WEBVTT - S1 – INTERVIEW 6: Stacy Schiff

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<v Speaker 1>Our guest historian today is Stacy Schiff, author of a

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<v Speaker 1>number of historical works. Her book Vera was a Pulitzer

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<v Speaker 1>Prize winner, and she was a Pulitzer Prize finalist for

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<v Speaker 1>her book Santa Suberie, and of course, her book The

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<v Speaker 1>Witches was one of the works referenced as we researched

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<v Speaker 1>and wrote on Obscured Season one. Her list of awards

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<v Speaker 1>of publications is enough to make any historian jealous, So

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<v Speaker 1>I'll point you toward her full bio on the Unobscured

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<v Speaker 1>website if you want to learn more. I had a

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<v Speaker 1>chance to sit down with Stacy Shift this past summer

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<v Speaker 1>and we had a fantastic conversation. So without further delay,

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<v Speaker 1>let's get on with the show. This is the Unobscured

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<v Speaker 1>Interview series for season one. I'm Aaron Mankey, I'm Stacy Schiff.

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<v Speaker 1>I'm the author of The Witches, um in narrative history

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<v Speaker 1>of what Happened at Salem, to which I came because

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<v Speaker 1>I was surprised by how little most of us really

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<v Speaker 1>know about what happened in Um Salem, which trials seemed

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<v Speaker 1>like a shorthand, but none of us really understands to

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<v Speaker 1>what it is a shorthand. Um. I had written a

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<v Speaker 1>book about Cleopatra before this, and it was the same

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<v Speaker 1>kind of dynamic of just a name that a name brand,

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<v Speaker 1>something that everyone recognizes without really having any grasp of

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<v Speaker 1>the actual history. Well, when you talk about the misunderstanding,

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<v Speaker 1>I think the place to start here is almost the

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<v Speaker 1>most obvious question, what was a witch in Salem? And

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<v Speaker 1>you're right, that's the question over which we stumble because

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<v Speaker 1>our definition, the century definition of a witch, is not

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<v Speaker 1>the seventeenth century definition of a itch. So so which

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<v Speaker 1>at the time witchcraft is a Biblical construct and which

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<v Speaker 1>at the time has a concrete reality because she's mentioned

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<v Speaker 1>in he or she has mentioned in the Bible, and

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<v Speaker 1>which is understood to be any figure male or female,

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<v Speaker 1>but primarily female, who is in league with the devil,

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<v Speaker 1>and who works his or her magic by means of

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<v Speaker 1>little imps or a menagerie of little animals, who can

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<v Speaker 1>do his or her bidding. Um. And that was something

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<v Speaker 1>that was imported to the colonies from England. It was

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<v Speaker 1>an extremely rampant It was extremely common concept in in

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<v Speaker 1>the Old World and actually throughout the Old World. Although

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<v Speaker 1>by two the idea of witchcraft has pretty much fallen

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<v Speaker 1>out UM. In Europe. The colonies are in a little

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<v Speaker 1>bit of a TimewARP of their own, and they haven't

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<v Speaker 1>quite got the message that this this the switchcraft concept

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<v Speaker 1>is a little antiquated by now, UM, but you see

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<v Speaker 1>it throughout the colonial record there, which is really from

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<v Speaker 1>the very beginning of New England. And the only difference

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<v Speaker 1>with two is that UM is the prosecution is that

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<v Speaker 1>you get this um feverish set of accusing tions and

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<v Speaker 1>you get a relentless prosecution. In earlier cases, UM, there

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<v Speaker 1>had been tremendous leniency. Often someone who brought in a

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<v Speaker 1>charge of witchcraft was accused of lying and was sent

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<v Speaker 1>home with a whipping. Um. Things were not necessarily taken seriously.

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<v Speaker 1>In obviously the opposite happens. Going back to these differences

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<v Speaker 1>in our perception, there's how we imagine it to be

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<v Speaker 1>and there's the reality of it. How do some of

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<v Speaker 1>the common symbols of witchcraft that we have today, like

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<v Speaker 1>flying on a broomstick or black cats, connect with the

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<v Speaker 1>Sandwich trials or do they? One of the one of

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<v Speaker 1>the most interesting to meet pieces of this is how

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<v Speaker 1>the flight gets into UM. The entire panic, the entire

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<v Speaker 1>delusion in there had not been um, there had not

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<v Speaker 1>been flying witches in New England before six UM, and

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<v Speaker 1>it would see and they were not flying, which is

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<v Speaker 1>an English witchcraft either. So this is really an import

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<v Speaker 1>from the continent. And it would seem that we get

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<v Speaker 1>that idea from a narrative that cotton Mouth, one of

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<v Speaker 1>the most influential ministers at the time, includes in an

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<v Speaker 1>earlier text of his and he writes about a Swedish

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<v Speaker 1>witchcraft epidemic in which a little girl UM is on

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<v Speaker 1>her way to a satanic meeting to two young children

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<v Speaker 1>in fact set off this witchcraft crisis, and a little

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<v Speaker 1>girl falls off her broomstick. He writes about all these

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<v Speaker 1>wonderful details which we will then see transpost to Massachusetts.

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<v Speaker 1>But he writes about things that had never before happened

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<v Speaker 1>in New England. A satanic meeting UM in a meadow

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<v Speaker 1>at which people sign satanic pacts into which they fly

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<v Speaker 1>on sticks. UM. And that is really there were French

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<v Speaker 1>flight French flying, which is before suct. Ninety two, there

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<v Speaker 1>had never really been English flying witches. So that's pretty

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<v Speaker 1>pretty much seems to be where that aspect of it

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<v Speaker 1>comes from. Black Cats I spent a lot of time.

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<v Speaker 1>I live with a black cat, so I spent a

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<v Speaker 1>lot of time on black cats. And they seem to

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<v Speaker 1>have been the devil since antiquity. They've they've had a

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<v Speaker 1>bad wrap all along. And if you look at the

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<v Speaker 1>Salem testimony, the court testimony, you see a tremendous number

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<v Speaker 1>of cats. They're translucent cats, there are gleaming cats, they're

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<v Speaker 1>black cats, they're red cats. They're all over the place.

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<v Speaker 1>And it does it does seem to be it's a

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<v Speaker 1>seductive creature, it's a female, mean creature many many people's minds,

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<v Speaker 1>and a black cat will detach itself from the darkness

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<v Speaker 1>without any warning, and it's a cat is unpredictable. So

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<v Speaker 1>there's that sense that you can caress a cat and

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<v Speaker 1>be rewarded with scratches, and all of those things seem

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<v Speaker 1>to add up to something that people are very uncertain

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<v Speaker 1>about and often taken aback by. So there are many

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<v Speaker 1>number of theories as to how black cats get get

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<v Speaker 1>wrapped up in the witchcraft. But yes, that is a

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<v Speaker 1>constant from day one. We talk about uncertainties and and

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<v Speaker 1>the unpredictability of the world around the Puritans. Um tell

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<v Speaker 1>Us about how they viewed the natural world around them,

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<v Speaker 1>and you know, in relation to to how they viewed

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<v Speaker 1>God and their mission of this thriving Puritan culture. You know,

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<v Speaker 1>you have things like the weather or um, the economy

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<v Speaker 1>or politics in the world around them, and how do

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<v Speaker 1>they view all of those as in relation to their

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<v Speaker 1>their safety or their faith. Everything you just mentioned is

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<v Speaker 1>in flux and essentially in so you've just you've just

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<v Speaker 1>given a great overview. Um. They've just a very bloody

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<v Speaker 1>and very tragic war with the Native Americans, with the

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<v Speaker 1>Indians they would have called them, has just ended. And

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<v Speaker 1>pretty much everyone UM in New England at this point

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<v Speaker 1>has lost a friend or a relative in that conflict

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<v Speaker 1>and in new war where the Indians is about to start.

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<v Speaker 1>So there's a sense of being um under assault certainly

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<v Speaker 1>and under siege, which is very Ums, very much goes

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<v Speaker 1>to the heart of Puritanism. I mean, these people have

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<v Speaker 1>come to America because precisely because they feel persecuted. Um.

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<v Speaker 1>They are at the one the one hand, watchful people,

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<v Speaker 1>always watching for the second coming, of always watching over

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<v Speaker 1>each other. There's a great sense of community and they

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<v Speaker 1>are in a hostile world. I mean, it's not for

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<v Speaker 1>nothing that they refer constantly to the howling wilderness, and

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<v Speaker 1>that howling wilderness is, when you begin to look at it, UM,

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<v Speaker 1>a pretty frightening place. We have wolves, very wolves barking

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<v Speaker 1>in the wolves howling in the distance. UM at all times.

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<v Speaker 1>We have obviously the Indians vanishing into the bushes at

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<v Speaker 1>all times with a lot of UM, with a lot

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<v Speaker 1>of subsequent trauma for the colonists. We have an economy

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<v Speaker 1>that's in tatters at this point, and I think not

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<v Speaker 1>um unimportantly and actually fun to mentally, there's a political

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<v Speaker 1>hiccup at this moment. You're in two the colonies between

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<v Speaker 1>governors UM. No one knows they've overthrown the royal governor

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<v Speaker 1>UM in a really sort of preview for the American

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<v Speaker 1>Revolution and a military coup a few years earlier, and

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<v Speaker 1>they don't know if they're about to be punished for this,

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<v Speaker 1>and they don't know what kind of government they can

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<v Speaker 1>expect and what kind of governor they can expect. And

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<v Speaker 1>it's in that little interregnum that the witchcraft breaks out.

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<v Speaker 1>So there is this sense of being on the precipice,

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<v Speaker 1>watching for signs. And this is a religion which gives

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<v Speaker 1>itself very much to watching, making meaning of any little incident,

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<v Speaker 1>which of course means that when you see something you

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<v Speaker 1>can't explain. Witchcraft is a very good explanation, um. Watching

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<v Speaker 1>for this new what this new government will constitute watching

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<v Speaker 1>each other, which of course also ends in accusations of

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<v Speaker 1>various kinds, um, and trying to make sense of this

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<v Speaker 1>very very hostile, difficult world. You talk about the wilderness,

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<v Speaker 1>and I think what I appreciate about what you brought

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<v Speaker 1>to your approach to the Sandwich trials is that it's

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<v Speaker 1>easy for a lot of people to stay in Salem

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<v Speaker 1>in the sale, you know, the town, in the village,

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<v Speaker 1>and leave the focus there. But but what you're bringing

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<v Speaker 1>up is that there's this there's an outer conflict going on,

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<v Speaker 1>especially to the north in the frontier of Maine on

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<v Speaker 1>the edges of what people feel like is they're safe space,

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<v Speaker 1>and that conflict is quite literally coming back into Salem village.

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<v Speaker 1>I mean some of these refugees right exactly, and you

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<v Speaker 1>have you have both that conflict beginning to approach because um,

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<v Speaker 1>because the border with the Indians is getting closer and closer,

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<v Speaker 1>and you have this influx of refugees and there are

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<v Speaker 1>any number of the accusing girls whom we know have

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<v Speaker 1>come from families and what is today southern Maine, um

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<v Speaker 1>who had known Indian attack or who had lost parents

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<v Speaker 1>in Indian attack. I should also just have mentioned, by

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<v Speaker 1>the way, the darkness, and this was something that struck

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<v Speaker 1>me over and over when reading the court testimony, the

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<v Speaker 1>prior court testimonies. These people were lived in a pitch

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<v Speaker 1>black world. And when objects move and and make sounds

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<v Speaker 1>in the dark, you know, we you know what that's like.

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<v Speaker 1>And this is a world in which really you can't

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<v Speaker 1>see the shapes, and shapes very often resolve themselves into

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<v Speaker 1>something else altogether. Um. In that sense of really being

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<v Speaker 1>on edge and having the inexplicable you know right before you,

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<v Speaker 1>and not knowing what danger you should anticipate is very raw.

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<v Speaker 1>And you see a lot of it throughout, even things

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<v Speaker 1>which don't concern witchcraft. You see a great deal of that.

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<v Speaker 1>People sneaking into basements, people not being able to make

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<v Speaker 1>sense of a creaking beam, people wondering, you know, how

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<v Speaker 1>how the roof has suddenly flown off the meetinghouse. Yeah, well,

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<v Speaker 1>I just keep thinking back to what you said about

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<v Speaker 1>black hats and how they do bleed into the blackness

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<v Speaker 1>of the night or a dark room and just step

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<v Speaker 1>out whenever they want, and it's kind of systematic or

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<v Speaker 1>symbolic of everything happening around them. My favorites were always

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<v Speaker 1>the court testimony. This is prior to the witchcraft years,

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<v Speaker 1>of women who would report that they'd come home at

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<v Speaker 1>night and they've crawled into bed to find another man,

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<v Speaker 1>not their husband's sleeping there, right, I mean, just anything

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<v Speaker 1>could happen because you couldn't see in the dark, right.

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<v Speaker 1>And also and the length of the winter was unpredictable,

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<v Speaker 1>so there was the additional question of do we have

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<v Speaker 1>enough firewood, do we have enough food? Are we going

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<v Speaker 1>to make it through the winter? This is a you know,

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<v Speaker 1>this is a very barren climate in many ways. Um,

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<v Speaker 1>some winters in the winter before sixteen ninety two was

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<v Speaker 1>particularly severe. Some winters were very very horrible. Um, how

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<v Speaker 1>are you going to make it through? Do you have

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<v Speaker 1>the firewood? It's going to take? Well? You know, you

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<v Speaker 1>talk about the darkness and the unknown and the propensities

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<v Speaker 1>who look for excuses or to play supernatural blame on things.

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<v Speaker 1>Colinists seemed to see the devil everywhere around them. What

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<v Speaker 1>was their view of the devil. Who was the devil

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<v Speaker 1>to them? In two? The devil is I spent a

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<v Speaker 1>lot of time on this. The devil is a very um.

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<v Speaker 1>There's a very abstract and inconsistent sense of the devil.

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<v Speaker 1>At this point, there's an enormous amount of devil talk,

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<v Speaker 1>both from the both from the pulpit and among the people.

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<v Speaker 1>There are lots of just in day to day discourse,

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<v Speaker 1>there are lots of mentions of the devil, and go

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<v Speaker 1>to the devil, and you know you are a devil,

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<v Speaker 1>and your wife's, especially your wife's a devil. Um. No

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<v Speaker 1>one really seems all that certain who the devil is.

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<v Speaker 1>He has, however, a very palpable presence, and the sense

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<v Speaker 1>that evil is lurking obviously is very close to the

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<v Speaker 1>to the mind of many of these many of the

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<v Speaker 1>villagers who are at the heart of a story. Ultimately,

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<v Speaker 1>when the witchcraft testimony, when there will be a lot

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<v Speaker 1>of witchcraft testimony, you begin to see that people have

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<v Speaker 1>a very different vision of who he is. He's sometimes

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<v Speaker 1>a tall man, he's sometimes a short man. He has

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<v Speaker 1>a club and foot, or he doesn't have a club

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<v Speaker 1>and foot. It's there's a very vague sense of who

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<v Speaker 1>this sinister creature is, but he's very palpably there. Absolutely

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<v Speaker 1>years before Salem, we have the episode with the Godwin children.

0:11:33.440 --> 0:11:37.400
<v Speaker 1>Can you tell us about how the event with the

0:11:37.440 --> 0:11:41.680
<v Speaker 1>Godwin children UM shaped the response like that initial response

0:11:41.720 --> 0:11:44.400
<v Speaker 1>when when Betty and Abigail begin to have these similar

0:11:44.400 --> 0:11:46.760
<v Speaker 1>fits in the home of a minister, it would have

0:11:46.800 --> 0:11:51.160
<v Speaker 1>been almost impossible for Samuel Paris, the father and uncle

0:11:51.200 --> 0:11:54.679
<v Speaker 1>of those two girls, not to have known intimately of

0:11:54.760 --> 0:11:57.760
<v Speaker 1>the Godwin case. Um. First of all, the Godwin case

0:11:57.840 --> 0:11:59.880
<v Speaker 1>is included in an earlier book of Cotton Mathers, so

0:12:00.080 --> 0:12:01.440
<v Speaker 1>many people would have read of it, and I mean

0:12:01.440 --> 0:12:03.640
<v Speaker 1>it was this was sensationalist reading. We would all have

0:12:03.880 --> 0:12:06.360
<v Speaker 1>you known of this in a way, um. And he

0:12:06.440 --> 0:12:08.680
<v Speaker 1>was friends with one of the he Paris was friends

0:12:09.240 --> 0:12:11.240
<v Speaker 1>with one of the ministers who had observed the girls

0:12:11.240 --> 0:12:14.040
<v Speaker 1>in their distress, with those children in their distress, and

0:12:14.080 --> 0:12:16.720
<v Speaker 1>it was his congregation which was involved in Boston, So

0:12:16.760 --> 0:12:19.040
<v Speaker 1>it would have been a story that he was on

0:12:19.160 --> 0:12:23.439
<v Speaker 1>quite close terms with the symptoms in the Paris household

0:12:23.440 --> 0:12:26.959
<v Speaker 1>and in the Godwin whole household are very similar. Um.

0:12:27.000 --> 0:12:31.359
<v Speaker 1>He's very Paris is very slow to mention the word witchcraft,

0:12:31.920 --> 0:12:33.280
<v Speaker 1>but the word must have been at the tip of

0:12:33.280 --> 0:12:35.839
<v Speaker 1>his tongue because they're such a correlation between the two.

0:12:36.160 --> 0:12:38.480
<v Speaker 1>So in the Godwin case, UM, you have a couple

0:12:38.520 --> 0:12:42.080
<v Speaker 1>of afflicted children who begin to um, to writhe and

0:12:42.160 --> 0:12:45.520
<v Speaker 1>to roar and to gallop around on imaginary steeds, and

0:12:45.720 --> 0:12:48.280
<v Speaker 1>who can't seem to pray and conscrub a clean table

0:12:48.320 --> 0:12:50.160
<v Speaker 1>but not a dirty table, and won't do their chores,

0:12:50.280 --> 0:12:53.320
<v Speaker 1>very similar set of symptoms. Conn mother will step in

0:12:53.840 --> 0:12:55.960
<v Speaker 1>and try to make a sort of clinical study of

0:12:55.960 --> 0:12:58.720
<v Speaker 1>what is happening with those children. UM. And in the

0:12:58.760 --> 0:13:01.800
<v Speaker 1>course of that, a washer woman and a laundry woman

0:13:01.840 --> 0:13:04.040
<v Speaker 1>in Boston is accused of having bit witched the girls,

0:13:04.080 --> 0:13:06.920
<v Speaker 1>and she actually will hang on Boston Common. And that's

0:13:06.920 --> 0:13:11.280
<v Speaker 1>the most recent UM prosecution for witchcraft before and one,

0:13:11.720 --> 0:13:13.640
<v Speaker 1>both in terms of the symptoms and in terms of

0:13:13.679 --> 0:13:16.680
<v Speaker 1>the fallout that would have been on many people's minds.

0:13:17.440 --> 0:13:19.600
<v Speaker 1>You mentioned the symptoms. One of the things that I've

0:13:19.640 --> 0:13:24.160
<v Speaker 1>noticed through my work. On my other podcast lore UM

0:13:24.760 --> 0:13:27.880
<v Speaker 1>some continental you know you you talked about the broomsticks

0:13:27.880 --> 0:13:30.600
<v Speaker 1>and the flying witches and how there were differences between

0:13:30.840 --> 0:13:33.160
<v Speaker 1>Europe and England and then and then the New World

0:13:33.200 --> 0:13:38.760
<v Speaker 1>we here, Um, the symptoms seem to be interpreted differently,

0:13:39.120 --> 0:13:41.480
<v Speaker 1>whether it's on the continent or in England or the

0:13:41.480 --> 0:13:42.880
<v Speaker 1>New World. You know. So we have the events of

0:13:42.960 --> 0:13:45.679
<v Speaker 1>lu Dunne in France, where a lot of nuns at

0:13:45.679 --> 0:13:47.240
<v Speaker 1>a convent went through a lot of the same symptoms

0:13:47.280 --> 0:13:50.280
<v Speaker 1>of convulsions and seizures, but that was viewed as possession.

0:13:50.559 --> 0:13:54.040
<v Speaker 1>And it seems that here in Salem, same symptoms but

0:13:54.200 --> 0:13:57.800
<v Speaker 1>viewed as they are being afflicted by a witch who's

0:13:57.840 --> 0:14:00.960
<v Speaker 1>outside somewhere. And why are the differences like that? Is

0:14:00.960 --> 0:14:04.000
<v Speaker 1>that an Anglican versus Catholic difference or is it something deeper?

0:14:04.600 --> 0:14:07.680
<v Speaker 1>It's not. And it's something that even in six people

0:14:07.720 --> 0:14:10.520
<v Speaker 1>had trouble passing one from the other. There's a little

0:14:10.520 --> 0:14:13.160
<v Speaker 1>confusion as to where witchcraft ends in possession begins. And

0:14:13.160 --> 0:14:14.880
<v Speaker 1>you see it even in the work of Cotton Mother,

0:14:14.920 --> 0:14:18.559
<v Speaker 1>where initially he says it's either witchcraft or possession. Um.

0:14:18.720 --> 0:14:20.520
<v Speaker 1>The bottom line, and TI meant to put it baldly,

0:14:20.640 --> 0:14:23.640
<v Speaker 1>is that in possession you are not complicit um. I mean,

0:14:23.840 --> 0:14:25.720
<v Speaker 1>are you are complicit in the witchcraft? You are not

0:14:25.800 --> 0:14:28.760
<v Speaker 1>complicit in what's happening, so a case of possession would

0:14:28.800 --> 0:14:32.760
<v Speaker 1>have been preferable. Um in many ways, Um, you see

0:14:33.240 --> 0:14:36.400
<v Speaker 1>increased mother cotton, mother's father also a minister grappling with this,

0:14:36.560 --> 0:14:40.280
<v Speaker 1>trying to basically differentiate the two. They sometimes they in

0:14:40.320 --> 0:14:43.040
<v Speaker 1>a way bleed into each other. The differences that with

0:14:43.080 --> 0:14:45.840
<v Speaker 1>possession you don't have a guilty party, and in witchcraft

0:14:45.880 --> 0:14:48.320
<v Speaker 1>you have you can point an accusing finger at the

0:14:48.360 --> 0:14:51.160
<v Speaker 1>person who is causing this distress. The similarity with with

0:14:51.240 --> 0:14:54.960
<v Speaker 1>Ludon is interesting because um, again you have a case

0:14:55.000 --> 0:14:59.120
<v Speaker 1>of women living together in a very cloistered, very sheltered environment,

0:14:59.680 --> 0:15:02.480
<v Speaker 1>very visually monotonous. I mean, there are a lot of

0:15:02.480 --> 0:15:05.840
<v Speaker 1>similarities with a winter, a very white winter in the

0:15:05.840 --> 0:15:10.120
<v Speaker 1>cold in Salem, absolutely or Samuel Willard's experienced twenty years

0:15:10.160 --> 0:15:14.160
<v Speaker 1>before Salem with exactly exactly who goes on to marry

0:15:14.160 --> 0:15:17.320
<v Speaker 1>a man named Samuel Scripture, which I have always pleasure

0:15:17.320 --> 0:15:19.680
<v Speaker 1>in that she's she's actually a fascinating character because she's

0:15:19.680 --> 0:15:23.640
<v Speaker 1>clearly so enjoying this attention, and I've loved reading about

0:15:23.640 --> 0:15:26.320
<v Speaker 1>her because there were so many hints anyway of what

0:15:26.480 --> 0:15:28.080
<v Speaker 1>must have been it must have felt like for the

0:15:28.080 --> 0:15:30.440
<v Speaker 1>Salem girls in the sense that you could dismiss the

0:15:30.440 --> 0:15:32.400
<v Speaker 1>women around your bedside but ask for the handsome men

0:15:32.480 --> 0:15:34.600
<v Speaker 1>to stay to observe you in your distress. So yeah,

0:15:34.600 --> 0:15:38.400
<v Speaker 1>there were many advantages to some of these afflictions. Let's

0:15:38.400 --> 0:15:41.360
<v Speaker 1>shift gears from witchcraft and perceptions of the world and

0:15:41.440 --> 0:15:45.560
<v Speaker 1>talk about the trial for a bit. Um in your estimation,

0:15:46.240 --> 0:15:49.320
<v Speaker 1>who were the people who are really propelling the trial forward?

0:15:49.760 --> 0:15:53.880
<v Speaker 1>What were the cultural forces who were pressing them into

0:15:53.920 --> 0:15:56.520
<v Speaker 1>this sequence of events. You can't have this kind of

0:15:56.520 --> 0:15:59.880
<v Speaker 1>a prosecution without an inherent belief in the existence of witchcraft.

0:16:00.080 --> 0:16:03.200
<v Speaker 1>So for starters, you have a religious base here, which

0:16:03.560 --> 0:16:08.200
<v Speaker 1>obviously encourages this kind of an examination, if not prosecution. UM.

0:16:08.240 --> 0:16:10.680
<v Speaker 1>Everyone has his reasons. In this case, you have local reasons,

0:16:10.680 --> 0:16:12.600
<v Speaker 1>and then you have larger cultural reasons, and you have

0:16:12.680 --> 0:16:16.240
<v Speaker 1>political and religious reasons. Locally, you have a minister, and

0:16:16.280 --> 0:16:19.080
<v Speaker 1>this would be Samuel Paris, who was it on with

0:16:19.120 --> 0:16:23.400
<v Speaker 1>his community. UM was divisive by nature, was bitter by nature.

0:16:23.960 --> 0:16:27.520
<v Speaker 1>UM had had every reason to fall out with certain families.

0:16:27.880 --> 0:16:30.920
<v Speaker 1>And in this case it's probably not. It's probably happy

0:16:30.960 --> 0:16:35.600
<v Speaker 1>to encourage something that is going to UM somewhat purge

0:16:35.640 --> 0:16:39.240
<v Speaker 1>the community of auto off some elements. UM. In a

0:16:39.360 --> 0:16:42.360
<v Speaker 1>larger way, however, which you really have is a set

0:16:42.360 --> 0:16:45.800
<v Speaker 1>of ministers and a set of civic authorities, UM, whoever

0:16:46.000 --> 0:16:50.280
<v Speaker 1>different reasons, are really working in lockstep, working hand in glove. UM.

0:16:50.320 --> 0:16:52.760
<v Speaker 1>Each of those groups has a tremendous amount to gain

0:16:53.400 --> 0:16:57.080
<v Speaker 1>at this very sort of precarious political moment from a

0:16:57.080 --> 0:17:00.080
<v Speaker 1>witchcraft prosecution. And you can see that most clearly, I

0:17:00.120 --> 0:17:03.040
<v Speaker 1>think with Cotton Mother, Um, the young Minister of the

0:17:03.040 --> 0:17:05.600
<v Speaker 1>young sort of great hope of the New England Ministry,

0:17:05.720 --> 0:17:08.679
<v Speaker 1>and William Stowton, who's the Chief Justice and the Lieutenant Governor,

0:17:08.960 --> 0:17:12.040
<v Speaker 1>who really is the driving force behind the trials and

0:17:12.160 --> 0:17:15.080
<v Speaker 1>was probably the single person who had the power to

0:17:15.119 --> 0:17:17.040
<v Speaker 1>slow them down, if not stop them, and choose and

0:17:17.119 --> 0:17:19.199
<v Speaker 1>chooses not to. And in fact when the court, when

0:17:19.200 --> 0:17:21.680
<v Speaker 1>the Witchcraft Court will be shut down in the fall

0:17:21.720 --> 0:17:25.040
<v Speaker 1>of two, he will throw a very public temper tantrum

0:17:25.080 --> 0:17:26.600
<v Speaker 1>because he feels that he was, as he puts it,

0:17:26.600 --> 0:17:28.720
<v Speaker 1>on his way to ridding New England of these creatures

0:17:28.760 --> 0:17:33.200
<v Speaker 1>and he's been stopped. Stoton Sorry, So Stone is really

0:17:33.200 --> 0:17:37.080
<v Speaker 1>the figure. Insofar as one is tempted to lay blame

0:17:37.119 --> 0:17:40.080
<v Speaker 1>at someone's feet, I would have alas Finger William Stowton,

0:17:40.240 --> 0:17:43.159
<v Speaker 1>who he's very little. Uh. There's very little paper record

0:17:43.280 --> 0:17:45.520
<v Speaker 1>for Stone, and it's it's shocking how little there is.

0:17:45.560 --> 0:17:48.040
<v Speaker 1>It's also interesting that after the trials, when he clearly

0:17:48.080 --> 0:17:50.920
<v Speaker 1>is the driving force and the most devout and most

0:17:50.960 --> 0:17:53.520
<v Speaker 1>pious of he really feels he's on a crusade against

0:17:53.520 --> 0:17:57.000
<v Speaker 1>this witchcraft. Um. He will remain in political power. That

0:17:57.080 --> 0:17:59.280
<v Speaker 1>will never be a sense of questioning him, that will

0:17:59.320 --> 0:18:02.680
<v Speaker 1>never be a sin of sidelining him. He'll remain in power. UM.

0:18:02.800 --> 0:18:05.639
<v Speaker 1>But you see it most clearly because these um, both

0:18:05.640 --> 0:18:08.640
<v Speaker 1>of these forces, the church and the civic authorities, are

0:18:08.640 --> 0:18:11.320
<v Speaker 1>trying together to prop up a new government. They have

0:18:11.359 --> 0:18:15.160
<v Speaker 1>William Phipps, the new governor who's arrived. They have um

0:18:15.400 --> 0:18:18.160
<v Speaker 1>not endeared themselves to the mother country, and they're trying

0:18:18.200 --> 0:18:20.080
<v Speaker 1>to prove their own a law and order campaign. They're

0:18:20.080 --> 0:18:24.280
<v Speaker 1>trying to prove um that they can adjudicate their own affairs,

0:18:24.600 --> 0:18:26.760
<v Speaker 1>that they can um, they don't need any help from

0:18:26.760 --> 0:18:29.160
<v Speaker 1>the old country. There is not utter chaos and disorder

0:18:29.160 --> 0:18:32.200
<v Speaker 1>in the colony as has been reported. And in Stone's case,

0:18:32.240 --> 0:18:35.159
<v Speaker 1>he's really trying to rehabilitate himself. He's a He's a

0:18:35.200 --> 0:18:37.480
<v Speaker 1>the ultimate political survivor. He's been a member of many

0:18:37.480 --> 0:18:40.760
<v Speaker 1>different governments. He had helped out the previous very prominently,

0:18:40.760 --> 0:18:43.800
<v Speaker 1>had ousted the royal governor. Um, and this is a

0:18:43.840 --> 0:18:46.720
<v Speaker 1>case where he can really prove his metal. Um Cotton

0:18:46.760 --> 0:18:50.639
<v Speaker 1>Mother will go to him just as the objections to

0:18:50.680 --> 0:18:53.160
<v Speaker 1>the trials begin to surface in the fall and say,

0:18:53.240 --> 0:18:55.440
<v Speaker 1>why don't I write something to flatten the fury, as

0:18:55.480 --> 0:18:58.920
<v Speaker 1>he puts it? And Um, when that book is published,

0:18:58.920 --> 0:19:01.920
<v Speaker 1>which we know as Wonders of Invisible World, it will

0:19:01.960 --> 0:19:04.760
<v Speaker 1>come out as if as if Stone had actually asked

0:19:05.200 --> 0:19:07.080
<v Speaker 1>Um Mather to write it. So you begin to see

0:19:07.080 --> 0:19:08.920
<v Speaker 1>a little bit of the of the of the game

0:19:08.960 --> 0:19:11.639
<v Speaker 1>these two are playing together in the most damning statement.

0:19:11.640 --> 0:19:14.720
<v Speaker 1>I guess, Um, and answer to your question, after the trials,

0:19:15.359 --> 0:19:18.240
<v Speaker 1>Um Cotton Mother will write, not not for publication, that

0:19:18.800 --> 0:19:23.040
<v Speaker 1>he felt afterward that Um, these events had really helped God.

0:19:23.080 --> 0:19:26.000
<v Speaker 1>They Christ had got more disciples, God had was more

0:19:26.000 --> 0:19:28.560
<v Speaker 1>closely embraced, This had awakened the sluggish that had filled

0:19:28.600 --> 0:19:31.120
<v Speaker 1>the pews, and the devil had got precisely nothing out

0:19:31.119 --> 0:19:33.119
<v Speaker 1>of the deal. It doesn't mention, of course, the innocent

0:19:33.160 --> 0:19:36.000
<v Speaker 1>lives that were lost in the process. Absolutely the cost

0:19:36.040 --> 0:19:38.960
<v Speaker 1>of all of that. Um. And a lot of that

0:19:39.040 --> 0:19:43.560
<v Speaker 1>began in the meeting house in Salem Village. Um, sort

0:19:43.560 --> 0:19:47.120
<v Speaker 1>of that pre trial examination that happened before we moved

0:19:47.119 --> 0:19:49.560
<v Speaker 1>to oil and terminer in Salem Town. But what do

0:19:49.600 --> 0:19:52.560
<v Speaker 1>you think the atmosphere was like in that meeting house especially?

0:19:52.600 --> 0:19:55.159
<v Speaker 1>You know that first and talking to Richard Trask, he

0:19:55.240 --> 0:19:58.120
<v Speaker 1>said that first day there there gonna be fifty people

0:19:58.119 --> 0:20:02.720
<v Speaker 1>living in Salem and they were standing out the packed house,

0:20:02.720 --> 0:20:04.800
<v Speaker 1>standing outside the windows in the cold, watching And what

0:20:04.800 --> 0:20:06.520
<v Speaker 1>do you think that was like? If there were five

0:20:07.200 --> 0:20:09.199
<v Speaker 1>people in Salem? And I think Richard's exactly right. They

0:20:09.200 --> 0:20:12.320
<v Speaker 1>were probably more than five packed into that space, which

0:20:12.320 --> 0:20:15.159
<v Speaker 1>I think is by thirty eight or some I mean,

0:20:15.200 --> 0:20:18.840
<v Speaker 1>it's tiny, it's a tiny little space. Um. And we

0:20:18.880 --> 0:20:22.800
<v Speaker 1>know from there too, extremely good accounts of those early examinations,

0:20:22.840 --> 0:20:24.480
<v Speaker 1>one from a man whose wife had come to try

0:20:24.520 --> 0:20:26.720
<v Speaker 1>to defend herself and the second from a from a

0:20:26.760 --> 0:20:29.560
<v Speaker 1>former minister who had come back. Um, we know it

0:20:29.600 --> 0:20:33.159
<v Speaker 1>was pandemonium. We know it was utter chaos. Um. Everyone

0:20:33.240 --> 0:20:36.280
<v Speaker 1>is packed cheek by jowa. People are sitting in the pulpit,

0:20:36.359 --> 0:20:38.959
<v Speaker 1>people are gathered together in the gallery of the places

0:20:39.160 --> 0:20:42.560
<v Speaker 1>is really overflowing, and everyone is very is packed in

0:20:43.160 --> 0:20:46.399
<v Speaker 1>very tightly against people whom they suddenly are wondering, Um,

0:20:46.640 --> 0:20:48.600
<v Speaker 1>whom they're wondering about, whom they're thinking maybe the guy

0:20:48.600 --> 0:20:51.280
<v Speaker 1>next to me is also guilty of the switchcraft. And

0:20:51.320 --> 0:20:54.960
<v Speaker 1>meanwhile you have these convulsive, screaming girls who are crashing

0:20:55.000 --> 0:20:58.439
<v Speaker 1>to the ground, and you know, assuming these acrobatic postures,

0:20:58.920 --> 0:21:00.840
<v Speaker 1>UM and who are stopping the trial. It's a very

0:21:00.880 --> 0:21:04.840
<v Speaker 1>stop and go process. Not trials stopping the examination. It's

0:21:04.840 --> 0:21:08.040
<v Speaker 1>a very it's a very slow and and you know,

0:21:08.119 --> 0:21:10.280
<v Speaker 1>plotting process, because you have to wait until the girl

0:21:10.359 --> 0:21:13.440
<v Speaker 1>has just fallen lifelessen to the trance revives herself before

0:21:13.480 --> 0:21:16.320
<v Speaker 1>you can continue. UM. And the girls, according to one

0:21:16.320 --> 0:21:19.160
<v Speaker 1>of these accounts, are allowed to prowl around the room,

0:21:19.400 --> 0:21:22.960
<v Speaker 1>so they're sort of canvassing the room, occasionally chatting with people,

0:21:23.359 --> 0:21:26.680
<v Speaker 1>occasionally breaking out in new convulsions, occasionally screaming that they've

0:21:26.720 --> 0:21:29.840
<v Speaker 1>just been bitten or pinched again. UM. You get a

0:21:29.840 --> 0:21:32.119
<v Speaker 1>sense that the court reporters couldn't hear a lot of

0:21:32.160 --> 0:21:35.639
<v Speaker 1>the time UM center and are having trouble keeping writing

0:21:35.640 --> 0:21:37.719
<v Speaker 1>things down because either they can't hear or events are

0:21:37.720 --> 0:21:40.840
<v Speaker 1>proceeding so quickly, and often will then resort to simply

0:21:40.920 --> 0:21:43.520
<v Speaker 1>summarizing what was heard, as opposed to trying to write

0:21:43.560 --> 0:21:45.560
<v Speaker 1>the actual words down. So I think that the short

0:21:45.600 --> 0:21:48.639
<v Speaker 1>answer is it's dark. There's a sense of smudge, darkness.

0:21:48.680 --> 0:21:51.440
<v Speaker 1>It's very dark in that meeting house. It's very um,

0:21:51.480 --> 0:21:55.359
<v Speaker 1>it's it's very very sort of crackling lye UM fright

0:21:55.480 --> 0:21:59.520
<v Speaker 1>frightful of the can I stopped them all of a sentence? Um,

0:21:59.560 --> 0:22:01.920
<v Speaker 1>it's crowd thing with fear. The former minister who comes

0:22:01.960 --> 0:22:03.560
<v Speaker 1>back talks about how the hair you can see the

0:22:03.560 --> 0:22:05.520
<v Speaker 1>hair is rising on the backs of next with people

0:22:05.520 --> 0:22:07.240
<v Speaker 1>who are just you know, they're in the presence of

0:22:07.280 --> 0:22:11.359
<v Speaker 1>the supernatural. It's terrifying. It's a charged place, completely ready,

0:22:11.480 --> 0:22:15.679
<v Speaker 1>completely Obviously. The examinations UM involved bringing people in for

0:22:15.680 --> 0:22:19.560
<v Speaker 1>the first time, especially that first day Sarah Good, Sarah Osbourne, Tituba,

0:22:20.280 --> 0:22:24.120
<v Speaker 1>and as we go along, the accused begin to make confessions.

0:22:24.840 --> 0:22:28.720
<v Speaker 1>Why were these confessions so important to the witch trials?

0:22:29.280 --> 0:22:32.480
<v Speaker 1>The confessions are hugely helpful because the confessions, as confessions

0:22:32.480 --> 0:22:37.000
<v Speaker 1>will UM tend to coincide, so they coalesce around UM.

0:22:37.160 --> 0:22:41.520
<v Speaker 1>A very similar and familiar story. It's not. UM. It's

0:22:41.600 --> 0:22:44.280
<v Speaker 1>very clear that when people are put into prison having

0:22:44.520 --> 0:22:47.960
<v Speaker 1>denied all charges of witchcraft, and then come out UM,

0:22:48.000 --> 0:22:50.440
<v Speaker 1>they tell a more and more grandiose story. And you

0:22:50.480 --> 0:22:53.119
<v Speaker 1>can see this happening with people who are examined several times.

0:22:53.160 --> 0:22:55.160
<v Speaker 1>The at first perhaps they had been in the service

0:22:55.200 --> 0:22:56.760
<v Speaker 1>of the devil for a year, and then when they

0:22:56.920 --> 0:22:58.520
<v Speaker 1>the second time they were deposed, they've been in the

0:22:58.520 --> 0:23:00.360
<v Speaker 1>service of the devil for six years, and so has

0:23:00.359 --> 0:23:02.160
<v Speaker 1>their sister in law. And then the third time they've

0:23:02.160 --> 0:23:04.320
<v Speaker 1>also been to a Satanic meeting where the bread was read,

0:23:04.640 --> 0:23:06.359
<v Speaker 1>and by the fourth time the bread is even redder.

0:23:06.600 --> 0:23:10.679
<v Speaker 1>So there's this snowballing sense of detail and of involvement

0:23:10.720 --> 0:23:13.919
<v Speaker 1>with people. UM. The answer to your question really is

0:23:13.920 --> 0:23:16.200
<v Speaker 1>when you when you get toward and over the sale

0:23:16.200 --> 0:23:19.320
<v Speaker 1>and witchcraft of ultimately will will migrate to and over,

0:23:19.800 --> 0:23:22.240
<v Speaker 1>and by that time all the imagery has really changed.

0:23:22.280 --> 0:23:25.080
<v Speaker 1>It's less about the enchanted hey and the Satanic cat,

0:23:25.760 --> 0:23:29.480
<v Speaker 1>and it's more about this um, this diabolical meeting to

0:23:29.520 --> 0:23:32.120
<v Speaker 1>which people have flown from all over New England, and

0:23:32.200 --> 0:23:35.520
<v Speaker 1>there most of the testimony is utterly on point. It's

0:23:35.520 --> 0:23:38.480
<v Speaker 1>extremely as if everyone compared notes while in prison, everyone has,

0:23:38.840 --> 0:23:41.600
<v Speaker 1>everyone talks about precisely the same sound to call the

0:23:41.600 --> 0:23:43.680
<v Speaker 1>people to the field. They talk about the same person

0:23:43.760 --> 0:23:47.880
<v Speaker 1>presiding over this, this this dark sabbath um. They mentioned,

0:23:48.240 --> 0:23:50.400
<v Speaker 1>you know, exactly the same guest list of who was there.

0:23:50.760 --> 0:23:54.320
<v Speaker 1>Every detail corroborates each detail. And that's obviously because they're

0:23:54.320 --> 0:23:57.400
<v Speaker 1>being told either by their friends in prison or their

0:23:57.440 --> 0:24:00.280
<v Speaker 1>family who think they're guilty, or the ministers in hard

0:24:00.520 --> 0:24:03.639
<v Speaker 1>what to say. Why weren't their doubts about spectral evidence.

0:24:03.680 --> 0:24:06.200
<v Speaker 1>It seems looking back that that should be easy to dismiss.

0:24:07.359 --> 0:24:09.480
<v Speaker 1>I think the easy answer is. I think that the

0:24:09.480 --> 0:24:13.000
<v Speaker 1>simplest answer is this cotton Mother says god Mother is

0:24:13.200 --> 0:24:16.800
<v Speaker 1>is called on several times to a pine about the

0:24:16.880 --> 0:24:21.439
<v Speaker 1>legitimacy of including spectral evidence in the courtroom, and he

0:24:21.480 --> 0:24:23.920
<v Speaker 1>always is a little bit ambivalent, and he's always sort

0:24:23.960 --> 0:24:25.359
<v Speaker 1>of speaking out of both sides of his mouth. But

0:24:25.400 --> 0:24:28.240
<v Speaker 1>the bottom line is this special evidence should really not

0:24:28.280 --> 0:24:31.600
<v Speaker 1>be taken at face value. However, when there are physical

0:24:31.640 --> 0:24:35.760
<v Speaker 1>manifestations of evil or physical manifestations of harm, then you

0:24:35.840 --> 0:24:38.520
<v Speaker 1>must believe the evidence. So what you have are these

0:24:38.520 --> 0:24:42.000
<v Speaker 1>girls who are claiming or whoever is claiming that they

0:24:42.040 --> 0:24:47.600
<v Speaker 1>have been bitten, pierced, pricked, whatever, burnt um, and who

0:24:47.680 --> 0:24:49.720
<v Speaker 1>have the wounds to show it. So in the courtroom

0:24:49.760 --> 0:24:51.720
<v Speaker 1>you have a girl who's suddenly bleeding from the mouth,

0:24:52.119 --> 0:24:53.639
<v Speaker 1>or a girl who can show the mouth mark, the

0:24:54.280 --> 0:24:56.920
<v Speaker 1>the bite marks up and down her arms. That's really

0:24:56.960 --> 0:25:01.600
<v Speaker 1>hard to deny. And moreover, you have um, really ear

0:25:01.680 --> 0:25:04.800
<v Speaker 1>piercing screeches. You see these girls assuming postures that I

0:25:04.800 --> 0:25:07.840
<v Speaker 1>think most of us would be would find terrifying. So

0:25:07.920 --> 0:25:11.240
<v Speaker 1>in the presence of those convulsing girls, I think it

0:25:11.320 --> 0:25:15.080
<v Speaker 1>was very hard to say witchcraft wasn't being practiced and

0:25:15.359 --> 0:25:17.600
<v Speaker 1>to fail to subscribe to the evidence you felt. I mean,

0:25:17.640 --> 0:25:20.440
<v Speaker 1>it's very much an Emperor's new close situation. Everyone else

0:25:20.520 --> 0:25:23.520
<v Speaker 1>is saying, oh, I see the moth flying around the room,

0:25:23.520 --> 0:25:26.000
<v Speaker 1>which is clearly as the specter of one of the accused,

0:25:26.200 --> 0:25:27.399
<v Speaker 1>and you think, I don't really see it, But I

0:25:27.400 --> 0:25:29.439
<v Speaker 1>guess everyone, I guess I must. Maybe that piece of

0:25:29.480 --> 0:25:31.119
<v Speaker 1>lint in the air, maybe that's the moth. I mean,

0:25:31.160 --> 0:25:33.359
<v Speaker 1>I think it's very hard to be the dissenting voice

0:25:33.400 --> 0:25:37.679
<v Speaker 1>and say I don't see what everyone else claims to see, um,

0:25:37.720 --> 0:25:41.080
<v Speaker 1>and what's actually interesting is that when the first three UM,

0:25:41.160 --> 0:25:44.000
<v Speaker 1>when the first three women are brought in UM, there

0:25:44.040 --> 0:25:47.280
<v Speaker 1>isn't a hint of spectral evidence until Tittiba starts telling

0:25:47.760 --> 0:25:52.359
<v Speaker 1>her elaborate and kaleidoscopic tail. Well, when Tittipa starts to talk,

0:25:53.040 --> 0:25:55.960
<v Speaker 1>she brings in brand new elements, a lot of it.

0:25:56.280 --> 0:25:58.040
<v Speaker 1>I think hearkens back to what we talked about earlier

0:25:58.080 --> 0:26:03.119
<v Speaker 1>with the animals. You know, there's a strong UM subtext

0:26:03.160 --> 0:26:06.760
<v Speaker 1>of birds and creatures, and you know the dark Man

0:26:06.800 --> 0:26:08.320
<v Speaker 1>falls into that because at some point I think he's

0:26:08.320 --> 0:26:11.600
<v Speaker 1>described as as more like a hairy beast who walks

0:26:11.600 --> 0:26:15.719
<v Speaker 1>on two legs UM as one of his many descriptions. UM.

0:26:16.200 --> 0:26:20.160
<v Speaker 1>Why why do you think for her in particular, UM,

0:26:20.240 --> 0:26:24.040
<v Speaker 1>the animalistic qualities were so important. You know, we know

0:26:24.200 --> 0:26:26.199
<v Speaker 1>so little about titte but that it's very hard to

0:26:26.200 --> 0:26:28.480
<v Speaker 1>say where that comes from. It has been hinted at.

0:26:28.800 --> 0:26:31.080
<v Speaker 1>It's possible that she was fed some lines. Remember that

0:26:31.119 --> 0:26:33.040
<v Speaker 1>she's the only person of those three, the only woman

0:26:33.040 --> 0:26:36.840
<v Speaker 1>of those three who's a slave, UM, which and we

0:26:37.040 --> 0:26:39.840
<v Speaker 1>probably lived in fear of what she had to of

0:26:40.160 --> 0:26:42.920
<v Speaker 1>reporting back to Samuel Parris, in whose household she lives.

0:26:43.000 --> 0:26:45.760
<v Speaker 1>She's clearly been with the family for years. She clearly

0:26:45.800 --> 0:26:48.720
<v Speaker 1>loves the children. She lives in close quarters. She probably

0:26:48.720 --> 0:26:51.720
<v Speaker 1>slept in the same beds as they. Um, she may

0:26:51.720 --> 0:26:54.479
<v Speaker 1>have been told a tale. She may also have been

0:26:54.520 --> 0:26:56.320
<v Speaker 1>a tale teller. I mean, there may have been a

0:26:56.320 --> 0:26:58.080
<v Speaker 1>great you know, she might have been sitting around the

0:26:58.160 --> 0:27:00.640
<v Speaker 1>kitchen showing peas and telling great story reas. We really,

0:27:00.800 --> 0:27:04.040
<v Speaker 1>we really have no idea where that comes from. Um,

0:27:04.119 --> 0:27:06.240
<v Speaker 1>we do know that she was that someone goes to

0:27:06.320 --> 0:27:09.560
<v Speaker 1>see her in prison before she is interrogated. So it's

0:27:09.920 --> 0:27:12.119
<v Speaker 1>very possible that she was, you know, that there was

0:27:12.160 --> 0:27:14.399
<v Speaker 1>some discussion of what she was going to say it

0:27:14.440 --> 0:27:16.720
<v Speaker 1>indeed it indeed is she who mentions the she's got

0:27:16.760 --> 0:27:19.120
<v Speaker 1>yellow birds, she's got red cats, she's got a black hog.

0:27:19.160 --> 0:27:21.680
<v Speaker 1>It's very colorful stuff. And yes, the furry creature with

0:27:21.840 --> 0:27:24.680
<v Speaker 1>the wings and the long nose who sits by the fireplace,

0:27:24.680 --> 0:27:26.800
<v Speaker 1>I mean it's and and as soon as she says this,

0:27:27.720 --> 0:27:30.920
<v Speaker 1>things take off at a gallop. I mean the very day, um,

0:27:30.960 --> 0:27:34.320
<v Speaker 1>that she testifies, men begin to see two laborers on

0:27:34.359 --> 0:27:37.280
<v Speaker 1>their way home see this unearthly creature by the side

0:27:37.320 --> 0:27:40.480
<v Speaker 1>of the road and the moonlight who suddenly transmogrifies into

0:27:40.560 --> 0:27:43.639
<v Speaker 1>three women, and the next day two men will have

0:27:43.720 --> 0:27:47.240
<v Speaker 1>visits from spectral balls of you know, fire in their beds.

0:27:47.280 --> 0:27:50.600
<v Speaker 1>Who turned clearly were some of the defendants. So immediately

0:27:50.640 --> 0:27:54.960
<v Speaker 1>there's this sense that everyone, um, the spectral world begins

0:27:55.000 --> 0:27:59.800
<v Speaker 1>to manifest for everyone. You mentioned the jails earlier, this

0:28:00.040 --> 0:28:03.200
<v Speaker 1>idea that going into the jail, a lot of them

0:28:03.240 --> 0:28:05.719
<v Speaker 1>their descriptions would magnify when they came out. What were

0:28:05.760 --> 0:28:07.520
<v Speaker 1>the conditions in the jail? What do you think that

0:28:07.560 --> 0:28:10.480
<v Speaker 1>was a motivation for them? The conditions in the jail

0:28:10.480 --> 0:28:13.320
<v Speaker 1>were really deplorable. Um. New England jails had not been

0:28:13.359 --> 0:28:16.960
<v Speaker 1>built for long term stays. Um. This was a culture

0:28:16.960 --> 0:28:20.800
<v Speaker 1>that essentially dealt with malefactors quickly and effectively. No one

0:28:20.880 --> 0:28:22.600
<v Speaker 1>was really meant to live in a jail the way

0:28:22.680 --> 0:28:25.440
<v Speaker 1>these people ended up staying in these jails. Um, Nor

0:28:25.480 --> 0:28:27.520
<v Speaker 1>were the jails built for this. Many people think there

0:28:27.520 --> 0:28:29.600
<v Speaker 1>were sixty people in jail by May and a hundred

0:28:29.640 --> 0:28:32.800
<v Speaker 1>and twenty or so by the fall. Um. The Salem

0:28:32.840 --> 0:28:35.959
<v Speaker 1>jail is described as a suburb of Hell, and from

0:28:36.000 --> 0:28:38.440
<v Speaker 1>the Boston jail was described as a grave for the living.

0:28:38.480 --> 0:28:40.160
<v Speaker 1>So I think there you have it between the two

0:28:40.200 --> 0:28:44.640
<v Speaker 1>of their tiny spaces, um unventilated. An earlier prisoner had

0:28:44.680 --> 0:28:47.479
<v Speaker 1>talked about the fact that he couldn't breathe for the

0:28:47.520 --> 0:28:51.000
<v Speaker 1>pestiferous stink, as he puts it, um, the air is

0:28:51.080 --> 0:28:55.280
<v Speaker 1>fitted their armies of life. And to add insult to injury, UM.

0:28:55.320 --> 0:28:57.840
<v Speaker 1>In colonial New England, you paid for your keep in jail.

0:28:57.960 --> 0:29:00.640
<v Speaker 1>So you paid for your straw, you paid for your food,

0:29:00.680 --> 0:29:02.760
<v Speaker 1>and you paid for your shackles. And in fact we

0:29:02.800 --> 0:29:06.120
<v Speaker 1>have jail keepers accountings. One of the surviving documents is

0:29:06.120 --> 0:29:09.000
<v Speaker 1>the jail keeper's accounting of how much people were in

0:29:09.040 --> 0:29:11.360
<v Speaker 1>debt to him for the shackles to which they are,

0:29:11.400 --> 0:29:13.360
<v Speaker 1>which by which they are attached to the walls. And

0:29:13.400 --> 0:29:14.920
<v Speaker 1>the shackles were important for a which because of it,

0:29:15.000 --> 0:29:16.840
<v Speaker 1>which had no use of her arms, she couldn't work

0:29:16.840 --> 0:29:18.920
<v Speaker 1>her she couldn't work her magic, she couldn't work her

0:29:18.960 --> 0:29:21.960
<v Speaker 1>her powers were limited. So UM. It seems that these

0:29:21.960 --> 0:29:25.880
<v Speaker 1>people were shackled fairly effectively, and Richard Traska suggested that

0:29:25.920 --> 0:29:27.800
<v Speaker 1>they were. That they were shackled in a way that

0:29:28.040 --> 0:29:30.560
<v Speaker 1>where the shackles couldn't be removed except by a blacksmith,

0:29:31.120 --> 0:29:34.719
<v Speaker 1>So these were not removable irons. One of the things

0:29:34.760 --> 0:29:36.360
<v Speaker 1>that I've noticed is that a lot of the witches

0:29:36.440 --> 0:29:40.840
<v Speaker 1>who confess in these trials are allowed to live. Why

0:29:40.920 --> 0:29:45.960
<v Speaker 1>is that when you confess, you generally confessed UM in

0:29:46.000 --> 0:29:48.760
<v Speaker 1>a way where you accused others, so you're very useful

0:29:48.760 --> 0:29:52.640
<v Speaker 1>to the prosecution. Also, the point of confession was that

0:29:52.680 --> 0:29:56.320
<v Speaker 1>you could then somehow UM pushed the narrative forward in

0:29:56.360 --> 0:29:59.840
<v Speaker 1>some way, so you're re entering UM. You're you're serving

0:29:59.840 --> 0:30:02.680
<v Speaker 1>the business of the court beautifully if you do that. UM.

0:30:02.680 --> 0:30:05.520
<v Speaker 1>It is unclear what was going to happen to the confessors, however,

0:30:05.560 --> 0:30:08.080
<v Speaker 1>it's not but they many of them thought they were

0:30:08.120 --> 0:30:11.040
<v Speaker 1>going to ultimately going ultimately to be executed. But they

0:30:11.040 --> 0:30:13.320
<v Speaker 1>were certainly being used by the prosecution for what they

0:30:13.320 --> 0:30:15.960
<v Speaker 1>could then relate. UM. There's a certain point here in

0:30:15.960 --> 0:30:19.920
<v Speaker 1>the summer, not been fairly early on, where it's very

0:30:19.960 --> 0:30:22.400
<v Speaker 1>clear that it was smarter to accuse than to let

0:30:22.400 --> 0:30:26.040
<v Speaker 1>yourself be accused. And there's a rash of confession and

0:30:26.080 --> 0:30:28.800
<v Speaker 1>an accusation at this point, which almost seems as if

0:30:28.800 --> 0:30:30.560
<v Speaker 1>people were trying to just get ahead of the game.

0:30:31.040 --> 0:30:34.000
<v Speaker 1>And the interesting the upsetting part I think there is

0:30:34.040 --> 0:30:36.200
<v Speaker 1>often that some of those people are pointing fingers at

0:30:36.200 --> 0:30:39.160
<v Speaker 1>their own family members and often in laws or daughters

0:30:39.160 --> 0:30:43.160
<v Speaker 1>in law. Things like that tell me about Georgie Burrows.

0:30:43.480 --> 0:30:48.000
<v Speaker 1>He seems to have such a powerful narrative arc. Burrows

0:30:48.080 --> 0:30:49.600
<v Speaker 1>is someone for whom you know when you live you

0:30:49.640 --> 0:30:51.920
<v Speaker 1>live in Hope, the documentation will surface one day. Burrows

0:30:52.000 --> 0:30:53.760
<v Speaker 1>is sort of the Great White Hope in that respect.

0:30:53.760 --> 0:30:57.160
<v Speaker 1>Burrows is the ex minister Um who leaves the community

0:30:57.600 --> 0:31:01.320
<v Speaker 1>on bad terms and is as much a hero in

0:31:01.360 --> 0:31:03.640
<v Speaker 1>his commune in his new community in today's southern Maine

0:31:03.640 --> 0:31:06.240
<v Speaker 1>as he had been a persona on grata in Salem.

0:31:06.280 --> 0:31:09.520
<v Speaker 1>He was clearly a very um, stubborn and difficult man,

0:31:09.560 --> 0:31:12.920
<v Speaker 1>and possibly an abusive husband with when he was in Salem.

0:31:13.040 --> 0:31:15.720
<v Speaker 1>Um stories of how he had mistreated his wives will

0:31:15.760 --> 0:31:17.720
<v Speaker 1>trail him even when he when he moves to Maine.

0:31:18.200 --> 0:31:20.760
<v Speaker 1>And he's a person who to whom Um, one of

0:31:20.760 --> 0:31:25.480
<v Speaker 1>the earliest Um girls will make mention as the ring

0:31:25.560 --> 0:31:28.560
<v Speaker 1>master here, as the ringleader of the entire um, of

0:31:28.640 --> 0:31:31.200
<v Speaker 1>the of the of all the witchcraft Um. He fits

0:31:31.200 --> 0:31:33.000
<v Speaker 1>the role in the sense that he's a He's clearly

0:31:33.000 --> 0:31:35.640
<v Speaker 1>a figure of some authority. He's clearly a very learned man,

0:31:35.720 --> 0:31:38.200
<v Speaker 1>and he's powerful, so he is the he's called a

0:31:38.240 --> 0:31:40.320
<v Speaker 1>wizard at the time, which is with two z's, which

0:31:40.320 --> 0:31:42.840
<v Speaker 1>I always find very charming. UM. But it's interesting that

0:31:42.880 --> 0:31:46.360
<v Speaker 1>in this epidemic, which is so much being um propagated

0:31:46.360 --> 0:31:49.320
<v Speaker 1>by women, a man acquires the you know, takes the

0:31:49.360 --> 0:31:53.640
<v Speaker 1>central role all the same. UM. And it's Burrows who um,

0:31:53.720 --> 0:31:56.040
<v Speaker 1>who's the one suspect for whom we really in a

0:31:56.040 --> 0:31:58.680
<v Speaker 1>way can't account many. In many of these cases we

0:31:58.720 --> 0:32:01.320
<v Speaker 1>can see why people were accute. We can find long

0:32:01.400 --> 0:32:04.280
<v Speaker 1>term family feuds. Many of the women who were accused

0:32:04.760 --> 0:32:07.280
<v Speaker 1>UM had been accused years earlier, so the charges just

0:32:07.400 --> 0:32:11.840
<v Speaker 1>resurface slightly um cooked slightly cooked a little bit better. UM.

0:32:11.880 --> 0:32:16.600
<v Speaker 1>With Burrows, there's this terrific um vexed history with the community.

0:32:16.680 --> 0:32:19.640
<v Speaker 1>There seems to be a certain amount of getting back

0:32:19.680 --> 0:32:21.400
<v Speaker 1>at him by women who may have been friends with

0:32:21.440 --> 0:32:24.160
<v Speaker 1>his ex wife, with his dead wives. In the case

0:32:24.160 --> 0:32:26.640
<v Speaker 1>of Burrows, people mentioned ghosts of the dead wives, which

0:32:26.800 --> 0:32:28.800
<v Speaker 1>no one really talks about ghosts, and no one really

0:32:28.840 --> 0:32:32.200
<v Speaker 1>differentiates specters from ghosts, so it's a little bit hard

0:32:32.240 --> 0:32:34.600
<v Speaker 1>to figure out how the two are related. UM. But

0:32:34.640 --> 0:32:39.120
<v Speaker 1>he's clearly someone whom everyone lives in fear, including the authorities.

0:32:39.600 --> 0:32:42.760
<v Speaker 1>Even when Cotton Mather will write up his choice cases

0:32:42.760 --> 0:32:46.360
<v Speaker 1>of witchcraft later, he will refer to the other suspects

0:32:46.400 --> 0:32:48.720
<v Speaker 1>by name, but he will refer to Burrows with only

0:32:48.720 --> 0:32:50.520
<v Speaker 1>with the initial be. It's as if he can't even

0:32:50.600 --> 0:32:53.400
<v Speaker 1>name his use the full name. So there's clearly something.

0:32:53.400 --> 0:32:55.720
<v Speaker 1>He's also a Harvard man. I mean, there's just he's

0:32:55.720 --> 0:32:59.680
<v Speaker 1>one of them. So it's an interesting case of um,

0:32:59.800 --> 0:33:02.480
<v Speaker 1>the ministers having to prosecute one of their own, clearly

0:33:02.480 --> 0:33:05.320
<v Speaker 1>odd man out, but someone with a very similar background

0:33:05.400 --> 0:33:09.840
<v Speaker 1>is theirs. Yet. Emerson Baker in our interview talked about

0:33:09.840 --> 0:33:14.280
<v Speaker 1>how all of the magistrates involved in the trial were.

0:33:15.520 --> 0:33:17.680
<v Speaker 1>They were men who thought that they would probably go

0:33:17.720 --> 0:33:19.680
<v Speaker 1>into ministry at some point, you know that they were.

0:33:19.720 --> 0:33:23.160
<v Speaker 1>They were all very deeply devout and and I think,

0:33:23.200 --> 0:33:24.920
<v Speaker 1>in his words he said, probably wrestled for the rest

0:33:24.920 --> 0:33:28.000
<v Speaker 1>of their lives with with um questions of doubt as

0:33:28.000 --> 0:33:30.040
<v Speaker 1>to why they didn't go into ministry. Here they were,

0:33:30.320 --> 0:33:33.640
<v Speaker 1>you know, forced to be wealthy businessmen and military leaders

0:33:33.640 --> 0:33:36.040
<v Speaker 1>of the community. Um, do you think that there was

0:33:36.240 --> 0:33:38.800
<v Speaker 1>something there where they viewed Burrows? I mean, he was

0:33:39.000 --> 0:33:41.200
<v Speaker 1>from what I can tell top of his class in Harvard,

0:33:41.280 --> 0:33:42.920
<v Speaker 1>or or at the near the top, and he was

0:33:42.920 --> 0:33:46.840
<v Speaker 1>a smart man UM. And do you think maybe these

0:33:47.600 --> 0:33:51.440
<v Speaker 1>ministerial wannabes in the magistrates viewed him with a little

0:33:51.440 --> 0:33:54.840
<v Speaker 1>bit of jealousy. It's conjectural, but I think it's something

0:33:54.880 --> 0:33:57.600
<v Speaker 1>a little bit different. I think with Burrows. Burrows goes

0:33:57.640 --> 0:34:02.040
<v Speaker 1>to Maine UM and protects his parishioners in a very

0:34:02.080 --> 0:34:06.120
<v Speaker 1>small community against a hideous and very savage Indian assault.

0:34:06.720 --> 0:34:09.920
<v Speaker 1>And he's forced to do that because the Massachusetts authorities

0:34:09.960 --> 0:34:15.560
<v Speaker 1>have essentially cut off UM there. They stopped protecting those

0:34:15.600 --> 0:34:17.279
<v Speaker 1>communities because they don't have the funds to do it,

0:34:17.280 --> 0:34:19.600
<v Speaker 1>and they're trying to cut back. And I feel as

0:34:19.600 --> 0:34:21.680
<v Speaker 1>if they might have been a piece of residual guilt

0:34:21.719 --> 0:34:26.960
<v Speaker 1>there for having left those communities unprotected. Um. Burrows would

0:34:26.960 --> 0:34:28.920
<v Speaker 1>have had every reason, would have had every reason to

0:34:29.040 --> 0:34:33.040
<v Speaker 1>chastise them for UM kind of cutting off those settlers

0:34:33.080 --> 0:34:35.560
<v Speaker 1>who are really at the very forefront of the really

0:34:35.600 --> 0:34:37.600
<v Speaker 1>at the edge of the frontier there and are getting

0:34:37.640 --> 0:34:40.400
<v Speaker 1>no protection. And he'll write. The one document we have

0:34:40.480 --> 0:34:43.200
<v Speaker 1>of his, which is really extraordinary, is an account of

0:34:43.239 --> 0:34:45.919
<v Speaker 1>an Indian raid on the community where he's um, where

0:34:45.960 --> 0:34:51.080
<v Speaker 1>he's protecting his parishioners inside a barricade, and you know,

0:34:51.120 --> 0:34:53.319
<v Speaker 1>he writes of it in biblical terms. It's an astonishing

0:34:53.360 --> 0:34:56.000
<v Speaker 1>document in which he proves to be a very courageous

0:34:56.040 --> 0:34:58.920
<v Speaker 1>and ingenious man. And the other interesting thing about Burrows

0:34:58.960 --> 0:35:03.200
<v Speaker 1>is that he's really he's very strong, and he's very canny,

0:35:03.320 --> 0:35:06.200
<v Speaker 1>and a lot of the testimony against him will be

0:35:07.000 --> 0:35:11.600
<v Speaker 1>testimony to about his somehow magical strength. How did he

0:35:11.680 --> 0:35:14.520
<v Speaker 1>lift that barrel? How did he fire that very long musket?

0:35:14.800 --> 0:35:17.120
<v Speaker 1>How is it possible that he heard that conversation from

0:35:17.120 --> 0:35:19.040
<v Speaker 1>that distance? How did he get to be two places

0:35:19.080 --> 0:35:21.560
<v Speaker 1>at once? So, in other words, the kind of things

0:35:22.480 --> 0:35:24.920
<v Speaker 1>that you might have admired in someone who was with

0:35:24.960 --> 0:35:27.640
<v Speaker 1>whom you were on good terms, um, which are suddenly

0:35:27.640 --> 0:35:31.520
<v Speaker 1>suspect when you've fallen out with that person. There's a

0:35:31.560 --> 0:35:35.759
<v Speaker 1>point in which Burrows and Martha Carrier are referred to

0:35:35.840 --> 0:35:38.799
<v Speaker 1>as the King and Queen of Hell. What was the

0:35:38.840 --> 0:35:43.480
<v Speaker 1>significance of that label for them? That's an expression of

0:35:43.480 --> 0:35:45.440
<v Speaker 1>Cotton Mathers. I think he kind of makes that up,

0:35:45.480 --> 0:35:46.800
<v Speaker 1>To be honest with you, I don't think there's a

0:35:46.880 --> 0:35:50.120
<v Speaker 1>king and Queen of Hell. Um, I don't know. I

0:35:50.520 --> 0:35:53.200
<v Speaker 1>think that was just, you know, Mother trying to make

0:35:53.200 --> 0:35:55.759
<v Speaker 1>the whole thing a little bit more dramatic. It's not

0:35:55.840 --> 0:35:58.879
<v Speaker 1>in the typical cosmology. I haven't foreseen that anywhere else,

0:35:58.920 --> 0:36:00.680
<v Speaker 1>and no one else really pick upon it. I think

0:36:00.719 --> 0:36:02.320
<v Speaker 1>it's just mad. They're trying to make a good story.

0:36:02.360 --> 0:36:04.880
<v Speaker 1>He's a really good writer. He really goes to um

0:36:05.080 --> 0:36:09.160
<v Speaker 1>great lengths to paint Martha Carrier in the most wretched terms.

0:36:09.200 --> 0:36:11.800
<v Speaker 1>And you know hen mother would have been at the trials,

0:36:12.600 --> 0:36:17.399
<v Speaker 1>and he bases his portraits there loosely on the testimony.

0:36:17.760 --> 0:36:19.480
<v Speaker 1>If you look at it, you see he's taken some

0:36:19.520 --> 0:36:22.240
<v Speaker 1>liberties with the testimony. He's left out a great number

0:36:22.280 --> 0:36:25.560
<v Speaker 1>of things. He's left out things that were to people's credit. Um,

0:36:25.760 --> 0:36:29.640
<v Speaker 1>he's injected things that didn't that weren't actually in the testimony,

0:36:29.800 --> 0:36:32.600
<v Speaker 1>and my senses that would for whatever reason, Martha Carrier

0:36:32.680 --> 0:36:34.680
<v Speaker 1>rubbed him the wrong way, and that's why she gets

0:36:34.719 --> 0:36:37.960
<v Speaker 1>promoted to Queen of Hell. Burrows is able to recite

0:36:37.960 --> 0:36:42.080
<v Speaker 1>the full Lord's Prayer. And this was significant, right, very significant.

0:36:42.080 --> 0:36:44.400
<v Speaker 1>I was understood that which could not recite the Lord's

0:36:44.400 --> 0:36:48.880
<v Speaker 1>prayer Um Burrows on the gallows is apparently a tremendously

0:36:49.760 --> 0:36:53.400
<v Speaker 1>moving and and troubling site, because he is, in fact

0:36:53.480 --> 0:36:56.520
<v Speaker 1>a man of great presence, and he clearly knows how

0:36:56.600 --> 0:36:58.959
<v Speaker 1>to speak, and he delivered he's delivered sermons that many

0:36:58.960 --> 0:37:01.120
<v Speaker 1>of these people have heard. And here he is, in

0:37:01.200 --> 0:37:04.920
<v Speaker 1>that same it sounds deep voice, um reciting the Lord's prayer.

0:37:05.000 --> 0:37:08.719
<v Speaker 1>So here he is um doing something that which was understood,

0:37:08.920 --> 0:37:11.319
<v Speaker 1>which would be proof in fact that you were not

0:37:11.400 --> 0:37:14.040
<v Speaker 1>a witch. And the crowd apparently at that moment, has

0:37:14.040 --> 0:37:16.359
<v Speaker 1>a moment of doubt and begins to surge toward him

0:37:16.400 --> 0:37:20.000
<v Speaker 1>as if to um somehow bring the proceeding to an end,

0:37:20.040 --> 0:37:22.279
<v Speaker 1>bringing the hanging to an end, and they're pushed back

0:37:22.320 --> 0:37:25.439
<v Speaker 1>by the authorities, which does indicate that it's the upper

0:37:25.480 --> 0:37:28.800
<v Speaker 1>echelon really that has that's holding the the animus for

0:37:28.800 --> 0:37:31.879
<v Speaker 1>for Burroughs in some way. Um, that's one of those

0:37:31.880 --> 0:37:34.640
<v Speaker 1>moments where you begin to see hesitation building and then

0:37:34.640 --> 0:37:36.839
<v Speaker 1>it's tamped down again and where it will remain until

0:37:36.880 --> 0:37:41.000
<v Speaker 1>the fall, isn't it? At Burrow's execution that Mather Mather's

0:37:41.080 --> 0:37:43.880
<v Speaker 1>present cotton mother and and turns and speaks to the

0:37:43.920 --> 0:37:47.080
<v Speaker 1>crowd and kind of explains how this is a good thing. Right,

0:37:47.280 --> 0:37:49.400
<v Speaker 1>we think it's Cotton Mother. It's a little bit unclear.

0:37:49.480 --> 0:37:51.840
<v Speaker 1>Pretty sure it's Cotton Mother, And yes he explains that

0:37:51.880 --> 0:37:54.600
<v Speaker 1>there on again that there this is God's work. Um,

0:37:54.719 --> 0:37:59.280
<v Speaker 1>con Mother's got a tremendously good argument, not at that moment,

0:37:59.320 --> 0:38:03.759
<v Speaker 1>but just general really for why UM one should let

0:38:03.800 --> 0:38:05.719
<v Speaker 1>this run its course and I one should subscribe to it,

0:38:05.719 --> 0:38:08.160
<v Speaker 1>which is that, Um, it's further proof that New Englanders

0:38:08.160 --> 0:38:11.040
<v Speaker 1>are the chosen people. God would not have let um

0:38:11.080 --> 0:38:13.160
<v Speaker 1>the devil. The devil would show up where he's hated

0:38:13.160 --> 0:38:15.759
<v Speaker 1>the most. So this is proof that not only that

0:38:15.840 --> 0:38:18.480
<v Speaker 1>the Second Coming is at hand, but that UM, New

0:38:18.520 --> 0:38:20.839
<v Speaker 1>England is special and it has this special mission and

0:38:20.840 --> 0:38:23.800
<v Speaker 1>that is why it's repelling these invaders. Moving to after

0:38:23.880 --> 0:38:27.719
<v Speaker 1>it's all over, UM, I think taking some of that

0:38:27.800 --> 0:38:30.480
<v Speaker 1>element with us to that idea that we have this

0:38:30.920 --> 0:38:34.920
<v Speaker 1>vision for the puritan New England culture that needs to

0:38:34.920 --> 0:38:39.920
<v Speaker 1>be preserved. We start to see dissent about the trial, UM,

0:38:39.920 --> 0:38:43.960
<v Speaker 1>things like Governor Phipps prohibiting the printing and the publication

0:38:44.360 --> 0:38:46.440
<v Speaker 1>of stories about it, and obviously Cotton now there is

0:38:46.480 --> 0:38:49.600
<v Speaker 1>writing about it. Afterwards, UM, what does it tell us

0:38:49.719 --> 0:38:53.359
<v Speaker 1>about the trial aftermath that these authorities are they're sort

0:38:53.360 --> 0:38:57.279
<v Speaker 1>of suppressing what has happened. Well, it would seem to

0:38:57.320 --> 0:39:00.600
<v Speaker 1>indicate that there was there seems to be an admission

0:39:00.640 --> 0:39:03.160
<v Speaker 1>of guilt in that doesn't there. Um, it should be

0:39:03.200 --> 0:39:07.080
<v Speaker 1>said that yes, Phipps um stops anyone from publishing anything

0:39:07.080 --> 0:39:09.239
<v Speaker 1>about Whitchcraft, unless of course his last name or Mather,

0:39:09.320 --> 0:39:12.399
<v Speaker 1>because two mother books are published after the prohibition, after

0:39:12.440 --> 0:39:17.280
<v Speaker 1>he shuts down the presses. Um, there's deafening silence all around,

0:39:17.800 --> 0:39:21.360
<v Speaker 1>and it's almost it's almost a conspiracy. And when you

0:39:21.360 --> 0:39:23.759
<v Speaker 1>look at when you begin to look at the record, UM,

0:39:23.800 --> 0:39:26.239
<v Speaker 1>the diaries have been purged from those years. That meant

0:39:26.400 --> 0:39:31.399
<v Speaker 1>the Congregations Book, as you know, um paris pulls out

0:39:31.440 --> 0:39:33.600
<v Speaker 1>those entries for those months, so that we don't have

0:39:33.680 --> 0:39:37.000
<v Speaker 1>those entries. The court records are missing. Even Samuel Willard,

0:39:37.040 --> 0:39:39.600
<v Speaker 1>who is one of the great Boston ministers, we have

0:39:39.680 --> 0:39:42.319
<v Speaker 1>his compendium of sermons, which is an enormous volume, but

0:39:42.400 --> 0:39:45.600
<v Speaker 1>missing are the sermons from that summer. UM. So there's

0:39:45.640 --> 0:39:48.080
<v Speaker 1>clearly a sense of shock to the system and a

0:39:48.120 --> 0:39:52.120
<v Speaker 1>sense that um of regret, and I think of tremendous

0:39:52.200 --> 0:39:53.880
<v Speaker 1>guilt at what has happened. There seems to be a

0:39:53.880 --> 0:39:57.360
<v Speaker 1>realization that no one really articulates until Samuel Sewell, one

0:39:57.400 --> 0:40:02.040
<v Speaker 1>of the judges, finally does. But um, there does seem

0:40:02.080 --> 0:40:04.320
<v Speaker 1>to be this um, you know, could we cover this

0:40:04.400 --> 0:40:06.440
<v Speaker 1>up as quickly as possible? Could we make it go away?

0:40:06.520 --> 0:40:10.160
<v Speaker 1>Feeling afterwards? And that's an attitude of the leadership and

0:40:10.200 --> 0:40:13.640
<v Speaker 1>the people involved. Do you feel like the just the

0:40:13.640 --> 0:40:16.600
<v Speaker 1>the normal everyday person echoed to that feeling of yes,

0:40:16.680 --> 0:40:18.799
<v Speaker 1>let's move on, let's not talk about it. There's a

0:40:18.800 --> 0:40:21.080
<v Speaker 1>curious um thing if you if you look at the

0:40:21.120 --> 0:40:24.480
<v Speaker 1>reparations requests, which are much later early eighteenth century. In

0:40:24.640 --> 0:40:26.799
<v Speaker 1>the early eighteenth century, it's it's understood that some of

0:40:26.840 --> 0:40:30.560
<v Speaker 1>the people who have lost relatives, um in this misfortunate

0:40:30.600 --> 0:40:34.280
<v Speaker 1>summer should be reimbursed for their you know, for their hardship,

0:40:34.840 --> 0:40:40.040
<v Speaker 1>and their requests for moneies often omit. They can't seem

0:40:40.040 --> 0:40:44.560
<v Speaker 1>to mention the word witchcraft. It's almost like the recent unpleasantness. UM.

0:40:44.719 --> 0:40:47.520
<v Speaker 1>So you even see there that there is a there's

0:40:47.560 --> 0:40:51.480
<v Speaker 1>almost an inability to grapple with the hideousness of the

0:40:51.600 --> 0:40:54.879
<v Speaker 1>entire event. Um. There's also a funny phenomenon and I'm

0:40:54.880 --> 0:40:57.080
<v Speaker 1>not sure I can explain it, but very often you

0:40:57.120 --> 0:41:01.160
<v Speaker 1>see widows of people who hanged and widowers marrying after

0:41:01.360 --> 0:41:05.040
<v Speaker 1>after people who had been families of the accused marrying,

0:41:05.800 --> 0:41:07.759
<v Speaker 1>and that could be that they had suffered a very

0:41:07.800 --> 0:41:12.080
<v Speaker 1>similar trauma. But it may also be that people were

0:41:12.120 --> 0:41:14.160
<v Speaker 1>not willing to go near them, that they had somehow

0:41:14.200 --> 0:41:16.680
<v Speaker 1>been marginalized in the events. Because you do know that

0:41:16.680 --> 0:41:20.200
<v Speaker 1>the belief in witchcraft continues long after six two. People

0:41:20.440 --> 0:41:22.360
<v Speaker 1>still believe in witchcraft. They just don't believe that this

0:41:22.440 --> 0:41:26.480
<v Speaker 1>prosecution was legitimate. Um So that since that those people

0:41:26.520 --> 0:41:29.839
<v Speaker 1>bonding together may also indicate that there was that at

0:41:29.880 --> 0:41:32.799
<v Speaker 1>every level people just didn't want to talk about this,

0:41:32.880 --> 0:41:35.600
<v Speaker 1>and that if you had somehow been involved in it,

0:41:36.160 --> 0:41:39.080
<v Speaker 1>you were part of a somewhat toxic community. Are you

0:41:39.120 --> 0:41:43.480
<v Speaker 1>there was some taboo attached. Richard trask Um allowed me

0:41:43.520 --> 0:41:46.000
<v Speaker 1>to go into the archives with him, his little room

0:41:46.040 --> 0:41:49.440
<v Speaker 1>full of amazing things, and showed me the I believe

0:41:49.440 --> 0:41:52.280
<v Speaker 1>it's the church's notebook, not the minister's notebook. But where

0:41:52.280 --> 0:41:56.120
<v Speaker 1>where Years later, when Reverend Green is minister of the church,

0:41:56.400 --> 0:41:58.960
<v Speaker 1>Um and Putnam, one of the four one of the

0:41:59.000 --> 0:42:01.759
<v Speaker 1>main accusers, wants to become a member. Must she must

0:42:01.760 --> 0:42:04.400
<v Speaker 1>to become a covenant member of the church, and in

0:42:04.680 --> 0:42:08.359
<v Speaker 1>a church where so many people in that community had

0:42:08.440 --> 0:42:13.440
<v Speaker 1>lost people because of her accusations. And it's a sobering

0:42:13.520 --> 0:42:18.000
<v Speaker 1>thing to see his transcription of her confession, and then

0:42:18.120 --> 0:42:21.319
<v Speaker 1>you know her signature underneath that. And um, I can't

0:42:21.320 --> 0:42:23.960
<v Speaker 1>remember the date on that confession. I want to say,

0:42:23.960 --> 0:42:28.160
<v Speaker 1>at see quite late. Yeah, it's quite late. And if

0:42:28.160 --> 0:42:30.719
<v Speaker 1>you look at that confession and you look back at

0:42:30.719 --> 0:42:32.920
<v Speaker 1>some of the earlier there are there are two earlier confessions.

0:42:32.920 --> 0:42:35.480
<v Speaker 1>One is from some of the jurors who who who

0:42:35.520 --> 0:42:37.160
<v Speaker 1>are very much regret what has happened. And the other,

0:42:37.160 --> 0:42:39.880
<v Speaker 1>of course, as soll begin to think that Ann Putnam

0:42:39.880 --> 0:42:42.279
<v Speaker 1>may be copied from their homework, there's a certain similarity

0:42:42.280 --> 0:42:45.040
<v Speaker 1>of wording. But everyone essentially, I mean, she says she

0:42:45.160 --> 0:42:47.800
<v Speaker 1>was essentially led astray, right. It's a little bit the

0:42:47.840 --> 0:42:50.600
<v Speaker 1>devil made me do it kind of excuse, But she

0:42:50.680 --> 0:42:53.680
<v Speaker 1>does indicate that she was. She doesn't address how she

0:42:53.719 --> 0:42:57.160
<v Speaker 1>came up with these spectral images. Um, she simply says

0:42:57.280 --> 0:43:02.400
<v Speaker 1>that she was misguided and deluded. Mm hm. When did

0:43:02.440 --> 0:43:09.120
<v Speaker 1>the last imprison which walk free? I think January I'm

0:43:09.160 --> 0:43:13.959
<v Speaker 1>actually not sure is that true. Titiba comes out in January.

0:43:14.440 --> 0:43:16.480
<v Speaker 1>Tittibo is hard because nobody wants to claim to tob

0:43:16.520 --> 0:43:18.759
<v Speaker 1>You can't leave until you've paid your jail fees, and

0:43:18.800 --> 0:43:22.680
<v Speaker 1>no one is willing, it seems, to pay Titibus until later.

0:43:22.760 --> 0:43:25.479
<v Speaker 1>I think she's in jail for a year altogether. Would

0:43:25.480 --> 0:43:27.200
<v Speaker 1>that have fallen to the Paris family to pay her

0:43:27.600 --> 0:43:29.160
<v Speaker 1>I don't know what the what the law would have

0:43:29.160 --> 0:43:32.480
<v Speaker 1>been for a slave. They certainly didn't want her back um,

0:43:32.520 --> 0:43:34.120
<v Speaker 1>and we have very little sense of where she could

0:43:34.120 --> 0:43:35.480
<v Speaker 1>have gone after that. By the way. I mean, it's

0:43:35.480 --> 0:43:38.000
<v Speaker 1>interesting because she's so completely at the heart of this

0:43:38.800 --> 0:43:43.440
<v Speaker 1>um and therefore would have been very much spoiled. Goods UM.

0:43:43.480 --> 0:43:45.440
<v Speaker 1>But I think most of the wives, most of the

0:43:45.480 --> 0:43:49.560
<v Speaker 1>people who are UM, most of the husbands will actually

0:43:49.760 --> 0:43:51.680
<v Speaker 1>petition to get their wives back late in the fall,

0:43:51.760 --> 0:43:54.120
<v Speaker 1>it's harvest season. It's really important that the wives be

0:43:54.440 --> 0:43:56.960
<v Speaker 1>there to help, you know, can the preserves and get

0:43:56.960 --> 0:43:58.920
<v Speaker 1>the house in order. And I think most of most

0:43:58.960 --> 0:44:02.000
<v Speaker 1>of those women are released knock Obra November. There's this

0:44:02.520 --> 0:44:05.440
<v Speaker 1>there's this perception that I have of Paris where he

0:44:05.680 --> 0:44:07.560
<v Speaker 1>you know, he we all know, he comes into town,

0:44:08.000 --> 0:44:11.680
<v Speaker 1>he's he spends almost a year negotiating his contract. I

0:44:11.719 --> 0:44:13.759
<v Speaker 1>think when he's he's really picky about all of this,

0:44:14.160 --> 0:44:17.360
<v Speaker 1>especially the firewood, and you know, he wants it delivered

0:44:17.360 --> 0:44:18.960
<v Speaker 1>to him instead of him going to pick it up,

0:44:19.000 --> 0:44:23.279
<v Speaker 1>and elements like that. To have the witchcraft begin with

0:44:23.400 --> 0:44:25.799
<v Speaker 1>symptoms in his own house and then one of the

0:44:25.840 --> 0:44:28.560
<v Speaker 1>chief accusers be a slave from his house, there must

0:44:28.560 --> 0:44:31.839
<v Speaker 1>have been a sense of um, shame and needing to

0:44:31.920 --> 0:44:36.000
<v Speaker 1>make up for to atone for that through through the

0:44:36.040 --> 0:44:38.360
<v Speaker 1>months that the trial took place. I would add to

0:44:38.360 --> 0:44:40.560
<v Speaker 1>that by the way that if you take that one

0:44:40.600 --> 0:44:43.000
<v Speaker 1>step further, the girls in the house or the kids

0:44:43.040 --> 0:44:45.560
<v Speaker 1>in the house, would have been under tremendous strain to

0:44:45.640 --> 0:44:48.440
<v Speaker 1>see their father being so badly treated by the community,

0:44:48.520 --> 0:44:50.560
<v Speaker 1>and so much it odds with the community would have

0:44:50.560 --> 0:44:52.560
<v Speaker 1>put such I mean, it would have been so difficult

0:44:52.600 --> 0:44:54.680
<v Speaker 1>and so embarrassing in so many ways. And there would

0:44:54.680 --> 0:44:56.799
<v Speaker 1>have been when you begin to see clearly they're trying

0:44:56.840 --> 0:44:59.120
<v Speaker 1>to say something, when they begin to convolve from twitch

0:44:59.160 --> 0:45:02.840
<v Speaker 1>and and complain of of fights and pinches, and you wonder,

0:45:02.880 --> 0:45:04.760
<v Speaker 1>you know, the stomping of the foots of the parishion

0:45:04.880 --> 0:45:06.720
<v Speaker 1>feet of the parishoners as they came by to complain

0:45:06.800 --> 0:45:10.640
<v Speaker 1>to their minister or other. These continued very acrid negotiations

0:45:10.760 --> 0:45:13.879
<v Speaker 1>that would have taken a toll on the family. Um. Yes,

0:45:13.920 --> 0:45:16.239
<v Speaker 1>Paris goes through a long period where he can't apologize

0:45:16.280 --> 0:45:19.600
<v Speaker 1>for what's happened, and the entire New England ministry essentially

0:45:19.640 --> 0:45:23.319
<v Speaker 1>bears down on him after to essentially say you need

0:45:23.360 --> 0:45:26.200
<v Speaker 1>to apologize, and he delivers those kinds of apologies which

0:45:26.200 --> 0:45:27.719
<v Speaker 1>are basically I'm sorry if I did something that you

0:45:27.760 --> 0:45:30.319
<v Speaker 1>think is subjectionable. Um. And they will it will take

0:45:30.440 --> 0:45:33.160
<v Speaker 1>years for them to get him essentially to leave the

0:45:33.320 --> 0:45:36.160
<v Speaker 1>to leave the parish and to issue some kind of

0:45:36.200 --> 0:45:39.120
<v Speaker 1>statement that in some way, um, is reconciliatory. Did those

0:45:39.160 --> 0:45:41.919
<v Speaker 1>come at the same time, leaving and apologizing? Um, it's

0:45:42.080 --> 0:45:44.360
<v Speaker 1>one is one is slow after the other. He's a

0:45:44.440 --> 0:45:47.640
<v Speaker 1>very difficult man, um and it. I don't think it's

0:45:47.640 --> 0:45:50.759
<v Speaker 1>any coincidence that that that these kinds of things break

0:45:50.760 --> 0:45:53.239
<v Speaker 1>out in the household. A couple of questions to wrap

0:45:53.280 --> 0:45:55.799
<v Speaker 1>things up, you know, we might tend to look back

0:45:55.840 --> 0:45:59.120
<v Speaker 1>at Salem and sort of sneer at them for hunting witches, right, that,

0:45:59.160 --> 0:46:01.239
<v Speaker 1>you know, believing in the like black cats and which

0:46:01.280 --> 0:46:05.560
<v Speaker 1>is on broomsticks. But are we really any different today

0:46:05.800 --> 0:46:08.239
<v Speaker 1>in other ways? You know, I feel like it takes

0:46:08.239 --> 0:46:10.400
<v Speaker 1>a different form. I feel like at the base of

0:46:10.440 --> 0:46:11.880
<v Speaker 1>this there are a couple of things which is just

0:46:11.960 --> 0:46:14.480
<v Speaker 1>constants in human behavior. I mean, first of all, there's

0:46:14.480 --> 0:46:17.040
<v Speaker 1>this deep seated sense of causality of you know, what,

0:46:17.040 --> 0:46:21.160
<v Speaker 1>what caused that? Why did the roof fly off the

0:46:21.160 --> 0:46:24.560
<v Speaker 1>meeting house? Why did the ox fall sick? Whatever? You know,

0:46:24.600 --> 0:46:27.400
<v Speaker 1>why did my computer just freeze? Um? There's got to

0:46:27.480 --> 0:46:29.480
<v Speaker 1>be some reason for this, and very often the reason

0:46:29.520 --> 0:46:32.160
<v Speaker 1>for that involves your neighbor or somebody you know, or

0:46:32.239 --> 0:46:35.160
<v Speaker 1>the person who who was just overly nice to you.

0:46:35.200 --> 0:46:37.400
<v Speaker 1>And a lot of these are people who actually paid

0:46:37.440 --> 0:46:40.000
<v Speaker 1>calls on their neighbors and then for some reason the

0:46:40.120 --> 0:46:44.040
<v Speaker 1>good wheel gets converted, gets converted to poor with ill will. UM.

0:46:44.080 --> 0:46:48.320
<v Speaker 1>So there's that constant sense for um, a victim for

0:46:48.560 --> 0:46:51.560
<v Speaker 1>you know, someone who can lay the blame upon um.

0:46:51.600 --> 0:46:54.080
<v Speaker 1>And I think there's there's an overreaching need to believe

0:46:54.239 --> 0:46:56.759
<v Speaker 1>that there's another world out there. I mean, really, there's

0:46:56.800 --> 0:46:59.120
<v Speaker 1>this sense of well, that had to be I did

0:46:59.120 --> 0:47:00.640
<v Speaker 1>everything the same way I did last time, So why

0:47:00.640 --> 0:47:02.479
<v Speaker 1>did the computer do this this time? You know, why

0:47:02.520 --> 0:47:05.759
<v Speaker 1>did the pothole suddenly appear in the road. Um. So

0:47:05.800 --> 0:47:09.520
<v Speaker 1>there's that searching for some explanation which is not at hand.

0:47:09.960 --> 0:47:13.480
<v Speaker 1>And sometimes religion provides that explanation and sometimes it doesn't.

0:47:13.480 --> 0:47:15.840
<v Speaker 1>And obviously in this case, one went directly to religion

0:47:15.880 --> 0:47:19.759
<v Speaker 1>for the explanation because it witchcraft more than anything, or

0:47:19.880 --> 0:47:22.719
<v Speaker 1>the super matchment more than anything, will explain everything. I mean,

0:47:22.719 --> 0:47:28.120
<v Speaker 1>you can explain any number of mishaps, you know, lingering, doubts, glinting,

0:47:28.280 --> 0:47:32.279
<v Speaker 1>you know, accusations, anything with with the witchcraft accusation, it

0:47:32.360 --> 0:47:34.440
<v Speaker 1>isn't enough to make sense, but you can explain it

0:47:34.480 --> 0:47:36.160
<v Speaker 1>with now. And that's the beauty. That was the beauty

0:47:36.160 --> 0:47:38.400
<v Speaker 1>of spectral evidence. It was my word versus yours. And

0:47:38.440 --> 0:47:41.120
<v Speaker 1>I've seen it and you haven't. Um, And yes, it

0:47:41.120 --> 0:47:45.520
<v Speaker 1>certainly doesn't have to make sense. So you've written what

0:47:45.600 --> 0:47:49.480
<v Speaker 1>I think is a beautiful retelling of of the story

0:47:49.520 --> 0:47:52.600
<v Speaker 1>of Salem. It's one that I highly recommend people read. Um,

0:47:53.040 --> 0:47:55.040
<v Speaker 1>you soaked it all in, you spent years on this.

0:47:56.120 --> 0:47:58.080
<v Speaker 1>It's almost unfair to ask you this. But if there's

0:47:58.200 --> 0:48:00.360
<v Speaker 1>one thing that you feel like you want people to

0:48:00.400 --> 0:48:04.960
<v Speaker 1>know about Salem? What is it? You know? I think

0:48:04.960 --> 0:48:06.880
<v Speaker 1>it makes time with what we're just talking about. Somehow,

0:48:06.920 --> 0:48:10.359
<v Speaker 1>that sense of our our ability to suspend reason and

0:48:10.760 --> 0:48:13.680
<v Speaker 1>subscribe to a delusion. I just feel as if we

0:48:13.719 --> 0:48:17.760
<v Speaker 1>are all of us at all times prone, if not tempted,

0:48:17.800 --> 0:48:20.600
<v Speaker 1>towards that behavior. And it's really important to kind of,

0:48:20.800 --> 0:48:23.719
<v Speaker 1>you know, stop yourself for just a second. There's so

0:48:23.840 --> 0:48:28.440
<v Speaker 1>much retailing here of vandwagon jumping here and retailing of

0:48:28.719 --> 0:48:32.360
<v Speaker 1>someone else's narrative um without any original thought. And that

0:48:32.480 --> 0:48:34.279
<v Speaker 1>is how the that is how this goes off the

0:48:34.320 --> 0:48:36.359
<v Speaker 1>rail so quickly. Really is that no one is willing

0:48:36.400 --> 0:48:39.920
<v Speaker 1>to raise his hand and say, but wait, have you considered?

0:48:40.040 --> 0:48:43.320
<v Speaker 1>Or but wait that doesn't make sense. And when finally

0:48:43.320 --> 0:48:46.800
<v Speaker 1>the first person does do that, it's under it's very dangerous.

0:48:46.840 --> 0:48:49.399
<v Speaker 1>It's Thomas Brattle, and it's extremely dangerous. He can't sign

0:48:49.440 --> 0:48:51.600
<v Speaker 1>his name even too that document. But it's an act

0:48:51.600 --> 0:48:55.400
<v Speaker 1>of utter courage. And I guess that would be my

0:48:55.400 --> 0:48:57.440
<v Speaker 1>my takeaway would be how important it is to be

0:48:57.480 --> 0:49:00.120
<v Speaker 1>that person who says, um, you know what, may we

0:49:00.120 --> 0:49:01.880
<v Speaker 1>should look at this through a different optic because the

0:49:01.960 --> 0:49:32.560
<v Speaker 1>reasoning here just really doesn't hold up. This episode of

0:49:32.600 --> 0:49:37.040
<v Speaker 1>Unobscured was executive produced by Me, Matt Frederick, and Alex Williams,

0:49:37.040 --> 0:49:41.160
<v Speaker 1>with music by Chad Lawson and audio engineering by Alex Williams.

0:49:41.600 --> 0:49:44.680
<v Speaker 1>The Unobscured website has everything you need to get the

0:49:44.719 --> 0:49:48.880
<v Speaker 1>most out of the podcast. There's a resource library of maps, charts,

0:49:48.960 --> 0:49:52.640
<v Speaker 1>and links to Salem document archives online, as well as

0:49:52.640 --> 0:49:55.480
<v Speaker 1>a suggested reading list and a page with all of

0:49:55.520 --> 0:50:00.239
<v Speaker 1>our historian biographies. And as always, thanks for supporting this show.

0:50:00.640 --> 0:50:03.640
<v Speaker 1>If you love it, head over to Apple podcasts dot

0:50:03.680 --> 0:50:07.239
<v Speaker 1>com slash Unobscured and leave a written review and a

0:50:07.280 --> 0:50:10.560
<v Speaker 1>star rating. It makes a huge difference for the show's growth,

0:50:11.719 --> 0:50:16.160
<v Speaker 1>and as always, thanks for listening. H