookout horrible beasts, And I'm going to
Speaker 1: stay sharp on the streets. Do see this coody? To
Speaker 1: do with the palace? Fatima? The lady? She wants power, ligitimacy.
Speaker 1: Word has it that she aims at the throne itself?
Speaker 1: The throne is occupied until it isn't. Why do you
Speaker 1: hear these things? The invisible people? What the servants? Simple folk?
Speaker 1: They still believe in the miracles. They come for the
Speaker 1: blessing and leave their little donations. They see much, but
Speaker 1: few see them. Do you think it was Fatima with
Speaker 1: the her fees when you walked in? How would I know?
Speaker 1: I only saw a shadow? Was there any scent, expensive perfume,
Speaker 1: nothing like that? No, it was she was more of
Speaker 1: a presence than a person. Wait, Butcher's shop? Why are
Speaker 1: we an old informative? Commander? It's been a while, business son,
Speaker 1: you know? So, so how is it with you? I'm
Speaker 1: thinking of investing in things again? There's something on account
Speaker 1: My eyes are built, Commander good. That's time was there
Speaker 1: wasn't a shop or lodging house at temple or brothel
Speaker 1: where I didn't have eyes and ears and the beggar's
Speaker 1: guilt to served in the Imperial armies. Coppers for a
Speaker 1: poor cripple. How about work for a poor cripple, Gabrielle,
Speaker 1: we've missed you, a commander, or missed my gold? What
Speaker 1: do you interested in today? Anything odd or strange? You
Speaker 1: know me lately? All strange in this city, strange days, golds,
Speaker 1: gold still good? Huh? Coppers for an old cripple? Would
Speaker 1: that soul? Journals? Coppers? Thank you, Offending, We're back. I
Speaker 1: thought I knew every street around the half Palace, but
Speaker 1: there are always more streets than you know. Go inside,
Speaker 1: search your records. Anyone in the city. He might have
Speaker 1: gone to anything unusual. It doesn't matter how small the
Speaker 1: floor in the marble that only your fingertips feel. Find it, offending, Gregor,
Speaker 1: you would have come with us? What orders from the palace?
Speaker 1: You would have come? Now? What were you doing? Sawing? Uncle?
Speaker 1: You told us to saw and we're sawing, making slow
Speaker 1: work of it. Put your backs into it, boys, and
Speaker 1: I'll give you a sore assist all. Use this sort.
Speaker 1: It's made for the job. Let it do the work. Now,
Speaker 1: get to it, or the pair of you are out,
Speaker 1: nephew or not agree? Promise you know he's right. It's
Speaker 1: like flying. You let you do the work, and you
Speaker 1: let the sword do the work. Just go with it.
Speaker 1: What they're bringing the women prisoners through for exercise? Wait here?
Speaker 1: What quick credit? Distraction? A diversion like you dropped liver? Mind? Sorry,
Speaker 1: don't be god. I hope you haven't damaged the timber
Speaker 1: twenty minutes outside? Come on, what are you doing? We're here?
Speaker 1: Why are you going to get you out? You can't.
Speaker 1: They'll catch you. Work something out. Don't worry why. I
Speaker 1: love you. Women will save you. Don't get mixed up
Speaker 1: with this lot. You won't find a wife here. The
Speaker 1: blind man is going to be there. You've seen it.
Speaker 1: Come on, you've seen it, the blind man. I love you.
Speaker 1: This way of ending. Come I under arrest. The guard
Speaker 1: refuses to answer any of my questions. Here the throne room?
Speaker 1: How often have I stood here at the center of everything?
Speaker 1: And now? When were you going to tell us, Uncle Monel?
Speaker 1: When were you going to tell us you had returned
Speaker 1: to the city. It was the Grandmaster's order. You didn't know.
Speaker 1: I didn't I when I saw you at that place,
Speaker 1: I thought I don't know what I thought. The Palace
Speaker 1: of the Blind. Well, sometimes they see better there than
Speaker 1: we seem too. Here m you think I don't care.
Speaker 1: I think there are many things you don't know. Listen, Manell,
Speaker 1: I know that you are a prisoner of say nothing,
Speaker 1: within these walls, within the city. That woman you have
Speaker 1: ah Luke, who has come back to us. I thought
Speaker 1: you were dead, and I thought you were mad. It
Speaker 1: seems at least one of us was wrong. I trust
Speaker 1: you had an interesting time. I hear the Grandmaster had
Speaker 1: you brought back. Why. I can't tell you, but the
Speaker 1: Grand Master summoned you back to life. I'm surprised he
Speaker 1: cares so much. Perhaps he wants to recruit you to
Speaker 1: his holy army. Was there something you wanted, Yes, Majestu,
Speaker 1: Mistress Fatima wished me to show you these papers for
Speaker 1: your seal, the lone Mistress Adama requested. It has been
Speaker 1: accepted by the Bank of Pila. There's to be a
Speaker 1: formal signing tomorrow evening at a banquet to celebrate. No doubt,
Speaker 1: our beloved Mother of the Empire will tell you herself
Speaker 1: sooner or later, greg Or if you will accompany me.
Speaker 1: I was summoned to see the Sultan. You were summoned
Speaker 1: by Mistress Fatimah. She wishes to see you. Shall we
Speaker 1: look forward to spending some time with you, niece. We
Speaker 1: shall talk about well many things. I to look forward
Speaker 1: to that. Uncle. Yeah what now? Oh no, no, sent
Speaker 1: him in zero. I hope I'm not disturbing your, majesty.
Speaker 1: It's starting. I'm not happy to put aside for you, Signor, Angel,
Speaker 1: just Angel, majesty, m What may I do for you?
Speaker 1: I wanted to thank you for showing me the gardens
Speaker 1: and the perfumery the other day. It was a great privilege.
Speaker 1: I brought you the sketch that Master Piero made of you.
Speaker 1: I thought you might like it. It's beautiful. Well, you
Speaker 1: are beautiful, majesty Ah. It's a great city, once a
Speaker 1: great city. I think a city's greatness comes from its people,
Speaker 1: not from the gleaming of its towers. Our towers have
Speaker 1: lost their gleam since the occupation. But you're right, of course,
Speaker 1: and there beyond everything, the sun on the sea, the
Speaker 1: port of Two Men Bay. Good to have you back again, Gregor,
Speaker 1: feels like old times. We can be useful again. You
Speaker 1: saw her there too. Didn't you saw whom can the traveler?
Speaker 1: In the cells? You told me I saw nothing. I
Speaker 1: was insane with fear. In that situation, the mind betrays you.
Speaker 1: There is a traitor in your head. You're imagining things, Gregor,
Speaker 1: if I may advise, lock that thought away in the
Speaker 1: deepest cell of your heart. That's not what the Grandmaster thinks.
Speaker 1: What do you mean? I mean nothing because nothing happened?
Speaker 1: Did it? You saw nothing? You know nothing? Indeed, here
Speaker 1: we are a slight smile, Gregor, as you requested Mistress last,
Speaker 1: Why was I kept waiting, Madam? Do not move the
Speaker 1: sketch is necessar sorry for me to catch The guards
Speaker 1: were confused ether they thought the sultana trying not to blink? Madam,
Speaker 1: you have such intense eyes. What secrets do they hold?
Speaker 1: Angela need more like? Raise the blinds fully, angel angel Sorry,
Speaker 1: I was checking the talks the blinds, Razor blinds as
Speaker 1: you wish, myster, Can we get on? Madam? You can
Speaker 1: buy a thousand amateurs to simply get on, but to
Speaker 1: recreate your soul only Piero of course, Master, carry on?
Speaker 1: Why am I here? I wanted to be sure you
Speaker 1: are all right? I was so sorry to hear about
Speaker 1: your misfortune. I felt it was quite unnecessary, but the
Speaker 1: Sultana overruled me. But now you are back. Why her
Speaker 1: feast is missing really well. I wish you luck in
Speaker 1: finding him. He'll be needed at the celebrations. Celebrations at
Speaker 1: the end of fasting, a festival of renewal for the city.
Speaker 1: It would be proper for him to be there. I
Speaker 1: will need him to He must be their spiritual center.
Speaker 1: Did you last see him, Madam at the council. You've
Speaker 1: not been to his palace to discuss this festival of fires.
Speaker 1: You're sure, of course, I'm sure. There's nothing wrong with
Speaker 1: my mind. Forget that old drunk I need you for
Speaker 1: something else. I want to help you, Gregor. Now, since
Speaker 1: you've been gone, it's not been easy. The Grandmaster is
Speaker 1: becoming increasingly erratic. It's impossible to get answers now. These
Speaker 1: celebrations are important to me, to tuman Bay. I do
Speaker 1: not want them upset spoiled by the grand Master's plans.
Speaker 1: If you could just keep your head still and your lips, please,
Speaker 1: your beautiful lips. I need to know what he is doing.
Speaker 1: I need someone to help me, keep me informed and
Speaker 1: you're going to find out for me, Gregor. You used
Speaker 1: to be commander of the palace guard. You could be
Speaker 1: so again, please, so easy. It seems to get back
Speaker 1: what was lost in my power for those who served me.
Speaker 1: Well you mean surely served the Sultana Manel. Well please, yes,
Speaker 1: you see it now? To help your niece. She's been
Speaker 1: through so much, suffered so much. H cheers. How should
Speaker 1: I say, fragile? I think it's better, Gregor, if you
Speaker 1: don't see her for a while. It only upsets her
Speaker 1: the past. She needs the love and care of a mother.
Speaker 1: Such an expressive lips. Thank you, madam. You may relaxed.
Speaker 1: It is she threatening me, now, would she? Are you
Speaker 1: concerned for my niece? She needs time to heal, and
Speaker 1: thank god I'm here as her adopted mother, protect her
Speaker 1: from those who would use her for their own ends.
Speaker 1: Do you follow me, Gregor? I think I follow you
Speaker 1: extremely well. Fatima, Mistress Fatima, report back to me tomorrow
Speaker 1: at sunset. On these matters. There's to be a banquet
Speaker 1: join us, a banquet for the merchants and bankers of
Speaker 1: the city, one of my many duties, Gregor. They will
Speaker 1: be an announcement you have secured alone for the city.
Speaker 1: Are here very good? You listen, if you could just
Speaker 1: lift the head a little, listen to me as human
Speaker 1: expression of trial? And will the Grand Master be attending
Speaker 1: hold that? I imagine you would know more about that
Speaker 1: than I would. What do you think? It seems? I'm
Speaker 1: the servant of two masters. But I owe the Grandmaster
Speaker 1: of Debt for getting me back here, for proving that
Speaker 1: she is real, that she has been seen around the
Speaker 1: city on the eastern wall. This area is forbidden. What
Speaker 1: is your business, relaxed, soldier. This is the seal of
Speaker 1: your grandmaster. I have questions. They told me saw her,
Speaker 1: this woman? Yes, yes, I did. She came up the
Speaker 1: eastern steps just like you. I challenged her. She turned
Speaker 1: and she looked at me, and she smiled. What did
Speaker 1: she look like? Tall for a woman, middle aged, I think,
Speaker 1: not not young anyhow, bareheaded? I never saw that before
Speaker 1: in this city. Hey, cut shot like a man. It's unnatural.
Speaker 1: She didn't say anything, just raised her finger like like
Speaker 1: a preacher, and then turned and walked away. Where did
Speaker 1: she go? That's the thing. She walked into the wall here,
Speaker 1: this wall, and then she vanished. Every hair on my
Speaker 1: arms stood up like she had some kind of extreme
Speaker 1: heat or cold. I don't know anything else. I think
Speaker 1: behind her ear, I mean because of her short hair,
Speaker 1: I could see her neck as if it were crawling
Speaker 1: a lizard. A lizard, I mean a tattoo of the lizard.
Speaker 1: For the rest of the day, I follow up all
Speaker 1: the sightings of this mysterious woman. I know the evidence,
Speaker 1: correlate the details. What's common to them all? She walks,
Speaker 1: she smiles, She raises her finger a warning admonition, and
Speaker 1: the tattoo always the tattoo wall city, then and then
Speaker 1: giving in the way out? Was only five last week?
Speaker 1: Is it there? Are you? M hmm. It's getting hotter,
Speaker 1: isn't it? And this is good fresh water. I can
Speaker 1: see things floating in it. Oh if by my children's life,
Speaker 1: this water is as fresh as the dawn next time
Speaker 1: it There used to be real fresh water in the
Speaker 1: fountains in every square in the city. It was supplied
Speaker 1: by the aqueduct built by Amal the Magnificent over six
Speaker 1: hundred years ago, destroyed during the occupation. The Ballaka are
Speaker 1: repairing it. It seems sorry, sounding like the city guides
Speaker 1: they used to have under Sultan and Guri. No, I
Speaker 1: like it. I'm interested in everything, all of it. Don't start, majesty. Well,
Speaker 1: this used to be one of the biggest slave markets
Speaker 1: in this city, in the world. I'm sure it will
Speaker 1: be again. Perhaps it will. But the ballaraka here now,
Speaker 1: and they don't like slavery. But aren't they guests and
Speaker 1: you are the sultana, so so why don't you tell
Speaker 1: them what they can do affairs of state, diplomacy, politics
Speaker 1: and not so simple? Of course, majesty, I didn't mean
Speaker 1: to No, it's good in the palace. You have to
Speaker 1: be so careful all the time. There are always ears
Speaker 1: and eyes, and nothing is ever simple. What it is? Well,
Speaker 1: i'm certainly what I am. How long is it since
Speaker 1: you were out of that place and so ordinary people
Speaker 1: doing ordinary things? It seems like forever. It's not easy
Speaker 1: for me to get away, even wearing a veil like this.
Speaker 1: It's only because Fatima is busy inspecting her troops this
Speaker 1: afternoon and then preparing for her banquet. Banquet. Yes, I'm
Speaker 1: sure you'll be invited to celebrate the signing of the loan. Actually,
Speaker 1: of course, it's to celebrate Fatima. She'll certainly want master
Speaker 1: Pierre or there. I hope the loan is enough to
Speaker 1: make certainly get paid. I will ensure it well, I'll
Speaker 1: do my best. That would be a great relief. Piero
Speaker 1: rarely bothers about the material question. He says, I my
Speaker 1: dearly suited to that. Why shall we have Refreshment's majesty,
Speaker 1: not majesty? Please do your girl manet company her master
Speaker 1: in the city. My girl, I was a thief. What
Speaker 1: why Piero put me in charge of the money as
Speaker 1: a child has stole to live. I was good? Is
Speaker 1: it too? Until Piero caught me in his studio. He
Speaker 1: offered me a choice, be as apprentice or go to
Speaker 1: prison or the galleys. He said, all artists are thieves anyway,
Speaker 1: so why not take on the real thing. Please come come,
Speaker 1: We don't see him. Many strangers don't here nowadays. You're
Speaker 1: a visitor from Veneka. Across the sea, my companion offered
Speaker 1: to show me the harbor. It's reputed to be one
Speaker 1: of the wonders of the world. It was in the
Speaker 1: old days a thousand masts, I used to say, ships
Speaker 1: from every corner of the non world. And now look
Speaker 1: at it your own eyes with all the restrictions now
Speaker 1: Balck have imposed. No one can get in or out.
Speaker 1: Lately the city has become a locked casket. Traders have
Speaker 1: gone elsewhere. My trade has gone elsewhere. Now what can
Speaker 1: I get you? My father brought me here whilst when
Speaker 1: I was a girl, I remember the honeycakes. They were
Speaker 1: very good. Well, it's a month of fasting. But if
Speaker 1: you sit inside, who's to know? And Baldrec wouldn't care
Speaker 1: about that anyway, then honey cakes and jasmine tea inside? Come? Come? Oh?
Speaker 1: And do you still have lodgings here? M h m
Speaker 1: hmmm mm hm. Take your clothes off? M h Why
Speaker 1: do you dress as a man? Are you his lover
Speaker 1: masked Piero? No, he loves only his paintings, and his
Speaker 1: tastes run well the other way. Do you know his work? No?
Speaker 1: If you did, you would see the young men, how
Speaker 1: beautiful they are saints fight us, the martyrs. You would
Speaker 1: see the firmness of the flesh, the richness, the color,
Speaker 1: the limbs entwined, the grimace of pain or is it
Speaker 1: pleasure on the martyr's face as the arrows pierce the flesh,
Speaker 1: the flow of blood. Enough, Just kiss me now, don't
Speaker 1: start um by lodgings. I go through my notes again
Speaker 1: and again, trying to find something that will lead me forward. Amazing,
Speaker 1: isn't it, my fellow lodger killer, A man who loves
Speaker 1: to talk the city. And what a view we are
Speaker 1: from here, the sounds of the rooftops and towers. But
Speaker 1: am I disturbing you? Well, yes, I've come to see
Speaker 1: the wonders of tuman Bay. An uncle here died left
Speaker 1: me his house. It's a very interesting man, actually eaten
Speaker 1: by goats, wild goats. I would have thought you'd stay
Speaker 1: in the house, and it must remain empty for his
Speaker 1: spirit to wander a whole moon. So this gives me
Speaker 1: the chance to see the city of al Guri, the
Speaker 1: lion of lions, sold ton of eagles. Did you ever
Speaker 1: see him? Offending? I served under him. I'll forgive my
Speaker 1: lack of respect. You're a part of history, the fall
Speaker 1: of tuman Bay, Maya's millions, the evil Queen. I've heard
Speaker 1: that when the time came, her forces simply melted away
Speaker 1: back into the walls. It's a wonderful story, you know.
Speaker 1: I even wondered if those marks painted on the walls
Speaker 1: you see around what we're part of the lizards and
Speaker 1: snakes were part of the of the secret history, like
Speaker 1: in the old tales of of hidden gateways and treasure caves.
Speaker 1: I've not seen them, and yet I had on the
Speaker 1: eastern steps on the walls. What does it mean? Could
Speaker 1: they be from those times? I couldn't say. But excuse me,
Speaker 1: I have to go somewhere important that I just have
Speaker 1: to be there. Let me guess the palace. I really can't.
Speaker 1: Of course, I understand important matters. Of course, of course.
Speaker 1: What are you doing drawing you while you're sleeping? You
Speaker 1: look very peaceful and very beautiful, and very immodest. No, no,
Speaker 1: never like that. You know, I've never done this before.
Speaker 1: John a naked woman. No, may Love to the sultana
Speaker 1: of an empire. I'm just a woman like any other woman.
Speaker 1: Not to me. Your father was a great general. You
Speaker 1: must have grown up as a princess. M hm. We
Speaker 1: were brought up very simply. My father hated all that ceremony.
Speaker 1: I knew nothing of the world until I, well, until
Speaker 1: the world fell apart. What happened. I fell in love
Speaker 1: with the man one of my father's officers. He was
Speaker 1: working for Maya. All the time he betrayed me, killed
Speaker 1: my brother, And what did you do? I killed him?
Speaker 1: H What are you doing? Looking at you? They say
Speaker 1: you killed Maya's regents and took the throne. Does that
Speaker 1: make you hate me? Fear me? No? Thieves hate nothing,
Speaker 1: fear nothing. When I see something I want, I get it.
Speaker 1: Mostly it excites me. Have there been others, other other
Speaker 1: women that I've killed, that you've loved? In the perfumery
Speaker 1: you mentioned Alkin? She was very important to me. She
Speaker 1: was murdered by the man who is now your vizier,
Speaker 1: and and he walks free. That was Fatima's decision, and
Speaker 1: you and her. Sometimes it seems to me that she
Speaker 1: is less mother the empire than lover of the Sultana.
Speaker 1: I'm sorry, perhaps murdered my father and for that I
Speaker 1: have not said this to anyone before. But for that,
Speaker 1: I promise you she will pay. I have to be careful.
Speaker 1: I have to bide my time, and you should be
Speaker 1: careful too. Now, my precious, beautiful angel, loving man? Now
Speaker 1: is dangerous? Is that? So? Yes? Now? Put that drawing down. Huh.
Speaker 1: When this is all over and they have their ceremony
Speaker 1: and their painting, we should go away from here. I
Speaker 1: can't and it's impossible. My life is entwined with two
Speaker 1: mundane In this world, nothing is impossible for a thief.
Speaker 1: M all stand for this Altna and the mother of
Speaker 1: the empire. It's the Grandmaster here, No, Mistress, you didn't
Speaker 1: expect him, did you know? Let's sign this thing offended Peela,
Speaker 1: if you would please you. I would like to say
Speaker 1: that my associates and I see this auspicious occasion as
Speaker 1: marking the beginning of a great partnership between Tuman Bay
Speaker 1: and our own nation. I fixed the seal of Vinca
Speaker 1: to the document. And where should I, Mistress, I'm afraid
Speaker 1: it's the Sultana who needs to sign. Madam Fatima doesn't
Speaker 1: like that at all. Minell seal, minell the Sultana or
Speaker 1: just a figurehead. I look forward to working with a
Speaker 1: ndy pillar and his associates. You were right, yes, uncle,
Speaker 1: and you have you found the Harpusia No. I think
Speaker 1: he's in the city. I'll get word sooner or later.
Speaker 1: She wants him for her celebrations. Her celebrations, we don't
Speaker 1: think I want them to. I don't know what to think.
Speaker 1: Everything here is upside down, isn't that what you thought
Speaker 1: before when you had to go away? And maybe I
Speaker 1: wasn't so mad after all? There you are now, come
Speaker 1: take your place at the head of the celebration beside
Speaker 1: me and be nice to the bank Appela. We owe
Speaker 1: him a lot? And what progress have you made early yet?
Speaker 1: And these things take time? Gone, do your duty. Don't
Speaker 1: let me down, Gregor, and stay away from the now.
Speaker 1: I do not want her upset by your conspiracies. Name
Speaker 1: m title of the sea. No, thank you, very good.
Speaker 1: There's something not quite right about that, slave dope, Gregor.
Speaker 1: As if time winds back, we are both here at
Speaker 1: the center of things. Indeed, and have you found the
Speaker 1: hefist yet? Or is the old fellow still mislaid? I
Speaker 1: expected better of you. I did not have you. He
Speaker 1: will be found trust me, i'd sooner trust maya Still.
Speaker 1: I wish you luck. Where are you staying? I move around?
Speaker 1: Don't worry Godali, I'll keep in touch. And we need
Speaker 1: to work together, Gregor, to stop things falling apart. We'll
Speaker 1: never be friends, but we must be allies. Share what
Speaker 1: we now. You're right good, there is something yes, you've
Speaker 1: spilled crapped on the front of your robes. Oh thank
Speaker 1: you fairly, petar. You've been taken in by these people
Speaker 1: I think, not offended. My god, Well, don't count begging
Speaker 1: at my door when the ship reigns down. You could
Speaker 1: have been part of the Serene cartel. I offered it
Speaker 1: to you as a friend, and you decided to shaft
Speaker 1: me over. This look manly made deal stinks? I know it,
Speaker 1: you know it. What do you get out of this pillar?
Speaker 1: I feel a sense of responsibility to to my day
Speaker 1: flying fox. What's the deal I went in? I assure
Speaker 1: you you're up to something. Pillar. Don't take me for
Speaker 1: a fool, and don't ever think you can put one
Speaker 1: over on me. You will never take over this city
Speaker 1: while I'm around. Excuse me, of friend. Enjoy your evening,
Speaker 1: and I hope you enjoy the site of Mrs Fritch
Speaker 1: Fatchum pishing away your gold. You get my cloak as
Speaker 1: you wish. My group of him go on going. I
Speaker 1: thought you carried yourself well this evening, My dear, you
Speaker 1: looked like a sultana. Thank you, m m mother. Mm hmmm,
Speaker 1: it's been a long day. You look tired. Yes, sleep
Speaker 1: with me here tonight. Let's be together. I massage your
Speaker 1: shoulders till you can relax, and if we wake in
Speaker 1: the night, we can talk and muse one another. Wouldn't
Speaker 1: you like that? My dear? I just don't feel like
Speaker 1: it tonight. But we haven't pleasured each other for sudden
Speaker 1: Jesus is just vulgar. Vulgar I vulgar, I said, I
Speaker 1: don't feel like it. Your exertions of this afternoon have
Speaker 1: tired you. What do you mean? I don't know? You
Speaker 1: tell me? Well, after I visited my father's grave, I
Speaker 1: wanted to see the city the port again. The artist's
Speaker 1: assistant Angel I know his name, he offered to keep
Speaker 1: me company. As you said yourself, it's not saying. Why
Speaker 1: are you lying to me about what? Oh, my sweet darling?
Speaker 1: And now you have no idea how this hurts me?
Speaker 1: Do you want to hurt me? No? Then why do
Speaker 1: you lie to me? Do you take me for a fool?
Speaker 1: Some provincial dim wit? You can manipulate as you will. Oh,
Speaker 1: please go before you incriminate yourself any further. Very well,
Speaker 1: how dare you enter my room? Slay that? M h
Speaker 1: it's you. I thought you were a servant. I am
Speaker 1: whoever I wish to be mistress. Why are you here
Speaker 1: to be paid? You need to do your job first, Tequila.
Speaker 1: My group was there tonight and in good health. My friend,
Speaker 1: the banker offended. Pila is getting concerned about it. Indeed,
Speaker 1: the group was in should we say, fine fattle. And
Speaker 1: so he went home and sat with his wife and
Speaker 1: children and told them how he would destroy the house
Speaker 1: of Pillar. And so he was when he went to
Speaker 1: his study to lay his plans with his secretary. And
Speaker 1: so he was m until the moment his heart failed him,
Speaker 1: and he died with his family around him in his
Speaker 1: own safe and secure home. You will no doubt here
Speaker 1: in the morning. How do you know this? That's why
Speaker 1: you employ me? Of course, don't leave the city. I
Speaker 1: have more work for you, the man, I indicated Gregor.
Speaker 1: I'm close to him. Good, stay closer here. Gold is
Speaker 1: that acceptable? Not too vulgar? Mhm? Are these things silks
Speaker 1: and jewels? Gold? Do you think they're vulgar? Aequila? Mhm?
Speaker 1: Things in themselves and nothing. It's just fattened gold, silk, swords,
Speaker 1: power nothing. It all depends on who wields them. Of course,
Speaker 1: it depends on where you think. Oh you've gone. We
Speaker 1: don't get up, Hie often enough, dumpy, I miss it,
Speaker 1: sky ruts for other Me and Matilla used to fly together,
Speaker 1: spidering every record girls could fly. He was wrong. So
Speaker 1: how are we supposed to get all out of there?
Speaker 1: Tell me you've got a plan. Have you noticed? All
Speaker 1: around the yard there's off cuts of timber straw, bags
Speaker 1: of swordust, so it's a building side stuff that will burn,
Speaker 1: create a distraction, a panic. On the night they're going
Speaker 1: to hang them all and we go in and get her,
Speaker 1: and the ballarak and the waters are just going to
Speaker 1: let us do it just like that, don't you see?
Speaker 1: They'll all be looking up at the fires in the sky.
Speaker 1: How can you be so sure? Because it's the religion.
Speaker 1: This is what they are here for, it's why they came,
Speaker 1: it's what they've been waiting for. And because I didn't
Speaker 1: dream of her being hanged. I dreamt of her standing
Speaker 1: in the fountain, standing in the clear blue water, and
Speaker 1: it's washing everything away and she's happy. So you're still
Speaker 1: having them? What the dreams? Yes? Have you dreamt about me? No?
Speaker 1: Not really? What does that mean? Come on? I'll be
Speaker 1: risk my life in this stupid plan of yours too.
Speaker 1: I saw a wheel. I mean, like a huge wooden wheel,
Speaker 1: as tall as a house, just turning and turning and
Speaker 1: picking people up and grinding them down into the pits
Speaker 1: of hell, and the blood ran like water. Thousands and thousands,
Speaker 1: and only a handful were left. Right right, stop. I'm glad.
Speaker 1: I don't have to live in your head anyway. Frog,
Speaker 1: what you said she was going to die at the
Speaker 1: hands of the blind man. You said that before, And
Speaker 1: you have these dreams and you say they come true.
Speaker 1: So why are we even bothering? Because I have to try, Dumpy. Yeah,
Speaker 1: I failed her once and I can't fail again. I
Speaker 1: love her and I have to try. Look, you don't
Speaker 1: need to come the sky red stick together. I don't
Speaker 1: even think of doing it alone. All right, then, I've
Speaker 1: made contact with the warder. He'll make sure that Matilla's
Speaker 1: shackles are loose on the night so she can slip
Speaker 1: them off and we can get her away. How much
Speaker 1: seven gold pieces of the old money, algory, God, where
Speaker 1: are we going to get that? He'll take us forever?
Speaker 1: Your mother? You want me to steal from my mother?
Speaker 1: That's more than she makes in six moons. You're mad, Frog,
Speaker 1: completely mad. You're going to get us in a lot
Speaker 1: of trouble. I have to save her, Dumpy, I have to.
Speaker 1: I what when I was young, I dreamed about my
Speaker 1: dad being that he would die, be here, be killed,
Speaker 1: and I couldn't save him. Dumpy, You're a child, But
Speaker 1: I have to save her. That's what it means, all
Speaker 1: of it, from the beginning. I don't know how or why,
Speaker 1: but it it is. It, it's all. That's the early call.
Speaker 1: We've been up here all night. You better try and
Speaker 1: get some sleep before we go back to work. Come on,
Speaker 1: frock Skyrats forever, Yeah, sky Rats for season four, Episode
Speaker 1: four of Tuman Bay Feels Like Old Times, featuring Asia Heart,
Speaker 1: Rufus Wright, Enzo Chi Lenti, and Kirsty Bushell. Was written
Speaker 1: by Mike Walker, with music by Sasha Putnam and editing
Speaker 1: and sound design by Eloise Whitmore. M h m hmmm two.
Speaker 1: Muanbay is directed by Me, John Scott Dryden, created by
Speaker 1: Me and Mike Walker, and produced by Emma Hern and
Speaker 1: Nadia Khan. For more details, including scripts and a full
Speaker 1: cast list, visit to Munbay dot com.