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Speaker 1: On the Bechdecast, the questions asked if movies have women

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Speaker 1: and them, are all their discussions just boyfriends and husbands

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Speaker 1: or do they have individualism? It's the patriarchy, Zeffen, best

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Speaker 1: start changing it with the Bechdel Cast.

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Speaker 2: Hello, listeners, it's us.

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Speaker 3: Ever heard of us? This is a wild This is

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Speaker 3: a wild episode to introduce, not only because I think

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Speaker 3: it's one of our most if not our most chaotic

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Speaker 3: live episode to date, but it also took place five

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Speaker 3: full months ago, so you're kind of being introduced to

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Speaker 3: past versions of ourselves. Who knows so much just happened?

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Speaker 3: Someonech has taken place since this historic episode.

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Speaker 4: Was recorded, but uh so true.

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Speaker 3: We were waiting for the summer to release it because

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Speaker 3: it just feels like a summary episode. Even though we

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Speaker 3: recorded it in February. You clicked on it, you know

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Speaker 3: what it is. We covered the Hannah Montana movie with

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Speaker 3: Robert Evans in front of a live studio audience, and

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Speaker 3: I threw a knife into the audience by accident.

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Speaker 2: Yes, which we don't really acknowledge, at least verbally as

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Speaker 2: it happened on stage. But here's the thing. We live

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Speaker 2: streamed that show and you can still buy like on

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Speaker 2: demand tickets for it. So if you want to see

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Speaker 2: the moment where Jamie, I think you're just sort of

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Speaker 2: like jokingly like waving around this. It was like a

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Speaker 2: knife in its case, but it also had smaller knives inside.

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Speaker 3: Literally I was like, of course, of course, where I

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Speaker 3: had four or five knives in a single sheath question mark.

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Speaker 3: I'd assumed it was just the one like machete, but no,

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Speaker 3: there were also the machete also had sons. I didn't know.

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Speaker 2: All knife stories are about fathers and arts.

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Speaker 5: And we've been talking about this for years.

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Speaker 3: Yeah, yeah, yeah, so I did throw a knife into

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Speaker 3: the audience. I will say quick update.

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Speaker 4: I don't even think I've.

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Speaker 3: Told you this, Caitlin, that the person who I almost

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Speaker 3: hit with a knife, it fell at their feet. It

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Speaker 3: wasn't like a you know, missed their head or anything

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Speaker 3: like that. But again, this is it's such a.

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Speaker 4: Weird plug for.

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Speaker 3: Buying the live stream to be like, watch, I almost

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Speaker 3: really hurt somebody, but you can see it in the

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Speaker 3: live stream either way. They came to a book promo

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Speaker 3: show I did at the same venue, Curious Comedy Theater

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Speaker 3: in Portland several months later and we had a good

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Speaker 3: laugh about Knifegate, so it's all good. I just wanted

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Speaker 3: to say that at the top. And also just this

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Speaker 3: episode was so I mean, this episode was so fun

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Speaker 3: for a lot of reasons, but mainly because I think

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Speaker 3: it's fun because our show has been on for so

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Speaker 3: long now that we've like teased the fact that we

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Speaker 3: would someday do this episode for probably for three or

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Speaker 3: four years.

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Speaker 6: Many years, yes, many moons, a lot of sunrise, is

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Speaker 6: a lot of sunsets since we've been threatening to do

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Speaker 6: this episode and we did, and it is It was

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Speaker 6: everything I dreamed and a knife attack.

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Speaker 2: Yes, it was such a treat to do. We had

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Speaker 2: so much fun and there was a knife but everyone survived.

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Speaker 2: And also another reason to check out the live stream

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Speaker 2: if you want to do that, either instead of or

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Speaker 2: in addition to listening to the audio only episode boring.

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Speaker 2: But look, we're wearing wigs.

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Speaker 5: Okay, oh I forgot we were wearing We are wearing wigs.

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Speaker 2: Our wigs kept falling off, and that's visual comedy is

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Speaker 2: Robert Evans also wears a wig. You'll see all of

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Speaker 2: the knives that he brought to this stage and doled out.

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Speaker 4: To Sophie's there, Sophie.

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Speaker 3: Sophie came on stage. It was and you can also

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Speaker 3: see an argument between another person who came to the

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Speaker 3: rat Dog Show as well. At some point, I accidentally

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Speaker 3: encouraged Robert and an audience member to get into a

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Speaker 3: fight about chickens or farms.

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Speaker 4: I don't know, eggs.

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Speaker 2: It's specifically the number of eggs that get produced. We

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Speaker 2: cut it out of the episode because it just didn't

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Speaker 2: translate very well to the audio medium. But but you

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Speaker 2: can watch that. It's extremely stressful to There's also a

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Speaker 2: horny looking corn dog apparently or a hot I don't know.

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Speaker 2: There's there's a very phallic hot dog.

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Speaker 7: Oh yeah, that was huge.

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Speaker 5: It was massive.

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Speaker 3: Got this show really it's really taking me back to

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Speaker 3: a simpler time. But it was an altogether menacing night

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Speaker 3: and I loved every.

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Speaker 4: Second of it.

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Speaker 2: Delightful.

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Speaker 3: So take a trip memory lane with us, and let's

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Speaker 3: check out the Hannah Montana movie with of course Robert Evans.

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Speaker 3: You know, I mean, you love him from behind the

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Speaker 3: bastards from it could happen here from all cool Zone

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Speaker 3: media endeavors. And you know, if you're listening to this show,

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Speaker 3: you know who Robert is. We love Robert to death

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Speaker 3: and we have been waiting to I mean, and as

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Speaker 3: you know, it's a rare privilege for men to be

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Speaker 3: on the show.

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Speaker 2: It's true.

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Speaker 3: So he paid us for that. No, I'm kidding, he didn't.

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Speaker 3: We did pay him anyways, and we wanted to plug again.

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Speaker 3: This actually for those trying to do Bechdle cast continuity.

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Speaker 3: This was recorded the same night of our show with

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Speaker 3: Sarah Marshall at Curious Comedy with our Goonies episode, and

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Speaker 3: we were so lucky to partner with Curious Comedy again.

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Speaker 3: So we just wanted to shout out everyone there and yeehaw, bitch,

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Speaker 3: enjoy the episode.

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Speaker 2: Enjoy.

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Speaker 8: Welcome everybody the Curious Comedy Theater. Make some noise for

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Speaker 8: the Bechdel cast. Please keep it going for Jamie and Caitlin.

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Speaker 1: The ptr Zephyn bast start changing.

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Speaker 5: With the cast.

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Speaker 4: Wow, welcome, we've changed.

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Speaker 5: The show is pivoted hard okay, Hi, Oh, you're just

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Speaker 5: gonna be yourself Okay, I guess we hadn't pre planned

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Speaker 5: a bit. Sorry, my han's gonna be slipping and sliding

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Speaker 5: off this very real hair.

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Speaker 2: We we should come up with alter ego names for us. Yes,

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Speaker 2: such as Kate Lanna Montana.

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Speaker 5: No notes, I think it's great. I would like to

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Speaker 5: be Bambi Massachusetts. Oh yes, she's nothing like Hannah Montana

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Speaker 5: and that's what makes her special.

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Speaker 4: She can't sing for ship.

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Speaker 2: Wait what is what is Keanu Reeves's character in Point Break?

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Speaker 2: His last name Johnny Utah. Okay, I'm Johnny.

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Speaker 5: Yes, yes, you're Johnny Utah's long lost sister.

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Speaker 4: That's genuinely a great.

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Speaker 5: That's like a good roller Derby name too. Yeah, that's

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Speaker 5: really powerful. Bamby Massachusetts. Really not much to say about her.

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Speaker 5: She's mostly uh, just you know, a terrible singer and

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Speaker 5: basically incompetent. That's that's my alter ego that I like

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Speaker 5: to slip in and out of love it.

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Speaker 4: Yeah, welcome to the Bechtel cap Thank you for guy.

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Speaker 4: We're so excited you're here. We haven't been.

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Speaker 5: Oh god, oh no, I think this is just gonna

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Speaker 5: keep happening. This is we actually got a really like

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Speaker 5: expensive nice wig for the show, and you can tell

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Speaker 5: by the fact that it isn't working. It's happening apart. Yeah,

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Speaker 5: I'm just gonna really nice wow. Okay, so this is

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Speaker 5: we're just gonna be balding the whole time. That's totally fine.

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Speaker 5: But no, we're so excited to be back in Portland.

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Speaker 5: We haven't been here for three years. Is anyone here

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Speaker 5: the last time we did a show here?

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Speaker 4: Wow, welcome back?

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Speaker 5: Okay? Is anyone here just because they're like a hand

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Speaker 5: of Montana fan? Is anyone here just like to tell

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Speaker 5: me the seven things you hate about me? Yeah, we're okay,

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Speaker 5: we should tell them what.

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Speaker 4: The show is. Yes, yes, this is the Spectal Cast.

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Speaker 2: My name is Calin Derante AKA, my name's Joni Utah.

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Speaker 5: My n is Jamie loftus a pay Bambi Massachusetts. And no,

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Speaker 5: we're thrilled to be back, and we're thrilled to be

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Speaker 5: talking about kind of one of the greatest cinematic achievements of.

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Speaker 4: Our of our era.

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Speaker 5: I think, yes, this is normally this is our podcast

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Speaker 5: where we take an intersectional feminist look at your favorite

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Speaker 5: movies tonight.

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Speaker 4: I'm really not sure what it's going to be.

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Speaker 2: If you're expecting like really thorough, thoughtful discourse, it's come

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Speaker 2: to the right place. Yes, that's what will happen here tonight.

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Speaker 5: When people are talking about like put your thinking caps on,

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Speaker 5: I'm thinking.

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Speaker 2: That, Yeah, it's so intellectual what you're about.

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Speaker 4: And see.

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Speaker 2: Yeah, so in fact, one of us might even have

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Speaker 2: a master's degree. And I would never mention that.

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Speaker 4: Not so jony, you would never. I would never.

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Speaker 2: So yeah, this is our show, The Bechtel Cast, where

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Speaker 2: we analyze movies through and intersectional feminist lens, using the

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Speaker 2: Bechdel Test as a jumping off point. But Bamby Massachusetts

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Speaker 2: is that.

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Speaker 5: Well, it was a media metric invented by a huge

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Speaker 5: fan of Bamby Massachusetts, where Gartana is Alison Bechdel.

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Speaker 4: A lot of versions of the test.

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Speaker 5: Our version of the test requires that to Hannah Montana's

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Speaker 5: with names talk to each other about something other than

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Speaker 5: an identity crisis.

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Speaker 4: And most movies do not pass this test pretty rare.

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Speaker 2: In fact, maybe only one movie does yes, and it's

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Speaker 2: not this one.

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Speaker 4: It's Fight Club. It actually kind of works. Is Anna

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Speaker 4: Montana the same movie as I?

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Speaker 9: Truly?

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Speaker 5: Oh, I've got this in my notes.

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Speaker 4: I just didn't like It's it's a beautiful.

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Speaker 5: It's a gift from like Anna Montana and young people

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Speaker 5: with identity crises. I mean, she was there for us,

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Speaker 5: and her winning was not good it was. It was thrilling. Okay,

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Speaker 5: so I mean, but we have we have a very

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Speaker 5: special guest with us, and I also hello to the

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Speaker 5: live stream.

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Speaker 4: Yes, I guess that's all I have to say there.

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Speaker 5: And in the last one, I accident I forgot that

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Speaker 5: I once again insulted the city of San Francisco.

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Speaker 4: And then I was like, oh wait, anyone can see this,

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Speaker 4: they're watching. Yeah, I will not be allowed within the

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Speaker 4: city limits again.

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Speaker 5: And that's fucking fine. But we have we have an

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Speaker 5: amazing guest who is a huge Hannah Montana fan. We've

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Speaker 5: been and honestly, and I don't mean to like embarrass him,

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Speaker 5: but like he's been at least once a week. It's

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Speaker 5: like thirty texts in a row, Like when can I

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Speaker 5: talk about this subject.

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Speaker 4: I'm so passionate about people.

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Speaker 5: You know, people assume I'm like one kind of person,

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Speaker 5: but really I'm like a number one Hannah stan and

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Speaker 5: I want to talk about it. I'm like, oh, my god, enough,

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Speaker 5: that's his alter ego.

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Speaker 2: Our guest is, oh, a journalist, Oh behind the bastards,

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Speaker 2: but oh I have an eye.

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Speaker 5: And it's like okay, but what but what's what's just

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Speaker 5: beneath their secretly. Yeah, it's a Hannah Montana number one fan.

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Speaker 5: He's a number one fan of Montana. So let's get

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Speaker 5: him out here. Uh he's uh, Boston's number one prop comic.

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Speaker 4: Please give it up.

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Speaker 7: Foreverada, we prefer to be called Hannah mont Fanas.

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Speaker 5: So, first off, thank you for breaking I'm so sorry.

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Speaker 4: Sorry, holy shit.

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Speaker 5: Well I feel very safe, I think right now.

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Speaker 7: Would you like some weapons?

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Speaker 5: Yeah?

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Speaker 7: Yeah, we are in the state of Oregon, which, in

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Speaker 7: it's very enlightened nature allows the open carry of any

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Speaker 7: kind of knife. So I brought a couple.

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Speaker 5: Oh sensing some clenching butthole.

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Speaker 7: In the crown, and in honor of your corn dog,

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Speaker 7: I brought you this let's call.

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Speaker 5: And I just wanted to say. I wanted to shout out,

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Speaker 5: where's the audience member that gave me the corn dog? Hello?

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Speaker 5: What's your name? Thank you Max? Because this corn dog

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Speaker 5: is pornographic that he gave me, absolutely fucking sick. I

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Speaker 5: will be contacting, uh, the authorities that I don't believe

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Speaker 5: in her trust. But this is like, I mean, look

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Speaker 5: at this.

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Speaker 7: They really do look exactly alike when they say.

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Speaker 5: All movies are about fathers and sons this is what

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Speaker 5: they're talking about. Well, I mean, okay, yeah, what is

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Speaker 5: this called.

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Speaker 7: It's called a rungu. It's a war.

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Speaker 4: Club, so it's a it's a whack.

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Speaker 7: Yeah, you're for it's for hitting stuff.

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Speaker 4: It's a whacker, all right.

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Speaker 7: Now, this is extremely dangerous, Caitlin. It can't be closed.

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Speaker 7: We'll just set that down here.

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Speaker 4: Okay, Oh my god.

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Speaker 7: I received that in the mail in an anonymous box

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Speaker 7: of knives from a fan who said his grandfather had

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Speaker 7: sort of lost his mind later in life and just

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Speaker 7: kept ordering knives for the Budca catalog and they couldn't

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Speaker 7: figure out what to do with them, so they sent

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Speaker 7: them to me.

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Speaker 4: Does it.

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Speaker 7: Does? It's very dangerous. Yeah, I'm gonna if there's no

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Speaker 7: way to safely carry or transport it.

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Speaker 4: And yet you did that your bag.

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Speaker 5: Yeah, this is maybe a ridiculous question, but like, what

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Speaker 5: is the desired effect for when you like because there's

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Speaker 5: also like a I'm afraid it's kind of like spring

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Speaker 5: out and it's not spring loaded.

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Speaker 7: It's far too heavy for that.

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Speaker 5: There's a gorgeous angel with huge naturals on this as well,

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Speaker 5: which you can't see because we're afraid to pick it up.

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Speaker 7: But fear is a natural reaction to that knife.

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Speaker 4: If I was using it, what would happen to someone?

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Speaker 7: Well, you would hurt yourself first. I suspect it doesn't.

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Speaker 7: I did use it to trim at one point, but

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Speaker 7: it didn't endwell for me.

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Speaker 4: Okay, okay?

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Speaker 5: And then I believe you have two more weapons with you.

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Speaker 4: Is that correct?

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Speaker 7: I just got one here for someone else.

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Speaker 5: Oh well, actually I feel like we should get another

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Speaker 5: woman on stage.

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Speaker 7: Oh yea better? Feel safe?

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Speaker 5: Can we actually give me around our producer, Sophie Lichterman?

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Speaker 4: Much better?

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Speaker 5: Go way way better.

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Speaker 4: There's a mic right there. All right, it's it's actually

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Speaker 4: Sophie Caliphofi.

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Speaker 5: You're like to be properly introduced next time. Thank you

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Speaker 5: so much.

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Speaker 4: What is this weapon you've got?

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Speaker 5: I don't know.

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Speaker 4: It's very happy that.

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Speaker 5: Notice how he's afraid when I do this?

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Speaker 4: And what would that do? Would it give you a

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Speaker 4: little scrape?

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Speaker 10: Yeah?

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Speaker 4: Okay, I mean can we open her up? Please? Sure?

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Speaker 2: Oh?

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Speaker 5: Okay, my god.

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Speaker 7: Now, Sophie, you want to keep a drink in one

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Speaker 7: hand and just kind of wave that. It feels real good.

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Speaker 4: You never felt happier.

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Speaker 5: I'm also afraid to move my arm.

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Speaker 7: No, it's fairly, it's it's blunt. That's the safest kind

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Speaker 7: of knife.

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Speaker 5: It makes really yea persa. Yeah, I think I got

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Speaker 5: the safest one because I can't be trusted.

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Speaker 4: Yeah, it's kind of yeah, this is it's hefty. Yeah,

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Speaker 4: it's hefty, all right.

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Speaker 5: I don't think.

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Speaker 4: I think I feel pretty good about this.

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Speaker 5: I'm gonna be like, trust you with it, Yeah, I do. Well, Okay,

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Speaker 5: it's just kind of a slick surface. It's kind of

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Speaker 5: a water slide situation up there. I do think this

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Speaker 5: is the first time in Bechdel cast history that we

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Speaker 5: have invited a male guest on and he immediately approached

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Speaker 5: us by explaining things to us and introducing act of

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Speaker 5: violence into the situation.

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Speaker 7: You made me watch the Hanna moon Hand movie.

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Speaker 5: I mean fair okay, which you in keeping with the

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Speaker 5: Laura love I'm okay, I guess I.

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Speaker 4: God, So if you do, you want to like.

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Speaker 7: Just jam it there we go?

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Speaker 4: Would you like to hang hang all right, Marshall, give

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Speaker 4: it over, Sarah Marshall. She was our guest at our

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Speaker 4: first show tonight.

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Speaker 5: Give it up.

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Speaker 4: If you're at the first show tonight. Yes, so exciting.

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Speaker 5: I got I got Minions. I got Minions walkie talkies

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Speaker 5: as a gift after the show, and I was so

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Speaker 5: fucking thrilled. He's gonna go to different rooms in my

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Speaker 5: house and be like below over, Coopie over. I'm really

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Speaker 5: loving the blonde theme here. Yeah, we were gonna bring

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Speaker 5: you a wig, but you have the natural Hannah. Yeah, yeah,

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Speaker 5: it's incredible. So I guess now that we're all here, yes,

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Speaker 5: and now that this brain trust has finally come together,

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Speaker 5: we should do what everyone wants us to do, which

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Speaker 5: is talk about Hannah Montana under dress. And so, Caitlin,

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Speaker 5: what is your history with Hannah Montana, the person, the property,

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Speaker 5: the idea of the movie.

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Speaker 2: Well, you'll never believe this, but I had never seen

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Speaker 2: any of it until maybe three or four days ago.

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Speaker 2: I knew about Thank You so much. I knew about

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Speaker 2: Hannah Montana. I knew that that's how Miley Cyrus got

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Speaker 2: her start, but I didn't watch any of it the end.

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Speaker 5: But now you I have watched it.

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Speaker 4: I love it.

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Speaker 2: And then we've watched several episodes of the show Today

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Speaker 2: again under Duress, most notably Larry David makes a cameo

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Speaker 2: as himself in the show I was really taken aback

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Speaker 2: by that.

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Speaker 4: A season two gem.

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Speaker 5: He shows up in a Curb Your Enthusiasm style thing,

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Speaker 5: he can't get into a restaurant. He's got a baby,

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Speaker 5: Cassie David him who knows why this is happening. But

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Speaker 5: we're thrilled and we're cheering and sometimes we're crying. It's

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Speaker 5: an exciting moment. So yeah, that's that's my history. What

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Speaker 5: about you, Jamie.

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Speaker 4: I love Hannah Montana.

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Speaker 5: I actually I think I was objectively too old for

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Speaker 5: Hannah Montana when it came out, and I was, I mean,

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Speaker 5: with all that like Disney Channel stuff of that era.

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Speaker 4: I was very I was very like bright eyes thirteen

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Speaker 4: year olds. I was like Hannah who And then secretly

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Speaker 4: I was feral.

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Speaker 5: For Hannah Montana. But I had an amazing friend in

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Speaker 5: junior high, in high school and still now. Her name's Lois,

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Speaker 5: and she, like, I think she was like a really

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Speaker 5: important friend to have where when we were not supposed

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Speaker 5: to like things anymore, Lois was just like, no, I

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Speaker 5: like the Jonas brothers, and we're going to their concert today, asshole, right,

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Speaker 5: And then we would go and then so I think

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Speaker 5: I got like this kind of cool like backdoor experience

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Speaker 5: to that era of pop stars with weird hair, and

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Speaker 5: I loved it.

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Speaker 4: I had so much fun.

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Speaker 5: I went to a Hannah Montana concert in junior high

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Speaker 5: and oh you did not, I yeah, yeah I did,

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Speaker 5: and she performed It is great. There's like a certain

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Speaker 5: point in the show where she'll like reveal herself to

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Speaker 5: be who we already know where to be, but we're

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Speaker 5: all just playing along for no reason. And then the

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Speaker 5: Jonas brothers come out and they have a trampoline and

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Speaker 5: You're like, this is all great. This, I'm loving this.

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Speaker 5: So I like watched the first season of the show

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Speaker 5: and then I really and truly was too old to

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Speaker 5: do it, and then I came back for the movie.

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Speaker 4: Sure. Yeah. Part of me is like, should I use

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Speaker 4: one of these knives to cut this tag off? No?

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Speaker 7: No, it's very safe.

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Speaker 4: No, I'm not touching that one.

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Speaker 5: But I think that we came up with the idea

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00:20:43,720 --> 00:20:45,880
Speaker 5: for this episode like five years ago when we were

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Speaker 5: recording and you didn't know who Ariana Grande was. He

385
00:20:49,400 --> 00:20:52,040
Speaker 5: most certainly did not. Yes, yeah, so that I think

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Speaker 5: is where this came from. But now, Robert, what's your

387
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Speaker 5: experience with Hannah Montana. I know it's been a journey.

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Speaker 7: Well, I up until about five days ago, I was

389
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Speaker 7: pretty sure she was Taylor's way, and I'm gonna be honest,

390
00:21:02,720 --> 00:21:04,800
Speaker 7: the fact that Taylor Swift is in the movie did

391
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Speaker 7: not entirely disabuse me of that notion I could. I

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Speaker 7: missed Hannah. So, like, I graduated high school, I think

393
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Speaker 7: a few years before you did, and a few years

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Speaker 7: before Hannah Montana really became a thing, I think, And

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Speaker 7: so it was just kind of one of those when

396
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Speaker 7: I dropped out of pop culture briefly to do a

397
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Speaker 7: lot of drugs, and then I came back and she

398
00:21:24,800 --> 00:21:27,320
Speaker 7: was very, very famous, and I was like, oh, this

399
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Speaker 7: is something I missed.

400
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Speaker 5: And to think you could have been watching Hannah Montana

401
00:21:30,840 --> 00:21:32,800
Speaker 5: on drugs all those years.

402
00:21:32,880 --> 00:21:35,960
Speaker 7: I can't say for certain that I didn't, but it

403
00:21:36,000 --> 00:21:36,920
Speaker 7: does seem unlikely.

404
00:21:38,800 --> 00:21:41,080
Speaker 4: But now you've seen the movie, and what's your general impression.

405
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Speaker 7: I think it was probably the best Hannah Montana movie

406
00:21:44,720 --> 00:21:45,960
Speaker 7: that you were likely to.

407
00:21:45,920 --> 00:21:49,520
Speaker 4: Get very very judicious of you with, with.

408
00:21:49,320 --> 00:21:50,800
Speaker 7: One exception, but we'll get to that.

409
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Speaker 4: Yeah, I see this is Sophie was to your history

410
00:21:55,119 --> 00:21:55,880
Speaker 4: with Anna Montana.

411
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Speaker 10: I definitely watched it when I was a kid, definitely

412
00:21:58,760 --> 00:22:01,000
Speaker 10: thought too many times out bangs.

413
00:22:03,640 --> 00:22:06,560
Speaker 4: Oh no, I'm just waiting. No, I'm listening.

414
00:22:08,359 --> 00:22:10,320
Speaker 10: I'm just gonna make really good eye contact while I

415
00:22:10,320 --> 00:22:12,600
Speaker 10: tell this. Really thought about bangs.

416
00:22:12,920 --> 00:22:14,480
Speaker 5: Uh.

417
00:22:14,680 --> 00:22:17,800
Speaker 10: You know, all the little guest star pieces are great.

418
00:22:18,000 --> 00:22:21,320
Speaker 10: I like that Elvis aka Austin Butler does not sound

419
00:22:21,440 --> 00:22:30,480
Speaker 10: Oh not the first time this has happened between us.

420
00:22:32,080 --> 00:22:34,920
Speaker 7: They're really good corn dogs by the way, whoever got them?

421
00:22:35,200 --> 00:22:38,760
Speaker 10: Yeah, And then you know, followed Miley through her what

422
00:22:39,119 --> 00:22:41,520
Speaker 10: did we say? Her I'm no longer a Disney baby

423
00:22:42,160 --> 00:22:44,280
Speaker 10: song was Oh can't be tamed.

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Speaker 5: But she's like in a cage also as a bird,

425
00:22:50,359 --> 00:22:53,480
Speaker 5: she's I mean, and she's like, we're gonna talk about

426
00:22:53,480 --> 00:22:56,000
Speaker 5: this in pickups later on. But like she's also done

427
00:22:56,040 --> 00:22:59,719
Speaker 5: some serious cultural appropriation over the years, Like she's her

428
00:22:59,760 --> 00:23:00,600
Speaker 5: crime are many.

429
00:23:01,200 --> 00:23:04,480
Speaker 10: She should definitely apologize to Michael Jordan for that one song.

430
00:23:07,040 --> 00:23:09,639
Speaker 10: Thank you to the one person who got that reference.

431
00:23:09,760 --> 00:23:10,560
Speaker 4: Okay, thank you.

432
00:23:12,000 --> 00:23:14,520
Speaker 10: And then just all the times you've forced me to

433
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Speaker 10: watch today for three hours.

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00:23:17,240 --> 00:23:19,960
Speaker 5: Yeah, okay, there was a bit of a hostage crisis

435
00:23:19,960 --> 00:23:22,720
Speaker 5: today when I made people watch Hannah Montana for three

436
00:23:22,760 --> 00:23:25,080
Speaker 5: hours and every time they were not responding. While I'd

437
00:23:25,119 --> 00:23:26,600
Speaker 5: be like, you just don't understand.

438
00:23:28,080 --> 00:23:30,439
Speaker 4: We're getting very defensive. Yes I was.

439
00:23:30,520 --> 00:23:33,359
Speaker 5: I was kind of I felt myself doing what my

440
00:23:33,400 --> 00:23:34,520
Speaker 5: therapist tells me not to do.

441
00:23:35,520 --> 00:23:37,600
Speaker 4: We just get defensive everythings that aren't important.

442
00:23:39,040 --> 00:23:40,879
Speaker 5: But I was like, no, you just need to see

443
00:23:41,119 --> 00:23:44,320
Speaker 5: how in the show, like in the movie, Hannah Montana

444
00:23:44,359 --> 00:23:47,440
Speaker 5: reveals her identity in one way. In the show, Jay

445
00:23:47,520 --> 00:23:50,880
Speaker 5: Leno finds out about her identity and it's a catastrophe,

446
00:23:50,920 --> 00:23:53,320
Speaker 5: it's a whole thing. But we're here to talk about

447
00:23:53,320 --> 00:23:55,200
Speaker 5: the Hannah Montana movie.

448
00:23:55,560 --> 00:23:59,199
Speaker 4: That's right, So should we should we recap it? We

449
00:23:59,280 --> 00:24:02,080
Speaker 4: certainly should. It's Caitlin's famous recap.

450
00:24:02,160 --> 00:24:02,480
Speaker 2: Folks.

451
00:24:02,520 --> 00:24:11,320
Speaker 4: My gosh, it's like it's okay.

452
00:24:11,400 --> 00:24:13,760
Speaker 2: I'm like, I'm almost done with my glass of wine.

453
00:24:13,800 --> 00:24:15,399
Speaker 2: I'm gonna need another one soon.

454
00:24:15,640 --> 00:24:15,840
Speaker 3: I know.

455
00:24:16,119 --> 00:24:19,760
Speaker 2: It's it's scary up here, okay.

456
00:24:20,720 --> 00:24:26,280
Speaker 4: So yeah, people love her.

457
00:24:28,240 --> 00:24:29,720
Speaker 2: So I just want to provide a little bit of

458
00:24:29,760 --> 00:24:32,600
Speaker 2: context before I do the recap for the movie. But Jamie,

459
00:24:32,600 --> 00:24:35,080
Speaker 2: I think I need your help. So I think what

460
00:24:35,119 --> 00:24:38,680
Speaker 2: you need to already know about Hannah Montana as a

461
00:24:38,760 --> 00:24:44,600
Speaker 2: character as an intellectual property, is that Miley Miley Stewart.

462
00:24:44,640 --> 00:24:50,000
Speaker 5: Yes, Miley Stewart, Robbie Ray Stewart unacceptable.

463
00:24:52,400 --> 00:24:56,240
Speaker 2: She is just a regular girl, but her alter ego,

464
00:24:56,280 --> 00:25:00,480
Speaker 2: Hannah Montana, is super famous, and no one knows Hannah's

465
00:25:00,480 --> 00:25:02,680
Speaker 2: true identity. No one knows that Miley.

466
00:25:02,560 --> 00:25:07,280
Speaker 5: Is kept for her trusted circle exactly Dolly Parton knows.

467
00:25:07,720 --> 00:25:13,040
Speaker 2: Dolly Parton knows. In the movie, we realized that her grandmother,

468
00:25:13,200 --> 00:25:14,840
Speaker 2: Margot Martindale knows.

469
00:25:15,240 --> 00:25:18,560
Speaker 5: Martindale is well aware, and she knows the hoe down

470
00:25:18,600 --> 00:25:21,000
Speaker 5: throw down, we find knows it by heart.

471
00:25:21,080 --> 00:25:25,679
Speaker 4: She knows a lot of things that Martin heart. Okay,

472
00:25:25,720 --> 00:25:29,080
Speaker 4: So all she does is put on a blonde wig

473
00:25:29,480 --> 00:25:33,080
Speaker 4: right to become Oh and all we do is talk

474
00:25:33,119 --> 00:25:35,080
Speaker 4: into a microant. No, that's that is what we do.

475
00:25:37,240 --> 00:25:39,800
Speaker 2: Yeah, And the reason she does this, she like is

476
00:25:39,880 --> 00:25:42,480
Speaker 2: leaving the living the secret life. Is she wants to

477
00:25:42,520 --> 00:25:45,760
Speaker 2: have a normal teen life as.

478
00:25:45,520 --> 00:25:48,160
Speaker 4: Someone constantly suffering an identity crisis.

479
00:25:48,520 --> 00:25:52,480
Speaker 2: Yes, okay, so that's what you need to know going in.

480
00:25:52,680 --> 00:25:55,000
Speaker 2: So the movie opens with Miley Stewart, that of course,

481
00:25:55,080 --> 00:25:59,000
Speaker 2: is Miley Cyrus. She's struggling to get into.

482
00:25:58,760 --> 00:25:59,920
Speaker 4: Her own hand.

483
00:26:00,080 --> 00:26:04,280
Speaker 2: The Montana Concert in Los Angeles, Ever, heard of it.

484
00:26:05,560 --> 00:26:09,119
Speaker 4: But that's not gonna work here. People aren't there.

485
00:26:10,880 --> 00:26:14,480
Speaker 2: Shout out to anyone from LA who's watching the live stream.

486
00:26:14,880 --> 00:26:18,240
Speaker 4: Wooms still not playing.

487
00:26:18,400 --> 00:26:21,320
Speaker 5: It's not playing there. Somebody in bed watching this is like.

488
00:26:22,040 --> 00:26:24,439
Speaker 4: Yeah, they're talking about me.

489
00:26:24,800 --> 00:26:26,600
Speaker 5: I think that that's where our shows are best seen

490
00:26:26,720 --> 00:26:29,240
Speaker 5: from someone who's like watching on their phone, like facing

491
00:26:29,280 --> 00:26:33,200
Speaker 5: their head, also eating a corn dog. Yeah, it looks

492
00:26:33,320 --> 00:26:34,000
Speaker 5: just like this.

493
00:26:35,000 --> 00:26:35,320
Speaker 4: Okay.

494
00:26:35,359 --> 00:26:38,800
Speaker 2: So Miley and her best friend Lily played by Emily Osmond.

495
00:26:38,960 --> 00:26:42,520
Speaker 2: They finally get into the show and Miley performs as

496
00:26:42,560 --> 00:26:48,200
Speaker 2: her alter ego Hannah Montana. Her dad Robbie Ray played

497
00:26:48,200 --> 00:26:52,960
Speaker 2: by Billy ray Cyrus. Are you okay?

498
00:26:53,160 --> 00:26:53,480
Speaker 4: Yes?

499
00:26:53,640 --> 00:26:58,480
Speaker 5: Anything to say? I'm so angry you should be excited,

500
00:26:58,520 --> 00:26:58,880
Speaker 5: he asked.

501
00:26:58,920 --> 00:27:02,159
Speaker 4: Kind of the same name as you, Robbie Rays.

502
00:27:04,480 --> 00:27:07,480
Speaker 7: I come here to you, Jane on a Thursday night

503
00:27:07,880 --> 00:27:12,119
Speaker 7: when I could be doing ketamine, and this is how

504
00:27:12,200 --> 00:27:12,800
Speaker 7: you repay me.

505
00:27:15,080 --> 00:27:19,320
Speaker 4: Robbie Ray evans everybody, Wow, one of the great beautiful.

506
00:27:20,119 --> 00:27:23,240
Speaker 4: So he's Hannah Montana's manager, Is that right?

507
00:27:23,600 --> 00:27:25,600
Speaker 5: Yeah? His whole thing is he puts on a fake

508
00:27:25,760 --> 00:27:27,640
Speaker 5: mustache in the show.

509
00:27:28,080 --> 00:27:30,280
Speaker 4: He's like, I'm Hannah Montana's manager.

510
00:27:30,359 --> 00:27:34,320
Speaker 5: Then he puts on a like Jacques Clouseau mustache he

511
00:27:34,359 --> 00:27:37,440
Speaker 5: has and everyone's like, yeah.

512
00:27:36,480 --> 00:27:40,480
Speaker 7: He has a soul patch that has to register with

513
00:27:40,560 --> 00:27:42,520
Speaker 7: everyone in his neighborhood to let them know that he

514
00:27:42,560 --> 00:27:45,280
Speaker 7: can't be within five hundred feet of a school like that.

515
00:27:47,840 --> 00:27:49,960
Speaker 5: I have a question the soul patch is.

516
00:27:50,920 --> 00:27:53,000
Speaker 4: I don't know if it's more canonical to the character

517
00:27:53,080 --> 00:27:59,280
Speaker 4: or the man. I don't know. Okay, okay, okay.

518
00:28:00,160 --> 00:28:03,679
Speaker 2: Vanessa Williams is also there playing a character named Vita,

519
00:28:03,760 --> 00:28:07,280
Speaker 2: which is Hannah Montana's publicist. Yes, right, And then there's

520
00:28:07,280 --> 00:28:10,520
Speaker 2: also this guy named Oswald, which is this like sleazy

521
00:28:10,640 --> 00:28:14,919
Speaker 2: tabloid guy who's trying to get this juicy expose style

522
00:28:15,080 --> 00:28:16,800
Speaker 2: scoop on Hannah Montana.

523
00:28:16,960 --> 00:28:18,680
Speaker 5: That's one of the things I like about the movie

524
00:28:18,720 --> 00:28:21,960
Speaker 5: is for some reason it has like a very correctly

525
00:28:22,040 --> 00:28:28,080
Speaker 5: low opinion of the British tabloids specifically, And I was like, yeah,

526
00:28:28,080 --> 00:28:30,880
Speaker 5: I guess that that tracks. I wonder like why they're

527
00:28:30,880 --> 00:28:33,840
Speaker 5: being singled out. I mean, they're horrible, but who knows

528
00:28:33,880 --> 00:28:35,840
Speaker 5: they've got it in for our Hannah.

529
00:28:36,200 --> 00:28:40,920
Speaker 2: Yes, indeed. So everything is going great in Hannah Montana

530
00:28:41,040 --> 00:28:47,480
Speaker 2: and Miley's life until Miley lets a few Hannah related

531
00:28:47,560 --> 00:28:51,960
Speaker 2: things get in the way, such as a shoe related

532
00:28:52,040 --> 00:28:53,640
Speaker 2: brawl with Tyra Banks.

533
00:28:53,680 --> 00:28:57,920
Speaker 10: Okay, how much do you think would they paid Tyro

534
00:28:58,040 --> 00:28:59,960
Speaker 10: to be in that movie?

535
00:29:00,160 --> 00:29:02,800
Speaker 5: Also had to learn the hoe down throwdown for the record.

536
00:29:03,920 --> 00:29:05,720
Speaker 5: She does it, and she does it in the credits

537
00:29:05,720 --> 00:29:08,440
Speaker 5: for like ten seconds and then bales, which I respect

538
00:29:08,800 --> 00:29:10,360
Speaker 5: because this is what this is what.

539
00:29:10,320 --> 00:29:13,720
Speaker 10: Two thousand and nine nine, So there's that's like peak

540
00:29:13,760 --> 00:29:15,040
Speaker 10: America what it would that?

541
00:29:15,040 --> 00:29:18,800
Speaker 5: That's peaky TV dime. Yeah. Oh, I mean Tyra's a

542
00:29:18,920 --> 00:29:22,760
Speaker 5: huge cameo no matter when all nine. Yeah, I'm like,

543
00:29:23,040 --> 00:29:26,800
Speaker 5: that's she throws Miley Cyrus over a couch. Oh well

544
00:29:26,800 --> 00:29:30,640
Speaker 5: she must have done it for free. Yeah. They get

545
00:29:30,640 --> 00:29:34,400
Speaker 5: into a pretty intense uh you know, and a lot

546
00:29:34,400 --> 00:29:36,440
Speaker 5: of exchanges in that fight.

547
00:29:36,320 --> 00:29:39,120
Speaker 4: Do pass the Bechdel test? That's true? Yeah, and we

548
00:29:39,200 --> 00:29:41,120
Speaker 4: applaud that it is a flawed.

549
00:29:43,520 --> 00:29:49,920
Speaker 2: So, uh, they're fighting over shoes because women be shopping

550
00:29:50,080 --> 00:29:54,600
Speaker 2: for shoes. Yes, And also Miley screws up her best

551
00:29:54,600 --> 00:29:57,560
Speaker 2: friend Lily's birthday party because she shows up as Hannah

552
00:29:57,560 --> 00:30:01,120
Speaker 2: Montana and so all of the sun is taken away

553
00:30:01,520 --> 00:30:06,800
Speaker 2: from Lily. So Miley's dad, Robbie Ray is like, you

554
00:30:07,400 --> 00:30:12,000
Speaker 2: need to simmer down and heady.

555
00:30:12,040 --> 00:30:13,560
Speaker 4: You're acting better than Billy.

556
00:30:15,760 --> 00:30:18,880
Speaker 5: I've never heard a person more actively reading the whole time.

557
00:30:21,400 --> 00:30:24,000
Speaker 7: He's honestly impressive, because I wouldn't have guessed that he could,

558
00:30:24,280 --> 00:30:26,360
Speaker 7: just knowing what I know about Billy Ray.

559
00:30:28,400 --> 00:30:32,240
Speaker 2: So he takes her to her hometown of Crowley Corners, Tennessee,

560
00:30:32,640 --> 00:30:36,640
Speaker 2: to get away from it all and to visit her grandmother,

561
00:30:36,760 --> 00:30:42,360
Speaker 2: Margot Martindale for her birthday character actor Margot Martindale for

562
00:30:42,440 --> 00:30:47,360
Speaker 2: her birthday, because Miley needs to learn to appreciate what matters,

563
00:30:47,440 --> 00:30:50,480
Speaker 2: because her Hannah persona is just becoming too much.

564
00:30:52,440 --> 00:30:55,480
Speaker 5: This is something that always I mean, Robbie Rays Stewart,

565
00:30:56,280 --> 00:31:02,120
Speaker 5: the famous character, He's always like mad at his daughter

566
00:31:02,240 --> 00:31:04,640
Speaker 5: for having a dual identity, as if he weren't into

567
00:31:04,720 --> 00:31:06,760
Speaker 5: girl and creating it in the first place. He's like,

568
00:31:06,960 --> 00:31:11,400
Speaker 5: you're losing touch with yourself. You fourteen, You're almost fucking loser.

569
00:31:11,720 --> 00:31:14,720
Speaker 5: I was like, dude, you had to have signed off

570
00:31:14,760 --> 00:31:17,160
Speaker 5: on this at some point, and I'm pretty sure she

571
00:31:17,240 --> 00:31:18,680
Speaker 5: bought your house, right.

572
00:31:19,960 --> 00:31:22,960
Speaker 4: Why can't you handle this duality that I'm forcing you

573
00:31:23,080 --> 00:31:23,880
Speaker 4: into as a.

574
00:31:23,920 --> 00:31:26,320
Speaker 5: Child with your undeveloped brain.

575
00:31:26,840 --> 00:31:31,600
Speaker 2: Right, Okay, So Miley goes back to her hometown in Tennessee.

576
00:31:31,840 --> 00:31:36,080
Speaker 2: Her grandmother tells Miley about how developers are trying to

577
00:31:36,120 --> 00:31:40,520
Speaker 2: swoop into town to build a huge mall, like do

578
00:31:40,600 --> 00:31:44,400
Speaker 2: all this like urban sprawl stuff. So the time, I

579
00:31:44,480 --> 00:31:46,680
Speaker 2: was gonna, Okay, thank you for saying that, because I

580
00:31:46,920 --> 00:31:50,200
Speaker 2: noticed that both of the shows that we did Live

581
00:31:50,320 --> 00:31:53,560
Speaker 2: Tonight in Portland, The Goonies and Hanna Montana the movie,

582
00:31:53,880 --> 00:31:57,360
Speaker 2: have basically the same premise, which is young person needs

583
00:31:57,400 --> 00:31:59,920
Speaker 2: to do something drastic to save their town that's in

584
00:32:00,120 --> 00:32:02,240
Speaker 2: danger of being ruined by rich people.

585
00:32:02,600 --> 00:32:05,680
Speaker 5: And I and it would be cool if either Data

586
00:32:05,720 --> 00:32:09,680
Speaker 5: from the Goonies became a pop star or Miley Cyrus

587
00:32:09,680 --> 00:32:14,160
Speaker 5: had to go onto a pirate ship in hell, either

588
00:32:14,200 --> 00:32:16,200
Speaker 5: of these movies I would be perfectly happy with.

589
00:32:16,720 --> 00:32:20,000
Speaker 2: Yes. So, the town of Crowley Corners is raising funds

590
00:32:20,080 --> 00:32:22,440
Speaker 2: so that they can pay the taxes on the land

591
00:32:22,720 --> 00:32:28,160
Speaker 2: to keep the developers out. Meanwhile, a couple romances are

592
00:32:28,680 --> 00:32:35,280
Speaker 2: brewing and they all fucking suck. One is between Robbie

593
00:32:35,360 --> 00:32:37,400
Speaker 2: Ray and a local woman, Laura Lai.

594
00:32:38,440 --> 00:32:43,200
Speaker 5: Yeah, Jan Levinson golds so weird.

595
00:32:44,200 --> 00:32:47,840
Speaker 4: I don't approve I know, it's like it does bothered me.

596
00:32:48,240 --> 00:32:50,760
Speaker 5: I mean, I love her, but also it's just like,

597
00:32:51,040 --> 00:32:54,200
Speaker 5: now we're sticking Laura Harding with Robbie Ray.

598
00:32:54,280 --> 00:32:56,520
Speaker 4: It doesn't seem fair. And Robbie Ray is not nice

599
00:32:56,560 --> 00:32:59,440
Speaker 4: to He's always like, I'm busy being a parent, and.

600
00:32:59,320 --> 00:33:02,360
Speaker 5: She's like, oh my god, I just said hello, why

601
00:33:02,960 --> 00:33:05,280
Speaker 5: why did he even get a love interest? Like, bro,

602
00:33:05,440 --> 00:33:07,840
Speaker 5: it's not about you. It's so fucking weird.

603
00:33:09,360 --> 00:33:11,000
Speaker 7: If you think that's weird, what do you hear about

604
00:33:11,000 --> 00:33:12,280
Speaker 7: his real current love interest?

605
00:33:12,480 --> 00:33:14,080
Speaker 5: Oh wow, I know.

606
00:33:15,720 --> 00:33:17,320
Speaker 4: Roberts made a separate presentation.

607
00:33:19,280 --> 00:33:22,000
Speaker 5: Roberts, Oh yeah, all do your show. I got five

608
00:33:22,080 --> 00:33:26,120
Speaker 5: pages of Billy Red. At some point, if it came

609
00:33:26,280 --> 00:33:28,720
Speaker 5: very clear that this was going to be a behind

610
00:33:28,760 --> 00:33:33,920
Speaker 5: the Bastard's about Billy Ray's sire. But I will not

611
00:33:34,120 --> 00:33:36,120
Speaker 5: accept it.

612
00:33:36,280 --> 00:33:39,120
Speaker 4: He printed out notes on the laser jet. I mean,

613
00:33:39,160 --> 00:33:40,040
Speaker 4: it's just a lot.

614
00:33:40,600 --> 00:33:46,520
Speaker 5: That's so menacing, Robert, so menacing. WHOA, I just got

615
00:33:46,520 --> 00:33:50,280
Speaker 5: my blood pressure just rose and can't wait? What is

616
00:33:50,400 --> 00:33:51,520
Speaker 5: handwritten on there?

617
00:33:52,360 --> 00:33:53,160
Speaker 4: Can I read it?

618
00:33:53,560 --> 00:33:53,840
Speaker 7: Please?

619
00:33:53,920 --> 00:33:54,000
Speaker 9: Do?

620
00:33:58,080 --> 00:34:02,080
Speaker 4: It says she is the fruit of a poisoned seed.

621
00:34:08,440 --> 00:34:12,759
Speaker 7: Now that was about a horse and a half worth

622
00:34:12,760 --> 00:34:17,680
Speaker 7: of ketamine into my night of research. Do you want

623
00:34:17,680 --> 00:34:19,040
Speaker 7: to know what else is on the back there?

624
00:34:19,440 --> 00:34:20,400
Speaker 4: Yeah, there's an address.

625
00:34:20,560 --> 00:34:22,160
Speaker 7: Yeah, that's Billy Ray's home address.

626
00:34:28,000 --> 00:34:28,600
Speaker 4: What's wrong?

627
00:34:32,280 --> 00:34:33,319
Speaker 7: It was a long night.

628
00:34:35,600 --> 00:34:39,160
Speaker 5: The group text really was becoming concerning at some point,

629
00:34:42,040 --> 00:34:46,120
Speaker 5: so Robbie raised Dandy Chan Levinson Gules and it fucking sucks.

630
00:34:46,719 --> 00:34:47,640
Speaker 4: Yes, it sucks.

631
00:34:47,719 --> 00:34:51,279
Speaker 2: What also sucks is Miley and the boy that she

632
00:34:51,520 --> 00:34:53,360
Speaker 2: used to know from school, Travis.

633
00:34:54,400 --> 00:34:58,080
Speaker 5: They can we just get a big boo for Travis?

634
00:34:58,360 --> 00:35:02,239
Speaker 4: We Travis? Oh my god?

635
00:35:02,239 --> 00:35:04,680
Speaker 10: Why did he get to go to the movie m

636
00:35:05,200 --> 00:35:08,600
Speaker 10: He seemed like TV series specific. Why did he get

637
00:35:08,600 --> 00:35:09,920
Speaker 10: to bump up to the movie?

638
00:35:10,080 --> 00:35:10,160
Speaker 3: He?

639
00:35:10,480 --> 00:35:12,600
Speaker 5: I know, I don't even think he was on the show.

640
00:35:12,600 --> 00:35:14,480
Speaker 5: I'm pretty sure most of the movie is like not

641
00:35:14,600 --> 00:35:19,480
Speaker 5: even canonical to the show. Shouldn't have been Jake Ryan Jake. Yeah,

642
00:35:19,520 --> 00:35:22,520
Speaker 5: there is a guy named jj which got woo's Travis

643
00:35:22,520 --> 00:35:23,560
Speaker 5: got booze.

644
00:35:23,520 --> 00:35:27,680
Speaker 4: Up said there is I mean there Miley like Miley Stewart.

645
00:35:27,719 --> 00:35:30,319
Speaker 4: I'm so sorry. Miley Stewart had so.

646
00:35:30,320 --> 00:35:32,200
Speaker 5: Many boyfriends in that show and they were all like

647
00:35:32,239 --> 00:35:35,640
Speaker 5: played by a different guy named Cody with the same haircut.

648
00:35:36,400 --> 00:35:38,040
Speaker 5: And then he's always like Miley, I have a big

649
00:35:38,080 --> 00:35:42,239
Speaker 5: crush on you, and she's like, and I was like, yeah,

650
00:35:42,320 --> 00:35:44,000
Speaker 5: let's watch this for five days.

651
00:35:46,120 --> 00:35:46,480
Speaker 4: Okay.

652
00:35:46,560 --> 00:35:51,080
Speaker 2: So Miley and Travis start building a chicken coop together

653
00:35:51,480 --> 00:35:54,920
Speaker 2: and that's kind of the basis of their relationship. The

654
00:35:55,000 --> 00:35:57,720
Speaker 2: point is she's getting back to her country roots.

655
00:35:58,640 --> 00:35:58,759
Speaker 1: Uh.

656
00:35:58,880 --> 00:36:02,560
Speaker 2: She then goes to a fundraiser slash open mic night,

657
00:36:03,760 --> 00:36:09,640
Speaker 2: you know those things, and Miley performs the Hoedown Throwdown.

658
00:36:10,000 --> 00:36:13,719
Speaker 5: Yes, okay, we gotta pop for the Holdown Throwdown. It

659
00:36:13,840 --> 00:36:19,520
Speaker 5: is a classic, generationally shifting musical sequence. You don't have

660
00:36:19,560 --> 00:36:22,279
Speaker 5: to like it, but it's history. You do have to

661
00:36:22,360 --> 00:36:24,239
Speaker 5: do it everyone, Yeah, two.

662
00:36:24,200 --> 00:36:29,359
Speaker 4: Three something something somethings some things. Oh, I wrote down

663
00:36:29,440 --> 00:36:32,600
Speaker 4: all the lyrics. Uh it is pop It, lock It.

664
00:36:32,760 --> 00:36:38,680
Speaker 2: Poka, Dotic country fall, yeah something, put your hawk in

665
00:36:38,800 --> 00:36:39,160
Speaker 2: the sky.

666
00:36:40,400 --> 00:36:42,920
Speaker 4: Yeah, I'm wait, I'm sorry. I smells it better than me.

667
00:36:43,080 --> 00:36:43,839
Speaker 4: Someone had it.

668
00:36:43,880 --> 00:36:45,719
Speaker 5: Wait, would you mind just do it on?

669
00:36:46,480 --> 00:36:47,319
Speaker 4: Do you know it?

670
00:36:47,560 --> 00:36:47,759
Speaker 3: Yeah?

671
00:36:49,120 --> 00:36:49,879
Speaker 4: All right, let's see.

672
00:36:50,320 --> 00:36:54,480
Speaker 5: I don't know. Sorry to be so scary. Sorry, I

673
00:36:54,560 --> 00:36:56,880
Speaker 5: just ate the scariest corn dog of my life.

674
00:36:58,600 --> 00:36:59,839
Speaker 4: Sorry, okay, let's let's okay.

675
00:36:59,840 --> 00:37:04,480
Speaker 9: So it starts with what hop it, lock It polka, dotic, country,

676
00:37:04,480 --> 00:37:13,360
Speaker 9: fight it, hip hop, somebody side side sad, jumped to

677
00:37:13,400 --> 00:37:17,080
Speaker 9: the left, stick it glad, zig zag across the.

678
00:37:17,040 --> 00:37:19,800
Speaker 4: Floor, shuffle and diagonal.

679
00:37:25,480 --> 00:37:28,160
Speaker 5: Okay, so like a kind of a historic thing that

680
00:37:28,360 --> 00:37:29,040
Speaker 5: happened there.

681
00:37:29,280 --> 00:37:29,799
Speaker 4: Thank you?

682
00:37:29,880 --> 00:37:30,839
Speaker 5: So wait, what was your name?

683
00:37:32,280 --> 00:37:35,719
Speaker 4: Give it up for zav everybody that was well, that

684
00:37:35,840 --> 00:37:36,760
Speaker 4: was very special.

685
00:37:37,000 --> 00:37:45,920
Speaker 5: I loved it. Oh it means and I agree with that.

686
00:37:45,920 --> 00:37:47,200
Speaker 4: That is about how young.

687
00:37:47,440 --> 00:37:55,440
Speaker 2: That feels like a song. To misquote Harry Styles. Okay, okay,

688
00:37:55,480 --> 00:37:59,400
Speaker 2: so uh, Miley aspires everyone in town to perform the

689
00:37:59,400 --> 00:38:04,040
Speaker 2: Hodeln throw Down, but mister Capitalism shows up and he's like,

690
00:38:04,120 --> 00:38:06,800
Speaker 2: you'll never raise enough money to stop me from putting

691
00:38:06,800 --> 00:38:12,600
Speaker 2: out my shopping mall. And then Travis Boo suggests that

692
00:38:12,920 --> 00:38:15,840
Speaker 2: Miley invite Hannah Montana to town to put on a

693
00:38:15,920 --> 00:38:19,239
Speaker 2: huge benefit concert because Miley had previously mentioned that she

694
00:38:19,440 --> 00:38:22,719
Speaker 2: knew Hannah, And you're like, Travis, shut the fuck up.

695
00:38:23,000 --> 00:38:26,560
Speaker 2: That's every time Travis speaks my fist clench.

696
00:38:27,800 --> 00:38:29,439
Speaker 4: He thinks he's so fucking.

697
00:38:29,160 --> 00:38:33,720
Speaker 7: Smart, he's gonna make a killing in the egg business.

698
00:38:35,760 --> 00:38:37,160
Speaker 11: Then with the.

699
00:38:37,320 --> 00:38:39,160
Speaker 4: Ugliest chicken coop I've ever seen.

700
00:38:39,800 --> 00:38:42,360
Speaker 5: Sorry, his whole art he's like, I'm building a chicken

701
00:38:42,360 --> 00:38:44,759
Speaker 5: coop and then at the end, Miley Cyrus makes it

702
00:38:44,840 --> 00:38:47,959
Speaker 5: uglier than it's ever been and he's like, I better

703
00:38:48,080 --> 00:38:51,840
Speaker 5: date her. It's like uh, and then Travis, for the record,

704
00:38:52,080 --> 00:38:55,080
Speaker 5: never heard from again. She has a totally different boyfriend

705
00:38:55,080 --> 00:38:58,040
Speaker 5: on the show. She's dating a guitarist named Jesse, who

706
00:38:58,120 --> 00:39:01,799
Speaker 5: keeps forgetting like his whole Jesse's whole thing I made

707
00:39:02,120 --> 00:39:04,160
Speaker 5: Caitlyn and Sophie watched the episodes today.

708
00:39:04,800 --> 00:39:08,440
Speaker 4: Jesse his his brain cells, they're not so good.

709
00:39:08,719 --> 00:39:11,719
Speaker 5: And so her whole thing is like, just don't kiss

710
00:39:11,760 --> 00:39:14,239
Speaker 5: me when I'm Hannah Montana and he's like, okay, got it.

711
00:39:14,560 --> 00:39:18,000
Speaker 5: That night on jay Leno, he kisses her as Hannah

712
00:39:18,040 --> 00:39:22,239
Speaker 5: Montana and jay Leno gets the scoop. It's thrilling. Why

713
00:39:22,360 --> 00:39:27,160
Speaker 5: is jay Leno on the show? Why is you didn't

714
00:39:27,440 --> 00:39:28,920
Speaker 5: want Travis on the show?

715
00:39:30,040 --> 00:39:30,800
Speaker 4: No, I mean we didn't.

716
00:39:30,840 --> 00:39:33,120
Speaker 5: I wasn't asking. I didn't want more Travis, but he's

717
00:39:33,120 --> 00:39:36,720
Speaker 5: just a pretty diabolical character. We didn't really want Jesse either, No,

718
00:39:38,040 --> 00:39:39,160
Speaker 5: we didn't really want the show.

719
00:39:41,840 --> 00:39:42,800
Speaker 4: I liked the show.

720
00:39:44,239 --> 00:39:47,919
Speaker 2: Okay, So so Travis is like, invite Hannah Montana to town.

721
00:39:48,239 --> 00:39:52,400
Speaker 2: So now Miley has to pretend to bring Hannah to town.

722
00:39:52,560 --> 00:39:55,600
Speaker 2: Her friend Lily shows up to help. Hannah is then

723
00:39:55,640 --> 00:39:59,719
Speaker 2: invited to a dinner with the mayor, but oh no,

724
00:40:00,040 --> 00:40:02,120
Speaker 2: it's at the same time as the date that she

725
00:40:02,320 --> 00:40:07,320
Speaker 2: has with Travis. Okay, hijik's alert missus doubtfire scene alert,

726
00:40:07,800 --> 00:40:10,560
Speaker 2: and so Miley has to like go back and forth

727
00:40:10,600 --> 00:40:14,960
Speaker 2: between the two events, putting on her Hannah Wig, taking

728
00:40:15,080 --> 00:40:19,879
Speaker 2: off her Hannah Wig. It's it's a really good storytelling.

729
00:40:20,000 --> 00:40:21,880
Speaker 5: And then Robert, you had, you had.

730
00:40:21,719 --> 00:40:24,960
Speaker 7: A pretty Travis is waiting for his date, and he

731
00:40:25,040 --> 00:40:28,719
Speaker 7: keeps getting angrier and angrier as someone who was once

732
00:40:28,760 --> 00:40:30,799
Speaker 7: a seventeen year old boy. If I had been on

733
00:40:30,840 --> 00:40:33,120
Speaker 7: a date with a girl and she had not shown

734
00:40:33,200 --> 00:40:35,399
Speaker 7: up and then come back and apologize, the last thing

735
00:40:35,440 --> 00:40:39,600
Speaker 7: I would have done is get angry.

736
00:40:40,600 --> 00:40:43,480
Speaker 4: But he's furious. He's quick to anger every single time,

737
00:40:43,520 --> 00:40:44,640
Speaker 4: and you're like, we gotta get.

738
00:40:45,000 --> 00:40:47,040
Speaker 7: He puts his fist through some dry wall. After that,

739
00:40:47,120 --> 00:40:48,719
Speaker 7: we just don't see that scene.

740
00:40:49,800 --> 00:40:51,919
Speaker 5: That's why it's taking so long to build his damn

741
00:40:52,000 --> 00:40:55,040
Speaker 5: chicken coob, punching holes in it.

742
00:40:56,960 --> 00:41:00,040
Speaker 2: And then he figures out that Miley is Montana, and

743
00:41:00,080 --> 00:41:03,920
Speaker 2: he's really upset because she lied to him, and is it?

744
00:41:03,960 --> 00:41:04,640
Speaker 4: What did I say?

745
00:41:04,800 --> 00:41:14,799
Speaker 5: I love, here's the thing. You weren't wrong, but you

746
00:41:14,920 --> 00:41:16,080
Speaker 5: definitely were right.

747
00:41:17,840 --> 00:41:19,080
Speaker 4: It's okay, okay.

748
00:41:19,239 --> 00:41:25,160
Speaker 2: So Miley is upset that Travis dumped her for reasons

749
00:41:25,360 --> 00:41:28,960
Speaker 2: that we know about, and she and her dad have

750
00:41:29,000 --> 00:41:31,880
Speaker 2: a heart to heart. They sing a song together. I

751
00:41:31,920 --> 00:41:38,360
Speaker 2: guess it's moving, and then it's time for the big concert.

752
00:41:38,760 --> 00:41:40,560
Speaker 4: I love when it's time for the big concert.

753
00:41:40,920 --> 00:41:45,520
Speaker 2: It's like, wow, is the third act happening. She starts performing,

754
00:41:45,840 --> 00:41:48,480
Speaker 2: but then she stops and she's like, I can't do this.

755
00:41:48,600 --> 00:41:51,879
Speaker 2: I can't lie to you. This is my hometown. You're

756
00:41:52,120 --> 00:41:56,520
Speaker 2: you know, you're my people, and I'm Miley Cyrus is Stuart,

757
00:41:58,320 --> 00:42:01,600
Speaker 2: not Hannah Montana. So she takes off her wig and

758
00:42:01,600 --> 00:42:05,480
Speaker 2: then she performs a song as Miley, and it seems

759
00:42:05,520 --> 00:42:08,360
Speaker 2: like she's gonna quit being Hannah Montana.

760
00:42:08,480 --> 00:42:10,200
Speaker 5: Which this is a while because it seems like she

761
00:42:10,880 --> 00:42:13,120
Speaker 5: i whatever she wants. It seems like she wants to

762
00:42:13,200 --> 00:42:16,040
Speaker 5: quit being Hannah Montana at this point, which is like A,

763
00:42:16,600 --> 00:42:19,120
Speaker 5: I mean whatever, there's plenty of reasons, right, and I'm

764
00:42:19,160 --> 00:42:23,719
Speaker 5: overthinking this. There's like I can see how wanting to

765
00:42:23,760 --> 00:42:25,480
Speaker 5: be rid of your alter egod, that's good, But it

766
00:42:25,480 --> 00:42:28,160
Speaker 5: seems like she's like, so I can date Travis, and

767
00:42:28,200 --> 00:42:32,440
Speaker 5: you're like, oh, like, throwing away your career for Travis

768
00:42:32,480 --> 00:42:33,160
Speaker 5: wouldn't be me.

769
00:42:33,680 --> 00:42:35,880
Speaker 7: I mean, but the way egg prices have gone lately,

770
00:42:35,960 --> 00:42:37,279
Speaker 7: that might still work out for it.

771
00:42:38,640 --> 00:42:41,919
Speaker 4: I was really that that was not your egg joke.

772
00:42:42,480 --> 00:42:44,200
Speaker 7: I do have a lot of problems with the way

773
00:42:44,200 --> 00:42:44,960
Speaker 7: eggs are depicted.

774
00:42:44,960 --> 00:42:48,080
Speaker 4: Okay, well then yeah, please please, that's what our show is.

775
00:42:48,360 --> 00:42:50,680
Speaker 7: You see a chicken coop that has easily thirty to

776
00:42:50,680 --> 00:42:55,000
Speaker 7: forty chickens. Okay, yeah, Now we see Miley put maybe

777
00:42:55,120 --> 00:42:57,920
Speaker 7: four or five eggs in her pockets right before she

778
00:42:58,000 --> 00:43:00,839
Speaker 7: falls and breaks them, and then she only finds one more. Now,

779
00:43:01,120 --> 00:43:04,320
Speaker 7: based on what the outside looks like and based on

780
00:43:04,360 --> 00:43:06,440
Speaker 7: the way people are dressed, it's clearly shot sometime in

781
00:43:06,480 --> 00:43:09,640
Speaker 7: spring or early summer, given the weather in Tennessee, that

782
00:43:09,800 --> 00:43:13,160
Speaker 7: is prime egg making hours. With that many chickens, they're

783
00:43:13,200 --> 00:43:16,040
Speaker 7: putting out sixty to eighty eggs a day. I guarantee

784
00:43:16,080 --> 00:43:20,200
Speaker 7: you each where are the other eggs? Miley?

785
00:43:22,600 --> 00:43:26,400
Speaker 5: This sounds like the worst social media campaign of all time.

786
00:43:27,840 --> 00:43:30,640
Speaker 5: Hashtag where are the other eggs?

787
00:43:31,840 --> 00:43:35,400
Speaker 2: Here's my question. When collecting eggs, is it standard to

788
00:43:35,440 --> 00:43:36,680
Speaker 2: put them in your pocket?

789
00:43:37,120 --> 00:43:41,520
Speaker 7: No, that's a terrible place for me egg Either way,

790
00:43:41,640 --> 00:43:44,399
Speaker 7: there's something suspicious about the egg count that we see

791
00:43:44,400 --> 00:43:44,879
Speaker 7: in this film.

792
00:43:44,960 --> 00:43:46,520
Speaker 4: I think we can all agree that there's.

793
00:43:47,719 --> 00:43:50,480
Speaker 7: So upset I'm livid.

794
00:43:50,480 --> 00:43:51,719
Speaker 4: Yes, and we cannot what.

795
00:43:51,800 --> 00:43:54,520
Speaker 5: Something we can all agree on is that she is

796
00:43:54,600 --> 00:43:59,840
Speaker 5: the fruit of a poisoned seed. I don't believe you

797
00:44:00,320 --> 00:44:04,200
Speaker 5: that not sober. I think that was sober thoughts. No,

798
00:44:04,239 --> 00:44:11,279
Speaker 5: but look, wow two four zero, No, No, it's okay.

799
00:44:11,320 --> 00:44:12,960
Speaker 7: I didn't put the zip code on, so there's no

800
00:44:13,000 --> 00:44:13,759
Speaker 7: way they find it.

801
00:44:13,880 --> 00:44:17,000
Speaker 4: Oh my god, Caylen has the movie end.

802
00:44:18,840 --> 00:44:21,360
Speaker 2: I'd be happy to say, Okay, it's time for the

803
00:44:21,400 --> 00:44:23,800
Speaker 2: big concert. We're in act three. She starts to perform.

804
00:44:23,840 --> 00:44:25,719
Speaker 2: Oh yeah, She's like, I can't do this. She takes

805
00:44:25,719 --> 00:44:29,040
Speaker 2: off her wig. She might quit being Hannah Montana. But

806
00:44:29,080 --> 00:44:32,719
Speaker 2: then everyone's like, you could still be Hannah Montana and

807
00:44:32,719 --> 00:44:35,840
Speaker 2: she's like, oh yeah.

808
00:44:36,360 --> 00:44:38,480
Speaker 5: They do the thing that they do Toby Maguire and

809
00:44:38,520 --> 00:44:41,799
Speaker 5: Spider Man two where he reveals his identity and they're like,

810
00:44:42,160 --> 00:44:44,960
Speaker 5: we'll keep it to ourselves. Oh yeah, but in a

811
00:44:44,960 --> 00:44:47,840
Speaker 5: way it like forces her to be Hannah Montana forever

812
00:44:47,920 --> 00:44:50,239
Speaker 5: because she's like, I'm ready to be myself and they're like, no,

813
00:44:50,400 --> 00:44:50,919
Speaker 5: thank you.

814
00:44:52,680 --> 00:44:56,080
Speaker 4: Just kind of like a nightmare.

815
00:44:54,960 --> 00:44:59,279
Speaker 2: Right, But that sleazy tabloid guy from the beginning is

816
00:44:59,280 --> 00:45:02,279
Speaker 2: about to blow her cover, but then he's like, oh wait,

817
00:45:02,480 --> 00:45:06,960
Speaker 2: my daughter's told me not to, so then he doesn't,

818
00:45:07,200 --> 00:45:12,360
Speaker 2: and then Miley and Travis kiss and the movie oh yeah,

819
00:45:12,400 --> 00:45:15,400
Speaker 2: we don't like that, and then the movie ends with

820
00:45:15,480 --> 00:45:20,200
Speaker 2: her performing another song as Hannah. So I guess, no

821
00:45:20,360 --> 00:45:22,680
Speaker 2: lessons we're learning. What's the takeaway?

822
00:45:23,880 --> 00:45:31,280
Speaker 5: The takeaway is something, yeah, be yourself to a point,

823
00:45:32,239 --> 00:45:34,080
Speaker 5: which I think is the message of a lot of

824
00:45:34,239 --> 00:45:36,680
Speaker 5: two thousands children's media.

825
00:45:37,120 --> 00:45:37,640
Speaker 4: Be yourself.

826
00:45:37,640 --> 00:45:39,560
Speaker 10: But the message is if you have a good wig,

827
00:45:39,600 --> 00:45:42,160
Speaker 10: you can do almost anything. I know, what if you

828
00:45:42,200 --> 00:45:43,479
Speaker 10: have Hannah Montana's wig.

829
00:45:44,320 --> 00:45:48,440
Speaker 7: Like I said, I have a practical Hannah Montana related

830
00:45:48,520 --> 00:45:50,960
Speaker 7: question from the very beginning of the movie. Yes, the

831
00:45:51,040 --> 00:45:53,239
Speaker 7: song we see here play at that stadium in Los

832
00:45:53,239 --> 00:45:55,040
Speaker 7: Angeles is called best of Both Worlds.

833
00:45:55,280 --> 00:45:57,960
Speaker 5: That's the theme song to the telegay because it's obviously

834
00:45:58,200 --> 00:46:00,680
Speaker 5: so you're back right now, because people are actually.

835
00:46:00,360 --> 00:46:02,520
Speaker 7: It's nothing against the song, but it's clearly a song

836
00:46:02,680 --> 00:46:05,480
Speaker 7: about being Hannah Montana and having a thin red alter ego.

837
00:46:06,440 --> 00:46:07,719
Speaker 7: How is that a mystery thing?

838
00:46:08,520 --> 00:46:15,040
Speaker 5: It's an open secret. There's something I loved about a chance.

839
00:46:15,080 --> 00:46:17,240
Speaker 5: So that's like the theme song to the TV show.

840
00:46:17,640 --> 00:46:21,200
Speaker 5: They make one small change between the TV show and

841
00:46:21,239 --> 00:46:24,240
Speaker 5: the movie version of that song. In the TV show,

842
00:46:24,840 --> 00:46:26,960
Speaker 5: there's like a line that goes like, you go to

843
00:46:27,120 --> 00:46:30,680
Speaker 5: movie premiers and then she says, is that Orlando Bloom?

844
00:46:31,239 --> 00:46:33,799
Speaker 4: And oh that happens in two thousand and six.

845
00:46:33,880 --> 00:46:37,920
Speaker 5: By two thousand and nine, that line is removed because

846
00:46:38,040 --> 00:46:42,000
Speaker 5: Orlando Bloom is no longer a famous person and you

847
00:46:42,040 --> 00:46:43,920
Speaker 5: would no longer be excited to see him at a

848
00:46:43,960 --> 00:46:44,759
Speaker 5: movie premiere.

849
00:46:44,880 --> 00:46:45,200
Speaker 2: Yeah.

850
00:46:45,239 --> 00:46:48,080
Speaker 5: True, that song is a classic. I mean, yeah, she is.

851
00:46:48,120 --> 00:46:51,000
Speaker 5: She is, but you would be surprised at how flagrantly

852
00:46:51,120 --> 00:46:53,600
Speaker 5: she is very obviously not Hannah Montana.

853
00:46:53,600 --> 00:46:55,200
Speaker 4: In the show, it's almost every episode.

854
00:47:03,000 --> 00:47:05,360
Speaker 5: Do you have any other like basic questions about Hannah

855
00:47:05,360 --> 00:47:06,920
Speaker 5: Montana that we can we can help you out with?

856
00:47:08,440 --> 00:47:10,120
Speaker 7: Not no, not that that was about it.

857
00:47:10,120 --> 00:47:12,279
Speaker 4: That was a more meaning than I intended to be.

858
00:47:12,880 --> 00:47:15,120
Speaker 7: I mean, it is kind of it. It is kind

859
00:47:15,120 --> 00:47:16,960
Speaker 7: of shitty of her to like when she shows up

860
00:47:16,960 --> 00:47:19,200
Speaker 7: at her friend's party immediately get up on stage and

861
00:47:19,239 --> 00:47:21,760
Speaker 7: play a concert if she knows her friend is pissed

862
00:47:21,760 --> 00:47:22,040
Speaker 7: at her.

863
00:47:22,960 --> 00:47:24,880
Speaker 4: M hmm, no one knew that concert.

864
00:47:26,520 --> 00:47:29,880
Speaker 5: That's true. Yeah, that is true, because there's like moments

865
00:47:30,280 --> 00:47:33,200
Speaker 5: where with like people in her life seemed constantly frustrated

866
00:47:33,400 --> 00:47:35,440
Speaker 5: that she has this alter ego when it's so inherent

867
00:47:35,480 --> 00:47:35,960
Speaker 5: to who she is.

868
00:47:35,960 --> 00:47:37,560
Speaker 4: It's like, well, then don't hang out with her if

869
00:47:37,600 --> 00:47:40,120
Speaker 4: you don't like that, But no one was forcing her.

870
00:47:40,160 --> 00:47:43,279
Speaker 4: She literally is like shrugging at Lily.

871
00:47:43,040 --> 00:47:44,960
Speaker 5: She's like, I'm sorry I had to put on a

872
00:47:45,000 --> 00:47:47,320
Speaker 5: concert no one asked for with my new.

873
00:47:47,440 --> 00:47:50,960
Speaker 10: And song to be fair in the pilot that you

874
00:47:51,040 --> 00:47:54,800
Speaker 10: made me watch at knife Point today, Yeah, and I

875
00:47:55,000 --> 00:47:55,720
Speaker 10: was like, can.

876
00:47:55,560 --> 00:47:56,440
Speaker 5: I tell everyone?

877
00:47:56,840 --> 00:47:59,360
Speaker 10: I'm gonna tell them your Hannah And then she was like,

878
00:47:59,440 --> 00:48:02,160
Speaker 10: don't do that, and she was like why so confusing

879
00:48:02,160 --> 00:48:02,840
Speaker 10: mixed signals.

880
00:48:03,320 --> 00:48:04,120
Speaker 5: Yeah.

881
00:48:04,160 --> 00:48:08,040
Speaker 7: Also, I feel like taking the private jet out there

882
00:48:08,239 --> 00:48:11,120
Speaker 7: was a significant fraction, yes, of the money that the

883
00:48:11,120 --> 00:48:13,080
Speaker 7: town needed to raise in order to buy the land

884
00:48:13,080 --> 00:48:14,520
Speaker 7: from that cellphone.

885
00:48:15,640 --> 00:48:17,520
Speaker 5: Look and then take.

886
00:48:17,320 --> 00:48:19,760
Speaker 7: The third of the door take home from that concert.

887
00:48:19,840 --> 00:48:22,560
Speaker 5: She just did and you know that that's also how

888
00:48:22,600 --> 00:48:27,360
Speaker 5: Taylor Swift got there. Taylor Swift. Okay, Taylor Swift is

889
00:48:27,400 --> 00:48:30,200
Speaker 5: in the movies as is. We did have any we

890
00:48:30,560 --> 00:48:33,120
Speaker 5: have managed to not mention that Rascal Flats is at

891
00:48:33,160 --> 00:48:34,479
Speaker 5: Margot Martindale's out.

892
00:48:35,080 --> 00:48:38,200
Speaker 4: I didn't even know. Oh, I would know those gates anywhere,

893
00:48:38,239 --> 00:48:39,480
Speaker 4: baby would.

894
00:48:40,280 --> 00:48:40,440
Speaker 3: Oh.

895
00:48:40,480 --> 00:48:42,280
Speaker 5: It's like you've never seen cars.

896
00:48:42,400 --> 00:48:43,359
Speaker 4: It's ridiculous.

897
00:48:45,120 --> 00:48:47,800
Speaker 5: I can't the lack of media literacy on this stage

898
00:48:47,880 --> 00:48:51,880
Speaker 5: right now, it's shocking. Rascal Flats is at the house

899
00:48:51,960 --> 00:48:55,560
Speaker 5: with Robbie Ray and Margot Martindale and they're singing some

900
00:48:55,640 --> 00:48:57,880
Speaker 5: piece of shit song because that's what they do. I

901
00:48:58,120 --> 00:49:01,640
Speaker 5: liked it. I liked it. Yeah, yeah, I said, I'm sorry,

902
00:49:01,640 --> 00:49:06,040
Speaker 5: I met piece of shit like uh not Pejorida.

903
00:49:10,040 --> 00:49:13,239
Speaker 2: Okay, wait, Taylor Swift is at the open Mic night thing,

904
00:49:13,440 --> 00:49:17,439
Speaker 2: right Yeah, that's the end of it.

905
00:49:17,320 --> 00:49:18,680
Speaker 4: And they play but I love it.

906
00:49:18,719 --> 00:49:21,760
Speaker 5: So during the Taylor Swift song, they're they're cutting around

907
00:49:21,760 --> 00:49:23,880
Speaker 5: to like a bunch of different conflicts, but most of this,

908
00:49:24,040 --> 00:49:25,239
Speaker 5: like sweet Taylor.

909
00:49:25,000 --> 00:49:26,960
Speaker 4: Swift song about teenagers and love.

910
00:49:27,120 --> 00:49:30,839
Speaker 5: Takes place while Robbie Ray Stewart is talking to Jan

911
00:49:30,920 --> 00:49:33,440
Speaker 5: Levinson Gould about how he's a bad.

912
00:49:33,239 --> 00:49:37,080
Speaker 4: Boyfriend, which I thought was a good use of Taylor Swift.

913
00:49:37,080 --> 00:49:37,840
Speaker 5: I thought it worked.

914
00:49:39,800 --> 00:49:44,200
Speaker 4: Robert, I am very what's going on? What's going on

915
00:49:44,239 --> 00:49:48,280
Speaker 4: in Want? I know I can see you shaking, ready

916
00:49:48,320 --> 00:49:51,759
Speaker 4: to read the next? Yeah? Okay, so so is this

917
00:49:51,800 --> 00:49:53,080
Speaker 4: a behind the Bastard's episode?

918
00:49:53,120 --> 00:49:53,239
Speaker 10: Now?

919
00:49:53,239 --> 00:49:53,799
Speaker 4: What's going on?

920
00:49:54,000 --> 00:49:55,680
Speaker 7: I mean, I just have a little bit to say

921
00:49:55,719 --> 00:49:56,840
Speaker 7: about Billy Ray Cyris.

922
00:49:56,960 --> 00:49:57,480
Speaker 5: I have to say.

923
00:49:57,480 --> 00:49:59,120
Speaker 4: The font is not very big.

924
00:50:00,760 --> 00:50:02,640
Speaker 7: Most of these are most of these are just notes,

925
00:50:02,880 --> 00:50:05,040
Speaker 7: but a right, well yeah, no, no, please please let me

926
00:50:05,120 --> 00:50:06,440
Speaker 7: make sure people can see the address.

927
00:50:06,480 --> 00:50:09,800
Speaker 5: So we're talking about Billy Ray Cyrus, not Robbie Ray Stewart.

928
00:50:09,800 --> 00:50:10,520
Speaker 5: Is that correct?

929
00:50:11,239 --> 00:50:13,879
Speaker 7: Yes? Okay, yeah, because no one has ever been named

930
00:50:14,000 --> 00:50:17,759
Speaker 7: Robbie Raised, it's not that much.

931
00:50:17,960 --> 00:50:18,040
Speaker 8: So.

932
00:50:19,320 --> 00:50:26,040
Speaker 7: Billy Ray was born August twenty fifth, nineteen sixty one. Now,

933
00:50:26,480 --> 00:50:29,880
Speaker 7: he was born in Flatwoods, Kentucky to Ron Cyrus, a

934
00:50:29,920 --> 00:50:32,960
Speaker 7: steel worker who became a politician, Which is the first

935
00:50:33,040 --> 00:50:35,920
Speaker 7: time that his actual background conflicts with the movie, because

936
00:50:35,920 --> 00:50:38,080
Speaker 7: the movie clearly shows him growing up as a down

937
00:50:38,120 --> 00:50:40,440
Speaker 7: home farm boy and his dad was like a union

938
00:50:40,480 --> 00:50:44,240
Speaker 7: man who became a political leader in the state. So wow, yeah,

939
00:50:44,280 --> 00:50:47,279
Speaker 7: that's suspicious, right, uh huh.

940
00:50:46,880 --> 00:50:49,279
Speaker 4: So already a manufactured like every man.

941
00:50:49,320 --> 00:50:52,000
Speaker 7: And also his grandpa was a Pentecostal preacher, which is

942
00:50:52,040 --> 00:50:56,520
Speaker 7: problematic now he dropped out of Georgetown. He also he

943
00:50:56,520 --> 00:51:02,160
Speaker 7: went to Georgetown. Fun, I know, right right, Georgetown. I know, yeah,

944
00:51:02,440 --> 00:51:04,839
Speaker 7: very down home and country Billy old was.

945
00:51:04,800 --> 00:51:06,799
Speaker 5: He when Achy Breaky Heart came out.

946
00:51:06,840 --> 00:51:10,520
Speaker 7: We're getting to Achy Breaky Heart like.

947
00:51:10,440 --> 00:51:13,160
Speaker 5: This like ties into like Taylor Swift is in this

948
00:51:13,280 --> 00:51:16,400
Speaker 5: like country movie while she's from Pennsylvania.

949
00:51:16,520 --> 00:51:19,560
Speaker 4: Oh yeah, she's like howdy y'all. Like I was, like,

950
00:51:19,560 --> 00:51:21,279
Speaker 4: all right, punks a tony Phil Chill aust.

951
00:51:21,440 --> 00:51:23,400
Speaker 7: It's a lot of appropriation.

952
00:51:22,840 --> 00:51:28,280
Speaker 5: Going on day everybody where grownhog days.

953
00:51:28,800 --> 00:51:29,239
Speaker 3: I don't know.

954
00:51:32,120 --> 00:51:34,800
Speaker 7: So this is a fun fact. He dropped out of

955
00:51:34,840 --> 00:51:37,239
Speaker 7: Georgetown in his junior year because he went to a

956
00:51:37,280 --> 00:51:40,360
Speaker 7: Neil Diamond concert and decided he wanted to become a musician.

957
00:51:42,000 --> 00:51:46,200
Speaker 5: Men can do anything. Wow, so inspiring.

958
00:51:47,239 --> 00:51:49,879
Speaker 7: This brings us to the only notable fact about Billy

959
00:51:49,960 --> 00:51:53,880
Speaker 7: Ray's musical career. The song Achy Breaky Heart. Okay, it

960
00:51:53,920 --> 00:51:58,920
Speaker 7: was written by an amateur songwriter, don Van Trust no, no, no,

961
00:51:59,160 --> 00:52:02,080
Speaker 7: Billy Ray could ever have crafted the intricate lyrics of

962
00:52:02,120 --> 00:52:07,400
Speaker 7: Achy Breaky Heart, and it was originally recorded by a

963
00:52:08,080 --> 00:52:12,360
Speaker 7: band called the Marcie Brothers, but their version changed lyrics

964
00:52:12,360 --> 00:52:14,919
Speaker 7: to be less bad. So when Billy got the song,

965
00:52:14,960 --> 00:52:17,200
Speaker 7: he was like, no, no, no, let's make it. Keep

966
00:52:17,239 --> 00:52:19,000
Speaker 7: it shitty series.

967
00:52:19,280 --> 00:52:21,360
Speaker 5: Not only did he not write it, but he stole

968
00:52:21,440 --> 00:52:22,480
Speaker 5: it from somebody else.

969
00:52:22,520 --> 00:52:26,120
Speaker 7: He stole it shamelessly and reached number twenty three on

970
00:52:26,239 --> 00:52:30,040
Speaker 7: CMT's hundredths Greatest Videos of All Time, number two on

971
00:52:30,160 --> 00:52:32,239
Speaker 7: VH one's Most awesomely Band Song.

972
00:52:33,280 --> 00:52:35,840
Speaker 5: Caitlin needs to tell on themselves really quickly.

973
00:52:35,840 --> 00:52:39,240
Speaker 2: Okay, The main thing I did to prep for this episode,

974
00:52:39,280 --> 00:52:43,360
Speaker 2: aside from watching Hannah Montana the movie, is watch the

975
00:52:43,520 --> 00:52:48,279
Speaker 2: music video to Achy Breaky Heart. It is yes, it

976
00:52:48,400 --> 00:52:50,160
Speaker 2: is not good.

977
00:52:50,480 --> 00:52:53,000
Speaker 7: No, no, of course not currently.

978
00:52:52,760 --> 00:52:56,160
Speaker 2: Him edited concert in like four to three ratio, like

979
00:52:56,600 --> 00:53:00,000
Speaker 2: aspect ratio. It looks like shit. He has the worst haircut. Imagine,

980
00:53:00,440 --> 00:53:02,680
Speaker 2: terrible song and it's a bad song.

981
00:53:02,920 --> 00:53:14,080
Speaker 5: But Kaylen, you were texting me that you thought.

982
00:53:05,440 --> 00:53:05,719
Speaker 8: He was.

983
00:53:09,440 --> 00:53:11,080
Speaker 4: A very lead.

984
00:53:12,719 --> 00:53:13,719
Speaker 5: I was waiting for that.

985
00:53:15,320 --> 00:53:18,080
Speaker 7: It's a unique kind of shitty song because when Weird

986
00:53:18,080 --> 00:53:20,920
Speaker 7: Al Yankovic parodied it, Weird Al famously one of the

987
00:53:21,000 --> 00:53:24,399
Speaker 7: nicest people who's ever lived. The only parody he could

988
00:53:24,400 --> 00:53:26,640
Speaker 7: make was so mean that he donated all of the

989
00:53:26,680 --> 00:53:29,080
Speaker 7: proceeds from the song to charity. He was like, this

990
00:53:29,239 --> 00:53:33,239
Speaker 7: is too cruel. I can't profit off of this, but

991
00:53:33,280 --> 00:53:36,040
Speaker 7: there's no other way to make an achy breaky heart parody.

992
00:53:36,960 --> 00:53:41,799
Speaker 5: God, Okay, you're like one, Yeah, skip ahead, a little

993
00:53:41,840 --> 00:53:42,520
Speaker 5: sit No, we're done.

994
00:53:42,520 --> 00:53:45,400
Speaker 7: We're done. We're mostly done. So there's a couple of

995
00:53:45,440 --> 00:53:48,000
Speaker 7: things I want to note. In April of twenty seventeen,

996
00:53:48,360 --> 00:53:52,000
Speaker 7: he changed his name to Cyrus or the artist formerly

997
00:53:52,040 --> 00:53:56,960
Speaker 7: known as Billy Ray, and Wikipedia says fans did not

998
00:53:57,120 --> 00:53:59,600
Speaker 7: like this, but on Live with Kelly and Ryan, Cyrus said,

999
00:53:59,640 --> 00:54:02,120
Speaker 7: I'm here to set the record straight. He assured his

1000
00:54:02,200 --> 00:54:05,279
Speaker 7: fans his name would still be Billy Ray. So that's good.

1001
00:54:06,560 --> 00:54:08,960
Speaker 7: Now we get to the sketchy part because Billy Ray.

1002
00:54:09,000 --> 00:54:11,440
Speaker 7: Cyrus also sits on the advisory board of the Parents

1003
00:54:11,480 --> 00:54:17,040
Speaker 7: Television Council, which is an ultra right wing anti art

1004
00:54:17,120 --> 00:54:21,279
Speaker 7: gentleman organization. They lobby against the existence of gangster rap

1005
00:54:21,280 --> 00:54:24,759
Speaker 7: as a legal medium of art. Yeah. It's founded by

1006
00:54:24,800 --> 00:54:27,880
Speaker 7: a guy named Leo Brent Bozel the Third who is

1007
00:54:28,600 --> 00:54:30,880
Speaker 7: the nephew of William F. Buckley.

1008
00:54:33,200 --> 00:54:35,280
Speaker 4: How long has he been on that council.

1009
00:54:35,640 --> 00:54:38,160
Speaker 7: For quite a while? I don't have an exact year

1010
00:54:38,160 --> 00:54:41,400
Speaker 7: here because I was pretty high when I wrote this. Also,

1011
00:54:41,680 --> 00:54:44,320
Speaker 7: Cyrus's song We the People was used as the campaign

1012
00:54:44,360 --> 00:54:47,319
Speaker 7: song for George W. Bush during his two thousand presidential run.

1013
00:54:47,840 --> 00:54:50,680
Speaker 7: Cyrus was reported as saying that he was a lifelong Democrat.

1014
00:54:51,040 --> 00:54:52,480
Speaker 7: I don't know how much I believe that.

1015
00:54:53,400 --> 00:54:56,800
Speaker 5: Well, it's a Georgetown University Democrat. That didn't mean anything.

1016
00:54:57,520 --> 00:55:00,480
Speaker 7: So the last thing I should note is that in

1017
00:55:00,520 --> 00:55:04,000
Speaker 7: the movie, her mom is dead, right, that's like clearly

1018
00:55:04,040 --> 00:55:04,959
Speaker 7: implied and.

1019
00:55:04,880 --> 00:55:05,880
Speaker 4: Not just dead.

1020
00:55:06,200 --> 00:55:07,520
Speaker 5: Brooke Shields then dead.

1021
00:55:07,480 --> 00:55:10,840
Speaker 7: Oh yeah yeah, and he is her manager.

1022
00:55:11,000 --> 00:55:14,000
Speaker 5: What do you mean by that? Exactly what I said?

1023
00:55:15,200 --> 00:55:18,719
Speaker 5: Canonically in the show and the movie, her mom is

1024
00:55:18,760 --> 00:55:21,839
Speaker 5: always dead, but sometimes her ghost comes back and it's

1025
00:55:21,920 --> 00:55:25,839
Speaker 5: Brooks Shields, and Brooke Shields is like, Miley, I'm so

1026
00:55:25,880 --> 00:55:28,160
Speaker 5: proud of you and like and then you're like, what

1027
00:55:28,200 --> 00:55:29,480
Speaker 5: the fuck is going on?

1028
00:55:30,520 --> 00:55:33,360
Speaker 2: It's not like flashbacks. She comes back as a ghost.

1029
00:55:33,640 --> 00:55:36,480
Speaker 5: She's not like, but she's like she does yeah, she

1030
00:55:36,600 --> 00:55:41,080
Speaker 5: comes to like advise Miley. The two main female advisors

1031
00:55:41,080 --> 00:55:43,000
Speaker 5: in Miley's life and I view this as a positive

1032
00:55:43,280 --> 00:55:47,600
Speaker 5: are Brooke Shields and Dolly Parton, and that Dolly Parton

1033
00:55:47,640 --> 00:55:49,440
Speaker 5: guessed it on the show many times because she's Miley

1034
00:55:49,480 --> 00:55:53,560
Speaker 5: Cyrus's actual godmother. Oh and today we watched the episode

1035
00:55:53,600 --> 00:55:57,920
Speaker 5: where Dolly Parton robs the A V Club or something.

1036
00:55:58,000 --> 00:56:01,440
Speaker 4: It was pretty exciting. It was good anyways.

1037
00:56:01,520 --> 00:56:05,040
Speaker 7: Yes, so it's fun that her mom is dead in

1038
00:56:05,080 --> 00:56:06,880
Speaker 7: the show and Billy Ray is her manager because in

1039
00:56:06,920 --> 00:56:09,719
Speaker 7: real life, her mother, Tish was her manager. Yes, and

1040
00:56:10,560 --> 00:56:14,600
Speaker 7: Tish and Billy Ray got divorced in the year two thousand.

1041
00:56:14,840 --> 00:56:18,759
Speaker 7: Oh sorry, in April twenty twenty two after a couple

1042
00:56:18,800 --> 00:56:21,640
Speaker 7: of different divorce attempts, and in September of that year,

1043
00:56:21,960 --> 00:56:24,439
Speaker 7: Billy Ray shared a photo of himself with a woman

1044
00:56:24,520 --> 00:56:28,680
Speaker 7: named fire Hose on Instagram. That is her legal name. Okay,

1045
00:56:29,840 --> 00:56:31,960
Speaker 7: the two met over a decade prior on the set

1046
00:56:31,960 --> 00:56:36,560
Speaker 7: of Hannah Montana. Oh no, yeah she is. I mean

1047
00:56:36,640 --> 00:56:43,600
Speaker 7: she's thirty four now now okay, So yeah, there's one

1048
00:56:43,880 --> 00:56:45,000
Speaker 7: one last thing I'll read.

1049
00:56:45,120 --> 00:56:47,960
Speaker 5: It's not against the law about how they mess I

1050
00:56:48,000 --> 00:56:50,480
Speaker 5: made him. I met. I was like, how old where

1051
00:56:50,520 --> 00:56:50,919
Speaker 5: they met?

1052
00:56:52,520 --> 00:56:55,320
Speaker 7: Yeah? Yeah? On the set of his daughter.

1053
00:56:55,239 --> 00:56:58,240
Speaker 5: Show a little Yeah.

1054
00:56:57,360 --> 00:57:00,440
Speaker 7: And in one of the stories he gives about how

1055
00:57:00,440 --> 00:57:03,319
Speaker 7: they met, he notes or it's noted, fire Hose came.

1056
00:57:03,640 --> 00:57:06,600
Speaker 7: He's like walking his he's walking his dog. When she

1057
00:57:06,719 --> 00:57:09,759
Speaker 7: comes out of the Hannah Montana set on that given day,

1058
00:57:09,840 --> 00:57:12,239
Speaker 7: Firehouse came out the front door, there was almost a

1059
00:57:12,280 --> 00:57:14,759
Speaker 7: moment of I don't know, recognition. I was like, this

1060
00:57:14,800 --> 00:57:15,800
Speaker 7: girl is a star.

1061
00:57:19,840 --> 00:57:20,360
Speaker 5: Back then.

1062
00:57:21,040 --> 00:57:22,560
Speaker 7: No, that's what he said, now.

1063
00:57:22,720 --> 00:57:24,480
Speaker 5: That he thought back then, that's what he said.

1064
00:57:24,520 --> 00:57:25,480
Speaker 7: He thought back then.

1065
00:57:25,560 --> 00:57:28,800
Speaker 10: On his daughter's tea, on his daughter's TV's.

1066
00:57:28,240 --> 00:57:32,120
Speaker 5: Getting paid to do off her likeness. I wish fire

1067
00:57:32,560 --> 00:57:35,560
Speaker 5: is the best. I think we should all keep fire

1068
00:57:35,600 --> 00:57:38,880
Speaker 5: Hose in our thoughts prayers. Yeah, thoughts and prayers for

1069
00:57:38,960 --> 00:57:42,040
Speaker 5: fire Hose is my is my takeaway. Okay, so that

1070
00:57:42,200 --> 00:57:44,360
Speaker 5: is that? Is that all of Billy Ray's crimes. Do

1071
00:57:44,440 --> 00:57:45,120
Speaker 5: we miss anything?

1072
00:57:45,520 --> 00:57:46,760
Speaker 7: That's that's most of it? Yeah?

1073
00:57:46,840 --> 00:57:51,640
Speaker 5: Okay, Well, Kaitlyn, was there anything else that stuck out

1074
00:57:51,640 --> 00:57:56,240
Speaker 5: to you about this movie besides the fact this fucking.

1075
00:57:56,000 --> 00:57:58,160
Speaker 4: Awesome, so awesome.

1076
00:57:59,400 --> 00:58:04,479
Speaker 2: The scene where Travis is like, he comes in, she's

1077
00:58:04,520 --> 00:58:08,080
Speaker 2: like in a barn or a chicken coop. I'm not sure,

1078
00:58:08,280 --> 00:58:11,400
Speaker 2: and she's singing a song and he's like that song,

1079
00:58:11,520 --> 00:58:14,840
Speaker 2: fucking socks, why are you? Oh you're still.

1080
00:58:14,600 --> 00:58:16,080
Speaker 4: Doing that singing thing?

1081
00:58:16,680 --> 00:58:20,520
Speaker 2: And yeah, so it's generic and your song isn't even

1082
00:58:20,520 --> 00:58:23,320
Speaker 2: about anything. First of all, he only heard like two

1083
00:58:23,360 --> 00:58:26,800
Speaker 2: lines of it. Secondly, she did none of her songs

1084
00:58:26,800 --> 00:58:29,800
Speaker 2: were about anything, so what's the problem?

1085
00:58:30,480 --> 00:58:35,040
Speaker 12: And one of our songs is clearly one of her

1086
00:58:35,080 --> 00:58:41,120
Speaker 12: songs is famously about if she were a movie, that's

1087
00:58:41,160 --> 00:58:43,200
Speaker 12: one of her most favorite If we were a movie,

1088
00:58:43,560 --> 00:58:45,800
Speaker 12: you'd be the right guy, I be the best friend

1089
00:58:45,960 --> 00:58:47,320
Speaker 12: that you fall in love with in the end.

1090
00:58:47,320 --> 00:58:50,080
Speaker 5: How is that not about something? Cake lamb okay and

1091
00:58:50,120 --> 00:58:54,000
Speaker 5: then all sorry? Her song that goes pop it, lock it,

1092
00:58:54,160 --> 00:58:56,800
Speaker 5: Poka dot it. Can't you care about the power of

1093
00:58:56,920 --> 00:58:58,560
Speaker 5: dan in this guy?

1094
00:58:59,360 --> 00:59:02,360
Speaker 2: Some things I decide jump to the left, stick it, glad,

1095
00:59:02,840 --> 00:59:03,320
Speaker 2: et cetera.

1096
00:59:03,440 --> 00:59:04,760
Speaker 5: I'd like to see you doing them.

1097
00:59:05,080 --> 00:59:10,480
Speaker 4: I'm getting defensive a man of I can't. It's fine.

1098
00:59:11,240 --> 00:59:14,760
Speaker 2: So my point is, uh, Travis sucks. We already knew that.

1099
00:59:14,840 --> 00:59:17,439
Speaker 2: But in particular in that scene where he's like your

1100
00:59:17,560 --> 00:59:20,200
Speaker 2: art is bad, and it's like, what have you ever

1101
00:59:20,200 --> 00:59:21,760
Speaker 2: done besides making ugly chicken?

1102
00:59:21,840 --> 00:59:23,200
Speaker 4: Coop Travis.

1103
00:59:24,400 --> 00:59:29,080
Speaker 5: Wow, I mean wow, yeah, I yeah. And then it's

1104
00:59:29,120 --> 00:59:33,840
Speaker 5: like all the scenes between Robbie, Ray, Stuart and Miley

1105
00:59:33,920 --> 00:59:36,560
Speaker 5: are always weird because he always is. He always is

1106
00:59:36,640 --> 00:59:38,680
Speaker 5: like walking after her the whole series, and the movie

1107
00:59:38,760 --> 00:59:41,360
Speaker 5: is like, what are you so upset about? And it's like,

1108
00:59:41,920 --> 00:59:46,800
Speaker 5: same thing as usual, the split identity you forced me

1109
00:59:46,920 --> 00:59:51,200
Speaker 5: into so you could have this shitty sitcom house next

1110
00:59:51,200 --> 00:59:56,480
Speaker 5: to the beach. Ultimately, I think that Vita is a

1111
00:59:56,480 --> 00:59:59,320
Speaker 5: fun character. I wish she got to do more because

1112
00:59:59,320 --> 01:00:01,680
Speaker 5: it's like, you got Vanessa Williams and you're not gonna

1113
01:00:01,720 --> 01:00:03,040
Speaker 5: let her do more stuff.

1114
01:00:03,320 --> 01:00:06,320
Speaker 4: I don't waste my time. I oh that we could.

1115
01:00:06,360 --> 01:00:08,320
Speaker 5: We could just get rid of Travis and have so

1116
01:00:08,440 --> 01:00:14,520
Speaker 5: much more fun more Tyra more. I feel like she

1117
01:00:15,040 --> 01:00:16,880
Speaker 5: we still have to cover life Size. That was what

1118
01:00:16,960 --> 01:00:21,000
Speaker 5: I thought when we That was a huge thought. The

1119
01:00:21,080 --> 01:00:27,360
Speaker 5: people people want the life Size episode. Oh, it was

1120
01:00:27,360 --> 01:00:29,320
Speaker 5: a perfect I haven't seen it in twenty years. It's

1121
01:00:29,320 --> 01:00:34,720
Speaker 5: probably yeah, I'm sure it ate. It's perfect.

1122
01:00:34,800 --> 01:00:40,520
Speaker 2: The people have spoken it's perfect. Oh. And then the

1123
01:00:40,560 --> 01:00:43,160
Speaker 2: other thing I wanted to say is that in Hannah, Montana,

1124
01:00:43,640 --> 01:00:46,080
Speaker 2: women are not the only ones who are prop falling

1125
01:00:46,440 --> 01:00:49,760
Speaker 2: because Billy Ray or whatever his name is in the movie,

1126
01:00:50,880 --> 01:00:52,360
Speaker 2: he prop falls too.

1127
01:00:54,800 --> 01:00:59,720
Speaker 5: Yay, he knocks a bunch of plates.

1128
01:00:59,720 --> 01:01:01,600
Speaker 4: So that is like equity.

1129
01:01:01,880 --> 01:01:04,720
Speaker 5: That is like very inherent to this like era of

1130
01:01:05,320 --> 01:01:11,280
Speaker 5: like Disney sitcom girls specifically, because if I had, you know,

1131
01:01:11,360 --> 01:01:14,160
Speaker 5: a dollar for every time we got I mean, we've

1132
01:01:14,160 --> 01:01:17,240
Speaker 5: talked about Hillary Duff. She's slipping, sliding all over the place.

1133
01:01:17,520 --> 01:01:20,800
Speaker 5: Raven Simone just absolutely flying across the rim at a

1134
01:01:20,800 --> 01:01:24,680
Speaker 5: moment's notice, Miley Cyrus just careening out of a can

1135
01:01:24,720 --> 01:01:29,360
Speaker 5: and like she's They're just flopping around. Yeah, I love it.

1136
01:01:30,480 --> 01:01:32,720
Speaker 5: They were our you know, they were the greatest physical

1137
01:01:32,760 --> 01:01:34,040
Speaker 5: comedians of our era.

1138
01:01:36,000 --> 01:01:38,560
Speaker 4: I like when girl walking and then she fell down.

1139
01:01:40,040 --> 01:01:42,520
Speaker 4: I look at her, I say, she like me. That's

1140
01:01:44,760 --> 01:01:46,680
Speaker 4: also and Robert, you brought this up.

1141
01:01:46,720 --> 01:01:49,680
Speaker 2: As far as they like dead mom hurts, she's like

1142
01:01:50,000 --> 01:01:53,400
Speaker 2: the Disney princess are basically, I do want to mention

1143
01:01:53,720 --> 01:01:56,560
Speaker 2: as far as the like father daughter relationship goes the

1144
01:01:56,640 --> 01:01:58,080
Speaker 2: parallels to Armageddon.

1145
01:02:01,880 --> 01:02:04,120
Speaker 5: Okay, I'm listening, Hey you ready.

1146
01:02:04,360 --> 01:02:15,000
Speaker 2: Single Dade and daughter daughter daughter has a little boyfriend

1147
01:02:17,200 --> 01:02:21,960
Speaker 2: and something is headed their way to destroy their town.

1148
01:02:23,440 --> 01:02:30,400
Speaker 5: An asteroid and or American capitalism.

1149
01:02:28,320 --> 01:02:32,600
Speaker 2: Equally bad things, and the characters need to stop it.

1150
01:02:32,600 --> 01:02:33,200
Speaker 4: It's true.

1151
01:02:33,320 --> 01:02:36,040
Speaker 5: And they do the I mean they do the classic

1152
01:02:36,120 --> 01:02:38,800
Speaker 5: they save the town from the thing sort of kind

1153
01:02:38,840 --> 01:02:40,800
Speaker 5: of and you kind of forget what the threat was

1154
01:02:40,800 --> 01:02:42,920
Speaker 5: in the first place, and then there's a really loud

1155
01:02:43,000 --> 01:02:47,720
Speaker 5: song and then you pass out. That's the movie that

1156
01:02:48,600 --> 01:02:49,760
Speaker 5: feels like a movie the.

1157
01:02:51,360 --> 01:02:51,919
Speaker 4: Big time.

1158
01:02:52,400 --> 01:02:55,240
Speaker 2: Well, I didn't know this until you mentioned it, Robert,

1159
01:02:55,240 --> 01:03:00,600
Speaker 2: that it was Mildly Cyrus's mother who was herd throughout.

1160
01:03:00,320 --> 01:03:00,960
Speaker 4: Her entire career.

1161
01:03:01,720 --> 01:03:03,520
Speaker 5: And then the movie is like or the Yeah, the

1162
01:03:03,600 --> 01:03:05,600
Speaker 5: show in the movie is like, no, it's it was

1163
01:03:05,720 --> 01:03:07,200
Speaker 5: Billy Rays or Daddy.

1164
01:03:07,360 --> 01:03:09,480
Speaker 7: So that's uh stolen valor the.

1165
01:03:11,200 --> 01:03:17,200
Speaker 2: It's the erasure of women's labor, erasure, And that's all

1166
01:03:17,200 --> 01:03:18,080
Speaker 2: I have to say.

1167
01:03:18,200 --> 01:03:23,000
Speaker 5: Okay, so I feel so here's what we know. Yes,

1168
01:03:23,200 --> 01:03:27,320
Speaker 5: this movie is good. Yeah, I think that that's the

1169
01:03:27,360 --> 01:03:30,760
Speaker 5: conclusion we've come to. However, I feel like, I don't know,

1170
01:03:30,920 --> 01:03:33,600
Speaker 5: like Caitlin, Sophie and I like we can tap into

1171
01:03:33,640 --> 01:03:36,040
Speaker 5: our natural pop star pretty easily. But Robert, I just

1172
01:03:36,080 --> 01:03:37,760
Speaker 5: feel like you've got like a lot of weapons and

1173
01:03:37,840 --> 01:03:42,040
Speaker 5: kind of scary notes and I'm just like not getting

1174
01:03:42,160 --> 01:03:44,480
Speaker 5: pop star from you right now? So I wanted to

1175
01:03:44,680 --> 01:03:45,320
Speaker 5: don't touch.

1176
01:03:45,160 --> 01:03:48,600
Speaker 4: The notes anymore. Please, no one wants to see the address.

1177
01:03:48,600 --> 01:03:50,840
Speaker 4: We're gonna put that down, Robert.

1178
01:03:50,880 --> 01:03:53,160
Speaker 5: I wanna like we were thinking we would help you

1179
01:03:53,240 --> 01:03:55,240
Speaker 5: kind of get in touch with your inner pop star tonight?

1180
01:03:55,320 --> 01:03:55,480
Speaker 7: Is that?

1181
01:03:55,560 --> 01:03:57,960
Speaker 5: Okay? Oh boy, okay, okay.

1182
01:03:57,720 --> 01:03:58,760
Speaker 4: Let's kick up the music.

1183
01:03:58,840 --> 01:04:01,800
Speaker 5: We we've got, We've got a little plan.

1184
01:04:01,920 --> 01:04:04,760
Speaker 4: We've got a quiz. I found a quiz on the

1185
01:04:04,800 --> 01:04:05,880
Speaker 4: internet called pop star?

1186
01:04:05,960 --> 01:04:06,520
Speaker 7: Which are you?

1187
01:04:07,960 --> 01:04:10,040
Speaker 5: All right, Robert? If you want to find out which

1188
01:04:10,080 --> 01:04:13,000
Speaker 5: pop star you are, this personality quiz reveals your perfect

1189
01:04:13,000 --> 01:04:15,800
Speaker 5: famous singer match side note, can you name at least

1190
01:04:15,800 --> 01:04:16,640
Speaker 5: three of those people?

1191
01:04:17,720 --> 01:04:19,680
Speaker 7: Oh?

1192
01:04:19,720 --> 01:04:21,160
Speaker 5: The quiz before the quiz?

1193
01:04:21,840 --> 01:04:29,240
Speaker 7: Yeah, that's uh Selena Gomez? Is that one of us? Yeah?

1194
01:04:29,240 --> 01:04:31,320
Speaker 7: That looks like that looks like there's a Selena Gomez.

1195
01:04:31,360 --> 01:04:33,320
Speaker 7: And there's that also, is that Taylor Swift in the strip?

1196
01:04:33,760 --> 01:04:34,760
Speaker 4: Yes see?

1197
01:04:35,080 --> 01:04:39,640
Speaker 5: All right, one more beebs, come on, I've given you

1198
01:04:39,680 --> 01:04:40,240
Speaker 5: five years.

1199
01:04:40,720 --> 01:04:42,080
Speaker 4: This one justin Bieber?

1200
01:04:42,360 --> 01:04:44,760
Speaker 5: Really yeah? And that is oh you got he got

1201
01:04:44,800 --> 01:04:46,240
Speaker 5: a little caked out, didn't he?

1202
01:04:49,040 --> 01:04:49,439
Speaker 4: All right?

1203
01:04:49,480 --> 01:04:52,680
Speaker 10: And that's famously the woman you called Arianna Grad.

1204
01:04:53,200 --> 01:04:54,280
Speaker 7: Wait, which one.

1205
01:04:55,320 --> 01:04:57,880
Speaker 5: That's better have a day?

1206
01:04:58,120 --> 01:05:00,840
Speaker 7: Just one of the three ladies with Selena go mess.

1207
01:05:01,200 --> 01:05:03,520
Speaker 5: Robert's a big fan of rare beauty cosmetic.

1208
01:05:05,440 --> 01:05:06,680
Speaker 4: All right, we're gonna start the quiz.

1209
01:05:06,720 --> 01:05:08,400
Speaker 7: Okay, but who the hell is on the left that

1210
01:05:08,760 --> 01:05:09,520
Speaker 7: no one knows?

1211
01:05:09,760 --> 01:05:10,840
Speaker 5: Oh that name?

1212
01:05:11,000 --> 01:05:13,600
Speaker 7: That name means nothing to me, No one's.

1213
01:05:13,480 --> 01:05:15,800
Speaker 4: No one's quite sure who that is on the left?

1214
01:05:15,840 --> 01:05:17,240
Speaker 4: All right, can we start the quiz?

1215
01:05:18,000 --> 01:05:22,160
Speaker 5: The first question, what is your favorite treat?

1216
01:05:22,320 --> 01:05:26,200
Speaker 11: I might knowsh potato cheese, pizza, eating out a Nantas

1217
01:05:26,760 --> 01:05:27,880
Speaker 11: or chicken nuggets.

1218
01:05:28,800 --> 01:05:31,240
Speaker 7: I mean, I gotta I gotta say Nando's.

1219
01:05:30,880 --> 01:05:35,080
Speaker 5: Eating out at Nanda's. Okay, let's choose that one, Kaylen,

1220
01:05:35,120 --> 01:05:37,880
Speaker 5: you're gonna take this next one absolutely Pick a movie

1221
01:05:38,000 --> 01:05:44,120
Speaker 5: or series, Romance, slash Spotify, why are those tubes grouped together?

1222
01:05:44,280 --> 01:05:45,560
Speaker 5: Not sure this makes sense?

1223
01:05:45,800 --> 01:05:48,960
Speaker 2: Stify slash action that makes a little more sense, crime

1224
01:05:49,000 --> 01:05:51,320
Speaker 2: slash action or Bollywood drama.

1225
01:05:52,080 --> 01:05:52,480
Speaker 4: Thoughts.

1226
01:05:54,400 --> 01:05:57,920
Speaker 5: There's a lot of you know, there's some intersecting venn diagress.

1227
01:05:58,040 --> 01:06:00,440
Speaker 7: You know it's heartbreaking to think that soon is like

1228
01:06:00,480 --> 01:06:03,560
Speaker 7: this will be written by ais, I know, putting hard

1229
01:06:03,560 --> 01:06:04,920
Speaker 7: working writers out of business.

1230
01:06:08,200 --> 01:06:08,760
Speaker 4: What are you thinking?

1231
01:06:09,120 --> 01:06:09,920
Speaker 5: Answer the question.

1232
01:06:10,080 --> 01:06:13,040
Speaker 7: Yeah, I have to answer yes, Roberts. Well, I guess

1233
01:06:13,280 --> 01:06:16,200
Speaker 7: I mean my preference in movies is my my preference

1234
01:06:16,240 --> 01:06:18,960
Speaker 7: in real life. So crime action, crime action. I think

1235
01:06:19,000 --> 01:06:20,320
Speaker 7: I could go for some crime action.

1236
01:06:20,520 --> 01:06:23,160
Speaker 4: All right. Next we have what song do you like most?

1237
01:06:23,200 --> 01:06:23,360
Speaker 9: Oh?

1238
01:06:23,400 --> 01:06:26,400
Speaker 11: This is gonna be rapped Cigarette day Dreams by King

1239
01:06:26,480 --> 01:06:30,360
Speaker 11: the Elephant, Get It Right by Diplo and m o Hey,

1240
01:06:30,480 --> 01:06:33,440
Speaker 11: Jude by the Beatles, or Thriller by Michael Jackson.

1241
01:06:33,880 --> 01:06:36,120
Speaker 7: Did you guys hear the latest Cage the Elephant news?

1242
01:06:36,200 --> 01:06:36,360
Speaker 3: Oh?

1243
01:06:36,440 --> 01:06:38,560
Speaker 4: I haven't heard the Latest Cage the Elephant.

1244
01:06:39,960 --> 01:06:43,560
Speaker 7: The lead singer was arrested in New York because people

1245
01:06:43,560 --> 01:06:46,000
Speaker 7: at the hotel noticed when he was in the bathroom

1246
01:06:46,280 --> 01:06:48,560
Speaker 7: yelling at no One that he had a loaded gun

1247
01:06:48,600 --> 01:06:53,240
Speaker 7: in his pants, So he was illegally carrying two forty

1248
01:06:53,280 --> 01:06:58,640
Speaker 7: fives loaded in chambered anyway with singer Rette Daydreams?

1249
01:06:58,880 --> 01:07:06,600
Speaker 12: Okay, all right, why are you like it?

1250
01:07:07,040 --> 01:07:07,320
Speaker 9: All right?

1251
01:07:07,400 --> 01:07:11,360
Speaker 5: Next quessure Gayla Okay, where do you like to live?

1252
01:07:13,200 --> 01:07:14,640
Speaker 5: The four places?

1253
01:07:15,240 --> 01:07:19,200
Speaker 7: Well, California and Europe are both acceptable, England and New

1254
01:07:19,280 --> 01:07:22,080
Speaker 7: York are not. Yeah, I guess I'm gonna go with

1255
01:07:22,840 --> 01:07:25,600
Speaker 7: Europe because California is gonna burn down soon.

1256
01:07:25,680 --> 01:07:26,320
Speaker 4: I'm fair.

1257
01:07:26,560 --> 01:07:30,680
Speaker 5: Okay, which car do you like the most? Red car,

1258
01:07:30,760 --> 01:07:32,640
Speaker 5: blue car, green car, or red car.

1259
01:07:33,800 --> 01:07:35,520
Speaker 7: I'm gonna have to go with the green one.

1260
01:07:35,720 --> 01:07:36,560
Speaker 5: Okay, I like that?

1261
01:07:36,680 --> 01:07:39,720
Speaker 4: Yes, yes, that's really gonna hurt the environment real bad.

1262
01:07:39,960 --> 01:07:42,320
Speaker 7: None of them are going to be good to the environment.

1263
01:07:43,120 --> 01:07:47,240
Speaker 4: But that one looks like Shrek, who is good.

1264
01:07:47,040 --> 01:07:47,880
Speaker 7: For the environment?

1265
01:07:48,400 --> 01:07:53,840
Speaker 4: Shrek Heads. What is your shavorite animal? Tarantula, horses, cats,

1266
01:07:53,920 --> 01:07:58,040
Speaker 4: or lion? Well, I guess still somehow there's.

1267
01:07:58,360 --> 01:08:00,760
Speaker 7: I can't forgive this quiz for making me between cats

1268
01:08:00,760 --> 01:08:02,840
Speaker 7: and lions, but I'll go with cats.

1269
01:08:03,080 --> 01:08:04,280
Speaker 5: Okay, good.

1270
01:08:04,680 --> 01:08:10,439
Speaker 4: Do you know how many nipples a cat has? It's eight?

1271
01:08:10,600 --> 01:08:15,960
Speaker 5: That's cat fox with Caitlin like a spider Rubbert.

1272
01:08:15,960 --> 01:08:18,160
Speaker 4: Which country or region would you like to visit the most?

1273
01:08:18,479 --> 01:08:18,760
Speaker 5: Is it?

1274
01:08:18,880 --> 01:08:20,040
Speaker 4: Why?

1275
01:08:21,000 --> 01:08:21,479
Speaker 5: Why?

1276
01:08:21,600 --> 01:08:24,480
Speaker 4: Eastern Europe, the UK or India.

1277
01:08:25,280 --> 01:08:26,759
Speaker 7: I'm gonna have to go with why.

1278
01:08:28,520 --> 01:08:29,719
Speaker 4: No one's been there before.

1279
01:08:30,200 --> 01:08:32,520
Speaker 7: I've drawn the mystery.

1280
01:08:33,520 --> 01:08:38,559
Speaker 4: What musical instrument would you like to learn? Ukulele, cello, piano.

1281
01:08:38,760 --> 01:08:39,800
Speaker 4: I would only like.

1282
01:08:39,720 --> 01:08:41,720
Speaker 7: To sing, yeah, I would only like to sing.

1283
01:08:42,040 --> 01:08:47,160
Speaker 4: Okay, you're gonna regret saying that. Which personality trait fits you?

1284
01:08:47,240 --> 01:08:49,880
Speaker 4: According to your friends and family. Well, okay, Sophie, you

1285
01:08:49,880 --> 01:08:51,240
Speaker 4: can answer this said.

1286
01:08:55,200 --> 01:09:01,840
Speaker 5: Being rebellious, being stubborn, being campette on it, or being

1287
01:09:01,840 --> 01:09:03,960
Speaker 5: a dreamer. So me, you should answer this your friends

1288
01:09:03,960 --> 01:09:10,320
Speaker 5: and family. Yeah, I'm gonna go with ask the audience.

1289
01:09:13,720 --> 01:09:16,640
Speaker 7: Yeah, I'm sorry, but the clear answer is compasionate.

1290
01:09:19,040 --> 01:09:24,920
Speaker 5: He's a very compati nuts guy. Why all right?

1291
01:09:24,960 --> 01:09:25,080
Speaker 3: Oh?

1292
01:09:25,120 --> 01:09:25,400
Speaker 5: Yes?

1293
01:09:25,600 --> 01:09:28,799
Speaker 2: Which what fictional character inspires you the most?

1294
01:09:29,320 --> 01:09:30,919
Speaker 4: Michael saw from the office.

1295
01:09:32,640 --> 01:09:39,040
Speaker 2: Fictional character Robin Williams, Willie Wonka or Harry Potter.

1296
01:09:39,479 --> 01:09:42,000
Speaker 5: Yea, answer this question.

1297
01:09:41,200 --> 01:09:45,280
Speaker 7: I'm gonna have to go with Robin Williams, but specifically

1298
01:09:45,439 --> 01:09:47,200
Speaker 7: Robin Williams from One Hour Photo.

1299
01:09:49,240 --> 01:09:52,120
Speaker 4: That's a good Robin Williams. Which quote do you agree

1300
01:09:52,160 --> 01:09:55,160
Speaker 4: with the most? All the good girls go to have?

1301
01:09:56,960 --> 01:09:59,840
Speaker 5: Be kind to yourself a little more every day. Music

1302
01:09:59,920 --> 01:10:03,120
Speaker 5: is a powerful tool in galvanizing people at an issue

1303
01:10:03,760 --> 01:10:07,200
Speaker 5: or no matter how many times people try to criticize you,

1304
01:10:07,400 --> 01:10:09,639
Speaker 5: the best revenge just to prove them wrong.

1305
01:10:11,080 --> 01:10:16,599
Speaker 7: Well, I guess the revenge one. I am a revenge Stan.

1306
01:10:18,640 --> 01:10:24,080
Speaker 5: I thought he was gonna go sassy switch out?

1307
01:10:25,840 --> 01:10:29,040
Speaker 4: What are you afraid of? The Phantom of the Darkness?

1308
01:10:29,640 --> 01:10:33,040
Speaker 2: Loneliness being in a crowded place, or drowning.

1309
01:10:33,240 --> 01:10:35,120
Speaker 7: I mean, I gotta give it to him. They spelled

1310
01:10:35,160 --> 01:10:37,920
Speaker 7: loneliness right, which I was not expecting from this writer.

1311
01:10:39,240 --> 01:10:42,360
Speaker 10: Your your answers Tepinitely being in a crowded place.

1312
01:10:42,720 --> 01:10:45,800
Speaker 7: Yeah, having been in a couple of crowd crush situations.

1313
01:10:45,880 --> 01:10:49,519
Speaker 7: Everyone file out real carefully.

1314
01:10:50,200 --> 01:10:52,080
Speaker 4: Who would you like to spend an evening with.

1315
01:10:52,400 --> 01:11:01,439
Speaker 5: Oh boy after fans on or family?

1316
01:11:02,720 --> 01:11:04,240
Speaker 7: I'm gonna have to go with the loan.

1317
01:11:07,600 --> 01:11:12,800
Speaker 5: Yeah, you're friends or a sadd What natural element inspires

1318
01:11:12,840 --> 01:11:13,519
Speaker 5: you the most?

1319
01:11:14,200 --> 01:11:17,400
Speaker 4: The sky, the ocean, mountains or the desert.

1320
01:11:18,040 --> 01:11:21,400
Speaker 7: I'm gonna go with mountains.

1321
01:11:20,280 --> 01:11:24,760
Speaker 5: Yes, a classic element. What is your favorite type of

1322
01:11:24,800 --> 01:11:28,559
Speaker 5: sports courseback riding, boxing, football, or soccer?

1323
01:11:28,760 --> 01:11:32,640
Speaker 7: What a series of choices. Well, I'm gonna I'm like

1324
01:11:32,680 --> 01:11:35,400
Speaker 7: a on an artistic level, I appreciate head injuries, so

1325
01:11:35,439 --> 01:11:39,200
Speaker 7: I'm gonna go with football. Okay, although boxing, I was.

1326
01:11:39,240 --> 01:11:42,479
Speaker 5: Like, there's a loan and falling off a horse you

1327
01:11:42,479 --> 01:11:43,320
Speaker 5: could get a break.

1328
01:11:43,360 --> 01:11:46,320
Speaker 7: You're right, You're they're all great head injury sports soccer too,

1329
01:11:46,400 --> 01:11:47,479
Speaker 7: But I'm gonna go with football.

1330
01:11:47,600 --> 01:11:50,559
Speaker 5: Okay, this is a really long quiz. Look, look where

1331
01:11:50,560 --> 01:11:52,720
Speaker 5: I was doing exteen of twenty. Okay, what is your

1332
01:11:52,760 --> 01:11:58,040
Speaker 5: favorite time of day? Afternoon, morning, dusk, or night night?

1333
01:11:58,840 --> 01:12:00,280
Speaker 5: It's yeah, I don't like that.

1334
01:12:00,920 --> 01:12:02,800
Speaker 4: Did the out of chronological orders?

1335
01:12:03,680 --> 01:12:05,519
Speaker 5: What would you do first and make the world a

1336
01:12:05,560 --> 01:12:13,040
Speaker 5: better place? Abolishing sexual discrimination, ending all wars, controlling climate change,

1337
01:12:13,439 --> 01:12:15,880
Speaker 5: or restoring balance at the global economy. Sorry, you can

1338
01:12:15,880 --> 01:12:17,800
Speaker 5: only be gone. You're gonna seem like a bit no

1339
01:12:17,840 --> 01:12:18,160
Speaker 5: matter what.

1340
01:12:19,120 --> 01:12:22,200
Speaker 7: Yeah, I mean, Look, controlling climate change sounds like I

1341
01:12:22,240 --> 01:12:24,840
Speaker 7: could control the weather, and I could. I could deal

1342
01:12:24,880 --> 01:12:26,920
Speaker 7: with some problems if I could control the weather. So

1343
01:12:26,920 --> 01:12:28,200
Speaker 7: I'm gonna go with that one control.

1344
01:12:28,280 --> 01:12:29,880
Speaker 5: That's the vaguest answer by far.

1345
01:12:31,040 --> 01:12:35,800
Speaker 2: Okay, Uh, select one of the drinks below, rum, vodka, wine,

1346
01:12:35,880 --> 01:12:39,800
Speaker 2: or tequila.

1347
01:12:39,960 --> 01:12:42,719
Speaker 5: But uh, what is what city is the best place

1348
01:12:42,760 --> 01:12:43,800
Speaker 5: to live for a pop star?

1349
01:12:44,240 --> 01:12:44,439
Speaker 3: La?

1350
01:12:44,920 --> 01:12:47,360
Speaker 4: Paris, London or New York?

1351
01:12:47,880 --> 01:12:51,880
Speaker 7: I mean, what's furthest away from me? Paris? Let's let's

1352
01:12:51,960 --> 01:12:52,879
Speaker 7: keep them far.

1353
01:12:52,920 --> 01:12:57,519
Speaker 5: Okay, and final question, Oh my gosh, select a super

1354
01:12:57,680 --> 01:12:59,320
Speaker 5: a supernatural power.

1355
01:12:59,400 --> 01:13:00,160
Speaker 4: You know that's the.

1356
01:13:00,200 --> 01:13:08,040
Speaker 5: Grouse awesome invisibility, reading minds, talking and understanding what animals say.

1357
01:13:08,280 --> 01:13:11,759
Speaker 5: A lot of thorny vinderstanding what animals say.

1358
01:13:11,880 --> 01:13:15,920
Speaker 4: Flying specifically, and don't press next.

1359
01:13:15,800 --> 01:13:16,560
Speaker 5: Yet because.

1360
01:13:19,680 --> 01:13:22,439
Speaker 7: I mean flying with flying right, like that's the only

1361
01:13:22,560 --> 01:13:24,240
Speaker 7: choice in a list of superpowers that.

1362
01:13:25,800 --> 01:13:27,559
Speaker 4: Can we get a little drum roll because we're about to.

1363
01:13:27,520 --> 01:13:29,799
Speaker 7: Get Roberts so excited.

1364
01:13:30,520 --> 01:13:40,920
Speaker 5: Robert your pop star is you may? Oh no, that

1365
01:13:41,280 --> 01:13:43,519
Speaker 5: is pretty fucking rough man.

1366
01:13:44,920 --> 01:13:45,639
Speaker 7: That's not good.

1367
01:13:46,160 --> 01:13:50,000
Speaker 5: How are you all right? Listen?

1368
01:13:51,000 --> 01:13:51,320
Speaker 10: All right?

1369
01:13:51,360 --> 01:13:53,439
Speaker 4: Give it up for Robert. That was very vulnerable of

1370
01:13:53,520 --> 01:13:53,840
Speaker 4: you to do.

1371
01:13:54,080 --> 01:13:54,479
Speaker 7: Thank you.

1372
01:13:56,360 --> 01:14:07,760
Speaker 2: Oh my gosh, there you have it listeners. That was

1373
01:14:07,880 --> 01:14:11,799
Speaker 2: our live show recorded again back in February at Curious

1374
01:14:11,800 --> 01:14:16,559
Speaker 2: Comedy Theater in Portland. We wanted to jump back in

1375
01:14:17,080 --> 01:14:19,519
Speaker 2: though to discuss something that we didn't have time for

1376
01:14:19,640 --> 01:14:24,960
Speaker 2: in the live show. But we wanted to bring up

1377
01:14:25,720 --> 01:14:30,559
Speaker 2: Miley Cyrus's history of appropriation.

1378
01:14:30,520 --> 01:14:34,479
Speaker 3: Right, which I think you get a taste of, not

1379
01:14:34,560 --> 01:14:40,040
Speaker 3: that you would want it and in this movie not

1380
01:14:40,080 --> 01:14:40,599
Speaker 3: to say that.

1381
01:14:40,720 --> 01:14:42,240
Speaker 4: You know, at this point Miley is a kid.

1382
01:14:42,320 --> 01:14:46,160
Speaker 3: She's not really making a lot of her own creative decisions.

1383
01:14:46,200 --> 01:14:49,080
Speaker 3: But I think it is something that you see very

1384
01:14:49,120 --> 01:14:54,360
Speaker 3: often in kids media and which is still very white dominated,

1385
01:14:55,040 --> 01:15:00,800
Speaker 3: you know, the Hoddan throwdown. It's a very gentle sort

1386
01:15:00,840 --> 01:15:06,400
Speaker 3: of blend of genres. But I think we're more talking

1387
01:15:06,439 --> 01:15:11,240
Speaker 3: about how this unfolds in her adult career because it's

1388
01:15:11,280 --> 01:15:15,280
Speaker 3: been I feel like it's pretty common knowledge that it's

1389
01:15:15,280 --> 01:15:16,080
Speaker 3: been a lot.

1390
01:15:16,680 --> 01:15:22,000
Speaker 2: Yes, So, Miley Cyrus, along with many other white pop artists,

1391
01:15:22,200 --> 01:15:26,360
Speaker 2: have a history of appropriating other cultures, often Black culture,

1392
01:15:26,880 --> 01:15:30,240
Speaker 2: using people of color as props and set dressing in

1393
01:15:30,400 --> 01:15:35,880
Speaker 2: music videos, things like that, and these artists profiting from that,

1394
01:15:36,200 --> 01:15:41,360
Speaker 2: and then when that esthetic doesn't serve them anymore, or

1395
01:15:41,439 --> 01:15:44,320
Speaker 2: you know, like in the case of Miley, when she

1396
01:15:44,360 --> 01:15:47,920
Speaker 2: wants to get back to her country roots, for example,

1397
01:15:48,520 --> 01:15:51,640
Speaker 2: these artists have the privilege of being able to easily

1398
01:15:52,080 --> 01:15:56,680
Speaker 2: shed the persona that they had been appropriating.

1399
01:15:56,479 --> 01:16:02,400
Speaker 3: Right And I think that the sort of most well

1400
01:16:02,479 --> 01:16:08,559
Speaker 3: known arc of this takes place after the Hannimontana movie,

1401
01:16:08,640 --> 01:16:14,799
Speaker 3: but surrounds Miley's album Bangers, which came out in twenty thirteen,

1402
01:16:15,160 --> 01:16:19,280
Speaker 3: which I think appropriated so heavily from black culture that

1403
01:16:19,800 --> 01:16:23,400
Speaker 3: it was a topic of discussion in twenty thirteen, which is,

1404
01:16:23,760 --> 01:16:28,559
Speaker 3: you know, culturally a thousand years ago, right, But there

1405
01:16:28,640 --> 01:16:33,799
Speaker 3: was a lot of criticism, rightfully, so, around how Miley

1406
01:16:34,000 --> 01:16:39,439
Speaker 3: incorporated black aesthetics into her music and into her music videos,

1407
01:16:39,520 --> 01:16:43,479
Speaker 3: and there was also a lot of criticism of using

1408
01:16:43,880 --> 01:16:49,320
Speaker 3: black women and black dancers essentially as props during this

1409
01:16:49,840 --> 01:16:52,400
Speaker 3: I think particularly this album, but also just kind of

1410
01:16:52,520 --> 01:16:57,240
Speaker 3: throughout these couple of years, she generally would not respond

1411
01:16:57,320 --> 01:16:59,920
Speaker 3: to these criticisms at all or just blow them off,

1412
01:17:00,040 --> 01:17:02,760
Speaker 3: would not engage with them seriously at all.

1413
01:17:03,000 --> 01:17:05,120
Speaker 2: Fain ignorance, that kind of thing.

1414
01:17:05,600 --> 01:17:09,519
Speaker 3: This goes into twenty fifteen, she hosts the MTV Music

1415
01:17:10,000 --> 01:17:14,920
Speaker 3: Video Music Awards the VMAs in Dreadlocks, and you're just like, well,

1416
01:17:14,960 --> 01:17:17,840
Speaker 3: I didn't I don't remember that but that and then

1417
01:17:17,880 --> 01:17:20,960
Speaker 3: I saw it and then I was like, well, that's horrible,

1418
01:17:21,720 --> 01:17:26,679
Speaker 3: and like you were referencing Caitlin. That came back around

1419
01:17:26,800 --> 01:17:30,880
Speaker 3: in twenty seventeen when she did an interview in Billboard

1420
01:17:31,360 --> 01:17:34,920
Speaker 3: when she was sort of going back to country, completely

1421
01:17:35,560 --> 01:17:42,559
Speaker 3: disavowing or really distancing herself from from hip hop in general,

1422
01:17:42,720 --> 01:17:48,000
Speaker 3: even though she was very clearly profiting off of off

1423
01:17:48,000 --> 01:17:50,960
Speaker 3: of hip hop for years, like half a decade, and

1424
01:17:51,600 --> 01:17:54,719
Speaker 3: then she totally I mean, not only in this interview

1425
01:17:54,800 --> 01:17:59,960
Speaker 3: does she distance herself, she also mocks it, and you know,

1426
01:18:01,200 --> 01:18:03,880
Speaker 3: just I'm was like, do we want to share quotes

1427
01:18:03,920 --> 01:18:06,040
Speaker 3: it's kind of this too. It's gross.

1428
01:18:06,800 --> 01:18:10,120
Speaker 2: I don't want to share quotes from that, but I

1429
01:18:10,160 --> 01:18:14,280
Speaker 2: would like to share quotes from a teen Vogue article

1430
01:18:15,000 --> 01:18:20,120
Speaker 2: by Michael arseno entitled Miley Cyrus faces rightful backlash in

1431
01:18:20,160 --> 01:18:24,640
Speaker 2: the light of past cultural appropriation. It's from twenty seventeen.

1432
01:18:25,120 --> 01:18:29,320
Speaker 2: I'll switch back and forth from like direct quotes and paraphrasing,

1433
01:18:29,400 --> 01:18:32,240
Speaker 2: but it's a really good article. We will link it

1434
01:18:32,439 --> 01:18:37,760
Speaker 2: in our show notes. But Michael Arseneau speaks about white

1435
01:18:37,880 --> 01:18:42,080
Speaker 2: child stars trying to make a transition into bona fide

1436
01:18:42,200 --> 01:18:47,320
Speaker 2: adult star and what often happens with that, and how

1437
01:18:47,560 --> 01:18:51,920
Speaker 2: Miley Cyrus is a prime example of this. So quote.

1438
01:18:52,160 --> 01:18:56,120
Speaker 2: When they are younger, their squeaky clean presentation is incredibly profitable,

1439
01:18:56,439 --> 01:18:59,640
Speaker 2: but unfortunately for them, they age out and soon run

1440
01:18:59,720 --> 01:19:04,479
Speaker 2: the risk of becoming something that threatens their respective careers. Corny.

1441
01:19:05,000 --> 01:19:07,040
Speaker 2: They have to do something to hold on to their

1442
01:19:07,080 --> 01:19:10,599
Speaker 2: fan bases, who, like them, are growing up and are

1443
01:19:10,640 --> 01:19:13,519
Speaker 2: in search of new voices and sounds more aligned with

1444
01:19:13,720 --> 01:19:17,360
Speaker 2: their newfound older interests. So they clamor for something that

1445
01:19:17,400 --> 01:19:22,479
Speaker 2: will convey rebellion, and they run right to black culture.

1446
01:19:23,520 --> 01:19:28,880
Speaker 2: Then Michael talks about America's obsession with black culture, which

1447
01:19:29,000 --> 01:19:34,200
Speaker 2: non black Americans generally perceive as cool. But respect for

1448
01:19:34,280 --> 01:19:38,639
Speaker 2: black culture does not extend to the Black people who

1449
01:19:38,680 --> 01:19:42,720
Speaker 2: are creating that culture, as they are the subjects of

1450
01:19:42,960 --> 01:19:47,839
Speaker 2: constant racial discrimination. And then Michael goes on to discuss

1451
01:19:47,920 --> 01:19:53,160
Speaker 2: the public backlash against Miley throughout the years regarding her

1452
01:19:53,240 --> 01:19:59,439
Speaker 2: appropriation of hip hop aesthetics and styles, And we already

1453
01:19:59,520 --> 01:20:02,120
Speaker 2: alluded to this, but like the very cringey comments she

1454
01:20:02,280 --> 01:20:06,280
Speaker 2: has made about it, or the ignorance she has feigned

1455
01:20:06,320 --> 01:20:08,840
Speaker 2: about it, things like that, and how easy it is

1456
01:20:08,960 --> 01:20:13,240
Speaker 2: for again white artists to co opt black culture for

1457
01:20:13,360 --> 01:20:17,800
Speaker 2: personal gain, not only like money and profitability, but also

1458
01:20:17,840 --> 01:20:21,120
Speaker 2: as a like strategic like oh, I'm going to co

1459
01:20:21,200 --> 01:20:26,400
Speaker 2: opt this culture to gain credibility and popularity and get

1460
01:20:26,400 --> 01:20:31,040
Speaker 2: myself to a certain level of fame that I want

1461
01:20:31,080 --> 01:20:33,799
Speaker 2: to be in. And then when it no longer suits

1462
01:20:34,040 --> 01:20:37,880
Speaker 2: an artist like Miley Cyrus, they're able to just shed

1463
01:20:39,040 --> 01:20:45,000
Speaker 2: that persona when they no longer feel it suits their interests.

1464
01:20:44,880 --> 01:20:47,120
Speaker 3: Right, and I think I mean other And again, like

1465
01:20:47,240 --> 01:20:50,799
Speaker 3: you were saying earlier, this is not a problem specific

1466
01:20:50,920 --> 01:20:55,360
Speaker 3: to her. She is one of the more prominent perpetrators

1467
01:20:56,080 --> 01:20:57,800
Speaker 3: in the last ten years. But it's like, also in

1468
01:20:57,840 --> 01:21:00,600
Speaker 3: the last ten years we have you know, Azalea and

1469
01:21:00,600 --> 01:21:05,760
Speaker 3: Ariana Grande, and I know that I'm missing other white

1470
01:21:05,800 --> 01:21:08,120
Speaker 3: pop stars. And it's also not an issue that's specific

1471
01:21:08,160 --> 01:21:11,200
Speaker 3: to white women, it's white artists writ large.

1472
01:21:11,320 --> 01:21:16,559
Speaker 2: Yeah, there's an interview between Sandersong and Emma Bracy on

1473
01:21:17,320 --> 01:21:21,960
Speaker 2: an episode of teen Vogue's Pop Feminist. We just love

1474
01:21:22,040 --> 01:21:24,479
Speaker 2: teen Vogue, but they talk about a lot of the

1475
01:21:24,520 --> 01:21:28,240
Speaker 2: same things that this article is discussing. And they also

1476
01:21:28,360 --> 01:21:35,080
Speaker 2: cite Katie Perry, Avril Lavine, Gwen Stefani, who all have

1477
01:21:35,120 --> 01:21:39,320
Speaker 2: a history of appropriating East Asian culture. And then like

1478
01:21:39,520 --> 01:21:42,760
Speaker 2: justin Timberlake, so many white artists.

1479
01:21:42,479 --> 01:21:44,360
Speaker 4: Really name a white pop star.

1480
01:21:45,160 --> 01:21:48,200
Speaker 3: I think the list is shorter of artists who have

1481
01:21:48,640 --> 01:21:52,240
Speaker 3: not done it in the last twenty years. And you know,

1482
01:21:52,320 --> 01:21:56,840
Speaker 3: going back obviously doesn't get better. Thank you for sharing

1483
01:21:56,840 --> 01:21:59,240
Speaker 3: that I hadn't Yeah, I hadn't seen that article.

1484
01:22:00,080 --> 01:22:02,760
Speaker 2: And then I'll share one last kind of closing thought

1485
01:22:02,880 --> 01:22:06,200
Speaker 2: from it quote, there is something to be said for

1486
01:22:06,280 --> 01:22:09,320
Speaker 2: an artist having the space to try new things. And

1487
01:22:09,479 --> 01:22:12,360
Speaker 2: for many born of a certain age, hip hop culture

1488
01:22:12,800 --> 01:22:16,559
Speaker 2: has been the defining culture for their entire lives. But

1489
01:22:16,720 --> 01:22:20,120
Speaker 2: if you don't respect these subcultures you borrow from, you

1490
01:22:20,280 --> 01:22:23,000
Speaker 2: are not so much curious as you are a charlatan.

1491
01:22:23,320 --> 01:22:26,080
Speaker 2: In a perfect world, black art made by black people

1492
01:22:26,120 --> 01:22:29,320
Speaker 2: would be just as successful as the art made by

1493
01:22:29,400 --> 01:22:33,680
Speaker 2: a white artist who's inspired by it. In an ideal society,

1494
01:22:33,800 --> 01:22:36,639
Speaker 2: what black people are vilified for wouldn't be so much

1495
01:22:36,760 --> 01:22:40,920
Speaker 2: more alluring when performed by white people. So yeah, I

1496
01:22:40,960 --> 01:22:43,519
Speaker 2: thought that was just a wonderful article with a lot

1497
01:22:43,560 --> 01:22:45,040
Speaker 2: of great points.

1498
01:22:45,240 --> 01:22:49,320
Speaker 3: Let's link that in the description all. The last thing

1499
01:22:49,360 --> 01:22:54,559
Speaker 3: I wanted to say was I guess just referencing that

1500
01:22:55,200 --> 01:23:01,160
Speaker 3: Miley Syer has eventually did respond to these criticisms, not

1501
01:23:01,400 --> 01:23:06,320
Speaker 3: until twenty nineteen that I was able to see. But

1502
01:23:06,400 --> 01:23:08,840
Speaker 3: I just thought it was interesting in the way that

1503
01:23:08,920 --> 01:23:13,120
Speaker 3: this happened because I didn't realize. It's a YouTube channel

1504
01:23:13,120 --> 01:23:17,120
Speaker 3: that I watch called As Told by Kenya, a woman

1505
01:23:17,200 --> 01:23:20,439
Speaker 3: named Kenya Wilson. She does great pop culture critique, and

1506
01:23:20,479 --> 01:23:24,799
Speaker 3: she released a video in twenty nineteen called Miley Cyrus

1507
01:23:24,920 --> 01:23:28,799
Speaker 3: is My Problematic Fave Sorry, which is a fun title,

1508
01:23:29,960 --> 01:23:33,880
Speaker 3: but basically in that she goes through everything that we've

1509
01:23:33,880 --> 01:23:39,120
Speaker 3: spoken about and more in detail and sort of lays

1510
01:23:39,160 --> 01:23:43,920
Speaker 3: out how she feels about how because Milly's been silent

1511
01:23:43,960 --> 01:23:47,719
Speaker 3: on this issue so long, like what is away forward?

1512
01:23:47,920 --> 01:23:48,960
Speaker 4: Is there a way forward?

1513
01:23:49,560 --> 01:23:53,960
Speaker 3: And her personal opinion on like I still enjoy her work,

1514
01:23:54,040 --> 01:23:56,599
Speaker 3: So how do I square this as a black woman?

1515
01:23:57,360 --> 01:24:00,600
Speaker 3: And Miley Cyrus actually watched and commented on the vide

1516
01:24:01,080 --> 01:24:05,120
Speaker 3: and I mean it's not I just.

1517
01:24:05,160 --> 01:24:06,880
Speaker 4: Thought it was interesting.

1518
01:24:06,960 --> 01:24:13,000
Speaker 3: I'll share a short quote of what she responded. She said, quote,

1519
01:24:13,000 --> 01:24:15,439
Speaker 3: there are decades of inequality that I am aware of,

1520
01:24:15,520 --> 01:24:17,519
Speaker 3: but I still have a lot to learn about. Silence

1521
01:24:17,600 --> 01:24:19,080
Speaker 3: is a part of the problem, and I refuse to

1522
01:24:19,080 --> 01:24:21,760
Speaker 3: be quiet anymore. Simply said, I fucked up, and I

1523
01:24:21,800 --> 01:24:24,719
Speaker 3: sincerely apologize. I'm committed to using my voice for healing,

1524
01:24:24,800 --> 01:24:26,280
Speaker 3: change and standing up for what's right.

1525
01:24:26,720 --> 01:24:27,679
Speaker 4: Which is very vague.

1526
01:24:27,680 --> 01:24:33,599
Speaker 3: But the one thing that did feel, I guess the

1527
01:24:33,640 --> 01:24:39,679
Speaker 3: most clear was I own the fact that saying quote

1528
01:24:39,760 --> 01:24:41,519
Speaker 3: this pushed me out of the hip hop scene a

1529
01:24:41,560 --> 01:24:45,960
Speaker 3: little unquote, referencing that twenty seventeen interview was insensitive as

1530
01:24:45,960 --> 01:24:48,160
Speaker 3: it is a privilege to have the ability to dip

1531
01:24:48,240 --> 01:24:52,320
Speaker 3: in and out of the scene, so you know, certainly

1532
01:24:52,320 --> 01:24:55,680
Speaker 3: doesn't make anything right. But I also thought it was

1533
01:24:55,800 --> 01:24:58,080
Speaker 3: interesting that this was a conversation that.

1534
01:24:58,800 --> 01:25:02,280
Speaker 4: Is still ongoing and it.

1535
01:25:01,520 --> 01:25:05,519
Speaker 3: Doesn't correct anything that was done, but just that that

1536
01:25:05,640 --> 01:25:09,439
Speaker 3: was a dialogue between Kenya Wilson and Miley Harris was interesting.

1537
01:25:11,280 --> 01:25:16,400
Speaker 3: And I'll send you we can link Kenya's video as well,

1538
01:25:16,439 --> 01:25:21,559
Speaker 3: because it is very comprehensive and she's just really fun

1539
01:25:21,600 --> 01:25:22,639
Speaker 3: to watch. I really like her.

1540
01:25:23,120 --> 01:25:26,719
Speaker 2: Hell yeah. So yeah, that's just something that we wanted

1541
01:25:26,720 --> 01:25:32,280
Speaker 2: to discuss that we didn't have time for in the

1542
01:25:32,560 --> 01:25:38,000
Speaker 2: live show. And what we also failed to do in

1543
01:25:38,040 --> 01:25:42,920
Speaker 2: the live show was take the nipple scale seriously. Oh yeah,

1544
01:25:43,439 --> 01:25:48,240
Speaker 2: So we're going to give more serious answers for our

1545
01:25:48,360 --> 01:25:51,599
Speaker 2: nipple scale, which is of course the metric we use.

1546
01:25:52,040 --> 01:25:55,200
Speaker 2: It is a scale of zero to five nipples based

1547
01:25:55,280 --> 01:26:00,000
Speaker 2: on evaluating the movie through an intersectional feminist lens.

1548
01:26:00,560 --> 01:26:00,800
Speaker 3: Yeah.

1549
01:26:01,680 --> 01:26:07,120
Speaker 2: I I'm now remembering why we didn't take it very

1550
01:26:07,120 --> 01:26:10,160
Speaker 2: seriously in the movie or in the episode, because uh,

1551
01:26:10,760 --> 01:26:15,680
Speaker 2: this is a very silly movie. I don't know, I

1552
01:26:15,680 --> 01:26:21,599
Speaker 2: guess like one and a half nipples.

1553
01:26:20,920 --> 01:26:26,639
Speaker 3: Yeah, sure, I'm like, I truly don't I mean, yeah, yeah,

1554
01:26:26,840 --> 01:26:27,880
Speaker 3: one and a half nipples.

1555
01:26:28,080 --> 01:26:31,720
Speaker 2: Yeah, And I won't say anything any further.

1556
01:26:31,760 --> 01:26:33,640
Speaker 3: If you know, you know, I'm going one and a

1557
01:26:33,680 --> 01:26:37,200
Speaker 3: half and I'm giving them to Reco for some reason.

1558
01:26:37,760 --> 01:26:39,559
Speaker 2: Oh wait who yeah.

1559
01:26:40,000 --> 01:26:41,280
Speaker 4: Yeah, I'll tell you when you're older.

1560
01:26:42,880 --> 01:26:48,560
Speaker 2: Okay, thanks, I'll give my nipples to character actor Margo Martindale.

1561
01:26:49,080 --> 01:26:56,000
Speaker 3: Amazing. Thank you again to Robert Evans and Too Curious

1562
01:26:56,000 --> 01:26:59,280
Speaker 3: Comedy Theater and to the entire audience that came out

1563
01:26:59,320 --> 01:27:06,360
Speaker 3: to that absolutely chaotic, bizarre show. And to Sophie Lichterman.

1564
01:27:06,600 --> 01:27:09,920
Speaker 3: We should be thanking her every single episode, but particularly

1565
01:27:10,000 --> 01:27:13,519
Speaker 3: this one, because not only did she was she kind

1566
01:27:13,600 --> 01:27:15,840
Speaker 3: enough to come on stage for the show, but also

1567
01:27:16,960 --> 01:27:20,519
Speaker 3: like put us up and like Sarah's shout out to

1568
01:27:20,520 --> 01:27:23,080
Speaker 3: Sarah Marshall and Sophie Liuchdterman for giving us a place

1569
01:27:23,120 --> 01:27:29,879
Speaker 3: to lay our perfect, beautiful heads. Yes and yeah, hopefully

1570
01:27:30,160 --> 01:27:34,040
Speaker 3: you know we are planning to be on tour a

1571
01:27:34,080 --> 01:27:36,759
Speaker 3: little bit in the fall, so keep your eyes peeled

1572
01:27:37,240 --> 01:27:40,120
Speaker 3: so you too can witness the terror that is a

1573
01:27:40,160 --> 01:27:41,280
Speaker 3: Bechdel cast live show.

1574
01:27:41,760 --> 01:27:43,400
Speaker 2: Will a knife get thrown at you?

1575
01:27:44,920 --> 01:27:47,840
Speaker 3: I feel I'm gonna be so careful that that does

1576
01:27:47,880 --> 01:27:49,760
Speaker 3: not happen again. But could be.

1577
01:27:49,720 --> 01:27:53,400
Speaker 2: Fun, could be At the very least we will probably

1578
01:27:53,439 --> 01:27:56,720
Speaker 2: eat hot dogs on stage and maybe wear wigs.

1579
01:27:57,040 --> 01:28:01,160
Speaker 3: Yeah, we're getting into we're kind of entering our themed

1580
01:28:01,240 --> 01:28:05,200
Speaker 3: costume at the show era, so yes, don't rule out

1581
01:28:05,240 --> 01:28:05,599
Speaker 3: a wig.

1582
01:28:05,960 --> 01:28:10,960
Speaker 2: Yeah, And you will find out about things like upcoming

1583
01:28:11,040 --> 01:28:15,439
Speaker 2: tours on our social media where you can follow us

1584
01:28:15,479 --> 01:28:19,639
Speaker 2: on Twitter and Instagram at Bechdel Cast. You can also

1585
01:28:19,880 --> 01:28:26,599
Speaker 2: always subscribe to the Matreon, which is at patreon dot

1586
01:28:26,640 --> 01:28:30,679
Speaker 2: com slash Bechtel Cast. It is five dollars a month

1587
01:28:30,720 --> 01:28:34,559
Speaker 2: and you get access to two bonus episodes per month,

1588
01:28:34,640 --> 01:28:38,640
Speaker 2: plus the entire back catalog of all of our bonuses,

1589
01:28:39,160 --> 01:28:43,080
Speaker 2: something like one hundred and fifty ish episodes.

1590
01:28:43,200 --> 01:28:46,880
Speaker 3: Wilds, we just covered what a girl wants after years

1591
01:28:46,920 --> 01:28:47,800
Speaker 3: of avoiding it.

1592
01:28:48,640 --> 01:28:49,479
Speaker 5: And yeah.

1593
01:28:49,479 --> 01:28:51,640
Speaker 3: You can also get our merch over on teapublic dot

1594
01:28:51,720 --> 01:28:56,800
Speaker 3: com slash the Bechtel Cast. And in the meantime, time

1595
01:28:56,840 --> 01:29:00,920
Speaker 3: to get on your horse or whatever and go hang

1596
01:29:00,960 --> 01:29:04,240
Speaker 3: out with Margot Martindale or whatever.

1597
01:29:04,760 --> 01:29:10,680
Speaker 2: I'm gonna go into the chicken coop and collect three eggs.

1598
01:29:11,439 --> 01:29:14,599
Speaker 3: And I'll collect whatever other appropriate number of eggs there

1599
01:29:14,640 --> 01:29:15,320
Speaker 3: are in there.

1600
01:29:15,800 --> 01:29:17,519
Speaker 4: Bye bye, bye bye