WEBVTT - Daughtry

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<v Speaker 1>Are we good? Back in the home studio? Things are

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<v Speaker 1>sounding crisp sibiments. Check one, check one. I like that

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<v Speaker 1>I just had some cheese and a Noma breast smells spot.

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<v Speaker 1>But I don't care because no one else is in here.

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<v Speaker 1>The one silver lining this pandemic is that I've been

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<v Speaker 1>able to eat cheese without the worry that people will

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<v Speaker 1>judge me for cheese breath. Let's normalized cheese breath, right,

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<v Speaker 1>all right? Started? This is a Wells cast with Wells

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<v Speaker 1>atoms and I heart radio podcast. Put a peops out

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<v Speaker 1>there in the podcast world. Hope everyone's having a wonderful day.

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<v Speaker 1>I feel like I feel like vaccines for me right

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<v Speaker 1>around the corner. I feel like I'm about to get

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<v Speaker 1>that shot. And then guess what, your boy's gonna go

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<v Speaker 1>black out of the bar. I don't know, it's gonna

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<v Speaker 1>be a while from now. But I was over at

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<v Speaker 1>my buddy's house a couple of nights ago, who's a

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<v Speaker 1>phenomenal musician, and we were talking about it, and like,

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<v Speaker 1>you know, early in my career, I went to like

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<v Speaker 1>three or four shows a week when I was doing radio,

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<v Speaker 1>which is kind of part of the deal. Like you know,

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<v Speaker 1>you wanted to have your finger on the pulse. So

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<v Speaker 1>what was happening in Nashville? And you know it was

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<v Speaker 1>also one of the perks is that I was a

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<v Speaker 1>tony something kid and I got free tickets to everything

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<v Speaker 1>because I would talk about the show, you know, before

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<v Speaker 1>and after on the radio. And there was a time

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<v Speaker 1>in my life in which I mean I loved it,

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<v Speaker 1>But there was a time in life I was like,

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<v Speaker 1>oh my god, I got in another show. I can't

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<v Speaker 1>I can't die. And now what I would give to

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<v Speaker 1>see live music. I would go see terrible bands just

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<v Speaker 1>to be like, I'm back in a bar drinking a beer.

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<v Speaker 1>I go see like a children's musician. I go to

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<v Speaker 1>Raffi right now at Hotel Cafe and just get blindly

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<v Speaker 1>drunk and love every second of it. I just missed

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<v Speaker 1>live music so freaking much. It's ridiculous. Speaking of on

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<v Speaker 1>the show today, we've got someone who is actually putting

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<v Speaker 1>on a live show, which is hard to do these days.

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<v Speaker 1>So you have to do with zoom and all this

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<v Speaker 1>crazy stuff. Technology. Gee, you need some high speed internet.

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<v Speaker 1>Elon must probably needs to be involved sending down some internet.

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<v Speaker 1>I don't know how it works, but I know that

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<v Speaker 1>he's got an awesome live show coming up and listen.

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<v Speaker 1>I know, I think I believe we are about through this,

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<v Speaker 1>Like you can't go have fun anymore time, but till then.

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<v Speaker 1>My guest today has a really cool idea of how

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<v Speaker 1>to actually experience some live music. Can you get blacked

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<v Speaker 1>out drunk on your couch and still see the live music?

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<v Speaker 1>Yeah you can. He's figured it out. He's doing a

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<v Speaker 1>live show from Nashville, my old stopping grounds coming up

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<v Speaker 1>on March twelveth. We'll tell you all about it a bit,

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<v Speaker 1>but for someone do the whole thing where I like,

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<v Speaker 1>I get you ready for it. This guy one of

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<v Speaker 1>the most successful American Idol non winners in the history

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<v Speaker 1>of the show. Yeah he is. He was on season five.

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<v Speaker 1>That's going way back right. He's a multi platinum Grammy

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<v Speaker 1>nominated musician. Before going on American Idol, he was a

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<v Speaker 1>service advisor at a car dealership in North Carolina. What

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<v Speaker 1>gotta hear about that? But he's not just a musician.

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<v Speaker 1>Is an actor as well. He's been on CSI New York.

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<v Speaker 1>He played Judas in a musical TV movie. What he

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<v Speaker 1>was on The Mass Singer got second place and He's

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<v Speaker 1>one of the most beloved people to come out of

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<v Speaker 1>American Idol. His record sales speak for themselves. On the

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<v Speaker 1>Wells Cast today we have the one, the only Chris Daughtry. Guys,

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<v Speaker 1>this is a show you do not want to miss.

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<v Speaker 1>I promise you stick around. Yeah. Back on the Wells Cast.

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<v Speaker 1>They're excited to have I believe, one of the most

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<v Speaker 1>popular American Idol people ever on the show. But he's

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<v Speaker 1>done the thing that a lot of reality people struggle with,

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<v Speaker 1>which is take that fifteen minutes and really build it

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<v Speaker 1>into this amazing career. Chris Daughtry, thank you so much

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<v Speaker 1>for being on the show. Been a big fan of

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<v Speaker 1>yours for a while. And I guess I didn't realize

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<v Speaker 1>that you were a Nashville guy. I used to live there.

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<v Speaker 1>I was a radio host in Nashville for years. First

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<v Speaker 1>of all, thank you, thank you so much. But we

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<v Speaker 1>we moved here about I guess in Gelotopy five years.

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<v Speaker 1>So it still feels kind of new to us, to

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<v Speaker 1>be honest, because we're we have so many kids, were

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<v Speaker 1>always home. We don't really get a chance to to

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<v Speaker 1>be out in it. Um. We live slightly outside of downtown,

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<v Speaker 1>so we're not in in all the craziness. But it's cool.

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<v Speaker 1>It's it's uh. It kind of reminds me of where

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<v Speaker 1>I grew up in North Carolina, um as far as

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<v Speaker 1>the landscape of it all real quick, because you're a

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<v Speaker 1>Nashville guy and I was a Nashville guy. What's your

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<v Speaker 1>go to hot chicken? I haven't eaten chicken in two years,

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<v Speaker 1>three almost three years. I kind of stay away from

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<v Speaker 1>the meat man, all right, smart move, not because of

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<v Speaker 1>the vegetarian thing, but because of the diarrhea that comes

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<v Speaker 1>the next day. So could call on that. Yeah, there,

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<v Speaker 1>there's there. There was that as well. Yeah, yeah, I

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<v Speaker 1>saw that you're doing dough Free live from Nashville. It's

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<v Speaker 1>going to be a virtual show on March twelve people

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<v Speaker 1>Combiny tickets at gigs dot Live. I was looking at

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<v Speaker 1>your Instagram and you were kind of showcasing what it's

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<v Speaker 1>gonna be like, and it's so dope, dude. But it

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<v Speaker 1>also is like a little Hunger Game Z to me.

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<v Speaker 1>It's so Hunger Games. It's so like it. I was

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<v Speaker 1>in there and I'm like, holy sh we're really in

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<v Speaker 1>the future here. Like one year ago, if you would

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<v Speaker 1>have told me we're gonna be doing a show in

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<v Speaker 1>front of screens and you're gonna be talking to the fans,

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<v Speaker 1>and they're gonna be talking to you, but they're gonna

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<v Speaker 1>be in their living room may or may not be

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<v Speaker 1>wearing pants. We would have just thought it was the

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<v Speaker 1>craziest ship we've ever heard ever, and you know, here

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<v Speaker 1>we are and it's super bizarre. We did a we

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<v Speaker 1>did a live stream tour just me and my guitar

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<v Speaker 1>player back in the fall, and that was even weirder

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<v Speaker 1>because it was just in front of a camera but

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<v Speaker 1>we didn't see anyone, so there was no It was

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<v Speaker 1>like crickets after every song, and we just had to

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<v Speaker 1>finally like say, you know what, screw this, We're gonna

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<v Speaker 1>have fun, me and you and then if they they

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<v Speaker 1>see that that they're going to have a good time too,

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<v Speaker 1>because we realized that we were really dependent on the

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<v Speaker 1>audience reaction for us to like have a good time,

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<v Speaker 1>like this is back ass words. It should be we're

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<v Speaker 1>having a good time, therefore you're enjoying the show. Not

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<v Speaker 1>you're enjoying the show. So I'm going to be better

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<v Speaker 1>at it. This whole year has been a learning curve

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<v Speaker 1>for everybody trying to figure out how to do your

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<v Speaker 1>job differently. Um, and that was certainly a a weird one,

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<v Speaker 1>but this this feels like it's at least a little

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<v Speaker 1>more connected where we get to see faces. I don't

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<v Speaker 1>even know if they're gonna be watching the show. It

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<v Speaker 1>might just be pre recorded faces just to make us

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<v Speaker 1>feel better. I was talking about it leading up to

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<v Speaker 1>calling you, and I miss going to see live music

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<v Speaker 1>so much. And the weird stuff too, of like the

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<v Speaker 1>chats that you have outside with like the chain smoker

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<v Speaker 1>that you haven't seen in a while in between sets,

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<v Speaker 1>and like the blacking out and like forgetting to close

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<v Speaker 1>your bark. Like there's like a lot of like little

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<v Speaker 1>intricacies of like the live show that it was, this event,

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<v Speaker 1>and it sucks that we've been robbed of it for

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<v Speaker 1>this past year. And it's cool that you guys have

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<v Speaker 1>figured out a way to somewhat bring it back to

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<v Speaker 1>what we remember. And it's so funny too, because I think,

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<v Speaker 1>as a person in the audience, you forget how the

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<v Speaker 1>energy is looped between the audience and the artist, because

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<v Speaker 1>the artist gives the fans energy and then they fans

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<v Speaker 1>give it back to you. And it's like you're on

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<v Speaker 1>this cyclical loop of energy together. Yeah, and you're hearing

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<v Speaker 1>them sing the songs sometimes louder than you are, and

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<v Speaker 1>and that's like an unbelievable feeling. And if we do

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<v Speaker 1>that now, it's going to cut out the feed m

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<v Speaker 1>it's every all the sounds gonna drop and we're gonna

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<v Speaker 1>lose our place. Um It's it's a weird. And I

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<v Speaker 1>saw like the Flaming Lips were doing like bubbles where

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<v Speaker 1>everybody was, even the crowd was in bubbles. Did you

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<v Speaker 1>see that? I'm like, how is how does that work?

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<v Speaker 1>Like how do you prevent someone from like completely blacking

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<v Speaker 1>out from from exhaustion and heat? And it's just a weird,

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<v Speaker 1>weird living in the jets ands like we're there, Yeah,

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<v Speaker 1>especially because the Flaming Lips fans are already out there

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<v Speaker 1>and weird, you know, like the band, the band, the

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<v Speaker 1>singer has always done the bubble thing, right, like that's

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<v Speaker 1>a thing for him. I don't know, I don't know

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<v Speaker 1>if I could ever do that. The mass singer was

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<v Speaker 1>like the closest thing I came to, like singing in

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<v Speaker 1>a bubble, and that was I almost passed out every

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<v Speaker 1>every episode, So no thanks on that. I think we'll

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<v Speaker 1>stick with the screens until we can get back in

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<v Speaker 1>in front of people. I haven't seen my band and

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<v Speaker 1>over a year other than the two people, the two

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<v Speaker 1>band members that live in Nashville. Like it's it's been

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<v Speaker 1>like a weird time loop. I don't know about you,

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<v Speaker 1>and it feels like someone just turned the dial and

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<v Speaker 1>here we are. We're in and we're still not in

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<v Speaker 1>front of people, and I don't know when it's gonna change.

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<v Speaker 1>I don't know. I think that you figure out, like

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<v Speaker 1>at least a good something for everyone to go do

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<v Speaker 1>and again March twelve. You can be a part of this.

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<v Speaker 1>Dot Frey Live from Nashville. Grab tickets at gigs dot live.

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<v Speaker 1>Are there like tears, like like are some people getting

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<v Speaker 1>to like ask questions or be more interactive or like

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<v Speaker 1>how does this work? I don't know how they're selecting it.

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<v Speaker 1>I don't want to say the wrong thing, but I

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<v Speaker 1>don't know how they're selecting the fans. But they're however

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<v Speaker 1>many fit on those screens that they'll they'll be selected.

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<v Speaker 1>I don't know if it's the first so many people

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<v Speaker 1>they bought tickets, or how they're doing it. That's out

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<v Speaker 1>of my hands. But they'll be fans. What I'm saying

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<v Speaker 1>is they'll be fans. And I think at the end

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<v Speaker 1>of the show, certain fans I don't I think it

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<v Speaker 1>might be a tear where they buy into the I

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<v Speaker 1>don't know if they're part of the fan club or what.

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<v Speaker 1>I should know more about this as I'm saying this,

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<v Speaker 1>I should know more. That's what I'm realized. But yeah,

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<v Speaker 1>there's gonna be a Q and A and um, yeah,

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<v Speaker 1>it's it's cool and and in some ways like this

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<v Speaker 1>is uh, probably a little more interactive than you know

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<v Speaker 1>if they were to see us on stage somewhere, because

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<v Speaker 1>there is no Q and A. There's no like in

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<v Speaker 1>the middle of a song, you know, talking to you

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<v Speaker 1>know so and so sometimes there is I guess if

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<v Speaker 1>they're they're interrupting the set, But which has happened. It's

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<v Speaker 1>a trade off, right, Like you get to experience it differently.

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<v Speaker 1>You get to be in your own home. You don't

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<v Speaker 1>have anybody spilling beer on you, um, unless you just

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<v Speaker 1>have that drunk uncle over and he's just lost it

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<v Speaker 1>and he's out of control, or brother doesn't have to

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<v Speaker 1>be uncle, or sometimes mom sometimes mom just had too much.

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<v Speaker 1>I don't know, it's a really cool thing. I think

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<v Speaker 1>that this is the best because I've I've talked to

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<v Speaker 1>a lot of people who have been doing the live

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<v Speaker 1>shows and the small live showcases and stuff, and I

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<v Speaker 1>think this is the best execute did the thing that

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<v Speaker 1>I've seen so far. And if you're just like wondering

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<v Speaker 1>if this is something you want to go do, go

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<v Speaker 1>to Chris's instagram at Daughtry and it's like the like

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<v Speaker 1>the third thing you put three posts to go is

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<v Speaker 1>a really cool like showcase of what the stage looks like,

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<v Speaker 1>what the backdrop looks like, and then like what the

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<v Speaker 1>fans will be looking like looking back at you guys.

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<v Speaker 1>I don't know if you remember when the NBA was

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<v Speaker 1>in the playoffs or whatnot, everyone's kind of stuck in

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<v Speaker 1>Orlando and they had put TV screens where the seats

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<v Speaker 1>were and everyone was just sitting there watching it. It's

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<v Speaker 1>kind of like that. So it's a really cool thing,

0:11:36.840 --> 0:11:41.960
<v Speaker 1>complete disease free. Yeah atmosphere, let's drunk moms next to you,

0:11:42.000 --> 0:11:44.240
<v Speaker 1>and then who knows what's going to happen. I saw

0:11:44.280 --> 0:11:47.760
<v Speaker 1>you got some new music out and the new song

0:11:47.920 --> 0:11:51.160
<v Speaker 1>that you've got out is World on Fire, which I

0:11:51.240 --> 0:11:53.360
<v Speaker 1>was reading about it and that was kind of like

0:11:53.480 --> 0:11:57.760
<v Speaker 1>a nod to the Australia fires. Yeah, when we originally

0:11:57.800 --> 0:12:00.880
<v Speaker 1>wrote it, Um Scott and Marty much producers. When we

0:12:00.880 --> 0:12:03.640
<v Speaker 1>were writing that song, it started out as um, you know,

0:12:03.679 --> 0:12:06.120
<v Speaker 1>we were just kind of on Instagram looking at you know,

0:12:06.160 --> 0:12:09.600
<v Speaker 1>the fires that were taking place, and the George Floyd

0:12:09.600 --> 0:12:12.280
<v Speaker 1>thing hadn't happened yet, but there was certainly no shortage

0:12:12.280 --> 0:12:15.360
<v Speaker 1>of police brutality going on even then. I can't remember

0:12:15.400 --> 0:12:17.400
<v Speaker 1>who it was. I don't know if it was Mod

0:12:17.840 --> 0:12:22.199
<v Speaker 1>Aubrey or Brianna Taylor. It was just like one bad

0:12:22.280 --> 0:12:25.480
<v Speaker 1>thing after another. And I remember were us just saying, man,

0:12:25.520 --> 0:12:28.240
<v Speaker 1>the damn world's on fire, and we're like, that's what

0:12:28.320 --> 0:12:31.000
<v Speaker 1>we gotta, right, And we were going through. Scott had

0:12:31.040 --> 0:12:33.880
<v Speaker 1>this this folder and I don't know, kind I swear

0:12:33.920 --> 0:12:37.360
<v Speaker 1>on this, I don't know, Yeah, alright, perfect, he had

0:12:37.400 --> 0:12:39.320
<v Speaker 1>this folder and we were He said, I got a

0:12:39.320 --> 0:12:43.040
<v Speaker 1>few like riff starts here and there, just let's listen

0:12:43.080 --> 0:12:45.480
<v Speaker 1>to it and see if anything like inspires us. And

0:12:45.520 --> 0:12:47.760
<v Speaker 1>I saw this folder and said, threshes, I was like,

0:12:47.880 --> 0:12:50.520
<v Speaker 1>let's play that one. And it was. It was the

0:12:50.559 --> 0:12:54.400
<v Speaker 1>opening riff, literally the opening of of what you know

0:12:54.520 --> 0:12:57.320
<v Speaker 1>as the song now, and I was like, that is

0:12:57.360 --> 0:12:59.640
<v Speaker 1>what we need to work on, and it just kind

0:12:59.640 --> 0:13:02.680
<v Speaker 1>of start it right in itself. We were just talking

0:13:02.720 --> 0:13:06.040
<v Speaker 1>about everything that was was wrong with the world. And

0:13:06.080 --> 0:13:10.080
<v Speaker 1>then fast forward to because this was in January, fast

0:13:10.080 --> 0:13:12.679
<v Speaker 1>forward to like two months later, We're all scratching our

0:13:12.720 --> 0:13:16.199
<v Speaker 1>heads like how did we know? Like holy sh it,

0:13:16.320 --> 0:13:19.920
<v Speaker 1>like the sickness is rising, like there was no sickness

0:13:19.920 --> 0:13:23.880
<v Speaker 1>going on, and um, you know, twenty dead in a

0:13:23.960 --> 0:13:26.280
<v Speaker 1>cop car, bleeding like all this stuff. We were like,

0:13:26.320 --> 0:13:28.400
<v Speaker 1>oh my god, it was like we had a crystal

0:13:28.440 --> 0:13:31.800
<v Speaker 1>ball or something. And uh, I didn't want people to

0:13:31.800 --> 0:13:33.640
<v Speaker 1>think we were just writing about so we kind of

0:13:33.679 --> 0:13:35.520
<v Speaker 1>held off. We didn't we didn't release it right away

0:13:35.559 --> 0:13:38.440
<v Speaker 1>because I didn't want it to sound like, hey, look

0:13:38.440 --> 0:13:42.000
<v Speaker 1>at what we wrote, this is what's happening right now.

0:13:42.320 --> 0:13:45.160
<v Speaker 1>But it felt very aproposed for the first single. For sure,

0:13:45.760 --> 0:13:48.319
<v Speaker 1>I know that there's a new record on the way.

0:13:48.960 --> 0:13:50.679
<v Speaker 1>I wonder this not just for you, but like for

0:13:50.760 --> 0:13:54.920
<v Speaker 1>every musician that I've interviewed, The stuff that comes out

0:13:54.960 --> 0:13:59.800
<v Speaker 1>after this year has got me the most sad bastard dark,

0:14:00.240 --> 0:14:05.360
<v Speaker 1>like deepest Ryan Adams lyrics ever. That is how It's

0:14:05.400 --> 0:14:09.040
<v Speaker 1>gonna come. It's absolutely the deepest ship I've ever written

0:14:09.080 --> 0:14:13.080
<v Speaker 1>in my career. It's the most introspective that I've ever written.

0:14:13.120 --> 0:14:15.800
<v Speaker 1>For sure, It's definitely got, I don't want to give

0:14:15.800 --> 0:14:19.520
<v Speaker 1>too much away, but it's also probably in some ways

0:14:19.680 --> 0:14:22.240
<v Speaker 1>the most hopeful. There hasn't been a shortage of things

0:14:22.280 --> 0:14:25.960
<v Speaker 1>to write about, and this year has been I think

0:14:26.000 --> 0:14:29.200
<v Speaker 1>transformative for so many people and and forced us to

0:14:29.280 --> 0:14:32.200
<v Speaker 1>really look at ourselves and and face our own baggage

0:14:32.240 --> 0:14:35.760
<v Speaker 1>and bullets. And I think this record has been extremely

0:14:35.800 --> 0:14:39.720
<v Speaker 1>therapeutic for me. I just finished vocals on it last week.

0:14:39.880 --> 0:14:43.160
<v Speaker 1>We're getting the band on it like it's the record

0:14:43.280 --> 0:14:46.160
<v Speaker 1>is actually happening. But I feel like at this point,

0:14:46.160 --> 0:14:48.320
<v Speaker 1>if we release it would be like throwing a ball

0:14:48.360 --> 0:14:52.160
<v Speaker 1>out to just the open field and just falling to wherever.

0:14:52.280 --> 0:14:54.280
<v Speaker 1>And we're like, we can't go out and tour on it.

0:14:54.440 --> 0:14:56.720
<v Speaker 1>We're trying to figure out when it's coming out. I

0:14:56.760 --> 0:14:58.720
<v Speaker 1>don't know yet, but we are going to be releasing

0:14:58.760 --> 0:15:01.240
<v Speaker 1>a new single very soon, so I can say that

0:15:01.880 --> 0:15:06.360
<v Speaker 1>um And we just put up a limited edition vinyl

0:15:06.960 --> 0:15:10.520
<v Speaker 1>World on fire and Side B is the next single

0:15:10.640 --> 0:15:13.360
<v Speaker 1>that we have yet to tell anyone the title of,

0:15:13.600 --> 0:15:16.400
<v Speaker 1>but I'm super pumped on it. Be shooting a video

0:15:16.480 --> 0:15:19.760
<v Speaker 1>on it, uh this weekend actually, So yeah, there's a

0:15:19.800 --> 0:15:21.920
<v Speaker 1>lot of a lot of stuff going on, but hopefully

0:15:22.000 --> 0:15:24.360
<v Speaker 1>we can actually get out there and support it at

0:15:24.400 --> 0:15:26.400
<v Speaker 1>the same time, you know, I talked to a lot

0:15:26.440 --> 0:15:28.320
<v Speaker 1>of musicians and they're putting stuff out and I'm like,

0:15:28.440 --> 0:15:31.160
<v Speaker 1>this is tough because it's expensive to put out music

0:15:31.440 --> 0:15:34.840
<v Speaker 1>and when you can't recoup by selling merch and touring

0:15:34.880 --> 0:15:37.600
<v Speaker 1>behind something, then if I was a businessman in the

0:15:37.680 --> 0:15:39.360
<v Speaker 1>music industry, I'd be like, you just got to hold

0:15:39.360 --> 0:15:42.320
<v Speaker 1>off until people can go to festival. So I applaud

0:15:42.360 --> 0:15:44.840
<v Speaker 1>you for like sticking around waiting for it. It's that

0:15:45.200 --> 0:15:48.520
<v Speaker 1>double edged sword, like you know, we're all running out

0:15:48.520 --> 0:15:51.880
<v Speaker 1>of new things to listen to, so we're like, we

0:15:51.960 --> 0:15:54.800
<v Speaker 1>feel bad for the fans, yet we're like, but we gotta,

0:15:55.240 --> 0:15:58.840
<v Speaker 1>you know, pay our bills too, and holding onto it

0:15:58.920 --> 0:16:02.240
<v Speaker 1>might not be Um, I don't know. It's like we

0:16:02.280 --> 0:16:04.480
<v Speaker 1>hold onto it and you're doing nothing. You at least

0:16:04.480 --> 0:16:07.720
<v Speaker 1>release it and something's happening. So um, yeah, it's it's

0:16:07.760 --> 0:16:10.960
<v Speaker 1>a tricky, tricky thing to navigate. You did a mass

0:16:11.000 --> 0:16:13.040
<v Speaker 1>sing or you the Rottweilder. I've had a bunch of

0:16:13.040 --> 0:16:16.200
<v Speaker 1>people from Massinger, m mass Dancer on the show, and

0:16:16.560 --> 0:16:20.680
<v Speaker 1>my thing is this is it smells so bad in there?

0:16:20.960 --> 0:16:24.600
<v Speaker 1>Or do they for breeze it before and afterwards? Oh

0:16:24.640 --> 0:16:28.560
<v Speaker 1>it's the worst, It's awful. Um did you ever did

0:16:28.560 --> 0:16:31.720
<v Speaker 1>you ever play any sports in high school? So like

0:16:32.360 --> 0:16:36.320
<v Speaker 1>it's like locker room smell, So did you ever play football?

0:16:36.400 --> 0:16:41.080
<v Speaker 1>You ever smelled the pads? And it like day one,

0:16:41.120 --> 0:16:44.720
<v Speaker 1>it was like this has been used by day. By

0:16:44.880 --> 0:16:48.240
<v Speaker 1>day like seven, it's like, oh my god, I don't

0:16:48.240 --> 0:16:49.600
<v Speaker 1>even know if they made for breeze when I was

0:16:49.600 --> 0:16:52.600
<v Speaker 1>in high school. But so it just it just kept

0:16:52.600 --> 0:16:55.480
<v Speaker 1>getting worse. But that's how it was. It was like

0:16:55.560 --> 0:16:58.240
<v Speaker 1>day one. I'm like, oh, but it was a little

0:16:58.240 --> 0:17:01.360
<v Speaker 1>different because it wasn't like used football gear. It was

0:17:01.880 --> 0:17:05.880
<v Speaker 1>new to me. So everything in it was my fault,

0:17:06.040 --> 0:17:10.199
<v Speaker 1>Like I caused every smell in this thing. By like

0:17:10.520 --> 0:17:14.960
<v Speaker 1>third episode, I'm like, this is this is getting tough

0:17:15.000 --> 0:17:17.280
<v Speaker 1>to deal with. They would try, they would for breathe it,

0:17:17.320 --> 0:17:19.200
<v Speaker 1>they would sit it out in the sun, probably let

0:17:19.200 --> 0:17:21.680
<v Speaker 1>it air bait. I don't know it was. It was right.

0:17:21.880 --> 0:17:24.400
<v Speaker 1>Luckily they did their best. They did their best to

0:17:24.400 --> 0:17:27.280
<v Speaker 1>try to air it out and make it a little

0:17:27.320 --> 0:17:30.200
<v Speaker 1>more livable. That was a lot of information about smell.

0:17:30.240 --> 0:17:34.359
<v Speaker 1>By the last question about about mass Singer, I heard

0:17:34.359 --> 0:17:38.639
<v Speaker 1>that you chose the rottweiler for a reason. Yeah. So

0:17:38.920 --> 0:17:40.840
<v Speaker 1>when they approached me to do the show, they had

0:17:40.880 --> 0:17:45.879
<v Speaker 1>like three or four different costume options, and I was like,

0:17:45.960 --> 0:17:48.200
<v Speaker 1>I'm gonna have to just go with the rottweiler because

0:17:48.240 --> 0:17:51.360
<v Speaker 1>I have a connection to a rottweiler. I got bit

0:17:51.480 --> 0:17:54.680
<v Speaker 1>by one when I was like fourteen or fifteen. My

0:17:54.720 --> 0:17:58.280
<v Speaker 1>mom watched this This blind lady took care of her

0:17:58.480 --> 0:18:01.680
<v Speaker 1>a few days a week, helping out stuff around the house,

0:18:01.720 --> 0:18:05.320
<v Speaker 1>and she had this rottweiler and she was like, Oh, Chris,

0:18:05.400 --> 0:18:07.879
<v Speaker 1>this is the sweetest dog ever. Don't don't be afraid.

0:18:07.960 --> 0:18:10.359
<v Speaker 1>You can come over here in Petter. The very second

0:18:10.400 --> 0:18:13.080
<v Speaker 1>I reached my hand out, this dog jumped up and

0:18:13.200 --> 0:18:15.600
<v Speaker 1>snapped my leg and it scared the living ship out

0:18:15.600 --> 0:18:19.640
<v Speaker 1>of me, ripped through my jeans, barely scratched the skin.

0:18:19.720 --> 0:18:22.080
<v Speaker 1>I'm not gonna try trying not to be too dramatic.

0:18:22.200 --> 0:18:25.960
<v Speaker 1>Barely scratched the skin, but it scarred my soul for life.

0:18:27.080 --> 0:18:30.399
<v Speaker 1>It was terrifying. This dog's head was like the size

0:18:30.400 --> 0:18:33.280
<v Speaker 1>of my head on the show. It was. It could

0:18:33.320 --> 0:18:35.480
<v Speaker 1>have ripped my leg off if it wanted to. I

0:18:35.520 --> 0:18:37.320
<v Speaker 1>don't know if it was scared that I was getting

0:18:37.320 --> 0:18:40.639
<v Speaker 1>too close to its owner and and didn't trust me.

0:18:40.760 --> 0:18:43.600
<v Speaker 1>I don't know. Maybe it was the nineties geens. I

0:18:43.640 --> 0:18:46.360
<v Speaker 1>don't know. Maybe it didn't like baggy jeans. I don't

0:18:46.400 --> 0:18:48.840
<v Speaker 1>I don't really know the motive. But it bit me,

0:18:48.880 --> 0:18:51.720
<v Speaker 1>and it scared me, and I never touched that dog again,

0:18:51.920 --> 0:18:55.040
<v Speaker 1>and I don't think I've pet a Rottweiler since. So

0:18:55.240 --> 0:18:59.719
<v Speaker 1>it was me embracing and facing my fears, much like

0:19:00.080 --> 0:19:03.720
<v Speaker 1>Swayne became a game batman because it was terrified about

0:19:04.320 --> 0:19:07.080
<v Speaker 1>I like that. Okay, I'm running out of time with you,

0:19:07.080 --> 0:19:08.600
<v Speaker 1>but I want to kind of flip over to like

0:19:08.640 --> 0:19:10.600
<v Speaker 1>my portion of the show. I don't know if anyone

0:19:10.680 --> 0:19:13.280
<v Speaker 1>told you, but this is an Origin Stories podcast, so

0:19:13.320 --> 0:19:15.840
<v Speaker 1>I like to find out where people came from and

0:19:15.880 --> 0:19:21.240
<v Speaker 1>how the hell they got here. You down, all right, quick, brighton,

0:19:21.320 --> 0:19:24.600
<v Speaker 1>we come back. Chris Daughtry tells us where he came

0:19:24.640 --> 0:19:26.800
<v Speaker 1>from and why the fun he is on this show?

0:19:27.200 --> 0:19:37.679
<v Speaker 1>Stick around all right back in the Wales cast have

0:19:38.080 --> 0:19:40.240
<v Speaker 1>Christofrey on the show. He's gonna be doing a live

0:19:40.280 --> 0:19:45.520
<v Speaker 1>show from Nashville, which you can virtually be a part of.

0:19:45.560 --> 0:19:47.960
<v Speaker 1>It's coming up on March twelve, by your tickets over

0:19:48.000 --> 0:19:51.359
<v Speaker 1>at gigs dot Live. I want to know you know,

0:19:51.600 --> 0:19:55.520
<v Speaker 1>obviously there's been a whole lot of information about you

0:19:55.640 --> 0:19:58.520
<v Speaker 1>pre American Idol. So where did you come from? Man?

0:19:59.200 --> 0:20:04.200
<v Speaker 1>In a small, small, small town called Laska, North Carolina.

0:20:04.640 --> 0:20:06.720
<v Speaker 1>I don't think it was on the map until after

0:20:06.840 --> 0:20:08.639
<v Speaker 1>I was on an American Idol, to be honest, I

0:20:08.720 --> 0:20:13.520
<v Speaker 1>think it was a town of like nine people one stoplight. No,

0:20:13.680 --> 0:20:18.280
<v Speaker 1>I think it was a hundred people actually, but it

0:20:18.440 --> 0:20:21.160
<v Speaker 1>was like one street. I was around music all my life,

0:20:21.160 --> 0:20:24.199
<v Speaker 1>but never really um never really showed an interest. I

0:20:24.240 --> 0:20:26.480
<v Speaker 1>was always into art, Batman, I was. I wanted to

0:20:26.520 --> 0:20:31.200
<v Speaker 1>be a comic book artist actually, way before I ever

0:20:31.359 --> 0:20:33.919
<v Speaker 1>picked up a guitar, even though my dad played guitar,

0:20:34.040 --> 0:20:38.240
<v Speaker 1>My granddad played guitar. It was around music, but never

0:20:38.280 --> 0:20:41.040
<v Speaker 1>showed any interest other than like singing along with the radio.

0:20:41.480 --> 0:20:45.119
<v Speaker 1>Didn't really give the nineties hit and I started getting into.

0:20:45.280 --> 0:20:48.560
<v Speaker 1>My brothers started turning me onto like, you know, Metallica

0:20:48.840 --> 0:20:53.159
<v Speaker 1>Black album and this band called Live, this Throwing Copper album.

0:20:53.240 --> 0:20:55.639
<v Speaker 1>He was like, oh, you gotta listen to this, and

0:20:55.680 --> 0:20:57.960
<v Speaker 1>I remember kind of blowing it off at first, and

0:20:58.119 --> 0:21:01.680
<v Speaker 1>bands like Sound Garden and Stone Temple Pilots I got

0:21:01.680 --> 0:21:03.800
<v Speaker 1>really heavy into them. But there was this album called

0:21:03.800 --> 0:21:06.320
<v Speaker 1>Throwing Copper that I kind of kept going back to

0:21:06.440 --> 0:21:08.640
<v Speaker 1>and listening to. And the more I listened, the more

0:21:08.640 --> 0:21:10.679
<v Speaker 1>I became obsessed. The more I listened to more, I

0:21:10.680 --> 0:21:13.280
<v Speaker 1>wanted to sing like this guy. I got really obsessed

0:21:13.280 --> 0:21:17.160
<v Speaker 1>with that koalchich from Live and in his voice and

0:21:17.240 --> 0:21:21.760
<v Speaker 1>his songwriting, and I wanted to learn how to play guitar.

0:21:22.680 --> 0:21:25.239
<v Speaker 1>I had a friend in high school who played, and

0:21:25.280 --> 0:21:27.639
<v Speaker 1>he was I remember him playing like um in class.

0:21:27.640 --> 0:21:29.879
<v Speaker 1>One day he had his guitar. We were kind of

0:21:30.119 --> 0:21:32.480
<v Speaker 1>sucking around, we didn't have anything to do, and he

0:21:32.560 --> 0:21:35.240
<v Speaker 1>started playing I think Fell on Black Days or something

0:21:35.280 --> 0:21:36.640
<v Speaker 1>like that, and I was like, Oh, that's the shift

0:21:36.640 --> 0:21:39.400
<v Speaker 1>I'm into. My death played country music. Wasn't really into that,

0:21:39.760 --> 0:21:41.520
<v Speaker 1>so it didn't really appeal to me to ever pick

0:21:41.600 --> 0:21:43.399
<v Speaker 1>up a guitar, and so I was like, oh, you

0:21:43.480 --> 0:21:45.520
<v Speaker 1>gotta show me some chords. One day, he kind of

0:21:45.520 --> 0:21:48.719
<v Speaker 1>showed me a few chords and surprisingly picked it up

0:21:49.200 --> 0:21:53.639
<v Speaker 1>relatively quickly and started kind of learning the songs that

0:21:53.720 --> 0:21:57.240
<v Speaker 1>I was into. I remember singing in front of him

0:21:57.280 --> 0:21:59.760
<v Speaker 1>one day kind of like sheepishly, and he was like,

0:22:00.680 --> 0:22:03.440
<v Speaker 1>why aren't you doing this? Man? You sound like Tracy Chapman,

0:22:03.520 --> 0:22:05.720
<v Speaker 1>and I love Tracy Chapman. I was like, oh, cool, man.

0:22:05.800 --> 0:22:07.919
<v Speaker 1>I think it was just my you know, singing with

0:22:07.960 --> 0:22:13.960
<v Speaker 1>hesitant had had the had the tone, but I didn't

0:22:14.000 --> 0:22:17.000
<v Speaker 1>really know what I was doing. And he had a band,

0:22:17.080 --> 0:22:19.199
<v Speaker 1>like a cover band that he was one of like

0:22:19.359 --> 0:22:21.600
<v Speaker 1>six members, and I was like, he was like, dude,

0:22:21.600 --> 0:22:23.639
<v Speaker 1>you need to come sing a couple of songs with us.

0:22:23.640 --> 0:22:26.080
<v Speaker 1>One night we played this like open mic night at

0:22:26.240 --> 0:22:32.000
<v Speaker 1>like cafe something. And by the way, fast forward, I'm

0:22:32.040 --> 0:22:34.760
<v Speaker 1>not in North Carolina anymore. I mean this is ninety four,

0:22:36.160 --> 0:22:40.800
<v Speaker 1>ninety six probably, I'm in Virginia near Charlottesville, Virginia, where

0:22:40.840 --> 0:22:44.119
<v Speaker 1>my parents moved to for job, a different job, and

0:22:44.280 --> 0:22:47.160
<v Speaker 1>I moved there in ninety four started getting into music,

0:22:47.400 --> 0:22:50.439
<v Speaker 1>Like I said, early nineties. So now we're like ninety

0:22:50.520 --> 0:22:53.240
<v Speaker 1>six and I'm learning how to play guitar and I'm

0:22:53.280 --> 0:22:56.800
<v Speaker 1>singing at open mic night. I think it was even

0:22:56.880 --> 0:23:00.840
<v Speaker 1>like a Dave Matthews song or something. And I think

0:23:00.840 --> 0:23:03.680
<v Speaker 1>we even threw in a little live and something that

0:23:03.680 --> 0:23:05.520
<v Speaker 1>that catered to my voice a little bit more. And

0:23:06.600 --> 0:23:08.919
<v Speaker 1>I kind of started just writing my own thing. I

0:23:09.080 --> 0:23:13.639
<v Speaker 1>was doing a few weekends with them here and there,

0:23:13.840 --> 0:23:16.080
<v Speaker 1>and then I was like, I think I want to

0:23:16.080 --> 0:23:18.720
<v Speaker 1>start my own band. I had my buddy that lived

0:23:18.760 --> 0:23:20.960
<v Speaker 1>with me. He was learning how to play bass the

0:23:21.000 --> 0:23:23.560
<v Speaker 1>same time I was learning how to play guitar. A

0:23:23.600 --> 0:23:26.360
<v Speaker 1>friend of mine in class said he could play drums.

0:23:26.400 --> 0:23:28.600
<v Speaker 1>So we're like, okay, we barely know how to play

0:23:28.600 --> 0:23:32.480
<v Speaker 1>our instruments. Let's let's let's learn together here and we

0:23:32.640 --> 0:23:35.480
<v Speaker 1>uh used my buddies garage. That told me I sounded

0:23:35.520 --> 0:23:37.840
<v Speaker 1>like Tracy Chapman because I didn't have a garage. I

0:23:37.880 --> 0:23:40.160
<v Speaker 1>lived in a double wide trailer and nowhere to practice

0:23:40.200 --> 0:23:45.080
<v Speaker 1>and calls noise. So um. My friend Robert Nesbitt was

0:23:45.119 --> 0:23:48.200
<v Speaker 1>gracious enough his family, rather, it was gracious enough to

0:23:48.280 --> 0:23:52.640
<v Speaker 1>let us uh suck really bad in his garage. We

0:23:52.640 --> 0:23:55.720
<v Speaker 1>were playing nothing but live covers, Secret Somebody album top

0:23:55.800 --> 0:23:59.439
<v Speaker 1>to bottom. It's like it's only live. This is what

0:23:59.440 --> 0:24:02.600
<v Speaker 1>we're doing. It was self indulgent on my part. It

0:24:02.680 --> 0:24:05.960
<v Speaker 1>was like, I'm the singer, this is what we're playing.

0:24:06.640 --> 0:24:09.360
<v Speaker 1>And then I started writing really bad songs. We would

0:24:09.400 --> 0:24:12.719
<v Speaker 1>perform those, we would refine them over time, and they

0:24:12.720 --> 0:24:15.720
<v Speaker 1>were listenable, didn't have a whole lot of depth lyrically.

0:24:15.960 --> 0:24:20.919
<v Speaker 1>We did a full on demo around and we were

0:24:20.920 --> 0:24:23.720
<v Speaker 1>in a band called Cadence, and we started getting in

0:24:23.760 --> 0:24:27.080
<v Speaker 1>the circuit. We started playing the Charlottesville circuit, opening up

0:24:27.080 --> 0:24:30.360
<v Speaker 1>for bands that were we're more well known than us,

0:24:30.359 --> 0:24:34.040
<v Speaker 1>and Charlottesville, Virginia at the time was hopping with original music.

0:24:34.359 --> 0:24:37.680
<v Speaker 1>Nobody was playing covers, so it was perfect for us

0:24:37.720 --> 0:24:40.040
<v Speaker 1>because we we were we were like, we got our

0:24:40.320 --> 0:24:43.040
<v Speaker 1>we were writing new new stuff. We're writing our own stuff.

0:24:43.200 --> 0:24:45.040
<v Speaker 1>We didn't want to play covers out in public. We

0:24:45.040 --> 0:24:47.239
<v Speaker 1>wanted we wanted to get signed. I didn't know how

0:24:47.280 --> 0:24:49.360
<v Speaker 1>to do that, but we're that's what we were gonna do.

0:24:49.560 --> 0:24:51.520
<v Speaker 1>So we started opening up for well known bands in

0:24:51.520 --> 0:24:54.760
<v Speaker 1>the area and we we got on opening for this

0:24:54.800 --> 0:24:58.080
<v Speaker 1>band called My Dog Lucy, which fast forward to now

0:24:58.400 --> 0:25:00.240
<v Speaker 1>the guitar player from that band as an Now the

0:25:00.240 --> 0:25:03.800
<v Speaker 1>guitar player for Daughtry Brian Craddick. We opened for this

0:25:03.840 --> 0:25:06.600
<v Speaker 1>band called Earth to Andy, who was really blowing up

0:25:06.600 --> 0:25:09.560
<v Speaker 1>in the area. They had just got signed to Giant Records.

0:25:09.920 --> 0:25:13.080
<v Speaker 1>They had toured with you know, Stone Timple Pilots and

0:25:13.160 --> 0:25:16.240
<v Speaker 1>opened for Aerosmith and we were like, oh, ship, we're next.

0:25:16.640 --> 0:25:20.280
<v Speaker 1>And we started playing for crowds, like I think the

0:25:20.280 --> 0:25:22.560
<v Speaker 1>most people we ever drew was like three people, but

0:25:22.600 --> 0:25:24.879
<v Speaker 1>it wasn't our crowd. It was somebody else's that we

0:25:24.880 --> 0:25:27.000
<v Speaker 1>were opening for. But we took it as hours. We

0:25:27.040 --> 0:25:31.440
<v Speaker 1>got on like the Late Night Nine. It was a

0:25:31.560 --> 0:25:35.399
<v Speaker 1>radio station in Charlesville, College station, local station that would

0:25:35.440 --> 0:25:38.440
<v Speaker 1>that would interview bands like midnight, and we were like, oh,

0:25:38.600 --> 0:25:41.040
<v Speaker 1>we made it. Were they're playing our stuff, but it's

0:25:41.040 --> 0:25:46.200
<v Speaker 1>at midnight when nobody's listening. And then it just felt

0:25:46.240 --> 0:25:48.600
<v Speaker 1>like we were spending wheels. Fast forward years later, I

0:25:48.640 --> 0:25:50.720
<v Speaker 1>moved to North Carolina. When I met my wife, we

0:25:50.840 --> 0:25:53.480
<v Speaker 1>broke up. Me and the band broke up because it

0:25:53.480 --> 0:25:55.920
<v Speaker 1>became too too much for me to go back and forth.

0:25:55.960 --> 0:25:59.919
<v Speaker 1>The band practice playing you know, for nobody, and then

0:26:00.080 --> 0:26:03.199
<v Speaker 1>started another band and that didn't really do anything, and

0:26:03.240 --> 0:26:06.359
<v Speaker 1>then I went on American Idol and the rest is history.

0:26:06.560 --> 0:26:09.000
<v Speaker 1>So I feel like I'm I'm pretty sure I missed

0:26:09.280 --> 0:26:11.320
<v Speaker 1>a lot of in between stuff, but it was a

0:26:11.359 --> 0:26:13.480
<v Speaker 1>whole lot of spinning wheels in that in that amount

0:26:13.480 --> 0:26:15.879
<v Speaker 1>of time was like ten years of playing for the

0:26:15.960 --> 0:26:19.760
<v Speaker 1>guest list. I heard that there was a competition show

0:26:19.840 --> 0:26:23.760
<v Speaker 1>that was before American Idol called rock Starring Excess. Yes, yes,

0:26:23.960 --> 0:26:27.280
<v Speaker 1>so I did that. I went an auditioned for rock

0:26:27.359 --> 0:26:29.760
<v Speaker 1>Star in Excess. I was living in North Carolina, went

0:26:29.840 --> 0:26:33.159
<v Speaker 1>to Charlotte to this little club and had like a

0:26:33.200 --> 0:26:36.560
<v Speaker 1>one on one audition with the producer and I did

0:26:36.760 --> 0:26:41.200
<v Speaker 1>um Desire from YouTube and and never tear us apart

0:26:41.400 --> 0:26:44.879
<v Speaker 1>from an Excess, brought my guitar played. It was in

0:26:44.920 --> 0:26:47.560
<v Speaker 1>a club, like full on, like open mic night at

0:26:47.720 --> 0:26:50.639
<v Speaker 1>a club, did the whole interview, and I was pumped.

0:26:50.680 --> 0:26:52.639
<v Speaker 1>I was like, Oh, this is the moment. There's a

0:26:52.720 --> 0:26:55.800
<v Speaker 1>rock show. This is it. And months go by, I

0:26:55.840 --> 0:26:59.399
<v Speaker 1>hear nothing, I hear nothing, and I finally I'm like

0:27:00.240 --> 0:27:02.080
<v Speaker 1>reaching out to one of the producers. I'm like, hey,

0:27:03.760 --> 0:27:07.920
<v Speaker 1>like what's happening. And they told me they let me

0:27:07.960 --> 0:27:10.720
<v Speaker 1>down easy. They were like, we actually think it wouldn't

0:27:10.880 --> 0:27:13.600
<v Speaker 1>be good for your career to be on this show.

0:27:14.480 --> 0:27:16.720
<v Speaker 1>Maybe not in those words, but it was something like,

0:27:17.040 --> 0:27:18.920
<v Speaker 1>we think this would hurt you more than it would

0:27:18.960 --> 0:27:20.960
<v Speaker 1>help you. And I just thought they were being nice.

0:27:21.240 --> 0:27:24.040
<v Speaker 1>All right, well that's a nice way of saying you know,

0:27:23.640 --> 0:27:27.040
<v Speaker 1>you're not good enough or whatever. You know. I was green.

0:27:27.080 --> 0:27:29.439
<v Speaker 1>I didn't know what to think. I was like, all right, well,

0:27:30.000 --> 0:27:32.960
<v Speaker 1>no big deal. There was a moment like it's over.

0:27:33.400 --> 0:27:36.560
<v Speaker 1>But then I was watching the latest season of American

0:27:36.600 --> 0:27:39.720
<v Speaker 1>Island at the time, and I remember seeing it wasn't

0:27:39.760 --> 0:27:43.720
<v Speaker 1>just a bunch of pop singers anymore, Like bobis was

0:27:43.760 --> 0:27:46.120
<v Speaker 1>on their constant team Marulas and it was a year

0:27:46.160 --> 0:27:50.760
<v Speaker 1>carry Underwood one and I remember thinking like, I mean,

0:27:51.800 --> 0:27:55.160
<v Speaker 1>maybe they're more interested in being diverse now and and

0:27:55.240 --> 0:27:58.960
<v Speaker 1>maybe something maybe there is room for someone like myself.

0:27:59.720 --> 0:28:03.320
<v Speaker 1>And went in audition. Well, I was supposed audition in Memphis.

0:28:03.320 --> 0:28:05.040
<v Speaker 1>I'm living in North Carolina at the time. I was

0:28:05.080 --> 0:28:06.879
<v Speaker 1>gonna go audition in Memphis. That was going to be

0:28:06.920 --> 0:28:11.919
<v Speaker 1>the closest audition the Hurricane Katrina hits. They canceled that

0:28:12.000 --> 0:28:15.800
<v Speaker 1>audition because the FedEx Forum where they were holding auditions

0:28:16.200 --> 0:28:20.879
<v Speaker 1>was used for for, you know, people that lost their homes,

0:28:20.920 --> 0:28:24.359
<v Speaker 1>you know, people were having they were using them, using

0:28:24.400 --> 0:28:28.240
<v Speaker 1>it to house thousands of people. And the next audition

0:28:28.280 --> 0:28:31.280
<v Speaker 1>would have been in Denver, Colorado, and I'm like, that's

0:28:31.280 --> 0:28:34.439
<v Speaker 1>a long ways away. We're broke, We're like, that's a

0:28:34.560 --> 0:28:37.679
<v Speaker 1>that's an expensive flight. And my job raised money for

0:28:37.760 --> 0:28:41.040
<v Speaker 1>me to fly to Denver, Colorado to go audition, and

0:28:41.080 --> 0:28:43.800
<v Speaker 1>I flew out there. I had never been. I don't

0:28:43.880 --> 0:28:47.040
<v Speaker 1>think i'd ever at this point, never traveled away from

0:28:47.040 --> 0:28:51.400
<v Speaker 1>my family. And I'm out there by myself at Broncos Stadium,

0:28:51.640 --> 0:28:55.360
<v Speaker 1>five thirty in the morning, in line thousands of people. Right.

0:28:56.560 --> 0:28:58.600
<v Speaker 1>We we go, we take a ticket and we get

0:28:58.640 --> 0:29:02.600
<v Speaker 1>seated in Eco Stadium. It's like nine thousand people. They

0:29:02.640 --> 0:29:06.959
<v Speaker 1>call you up by I think, I think, I don't know.

0:29:07.040 --> 0:29:11.520
<v Speaker 1>Let's say ten people at a time, and you're there's

0:29:11.560 --> 0:29:15.240
<v Speaker 1>like ten different producers, and there's a line at each producer,

0:29:15.720 --> 0:29:18.520
<v Speaker 1>and they call one person up at the same time

0:29:18.560 --> 0:29:21.920
<v Speaker 1>from that line. So it's like ten people singing at

0:29:21.960 --> 0:29:24.000
<v Speaker 1>the same time. I think we're spaced out a good

0:29:24.600 --> 0:29:27.640
<v Speaker 1>Let's say ten ft apart, and so you can hear

0:29:27.760 --> 0:29:30.400
<v Speaker 1>the person next to you singing and the person to

0:29:30.440 --> 0:29:32.760
<v Speaker 1>your left, and you got the producer in front of you,

0:29:33.000 --> 0:29:36.320
<v Speaker 1>and they're like giving you like ten maybe thirty seconds,

0:29:36.360 --> 0:29:39.080
<v Speaker 1>depends on it changes from singer to singer. And I

0:29:39.120 --> 0:29:41.920
<v Speaker 1>remember it's my turn, and I'm like, I just gotta

0:29:41.920 --> 0:29:44.760
<v Speaker 1>be loud as I gotta be louder than everybody else.

0:29:45.960 --> 0:29:47.920
<v Speaker 1>And I went up and I saying I put a

0:29:47.920 --> 0:29:50.520
<v Speaker 1>spell on you CCRs version, and I just went up

0:29:50.560 --> 0:29:54.840
<v Speaker 1>and I walked up and I just went on you,

0:29:55.160 --> 0:29:59.840
<v Speaker 1>and everybody like stopped and looked, and I was like, uh,

0:30:00.120 --> 0:30:01.480
<v Speaker 1>I don't know if this is a good thing, but

0:30:01.520 --> 0:30:04.520
<v Speaker 1>I just got everybody's attention, and the guy was like,

0:30:05.200 --> 0:30:09.160
<v Speaker 1>you're in and I was like, okay, cool. I didn't

0:30:09.200 --> 0:30:11.800
<v Speaker 1>realize the process at this point. So that was round

0:30:11.840 --> 0:30:14.560
<v Speaker 1>number one. Then I gotta go audition the next day.

0:30:14.600 --> 0:30:16.120
<v Speaker 1>I gotta go do a bunch of paperwork. Then I

0:30:16.120 --> 0:30:19.040
<v Speaker 1>gotta go audition the next day for what I think

0:30:19.120 --> 0:30:22.320
<v Speaker 1>is going to be the judges. Nope, it's the executive producers.

0:30:22.800 --> 0:30:25.200
<v Speaker 1>And I did the same song and they were just like,

0:30:26.360 --> 0:30:28.760
<v Speaker 1>it's a little too raspy for my taste. Maybe when

0:30:28.800 --> 0:30:33.080
<v Speaker 1>you audition for the judges, do something a little little uh,

0:30:33.280 --> 0:30:36.480
<v Speaker 1>I don't know, a little a little more recognizable, like

0:30:36.520 --> 0:30:38.640
<v Speaker 1>the letter from Joe Cocker. I was like, oh, so

0:30:38.680 --> 0:30:41.280
<v Speaker 1>it is. Oh does this mean that I get to

0:30:41.600 --> 0:30:43.680
<v Speaker 1>do this again? Oh? Yeah, yeah, I know you made it.

0:30:43.720 --> 0:30:47.560
<v Speaker 1>I was like, what once again? Auditions were thrown off

0:30:47.600 --> 0:30:50.600
<v Speaker 1>because of the Katrina thing. So would have been the

0:30:50.680 --> 0:30:53.520
<v Speaker 1>next day auditioning for paul Irandi and Simon. I had

0:30:53.560 --> 0:30:56.239
<v Speaker 1>to fly back home and come back I think a

0:30:56.280 --> 0:30:59.280
<v Speaker 1>week or two later to audition. So a week or

0:30:59.320 --> 0:31:01.640
<v Speaker 1>two later, me and my wife fly back out and

0:31:01.680 --> 0:31:04.320
<v Speaker 1>I do the audition for Paula, Simon, Randy and we

0:31:04.360 --> 0:31:07.840
<v Speaker 1>all saw how that went. But right afterwards, like I

0:31:08.120 --> 0:31:10.680
<v Speaker 1>walk outside and I see Simon because he gave me

0:31:10.720 --> 0:31:13.320
<v Speaker 1>some ship in the audition, but I kind of felt

0:31:13.400 --> 0:31:16.680
<v Speaker 1>like I kind of like I felt personally like he's

0:31:16.720 --> 0:31:19.760
<v Speaker 1>he's like testing me, like like kind of keeping me

0:31:19.800 --> 0:31:21.840
<v Speaker 1>on my toes. So I saw him getting ready get

0:31:21.920 --> 0:31:23.640
<v Speaker 1>in his car, and I walked up to him and

0:31:23.640 --> 0:31:25.120
<v Speaker 1>I was like, I'll prove you wrong in Hollywood and

0:31:25.120 --> 0:31:27.120
<v Speaker 1>he shook my hand. He was like, you do that, Chris.

0:31:27.360 --> 0:31:31.000
<v Speaker 1>I was like, oh snappy, remember my name. And uh

0:31:31.080 --> 0:31:33.280
<v Speaker 1>So we fly home. Me and my wife are celebrating.

0:31:33.360 --> 0:31:37.640
<v Speaker 1>We're super stoked. They add a new audition location to

0:31:37.840 --> 0:31:42.640
<v Speaker 1>replace Memphis because I got canceled, and it's in my backyard.

0:31:42.720 --> 0:31:47.840
<v Speaker 1>It's in Greensboro, North Carolina, And I'm like, are you

0:31:47.960 --> 0:31:50.640
<v Speaker 1>kidding me? But at this point I had already made it.

0:31:50.800 --> 0:31:54.800
<v Speaker 1>So it was perfect because the producers were like, hey,

0:31:54.800 --> 0:31:57.680
<v Speaker 1>since we're gonna be literally like fifteen minutes from your house,

0:31:58.720 --> 0:32:00.959
<v Speaker 1>this is a perfect time to do like some backstory

0:32:01.200 --> 0:32:04.920
<v Speaker 1>b roll and I'm like, oh snap. So it was

0:32:04.960 --> 0:32:08.400
<v Speaker 1>perfect because now I don't have to to wonder if

0:32:08.640 --> 0:32:11.760
<v Speaker 1>I'm gonna make it to Hollywood. And and now they're

0:32:11.800 --> 0:32:15.560
<v Speaker 1>filming extra stuff on me, which usually when I see this,

0:32:16.040 --> 0:32:18.800
<v Speaker 1>that means this person is gonna go far. So I'm

0:32:18.800 --> 0:32:21.920
<v Speaker 1>thinking all the thoughts start flooding it. I'm like, okay,

0:32:21.920 --> 0:32:24.120
<v Speaker 1>this is all a good thing. And they're like filming

0:32:24.200 --> 0:32:27.280
<v Speaker 1>my kids. They're like filming me playing air hockey with

0:32:27.320 --> 0:32:31.920
<v Speaker 1>my kids, and um walking around packing my bags like

0:32:31.960 --> 0:32:35.080
<v Speaker 1>I'm going it was crazy. Um, And this was all

0:32:35.120 --> 0:32:39.560
<v Speaker 1>like coming from plane to twenty people at brew Balls

0:32:40.360 --> 0:32:43.520
<v Speaker 1>in Burlington, North Carolina. Yes, that is a real place.

0:32:43.720 --> 0:32:46.960
<v Speaker 1>I'm not kidding. Brew Balls sounds like a disease, but

0:32:47.200 --> 0:32:49.360
<v Speaker 1>it was it was a place that allowed me to play,

0:32:49.360 --> 0:32:52.200
<v Speaker 1>and I'm very grateful for brew Balls and Blue Gator

0:32:52.440 --> 0:32:54.320
<v Speaker 1>to the guest list, to like, all of a sudden,

0:32:54.320 --> 0:32:58.040
<v Speaker 1>I'm about to go potentially be away from my family

0:32:58.120 --> 0:33:01.720
<v Speaker 1>for months. And that's when I wrote Home, before I

0:33:01.760 --> 0:33:05.040
<v Speaker 1>even left to go. Um. I wrote that before I

0:33:05.040 --> 0:33:07.000
<v Speaker 1>had even experienced what it was like to be away.

0:33:07.000 --> 0:33:10.640
<v Speaker 1>I wrote that song so um it was it was

0:33:10.680 --> 0:33:15.240
<v Speaker 1>an interesting um. I mean, it was running gun. I

0:33:15.240 --> 0:33:17.440
<v Speaker 1>had never experienced anything like that in my life. And

0:33:17.440 --> 0:33:21.640
<v Speaker 1>I'm singing every day. Up We're up at like sitting

0:33:21.680 --> 0:33:25.000
<v Speaker 1>on the lot for hours doing nothing, and then we'd

0:33:25.040 --> 0:33:29.680
<v Speaker 1>be up to like midnight rehearsing. This was all in

0:33:29.720 --> 0:33:33.480
<v Speaker 1>Hollywood week and I was just blown away that I

0:33:33.520 --> 0:33:35.840
<v Speaker 1>was able to keep my voice that long. It was rigorous,

0:33:35.840 --> 0:33:39.680
<v Speaker 1>it was. It was definitely the most work I had

0:33:39.760 --> 0:33:43.000
<v Speaker 1>ever done in music up to that point, because you know,

0:33:43.040 --> 0:33:45.320
<v Speaker 1>band practices a bunch of dudes that don't know what

0:33:45.360 --> 0:33:47.640
<v Speaker 1>they're doing, and we're just like, yeah, that sounds great,

0:33:47.680 --> 0:33:51.880
<v Speaker 1>that's gonna be a hit, and you know, twenty people here,

0:33:52.040 --> 0:33:56.000
<v Speaker 1>you know, But it was. It was crazy. It was

0:33:56.040 --> 0:33:59.760
<v Speaker 1>fast and furious, and all those years of playing in

0:34:00.000 --> 0:34:04.320
<v Speaker 1>ours to note, you know, to hardly anyone there, and

0:34:04.320 --> 0:34:08.160
<v Speaker 1>and that that feeling of not not verbal rejection, but

0:34:08.239 --> 0:34:11.120
<v Speaker 1>that feeling of like, you know, I'll take the twenty people.

0:34:11.160 --> 0:34:16.080
<v Speaker 1>It's it's somebody. It prepared me a great deal for

0:34:16.560 --> 0:34:20.800
<v Speaker 1>you know. The actual verbal rejection of that was just okay.

0:34:20.840 --> 0:34:23.279
<v Speaker 1>I did the groundwork, for sure, And a lot of

0:34:23.280 --> 0:34:27.160
<v Speaker 1>people don't realize that that I spent that many years

0:34:27.920 --> 0:34:30.880
<v Speaker 1>playing and begging bars to like, let us let our

0:34:30.920 --> 0:34:34.080
<v Speaker 1>band play, or come play for twenty minutes, or let

0:34:34.120 --> 0:34:36.640
<v Speaker 1>me bring my guitar and play for a hundred bucks

0:34:37.360 --> 0:34:39.880
<v Speaker 1>for three hours of covers, you know, like that was

0:34:39.920 --> 0:34:42.799
<v Speaker 1>all the homework leading up to that. For sure, that

0:34:42.920 --> 0:34:46.560
<v Speaker 1>story is not a unique one on this show, which

0:34:46.680 --> 0:34:51.799
<v Speaker 1>is overnight success generally takes decades. Absolutely, I want to

0:34:51.800 --> 0:34:53.799
<v Speaker 1>be respectful of your time. So lets you go your

0:34:53.800 --> 0:34:55.960
<v Speaker 1>shirt saying Nashville. Is that a Nashville show? Yeah, it's

0:34:56.000 --> 0:34:59.680
<v Speaker 1>actually And I didn't sweet shirt man. I didn't do

0:34:59.719 --> 0:35:02.840
<v Speaker 1>this because I didn't think you did it. It felt

0:35:02.920 --> 0:35:05.720
<v Speaker 1>very organic, or else you would have taken your jacket

0:35:05.719 --> 0:35:09.279
<v Speaker 1>off and winter Hey projects six one five? Have you

0:35:09.280 --> 0:35:13.000
<v Speaker 1>ever heard of it? Exactly? I still don't have a

0:35:13.040 --> 0:35:15.000
<v Speaker 1>six one five area code. I'm still rocking the three

0:35:15.040 --> 0:35:17.840
<v Speaker 1>three six North Carolina. Well, I'm out in l A

0:35:17.960 --> 0:35:19.880
<v Speaker 1>now and I'm the only one that's got a Nashville number,

0:35:19.920 --> 0:35:23.160
<v Speaker 1>and I'm I'm sticking with it. Well, I never changed

0:35:23.200 --> 0:35:25.759
<v Speaker 1>it when I lived in l A. Well, hey man,

0:35:25.800 --> 0:35:27.560
<v Speaker 1>I'm running out of time with use. I want to

0:35:27.560 --> 0:35:29.360
<v Speaker 1>be respectful of your time, but I feel like we

0:35:29.400 --> 0:35:33.920
<v Speaker 1>could talk about this for hours. However, yea forever days,

0:35:34.000 --> 0:35:35.799
<v Speaker 1>even before I let you go, you have time for

0:35:36.040 --> 0:35:39.319
<v Speaker 1>some rapid fire questions. Rapid fire Let's do it. Here

0:35:39.360 --> 0:35:41.560
<v Speaker 1>we go. Rapid fire questions with Chris Dad Street Number one?

0:35:41.600 --> 0:35:44.799
<v Speaker 1>What's always in your fridge? Always in my fridge? Almond milk?

0:35:45.239 --> 0:35:48.920
<v Speaker 1>One thing on your bucket list? Bucket list? Um to

0:35:49.880 --> 0:35:53.239
<v Speaker 1>be in an action movie? What animals do you wish

0:35:53.280 --> 0:35:58.359
<v Speaker 1>you could talk to? Goats? Well? Why goats? I grew

0:35:58.400 --> 0:36:01.960
<v Speaker 1>up with goats. Uh, I've always had this this affinity

0:36:02.120 --> 0:36:04.719
<v Speaker 1>and and like I feel like I do have a

0:36:04.719 --> 0:36:09.799
<v Speaker 1>weird zin connection with goats whenever I see them. That's

0:36:09.800 --> 0:36:11.600
<v Speaker 1>the best answer you've gotten to that one so far.

0:36:12.239 --> 0:36:14.640
<v Speaker 1>Would you rather be rich and sad or poor and happy?

0:36:14.840 --> 0:36:17.839
<v Speaker 1>Poor and happy? Always physical trait you notice about someone

0:36:17.880 --> 0:36:21.239
<v Speaker 1>you are attracted to? But how would you describe your

0:36:21.320 --> 0:36:28.480
<v Speaker 1>high school self? Um? Let's physical, let's and eyes. Let's

0:36:28.520 --> 0:36:32.120
<v Speaker 1>go with eyes too. Yum oh did you go back

0:36:32.160 --> 0:36:38.000
<v Speaker 1>to button? Non non physical? Soul said? What was your

0:36:38.040 --> 0:36:40.799
<v Speaker 1>next question? Sorry, I'm cutting all that out. You're just

0:36:40.880 --> 0:36:45.279
<v Speaker 1>getting butts and that's that you're just getting What did

0:36:45.280 --> 0:36:47.160
<v Speaker 1>I say? How would you describe your high school self?

0:36:47.239 --> 0:36:52.200
<v Speaker 1>Probably overconfident? Who's your childhood hero? Jean Claude Van Damn,

0:36:53.680 --> 0:36:57.560
<v Speaker 1>celebrity crush Kate Beck and Sale? Did you have a

0:36:57.560 --> 0:37:02.040
<v Speaker 1>poster hanging in your bedroom? Mall? Did I? Or do you? I? Both?

0:37:05.200 --> 0:37:08.319
<v Speaker 1>I literally thought you said? Do you? Um? Yes, I had?

0:37:08.640 --> 0:37:11.799
<v Speaker 1>I had Lion Heart Jean Claude Van dam poster in

0:37:11.840 --> 0:37:17.680
<v Speaker 1>my bedroom And do you now yes? No, that would

0:37:17.680 --> 0:37:21.799
<v Speaker 1>be hilarious. Honey, this is going anywhere. This is the

0:37:21.840 --> 0:37:25.959
<v Speaker 1>one thing to staying first councer. Everyone to the first

0:37:26.000 --> 0:37:27.400
<v Speaker 1>one I went to. I don't really. It was like

0:37:27.440 --> 0:37:29.719
<v Speaker 1>a buzz fest, like a bunch of bands, but it

0:37:29.800 --> 0:37:33.240
<v Speaker 1>wasn't like it was. It wasn't anything memorable. My first

0:37:33.320 --> 0:37:38.239
<v Speaker 1>memorable concert was live throwing Copper No no secret, somebody

0:37:38.360 --> 0:37:41.960
<v Speaker 1>Uh I didn't get I wanted to see Throng Copper,

0:37:42.000 --> 0:37:45.239
<v Speaker 1>but it was it was secret somebody that was the

0:37:45.239 --> 0:37:48.120
<v Speaker 1>tour I actually funny story. I won tickets to that

0:37:48.160 --> 0:37:52.120
<v Speaker 1>show by calling the station and begging them if I

0:37:52.120 --> 0:37:54.799
<v Speaker 1>if they let me sing a live song, if I

0:37:54.800 --> 0:37:57.040
<v Speaker 1>could sing like ed kawal Chick, could I get tickets.

0:37:57.080 --> 0:37:59.400
<v Speaker 1>There wasn't a contest. They weren't having it, but they

0:37:59.400 --> 0:38:02.720
<v Speaker 1>were like, this is gonna be good. And I picked

0:38:02.760 --> 0:38:04.520
<v Speaker 1>up my guitar and I played turned my Head and

0:38:04.560 --> 0:38:06.759
<v Speaker 1>they were like, hold on just a second, and they

0:38:06.800 --> 0:38:08.600
<v Speaker 1>put me on hold. And next thing I know, I

0:38:08.640 --> 0:38:10.320
<v Speaker 1>had tickets. And then they played it on the radio

0:38:10.760 --> 0:38:12.719
<v Speaker 1>and my brother was high five and me I got

0:38:12.760 --> 0:38:14.680
<v Speaker 1>us all tickets. It was great. What was the first

0:38:14.680 --> 0:38:17.399
<v Speaker 1>record set or c you bought to legit? To quit

0:38:17.560 --> 0:38:22.720
<v Speaker 1>from hammer? And last one? When you win a Grammy?

0:38:22.960 --> 0:38:27.200
<v Speaker 1>Who you think? First? My wife for her eternal patients

0:38:28.000 --> 0:38:31.320
<v Speaker 1>and for allowing you to have Geen Claude van Dam's picture.

0:38:36.480 --> 0:38:40.640
<v Speaker 1>Everyone go buy some tickets to Dantry Live in Nashville,

0:38:40.880 --> 0:38:44.719
<v Speaker 1>March twelve at gigs dot Live. Follow Chris Daughtry. It

0:38:44.880 --> 0:38:48.600
<v Speaker 1>just it's just at Daughtry right well, so my personal

0:38:48.800 --> 0:38:51.359
<v Speaker 1>is at Chris Daughtry, and then the band that does

0:38:51.400 --> 0:38:55.000
<v Speaker 1>all the official news is at Daughtry either one. You're

0:38:55.040 --> 0:38:58.440
<v Speaker 1>gonna get the link at some point. Very cool. World

0:38:58.440 --> 0:39:01.800
<v Speaker 1>on Fire is available now on streaming and Spotify and

0:39:01.840 --> 0:39:03.399
<v Speaker 1>all that kind of stuff. The new record is gonna

0:39:03.400 --> 0:39:06.920
<v Speaker 1>be coming out sometime soon. Is there anything time? Is

0:39:06.920 --> 0:39:08.680
<v Speaker 1>there anything that I didn't ask you about that you

0:39:08.680 --> 0:39:11.319
<v Speaker 1>want to talk about? A promote before I let you go? No, um,

0:39:12.239 --> 0:39:15.480
<v Speaker 1>World on Fires the current single, new ones coming out soon,

0:39:15.800 --> 0:39:19.759
<v Speaker 1>and keep your eyes peeled on our website and Instagram

0:39:19.920 --> 0:39:22.919
<v Speaker 1>for there's gonna be a lot coming real soon, fast

0:39:22.960 --> 0:39:26.440
<v Speaker 1>and furious, so keep your eyes open. Very cool man, Hey,

0:39:26.440 --> 0:39:29.160
<v Speaker 1>thanks for taking the time. Hey, thank you man, so

0:39:29.200 --> 0:39:31.200
<v Speaker 1>good to talk to you. Yeah, this was fun. Everyone

0:39:31.400 --> 0:39:33.319
<v Speaker 1>go at your tickets right now to Dentry Live in

0:39:33.400 --> 0:39:36.600
<v Speaker 1>Nashville again March twelve. Dude, thanks so much, bro, you rock.

0:39:36.760 --> 0:39:40.600
<v Speaker 1>Thank you man. Better He was awesome. Honestly, I think

0:39:40.640 --> 0:39:43.520
<v Speaker 1>I asked four questions and he gave us forty five

0:39:43.520 --> 0:39:45.640
<v Speaker 1>minutes of just him talk and that that's amazing. Those

0:39:45.640 --> 0:39:47.880
<v Speaker 1>are the best interviews where you sit back and you say,

0:39:47.960 --> 0:39:50.719
<v Speaker 1>all right, you take it. He might be a guy

0:39:50.760 --> 0:39:52.399
<v Speaker 1>that we need to bring back on because I need

0:39:52.400 --> 0:39:54.719
<v Speaker 1>to hear more of the story. Like I want to

0:39:54.719 --> 0:39:57.400
<v Speaker 1>hear more about right before American Idol. I wanted to

0:39:57.440 --> 0:40:00.400
<v Speaker 1>find out more about like his wife. He had like

0:40:00.480 --> 0:40:02.920
<v Speaker 1>a normal job and then went on American Idol. I

0:40:02.960 --> 0:40:05.360
<v Speaker 1>want to know, like what her perception of all this was,

0:40:05.400 --> 0:40:08.160
<v Speaker 1>because he went from just being a guy to being famous. Yeah,

0:40:08.200 --> 0:40:10.000
<v Speaker 1>we need to get him back on. That was really fun.

0:40:10.160 --> 0:40:13.080
<v Speaker 1>Super nice guy too. I love good interviews. Dude, this

0:40:13.160 --> 0:40:15.000
<v Speaker 1>is annoying probably for a lot of you to hear,

0:40:15.080 --> 0:40:18.000
<v Speaker 1>but I love he is. Yes, he's a musician and

0:40:18.000 --> 0:40:20.279
<v Speaker 1>he's very talented, but he's also a reality TV star

0:40:20.320 --> 0:40:21.960
<v Speaker 1>where you want to believe it or not. And I

0:40:22.040 --> 0:40:25.439
<v Speaker 1>love interviewing reality TV stars because guess what they get

0:40:25.520 --> 0:40:29.040
<v Speaker 1>how production works, and they give you what you need.

0:40:29.360 --> 0:40:30.759
<v Speaker 1>I don't know if that makes any sense, but if

0:40:30.760 --> 0:40:32.600
<v Speaker 1>you go back and you listen to any like the

0:40:32.680 --> 0:40:35.400
<v Speaker 1>really good reality TV people we've had on we have,

0:40:35.560 --> 0:40:39.040
<v Speaker 1>like Vine on or even the first episode he did

0:40:39.040 --> 0:40:43.160
<v Speaker 1>with Derek Dean and Jared, those guys give good interviews

0:40:43.760 --> 0:40:45.399
<v Speaker 1>because they had to do that. You know, you had

0:40:45.440 --> 0:40:46.839
<v Speaker 1>to sit in front of a camera, and you gotta

0:40:46.840 --> 0:40:49.560
<v Speaker 1>give a good interview guys. Cool, alright, go rate review

0:40:49.840 --> 0:40:52.000
<v Speaker 1>five stars A lot kind of stuff. It helps. Don't

0:40:52.000 --> 0:40:56.200
<v Speaker 1>forget to follow the Instagram. It's a at Wells cast podcast.

0:40:56.400 --> 0:40:59.719
<v Speaker 1>All the information about new shows are over there. Don't

0:40:59.760 --> 0:41:04.440
<v Speaker 1>forget to follow me at Wells Adams hands. Yeah, very soon, guys,

0:41:05.080 --> 0:41:06.880
<v Speaker 1>we're gonna be able to go to a show together.

0:41:07.120 --> 0:41:09.520
<v Speaker 1>I'm gonna buy you guys a beer. We're gonna watch

0:41:09.840 --> 0:41:13.880
<v Speaker 1>whoever's on stage. We're gonna blackout in an uber and

0:41:13.920 --> 0:41:16.480
<v Speaker 1>it's gonna be wonderful and I can't wait for it.

0:41:16.719 --> 0:41:23.719
<v Speaker 1>I honestly cannot freakinglute for the Subscribe to Welldcast on

0:41:24.320 --> 0:41:28.040
<v Speaker 1>Radio Coople podcasts or anywhere you get your podcasts. It's

0:41:28.080 --> 0:41:39.320
<v Speaker 1>the Internet. Let's see you. Yeah, yeah, yeah, no worries.

0:41:39.960 --> 0:41:42.279
<v Speaker 1>I hardly ever used Skype, so I'm always it's like

0:41:42.320 --> 0:41:46.040
<v Speaker 1>every time is the first time. I feel like that's

0:41:46.040 --> 0:41:48.239
<v Speaker 1>a song title right there. I think we got to

0:41:48.360 --> 0:41:51.200
<v Speaker 1>use that. I think Foreigner did it? Didn't it? You're right?

0:41:51.920 --> 0:41:54.399
<v Speaker 1>Damn it? Am I in frame? Good? I can't tell

0:41:54.440 --> 0:41:58.360
<v Speaker 1>if it's the Yeah, okay cool? But also like this

0:41:58.440 --> 0:41:59.920
<v Speaker 1>is just a podcast. I don't like release the bit

0:42:00.040 --> 0:42:03.200
<v Speaker 1>you so oh excellent, awesome. I'm glad that you came

0:42:03.239 --> 0:42:08.239
<v Speaker 1>to this shirtless. That was nice of you made. Yeah,

0:42:08.320 --> 0:42:13.839
<v Speaker 1>I know. Alright, So where are you in Nashville? Yeah?

0:42:13.960 --> 0:42:16.760
<v Speaker 1>Back in, back here in Nashville. I haven't left Nashville

0:42:16.760 --> 0:42:19.840
<v Speaker 1>and so long. I don't know what traveling is like anymore.

0:42:20.719 --> 0:42:23.200
<v Speaker 1>All right, you ready to do this thing? Let's do it.