WEBVTT - 4.04 - Feels Like Old Times

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<v Speaker 1>M m m, well, well, well, what are you doing?

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<v Speaker 1>I apologize, this is Alkin's observatory. How dare you? How

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<v Speaker 1>can you have the nerve to come in here to

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<v Speaker 1>You murdered her, You murdered my vizier, my support, my love. Yes,

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<v Speaker 1>that was in view of everything unfortunate. You say that

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<v Speaker 1>to me, Yes, I say that I did that, and

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<v Speaker 1>I saw my son's throat cut by the bell Iraq.

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<v Speaker 1>It is truly amazing what you have to put up

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<v Speaker 1>with in the pursuit of power. And I would also

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<v Speaker 1>say to your majesty that if you were an ordinary person,

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<v Speaker 1>if you were just Manel, daughter of General Kulan, then

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<v Speaker 1>I would tell you to pick up this glass retort,

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<v Speaker 1>smash it and cut my throat with it. But you see,

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<v Speaker 1>you are not just an ordinary person like this, seeing

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<v Speaker 1>glass a remarkable instrument. You have a purpose. You are Manel,

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<v Speaker 1>Sultana of Tumanba, and you have a duty to the

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<v Speaker 1>citizens of tuman Bear to keep them in their cities safe.

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<v Speaker 1>What are you talking about the ball Iraq? What am

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<v Speaker 1>I supposed to be looking at Cadali? What have they

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<v Speaker 1>done since they've arrived, Yes, taken over the justice system,

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<v Speaker 1>But what of all the great building projects they talked of.

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<v Speaker 1>Once again, I ask you, aqueduct They are mending it. Yes,

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<v Speaker 1>I see workmen, hoists and one of the wonders of

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<v Speaker 1>Truman Bay. It delivers water from the mountains to the city,

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<v Speaker 1>sorely needed. Agreed, But we suspect, do we not, that

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<v Speaker 1>the Ballaract do not have our best interests at heart?

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<v Speaker 1>So why such generosity to Monday? Season four, Episode four

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<v Speaker 1>feels like old times by Mike Walker. The city wakes

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<v Speaker 1>as the light touches the pink stone of the walls.

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<v Speaker 1>Human Bay comes alive, and once again it's going to

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<v Speaker 1>be hotter than yesterday? Is it the fires from the

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<v Speaker 1>sky announcing they're coming. As the merchants and shopkeepers, the soldiers,

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<v Speaker 1>slaves and carpenters go about their lives, so I go

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<v Speaker 1>about mine again, reconnecting with my old networks, my eyes,

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<v Speaker 1>my ears, my feelings, and with me. I don't get

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<v Speaker 1>out enough. Bellow, they're missing her, feezs Acolyte, another man

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<v Speaker 1>of secrets and lies. Oh I miss them. The stinks

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<v Speaker 1>of Touman Bay. Think her feet is an old man.

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<v Speaker 1>You'll need to be looked after. He'll need a supply

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<v Speaker 1>of alcohol. Maybe not if he really has stopped drinking.

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<v Speaker 1>Still frail not lookout horrible beasts, And I'm going to

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<v Speaker 1>stay sharp on the streets. Do see this coody? To

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<v Speaker 1>do with the palace? Fatima? The lady? She wants power, ligitimacy.

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<v Speaker 1>Word has it that she aims at the throne itself?

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<v Speaker 1>The throne is occupied until it isn't. Why do you

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<v Speaker 1>hear these things? The invisible people? What the servants? Simple folk?

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<v Speaker 1>They still believe in the miracles. They come for the

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<v Speaker 1>blessing and leave their little donations. They see much, but

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<v Speaker 1>few see them. Do you think it was Fatima with

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<v Speaker 1>the her fees when you walked in? How would I know?

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<v Speaker 1>I only saw a shadow? Was there any scent, expensive perfume,

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<v Speaker 1>nothing like that? No, it was she was more of

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<v Speaker 1>a presence than a person. Wait, Butcher's shop? Why are

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<v Speaker 1>we an old informative? Commander? It's been a while, business son,

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<v Speaker 1>you know? So, so how is it with you? I'm

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<v Speaker 1>thinking of investing in things again? There's something on account

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<v Speaker 1>My eyes are built, Commander good. That's time was there

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<v Speaker 1>wasn't a shop or lodging house at temple or brothel

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<v Speaker 1>where I didn't have eyes and ears and the beggar's

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<v Speaker 1>guilt to served in the Imperial armies. Coppers for a

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<v Speaker 1>poor cripple. How about work for a poor cripple, Gabrielle,

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<v Speaker 1>we've missed you, a commander, or missed my gold? What

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<v Speaker 1>do you interested in today? Anything odd or strange? You

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<v Speaker 1>know me lately? All strange in this city, strange days, golds,

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<v Speaker 1>gold still good? Huh? Coppers for an old cripple? Would

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<v Speaker 1>that soul? Journals? Coppers? Thank you, Offending, We're back. I

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<v Speaker 1>thought I knew every street around the half Palace, but

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<v Speaker 1>there are always more streets than you know. Go inside,

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<v Speaker 1>search your records. Anyone in the city. He might have

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<v Speaker 1>gone to anything unusual. It doesn't matter how small the

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<v Speaker 1>floor in the marble that only your fingertips feel. Find it, offending, Gregor,

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<v Speaker 1>you would have come with us? What orders from the palace?

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<v Speaker 1>You would have come? Now? What were you doing? Sawing? Uncle?

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<v Speaker 1>You told us to saw and we're sawing, making slow

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<v Speaker 1>work of it. Put your backs into it, boys, and

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<v Speaker 1>I'll give you a sore assist all. Use this sort.

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<v Speaker 1>It's made for the job. Let it do the work. Now,

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<v Speaker 1>get to it, or the pair of you are out,

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<v Speaker 1>nephew or not agree? Promise you know he's right. It's

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<v Speaker 1>like flying. You let you do the work, and you

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<v Speaker 1>let the sword do the work. Just go with it.

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<v Speaker 1>What they're bringing the women prisoners through for exercise? Wait here?

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<v Speaker 1>What quick credit? Distraction? A diversion like you dropped liver? Mind? Sorry,

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<v Speaker 1>don't be god. I hope you haven't damaged the timber

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<v Speaker 1>twenty minutes outside? Come on, what are you doing? We're here?

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<v Speaker 1>Why are you going to get you out? You can't.

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<v Speaker 1>They'll catch you. Work something out. Don't worry why. I

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<v Speaker 1>love you. Women will save you. Don't get mixed up

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<v Speaker 1>with this lot. You won't find a wife here. The

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<v Speaker 1>blind man is going to be there. You've seen it.

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<v Speaker 1>Come on, you've seen it, the blind man. I love you.

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<v Speaker 1>This way of ending. Come I under arrest. The guard

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<v Speaker 1>refuses to answer any of my questions. Here the throne room?

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<v Speaker 1>How often have I stood here at the center of everything?

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<v Speaker 1>And now? When were you going to tell us, Uncle Monel?

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<v Speaker 1>When were you going to tell us you had returned

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<v Speaker 1>to the city. It was the Grandmaster's order. You didn't know.

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<v Speaker 1>I didn't I when I saw you at that place,

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<v Speaker 1>I thought I don't know what I thought. The Palace

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<v Speaker 1>of the Blind. Well, sometimes they see better there than

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<v Speaker 1>we seem too. Here m you think I don't care.

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<v Speaker 1>I think there are many things you don't know. Listen, Manell,

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<v Speaker 1>I know that you are a prisoner of say nothing,

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<v Speaker 1>within these walls, within the city. That woman you have

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<v Speaker 1>ah Luke, who has come back to us. I thought

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<v Speaker 1>you were dead, and I thought you were mad. It

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<v Speaker 1>seems at least one of us was wrong. I trust

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<v Speaker 1>you had an interesting time. I hear the Grandmaster had

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<v Speaker 1>you brought back. Why. I can't tell you, but the

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<v Speaker 1>Grand Master summoned you back to life. I'm surprised he

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<v Speaker 1>cares so much. Perhaps he wants to recruit you to

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<v Speaker 1>his holy army. Was there something you wanted, Yes, Majestu,

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<v Speaker 1>Mistress Fatima wished me to show you these papers for

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<v Speaker 1>your seal, the lone Mistress Adama requested. It has been

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<v Speaker 1>accepted by the Bank of Pila. There's to be a

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<v Speaker 1>formal signing tomorrow evening at a banquet to celebrate. No doubt,

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<v Speaker 1>our beloved Mother of the Empire will tell you herself

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<v Speaker 1>sooner or later, greg Or if you will accompany me.

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<v Speaker 1>I was summoned to see the Sultan. You were summoned

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<v Speaker 1>by Mistress Fatimah. She wishes to see you. Shall we

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<v Speaker 1>look forward to spending some time with you, niece. We

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<v Speaker 1>shall talk about well many things. I to look forward

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<v Speaker 1>to that. Uncle. Yeah what now? Oh no, no, sent

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<v Speaker 1>him in zero. I hope I'm not disturbing your, majesty.

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<v Speaker 1>It's starting. I'm not happy to put aside for you, Signor, Angel,

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<v Speaker 1>just Angel, majesty, m What may I do for you?

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<v Speaker 1>I wanted to thank you for showing me the gardens

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<v Speaker 1>and the perfumery the other day. It was a great privilege.

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<v Speaker 1>I brought you the sketch that Master Piero made of you.

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<v Speaker 1>I thought you might like it. It's beautiful. Well, you

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<v Speaker 1>are beautiful, majesty Ah. It's a great city, once a

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<v Speaker 1>great city. I think a city's greatness comes from its people,

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<v Speaker 1>not from the gleaming of its towers. Our towers have

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<v Speaker 1>lost their gleam since the occupation. But you're right, of course,

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<v Speaker 1>and there beyond everything, the sun on the sea, the

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<v Speaker 1>port of Two Men Bay. Good to have you back again, Gregor,

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<v Speaker 1>feels like old times. We can be useful again. You

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<v Speaker 1>saw her there too. Didn't you saw whom can the traveler?

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<v Speaker 1>In the cells? You told me I saw nothing. I

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<v Speaker 1>was insane with fear. In that situation, the mind betrays you.

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<v Speaker 1>There is a traitor in your head. You're imagining things, Gregor,

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<v Speaker 1>if I may advise, lock that thought away in the

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<v Speaker 1>deepest cell of your heart. That's not what the Grandmaster thinks.

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<v Speaker 1>What do you mean? I mean nothing because nothing happened?

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<v Speaker 1>Did it? You saw nothing? You know nothing? Indeed, here

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<v Speaker 1>we are a slight smile, Gregor, as you requested Mistress last,

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<v Speaker 1>Why was I kept waiting, Madam? Do not move the

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<v Speaker 1>sketch is necessar sorry for me to catch The guards

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<v Speaker 1>were confused ether they thought the sultana trying not to blink? Madam,

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<v Speaker 1>you have such intense eyes. What secrets do they hold?

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<v Speaker 1>Angela need more like? Raise the blinds fully, angel angel Sorry,

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<v Speaker 1>I was checking the talks the blinds, Razor blinds as

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<v Speaker 1>you wish, myster, Can we get on? Madam? You can

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<v Speaker 1>buy a thousand amateurs to simply get on, but to

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<v Speaker 1>recreate your soul only Piero of course, Master, carry on?

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<v Speaker 1>Why am I here? I wanted to be sure you

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<v Speaker 1>are all right? I was so sorry to hear about

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<v Speaker 1>your misfortune. I felt it was quite unnecessary, but the

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<v Speaker 1>Sultana overruled me. But now you are back. Why her

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<v Speaker 1>feast is missing really well. I wish you luck in

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<v Speaker 1>finding him. He'll be needed at the celebrations. Celebrations at

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<v Speaker 1>the end of fasting, a festival of renewal for the city.

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<v Speaker 1>It would be proper for him to be there. I

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<v Speaker 1>will need him to He must be their spiritual center.

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<v Speaker 1>Did you last see him, Madam at the council. You've

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<v Speaker 1>not been to his palace to discuss this festival of fires.

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<v Speaker 1>You're sure, of course, I'm sure. There's nothing wrong with

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<v Speaker 1>my mind. Forget that old drunk I need you for

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<v Speaker 1>something else. I want to help you, Gregor. Now, since

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<v Speaker 1>you've been gone, it's not been easy. The Grandmaster is

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<v Speaker 1>becoming increasingly erratic. It's impossible to get answers now. These

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<v Speaker 1>celebrations are important to me, to tuman Bay. I do

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<v Speaker 1>not want them upset spoiled by the grand Master's plans.

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<v Speaker 1>If you could just keep your head still and your lips, please,

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<v Speaker 1>your beautiful lips. I need to know what he is doing.

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<v Speaker 1>I need someone to help me, keep me informed and

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<v Speaker 1>you're going to find out for me, Gregor. You used

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<v Speaker 1>to be commander of the palace guard. You could be

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<v Speaker 1>so again, please, so easy. It seems to get back

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<v Speaker 1>what was lost in my power for those who served me.

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<v Speaker 1>Well you mean surely served the Sultana Manel. Well please, yes,

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<v Speaker 1>you see it now? To help your niece. She's been

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<v Speaker 1>through so much, suffered so much. H cheers. How should

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<v Speaker 1>I say, fragile? I think it's better, Gregor, if you

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<v Speaker 1>don't see her for a while. It only upsets her

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<v Speaker 1>the past. She needs the love and care of a mother.

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<v Speaker 1>Such an expressive lips. Thank you, madam. You may relaxed.

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<v Speaker 1>It is she threatening me, now, would she? Are you

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<v Speaker 1>concerned for my niece? She needs time to heal, and

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<v Speaker 1>thank god I'm here as her adopted mother, protect her

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<v Speaker 1>from those who would use her for their own ends.

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<v Speaker 1>Do you follow me, Gregor? I think I follow you

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<v Speaker 1>extremely well. Fatima, Mistress Fatima, report back to me tomorrow

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<v Speaker 1>at sunset. On these matters. There's to be a banquet

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<v Speaker 1>join us, a banquet for the merchants and bankers of

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<v Speaker 1>the city, one of my many duties, Gregor. They will

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<v Speaker 1>be an announcement you have secured alone for the city.

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<v Speaker 1>Are here very good? You listen, if you could just

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<v Speaker 1>lift the head a little, listen to me as human

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<v Speaker 1>expression of trial? And will the Grand Master be attending

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<v Speaker 1>hold that? I imagine you would know more about that

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<v Speaker 1>than I would. What do you think? It seems? I'm

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<v Speaker 1>the servant of two masters. But I owe the Grandmaster

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<v Speaker 1>of Debt for getting me back here, for proving that

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<v Speaker 1>she is real, that she has been seen around the

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<v Speaker 1>city on the eastern wall. This area is forbidden. What

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<v Speaker 1>is your business, relaxed, soldier. This is the seal of

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<v Speaker 1>your grandmaster. I have questions. They told me saw her,

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<v Speaker 1>this woman? Yes, yes, I did. She came up the

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<v Speaker 1>eastern steps just like you. I challenged her. She turned

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<v Speaker 1>and she looked at me, and she smiled. What did

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<v Speaker 1>she look like? Tall for a woman, middle aged, I think,

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<v Speaker 1>not not young anyhow, bareheaded? I never saw that before

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<v Speaker 1>in this city. Hey, cut shot like a man. It's unnatural.

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<v Speaker 1>She didn't say anything, just raised her finger like like

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<v Speaker 1>a preacher, and then turned and walked away. Where did

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<v Speaker 1>she go? That's the thing. She walked into the wall here,

0:18:32.359 --> 0:18:39.159
<v Speaker 1>this wall, and then she vanished. Every hair on my

0:18:39.359 --> 0:18:45.880
<v Speaker 1>arms stood up like she had some kind of extreme

0:18:45.920 --> 0:18:52.879
<v Speaker 1>heat or cold. I don't know anything else. I think

0:18:53.560 --> 0:18:56.560
<v Speaker 1>behind her ear, I mean because of her short hair,

0:18:56.840 --> 0:18:59.800
<v Speaker 1>I could see her neck as if it were crawling

0:19:00.840 --> 0:19:04.880
<v Speaker 1>a lizard. A lizard, I mean a tattoo of the lizard.

0:19:08.320 --> 0:19:09.840
<v Speaker 1>For the rest of the day, I follow up all

0:19:09.840 --> 0:19:13.240
<v Speaker 1>the sightings of this mysterious woman. I know the evidence,

0:19:13.840 --> 0:19:18.720
<v Speaker 1>correlate the details. What's common to them all? She walks,

0:19:18.760 --> 0:19:26.040
<v Speaker 1>she smiles, She raises her finger a warning admonition, and

0:19:26.080 --> 0:19:39.640
<v Speaker 1>the tattoo always the tattoo wall city, then and then

0:19:39.880 --> 0:19:43.320
<v Speaker 1>giving in the way out? Was only five last week?

0:19:45.280 --> 0:19:48.600
<v Speaker 1>Is it there? Are you? M hmm. It's getting hotter,

0:19:48.920 --> 0:19:54.680
<v Speaker 1>isn't it? And this is good fresh water. I can

0:19:54.760 --> 0:19:59.800
<v Speaker 1>see things floating in it. Oh if by my children's life,

0:20:00.040 --> 0:20:06.120
<v Speaker 1>this water is as fresh as the dawn next time

0:20:06.480 --> 0:20:10.359
<v Speaker 1>it There used to be real fresh water in the

0:20:10.400 --> 0:20:13.520
<v Speaker 1>fountains in every square in the city. It was supplied

0:20:13.560 --> 0:20:17.120
<v Speaker 1>by the aqueduct built by Amal the Magnificent over six

0:20:17.200 --> 0:20:22.480
<v Speaker 1>hundred years ago, destroyed during the occupation. The Ballaka are

0:20:22.480 --> 0:20:28.439
<v Speaker 1>repairing it. It seems sorry, sounding like the city guides

0:20:28.480 --> 0:20:30.720
<v Speaker 1>they used to have under Sultan and Guri. No, I

0:20:30.760 --> 0:20:38.480
<v Speaker 1>like it. I'm interested in everything, all of it. Don't start, majesty. Well,

0:20:38.640 --> 0:20:40.800
<v Speaker 1>this used to be one of the biggest slave markets

0:20:40.920 --> 0:20:43.680
<v Speaker 1>in this city, in the world. I'm sure it will

0:20:43.720 --> 0:20:48.240
<v Speaker 1>be again. Perhaps it will. But the ballaraka here now,

0:20:48.280 --> 0:20:52.240
<v Speaker 1>and they don't like slavery. But aren't they guests and

0:20:52.320 --> 0:20:56.480
<v Speaker 1>you are the sultana, so so why don't you tell

0:20:56.520 --> 0:21:01.800
<v Speaker 1>them what they can do affairs of state, diplomacy, politics

0:21:02.800 --> 0:21:05.960
<v Speaker 1>and not so simple? Of course, majesty, I didn't mean

0:21:06.000 --> 0:21:08.919
<v Speaker 1>to No, it's good in the palace. You have to

0:21:08.920 --> 0:21:11.920
<v Speaker 1>be so careful all the time. There are always ears

0:21:11.960 --> 0:21:16.880
<v Speaker 1>and eyes, and nothing is ever simple. What it is? Well,

0:21:16.920 --> 0:21:22.680
<v Speaker 1>i'm certainly what I am. How long is it since

0:21:22.760 --> 0:21:25.399
<v Speaker 1>you were out of that place and so ordinary people

0:21:25.440 --> 0:21:31.200
<v Speaker 1>doing ordinary things? It seems like forever. It's not easy

0:21:31.280 --> 0:21:34.800
<v Speaker 1>for me to get away, even wearing a veil like this.

0:21:36.080 --> 0:21:38.879
<v Speaker 1>It's only because Fatima is busy inspecting her troops this

0:21:38.960 --> 0:21:43.320
<v Speaker 1>afternoon and then preparing for her banquet. Banquet. Yes, I'm

0:21:43.359 --> 0:21:47.080
<v Speaker 1>sure you'll be invited to celebrate the signing of the loan. Actually,

0:21:47.080 --> 0:21:50.960
<v Speaker 1>of course, it's to celebrate Fatima. She'll certainly want master

0:21:51.080 --> 0:21:53.119
<v Speaker 1>Pierre or there. I hope the loan is enough to

0:21:53.160 --> 0:21:59.640
<v Speaker 1>make certainly get paid. I will ensure it well, I'll

0:21:59.640 --> 0:22:03.040
<v Speaker 1>do my best. That would be a great relief. Piero

0:22:03.240 --> 0:22:07.119
<v Speaker 1>rarely bothers about the material question. He says, I my

0:22:07.200 --> 0:22:12.200
<v Speaker 1>dearly suited to that. Why shall we have Refreshment's majesty,

0:22:13.720 --> 0:22:20.399
<v Speaker 1>not majesty? Please do your girl manet company her master

0:22:20.560 --> 0:22:25.920
<v Speaker 1>in the city. My girl, I was a thief. What

0:22:26.280 --> 0:22:28.359
<v Speaker 1>why Piero put me in charge of the money as

0:22:28.400 --> 0:22:30.439
<v Speaker 1>a child has stole to live. I was good? Is

0:22:30.440 --> 0:22:33.439
<v Speaker 1>it too? Until Piero caught me in his studio. He

0:22:33.520 --> 0:22:35.679
<v Speaker 1>offered me a choice, be as apprentice or go to

0:22:35.720 --> 0:22:40.280
<v Speaker 1>prison or the galleys. He said, all artists are thieves anyway,

0:22:40.359 --> 0:22:48.240
<v Speaker 1>so why not take on the real thing. Please come come,

0:22:49.440 --> 0:22:52.360
<v Speaker 1>We don't see him. Many strangers don't here nowadays. You're

0:22:52.600 --> 0:22:56.960
<v Speaker 1>a visitor from Veneka. Across the sea, my companion offered

0:22:57.000 --> 0:23:00.160
<v Speaker 1>to show me the harbor. It's reputed to be one

0:23:00.160 --> 0:23:03.040
<v Speaker 1>of the wonders of the world. It was in the

0:23:03.080 --> 0:23:07.440
<v Speaker 1>old days a thousand masts, I used to say, ships

0:23:07.800 --> 0:23:12.960
<v Speaker 1>from every corner of the non world. And now look

0:23:13.000 --> 0:23:16.919
<v Speaker 1>at it your own eyes with all the restrictions now

0:23:17.000 --> 0:23:20.360
<v Speaker 1>Balck have imposed. No one can get in or out.

0:23:21.240 --> 0:23:25.399
<v Speaker 1>Lately the city has become a locked casket. Traders have

0:23:25.480 --> 0:23:30.359
<v Speaker 1>gone elsewhere. My trade has gone elsewhere. Now what can

0:23:30.400 --> 0:23:34.280
<v Speaker 1>I get you? My father brought me here whilst when

0:23:34.320 --> 0:23:37.440
<v Speaker 1>I was a girl, I remember the honeycakes. They were

0:23:37.520 --> 0:23:43.560
<v Speaker 1>very good. Well, it's a month of fasting. But if

0:23:43.560 --> 0:23:48.320
<v Speaker 1>you sit inside, who's to know? And Baldrec wouldn't care

0:23:48.359 --> 0:23:55.400
<v Speaker 1>about that anyway, then honey cakes and jasmine tea inside? Come? Come? Oh?

0:23:55.480 --> 0:24:08.560
<v Speaker 1>And do you still have lodgings here? M h m

0:24:08.800 --> 0:24:33.920
<v Speaker 1>hmmm mm hm. Take your clothes off? M h Why

0:24:33.960 --> 0:24:37.480
<v Speaker 1>do you dress as a man? Are you his lover

0:24:38.680 --> 0:24:42.960
<v Speaker 1>masked Piero? No, he loves only his paintings, and his

0:24:43.080 --> 0:24:47.720
<v Speaker 1>tastes run well the other way. Do you know his work? No?

0:24:49.119 --> 0:24:54.359
<v Speaker 1>If you did, you would see the young men, how

0:24:54.400 --> 0:25:03.160
<v Speaker 1>beautiful they are saints fight us, the martyrs. You would

0:25:03.160 --> 0:25:07.480
<v Speaker 1>see the firmness of the flesh, the richness, the color,

0:25:08.359 --> 0:25:14.720
<v Speaker 1>the limbs entwined, the grimace of pain or is it

0:25:14.800 --> 0:25:21.960
<v Speaker 1>pleasure on the martyr's face as the arrows pierce the flesh,

0:25:22.920 --> 0:25:28.160
<v Speaker 1>the flow of blood. Enough, Just kiss me now, don't

0:25:28.200 --> 0:25:43.280
<v Speaker 1>start um by lodgings. I go through my notes again

0:25:43.359 --> 0:25:49.680
<v Speaker 1>and again, trying to find something that will lead me forward. Amazing,

0:25:49.720 --> 0:25:53.320
<v Speaker 1>isn't it, my fellow lodger killer, A man who loves

0:25:53.400 --> 0:25:57.280
<v Speaker 1>to talk the city. And what a view we are

0:25:57.359 --> 0:26:02.879
<v Speaker 1>from here, the sounds of the rooftops and towers. But

0:26:03.280 --> 0:26:06.280
<v Speaker 1>am I disturbing you? Well, yes, I've come to see

0:26:07.119 --> 0:26:12.600
<v Speaker 1>the wonders of tuman Bay. An uncle here died left

0:26:12.600 --> 0:26:15.199
<v Speaker 1>me his house. It's a very interesting man, actually eaten

0:26:15.240 --> 0:26:19.080
<v Speaker 1>by goats, wild goats. I would have thought you'd stay

0:26:19.200 --> 0:26:24.080
<v Speaker 1>in the house, and it must remain empty for his

0:26:24.200 --> 0:26:27.359
<v Speaker 1>spirit to wander a whole moon. So this gives me

0:26:27.400 --> 0:26:32.040
<v Speaker 1>the chance to see the city of al Guri, the

0:26:32.160 --> 0:26:35.120
<v Speaker 1>lion of lions, sold ton of eagles. Did you ever

0:26:35.160 --> 0:26:39.080
<v Speaker 1>see him? Offending? I served under him. I'll forgive my

0:26:39.160 --> 0:26:43.520
<v Speaker 1>lack of respect. You're a part of history, the fall

0:26:43.560 --> 0:26:47.960
<v Speaker 1>of tuman Bay, Maya's millions, the evil Queen. I've heard

0:26:48.000 --> 0:26:51.720
<v Speaker 1>that when the time came, her forces simply melted away

0:26:51.800 --> 0:26:55.520
<v Speaker 1>back into the walls. It's a wonderful story, you know.

0:26:55.560 --> 0:26:58.320
<v Speaker 1>I even wondered if those marks painted on the walls

0:26:58.359 --> 0:27:00.960
<v Speaker 1>you see around what we're part of the lizards and

0:27:01.000 --> 0:27:05.960
<v Speaker 1>snakes were part of the of the secret history, like

0:27:06.040 --> 0:27:09.760
<v Speaker 1>in the old tales of of hidden gateways and treasure caves.

0:27:11.000 --> 0:27:14.680
<v Speaker 1>I've not seen them, and yet I had on the

0:27:14.680 --> 0:27:18.720
<v Speaker 1>eastern steps on the walls. What does it mean? Could

0:27:18.760 --> 0:27:22.719
<v Speaker 1>they be from those times? I couldn't say. But excuse me,

0:27:22.800 --> 0:27:25.919
<v Speaker 1>I have to go somewhere important that I just have

0:27:26.040 --> 0:27:29.800
<v Speaker 1>to be there. Let me guess the palace. I really can't.

0:27:30.200 --> 0:27:34.879
<v Speaker 1>Of course, I understand important matters. Of course, of course.

0:27:36.480 --> 0:27:41.840
<v Speaker 1>What are you doing drawing you while you're sleeping? You

0:27:41.920 --> 0:27:50.560
<v Speaker 1>look very peaceful and very beautiful, and very immodest. No, no,

0:27:50.680 --> 0:27:54.919
<v Speaker 1>never like that. You know, I've never done this before.

0:27:56.320 --> 0:28:02.080
<v Speaker 1>John a naked woman. No, may Love to the sultana

0:28:02.240 --> 0:28:07.040
<v Speaker 1>of an empire. I'm just a woman like any other woman.

0:28:07.200 --> 0:28:11.159
<v Speaker 1>Not to me. Your father was a great general. You

0:28:11.240 --> 0:28:14.320
<v Speaker 1>must have grown up as a princess. M hm. We

0:28:14.400 --> 0:28:19.400
<v Speaker 1>were brought up very simply. My father hated all that ceremony.

0:28:20.040 --> 0:28:25.439
<v Speaker 1>I knew nothing of the world until I, well, until

0:28:25.480 --> 0:28:30.120
<v Speaker 1>the world fell apart. What happened. I fell in love

0:28:30.119 --> 0:28:34.800
<v Speaker 1>with the man one of my father's officers. He was

0:28:34.840 --> 0:28:40.680
<v Speaker 1>working for Maya. All the time he betrayed me, killed

0:28:40.680 --> 0:28:45.480
<v Speaker 1>my brother, And what did you do? I killed him?

0:28:45.800 --> 0:28:52.680
<v Speaker 1>H What are you doing? Looking at you? They say

0:28:52.960 --> 0:28:56.440
<v Speaker 1>you killed Maya's regents and took the throne. Does that

0:28:56.520 --> 0:29:01.800
<v Speaker 1>make you hate me? Fear me? No? Thieves hate nothing,

0:29:01.880 --> 0:29:04.920
<v Speaker 1>fear nothing. When I see something I want, I get it.

0:29:05.280 --> 0:29:10.840
<v Speaker 1>Mostly it excites me. Have there been others, other other

0:29:10.880 --> 0:29:18.760
<v Speaker 1>women that I've killed, that you've loved? In the perfumery

0:29:19.040 --> 0:29:27.720
<v Speaker 1>you mentioned Alkin? She was very important to me. She

0:29:27.840 --> 0:29:30.400
<v Speaker 1>was murdered by the man who is now your vizier,

0:29:31.560 --> 0:29:35.520
<v Speaker 1>and and he walks free. That was Fatima's decision, and

0:29:35.640 --> 0:29:38.400
<v Speaker 1>you and her. Sometimes it seems to me that she

0:29:38.520 --> 0:29:45.320
<v Speaker 1>is less mother the empire than lover of the Sultana.

0:29:47.280 --> 0:29:54.880
<v Speaker 1>I'm sorry, perhaps murdered my father and for that I

0:29:54.960 --> 0:29:58.080
<v Speaker 1>have not said this to anyone before. But for that,

0:29:58.240 --> 0:30:02.400
<v Speaker 1>I promise you she will pay. I have to be careful.

0:30:02.800 --> 0:30:07.680
<v Speaker 1>I have to bide my time, and you should be

0:30:07.760 --> 0:30:17.080
<v Speaker 1>careful too. Now, my precious, beautiful angel, loving man? Now

0:30:17.320 --> 0:30:25.400
<v Speaker 1>is dangerous? Is that? So? Yes? Now? Put that drawing down. Huh.

0:30:27.400 --> 0:30:30.920
<v Speaker 1>When this is all over and they have their ceremony

0:30:30.920 --> 0:30:34.560
<v Speaker 1>and their painting, we should go away from here. I

0:30:34.600 --> 0:30:39.160
<v Speaker 1>can't and it's impossible. My life is entwined with two

0:30:39.200 --> 0:30:45.920
<v Speaker 1>mundane In this world, nothing is impossible for a thief.

0:30:50.880 --> 0:30:59.720
<v Speaker 1>M all stand for this Altna and the mother of

0:30:59.760 --> 0:31:18.200
<v Speaker 1>the empire. It's the Grandmaster here, No, Mistress, you didn't

0:31:18.240 --> 0:31:22.640
<v Speaker 1>expect him, did you know? Let's sign this thing offended Peela,

0:31:23.080 --> 0:31:29.160
<v Speaker 1>if you would please you. I would like to say

0:31:29.200 --> 0:31:32.719
<v Speaker 1>that my associates and I see this auspicious occasion as

0:31:32.800 --> 0:31:36.680
<v Speaker 1>marking the beginning of a great partnership between Tuman Bay

0:31:37.080 --> 0:31:41.960
<v Speaker 1>and our own nation. I fixed the seal of Vinca

0:31:42.480 --> 0:31:47.560
<v Speaker 1>to the document. And where should I, Mistress, I'm afraid

0:31:47.680 --> 0:31:51.400
<v Speaker 1>it's the Sultana who needs to sign. Madam Fatima doesn't

0:31:51.400 --> 0:31:57.040
<v Speaker 1>like that at all. Minell seal, minell the Sultana or

0:31:57.080 --> 0:31:59.840
<v Speaker 1>just a figurehead. I look forward to working with a

0:32:00.120 --> 0:32:09.360
<v Speaker 1>ndy pillar and his associates. You were right, yes, uncle,

0:32:09.960 --> 0:32:13.560
<v Speaker 1>and you have you found the Harpusia No. I think

0:32:13.600 --> 0:32:16.080
<v Speaker 1>he's in the city. I'll get word sooner or later.

0:32:16.200 --> 0:32:20.440
<v Speaker 1>She wants him for her celebrations. Her celebrations, we don't

0:32:20.440 --> 0:32:22.560
<v Speaker 1>think I want them to. I don't know what to think.

0:32:23.360 --> 0:32:27.200
<v Speaker 1>Everything here is upside down, isn't that what you thought

0:32:27.200 --> 0:32:30.560
<v Speaker 1>before when you had to go away? And maybe I

0:32:30.600 --> 0:32:35.160
<v Speaker 1>wasn't so mad after all? There you are now, come

0:32:35.480 --> 0:32:37.840
<v Speaker 1>take your place at the head of the celebration beside

0:32:37.840 --> 0:32:40.640
<v Speaker 1>me and be nice to the bank Appela. We owe

0:32:40.720 --> 0:32:44.320
<v Speaker 1>him a lot? And what progress have you made early yet?

0:32:44.800 --> 0:32:50.760
<v Speaker 1>And these things take time? Gone, do your duty. Don't

0:32:50.840 --> 0:32:53.800
<v Speaker 1>let me down, Gregor, and stay away from the now.

0:32:55.080 --> 0:33:02.320
<v Speaker 1>I do not want her upset by your conspiracies. Name

0:33:04.520 --> 0:33:10.880
<v Speaker 1>m title of the sea. No, thank you, very good.

0:33:11.800 --> 0:33:16.480
<v Speaker 1>There's something not quite right about that, slave dope, Gregor.

0:33:16.560 --> 0:33:20.120
<v Speaker 1>As if time winds back, we are both here at

0:33:20.160 --> 0:33:24.600
<v Speaker 1>the center of things. Indeed, and have you found the

0:33:24.640 --> 0:33:29.479
<v Speaker 1>hefist yet? Or is the old fellow still mislaid? I

0:33:29.520 --> 0:33:32.560
<v Speaker 1>expected better of you. I did not have you. He

0:33:32.640 --> 0:33:38.760
<v Speaker 1>will be found trust me, i'd sooner trust maya Still.

0:33:38.840 --> 0:33:42.480
<v Speaker 1>I wish you luck. Where are you staying? I move around?

0:33:43.200 --> 0:33:46.560
<v Speaker 1>Don't worry Godali, I'll keep in touch. And we need

0:33:46.560 --> 0:33:51.680
<v Speaker 1>to work together, Gregor, to stop things falling apart. We'll

0:33:51.720 --> 0:33:55.400
<v Speaker 1>never be friends, but we must be allies. Share what

0:33:55.440 --> 0:34:03.800
<v Speaker 1>we now. You're right good, there is something yes, you've

0:34:03.840 --> 0:34:08.279
<v Speaker 1>spilled crapped on the front of your robes. Oh thank

0:34:08.320 --> 0:34:13.800
<v Speaker 1>you fairly, petar. You've been taken in by these people

0:34:14.200 --> 0:34:17.480
<v Speaker 1>I think, not offended. My god, Well, don't count begging

0:34:17.520 --> 0:34:20.239
<v Speaker 1>at my door when the ship reigns down. You could

0:34:20.239 --> 0:34:22.880
<v Speaker 1>have been part of the Serene cartel. I offered it

0:34:22.920 --> 0:34:25.320
<v Speaker 1>to you as a friend, and you decided to shaft

0:34:25.400 --> 0:34:29.960
<v Speaker 1>me over. This look manly made deal stinks? I know it,

0:34:30.320 --> 0:34:33.200
<v Speaker 1>you know it. What do you get out of this pillar?

0:34:33.960 --> 0:34:36.600
<v Speaker 1>I feel a sense of responsibility to to my day

0:34:37.880 --> 0:34:43.520
<v Speaker 1>flying fox. What's the deal I went in? I assure

0:34:43.600 --> 0:34:47.160
<v Speaker 1>you you're up to something. Pillar. Don't take me for

0:34:47.200 --> 0:34:49.759
<v Speaker 1>a fool, and don't ever think you can put one

0:34:49.800 --> 0:34:53.120
<v Speaker 1>over on me. You will never take over this city

0:34:53.200 --> 0:34:58.600
<v Speaker 1>while I'm around. Excuse me, of friend. Enjoy your evening,

0:34:58.880 --> 0:35:01.160
<v Speaker 1>and I hope you enjoy the site of Mrs Fritch

0:35:01.200 --> 0:35:06.000
<v Speaker 1>Fatchum pishing away your gold. You get my cloak as

0:35:06.080 --> 0:35:14.640
<v Speaker 1>you wish. My group of him go on going. I

0:35:14.840 --> 0:35:19.560
<v Speaker 1>thought you carried yourself well this evening, My dear, you

0:35:19.960 --> 0:35:27.160
<v Speaker 1>looked like a sultana. Thank you, m m mother. Mm hmmm,

0:35:31.040 --> 0:35:35.680
<v Speaker 1>it's been a long day. You look tired. Yes, sleep

0:35:35.719 --> 0:35:41.319
<v Speaker 1>with me here tonight. Let's be together. I massage your

0:35:41.360 --> 0:35:45.279
<v Speaker 1>shoulders till you can relax, and if we wake in

0:35:45.320 --> 0:35:52.480
<v Speaker 1>the night, we can talk and muse one another. Wouldn't

0:35:52.480 --> 0:35:55.440
<v Speaker 1>you like that? My dear? I just don't feel like

0:35:55.480 --> 0:35:57.960
<v Speaker 1>it tonight. But we haven't pleasured each other for sudden

0:35:58.160 --> 0:36:05.440
<v Speaker 1>Jesus is just vulgar. Vulgar I vulgar, I said, I

0:36:05.520 --> 0:36:10.000
<v Speaker 1>don't feel like it. Your exertions of this afternoon have

0:36:11.880 --> 0:36:16.080
<v Speaker 1>tired you. What do you mean? I don't know? You

0:36:16.239 --> 0:36:22.400
<v Speaker 1>tell me? Well, after I visited my father's grave, I

0:36:22.520 --> 0:36:27.640
<v Speaker 1>wanted to see the city the port again. The artist's

0:36:27.680 --> 0:36:32.719
<v Speaker 1>assistant Angel I know his name, he offered to keep

0:36:32.760 --> 0:36:36.319
<v Speaker 1>me company. As you said yourself, it's not saying. Why

0:36:36.360 --> 0:36:45.040
<v Speaker 1>are you lying to me about what? Oh, my sweet darling?

0:36:45.160 --> 0:36:47.840
<v Speaker 1>And now you have no idea how this hurts me?

0:36:48.560 --> 0:36:51.000
<v Speaker 1>Do you want to hurt me? No? Then why do

0:36:51.120 --> 0:36:55.920
<v Speaker 1>you lie to me? Do you take me for a fool?

0:36:56.800 --> 0:37:00.120
<v Speaker 1>Some provincial dim wit? You can manipulate as you will. Oh,

0:37:02.480 --> 0:37:06.719
<v Speaker 1>please go before you incriminate yourself any further. Very well,

0:37:14.239 --> 0:37:20.440
<v Speaker 1>how dare you enter my room? Slay that? M h

0:37:21.680 --> 0:37:27.040
<v Speaker 1>it's you. I thought you were a servant. I am

0:37:27.080 --> 0:37:29.160
<v Speaker 1>whoever I wish to be mistress. Why are you here

0:37:30.400 --> 0:37:33.719
<v Speaker 1>to be paid? You need to do your job first, Tequila.

0:37:34.760 --> 0:37:38.840
<v Speaker 1>My group was there tonight and in good health. My friend,

0:37:38.920 --> 0:37:42.680
<v Speaker 1>the banker offended. Pila is getting concerned about it. Indeed,

0:37:43.239 --> 0:37:47.759
<v Speaker 1>the group was in should we say, fine fattle. And

0:37:47.840 --> 0:37:49.480
<v Speaker 1>so he went home and sat with his wife and

0:37:49.560 --> 0:37:51.719
<v Speaker 1>children and told them how he would destroy the house

0:37:51.760 --> 0:37:55.080
<v Speaker 1>of Pillar. And so he was when he went to

0:37:55.200 --> 0:37:58.560
<v Speaker 1>his study to lay his plans with his secretary. And

0:37:58.680 --> 0:38:02.799
<v Speaker 1>so he was m until the moment his heart failed him,

0:38:03.719 --> 0:38:07.920
<v Speaker 1>and he died with his family around him in his

0:38:08.040 --> 0:38:12.759
<v Speaker 1>own safe and secure home. You will no doubt here

0:38:12.800 --> 0:38:18.040
<v Speaker 1>in the morning. How do you know this? That's why

0:38:18.120 --> 0:38:26.640
<v Speaker 1>you employ me? Of course, don't leave the city. I

0:38:26.760 --> 0:38:34.200
<v Speaker 1>have more work for you, the man, I indicated Gregor.

0:38:34.360 --> 0:38:41.480
<v Speaker 1>I'm close to him. Good, stay closer here. Gold is

0:38:41.560 --> 0:38:51.520
<v Speaker 1>that acceptable? Not too vulgar? Mhm? Are these things silks

0:38:52.560 --> 0:38:58.840
<v Speaker 1>and jewels? Gold? Do you think they're vulgar? Aequila? Mhm?

0:39:00.000 --> 0:39:05.200
<v Speaker 1>Things in themselves and nothing. It's just fattened gold, silk, swords,

0:39:06.440 --> 0:39:14.240
<v Speaker 1>power nothing. It all depends on who wields them. Of course,

0:39:18.360 --> 0:39:33.880
<v Speaker 1>it depends on where you think. Oh you've gone. We

0:39:33.960 --> 0:39:37.480
<v Speaker 1>don't get up, Hie often enough, dumpy, I miss it,

0:39:38.400 --> 0:39:41.920
<v Speaker 1>sky ruts for other Me and Matilla used to fly together,

0:39:43.080 --> 0:39:48.040
<v Speaker 1>spidering every record girls could fly. He was wrong. So

0:39:48.880 --> 0:39:50.440
<v Speaker 1>how are we supposed to get all out of there?

0:39:51.719 --> 0:39:56.120
<v Speaker 1>Tell me you've got a plan. Have you noticed? All

0:39:56.200 --> 0:39:59.080
<v Speaker 1>around the yard there's off cuts of timber straw, bags

0:39:59.120 --> 0:40:03.560
<v Speaker 1>of swordust, so it's a building side stuff that will burn,

0:40:04.400 --> 0:40:06.759
<v Speaker 1>create a distraction, a panic. On the night they're going

0:40:06.800 --> 0:40:09.279
<v Speaker 1>to hang them all and we go in and get her,

0:40:10.080 --> 0:40:12.400
<v Speaker 1>and the ballarak and the waters are just going to

0:40:12.480 --> 0:40:15.399
<v Speaker 1>let us do it just like that, don't you see?

0:40:15.800 --> 0:40:17.959
<v Speaker 1>They'll all be looking up at the fires in the sky.

0:40:18.320 --> 0:40:21.120
<v Speaker 1>How can you be so sure? Because it's the religion.

0:40:21.800 --> 0:40:24.520
<v Speaker 1>This is what they are here for, it's why they came,

0:40:24.960 --> 0:40:29.680
<v Speaker 1>it's what they've been waiting for. And because I didn't

0:40:29.760 --> 0:40:32.960
<v Speaker 1>dream of her being hanged. I dreamt of her standing

0:40:33.160 --> 0:40:37.680
<v Speaker 1>in the fountain, standing in the clear blue water, and

0:40:37.760 --> 0:40:45.319
<v Speaker 1>it's washing everything away and she's happy. So you're still

0:40:45.400 --> 0:40:54.279
<v Speaker 1>having them? What the dreams? Yes? Have you dreamt about me? No?

0:40:56.120 --> 0:40:59.680
<v Speaker 1>Not really? What does that mean? Come on? I'll be

0:40:59.800 --> 0:41:01.839
<v Speaker 1>risk my life in this stupid plan of yours too.

0:41:04.160 --> 0:41:08.360
<v Speaker 1>I saw a wheel. I mean, like a huge wooden wheel,

0:41:08.440 --> 0:41:11.719
<v Speaker 1>as tall as a house, just turning and turning and

0:41:12.080 --> 0:41:15.320
<v Speaker 1>picking people up and grinding them down into the pits

0:41:15.480 --> 0:41:21.040
<v Speaker 1>of hell, and the blood ran like water. Thousands and thousands,

0:41:21.840 --> 0:41:25.399
<v Speaker 1>and only a handful were left. Right right, stop. I'm glad.

0:41:25.440 --> 0:41:28.440
<v Speaker 1>I don't have to live in your head anyway. Frog,

0:41:29.080 --> 0:41:30.920
<v Speaker 1>what you said she was going to die at the

0:41:30.960 --> 0:41:33.719
<v Speaker 1>hands of the blind man. You said that before, And

0:41:33.840 --> 0:41:35.839
<v Speaker 1>you have these dreams and you say they come true.

0:41:36.680 --> 0:41:44.839
<v Speaker 1>So why are we even bothering? Because I have to try, Dumpy. Yeah,

0:41:44.840 --> 0:41:49.040
<v Speaker 1>I failed her once and I can't fail again. I

0:41:49.200 --> 0:41:53.439
<v Speaker 1>love her and I have to try. Look, you don't

0:41:53.480 --> 0:41:57.759
<v Speaker 1>need to come the sky red stick together. I don't

0:41:57.800 --> 0:42:02.440
<v Speaker 1>even think of doing it alone. All right, then, I've

0:42:02.520 --> 0:42:05.360
<v Speaker 1>made contact with the warder. He'll make sure that Matilla's

0:42:05.360 --> 0:42:07.560
<v Speaker 1>shackles are loose on the night so she can slip

0:42:07.640 --> 0:42:10.879
<v Speaker 1>them off and we can get her away. How much

0:42:11.920 --> 0:42:16.239
<v Speaker 1>seven gold pieces of the old money, algory, God, where

0:42:16.239 --> 0:42:18.720
<v Speaker 1>are we going to get that? He'll take us forever?

0:42:19.480 --> 0:42:22.319
<v Speaker 1>Your mother? You want me to steal from my mother?

0:42:23.440 --> 0:42:26.680
<v Speaker 1>That's more than she makes in six moons. You're mad, Frog,

0:42:26.719 --> 0:42:29.120
<v Speaker 1>completely mad. You're going to get us in a lot

0:42:29.200 --> 0:42:33.400
<v Speaker 1>of trouble. I have to save her, Dumpy, I have to.

0:42:33.880 --> 0:42:40.520
<v Speaker 1>I what when I was young, I dreamed about my

0:42:40.600 --> 0:42:45.400
<v Speaker 1>dad being that he would die, be here, be killed,

0:42:45.960 --> 0:42:51.160
<v Speaker 1>and I couldn't save him. Dumpy, You're a child, But

0:42:51.320 --> 0:42:55.799
<v Speaker 1>I have to save her. That's what it means, all

0:42:55.880 --> 0:42:59.399
<v Speaker 1>of it, from the beginning. I don't know how or why,

0:42:59.600 --> 0:43:05.600
<v Speaker 1>but it it is. It, it's all. That's the early call.

0:43:07.200 --> 0:43:09.800
<v Speaker 1>We've been up here all night. You better try and

0:43:09.880 --> 0:43:13.520
<v Speaker 1>get some sleep before we go back to work. Come on,

0:43:13.640 --> 0:43:40.600
<v Speaker 1>frock Skyrats forever, Yeah, sky Rats for season four, Episode

0:43:40.640 --> 0:43:44.799
<v Speaker 1>four of Tuman Bay Feels Like Old Times, featuring Asia Heart,

0:43:45.000 --> 0:43:49.120
<v Speaker 1>Rufus Wright, Enzo Chi Lenti, and Kirsty Bushell. Was written

0:43:49.160 --> 0:43:52.439
<v Speaker 1>by Mike Walker, with music by Sasha Putnam and editing

0:43:52.480 --> 0:44:05.440
<v Speaker 1>and sound design by Eloise Whitmore. M h m hmmm two.

0:44:05.520 --> 0:44:09.239
<v Speaker 1>Muanbay is directed by Me, John Scott Dryden, created by

0:44:09.320 --> 0:44:11.960
<v Speaker 1>Me and Mike Walker, and produced by Emma Hern and

0:44:12.080 --> 0:44:15.439
<v Speaker 1>Nadia Khan. For more details, including scripts and a full

0:44:15.520 --> 0:44:18.200
<v Speaker 1>cast list, visit to Munbay dot com.