1 00:00:01,000 --> 00:00:03,000 Speaker 1: Hey, what's up, guys. I'm excited to get into this 2 00:00:03,120 --> 00:00:07,040 Speaker 1: bonus after party episode here. We've got Halloween season starting 3 00:00:07,040 --> 00:00:09,600 Speaker 1: to kick in and all kinds of spooky and evil 4 00:00:09,640 --> 00:00:13,360 Speaker 1: Disgraceland stuff that we're discussing. More on that shortly, along 5 00:00:13,400 --> 00:00:15,760 Speaker 1: with some notes on You God, which is our latest 6 00:00:15,760 --> 00:00:19,080 Speaker 1: episode in our serialized Wu Tang Clan series. I want 7 00:00:19,120 --> 00:00:20,880 Speaker 1: to thank all you guys for taking the time to 8 00:00:21,040 --> 00:00:24,160 Speaker 1: ride this Wu Tang train with us odb Old Dirty 9 00:00:24,200 --> 00:00:26,640 Speaker 1: Bastard is up next. Then we wrap the season with 10 00:00:26,720 --> 00:00:30,400 Speaker 1: episodes on Master Killer and Jizza, and then move headfirst 11 00:00:30,400 --> 00:00:35,720 Speaker 1: into some pretty killer Halloween themed Disgraceland episodes, which super 12 00:00:35,760 --> 00:00:38,040 Speaker 1: excited to talk to you guys about here in the 13 00:00:38,320 --> 00:00:41,120 Speaker 1: bonus after party. Yup, Just a heads up that over 14 00:00:41,159 --> 00:00:43,199 Speaker 1: in the bad Lands Feed this week you can hear 15 00:00:43,280 --> 00:00:47,400 Speaker 1: the trailer for our newest season, season nine. David Lanch 16 00:00:47,479 --> 00:00:49,440 Speaker 1: Phil Hartman got a lot of cool stuff planned for 17 00:00:49,479 --> 00:00:51,800 Speaker 1: you over there this season in bad Land, So make 18 00:00:51,800 --> 00:00:55,120 Speaker 1: sure you're following or subscribing to Badlands, my other podcast 19 00:00:55,120 --> 00:00:58,160 Speaker 1: that I host wherever you guys get your podcasts. All right, 20 00:00:58,640 --> 00:01:04,160 Speaker 1: let's get into this here bonus episode. Hey, discos need 21 00:01:04,200 --> 00:01:06,880 Speaker 1: a little more Disgraceland in your life, just to touch 22 00:01:07,040 --> 00:01:10,319 Speaker 1: to get you through. Yeah, me too. This is the 23 00:01:10,360 --> 00:01:14,440 Speaker 1: podcast that comes after the podcast. Welcome to Disgraceland. The 24 00:01:14,520 --> 00:01:32,320 Speaker 1: after Partie. Welcome to the Disgraceland bonus episode, a little 25 00:01:32,319 --> 00:01:35,280 Speaker 1: thing we like to call the after party. This is 26 00:01:35,319 --> 00:01:37,800 Speaker 1: the show after the show, the party after the party, 27 00:01:37,840 --> 00:01:39,600 Speaker 1: the bridge to get you from one full episode of 28 00:01:39,680 --> 00:01:43,280 Speaker 1: Disgraceland to the other, the backyard to dig into the dirt. 29 00:01:43,640 --> 00:01:47,280 Speaker 1: On this episode we are talking about, among other things, 30 00:01:47,319 --> 00:01:50,320 Speaker 1: you Got and our continued serialized season on Wu Tang 31 00:01:50,360 --> 00:01:54,520 Speaker 1: Clan Boston and New York Hardcore Halloween, and what I 32 00:01:54,560 --> 00:01:57,720 Speaker 1: Want from you guys. Hint it rhymes with I want 33 00:01:57,920 --> 00:02:03,440 Speaker 1: your sculls, course, your voicemails, text, dms and more and 34 00:02:03,520 --> 00:02:05,840 Speaker 1: as always, a whole lot of rosie. All right, this goes, 35 00:02:06,240 --> 00:02:22,920 Speaker 1: let's get into it. Yes, yes, yes, we are back 36 00:02:23,000 --> 00:02:26,680 Speaker 1: with another after party bonus episode, as we released chapter 37 00:02:26,720 --> 00:02:29,400 Speaker 1: seven of our serialized Wu Tang Clan saga here in 38 00:02:29,480 --> 00:02:33,160 Speaker 1: Disgraceland this week. Chapter seven is of course, all about 39 00:02:33,240 --> 00:02:38,240 Speaker 1: Lamont Hawkins aka You God. Like many members of Wu Tang, 40 00:02:38,480 --> 00:02:40,800 Speaker 1: You God was raised by a single mother and raised 41 00:02:40,840 --> 00:02:44,120 Speaker 1: by the streets of Staten Island, the mean streets. We 42 00:02:44,120 --> 00:02:46,200 Speaker 1: can say that, right, the mean streets of Staten Island. 43 00:02:46,240 --> 00:02:49,800 Speaker 1: To be precise. To quote You God, material stuff is 44 00:02:49,840 --> 00:02:52,520 Speaker 1: so enticing when you don't have shit. My mom provided 45 00:02:52,560 --> 00:02:54,960 Speaker 1: the bare minimum, but that was all she could afford. 46 00:02:55,160 --> 00:02:57,000 Speaker 1: If I wanted to get fresh and has some money 47 00:02:57,000 --> 00:02:58,840 Speaker 1: to eat, I had to come up with a plan. 48 00:02:59,320 --> 00:03:01,440 Speaker 1: So that's a quote from You God's book, which I've 49 00:03:01,480 --> 00:03:05,600 Speaker 1: talked about before raw My Journey into the Wu Tang, 50 00:03:05,680 --> 00:03:07,679 Speaker 1: which like I said, I mentioned earlier this week in 51 00:03:07,720 --> 00:03:10,800 Speaker 1: our pre party episode. And the plan that You God 52 00:03:10,880 --> 00:03:13,440 Speaker 1: is referring to is, of course the drug game in 53 00:03:13,480 --> 00:03:15,280 Speaker 1: New York City in the nineteen eighties, a game that 54 00:03:15,320 --> 00:03:17,520 Speaker 1: got him arrested, got him sent to jail, got him 55 00:03:17,520 --> 00:03:21,480 Speaker 1: nearly killed. That game, that plan that life was tough 56 00:03:21,520 --> 00:03:24,240 Speaker 1: to escape from. And if you listened to the episode, 57 00:03:24,320 --> 00:03:26,360 Speaker 1: you know that just because you decide to leave that 58 00:03:26,440 --> 00:03:29,320 Speaker 1: life behind does not mean that that life leaves you behind. 59 00:03:29,480 --> 00:03:32,360 Speaker 1: You God, like the rest of the guys in Wu Tang, 60 00:03:32,800 --> 00:03:36,360 Speaker 1: grew up listening to great music. All kinds of great 61 00:03:36,400 --> 00:03:38,200 Speaker 1: music was happening at the time. Remember this is the 62 00:03:38,240 --> 00:03:40,960 Speaker 1: early eighties, when he's coming up. It's the advent of 63 00:03:41,040 --> 00:03:43,560 Speaker 1: hip hop, and in you God's case, his uncle brought 64 00:03:43,640 --> 00:03:46,160 Speaker 1: cassette tapes around for him to check out and get 65 00:03:46,200 --> 00:03:49,320 Speaker 1: into stuff like Grandmaster Flash, Dougie Fresh, Cool mo O, 66 00:03:49,440 --> 00:03:52,720 Speaker 1: d Busy B and the last two in particular engaged 67 00:03:52,760 --> 00:03:55,120 Speaker 1: in one of the earliest and most iconic rap battles 68 00:03:55,120 --> 00:03:57,880 Speaker 1: of all time way back in nineteen eighty one. Now 69 00:03:58,440 --> 00:04:01,000 Speaker 1: goes without saying this, this was a time when music 70 00:04:01,040 --> 00:04:04,880 Speaker 1: discovery was extremely different than it is today. And nowadays 71 00:04:04,880 --> 00:04:07,440 Speaker 1: it's just it's endless, the amount of music you can discover, 72 00:04:07,560 --> 00:04:10,160 Speaker 1: in the ease of which you can discover it. There's 73 00:04:10,200 --> 00:04:13,680 Speaker 1: not just so much different content at your fingertips. There 74 00:04:13,680 --> 00:04:15,640 Speaker 1: are so many different platforms you can go to and 75 00:04:15,760 --> 00:04:18,480 Speaker 1: very easily find whatever it is that you're looking for 76 00:04:18,600 --> 00:04:21,320 Speaker 1: or even not looking for. Okay, this is both good 77 00:04:21,720 --> 00:04:24,480 Speaker 1: and bad. I can make both sides of that argument. 78 00:04:24,880 --> 00:04:26,960 Speaker 1: This is a time. Just remember this is a time. 79 00:04:27,000 --> 00:04:30,400 Speaker 1: This is my point again, you had to be somewhat 80 00:04:30,600 --> 00:04:34,640 Speaker 1: lucky to discover incredible music. If you were young and dumb, 81 00:04:34,680 --> 00:04:36,839 Speaker 1: as most of us were at one point. If you 82 00:04:36,839 --> 00:04:38,440 Speaker 1: were lucky, like I said, he had a cool uncle, 83 00:04:38,480 --> 00:04:41,120 Speaker 1: an older brother and older sister would passed down tapes, 84 00:04:41,200 --> 00:04:43,560 Speaker 1: records to you, maybe mixtapes if you were lucky enough, 85 00:04:43,600 --> 00:04:46,680 Speaker 1: because those were personalized, those those might have even been themed. 86 00:04:47,279 --> 00:04:50,680 Speaker 1: Or if you were super lucky and you hit sort 87 00:04:50,680 --> 00:04:52,920 Speaker 1: of the culture lottery and were born in New York 88 00:04:52,960 --> 00:04:54,960 Speaker 1: City in the seventies and came up in the eighties, 89 00:04:55,320 --> 00:04:57,680 Speaker 1: maybe even caught something like Mister Magic's rap attack on 90 00:04:57,720 --> 00:05:00,480 Speaker 1: the radio. Or maybe maybe maybe you and happened to 91 00:05:00,520 --> 00:05:03,800 Speaker 1: see something as cool as Cool Mode Battling busy Bee 92 00:05:04,240 --> 00:05:07,520 Speaker 1: in person. It's hard to describe this to people discovering 93 00:05:07,520 --> 00:05:10,240 Speaker 1: new music now. It's especially hard to describe it without 94 00:05:10,360 --> 00:05:13,000 Speaker 1: sounding like an old bastard. But a got me thinking, 95 00:05:13,560 --> 00:05:15,880 Speaker 1: what are some of the most memorable ways that you've 96 00:05:15,880 --> 00:05:18,560 Speaker 1: discovered great music in your lifetime? Was it a cool uncle, 97 00:05:18,680 --> 00:05:21,400 Speaker 1: was it a mixtape? Was it someone in your high school, 98 00:05:21,640 --> 00:05:24,360 Speaker 1: maybe a crush, maybe a boyfriend, maybe a girlfriend, maybe 99 00:05:24,360 --> 00:05:26,960 Speaker 1: an older brother or a sister. Or was it was 100 00:05:27,000 --> 00:05:29,600 Speaker 1: a radio station, a tiny little college station in a 101 00:05:29,640 --> 00:05:31,720 Speaker 1: tiny little town somewhere that you happen to be able 102 00:05:31,720 --> 00:05:34,200 Speaker 1: to tune in, or was it something else? Okay, I 103 00:05:34,240 --> 00:05:36,760 Speaker 1: want to know what your most memorable music discovery stories 104 00:05:36,760 --> 00:05:38,400 Speaker 1: are I've got two off the bat. I mentioned this 105 00:05:38,480 --> 00:05:40,200 Speaker 1: in an interview before, so forgive me if some of 106 00:05:40,240 --> 00:05:43,200 Speaker 1: you have heard this. But fourth grade, we moved to 107 00:05:43,240 --> 00:05:46,000 Speaker 1: a new town, new house. I'm walking in my backyard. 108 00:05:46,279 --> 00:05:48,560 Speaker 1: We just moved in. Mind you, I don't have any friends. 109 00:05:49,160 --> 00:05:51,560 Speaker 1: It's like it's not raining, but it was, like, you know, 110 00:05:51,600 --> 00:05:53,559 Speaker 1: it's like a New England morning mist on the ground, 111 00:05:53,680 --> 00:05:57,520 Speaker 1: kind of wet. Bam right there, led Zeppelin one in 112 00:05:57,560 --> 00:06:01,080 Speaker 1: a cassette. Just hey, here you go, Jake. We're just 113 00:06:01,120 --> 00:06:02,320 Speaker 1: going to open up the rest of your life for 114 00:06:02,360 --> 00:06:04,839 Speaker 1: you right here with this cassette. I mean, it was divine. 115 00:06:05,279 --> 00:06:07,240 Speaker 1: I have no idea how that happened. I still don't know. 116 00:06:07,279 --> 00:06:08,920 Speaker 1: I went in, I played it, and everything changed for me. 117 00:06:08,960 --> 00:06:12,200 Speaker 1: I'm not exaggerating. I'd never really even heard led zeppein before. 118 00:06:12,240 --> 00:06:14,120 Speaker 1: If I did, I didn't know I did. Maybe I 119 00:06:14,120 --> 00:06:16,320 Speaker 1: heard him on the radio and then I find led 120 00:06:16,400 --> 00:06:19,039 Speaker 1: Zeppelin one in my backyard. Are you fucking kidding me? 121 00:06:19,520 --> 00:06:22,719 Speaker 1: What are the chances in a pre internet world? Another one, 122 00:06:22,839 --> 00:06:25,480 Speaker 1: another example that I've given before, probably in interviews. I'm 123 00:06:25,520 --> 00:06:27,560 Speaker 1: not sure I've gotten into it in these bonus episodes 124 00:06:27,600 --> 00:06:29,200 Speaker 1: maybe I have. Forgive me if I have, but I'm 125 00:06:29,200 --> 00:06:31,119 Speaker 1: gonna tell you this story. Anyways. I'm in the sixth 126 00:06:31,120 --> 00:06:34,520 Speaker 1: grade now, and I somehow convince my stepfather, who I 127 00:06:34,560 --> 00:06:37,040 Speaker 1: don't have a great relationship at the time, to bring 128 00:06:37,080 --> 00:06:39,279 Speaker 1: me down to City Hall Music and Clinton Mass right 129 00:06:39,360 --> 00:06:42,440 Speaker 1: on High Street, my hometown record store. There's some fucking 130 00:06:42,480 --> 00:06:45,040 Speaker 1: Stone or high school drop out behind the counter, and 131 00:06:45,160 --> 00:06:46,840 Speaker 1: I go up and I try to buy or try 132 00:06:46,880 --> 00:06:49,520 Speaker 1: to get my stepfather to pay for for those about 133 00:06:49,520 --> 00:06:52,400 Speaker 1: to rock, We Salute you by ACDC, at which point 134 00:06:52,680 --> 00:06:57,080 Speaker 1: the Stone record clerk convinces me. Before he convinces me, 135 00:06:57,320 --> 00:06:59,920 Speaker 1: he explains to me that there is a whole other 136 00:07:00,040 --> 00:07:03,880 Speaker 1: incarnation of ACDC that existed before Brian Johnson, which to 137 00:07:03,920 --> 00:07:07,400 Speaker 1: my sixth grade brain had no concept of. I didn't 138 00:07:07,440 --> 00:07:10,280 Speaker 1: know Bon Scott even existed, never mind, did I get 139 00:07:10,640 --> 00:07:15,520 Speaker 1: or understand how much cooler Bond Scott era ACDC was 140 00:07:16,000 --> 00:07:19,600 Speaker 1: than Brian Johnson era ACDC. Everything opened up for me 141 00:07:19,640 --> 00:07:21,920 Speaker 1: there is I mean, I love Brian Johnson, but let's 142 00:07:21,920 --> 00:07:24,320 Speaker 1: be cool. There's nothing cooler than bon Scott ACDC. Like, 143 00:07:24,840 --> 00:07:26,960 Speaker 1: it just isn't okay. So those are two of my 144 00:07:27,040 --> 00:07:30,200 Speaker 1: stories two of my music discovery stories six one seven 145 00:07:30,280 --> 00:07:32,480 Speaker 1: nine oh six six six three eight. Leave me a 146 00:07:32,520 --> 00:07:34,760 Speaker 1: voicemail or send me a text and let me know 147 00:07:35,160 --> 00:07:38,000 Speaker 1: what some of your music discovery stories or let me 148 00:07:38,000 --> 00:07:40,160 Speaker 1: know anything. Just leave me a voicemail like this guy 149 00:07:40,200 --> 00:07:42,240 Speaker 1: from the five seven to one on Bruce Springsteen. 150 00:07:43,200 --> 00:07:45,640 Speaker 2: Good morning, Jake. I hope you can hear me well. 151 00:07:46,160 --> 00:07:50,360 Speaker 2: I am in the car a long time listener. I 152 00:07:50,440 --> 00:07:53,200 Speaker 2: have to say that my favorite episode that you did, 153 00:07:53,960 --> 00:07:56,200 Speaker 2: and I hope think you will do this type episode again, 154 00:07:56,400 --> 00:08:00,720 Speaker 2: is your Bruce Springstein. The way you made stories from 155 00:08:00,760 --> 00:08:05,040 Speaker 2: his songs was amazing. You know, I went after that 156 00:08:05,200 --> 00:08:10,000 Speaker 2: episode and mainlined Bruce Springsteen into my vein, which I 157 00:08:10,080 --> 00:08:13,600 Speaker 2: do with most of your episode. As soon as you've 158 00:08:13,640 --> 00:08:18,640 Speaker 2: finished your stories about a band, all go turn around, 159 00:08:19,280 --> 00:08:23,600 Speaker 2: think on and just like finish that band's music. And 160 00:08:24,040 --> 00:08:26,280 Speaker 2: it's a great way for me to spend my morning 161 00:08:26,360 --> 00:08:27,000 Speaker 2: before work. 162 00:08:27,040 --> 00:08:27,600 Speaker 3: I love it. 163 00:08:28,080 --> 00:08:31,880 Speaker 2: So if we could get more of that, I would 164 00:08:31,960 --> 00:08:34,160 Speaker 2: be super happy. I know you can't do that with 165 00:08:34,760 --> 00:08:37,120 Speaker 2: you know, every band, every song you might have to 166 00:08:37,120 --> 00:08:40,160 Speaker 2: interpret the lyrics, and it was probably probably a lot 167 00:08:40,200 --> 00:08:45,200 Speaker 2: easier with that Bruce Springsteen album. But It was very enjoyable, 168 00:08:45,440 --> 00:08:49,720 Speaker 2: and it really put me in the story. You know, 169 00:08:49,760 --> 00:08:53,880 Speaker 2: I had to visualize in my brain what was going 170 00:08:53,960 --> 00:08:58,280 Speaker 2: down and how everything played out, and I freaking love it, man, 171 00:08:58,360 --> 00:09:00,440 Speaker 2: and I hope to see more of that again. It 172 00:09:00,520 --> 00:09:04,240 Speaker 2: was just fantastic already, just go. I can't wait for 173 00:09:04,280 --> 00:09:08,160 Speaker 2: the inevitable Cliff Burton episode. I know that one will 174 00:09:08,160 --> 00:09:09,959 Speaker 2: be a good one. But I hope you have a 175 00:09:10,000 --> 00:09:10,720 Speaker 2: good morning, sir. 176 00:09:11,240 --> 00:09:13,839 Speaker 1: All Right, dude, I appreciate the message. Happy to hear. 177 00:09:13,880 --> 00:09:16,480 Speaker 1: These disgrace Sand episodes are driving you deeper into the 178 00:09:16,559 --> 00:09:21,480 Speaker 1: artists musical catalogs. As for more episodes on the stories 179 00:09:22,800 --> 00:09:26,840 Speaker 1: from the artists songs, I think it depends on what 180 00:09:27,000 --> 00:09:32,160 Speaker 1: types of songs we're talking about. With Springsteen's Nebraska, like 181 00:09:32,200 --> 00:09:35,760 Speaker 1: you mentioned, these songs obviously lended themselves to this type 182 00:09:35,760 --> 00:09:38,720 Speaker 1: of story storytelling because a a lot of the songs 183 00:09:38,720 --> 00:09:42,240 Speaker 1: are true crime songs. They're literally about true crime events 184 00:09:42,360 --> 00:09:44,880 Speaker 1: and true crime characters. Charlie Stark Weather fil tested the 185 00:09:44,920 --> 00:09:48,559 Speaker 1: Chicken Man, and that of course sits comfortably on our 186 00:09:48,640 --> 00:09:52,360 Speaker 1: side of the street here in Disgraceland. But also it 187 00:09:52,520 --> 00:09:57,840 Speaker 1: was compelling for me with Nebraska to take this storytelling 188 00:09:57,840 --> 00:10:00,400 Speaker 1: approach because a lot of the characters in the Nebraska songs, 189 00:10:00,400 --> 00:10:03,320 Speaker 1: even the fictional ones, felt personal to me and where 190 00:10:03,320 --> 00:10:07,120 Speaker 1: I grew up, Like I just mentioned Clinton, mass a 191 00:10:07,240 --> 00:10:09,960 Speaker 1: very blue collar, working class town, so I felt like 192 00:10:09,960 --> 00:10:13,640 Speaker 1: I could really make something special happen with them. So 193 00:10:13,760 --> 00:10:16,080 Speaker 1: I don't know, I mean, it depends if we're talking, 194 00:10:16,320 --> 00:10:20,040 Speaker 1: you know, Elton John songs. I don't know that I 195 00:10:20,080 --> 00:10:21,679 Speaker 1: can get as much out of it as I did 196 00:10:21,679 --> 00:10:24,280 Speaker 1: with Nebraska, but maybe I can. I need to look 197 00:10:24,320 --> 00:10:27,079 Speaker 1: at it on a case by case basis. Either way, 198 00:10:27,120 --> 00:10:28,599 Speaker 1: I like what you're opening up for me here, so 199 00:10:28,640 --> 00:10:32,160 Speaker 1: I appreciate that. As for Cliff Burton, I've been working 200 00:10:32,160 --> 00:10:35,480 Speaker 1: on something special for Cliff over the past year, and 201 00:10:35,520 --> 00:10:38,559 Speaker 1: I hope to announce that sometime in the future. All right, 202 00:10:38,640 --> 00:10:41,240 Speaker 1: let's check out this voicemail from the four to four 203 00:10:41,280 --> 00:10:44,240 Speaker 1: to three in Baltimore, or as they say on the wire, Baltimore. 204 00:10:45,080 --> 00:10:49,720 Speaker 3: Hey, my name, I'm twenty years old. I live in Baltimore, Maryland. 205 00:10:50,480 --> 00:10:50,959 Speaker 2: I was just. 206 00:10:50,920 --> 00:10:52,880 Speaker 3: Thinking it would be cool if you did an episode 207 00:10:53,040 --> 00:10:58,240 Speaker 3: on people who have overdosed. I'm an addict in recovery myself, 208 00:10:58,880 --> 00:10:59,800 Speaker 3: so you know you. 209 00:10:59,760 --> 00:11:01,800 Speaker 4: Got you already did any line House. 210 00:11:01,800 --> 00:11:04,240 Speaker 3: So you got Mac Miller, you got Juice World, you 211 00:11:04,280 --> 00:11:09,120 Speaker 3: got xx extension, lots of them. So yeah, I didn't 212 00:11:09,160 --> 00:11:11,080 Speaker 3: know if that would maybe be a good idea for 213 00:11:11,120 --> 00:11:13,480 Speaker 3: an episode or I know Juice World would. I know 214 00:11:13,520 --> 00:11:15,719 Speaker 3: people would eat that shit up for sure, But. 215 00:11:16,640 --> 00:11:19,360 Speaker 2: Yeah, regardless, my number is four four three. 216 00:11:20,840 --> 00:11:22,800 Speaker 3: If you want to call me back or whatever. But 217 00:11:23,080 --> 00:11:24,560 Speaker 3: either way, I hope you're having a great day. 218 00:11:24,600 --> 00:11:26,560 Speaker 4: Okay, bye, all right, thank. 219 00:11:26,480 --> 00:11:28,840 Speaker 1: You for the message. Uh your name Goold dropped from 220 00:11:28,840 --> 00:11:31,440 Speaker 1: the call, so I did not catch it. That wasn't 221 00:11:31,440 --> 00:11:33,600 Speaker 1: me cutting it out, But welcome to disgrace Lane. Happy 222 00:11:33,600 --> 00:11:35,120 Speaker 1: to hear your in recovery. Keep going. 223 00:11:35,760 --> 00:11:35,880 Speaker 4: Uh. 224 00:11:35,960 --> 00:11:38,000 Speaker 1: So, we did do an episode on Juice World, but 225 00:11:38,000 --> 00:11:40,720 Speaker 1: it's currently unavailable. However, we will be making it available 226 00:11:40,760 --> 00:11:42,880 Speaker 1: and releasing it next month. As for the others that 227 00:11:42,920 --> 00:11:47,040 Speaker 1: you mentioned, Kurt Cobae and Mac Miller, xxx, Tantasion, Amy Winehouse, 228 00:11:47,040 --> 00:11:48,760 Speaker 1: we've got episodes on all those artists. They're in the 229 00:11:48,760 --> 00:11:51,480 Speaker 1: feed right now, and we've also got an episode on 230 00:11:51,480 --> 00:11:53,240 Speaker 1: a Little Peete, so check those out. Let me know 231 00:11:53,280 --> 00:11:55,280 Speaker 1: if you have any troubles finding them, hit me back. 232 00:11:55,320 --> 00:11:58,880 Speaker 1: Six one seven nine oh six six, six, three eight. 233 00:12:00,080 --> 00:12:02,760 Speaker 1: Let's check out this voicemail from the four to oh one. 234 00:12:03,679 --> 00:12:06,360 Speaker 4: Jay David from the four oh one, I have so 235 00:12:06,440 --> 00:12:08,600 Speaker 4: many questions. I don't even know if this take is 236 00:12:08,600 --> 00:12:11,360 Speaker 4: going to be long enough. First of all, can you 237 00:12:11,400 --> 00:12:17,400 Speaker 4: elaborate on the exclusive Amazon era of Disgraceland and why 238 00:12:17,400 --> 00:12:19,760 Speaker 4: it's taken you guys so long to get all your 239 00:12:19,840 --> 00:12:25,200 Speaker 4: content back and up on iTunes and whatnot. I don't 240 00:12:25,200 --> 00:12:27,160 Speaker 4: know if it's a legal situation if you can't get 241 00:12:27,200 --> 00:12:29,720 Speaker 4: into it, but I find that side of the business 242 00:12:29,800 --> 00:12:34,360 Speaker 4: very interesting. Also, I would like to know if you 243 00:12:34,559 --> 00:12:39,160 Speaker 4: heard about Lamb of Godly singer Randy Blight and what 244 00:12:39,320 --> 00:12:42,800 Speaker 4: happened to him in the Czech Republic, allegedly pushing a 245 00:12:42,800 --> 00:12:45,760 Speaker 4: fan of the stage and the kid ended up getting 246 00:12:45,800 --> 00:12:47,760 Speaker 4: hurt and he ended up doing a year in jail. 247 00:12:48,240 --> 00:12:50,080 Speaker 4: I just didn't know if there was an episode there 248 00:12:50,160 --> 00:12:52,280 Speaker 4: or if that type of music is just too heavy 249 00:12:52,880 --> 00:12:57,920 Speaker 4: for disgrace Plant format. Also, being from the four oh one, 250 00:12:58,120 --> 00:13:03,880 Speaker 4: I would love your input on local bands mainly from Massachusetts, 251 00:13:04,240 --> 00:13:08,400 Speaker 4: kill Switch, Engage, All That Remains, the Bosstones, the drop Kicks, 252 00:13:09,280 --> 00:13:11,960 Speaker 4: you know, all the greatest tips. Just wondering how you 253 00:13:12,000 --> 00:13:15,320 Speaker 4: feel about the New England scene, considering that you were 254 00:13:15,360 --> 00:13:19,640 Speaker 4: in a band yourself. I appreciate all the content, love 255 00:13:19,679 --> 00:13:22,120 Speaker 4: the shows, keep it going. 256 00:13:22,400 --> 00:13:26,559 Speaker 1: Rock and rolla all right, David on Amazon real quick? 257 00:13:27,200 --> 00:13:29,800 Speaker 1: Just to answer your question here as quickly and as 258 00:13:29,960 --> 00:13:33,280 Speaker 1: in the most non boring way that I can the podcast. 259 00:13:33,320 --> 00:13:36,400 Speaker 1: We launched this independently. We then signed a sales and 260 00:13:36,400 --> 00:13:39,319 Speaker 1: distribution deal with iHeart. Just so you know what that 261 00:13:39,360 --> 00:13:41,720 Speaker 1: means if you don't already, it means that they basically 262 00:13:41,760 --> 00:13:45,320 Speaker 1: agree to license the content and then they go and 263 00:13:45,360 --> 00:13:48,800 Speaker 1: they sell it for you. We did the same thing 264 00:13:48,840 --> 00:13:51,480 Speaker 1: with Amazon after that, and the only difference was the 265 00:13:51,520 --> 00:13:55,760 Speaker 1: content was to be made exclusive to Amazon. That helps them. 266 00:13:55,800 --> 00:13:58,280 Speaker 1: It helps them bring in new listeners, etc. For their 267 00:13:58,320 --> 00:14:00,560 Speaker 1: new podcasting platform that they were launched at the time. 268 00:14:00,600 --> 00:14:02,160 Speaker 1: And we've since moved on from that deal to the 269 00:14:02,160 --> 00:14:05,680 Speaker 1: beginning of twenty twenty three, so we're releasing all of 270 00:14:05,679 --> 00:14:08,840 Speaker 1: our previously exclusive content into the wide wide world of podcasting. 271 00:14:08,920 --> 00:14:11,840 Speaker 1: That's really it, And you know, I guess the one 272 00:14:11,840 --> 00:14:14,520 Speaker 1: more part of your question is why don't we release 273 00:14:14,559 --> 00:14:17,280 Speaker 1: it all at once? And the reason is because it's 274 00:14:17,320 --> 00:14:19,320 Speaker 1: just overwhelming. There's too much of it. And we need 275 00:14:19,320 --> 00:14:23,120 Speaker 1: to spread it out over some months, weeks, etc. But 276 00:14:23,200 --> 00:14:25,440 Speaker 1: we will have it all out by the end of 277 00:14:25,440 --> 00:14:27,400 Speaker 1: this year. There's only six more episodes I believe that 278 00:14:27,440 --> 00:14:32,360 Speaker 1: are still in the archive, and they'll be released very shortly. Okay, 279 00:14:32,880 --> 00:14:36,040 Speaker 1: appreciate the question. Oh you have more of your question 280 00:14:36,120 --> 00:14:39,000 Speaker 1: here I'm seeing here ask for Boston bands. My favorite 281 00:14:39,000 --> 00:14:41,400 Speaker 1: Boston bands for the hardcore slash heavy music scene would 282 00:14:41,440 --> 00:14:45,160 Speaker 1: be number one, Soopshot number two, the original Wrecking Crew 283 00:14:45,200 --> 00:14:48,160 Speaker 1: with the original singer Glenn Dudley. Number three, I for 284 00:14:48,240 --> 00:14:50,400 Speaker 1: an I number four, the Mighty Money Bostons. Number five. 285 00:14:50,400 --> 00:14:52,240 Speaker 1: I want to say the Lemonheads, but they're not heavy enough, 286 00:14:52,240 --> 00:14:54,880 Speaker 1: so I'm going to go with Doom Riders instead, even 287 00:14:54,920 --> 00:14:57,240 Speaker 1: though they have one of my ex bandmates in the 288 00:14:57,280 --> 00:15:00,440 Speaker 1: band and I'm biased. Cavan would be a close six. 289 00:15:01,000 --> 00:15:02,280 Speaker 1: All right, guys, you know how to get in touch 290 00:15:02,320 --> 00:15:05,280 Speaker 1: with me six one seven nine oh six six six 291 00:15:05,400 --> 00:15:08,040 Speaker 1: three eight. Hit me up on any topic that you like. 292 00:15:08,560 --> 00:15:12,000 Speaker 1: We're storming through this wu Tang series, wrapping it up 293 00:15:12,040 --> 00:15:14,200 Speaker 1: midway through October. We're close to the end that we're 294 00:15:14,240 --> 00:15:16,520 Speaker 1: coming at you with some serious Halloween content for the 295 00:15:16,560 --> 00:15:19,320 Speaker 1: rest of the month. Uh, so, you know, call me. 296 00:15:19,480 --> 00:15:20,880 Speaker 1: Let me know what you think of the Wu Tang series. 297 00:15:21,000 --> 00:15:23,160 Speaker 1: Let me know what your favorite musical discovery moments are, 298 00:15:23,560 --> 00:15:26,000 Speaker 1: some of the experiences you had and finding some of 299 00:15:26,040 --> 00:15:28,840 Speaker 1: your favorite bands. Uh, let me know your favorite As 300 00:15:28,880 --> 00:15:30,480 Speaker 1: we get into Halloween, this is what I really want 301 00:15:30,480 --> 00:15:33,640 Speaker 1: to talk about. Let me know your favorite Disgraceland Halloween episodes? 302 00:15:33,960 --> 00:15:36,560 Speaker 1: All right? Six one, seven, nine oh six, six, six 303 00:15:36,680 --> 00:15:40,680 Speaker 1: three eight. Favorite Disgraceland Halloween episodes? Is It Black Sabbath, 304 00:15:40,920 --> 00:15:44,360 Speaker 1: ac DC, led Zeppelin, Big Lurch? What are your favorite 305 00:15:44,360 --> 00:15:47,040 Speaker 1: spooky Disgraceland episodes six one seven, nine oh six, six, 306 00:15:47,160 --> 00:15:49,560 Speaker 1: six three eight. To let your beautiful voices be heard, 307 00:15:50,040 --> 00:15:52,800 Speaker 1: I'm gonna give my voice a rest and drink some tea. 308 00:15:52,840 --> 00:15:54,600 Speaker 1: I'll be back at you in a flash with your 309 00:15:54,600 --> 00:16:19,800 Speaker 1: text check one too. All right, we are back. And 310 00:16:19,840 --> 00:16:21,440 Speaker 1: I know I said I was gonna start with some texts, 311 00:16:21,440 --> 00:16:23,520 Speaker 1: but I'm actually gonna start with some dms because I've 312 00:16:23,560 --> 00:16:27,440 Speaker 1: been neglecting the dms. And I apologize. Social media has 313 00:16:27,480 --> 00:16:30,080 Speaker 1: just been it's been tough to navigate for me lately. 314 00:16:30,280 --> 00:16:32,120 Speaker 1: It's just been I got a lot going on and 315 00:16:32,200 --> 00:16:34,680 Speaker 1: I find it to be Uh, how do, I say 316 00:16:34,680 --> 00:16:38,640 Speaker 1: this politely A time suck, but I don't like neglecting 317 00:16:38,680 --> 00:16:41,160 Speaker 1: you guys. So let's do some dms before I do 318 00:16:41,200 --> 00:16:42,840 Speaker 1: a bunch of texts and then I feel like not 319 00:16:42,880 --> 00:16:44,920 Speaker 1: doing dms. Okay, we'll do the dms, then we'll do 320 00:16:44,920 --> 00:16:48,000 Speaker 1: the text So this one on Facebook from Jeff, and 321 00:16:48,040 --> 00:16:52,000 Speaker 1: I hope I'm pronouncing this correctly. Batustic says, I really 322 00:16:52,120 --> 00:16:54,440 Speaker 1: enjoy your work and the detail you put into it. 323 00:16:54,680 --> 00:16:56,600 Speaker 1: I'm curious if you ever did an episode on one 324 00:16:56,600 --> 00:16:59,240 Speaker 1: of my favorite rock bands that I saw nine times, 325 00:16:59,280 --> 00:17:03,040 Speaker 1: the Ramones. Thank you for your hard work. You got it, Jeff, 326 00:17:03,080 --> 00:17:04,919 Speaker 1: And yes, we have done an episode on the Ramones. 327 00:17:04,960 --> 00:17:07,960 Speaker 1: You can find that in the archive. It's available now 328 00:17:08,000 --> 00:17:11,320 Speaker 1: wherever you get your podcasts. And though we were talking 329 00:17:11,359 --> 00:17:15,400 Speaker 1: about music discovery earlier, the way I discovered the Ramones 330 00:17:15,520 --> 00:17:18,119 Speaker 1: is worth mentioning here. I think, in a little apropos 331 00:17:18,320 --> 00:17:21,760 Speaker 1: as they say, I discovered the Ramones through my dad. 332 00:17:22,160 --> 00:17:25,240 Speaker 1: My dad showed up one day and was like, Hey, 333 00:17:25,280 --> 00:17:29,160 Speaker 1: we're going to go see my band play and we're 334 00:17:29,160 --> 00:17:32,080 Speaker 1: opening up for this band and they're an important band. 335 00:17:32,480 --> 00:17:35,000 Speaker 1: They're called the Ramones, and he described them to me. 336 00:17:35,119 --> 00:17:39,720 Speaker 1: I was at the time probably ten nine, maybe nine, Yeah, 337 00:17:39,720 --> 00:17:43,160 Speaker 1: I think I was maybe eight actually, and he described 338 00:17:43,200 --> 00:17:45,600 Speaker 1: them as being very important. I remember that, and then 339 00:17:45,920 --> 00:17:48,960 Speaker 1: I didn't know what that meant, but I remember he 340 00:17:49,119 --> 00:17:52,160 Speaker 1: said they're like the Beach Boys, but they're very, very loud, 341 00:17:52,680 --> 00:17:55,159 Speaker 1: and that meant something to me because I was all 342 00:17:55,160 --> 00:17:57,320 Speaker 1: about the Beach Boys at that period in my life. 343 00:17:58,320 --> 00:18:01,840 Speaker 1: You know, barbar Ba ran Arab not pet sounds. But anyways, 344 00:18:02,480 --> 00:18:05,560 Speaker 1: tying a little music discovery into Jeff's text on the remotes, Jeff, 345 00:18:05,600 --> 00:18:08,200 Speaker 1: go get that ramotes episode. It's in the archive right now. 346 00:18:09,200 --> 00:18:12,480 Speaker 1: This message comes on Facebook from Natalie Stewart, who writes, Jake, 347 00:18:12,560 --> 00:18:14,879 Speaker 1: I suspect I'm at least one hundred and first listener 348 00:18:14,920 --> 00:18:17,359 Speaker 1: to say this weekend that the replacement's tim let It 349 00:18:17,400 --> 00:18:24,400 Speaker 1: Bleed remaster is a glorious must listen high from Australia. Well, Natalie, 350 00:18:24,480 --> 00:18:26,119 Speaker 1: I'm going to take your word for it. I have 351 00:18:26,240 --> 00:18:28,879 Speaker 1: not listened to it yet. I'm I'm holding it back. 352 00:18:29,280 --> 00:18:31,680 Speaker 1: I'm waiting. I'm in the middle of a move slash 353 00:18:31,760 --> 00:18:34,560 Speaker 1: new studio setup and I want to get my stereo 354 00:18:34,640 --> 00:18:37,200 Speaker 1: fully set up so that I can really truly enjoy 355 00:18:37,280 --> 00:18:39,000 Speaker 1: sit down and listen to this and enjoy. I'm just 356 00:18:39,080 --> 00:18:42,280 Speaker 1: not there yet, but psyched to hear that you're into it. 357 00:18:42,320 --> 00:18:44,199 Speaker 1: I read a bad review of it last night on 358 00:18:44,240 --> 00:18:46,920 Speaker 1: the internet, but I'm going to go with your take 359 00:18:46,960 --> 00:18:50,600 Speaker 1: on it, Natalie, so thank you. Teresa Beers writes in 360 00:18:50,880 --> 00:18:53,720 Speaker 1: I've been trying to binge these podcasts on Amazon Music. 361 00:18:53,800 --> 00:18:56,280 Speaker 1: For some reason, the podcast restarts in the middle and 362 00:18:56,320 --> 00:18:59,320 Speaker 1: I miss the endings of some Well, Teresa, that sucks. 363 00:18:59,720 --> 00:19:03,679 Speaker 1: That's he's not fucking cool man. But usually this is 364 00:19:03,720 --> 00:19:05,879 Speaker 1: the type of thing that's a player problem. It's local 365 00:19:05,920 --> 00:19:09,960 Speaker 1: to your device. I would suggest reinstalling the Amazon Music 366 00:19:10,040 --> 00:19:12,560 Speaker 1: app and giving it a go, and I'm sure that'll 367 00:19:12,560 --> 00:19:15,360 Speaker 1: take care of your issues. Okay, Teresa, thanks for reaching out. 368 00:19:15,440 --> 00:19:18,080 Speaker 1: This is me Jake in tech support. All right, Jason 369 00:19:18,160 --> 00:19:24,280 Speaker 1: Ramsey writes in excellent storytelling, all episodes consistently riveting. Thank you, 370 00:19:24,520 --> 00:19:27,400 Speaker 1: Thank you, Jason. I appreciate that. All right, Let's see 371 00:19:27,440 --> 00:19:31,320 Speaker 1: what else we got. Janine Kerr on Instagram writes in 372 00:19:31,800 --> 00:19:33,920 Speaker 1: and all it is is a image that she took. 373 00:19:34,560 --> 00:19:38,240 Speaker 1: Uh says presidents are temporary, wu tang is forever, and 374 00:19:38,280 --> 00:19:40,800 Speaker 1: it says perfect election sign. And I would say here 375 00:19:40,840 --> 00:19:43,200 Speaker 1: here to that. I agree, Janine, thank you. Wu tang 376 00:19:43,240 --> 00:19:47,439 Speaker 1: is forever my man, Aaron writes in on Instagram. Uh, 377 00:19:47,840 --> 00:19:50,919 Speaker 1: that's my bros brew Bruh. It's a picture of the 378 00:19:51,040 --> 00:19:54,000 Speaker 1: Rock a Rolla in the cooler out in the wild 379 00:19:54,240 --> 00:19:56,199 Speaker 1: at some liquor store. I'm not sure where Aaron is. 380 00:19:56,240 --> 00:19:59,120 Speaker 1: Aaron's from Maine, actually, so I'm betting that's in main. 381 00:19:59,600 --> 00:20:01,480 Speaker 1: If you guys live in Maine or New England, you know, 382 00:20:01,680 --> 00:20:04,000 Speaker 1: go there, get a four pack of Rock and Rolla 383 00:20:04,040 --> 00:20:06,399 Speaker 1: Disgrace Lamb beer gluten free for those who don't do 384 00:20:06,440 --> 00:20:09,040 Speaker 1: the gluten like me. I do it sometimes I try 385 00:20:09,040 --> 00:20:12,679 Speaker 1: not to, all right, Justin Geisner if I'm saying that 386 00:20:12,720 --> 00:20:15,680 Speaker 1: correctly on on Instagram? 387 00:20:15,760 --> 00:20:15,879 Speaker 4: Right? 388 00:20:15,960 --> 00:20:19,600 Speaker 1: Sin give this playlist a listen anthology discography and it's 389 00:20:19,600 --> 00:20:23,920 Speaker 1: a John Carpenter anthology of movie themes from nineteen seventy 390 00:20:23,960 --> 00:20:27,200 Speaker 1: four to two. As I say, nineteen ninety three, is 391 00:20:27,240 --> 00:20:30,200 Speaker 1: that right? My eyes are bad says it's the best 392 00:20:30,240 --> 00:20:33,200 Speaker 1: of John Carpenter's movie music, Disgrace, Lamp, bad Lands, Combo 393 00:20:33,280 --> 00:20:36,720 Speaker 1: plus You married Adrian Barbo Deuces. 394 00:20:37,600 --> 00:20:37,840 Speaker 4: Yeah. 395 00:20:37,880 --> 00:20:40,840 Speaker 1: I'm pumped on this man. Thank you, Justin. I appreciate it, 396 00:20:41,000 --> 00:20:44,399 Speaker 1: very halloweeny digging it. I have this thing where I 397 00:20:44,440 --> 00:20:47,000 Speaker 1: put the soundtrack for the fog on in front of 398 00:20:47,000 --> 00:20:49,960 Speaker 1: my five year old and I start talking like this 399 00:20:50,560 --> 00:20:52,840 Speaker 1: and he freaks the fuck out. It doesn't matter what 400 00:20:52,920 --> 00:20:54,600 Speaker 1: I say. I can be like it's time for bed, 401 00:20:54,920 --> 00:20:57,280 Speaker 1: we need to get your blanket, and when the fog 402 00:20:57,359 --> 00:21:00,720 Speaker 1: is playing in the background, it just fucking I'm such 403 00:21:00,720 --> 00:21:03,520 Speaker 1: a shitty dad. Anyways, all right, let's move on here 404 00:21:04,080 --> 00:21:06,000 Speaker 1: a little. Uh do a little text messages like I 405 00:21:06,000 --> 00:21:08,160 Speaker 1: said six one seven nine oh six six six three 406 00:21:08,240 --> 00:21:11,000 Speaker 1: eight two Sunday text. Uh, well, if you know I 407 00:21:11,080 --> 00:21:12,199 Speaker 1: get in touch with me, you want to said do 408 00:21:12,240 --> 00:21:16,480 Speaker 1: this on dm at, Disgrace, lampod, Instagram X and Facebook 409 00:21:16,520 --> 00:21:20,040 Speaker 1: as we just mentioned. But let's do some texts, all right. 410 00:21:20,080 --> 00:21:21,920 Speaker 1: This one comes in from the two five to two 411 00:21:22,160 --> 00:21:25,959 Speaker 1: Low Hanging Fruit. Here, Jake Yon Wiener is a sleepy blowjob. 412 00:21:27,960 --> 00:21:30,480 Speaker 1: This is a response to the pre party question where 413 00:21:30,520 --> 00:21:34,120 Speaker 1: I asked for I asked you guys to work Yon 414 00:21:34,200 --> 00:21:37,520 Speaker 1: Winner's name into a fictional porn movie. So uh two 415 00:21:37,520 --> 00:21:41,320 Speaker 1: five two writes in Yon Wiener's a Sleepy blow Job plot, 416 00:21:41,359 --> 00:21:44,040 Speaker 1: the story of a young woman Stacey, a self made 417 00:21:44,080 --> 00:21:47,560 Speaker 1: millionaire who has never experienced that deep love, finds herself 418 00:21:47,600 --> 00:21:50,880 Speaker 1: strangely attracted to Kevin, a mom mannered tax attorney who 419 00:21:50,880 --> 00:21:53,760 Speaker 1: moonlights as a writer. Oh boy, I'm not gonna go 420 00:21:53,800 --> 00:21:55,720 Speaker 1: on here. There's a lot of rough sex stuff and 421 00:21:55,840 --> 00:21:58,720 Speaker 1: uh three ways and wow, two five to two is 422 00:21:58,800 --> 00:22:02,040 Speaker 1: going for it. Two five two, I'm gonna name you, Jeremy. 423 00:22:02,760 --> 00:22:05,639 Speaker 1: Jeremy appreciate the text, not gonna get into all the 424 00:22:06,080 --> 00:22:08,680 Speaker 1: X rated parts of it, but let's keep going here. 425 00:22:09,520 --> 00:22:12,280 Speaker 1: The seven oh six rights in. Just finish the mini episode. 426 00:22:12,280 --> 00:22:14,760 Speaker 1: And as for the Bob Dylan question, I'm gonna be 427 00:22:14,800 --> 00:22:17,800 Speaker 1: blasphemous for a few of these as a warning. Nirvana, 428 00:22:17,880 --> 00:22:20,159 Speaker 1: Lincoln Park, and Soundgarden, just to name a few. Then 429 00:22:20,200 --> 00:22:22,200 Speaker 1: the little devil le me just screamed out having him 430 00:22:22,200 --> 00:22:24,480 Speaker 1: do a song with Eminem, simply because why the fuck 431 00:22:24,560 --> 00:22:27,040 Speaker 1: not take care and keep up the great storytime. This 432 00:22:27,119 --> 00:22:28,879 Speaker 1: is a reference to the question of who would you 433 00:22:28,920 --> 00:22:32,359 Speaker 1: want to see backing Bob Dylan. Uh, well, you know, 434 00:22:32,520 --> 00:22:35,639 Speaker 1: Lincoln Park, Soundgarden, and Nirvana all have dead guys in 435 00:22:35,680 --> 00:22:37,840 Speaker 1: those bands, or I should say not in those bands. 436 00:22:37,920 --> 00:22:42,679 Speaker 1: So Eminem, Bob Dylan and Eminem. Uh, that would be 437 00:22:42,720 --> 00:22:45,479 Speaker 1: worth the price of entry, simply for the shit show factor. 438 00:22:45,960 --> 00:22:48,760 Speaker 1: I'd like to see Eminem and Bob Dylan arguing together. 439 00:22:48,920 --> 00:22:51,400 Speaker 1: That'd be fucking great. All right, The nine to five 440 00:22:51,480 --> 00:22:54,200 Speaker 1: four rights in. Hey, Jake, listening to your podcast, totally 441 00:22:54,280 --> 00:22:57,280 Speaker 1: hooked and love your shows Disgraceland and Badlands. Really love 442 00:22:57,320 --> 00:22:59,880 Speaker 1: the Mama Cass Disgrace Sland episode. I find the fact 443 00:22:59,880 --> 00:23:02,800 Speaker 1: that Sharon Tate and Charles Manson at a party together 444 00:23:03,000 --> 00:23:04,960 Speaker 1: just brings me chills. Keep doing what you're doing. You 445 00:23:05,000 --> 00:23:07,800 Speaker 1: are amazing, Hey, nine five four. We've got this other 446 00:23:07,800 --> 00:23:10,840 Speaker 1: podcast called The bad Lands, as you know, right, And 447 00:23:11,000 --> 00:23:14,800 Speaker 1: in bad Lands we did two mirror episodes to the 448 00:23:14,840 --> 00:23:17,920 Speaker 1: Mama Cass episodes. We did two Sharon Tate episodes, and 449 00:23:17,960 --> 00:23:19,520 Speaker 1: I encourage you to go check those out if you 450 00:23:19,560 --> 00:23:22,400 Speaker 1: have not already. Kind of a Rushamon thing. All right, 451 00:23:22,920 --> 00:23:29,040 Speaker 1: all right, let's see what else? All right? This one 452 00:23:29,080 --> 00:23:33,280 Speaker 1: from the four oh four right sin All right, Hey, 453 00:23:33,560 --> 00:23:37,040 Speaker 1: an old student Ish that I have lost touch with 454 00:23:37,119 --> 00:23:39,720 Speaker 1: since his divorce and his move call to your show today. 455 00:23:40,200 --> 00:23:42,280 Speaker 1: We have the same discussion back in two thousand and 456 00:23:42,320 --> 00:23:45,120 Speaker 1: eight at the waffle house. I know his voice from anywhere. 457 00:23:45,359 --> 00:23:48,000 Speaker 1: Hearing made my heart soften. Thank you, well, you got it. 458 00:23:48,960 --> 00:23:52,280 Speaker 1: This is coming from who This person does not give 459 00:23:52,320 --> 00:23:55,440 Speaker 1: their name or do they Let me go back through 460 00:23:55,480 --> 00:24:00,399 Speaker 1: these texts here that aren't apropos. No, oh yeah, Matthew. 461 00:24:00,600 --> 00:24:03,200 Speaker 1: This person's name is Matthew. I know because I responded 462 00:24:03,240 --> 00:24:07,480 Speaker 1: to a voicemail so ish your teacher. Matthew wrote in 463 00:24:08,000 --> 00:24:11,160 Speaker 1: and wants to connect. So there you go. Let's disgrace 464 00:24:11,240 --> 00:24:14,000 Speaker 1: Land bringing people together. All right, what else we got here? 465 00:24:14,080 --> 00:24:15,640 Speaker 1: Let's see from the four one two on the question 466 00:24:15,640 --> 00:24:17,760 Speaker 1: of who do we want backing, Bob Dylan says, hey, Jake, 467 00:24:17,800 --> 00:24:20,560 Speaker 1: I want Bob Dylan to front Nirvana. Sounds crazy, but 468 00:24:20,600 --> 00:24:22,360 Speaker 1: I think with silver songs that would work. I think 469 00:24:22,400 --> 00:24:24,320 Speaker 1: you're you know, you may be right, and I would 470 00:24:24,400 --> 00:24:26,359 Speaker 1: I would love to hear that. That would be incredible. 471 00:24:27,040 --> 00:24:30,240 Speaker 1: Ah right, Let's do one more, all right, this one 472 00:24:30,240 --> 00:24:33,639 Speaker 1: from the eight three to one. This person writes in, uh, 473 00:24:33,880 --> 00:24:36,920 Speaker 1: it's a link to the news about the arrest and 474 00:24:36,960 --> 00:24:41,280 Speaker 1: the Tubox shakercase, and writes TUPAC update episode, to which 475 00:24:41,320 --> 00:24:44,800 Speaker 1: I answer, yes, most definitely, but I need more information. 476 00:24:44,880 --> 00:24:47,679 Speaker 1: There's definitely more than this out there than we're getting 477 00:24:47,680 --> 00:24:51,480 Speaker 1: here so far. Hopefully something happens in this case that 478 00:24:51,720 --> 00:24:55,880 Speaker 1: allows the information to be disseminated quickly. Once that happens, 479 00:24:55,920 --> 00:24:59,080 Speaker 1: I will update the episodes. You got it you heard 480 00:24:59,119 --> 00:25:01,920 Speaker 1: it here first, all right? Six one seven nine oh 481 00:25:01,920 --> 00:25:03,520 Speaker 1: six six six three eight. You guys want to leave 482 00:25:03,560 --> 00:25:04,880 Speaker 1: me a voicemail, you want to send me a text, 483 00:25:04,920 --> 00:25:06,920 Speaker 1: That's how you do it at Disgraced Slam Pod to 484 00:25:07,080 --> 00:25:09,560 Speaker 1: dm me. I'm gonna take a quick break and I'll 485 00:25:09,560 --> 00:25:26,080 Speaker 1: be back in a flash with your recommendations. All right, 486 00:25:26,119 --> 00:25:28,320 Speaker 1: we are back in. This is the recommendation's part. The 487 00:25:28,320 --> 00:25:30,359 Speaker 1: recommendation's part, the part where we recommend the things that 488 00:25:30,440 --> 00:25:33,160 Speaker 1: need recommending, the recommendations part. All right. I've been prepping 489 00:25:33,160 --> 00:25:34,720 Speaker 1: for this interview that I'm about to do with a 490 00:25:34,720 --> 00:25:37,360 Speaker 1: friend of mine for his hardcore zine, and it's gonna 491 00:25:37,359 --> 00:25:40,800 Speaker 1: be listening to a ton of classic hardcore. Since I 492 00:25:40,840 --> 00:25:43,480 Speaker 1: spoke about Boston hardcore earlier, I'm going to top five 493 00:25:43,840 --> 00:25:47,359 Speaker 1: my favorite New York hardcore bands in order give you 494 00:25:47,359 --> 00:25:49,400 Speaker 1: guys one album meach to go check out. If you're 495 00:25:49,400 --> 00:25:51,439 Speaker 1: not a fan yet of any of these artists that 496 00:25:51,480 --> 00:25:54,800 Speaker 1: I mentioned, but you're looking for a place to start. 497 00:25:54,880 --> 00:25:58,480 Speaker 1: Number five, Murphy's Law, Back with the Bong, Number four, Leeway, 498 00:25:58,560 --> 00:26:02,560 Speaker 1: Born to Expire, Umber three, quicksand Slip number two, Sick 499 00:26:02,600 --> 00:26:05,320 Speaker 1: of It All, Blood, Sweat and No Tears. Number one, 500 00:26:05,800 --> 00:26:09,639 Speaker 1: Chromag's Age of Quarrel. All right, So I've been getting 501 00:26:09,760 --> 00:26:11,280 Speaker 1: The reason I did this also is because I've been 502 00:26:11,280 --> 00:26:13,840 Speaker 1: getting dms. We've been talking a lot about heavy music, 503 00:26:14,680 --> 00:26:16,199 Speaker 1: been getting dms from a lot of you that I 504 00:26:16,240 --> 00:26:19,280 Speaker 1: really appreciate on new modern heavy stuff. So I just 505 00:26:19,280 --> 00:26:21,600 Speaker 1: started thinking, Like I said, I'm prepping for this interview, 506 00:26:21,600 --> 00:26:23,199 Speaker 1: and part of the interview is I have to come 507 00:26:23,280 --> 00:26:26,879 Speaker 1: up with three songs that really mean something to me 508 00:26:27,000 --> 00:26:29,879 Speaker 1: from the hardcore scene, and the three of them are 509 00:26:29,880 --> 00:26:31,520 Speaker 1: going to come from this pile of five that I 510 00:26:31,560 --> 00:26:33,399 Speaker 1: just mentioned. I thought, Hey, this might make for some 511 00:26:33,440 --> 00:26:37,040 Speaker 1: good recommendations for you guys if you're interested in New 512 00:26:37,080 --> 00:26:40,120 Speaker 1: York harcore or old school hardcore. All right, you Hedy 513 00:26:40,119 --> 00:26:44,200 Speaker 1: mentioned this before. It is the Halloween season. I fucking 514 00:26:44,560 --> 00:26:47,800 Speaker 1: love the Halloween season. I don't like dressing up, but 515 00:26:47,840 --> 00:26:51,359 Speaker 1: I like all the content, all the Halloween content that 516 00:26:51,480 --> 00:26:55,800 Speaker 1: surrounds the Halloween season. And for the past two years, 517 00:26:56,040 --> 00:27:00,159 Speaker 1: my wife and I have had these pretty epic Halloween parties, 518 00:27:01,040 --> 00:27:03,480 Speaker 1: dinner parties, I should say not parties, but dinner parties 519 00:27:03,480 --> 00:27:06,800 Speaker 1: where we've invited, like, you know, fourteen sixteen friends over. 520 00:27:07,760 --> 00:27:11,119 Speaker 1: We've had some great food and I've made I've I've had. 521 00:27:11,160 --> 00:27:13,320 Speaker 1: I had this Halloween mix that I that I've been 522 00:27:13,359 --> 00:27:16,280 Speaker 1: adding to for the last couple of years. So I thought, 523 00:27:16,440 --> 00:27:20,600 Speaker 1: all right, I can only pick five Halloween songs? What 524 00:27:20,720 --> 00:27:23,200 Speaker 1: are they? What are the five Halloween stuff I could 525 00:27:23,200 --> 00:27:25,359 Speaker 1: only listen to five this Halloween season? What would they be? 526 00:27:25,400 --> 00:27:28,200 Speaker 1: And here they are in reverse order. Number five Killing 527 00:27:28,240 --> 00:27:32,040 Speaker 1: Moon by Echo and the Bunnyman. If you've seen Donnie Darko, 528 00:27:32,119 --> 00:27:34,240 Speaker 1: you know exactly what I'm talking about. Number four Give 529 00:27:34,280 --> 00:27:37,680 Speaker 1: Me Danger by the Stooges, which most people I don't 530 00:27:37,680 --> 00:27:40,320 Speaker 1: think associate with Halloween, but I don't care because it 531 00:27:40,480 --> 00:27:44,320 Speaker 1: is creepy. It is a creepy sounding fucking tune, as 532 00:27:44,520 --> 00:27:47,720 Speaker 1: is Midnight Blues by Detroit Cobras, which I also don't 533 00:27:47,760 --> 00:27:51,119 Speaker 1: think people are gonna associate with Halloween. Wolf Like Me 534 00:27:51,240 --> 00:27:55,119 Speaker 1: by TV on the radio. This song, man, it comes 535 00:27:55,119 --> 00:27:57,720 Speaker 1: on and you know, it's just hard to slow down. 536 00:27:57,760 --> 00:27:59,600 Speaker 1: It's hard. It's hard for me to pump the brakes. 537 00:28:00,119 --> 00:28:03,760 Speaker 1: Number one classic Werewolves of London by Warren Zevon. Okay, 538 00:28:03,800 --> 00:28:05,720 Speaker 1: those are my top five. You can only pick five 539 00:28:06,040 --> 00:28:09,000 Speaker 1: Halloween songs, what are they? Six one, seven, nine oh six, six, 540 00:28:09,119 --> 00:28:11,000 Speaker 1: six three eight to let me know. Hard for me 541 00:28:11,119 --> 00:28:12,840 Speaker 1: not to put Venus of Avenue d by make the 542 00:28:12,920 --> 00:28:16,760 Speaker 1: vill on this list because it's, uh, it's not necessarily 543 00:28:16,760 --> 00:28:19,800 Speaker 1: it's not intentionally spooky. But if I were walking through 544 00:28:19,800 --> 00:28:22,280 Speaker 1: Alphabet City in the nineteen seventies on Halloween, I'm pretty 545 00:28:22,280 --> 00:28:24,360 Speaker 1: sure I get jumped by the chick who is described 546 00:28:24,400 --> 00:28:26,960 Speaker 1: in this song. But that's another story, all right again. 547 00:28:27,040 --> 00:28:29,399 Speaker 1: Six one, seven, nine oh six, six, six three eight. 548 00:28:29,440 --> 00:28:31,879 Speaker 1: To give me your top five Halloween songs, Leave me 549 00:28:31,920 --> 00:28:37,280 Speaker 1: a voicemail, send me a text. Do what you Gotta Do? That, incidentally, 550 00:28:37,400 --> 00:28:38,920 Speaker 1: is another great song, do what you Gotta Do by 551 00:28:38,920 --> 00:28:42,080 Speaker 1: Al Wilson, So there's that recommendation. Check that shit out, 552 00:28:42,160 --> 00:28:44,240 Speaker 1: check it out on the Blood Ties soundtrack, and then 553 00:28:44,280 --> 00:28:46,560 Speaker 1: go check out the film Blood Ties with Billy crut 554 00:28:46,640 --> 00:28:48,040 Speaker 1: Up and hit me back. When you're at the bottom 555 00:28:48,080 --> 00:28:50,200 Speaker 1: of that bottle balling your eyes out to Al Wilson, 556 00:28:50,240 --> 00:28:51,920 Speaker 1: I'll be here for you. Come on back and see 557 00:28:51,920 --> 00:28:54,000 Speaker 1: me when you can. As the man says, all right, 558 00:28:54,120 --> 00:28:56,720 Speaker 1: I am in a Halloween mood. Got a Halloween head, 559 00:28:56,880 --> 00:28:59,080 Speaker 1: which is the name of an incredible Riot Adams song 560 00:28:59,080 --> 00:29:01,000 Speaker 1: that should probably be on my list of top five 561 00:29:01,040 --> 00:29:03,800 Speaker 1: Halloween songs. But that reminds me of the Ryan Adams 562 00:29:03,880 --> 00:29:06,560 Speaker 1: video for Give Me Something Good with Elvira, which is 563 00:29:06,640 --> 00:29:09,080 Speaker 1: certainly one of the best Halloween music videos. But what 564 00:29:09,160 --> 00:29:11,800 Speaker 1: are the others? All right, hit me up top five 565 00:29:12,080 --> 00:29:15,320 Speaker 1: our favorite Halloween music videos. All right, actually, how about 566 00:29:15,360 --> 00:29:17,120 Speaker 1: we hold that one for next week. Hit me with 567 00:29:17,200 --> 00:29:19,280 Speaker 1: your top five Halloween music videos. We'll get into it 568 00:29:19,280 --> 00:29:22,120 Speaker 1: in the recommendation's part of next week's after party. All Right, 569 00:29:22,120 --> 00:29:23,520 Speaker 1: we got a lot we went through here. I want 570 00:29:23,520 --> 00:29:25,520 Speaker 1: your top five Halloween videos. I want your top five 571 00:29:25,520 --> 00:29:28,440 Speaker 1: Halloween songs. I want to know the interesting ways in 572 00:29:28,480 --> 00:29:31,120 Speaker 1: which you discovered music. Six one seven, nine oh six, 573 00:29:31,200 --> 00:29:33,920 Speaker 1: six six three eight. For all of that voicemail and 574 00:29:34,080 --> 00:29:38,120 Speaker 1: text or at disgrace slampod on the socials, I'm gonna 575 00:29:38,120 --> 00:29:40,120 Speaker 1: take a quick break, pay some bills, come back and 576 00:29:40,160 --> 00:29:56,000 Speaker 1: recap this bitch. All right, let's recap, shall we? Number one? 577 00:29:56,120 --> 00:29:58,280 Speaker 1: A new episode of You Got the seventh episode in 578 00:29:58,320 --> 00:30:00,960 Speaker 1: our serial last season on Wu Tang is in your 579 00:30:00,960 --> 00:30:03,760 Speaker 1: Disgrace Lamp feeds right now, Number two over in the 580 00:30:03,800 --> 00:30:06,000 Speaker 1: bad Lands Feed, we've got a brand new trailer for 581 00:30:06,040 --> 00:30:09,560 Speaker 1: season nine. That's right, a brand new season nine seasons 582 00:30:09,560 --> 00:30:11,560 Speaker 1: of bad Lands. Who is in it? You ask? Well, 583 00:30:11,560 --> 00:30:13,080 Speaker 1: you gotta go check out the trailer to find out. 584 00:30:13,080 --> 00:30:15,240 Speaker 1: All right, go over to the bad Lands Feed subscribe 585 00:30:15,240 --> 00:30:17,320 Speaker 1: follow right over there. Number three. Next week in the 586 00:30:17,360 --> 00:30:19,960 Speaker 1: Disgrace Land Feed. Right here, we are dropping a new 587 00:30:20,000 --> 00:30:24,600 Speaker 1: episode on Old Dirty Bastard. Number four, my number six one, seven, 588 00:30:24,800 --> 00:30:27,040 Speaker 1: nine oh six, six six three eight. Call me on 589 00:30:27,080 --> 00:30:29,920 Speaker 1: the telephone or text me or at Disgrace Lamp Pod. 590 00:30:30,280 --> 00:30:32,320 Speaker 1: I want to know your Halloween favorites, your top five 591 00:30:32,360 --> 00:30:36,040 Speaker 1: Halloween songs, your top five Halloween videos? What are they 592 00:30:36,080 --> 00:30:37,760 Speaker 1: let me know? Six one seven, nine oh six, six 593 00:30:37,880 --> 00:30:40,800 Speaker 1: six three eight. Okay, my moment to bliss me reading 594 00:30:40,840 --> 00:30:43,360 Speaker 1: you the phone book from New York, New York in 595 00:30:43,480 --> 00:30:47,040 Speaker 1: nineteen sixty seven, three years before you, God was born 596 00:30:47,560 --> 00:30:53,320 Speaker 1: in New York City. Hawkins Hayward four eight nine to five. 597 00:30:53,680 --> 00:30:58,840 Speaker 1: Saint Mark's Avenue St. Nine Dash three four eight zero, 598 00:30:59,520 --> 00:31:04,480 Speaker 1: Hawkins Helen four seven nine fourth Ave, New York nine 599 00:31:04,600 --> 00:31:09,880 Speaker 1: Dash four one five six Hawkins Hess B four sixty 600 00:31:09,920 --> 00:31:14,080 Speaker 1: one Grand Avenue m A two Dash eight seven eighty 601 00:31:14,160 --> 00:31:19,440 Speaker 1: four five Hawkins Iris one eight seven Rochester Avenue SL 602 00:31:19,600 --> 00:31:23,520 Speaker 1: six Dash eight eight nine seven. John Hawkins is Adore 603 00:31:23,600 --> 00:31:27,760 Speaker 1: Hawkins four sixty six Mercy aage six forty three Dash 604 00:31:27,840 --> 00:31:31,680 Speaker 1: nine Turns seven nine one two Hawkins Jeanette Hawkins one 605 00:31:31,760 --> 00:31:35,360 Speaker 1: five four nine five First six one four two Dash 606 00:31:35,440 --> 00:31:42,840 Speaker 1: one seven zero nine Hawkins, John twenty two show see 607 00:31:44,840 --> 00:31:47,400 Speaker 1: Quit talking and start mixing