WEBVTT - Anna Konkle, Our Close Friend

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<v Speaker 1>I just decompressed first.

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<v Speaker 2>I guess yeah, I actually wanted to. Do you want

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<v Speaker 2>to decompress one at a time? Sorry, we're dealing with something.

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<v Speaker 2>Do you want to be compressed one at a time?

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<v Speaker 2>Or can we do it at the same time.

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<v Speaker 3>I can go if you need me to.

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<v Speaker 1>I was even asking.

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<v Speaker 4>Is not like that, not saying stuff, but like present

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<v Speaker 4>would be nice.

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<v Speaker 5>I can witness your decompression.

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<v Speaker 4>And then and then and then I'll I'll be in

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<v Speaker 4>a much better position to witness yours after I yeah,

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<v Speaker 4>I'm afraid it would essentially be in a better position

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<v Speaker 4>to witness.

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<v Speaker 1>Mind when you're I kind of high a little bit

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<v Speaker 1>of yes, a little bit of.

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<v Speaker 2>Tickling because you're moving the trunk or you know, like

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<v Speaker 2>in order to in order to not kicking, you do that.

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<v Speaker 3>In the trunk. I don't know what that is.

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<v Speaker 2>I don't want to move my fingers when I'm trying

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<v Speaker 2>to think of a word or summon something, and I'm

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<v Speaker 2>not necessarily trying to tickle a ghost or.

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<v Speaker 5>Anything like that.

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<v Speaker 2>Sorry, Just do we like to be very intentional and

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<v Speaker 2>I want you to decompress. We like to be very

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<v Speaker 2>intentional when we imply that one another because it is

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<v Speaker 2>an audio medium, are touching someone. So the idea that

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<v Speaker 2>I would be tickling someone, you know, without getting or

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<v Speaker 2>express permission, or even if I was tickling someone who Sorry,

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<v Speaker 2>what did you say without being what what I said?

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<v Speaker 2>Without being in the did you say hard?

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<v Speaker 3>I don't believe I said that, But I could.

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<v Speaker 5>Have tickling someone without being hard.

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<v Speaker 3>Sorry, I think that I was thinking of something else.

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<v Speaker 5>Now, if I do need to decompress first.

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<v Speaker 3>I'm a witness. I'm quiet, you are speaking, you are decompressing.

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<v Speaker 3>I'm so sorry.

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<v Speaker 2>Uh so, I'm just gonna kind of sit back and

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<v Speaker 2>take in as he goes through.

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<v Speaker 1>His prospers is really really quick. Let me just do

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<v Speaker 1>it real quick.

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<v Speaker 5>So he's all done with his. Mine's a little longer.

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<v Speaker 2>I do go through an emotional freedom therapy methodology where

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<v Speaker 2>I am tapping different pressure points and I have a

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<v Speaker 2>sort of mantra that I go through. I have a

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<v Speaker 2>question that I want to ask myself, what did you

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<v Speaker 2>say hard?

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<v Speaker 3>I don't, Yeah, I did. I thought that's where you

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<v Speaker 3>were going with that. I'm so sorry.

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<v Speaker 5>All right, oh m hm, so sorry about that. No,

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<v Speaker 5>I'm super It's easier for us to move on.

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<v Speaker 2>Actually, if we just we don't do the apology anymore.

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<v Speaker 2>We don't ideally say hard anymore.

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<v Speaker 1>It's sort of sentence, no, you did it two times.

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<v Speaker 4>That was not just one time. You did it twice

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<v Speaker 4>because I did it and then again on tapping. Yes,

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<v Speaker 4>I'm one hundred percent I'm sure you did it two times.

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<v Speaker 5>Okay, all right, So I'm just going to do my.

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<v Speaker 3>M h.

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<v Speaker 6>You're not going to get hard in front of the guest.

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<v Speaker 6>You won't get hard in front of the professional podcast host.

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<v Speaker 6>The guests won't notice. Even if you do.

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<v Speaker 2>Your lap is below the table. You won't get hard

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<v Speaker 2>in front of the guests. They have no idea even

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<v Speaker 2>if you are, well, I'm.

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<v Speaker 5>Ready to podcast.

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<v Speaker 2>So it's just been oh no, it's not supposed to happen.

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<v Speaker 2>That's not supposed to happen.

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<v Speaker 4>The computer fellow over around the table, and it wasn't

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<v Speaker 4>from him his row getting so hard and smacking the

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<v Speaker 4>table knock it over.

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<v Speaker 5>I was hitting with my hands, you could see, so

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<v Speaker 5>that was making the table.

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<v Speaker 1>Vibrate a little bit. And the word vibrate.

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<v Speaker 5>That's not causing me to do anything.

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<v Speaker 2>You so uh uh Anna, the counkler is here. You

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<v Speaker 2>uh you've conkled Hollywood, and now you're here to counkle

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<v Speaker 2>the podcast space as well. And I'm having a little

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<v Speaker 2>fun with your name. But it's Anna Conkle.

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<v Speaker 5>She uh is a.

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<v Speaker 2>Multi multi multi hyphen it they're not enough hyphens for

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<v Speaker 2>what she does. And it's like so many things and

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<v Speaker 2>it's just everything she sees.

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<v Speaker 1>She goes, give me that.

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<v Speaker 5>I want that, I'm taking it.

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<v Speaker 3>That's you're my show, you my position.

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<v Speaker 1>I want that.

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<v Speaker 5>You know what I mean, and like I should be

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<v Speaker 5>in that, not you.

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<v Speaker 3>I'm not trying to take other people's parts or anything.

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<v Speaker 5>Like that, are I mean? And then people are like.

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<v Speaker 3>No, you can't be in it, you know.

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<v Speaker 2>But at times they go no you can't be in

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<v Speaker 2>it to everyone else and they say you can be

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<v Speaker 2>in it, and everyone else has to go home.

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<v Speaker 3>It's unusual, but it's Has it happened?

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<v Speaker 5>Sure, it's happened, and it must have.

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<v Speaker 3>Do people get.

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<v Speaker 1>Everyone else's part and failed?

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<v Speaker 3>I wasn't trying to take parts directly?

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<v Speaker 1>If you want to, did you have tried harder?

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<v Speaker 4>Would that have made conditions more favorable for me getting

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<v Speaker 4>the part? You had actually been trying?

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<v Speaker 6>Well?

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<v Speaker 3>I definitely certainly always try you don't want to overtry. Well,

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<v Speaker 3>what I'm what I'm what I'm trying to say is

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<v Speaker 3>like you don't want to overtry. I don't want to

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<v Speaker 3>take something when it belongs to somebody else. Although I

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<v Speaker 3>have heard of actors writing letters to directors being like

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<v Speaker 3>this must go to me. Have I done that?

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<v Speaker 5>No? Like that?

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<v Speaker 1>But well.

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<v Speaker 2>I have not done expressly what you're describing in terms of.

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<v Speaker 5>What was it you said.

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<v Speaker 3>Writing a letter to a director to convince them that, like, please,

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<v Speaker 3>I'm the right person for this.

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<v Speaker 5>That that you've done, that I've done.

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<v Speaker 1>Okay.

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<v Speaker 5>Have you seen black Swan? I sure have should have

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<v Speaker 5>been me. Okay, it should I should have been both parts.

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<v Speaker 3>I thought you meant two black Swans. There's one black Swan.

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<v Speaker 3>There's not a flat.

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<v Speaker 5>I've seen the film. Have you seen the film? Actually? Well,

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<v Speaker 5>first of all, have you seen the film?

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<v Speaker 3>Yes?

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<v Speaker 1>Is it any good black Swan?

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<v Speaker 5>I couldn't watch it, you know, too close bage.

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<v Speaker 2>I heard they were doing this running gun production in

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<v Speaker 2>New York, that Aaron Osky was just unloading on the

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<v Speaker 2>whole city just and I said, this is I gotta

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<v Speaker 2>be a part of this. And then when I heard

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<v Speaker 2>it was ballet, I said.

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<v Speaker 3>Still still even so, oh, even so?

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<v Speaker 1>Do you write that as a letter?

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<v Speaker 3>Some people the show emails letters.

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<v Speaker 1>Hey, oh there's a button on the remote.

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<v Speaker 4>Now with a microphone, you press the button, you can

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<v Speaker 4>give voice commands during any show. Okay, and say, can

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<v Speaker 4>we at least admit that I would have crushed this

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<v Speaker 4>part and any.

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<v Speaker 2>Better or worse, not not to take nothing away from

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<v Speaker 2>the performance we're all watching, can we.

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<v Speaker 5>At least acknowledge that I would have fucking.

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<v Speaker 4>Smash, absolutely barreled this pitch into the second deck. And

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<v Speaker 4>is there anything that can be done.

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<v Speaker 2>Now to sort of right the wrong of not getting

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<v Speaker 2>to see me.

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<v Speaker 3>In Black Swan? Anything in the fred in the cartoon

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<v Speaker 3>the original cartoon.

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<v Speaker 2>Rock Vegas, but in the original cartoon, and it's and

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<v Speaker 2>I understand why they didn't cash is because he was

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<v Speaker 2>very young. Yeah.

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<v Speaker 3>I was going to say, how old were you when

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<v Speaker 3>that came out?

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<v Speaker 1>I was, you know, I was, I.

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<v Speaker 2>Don't know, couldn't have been over thirty. I thought you

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<v Speaker 2>were going to say three, could have been over thirty

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<v Speaker 2>twenty nine?

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<v Speaker 4>Maybe I was in college, but it was before like

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<v Speaker 4>they knew exactly what age to do college at.

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<v Speaker 1>You know what I mean.

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<v Speaker 3>They were original cartoon of the Flintstones.

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<v Speaker 1>Yes.

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<v Speaker 4>When they were first starting to come up with the

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<v Speaker 4>idea for college, they were like, this should be for.

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<v Speaker 5>Like when should it start?

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<v Speaker 1>Yeah, this is for grown ups.

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<v Speaker 2>Yeah, well it's a very adult idea to pursue that

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<v Speaker 2>level of education, you know, and you're like.

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<v Speaker 4>Living all by yourself. And they first they were like,

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<v Speaker 4>we know this kids. Then they were like should this

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<v Speaker 4>be for kids? They started letting no, no, no, sorry.

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<v Speaker 3>College la college. You were in college and was called.

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<v Speaker 1>College because it was the first one. It was before.

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<v Speaker 2>College really had the sort of codified age brackets that

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<v Speaker 2>we think about now. And I think we should maybe

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<v Speaker 2>go back to this because if you see what goes

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<v Speaker 2>on with some of these fraternities and some of the

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<v Speaker 2>issu that people have, I think it's because they're so

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<v Speaker 2>young they're making these mistakes. Whereas at the time that

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<v Speaker 2>Hayes was going to college, he was could have been

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<v Speaker 2>more than thirty twenty nine or so, maybe late thirties.

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<v Speaker 1>I was twenty.

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<v Speaker 4>So they also had a skipping years and so they

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<v Speaker 4>would have you like go and come back. Okay, So

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<v Speaker 4>my first year I was thirty one, okay, and then

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<v Speaker 4>they had me come back when I was fifty one.

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<v Speaker 2>And his major was prehistoric cartoonity, prestar cartoonity, and which

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<v Speaker 2>which you look at that if you then look at

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<v Speaker 2>the Flintstones, that's what they are.

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<v Speaker 5>Such a natural pairing.

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<v Speaker 2>With Hayes, who is actually aware because there were many

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<v Speaker 2>inaccuracies in the show, and I've watched it with Hayes

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<v Speaker 2>and he is constantly saying, I wouldn't have let them

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<v Speaker 2>do that. I would have corrected that, you know, and.

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<v Speaker 4>He wouldn't have been able to stop me, because I'm

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<v Speaker 4>Fred Flintstone.

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<v Speaker 3>At that point.

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<v Speaker 2>Yes, he's Fred Flintstone. He has so much creative you know,

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<v Speaker 2>from within the scene he can actually operate. Do you

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<v Speaker 2>ever feel like within the scene when you to go.

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<v Speaker 3>Back to you okay only if you want, yeah, well to.

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<v Speaker 2>Go back to you and your thing. Do you ever

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<v Speaker 2>feel like within the scene as you're performing in a

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<v Speaker 2>way you are kind of directing that you are creating it,

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<v Speaker 2>even though the cameras are said or whatever, that you

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<v Speaker 2>have so much influence over what they're going to see

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<v Speaker 2>in the final product.

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<v Speaker 3>Well, and you don't even really have to say the

0:11:27.679 --> 0:11:29.160
<v Speaker 3>lines that they want you to.

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<v Speaker 2>Clinton wouldn't have it, Ben Hayes, because that they didn't

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<v Speaker 2>talk like that, They didn't.

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<v Speaker 1>Have our modern language of that.

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<v Speaker 3>Okay, you would have done hieroglyphics speak or sorry that

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<v Speaker 3>I didn't study it.

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<v Speaker 1>I have time.

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<v Speaker 4>I don't have time to educate you. Please don't make

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<v Speaker 4>me educate your So it's not the job to educate you.

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<v Speaker 3>Yeah, I should know, and I want to apologize for

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<v Speaker 3>that at the time, they just there's only one to me.

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<v Speaker 1>It's and this is about your book.

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<v Speaker 5>So you're doing a book.

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<v Speaker 1>By the way, we gotta do that. We got to

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<v Speaker 1>write one of these.

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<v Speaker 3>You don't have a book. It's not hard.

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<v Speaker 2>We have Wait, the fact is we have a million

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<v Speaker 2>damn books. And we just haven't put him down yet.

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<v Speaker 2>You know what I mean, we haven't.

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<v Speaker 3>Actually, you don't mean put him down, killed him? You

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<v Speaker 3>mean put him down, put him down?

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<v Speaker 5>Why we would be killing it? Okay, and'll be killing it.

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<v Speaker 3>I see that.

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<v Speaker 5>Killing him hardly, right, Yeah, killing him hardly, killing him hardly.

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<v Speaker 1>Right.

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<v Speaker 3>Wow, you're wordy. That's very good.

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<v Speaker 1>He's so amazing different words.

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<v Speaker 3>You just say things like this is a sentence, here's

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<v Speaker 3>my book.

0:12:43.120 --> 0:12:44.520
<v Speaker 5>It's I just do it.

0:12:44.600 --> 0:12:46.040
<v Speaker 3>You do it, Yeah, and you lay it.

0:12:45.960 --> 0:12:47.600
<v Speaker 1>Down honestly like a magician.

0:12:47.760 --> 0:12:50.439
<v Speaker 5>It's like and by the way, I didn't ask for this,

0:12:51.200 --> 0:12:51.920
<v Speaker 5>you know what I mean?

0:12:51.960 --> 0:12:53.040
<v Speaker 3>The noodle.

0:12:53.240 --> 0:12:56.559
<v Speaker 2>Yes. I think people sometimes think like, oh, he's showing off,

0:12:56.880 --> 0:13:01.240
<v Speaker 2>and to me, I go, I literally don't have a choice.

0:13:01.559 --> 0:13:02.760
<v Speaker 3>Yeah.

0:13:02.880 --> 0:13:07.360
<v Speaker 2>If I could go back in time and like, you know,

0:13:07.760 --> 0:13:09.560
<v Speaker 2>choose to have this gift or not, I don't know

0:13:09.600 --> 0:13:13.040
<v Speaker 2>that I would, because it's not always easy and it

0:13:13.120 --> 0:13:14.960
<v Speaker 2>is sometimes a turnoff for people.

0:13:14.880 --> 0:13:16.880
<v Speaker 3>Being really smart and writer.

0:13:17.400 --> 0:13:20.719
<v Speaker 2>Yes, having this these language abilities.

0:13:21.000 --> 0:13:23.080
<v Speaker 1>When we pitched the book, Oh you've been.

0:13:23.000 --> 0:13:25.560
<v Speaker 3>Pitching the book, and they're like, you're a turn off.

0:13:25.679 --> 0:13:29.280
<v Speaker 4>We have a story to tell. Huh, I mean this,

0:13:29.559 --> 0:13:31.240
<v Speaker 4>we got it. I mean let's talk about your for

0:13:31.360 --> 0:13:32.040
<v Speaker 4>one second.

0:13:32.120 --> 0:13:35.600
<v Speaker 2>Let's get so that we can get just to move control.

0:13:36.440 --> 0:13:38.680
<v Speaker 2>Let's get like a control group, and then you'll.

0:13:38.440 --> 0:13:41.559
<v Speaker 1>Have something to measurest.

0:13:40.760 --> 0:13:43.480
<v Speaker 3>Okay, meaning we'll just measure which one's better.

0:13:44.160 --> 0:13:46.640
<v Speaker 1>Well, your book is your book is there can be

0:13:46.960 --> 0:13:48.240
<v Speaker 1>got it.

0:13:48.240 --> 0:13:49.000
<v Speaker 3>It is subjective.

0:13:49.120 --> 0:13:51.240
<v Speaker 1>It's a valuable two books in the world.

0:13:51.280 --> 0:13:52.600
<v Speaker 5>I'm glad that it exists.

0:13:52.679 --> 0:13:54.559
<v Speaker 2>But I think for the audience it'll be nice to

0:13:54.600 --> 0:13:57.319
<v Speaker 2>hear what a normal book is and then how we're

0:13:57.600 --> 0:14:01.000
<v Speaker 2>really transforming the medium.

0:14:01.120 --> 0:14:04.840
<v Speaker 5>Okay, so your book's normal. So it's a memoir.

0:14:05.320 --> 0:14:06.160
<v Speaker 3>It is a memoir.

0:14:06.280 --> 0:14:07.120
<v Speaker 5>What are we remembering?

0:14:07.360 --> 0:14:09.199
<v Speaker 3>We're remembering death.

0:14:09.080 --> 0:14:13.520
<v Speaker 5>Anything, Dishy Wember, any celebs.

0:14:13.640 --> 0:14:15.320
<v Speaker 3>There's Sasha Baron Cohen.

0:14:15.960 --> 0:14:20.720
<v Speaker 7>Okay, you want a little dish on that. Yeah, we'll

0:14:20.800 --> 0:14:22.280
<v Speaker 7>take it, would you or heyes?

0:14:22.280 --> 0:14:23.360
<v Speaker 5>Is still thinking about it?

0:14:23.680 --> 0:14:24.400
<v Speaker 1>Do we Okay?

0:14:24.440 --> 0:14:25.200
<v Speaker 3>We can skip it.

0:14:25.360 --> 0:14:28.200
<v Speaker 4>No, it's it's fine. It's just like I'm most like

0:14:29.880 --> 0:14:31.320
<v Speaker 4>we can have him on the show.

0:14:31.840 --> 0:14:34.800
<v Speaker 3>Yeah, yeah, just read, just read, just read.

0:14:34.640 --> 0:14:37.480
<v Speaker 5>It, okay, you know okay, is there an audio version?

0:14:38.040 --> 0:14:39.440
<v Speaker 1>Yeah, you read the audiobook.

0:14:41.160 --> 0:14:42.080
<v Speaker 5>I'll probably just read it.

0:14:42.680 --> 0:14:50.680
<v Speaker 3>Yeah, that's and do you think you'll do an audio

0:14:50.680 --> 0:14:52.640
<v Speaker 3>book for yours?

0:14:54.840 --> 0:14:56.880
<v Speaker 1>One step of a time? Please?

0:14:57.320 --> 0:14:59.560
<v Speaker 3>You seem really ahead of yourself. So I just switch

0:14:59.600 --> 0:15:01.320
<v Speaker 3>in a good way and like a sorry, I just

0:15:01.360 --> 0:15:03.480
<v Speaker 3>hit the mic, but in like a motivated way where

0:15:03.480 --> 0:15:06.000
<v Speaker 3>you're like, I know, good enough, you're doing We've all

0:15:06.040 --> 0:15:08.680
<v Speaker 3>these breath work things get hard.

0:15:08.560 --> 0:15:09.520
<v Speaker 1>In our life.

0:15:10.000 --> 0:15:14.760
<v Speaker 4>Happened that we want to share could be useful for

0:15:14.800 --> 0:15:16.560
<v Speaker 4>people that are going through the same thing.

0:15:16.560 --> 0:15:19.360
<v Speaker 3>Together, that happened together. A unified memory.

0:15:19.600 --> 0:15:20.160
<v Speaker 1>Yes we have to.

0:15:20.320 --> 0:15:22.480
<v Speaker 5>Yes, we are partners, we have worked together.

0:15:22.960 --> 0:15:25.120
<v Speaker 1>No, uh, I know.

0:15:27.120 --> 0:15:32.200
<v Speaker 4>If we if we were, we've literally never never fought

0:15:32.280 --> 0:15:33.800
<v Speaker 4>an what on the show before.

0:15:33.600 --> 0:15:36.440
<v Speaker 1>If we could do it. This is not gonna be

0:15:36.440 --> 0:15:38.440
<v Speaker 1>the first show where we have whites. Have we ever

0:15:38.520 --> 0:15:39.160
<v Speaker 1>fought anyone?

0:15:39.320 --> 0:15:43.880
<v Speaker 2>Literally, we do environment the best podcast experience of their life.

0:15:43.880 --> 0:15:46.000
<v Speaker 2>That's all we've ever done on this show. And then today,

0:15:46.040 --> 0:15:47.400
<v Speaker 2>all of a sudden, you wanted to be a fight,

0:15:47.560 --> 0:15:50.920
<v Speaker 2>let's fight, which to me really never done that on

0:15:50.960 --> 0:15:51.280
<v Speaker 2>the show.

0:15:51.320 --> 0:15:51.840
<v Speaker 1>I don't care.

0:15:51.920 --> 0:15:53.480
<v Speaker 3>I thought, I said, is this a fight?

0:15:55.880 --> 0:15:56.520
<v Speaker 1>Uh?

0:15:56.320 --> 0:15:56.400
<v Speaker 4>Uh?

0:15:57.280 --> 0:16:00.400
<v Speaker 3>Did I say let's fight? My mistake? Things are flying

0:16:00.400 --> 0:16:02.960
<v Speaker 3>out of my mouth like hard and let's fight, And

0:16:03.600 --> 0:16:07.800
<v Speaker 3>I thought, you know you should stuff like that.

0:16:08.160 --> 0:16:11.000
<v Speaker 1>And this is Hayes lived experience. You're like, okay, is

0:16:11.040 --> 0:16:12.360
<v Speaker 1>this a fight? Yeah?

0:16:12.440 --> 0:16:13.160
<v Speaker 5>That's what I like?

0:16:14.200 --> 0:16:14.840
<v Speaker 1>Is this a fight?

0:16:15.080 --> 0:16:15.160
<v Speaker 7>Like?

0:16:15.280 --> 0:16:17.360
<v Speaker 1>Am I am? I? The only feeling this is like

0:16:17.480 --> 0:16:18.840
<v Speaker 1>did I do something wrong?

0:16:19.120 --> 0:16:23.400
<v Speaker 3>Did I do something wrong? That's what I'm saying. And

0:16:23.440 --> 0:16:26.200
<v Speaker 3>you're going what usually means.

0:16:26.320 --> 0:16:30.080
<v Speaker 1>Yeah, always about like you and what you did. For example,

0:16:30.200 --> 0:16:32.760
<v Speaker 1>I'd like tom our story for our.

0:16:32.640 --> 0:16:37.160
<v Speaker 5>Books perfectly about for so long.

0:16:37.080 --> 0:16:40.400
<v Speaker 7>The entire show so fairly spoken about my book, and

0:16:40.480 --> 0:16:41.440
<v Speaker 7>I would love.

0:16:41.240 --> 0:16:43.320
<v Speaker 1>To hear about the whole audiobook.

0:16:43.480 --> 0:16:46.560
<v Speaker 3>Now I'm not trying to do the audiobook. I'm just

0:16:46.600 --> 0:16:48.400
<v Speaker 3>trying to tell you, like what, I don't even think

0:16:48.400 --> 0:16:50.360
<v Speaker 3>I've told you one thing about what the book was about,

0:16:50.440 --> 0:16:53.600
<v Speaker 3>no offense, but like I brought up Sasha, you know,

0:16:53.720 --> 0:16:56.040
<v Speaker 3>my friend, and you guys were like, no, we don't

0:16:56.040 --> 0:16:57.960
<v Speaker 3>want to hear about that. Oh we were hooking up?

0:16:58.120 --> 0:17:01.840
<v Speaker 3>Yeah sure, And then you guys were like, no, we

0:17:01.880 --> 0:17:02.920
<v Speaker 3>don't want to hear about that.

0:17:03.120 --> 0:17:04.080
<v Speaker 1>You guys were hooking up?

0:17:04.359 --> 0:17:11.560
<v Speaker 3>No what what? Literally what one time?

0:17:14.080 --> 0:17:15.600
<v Speaker 5>So so well?

0:17:15.640 --> 0:17:17.880
<v Speaker 1>Now I'm yeah, no.

0:17:17.880 --> 0:17:21.560
<v Speaker 3>This is so Now you're interested because it's a celebrity

0:17:21.680 --> 0:17:23.200
<v Speaker 3>who am my fucking dogship?

0:17:24.119 --> 0:17:29.760
<v Speaker 2>Actually one moment, I'm interested in clarifying for the audience

0:17:29.960 --> 0:17:32.880
<v Speaker 2>that you can't just come on and make a sensational

0:17:32.920 --> 0:17:36.119
<v Speaker 2>claim that you were hooking up with Sasha Baron Cohen.

0:17:36.280 --> 0:17:38.199
<v Speaker 1>What I think more likely you were hooking up with

0:17:38.320 --> 0:17:44.480
<v Speaker 1>Bruno or General Aladin. I think it's far more likely.

0:17:44.920 --> 0:17:49.880
<v Speaker 2>Okay, but who you hooked up with was generality Bruno

0:17:51.160 --> 0:17:51.919
<v Speaker 2>the dictator.

0:17:53.920 --> 0:17:55.520
<v Speaker 1>Yeah, but that's who it is.

0:17:55.600 --> 0:17:58.720
<v Speaker 3>Are you insinuating that who I hooked up with was

0:17:58.880 --> 0:18:02.879
<v Speaker 3>not Sasha baron Call one at all, but impersonator of

0:18:02.920 --> 0:18:04.400
<v Speaker 3>one of his characters.

0:18:05.040 --> 0:18:09.400
<v Speaker 2>Didn't say that, that's what I said. Well, when Sasha

0:18:09.560 --> 0:18:13.120
<v Speaker 2>is General Aladeen, he is not Tasha, and anyone who

0:18:13.240 --> 0:18:17.160
<v Speaker 2>knows him knows that, and he's a good friend of yours.

0:18:17.400 --> 0:18:19.760
<v Speaker 4>Well, one thing I'm curious about. You said that this

0:18:19.800 --> 0:18:23.000
<v Speaker 4>guy you hooked up with then died and so.

0:18:24.480 --> 0:18:29.639
<v Speaker 7>I didn't see you did that is actually exactly what

0:18:29.680 --> 0:18:30.160
<v Speaker 7>you said.

0:18:30.040 --> 0:18:33.520
<v Speaker 3>When I keep saying hard, you're hard, You're hard. Oh,

0:18:33.600 --> 0:18:37.359
<v Speaker 3>I don't get hard. The table's here, like right, you

0:18:37.400 --> 0:18:40.879
<v Speaker 3>guys are fucking crazy.

0:18:41.080 --> 0:18:46.040
<v Speaker 5>So this is going to starting now, start over, be

0:18:46.280 --> 0:18:46.920
<v Speaker 5>a no.

0:18:47.160 --> 0:18:48.399
<v Speaker 1>Gas light zone.

0:18:48.560 --> 0:18:50.439
<v Speaker 3>Okay, I agree, Hans in.

0:18:52.840 --> 0:18:54.640
<v Speaker 2>Fine, I don't want you to do something to it.

0:18:56.280 --> 0:18:58.359
<v Speaker 2>I actually don't trust you because you're the first guess

0:18:58.359 --> 0:18:59.920
<v Speaker 2>who's ever tried to make this a fight.

0:19:01.680 --> 0:19:02.760
<v Speaker 1>We've been doing the show for.

0:19:05.040 --> 0:19:08.560
<v Speaker 2>Thirteen years recorded and several years before that when we

0:19:08.560 --> 0:19:09.800
<v Speaker 2>were just practicing.

0:19:09.320 --> 0:19:13.160
<v Speaker 1>Without yes yes.

0:19:15.080 --> 0:19:19.320
<v Speaker 2>So I now am like in this space where it's like, no,

0:19:19.320 --> 0:19:20.520
<v Speaker 2>I'm not to going to give you my hand.

0:19:20.520 --> 0:19:22.240
<v Speaker 1>You might do something crazy to it.

0:19:23.359 --> 0:19:25.520
<v Speaker 3>Wait, what you're not going to let anyone do something

0:19:25.520 --> 0:19:26.200
<v Speaker 3>crazy to it.

0:19:27.160 --> 0:19:28.520
<v Speaker 5>I'm not going to give you my hand. You might

0:19:28.560 --> 0:19:30.399
<v Speaker 5>do something crazy to Oh, I know you all right,

0:19:30.400 --> 0:19:32.480
<v Speaker 5>I didn't hear you, and I Wo'm not gonna say

0:19:32.480 --> 0:19:34.520
<v Speaker 5>I wouldn't let anyone. I'm not going to let you.

0:19:36.720 --> 0:19:37.160
<v Speaker 1>Wow.

0:19:37.680 --> 0:19:40.560
<v Speaker 3>Is that recording? Are we being recorded?

0:19:43.760 --> 0:19:46.280
<v Speaker 1>She wants to make sure that cameras are on mentioning

0:19:47.960 --> 0:19:49.800
<v Speaker 1>actually not kidding wing at us.

0:19:49.920 --> 0:19:53.320
<v Speaker 3>Yes, I was told that there was no recording.

0:19:54.200 --> 0:19:56.520
<v Speaker 1>Do you know I told this show would not be recorded.

0:19:57.400 --> 0:19:59.880
<v Speaker 5>You're told there would be no recording.

0:20:00.080 --> 0:20:05.320
<v Speaker 3>On camera Mike's check camera Never did a camera check.

0:20:09.560 --> 0:20:11.280
<v Speaker 1>People to sit in.

0:20:11.240 --> 0:20:14.200
<v Speaker 5>That because the cameras were set for different.

0:20:14.040 --> 0:20:14.440
<v Speaker 1>I don't know.

0:20:14.480 --> 0:20:16.040
<v Speaker 3>I didn't think about that deeply.

0:20:16.280 --> 0:20:19.520
<v Speaker 4>So do you know Kevin, I know a lot of

0:20:19.600 --> 0:20:25.520
<v Speaker 4>Kevin's Okay, Kevin is Ken works on the show. Yes,

0:20:26.680 --> 0:20:31.960
<v Speaker 4>m hm, and so, oh god.

0:20:31.760 --> 0:20:33.679
<v Speaker 3>I'm so sorry, uncomfortable.

0:20:33.800 --> 0:20:34.600
<v Speaker 1>We used to.

0:20:34.680 --> 0:20:37.040
<v Speaker 2>Well, don't say that, no, well, don't just leave that.

0:20:38.800 --> 0:20:42.520
<v Speaker 2>Don't just leave that. Don't say that. Actually, please, yes,

0:20:42.600 --> 0:20:45.680
<v Speaker 2>we are recording, and please say I am feeling very comfortable.

0:20:47.920 --> 0:20:52.160
<v Speaker 4>Were literally started to talk about our story after letting

0:20:52.200 --> 0:20:55.359
<v Speaker 4>you talk about it, like literally forever, endlessly.

0:20:56.240 --> 0:20:57.840
<v Speaker 3>What what did I talk about endless?

0:20:58.200 --> 0:20:59.919
<v Speaker 4>You think was such a bard go you hooked up

0:20:59.920 --> 0:21:03.600
<v Speaker 4>a he died, which I was gonna say, sorry, but

0:21:03.720 --> 0:21:09.639
<v Speaker 4>like he looked, Sasha Baron Cohen is still alive.

0:21:09.840 --> 0:21:11.480
<v Speaker 3>Right, that's what you've been told.

0:21:13.320 --> 0:21:16.360
<v Speaker 1>So you think that they covered it up and they

0:21:16.400 --> 0:21:18.320
<v Speaker 1>had it, they had to do a different one.

0:21:19.640 --> 0:21:21.760
<v Speaker 3>Ever heard of like security checks?

0:21:23.520 --> 0:21:25.320
<v Speaker 1>Yes, but what does that have to do with this?

0:21:25.560 --> 0:21:26.760
<v Speaker 5>I've heard of wheat checks?

0:21:27.280 --> 0:21:34.160
<v Speaker 1>Yeah, Okay, on I mean, I swear to God.

0:21:35.920 --> 0:21:38.359
<v Speaker 3>I don't it's gonna sound cue and Onnie, I'm not

0:21:38.400 --> 0:21:41.399
<v Speaker 3>going to go there with you. I feel Let me

0:21:41.480 --> 0:21:46.320
<v Speaker 3>just state for the record, I feel comfortable even though

0:21:46.320 --> 0:21:50.200
<v Speaker 3>there's I just saw myself get zoomed in on.

0:21:50.240 --> 0:21:53.960
<v Speaker 2>Also, but that's not the feed they'll see. We could

0:21:54.000 --> 0:21:56.040
<v Speaker 2>just keep it like, that's not they're going to seek.

0:21:58.520 --> 0:21:59.200
<v Speaker 3>Can we pause?

0:22:00.720 --> 0:22:03.800
<v Speaker 2>Okay, all right, let's take a pause. Let's take a pause.

0:22:03.800 --> 0:22:06.040
<v Speaker 2>Something that we've also never done on the show before.

0:22:07.440 --> 0:22:12.399
<v Speaker 3>Yeah, the decompression bras rising up again.

0:22:16.440 --> 0:22:18.760
<v Speaker 2>There was one thing we asked you not to talk about.

0:22:20.600 --> 0:22:24.640
<v Speaker 2>What Kevin should have sent you a list. Yes, the yes,

0:22:24.720 --> 0:22:25.960
<v Speaker 2>the cameras will be recorded.

0:22:26.600 --> 0:22:33.040
<v Speaker 3>So my BRA's uncomfortable. Is that okay? Is that too

0:22:33.440 --> 0:22:38.440
<v Speaker 3>sexy for you? Is that I'm gonna get canceled because

0:22:38.440 --> 0:22:44.840
<v Speaker 3>my BRA's uncomfortable. Yeah, women wear bras, some of us.

0:22:45.240 --> 0:22:47.160
<v Speaker 3>Anyone can, You can if you want.

0:22:48.240 --> 0:22:50.120
<v Speaker 1>Here's what I here's what I would like the rest

0:22:50.119 --> 0:22:50.879
<v Speaker 1>of the show.

0:22:50.640 --> 0:22:54.760
<v Speaker 2>To be great, thank you. I would like it to

0:22:54.800 --> 0:23:01.280
<v Speaker 2>be an honest discussion of both of our books okay

0:23:02.040 --> 0:23:05.720
<v Speaker 2>ours Yes, which does not include.

0:23:05.800 --> 0:23:07.880
<v Speaker 3>Lies or being published yet.

0:23:07.880 --> 0:23:09.480
<v Speaker 1>Which does not claim that we.

0:23:11.240 --> 0:23:13.399
<v Speaker 2>Hooked up with Sasha be CODs so hard that he

0:23:13.520 --> 0:23:20.000
<v Speaker 2>exploded and died. What somehow we had some magical sexual power.

0:23:20.119 --> 0:23:23.199
<v Speaker 3>I didn't say we exploded. I said we hooked up,

0:23:23.240 --> 0:23:25.919
<v Speaker 3>which meant kiss and that it killed him. No, not

0:23:26.000 --> 0:23:28.320
<v Speaker 3>that it killed him, that he died later on. But

0:23:28.359 --> 0:23:31.879
<v Speaker 3>when you say exploded, we all know what you're talking about.

0:23:32.280 --> 0:23:35.879
<v Speaker 3>No one exploded. Okay, we didn't get that far.

0:23:36.240 --> 0:23:38.440
<v Speaker 5>Help, But wonder how Isla would feel about the timeline

0:23:38.480 --> 0:23:39.040
<v Speaker 5>on this either.

0:23:40.040 --> 0:23:42.000
<v Speaker 1>So it takes a little while to publish a book.

0:23:42.720 --> 0:23:46.240
<v Speaker 3>What I call what.

0:23:46.680 --> 0:23:48.600
<v Speaker 1>I think you're trying to do my thing, and I

0:23:48.600 --> 0:23:49.240
<v Speaker 1>think it's just.

0:23:49.280 --> 0:23:50.000
<v Speaker 3>Is that your thing?

0:23:50.960 --> 0:23:53.080
<v Speaker 1>Is that your thing? Yeah?

0:23:53.240 --> 0:23:56.520
<v Speaker 3>No one told me with words, Okay, you have a book.

0:23:56.600 --> 0:23:58.720
<v Speaker 3>Oh so it was clever. Thank you. I knew we'd

0:23:58.720 --> 0:23:59.160
<v Speaker 3>get along.

0:23:59.200 --> 0:24:02.479
<v Speaker 8>Well, I said trying. Okay, Well, I said trying. I

0:24:02.520 --> 0:24:03.440
<v Speaker 8>heard you the first time.

0:24:04.760 --> 0:24:08.119
<v Speaker 5>I think the audience needed to hear it twice for

0:24:08.240 --> 0:24:08.840
<v Speaker 5>what purpose?

0:24:09.400 --> 0:24:13.280
<v Speaker 4>So I'm just looking at our agenda here. Our agenda

0:24:13.320 --> 0:24:16.560
<v Speaker 4>here is talking about both our books. The first sight

0:24:16.600 --> 0:24:17.360
<v Speaker 4>I'm talking about.

0:24:17.240 --> 0:24:18.399
<v Speaker 5>Yes on pause?

0:24:18.520 --> 0:24:22.919
<v Speaker 2>Yes, did you guys really pause in there? Don't pause

0:24:22.920 --> 0:24:24.520
<v Speaker 2>in that she doesn't get to call pause.

0:24:25.000 --> 0:24:27.040
<v Speaker 9>You will only pause if you guys call pause?

0:24:27.280 --> 0:24:27.760
<v Speaker 1>Thank you?

0:24:29.520 --> 0:24:31.760
<v Speaker 3>Should I use a different word if I need to pause,

0:24:32.880 --> 0:24:35.760
<v Speaker 3>such as hold, stop, please? Anything?

0:24:36.480 --> 0:24:37.200
<v Speaker 9>You could use hold?

0:24:37.280 --> 0:24:38.119
<v Speaker 1>Yeah, thank you?

0:24:39.920 --> 0:24:40.680
<v Speaker 3>So you guys have pause?

0:24:40.720 --> 0:24:41.080
<v Speaker 1>I hold?

0:24:44.520 --> 0:24:44.760
<v Speaker 3>Sorry?

0:24:44.840 --> 0:24:46.840
<v Speaker 2>All right, but but there should be a double check

0:24:46.880 --> 0:24:50.840
<v Speaker 2>on the hold. And if she does hold, do double

0:24:50.920 --> 0:24:51.920
<v Speaker 2>check on hold.

0:24:52.720 --> 0:24:54.400
<v Speaker 9>Got it? Copy?

0:24:55.000 --> 0:24:56.760
<v Speaker 3>And if they are doing a pause, you could just

0:24:56.920 --> 0:24:58.440
<v Speaker 3>text me and I'll say, all good.

0:24:59.480 --> 0:25:02.320
<v Speaker 4>You don't have to wait for that, and I will

0:25:02.359 --> 0:25:05.199
<v Speaker 4>keep case you have Casey's number? Do you know Casey?

0:25:06.280 --> 0:25:07.399
<v Speaker 3>Sorry? Do you need my number?

0:25:07.600 --> 0:25:11.119
<v Speaker 2>If you have Casey's number, tell us if you have

0:25:11.200 --> 0:25:13.160
<v Speaker 2>Casey's number. I now am going to tell the camera

0:25:13.200 --> 0:25:17.920
<v Speaker 2>that I am uncomfortable and I am feeling unsafetory this recording.

0:25:17.960 --> 0:25:19.120
<v Speaker 3>Guys, that's great.

0:25:20.160 --> 0:25:21.800
<v Speaker 1>It is strange that we can see yourselves on the screen.

0:25:21.840 --> 0:25:23.080
<v Speaker 1>That's not normal for the recording.

0:25:23.520 --> 0:25:28.840
<v Speaker 3>Oh that's not typical. I was wondering why I saw

0:25:28.960 --> 0:25:31.879
<v Speaker 3>myself being zoomed in on. But yeah, my number you ready,

0:25:35.600 --> 0:25:41.600
<v Speaker 3>old Boston number. That's how you know it's real. And

0:25:41.640 --> 0:25:45.200
<v Speaker 3>I am going to change my number tomorrow. But that's

0:25:45.200 --> 0:25:46.000
<v Speaker 3>what it is today.

0:25:46.200 --> 0:25:50.120
<v Speaker 1>Start the clock, okay, and.

0:25:50.400 --> 0:25:54.440
<v Speaker 3>Go right, or you should say go it's not my podcast.

0:25:55.520 --> 0:25:55.880
<v Speaker 1>Mm hmm.

0:25:57.800 --> 0:25:59.720
<v Speaker 5>Go for podcast.

0:26:00.080 --> 0:26:03.600
<v Speaker 2>His is going to talk about the book, our book,

0:26:04.080 --> 0:26:06.879
<v Speaker 2>the one people are probably at this point pretty excited

0:26:06.880 --> 0:26:08.639
<v Speaker 2>to hear about, since they've been hearing about nothing but

0:26:08.720 --> 0:26:12.000
<v Speaker 2>your book.

0:26:14.560 --> 0:26:19.199
<v Speaker 4>We used to come in here every day. Kevin would

0:26:19.280 --> 0:26:28.080
<v Speaker 4>make us a pizza sandwich, which is bread like a sandwich,

0:26:28.440 --> 0:26:32.840
<v Speaker 4>but tomato sauce and cheese inside.

0:26:32.880 --> 0:26:36.600
<v Speaker 5>Tomato, sauce, cheese not hot.

0:26:37.160 --> 0:26:40.679
<v Speaker 1>After one time he gave it to us way.

0:26:40.480 --> 0:26:45.280
<v Speaker 4>Too hot, the pizza sandwich, the pizza sandwich, and he

0:26:45.359 --> 0:26:47.240
<v Speaker 4>calls it his Nimi machine.

0:26:47.880 --> 0:26:51.920
<v Speaker 2>Panini's I'm just telling you what Kevin said, and I didn't.

0:26:52.320 --> 0:26:54.280
<v Speaker 2>I never went back to double check.

0:26:54.119 --> 0:26:56.120
<v Speaker 1>On that way too hot.

0:26:56.160 --> 0:26:59.240
<v Speaker 5>I'm hearing now from you that it was likely a

0:26:59.280 --> 0:27:00.320
<v Speaker 5>panini press.

0:27:00.840 --> 0:27:02.840
<v Speaker 3>I'm just assuming if he called it. Did he call

0:27:02.880 --> 0:27:03.480
<v Speaker 3>it a niini?

0:27:04.560 --> 0:27:06.440
<v Speaker 5>He said, I have to put it in my nianni machine.

0:27:08.119 --> 0:27:12.040
<v Speaker 2>We we had initially said we were not going to

0:27:12.080 --> 0:27:14.639
<v Speaker 2>record unless we could get a pizza parmesan sandwich.

0:27:15.600 --> 0:27:17.160
<v Speaker 1>He said, for my queenies.

0:27:17.320 --> 0:27:18.800
<v Speaker 5>Yeah, he said, queen.

0:27:19.119 --> 0:27:19.359
<v Speaker 1>Yeah.

0:27:19.400 --> 0:27:23.320
<v Speaker 4>Well, and you think it's sweet our queenies with big weenies.

0:27:23.720 --> 0:27:26.360
<v Speaker 3>I didn't hear the weenies. I just heard the nani.

0:27:26.119 --> 0:27:27.359
<v Speaker 5>And I don't think I heard it either.

0:27:30.040 --> 0:27:32.920
<v Speaker 4>You guys keep anyway. We bite into these things. They're

0:27:33.000 --> 0:27:36.040
<v Speaker 4>so hot it sealed the cheese and the sauce inside.

0:27:37.119 --> 0:27:41.040
<v Speaker 4>Shot them out at each other. Yeah, what we took

0:27:41.080 --> 0:27:45.359
<v Speaker 4>a bite. It's shooting out both of us on both

0:27:45.400 --> 0:27:45.720
<v Speaker 4>of us.

0:27:46.000 --> 0:27:49.200
<v Speaker 2>We tried to synchronize our bites, which was actually really

0:27:49.240 --> 0:27:51.200
<v Speaker 2>sweet and actually it was going to be a whole

0:27:51.200 --> 0:27:52.040
<v Speaker 2>part of the.

0:27:51.800 --> 0:27:56.160
<v Speaker 1>Book through each other. Thing. Take a bite, yea queenies.

0:27:56.240 --> 0:27:58.920
<v Speaker 5>Yeah, it's sort of a sort of a brotherhood bite.

0:27:59.160 --> 0:28:02.000
<v Speaker 5>And we would and we would lock forearms and then

0:28:02.000 --> 0:28:04.159
<v Speaker 5>we would take a big honked chomp.

0:28:04.440 --> 0:28:06.720
<v Speaker 1>But it shot each.

0:28:06.520 --> 0:28:10.520
<v Speaker 4>Other at both sides funny, like lot that was funny,

0:28:10.760 --> 0:28:14.199
<v Speaker 4>but then Kevin left.

0:28:14.840 --> 0:28:18.520
<v Speaker 1>M hm, can you see a pizza sandwich here in

0:28:18.560 --> 0:28:22.120
<v Speaker 1>front of me? This was today.

0:28:21.320 --> 0:28:25.640
<v Speaker 2>Sorry to jump on the answer, but I just kind

0:28:25.640 --> 0:28:27.000
<v Speaker 2>of can't trust you to answer it.

0:28:27.680 --> 0:28:29.600
<v Speaker 5>No, you don't see a pizza sandwich.

0:28:30.680 --> 0:28:31.040
<v Speaker 1>I don't.

0:28:31.119 --> 0:28:32.639
<v Speaker 3>I don't so.

0:28:35.000 --> 0:28:36.800
<v Speaker 1>Hung that.

0:28:39.160 --> 0:28:41.360
<v Speaker 4>I think has to be a book. I think it

0:28:41.440 --> 0:28:43.720
<v Speaker 4>has to be a story that has to be told.

0:28:43.760 --> 0:28:45.240
<v Speaker 1>I feel like I'm gonna faint. I think it has

0:28:45.240 --> 0:28:46.520
<v Speaker 1>to be in the book. I think it has to

0:28:46.520 --> 0:28:47.440
<v Speaker 1>be the book.

0:28:47.520 --> 0:28:51.400
<v Speaker 2>If I can transmit that feeling, they like I'm gonna

0:28:52.560 --> 0:29:03.280
<v Speaker 2>literally faint from being so hungry hungry.

0:29:00.320 --> 0:29:05.280
<v Speaker 1>It does zero.

0:29:05.320 --> 0:29:08.520
<v Speaker 4>If you were going to accidentally say something.

0:29:08.160 --> 0:29:12.280
<v Speaker 3>There, it should have been hard, well, aid I mean right?

0:29:12.440 --> 0:29:14.440
<v Speaker 3>And if I was doing it on purpose, I would

0:29:14.520 --> 0:29:18.000
<v Speaker 3>say I accidentally said hot and I meant hard. But

0:29:18.040 --> 0:29:19.280
<v Speaker 3>I'm not doing it on purpose.

0:29:23.480 --> 0:29:25.960
<v Speaker 2>I would ask you to whatever you do for the

0:29:25.960 --> 0:29:29.480
<v Speaker 2>rest of the show, try doing it on purpose, because

0:29:29.480 --> 0:29:34.720
<v Speaker 2>what has been happening so far is not working for me,

0:29:36.440 --> 0:29:37.680
<v Speaker 2>and I don't have a choice.

0:29:37.720 --> 0:29:39.040
<v Speaker 1>We have to release this one.

0:29:39.120 --> 0:29:42.080
<v Speaker 4>This fell over, so we have no idea how long

0:29:42.160 --> 0:29:45.640
<v Speaker 4>it It's supposed to happen. Yeah, because that fell over.

0:29:46.080 --> 0:29:48.600
<v Speaker 3>Oh that I don't know where the normal screen that's

0:29:48.600 --> 0:29:50.640
<v Speaker 3>supposed to be on this screen is not supposed to

0:29:50.680 --> 0:29:51.320
<v Speaker 3>be on that screen.

0:29:51.560 --> 0:29:55.440
<v Speaker 1>This one's never been on before. That one's always on.

0:29:56.960 --> 0:30:01.240
<v Speaker 2>The book is called the Sane One. It's a sort

0:30:01.280 --> 0:30:04.600
<v Speaker 2>of a distractic response to the crazy ones. The Robin

0:30:04.600 --> 0:30:10.040
<v Speaker 2>Williams Sarah Michelle Geller sitcom that was on, and you're

0:30:10.120 --> 0:30:13.400
<v Speaker 2>kind of saying, like, sorry, like that, you'll love this.

0:30:13.880 --> 0:30:14.920
<v Speaker 1>I'm promoting the book.

0:30:15.200 --> 0:30:19.440
<v Speaker 3>I just heard Sarah Michelle Geller. I'm so sorry.

0:30:19.920 --> 0:30:20.600
<v Speaker 2>I really don't like.

0:30:20.920 --> 0:30:22.000
<v Speaker 1>I'm sorry. I'm distracted here.

0:30:22.000 --> 0:30:23.920
<v Speaker 3>I'm designed you're doing fucking origami.

0:30:24.480 --> 0:30:27.760
<v Speaker 5>M imagine in that?

0:30:27.880 --> 0:30:29.600
<v Speaker 3>Do you want to know what water?

0:30:30.840 --> 0:30:31.480
<v Speaker 1>What happened?

0:30:31.600 --> 0:30:32.760
<v Speaker 3>My fucking dad dies?

0:30:36.040 --> 0:30:36.520
<v Speaker 1>Sorry?

0:30:36.640 --> 0:30:37.920
<v Speaker 5>Thank you?

0:30:37.920 --> 0:30:38.840
<v Speaker 1>You have you?

0:30:38.880 --> 0:30:44.680
<v Speaker 3>No, no, no, no separate Sorry. Okay, So there's the

0:30:44.880 --> 0:30:49.000
<v Speaker 3>part where Sasha Baron Cohen, I'm gonna be honest with you.

0:30:49.320 --> 0:30:53.000
<v Speaker 3>We don't hook up. He doesn't die. I just saw

0:30:53.080 --> 0:30:55.240
<v Speaker 3>him and his name is in the book, and I say,

0:30:55.560 --> 0:30:57.400
<v Speaker 3>there he is. He's on his phone because I went

0:30:57.440 --> 0:31:02.160
<v Speaker 3>to the fucking Emmy's okay, dishing. So that's the dish

0:31:02.160 --> 0:31:06.200
<v Speaker 3>on Sasha should be dishing. My dad died soon after

0:31:06.640 --> 0:31:11.600
<v Speaker 3>the Emmys because of that, not related to Sasha, not

0:31:11.680 --> 0:31:12.840
<v Speaker 3>related to the phone.

0:31:13.440 --> 0:31:14.680
<v Speaker 5>It's like a five G thing.

0:31:14.880 --> 0:31:19.400
<v Speaker 3>Or he might have had Wi fi poisoning. In addition,

0:31:19.520 --> 0:31:22.600
<v Speaker 3>that's certainly not the catalyst. Wi fi does not cause

0:31:23.960 --> 0:31:28.760
<v Speaker 3>lung cancer, Okay, that we know of correct other correct

0:31:28.880 --> 0:31:31.520
<v Speaker 3>problems wi fi. Yeah, that's as far as we know,

0:31:32.640 --> 0:31:33.720
<v Speaker 3>as far as doctors know.

0:31:34.520 --> 0:31:35.040
<v Speaker 5>Okay.

0:31:35.240 --> 0:31:40.239
<v Speaker 3>So that's my book, and I to be clear, like

0:31:40.400 --> 0:31:45.400
<v Speaker 3>not a competition. I love the pizza sandwich story, and

0:31:45.440 --> 0:31:47.719
<v Speaker 3>I think that could be a really interesting.

0:31:49.520 --> 0:31:51.120
<v Speaker 1>Well it's an actual story.

0:31:51.640 --> 0:31:55.760
<v Speaker 5>Yeah, and that was and that was a very sad

0:31:55.800 --> 0:31:56.680
<v Speaker 5>thing that happened.

0:31:56.680 --> 0:31:58.800
<v Speaker 4>But I want to congratulate you, Ana, that was a

0:31:58.920 --> 0:32:00.560
<v Speaker 4>very brave thing for.

0:32:00.560 --> 0:32:01.280
<v Speaker 1>You to share.

0:32:01.520 --> 0:32:03.240
<v Speaker 3>It wasn't brave, It's just I.

0:32:03.120 --> 0:32:06.120
<v Speaker 4>Shared something that was like actually like a bad thing

0:32:06.200 --> 0:32:07.120
<v Speaker 4>that happened to us.

0:32:07.440 --> 0:32:13.320
<v Speaker 3>The exploding cheese. I'm still that was a sexual insinuation.

0:32:13.520 --> 0:32:19.200
<v Speaker 4>And sauce and now we're so hungry happening to me

0:32:19.360 --> 0:32:20.280
<v Speaker 4>right now, So.

0:32:20.120 --> 0:32:24.360
<v Speaker 5>Sad, it's empty. This is reminding me of the sandwich

0:32:24.440 --> 0:32:25.240
<v Speaker 5>not being here.

0:32:28.520 --> 0:32:29.560
<v Speaker 3>An empty sandwich.

0:32:30.040 --> 0:32:32.560
<v Speaker 4>After you just shared that with you, and you're like, oh,

0:32:32.560 --> 0:32:37.440
<v Speaker 4>this thing happened to me. I'm and a billion years ago. No, Feds,

0:32:37.440 --> 0:32:38.760
<v Speaker 4>I don't think you went to the Emmys this year.

0:32:38.960 --> 0:32:41.400
<v Speaker 3>It wasn't a billion. How do you know I didn't

0:32:41.400 --> 0:32:42.520
<v Speaker 3>go to the Emmys this year.

0:32:42.920 --> 0:32:43.400
<v Speaker 9>I watched.

0:32:44.560 --> 0:32:47.360
<v Speaker 3>They didn't go to my Sorry, they didn't zoom in

0:32:47.480 --> 0:32:49.160
<v Speaker 3>to me, you know what I mean. It doesn't mean

0:32:49.200 --> 0:32:49.760
<v Speaker 3>I wasn't there.

0:32:49.920 --> 0:32:52.800
<v Speaker 4>I don't think Sacha was there to get were you

0:32:52.840 --> 0:32:55.720
<v Speaker 4>guys there. I'm in this business. It's my job to know.

0:32:56.800 --> 0:32:59.280
<v Speaker 1>Like Hollywood, who's like who's got the juice?

0:32:59.640 --> 0:33:02.840
<v Speaker 2>Unlike, you know, we weren't there. We don't see art

0:33:02.920 --> 0:33:04.960
<v Speaker 2>as like a constant string of competitions.

0:33:05.720 --> 0:33:08.120
<v Speaker 1>It's not like it's not like, oh not how I

0:33:08.160 --> 0:33:09.080
<v Speaker 1>want to play this game.

0:33:09.440 --> 0:33:14.960
<v Speaker 2>I have removed myself from Emmy consideration. And so when

0:33:14.960 --> 0:33:17.240
<v Speaker 2>somebody tells me about their book, I'm not like, oh,

0:33:17.280 --> 0:33:18.360
<v Speaker 2>it's a book contest.

0:33:18.440 --> 0:33:20.920
<v Speaker 5>Let me like come up with like this like.

0:33:21.800 --> 0:33:25.520
<v Speaker 2>Incredibly impactful you know, personal thing that like they're not

0:33:25.560 --> 0:33:28.120
<v Speaker 2>going to be able to address in any way. Like

0:33:28.560 --> 0:33:32.040
<v Speaker 2>so then I'll say that and then it's just like bam,

0:33:32.080 --> 0:33:34.440
<v Speaker 2>Like now my book wins I just go like, oh,

0:33:34.560 --> 0:33:37.480
<v Speaker 2>io a book. You have a book, Mine's good yours.

0:33:38.080 --> 0:33:41.400
<v Speaker 2>I don't really see it still, And it's the same

0:33:41.440 --> 0:33:43.520
<v Speaker 2>with the Emmys, where it's like I'm just not going

0:33:43.600 --> 0:33:47.480
<v Speaker 2>to go like okay, like oh, I'm like watching.

0:33:47.160 --> 0:33:49.720
<v Speaker 1>A trophy or like a you know, no.

0:33:49.920 --> 0:33:51.959
<v Speaker 4>Easier to just take your you ask how to take

0:33:52.000 --> 0:33:56.080
<v Speaker 4>yourself out of consideration? Is that on that you do

0:33:56.160 --> 0:33:57.920
<v Speaker 4>it on the button on the remote at the beginning,

0:33:58.000 --> 0:34:00.120
<v Speaker 4>at the beginning of the ceremony.

0:34:00.200 --> 0:34:02.920
<v Speaker 5>Remark you just say like thank you, but like what

0:34:03.000 --> 0:34:03.160
<v Speaker 5>are you?

0:34:03.640 --> 0:34:04.320
<v Speaker 1>Please give it to.

0:34:04.320 --> 0:34:07.440
<v Speaker 3>Somebody else in the audience of the meys.

0:34:07.880 --> 0:34:10.400
<v Speaker 4>In the audience, yeah, I mean like at home or

0:34:10.440 --> 0:34:12.799
<v Speaker 4>like yeah, that's where you can really see what's going on.

0:34:13.120 --> 0:34:13.279
<v Speaker 5>Why.

0:34:13.280 --> 0:34:16.319
<v Speaker 3>I am sorry that I I don't fully agree with

0:34:16.320 --> 0:34:17.839
<v Speaker 3>what you're saying, but I see where you're coming from

0:34:17.840 --> 0:34:19.799
<v Speaker 3>that I made it a competition. I thought you were

0:34:19.800 --> 0:34:24.080
<v Speaker 3>making it a competition, and so then I I.

0:34:24.800 --> 0:34:26.040
<v Speaker 1>How would I be competing?

0:34:26.560 --> 0:34:28.480
<v Speaker 3>Like, I don't know, how would I.

0:34:28.400 --> 0:34:29.000
<v Speaker 1>Be thinking that?

0:34:29.120 --> 0:34:31.319
<v Speaker 2>I literally said, we had an awesome book, and then

0:34:31.360 --> 0:34:33.479
<v Speaker 2>I just like don't even know, like.

0:34:33.480 --> 0:34:35.160
<v Speaker 5>What happens what you're talking about?

0:34:35.400 --> 0:34:37.320
<v Speaker 3>And that's something that I deal with in my book

0:34:37.520 --> 0:34:40.560
<v Speaker 3>is just making things about me a lot and going

0:34:40.640 --> 0:34:45.080
<v Speaker 3>to therapy and going like what's happening with that? And

0:34:45.160 --> 0:34:46.600
<v Speaker 3>so that's in the book too.

0:34:46.760 --> 0:34:52.359
<v Speaker 5>What huh, try to get your money back?

0:34:53.120 --> 0:34:54.279
<v Speaker 3>Got to get your money back.

0:34:54.680 --> 0:34:55.799
<v Speaker 5>Try to get your money back?

0:34:58.080 --> 0:35:01.640
<v Speaker 3>Yeah, okay, And so I am actually because he ripped

0:35:01.680 --> 0:35:02.000
<v Speaker 3>me off?

0:35:02.920 --> 0:35:04.120
<v Speaker 1>Was the Emmy's fun?

0:35:04.400 --> 0:35:05.359
<v Speaker 3>Because he fucked me over?

0:35:06.040 --> 0:35:07.080
<v Speaker 5>Man therapist?

0:35:07.400 --> 0:35:08.200
<v Speaker 3>What's wrong with that?

0:35:08.880 --> 0:35:11.800
<v Speaker 5>A little weird? How so?

0:35:15.440 --> 0:35:17.640
<v Speaker 1>Never mind, it's working great.

0:35:18.000 --> 0:35:20.040
<v Speaker 3>What do you mean it's working great? With your hand

0:35:20.120 --> 0:35:23.840
<v Speaker 3>up that seemed Is he wearing like not genuine? Is

0:35:23.840 --> 0:35:26.759
<v Speaker 3>he wearing like a and then you went like that

0:35:26.800 --> 0:35:27.480
<v Speaker 3>with your eyes?

0:35:28.400 --> 0:35:29.359
<v Speaker 1>What kind of hat does he?

0:35:29.360 --> 0:35:31.640
<v Speaker 5>I don't want to be under the microscope here, but.

0:35:31.719 --> 0:35:34.719
<v Speaker 4>When you're like you're getting therapy, yeah, does he have

0:35:34.800 --> 0:35:36.239
<v Speaker 4>like a baseball helmet on?

0:35:36.440 --> 0:35:38.040
<v Speaker 1>Or like? What is he? Yeah?

0:35:38.120 --> 0:35:39.040
<v Speaker 3>Oh you've never done there?

0:35:39.160 --> 0:35:39.960
<v Speaker 5>What's he gone on?

0:35:40.760 --> 0:35:45.919
<v Speaker 4>Well, my therapist is not like a man, Like what's

0:35:45.920 --> 0:35:46.719
<v Speaker 4>he wearing in the thing?

0:35:46.800 --> 0:35:48.240
<v Speaker 1>Is he like a construction worker?

0:35:48.360 --> 0:35:48.440
<v Speaker 3>Like?

0:35:48.480 --> 0:35:50.880
<v Speaker 1>What kind of helmet does he have on? Oh?

0:35:51.719 --> 0:35:53.320
<v Speaker 5>Sheriff's badge on or something?

0:35:53.840 --> 0:35:59.480
<v Speaker 3>The man therapist? Yeah, no, he just is wearing clothes

0:35:59.520 --> 0:36:01.959
<v Speaker 3>like you guys, So sort of he kind of looks

0:36:01.960 --> 0:36:02.879
<v Speaker 3>like you guys.

0:36:03.280 --> 0:36:05.319
<v Speaker 5>I'm worrying that this might be a slash baron CLL.

0:36:05.440 --> 0:36:11.719
<v Speaker 4>So that's why you're treating this the therapist conversation. That's

0:36:11.719 --> 0:36:18.680
<v Speaker 4>why you're treating this conversation instead of helping us crack

0:36:18.719 --> 0:36:22.440
<v Speaker 4>your book, get a book, deal with whatever.

0:36:22.719 --> 0:36:23.920
<v Speaker 1>Well, you know that your.

0:36:23.760 --> 0:36:28.320
<v Speaker 2>Book got like published, and you know that we're sitting

0:36:28.360 --> 0:36:32.680
<v Speaker 2>on fucking dynamite over here with our goddamn sandwich story,

0:36:33.520 --> 0:36:38.160
<v Speaker 2>and it feels like there's an opportunity here right for

0:36:38.200 --> 0:36:42.920
<v Speaker 2>a little bit of synergy. Yeah, And instead of sending

0:36:42.960 --> 0:36:49.680
<v Speaker 2>the ladder back down, you're somehow just like walling off

0:36:49.800 --> 0:36:52.120
<v Speaker 2>and even further creating barriers between us.

0:36:52.120 --> 0:36:55.839
<v Speaker 5>When the time that you walked in, there was already like.

0:36:55.760 --> 0:36:57.399
<v Speaker 3>A pretty because I was late.

0:36:59.640 --> 0:37:02.319
<v Speaker 2>Is that what I wasn't going to bring up you

0:37:02.480 --> 0:37:07.040
<v Speaker 2>being uh, but we can talk about it, and you

0:37:07.120 --> 0:37:08.880
<v Speaker 2>were ninety minutes late.

0:37:09.560 --> 0:37:11.720
<v Speaker 3>Well, it was an it was about five minutes.

0:37:11.719 --> 0:37:15.680
<v Speaker 1>But each time you grab each wrung of the ladder,

0:37:15.920 --> 0:37:16.600
<v Speaker 1>it's a wall.

0:37:17.080 --> 0:37:20.200
<v Speaker 5>Yeah, though you made every rung into a wall wall.

0:37:22.440 --> 0:37:24.920
<v Speaker 5>That's harsh picture.

0:37:24.680 --> 0:37:29.080
<v Speaker 3>That every time there was a ladder and I made

0:37:29.080 --> 0:37:33.080
<v Speaker 3>it into a wall, like you guys are like, and

0:37:33.080 --> 0:37:37.040
<v Speaker 3>then I'm just making a.

0:37:37.960 --> 0:37:40.440
<v Speaker 2>Just showing me the rung just long enough to make

0:37:40.520 --> 0:37:43.680
<v Speaker 2>me reach for it, and then it's a wam.

0:37:46.400 --> 0:37:49.440
<v Speaker 4>Sorry, your book is with Random House?

0:37:51.320 --> 0:37:52.960
<v Speaker 1>Yeah, Bill mars podcast?

0:37:53.840 --> 0:37:56.960
<v Speaker 3>What that's Bill Maher's podcast.

0:37:57.200 --> 0:38:00.680
<v Speaker 4>That's fucking Your book is with Bill Maher's podcast.

0:38:00.880 --> 0:38:04.719
<v Speaker 2>That is not where I would publish my book at

0:38:04.800 --> 0:38:06.200
<v Speaker 2>Bill Maher's podcast.

0:38:06.760 --> 0:38:07.840
<v Speaker 5>The Random House.

0:38:08.160 --> 0:38:12.799
<v Speaker 3>Oh sorry, it's a publishing it's like a long it's

0:38:12.840 --> 0:38:17.040
<v Speaker 3>like a long time publishing company. But I didn't know

0:38:17.360 --> 0:38:18.640
<v Speaker 3>yeah or Bill Maher ever.

0:38:18.880 --> 0:38:24.080
<v Speaker 1>He is one the Emmy really, and yet you went

0:38:24.200 --> 0:38:25.279
<v Speaker 1>and we're complicit of that.

0:38:26.880 --> 0:38:29.880
<v Speaker 3>Are you guys doing these things with the napkins to

0:38:29.920 --> 0:38:30.480
<v Speaker 3>fuck with me?

0:38:30.640 --> 0:38:32.279
<v Speaker 1>He has a sort of a shallow he.

0:38:32.320 --> 0:38:38.319
<v Speaker 5>Is doing something to fuck with me Random House? Okay, right?

0:38:38.600 --> 0:38:43.520
<v Speaker 3>Yeah? Is there another piece to the pizza sandwich story

0:38:43.600 --> 0:38:44.680
<v Speaker 3>or that sort of the whole thing?

0:38:45.360 --> 0:38:47.520
<v Speaker 2>Yeah, there's another piece. It's the piece is when it

0:38:47.560 --> 0:38:51.880
<v Speaker 2>becomes a fucking book and people actually.

0:38:52.280 --> 0:38:56.719
<v Speaker 4>Start reading again. We need to get men reading. And

0:38:56.840 --> 0:38:59.520
<v Speaker 4>the other piece is the piece of it on my

0:39:00.480 --> 0:39:06.000
<v Speaker 4>plate when the book comes out, and it's the only

0:39:06.080 --> 0:39:10.560
<v Speaker 4>way I can get Kevin's attention. At this point, I say, hey, Kevin,

0:39:11.880 --> 0:39:14.800
<v Speaker 4>I wrote this book has a really important message in

0:39:14.840 --> 0:39:15.520
<v Speaker 4>it for you.

0:39:15.640 --> 0:39:16.759
<v Speaker 5>This is what I have to do to get through

0:39:16.760 --> 0:39:21.000
<v Speaker 5>to you, Kevin. This is the only thing you is

0:39:21.040 --> 0:39:23.080
<v Speaker 5>this the only thing you listen to anymore?

0:39:23.760 --> 0:39:24.880
<v Speaker 1>Sorry? Is that whook?

0:39:26.360 --> 0:39:30.239
<v Speaker 9>So double check the hold with me first, Sean, I'm

0:39:30.280 --> 0:39:31.360
<v Speaker 9>double checking the hold with you.

0:39:31.560 --> 0:39:32.240
<v Speaker 1>Whole denied.

0:39:35.400 --> 0:39:39.080
<v Speaker 3>Okay, I'll just wait on. Oh Hi, it's Casey.

0:39:44.360 --> 0:39:46.600
<v Speaker 5>Casey texted you stay on the hold.

0:39:49.280 --> 0:39:56.600
<v Speaker 1>Casey, you're fumbling. You're fumbling this text override denied.

0:39:57.000 --> 0:40:04.680
<v Speaker 3>Sorry, the hold got denied. Please sorry, m.

0:40:07.320 --> 0:40:08.440
<v Speaker 9>She texted me please.

0:40:09.640 --> 0:40:11.600
<v Speaker 1>That was the only thing that she ended up texting

0:40:11.640 --> 0:40:13.440
<v Speaker 1>you from all that please.

0:40:13.560 --> 0:40:15.880
<v Speaker 9>Well I told her the whole guy denied. She's asking please.

0:40:15.880 --> 0:40:16.839
<v Speaker 9>I'm checking with you guys.

0:40:16.920 --> 0:40:19.839
<v Speaker 4>Oh okay, So we were hearing both sides of the conversation. Okay,

0:40:20.360 --> 0:40:23.600
<v Speaker 4>heart too, I see now very ellegible.

0:40:23.640 --> 0:40:26.000
<v Speaker 5>Well, there's hearts that Casey failed to mension.

0:40:26.960 --> 0:40:28.239
<v Speaker 3>Oh just kidding there.

0:40:28.280 --> 0:40:30.200
<v Speaker 5>I wonder how missus Casey feels about that.

0:40:31.320 --> 0:40:32.760
<v Speaker 3>I didn't know there was a missus Casey.

0:40:33.640 --> 0:40:37.000
<v Speaker 1>Yeah, and I think Missus Casey at the bat.

0:40:38.400 --> 0:40:43.920
<v Speaker 9>We just hold requests for a hold, so really.

0:40:43.800 --> 0:40:47.920
<v Speaker 3>A missus casey, so can we take it back? So

0:40:48.000 --> 0:40:49.160
<v Speaker 3>that's hearts isn't in there.

0:40:49.040 --> 0:40:51.960
<v Speaker 5>Though, Okay, let's pause, so just text.

0:40:51.719 --> 0:40:53.120
<v Speaker 3>Me to see if the pause is going to go

0:40:53.160 --> 0:40:59.319
<v Speaker 3>through so that he's not dotting we are a pause.

0:40:59.440 --> 0:41:01.640
<v Speaker 2>So the missus thing, we actually have the same question.

0:41:02.920 --> 0:41:05.960
<v Speaker 2>She's definitely been referenced at points, but none of us

0:41:06.000 --> 0:41:09.480
<v Speaker 2>have ever seen her, and the resume that she appears

0:41:09.520 --> 0:41:10.040
<v Speaker 2>to have is.

0:41:11.920 --> 0:41:14.880
<v Speaker 3>Doesn't feel likely like a wife resume.

0:41:16.520 --> 0:41:20.640
<v Speaker 4>He he goes through her resume, Yeah, it's always like

0:41:20.840 --> 0:41:26.719
<v Speaker 4>new stuff, Like she just has an incredible number of jobs.

0:41:27.000 --> 0:41:28.240
<v Speaker 3>That our wife is related.

0:41:28.440 --> 0:41:32.280
<v Speaker 2>Massive, Why do you keep saying like wife jobs, wife related.

0:41:33.360 --> 0:41:35.920
<v Speaker 2>Nothing that the person that he claims to be in

0:41:35.920 --> 0:41:39.640
<v Speaker 2>a relationship with has a laundry list of achievements that seem,

0:41:39.880 --> 0:41:42.799
<v Speaker 2>you know, impressive at first and then start to make

0:41:42.840 --> 0:41:46.440
<v Speaker 2>you doubt whether anyone has done this anything I see come.

0:41:46.280 --> 0:41:48.480
<v Speaker 4>In just like it's always nice, but he's like, my

0:41:48.520 --> 0:41:50.200
<v Speaker 4>wife is the most amazing.

0:41:49.800 --> 0:41:53.439
<v Speaker 3>Mail man, a mailman so many Oh she's a mailman.

0:41:53.760 --> 0:41:56.880
<v Speaker 5>Well one is the most amazing mailman.

0:41:57.239 --> 0:41:58.839
<v Speaker 3>But she's not trying to get a job. She must

0:41:58.880 --> 0:42:00.400
<v Speaker 3>be trying to get a job here if you bringing

0:42:00.400 --> 0:42:01.359
<v Speaker 3>you the resume.

0:42:02.320 --> 0:42:04.400
<v Speaker 1>So it's not a formal resume.

0:42:05.840 --> 0:42:10.239
<v Speaker 3>Males trying to get our job, missus casey's a job.

0:42:11.000 --> 0:42:13.080
<v Speaker 2>One time he came in and he was like, he said,

0:42:13.160 --> 0:42:16.920
<v Speaker 2>it's so sexy to be dating the first female F

0:42:16.960 --> 0:42:20.000
<v Speaker 2>one driver. The F and F one is for female

0:42:20.040 --> 0:42:22.680
<v Speaker 2>now it's female one and she is the first one.

0:42:22.719 --> 0:42:25.000
<v Speaker 2>And also she delivers the mail so fast.

0:42:25.440 --> 0:42:27.879
<v Speaker 5>Really, so I was like, how is she doing both

0:42:27.960 --> 0:42:28.640
<v Speaker 5>these things?

0:42:28.760 --> 0:42:29.040
<v Speaker 1>You know?

0:42:29.239 --> 0:42:31.680
<v Speaker 5>And those are just two things. It's every day it's

0:42:31.680 --> 0:42:32.279
<v Speaker 5>something new.

0:42:33.040 --> 0:42:35.720
<v Speaker 4>None of the old jobs fall out, so like every

0:42:35.840 --> 0:42:38.359
<v Speaker 4>day it's a new job, but it can combine with

0:42:38.400 --> 0:42:39.239
<v Speaker 4>all those other ones.

0:42:39.320 --> 0:42:41.080
<v Speaker 2>The fridge is on the fritz. It never happens at

0:42:41.080 --> 0:42:44.680
<v Speaker 2>my house. My wife's the best refrigerator repair person in town.

0:42:44.520 --> 0:42:47.400
<v Speaker 4>And she gets to all the repair jobs so quickly

0:42:47.440 --> 0:42:50.520
<v Speaker 4>in her F one car. And to throw the mail

0:42:50.560 --> 0:42:54.000
<v Speaker 4>in the mailbox, Uh my way. It's just And that

0:42:54.080 --> 0:42:54.800
<v Speaker 4>was three.

0:42:56.400 --> 0:42:58.000
<v Speaker 3>This is feeling a lot better than when we were

0:42:58.040 --> 0:42:58.680
<v Speaker 3>not paused.

0:43:00.480 --> 0:43:01.640
<v Speaker 5>Oh we gotta unpause it.

0:43:01.680 --> 0:43:03.360
<v Speaker 1>We got it. We're not gonna have enough for the show.

0:43:05.200 --> 0:43:06.120
<v Speaker 5>Are we still paused?

0:43:07.600 --> 0:43:09.960
<v Speaker 9>We're still paused because.

0:43:09.760 --> 0:43:11.960
<v Speaker 3>I can go right back into it when we unpause,

0:43:12.320 --> 0:43:13.680
<v Speaker 3>because I did approve the pause.

0:43:14.480 --> 0:43:16.720
<v Speaker 1>You really you really want to fight?

0:43:17.080 --> 0:43:20.120
<v Speaker 3>What do you mean? No, No, I actually love this vibe.

0:43:20.160 --> 0:43:22.359
<v Speaker 3>But it's your podcast. So if you're like, oh, the

0:43:22.360 --> 0:43:26.040
<v Speaker 3>fuck you woman, I'm like, yeah, fuck you. You know,

0:43:26.239 --> 0:43:28.480
<v Speaker 3>but if you want a vibe, I can vibe.

0:43:28.520 --> 0:43:33.000
<v Speaker 2>The main takeaway I've gotten from that whole word salad

0:43:33.120 --> 0:43:36.200
<v Speaker 2>you disputed it, it was that you do understand that

0:43:36.280 --> 0:43:38.960
<v Speaker 2>it is our podcast, which is the first time I

0:43:38.960 --> 0:43:40.120
<v Speaker 2>think that's been acknowledged.

0:43:40.200 --> 0:43:43.200
<v Speaker 4>Yeah, and we would never say what you just said.

0:43:43.320 --> 0:43:45.520
<v Speaker 4>I won't even say as a joke. We would never

0:43:45.600 --> 0:43:50.000
<v Speaker 4>say that. We literally my host a podcast engineered by

0:43:50.040 --> 0:43:52.440
<v Speaker 4>the man who is married to the world's first female

0:43:52.520 --> 0:43:53.120
<v Speaker 4>f wed driver.

0:43:53.280 --> 0:43:55.440
<v Speaker 5>Yeah, so if you want to talk about being progressive,

0:43:56.160 --> 0:44:01.640
<v Speaker 5>and she's also I believe, according to Casey single handedly

0:44:01.680 --> 0:44:03.680
<v Speaker 5>doing the full redesign on the White House.

0:44:05.880 --> 0:44:09.360
<v Speaker 3>I can hear someone laughing, and.

0:44:11.560 --> 0:44:15.040
<v Speaker 9>First time I was coughing. Sorry, we're still pause.

0:44:14.840 --> 0:44:19.960
<v Speaker 1>By the way, Yeah, cool, on pause. I'm gonna pause approve.

0:44:20.440 --> 0:44:21.520
<v Speaker 3>I'm just gonna text you.

0:44:21.880 --> 0:44:22.880
<v Speaker 1>I don't need you.

0:44:22.760 --> 0:44:27.080
<v Speaker 4>To approve, and it's gonna be redesigned, so the whole

0:44:27.120 --> 0:44:31.359
<v Speaker 4>thing is like the most incredible refrigerator, like the entire

0:44:31.400 --> 0:44:32.359
<v Speaker 4>White House, so that she.

0:44:32.280 --> 0:44:34.160
<v Speaker 5>Can always fix it, like if anything.

0:44:33.880 --> 0:44:36.080
<v Speaker 4>Goes wrong, she can fix anything. And it has a

0:44:36.160 --> 0:44:38.760
<v Speaker 4>racetrack between rooms.

0:44:39.000 --> 0:44:41.200
<v Speaker 5>And the whole thing is a mailbox.

0:44:42.400 --> 0:44:44.520
<v Speaker 8>And a fridge and all the male can go there.

0:44:44.680 --> 0:44:50.839
<v Speaker 8>Yeah for the White House. Yeah, we're the.

0:44:50.080 --> 0:44:55.760
<v Speaker 3>People that run the country. Yeah, they're going to be cold.

0:44:56.640 --> 0:44:57.520
<v Speaker 3>That's intentional.

0:44:58.080 --> 0:44:59.960
<v Speaker 5>I assume I love that.

0:45:00.400 --> 0:45:06.359
<v Speaker 1>What I love that? What just that little extra like.

0:45:07.920 --> 0:45:08.840
<v Speaker 3>They're going to be cold?

0:45:09.120 --> 0:45:12.000
<v Speaker 1>Like you do you do that in the book?

0:45:13.440 --> 0:45:15.480
<v Speaker 3>Does that happen in the book though, We're going to

0:45:15.520 --> 0:45:15.960
<v Speaker 3>be cold?

0:45:16.600 --> 0:45:16.839
<v Speaker 4>Well?

0:45:17.040 --> 0:45:17.799
<v Speaker 1>Yeah, I mean that.

0:45:19.320 --> 0:45:22.799
<v Speaker 2>There's context applied to it here, but that attitude. Does

0:45:22.840 --> 0:45:24.120
<v Speaker 2>that come through in the book at all?

0:45:24.120 --> 0:45:27.760
<v Speaker 1>Part? What do you do it? What's the beginning?

0:45:30.160 --> 0:45:34.120
<v Speaker 3>The beginning is basically like the doorbell rings and I

0:45:34.360 --> 0:45:37.080
<v Speaker 3>my dad is at the door, and I haven't spoken

0:45:37.120 --> 0:45:45.800
<v Speaker 3>to him in five years? Foreseen him, Holy would hamp