1 00:00:14,760 --> 00:00:16,680 Speaker 1: Welcome back to Magical Rewind, the show that makes you 2 00:00:16,680 --> 00:00:18,760 Speaker 1: want to grab your friends, your pjs, and your popcorn 3 00:00:18,800 --> 00:00:20,040 Speaker 1: and go back to a time when all the houses 4 00:00:20,040 --> 00:00:20,720 Speaker 1: were smart. 5 00:00:20,480 --> 00:00:22,480 Speaker 2: The Waves, Tsunamis and the high School's musical. 6 00:00:22,520 --> 00:00:24,560 Speaker 3: I'm Wilford Dell and I'm Sabrina Bright. 7 00:00:24,880 --> 00:00:28,360 Speaker 1: We've got a special one today for Black History Month. 8 00:00:28,400 --> 00:00:31,600 Speaker 1: We are diving right onto YouTube again, So apologies for that, 9 00:00:31,840 --> 00:00:35,120 Speaker 1: but you'll understand why in a second landing again in 10 00:00:35,159 --> 00:00:37,320 Speaker 1: the Wonderful World of Disney, which is why, of course 11 00:00:37,360 --> 00:00:39,640 Speaker 1: we had to watch it on YouTube. They refuse to 12 00:00:39,640 --> 00:00:41,519 Speaker 1: put these things on Disney. Plus, we think it has 13 00:00:41,520 --> 00:00:43,120 Speaker 1: something to do with the music or the licensing. We're 14 00:00:43,120 --> 00:00:45,239 Speaker 1: trying to get an actual answer though, because there's so 15 00:00:45,560 --> 00:00:47,920 Speaker 1: many gems from the Wonderful World at Disney that we 16 00:00:47,960 --> 00:00:50,199 Speaker 1: have not been able to dive into yet, or when 17 00:00:50,240 --> 00:00:53,120 Speaker 1: we do, it's bad quality, or we get half of it, 18 00:00:53,400 --> 00:00:55,880 Speaker 1: or it's ripped from somebody's vhs. 19 00:00:56,000 --> 00:00:57,639 Speaker 3: So this one was a great quality. 20 00:00:58,000 --> 00:01:02,040 Speaker 1: It was mine, was okay, it wasn't great, it was okay, 21 00:01:02,040 --> 00:01:04,360 Speaker 1: And again, I just love being able to see every 22 00:01:04,400 --> 00:01:07,240 Speaker 1: aspect of the filmmaking, and especially when it's something as 23 00:01:07,240 --> 00:01:08,440 Speaker 1: important as a period piece. 24 00:01:08,959 --> 00:01:10,720 Speaker 2: You know, I want to see the clothes and the. 25 00:01:10,640 --> 00:01:13,319 Speaker 1: Cars and all that, so you know, it was a 26 00:01:13,360 --> 00:01:15,280 Speaker 1: wonderful film, but I I, you know, wished I could 27 00:01:15,319 --> 00:01:18,120 Speaker 1: have watched it more clearly. And of course that is 28 00:01:18,160 --> 00:01:20,240 Speaker 1: because it's a wonderful world of Disney, which, as we've 29 00:01:20,280 --> 00:01:23,200 Speaker 1: talked about a thousand times, is only on the YouTube's 30 00:01:23,680 --> 00:01:26,600 Speaker 1: which is not good. But anyway, this is the nineteen 31 00:01:26,680 --> 00:01:30,920 Speaker 1: ninety nine biographical drama of Revolution Selma, Lord Selma. It 32 00:01:31,000 --> 00:01:34,039 Speaker 1: premiered on ABC on January seventeenth, nineteen ninety nine, just 33 00:01:34,080 --> 00:01:36,520 Speaker 1: one day before the federal Martin Luther King Junior Holiday, 34 00:01:36,600 --> 00:01:39,000 Speaker 1: which of course was designed to happen by Disney. The 35 00:01:39,040 --> 00:01:40,920 Speaker 1: film is based on true events that took place in 36 00:01:41,000 --> 00:01:44,560 Speaker 1: nineteen sixty five, detailing a tragic event in Selma, Alabama, 37 00:01:44,680 --> 00:01:46,959 Speaker 1: a very dark day for the civil rights movement, where 38 00:01:47,080 --> 00:01:49,960 Speaker 1: hundreds of marchers led by John Lewis and Josea Williams 39 00:01:50,000 --> 00:01:51,800 Speaker 1: were met by a wall of state troopers and a 40 00:01:51,840 --> 00:01:54,120 Speaker 1: posse of white locals who quickly knocked them to the 41 00:01:54,160 --> 00:01:56,400 Speaker 1: ground and hit them with nightsticks and tear gas, some 42 00:01:56,440 --> 00:02:00,400 Speaker 1: beaten unconscious while running away, All televised to an international audience. 43 00:02:00,720 --> 00:02:04,120 Speaker 1: Seventeen marchers were hospitalized and fifty treated for lesser injuries. 44 00:02:04,440 --> 00:02:07,120 Speaker 1: Lewis suffered a skull fracture, and one fourteen year old 45 00:02:07,120 --> 00:02:09,560 Speaker 1: girl needed seven stitches above her right eye. 46 00:02:09,240 --> 00:02:10,960 Speaker 2: And twenty eight on the back of her head. 47 00:02:11,280 --> 00:02:14,120 Speaker 1: The massacre became known as Bloody Sunday and pushed President 48 00:02:14,200 --> 00:02:17,160 Speaker 1: Lyndon Johnson to send a voting rights bill to Congress. 49 00:02:17,520 --> 00:02:19,359 Speaker 2: Now, there have been obviously a lot. 50 00:02:19,240 --> 00:02:21,040 Speaker 1: Of movies and books and TV shows about this very 51 00:02:21,040 --> 00:02:23,919 Speaker 1: moment in American history, most famously the twenty fourteen award 52 00:02:23,960 --> 00:02:27,280 Speaker 1: winning movie Selma. But Serena, did you know much about 53 00:02:27,320 --> 00:02:29,120 Speaker 1: Bloody Sunday before we watched this film? 54 00:02:29,600 --> 00:02:32,040 Speaker 4: Yes, I mean what we learned, you know, in school, 55 00:02:32,240 --> 00:02:36,680 Speaker 4: and of course watching the movie Selma, So I definitely 56 00:02:36,760 --> 00:02:38,560 Speaker 4: did know about it. 57 00:02:38,560 --> 00:02:41,200 Speaker 3: It just doesn't like, it doesn't. 58 00:02:40,840 --> 00:02:44,000 Speaker 4: Matter how many times I've talked about it or had 59 00:02:44,280 --> 00:02:48,160 Speaker 4: stories that I've read. Just seeing it again, it's just 60 00:02:48,280 --> 00:02:51,600 Speaker 4: it's so heavy, and it's just I mean, I obviously 61 00:02:51,720 --> 00:02:55,520 Speaker 4: knew what I was going to be watching, and yet 62 00:02:55,680 --> 00:02:58,160 Speaker 4: as it was going, even just the first couple of 63 00:02:58,280 --> 00:03:01,840 Speaker 4: things that you're just going, wow, Like, what a different world? 64 00:03:02,520 --> 00:03:06,079 Speaker 4: For especially the youth to live in you know how 65 00:03:06,120 --> 00:03:07,880 Speaker 4: scary scary it was. 66 00:03:07,919 --> 00:03:11,680 Speaker 1: Sure, yeah, this was it was an important film to watch, have, 67 00:03:11,840 --> 00:03:14,520 Speaker 1: very heavy film to watch. Yeah, and it's one of 68 00:03:14,520 --> 00:03:15,960 Speaker 1: those movies where I knew I was going to just 69 00:03:15,960 --> 00:03:19,320 Speaker 1: sit there angry. Yeah, so you know, you get you 70 00:03:19,320 --> 00:03:22,640 Speaker 1: you you Yeah, well we'll get into it. But it is, 71 00:03:22,680 --> 00:03:26,239 Speaker 1: it's it's infuriating to watch what happened, especially you know 72 00:03:26,280 --> 00:03:28,840 Speaker 1: when it's quote unquote disneyfied. So it's seen through the 73 00:03:28,880 --> 00:03:31,840 Speaker 1: eyes of a child, right, it really puts kind of 74 00:03:31,880 --> 00:03:35,640 Speaker 1: a different spin on what's happening in the world, where 75 00:03:35,760 --> 00:03:37,880 Speaker 1: you know, one morning you're jump roping and a week 76 00:03:37,960 --> 00:03:41,360 Speaker 1: later you're running from tear gas. Yeah, so it truly 77 00:03:41,760 --> 00:03:44,240 Speaker 1: truly all this through the eyes of a child is 78 00:03:44,280 --> 00:03:48,840 Speaker 1: such an interesting way to watch the events unfolding in 79 00:03:48,880 --> 00:03:51,080 Speaker 1: our country. And you know, people forget our country is 80 00:03:51,080 --> 00:03:54,880 Speaker 1: an idea and it's evolving all the time, and sometimes. 81 00:03:54,320 --> 00:03:55,280 Speaker 2: It gets it. 82 00:03:55,040 --> 00:03:57,880 Speaker 1: It's a horrible jump forward and sometimes it's a horrible 83 00:03:57,960 --> 00:04:01,160 Speaker 1: jump backwards, and you're seeing kind of this progression. 84 00:04:01,920 --> 00:04:02,800 Speaker 2: But oh man, it was. 85 00:04:03,040 --> 00:04:07,360 Speaker 4: Just so inspirational to as far as you know, I mean, 86 00:04:07,760 --> 00:04:10,240 Speaker 4: all I kept thinking was, man, how amazing it. 87 00:04:10,240 --> 00:04:13,360 Speaker 3: Be to be in a room with doctor Martin Luther 88 00:04:13,440 --> 00:04:13,800 Speaker 3: King James. 89 00:04:14,200 --> 00:04:18,880 Speaker 4: Yeah, like his aura, his energy, like the way that 90 00:04:19,080 --> 00:04:22,839 Speaker 4: people talk about him, the way everything that he did. 91 00:04:22,880 --> 00:04:24,840 Speaker 4: It's just like I could, like the first couple of 92 00:04:24,880 --> 00:04:27,080 Speaker 4: scenes were into it quickly into like a church, a 93 00:04:27,160 --> 00:04:30,120 Speaker 4: small little area with him. I kept getting chills like 94 00:04:30,160 --> 00:04:33,920 Speaker 4: I couldn't imagine literally being in that church with like 95 00:04:34,360 --> 00:04:38,719 Speaker 4: such an incredible inspirational man who just moved mountains for 96 00:04:38,800 --> 00:04:39,400 Speaker 4: this country. 97 00:04:39,600 --> 00:04:39,800 Speaker 2: Yeah. 98 00:04:39,839 --> 00:04:43,839 Speaker 1: And it's also there's something so amazing to me about 99 00:04:43,880 --> 00:04:46,400 Speaker 1: somebody like a doctor King or Gandhi or somebody like 100 00:04:46,440 --> 00:04:49,599 Speaker 1: that who essentially says every amount of violence we're met with, 101 00:04:49,720 --> 00:04:51,240 Speaker 1: we're going to answer with peace and love. 102 00:04:51,440 --> 00:04:51,680 Speaker 2: Yes. 103 00:04:51,720 --> 00:04:55,240 Speaker 1: And it's just you get that feeling of you're infuriated 104 00:04:55,360 --> 00:04:58,760 Speaker 1: in watching going like swing back, hit back, grab something, 105 00:04:59,000 --> 00:05:01,880 Speaker 1: and it's like that's the absolute opposite of everything they're teaching. 106 00:05:01,920 --> 00:05:05,040 Speaker 2: It's like everything we're going to meet you with the control. 107 00:05:05,800 --> 00:05:08,840 Speaker 4: I mean, someone shuts me off on the freeway and 108 00:05:08,880 --> 00:05:12,480 Speaker 4: I am like, you know, my marbles in my car, 109 00:05:12,600 --> 00:05:14,599 Speaker 4: you know what I mean. It's like the level of 110 00:05:14,720 --> 00:05:18,640 Speaker 4: control and just I mean and showing how it worked 111 00:05:19,120 --> 00:05:22,080 Speaker 4: like showing that that was the right way to go. 112 00:05:22,200 --> 00:05:23,600 Speaker 2: Was just pretty increasing. 113 00:05:23,640 --> 00:05:24,760 Speaker 3: It's just wild. 114 00:05:25,520 --> 00:05:29,240 Speaker 1: So, yes, this is gonna be again a different film 115 00:05:29,240 --> 00:05:31,839 Speaker 1: that we're watching this week, and we've done a couple 116 00:05:31,839 --> 00:05:35,400 Speaker 1: of these now that have kind of again looked at 117 00:05:35,560 --> 00:05:36,359 Speaker 1: something going. 118 00:05:36,200 --> 00:05:37,240 Speaker 2: On in the in the world. 119 00:05:37,400 --> 00:05:40,039 Speaker 1: Usually, you know, color Friendship comes to mind, where you 120 00:05:40,040 --> 00:05:42,640 Speaker 1: know it was about apartheid, and so looking at these 121 00:05:42,640 --> 00:05:45,080 Speaker 1: incredible things that are happening, these horrible things that are 122 00:05:45,080 --> 00:05:47,440 Speaker 1: happening throughout the world through the eyes of a child 123 00:05:47,480 --> 00:05:48,080 Speaker 1: again is. 124 00:05:48,040 --> 00:05:50,200 Speaker 2: A much different take, and Disney does it well. 125 00:05:50,839 --> 00:05:53,320 Speaker 1: So Selma Lord Selma is based on a nineteen eighty 126 00:05:53,320 --> 00:05:55,480 Speaker 1: book of the same name written by Cheyenne Webb and 127 00:05:55,560 --> 00:05:58,160 Speaker 1: Rachel West and of course Frank Sacora, published by the 128 00:05:58,240 --> 00:06:01,960 Speaker 1: University of Alabama. Disney Picture option the memoir hoping MLK 129 00:06:02,160 --> 00:06:04,680 Speaker 1: Day could coincide with its release. The book was a 130 00:06:04,720 --> 00:06:07,120 Speaker 1: memoir from Web and West, two children who witnessed the 131 00:06:07,200 --> 00:06:08,400 Speaker 1: day as children. 132 00:06:08,279 --> 00:06:10,320 Speaker 2: And are of course the main characters of the story. 133 00:06:10,839 --> 00:06:12,960 Speaker 1: Compared to some of our past recaps, this film obviously 134 00:06:13,040 --> 00:06:15,400 Speaker 1: holds a bit more emotional heft and violence than we 135 00:06:15,480 --> 00:06:18,000 Speaker 1: usually see, but that was always the best part of 136 00:06:18,040 --> 00:06:22,160 Speaker 1: the Disney Channel produced films. You know, they just did it. 137 00:06:23,200 --> 00:06:25,520 Speaker 1: The genres and emotions ran the gamut in this one. 138 00:06:25,640 --> 00:06:28,880 Speaker 1: Viewers got to learn something. It wasn't Fuzzbucket, to say 139 00:06:28,920 --> 00:06:29,320 Speaker 1: the least. 140 00:06:30,480 --> 00:06:33,279 Speaker 2: Critics so we're not so sold on it. They were mixed. 141 00:06:33,520 --> 00:06:36,200 Speaker 1: However, it was nominated for the Humanities Prize, which you 142 00:06:36,279 --> 00:06:38,520 Speaker 1: might remember Color of Friendship did win. It was also 143 00:06:38,520 --> 00:06:42,120 Speaker 1: nominated for an NAACP Image Award. During researching the movie, 144 00:06:42,200 --> 00:06:44,279 Speaker 1: it does seem like a lot of schools show this 145 00:06:44,360 --> 00:06:46,599 Speaker 1: movie to students during Black History Month, which is great 146 00:06:46,880 --> 00:06:50,000 Speaker 1: because that means they're probably have VHS copies out there. Because, 147 00:06:50,040 --> 00:06:52,400 Speaker 1: as we said, as is the case with most whatever 148 00:06:52,480 --> 00:06:54,080 Speaker 1: all of the Disney films, watching. 149 00:06:53,800 --> 00:06:55,440 Speaker 2: It can be a bit of a scavenger hunt. 150 00:06:55,800 --> 00:06:58,200 Speaker 1: But we did find the full version on the YouTube, 151 00:06:58,320 --> 00:07:00,640 Speaker 1: so that's how we watched it. Just search for Selma, 152 00:07:00,720 --> 00:07:03,960 Speaker 1: Lord Selma and you'll see a full movie option or 153 00:07:04,000 --> 00:07:06,240 Speaker 1: pick I guess whatever upload speaks to you. Some might 154 00:07:06,279 --> 00:07:09,200 Speaker 1: even say, let the movie choose. You don't choose the movie, however, 155 00:07:09,800 --> 00:07:13,400 Speaker 1: choose the movie. It makes it again. We talked about this, 156 00:07:13,640 --> 00:07:15,600 Speaker 1: talked about the actual day of Bluddy Sonny, but did 157 00:07:15,640 --> 00:07:17,880 Speaker 1: you know anything about the film before we reakout? 158 00:07:18,000 --> 00:07:18,440 Speaker 3: I didn't. 159 00:07:18,600 --> 00:07:21,080 Speaker 4: I didn't, No, I didn't. But then once it popped 160 00:07:21,160 --> 00:07:24,360 Speaker 4: up and I saw the main young actor, I was 161 00:07:24,680 --> 00:07:28,440 Speaker 4: just she is just so extraordinary. I was like crepting 162 00:07:28,440 --> 00:07:32,400 Speaker 4: myself up for a wonderful watch as far as it goes. 163 00:07:32,760 --> 00:07:34,480 Speaker 1: By the way, we already got one of our producers saying, 164 00:07:34,480 --> 00:07:36,840 Speaker 1: I remember watching school growing up, so yeah, this was 165 00:07:36,840 --> 00:07:40,040 Speaker 1: an important one. And as they were so proud to 166 00:07:40,080 --> 00:07:42,440 Speaker 1: say in the movie, let's get your marching shoes ready. 167 00:07:42,480 --> 00:07:43,800 Speaker 2: Here is the synopsis. 168 00:07:44,400 --> 00:07:46,560 Speaker 1: Eleven year old Cheyenne is touched by a speech from 169 00:07:46,560 --> 00:07:48,880 Speaker 1: Martin Luther King Junior and becomes active in the civil 170 00:07:48,960 --> 00:07:51,760 Speaker 1: rights movement of nineteen sixty five, but her resolution is 171 00:07:51,800 --> 00:07:54,560 Speaker 1: tested when she joins others in the infamous Alabama March 172 00:07:54,600 --> 00:07:57,840 Speaker 1: from Selma to Montgomery. Early thoughts, what did you think 173 00:07:57,920 --> 00:07:59,520 Speaker 1: of Selma, Lord Selma? 174 00:07:59,680 --> 00:08:00,160 Speaker 3: Oh man? 175 00:08:01,320 --> 00:08:05,720 Speaker 4: It was you know, heavy, absolutely, but I thought it 176 00:08:05,760 --> 00:08:10,120 Speaker 4: was done really well. I thought that this was a movie, 177 00:08:10,200 --> 00:08:12,720 Speaker 4: I mean not necessary. Obviously, there would be kind of 178 00:08:12,760 --> 00:08:15,360 Speaker 4: like an age that you wouldn't want to have your 179 00:08:15,640 --> 00:08:18,040 Speaker 4: any child, like I wouldn't have my kids watch it 180 00:08:18,160 --> 00:08:21,560 Speaker 4: just yet obviously probably yet yeah, no, But at the 181 00:08:21,600 --> 00:08:24,600 Speaker 4: same time, I think in a couple years, you know, 182 00:08:24,960 --> 00:08:27,760 Speaker 4: is such a learning movie and it's done well, it's 183 00:08:27,800 --> 00:08:31,600 Speaker 4: not it you feel the heaviness, but it's not you know, 184 00:08:32,080 --> 00:08:35,160 Speaker 4: graphic like, it's not like to where it's like you 185 00:08:35,160 --> 00:08:38,320 Speaker 4: know that you get you get the the sin, like 186 00:08:38,360 --> 00:08:41,680 Speaker 4: the seriousness of what happened. And I love that, you know, 187 00:08:41,720 --> 00:08:44,800 Speaker 4: it obviously has a great message, but it's I love 188 00:08:44,960 --> 00:08:47,960 Speaker 4: like period pieces and things that like really guide you 189 00:08:48,080 --> 00:08:51,200 Speaker 4: through an experience that happened in the world prior. 190 00:08:52,040 --> 00:08:55,439 Speaker 1: Yeah, I really liked this film, you know, again taking 191 00:08:55,480 --> 00:08:57,400 Speaker 1: a snapshot of something so important and showing it through 192 00:08:57,440 --> 00:08:58,520 Speaker 1: the eyes of a child that now said that a 193 00:08:58,559 --> 00:09:00,640 Speaker 1: number of times, but it's true because you forget that 194 00:09:00,679 --> 00:09:03,880 Speaker 1: all the people that are experiencing everything going on. So yeah, 195 00:09:03,880 --> 00:09:05,680 Speaker 1: really amazing. And this is one of the few movies 196 00:09:06,000 --> 00:09:08,160 Speaker 1: again because and I did the same thing with Color 197 00:09:08,200 --> 00:09:11,640 Speaker 1: of Friendship where I'm pausing the movie and googling the 198 00:09:11,640 --> 00:09:13,640 Speaker 1: people in the movie, like I'm seriously trying to deep 199 00:09:13,679 --> 00:09:16,000 Speaker 1: dive the characters because I knew it's based on true events. 200 00:09:16,080 --> 00:09:18,079 Speaker 1: What's this person doing? Now, what's that person doing. Now, 201 00:09:18,080 --> 00:09:20,199 Speaker 1: how close is it to the actual story? And we're 202 00:09:20,200 --> 00:09:22,600 Speaker 1: going to get into some of that, because pretty amazing. 203 00:09:23,480 --> 00:09:26,720 Speaker 1: The director is a pioneer of African American cinema, Charles Burnett. 204 00:09:26,840 --> 00:09:28,960 Speaker 1: He even received an honorary award from the Academy in 205 00:09:28,960 --> 00:09:31,840 Speaker 1: twenty seventeen for being quote chronicling the lives of Black 206 00:09:31,880 --> 00:09:35,559 Speaker 1: Americans with eloquence and insight unquote. The South Central LA 207 00:09:35,640 --> 00:09:38,080 Speaker 1: native graduated from UCLA and helped start a movement called 208 00:09:38,080 --> 00:09:42,079 Speaker 1: the La Rebellion, rejecting studio stereotypes and instead portraying everyday 209 00:09:42,120 --> 00:09:46,000 Speaker 1: African American life with realism and humanism. His senior thesis 210 00:09:46,000 --> 00:09:48,440 Speaker 1: movie Killer of Sheep was made for under ten thousand 211 00:09:48,480 --> 00:09:51,480 Speaker 1: dollars and is now considered a landmark of American independent 212 00:09:51,520 --> 00:09:54,480 Speaker 1: cinema and black filmmaking, named one of the one hundred 213 00:09:54,559 --> 00:09:57,319 Speaker 1: Essential films of all Time by Time magazine, and his 214 00:09:57,440 --> 00:10:00,319 Speaker 1: nineteen ninety movie To Sleep with Angels starring Danny Glover 215 00:10:00,679 --> 00:10:04,120 Speaker 1: is also considered a masterpiece. He has also directed documentaries 216 00:10:04,160 --> 00:10:07,640 Speaker 1: like Nat Turner, A Troublesome Property and Namibia The Struggle 217 00:10:07,679 --> 00:10:10,680 Speaker 1: for Liberation. Burnett was a true legend, and this Disney 218 00:10:10,679 --> 00:10:13,080 Speaker 1: movie is a memorable addition to his body of work. 219 00:10:13,160 --> 00:10:16,560 Speaker 1: It stars Journey Smolette as Cheyenne Webb, part of the 220 00:10:16,640 --> 00:10:20,120 Speaker 1: Smollette dynasty of actors and creators. She's probably best known 221 00:10:20,200 --> 00:10:22,920 Speaker 1: for her work on the critically loved but quickly canceled 222 00:10:23,040 --> 00:10:26,319 Speaker 1: HBO show Lovecraft Country, for which she was Emmy nominated. 223 00:10:26,559 --> 00:10:29,120 Speaker 1: The former child star first broke out at eleven years 224 00:10:29,160 --> 00:10:31,839 Speaker 1: old opposite Samuel L. Jackson in the movie Eve's By You, 225 00:10:32,160 --> 00:10:34,240 Speaker 1: and appeared in fifteen episodes of Full House. 226 00:10:34,600 --> 00:10:35,640 Speaker 2: She was also featured on. 227 00:10:35,679 --> 00:10:38,360 Speaker 1: Cosby, Friday Night Lights and True Blood, and on the 228 00:10:38,360 --> 00:10:40,720 Speaker 1: film side, she was most recently in The Order with 229 00:10:40,800 --> 00:10:43,480 Speaker 1: Jude Law, and she played Black Canary Awesome in the 230 00:10:43,559 --> 00:10:47,240 Speaker 1: comic book adaptation of Birds of Prey. Mackenzie Aston is 231 00:10:47,320 --> 00:10:50,080 Speaker 1: Jonathan Daniels. Listeners in my age group will know Aston 232 00:10:50,200 --> 00:10:52,520 Speaker 1: as Andy on the show Facts of Life, or just 233 00:10:52,559 --> 00:10:54,640 Speaker 1: as the son of John Aston and Patty Duke. He 234 00:10:54,760 --> 00:10:57,280 Speaker 1: is also the half brother of Hobbit and president of 235 00:10:57,280 --> 00:10:57,840 Speaker 1: sag Sewn. 236 00:10:57,920 --> 00:10:58,240 Speaker 2: Aston. 237 00:10:58,559 --> 00:11:01,160 Speaker 1: Mackenzie has been working steadily since the eighties, starring in 238 00:11:01,200 --> 00:11:05,040 Speaker 1: the criminally bad Garbage Pale Kids movie, but racking up 239 00:11:05,120 --> 00:11:07,520 Speaker 1: far less offensive roles in movies like Wyatt RP. And 240 00:11:07,600 --> 00:11:10,520 Speaker 1: Iron Will, and on TV he's been in it all. 241 00:11:10,600 --> 00:11:13,880 Speaker 1: I mean seriously, go look pages and pages of credits. 242 00:11:14,000 --> 00:11:15,880 Speaker 1: So let's just focus on the last few years where 243 00:11:15,880 --> 00:11:19,000 Speaker 1: he's been on some of TV's biggest shows. Landman, Mayor 244 00:11:19,040 --> 00:11:21,839 Speaker 1: of Kingstown, The Pit, and Winning Time just to name 245 00:11:21,880 --> 00:11:25,640 Speaker 1: a few. Dude works all the time, wow and has 246 00:11:25,760 --> 00:11:29,559 Speaker 1: his entire life. Clifton Powell has the weighty responsibility of 247 00:11:29,559 --> 00:11:32,080 Speaker 1: playing Martin Luther King Junior. Powell has also been busy 248 00:11:32,120 --> 00:11:34,120 Speaker 1: since the eighties, best known for roles in movies like 249 00:11:34,160 --> 00:11:37,520 Speaker 1: Deep Cover, Menace to Society, Dead Presidents, Next Friday, and 250 00:11:37,600 --> 00:11:39,640 Speaker 1: Rush Hour, and video game Fans. 251 00:11:39,760 --> 00:11:40,719 Speaker 2: He is the voice of. 252 00:11:40,760 --> 00:11:44,360 Speaker 1: Big Smoke in the Grand Theft auto franchise Huge. We 253 00:11:44,360 --> 00:11:46,080 Speaker 1: also have a big cameo here and it is a 254 00:11:46,120 --> 00:11:49,559 Speaker 1: meaty role. Martin Luther King Junior and Loretta King's firstborn child, 255 00:11:49,679 --> 00:11:53,920 Speaker 1: Yolanda King, plays Miss Bright, Cheyenne's school teacher who joins 256 00:11:53,920 --> 00:11:56,560 Speaker 1: her in the March. Yolanda King also played Rosa Parks 257 00:11:56,559 --> 00:11:59,480 Speaker 1: in the King TV mini series, and she appeared in 258 00:11:59,520 --> 00:12:03,920 Speaker 1: movies like Mississippi and TV shows like Jag. Unfortunately, Yolanda 259 00:12:04,000 --> 00:12:06,120 Speaker 1: King passed away in two thousand and seven from suspected 260 00:12:06,120 --> 00:12:09,120 Speaker 1: heart related complications at the young age of fifty one 261 00:12:09,280 --> 00:12:12,680 Speaker 1: years old. And finally, Ella Joyce play I Mean again. 262 00:12:12,720 --> 00:12:15,080 Speaker 1: The cast is huge, so where we're kind of hitting 263 00:12:15,080 --> 00:12:18,120 Speaker 1: the big ones here, And finally, Ella Joyce plays Betty Webb. 264 00:12:18,320 --> 00:12:20,200 Speaker 1: Joyce was best known for her time on the TV 265 00:12:20,240 --> 00:12:23,120 Speaker 1: show Rock and she appeared in the TLC music video 266 00:12:23,160 --> 00:12:25,720 Speaker 1: for Waterfalls. You also saw her on Sabrina, the teenage 267 00:12:25,760 --> 00:12:28,120 Speaker 1: Witch Seinfeld and the movie set it off. 268 00:12:28,600 --> 00:12:30,480 Speaker 2: And you know what sets me off? Sabrina movies that 269 00:12:30,520 --> 00:12:31,079 Speaker 2: are too long. 270 00:12:31,640 --> 00:12:33,959 Speaker 1: And here on Magical Rewind, we yearn for the ninety 271 00:12:33,960 --> 00:12:35,560 Speaker 1: minute movie. And so where do we land on? 272 00:12:35,600 --> 00:12:36,480 Speaker 2: Selma? Lord Selma. 273 00:12:36,559 --> 00:12:41,040 Speaker 1: It clocks in at ninety four minutes. It's four minutes heavy. 274 00:12:41,080 --> 00:12:43,240 Speaker 1: But we're gonna be honest, if any movie is allowed 275 00:12:43,240 --> 00:12:45,000 Speaker 1: to be heavy, it's this one. So we're just gonna 276 00:12:45,040 --> 00:12:47,120 Speaker 1: accept it and we're gonna move on, move on. 277 00:12:47,400 --> 00:12:47,600 Speaker 2: Yep. 278 00:12:48,200 --> 00:12:51,720 Speaker 1: On the script side, they give credit to three book authors, 279 00:12:51,840 --> 00:12:54,600 Speaker 1: Rachel West Nelson and Chyanne Webb, whose true life story 280 00:12:54,640 --> 00:12:57,360 Speaker 1: is brought here obviously, and Frank Zacora, who was the 281 00:12:57,400 --> 00:12:59,840 Speaker 1: reporter for the Birmingham News that co authored the book 282 00:12:59,840 --> 00:13:03,040 Speaker 1: with and the screenplay was from Cynthia Whitcomb, who was 283 00:13:03,080 --> 00:13:05,960 Speaker 1: a prolific writer who had sold more than seventy screenplays 284 00:13:05,960 --> 00:13:08,360 Speaker 1: in her career. Her two most well received though, are 285 00:13:08,400 --> 00:13:10,920 Speaker 1: both from Disney Studios, Selma, Lord Selma and the nineteen 286 00:13:10,960 --> 00:13:12,679 Speaker 1: ninety one Disney Channel movie Mark. 287 00:13:12,520 --> 00:13:13,000 Speaker 3: Twain and Me. 288 00:13:13,559 --> 00:13:16,120 Speaker 1: She also wrote and was Emmy nominated for I Know 289 00:13:16,200 --> 00:13:18,920 Speaker 1: My Name Is Stephen, a film about which I've seen 290 00:13:19,080 --> 00:13:21,600 Speaker 1: Strange Enough, which is a film about a kidnapping victim 291 00:13:21,640 --> 00:13:24,920 Speaker 1: named Stephen Stainer who escaped his captor alongside a five 292 00:13:25,000 --> 00:13:27,560 Speaker 1: year old and he'd be brought to safety. 293 00:13:28,120 --> 00:13:29,520 Speaker 2: Small detail here about Stephen. 294 00:13:29,640 --> 00:13:32,120 Speaker 1: His brother Carrie would later go on and become a 295 00:13:32,160 --> 00:13:32,880 Speaker 1: serial killer. 296 00:13:33,160 --> 00:13:42,840 Speaker 4: Ooh not in the movie though, but WHOA. 297 00:13:43,000 --> 00:13:45,160 Speaker 1: So let's get into this one. It's a rare Disney 298 00:13:45,160 --> 00:13:48,600 Speaker 1: movie that covers something really, really important. This is Selma, 299 00:13:48,720 --> 00:13:52,040 Speaker 1: Lord Selma. We opened with gospel music and establish shots 300 00:13:52,080 --> 00:13:55,440 Speaker 1: of Alabama, focusing mostly on the Edmund Pettis Bridge. We 301 00:13:55,480 --> 00:13:58,160 Speaker 1: find ourselves in a black neighborhood and what is easily 302 00:13:58,160 --> 00:14:00,960 Speaker 1: identifiable as the nineteen sixties. We see the harsh signs 303 00:14:00,960 --> 00:14:03,079 Speaker 1: of the time, a white and colored water fountain, a 304 00:14:03,160 --> 00:14:06,760 Speaker 1: white's only bus benches, and segregated businesses. Doctor Martin Luther 305 00:14:06,840 --> 00:14:08,920 Speaker 1: King Junior is being driven around and shown the area 306 00:14:09,000 --> 00:14:11,200 Speaker 1: with hopes that Selma can be a place where blacks. 307 00:14:11,000 --> 00:14:12,520 Speaker 2: And whites will eventually live together. 308 00:14:13,080 --> 00:14:16,040 Speaker 1: Now to school during recess, we see Cheyenne jump roping 309 00:14:16,040 --> 00:14:18,160 Speaker 1: with her friend Rachel across the street. At a church, 310 00:14:18,200 --> 00:14:20,440 Speaker 1: people are lined up in applauding the arrival of doctor King. 311 00:14:20,960 --> 00:14:22,200 Speaker 1: Cheyenne can't believe he's going. 312 00:14:22,120 --> 00:14:23,640 Speaker 2: To be in Selma. She wrote a report on him 313 00:14:23,680 --> 00:14:25,320 Speaker 2: in school. She has to go see him. 314 00:14:25,600 --> 00:14:27,920 Speaker 1: The bell rings, but instead of returning to class, Cheyenne 315 00:14:27,960 --> 00:14:30,680 Speaker 1: walks right to the church. Reverend Reese is speaking to 316 00:14:30,680 --> 00:14:33,360 Speaker 1: the congregation about the importance of equality, and he's thrilled that. 317 00:14:33,360 --> 00:14:35,360 Speaker 2: Help has come in the form of doctor Martin Luther King. 318 00:14:35,640 --> 00:14:38,040 Speaker 1: Doctor King is happy to be in Selma and will 319 00:14:38,080 --> 00:14:41,240 Speaker 1: help send a powerful message to change America. With black 320 00:14:41,240 --> 00:14:43,720 Speaker 1: people making up fifty percent of Selma's population, they need 321 00:14:43,760 --> 00:14:46,840 Speaker 1: more than the two percent registered to vote. Cheyenne tries 322 00:14:46,880 --> 00:14:49,280 Speaker 1: to sneak into a pew, but everyone notices her. They 323 00:14:49,280 --> 00:14:51,560 Speaker 1: tell her it's an adult meeting. She isn't allowed to join. 324 00:14:51,760 --> 00:14:53,960 Speaker 1: She explains she just wants to see Doctor King, and 325 00:14:54,000 --> 00:14:56,160 Speaker 1: if her dad finds out she skips school, he's going 326 00:14:56,240 --> 00:14:58,800 Speaker 1: to be furious. And that's when Doctor King calls her 327 00:14:58,840 --> 00:15:00,960 Speaker 1: to the front of the church. She nervously pulls out 328 00:15:00,960 --> 00:15:03,000 Speaker 1: her report and asks him to sign it. He's happy 329 00:15:03,000 --> 00:15:05,560 Speaker 1: with what she wrote, mentioning his Nobel Peace Prize and 330 00:15:05,600 --> 00:15:08,280 Speaker 1: his mission to spread love. He says that kids like 331 00:15:08,360 --> 00:15:10,640 Speaker 1: Cheyenne are the reason they need to fight. As everyone 332 00:15:10,720 --> 00:15:13,200 Speaker 1: leaves the church, Doctor King invites Cheyenne to sing at 333 00:15:13,200 --> 00:15:15,560 Speaker 1: his big meeting tonight, and then with a huge smile, 334 00:15:15,680 --> 00:15:18,720 Speaker 1: she runs back to school. Cheyenne walks into the class late, 335 00:15:18,760 --> 00:15:20,920 Speaker 1: catching the attention to the teacher, Miss Bright, who's lecturing 336 00:15:20,920 --> 00:15:24,040 Speaker 1: about dinosaurs. She shows off Doctor King's autograph, but is 337 00:15:24,040 --> 00:15:27,000 Speaker 1: told she can't understand Doctor King's message and to stay 338 00:15:27,080 --> 00:15:29,360 Speaker 1: during recess to make up what she missed. As she 339 00:15:29,440 --> 00:15:32,920 Speaker 1: passes Rachel, her friend says, I told you so, Oh geez, 340 00:15:32,960 --> 00:15:34,880 Speaker 1: and I told you so, friend, like Cheyenne needed to 341 00:15:34,880 --> 00:15:38,040 Speaker 1: hear that. When the bell does ring, Cheyenne stays in 342 00:15:38,040 --> 00:15:40,080 Speaker 1: her seat and eventually raises her hand. She tells Miss 343 00:15:40,120 --> 00:15:42,080 Speaker 1: Bright that she does know what Doctor King was talking 344 00:15:42,120 --> 00:15:45,320 Speaker 1: about freedom. When asked what that means, Cheyenne answers, doing 345 00:15:45,360 --> 00:15:47,560 Speaker 1: stuff you want to, but her teacher says it's much 346 00:15:47,600 --> 00:15:50,280 Speaker 1: more complicated than that. Miss Bright encourages her to focus 347 00:15:50,280 --> 00:15:52,800 Speaker 1: back on school and leave these things for her elders. 348 00:15:53,080 --> 00:15:55,440 Speaker 1: The teacher also informs Cheyenne that she has to call 349 00:15:55,480 --> 00:15:58,800 Speaker 1: her mom and tell her what she's done. Now, walking 350 00:15:58,800 --> 00:16:01,240 Speaker 1: home with her snitch neighbor friend Rachel, yeah, I mean, 351 00:16:01,280 --> 00:16:05,400 Speaker 1: come on, Cheyenne is so excited about singing for Doctor King. 352 00:16:05,560 --> 00:16:07,280 Speaker 1: She might not be Aretha Franklin, but she's going to 353 00:16:07,320 --> 00:16:09,680 Speaker 1: give it a try. Then a white reverend pulls up 354 00:16:09,680 --> 00:16:12,560 Speaker 1: looking for the West Home, which is coincidentally Rachel's last name. 355 00:16:12,880 --> 00:16:15,760 Speaker 1: The man introduces himself as Jonathan Daniels from New Hampshire 356 00:16:15,800 --> 00:16:18,000 Speaker 1: and says Rachel's parents asked him to come and stay 357 00:16:18,000 --> 00:16:20,600 Speaker 1: at their house. Cheyenne can't believe a white man is 358 00:16:20,640 --> 00:16:23,560 Speaker 1: staying at her friend's house. Jonathan meets up with Rachel's 359 00:16:23,560 --> 00:16:25,680 Speaker 1: mom and says that when he heard that doctor King 360 00:16:25,720 --> 00:16:28,080 Speaker 1: needed volunteers in Selma, he just had to come. He 361 00:16:28,120 --> 00:16:30,200 Speaker 1: offers to pay room and board, but Rachel's mom insists 362 00:16:30,200 --> 00:16:32,720 Speaker 1: it's not necessary. Cheyenne still can't get over the fact 363 00:16:32,720 --> 00:16:35,640 Speaker 1: that he's a preacher but wearing blue jeans. Over at 364 00:16:35,640 --> 00:16:37,720 Speaker 1: the church, Reverend Daniels is being shown around the grounds 365 00:16:37,720 --> 00:16:39,760 Speaker 1: by a woman named Sally. He explains he's in town 366 00:16:39,800 --> 00:16:42,280 Speaker 1: for the movement, and Sally says she sympathizes with their plight, 367 00:16:42,520 --> 00:16:45,520 Speaker 1: but doesn't have time to volunteer. She then introduces him 368 00:16:45,520 --> 00:16:47,800 Speaker 1: to Father Whittaker, a priest he's told to look up 369 00:16:47,840 --> 00:16:50,160 Speaker 1: by one of his friends back at home. Father Whittaker 370 00:16:50,200 --> 00:16:52,200 Speaker 1: offers him tea, and Sally says any time he needs 371 00:16:52,200 --> 00:16:55,200 Speaker 1: help in the town, feel free to call now. Man 372 00:16:55,200 --> 00:16:57,080 Speaker 1: to man, Jonathan says he's in Selm to help with 373 00:16:57,080 --> 00:16:59,520 Speaker 1: the civil rights movement, and though he's a man of God, 374 00:16:59,640 --> 00:17:02,040 Speaker 1: that does and seemed to excite Father Whittaker. He explains 375 00:17:02,080 --> 00:17:04,879 Speaker 1: the last thing the town needs are Northerners stirring the kettle. 376 00:17:05,200 --> 00:17:07,840 Speaker 1: Jonathan can't believe the priest doesn't believe in integration, and 377 00:17:07,920 --> 00:17:11,000 Speaker 1: Father Whittaker aggressively explains that the South is just different. 378 00:17:11,240 --> 00:17:13,320 Speaker 1: The two men awkwardly shake hands in part ways. And 379 00:17:13,320 --> 00:17:14,520 Speaker 1: that's when I was sitting there and I was like 380 00:17:14,880 --> 00:17:16,960 Speaker 1: I'm gonna I'm gonna hate all these people, like. 381 00:17:17,000 --> 00:17:19,080 Speaker 3: I know exactly. 382 00:17:19,160 --> 00:17:22,080 Speaker 4: I was just like, Oh, I mean, we've got a 383 00:17:22,119 --> 00:17:24,640 Speaker 4: priest like in on this. 384 00:17:24,760 --> 00:17:27,600 Speaker 1: Oh my god, somebody who's teaching, trying to teach the 385 00:17:27,600 --> 00:17:29,359 Speaker 1: word of Christ to say things like this. 386 00:17:29,440 --> 00:17:30,720 Speaker 2: It's like, okay, like. 387 00:17:30,800 --> 00:17:32,800 Speaker 3: All children are a child of God. 388 00:17:32,960 --> 00:17:37,080 Speaker 4: Like it's that's just the core basis of the religion 389 00:17:37,640 --> 00:17:39,520 Speaker 4: is to accept everyone. 390 00:17:39,720 --> 00:17:42,560 Speaker 3: And you're just going, Holy cow. 391 00:17:42,920 --> 00:17:45,760 Speaker 4: And he wasn't just he did it with an aggressive 392 00:17:46,160 --> 00:17:47,800 Speaker 4: aspect behind his words. 393 00:17:47,840 --> 00:17:49,280 Speaker 2: There's an anger behind all there. 394 00:17:49,200 --> 00:17:51,240 Speaker 4: Was an anger, and you're just going, I you know, 395 00:17:51,640 --> 00:17:54,960 Speaker 4: it's just the opposite of what this person should you know, 396 00:17:55,080 --> 00:17:56,480 Speaker 4: this mentor should be. 397 00:17:57,080 --> 00:18:00,679 Speaker 1: Like there are worlds I'm just unfamiliar with and a 398 00:18:00,680 --> 00:18:02,760 Speaker 1: lot of the characters. I just I sit there and 399 00:18:02,600 --> 00:18:04,120 Speaker 1: I'm gfa like, is. 400 00:18:04,080 --> 00:18:05,960 Speaker 3: This Yeah, how is that possible? 401 00:18:06,119 --> 00:18:06,320 Speaker 2: Yeah? 402 00:18:06,520 --> 00:18:08,760 Speaker 3: How is it okay? In any sense? 403 00:18:08,960 --> 00:18:11,760 Speaker 2: Yeah? Very very amazing. And again I knew I was 404 00:18:11,800 --> 00:18:12,280 Speaker 2: going to sit there. 405 00:18:12,280 --> 00:18:13,280 Speaker 1: I was like, Oh, this is going to be one 406 00:18:13,320 --> 00:18:15,080 Speaker 1: of those movies where I'm just going I'm gonna sit 407 00:18:15,080 --> 00:18:19,920 Speaker 1: here and seethe essentially for ninety minutes. Yes, So now 408 00:18:19,960 --> 00:18:22,480 Speaker 1: at dinner, the West family is feeding Reverend Daniels, but 409 00:18:22,560 --> 00:18:24,880 Speaker 1: mister West is forced to stand with his plate because 410 00:18:24,880 --> 00:18:27,280 Speaker 1: there isn't enough room at the table. Jonathan said he's 411 00:18:27,280 --> 00:18:28,920 Speaker 1: studying to be a reverend because he wants to fight 412 00:18:28,960 --> 00:18:31,400 Speaker 1: hatred and bigotry with the word of God. Mister West 413 00:18:31,400 --> 00:18:33,600 Speaker 1: says in Selma he'll have his work cut out for him, 414 00:18:33,840 --> 00:18:37,160 Speaker 1: especially once he meets Sheriff Potts. Rachel is excused from 415 00:18:37,160 --> 00:18:39,480 Speaker 1: the table because she's going with Cheyenne to see doctor King. 416 00:18:40,040 --> 00:18:42,160 Speaker 1: But over at Cheyenne she has to beg for permission 417 00:18:42,200 --> 00:18:43,960 Speaker 1: to go, especially after skipping class today. 418 00:18:44,040 --> 00:18:45,720 Speaker 2: Yeah, you just broke the rules. You don't get to 419 00:18:45,720 --> 00:18:46,639 Speaker 2: now go do other stuff. 420 00:18:47,000 --> 00:18:49,000 Speaker 1: But eventually her mom does agree and instructs her to 421 00:18:49,080 --> 00:18:51,720 Speaker 1: hurry back home afterwards. Sadly, she can't come see her 422 00:18:51,800 --> 00:18:53,639 Speaker 1: daughter singing because she has a baby to take care 423 00:18:53,720 --> 00:18:56,280 Speaker 1: of and her dad is working late. With the two 424 00:18:56,359 --> 00:18:58,200 Speaker 1: girls now walking and singing on the way to church, 425 00:18:58,280 --> 00:19:00,640 Speaker 1: a white sheriff stopped them to ask where they're going. 426 00:19:00,680 --> 00:19:03,480 Speaker 1: When they answer church, the cop cryptically reminds them of 427 00:19:03,520 --> 00:19:05,680 Speaker 1: the four little girls in Birmingham who were bombed in 428 00:19:05,720 --> 00:19:08,480 Speaker 1: their church. This awful moment in American history is also 429 00:19:08,560 --> 00:19:10,600 Speaker 1: chronicled in the movie. It's a documentary for HBO by 430 00:19:10,600 --> 00:19:14,600 Speaker 1: Spike Lee called Four Little Girls. It's it's another one 431 00:19:14,640 --> 00:19:18,399 Speaker 1: that's a heavy watch, obviously, but absolutely worth seeing. The 432 00:19:18,440 --> 00:19:21,080 Speaker 1: sheriff hints that their church could be bombed too, and 433 00:19:21,160 --> 00:19:22,400 Speaker 1: so they run off in fear. 434 00:19:24,000 --> 00:19:26,920 Speaker 2: It's one one moment after another. 435 00:19:26,920 --> 00:19:30,520 Speaker 3: And oh, these just young girls minding their business. I 436 00:19:30,560 --> 00:19:31,840 Speaker 3: was just like, oh my god, I. 437 00:19:31,880 --> 00:19:37,959 Speaker 1: Can't I yeah, yeah, it's it's people, neighbors, neighbors that 438 00:19:38,119 --> 00:19:38,600 Speaker 1: don't know. 439 00:19:39,400 --> 00:19:40,879 Speaker 2: It's I can't even explain it. 440 00:19:40,920 --> 00:19:42,880 Speaker 1: I just because I don't know what any of these 441 00:19:43,000 --> 00:19:44,200 Speaker 1: these people were going through. 442 00:19:44,240 --> 00:19:45,800 Speaker 2: I have no context to it. 443 00:19:47,080 --> 00:19:50,000 Speaker 1: So watching it is very difficult because I just I 444 00:19:50,080 --> 00:19:53,479 Speaker 1: can't relate in any way, shape or form. Yeah, And 445 00:19:53,520 --> 00:19:55,520 Speaker 1: it's and so watching it, you almost there's a party. 446 00:19:55,600 --> 00:19:57,560 Speaker 1: It's like, oh, this can't be real, and you realize 447 00:19:57,760 --> 00:20:00,600 Speaker 1: it is and and as been for centuries. 448 00:20:00,800 --> 00:20:03,760 Speaker 4: I'm just I mean, it just feels makes you feel 449 00:20:03,760 --> 00:20:05,920 Speaker 4: proud that that's not where we're at, that we. 450 00:20:05,920 --> 00:20:06,720 Speaker 3: Have moved forward. 451 00:20:06,800 --> 00:20:08,880 Speaker 4: Yeah, that we're going so many ways, and then there's 452 00:20:08,920 --> 00:20:11,040 Speaker 4: a lot more I'm sure to continue to do, but 453 00:20:11,720 --> 00:20:13,840 Speaker 4: that that's not what we're doing anymore. It was like 454 00:20:13,920 --> 00:20:16,240 Speaker 4: it was like heartbreaking. Even just that was just like, 455 00:20:16,320 --> 00:20:18,960 Speaker 4: oh my god. I just was just like cool, Yeah, 456 00:20:19,040 --> 00:20:20,280 Speaker 4: it is over. 457 00:20:20,320 --> 00:20:22,359 Speaker 1: At the church, Cheyenne isn't letting that cops scare her 458 00:20:22,359 --> 00:20:24,960 Speaker 1: away from singing for Doctor King, and once inside, the 459 00:20:24,960 --> 00:20:27,400 Speaker 1: girl see Doctor King's talking to an eager man named 460 00:20:27,440 --> 00:20:29,960 Speaker 1: Jimmy Lee Jackson and the two men who will be 461 00:20:30,040 --> 00:20:33,600 Speaker 1: running the Selma movement, John and Josea. The girls are 462 00:20:33,600 --> 00:20:36,120 Speaker 1: still shaken by the cops warning and searching the church 463 00:20:36,200 --> 00:20:38,520 Speaker 1: for a bomb because of course, the cop just scared 464 00:20:38,520 --> 00:20:41,480 Speaker 1: the hell out of them. Eventually, Doctor King spots Cheyenne, 465 00:20:41,800 --> 00:20:45,280 Speaker 1: his designated singer. He also meets Rachel and explains the 466 00:20:45,320 --> 00:20:47,840 Speaker 1: meeting's goal is freedom, but you need to want it 467 00:20:47,880 --> 00:20:49,600 Speaker 1: bad enough, and the girls make it clear that they're 468 00:20:49,600 --> 00:20:52,760 Speaker 1: motivated for freedom and ready to march. Then Doctor King 469 00:20:52,840 --> 00:20:56,200 Speaker 1: takes the stage and preaches nonviolence and equality, eventually calling 470 00:20:56,320 --> 00:20:59,240 Speaker 1: up Cheyenne to sing Ain't gonna let nobody turn me round? 471 00:20:59,320 --> 00:21:04,000 Speaker 2: Which I loved this song. Moment was just the song too. 472 00:21:04,040 --> 00:21:06,960 Speaker 2: I loved this song. I did, really did, and. 473 00:21:07,119 --> 00:21:11,280 Speaker 4: I don't I've never heard this song before, and it 474 00:21:11,320 --> 00:21:15,199 Speaker 4: was like I so it was interesting, like is I 475 00:21:15,240 --> 00:21:17,560 Speaker 4: had like the question of like is that the song? 476 00:21:17,680 --> 00:21:20,959 Speaker 4: Like the person that kind of leads it says the 477 00:21:21,000 --> 00:21:23,919 Speaker 4: first line and then it's the push back, and it 478 00:21:24,000 --> 00:21:26,320 Speaker 4: was like, I mean, the way the grit. I already knew, 479 00:21:26,320 --> 00:21:29,159 Speaker 4: I've I've seen her sing before. I knew she had 480 00:21:29,200 --> 00:21:31,159 Speaker 4: a great voice, and even as she's like younger in 481 00:21:31,200 --> 00:21:34,280 Speaker 4: this movie, but like her grit and like the way 482 00:21:34,359 --> 00:21:36,639 Speaker 4: she was like when she said like the governor and 483 00:21:36,720 --> 00:21:40,760 Speaker 4: like this, like I mean, it was like such a great, wonderful, 484 00:21:40,960 --> 00:21:41,879 Speaker 4: unifying moment. 485 00:21:42,000 --> 00:21:42,680 Speaker 3: I loved it. 486 00:21:43,320 --> 00:21:45,879 Speaker 1: The congregation loves it too, clapping and dancing along. She 487 00:21:45,960 --> 00:21:48,679 Speaker 1: is a natural. We also noticed that Jonathan and the 488 00:21:48,720 --> 00:21:51,399 Speaker 1: Wests are in the audience smiling at the performance. She 489 00:21:51,480 --> 00:21:53,560 Speaker 1: concludes to a loud route of applause, a hug from 490 00:21:53,600 --> 00:21:56,680 Speaker 1: Rachel and words of encouragement from Reverend Jonathan. The group 491 00:21:56,680 --> 00:21:58,800 Speaker 1: will start marching tomorrow and everyone in the church is 492 00:21:58,800 --> 00:22:02,119 Speaker 1: feeling optimistic, but Doctor King reminds them it will be difficult. 493 00:22:02,119 --> 00:22:04,440 Speaker 1: Many cities across the country are being met with violence. 494 00:22:04,880 --> 00:22:07,720 Speaker 1: Doctor King is also introduced to Reverend Jonathan, who is 495 00:22:07,840 --> 00:22:10,560 Speaker 1: very nervous to meet one of his heroes. Once Doctor 496 00:22:10,600 --> 00:22:13,280 Speaker 1: King leaves, Jonathan meets Willie Hill, who'll be working with 497 00:22:13,359 --> 00:22:16,480 Speaker 1: to register new voters in the town. Back at Cheyenne's house, 498 00:22:16,480 --> 00:22:19,000 Speaker 1: she is still so excited about her performance she wishes 499 00:22:19,000 --> 00:22:20,520 Speaker 1: her mom could have been there to see it. Cheyenne 500 00:22:20,520 --> 00:22:23,120 Speaker 1: says that Doctor King thinks that black people are still slaves, 501 00:22:23,320 --> 00:22:25,359 Speaker 1: but her mom explains the difference between them and her 502 00:22:25,400 --> 00:22:28,560 Speaker 1: grandmother of one hundred years before. A lot has changed, 503 00:22:28,760 --> 00:22:31,359 Speaker 1: but Cheyenne reminds her they still can't vote, which is 504 00:22:31,359 --> 00:22:33,600 Speaker 1: the reason Doctor King is marching, and with that she's 505 00:22:33,640 --> 00:22:36,720 Speaker 1: off to bed. Later that night, Cheyenne's dad returns from work. 506 00:22:36,920 --> 00:22:39,439 Speaker 1: He hears all about the Doctor King's stuff, including Cheyenne's 507 00:22:39,440 --> 00:22:42,119 Speaker 1: big musical debut. Her mom is excited that she's showing 508 00:22:42,119 --> 00:22:44,160 Speaker 1: interest in something, but her dad thinks if Chyan gets 509 00:22:44,200 --> 00:22:46,480 Speaker 1: mixed up in this, she could get hurt. He mentions 510 00:22:46,520 --> 00:22:48,720 Speaker 1: that they've already lost one daughter to this movement, and 511 00:22:48,760 --> 00:22:50,640 Speaker 1: with that they go inside and soak. 512 00:22:50,440 --> 00:22:52,399 Speaker 2: His sore muscles from his day at work. 513 00:22:53,000 --> 00:22:55,520 Speaker 1: But first he swings by Cheyne's bedroom and she's wide awake, 514 00:22:55,680 --> 00:22:58,359 Speaker 1: having trouble falling asleep. She wishes her dad was involved 515 00:22:58,359 --> 00:23:00,600 Speaker 1: in the movement like Rachel's dad is. Her dad just 516 00:23:00,640 --> 00:23:02,440 Speaker 1: wants her to stay safe and says the movement will 517 00:23:02,440 --> 00:23:03,520 Speaker 1: get along fine without her. 518 00:23:03,600 --> 00:23:04,919 Speaker 2: They embrace and say good night. 519 00:23:05,720 --> 00:23:08,240 Speaker 1: Meanwhile, Reverend Jonathan arrives at the church to work with 520 00:23:08,240 --> 00:23:10,600 Speaker 1: Willie and is welcomed by a handful of clan members 521 00:23:10,800 --> 00:23:13,040 Speaker 1: about to light a cross on fire in the front yard. 522 00:23:13,359 --> 00:23:14,919 Speaker 1: He jumps out of his car and screams for them 523 00:23:14,960 --> 00:23:17,800 Speaker 1: to stop. They ignore his pleas and light the cross 524 00:23:17,800 --> 00:23:21,119 Speaker 1: on fire anyway. One masked man tells the reverend they 525 00:23:21,119 --> 00:23:23,320 Speaker 1: don't like outsiders, and he slowly approaches him. 526 00:23:23,400 --> 00:23:24,840 Speaker 2: Jonathan darts off to get help. 527 00:23:25,359 --> 00:23:27,600 Speaker 1: Now at the police station, the officers laugh off the 528 00:23:27,640 --> 00:23:30,200 Speaker 1: reverend's claim. They swear there hasn't been Clan and Selma 529 00:23:30,240 --> 00:23:32,280 Speaker 1: for over twenty years. He begs them to go check 530 00:23:32,280 --> 00:23:34,200 Speaker 1: out the cross at the chapel, but they warn him 531 00:23:34,200 --> 00:23:36,440 Speaker 1: not to stir up trouble in the name of voter registration, 532 00:23:36,720 --> 00:23:38,960 Speaker 1: and then the cops just drown him and busy work, 533 00:23:39,000 --> 00:23:40,399 Speaker 1: making it impossible. 534 00:23:39,880 --> 00:23:41,359 Speaker 2: For him to file her report. 535 00:23:41,640 --> 00:23:44,280 Speaker 1: A defeated Reverend Jonathan eventually leaves the station and runs 536 00:23:44,280 --> 00:23:46,680 Speaker 1: into Sally from the church. He tells her about the clan, 537 00:23:46,760 --> 00:23:48,640 Speaker 1: and she says the town just turns a blind eye 538 00:23:48,680 --> 00:23:51,560 Speaker 1: to their existence. He promises Doctor King will bring change 539 00:23:51,600 --> 00:23:54,480 Speaker 1: to Selma. Sally calls him idealistic and warns him to 540 00:23:54,480 --> 00:23:56,879 Speaker 1: be careful. And now a crowd has gathered at the 541 00:23:56,920 --> 00:24:00,000 Speaker 1: chapel smoldering cross. Everyone is disturbed and Cheyenna and rachelar's skins. 542 00:24:00,560 --> 00:24:02,800 Speaker 1: Rachel thinks the march should be canceled, but Cheyenne isn't 543 00:24:02,800 --> 00:24:05,159 Speaker 1: going anywhere. She's marching with Doctor King no matter what. 544 00:24:05,600 --> 00:24:08,159 Speaker 1: Jonathan is also there. When a somber Doctor King arrives, 545 00:24:08,240 --> 00:24:10,760 Speaker 1: he says they need God's blessing more than ever, then 546 00:24:10,840 --> 00:24:13,600 Speaker 1: prays for strength to fight the hatred. He tells everyone 547 00:24:13,640 --> 00:24:15,240 Speaker 1: to look deep in their hearts for the ability to 548 00:24:15,240 --> 00:24:18,200 Speaker 1: march tomorrow, and everyone agrees that hatred will not deter them. 549 00:24:18,440 --> 00:24:21,520 Speaker 1: The entire group, including Cheyenne, breakout and song and celebrate 550 00:24:21,600 --> 00:24:24,560 Speaker 1: to kick off the march. The group, led by Doctor King, 551 00:24:24,680 --> 00:24:27,240 Speaker 1: John and Hosea Sin kumbaya while walking down the street, 552 00:24:27,480 --> 00:24:29,600 Speaker 1: but before they can even get to the courthouse, cops 553 00:24:29,680 --> 00:24:32,720 Speaker 1: arrive and block the front door. Immediately, Sheriff Potts warns 554 00:24:32,760 --> 00:24:34,760 Speaker 1: the marchers no more than three of them can gather 555 00:24:34,840 --> 00:24:37,720 Speaker 1: at any time and suggest they leave, but doctor King 556 00:24:37,760 --> 00:24:39,840 Speaker 1: explains they just want to register voters and they'll wait 557 00:24:39,880 --> 00:24:41,919 Speaker 1: as long as needed to get it done, since the 558 00:24:41,960 --> 00:24:44,400 Speaker 1: registration office is only open two days a month. One 559 00:24:44,400 --> 00:24:46,760 Speaker 1: woman says she needs to sign up today. The sheriff 560 00:24:46,840 --> 00:24:49,359 Speaker 1: understands and shows her the door. The crowd applauds, but 561 00:24:49,400 --> 00:24:51,639 Speaker 1: when she enters the courthouse, she's told that before she 562 00:24:51,680 --> 00:24:55,160 Speaker 1: can register, she has to guess how many jelly beans 563 00:24:55,240 --> 00:24:56,480 Speaker 1: are in a jar. 564 00:24:57,040 --> 00:25:04,480 Speaker 3: Just because then I'm going there's no way there, there's oh. 565 00:25:04,119 --> 00:25:21,800 Speaker 4: My goodness, like taking oh gosh. 566 00:25:14,200 --> 00:25:17,600 Speaker 1: So upset obviously, she returns outside and calls the test 567 00:25:17,600 --> 00:25:20,480 Speaker 1: an insult. She reminds the sheriff that citizens pay his 568 00:25:20,600 --> 00:25:23,920 Speaker 1: salary through taxes, and as a result, she gets arrested. 569 00:25:24,320 --> 00:25:26,560 Speaker 1: The shot crowd watches on as she's put in the 570 00:25:26,560 --> 00:25:29,560 Speaker 1: police car. One of the protesters calls the cops a 571 00:25:29,640 --> 00:25:32,280 Speaker 1: racist like Hitler, and out of nowhere, the sheriff. 572 00:25:32,000 --> 00:25:33,920 Speaker 2: Punches him in the stomach, then arrests him too. 573 00:25:34,240 --> 00:25:36,880 Speaker 4: But even though they and they portrayed it pretty well 574 00:25:36,920 --> 00:25:38,919 Speaker 4: as far as Disney goes right like, it didn't go 575 00:25:39,000 --> 00:25:39,760 Speaker 4: over the top. 576 00:25:40,280 --> 00:25:41,399 Speaker 2: With her. 577 00:25:41,800 --> 00:25:43,560 Speaker 3: But the way he is. 578 00:25:43,600 --> 00:25:47,240 Speaker 4: Man handling her and getting aggressive putting her in the 579 00:25:47,359 --> 00:25:53,000 Speaker 4: car was obviously to provoke that anger from the group. Sure, 580 00:25:53,040 --> 00:25:55,240 Speaker 4: you know what I mean, Like, especially with it being 581 00:25:55,280 --> 00:25:58,520 Speaker 4: a woman, you know, and so of course they're thinking, oh, 582 00:25:58,560 --> 00:26:00,000 Speaker 4: if I do this to a woman, one of them 583 00:26:00,080 --> 00:26:02,879 Speaker 4: guys is gonna step up and start trying to swing 584 00:26:03,080 --> 00:26:07,000 Speaker 4: or whatever, you know, and it's just like, oh, you're just. 585 00:26:07,080 --> 00:26:09,520 Speaker 2: Such a jog Yeah you do. You just get you do? 586 00:26:09,720 --> 00:26:11,280 Speaker 2: You just sit there angry for. 587 00:26:11,680 --> 00:26:14,680 Speaker 4: Yes, I mean that would have floored me had someone's 588 00:26:14,680 --> 00:26:17,960 Speaker 4: done that in front of me to day with another woman, 589 00:26:18,440 --> 00:26:21,520 Speaker 4: like you know what I mean, just just not necessarily 590 00:26:21,560 --> 00:26:24,320 Speaker 4: in any way, rough housing a woman into a cop 591 00:26:24,359 --> 00:26:26,720 Speaker 4: car like that would have It would have gotten my 592 00:26:26,880 --> 00:26:29,320 Speaker 4: heart going and my I'm for sure my mouth would 593 00:26:29,320 --> 00:26:31,560 Speaker 4: have gotten of course hands. 594 00:26:31,280 --> 00:26:32,440 Speaker 2: Yeah, it's yeah. 595 00:26:32,520 --> 00:26:36,320 Speaker 1: So it's but you know, again, as they show back 596 00:26:36,359 --> 00:26:40,040 Speaker 1: in the day, anytime the black community stood up, especially 597 00:26:40,080 --> 00:26:43,879 Speaker 1: in the South in the sixties, they were marching with 598 00:26:43,960 --> 00:26:47,600 Speaker 1: peace and met with violence. Yes, so we're gonna sing 599 00:26:47,640 --> 00:26:50,320 Speaker 1: and you're gonna attack us with sticks, I mean right. 600 00:26:50,400 --> 00:26:53,040 Speaker 4: And the even the idea of him saying they could 601 00:26:53,040 --> 00:26:55,439 Speaker 4: have gotten in trouble because there was more than three 602 00:26:55,560 --> 00:27:00,159 Speaker 4: of them at one time, Like, there's seventeen of you 603 00:27:00,320 --> 00:27:01,720 Speaker 4: and there's three of us. 604 00:27:01,760 --> 00:27:03,280 Speaker 3: Are bothering you? Are you kidding? 605 00:27:03,480 --> 00:27:03,680 Speaker 2: Yeah? 606 00:27:03,720 --> 00:27:08,840 Speaker 5: It's oh my gosh, yeah, so mid old, yeah, wild, 607 00:27:08,880 --> 00:27:12,679 Speaker 5: and an everyday occurrence for black people throughout this country 608 00:27:13,040 --> 00:27:13,800 Speaker 5: in the South. 609 00:27:13,840 --> 00:27:15,800 Speaker 2: In the sixties, I mean, just torrible. 610 00:27:16,160 --> 00:27:19,160 Speaker 1: Everyone is silent as the cop asks Cheyenne why she's there, 611 00:27:19,400 --> 00:27:21,880 Speaker 1: She replies to be free. Doctor King and Jonathan love 612 00:27:21,880 --> 00:27:23,600 Speaker 1: her answer, but the sheriff tells her to go home. 613 00:27:23,880 --> 00:27:26,600 Speaker 1: She looks to Jonathan for advice and does end up leaving, 614 00:27:26,720 --> 00:27:29,080 Speaker 1: and with that everyone else is placed under arrest and 615 00:27:29,160 --> 00:27:32,560 Speaker 1: herded like sheep, off to jail. When Cheyenne returns to 616 00:27:32,600 --> 00:27:35,280 Speaker 1: school later, Miss Bright is mad again. Chyanne reveals she's 617 00:27:35,320 --> 00:27:37,800 Speaker 1: been marching and Doctor King was arrested. Her teacher's quick 618 00:27:37,800 --> 00:27:40,080 Speaker 1: to reminder they don't talk about that stuff in class, 619 00:27:40,400 --> 00:27:42,720 Speaker 1: but since Chyenne is clearly emotional right now, the teacher 620 00:27:42,720 --> 00:27:45,639 Speaker 1: decides they can broach the subject. Miss Bright explains that 621 00:27:45,680 --> 00:27:47,840 Speaker 1: some white people just don't want them to vote because 622 00:27:47,840 --> 00:27:50,280 Speaker 1: that'll mean that black people could overcome their surroundings and 623 00:27:50,320 --> 00:27:53,080 Speaker 1: actually make changes and white people want to keep their 624 00:27:53,119 --> 00:27:56,360 Speaker 1: control intact. She writes freedom on the chalkboard and tells 625 00:27:56,440 --> 00:27:58,879 Speaker 1: Cheyenne she won't tell her parents that she skips school, 626 00:27:59,200 --> 00:28:01,560 Speaker 1: but Cheyenne says, thank you, ma'am. 627 00:28:01,720 --> 00:28:03,680 Speaker 2: I will in the jail. 628 00:28:03,800 --> 00:28:05,960 Speaker 1: Policemen have cleared the cell, so Doctor King and his 629 00:28:06,000 --> 00:28:07,040 Speaker 1: black followers can enter. 630 00:28:07,359 --> 00:28:09,520 Speaker 2: The next day, with the girls at school, Rachel's. 631 00:28:09,240 --> 00:28:11,719 Speaker 1: Parents admit that they're proud their daughter wants a better life, 632 00:28:11,840 --> 00:28:14,520 Speaker 1: and with that, Jonathan finally returns home from jail. He 633 00:28:14,720 --> 00:28:17,160 Speaker 1: was released, but Doctor King is still in custody. Jimmy 634 00:28:17,200 --> 00:28:19,520 Speaker 1: and Willie then arrive and they were released from jail 635 00:28:19,560 --> 00:28:22,399 Speaker 1: as well. The three want to register more voters, knowing 636 00:28:22,720 --> 00:28:24,160 Speaker 1: that even just one. 637 00:28:24,040 --> 00:28:26,320 Speaker 2: Can make a difference, but decide to eat first at 638 00:28:26,320 --> 00:28:26,920 Speaker 2: the West House. 639 00:28:27,520 --> 00:28:29,880 Speaker 1: Back in Miss Bride's class, the teacher mentions their discussion 640 00:28:29,880 --> 00:28:32,080 Speaker 1: about freedom the other day and says as a result, 641 00:28:32,280 --> 00:28:35,680 Speaker 1: the teachers voted to march, so class has been canceled. 642 00:28:35,760 --> 00:28:38,080 Speaker 1: The class celebrates and follow their teacher to the church 643 00:28:38,200 --> 00:28:41,080 Speaker 1: to help make a statement. Meanwhile, Sheriff Potts has been 644 00:28:41,120 --> 00:28:43,560 Speaker 1: alerted about the walkout, and since he thinks the teachers 645 00:28:43,560 --> 00:28:46,880 Speaker 1: are quote the smartest blacks in town. He wonders if 646 00:28:46,880 --> 00:28:50,320 Speaker 1: they've all gone crazy. Back outside the courthouse, the teachers 647 00:28:50,320 --> 00:28:52,520 Speaker 1: are singing in unison as the mayor and sheriff watch 648 00:28:52,560 --> 00:28:54,720 Speaker 1: on from across the street. The mayor doesn't want any 649 00:28:54,720 --> 00:28:57,400 Speaker 1: problems from these highly regarded members of their community, but 650 00:28:57,480 --> 00:29:00,680 Speaker 1: the sheriff argues they're still unlawfully gathered. But since the 651 00:29:00,680 --> 00:29:03,080 Speaker 1: teachers being thrown in jail would be terrible optics, the 652 00:29:03,120 --> 00:29:07,000 Speaker 1: mayor instructs the sheriff to just let them protest. Now, 653 00:29:07,200 --> 00:29:09,120 Speaker 1: on their day off from school, Cheyenne and Rachel are 654 00:29:09,120 --> 00:29:11,080 Speaker 1: outside the courthouse waiting in a long line for a 655 00:29:11,160 --> 00:29:14,000 Speaker 1: colored water fountain. Schyane notices that no one's waiting at 656 00:29:14,000 --> 00:29:16,760 Speaker 1: the white fountain, so she cautiously tiptoes over with her 657 00:29:16,800 --> 00:29:19,240 Speaker 1: cup and starts to fill it. That's when a nearby 658 00:29:19,240 --> 00:29:21,800 Speaker 1: white kid calls her a very horrible slur and knocks 659 00:29:21,840 --> 00:29:23,920 Speaker 1: the cup out of her hand. Yane runs back to 660 00:29:24,000 --> 00:29:26,400 Speaker 1: Rachel and joins Miss Bright in the protest. The teacher 661 00:29:26,440 --> 00:29:28,920 Speaker 1: is thankful for Schyane's interest in voting and freedom. She's 662 00:29:28,960 --> 00:29:30,760 Speaker 1: already made a real difference at their school. 663 00:29:31,320 --> 00:29:31,480 Speaker 2: Now. 664 00:29:31,560 --> 00:29:33,440 Speaker 1: Later in the day, Sane and Rachel are doing school 665 00:29:33,480 --> 00:29:36,720 Speaker 1: work outside. Chyenne wants her parents to join the movement 666 00:29:36,760 --> 00:29:39,720 Speaker 1: so badly, so when Jonathan arrives, chyan asks him to 667 00:29:39,720 --> 00:29:42,240 Speaker 1: help her in her recruitment of her dad, and he 668 00:29:42,280 --> 00:29:44,560 Speaker 1: promises that he will talk to him on her behalf. 669 00:29:45,280 --> 00:29:47,200 Speaker 1: Back at the jail, the sheriff is bragging to two 670 00:29:47,200 --> 00:29:50,360 Speaker 1: white visitors about their most famous inmate, doctor Martin Luther King. 671 00:29:50,680 --> 00:29:51,760 Speaker 2: He promises to keep him. 672 00:29:51,640 --> 00:29:54,360 Speaker 1: Around a little while longer to show off the Southern hospitality. 673 00:29:54,600 --> 00:29:57,600 Speaker 2: They're literally treating him like an animal in a zoo. 674 00:29:58,120 --> 00:30:00,600 Speaker 1: And now Jonathan has arrived with Mister to talk to 675 00:30:00,800 --> 00:30:03,680 Speaker 1: Chyanne's dad about the movement. They congregate at the dinner table, 676 00:30:03,680 --> 00:30:06,840 Speaker 1: but Yan's dad says he just doesn't have time. He 677 00:30:06,960 --> 00:30:09,480 Speaker 1: mentions his oldest daughter, Vivian, who was in the movement 678 00:30:09,480 --> 00:30:11,440 Speaker 1: and got arrested, so they had to send her up 679 00:30:11,440 --> 00:30:14,040 Speaker 1: north for her own good, and now he's lost her completely. 680 00:30:14,200 --> 00:30:16,600 Speaker 1: He's not gonna let another child of his join the movement. 681 00:30:16,840 --> 00:30:18,719 Speaker 1: He just isn't hearing it now. The thing I liked 682 00:30:18,720 --> 00:30:21,760 Speaker 1: about this is all he cared about was her safety, 683 00:30:22,200 --> 00:30:24,800 Speaker 1: And like, I just don't want you to involved because 684 00:30:24,840 --> 00:30:25,480 Speaker 1: I lost a daughter. 685 00:30:25,560 --> 00:30:29,280 Speaker 2: But he was never angry about it. No, you know 686 00:30:29,360 --> 00:30:29,720 Speaker 2: it was. 687 00:30:31,480 --> 00:30:33,520 Speaker 1: I think you easily could have gone the route of 688 00:30:33,600 --> 00:30:36,000 Speaker 1: because I said so and we're not gonna I don't 689 00:30:36,000 --> 00:30:36,880 Speaker 1: want to hear this anymore. 690 00:30:36,920 --> 00:30:38,880 Speaker 2: You're staying home and out of danger. But it was 691 00:30:38,960 --> 00:30:39,720 Speaker 2: never like that. 692 00:30:39,840 --> 00:30:42,240 Speaker 1: It was it was from a place of love and 693 00:30:42,280 --> 00:30:44,120 Speaker 1: from a place of I'm not gonna. 694 00:30:43,880 --> 00:30:46,680 Speaker 2: Lose you too, right, which was very powerful. 695 00:30:46,680 --> 00:30:49,560 Speaker 4: I think, I absolutely and I feel like, I mean, 696 00:30:50,560 --> 00:30:57,560 Speaker 4: he's he wasn't wrong to be nervous and not excited 697 00:30:57,600 --> 00:30:59,880 Speaker 4: about his daughter wanting to be a part of something 698 00:31:00,120 --> 00:31:01,320 Speaker 4: that was very dangerous. 699 00:31:01,600 --> 00:31:02,800 Speaker 3: Yeah, right, Like. 700 00:31:02,800 --> 00:31:07,440 Speaker 4: I mean it would like even just that that one 701 00:31:08,080 --> 00:31:10,160 Speaker 4: scene with the cross in front of the church with 702 00:31:10,240 --> 00:31:14,960 Speaker 4: the ku kuks Klan guys was scary enough to. 703 00:31:14,920 --> 00:31:18,640 Speaker 3: Go there are people that are off their rock or here, like. 704 00:31:18,760 --> 00:31:22,280 Speaker 4: You don't know who is ever going to be around 705 00:31:22,280 --> 00:31:25,479 Speaker 4: the wrong corner and when you're involved in something like this. 706 00:31:25,800 --> 00:31:27,400 Speaker 3: So, I but you're right. 707 00:31:27,440 --> 00:31:30,680 Speaker 4: I did love how he never got angry. You know, 708 00:31:30,920 --> 00:31:33,480 Speaker 4: he was never mad at her. He was just trying 709 00:31:33,520 --> 00:31:36,160 Speaker 4: to be the parent that's saying, I'm just trying to 710 00:31:36,240 --> 00:31:36,880 Speaker 4: keep you safe. 711 00:31:36,960 --> 00:31:39,720 Speaker 1: Yep, that's your safety is my only priority right right 712 00:31:40,760 --> 00:31:42,800 Speaker 1: back at the courthouse, the group has congregated again to 713 00:31:42,800 --> 00:31:45,600 Speaker 1: see Doctor King finally released from the steps he preaches 714 00:31:45,640 --> 00:31:47,160 Speaker 1: and says they're not going to take it anymore. 715 00:31:47,560 --> 00:31:48,920 Speaker 2: Meanwhile, Reverend Jonathan and. 716 00:31:48,920 --> 00:31:50,720 Speaker 1: The boys are still going door to door to register 717 00:31:50,760 --> 00:31:52,400 Speaker 1: black voters, but no one wants to put a. 718 00:31:52,320 --> 00:31:53,080 Speaker 2: Target on their back. 719 00:31:53,280 --> 00:31:55,880 Speaker 1: People are getting fired from their jobs just for speaking up. 720 00:31:56,400 --> 00:31:58,840 Speaker 1: Later that night, the Reverend chats with Cheyenne. 721 00:31:58,440 --> 00:31:59,360 Speaker 2: And Rachel and the Stoop. 722 00:31:59,600 --> 00:32:01,719 Speaker 1: They all wish on a star, which Jonathan thinks are 723 00:32:01,760 --> 00:32:05,120 Speaker 1: deceased loved ones. Sensing her wish, Jonathan gives Cheyenne his 724 00:32:05,240 --> 00:32:08,280 Speaker 1: enamel crosspin from his church. The next day, Shane is 725 00:32:08,280 --> 00:32:10,959 Speaker 1: awakened by her mom saying, Oh my God. And everyone 726 00:32:10,960 --> 00:32:13,800 Speaker 1: has gathered at the church while helping someone register to vote, 727 00:32:13,880 --> 00:32:16,280 Speaker 1: Jimmy was shot by a trooper and died an hour ago. 728 00:32:16,560 --> 00:32:20,840 Speaker 1: Everyone's obviously distraught and crying, especially Cheyenne. Nobody can believe 729 00:32:20,880 --> 00:32:22,720 Speaker 1: something so senseless was allowed to happen. 730 00:32:23,280 --> 00:32:23,360 Speaker 2: Now. 731 00:32:23,400 --> 00:32:26,040 Speaker 1: At Jimmy's funeral, Doctor King explains that his death is 732 00:32:26,080 --> 00:32:28,440 Speaker 1: going to try their principles of nonviolence, but they must 733 00:32:28,440 --> 00:32:31,040 Speaker 1: stay strong and remember that God has a plan. The 734 00:32:31,120 --> 00:32:33,840 Speaker 1: church choir sings their hearts out, and Reverend Jonathan is 735 00:32:33,880 --> 00:32:36,960 Speaker 1: obviously amazingly sad and distraught because he was there when 736 00:32:36,960 --> 00:32:41,560 Speaker 1: it happened and actually saw the murder. Later, Cheyenne visits 737 00:32:41,560 --> 00:32:43,280 Speaker 1: Doctor King in his office. He says he has a 738 00:32:43,360 --> 00:32:45,840 Speaker 1: daughter her age, and sometimes he thinks about Jimmy's mom 739 00:32:45,840 --> 00:32:48,280 Speaker 1: and admits he has trouble keeping his faith knowing what 740 00:32:48,320 --> 00:32:51,200 Speaker 1: she's going through at the That's always what goes through 741 00:32:51,200 --> 00:32:51,440 Speaker 1: my head. 742 00:32:51,440 --> 00:32:53,000 Speaker 2: It's like, how can you watch all this and. 743 00:32:52,960 --> 00:32:57,880 Speaker 1: Still keep moving forward and still preaching and staying with 744 00:32:57,920 --> 00:33:03,040 Speaker 1: the non violence. It's a level of passion and peace 745 00:33:03,320 --> 00:33:09,760 Speaker 1: and love andria. 746 00:33:07,520 --> 00:33:11,800 Speaker 4: But also thinking for him especially, I'm sure his family 747 00:33:12,600 --> 00:33:13,600 Speaker 4: was under. 748 00:33:13,560 --> 00:33:16,760 Speaker 3: Direct attack and oh yeah. 749 00:33:16,280 --> 00:33:20,560 Speaker 4: You know, in such a vulnerable place during all of this, 750 00:33:21,040 --> 00:33:24,520 Speaker 4: you know them tart trying to target him through them. 751 00:33:24,800 --> 00:33:27,080 Speaker 1: Well, this was sixty five, so he was murdered three 752 00:33:27,120 --> 00:33:29,560 Speaker 1: years later. I mean, doctor King only has three years 753 00:33:29,640 --> 00:33:32,120 Speaker 1: left to live at this point. I believe if memory serves, 754 00:33:32,120 --> 00:33:33,719 Speaker 1: he was killed in nineteen sixty eight, So I mean, 755 00:33:33,760 --> 00:33:36,600 Speaker 1: this is it's yeah, it's really incredible. 756 00:33:38,000 --> 00:33:38,160 Speaker 2: Now. 757 00:33:38,200 --> 00:33:40,760 Speaker 1: At the same time, Jonathan Willie are having car troubles 758 00:33:40,800 --> 00:33:42,640 Speaker 1: pulled over on the side of the bridge. Willy has 759 00:33:42,680 --> 00:33:44,440 Speaker 1: noticed that people are much more willing to listen and 760 00:33:44,480 --> 00:33:47,320 Speaker 1: register after Jimmy was killed. Jonathan reveals that he made 761 00:33:47,320 --> 00:33:49,520 Speaker 1: a promise to Jimmy to rally voters in Mary in 762 00:33:49,560 --> 00:33:52,360 Speaker 1: his hometown, then tells the story about the night he died. 763 00:33:52,520 --> 00:33:55,200 Speaker 1: Jimmy was just trying to pray when a state trooper 764 00:33:55,240 --> 00:33:57,800 Speaker 1: attacked him. Jimmy was nonviolent, but he was still shot 765 00:33:57,840 --> 00:34:01,800 Speaker 1: and killed. Willy is adamant they must start fighting back. 766 00:34:02,040 --> 00:34:04,040 Speaker 1: He's been talking to other young people in Selma and 767 00:34:04,080 --> 00:34:07,360 Speaker 1: they all agree it's time to get more confrontational. Jonathan 768 00:34:07,400 --> 00:34:09,480 Speaker 1: asked what the Bible would say, and Willie reminds the 769 00:34:09,480 --> 00:34:12,160 Speaker 1: Reverend and I for an eye. That night, we see 770 00:34:12,200 --> 00:34:13,799 Speaker 1: Cyan writing in what we think is a journal, but 771 00:34:13,840 --> 00:34:17,479 Speaker 1: it actually turns out to be her own obituary. Cheyenne Webb, 772 00:34:17,560 --> 00:34:19,719 Speaker 1: eleven years old, was killed today in Selma. She was 773 00:34:19,719 --> 00:34:22,120 Speaker 1: one of Doctor King's freedom fighters. She was a student 774 00:34:22,160 --> 00:34:25,520 Speaker 1: at Abbott Street School, Selma. Cheyenne wanted all people to 775 00:34:25,560 --> 00:34:28,359 Speaker 1: be free and happy. Then she yeah, I know it's 776 00:34:28,960 --> 00:34:30,560 Speaker 1: oh this got me, this got me. 777 00:34:30,800 --> 00:34:33,040 Speaker 3: I I was down for the County. 778 00:34:34,000 --> 00:34:35,880 Speaker 2: A number of things in this movie just rip my 779 00:34:35,920 --> 00:34:36,840 Speaker 2: heart out. Yes. 780 00:34:37,440 --> 00:34:40,000 Speaker 1: Then she cuts an article about Jimmy out of the newspaper. 781 00:34:40,000 --> 00:34:43,200 Speaker 1: The headline reads one dead after troopers attacks civil rights 782 00:34:43,200 --> 00:34:45,960 Speaker 1: marchers at night. Just then, her mother walks in and 783 00:34:45,960 --> 00:34:48,880 Speaker 1: shyan admits she's scared of dying young. Her mom doesn't 784 00:34:48,880 --> 00:34:51,200 Speaker 1: get it, so Shyane explains, if they can shoot Jimmy, 785 00:34:51,239 --> 00:34:54,160 Speaker 1: they can shoot anybody here, maybe even me. Her mom 786 00:34:54,200 --> 00:34:56,600 Speaker 1: promises no one will hurt her baby, but still warns 787 00:34:56,600 --> 00:34:59,880 Speaker 1: her to be careful in town. The next day, reverendj 788 00:35:00,040 --> 00:35:03,319 Speaker 1: Jonathan spots Father Whittaker and says hello. Father Whittaker asked 789 00:35:03,360 --> 00:35:05,200 Speaker 1: what he's been up to, and Jonathan says he's still 790 00:35:05,200 --> 00:35:07,760 Speaker 1: happily part of the civil rights movement, though he's saddened 791 00:35:07,800 --> 00:35:10,719 Speaker 1: by what's happened lately. Father Whittaker heard about Jimmy and 792 00:35:10,760 --> 00:35:14,080 Speaker 1: agrees it's very sad. Jonathan explains that by encouraging segregation, 793 00:35:14,200 --> 00:35:17,360 Speaker 1: he's actually participating in his death. The father says he 794 00:35:17,400 --> 00:35:19,960 Speaker 1: doesn't encourage segregation, he just believes that black people are 795 00:35:19,960 --> 00:35:23,759 Speaker 1: more comfortable within their own kind. Jonathan leaves, saying he 796 00:35:23,800 --> 00:35:27,239 Speaker 1: doesn't think God wants people to be divided. Back at church, 797 00:35:27,320 --> 00:35:29,839 Speaker 1: doctor King is concerned because people expect him to lead 798 00:35:29,840 --> 00:35:31,520 Speaker 1: the march, but he has to work in Washington, d C. 799 00:35:32,239 --> 00:35:34,840 Speaker 1: John and Josea assure him that they have it covered 800 00:35:34,880 --> 00:35:37,719 Speaker 1: and people will understand. But it might not even matter 801 00:35:37,719 --> 00:35:40,879 Speaker 1: because the governor has rescinded their marching permit, claiming it's 802 00:35:40,920 --> 00:35:43,200 Speaker 1: not in the public interest. But the mayor is not 803 00:35:43,280 --> 00:35:46,080 Speaker 1: excited by this proclamation. He warns the police don't let 804 00:35:46,160 --> 00:35:48,680 Speaker 1: it get out of hand, especially with Sheriff Potts out 805 00:35:48,680 --> 00:35:51,200 Speaker 1: of town. It's time for the march in the crowd 806 00:35:51,320 --> 00:35:53,960 Speaker 1: is much bigger than expected. The leaders are concerned though 807 00:35:54,000 --> 00:35:56,040 Speaker 1: they don't have a permit, and women and children showed 808 00:35:56,120 --> 00:35:59,360 Speaker 1: up to march obviously, and this could get bad, But 809 00:35:59,480 --> 00:36:01,719 Speaker 1: they're thinking with Sheriff pots out of town, it might 810 00:36:01,800 --> 00:36:05,200 Speaker 1: be their best chance to cause some change. Back at Cheyenne, 811 00:36:05,280 --> 00:36:07,280 Speaker 1: she's too excited for the march to even eat breakfast. 812 00:36:07,520 --> 00:36:10,000 Speaker 1: Sensing her dad still might approve, she politely asks if 813 00:36:10,000 --> 00:36:11,960 Speaker 1: he wants her to stay home. He tells her to 814 00:36:12,000 --> 00:36:15,240 Speaker 1: do what she thinks is right, and a completely different 815 00:36:15,280 --> 00:36:17,239 Speaker 1: type of prepace happening across the city. At the police 816 00:36:17,280 --> 00:36:20,640 Speaker 1: station Sheriff Potts is actually rushed home from Washington, DC 817 00:36:21,000 --> 00:36:24,080 Speaker 1: and is giving random white guys police badges to defend 818 00:36:24,080 --> 00:36:27,560 Speaker 1: the city against the march. He's just deputizing people and handing. 819 00:36:27,360 --> 00:36:30,160 Speaker 2: Them sticks, horrifyings. 820 00:36:30,760 --> 00:36:32,839 Speaker 1: And over at the church, John and Josea are telling 821 00:36:32,880 --> 00:36:34,960 Speaker 1: the large group what to do if they're tear gassed. 822 00:36:35,360 --> 00:36:38,800 Speaker 1: Cheyenne is still so innocently excited, showing Jonathan her marching shoes. 823 00:36:39,080 --> 00:36:40,680 Speaker 2: The group begins the fifty. 824 00:36:40,320 --> 00:36:43,080 Speaker 1: Four mile march with a freedom song to start the day. 825 00:36:43,440 --> 00:36:46,560 Speaker 1: They eventually get to the Edmund Pettis Bridge and slowly 826 00:36:46,600 --> 00:36:49,000 Speaker 1: make their way across it, holding hands in American flags, 827 00:36:49,280 --> 00:36:52,200 Speaker 1: but only halfway they stop dead in their tracks. Dozens 828 00:36:52,239 --> 00:36:55,800 Speaker 1: of officers, both officially in uniform and citizens they just recruited, 829 00:36:56,000 --> 00:36:58,600 Speaker 1: are patiently waiting on the other side. John and Joseah 830 00:36:58,600 --> 00:37:01,640 Speaker 1: take a deep breath and continue their march, now face 831 00:37:01,680 --> 00:37:03,440 Speaker 1: to face with the police. The march is called an 832 00:37:03,520 --> 00:37:06,839 Speaker 1: unlawful assembly, meaning they have two minutes to disperse. It's 833 00:37:06,840 --> 00:37:09,359 Speaker 1: a silent standoff as the clock counts down, and just 834 00:37:09,440 --> 00:37:12,440 Speaker 1: like that, officers are instructed to quote break these people 835 00:37:12,520 --> 00:37:15,879 Speaker 1: up unquote, the cops charge into battle it's a one 836 00:37:15,920 --> 00:37:18,960 Speaker 1: sided affair of billy clubs and tear gases. Peaceful protesters 837 00:37:19,000 --> 00:37:21,600 Speaker 1: scream in pain and run at full speed away as 838 00:37:21,600 --> 00:37:24,879 Speaker 1: fast as they can. Even with the gast marchers retreating home. 839 00:37:24,920 --> 00:37:27,520 Speaker 1: The police don't let up, chasing after them to attack, 840 00:37:27,920 --> 00:37:30,839 Speaker 1: following them all back to their homes. Cheyenne has been 841 00:37:30,880 --> 00:37:33,480 Speaker 1: thrown to the ground and is having trouble breathing. Eventually, 842 00:37:33,520 --> 00:37:36,319 Speaker 1: Reverend Jonathan comes to rescue her and grabs her and 843 00:37:36,400 --> 00:37:39,160 Speaker 1: starts to flee as the sheriff barks out commands. He 844 00:37:39,200 --> 00:37:41,000 Speaker 1: drops her and Rachel off at their house and tells 845 00:37:41,040 --> 00:37:43,880 Speaker 1: their parents to lock the door. Now safe inside and crying, 846 00:37:43,920 --> 00:37:45,960 Speaker 1: Shan cries to her father, you said be careful, but 847 00:37:45,960 --> 00:37:47,320 Speaker 1: I thought you were just being a daddy. 848 00:37:47,640 --> 00:37:49,520 Speaker 2: He calls her brave and tells her to relax. 849 00:37:50,200 --> 00:37:53,279 Speaker 1: That night, Cheyenne decides to visit church, now set up 850 00:37:53,280 --> 00:37:56,200 Speaker 1: with a triage area where everyone is still reeling and healing. 851 00:37:56,400 --> 00:37:59,360 Speaker 1: Reverend Jonathan is helping the wounded, and spirits are obviously 852 00:37:59,520 --> 00:38:03,240 Speaker 1: very low. As Cheyenne surveys the dismal scene, she decides 853 00:38:03,280 --> 00:38:05,480 Speaker 1: to do the only thing she can, and she starts 854 00:38:05,520 --> 00:38:08,840 Speaker 1: to sing that same freedom song. The entire church immediately 855 00:38:08,920 --> 00:38:10,840 Speaker 1: joins in. No one can stop them. And this was 856 00:38:10,880 --> 00:38:13,239 Speaker 1: another moment where I was like, ugh, like like one 857 00:38:13,280 --> 00:38:16,080 Speaker 1: of those gutted kind of amazing moments. 858 00:38:16,160 --> 00:38:18,360 Speaker 4: Yeah, you know, I love this aspect of for it 859 00:38:18,440 --> 00:38:21,879 Speaker 4: to be the child of the group that stands up 860 00:38:21,880 --> 00:38:24,600 Speaker 4: and reminds them of their cause, reminds them of what 861 00:38:24,640 --> 00:38:25,640 Speaker 4: they're fighting for. 862 00:38:25,840 --> 00:38:27,440 Speaker 2: Oh, really amazing. 863 00:38:34,520 --> 00:38:37,400 Speaker 1: And now it's March fifteenth and Lyndon Johnson is speaking 864 00:38:37,400 --> 00:38:39,920 Speaker 1: on the TV. He condemns the actions of Bloody Sunday 865 00:38:39,920 --> 00:38:43,280 Speaker 1: and demands equal rights for millions of oppressed Americans. Doctor 866 00:38:43,360 --> 00:38:45,520 Speaker 1: King has returned to Salem and is happy to hear 867 00:38:45,560 --> 00:38:48,800 Speaker 1: about the president's newly announced civil rights bill, but doctor 868 00:38:48,880 --> 00:38:50,840 Speaker 1: King knows that this isn't the end. What the President 869 00:38:50,880 --> 00:38:53,080 Speaker 1: says is one thing, but they need the local government 870 00:38:53,120 --> 00:38:56,040 Speaker 1: to follow orders. John and Hosea suggests marching again, but 871 00:38:56,120 --> 00:38:58,400 Speaker 1: doctor King is wory about pushing it too far, but 872 00:38:58,480 --> 00:39:00,440 Speaker 1: he admits that this is the moment to me their 873 00:39:00,440 --> 00:39:04,080 Speaker 1: commitment to nonviolence. And yet downtown there are still marches 874 00:39:04,080 --> 00:39:07,040 Speaker 1: and celebrations being monitored and discouraged by the police. The 875 00:39:07,080 --> 00:39:09,640 Speaker 1: city has set up a barricade they're calling the wall 876 00:39:10,000 --> 00:39:12,959 Speaker 1: that no black people can go beyond. Tension is rising 877 00:39:12,960 --> 00:39:15,319 Speaker 1: and back home, Chyenne asks Reverend Jonathan if he's going 878 00:39:15,360 --> 00:39:17,840 Speaker 1: down there to the wall to protest. He says he is, 879 00:39:17,920 --> 00:39:19,960 Speaker 1: but first he wants to recruit some others. As he 880 00:39:20,040 --> 00:39:23,719 Speaker 1: drives off, Cheyenne tells him to stay safe. Jonathan and 881 00:39:23,800 --> 00:39:25,920 Speaker 1: Willy stop by a gas station to fill up, but 882 00:39:26,200 --> 00:39:28,680 Speaker 1: are told by the owner they don't serve black people. 883 00:39:28,920 --> 00:39:30,960 Speaker 1: Jonathan insists is his car, and the man gives in, 884 00:39:31,200 --> 00:39:33,279 Speaker 1: but asks why he hangs around with people like that. 885 00:39:33,640 --> 00:39:35,480 Speaker 1: The Reverend tries to reason with the racist, but he 886 00:39:35,520 --> 00:39:37,920 Speaker 1: eventually just sprays him with gasoline and tells him to 887 00:39:37,920 --> 00:39:41,240 Speaker 1: watch his back. Over at the Wall, police are on standby, 888 00:39:41,320 --> 00:39:44,440 Speaker 1: ready to attack if instructed. Jonathan Willy are now papering 889 00:39:44,440 --> 00:39:46,360 Speaker 1: the neighborhood and talking to residents, but they know the 890 00:39:46,400 --> 00:39:47,960 Speaker 1: wall can only stand for so long. 891 00:39:48,400 --> 00:39:50,239 Speaker 2: Willy doesn't care if it means more bloodshed. 892 00:39:50,239 --> 00:39:53,799 Speaker 1: It's time to send a message, but Reverend Jonathan praises patience, hope, 893 00:39:53,880 --> 00:39:56,880 Speaker 1: and God, and just then a cop arrives and notices 894 00:39:56,920 --> 00:39:57,440 Speaker 1: the flyers. 895 00:39:57,640 --> 00:39:58,880 Speaker 2: He immediately arrests. 896 00:39:58,680 --> 00:40:03,279 Speaker 1: Jonathan Willy for of course quote unquote defacing property. Then, 897 00:40:03,320 --> 00:40:05,239 Speaker 1: after spending some more time in a cell, Jonathan is 898 00:40:05,280 --> 00:40:07,800 Speaker 1: set free, but Willy is kept behind bars. The reverend 899 00:40:07,800 --> 00:40:10,480 Speaker 1: promises he'll get him out, and so now Jonathan is 900 00:40:10,480 --> 00:40:12,680 Speaker 1: walking the streets and very paranoid when he notices he's 901 00:40:12,719 --> 00:40:15,000 Speaker 1: being followed. It's one of the klansmen from before, at 902 00:40:15,080 --> 00:40:17,600 Speaker 1: least he thinks it is, now asking him questions and 903 00:40:17,640 --> 00:40:21,120 Speaker 1: acting very threatening. Jonathan tries to explain his motives of 904 00:40:21,200 --> 00:40:23,160 Speaker 1: love and peace, but the man pushes him against the 905 00:40:23,200 --> 00:40:25,239 Speaker 1: wall and pulls out a gun, and just like that, 906 00:40:25,320 --> 00:40:27,840 Speaker 1: he's killed in broad daylight. Now I do want to 907 00:40:27,840 --> 00:40:30,440 Speaker 1: say something here because, as I said, I googled everybody, 908 00:40:31,120 --> 00:40:33,080 Speaker 1: and so when I google his story, his story is 909 00:40:33,080 --> 00:40:33,879 Speaker 1: actually even more. 910 00:40:33,800 --> 00:40:35,200 Speaker 2: Amazing than what they did in the film. 911 00:40:35,560 --> 00:40:39,960 Speaker 1: Really, what happened was he and I think they kind 912 00:40:39,960 --> 00:40:42,080 Speaker 1: of put in amalgamation of the characters, so I think 913 00:40:42,120 --> 00:40:43,920 Speaker 1: they made it Willy. But in real life, he and 914 00:40:43,960 --> 00:40:48,440 Speaker 1: another black protester were put in jail. When they were 915 00:40:48,520 --> 00:40:51,920 Speaker 1: released from jail, they met up with two. He also 916 00:40:52,400 --> 00:40:55,080 Speaker 1: taught a lot of children how to read in Selma 917 00:40:55,160 --> 00:40:56,359 Speaker 1: and in the town. That was one of the things 918 00:40:56,360 --> 00:40:58,120 Speaker 1: he was doing. He was helping the children of the 919 00:40:58,120 --> 00:40:59,600 Speaker 1: town and he was registering voters. 920 00:41:00,000 --> 00:41:01,680 Speaker 2: He ended up. 921 00:41:01,640 --> 00:41:06,000 Speaker 1: Going with two young black girls teenagers to the only 922 00:41:06,040 --> 00:41:09,560 Speaker 1: place in town that served the young black people drinks, 923 00:41:09,600 --> 00:41:12,280 Speaker 1: serve them sodas. So they were going to get sodas 924 00:41:12,320 --> 00:41:14,040 Speaker 1: during the middle of the day, four of them, when 925 00:41:14,239 --> 00:41:17,400 Speaker 1: a white man stepped on the porch and said the 926 00:41:17,400 --> 00:41:20,000 Speaker 1: stores closed and raised a shotgun at the four of them. 927 00:41:21,480 --> 00:41:23,680 Speaker 1: The reverend grabbed the shotgun and pushed it to the 928 00:41:23,719 --> 00:41:25,759 Speaker 1: side while he pushed one of the girls aside. The 929 00:41:25,840 --> 00:41:28,440 Speaker 1: guy shot him and killed him right there, while the 930 00:41:28,600 --> 00:41:31,920 Speaker 1: other black teen he threw the girl behind the car 931 00:41:32,239 --> 00:41:34,880 Speaker 1: and he was shot as well. So he literally died 932 00:41:35,000 --> 00:41:40,160 Speaker 1: saving other people's lives. 933 00:41:38,080 --> 00:41:39,480 Speaker 2: As he was there. 934 00:41:39,480 --> 00:41:41,160 Speaker 1: And as I'm reading the story, one of the things 935 00:41:41,160 --> 00:41:43,440 Speaker 1: that was attached to the story was a letter he 936 00:41:43,480 --> 00:41:47,640 Speaker 1: had written his mother from jail saying, like, I'm in 937 00:41:47,719 --> 00:41:50,680 Speaker 1: jail again. They just keep arresting me, but I'm keeping 938 00:41:50,680 --> 00:41:54,040 Speaker 1: with my faith. It's really truly an amazing story, which 939 00:41:54,080 --> 00:41:55,719 Speaker 1: then led me down the rabbit hole of the two 940 00:41:55,719 --> 00:41:58,160 Speaker 1: girls that actually wrote the book, what their lives are 941 00:41:58,160 --> 00:42:00,240 Speaker 1: doing now. It's really This was one of those movies 942 00:42:00,280 --> 00:42:02,480 Speaker 1: that I just stopped and just started googling everybody. Yeah, 943 00:42:02,560 --> 00:42:05,719 Speaker 1: so check out the stories of these people. They're really amazing. 944 00:42:06,920 --> 00:42:09,080 Speaker 1: Chyanne returns home to see Rachel and their families crying 945 00:42:09,120 --> 00:42:11,239 Speaker 1: on the stoop. Chyanne breaks the news about Jonathan, and 946 00:42:11,320 --> 00:42:13,799 Speaker 1: everyone of course with sobbing, including me. At this point, 947 00:42:13,840 --> 00:42:17,000 Speaker 1: I don't cry much, but I teared up, which for 948 00:42:17,080 --> 00:42:20,200 Speaker 1: me is the equivalent of sobbing. And now we are 949 00:42:20,239 --> 00:42:23,360 Speaker 1: at Jonathan's funeral. Another funeral, Doctor King is praising the 950 00:42:23,400 --> 00:42:25,960 Speaker 1: work of the reverend and reminding the congregation that this 951 00:42:26,120 --> 00:42:29,120 Speaker 1: is everyone's fight, not just that of black people. Father 952 00:42:29,120 --> 00:42:31,960 Speaker 1: Whittaker and Sally are also in attendance. Everyone says their 953 00:42:31,960 --> 00:42:34,239 Speaker 1: final goodbyes, and Chyann whispers to the coffin that there 954 00:42:34,280 --> 00:42:35,399 Speaker 1: will be another star in. 955 00:42:35,360 --> 00:42:37,480 Speaker 2: The sky tonight and I was like, oh, God killed me. 956 00:42:38,880 --> 00:42:39,920 Speaker 2: She will keep an eye out. 957 00:42:40,000 --> 00:42:42,680 Speaker 1: The girls give their condolences to Jonathan's family and leave 958 00:42:42,719 --> 00:42:43,920 Speaker 1: for the park, where they just. 959 00:42:43,920 --> 00:42:44,840 Speaker 2: Sit and cry. 960 00:42:45,000 --> 00:42:48,280 Speaker 1: Obviously, they just can't find any energy to play anymore. 961 00:42:49,000 --> 00:42:50,600 Speaker 2: They tell Miss Bright how angry they are. 962 00:42:50,680 --> 00:42:52,640 Speaker 1: They just want to hurt somebody in retaliation, but their 963 00:42:52,640 --> 00:42:55,200 Speaker 1: teacher reminds them you can't hurt someone else just because 964 00:42:55,200 --> 00:42:58,400 Speaker 1: you're hurting inside. There's a reason for everything. But Cheyenne 965 00:42:58,400 --> 00:43:01,000 Speaker 1: doesn't believe in the movement anymore. Miss Bright reminds her 966 00:43:01,160 --> 00:43:03,160 Speaker 1: Jonathan wouldn't want her to give up. They need to 967 00:43:03,239 --> 00:43:06,279 Speaker 1: keep pushing because God is testing her strength. And then 968 00:43:06,440 --> 00:43:10,040 Speaker 1: it's Chyanne's birthday. Her dad reveals her gift, his own 969 00:43:10,160 --> 00:43:12,400 Speaker 1: marching shoes. He's going to be joining her today, and 970 00:43:12,400 --> 00:43:14,239 Speaker 1: she's so happy she jumps into his arms with a 971 00:43:14,320 --> 00:43:17,520 Speaker 1: huge bear hug. And so Doctor King is back and 972 00:43:17,560 --> 00:43:19,759 Speaker 1: ready to march, but now with legal permission to do so, 973 00:43:19,880 --> 00:43:21,680 Speaker 1: they're going to march over that bridge, and this time 974 00:43:21,719 --> 00:43:24,200 Speaker 1: no one's going to turn them around. The group, now 975 00:43:24,320 --> 00:43:27,960 Speaker 1: much noticeably larger and with more white allies, starts the trek, 976 00:43:28,280 --> 00:43:31,200 Speaker 1: singing freedom songs and standing strong. When they get to 977 00:43:31,239 --> 00:43:33,240 Speaker 1: the edge of the bridge, officers are once again waiting 978 00:43:33,239 --> 00:43:35,319 Speaker 1: for him, but now they're accompanied by their mayor, who 979 00:43:35,320 --> 00:43:39,560 Speaker 1: demands the sheriff remove the barricades immediately. He begrudgingly follows orders, 980 00:43:39,600 --> 00:43:41,719 Speaker 1: allowing Doctor King to lead the way to their destination. 981 00:43:42,200 --> 00:43:44,560 Speaker 1: As they progress, we get some updates. In August of 982 00:43:44,640 --> 00:43:47,120 Speaker 1: nineteen sixty five, President Johnson did in fact sign the 983 00:43:47,160 --> 00:43:50,240 Speaker 1: Voting Rights Act into law. Cheyenne is still in Alabama 984 00:43:50,280 --> 00:43:52,720 Speaker 1: and now directs a youth program for children of all races. 985 00:43:53,040 --> 00:43:55,320 Speaker 1: Rachel is also still in Alabama and her brother was 986 00:43:55,360 --> 00:43:58,480 Speaker 1: a two term city councilman and now every year on 987 00:43:58,520 --> 00:44:01,279 Speaker 1: the third Sunday in feb r a memorial service is 988 00:44:01,320 --> 00:44:04,480 Speaker 1: held in Marion for Jimmy Lee Jackson and Jonathan Daniels 989 00:44:04,560 --> 00:44:07,200 Speaker 1: was canonized by the Church in nineteen ninety four. He's 990 00:44:07,239 --> 00:44:09,480 Speaker 1: now included in the Calendar of Saints. 991 00:44:10,280 --> 00:44:11,640 Speaker 2: And that is our movie. 992 00:44:11,680 --> 00:44:15,000 Speaker 1: There's no laughs in this one, guys, nor should there be. 993 00:44:15,480 --> 00:44:17,680 Speaker 1: But this is an important movie that everyone should watch. 994 00:44:18,400 --> 00:44:20,160 Speaker 2: Really good. Can we do some real reviews? 995 00:44:20,680 --> 00:44:24,840 Speaker 4: Yes, I've got the five star this week from George C. 996 00:44:25,640 --> 00:44:28,839 Speaker 4: This movie is one of my all time faiths. It 997 00:44:29,000 --> 00:44:32,240 Speaker 4: never sees since bire me so good. 998 00:44:32,680 --> 00:44:35,799 Speaker 1: And Okay, So it's difficult to find bad reviews of 999 00:44:35,800 --> 00:44:37,399 Speaker 1: this movie, I'll be honest, But when you do, it's 1000 00:44:37,440 --> 00:44:39,480 Speaker 1: usually involved some changes that were made for the movie. 1001 00:44:39,760 --> 00:44:41,200 Speaker 2: And this is the most common and it's what we 1002 00:44:41,200 --> 00:44:43,399 Speaker 2: were just talking about. I watched this movie. 1003 00:44:43,400 --> 00:44:45,200 Speaker 1: It was outraged at the portrayal of the murder of 1004 00:44:45,200 --> 00:44:48,560 Speaker 1: the young Episcopal Samaran Jonathan Daniels. The movie showed him 1005 00:44:48,560 --> 00:44:50,720 Speaker 1: being shot while alone on a side street in Selma. 1006 00:44:50,800 --> 00:44:53,399 Speaker 1: In reality, was killed by a shotgun in Haynesville as 1007 00:44:53,400 --> 00:44:55,480 Speaker 1: he pushed Ruby Sales out of the line of fire. 1008 00:44:55,760 --> 00:44:57,960 Speaker 2: A Roman Catholic priest was also wounded in the attack. 1009 00:44:58,160 --> 00:45:01,080 Speaker 1: The Disney version does a great injustice to Jonathan's memory 1010 00:45:01,120 --> 00:45:03,400 Speaker 1: and to the heroism of the priest who was wounded. 1011 00:45:03,800 --> 00:45:07,399 Speaker 2: Agreed by the way, yes, can we do have a Sabrina? Ses? 1012 00:45:07,440 --> 00:45:08,360 Speaker 2: Are we doing Sabrina? 1013 00:45:08,400 --> 00:45:08,600 Speaker 4: Ses? 1014 00:45:08,640 --> 00:45:10,120 Speaker 2: Should we not do Sabrinasse? 1015 00:45:10,320 --> 00:45:12,520 Speaker 4: I think it's just more of the stuff of like 1016 00:45:12,640 --> 00:45:16,319 Speaker 4: kind of like what we've already said. The shock one 1017 00:45:16,400 --> 00:45:20,120 Speaker 4: of the things that I felt was a little, I 1018 00:45:20,160 --> 00:45:22,879 Speaker 4: guess questionable because again, the movie. 1019 00:45:22,600 --> 00:45:25,040 Speaker 3: Was so good when we get to the. 1020 00:45:25,040 --> 00:45:28,640 Speaker 4: Church, you know, when Cheyenne's going there to sing. This 1021 00:45:28,840 --> 00:45:32,200 Speaker 4: clearly was a place that was not a comfortable place 1022 00:45:32,320 --> 00:45:35,480 Speaker 4: to be, this town of Selma, and was not. 1023 00:45:35,640 --> 00:45:38,320 Speaker 3: Safe for especially the youth. 1024 00:45:38,880 --> 00:45:40,480 Speaker 4: It kind of shocked me. It's just one of those 1025 00:45:40,480 --> 00:45:44,280 Speaker 4: things like once we saw we were in the church, 1026 00:45:44,440 --> 00:45:49,680 Speaker 4: and we see Rachel's parents were there, and so was 1027 00:45:50,600 --> 00:45:53,800 Speaker 4: the priest. Jonathan, and I'm like, if they were going 1028 00:45:53,960 --> 00:45:57,920 Speaker 4: there anyway, why wouldn't they have been walking the kids. 1029 00:45:57,920 --> 00:45:58,799 Speaker 3: That kind of was kind. 1030 00:45:58,719 --> 00:46:01,360 Speaker 5: Of like a oh my gosh, Like if this place 1031 00:46:01,480 --> 00:46:04,960 Speaker 5: was really which I believe it was very unsafe for 1032 00:46:05,200 --> 00:46:08,040 Speaker 5: two young girls to be walking around by themselves, right, 1033 00:46:08,040 --> 00:46:09,520 Speaker 5: and they were going there, So that was just kind 1034 00:46:09,560 --> 00:46:11,040 Speaker 5: of like a oh my gosh. 1035 00:46:11,560 --> 00:46:14,640 Speaker 3: And then there was one moment where again it was. 1036 00:46:14,640 --> 00:46:18,200 Speaker 4: Kind of just looking at like I had never seen. 1037 00:46:18,480 --> 00:46:20,799 Speaker 4: It just was a moment that I had never seen 1038 00:46:20,880 --> 00:46:23,120 Speaker 4: any of the pictures of the videos and things that 1039 00:46:23,160 --> 00:46:26,040 Speaker 4: I've seen that documented doctor. 1040 00:46:25,800 --> 00:46:31,360 Speaker 3: Luther King's journey with him in like such a casual outfit. 1041 00:46:31,440 --> 00:46:33,840 Speaker 4: He was at one point in like a denim top 1042 00:46:33,960 --> 00:46:36,919 Speaker 4: and jeans, and I was like, I'd only ever seen 1043 00:46:36,960 --> 00:46:40,919 Speaker 4: him in suits everything that I've seen from what I've 1044 00:46:41,320 --> 00:46:42,520 Speaker 4: have watched over the years. 1045 00:46:42,880 --> 00:46:43,799 Speaker 3: So that was just like a. 1046 00:46:43,760 --> 00:46:47,080 Speaker 4: Thing like, Oh, he's looking at mister mister King junior. 1047 00:46:47,400 --> 00:46:50,799 Speaker 3: All casual. That's literally the only thing it was. 1048 00:46:51,840 --> 00:46:55,800 Speaker 4: And then the jail tours drove me crazy. This tour 1049 00:46:55,880 --> 00:46:58,280 Speaker 4: of a jail with a random white couple. 1050 00:46:58,640 --> 00:47:00,640 Speaker 1: Yeah, I think that was famous. They used to do 1051 00:47:00,640 --> 00:47:03,719 Speaker 1: that quite a bit with Nelson Mandela too. They used 1052 00:47:03,760 --> 00:47:07,280 Speaker 1: to constantly bring tours in his prison in South Africa 1053 00:47:07,400 --> 00:47:09,000 Speaker 1: to just show him off in prison. 1054 00:47:09,239 --> 00:47:10,919 Speaker 3: That's just the strangest thing. 1055 00:47:11,120 --> 00:47:13,440 Speaker 1: Yeah, I couldn't. I couldn't wrap my head around most 1056 00:47:13,440 --> 00:47:15,200 Speaker 1: of this. I just I don't have the context. I 1057 00:47:15,360 --> 00:47:18,560 Speaker 1: just know that's the privileged life you get to lead 1058 00:47:18,600 --> 00:47:21,720 Speaker 1: when you watch things like this, and you just can't 1059 00:47:21,760 --> 00:47:24,720 Speaker 1: relate in any way, shape or form to the lives 1060 00:47:24,719 --> 00:47:26,560 Speaker 1: that some people haven't had. 1061 00:47:27,000 --> 00:47:27,160 Speaker 2: Yea. 1062 00:47:27,800 --> 00:47:31,160 Speaker 1: So it's yeah, this is an important film. And because 1063 00:47:31,160 --> 00:47:34,000 Speaker 1: it's such an important film, and I don't feel right 1064 00:47:34,080 --> 00:47:36,120 Speaker 1: doing one of our feature games this week. It just 1065 00:47:36,160 --> 00:47:39,160 Speaker 1: doesn't seem like we should. It seems weird. We're also 1066 00:47:39,160 --> 00:47:40,520 Speaker 1: not going to do a whole bunch of options. We're 1067 00:47:40,520 --> 00:47:43,080 Speaker 1: going to do one out of ten when we rank 1068 00:47:43,239 --> 00:47:45,680 Speaker 1: civil rights leaders, is what we're going to this week. 1069 00:47:45,880 --> 00:47:48,600 Speaker 1: And I think this time you go first. 1070 00:47:48,719 --> 00:47:49,960 Speaker 2: So I do Do. 1071 00:47:50,040 --> 00:47:54,080 Speaker 3: You think I loved this movie? However? You know me? 1072 00:47:54,440 --> 00:47:57,680 Speaker 4: I love living on a bright, shiny rainbow filled with 1073 00:47:57,760 --> 00:48:01,640 Speaker 4: glitter and pixie dust. Right, So the more serious movies, 1074 00:48:02,000 --> 00:48:05,400 Speaker 4: I do love watching them as well. I love watching 1075 00:48:05,800 --> 00:48:10,120 Speaker 4: period pieces that helped teach about history. 1076 00:48:10,120 --> 00:48:11,000 Speaker 3: That has happened. 1077 00:48:11,200 --> 00:48:16,680 Speaker 4: And the actors in this movie I thought were wonderful. 1078 00:48:16,800 --> 00:48:19,799 Speaker 4: I thought they were so good. And I thought this 1079 00:48:19,960 --> 00:48:24,200 Speaker 4: movie was, like I said earlier, done in such a 1080 00:48:24,239 --> 00:48:29,120 Speaker 4: great Disney way. It was heavy, the seriousness was there, 1081 00:48:29,239 --> 00:48:32,600 Speaker 4: it was felt, but it didn't it didn't go I 1082 00:48:32,640 --> 00:48:37,360 Speaker 4: would say into the actual level of graphics that it 1083 00:48:37,440 --> 00:48:41,240 Speaker 4: could have been like, it could have been very gory, 1084 00:48:41,320 --> 00:48:43,880 Speaker 4: it could have been, you know, to where you wouldn't 1085 00:48:43,880 --> 00:48:47,800 Speaker 4: really as like a younger audience wouldn't be able to handle, 1086 00:48:48,200 --> 00:48:52,040 Speaker 4: and that it was done for an all family audience. 1087 00:48:52,160 --> 00:48:55,600 Speaker 4: And so I really loved this. I thought I one 1088 00:48:55,680 --> 00:48:58,600 Speaker 4: hundred percent have been locking it into my bank as 1089 00:48:58,640 --> 00:49:01,320 Speaker 4: far as things that I want my kids to see 1090 00:49:01,800 --> 00:49:05,239 Speaker 4: out at some point when they're ready for it. So 1091 00:49:05,360 --> 00:49:08,320 Speaker 4: I'm this is right up there with Color of Friendship 1092 00:49:08,320 --> 00:49:12,680 Speaker 4: for me. I'm giving this one a ten civil rights leaders. 1093 00:49:12,880 --> 00:49:13,759 Speaker 2: You're right up there with me. 1094 00:49:13,840 --> 00:49:16,480 Speaker 1: Again, I Disney can do it sometimes where they can 1095 00:49:16,719 --> 00:49:18,600 Speaker 1: they just punch in the gut like we've seen a 1096 00:49:18,600 --> 00:49:22,239 Speaker 1: couple of these. And again when you take these incredibly 1097 00:49:22,280 --> 00:49:26,280 Speaker 1: important moments and put them through the eyes of a child, 1098 00:49:26,400 --> 00:49:28,600 Speaker 1: especially when it's a true story. Again like color of 1099 00:49:28,600 --> 00:49:32,439 Speaker 1: Friendship or like like something like this, It really takes 1100 00:49:32,440 --> 00:49:35,920 Speaker 1: it to another level. I mean, again, Selma, brilliant film, 1101 00:49:35,920 --> 00:49:40,920 Speaker 1: and you're watching all these movies that are incredible about. 1102 00:49:39,480 --> 00:49:40,400 Speaker 2: This time in the South. 1103 00:49:41,000 --> 00:49:43,440 Speaker 1: But again, to take it through the eyes of an 1104 00:49:43,480 --> 00:49:46,360 Speaker 1: eleven year old girl who's going through all this, who's 1105 00:49:46,400 --> 00:49:49,320 Speaker 1: finding the movement herself, who has her whole life ahead 1106 00:49:49,320 --> 00:49:50,759 Speaker 1: of her, and is wondering what the world's going to 1107 00:49:50,840 --> 00:49:53,280 Speaker 1: be like for her when she grows up, it really 1108 00:49:53,320 --> 00:49:54,720 Speaker 1: just takes it to kind of another level. 1109 00:49:55,000 --> 00:49:57,760 Speaker 2: Then, filmmaking wise, is what I look at next. 1110 00:49:57,920 --> 00:50:00,920 Speaker 1: Obviously when I'm looking at my scores, it was beautifully made. 1111 00:50:01,000 --> 00:50:03,680 Speaker 1: I also when I ever do a when I look 1112 00:50:03,719 --> 00:50:07,160 Speaker 1: at any kind of period piece, I'm one of those 1113 00:50:07,200 --> 00:50:09,920 Speaker 1: guys with the Hawkeyes looking for are there any modern 1114 00:50:09,960 --> 00:50:12,000 Speaker 1: cars driving by in the background by accident? 1115 00:50:12,160 --> 00:50:14,920 Speaker 2: Are the outfits? And this seemed impeccable. 1116 00:50:15,000 --> 00:50:16,800 Speaker 3: Everything seemed so authentic. 1117 00:50:16,800 --> 00:50:18,680 Speaker 2: Again, yes, it really did. It really did. It was 1118 00:50:18,840 --> 00:50:20,080 Speaker 2: and this is one that you should watch. 1119 00:50:20,080 --> 00:50:21,600 Speaker 1: And again you're probably right if you've got a five 1120 00:50:21,640 --> 00:50:23,879 Speaker 1: or six year old kid, probably not the best thing. 1121 00:50:24,040 --> 00:50:28,080 Speaker 2: Hi twelve ten, eleven twelve. This is one to sit 1122 00:50:28,120 --> 00:50:29,080 Speaker 2: down and watch with the family. 1123 00:50:29,080 --> 00:50:35,480 Speaker 1: It's a very very heavy, emotional, important movie and it 1124 00:50:35,560 --> 00:50:38,759 Speaker 1: does it shows what Disney can do when they want 1125 00:50:38,800 --> 00:50:41,160 Speaker 1: to go the serious route, and they did it well. 1126 00:50:41,200 --> 00:50:44,240 Speaker 1: So I'm giving it nine civil rights leaders. 1127 00:50:44,320 --> 00:50:47,200 Speaker 2: This was a great movie. Well, thank you everybody for 1128 00:50:47,239 --> 00:50:49,200 Speaker 2: joining us on. Obviously, what is not supposed to. 1129 00:50:49,200 --> 00:50:51,480 Speaker 1: Be, nor was it going to be a funny episode 1130 00:50:51,520 --> 00:50:52,719 Speaker 1: of Magical Rewind. 1131 00:50:53,320 --> 00:50:55,440 Speaker 2: This is an important episode of Magical Rewind. 1132 00:50:55,480 --> 00:50:57,480 Speaker 1: We hope, we hope at least, let's say, the episode 1133 00:50:57,480 --> 00:50:59,239 Speaker 1: of Magical Rewind might not have been important, but the 1134 00:50:59,320 --> 00:51:03,799 Speaker 1: film was the film, and as important as the film was, 1135 00:51:03,880 --> 00:51:07,680 Speaker 1: the subject matter is extraordinarily important. So please go and 1136 00:51:07,760 --> 00:51:10,240 Speaker 1: check it out and never forget. We have a backlog 1137 00:51:10,280 --> 00:51:12,759 Speaker 1: of recaps and interviews featuring some of your favorite names 1138 00:51:12,760 --> 00:51:14,960 Speaker 1: in Disney history just waiting for you to listen. Just 1139 00:51:14,960 --> 00:51:17,120 Speaker 1: search for Magical Rewind wherever you get your podcasts and 1140 00:51:17,160 --> 00:51:19,719 Speaker 1: subscribe so you know you can be there for every 1141 00:51:19,719 --> 00:51:20,400 Speaker 1: time they're released. 1142 00:51:20,400 --> 00:51:21,879 Speaker 2: We got some great ones coming up, and. 1143 00:51:21,880 --> 00:51:24,960 Speaker 1: For more information, you can follow us at Magical Rewind 1144 00:51:25,000 --> 00:51:26,520 Speaker 1: Pod on the Instagram Machine. 1145 00:51:26,680 --> 00:51:40,520 Speaker 2: Bye everybody, Bye,