WEBVTT - Mini Crush #163

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush, the show with

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<v Speaker 1>Noel Brown and Charles W. Bryant where we part around

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<v Speaker 1>and get silly about movies and other stuff fart around.

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<v Speaker 1>Speak for yourself, Chuck, I take this very seriously. Now

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<v Speaker 1>you don't what? All right? Fair enough? Movies are a

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<v Speaker 1>very important part of my life. Guys, is this uh podcast? Okay,

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<v Speaker 1>that's that's the story you're going with. That's the story

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<v Speaker 1>I'm going with, and I'm sticking to it. And uh,

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<v Speaker 1>no one can can tell me otherwise under dress even

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<v Speaker 1>indeed none can. And hey, did you notice the theme song?

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<v Speaker 1>How could I not notice that rip roaring devil hornson

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<v Speaker 1>rocking theme song that the boy Big thanks to Dan Maynard,

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<v Speaker 1>one of the beloved old pal crushers I believe in

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<v Speaker 1>Australia and Dan he's very sheepish about putting this out.

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<v Speaker 1>I was like, dude, are you kidding? Uh? This this

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<v Speaker 1>is fantastic. I love his take on it. I love

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<v Speaker 1>his take on it too, and uh, peek behind the curtain.

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<v Speaker 1>I mean he actually reached out to me directly on

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<v Speaker 1>Instagram and asked my like permission to do. It's I

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<v Speaker 1>guess I I just you know, it's just I don't

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<v Speaker 1>think of it as like you know what I mean, proprietary.

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<v Speaker 1>It belongs to the people. You know, Um, But you

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<v Speaker 1>know I did make that theme tune so many years back,

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<v Speaker 1>and uh, it was just really thoughtful for him to

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<v Speaker 1>reach out like that. And then of course he just

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<v Speaker 1>absolutely slammed it, slated it sounds cool, love it, So

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<v Speaker 1>thank you, Dan. That's great. Uh, maybe we'll just slide

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<v Speaker 1>that in there every now and then. Maybe if some

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<v Speaker 1>of our people like this chat and music. No, everyone's saying,

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<v Speaker 1>you guys should do a music podcast together. I did

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<v Speaker 1>see that. I did see that. I actually had someone

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<v Speaker 1>reach out to me um on Instagram that that asked

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<v Speaker 1>if I make you a King Gizzard playlist if I

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<v Speaker 1>could share it out publicly. So I'm going to do

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<v Speaker 1>both of those things. I'm gonna curate you because again,

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<v Speaker 1>they're the kind of band you gotta curry because they're

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<v Speaker 1>so all over the place. So I'm gonna make you

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<v Speaker 1>maybe just ten ten song long, not overdo it, King

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<v Speaker 1>Giz playlist, and then I'm gonna share it with the

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<v Speaker 1>Crusher community all over it how you doing man? Uh no,

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<v Speaker 1>I am well it is. I hope we get through

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<v Speaker 1>this recording without losing power. Supposed to get really nasty today,

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<v Speaker 1>and I heard heard, I heard there was some inclement

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<v Speaker 1>weather afoot. Yes, and uh here in my neighborhood, we

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<v Speaker 1>lose power very easily. What about you I have I'm

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<v Speaker 1>mountain dictator. I know what you are, too ish um,

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<v Speaker 1>but I guess I'm a little further. I've only lost

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<v Speaker 1>it once since I've been here, but only been here

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<v Speaker 1>this June. So who's to say, Yeah, they're actually gonna

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<v Speaker 1>bury our power lines and there's a project underway, and

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<v Speaker 1>these the people from the power company, Well, I'm even

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<v Speaker 1>talking about this is so boring. And they said, and

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<v Speaker 1>I said, hey, how about if we give you some

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<v Speaker 1>money to put this uh this huge green thing in

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<v Speaker 1>your front yard that's about the size of a half

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<v Speaker 1>of a golf cart mm hmm. And I said no,

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<v Speaker 1>thank you. They said, but we'll give you a little

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<v Speaker 1>bit of money. And I was like, I kind of

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<v Speaker 1>hide it behind bushes and things, and they said, no,

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<v Speaker 1>it has to be completely exposed. And I went, no,

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<v Speaker 1>thank you. Sorry, yeah, no, but it's like no, it's terrible.

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<v Speaker 1>This is called urban planning chat with Nolan Chuck. But

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<v Speaker 1>you know the concept of imminent domain, where they can

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<v Speaker 1>do they can force you to do that ship like

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<v Speaker 1>they don't even have to ask your permission. Sometimes I think, yeah,

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<v Speaker 1>I don't know about in this case. I mean, they're

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<v Speaker 1>looking for willing takers because it's not like it has

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<v Speaker 1>to be in my front yard, like that's the only

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<v Speaker 1>spot it can be located, or the whole neighborhood doesn't

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<v Speaker 1>get buried power. They're they're going around and they're placing

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<v Speaker 1>them where people are like, sure, I'll take whatever money

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<v Speaker 1>you're offering, but I'm just not I'm not playing ball.

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<v Speaker 1>That's good, man, that's good. You know. Speaking speaking of movies,

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<v Speaker 1>Noel and imminent domain, that was how we lost the

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<v Speaker 1>Hollywood Star Lanes where The Big Lebowski was filmed, one

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<v Speaker 1>of my regular regular hangouts back in the day when

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<v Speaker 1>I lived right down the street, and Imminent Domain came

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<v Speaker 1>in long and said we're charing down that bowling alley

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<v Speaker 1>and putting in an elementary school. Oh my god. It

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<v Speaker 1>was you know, sad. Kids don't necessarily need to bowl that.

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<v Speaker 1>They do need to learn though, but eventually they can

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<v Speaker 1>learn to bowl. Uh. That was a cool old timey

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<v Speaker 1>l a um bowling alley. Though we have one kind

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<v Speaker 1>of like that here in Atlanta. Uh, an old old

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<v Speaker 1>school bowling alley that's kind of out in the burbs.

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<v Speaker 1>Um which one. What's it called? Like bowl More Lanes

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<v Speaker 1>or something like that. But I I don't know, there's

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<v Speaker 1>maybe I'm making it up, but I definitely know that

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<v Speaker 1>there exists somewhere in this area a cool old school

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<v Speaker 1>bowling alley that may well not exist anymore. My memory

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<v Speaker 1>is tenuous, but yeah, no, your memories solid as a

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<v Speaker 1>fucking rock and old, buddy. I I can't even tell.

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<v Speaker 1>It's too early to tell if you're even being sarcastic

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<v Speaker 1>or now, but they'll take it. Fuck okay. Well, um

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<v Speaker 1>movies huh yeah, uh, movies and old. But before we

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<v Speaker 1>get into movies, I do want to say also, thank you.

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<v Speaker 1>Uh you know, I just had as you do know,

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<v Speaker 1>because you texted me very sweetly my fiftieth goddamn birthday

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<v Speaker 1>on uh two days ago on Monday, the big one

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<v Speaker 1>a week ago in real time, the big five. Oh

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<v Speaker 1>it's a weird number to see on paper. I have

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<v Speaker 1>to say, uh, and big, big thanks to old pals

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<v Speaker 1>Alison Gallagher gags gals, don't about gags. I think you

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<v Speaker 1>should try again, gals gals. Well, that's good. Let's go

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<v Speaker 1>with that right now. Maybe just Allison. I like that.

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<v Speaker 1>That's a fine name, a fine name. I try to

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<v Speaker 1>add an s like Rebecca Robes Robes that's good. Uh,

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<v Speaker 1>In Aaron Cooper, the three of them Coops or Coope

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<v Speaker 1>put together this kudo board for me. Have you seen

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<v Speaker 1>these things? Kudo boards? No, tell me, it's cool. It's

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<v Speaker 1>it's it's basically like a little um, you know, bulletin board,

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<v Speaker 1>web page kind of thing where people can put pictures

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<v Speaker 1>and videos and just type out well wishes. That very word,

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<v Speaker 1>well wishes. I love. I think people need to bring

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<v Speaker 1>well wishes back. That's so cool. Yeah, it was really lovely,

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<v Speaker 1>and so many people chimed in. I got to hear

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<v Speaker 1>the voices some of the old pals for the first time.

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<v Speaker 1>Stellan Carlson, my god, in that wonderful accent, and he

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<v Speaker 1>sang me a little song, and uh, Brittaney story is

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<v Speaker 1>the sweetest human alive. She just has this little, sweet

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<v Speaker 1>voice and kind demeanor, and I just wanted to put

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<v Speaker 1>her in my pocket, which sounds totally creepy. Uh can

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<v Speaker 1>we say that still put someone in my pocket? Uh? Yeah,

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<v Speaker 1>why not? I mean it depends on I think it's

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<v Speaker 1>all about context, Chuck. It's all about context. I mean

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<v Speaker 1>in the best way. The Danger Oven trolled me with

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<v Speaker 1>the video of Stevie Nicks and goats in the background.

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<v Speaker 1>Dan Maynard played the version live with his sweet badass

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<v Speaker 1>less ball and uh, pictures from and I had met

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<v Speaker 1>people over the years backstage and stuff you should know

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<v Speaker 1>stuff and just kind words and it really like, I'm

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<v Speaker 1>not a big birthday guy. I tried to downplay it,

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<v Speaker 1>but it was very very special. Where do I get

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<v Speaker 1>Where do I get ahold of this? Chuck? Is this

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<v Speaker 1>just for you? Or is this something? I mean? I

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<v Speaker 1>think if uh maybe? I mean it was posted on

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<v Speaker 1>the movie Crushers page, and I think people can see it.

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<v Speaker 1>I don't think it's just for my eyes only, got it.

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<v Speaker 1>I'll take a look. I was very married. I may

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<v Speaker 1>I may have missed that. Um well, that's awesome, man.

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<v Speaker 1>I hope you had a lovely day. And I know

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<v Speaker 1>you had a little bit of a getaway with the fam. Uh.

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<v Speaker 1>And I hope all that was wonderful. Yeah, you know. Saturday,

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<v Speaker 1>we kind of celebrated one of my best friends, Eddie,

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<v Speaker 1>who was born three days before me in the same hospital. Uh.

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<v Speaker 1>And we've been friends since high school, roommates in college

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<v Speaker 1>and he uh we always generally kind of celebrate our

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<v Speaker 1>birthdays together if we're in the same town and we

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<v Speaker 1>both live here. So we got together. My friends have

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<v Speaker 1>a wine shop in Kirkwood, and behind the wine shop

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<v Speaker 1>they have this big in grassy area and we've spread

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<v Speaker 1>out a bunch of chairs and had about fifteen people

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<v Speaker 1>sort of you know, distance in talking and drinking wine.

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<v Speaker 1>It was a great indeed. Uh well, speaking of distanced

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<v Speaker 1>and uh talking and drinking wine or um, just the

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<v Speaker 1>future of all of this kind of stuff. I had

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<v Speaker 1>an appointment for the first shot. Good. I'm glad to

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<v Speaker 1>hear and uh and uh. I don't know if you've

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<v Speaker 1>been able to yet, Chuck, but there it does seem

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<v Speaker 1>to be more possible here in Atlanta. Now. Yeah, I am.

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<v Speaker 1>I'm I'm fully done, dude, I'm double vax two weeks out,

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<v Speaker 1>so I'm basically invincible. I think that's awesome and how

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<v Speaker 1>that works, that's totally how that works. All things impervious

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<v Speaker 1>to all things light. Now there is a light. My

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<v Speaker 1>mom got it a while back. That was obviously a

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<v Speaker 1>big relief. Um Eden's mom got it a little while back.

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<v Speaker 1>Or the first shot anyway, so pretty moose to all

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<v Speaker 1>my immediate peeps. Uh, bax, I love it. I love it.

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<v Speaker 1>Get that shot everyone. I do want to do a

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<v Speaker 1>little r I p to the great Yaffette Koto who

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<v Speaker 1>passed away. Amazing character actor, everything from from James Bond

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<v Speaker 1>films too. Uh, Midnight Run is one of the things

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<v Speaker 1>that I've loved the most from Alien for God's sake. Uh,

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<v Speaker 1>just one of the great faces in movie history. The

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<v Speaker 1>great Yaffett Koto passed away. Did a pretty good job

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<v Speaker 1>of phonetically spelling that name. To look him up on

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<v Speaker 1>the internet. I recognize. I recognize the hell out of him. Absolutely. Yeah,

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<v Speaker 1>he's like I said, he's got one of the great faces,

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<v Speaker 1>a really good actor. And uh, I think he was

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<v Speaker 1>in one of those TV shows like Forever, one of

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<v Speaker 1>those cops shows that I don't watch. Let me see here, Yeah, homicide,

0:10:52.240 --> 0:10:55.719
<v Speaker 1>life on the Street. That's where so many people know.

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<v Speaker 1>There's so many iterations of those types of shows that

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<v Speaker 1>it's like hard to keep track. Yeah, and then there

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<v Speaker 1>are shows sort of mocking that thing, like, uh, didn't

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<v Speaker 1>one of those comedy guys do like s v U,

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<v Speaker 1>s u v C A something like yeah, Paul Shears

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<v Speaker 1>in that one, and uh, yeah a lot and those

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<v Speaker 1>are fun, Those are fun. Boy Ethakota was in a

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<v Speaker 1>bunch of movies Thomas Crown Affair, running Man, running Man,

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<v Speaker 1>Star Chamber, a lot a lot of movies with run

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<v Speaker 1>in the name, running Man and Midnight Run only two actually,

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<v Speaker 1>but still very observational observant observants. My brain isn't working

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<v Speaker 1>well yet, That's okay, chucklific guy, look at that really cool? Yeah,

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<v Speaker 1>and uh and he in that iconic scene. I don't

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<v Speaker 1>remember him being a huge obviously alien is more of

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<v Speaker 1>more about Sigourney Weaver and like the Aliens because everyone

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<v Speaker 1>else kind of dies pretty quick. But he's in that

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<v Speaker 1>scene where the chest burster pops out and everyone just

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<v Speaker 1>freaks the funk out, you know, And apparently they were

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<v Speaker 1>genuinely surprised by that and filming and the reactions were

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<v Speaker 1>pretty Oh, I didn't know that. They didn't know that

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<v Speaker 1>was gonna happen apparently that's that's what I've read. Yeah,

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<v Speaker 1>that's pretty funny. Uh So rest in peace, sir, and

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<v Speaker 1>I thought we should go over the Oscar nominations real quick.

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<v Speaker 1>It is definitely a weird year for Oscars. It's delayed,

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<v Speaker 1>uh not as many movies obviously being released, a lot

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<v Speaker 1>of the big ones being held back, but also releasing

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<v Speaker 1>some big ones. But I need to do my homework, Noel,

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<v Speaker 1>because I'm looking at best Picture The Father, have not

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<v Speaker 1>seen it, never even heard of The Father. I think

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<v Speaker 1>it's Nathany Hopkins, and I do remember hearing about that.

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<v Speaker 1>Hang on New York Times is blocking me out because

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<v Speaker 1>I don't have my subscription logged in. Let's just failed

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<v Speaker 1>New York Times, the failed, the failing. You know they're

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<v Speaker 1>they're still They're they're doing their best. Um oh yeah.

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<v Speaker 1>Also this movie No mad Land, I really want to

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<v Speaker 1>see with Francis McDorman. I haven't seen that. Have not

0:13:00.640 --> 0:13:02.760
<v Speaker 1>seen Judas in The Black Messiah. That's on the list.

0:13:03.360 --> 0:13:06.440
<v Speaker 1>I saw Half a MANK I love Make still gotta

0:13:06.480 --> 0:13:08.600
<v Speaker 1>finished Make. Yeah. I know you said you you had

0:13:08.640 --> 0:13:12.000
<v Speaker 1>a you need you needed a different headspace. I think

0:13:12.040 --> 0:13:16.000
<v Speaker 1>to take it in. But yeah, we talked about this.

0:13:16.040 --> 0:13:18.000
<v Speaker 1>It's been an interesting year for movies because there were

0:13:18.000 --> 0:13:21.280
<v Speaker 1>no big, giant tent pole movie, so that means there

0:13:21.320 --> 0:13:24.520
<v Speaker 1>were just like a lot of like smaller movies. Great.

0:13:24.920 --> 0:13:29.680
<v Speaker 1>I think it's super great. Um yeah, manari I know that. That.

0:13:29.840 --> 0:13:34.400
<v Speaker 1>Um that Stephen Young has really started kicking ass. He

0:13:34.440 --> 0:13:36.800
<v Speaker 1>was in this movie called I think it's called Burning,

0:13:37.160 --> 0:13:38.840
<v Speaker 1>a Korean film where he plays like kind of a

0:13:39.000 --> 0:13:42.720
<v Speaker 1>sociopath character. He was the kid on The Walking Dead. Yeah,

0:13:43.280 --> 0:13:48.160
<v Speaker 1>what's his name? Glenn I believe was this? Oh that's great? Yeah, fabulous.

0:13:48.240 --> 0:13:51.760
<v Speaker 1>Well he's really kicking ass. Sound of metal i've heard

0:13:51.840 --> 0:13:54.120
<v Speaker 1>is really moving. Did see that? And I did see

0:13:54.120 --> 0:13:56.760
<v Speaker 1>Promising Young Woman, which was great. Did not see Chicago

0:13:56.800 --> 0:14:01.360
<v Speaker 1>Seven Trials the Chicago Seven yet got it. Had a

0:14:01.360 --> 0:14:05.120
<v Speaker 1>lot of movies, does he know? Yeah? Interesting Glenn Close

0:14:05.160 --> 0:14:08.080
<v Speaker 1>got nominated for that hill Billy Elegy, which just got

0:14:08.320 --> 0:14:18.280
<v Speaker 1>ripped on that. It was really great. I suppose so. Uh.

0:14:18.320 --> 0:14:20.600
<v Speaker 1>And also we talked about this, I mean, mank it

0:14:20.600 --> 0:14:23.320
<v Speaker 1>it is Oscar bait as hell. I mean, they love Hollywood,

0:14:23.320 --> 0:14:26.880
<v Speaker 1>loves Hollywood. You know, love story or whatever that's not

0:14:26.920 --> 0:14:28.920
<v Speaker 1>a love story, A love story to Holly love letter

0:14:29.120 --> 0:14:32.240
<v Speaker 1>to Hollywood, as they would say, I think that one

0:14:32.240 --> 0:14:37.600
<v Speaker 1>of the notable things is the the nomination of two women,

0:14:38.040 --> 0:14:42.680
<v Speaker 1>uh in the directing category for the first time, Yes

0:14:42.800 --> 0:14:48.040
<v Speaker 1>or Benari Lee Isaac Young and Emerald Finnell or Finnel

0:14:48.080 --> 0:14:49.920
<v Speaker 1>I'm not sure I was pronounced for promising young woman.

0:14:50.560 --> 0:14:52.560
<v Speaker 1>Both supposedly great. I mean, like I said, I love

0:14:52.600 --> 0:14:55.480
<v Speaker 1>promising on women. But Manari is on the list, and

0:14:55.600 --> 0:15:00.720
<v Speaker 1>if I am not mistaken, the Best Actor category in

0:15:00.760 --> 0:15:03.880
<v Speaker 1>a leading role is also a historical because Riz Ahmed

0:15:04.400 --> 0:15:08.280
<v Speaker 1>first Sound of Rattle is the first Muslim to be

0:15:08.400 --> 0:15:12.560
<v Speaker 1>nominated in that category, and Steven Jung for Manari, is

0:15:12.600 --> 0:15:18.240
<v Speaker 1>the first Asian American to be nominated for that. Again,

0:15:20.160 --> 0:15:22.600
<v Speaker 1>really sad all these uh did you see that one?

0:15:23.280 --> 0:15:25.800
<v Speaker 1>Ma Rainey's black motto? Not yet? I just there's so

0:15:25.840 --> 0:15:29.200
<v Speaker 1>many keep acting like there were no movies released, but

0:15:29.840 --> 0:15:32.320
<v Speaker 1>there really is a small list here that I need

0:15:32.360 --> 0:15:36.160
<v Speaker 1>to check out. That's very true. Um, I've got my

0:15:36.200 --> 0:15:38.760
<v Speaker 1>work cut out for me as well, Chuck, But it's

0:15:38.760 --> 0:15:42.200
<v Speaker 1>still sort of a I don't know, I mean, who

0:15:42.920 --> 0:15:45.160
<v Speaker 1>you know me? With the oscars. I've acollated between like

0:15:45.640 --> 0:15:49.320
<v Speaker 1>super into it and who gives a ship. It's all bullshit. Yeah,

0:15:49.360 --> 0:15:52.120
<v Speaker 1>but it's fun for a minute, especially if it's like something,

0:15:52.120 --> 0:15:54.160
<v Speaker 1>you know, ones you really believed in seeing them get

0:15:54.160 --> 0:15:56.800
<v Speaker 1>their due. But it's always kind of a little bit like,

0:15:56.960 --> 0:16:01.080
<v Speaker 1>you know whatever. I don't know. We're on the same page, Chuck,

0:16:01.280 --> 0:16:04.200
<v Speaker 1>the same way I feel about the Grammys. I yeah,

0:16:04.240 --> 0:16:05.800
<v Speaker 1>you know me with the Grammys. I checked out of

0:16:05.800 --> 0:16:16.840
<v Speaker 1>the Grammys and the probably early nineties. All right, we're

0:16:16.840 --> 0:16:21.440
<v Speaker 1>gonna move on NOL to a a Prussia post. Oh boy,

0:16:21.760 --> 0:16:24.560
<v Speaker 1>uh and this is good. This was from Rick Smith.

0:16:24.600 --> 0:16:28.920
<v Speaker 1>It was a new pal rright, K Smith. I always

0:16:28.960 --> 0:16:30.800
<v Speaker 1>love it when they dropped that C. Who needs it

0:16:30.880 --> 0:16:34.760
<v Speaker 1>right extraneous? We already know it's a K sound. Why

0:16:34.760 --> 0:16:36.600
<v Speaker 1>did you need the C to make the K sound

0:16:37.560 --> 0:16:41.880
<v Speaker 1>through that C? Chuck should be C h U. K agreed,

0:16:42.560 --> 0:16:45.200
<v Speaker 1>What am I doing, NOL? It's definitely edgier looking. I'm

0:16:45.200 --> 0:16:48.160
<v Speaker 1>not gonna lie. So Rick asked this, what is the

0:16:48.200 --> 0:16:53.680
<v Speaker 1>grossest stomach churning, rech inducing scene in a movie? So

0:16:53.720 --> 0:16:55.480
<v Speaker 1>I just thought we might as all dive into this

0:16:55.680 --> 0:16:59.240
<v Speaker 1>nasty stuff. Yeah, he says his his slum Dog Millionaire,

0:16:59.280 --> 0:17:02.120
<v Speaker 1>which was a very sad sort of abuse scene with

0:17:02.200 --> 0:17:05.639
<v Speaker 1>a child, and uh see in Rick's profile picture he

0:17:05.640 --> 0:17:08.800
<v Speaker 1>has a little bebe So I get it. Man, it's um,

0:17:08.960 --> 0:17:10.719
<v Speaker 1>I mean those scenes are always tough, but especially once

0:17:10.760 --> 0:17:13.760
<v Speaker 1>you have kids, it's just very much a nope territory.

0:17:14.240 --> 0:17:18.040
<v Speaker 1>It's tough man. Uh yeah, I've I find I find myself. Uh.

0:17:18.320 --> 0:17:20.800
<v Speaker 1>I talked about this like as I get older and

0:17:20.840 --> 0:17:24.280
<v Speaker 1>my kid gets soldier, just not seeking out those types

0:17:24.359 --> 0:17:27.800
<v Speaker 1>of movies anymore. You know, I just want like lighter fare.

0:17:28.240 --> 0:17:31.760
<v Speaker 1>I thank you know, maybe I've lost my edge or whatever,

0:17:31.840 --> 0:17:34.280
<v Speaker 1>but yeah, you still got your edge. Look at you.

0:17:34.680 --> 0:17:37.159
<v Speaker 1>I'm edgy. Look at look at me. I'm a regular

0:17:37.560 --> 0:17:40.280
<v Speaker 1>regular edge lord. Uh look at this beard man as

0:17:40.359 --> 0:17:43.760
<v Speaker 1>unkempt as hell. Um. But yeah, the movie we talked about,

0:17:43.760 --> 0:17:46.160
<v Speaker 1>the movie Audition. Um, that is a movie that made

0:17:46.160 --> 0:17:47.840
<v Speaker 1>me literally get up out of my seat and walk

0:17:47.880 --> 0:17:52.200
<v Speaker 1>out of the room. Oh really was a particularly you know,

0:17:52.320 --> 0:17:54.840
<v Speaker 1>I finished it. I've I mean, I like I came back.

0:17:55.160 --> 0:17:58.040
<v Speaker 1>I just was so you know, taken aback by this

0:17:58.119 --> 0:18:02.520
<v Speaker 1>particularly grizzly orchard scene and uh and and also some

0:18:02.560 --> 0:18:04.639
<v Speaker 1>other things in that movie that really throw you for

0:18:04.680 --> 0:18:06.119
<v Speaker 1>a loop. Because the thing about that movie is it

0:18:06.160 --> 0:18:08.040
<v Speaker 1>sort of tricks you and lulls you into this false

0:18:08.320 --> 0:18:10.959
<v Speaker 1>security thinking you think you know what it is, and

0:18:10.960 --> 0:18:14.320
<v Speaker 1>then it just sort of like whiplashes, you you know, uh,

0:18:15.200 --> 0:18:18.080
<v Speaker 1>fly through the windshield. Um. But yeah, that's that's one

0:18:18.080 --> 0:18:22.359
<v Speaker 1>that always comes back to me. Uh well, you know,

0:18:22.400 --> 0:18:23.879
<v Speaker 1>I'll just comment on some of these because a lot

0:18:23.880 --> 0:18:26.800
<v Speaker 1>of these are on my list. Yavambo Dat says, Bone

0:18:26.800 --> 0:18:29.920
<v Speaker 1>Tomahawk is the obvious one. Of course, we've talked about

0:18:29.920 --> 0:18:33.879
<v Speaker 1>the split the human Yeah, you know, right down the

0:18:33.960 --> 0:18:36.880
<v Speaker 1>middle scene stem to stern as. I think what they'd

0:18:36.920 --> 0:18:39.880
<v Speaker 1>call that, he says. In Nick and Nora's Infinite Playlist,

0:18:39.920 --> 0:18:42.400
<v Speaker 1>something I still haven't seen, he said, when Caroline drops

0:18:42.400 --> 0:18:45.040
<v Speaker 1>her phone and her enter gum in the public toilet

0:18:45.040 --> 0:18:47.680
<v Speaker 1>after puking in it, and fishes both out and puts

0:18:47.720 --> 0:18:51.199
<v Speaker 1>the gun back in her mouth. Oh that makes me

0:18:51.240 --> 0:18:52.920
<v Speaker 1>think of I just I did a did a train

0:18:53.000 --> 0:18:55.439
<v Speaker 1>spotting rewatch. Recently, I've been going through this list with

0:18:55.480 --> 0:19:00.159
<v Speaker 1>my girlfriends. Here. Yeah, there's that part where he the

0:19:00.080 --> 0:19:03.560
<v Speaker 1>the most disgusting public toilet in Scotland or whatever, and

0:19:03.640 --> 0:19:06.280
<v Speaker 1>he you know, digs this a pository out and it

0:19:06.960 --> 0:19:09.720
<v Speaker 1>turns into the surreal scene where He's clearly floating in

0:19:09.800 --> 0:19:12.600
<v Speaker 1>water that is much more clean and beautiful than would

0:19:12.600 --> 0:19:15.960
<v Speaker 1>be in that toilet. But it's a pretty pretty rough scene.

0:19:16.200 --> 0:19:20.320
<v Speaker 1>Props to the art department for styling out that toilet stall.

0:19:21.600 --> 0:19:24.560
<v Speaker 1>I've had to make poop before for jobs. Yeah, what

0:19:24.560 --> 0:19:28.119
<v Speaker 1>do you do? Like I remember on Chappelle Show, I

0:19:28.200 --> 0:19:31.399
<v Speaker 1>think when there's one of the crackhead um uh, you

0:19:31.440 --> 0:19:33.760
<v Speaker 1>know episodes with that character that like speaks to the

0:19:33.800 --> 0:19:36.000
<v Speaker 1>kids class and there's apparently a poop he take. He

0:19:36.040 --> 0:19:38.000
<v Speaker 1>takes a poop in the toilet, in the trash can

0:19:38.080 --> 0:19:40.280
<v Speaker 1>or something. They say like I was a melted stickers bar,

0:19:40.400 --> 0:19:44.280
<v Speaker 1>he says in the in the really stand up part. Well,

0:19:44.320 --> 0:19:47.800
<v Speaker 1>you know, certainly in Hollywood they make genuine fake turds

0:19:47.880 --> 0:19:50.640
<v Speaker 1>for stuff like that. But I had to do cal

0:19:50.760 --> 0:19:54.280
<v Speaker 1>pies for one, and I think we used a mixture

0:19:54.280 --> 0:19:59.560
<v Speaker 1>of diotemacious earth and water and then made them into

0:19:59.560 --> 0:20:02.960
<v Speaker 1>balls and then dropped them to give that splat effect

0:20:03.560 --> 0:20:05.600
<v Speaker 1>and let them draw out, and then you have some cowpies.

0:20:06.520 --> 0:20:12.240
<v Speaker 1>I'm sorry, diet tenacious earth, he tamacious earths. You can

0:20:12.280 --> 0:20:14.879
<v Speaker 1>look it up. It's a thing. Never very useful for

0:20:14.960 --> 0:20:17.639
<v Speaker 1>lots of things. Got it, uh, Cody Read says, and

0:20:17.760 --> 0:20:20.520
<v Speaker 1>Jackass when Stevo got in a full porta potty connected

0:20:20.560 --> 0:20:23.359
<v Speaker 1>to big chords and was whipped around, that was pretty

0:20:23.359 --> 0:20:28.719
<v Speaker 1>cross because that was real. Yeah, it is health food stuff.

0:20:29.040 --> 0:20:31.960
<v Speaker 1>I was, I mean, I was into I watched I

0:20:32.000 --> 0:20:34.399
<v Speaker 1>think the first Jackass movie and maybe a little bit

0:20:34.400 --> 0:20:37.240
<v Speaker 1>of the show, but I was never like super into Jackass.

0:20:37.359 --> 0:20:39.000
<v Speaker 1>It was it was funny enough for what it was

0:20:39.040 --> 0:20:41.680
<v Speaker 1>for a minute, for sure. It's nice to see Stevo

0:20:41.800 --> 0:20:44.840
<v Speaker 1>doing well in his recovery, though. He keeps posting pictures

0:20:44.840 --> 0:20:46.520
<v Speaker 1>of like I think it was a press photo or

0:20:46.520 --> 0:20:49.600
<v Speaker 1>something where he's surrounded by like those Whippett canisters, you know,

0:20:49.760 --> 0:20:52.159
<v Speaker 1>for like and and just like like laying in his

0:20:52.160 --> 0:20:54.560
<v Speaker 1>own vomit with like a pack of cigarettes and stuff.

0:20:54.600 --> 0:20:56.639
<v Speaker 1>And then now it's like he's all healthy and has

0:20:56.680 --> 0:20:59.359
<v Speaker 1>a nice shine to him or whatever. So good, good job, Stevo.

0:20:59.480 --> 0:21:03.040
<v Speaker 1>I'm glad to see that. That's fantastic. Mary Ellen Stokes

0:21:03.080 --> 0:21:07.119
<v Speaker 1>as Human Sinipede. It's some pretty nasty scenes. Nicky Taylor

0:21:07.160 --> 0:21:10.440
<v Speaker 1>Snyder says, the Arm and Requiem for a Dream, Oh boy,

0:21:10.480 --> 0:21:12.840
<v Speaker 1>you ain't get Nikki. A lot of things in that movie.

0:21:12.880 --> 0:21:16.200
<v Speaker 1>That are stomach turning. Yeah, I mean, and we've talked

0:21:16.240 --> 0:21:18.879
<v Speaker 1>about that movie before. It is very difficult, but that

0:21:19.160 --> 0:21:23.600
<v Speaker 1>certainly the arm getting worse and worse and worse. Spoiler

0:21:23.800 --> 0:21:26.440
<v Speaker 1>by the way, people, the arm is getting worse and nastier.

0:21:26.520 --> 0:21:31.119
<v Speaker 1>And then when he finally injects the wound right into

0:21:31.160 --> 0:21:35.040
<v Speaker 1>that wound, Oh my god, dude, it's it's the meeting

0:21:35.080 --> 0:21:38.120
<v Speaker 1>of all the bad things and movies, which is needles

0:21:38.119 --> 0:21:42.320
<v Speaker 1>in arms and and wound porn. Isn't there also an

0:21:42.440 --> 0:21:44.919
<v Speaker 1>up close and when they finally amputate it of like

0:21:45.000 --> 0:21:49.040
<v Speaker 1>that saw, like going right into it. Just like I'm

0:21:49.359 --> 0:21:52.719
<v Speaker 1>I think I've mentioned before, I am a very uh

0:21:52.960 --> 0:21:55.920
<v Speaker 1>triggered by cutting. You don't like I don't like cuts,

0:21:55.920 --> 0:21:58.320
<v Speaker 1>and that you know, it's a saw, but it's like

0:21:58.359 --> 0:22:01.679
<v Speaker 1>a sharp saw. It's like a sauceaw. It's like a

0:22:01.960 --> 0:22:04.040
<v Speaker 1>really slicy saw. And that one really didn't and there

0:22:04.119 --> 0:22:08.160
<v Speaker 1>was like a slicy saw. Um, so yeah, that's yeah.

0:22:08.160 --> 0:22:11.399
<v Speaker 1>That movie triggers me in multiple ways. Clement Scotts is

0:22:11.440 --> 0:22:13.760
<v Speaker 1>the hecks All Seene and the Terrifier gives the bone

0:22:13.760 --> 0:22:16.240
<v Speaker 1>Tomahawk scene a run for its money. Never heard of

0:22:16.280 --> 0:22:19.440
<v Speaker 1>the terrifier, but I think the title says it all right.

0:22:20.040 --> 0:22:24.320
<v Speaker 1>Mm hmm, yeah, Zack Pointer says, when ray Leo to

0:22:24.400 --> 0:22:27.560
<v Speaker 1>eats his own brain. Oh what was that? That was

0:22:27.600 --> 0:22:32.240
<v Speaker 1>the Hannibal electroc movie Red Dragon. I think remember that. Yeah,

0:22:32.680 --> 0:22:37.119
<v Speaker 1>that scene was sucked up, but silly like it was

0:22:37.160 --> 0:22:40.120
<v Speaker 1>so over the top and dumb total it didn't really

0:22:40.160 --> 0:22:43.919
<v Speaker 1>creep me out totally. Uh, there's a movie by the

0:22:44.080 --> 0:22:46.520
<v Speaker 1>guy we talked, we talked about that you had in

0:22:46.600 --> 0:22:51.960
<v Speaker 1>my my horribly gone awry segment of uh pop Quiz

0:22:52.000 --> 0:22:54.480
<v Speaker 1>hot Shot, Oh no, Chuck's Holes. Rather with all the

0:22:54.520 --> 0:22:58.320
<v Speaker 1>weird Asian movies, art house movies you you had seen?

0:22:58.680 --> 0:23:04.199
<v Speaker 1>Um uh, what's the one Tetsuo the Iron Man? Yes, Yes,

0:23:04.720 --> 0:23:07.560
<v Speaker 1>the guy that directed that did a short film called

0:23:07.920 --> 0:23:10.480
<v Speaker 1>hayes h a z E where it's basically a guy

0:23:10.520 --> 0:23:14.160
<v Speaker 1>who's like in hell And there's one part where's he's

0:23:14.160 --> 0:23:18.320
<v Speaker 1>having to traverse the super narrow gap like between two walls,

0:23:18.400 --> 0:23:21.159
<v Speaker 1>and he only moved left to right, but his teeth

0:23:21.200 --> 0:23:24.720
<v Speaker 1>are clenched down on a rusty pipe the whole time,

0:23:25.720 --> 0:23:27.840
<v Speaker 1>and it just is like a close up on his

0:23:27.880 --> 0:23:31.520
<v Speaker 1>teeth as he moves laterally, just grinding in the sound

0:23:31.600 --> 0:23:34.280
<v Speaker 1>of it, and it's like, no, man, no, it's a lot, dude,

0:23:34.440 --> 0:23:38.119
<v Speaker 1>it's a lot, especially me with my fucking teeth issues.

0:23:38.280 --> 0:23:42.320
<v Speaker 1>No way. Yeah, of course American History X like oh

0:23:42.400 --> 0:23:45.440
<v Speaker 1>the curb stomp God, yeah, man, why am I even

0:23:45.440 --> 0:23:48.720
<v Speaker 1>doing the segment. I don't even hate you. I know,

0:23:48.840 --> 0:23:51.520
<v Speaker 1>I don't even like watching people like chew on Ice.

0:23:53.480 --> 0:23:56.479
<v Speaker 1>I'm actually an ice two or so that okay, alright now,

0:23:56.520 --> 0:24:00.159
<v Speaker 1>my teeth are very cold sensitive. Brendan King says, this

0:24:00.200 --> 0:24:02.800
<v Speaker 1>stuff always gets me to fingernail stuff. He said, the

0:24:02.840 --> 0:24:06.280
<v Speaker 1>fingernail breaking scene and stir of echoes. I can't take

0:24:06.320 --> 0:24:13.639
<v Speaker 1>that either. Fingernails. No, m m. There's a lot of

0:24:13.720 --> 0:24:16.640
<v Speaker 1>jackass stuff in here. Barbara Wise says when he drinks

0:24:16.760 --> 0:24:19.520
<v Speaker 1>from in Jackass, when he drinks the sweat dripping from

0:24:19.520 --> 0:24:24.440
<v Speaker 1>an obese man's ass, Oh god, oh boy. I can

0:24:24.440 --> 0:24:26.160
<v Speaker 1>see that at home. There's one of look in the mirror.

0:24:26.240 --> 0:24:29.480
<v Speaker 1>I don't need to watch a movie for that. Yeah,

0:24:30.359 --> 0:24:33.240
<v Speaker 1>that was a joke. Gary Smith says the feces dinner

0:24:33.280 --> 0:24:35.919
<v Speaker 1>scene and solo. I think I've heard of that movie,

0:24:35.960 --> 0:24:38.080
<v Speaker 1>and that was on my list. That was on the

0:24:38.119 --> 0:24:40.159
<v Speaker 1>list of funked up art movies that you have not

0:24:40.200 --> 0:24:43.159
<v Speaker 1>seen and you saw it, I have not seen it.

0:24:43.760 --> 0:24:45.760
<v Speaker 1>Everything on that list that I had not necessarily seen.

0:24:45.800 --> 0:24:47.880
<v Speaker 1>I was just trying to to scoop you. But yeah,

0:24:47.880 --> 0:24:51.800
<v Speaker 1>that's that's the one that's based on the Marquis des

0:24:51.800 --> 0:24:55.639
<v Speaker 1>Odd's um, you know, twenty Days of Sodom or the

0:24:55.760 --> 0:24:59.040
<v Speaker 1>legendary awful movie and in fact, Sue Roban's on the

0:24:59.080 --> 0:25:03.720
<v Speaker 1>same threads as the entirety of Slow, like the whole movie.

0:25:04.160 --> 0:25:08.439
<v Speaker 1>Can't do it. John Ronaldi says, the bar scene and

0:25:08.440 --> 0:25:11.000
<v Speaker 1>stand by me bother me at the time. Oh, that's

0:25:11.040 --> 0:25:13.000
<v Speaker 1>kind of funny. I think I remember it grossing me out,

0:25:13.040 --> 0:25:15.639
<v Speaker 1>but looking back it was like a very kind of

0:25:15.760 --> 0:25:19.159
<v Speaker 1>dumb and are not dumb but just obviously fake. Is

0:25:19.200 --> 0:25:23.119
<v Speaker 1>another one where like everyone is triggered by puking and

0:25:23.160 --> 0:25:29.240
<v Speaker 1>it becomes like a puke by Yeah, the painting contest. Oh,

0:25:29.280 --> 0:25:33.200
<v Speaker 1>here's one for you know, the danger oven. Gale Kuhn says,

0:25:33.240 --> 0:25:37.760
<v Speaker 1>the Achilles tendon scenes and hostile, hostile and pet cemetery,

0:25:37.800 --> 0:25:40.560
<v Speaker 1>which I know you've spoken on. I know there's another

0:25:40.560 --> 0:25:44.000
<v Speaker 1>Accises tendon scene in a movie called I Saw the Devil,

0:25:44.040 --> 0:25:49.240
<v Speaker 1>which is fabulous, But that Yeah, it's it's great. It's

0:25:49.280 --> 0:25:52.600
<v Speaker 1>it's got the guy who played odes Su and old

0:25:52.640 --> 0:25:55.720
<v Speaker 1>Boy as the villain as sort of a cat and mouse,

0:25:55.840 --> 0:25:58.560
<v Speaker 1>you know, a detective serial killer chase kind of movie,

0:25:58.760 --> 0:26:02.480
<v Speaker 1>and it gets very personal and very dark. I highly

0:26:02.480 --> 0:26:07.400
<v Speaker 1>recommend it. But it's not for the faint of heart. Oh,

0:26:07.800 --> 0:26:10.640
<v Speaker 1>I'm having a hard time getting through this. Bradley Werner says,

0:26:11.160 --> 0:26:15.280
<v Speaker 1>I don't do good with anything I related. I think

0:26:15.320 --> 0:26:17.439
<v Speaker 1>a lot of people are with you there, Bradley. So

0:26:17.480 --> 0:26:20.439
<v Speaker 1>I'm not gonna say I'm not Oh, I'm sorry. So

0:26:20.520 --> 0:26:23.119
<v Speaker 1>I am going to say the lasic scene and final Destination,

0:26:25.520 --> 0:26:27.680
<v Speaker 1>I don't know what happened in that, but well I

0:26:27.680 --> 0:26:32.160
<v Speaker 1>imagine that it's a lasic procedure gone horribly wrong. That's

0:26:32.240 --> 0:26:36.080
<v Speaker 1>pretty much what that movie is all about. Yeah, uh,

0:26:36.080 --> 0:26:39.199
<v Speaker 1>this is pretty funny. Kelly Boshell says, Uma Thurman and

0:26:39.240 --> 0:26:42.160
<v Speaker 1>Robert de Niro's sex scene and Mad Dog and Glory

0:26:42.760 --> 0:26:45.040
<v Speaker 1>and well, any Robert de Nero sex scene, the one

0:26:45.040 --> 0:26:50.480
<v Speaker 1>in Jackie Brown is scringeworthy. Yeah, it's interesting. He's not

0:26:50.520 --> 0:26:53.840
<v Speaker 1>a sexy guy, and he's usually his sex stuff when

0:26:53.880 --> 0:26:56.639
<v Speaker 1>he's rarely done. It is a little off putting to

0:26:56.680 --> 0:27:00.320
<v Speaker 1>say it's true. I mean, you know he is, are

0:27:00.359 --> 0:27:02.280
<v Speaker 1>you you? I mean you gotta consider him kind of

0:27:02.280 --> 0:27:05.399
<v Speaker 1>a leading man, right, but he's not. He's not a

0:27:05.440 --> 0:27:08.280
<v Speaker 1>heart throb though, really at all. No, I mean not that.

0:27:08.359 --> 0:27:12.159
<v Speaker 1>He's rarely played that like a romantic lead. It's always

0:27:12.160 --> 0:27:14.879
<v Speaker 1>a bit of a kind of a what's the word

0:27:15.240 --> 0:27:22.480
<v Speaker 1>like macawbre or kind of um heath heavy associopath exactly, Yeah,

0:27:22.560 --> 0:27:24.399
<v Speaker 1>something like that. That's one of the great actors. But

0:27:24.400 --> 0:27:26.200
<v Speaker 1>I don't think anyone wants to see Robert de Niro

0:27:26.320 --> 0:27:29.200
<v Speaker 1>making love? Am I wrong? Well, I would not call

0:27:29.280 --> 0:27:35.120
<v Speaker 1>what happens in Jackie Brown making love or Old pel

0:27:35.160 --> 0:27:40.639
<v Speaker 1>Shtellan Carlson says, any scene involving realistic vomiting hashtag metaphobe.

0:27:41.320 --> 0:27:45.280
<v Speaker 1>Mm hmm. Yeah, I'm not into that either. No, it's

0:27:45.320 --> 0:27:48.520
<v Speaker 1>it's it's it's rough. Yeah, it's gross. There's a lot

0:27:48.560 --> 0:27:52.800
<v Speaker 1>of realistic vomiting stuff in in host Hostile and um

0:27:52.840 --> 0:27:56.800
<v Speaker 1>Audition too. And I've been rewatching The Sopranos again. Uh,

0:27:56.800 --> 0:28:00.879
<v Speaker 1>and there's a scene where Adriana that's on this table

0:28:01.000 --> 0:28:02.840
<v Speaker 1>like out of out, out of nowhere, and it's it's

0:28:02.840 --> 0:28:05.200
<v Speaker 1>a lot of vomit. It's almost comical how much vomited is.

0:28:05.240 --> 0:28:08.479
<v Speaker 1>But it represents the trauma that she's going through, you know.

0:28:09.840 --> 0:28:12.480
<v Speaker 1>Sarah Stapleton says, A hundred and twenty seven hours, Yeah

0:28:12.480 --> 0:28:15.600
<v Speaker 1>for sure. Uh and at least three scenes in Midsummer

0:28:17.480 --> 0:28:19.680
<v Speaker 1>Yeah that did you see A hundred and twenty seven hours?

0:28:20.359 --> 0:28:22.720
<v Speaker 1>Know what? I know what it's about, and I know

0:28:22.800 --> 0:28:25.159
<v Speaker 1>that there's some slicy slice and I think I can

0:28:25.160 --> 0:28:28.359
<v Speaker 1>do without it. Yeah, you don't need to you get it.

0:28:28.640 --> 0:28:40.360
<v Speaker 1>I get it. Earl pal Vanessa Cashman says the Seena

0:28:40.400 --> 0:28:44.560
<v Speaker 1>Magnolia with the frogs, I hate frogs? Who hates frogs? Cash? Interesting?

0:28:45.360 --> 0:28:49.280
<v Speaker 1>That's interesting. I mean they're definitely some big old honkin bullfrogs,

0:28:49.440 --> 0:28:53.960
<v Speaker 1>just and they're splatting against the floating basically like yeah, yeah,

0:28:54.000 --> 0:28:55.600
<v Speaker 1>I mean I don't want to yum her yuck. You

0:28:55.600 --> 0:28:58.720
<v Speaker 1>don't like frogs. You don't like frogs? I love frogs.

0:28:59.000 --> 0:29:01.200
<v Speaker 1>Yeah it or pick up a frog nol and they

0:29:01.200 --> 0:29:04.800
<v Speaker 1>just give you that look, well what the knowing? Look, well,

0:29:05.560 --> 0:29:07.400
<v Speaker 1>what are you gonna do with me? I might be

0:29:07.560 --> 0:29:12.200
<v Speaker 1>in your hand? Interesting? No, no, no, I don't I

0:29:12.200 --> 0:29:15.280
<v Speaker 1>don't know this. Look all right, we'll finish here with

0:29:15.640 --> 0:29:18.400
<v Speaker 1>me and i'll data, says one of our oldest friends say,

0:29:18.400 --> 0:29:20.880
<v Speaker 1>is not a movie. There's a full on castration scene

0:29:20.880 --> 0:29:24.320
<v Speaker 1>in Fortitude, just already a pretty grossome show to begin with.

0:29:25.440 --> 0:29:30.080
<v Speaker 1>Got it goodn't do? I could do without castration, I

0:29:30.120 --> 0:29:32.040
<v Speaker 1>can do. I can do without all these I don't

0:29:32.080 --> 0:29:36.240
<v Speaker 1>know why I even picked that. Well, that's a good

0:29:36.240 --> 0:29:38.880
<v Speaker 1>one to close on. Don't you think you more? I

0:29:38.920 --> 0:29:42.000
<v Speaker 1>don't any more. I just closed up my browser even uh,

0:29:42.120 --> 0:29:44.160
<v Speaker 1>and we're gonna finish with a little stream this nol.

0:29:45.480 --> 0:29:50.480
<v Speaker 1>I watched a true crime thing on I think it

0:29:50.560 --> 0:29:54.640
<v Speaker 1>was Netflix, Murder among the Mormons. Terrible title clicks. I

0:29:54.640 --> 0:29:56.400
<v Speaker 1>think they just have to put murder in the title

0:29:56.480 --> 0:29:59.520
<v Speaker 1>these days to make it searchable. But trust me, Chuck,

0:29:59.560 --> 0:30:03.840
<v Speaker 1>I am highly aware of this phenomenon um. But it

0:30:03.920 --> 0:30:05.760
<v Speaker 1>was good. Did you did you see it? It It was good.

0:30:06.200 --> 0:30:08.160
<v Speaker 1>I heard about it, and I heard it's a very

0:30:08.160 --> 0:30:10.680
<v Speaker 1>interesting story and has some nice twists and terns, but

0:30:11.000 --> 0:30:15.000
<v Speaker 1>really good twists and turns um and not true crime,

0:30:15.120 --> 0:30:19.240
<v Speaker 1>and that it's not like some super grizzly uh slasher

0:30:19.360 --> 0:30:25.080
<v Speaker 1>stabber type of serial killer. Very interesting story involving the

0:30:25.120 --> 0:30:28.840
<v Speaker 1>Mormon Church and documents that are worth a lot of

0:30:28.880 --> 0:30:33.240
<v Speaker 1>money and some bombings that happened in the early eighties

0:30:33.320 --> 0:30:36.720
<v Speaker 1>that I kind of remember, but highly recommended our old

0:30:36.720 --> 0:30:39.320
<v Speaker 1>pal who was actually on the show documentary Legend. Joe

0:30:39.320 --> 0:30:43.920
<v Speaker 1>Berlinger executive produced it. So good stuff. I told you

0:30:43.960 --> 0:30:47.120
<v Speaker 1>my my little term for the real grizzly kind of

0:30:47.160 --> 0:30:51.720
<v Speaker 1>just miserable true crime stuff. No, I call it misery porn.

0:30:52.120 --> 0:30:56.720
<v Speaker 1>M Yeah, what is that going to peak? I feel

0:30:56.760 --> 0:30:58.960
<v Speaker 1>like it's peaked. I feel like, I don't know, Like

0:30:59.040 --> 0:31:01.320
<v Speaker 1>for me, this shows that I'm more interested in and

0:31:01.440 --> 0:31:05.120
<v Speaker 1>and I'm more interested in making are I like crime stuff,

0:31:05.160 --> 0:31:06.880
<v Speaker 1>and I like intrigue, but I like stuff that's a

0:31:06.920 --> 0:31:09.520
<v Speaker 1>little more like of like noirish or like a detective

0:31:09.840 --> 0:31:12.040
<v Speaker 1>you know, cat and Mouse story all the stuff that's

0:31:12.080 --> 0:31:14.600
<v Speaker 1>just super like rape and just like you know, really

0:31:14.680 --> 0:31:18.520
<v Speaker 1>just awful, horrible things have happening to people. Like nothing

0:31:18.560 --> 0:31:21.360
<v Speaker 1>good will come of this that I can do without. Yeah,

0:31:21.440 --> 0:31:23.760
<v Speaker 1>that's why, Yeah, I can. I can recommend murder among

0:31:23.800 --> 0:31:30.080
<v Speaker 1>the Mormons because it is not that very twisty turney,

0:31:30.560 --> 0:31:32.760
<v Speaker 1>not norrish, but you know stuff well you know man

0:31:32.800 --> 0:31:35.440
<v Speaker 1>and and and to that end, not to to plug,

0:31:35.520 --> 0:31:38.000
<v Speaker 1>but like I would recommend the podcast that I've worked

0:31:38.000 --> 0:31:40.920
<v Speaker 1>on really closely called Murder in Oregon. That is very

0:31:41.000 --> 0:31:45.200
<v Speaker 1>much that thing. It's it's a story about intrigue and

0:31:45.200 --> 0:31:47.600
<v Speaker 1>and and the corruption that goes up to the top

0:31:47.680 --> 0:31:51.960
<v Speaker 1>and all that stuff. And yeah, same, I like a

0:31:52.000 --> 0:31:57.000
<v Speaker 1>good ball, you know, totally. Yeah, give me a caball

0:31:57.120 --> 0:31:59.840
<v Speaker 1>any day of the week, Chuck. I just finished in

0:32:00.080 --> 0:32:03.200
<v Speaker 1>one day. Um, it was so good and I was

0:32:03.240 --> 0:32:05.440
<v Speaker 1>not expecting it to be as as in depth and

0:32:05.880 --> 0:32:09.120
<v Speaker 1>actually kind of touching as it was. I think it's

0:32:09.160 --> 0:32:13.040
<v Speaker 1>called High Score. Um. It's a series on Netflix, a

0:32:13.120 --> 0:32:16.560
<v Speaker 1>documentary series just about kind of the early days of

0:32:16.680 --> 0:32:20.120
<v Speaker 1>video games. Uh. It goes into everything from like the

0:32:20.160 --> 0:32:24.440
<v Speaker 1>whole et you know, Atari debacle to you know, the

0:32:24.520 --> 0:32:28.520
<v Speaker 1>earliest days of Nintendo. Um, there's a whole like side

0:32:28.520 --> 0:32:31.880
<v Speaker 1>story about how like I think it's MGM sued Nintendo

0:32:31.920 --> 0:32:34.560
<v Speaker 1>over copyright infringement for Donkey Kong because they said it

0:32:34.560 --> 0:32:39.320
<v Speaker 1>was infringing on King Kong Um and Nintendo's lawyer basically

0:32:39.360 --> 0:32:43.400
<v Speaker 1>completely confirmed that there was no crossover and it was

0:32:43.440 --> 0:32:46.120
<v Speaker 1>not infringement at all. And his name was Kirby, And

0:32:46.160 --> 0:32:49.280
<v Speaker 1>they created the character Kirby based on this lawyer and

0:32:49.320 --> 0:32:51.320
<v Speaker 1>there's so many little cool details that I didn't know

0:32:51.640 --> 0:32:53.680
<v Speaker 1>and a lot of interest. There's a whole thing about

0:32:53.720 --> 0:32:58.520
<v Speaker 1>this um very lgbt Q centric role playing game called

0:32:58.640 --> 0:33:02.600
<v Speaker 1>gay Blade that I knew nothing about. It's so cool

0:33:02.880 --> 0:33:05.880
<v Speaker 1>and really touching it and it's all about like, what

0:33:06.080 --> 0:33:10.160
<v Speaker 1>is it that makes video games so magical and transformative?

0:33:10.160 --> 0:33:11.600
<v Speaker 1>And a lot of it is the fact that it

0:33:11.640 --> 0:33:14.440
<v Speaker 1>puts us all in an equal footing, you know, people

0:33:14.480 --> 0:33:16.720
<v Speaker 1>that maybe couldn't play sports, or people that maybe were

0:33:16.720 --> 0:33:21.720
<v Speaker 1>ostracized whatever. Yeah, And I just I remember playing all

0:33:21.720 --> 0:33:24.840
<v Speaker 1>these games, Like I remember when Doom first hit the

0:33:24.840 --> 0:33:27.440
<v Speaker 1>Internet and it was like the first online you know,

0:33:27.560 --> 0:33:30.520
<v Speaker 1>multiplayer game, and it was just a massive deal. You

0:33:30.560 --> 0:33:32.480
<v Speaker 1>had to log onto your a O l if you're

0:33:32.600 --> 0:33:34.800
<v Speaker 1>you know, dial up modem, and it was just really

0:33:34.840 --> 0:33:36.920
<v Speaker 1>nostalgic for me. But also like a lot of details

0:33:36.920 --> 0:33:39.000
<v Speaker 1>that I wasn't aware of. Highly recommend anyone that grew

0:33:39.080 --> 0:33:41.920
<v Speaker 1>up in the eighties and nineties and early days of

0:33:42.000 --> 0:33:44.240
<v Speaker 1>video games. Uh, this is for you. I am all

0:33:44.280 --> 0:33:46.320
<v Speaker 1>over that, man, and I will date myself and all.

0:33:46.440 --> 0:33:49.120
<v Speaker 1>The first video game I got into computer game that

0:33:49.280 --> 0:34:00.800
<v Speaker 1>is non arcade thing was Castle Wolfenstein got Okay, so

0:34:00.920 --> 0:34:04.680
<v Speaker 1>Wolfenstein three D was the first ID software game, and

0:34:04.720 --> 0:34:07.760
<v Speaker 1>they must have based that on Castle Wolfenstein to tell me,

0:34:07.800 --> 0:34:09.759
<v Speaker 1>so this is a Nazi fighting game. Is very much

0:34:09.800 --> 0:34:14.319
<v Speaker 1>two D? I mean sure, but it was like green blocks,

0:34:14.560 --> 0:34:19.040
<v Speaker 1>and uh, it was very much a a game of

0:34:19.080 --> 0:34:21.320
<v Speaker 1>its time. If you just if you look up Castle

0:34:21.320 --> 0:34:25.359
<v Speaker 1>Wolfenstein like the original here, I'm I'm sure I'm looking

0:34:25.360 --> 0:34:34.399
<v Speaker 1>at it. I get the better not interesting. It says

0:34:34.400 --> 0:34:38.000
<v Speaker 1>it's a stealth based game by Muse Software for the

0:34:38.040 --> 0:34:42.080
<v Speaker 1>Apple too. Yeah, so it's one of those games where you, oh, yeah,

0:34:42.120 --> 0:34:44.240
<v Speaker 1>there it is. Good lord, that's bringing back some memories.

0:34:45.840 --> 0:34:47.680
<v Speaker 1>Just a bunch of mazes and then you know, when

0:34:47.680 --> 0:34:50.120
<v Speaker 1>I got my first little Atari at home, I thought

0:34:50.120 --> 0:34:53.160
<v Speaker 1>the game Adventure was the end all be all. An

0:34:53.160 --> 0:34:56.880
<v Speaker 1>Adventure was literally your character was a square block and

0:34:57.000 --> 0:35:01.440
<v Speaker 1>your sword was an arrow, and it was it was.

0:35:01.840 --> 0:35:04.200
<v Speaker 1>It was a super advanced game for the time, which

0:35:04.200 --> 0:35:06.399
<v Speaker 1>is totally well. And that's the thing that's so cool

0:35:06.400 --> 0:35:10.200
<v Speaker 1>with this documentary is it really put contextualizes all of

0:35:10.239 --> 0:35:13.800
<v Speaker 1>that stuff and like really makes you understand how cutting

0:35:13.880 --> 0:35:16.080
<v Speaker 1>edge the things that we now look at as being

0:35:16.160 --> 0:35:19.160
<v Speaker 1>super dated, how it is all about imagination. There there's

0:35:19.160 --> 0:35:22.040
<v Speaker 1>a whole like an episode about text based adventure games

0:35:22.040 --> 0:35:24.040
<v Speaker 1>where it's like and then you and then you go

0:35:24.200 --> 0:35:26.080
<v Speaker 1>to the well, and then you look in the will,

0:35:26.160 --> 0:35:29.080
<v Speaker 1>what do you do? Exactly? All that kind of stuff.

0:35:29.239 --> 0:35:31.640
<v Speaker 1>That's cool. I gotta see this. Yeah, I love it.

0:35:32.400 --> 0:35:35.120
<v Speaker 1>Another thing I've been watching NOL is Emily and I

0:35:35.200 --> 0:35:39.640
<v Speaker 1>are doing yet another dive into six Feet Under the

0:35:39.680 --> 0:35:42.919
<v Speaker 1>twentie anniversary this year, and we are in season two,

0:35:42.920 --> 0:35:46.600
<v Speaker 1>and dude, I'm trying to get alan Ball to come

0:35:46.640 --> 0:35:50.480
<v Speaker 1>on the show, to do a hero, to not even

0:35:50.520 --> 0:35:53.000
<v Speaker 1>do a movie, to do a six ft Under twenty

0:35:53.080 --> 0:35:55.920
<v Speaker 1>anniversary special with Alan Ball so across all your fingers

0:35:55.920 --> 0:35:58.560
<v Speaker 1>and toes everyone that we can land him. I would

0:35:58.560 --> 0:36:00.000
<v Speaker 1>love that, Chuck, it's so funny you say that I

0:36:00.600 --> 0:36:03.239
<v Speaker 1>unrelated to any I didn't even realize the anniversary of it.

0:36:03.239 --> 0:36:05.520
<v Speaker 1>I just wanted to start watching it again. I've been

0:36:05.560 --> 0:36:08.760
<v Speaker 1>watching it with my girlfriend and we watched the pilot

0:36:09.480 --> 0:36:12.760
<v Speaker 1>and um, I think I told you when my father

0:36:12.840 --> 0:36:16.560
<v Speaker 1>passed away, I was into that show like it was

0:36:16.600 --> 0:36:19.960
<v Speaker 1>actually on, and you would think, going through something like

0:36:20.160 --> 0:36:23.240
<v Speaker 1>having your father die unexpectedly, you wouldn't want to watch

0:36:23.239 --> 0:36:26.600
<v Speaker 1>a show where every episode was about death and and

0:36:26.600 --> 0:36:29.600
<v Speaker 1>and you know, a funeral and stuff. But it was

0:36:29.680 --> 0:36:32.440
<v Speaker 1>really cathartic to me, and I continued watching it because

0:36:32.480 --> 0:36:35.040
<v Speaker 1>it was like actually helpful to me. Um, and it

0:36:35.120 --> 0:36:37.279
<v Speaker 1>was a very powerful thing and I kind of eat

0:36:37.320 --> 0:36:40.040
<v Speaker 1>needed it in many ways. Um. But I hadn't watched

0:36:40.040 --> 0:36:42.839
<v Speaker 1>it since, and so I watched this first episode. Uh,

0:36:42.840 --> 0:36:45.200
<v Speaker 1>and there's the part where Ruth at at um. I

0:36:45.200 --> 0:36:47.440
<v Speaker 1>don't want spoil anything, but Ruth at a very important

0:36:47.440 --> 0:36:50.120
<v Speaker 1>funeral for the first episode. Um, it's just giving this

0:36:50.239 --> 0:36:54.080
<v Speaker 1>really amazing monologue. She's not like, it's not just woe

0:36:54.200 --> 0:36:56.520
<v Speaker 1>is Me blubbering or anything. It's very like she's she's

0:36:56.520 --> 0:37:00.440
<v Speaker 1>a very stern, interesting, complicated character, and she's kind of

0:37:00.440 --> 0:37:03.759
<v Speaker 1>almost angry and like really but something about what she

0:37:03.840 --> 0:37:05.399
<v Speaker 1>said and the way she said it just hit me

0:37:05.680 --> 0:37:09.640
<v Speaker 1>and I just started like bawling. And it was because

0:37:09.840 --> 0:37:12.520
<v Speaker 1>I connected it back to this memory of my father.

0:37:12.880 --> 0:37:15.600
<v Speaker 1>There's memory of that time in my life, and also

0:37:15.680 --> 0:37:18.040
<v Speaker 1>just the show itself being such an important show to me,

0:37:18.280 --> 0:37:21.000
<v Speaker 1>and something just clicked in me and I was just

0:37:21.120 --> 0:37:24.720
<v Speaker 1>like ship, it just came out, pouring out this emotion.

0:37:25.080 --> 0:37:27.759
<v Speaker 1>And I hadn't felt that or experienced that in a

0:37:27.800 --> 0:37:30.480
<v Speaker 1>long long time. So that's the best. When art can

0:37:30.520 --> 0:37:35.839
<v Speaker 1>like tap into that that water, salty water vein that's

0:37:35.880 --> 0:37:38.279
<v Speaker 1>somewhere in your body that you don't need needs to

0:37:38.320 --> 0:37:42.680
<v Speaker 1>get tap and all of a sudan, that's exactly right,

0:37:42.760 --> 0:37:45.000
<v Speaker 1>like it did need it. It needed to be vented.

0:37:45.040 --> 0:37:48.680
<v Speaker 1>It's like, uh, you know, like letting out some pressure

0:37:48.880 --> 0:37:50.920
<v Speaker 1>or something that's built up and you don't even know

0:37:51.000 --> 0:37:53.040
<v Speaker 1>it is until all of a sudden you can kind

0:37:53.040 --> 0:37:54.360
<v Speaker 1>of vent it a little bit and then it's like,

0:37:54.360 --> 0:37:56.319
<v Speaker 1>oh my god, I feel better now because it wasn't

0:37:56.360 --> 0:37:59.800
<v Speaker 1>like I wasn't upset. It was just like this Cathard,

0:38:00.000 --> 0:38:04.200
<v Speaker 1>I collect human feeling and I was like, yeah, that's cool.

0:38:04.360 --> 0:38:07.839
<v Speaker 1>I love it. Man. That pain can be a wonderful experience.

0:38:08.080 --> 0:38:11.719
<v Speaker 1>Uh well, and as you get older, you know how

0:38:11.760 --> 0:38:14.440
<v Speaker 1>to process it and you understand more what it means

0:38:14.480 --> 0:38:16.680
<v Speaker 1>and that it is kind of about like, oh, I'm

0:38:16.680 --> 0:38:18.960
<v Speaker 1>a human being and I feel things and that's okay,

0:38:19.120 --> 0:38:21.000
<v Speaker 1>as opposed to when you're young maybe where it's like

0:38:21.040 --> 0:38:23.319
<v Speaker 1>pain sucks and you want to just push it all

0:38:23.360 --> 0:38:25.880
<v Speaker 1>down and push it away. You start to realize you

0:38:25.880 --> 0:38:28.799
<v Speaker 1>can kind of almost like scratch that itch every now

0:38:28.840 --> 0:38:31.120
<v Speaker 1>and then and think about painful things and it's actually

0:38:31.160 --> 0:38:35.080
<v Speaker 1>like positive. You know, I totally agree. Um, so yeah,

0:38:35.280 --> 0:38:37.000
<v Speaker 1>I mean we've been loving it. We're in season two

0:38:37.080 --> 0:38:41.759
<v Speaker 1>and uh boy, just and Emily, I think this I

0:38:41.840 --> 0:38:43.839
<v Speaker 1>think is her third but she said maybe it's her

0:38:43.840 --> 0:38:46.960
<v Speaker 1>fourth viewing this series. I only saw the once back then.

0:38:47.080 --> 0:38:50.440
<v Speaker 1>But you know, we got together about twenty years ago

0:38:50.560 --> 0:38:53.400
<v Speaker 1>and so it's sort of coincides with our anniversary is

0:38:53.920 --> 0:38:57.799
<v Speaker 1>as a dating match, and um, it's just bringing back

0:38:57.840 --> 0:39:01.959
<v Speaker 1>those memories and the Fisher family in a time before TV,

0:39:02.680 --> 0:39:05.759
<v Speaker 1>you know, sort of the early kicking off along with

0:39:05.760 --> 0:39:09.440
<v Speaker 1>sopranos and stuff like that, the early golden age of television,

0:39:09.600 --> 0:39:13.160
<v Speaker 1>but before it was like, well it's just like a movie,

0:39:13.680 --> 0:39:15.959
<v Speaker 1>you know, it was still TV. It still looks like TV.

0:39:16.040 --> 0:39:18.839
<v Speaker 1>It's still shot on a stage with sets and it's

0:39:18.840 --> 0:39:22.200
<v Speaker 1>still a square aspect ratio like, but it was. It

0:39:22.239 --> 0:39:25.839
<v Speaker 1>was really really great quality ship in that I really

0:39:25.880 --> 0:39:27.560
<v Speaker 1>hope we can get Alan Ball. We're in touch with

0:39:27.600 --> 0:39:30.040
<v Speaker 1>his agent. That's where we are now. That's amazing. I

0:39:30.080 --> 0:39:34.279
<v Speaker 1>would love that so much. Um, huge fan like and

0:39:34.280 --> 0:39:36.840
<v Speaker 1>it's so weird that he went on to do True Blood,

0:39:36.840 --> 0:39:39.239
<v Speaker 1>which I didn't dislike. I liked it for a while

0:39:39.280 --> 0:39:40.440
<v Speaker 1>and then I felt like it kind of jumped the

0:39:40.440 --> 0:39:45.240
<v Speaker 1>shark a little bit, like yeah, quite quite exactly Yeah same, Um,

0:39:45.280 --> 0:39:48.640
<v Speaker 1>but it's now what wasn't six ft under? Really? And

0:39:48.680 --> 0:39:50.680
<v Speaker 1>they must have remastered some of that stuff because I

0:39:50.719 --> 0:39:55.040
<v Speaker 1>feel like it's not square now it's still square, Okay,

0:39:55.160 --> 0:39:57.680
<v Speaker 1>it is on HBO max. Um, Yeah, that's why I'm

0:39:57.680 --> 0:39:59.400
<v Speaker 1>watching it on. But for some reason, I maybe I

0:39:59.400 --> 0:40:01.560
<v Speaker 1>don't know, I've I mean, the only way they could

0:40:01.560 --> 0:40:03.360
<v Speaker 1>do that would be I mean, you can dropping, you

0:40:03.440 --> 0:40:07.040
<v Speaker 1>gotta push in. Yeah that now, then you lose a

0:40:07.080 --> 0:40:10.040
<v Speaker 1>lot of the frame. You lose the frame. So the

0:40:10.120 --> 0:40:12.160
<v Speaker 1>last thing I've been watched, or the lasting I watched,

0:40:12.160 --> 0:40:13.640
<v Speaker 1>I want to mention is something I definitely want to

0:40:13.680 --> 0:40:15.919
<v Speaker 1>recommend to you, although you may have seen it. It's

0:40:15.920 --> 0:40:19.839
<v Speaker 1>a movie animated film called Wolf Walkers. I've heard it's fabulous.

0:40:19.880 --> 0:40:23.239
<v Speaker 1>It is great. Is from this Irish animation team. I

0:40:23.239 --> 0:40:25.839
<v Speaker 1>think the third in a trilogy. I have not seen

0:40:25.880 --> 0:40:30.120
<v Speaker 1>the other two. I think they're unrelated. But um, hand

0:40:30.200 --> 0:40:33.640
<v Speaker 1>drawn animation, dude, and you can tell like that humans

0:40:33.719 --> 0:40:36.320
<v Speaker 1>drew it. It's like a one of the most beautiful

0:40:36.480 --> 0:40:39.279
<v Speaker 1>story books you've seen come to life, and just such

0:40:39.320 --> 0:40:42.480
<v Speaker 1>a great film. Gorgeous, gorgeous movie nominated for an Oscar

0:40:42.520 --> 0:40:44.640
<v Speaker 1>It better win. I'll be so mad if they just

0:40:44.719 --> 0:40:47.759
<v Speaker 1>like go the Pixar route like they always do. Uh. So,

0:40:48.160 --> 0:40:53.080
<v Speaker 1>huge recommendation for Wolf Walkers. Yeah. And it's the same

0:40:53.640 --> 0:40:57.080
<v Speaker 1>folks that did The Secret of Kel's, Secret of Kells

0:40:57.120 --> 0:40:59.120
<v Speaker 1>and Song of the Sea, Song of the Seas, none

0:40:59.120 --> 0:41:02.279
<v Speaker 1>of which I have seen, but I I this is uh,

0:41:02.320 --> 0:41:05.600
<v Speaker 1>this animation studio is is big one on my list.

0:41:05.600 --> 0:41:07.400
<v Speaker 1>I need to check out all of this stuff because,

0:41:09.239 --> 0:41:11.200
<v Speaker 1>oh man, I'm looking at some of these skills now

0:41:11.239 --> 0:41:15.359
<v Speaker 1>and there's a difference. Man. I'm not saying like, oh

0:41:15.480 --> 0:41:17.120
<v Speaker 1>it was just so much better back then, but there's

0:41:17.160 --> 0:41:20.239
<v Speaker 1>a richness to that hand drawn stuff that you just

0:41:20.360 --> 0:41:27.839
<v Speaker 1>can't quite get via the computer. All right, Noluh, that's

0:41:27.840 --> 0:41:29.239
<v Speaker 1>all I got. What else have you watched? You got

0:41:29.280 --> 0:41:31.879
<v Speaker 1>anything else? Yep? I've been doing the six end thing

0:41:31.920 --> 0:41:35.520
<v Speaker 1>in the high score? Um love both of those. I'm

0:41:35.520 --> 0:41:39.960
<v Speaker 1>trying to think if there's anything else um watched? Oh yeah,

0:41:39.960 --> 0:41:41.880
<v Speaker 1>I told you about Cazillionaire. Did you get a chance

0:41:41.920 --> 0:41:46.160
<v Speaker 1>to check that out? Yet, Chuck, not yet highly recommend.

0:41:47.160 --> 0:41:49.000
<v Speaker 1>Yeah no, but you've given me a lot of good things.

0:41:49.200 --> 0:41:50.799
<v Speaker 1>Now I need to really catch up on these some

0:41:50.840 --> 0:41:53.919
<v Speaker 1>of these oscar ones like Minari and uh No, mad

0:41:54.000 --> 0:41:56.279
<v Speaker 1>Land and those are the big two for me. I

0:41:56.280 --> 0:42:00.440
<v Speaker 1>think I also want to see um, Steve McQueen's little

0:42:01.120 --> 0:42:05.240
<v Speaker 1>little his massive five part thing called the Small Acts

0:42:05.480 --> 0:42:08.520
<v Speaker 1>Compendium or something like that. I don't know. Yeah, it's

0:42:08.520 --> 0:42:10.680
<v Speaker 1>like I think he did it with the BBC and

0:42:10.719 --> 0:42:14.080
<v Speaker 1>it's like five movies that are all that were like

0:42:14.120 --> 0:42:16.120
<v Speaker 1>it's sort of like like made as a mini series

0:42:16.160 --> 0:42:20.600
<v Speaker 1>for television and uh several of them. I've made quite

0:42:20.640 --> 0:42:23.719
<v Speaker 1>a few end of year lists. Um, it's about an

0:42:23.719 --> 0:42:31.640
<v Speaker 1>immigrant community in England, I believe. Yeah, Steve McQueen, Um exactly,

0:42:31.960 --> 0:42:34.399
<v Speaker 1>end of the Network, Friend of the Network. Check out

0:42:34.520 --> 0:42:39.080
<v Speaker 1>his podcast Tomorrow's Monsters that that is in season right now.

0:42:39.520 --> 0:42:44.239
<v Speaker 1>But yeah, Small Acts Anthology, Mangrove Lovers, Rock, Red, White

0:42:44.280 --> 0:42:48.200
<v Speaker 1>and Blue, Alex Wheedle and Education. It's all about a

0:42:48.239 --> 0:42:52.799
<v Speaker 1>community of West Indian immigrants living in I believe London. Um,

0:42:53.400 --> 0:42:55.880
<v Speaker 1>it looks really cool and it's not something that I've

0:42:56.120 --> 0:42:58.040
<v Speaker 1>had access to, and I think you must have to

0:42:58.080 --> 0:43:01.480
<v Speaker 1>have like a BBC America ryption. Um, but I want

0:43:01.480 --> 0:43:03.439
<v Speaker 1>to figure out how to get ahold of that. All right,

0:43:04.080 --> 0:43:09.480
<v Speaker 1>good stuff, good rex, good times, great oldies. The mine

0:43:09.560 --> 0:43:13.400
<v Speaker 1>was Oldies ninety three nine. I think they had those

0:43:13.480 --> 0:43:16.200
<v Speaker 1>voices that just they must have done like different numbers,

0:43:16.520 --> 0:43:18.200
<v Speaker 1>and they could have just like subbed that they subbed

0:43:18.239 --> 0:43:20.319
<v Speaker 1>them out to whatever stations and they were able to

0:43:20.360 --> 0:43:23.600
<v Speaker 1>like fill the you know, the promo need for the

0:43:23.680 --> 0:43:25.719
<v Speaker 1>numbers of the of the call letters. Yeah. I think

0:43:25.760 --> 0:43:29.680
<v Speaker 1>everyone at a certain age can call up something from

0:43:29.719 --> 0:43:34.840
<v Speaker 1>their radio childhood. W k l S nine six rock exactly.

0:43:34.840 --> 0:43:41.480
<v Speaker 1>That was one of mine, Star nine's so funny, Augusta,

0:43:42.880 --> 0:43:46.759
<v Speaker 1>that was my town. All right, good stuff, buddy. Uh,

0:43:46.840 --> 0:43:51.320
<v Speaker 1>we'll see everyone next week, yes indeed. Movie Crash is

0:43:51.360 --> 0:43:54.400
<v Speaker 1>produced and written by Charles Bryant and Meel Brown, edited

0:43:54.400 --> 0:43:57.640
<v Speaker 1>and engineered by Seth Nicholas Johnson, and scored by Noel

0:43:57.640 --> 0:44:00.720
<v Speaker 1>Brown here in our home studio at pont steamer Get Atlanta,

0:44:00.760 --> 0:44:03.800
<v Speaker 1>Georgia for I Heart Radio. For more podcasts for my

0:44:03.880 --> 0:44:06.680
<v Speaker 1>Heart Radio, visit the I Heart Radio app, Apple Podcasts,

0:44:06.760 --> 0:44:08.600
<v Speaker 1>or wherever you listen to your favorite shows.